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1
00:01:10,487 --> 00:01:11,889
LUCAS?
2
00:01:32,042 --> 00:01:33,305
:
IT COULDN'T BE...
3
00:01:33,377 --> 00:01:35,236
THAT'S WHAT I THOUGHT
AT FIRST.
4
00:01:35,273 --> 00:01:38,571
WELL, IF THIS IS
REALLY EDGAR ALLAN POE,
5
00:01:38,608 --> 00:01:41,204
WELL, THIS IS WORTH...
GOSH, I DON'T KNOW...
6
00:01:41,241 --> 00:01:42,748
LIKE, A HUNDRED
THOUSAND DOLLARS?
7
00:01:42,786 --> 00:01:44,784
OH, WELL, NO,
MORE LIKE FIFTY,
8
00:01:44,822 --> 00:01:46,575
BUT THE RARITY
OF A DAGUERREOTYPE...
9
00:01:46,613 --> 00:01:47,628
:
CUT.
10
00:01:47,701 --> 00:01:49,419
WAS THAT OKAY,
MS. EPHRON?
11
00:01:49,456 --> 00:01:50,612
DID I MESS UP?
12
00:01:50,650 --> 00:01:52,157
YOU WERE GREAT.
13
00:01:52,195 --> 00:01:54,229
YOU BOTH WERE,
BUT JENN...
14
00:01:54,265 --> 00:01:56,897
WE NEED THIS PORTRAIT EVALUATED
AT A BIGGER NUMBER,
15
00:01:56,934 --> 00:01:58,969
LIKE THE HUNDRED THOUSAND
WE TALKED ABOUT.
16
00:01:59,005 --> 00:02:01,777
YES, BUT EVEN
IF THIS PIECE WERE REAL,
17
00:02:01,849 --> 00:02:04,585
IT WOULD ONLY BE WORTH
BETWEEN 30 AND 50.
18
00:02:04,623 --> 00:02:06,446
: YOU KNOW,
DOESN'T HAVE TO BE REAL.
19
00:02:06,483 --> 00:02:07,850
THIS IS TV.
20
00:02:07,888 --> 00:02:08,903
I'M JUST NOT SURE
I'M COMFORTABLE
21
00:02:08,941 --> 00:02:10,729
LYING ABOUT A LIE.
22
00:02:10,767 --> 00:02:11,747
IT'S NOT A LIE.
23
00:02:11,784 --> 00:02:13,116
IT'S A STORY.
24
00:02:13,154 --> 00:02:14,310
WE'RE TELLING A STORY.
25
00:02:15,681 --> 00:02:17,715
BUT ISN'T THIS REALITY TV?
26
00:02:17,753 --> 00:02:19,049
OKAY, JUST...
27
00:02:19,087 --> 00:02:22,174
THINK OF IT AS
ENABLING THE PLOT.
28
00:02:23,931 --> 00:02:26,211
I MEAN, ONLY IF YOU'RE
COMFORTABLE WITH THAT.
29
00:02:26,248 --> 00:02:28,599
I DON'T WANT YOU
TO NOT ACT NATURAL...
30
00:02:28,636 --> 00:02:30,495
THANK YOU.
31
00:02:30,532 --> 00:02:31,934
BUT... BUT
A HUNDRED THOUSAND?
32
00:02:32,007 --> 00:02:34,146
THAT'S A LOT
MORE EXCITING.
33
00:02:36,008 --> 00:02:37,340
ONLY HALF OF WHAT I'M GOING
TO OWE THE BANK
34
00:02:37,378 --> 00:02:38,394
IF THIS DOESN'T GET PICKED UP.
35
00:02:40,186 --> 00:02:42,151
:
THE PILOT EPISODE
36
00:02:42,222 --> 00:02:44,468
REALLY NEEDS AS MUCH EXCITEMENT
AS WE CAN PACK IN.
37
00:02:44,505 --> 00:02:45,626
OKAY?
38
00:02:47,594 --> 00:02:49,207
WHY DID I LET YOU TALK ME
INTO THIS AGAIN?
39
00:02:49,245 --> 00:02:51,384
MM, 'CAUSE I LOVE
REALITY TV,
40
00:02:51,421 --> 00:02:52,999
AND YOU LOVE ME?
41
00:02:53,036 --> 00:02:54,790
I DO.
42
00:02:54,861 --> 00:02:56,053
AND THE EXTRA MONEY
WILL BE GOOD
43
00:02:56,090 --> 00:02:57,633
FOR RENOVATIONS
FOR THE STORE.
44
00:02:57,670 --> 00:02:59,494
-OKAY... OKAY.
-OKAY.
45
00:02:59,531 --> 00:03:00,511
LET'S GO AGAIN.
46
00:03:00,549 --> 00:03:01,495
YOU'RE GREAT.
47
00:03:01,532 --> 00:03:03,074
THINK BIG!
48
00:03:03,111 --> 00:03:04,269
GOTCHA. BIG.
49
00:03:04,305 --> 00:03:05,462
ROLL SOUND.
50
00:03:05,499 --> 00:03:06,305
: SOUND SPEED.
51
00:03:06,341 --> 00:03:07,884
AND ACTION.
52
00:03:09,010 --> 00:03:10,376
IT COULDN'T BE...
53
00:03:10,414 --> 00:03:11,746
THAT'S WHAT I THOUGHT AT FIRST.
54
00:03:11,783 --> 00:03:14,695
IF THIS IS A REAL
EDGAR ALLAN POE,
55
00:03:14,732 --> 00:03:15,889
WELL, THEN...
56
00:03:15,926 --> 00:03:18,206
I DON'T EVEN KNOW
HOW MUCH THIS IS WORTH...
57
00:03:18,244 --> 00:03:20,242
LIKE, A HUNDRED
THOUSAND DOLLARS?
58
00:03:20,280 --> 00:03:23,508
: MAYBE, YEAH...
59
00:03:23,544 --> 00:03:24,771
BUT THE RARITY
OF A DAGUERREOTYPE
60
00:03:24,843 --> 00:03:26,492
IN THIS CONDITION...
61
00:03:26,563 --> 00:03:27,790
WELL, THAT IS...
62
00:03:29,898 --> 00:03:32,425
PRICELESS.
63
00:03:32,462 --> 00:03:34,145
IT'S PRICELESS.
64
00:03:41,027 --> 00:03:42,606
HEY.
65
00:03:42,642 --> 00:03:44,361
HEY!
66
00:03:44,433 --> 00:03:45,484
THANKS FOR THE PICK-UP.
67
00:03:45,521 --> 00:03:47,520
YEAH, NO PROBLEM.
68
00:03:51,314 --> 00:03:53,419
OKAY, MAYBE
A SLIGHT PROBLEM.
69
00:03:55,562 --> 00:03:56,824
WHO DRIVES STANDARD ANYMORE?
70
00:03:56,896 --> 00:03:58,685
OH, COME ON,
THIS CAR'S A CLASSIC.
71
00:03:59,951 --> 00:04:02,231
DOESN'T HELP THAT
IT'S DAD'S BABY.
72
00:04:02,268 --> 00:04:03,986
JUST GIVE IT
A LITTLE MORE GAS
73
00:04:04,058 --> 00:04:05,566
AND LIFT OFF THE CLUTCH
A BIT EASIER.
74
00:04:05,603 --> 00:04:06,514
YOU GOT THIS.
75
00:04:24,210 --> 00:04:26,876
CLASSIC.
76
00:04:38,323 --> 00:04:40,252
: STOP ANDRONOCORP!
77
00:04:40,289 --> 00:04:41,446
GET INVOLVED!
78
00:04:44,362 --> 00:04:45,483
WEBSITE'S ON THE FLYER.
79
00:04:45,520 --> 00:04:47,204
GET INVOLVED!
80
00:04:48,399 --> 00:04:50,083
OKAY, LET'S MOVE IT OVER HERE.
81
00:04:52,717 --> 00:04:54,049
OH, HI.
82
00:04:54,087 --> 00:04:55,032
WELCOME TO
RAGS TO RICHES.
83
00:04:55,070 --> 00:04:56,085
CAN WE HELP YOU?
84
00:04:56,123 --> 00:04:58,578
HI, YES,
I'M HOPING THAT YOU CAN.
85
00:05:00,125 --> 00:05:02,721
THIS BELONGED
TO MY MOTHER IN-LAW.
86
00:05:02,758 --> 00:05:04,020
I'M WONDERING
87
00:05:04,057 --> 00:05:05,109
IF YOU MIGHT KNOW
SOMETHING ABOUT IT?
88
00:05:07,498 --> 00:05:09,918
: OH, IT'S BEAUTIFUL.
89
00:05:09,991 --> 00:05:11,568
OH, THIS IS, UH...
90
00:05:11,605 --> 00:05:13,359
THIS IS PRETTY
LOCKED UP, HUH?
91
00:05:13,396 --> 00:05:16,203
I COULDN'T FIGURE OUT
HOW TO OPEN IT.
92
00:05:16,240 --> 00:05:17,431
JENN?
93
00:05:17,503 --> 00:05:21,749
UM, MAYBE TALK
ABOUT THE BOX...
94
00:05:21,787 --> 00:05:24,172
ITS ORIGIN,
ITS HISTORY.
95
00:05:24,209 --> 00:05:26,243
MA'AM, WOULD YOU MIND
IF WE FILMED THIS?
96
00:05:26,280 --> 00:05:28,630
I'D REALLY RATHER NOT,
ACTUALLY.
97
00:05:28,668 --> 00:05:29,824
THANK YOU...
98
00:05:29,861 --> 00:05:31,860
BUT ANY EXTRA INFO
WOULD BE VERY HELPFUL.
99
00:05:31,897 --> 00:05:33,124
LET'S JUST CUT.
100
00:05:33,196 --> 00:05:35,090
OKAY, UH, WELL,
THIS IS A PUZZLE BOX,
101
00:05:35,127 --> 00:05:36,670
AS YOU PROBABLY KNOW.
102
00:05:36,707 --> 00:05:38,145
IT'S ORIGINALLY
103
00:05:38,182 --> 00:05:42,884
FROM 2ND OR 3RD CENTURY
GREEK MECHANICAL PUZZLES.
104
00:05:42,922 --> 00:05:43,832
MM-HMM, THE SAME CULTURE
THAT BROUGHT YOU
105
00:05:43,869 --> 00:05:45,201
THE PANDORA'S BOX MYTH.
106
00:05:45,273 --> 00:05:47,097
: RIGHT, AND IN FACT,
107
00:05:47,169 --> 00:05:48,291
SOME OF THE FIRST
COMBINATION LOCKS WERE PUZZLES.
108
00:05:48,362 --> 00:05:50,046
VAULTS, TOO, YEAH.
109
00:05:50,083 --> 00:05:51,801
SO THERE COULD BE
SOMETHING VALUABLE INSIDE?
110
00:05:51,839 --> 00:05:53,135
WELL, THERE COULD BE.
111
00:05:53,173 --> 00:05:55,769
THESE WERE NOVELTY GIFTS
IN 19TH-CENTURY ENGLAND,
112
00:05:55,840 --> 00:05:58,787
AND PEOPLE DID STORE
THINGS IN THEM,
113
00:05:58,825 --> 00:06:00,964
BUT THIS ONE
LOOKS FAIRLY NEW,
114
00:06:01,001 --> 00:06:03,457
ALTHOUGH THE WORK
IS VERY INTRICATE.
115
00:06:03,529 --> 00:06:04,826
WERE YOU INTERESTED
IN SELLING IT?
116
00:06:04,898 --> 00:06:07,530
WELL, IT BELONGED
TO MY MOTHER-IN-LAW, ELIZABETH,
117
00:06:07,601 --> 00:06:09,741
WHO PASSED AWAY RECENTLY.
118
00:06:09,813 --> 00:06:11,812
I JUST WANTED TO MAKE SURE
THERE WASN'T ANYTHING INSIDE
119
00:06:11,885 --> 00:06:13,393
BEFORE I DECIDE TO SELL IT.
120
00:06:13,429 --> 00:06:15,639
I THINK WE CAN HELP YOU
WITH THAT.
121
00:06:15,677 --> 00:06:17,395
I'D ALSO READ
THAT, SOMETIMES,
122
00:06:17,432 --> 00:06:18,693
THERE ARE TRIGGERS
IN THESE
123
00:06:18,731 --> 00:06:21,924
THAT WILL SMASH
WHATEVER'S INSIDE
124
00:06:21,960 --> 00:06:23,573
IF YOU TRY TO BREAK IT
INSTEAD OF SOLVING IT?
125
00:06:23,646 --> 00:06:25,504
YES, THAT'S TRUE.
126
00:06:25,542 --> 00:06:28,067
SO, DO YOU THINK
YOU CAN GET IT OPEN?
127
00:06:29,298 --> 00:06:30,806
WELL, IT USUALLY TAKES
ONE OR TWO CIPHERS
128
00:06:30,843 --> 00:06:32,140
TO UNLOCK THESE,
129
00:06:32,177 --> 00:06:34,035
BUT THE SYMBOLS
ON HERE
130
00:06:34,073 --> 00:06:35,088
LOOK LIKE THEY'RE FROM
DIFFERENT CULTURES,
131
00:06:35,126 --> 00:06:37,687
ALMOST LIKE
YOU'D NEED A TRANSLATOR.
132
00:06:37,724 --> 00:06:40,776
GIVE ME A FEW DAYS
TO DO SOME RESEARCH.
133
00:06:40,849 --> 00:06:42,461
THE SOONER THE BETTER,
MISS...
134
00:06:42,499 --> 00:06:43,585
OH, JENN,
I'M JENN,
135
00:06:43,623 --> 00:06:44,708
AND THIS IS
MY PARTNER, DANI,
136
00:06:44,781 --> 00:06:45,902
AND YOU ARE?
137
00:06:45,974 --> 00:06:47,692
TAMARA ANDRONICUS.
138
00:06:47,729 --> 00:06:49,799
ANDRONICUS,
LIKE THE REAL-ESTATE DEVELOPERS?
139
00:06:49,871 --> 00:06:51,449
YES.
140
00:06:51,486 --> 00:06:52,678
YOUR MOTHER-IN-LAW
IS ELIZABETH ANDRONICUS?
141
00:06:52,714 --> 00:06:54,012
WAS.
142
00:06:54,049 --> 00:06:55,065
YOU KNEW HER?
143
00:06:55,102 --> 00:06:57,978
NO, NO.
144
00:06:58,051 --> 00:07:00,155
I'M SORRY
TO HEAR ABOUT HER PASSING.
145
00:07:00,193 --> 00:07:01,736
I READ SHE HAD TWO SONS?
146
00:07:01,807 --> 00:07:03,175
HOW ARE THEY DOING?
147
00:07:03,212 --> 00:07:06,650
WELL, LUCAS IS STRUGGLING,
OF COURSE.
148
00:07:06,687 --> 00:07:09,178
WE DON'T REALLY HEAR
FROM QUIN ANYMORE.
149
00:07:09,216 --> 00:07:11,390
DO YOU HAVE A PEN
SO I COULD WRITE DOWN MY NUMBER?
150
00:07:11,427 --> 00:07:12,759
SURE, OF COURSE.
151
00:07:17,360 --> 00:07:18,446
THANK YOU.
152
00:07:18,519 --> 00:07:20,413
WELL,
I SHOULD GET GOING.
153
00:07:20,450 --> 00:07:24,379
IF THERE IS ANYTHING
PERSONAL IN THIS BOX,
154
00:07:24,417 --> 00:07:25,924
DISCRETION
IS VERY IMPORTANT.
155
00:07:27,787 --> 00:07:29,856
MAYBE BEFORE YOU OPEN
THE FINAL CIPHER,
156
00:07:29,929 --> 00:07:31,050
YOU COULD BRING IT BY THE HOUSE
157
00:07:31,123 --> 00:07:32,174
AND SHOW ME
HOW TO OPEN IT?
158
00:07:32,211 --> 00:07:33,859
ABSOLUTELY.
WE CAN DO THAT.
159
00:07:33,896 --> 00:07:35,334
GREAT.
160
00:07:35,371 --> 00:07:36,282
IF YOU NEED
ANYTHING AT ALL FROM ME,
161
00:07:36,319 --> 00:07:37,299
JUST LET ME KNOW.
162
00:07:37,337 --> 00:07:38,458
SAME.
163
00:07:38,495 --> 00:07:39,511
NICE TO MEET YOU,
TAMARA.
164
00:07:39,549 --> 00:07:41,722
THANK YOU,
AND I GUESS... GOOD LUCK.
165
00:07:41,760 --> 00:07:43,127
LUCK'S WHAT WE'RE
GOING TO NEED.
166
00:07:45,025 --> 00:07:46,041
EXCUSE ME.
167
00:07:46,113 --> 00:07:48,428
EXCUSE ME,
MRS. ANDRONICUS.
168
00:07:48,501 --> 00:07:49,622
I'M JOEL JACOBS.
169
00:07:49,695 --> 00:07:51,132
I'M THE PRODUCER.
170
00:07:51,169 --> 00:07:52,887
WE'VE MET, RIGHT?
171
00:07:52,924 --> 00:07:54,537
YES, YES, WE HAVE.
172
00:07:54,575 --> 00:07:56,362
I USED TO PLAY POKER WITH LUCAS.
173
00:07:58,962 --> 00:08:00,084
IS THERE ANY WAY
174
00:08:00,121 --> 00:08:03,104
THAT I COULD PERSUADE YOU
TO BE ON CAMERA?
175
00:08:03,175 --> 00:08:04,578
I MEAN,
IT WOULD REALLY HELP ME OUT.
176
00:08:04,615 --> 00:08:06,579
LOOK...
177
00:08:06,616 --> 00:08:08,685
I DO REMEMBER
THOSE LATE NIGHTS,
178
00:08:08,722 --> 00:08:10,054
BUT I'M SORRY.
179
00:08:10,092 --> 00:08:12,231
I'M JUST NOT A CAMERA PERSON.
180
00:08:12,268 --> 00:08:13,390
IT WAS GOOD TO SEE YOU, THOUGH.
181
00:08:15,007 --> 00:08:16,830
YEAH, YOU TOO.
182
00:08:19,816 --> 00:08:20,797
IT DOES LOOK...
183
00:08:21,783 --> 00:08:23,712
OOH.
184
00:08:23,784 --> 00:08:25,396
HEY, SWEETHEART.
185
00:08:25,434 --> 00:08:27,292
OH, NO.
186
00:08:27,365 --> 00:08:30,171
IS EVERYONE OKAY?
187
00:08:30,209 --> 00:08:32,243
DO YOU WANT ME TO MEET YOU THERE
OR AT HOME?
188
00:08:34,281 --> 00:08:35,894
NO, FINE.
I'M ON MY WAY.
189
00:08:35,930 --> 00:08:38,035
WELL, THIS MAIL BOX
HAS SEEN BETTER DAYS...
190
00:08:39,757 --> 00:08:41,089
BUT IT COULD'VE BEEN WORSE.
191
00:08:41,162 --> 00:08:42,178
CAN YOU GET THIS CAR HOME?
192
00:08:42,215 --> 00:08:44,109
MY DAD'S ON HIS WAY.
193
00:08:44,146 --> 00:08:46,110
:
THAT'S NEVER FUN...
194
00:08:46,147 --> 00:08:47,584
AND WHERE DO I KNOW YOU FROM?
195
00:08:47,657 --> 00:08:48,708
IT'S BEEN BUGGING ME.
196
00:08:48,745 --> 00:08:50,954
OH, WAIT, UM...
197
00:08:50,992 --> 00:08:52,430
CRIM-PSYCH AT U.M.
198
00:08:52,466 --> 00:08:53,623
YOU SAT AT THE FRONT, RIGHT?
199
00:08:53,661 --> 00:08:54,886
I TOOK THAT CLASS
FRESHMAN YEAR.
200
00:08:54,924 --> 00:08:56,291
I KNEW IT.
201
00:08:56,329 --> 00:08:58,397
I DID SOME PREREQS THERE
BEFORE ENTERING THE ACADEMY.
202
00:08:58,435 --> 00:09:00,328
YOU OBVIOUSLY
GRADUATED.
203
00:09:00,366 --> 00:09:02,576
I DID.
YOU?
204
00:09:02,648 --> 00:09:04,050
I'M WORKING
ON MY MASTER'S.
205
00:09:04,088 --> 00:09:05,560
IMPRESSIVE.
206
00:09:13,847 --> 00:09:14,968
YOU'RE BOTH OKAY?
207
00:09:15,006 --> 00:09:16,338
I, UH...
208
00:09:16,375 --> 00:09:18,690
I MESSED UP
WITH THE REVERSE.
209
00:09:18,727 --> 00:09:20,481
I'M TOTALLY SORRY.
210
00:09:20,553 --> 00:09:21,990
CARS CAN BE REPLACED.
211
00:09:22,027 --> 00:09:23,464
FAMILY CAN'T.
212
00:09:23,501 --> 00:09:25,255
DAD, YOU'RE GRIPPING
A LITTLE TIGHT.
213
00:09:25,327 --> 00:09:26,238
I'M SORRY.
214
00:09:28,031 --> 00:09:29,012
THANKS FOR EVERYTHING.
215
00:09:29,084 --> 00:09:30,030
SO WHAT DO WE DO NOW?
216
00:09:30,102 --> 00:09:32,733
WELL, FIX THE CAR
AND THE MAILBOX,
217
00:09:32,805 --> 00:09:35,366
BUT LIKE I WAS TELLING YOUR SON,
IT COULD'VE BEEN WORSE.
218
00:09:35,403 --> 00:09:36,770
I DID THE SAME THING
TO MY PARENT'S CAR
219
00:09:36,807 --> 00:09:38,280
WHEN I WAS YOUR AGE.
220
00:09:38,317 --> 00:09:39,684
RITE OF PASSAGE, I GUESS,
221
00:09:39,722 --> 00:09:41,580
BUT JUST BE MORE CAREFUL,
PLEASE?
222
00:09:41,618 --> 00:09:42,598
I WILL.
223
00:09:44,390 --> 00:09:46,284
HERE'S MY CARD.
DRIVE SAFE.
224
00:09:46,322 --> 00:09:47,723
EXCUSE ME.
225
00:09:54,396 --> 00:09:57,097
I JUST HAD HER PAINTED.
226
00:09:57,135 --> 00:09:59,414
DAD, ARE YOU
TEARING UP?
227
00:10:00,645 --> 00:10:01,662
NO, JUST...
228
00:10:01,698 --> 00:10:02,890
SOMETHING IN THE WIND.
229
00:10:10,019 --> 00:10:10,894
:
YES, I UNDERSTAND.
230
00:10:10,932 --> 00:10:12,123
THANK YOU.
231
00:10:12,196 --> 00:10:14,300
SO OUR DEDUCTIBLE IS $300,
232
00:10:14,337 --> 00:10:17,811
AND OUR INSURANCE PREMIUMS
ARE DEFINITELY GOING UP.
233
00:10:17,848 --> 00:10:20,373
WE'LL COVER THE COST
FOR NOW, BUT...
234
00:10:20,411 --> 00:10:21,743
I'LL PAY THE DEDUCTIBLE
235
00:10:21,780 --> 00:10:23,604
AND WHATEVER THE DIFFERENCE
IS ON YOUR PREMIUMS.
236
00:10:23,640 --> 00:10:25,219
WELL, WITH THE MAILBOX,
237
00:10:25,255 --> 00:10:26,904
WE'RE LOOKING
AT ABOUT $1,800.
238
00:10:28,486 --> 00:10:29,818
I CAN HANDLE THAT.
239
00:10:29,854 --> 00:10:31,011
HOW?
240
00:10:31,049 --> 00:10:32,836
HOW MUCH DOES A KIDNEY GO FOR?
241
00:10:32,874 --> 00:10:35,013
FUNNY.
242
00:10:35,051 --> 00:10:36,839
: I'LL JUST GET A JOB
OR SOMETHING.
243
00:10:36,911 --> 00:10:37,823
I'LL FIGURE IT OUT.
244
00:10:39,545 --> 00:10:41,227
WE KNOW YOU WILL.
245
00:10:42,634 --> 00:10:45,475
AND LOGAN,
ACCIDENTS HAPPEN.
246
00:10:45,513 --> 00:10:47,126
WE'RE JUST GLAD
YOU'RE OKAY.
247
00:10:56,045 --> 00:10:57,412
OFFICER RYAN.
248
00:10:57,450 --> 00:10:58,781
HI.
249
00:10:58,819 --> 00:11:00,256
IT'S HANNAH,
250
00:11:00,293 --> 00:11:02,643
FROM THE CAR-SLASH-CRIM-CLASS
INCIDENT.
251
00:11:02,680 --> 00:11:03,697
OH!
252
00:11:03,733 --> 00:11:04,714
UH, OF COURSE.
253
00:11:04,752 --> 00:11:05,733
HOW ARE YOU?
254
00:11:05,769 --> 00:11:07,313
GREAT.
255
00:11:07,350 --> 00:11:10,016
YOU KNOW, LOGAN'S GOING TO RAISE
SOME CASH TO FIX EVERYTHING,
256
00:11:10,053 --> 00:11:12,333
AND, WELL, I JUST WANTED
TO SAY THANKS
257
00:11:12,370 --> 00:11:13,772
FOR BEING COOL ABOUT IT ALL.
258
00:11:14,967 --> 00:11:17,564
WELL, THANK YOU.
259
00:11:17,636 --> 00:11:20,126
I DON'T USUALLY GET THESE
QUALITY CARE FOLLOW-UP CALLS,
260
00:11:20,199 --> 00:11:21,074
SO THIS IS A FIRST.
261
00:11:22,938 --> 00:11:24,725
SO...
262
00:11:24,798 --> 00:11:26,657
YOU KNOW, I NEVER DO THIS...
263
00:11:26,694 --> 00:11:29,922
YOU WOULD BE SURPRISED
HOW OFTEN I HEAR THAT.
264
00:11:29,959 --> 00:11:31,186
YOU GET ASKED OUT A LOT?
265
00:11:31,258 --> 00:11:33,222
WHAT?
NO, WITH MY JOB...
266
00:11:33,260 --> 00:11:35,258
BUT YOU'RE ASKING ME OUT?
267
00:11:36,770 --> 00:11:39,190
WELL, MAYBE A COFFEE
OR SOMETHING SOMETIME?
268
00:11:39,227 --> 00:11:41,191
I COULD DO THAT.
269
00:11:41,229 --> 00:11:43,438
I'LL KNOW MORE ABOUT MY SCHEDULE
LATER TODAY.
270
00:11:43,475 --> 00:11:44,456
I COULD TALK TO YOU TOMORROW?
271
00:11:44,494 --> 00:11:46,457
ABSOLUTELY, OFFICER...
272
00:11:46,495 --> 00:11:47,405
OR...?
273
00:11:47,478 --> 00:11:49,442
BRETT IS FINE...
274
00:11:49,513 --> 00:11:51,021
OR OFFICER,
WHATEVER YOU LIKE.
275
00:11:51,058 --> 00:11:52,988
TALK TO YOU SOON, BRETT.
276
00:11:53,025 --> 00:11:53,865
OKAY, BYE.
277
00:11:53,937 --> 00:11:55,339
BYE.
278
00:12:08,121 --> 00:12:09,523
HOW GOES?
279
00:12:09,561 --> 00:12:11,734
IT'S A BEAUTIFUL MYSTERY.
280
00:12:11,772 --> 00:12:13,596
JUST LIKE YOU.
281
00:12:13,632 --> 00:12:15,175
AW.
282
00:12:18,372 --> 00:12:20,055
WHATCHA GOT HERE,
PUZZLE CHEAT SHEETS?
283
00:12:20,093 --> 00:12:20,968
OH, YES.
284
00:12:21,041 --> 00:12:22,302
I WAS LOOKING
FOR POINTERS
285
00:12:22,339 --> 00:12:24,478
AND TRYING TO FIGURE OUT
WHAT THESE SYMBOLS MEAN.
286
00:12:24,516 --> 00:12:27,393
THERE'S A LOT
OF HISTORY IN THEM.
287
00:12:27,430 --> 00:12:29,289
CAN'T BE THAT HARD.
288
00:12:34,733 --> 00:12:36,486
I'M OUT.
289
00:12:36,558 --> 00:12:37,784
WELL, THEY SAY
THESE ARE COMPLEX
290
00:12:37,822 --> 00:12:39,435
IN THEIR SIMPLICITY.
291
00:12:39,472 --> 00:12:40,664
IF YOU SAY, "LIKE ME,"
292
00:12:40,701 --> 00:12:41,717
THAT THING'S GOING
OUT THE WINDOW.
293
00:12:43,264 --> 00:12:44,490
TRY NOT TO STAY UP
TOO LATE, SWEETIE.
294
00:12:44,562 --> 00:12:45,613
ME? NEVER.
295
00:12:45,651 --> 00:12:47,544
MM. GOOD NIGHT.
296
00:12:47,617 --> 00:12:49,440
GOOD NIGHT.
297
00:13:20,934 --> 00:13:22,512
ONE MORE TIME.
298
00:13:24,690 --> 00:13:26,725
YES, WE JUST GOT
A LOVELY SET IN, ACTUALLY.
299
00:13:26,762 --> 00:13:28,690
IT'S OVER THERE
IN THE CREDENZA.
300
00:13:28,727 --> 00:13:29,568
:
GOOD MORNING, EVERYONE.
301
00:13:29,606 --> 00:13:30,621
MORNING, HON'.
302
00:13:30,659 --> 00:13:31,674
HEY, DANI.
303
00:13:31,712 --> 00:13:32,833
JENN, GOOD MORNING.
304
00:13:32,871 --> 00:13:34,097
HEY, WOULD YOU MIND
305
00:13:34,169 --> 00:13:35,923
IF I PUT THIS BOX
SOMEWHERE ELSE?
306
00:13:35,960 --> 00:13:37,046
IT'S JUST...
IT'S IN OUR SHOT.
307
00:13:37,083 --> 00:13:38,626
OH, NO, I DON'T
MIND AT ALL.
308
00:13:42,841 --> 00:13:44,068
WHAT'RE YOU READING, DANI?
309
00:13:44,105 --> 00:13:45,612
NOTES ON THE PUZZLE BOX.
310
00:13:45,649 --> 00:13:47,648
THEY WANT TO CENTER
THE EPISODE AROUND IT.
311
00:13:47,685 --> 00:13:49,825
OH...
312
00:13:49,862 --> 00:13:51,230
JOEL?
313
00:13:51,267 --> 00:13:53,125
TAMARA DIDN'T EVEN
WANT TO BE ON CAMERA.
314
00:13:53,163 --> 00:13:54,776
I DON'T FEEL RIGHT
315
00:13:54,813 --> 00:13:56,390
ABOUT EXPLOITING
THE FAMILY NAME.
316
00:13:56,428 --> 00:13:58,882
MAYBE THERE'S ANOTHER ANTIQUE
WE COULD FOCUS ON?
317
00:13:58,920 --> 00:14:01,656
WE DEFINITELY WON'T BE USING
THE FAMILY NAME.
318
00:14:01,694 --> 00:14:02,885
I PUT IN A CALL INTO LUCAS.
319
00:14:02,957 --> 00:14:04,255
HE OWES ME A FAVOR
FROM WAY BACK,
320
00:14:04,326 --> 00:14:05,729
AND I WAS ABLE
321
00:14:05,766 --> 00:14:07,379
TO GET
THE BOX ITSELF CLEARED.
322
00:14:07,417 --> 00:14:10,152
HOW DO YOU KNOW LUCAS?
323
00:14:10,190 --> 00:14:13,769
OLD POKER BUDDY,
BUT THAT'S A REALLY LONG STORY.
324
00:14:13,805 --> 00:14:14,787
OKAY, WE READY?
325
00:14:14,824 --> 00:14:16,366
YES. YES.
326
00:14:17,527 --> 00:14:18,508
YOU LOOK NICE.
327
00:14:18,545 --> 00:14:19,702
YOU LOOK BEAUTIFUL.
328
00:14:19,739 --> 00:14:21,281
HEY, LADIES, HOW WE DOING
WITH THAT SCRIPT?
329
00:14:21,354 --> 00:14:22,475
I KNOW ALL MY LINES.
330
00:14:22,548 --> 00:14:23,844
OKAY, HOW ABOUT YOU?
331
00:14:23,917 --> 00:14:25,740
I DON'T KNOW ALL MY LINES.
332
00:14:25,813 --> 00:14:26,933
THAT'S OKAY,
333
00:14:27,006 --> 00:14:28,373
BUT JUST TRY TO HIT
THOSE BASIC BEATS.
334
00:14:28,411 --> 00:14:29,602
OKAY.
335
00:14:29,640 --> 00:14:30,760
I KNOW
ALL HER LINES.
336
00:14:30,798 --> 00:14:31,849
PERFECT.
337
00:14:31,921 --> 00:14:32,902
JUMP IN
WHEN YOU CAN.
338
00:14:32,939 --> 00:14:34,025
SHE KNOWS ALL MY LINES?
339
00:14:34,063 --> 00:14:35,745
SHE'S GOT YOUR BACK.
340
00:14:35,783 --> 00:14:37,431
OKAY, BUT JUST KEEP
THE ENERGY UP RIGHT HERE.
341
00:14:37,468 --> 00:14:38,484
THAT'S WHERE THE MAGIC HAPPENS.
342
00:14:38,521 --> 00:14:39,994
OKAY.
343
00:14:40,031 --> 00:14:41,118
SO ENERGY HERE.
344
00:14:41,154 --> 00:14:42,557
SO, HOW'S EVERYONE
FEELING, GOOD?
345
00:14:42,594 --> 00:14:43,574
GOOD, YEAH.
346
00:14:43,612 --> 00:14:45,155
OKAY, GO GET 'EM.
347
00:14:45,226 --> 00:14:46,980
LAVENDER
IS A GOOD COLOR ON YOU.
348
00:14:47,017 --> 00:14:48,034
OH, THANK YOU.
349
00:14:48,070 --> 00:14:48,982
:
CAMERAS UP!
350
00:14:49,018 --> 00:14:50,842
SOUND SPEED.
351
00:14:50,879 --> 00:14:52,386
AND ACTION.
352
00:14:52,424 --> 00:14:55,160
JENN, I WAS
LOOKING ONLINE,
353
00:14:55,198 --> 00:14:57,547
AND IT SEEMS SOME OF
THESE PUZZLE BOXES
354
00:14:57,585 --> 00:15:01,971
CAN BE SOLVED IN
BETWEEN 7 TO 78 MOVES,
355
00:15:02,009 --> 00:15:03,551
BUT MAYBE WE SHOULD
SPEAK TO SOMEONE
356
00:15:03,624 --> 00:15:04,815
WHO SPECIALIZES IN THEM.
357
00:15:04,852 --> 00:15:07,904
SO I FOUND AN EXPERT
IN CASTLE ROCK,
358
00:15:07,942 --> 00:15:10,537
AND SHE'S INTERESTED
IN SEEING IT.
359
00:15:10,610 --> 00:15:11,801
OH, WELL,
YOU KNOW ME, DANI.
360
00:15:11,838 --> 00:15:13,241
I LOVE A GOOD CHALLENGE...
361
00:15:14,577 --> 00:15:17,629
BUT AN EXPERT
IS A VERY GOOD IDEA.
362
00:15:17,666 --> 00:15:19,489
I THINK WE SHOULD GO SEE
AN EXPERT.
363
00:15:19,527 --> 00:15:21,737
I'LL GET
THE PUZZLE BOX.
364
00:15:23,354 --> 00:15:25,633
WHERE IS THE PUZZLE BOX?
365
00:15:26,864 --> 00:15:27,775
IT WAS RIGHT THERE.
366
00:15:27,848 --> 00:15:28,758
: CUT.
367
00:15:29,989 --> 00:15:32,374
IT'S... IT'S REALLY GONE.
368
00:15:32,447 --> 00:15:33,989
WHAT DO YOU MEAN?
I PUT IT RIGHT THERE,
369
00:15:34,026 --> 00:15:36,025
RIGHT BESIDE THE STATUE
OF THE MALTESE FALCON.
370
00:15:36,062 --> 00:15:38,939
WELL, IT'S NOT
HERE NOW.
371
00:15:38,977 --> 00:15:41,397
ALL RIGHT,
DID ANYONE MOVE THE BOX?
372
00:15:41,469 --> 00:15:43,012
MAYBE WE CAN CHECK
THE FOOTAGE?
373
00:15:44,488 --> 00:15:45,751
YEAH, REWIND THAT FOR ME.
374
00:15:49,473 --> 00:15:50,524
AH, YOU KNOW WHAT?
375
00:15:50,562 --> 00:15:51,578
THERE WERE
A COUPLE OF CUSTOMERS
376
00:15:51,615 --> 00:15:53,790
IN HERE EARLIER.
377
00:15:53,827 --> 00:15:56,493
NO, NO, WE DON'T HAVE
A LOT OF THEFT AROUND HERE.
378
00:15:57,759 --> 00:16:00,074
:
NOTHING ON THE FOOTAGE.
379
00:16:00,112 --> 00:16:01,268
UH, YOU KNOW WHAT--
380
00:16:01,305 --> 00:16:03,199
IT'S GOT TO BE HERE SOMEWHERE,
381
00:16:03,236 --> 00:16:04,322
SO WE'RE JUST GOING TO...
382
00:16:04,359 --> 00:16:05,516
WE'RE GOING TO SPREAD OUT
AND LOOK,
383
00:16:05,552 --> 00:16:07,236
AND WE'RE GOING
TO FIND THE BOX.
384
00:16:14,576 --> 00:16:16,855
I'M SURE THE BOX
WILL TURN UP SOMEWHERE.
385
00:16:16,928 --> 00:16:18,470
I FEEL AWFUL.
386
00:16:18,508 --> 00:16:19,699
WHAT ARE YOU GOING
TO TELL TAMARA?
387
00:16:19,737 --> 00:16:22,472
THAT WE'LL PAY HER
WHAT THE BOX IS WORTH.
388
00:16:24,265 --> 00:16:25,527
DO YOU WANT ME
TO GO WITH YOU?
389
00:16:25,564 --> 00:16:27,142
NO, I'LL BE FINE.
YOU GO HOME.
390
00:16:27,179 --> 00:16:28,020
OKAY. CALL ME
IF YOU NEED ME.
391
00:16:28,056 --> 00:16:29,214
WILL DO.
392
00:16:29,251 --> 00:16:31,144
OKAY, FINE,
YOU WILL GET YOUR MONEY.
393
00:16:32,936 --> 00:16:34,585
ALL RIGHT. BYE.
394
00:16:35,956 --> 00:16:37,112
EVERYTHING ALL RIGHT?
395
00:16:38,624 --> 00:16:40,869
I'M REALLY SORRY
ABOUT THIS.
396
00:16:40,941 --> 00:16:42,379
THE PRODUCTION
WILL COVER THE COST
397
00:16:42,415 --> 00:16:43,853
IF WE DID MISPLACE IT.
398
00:16:43,891 --> 00:16:46,100
WELL, I APPRECIATE THAT.
399
00:16:46,137 --> 00:16:48,346
I'M MORE CONCERNED
ABOUT THE SENTIMENTAL VALUE.
400
00:16:48,384 --> 00:16:49,891
YEAH, I UNDERSTAND.
401
00:16:49,929 --> 00:16:52,630
THIS WHOLE TOWN IS LIKE
ONE BIG SENTIMENT TO ME.
402
00:16:54,985 --> 00:16:56,527
HOW SO?
403
00:16:56,564 --> 00:16:59,406
WELL, I GREW UP HERE.
404
00:16:59,443 --> 00:17:00,985
SO THAT'S HOW
YOU FOUND US,
405
00:17:01,058 --> 00:17:02,425
AND HOW YOU KNOW LUCAS.
406
00:17:02,462 --> 00:17:03,619
WELL...
407
00:17:03,656 --> 00:17:06,532
I'VE ALWAYS WANTED
TO SHOOT SOMETHING HERE.
408
00:17:06,570 --> 00:17:09,657
PLACE IS SO PEACEFUL
AND WELCOMING.
409
00:17:09,694 --> 00:17:10,605
WELL, THAT'S WHY
WE LOVE IT.
410
00:17:10,642 --> 00:17:11,869
YEAH.
411
00:17:11,906 --> 00:17:13,660
AND WHY WE HAVE TO
KEEP IT THAT WAY.
412
00:17:13,696 --> 00:17:14,889
WE HAVE A THREE-STOREY
HEIGHT LIMITATION
413
00:17:14,925 --> 00:17:18,048
ON ALL BUILDINGS UP
AND DOWN MAIN STREET.
414
00:17:18,120 --> 00:17:21,067
ANDRONOCORP IS TRYING TO GET
THE ZONING FOR A SIX-STOREY.
415
00:17:21,104 --> 00:17:23,420
SPOILER ALERT,
THEY'RE GOING TO GET IT,
416
00:17:23,456 --> 00:17:24,473
BECAUSE THEY'RE ABOVE THE LAW
417
00:17:24,510 --> 00:17:25,842
AND CAN BUY OUT
ANY COUNCIL
418
00:17:25,879 --> 00:17:27,527
IN ANY CITY
THEY WANT.
419
00:17:27,564 --> 00:17:29,353
DO A STORY ON THAT.
420
00:17:29,390 --> 00:17:32,442
WELL, WE WOULD
IF WE WERE A NEWS CREW.
421
00:17:32,479 --> 00:17:35,216
WE HAVE TO TAKE
MASSIVE ACTION...
422
00:17:35,252 --> 00:17:36,936
BY ANY MEANS NECESSARY.
423
00:17:36,973 --> 00:17:38,937
WEBSITE'S ON THE FLYER.
424
00:17:38,974 --> 00:17:40,552
GET INVOLVED.
425
00:17:44,381 --> 00:17:46,591
I'D SAY
HE HAS SPIRIT TO SPARE.
426
00:17:46,627 --> 00:17:47,994
WELL, HE IS RIGHT.
427
00:17:48,032 --> 00:17:50,909
I MEAN, ANDRONOCORP HAS BEEN
TRYING TO RUIN THIS TOWN
428
00:17:50,946 --> 00:17:51,926
AND EVERYONE IN IT
429
00:17:51,964 --> 00:17:52,874
FOR YEARS,
430
00:17:52,912 --> 00:17:54,068
AND JUST WHEN YOU THINK
431
00:17:54,105 --> 00:17:55,964
HARVEY ANDRONICUS
IS GOING TO RETIRE,
432
00:17:56,001 --> 00:17:59,404
HE HANDS IT ALL OVER
TO HIS EQUALLY GREEDY SON.
433
00:17:59,442 --> 00:18:01,757
LUCAS CAN'T BE ALL BAD.
434
00:18:01,793 --> 00:18:04,039
HE'S LETTING YOU USE THE BOX
FOR YOUR SHOW.
435
00:18:05,339 --> 00:18:08,567
WELL, WE WERE USING THE BOX.
436
00:18:10,079 --> 00:18:11,165
UM...
437
00:18:11,203 --> 00:18:12,184
WELL, I'LL SEE YOU
TOMORROW.
438
00:18:12,220 --> 00:18:13,413
YEAH.
439
00:19:04,356 --> 00:19:05,371
YOU'VE REACHED TAMARA.
440
00:19:05,409 --> 00:19:07,689
PLEASE LEAVE YOUR NAME
AND NUMBER.
441
00:19:07,726 --> 00:19:08,917
TAMARA, HI.
442
00:19:08,955 --> 00:19:10,918
THIS IS JENNIFER SHANNON
FROM RAGS TO RICHES.
443
00:19:10,956 --> 00:19:14,394
UM, I THOUGHT WE WERE SUPPOSED
TO BE MEETING NOW,
444
00:19:14,431 --> 00:19:15,377
BUT MAYBE I GOT THE TIME WRONG.
445
00:19:22,962 --> 00:19:23,943
TAMARA?
446
00:19:46,309 --> 00:19:48,098
TAMARA?
447
00:19:51,715 --> 00:19:52,942
TAMARA?
448
00:20:08,321 --> 00:20:10,636
TAMARA!
449
00:20:39,181 --> 00:20:40,197
JENN.
450
00:20:40,234 --> 00:20:41,426
FRANK!
451
00:20:41,463 --> 00:20:42,409
ARE YOU ALL RIGHT?
452
00:20:42,446 --> 00:20:43,462
I'M FINE.
453
00:20:43,499 --> 00:20:44,867
I FOUND THE BODY INSIDE.
454
00:20:44,903 --> 00:20:46,516
SURPRISING HOW MANY
OF OUR CONVERSATIONS
455
00:20:46,553 --> 00:20:48,061
START LIKE THAT.
456
00:20:48,098 --> 00:20:49,149
IT LOOKS LIKE A FALL,
457
00:20:49,222 --> 00:20:50,974
BUT I HEARD
A CAR SQUEALING AWAY,
458
00:20:51,012 --> 00:20:52,660
SO MAYBE SOMEONE TRYING TO FLEE?
459
00:20:52,697 --> 00:20:54,942
HERE WE GO.
460
00:20:55,015 --> 00:20:56,487
THE SQUEALING COULD BE
A NEIGHBOR,
461
00:20:56,559 --> 00:20:57,891
OR A CAR PASSING BY.
462
00:20:57,928 --> 00:20:59,155
IT COULD BE,
463
00:20:59,192 --> 00:21:00,033
BUT THERE WERE SEVERAL CARS
IN THE DRIVEWAY
464
00:21:00,069 --> 00:21:01,262
WHEN I PULLED UP,
465
00:21:01,334 --> 00:21:02,877
AND I'M PRETTY SURE
THERE'S ONE LESS NOW.
466
00:21:02,913 --> 00:21:03,965
DID YOU GET A MAKE?
467
00:21:04,037 --> 00:21:06,598
NO, I DIDN'T SEE IT,
I ONLY HEARD IT.
468
00:21:06,635 --> 00:21:08,493
OKAY.
469
00:21:08,531 --> 00:21:10,074
SHOULD I EVEN ASK
WHY YOU'RE HERE?
470
00:21:10,110 --> 00:21:11,653
TAMARA ANDRONICUS,
471
00:21:11,725 --> 00:21:13,304
SHE BROUGHT A PUZZLE BOX
INTO THE STORE,
472
00:21:13,341 --> 00:21:14,357
AND THEN
IT WENT MISSING.
473
00:21:14,428 --> 00:21:15,726
MISSING OR STOLEN?
474
00:21:15,798 --> 00:21:17,024
I'M NOT SURE,
475
00:21:17,062 --> 00:21:18,043
BUT WHEN I CAME BY
TO BREAK THE BAD NEWS,
476
00:21:18,079 --> 00:21:20,430
I SAW A SMASHED VASE
ON THE FLOOR,
477
00:21:20,467 --> 00:21:22,466
AND THEN I SAW SOME MOVEMENT
BY THE BACK DOOR.
478
00:21:22,504 --> 00:21:25,450
AND HOW DID YOU GET
IN THE HOUSE?
479
00:21:25,523 --> 00:21:27,382
SO THE FRONT DOOR WAS LOCKED.
480
00:21:27,419 --> 00:21:28,680
I CAME AROUND BACK.
481
00:21:28,753 --> 00:21:31,348
THIS WAS KNOCKED OVER,
AND THAT DOOR WAS OPEN.
482
00:21:31,385 --> 00:21:32,753
I DON'T KNOW,
MAYBE SOMEBODY RUNNING AWAY.
483
00:21:32,790 --> 00:21:35,632
WELL, ANYTHING COULD
HAVE KNOCKED THAT OVER.
484
00:21:35,669 --> 00:21:37,844
WELL, TRUE,
BUT THERE'S THAT.
485
00:21:37,880 --> 00:21:40,090
:
IT'S A LAND LINE.
486
00:21:40,128 --> 00:21:42,337
THERE WAS A BIG
STORM ON SUNDAY.
487
00:21:42,410 --> 00:21:43,531
ANYTHING ELSE?
488
00:21:43,603 --> 00:21:44,689
YES.
489
00:21:44,727 --> 00:21:46,480
TAMARA'S CELL PHONE...
490
00:21:46,517 --> 00:21:49,639
A LOCAL AREA CODE,
LAST FOUR DIGITS 2428,
491
00:21:49,712 --> 00:21:51,887
AND THE TEXT SAID, "I'M SORRY."
492
00:21:51,924 --> 00:21:54,835
SAME TEXT THAT I SEND
MY WIFE DAILY.
493
00:21:54,873 --> 00:21:56,942
RIGHT NOW,
SOMEBODY'S FALLEN.
494
00:21:56,979 --> 00:21:58,662
THAT'S WHERE WE START.
495
00:21:58,700 --> 00:22:00,453
RIGHT.
496
00:22:00,489 --> 00:22:02,699
I DO APPRECIATE
YOUR EYE, THOUGH.
497
00:22:04,808 --> 00:22:06,491
THE BODY WAS AT THE
BOTTOM OF THE STAIRS.
498
00:22:06,528 --> 00:22:07,649
I KNOW.
499
00:22:07,687 --> 00:22:09,265
I FOUND HER MOTHER-IN-LAW
IN THE SAME AREA
500
00:22:09,337 --> 00:22:10,739
JUST TWO NIGHTS AGO.
501
00:22:11,970 --> 00:22:13,126
REALLY?
502
00:22:13,164 --> 00:22:14,882
MM-HMM.
503
00:22:14,954 --> 00:22:17,409
WELL, HOW
DID SHE DIE?
504
00:22:17,446 --> 00:22:20,078
WELL, WE'RE AWAITING
THE AUTOPSY RESULTS,
505
00:22:20,115 --> 00:22:21,166
BUT LOOKS LIKE
AN ACCIDENTAL FALL
506
00:22:21,204 --> 00:22:22,289
DOWN THE STAIRS.
507
00:22:22,326 --> 00:22:24,396
TWO ACCIDENTS
ON THE SAME STAIRS?
508
00:22:24,433 --> 00:22:25,801
THAT'S A LITTLE ODD,
ISN'T IT?
509
00:22:25,872 --> 00:22:27,029
VERY.
510
00:22:27,066 --> 00:22:28,819
THE MOTHER-IN-LAW
DIES ON SUNDAY.
511
00:22:28,857 --> 00:22:31,242
TAMARA BRINGS A PUZZLE BOX
INTO THE STORE ON MONDAY,
512
00:22:31,314 --> 00:22:33,068
AND SHE DIES
ON TUESDAY?
513
00:22:33,105 --> 00:22:36,789
YEAH... VERY ODD.
514
00:22:36,826 --> 00:22:39,984
COULD THERE BE SOMETHING
IN THAT PUZZLE BOX...
515
00:22:40,021 --> 00:22:41,880
THAT TAMARA WANTED
US TO FIND?
516
00:22:41,917 --> 00:22:43,424
OR MAYBE IT'S JUST A BOX.
517
00:22:44,795 --> 00:22:46,162
LET ME ASK YOU SOMETHING.
518
00:22:46,200 --> 00:22:48,444
WOULD IT BE OKAY
IF I GOT BACK TO WORK?
519
00:22:48,517 --> 00:22:49,919
OH!
520
00:22:49,956 --> 00:22:51,535
YEAH, GO.
521
00:22:51,606 --> 00:22:52,693
I'LL CALL YOU LATER.
522
00:22:52,730 --> 00:22:53,816
YEAH.
523
00:23:06,317 --> 00:23:07,543
WHAT'S GOING ON?
524
00:23:09,266 --> 00:23:10,036
MR. ANDRONICUS?
525
00:23:10,073 --> 00:23:11,581
YEAH.
526
00:23:13,689 --> 00:23:14,880
PLEASE...
527
00:23:14,953 --> 00:23:16,285
LET'S HAVE A SEAT.
528
00:23:16,322 --> 00:23:18,040
I DON'T WANT
TO HAVE A SEAT.
529
00:23:18,078 --> 00:23:19,058
WHERE'S MY WIFE?
530
00:23:19,095 --> 00:23:21,235
WHERE'S TAMARA?
531
00:23:21,272 --> 00:23:23,797
PLEASE...
FOLLOW ME.
532
00:23:30,646 --> 00:23:31,873
I'M SORRY
TO INFORM YOU,
533
00:23:31,910 --> 00:23:33,769
BUT WE'VE FOUND YOUR
WIFE DECEASED TODAY.
534
00:23:33,806 --> 00:23:35,594
WHAT?
535
00:23:35,631 --> 00:23:37,630
NO...
536
00:23:37,667 --> 00:23:40,404
NO, NO...
537
00:23:40,441 --> 00:23:42,195
IT SEEMS SHE MAY HAVE
FALLEN DOWN THE STAIRS.
538
00:23:45,321 --> 00:23:47,530
WHAT?
NO, I DON'T...
539
00:23:47,568 --> 00:23:49,145
COULD YOU TELL ME
WHERE YOU WERE EARLIER TODAY?
540
00:23:49,183 --> 00:23:51,989
I WAS TAKING CARE
OF ARRANGEMENTS
541
00:23:52,026 --> 00:23:53,218
FOR MY MOTHER'S FUNERAL.
542
00:23:53,290 --> 00:23:54,236
I WASN'T...
543
00:23:56,556 --> 00:23:57,642
YOU DON'T THINK I DID THIS?
544
00:23:57,714 --> 00:24:01,574
NO,
IT'S JUST STANDARD PROCEDURE.
545
00:24:01,646 --> 00:24:04,873
A... LITTLE RIP THERE
ON YOUR SHIRT.
546
00:24:07,685 --> 00:24:11,053
WHEN I SAW
THE POLICE CARS IN THE DRIVEWAY,
547
00:24:11,089 --> 00:24:12,421
I RUSHED TO GET OUT OF MY CAR.
548
00:24:12,459 --> 00:24:13,580
I CAUGHT MY SHIRT
ON THE DOOR.
549
00:24:13,618 --> 00:24:14,704
OKAY.
550
00:24:16,356 --> 00:24:17,723
DO YOU KNOW OF ANYONE
551
00:24:17,760 --> 00:24:20,285
WHO WOULD HAVE WANTED
TO HURT TAMARA OR ELIZABETH?
552
00:24:20,323 --> 00:24:22,006
NO.
553
00:24:22,044 --> 00:24:23,305
SO I'M ASSUMING
554
00:24:23,342 --> 00:24:24,674
WITH A HOUSE THIS SIZE
555
00:24:24,712 --> 00:24:25,868
THAT YOU HAVE
A HOUSE STAFF?
556
00:24:27,731 --> 00:24:29,238
THEY WERE LET GO,
557
00:24:29,275 --> 00:24:31,204
ON GOOD TERMS
AND WITH SEVERANCE.
558
00:24:31,242 --> 00:24:33,170
ANY PARTICULAR REASON
FOR LETTING THEM GO?
559
00:24:33,207 --> 00:24:34,925
MOTHER'S BEEN
HOUSEBOUND
560
00:24:34,963 --> 00:24:36,751
FOR MOST OF
THIS PAST YEAR.
561
00:24:36,789 --> 00:24:40,262
SHE'S GOTTEN WORSE
IN THE LAST WEEK.
562
00:24:40,335 --> 00:24:41,631
SHE WOULDN'T HAVE
WANTED HER STAFF
563
00:24:41,703 --> 00:24:43,737
TO SEE HER THAT WAY.
564
00:24:43,775 --> 00:24:45,704
TAMARA WANTED TO TAKE A HIATUS
FROM OUR BUSINESS
565
00:24:45,776 --> 00:24:47,669
AND TAKE CARE OF HER FULL-TIME.
566
00:24:47,707 --> 00:24:49,250
SO YOU CUT SHORT
YOUR BUSINESS TRIP
567
00:24:49,286 --> 00:24:50,794
WITH YOUR FATHER,
568
00:24:50,831 --> 00:24:53,638
FLEW HOME ON SUNDAY,
HOPING TO SEE YOUR MOTHER
569
00:24:53,675 --> 00:24:55,253
TO MAKE SURE
THAT SHE'S OKAY?
570
00:24:55,325 --> 00:24:57,641
I'VE ALREADY ANSWERED ALL THIS
IN MY PREVIOUS STATEMENT.
571
00:24:57,712 --> 00:24:59,958
REFRESH MY MEMORY.
572
00:24:59,994 --> 00:25:02,521
YES, EXACTLY.
573
00:25:02,557 --> 00:25:03,784
SHE WASN'T RETURNING
ANY OF MY EMAILS
574
00:25:03,856 --> 00:25:06,487
OR ANSWERING MY PHONE CALLS,
AND...
575
00:25:06,524 --> 00:25:09,893
AND THEN WHEN YOU GOT HOME,
YOU FOUND YOUR MOTHER THERE.
576
00:25:09,930 --> 00:25:10,911
I DROVE BACK
FROM THE AIRPORT
577
00:25:10,949 --> 00:25:13,965
AFTER A BRUTAL 17-HOUR FLIGHT,
578
00:25:14,002 --> 00:25:16,353
AND, UH...
I JUST...
579
00:25:19,549 --> 00:25:21,233
I FOUND TAMARA HERE.
580
00:25:24,008 --> 00:25:25,199
SHE DIDN'T KNOW WHAT TO DO.
581
00:25:25,237 --> 00:25:30,325
SHE WAS JUST STANDING
OVER MOTHER, CRYING.
582
00:25:30,362 --> 00:25:31,905
AND YOUR FATHER?
583
00:25:31,977 --> 00:25:33,415
WHERE IS HE?
584
00:25:33,452 --> 00:25:35,030
I'M ASSUMING HE'S BACK?
585
00:25:35,066 --> 00:25:36,679
HE'S STAYING
AT THE GRAND HOTEL.
586
00:25:36,752 --> 00:25:40,191
HE SAYS IT'S TOO TRAUMATIC
TO STAY HERE AT THE HOUSE.
587
00:25:40,227 --> 00:25:41,384
UNDERSTANDABLE,
588
00:25:41,422 --> 00:25:45,000
BUT WHAT I NEED TO KNOW,
IN YOUR OPINION...
589
00:25:45,038 --> 00:25:46,615
DO YOU KNOW
OF ANYONE WHO WOULD'VE WANTED
590
00:25:46,652 --> 00:25:48,687
TO HURT YOUR MOM OR TAMARA?
591
00:25:50,971 --> 00:25:53,848
I'M SURE WITH THE NEW CONDOS
GOING UP ON MAIN STREET,
592
00:25:53,885 --> 00:25:56,937
HALF THE TOWN WOULD LIKE
TO SEE ANY ONE OF US GONE.
593
00:25:58,940 --> 00:26:00,764
: HELLO?
594
00:26:00,801 --> 00:26:03,186
HEY, IT'S OFFICER RYAN,
A.K.A. BRETT.
595
00:26:03,224 --> 00:26:04,239
HEY, HOW'S IT GOING?
596
00:26:04,277 --> 00:26:05,889
GREAT.
597
00:26:05,927 --> 00:26:07,961
I WAS THINKING MAYBE YOU WANTED
TO HAVE LUNCH OR SOMETHING
598
00:26:07,997 --> 00:26:09,049
TOMORROW?
599
00:26:09,121 --> 00:26:10,172
TITUS GRILL, NOON?
600
00:26:10,209 --> 00:26:11,260
NOON WORKS.
601
00:26:11,333 --> 00:26:12,770
I'LL MEET YOU THERE.
BYE.
602
00:26:12,808 --> 00:26:13,613
OFFICER HANDSOME?
603
00:26:13,650 --> 00:26:15,333
OFFICER TOTALLY HANDSOME.
604
00:26:15,370 --> 00:26:16,843
HOW'S THE FUND-RAISER GOING?
605
00:26:16,880 --> 00:26:18,422
SLOW BUT STEADY.
606
00:26:19,759 --> 00:26:20,634
DEFINE "STEADY."
607
00:26:22,182 --> 00:26:23,829
NOTHING.
608
00:26:23,866 --> 00:26:25,690
YOU NEED CASH
TO MAKE A BUSINESS.
609
00:26:25,728 --> 00:26:27,375
CASH IS SOMETHING
YOU DON'T HAVE.
610
00:26:29,448 --> 00:26:30,675
HEY, MAYBE I COULD START
611
00:26:30,713 --> 00:26:32,080
BY TAKING OUT
A PERSONAL LOAN FROM YOU.
612
00:26:32,152 --> 00:26:33,238
OR MAYBE YOU CAN START
613
00:26:33,275 --> 00:26:34,958
BY TAKING OUT
THE RECYCLING.
614
00:26:35,031 --> 00:26:36,258
THE CLASSIFIEDS
ARE ON TOP.
615
00:26:39,735 --> 00:26:42,296
NOW, I DON'T WANT TO SAY THAT
WITH MY RETIREMENT
616
00:26:42,368 --> 00:26:44,929
AND WITH HANDING THE REINS OVER
TO MY SON, LUCAS,
617
00:26:44,966 --> 00:26:46,965
THAT ANDRONOCORP
IS GOING TO BE TAKEN
618
00:26:47,003 --> 00:26:50,090
TO EVEN MORE TREMENDOUS
LEVELS OF SUCCESS,
619
00:26:50,126 --> 00:26:51,950
BUT I WILL SAY JUST THAT.
620
00:26:53,391 --> 00:26:54,830
SO IF YOU'LL EXCUSE ME,
621
00:26:54,866 --> 00:26:57,252
I HAVE A NEW HIP
I WANT TO TRY OUT ON THE LINKS.
622
00:26:59,781 --> 00:27:02,482
LUCAS!
623
00:27:07,926 --> 00:27:09,223
SO I PICKED UP
SOME WOOD TODAY
624
00:27:09,296 --> 00:27:11,365
FOR THE BROKEN MAILBOX.
625
00:27:11,402 --> 00:27:12,523
THINKING ABOUT
HELPING LOGAN OUT
626
00:27:12,561 --> 00:27:14,138
AND FIXING IT MYSELF.
627
00:27:14,176 --> 00:27:16,806
OH, THAT IS SO SWEET.
628
00:27:16,843 --> 00:27:18,351
CAN YOU BUILD ME
A REPLICA PUZZLE BOX
629
00:27:18,389 --> 00:27:19,369
WHILE YOU'RE AT IT?
630
00:27:19,406 --> 00:27:20,704
HAVEN'T FOUND IT YET?
631
00:27:20,740 --> 00:27:21,792
NOPE,
632
00:27:21,828 --> 00:27:23,267
AND I CAN'T HELP BUT WONDER
633
00:27:23,304 --> 00:27:25,303
IF SOMETHING VALUABLE
WAS INSIDE.
634
00:27:25,340 --> 00:27:27,971
WE HAVE WAY MORE EXPENSIVE
PIECES IN THE STORE,
635
00:27:28,043 --> 00:27:30,252
AND THE WOMAN WHO BRINGS IT IN
TURNS UP DEAD A DAY LATER?
636
00:27:30,290 --> 00:27:32,465
IT COULD BE A COINCIDENCE.
637
00:27:32,502 --> 00:27:33,868
TWO ACCIDENTS
IN THE SAME HOUSE
638
00:27:33,906 --> 00:27:35,730
IN THE SAME WEEK?
639
00:27:35,767 --> 00:27:37,941
AND I'M LOOKING AT
THE ANDRONICUS WEBSITE.
640
00:27:37,978 --> 00:27:40,083
BOTH TAMARA AND ELIZABETH
HELPED RUN THE COMPANY,
641
00:27:40,155 --> 00:27:42,294
AND THEY'RE BOTH
MYSTERIOUSLY GONE.
642
00:27:42,367 --> 00:27:43,313
WHO'D WANT TO HURT THEM?
643
00:27:43,385 --> 00:27:44,401
I DON'T KNOW.
644
00:27:44,439 --> 00:27:46,297
MAYBE SOMEONE AFTER THEIR MONEY?
645
00:27:46,334 --> 00:27:47,666
BUT IF IT WERE
AN INHERITANCE THING,
646
00:27:47,703 --> 00:27:50,404
WOULDN'T HARVEY ANDRONICUS
BE THE LOGICAL TARGET?
647
00:27:50,441 --> 00:27:52,757
AND LUCAS WAS GETTING READY
TO TAKE OVER THE COMPANY.
648
00:27:52,794 --> 00:27:54,722
MAYBE SOMEBODY
DIDN'T WANT THAT?
649
00:27:54,795 --> 00:27:56,338
MM, MAYBE.
650
00:27:56,374 --> 00:27:58,303
BUT THERE'S SOMETHING
I'M NOT GETTING YET.
651
00:27:58,376 --> 00:27:59,673
YET?
652
00:27:59,745 --> 00:28:02,306
LET FRANK HANDLE IT, OKAY?
653
00:28:03,888 --> 00:28:05,044
OKAY.
654
00:28:09,645 --> 00:28:10,556
HEY LOGAN.
655
00:28:10,628 --> 00:28:11,750
HEY, MOM, WHAT'S UP?
656
00:28:11,822 --> 00:28:13,856
I'M TRYING TO FIGURE OUT
A PHONE NUMBER.
657
00:28:13,893 --> 00:28:17,859
THE LAST FOUR DIGITS ARE 2428,
AND IT'S A LOCAL AREA CODE.
658
00:28:17,896 --> 00:28:19,543
CAN YOU FIND THAT ONLINE?
659
00:28:19,581 --> 00:28:21,018
YEAH, I COULD DO THAT.
660
00:28:21,055 --> 00:28:22,387
HOLD ON.
661
00:28:25,514 --> 00:28:26,390
UH-OH.
662
00:28:26,427 --> 00:28:29,795
799 NUMBERS STATEWIDE.
663
00:28:29,832 --> 00:28:32,287
THAT'S A LOT OF CALLS TO MAKE.
664
00:28:32,325 --> 00:28:35,377
BUT IF IT'S WITHIN OUR AREA,
665
00:28:35,414 --> 00:28:38,220
THEN WE'RE DOWN
TO FIVE PHONE CALLS.
666
00:28:38,258 --> 00:28:39,765
I COULD ALSO GET
THE NAMES OF PEOPLE,
667
00:28:39,803 --> 00:28:40,889
IF YOU LIKE?
668
00:28:40,961 --> 00:28:42,714
LOGAN,
WHAT WOULD I DO WITHOUT YOU?
669
00:28:42,752 --> 00:28:45,383
MAYBE WE COULD WRITE THIS DOWN
AS A CONSULTATION FEE?
670
00:28:45,420 --> 00:28:47,384
I COULD KNOCK 20 BUCKS
OFF YOUR TAB.
671
00:28:47,456 --> 00:28:48,227
HOW ABOUT 50?
672
00:28:48,299 --> 00:28:49,350
30.
673
00:28:49,387 --> 00:28:50,438
SOLD.
LOVE YOU.
674
00:28:50,511 --> 00:28:51,772
LOVE YOU, TOO.
675
00:28:54,653 --> 00:28:57,846
NO INJURIES
OR MUCOSAL LESIONS SEEN.
676
00:28:59,112 --> 00:29:03,323
WHY IS IT EVERY TIME
I SMELL CARAMEL MACCHIATO,
677
00:29:03,360 --> 00:29:06,552
I THINK OF JENN SHANNON?
678
00:29:06,590 --> 00:29:08,062
GOOD MORNING, MY FRIEND.
679
00:29:08,099 --> 00:29:10,870
AH...
THERE WE GO.
680
00:29:10,908 --> 00:29:12,521
MM!
681
00:29:12,558 --> 00:29:13,749
STILL TOASTY.
682
00:29:13,787 --> 00:29:14,873
MM-HMM.
683
00:29:14,911 --> 00:29:17,365
SPEAKING OF,
I'VE DECIDED WHEN I GO,
684
00:29:17,438 --> 00:29:19,894
IT'S CREMATION ALL THE WAY.
685
00:29:19,931 --> 00:29:21,578
OKAY, I'LL BITE... WHY?
686
00:29:21,616 --> 00:29:25,160
IT'S MY LAST CHANCE
AT A SMOKING BODY.
687
00:29:26,671 --> 00:29:28,740
THAT'S ACTUALLY
ONE OF YOUR BETTER ONES.
688
00:29:29,866 --> 00:29:32,462
HOW CAN I HELP YOU TODAY?
689
00:29:33,869 --> 00:29:36,815
ELIZABETH
AND TAMARA ANDRONICUS?
690
00:29:36,853 --> 00:29:37,939
THEY COULD BE HERE,
691
00:29:37,975 --> 00:29:39,448
BUT YOU DIDN'T HEAR IT
FROM ME, RIGHT?
692
00:29:39,485 --> 00:29:41,660
OH, OF COURSE NOT.
693
00:29:41,697 --> 00:29:44,785
I WAS CURIOUS ABOUT
THEIR TWO "ACCIDENTS".
694
00:29:44,822 --> 00:29:47,207
COULD THERE BE SIGNS THAT
THERE WAS SOMETHING ELSE?
695
00:29:47,280 --> 00:29:51,560
BY "ELSE," COULD YOU BE
INSINUATING FOUL PLAY?
696
00:29:51,598 --> 00:29:53,175
COULD BE.
697
00:29:53,213 --> 00:29:54,755
NOTHING OFFICIAL.
698
00:29:54,792 --> 00:29:56,335
WE'RE STRICTLY TALKING "COULDS."
699
00:29:56,373 --> 00:29:58,196
WHILE THE HEAVY STRESS
ON ELIZABETH'S HEART
700
00:29:58,233 --> 00:29:59,635
WAS IRREGULAR FOR HER ILLNESS,
701
00:29:59,707 --> 00:30:02,304
NOTHING ELSE
IS SHOWING UP SO FAR.
702
00:30:02,341 --> 00:30:03,532
IRREGULAR?
703
00:30:03,570 --> 00:30:06,270
ELIZABETH HAD A SUDDEN
MASSIVE HEART ATTACK,
704
00:30:06,343 --> 00:30:09,254
BUT HER MEDICAL REPORTS
DON'T INDICATE HEART DISEASE,
705
00:30:09,291 --> 00:30:12,941
WEAKNESS,
OR ANY GENETIC ANOMALIES.
706
00:30:13,013 --> 00:30:14,942
HER ILLNESS STEMMED
707
00:30:14,979 --> 00:30:17,821
FROM BLOOD AND OSTEOSARCOMA
CANCER COMPLICATIONS
708
00:30:17,858 --> 00:30:19,647
IN HER KNEES,
709
00:30:19,684 --> 00:30:23,157
AND THOSE COMPLICATIONS USUALLY
LEAD TO BLEEDING IN THE BRAIN,
710
00:30:23,229 --> 00:30:26,808
AND THAT WOULD CAUSE A STROKE,
NOT A HEART ATTACK.
711
00:30:26,846 --> 00:30:29,793
SO WHAT COULD'VE CAUSED
ELIZABETH'S HEART ATTACK?
712
00:30:29,864 --> 00:30:32,110
SHE WAS GETTING UP
IN AGE.
713
00:30:32,147 --> 00:30:34,673
ARE YOU SUGGESTING
SHE WAS SCARED TO DEATH?
714
00:30:34,710 --> 00:30:37,305
OR IT COULD'VE BEEN
AN ALLERGIC REACTION.
715
00:30:37,378 --> 00:30:40,430
I DID FIND
A PEANUT ALLERGY HERE.
716
00:30:40,467 --> 00:30:43,344
EVEN JUST A SLIGHT INHALE
FROM PEANUT VAPOR
717
00:30:43,382 --> 00:30:45,240
COULD TRIGGER
AN ANAPHYLACTIC SHOCK.
718
00:30:45,277 --> 00:30:47,205
AND THAT SHOCK COULD CAUSE
A HEART ATTACK?
719
00:30:47,243 --> 00:30:48,786
COULD HAVE,
720
00:30:48,822 --> 00:30:51,594
BUT THOSE MINIMAL PEANUT TRACES
ARE EXTREMELY HARD TO FIND
721
00:30:51,632 --> 00:30:53,912
IN ANY AUTOPSY, IF EVER.
722
00:30:55,107 --> 00:30:56,298
WHAT ABOUT TAMARA?
723
00:30:56,336 --> 00:30:58,018
WELL, I DID FIND
SUBSTANTIAL AMOUNTS
724
00:30:58,056 --> 00:31:00,125
OF MORPHINE SULFATE
IN HER MOUTH.
725
00:31:00,163 --> 00:31:01,319
MORPHINE SULFATE?
726
00:31:01,392 --> 00:31:03,952
HEAVY PRESCRIPTION
PAINKILLERS.
727
00:31:03,990 --> 00:31:06,094
SO AN OVERDOSE COULD
HAVE LED TO HER FALL?
728
00:31:06,165 --> 00:31:07,954
COULD HAVE,
729
00:31:07,992 --> 00:31:10,693
BUT IT "COULD BE" STRANGE
730
00:31:10,730 --> 00:31:13,325
THAT ONLY THE POWDER
FROM THE MORPHINE SULFATE PILLS
731
00:31:13,363 --> 00:31:14,870
WAS FOUND IN HER MOUTH.
732
00:31:14,908 --> 00:31:17,433
IT'S AS IF
THE CAPSULE SHELLS
733
00:31:17,471 --> 00:31:19,189
WERE PULLED APART
MANUALLY,
734
00:31:19,226 --> 00:31:21,189
THE CONTENTS EMPTIED
INTO HER MOUTH,
735
00:31:21,227 --> 00:31:24,490
AND THE SHELLS DISCARDED
SOMEPLACE ELSE.
736
00:31:24,527 --> 00:31:26,562
SO THE MORPHINE
COULD HAVE BEEN PLACED THERE
737
00:31:26,633 --> 00:31:28,071
AFTER TAMARA'S DEATH,
738
00:31:28,108 --> 00:31:31,441
MAKING IT LOOK LIKE AN OVERDOSE
THAT LED TO THE FALL?
739
00:31:31,479 --> 00:31:33,302
A KILLER COVERING THEIR TRACKS?
740
00:31:33,339 --> 00:31:34,636
COULD,
741
00:31:34,673 --> 00:31:38,147
BUT YOU WON'T GET
ANYTHING OUT OF ME.
742
00:31:38,219 --> 00:31:41,342
SO WHILE ELIZABETH'S DEATH
COULD HAVE BEEN AN ACCIDENT,
743
00:31:41,378 --> 00:31:43,483
TAMARA'S
IS MOST LIKELY A MURDER?
744
00:31:43,521 --> 00:31:47,345
NOW, THAT'S
A VERY STRONG COULD.
745
00:31:51,771 --> 00:31:53,770
DANI, GO A LITTLE BIGGER.
746
00:31:53,807 --> 00:31:54,823
MORE DRAMA.
747
00:31:54,860 --> 00:31:55,946
LET'S REHEARSE IT.
748
00:31:55,984 --> 00:31:56,999
OKAY.
749
00:31:57,037 --> 00:31:58,018
MORE DRAMA?
750
00:31:58,054 --> 00:31:59,281
I CAN DO THAT.
751
00:31:59,354 --> 00:32:00,545
SAME QUESTION.
752
00:32:00,583 --> 00:32:02,617
SO, STILL NO SIGN OF
THE MISSING PUZZLE BOX
753
00:32:02,653 --> 00:32:03,635
ANYWHERE IN THE STORE?
754
00:32:03,672 --> 00:32:05,742
WELL...
755
00:32:05,778 --> 00:32:07,531
WE KNOW IT MUST BE SOMEWHERE,
756
00:32:07,569 --> 00:32:10,200
BUT THAT SOMEWHERE
ISN'T HERE.
757
00:32:11,536 --> 00:32:12,587
ALL RIGHT, UM...
758
00:32:12,660 --> 00:32:14,378
JUST A LITTLE BIT
LESS, OKAY?
759
00:32:14,415 --> 00:32:16,133
LESS?
760
00:32:18,312 --> 00:32:20,732
WELL, THE BOX MUST BE SOMEWHERE,
BUT...
761
00:32:20,770 --> 00:32:22,769
THAT SOMEWHERE ISN'T HERE.
762
00:32:22,806 --> 00:32:24,138
PERFECT.
763
00:32:25,157 --> 00:32:27,368
OH...
764
00:32:27,405 --> 00:32:28,421
SORRY, KAT.
765
00:32:28,493 --> 00:32:30,141
I THOUGHT
I TURNED IT OFF.
766
00:32:30,213 --> 00:32:31,124
:
NO WORRIES.
767
00:32:31,161 --> 00:32:32,248
: UM, DANI,
768
00:32:32,285 --> 00:32:34,670
THAT-- THAT WAS REALLY GOOD.
769
00:32:34,707 --> 00:32:36,285
RIGHT IN THERE
770
00:32:36,322 --> 00:32:38,111
IS GOING TO BE
REALLY GOOD, 'KAY?
771
00:32:38,147 --> 00:32:39,059
A LITTLE
"LESS IS MORE."
772
00:32:39,095 --> 00:32:39,831
I LIKE IT.
773
00:32:39,902 --> 00:32:41,165
OKAY.
774
00:32:41,202 --> 00:32:44,220
UH, LISTEN, GUYS,
IF WE DON'T FIND THE PUZZLE BOX,
775
00:32:44,256 --> 00:32:45,659
IS THERE ANOTHER PIECE
IN THE STORE
776
00:32:45,696 --> 00:32:47,695
THAT WE COULD MAYBE USE?
777
00:32:47,767 --> 00:32:49,731
IF WE DON'T FIND IT
BY THE END OF DAY,
778
00:32:49,803 --> 00:32:50,749
WE'LL ADJUST.
779
00:32:50,822 --> 00:32:52,048
ALL RIGHT.
780
00:32:52,086 --> 00:32:55,033
IS JENN GOING
TO BE HERE SOON?
781
00:32:55,070 --> 00:32:56,717
I'LL GIVE HER A CALL.
782
00:33:07,112 --> 00:33:08,092
HEY, DANI.
783
00:33:08,129 --> 00:33:09,742
HI, HONEY.
784
00:33:09,780 --> 00:33:11,884
JOEL AND THE CREW WERE WONDERING
WHERE YOU ARE.
785
00:33:11,956 --> 00:33:14,201
I'M AT THE ANDRONICUS HOUSE.
786
00:33:14,238 --> 00:33:16,377
LUCAS SHOULD KNOW
THE PUZZLE BOX IS MISSING.
787
00:33:16,415 --> 00:33:17,642
I'LL BE BY THE STORE LATER.
788
00:33:17,679 --> 00:33:19,151
PLEASE BE CAREFUL.
789
00:33:19,189 --> 00:33:21,503
I WILL.
790
00:33:28,071 --> 00:33:29,894
:
UM, EXCUSE ME?
791
00:33:29,931 --> 00:33:32,175
SORRY, I DON'T MEAN
TO BOTHER YOU.
792
00:33:32,248 --> 00:33:33,194
MY NAME IS
JENNIFER SHANNON.
793
00:33:33,267 --> 00:33:34,528
I OWN RAGS TO RICHES.
794
00:33:37,409 --> 00:33:40,813
IS THIS ABOUT THE PUZZLE BOX
AND JOEL'S SHOW?
795
00:33:40,850 --> 00:33:42,638
YES.
796
00:33:42,675 --> 00:33:44,920
I ALSO WANTED TO SAY
I'M SO SORRY FOR YOUR LOSS.
797
00:33:44,957 --> 00:33:46,641
THANKS.
798
00:33:46,678 --> 00:33:48,992
UM... WHAT CAN I DO FOR YOU?
799
00:33:49,029 --> 00:33:50,361
TAMARA BROUGHT
THE PUZZLE BOX IN
800
00:33:50,399 --> 00:33:52,362
THE DAY BEFORE SHE PASSED.
801
00:33:52,400 --> 00:33:54,926
YEAH, I TOLD JOEL
HE WAS FINE TO USE IT,
802
00:33:54,962 --> 00:33:57,629
AS LONG AS HE DIDN'T BRING
OUR NAME INTO IT.
803
00:33:57,666 --> 00:34:01,140
AH, MIGHT MAKE
A NICE TRIBUTE FOR MOTHER.
804
00:34:01,212 --> 00:34:02,650
SHE LOVED BUILDING THOSE.
805
00:34:02,686 --> 00:34:04,825
OH, YOUR MOTHER MADE THEM?
806
00:34:04,863 --> 00:34:06,582
IT WAS HER PASSION.
807
00:34:08,094 --> 00:34:09,250
WELL, UNFORTUNATELY,
808
00:34:09,287 --> 00:34:11,356
THE BOX HAS GONE MISSING
FROM THE STORE.
809
00:34:11,428 --> 00:34:12,549
SOMEBODY TOOK IT?
810
00:34:12,622 --> 00:34:13,673
I DON'T KNOW.
811
00:34:13,710 --> 00:34:14,832
WE'RE STILL TRYING
TO LOCATE IT,
812
00:34:14,868 --> 00:34:17,429
BUT I WAS CURIOUS...
813
00:34:17,466 --> 00:34:20,238
DO YOU THINK MAYBE THERE WAS
SOMETHING VALUABLE INSIDE
814
00:34:20,310 --> 00:34:22,380
THAT SOMEONE WHO KNEW HER
WANTED?
815
00:34:22,417 --> 00:34:23,397
WELL, THAT WOULD BE
A BETTER QUESTION
816
00:34:23,435 --> 00:34:25,960
FOR MY BROTHER, QUIN.
817
00:34:25,998 --> 00:34:27,751
THEY LOVED BUILDING THEM
TOGETHER.
818
00:34:27,788 --> 00:34:30,525
IS THERE SOME WAY
I COULD CONTACT HIM?
819
00:34:30,562 --> 00:34:32,316
HE'S STAYING
AT THE OVERVIEW.
820
00:34:32,352 --> 00:34:33,824
I'D CALL HIM FOR YOU,
821
00:34:33,862 --> 00:34:36,915
BUT WE'RE NOT REALLY TALKING
A WHOLE LOT RIGHT NOW.
822
00:34:36,951 --> 00:34:38,529
I SEE.
823
00:34:40,322 --> 00:34:43,515
WELL, IF I CAN REPAY YOU
FOR THAT PUZZLE BOX,
824
00:34:43,552 --> 00:34:44,708
PLEASE LET ME KNOW.
825
00:34:44,745 --> 00:34:47,130
THANKS.
826
00:34:47,168 --> 00:34:49,728
IF YOU'LL EXCUSE ME,
I'VE GOT SOME THINGS TO DO.
827
00:34:49,801 --> 00:34:51,941
I SHOULD REALLY
GET BACK TO IT.
828
00:34:53,557 --> 00:34:54,644
OF COURSE.
829
00:34:54,681 --> 00:34:55,837
IT WAS A PLEASURE
MEETING YOU.
830
00:35:19,432 --> 00:35:21,185
:
LYNWOOD. LEAVE A MESSAGE.
831
00:35:21,222 --> 00:35:23,257
FRANK...
832
00:35:23,293 --> 00:35:24,801
I FOUND A BOTTLE OF PEANUT OIL
833
00:35:24,838 --> 00:35:27,609
IN THE RECYCLING BIN
AT THE ANDRONICUS HOUSE,
834
00:35:27,646 --> 00:35:29,049
AND LUCAS WAS CLEANING IT UP.
835
00:35:29,086 --> 00:35:30,699
CALL ME.
836
00:35:36,423 --> 00:35:37,721
THANKS.
837
00:35:42,567 --> 00:35:43,864
HE SHOULD BE HERE ANYTIME.
838
00:35:49,695 --> 00:35:50,851
HANNAH, HEY,
I'M SORRY.
839
00:35:50,888 --> 00:35:52,361
I WANTED TO CALL,
840
00:35:52,398 --> 00:35:53,764
BUT A DRIVER
WAS PINNED UNDER HIS CAR.
841
00:35:53,802 --> 00:35:55,800
HE'S OKAY NOW,
BUT I HAD TO SIT WITH HIM
842
00:35:55,838 --> 00:35:59,030
UNTIL THE FIRE DEPARTMENT
COULD COME AND CUT HIM OUT.
843
00:35:59,068 --> 00:36:00,856
OH, NO.
844
00:36:00,894 --> 00:36:02,612
I'M SORRY,
I WANTED TO CALL,
845
00:36:02,649 --> 00:36:04,788
BUT THAT'S PART OF WHY
I DON'T REALLY GET OUT MUCH.
846
00:36:04,826 --> 00:36:06,1000
WHAT'S THE OTHER PART?
847
00:36:07,038 --> 00:36:10,054
TO BE HONEST,
I, UH...
848
00:36:10,092 --> 00:36:11,634
I JUST GOT OUT
OF A RELATIONSHIP,
849
00:36:11,671 --> 00:36:14,337
AND I HAVEN'T REALLY DUG
BACK INTO THE DATING SCENE YET.
850
00:36:14,374 --> 00:36:16,373
I HEAR YOU.
851
00:36:16,411 --> 00:36:19,007
IT'S NOT REALLY MY THING EITHER
AT THE MOMENT.
852
00:36:19,044 --> 00:36:20,341
SO WHAT DO WE DO?
853
00:36:20,378 --> 00:36:23,536
MAYBE WE JUST HANG OUT.
854
00:36:23,573 --> 00:36:25,607
NO PRESSURE, EXPECTATION...
855
00:36:25,644 --> 00:36:28,029
NO ROMANTIC DINNERS
OR FLOWERS...
856
00:36:28,066 --> 00:36:29,574
NONE OF THOSE DATING RITUALS.
857
00:36:29,612 --> 00:36:30,732
YOU WILL NOT,
858
00:36:30,770 --> 00:36:33,225
I REPEAT,
NOT HOLD A DOOR OPEN FOR ME.
859
00:36:34,351 --> 00:36:36,421
FINE, I WON'T.
860
00:36:36,492 --> 00:36:37,403
LET'S DO IT.
I'M IN.
861
00:36:37,440 --> 00:36:39,053
SOUNDS GOOD.
862
00:36:39,091 --> 00:36:41,300
I'LL TALK TO YOU LATER.
863
00:36:41,337 --> 00:36:42,669
BYE.
864
00:36:47,410 --> 00:36:48,251
HI, ANDI.
865
00:36:48,289 --> 00:36:49,621
HEY, JENN!
866
00:36:49,658 --> 00:36:51,166
I'M LOOKING
FOR A GENTLEMAN
867
00:36:51,202 --> 00:36:52,886
BY THE NAME
OF QUIN ANDRONICUS.
868
00:36:52,923 --> 00:36:54,746
HE MIGHT HAVE CHECKED IN
TODAY OR EVEN YESTERDAY.
869
00:36:54,783 --> 00:36:56,642
ACTUALLY,
MR. ANDRONICUS CHECKED IN
870
00:36:56,679 --> 00:36:58,363
CLOSER TO FOUR DAYS AGO.
871
00:37:00,436 --> 00:37:02,927
YES, SATURDAY,
BUT YOU JUST MISSED HIM.
872
00:37:08,370 --> 00:37:10,686
DO YOU WANT TO
LEAVE A MESSAGE?
873
00:37:10,757 --> 00:37:11,774
DID YOU SAY SATURDAY?
874
00:37:20,869 --> 00:37:21,885
THANKS FOR COMING IN.
875
00:37:21,922 --> 00:37:23,464
HOW CAN I HELP YOU?
876
00:37:25,959 --> 00:37:28,625
WELL, MAYBE YOU CAN TELL ME
877
00:37:28,662 --> 00:37:30,099
WHY YOUR BROTHER, LUCAS,
HAS A RESTRAINING ORDER
878
00:37:30,172 --> 00:37:32,768
AGAINST YOU?
879
00:37:32,805 --> 00:37:34,874
BECAUSE OF TAMARA.
880
00:37:34,947 --> 00:37:36,665
A LITTLE OVER A YEAR AGO,
881
00:37:36,702 --> 00:37:38,806
I SAID SOME THINGS ABOUT HER
THAT I PROBABLY SHOULDN'T HAVE.
882
00:37:38,879 --> 00:37:40,457
THINGS GOT HEATED,
883
00:37:40,494 --> 00:37:42,317
BUT I GUESS
THAT'S WHAT SHE WANTED.
884
00:37:42,354 --> 00:37:44,072
SHE WAS ALL ABOUT
DIVIDE AND CONQUER.
885
00:37:44,145 --> 00:37:46,740
SHE DIVIDED THE FAMILY?
886
00:37:46,778 --> 00:37:48,812
WHERE THERE'S MONEY
AND OPPORTUNITY,
887
00:37:48,849 --> 00:37:50,497
THERE'S TAMARA.
888
00:37:50,535 --> 00:37:51,972
SHE PITTED ME AND MY BROTHER
AGAINST EACH OTHER
889
00:37:52,009 --> 00:37:53,587
FROM THE BEGINNING.
890
00:37:53,624 --> 00:37:56,676
I'M SURE YOU'VE SEEN HOW HIGH
SHE ROSE IN THE FAMILY BUSINESS.
891
00:37:56,749 --> 00:37:58,572
SHE NEVER LOVED LUCAS.
892
00:38:00,259 --> 00:38:01,732
SEEMS LIKE
YOU'RE NOT HER BIGGEST FAN.
893
00:38:03,103 --> 00:38:04,259
THAT DOESN'T MAKE ME
HER KILLER.
894
00:38:05,806 --> 00:38:06,646
WHERE WERE YOU
THE DAY SHE DIED?
895
00:38:08,053 --> 00:38:09,947
MAKING FUNERAL ARRANGEMENTS
FOR MY MOTHER.
896
00:38:09,984 --> 00:38:11,702
WITH YOUR BROTHER, RIGHT?
897
00:38:11,775 --> 00:38:13,071
HE WAS THERE FOR A BIT, YES.
898
00:38:13,109 --> 00:38:15,424
HOW LONG IS A BIT?
899
00:38:15,461 --> 00:38:16,793
I'D SAY ABOUT 20 MINUTES.
900
00:38:16,865 --> 00:38:18,478
THEN HE LEFT.
901
00:38:18,515 --> 00:38:21,145
GUESS IT WAS A LITTLE TOO MUCH
FOR HIM TO HANDLE,
902
00:38:21,183 --> 00:38:22,340
BUT I WAS THERE THE WHOLE TIME.
903
00:38:22,376 --> 00:38:24,060
YOU CAN CHECK
WITH THE UNDERTAKER.
904
00:38:27,678 --> 00:38:29,852
WHY DON'T YOU TALK
TO THEIR LAWYER,
905
00:38:29,890 --> 00:38:31,117
ALLAN DEMETRY?
906
00:38:31,188 --> 00:38:33,749
HE'D BE MY FIRST STOP.
907
00:38:33,786 --> 00:38:35,540
AND WHAT'S MR. DEMETRY
GOING TO TELL ME?
908
00:38:35,613 --> 00:38:37,366
SOMETHING I'VE BEEN TRYING
TO TELL THEM
909
00:38:37,403 --> 00:38:38,348
FOR A VERY LONG TIME.
910
00:38:40,667 --> 00:38:42,421
THANK YOU.
911
00:38:42,458 --> 00:38:43,895
I KNOW WHAT YOU'RE THINKING,
912
00:38:43,968 --> 00:38:46,634
BUT I DIDN'T JUST ASK YOU HERE
TO TALK ABOUT THE CASE.
913
00:38:46,706 --> 00:38:48,495
OH, REALLY?
914
00:38:48,567 --> 00:38:50,566
IS IT BECAUSE
OF MY WINNING SMILE?
915
00:38:50,603 --> 00:38:51,759
MM?
916
00:38:51,797 --> 00:38:53,269
OKAY, IS THERE
ANY PARTICULAR SUSPECT
917
00:38:53,342 --> 00:38:54,814
YOU'RE LEANING TOWARDS?
918
00:38:54,886 --> 00:38:56,358
WELL, LUCAS HAD SAID HE WAS
MAKING FUNERAL ARRANGEMENTS
919
00:38:56,431 --> 00:38:58,008
AT THE TIME OF TAMARA'S DEATH,
920
00:38:58,046 --> 00:39:01,099
BUT HE LEFT
THE FUNERAL PARLOR EARLY.
921
00:39:01,135 --> 00:39:02,959
HE COULD'VE DRIVEN HOME
TO SEE HER.
922
00:39:02,997 --> 00:39:05,031
HE WAS IN TOWN
FOR BOTH DEATHS,
923
00:39:05,103 --> 00:39:07,523
SHOWS UP AT THE SCENE
WITH A RIPPED SHIRT,
924
00:39:07,560 --> 00:39:11,174
PLUS HE WAS THE ONE WHO WAS
CLEANING OUT THE RECYCLING
925
00:39:11,247 --> 00:39:13,281
WHEN YOU NOTICED
THE PEANUT OIL.
926
00:39:13,317 --> 00:39:14,544
COULD HE REALLY
NOT HAVE SEEN IT?
927
00:39:14,582 --> 00:39:16,054
WELL, HE DIDN'T WANT
TO CALL ATTENTION TO IT
928
00:39:16,091 --> 00:39:17,247
WHILE I WAS THERE.
929
00:39:17,285 --> 00:39:18,898
THAT'D BE MY GUESS,
930
00:39:18,935 --> 00:39:21,179
BECAUSE WHEN I SPOKE
WITH THE FORMER CHEF,
931
00:39:21,217 --> 00:39:22,654
HE SAID THE PLACE WAS
A PEANUT-FREE ZONE,
932
00:39:22,691 --> 00:39:25,463
AND THE WHOLE STAFF
WAS LET GO
933
00:39:25,501 --> 00:39:26,692
BEFORE ELIZABETH DIED.
934
00:39:26,764 --> 00:39:30,203
SO SOMEONE OTHER THAN THE STAFF
935
00:39:30,240 --> 00:39:32,765
COULD HAVE SLIPPED THE OIL
INTO SOMETHING?
936
00:39:32,803 --> 00:39:34,697
WHAT DO YOU KNOW
ABOUT LUCAS' BROTHER, QUIN?
937
00:39:34,768 --> 00:39:36,872
WELL, I KNOW THAT LUCAS HAS
A RESTRAINING ORDER AGAINST HIM,
938
00:39:36,910 --> 00:39:40,630
A FIGHT THAT TURNED VIOLENT
ABOUT A YEAR BACK.
939
00:39:40,667 --> 00:39:42,209
QUIN LEFT TOWN.
940
00:39:42,246 --> 00:39:45,264
HE NOW WORKS AS A LINGUISTICS
AND HUMAN STUDIES PROFESSOR
941
00:39:45,336 --> 00:39:46,422
ON THE WEST COAST.
942
00:39:46,459 --> 00:39:48,002
HE'S BACK IN TOWN
943
00:39:48,074 --> 00:39:49,406
TO HELP PLAN
HIS MOTHER'S FUNERAL.
944
00:39:49,444 --> 00:39:51,688
WHICH PUTS HIM HERE
AT THE TIME OF TAMARA'S DEATH.
945
00:39:51,725 --> 00:39:53,268
TRUE,
946
00:39:53,340 --> 00:39:54,777
BUT WITH QUIN'S ALIBI,
947
00:39:54,815 --> 00:39:55,936
THERE'S NO WAY
948
00:39:55,974 --> 00:39:57,376
THAT HE COULD HAVE BEEN
AT THE HOUSE
949
00:39:57,448 --> 00:39:58,885
BETWEEN THE TIME YOU LEFT
THE STORE AND FOUND TAMARA,
950
00:39:58,958 --> 00:40:02,150
BUT HE DID BRING UP
THE FAMILY LAWYER,
951
00:40:02,188 --> 00:40:03,589
ALLAN DEMETRY,
952
00:40:03,627 --> 00:40:04,959
WHOM I'VE CALLED
AND HASN'T BEEN SEEN
953
00:40:04,996 --> 00:40:07,066
SINCE THE TIME
OF TAMARA'S DEATH.
954
00:40:07,137 --> 00:40:09,769
WENT BY THE HOUSE...
NO ANSWER.
955
00:40:09,805 --> 00:40:11,770
SO EITHER HE'S ON THE RUN, OR...
956
00:40:11,807 --> 00:40:13,280
OR ANOTHER VICTIM.
957
00:40:13,317 --> 00:40:14,402
MM.
958
00:40:14,475 --> 00:40:16,053
YOU KNOW
WHAT I DON'T UNDERSTAND?
959
00:40:16,090 --> 00:40:17,738
WHAT'S THAT?
960
00:40:17,776 --> 00:40:20,196
IF QUIN WAS IN TOWN
TO PLAN HIS MOTHER'S FUNERAL,
961
00:40:20,268 --> 00:40:22,864
WHY DID HE CHECK INTO A MOTEL
A DAY BEFORE HIS MOTHER DIED?
962
00:40:24,726 --> 00:40:25,918
WELL,
THAT DOES MEAN ONE THING...
963
00:40:25,955 --> 00:40:28,516
BOTH BROTHERS WERE IN TOWN
FOR BOTH MURDERS.
964
00:40:28,553 --> 00:40:30,868
MM-HMM.
965
00:40:30,906 --> 00:40:33,080
NO CANDLES, NO MUSIC.
966
00:40:33,117 --> 00:40:34,800
JUST TACOS.
967
00:40:34,838 --> 00:40:36,696
I DON'T KNOW,
WAYS TO MY HEART...
968
00:40:36,734 --> 00:40:37,714
ONE, BUY ME TACOS,
969
00:40:37,751 --> 00:40:38,768
TWO, MAKE ME TACOS,
970
00:40:38,840 --> 00:40:40,242
AND THREE, BE A TACO.
971
00:40:40,280 --> 00:40:42,138
FINE, YOU'RE BUYING YOUR OWN.
972
00:40:42,175 --> 00:40:43,648
ONE TACO, PLEASE.
973
00:40:43,684 --> 00:40:45,403
SAME, THANKS.
974
00:40:45,439 --> 00:40:46,947
SO...
975
00:40:47,020 --> 00:40:48,422
SINCE WE'RE JUST HANGING OUT,
976
00:40:48,459 --> 00:40:50,810
CAN I ASK YOU
WHAT'S UP WITH YOUR EX?
977
00:40:50,847 --> 00:40:52,319
YOU CAN.
978
00:40:52,356 --> 00:40:53,372
I JUST DID.
979
00:40:53,410 --> 00:40:55,409
WHOA.
980
00:40:55,446 --> 00:40:56,672
UM, I DON'T KNOW.
981
00:40:58,957 --> 00:41:00,744
THANK YOU.
982
00:41:00,782 --> 00:41:01,868
WE NEVER REALLY ARGUED.
983
00:41:01,905 --> 00:41:03,974
SHE JUST WOULD EXPLAIN
REALLY LOUDLY
984
00:41:04,011 --> 00:41:06,010
WHY SHE WAS ALWAYS RIGHT.
985
00:41:06,048 --> 00:41:06,994
BEEN THERE.
986
00:41:07,031 --> 00:41:08,047
YEAH...
987
00:41:08,084 --> 00:41:09,241
AND THE WEIRDEST PART
988
00:41:09,277 --> 00:41:10,154
IS THAT I'VE HAD THIS
LAUNDRY BASKET,
989
00:41:10,191 --> 00:41:11,242
FULL OF HER THINGS
990
00:41:11,279 --> 00:41:13,102
JUST SITTING IN MY CLOSET,
991
00:41:13,140 --> 00:41:14,648
AND I HAVEN'T REALLY HAD
THE HEART TO GIVE IT BACK.
992
00:41:14,685 --> 00:41:15,525
HMM.
993
00:41:17,282 --> 00:41:18,720
YEAH, IT'S A LITTLE WEIRD,
I KNOW.
994
00:41:18,756 --> 00:41:20,756
NO, IT'S...
995
00:41:20,793 --> 00:41:22,336
OKAY, IT'S A LITTLE WEIRD.
996
00:41:22,373 --> 00:41:24,056
WELL, WHAT ABOUT YOU?
997
00:41:24,093 --> 00:41:27,813
I'M NOT USUALLY
ONE TO GO LOOKING.
998
00:41:27,849 --> 00:41:28,900
I MEAN, I THINK
999
00:41:28,973 --> 00:41:30,586
WHEN YOU'RE ACTUALLY
LOOKING FOR LOVE,
1000
00:41:30,659 --> 00:41:32,060
YOU NEVER FIND IT.
1001
00:41:32,098 --> 00:41:35,537
WELL, I THINK I'VE FOUND
TRUE LOVE RIGHT HERE.
1002
00:41:35,608 --> 00:41:36,659
SCATTER MY ASHES.
1003
00:41:38,066 --> 00:41:39,012
DONE.
1004
00:41:42,244 --> 00:41:43,365
HEY, LOGAN.
1005
00:41:43,437 --> 00:41:45,085
I WENT THROUGH THOSE NUMBERS,
1006
00:41:45,158 --> 00:41:47,648
AND I FOUND
A PRETTY INTERESTING ONE.
1007
00:41:47,721 --> 00:41:49,334
HOW INTERESTING?
1008
00:41:49,406 --> 00:41:51,826
THE ANDRONICUS FAMILY LAWYER,
1009
00:41:51,863 --> 00:41:52,985
ALLAN DEMETRY.
1010
00:41:53,022 --> 00:41:55,372
I'LL TEXT YOU HIS NUMBER
AND ADDRESS.
1011
00:41:55,409 --> 00:41:57,163
LOGAN, YOU ARE THE BEST.
1012
00:41:57,234 --> 00:41:59,058
THANK YOU SO MUCH!
1013
00:42:13,174 --> 00:42:14,120
FRANK!
1014
00:42:19,352 --> 00:42:23,213
NO, I JUST SAW A BODY
MOVING THROUGH THE STORE,
1015
00:42:23,249 --> 00:42:24,335
SO I...
1016
00:42:24,373 --> 00:42:25,388
YOU OKAY?
1017
00:42:25,426 --> 00:42:26,653
OH, I'M FINE.
1018
00:42:26,725 --> 00:42:28,267
WAS ANYTHING STOLEN?
1019
00:42:28,305 --> 00:42:30,304
IT DOESN'T LOOK
LIKE THEY TOOK ANYTHING.
1020
00:42:30,341 --> 00:42:31,744
OKAY.
1021
00:42:31,780 --> 00:42:32,726
WELL, THIS IS GOOD.
1022
00:42:32,763 --> 00:42:33,745
UH...
1023
00:42:33,782 --> 00:42:34,903
BUT?
1024
00:42:34,940 --> 00:42:36,518
LOOKS LIKE
THEY RETURNED SOMETHING.
1025
00:42:40,382 --> 00:42:42,521
:
THE MISSING PUZZLE BOX?
1026
00:42:42,594 --> 00:42:45,400
I CAN GUARANTEE YOU,
THAT WAS NOT THERE BEFORE.
1027
00:42:45,472 --> 00:42:46,734
WHY WOULD SOMEBODY
STEAL IT
1028
00:42:46,772 --> 00:42:47,928
AND THEN RETURN IT?
1029
00:42:47,965 --> 00:42:50,280
I'M NOT SURE.
1030
00:42:50,318 --> 00:42:52,491
WELL, I CAN DUST IT
FOR FINGERPRINTS,
1031
00:42:52,529 --> 00:42:53,756
BUT IT'S NOT
TECHNICALLY EVIDENCE
1032
00:42:53,828 --> 00:42:55,230
UNTIL WE CAN PROVE
1033
00:42:55,267 --> 00:42:57,161
THAT IT'S TIED
TO EITHER DEATH.
1034
00:42:57,234 --> 00:42:58,531
:
DETECTIVE LYNWOOD?
1035
00:42:58,602 --> 00:43:01,198
WHEN HE SAW US, HE RAN.
1036
00:43:09,100 --> 00:43:11,029
AM I UNDER ARREST?
1037
00:43:13,699 --> 00:43:16,891
YES, I'D SAY
A CHAT IS IN ORDER.
1038
00:43:18,1000 --> 00:43:20,473
: WELL,
1039
00:43:20,510 --> 00:43:23,211
THAT'S A LONG LIST
OF GREATEST HITS HERE.
1040
00:43:23,249 --> 00:43:24,545
RIOTING,
1041
00:43:24,583 --> 00:43:27,494
A DROPPED ASSAULT CHARGE
ON A PEACE OFFICER...
1042
00:43:27,531 --> 00:43:29,952
OH, AND BREAKING AND ENTERING.
1043
00:43:29,989 --> 00:43:32,164
THERE WAS NO BREAKING
AND ENTERING.
1044
00:43:32,200 --> 00:43:34,410
THAT CHARGE WAS
TRESPASSING AT MOST.
1045
00:43:34,448 --> 00:43:35,323
HOW SO?
1046
00:43:35,360 --> 00:43:36,727
I WAS PROTESTING
1047
00:43:36,799 --> 00:43:39,957
THE CONSTRUCTION OF A SKYSCRAPER
OVER IN ALDERGROVE.
1048
00:43:40,030 --> 00:43:43,539
I WAS ON PRIVATE PROPERTY,
CLIMBED OVER A FENCE,
1049
00:43:43,610 --> 00:43:46,698
AND GOT GRABBED FROM BEHIND
BY AN OFF-DUTY COP.
1050
00:43:46,735 --> 00:43:49,893
DID YOU EVER STEAL ANYTHING
FROM MRS. SHANNON'S STORE...
1051
00:43:49,930 --> 00:43:52,315
SPECIFICALLY, A PUZZLE BOX,
1052
00:43:52,353 --> 00:43:54,773
THEN FOR WHATEVER REASON
BRING IT BACK?
1053
00:43:54,845 --> 00:43:56,283
:
NO.
1054
00:43:56,319 --> 00:43:59,161
I'M NOT A THIEF,
OR ANYTHING THAT SHEET SAYS.
1055
00:43:59,198 --> 00:44:02,707
THE REAL CROOKS WEAR SUITS,
COME INTO SMALL TOWNS,
1056
00:44:02,744 --> 00:44:04,638
BULLDOZE EVERYTHING IN SIGHT.
1057
00:44:04,675 --> 00:44:07,727
HENCE THE ANDRONOCORP PROTEST,
1058
00:44:07,800 --> 00:44:09,202
AND BY ALL ACCOUNTS,
1059
00:44:09,239 --> 00:44:11,414
IT'S SOMETHING
YOU SEEM FAIRLY ANGERED AT...
1060
00:44:12,785 --> 00:44:16,189
I'D EVEN SAY
OBSESSED.
1061
00:44:16,225 --> 00:44:18,821
"OBSESSED" IS A WORD
LAZY PEOPLE USE
1062
00:44:18,894 --> 00:44:20,998
TO DESCRIBE THE DEDICATED.
1063
00:44:21,035 --> 00:44:23,772
OOH, THAT'D BE A GREAT TAGLINE
FOR ONE OF YOUR SIGNS.
1064
00:44:23,808 --> 00:44:26,123
OH, SPEAKING
OF TAGS,
1065
00:44:26,161 --> 00:44:28,581
I'M GUESSING THAT
THE SPRAY-PAINT IN YOUR BAG
1066
00:44:28,618 --> 00:44:29,810
AND WHAT YOU'VE GOT
ON YOUR HANDS THERE
1067
00:44:29,847 --> 00:44:32,162
IS THE SAME
AS ON THE ANDRONICUS GATE.
1068
00:44:32,200 --> 00:44:33,532
OH, AND I'VE EVEN HEARD ACCOUNTS
1069
00:44:33,568 --> 00:44:36,972
OF OTHER ANDRONOCORP BUILDINGS
BEING DEFACED
1070
00:44:37,009 --> 00:44:38,552
ALL OVER TOWN.
1071
00:44:38,589 --> 00:44:40,694
IT IS WHAT IT IS,
1072
00:44:40,731 --> 00:44:43,326
BUT I NEVER BROKE
INTO ANY STORE.
1073
00:44:43,363 --> 00:44:46,346
WHEN WAS THE LAST TIME YOU WERE
AT THE ANDRONICUS RESIDENCE?
1074
00:44:50,911 --> 00:44:53,998
DID YOU SEE OR HAVE
ANYTHING TO DO WITH THE DEATHS
1075
00:44:54,036 --> 00:44:56,492
OF EITHER ELIZABETH
OR TAMARA ANDRONICUS?
1076
00:44:56,564 --> 00:44:58,878
:
NO,
1077
00:44:58,951 --> 00:45:01,512
BUT THE FEWER OF THAT FAMILY
IN THIS WORLD,
1078
00:45:01,549 --> 00:45:03,057
THE BETTER.
1079
00:45:03,093 --> 00:45:05,830
: IF YOU'RE WITHHOLDING,
IT'S OBSTRUCTION.
1080
00:45:09,764 --> 00:45:12,150
I WAS TAGGING THEIR GATE.
1081
00:45:12,222 --> 00:45:13,870
I SAW A CAR
SPEED INTO THE DRIVEWAY
1082
00:45:13,942 --> 00:45:16,047
AND SLAM ON ITS BRAKES.
1083
00:45:16,084 --> 00:45:18,048
A WOMAN CAME OUT
OF THE HOUSE.
1084
00:45:18,085 --> 00:45:21,172
I TOOK OFF
BEFORE HE GOT OUT OF THE CAR.
1085
00:45:21,210 --> 00:45:22,049
:
DID YOU HEAR WHAT THEY SAID?
1086
00:45:22,122 --> 00:45:23,173
NO.
1087
00:45:23,211 --> 00:45:24,542
WAS THE WOMAN
OLDER OR YOUNGER?
1088
00:45:24,580 --> 00:45:25,595
YOUNGER.
1089
00:45:25,633 --> 00:45:28,089
AND THE DRIVER?
1090
00:45:28,126 --> 00:45:29,984
LIKE I SAID, NEVER SAW HIM.
1091
00:45:30,022 --> 00:45:31,494
WHAT ABOUT THE CAR?
1092
00:45:31,531 --> 00:45:35,988
UH, SILVER... GRAY... SEDAN?
1093
00:45:36,024 --> 00:45:37,497
AND THIS WAS YESTERDAY?
1094
00:45:37,534 --> 00:45:39,954
YEAH.
1095
00:45:39,992 --> 00:45:42,728
WHY DIDN'T YOU GO
TO THE POLICE?
1096
00:45:42,766 --> 00:45:45,151
'CAUSE I KNEW
YOU'D SEE THOSE PRIORS,
1097
00:45:45,188 --> 00:45:47,222
AND I'D END UP
NEVER WALKING OUT OF HERE.
1098
00:45:47,259 --> 00:45:50,066
LOOK...
1099
00:45:50,102 --> 00:45:52,629
I KNOW I HAVE RED ON MY HANDS..
1100
00:45:54,772 --> 00:45:56,876
BUT NONE OF IT'S BLOOD.
1101
00:46:02,039 --> 00:46:03,652
BUT IF ZACH BROKE
INTO THE STORE,
1102
00:46:03,725 --> 00:46:04,671
WOULDN'T HE HAVE
AN INJURED LEG
1103
00:46:04,742 --> 00:46:06,180
FROM THE FALL?
1104
00:46:06,218 --> 00:46:08,146
TRUE, BUT HE COULD JUST
BE LYING ABOUT THE ARGUMENT
1105
00:46:08,183 --> 00:46:10,042
TO COVER UP
FOR HIMSELF.
1106
00:46:10,079 --> 00:46:11,201
HE WAS THERE
1107
00:46:11,237 --> 00:46:14,185
AROUND THE TIME
OF TAMARA'S DEATH.
1108
00:46:14,221 --> 00:46:16,782
NO, JUST BECAUSE
HE'S PASSIONATE ABOUT A CAUSE
1109
00:46:16,855 --> 00:46:18,257
DOESN'T MEAN HE'S A KILLER.
1110
00:46:18,294 --> 00:46:20,363
OKAY, THEN WHO?
1111
00:46:20,436 --> 00:46:21,628
I FOUND A NUMBER
1112
00:46:21,665 --> 00:46:23,945
FOR THE ANDRONICUS
FAMILY LAWYER,
1113
00:46:24,017 --> 00:46:25,770
THE SAME NUMBER
THAT TEXTED TAMARA
1114
00:46:25,807 --> 00:46:27,280
SAYING, "I'M SORRY."
1115
00:46:27,317 --> 00:46:29,105
ALLAN DEMETRY
WAS THE "I'M SORRY?"
1116
00:46:29,142 --> 00:46:30,861
HE WAS.
1117
00:46:30,897 --> 00:46:32,265
MAYBE QUIN WAS ON TO SOMETHING
1118
00:46:32,302 --> 00:46:35,811
WHEN HE SAID DEMETRY
WAS INTERESTED IN TAMARA.
1119
00:46:35,848 --> 00:46:37,390
WELL, IF WE CAN
EVEN FIND DEMETRY
1120
00:46:37,463 --> 00:46:38,935
AND GET THE CELL,
1121
00:46:39,007 --> 00:46:40,305
THEN I'LL BE ABLE
TO APPROXIMATE
1122
00:46:40,376 --> 00:46:42,622
THE AREA
WHERE HE MADE THAT TEXT FROM.
1123
00:46:42,659 --> 00:46:43,991
WHICH WOULD PUT HIM
AT THE SCENE OF THE CRIME,
1124
00:46:44,028 --> 00:46:45,009
OR SOMEWHERE ELSE.
1125
00:46:45,046 --> 00:46:46,028
WELL, THIS GUY,
1126
00:46:46,064 --> 00:46:47,361
HE HASN'T RETURNED
ANY OF MY CALLS,
1127
00:46:47,399 --> 00:46:48,625
HASN'T SHOWN UP AT WORK,
1128
00:46:48,662 --> 00:46:49,889
AND ALL THE NEIGHBORS SAY
1129
00:46:49,926 --> 00:46:50,801
THEY HAVEN'T SEEN HIS CAR
IN THE DRIVEWAY
1130
00:46:50,839 --> 00:46:51,890
SINCE TUESDAY.
1131
00:46:51,962 --> 00:46:54,347
YOU GOT ANYTHING
ON TAMARA'S CELL?
1132
00:46:54,385 --> 00:46:56,314
NO,
STILL WAITING ON A WARRANT.
1133
00:46:56,386 --> 00:46:58,877
CAN'T LUCAS GIVE YOU PERMISSION
TO ACCESS HER PHONE?
1134
00:46:58,948 --> 00:47:00,492
I WISH IT WAS THAT EASY.
1135
00:47:00,529 --> 00:47:02,247
DETECTIVE, THE BOX
HAS BEEN WIPED DOWN.
1136
00:47:02,284 --> 00:47:03,757
NO FINGERPRINTS.
1137
00:47:06,497 --> 00:47:07,689
YOU THINKING
THERE'S SOMETHING INSIDE,
1138
00:47:07,725 --> 00:47:09,268
THAT'S PERTAINING
TO THE INVESTIGATION?
1139
00:47:09,341 --> 00:47:11,410
I'M NOT SURE,
1140
00:47:11,447 --> 00:47:12,955
BUT IF YOU WANT ME
TO STAY WITH IT AND GET IT OPEN,
1141
00:47:12,992 --> 00:47:14,043
I CAN FIND OUT.
1142
00:47:15,589 --> 00:47:16,535
GIVE IT TO HER.
1143
00:47:19,627 --> 00:47:21,029
COME TO ME FIRST.
1144
00:47:21,102 --> 00:47:22,784
I ALWAYS DO.
1145
00:47:22,822 --> 00:47:24,084
AH.
1146
00:47:24,156 --> 00:47:25,242
YEAH, RIGHT.
1147
00:47:41,639 --> 00:47:43,007
HEY, DANI.
1148
00:47:43,079 --> 00:47:44,867
CAN YOU COVER FOR ME
AT THE STORE TOMORROW MORNING?
1149
00:47:46,519 --> 00:47:47,922
: COPPER!
MITTENS!
1150
00:47:47,958 --> 00:47:48,904
LL DROOL J, COME ON.
1151
00:47:52,663 --> 00:47:54,908
DID YOU OPEN UP
A DOG PARK IN OUR BACKYARD?
1152
00:47:56,315 --> 00:47:57,787
YEAH, IT WAS SUPPOSED
1153
00:47:57,824 --> 00:47:59,156
TO BE A DOG-WALKING
BUSINESS. I...
1154
00:48:00,316 --> 00:48:01,403
I THOUGHT
IT WOULD BE EASIER.
1155
00:48:03,371 --> 00:48:04,387
IT JUST SEEMS LIKE THE END GOAL
1156
00:48:04,424 --> 00:48:05,756
IS GETTING FARTHER
AND FARTHER AWAY.
1157
00:48:05,794 --> 00:48:07,828
DON'T WORRY,
YOU'LL GET THERE.
1158
00:48:07,865 --> 00:48:09,583
ANYTHING WORTHWHILE TAKES TIME.
1159
00:48:10,709 --> 00:48:11,619
YOU THINK SO?
1160
00:48:11,657 --> 00:48:12,848
I KNOW SO.
1161
00:48:12,920 --> 00:48:14,885
LET ME HELP YOU OUT.
1162
00:48:14,956 --> 00:48:16,569
COME HERE, GUYS.
1163
00:48:16,607 --> 00:48:17,447
COME HERE, YOU.
1164
00:48:17,519 --> 00:48:18,922
WHAT'RE YOU
DOING? STOP.
1165
00:48:38,127 --> 00:48:39,600
: YOU'VE REACHED
THE LAW OFFICE MOBILE
1166
00:48:39,672 --> 00:48:40,688
OF ALLAN DEMETRY.
1167
00:48:40,725 --> 00:48:42,128
LEAVE YOUR NAME AND NUMBER,
1168
00:48:42,164 --> 00:48:43,777
AND I WILL RETURN YOUR CALL
AS SOON AS POSSIBLE.
1169
00:48:59,438 --> 00:49:01,261
MR. DEMETRY?
1170
00:49:04,634 --> 00:49:06,176
HELLO?
1171
00:49:11,410 --> 00:49:13,057
MR. DEMETRY?
1172
00:49:34,300 --> 00:49:35,772
THANKS.
1173
00:49:40,759 --> 00:49:42,127
HEY, FRANK.
1174
00:49:42,163 --> 00:49:43,285
YOU OPEN THE BOX ALREADY?
1175
00:49:43,322 --> 00:49:46,340
UH... NOT EXACTLY...
1176
00:49:46,376 --> 00:49:48,060
FRANK,
I'M AT ALLAN DEMETRY'S HOUSE.
1177
00:49:48,097 --> 00:49:49,113
WELL, IS HE THERE?
1178
00:49:49,150 --> 00:49:51,606
NO, BUT THE SIDE DOOR WAS OPEN,
1179
00:49:51,643 --> 00:49:54,063
AND SOME FURNITURE'S
BEEN OVERTURNED, AND...
1180
00:49:54,135 --> 00:49:55,221
WELL, FRANK, IT LOOKS LIKE
THERE WAS A STRUGGLE.
1181
00:49:55,259 --> 00:49:56,520
I'M CONCERNED
1182
00:49:56,557 --> 00:49:57,574
SOMETHING MIGHT HAVE HAPPENED
TO MR. DEMETRY.
1183
00:49:57,610 --> 00:49:59,189
I'LL SEND SOMEONE OVER
A.S.A.P.
1184
00:49:59,261 --> 00:50:01,190
OH, AND, FRANK,
ONE MORE THING.
1185
00:50:01,227 --> 00:50:04,736
I THINK TAMARA AND ALLAN
WENT TO A CABIN.
1186
00:50:04,773 --> 00:50:05,999
I'M GOING TO SEND YOU
A PHOTO.
1187
00:50:06,072 --> 00:50:07,299
LOOK CLOSELY.
1188
00:50:07,336 --> 00:50:09,686
HER REFLECTION
IS IN HIS SUNGLASSES.
1189
00:50:09,723 --> 00:50:11,231
OKAY, THANKS,
1190
00:50:11,268 --> 00:50:13,829
BUT PLEASE GET SOMEWHERE SAFE.
1191
00:50:20,431 --> 00:50:23,448
LOON LAKE...
THAT'S NOT TOO FAR.
1192
00:50:50,272 --> 00:50:52,868
PUT THE PHONE DOWN!
1193
00:50:55,012 --> 00:50:56,730
WHO ARE YOU?
1194
00:50:58,592 --> 00:51:00,627
I'M A FRIEND
OF THE ANDRONICUS FAMILY.
1195
00:51:00,664 --> 00:51:02,136
THEY DON'T HAVE FRIENDS.
1196
00:51:02,174 --> 00:51:03,330
THEY HAVE EMPLOYEES.
1197
00:51:05,965 --> 00:51:07,1000
I KNEW TAMARA.
1198
00:51:09,581 --> 00:51:10,773
I'M SORRY.
1199
00:51:10,845 --> 00:51:12,423
I CAN GO AND PRETEND
I NEVER SAW ANYTHING.
1200
00:51:12,460 --> 00:51:14,530
WHY ARE YOU HERE?
1201
00:51:16,497 --> 00:51:19,479
YOU'RE THE LAST PERSON
TO SEND TAMARA A MESSAGE.
1202
00:51:19,552 --> 00:51:20,813
I WAS HOPING
1203
00:51:20,851 --> 00:51:22,885
YOU COULD SHED SOME LIGHT
ON THE "I'M SORRY" TEXT.
1204
00:51:22,957 --> 00:51:25,729
IF YOU CAN FIND ME,
HE CAN FIND ME.
1205
00:51:25,766 --> 00:51:27,730
WHO'S HE?
1206
00:51:27,767 --> 00:51:29,625
SAME PERSON
WHO GAVE ME THIS...
1207
00:51:29,663 --> 00:51:30,644
HER HUSBAND.
1208
00:51:30,680 --> 00:51:31,732
LUCAS.
1209
00:51:31,804 --> 00:51:32,996
HE'S COMPLETELY
LOST IT.
1210
00:51:33,033 --> 00:51:34,400
HE'LL DO ANYTHING TO ANYONE
AT THIS POINT.
1211
00:51:34,438 --> 00:51:35,944
EVEN KILL?
1212
00:51:35,982 --> 00:51:37,279
YEAH.
1213
00:51:39,352 --> 00:51:41,808
WHEN DID LUCAS COME AFTER YOU?
1214
00:51:41,880 --> 00:51:44,265
UH, TUESDAY.
1215
00:51:44,303 --> 00:51:46,899
THE SAME DAY
TAMARA DIED.
1216
00:51:46,971 --> 00:51:48,795
HE CAME OVER IN A RAGE,
1217
00:51:48,866 --> 00:51:50,269
THINKING SOMETHING
WAS GOING ON.
1218
00:51:50,306 --> 00:51:52,446
TAMARA WOULD NEVER ADMIT
ANYTHING ABOUT US,
1219
00:51:52,483 --> 00:51:54,868
BUT, APPARENTLY,
HIS BROTHER SAW ME
1220
00:51:54,905 --> 00:51:56,448
SNEAKING OUT OF THE HOUSE
ON SATURDAY, AND...
1221
00:51:58,064 --> 00:52:00,520
TO BE HONEST, AFTER
A YEAR OF HIDING IT,
1222
00:52:00,557 --> 00:52:03,154
I HAD TO TELL HIM
THAT I LOVED HER.
1223
00:52:03,190 --> 00:52:04,943
I LOVE HER.
1224
00:52:04,981 --> 00:52:06,980
HOW DID YOU GET AWAY?
1225
00:52:07,017 --> 00:52:09,508
I HAD TO PROMISE
TO TEXT AND BREAK IT OFF,
1226
00:52:09,545 --> 00:52:11,193
AND THEN HE STORMED
OUT THE FRONT.
1227
00:52:11,230 --> 00:52:12,702
THAT'S THE "I'M SORRY."
1228
00:52:16,672 --> 00:52:18,004
I, UH...
1229
00:52:19,480 --> 00:52:21,445
I DIDN'T KNOW IF HE WAS GOING
TO CHANGE HIS MIND
1230
00:52:21,481 --> 00:52:23,165
AND COME BACK.
1231
00:52:23,202 --> 00:52:24,323
I WAS SCARED,
1232
00:52:24,360 --> 00:52:25,903
SO I BOLTED OUT
AS QUICK AS I COULD.
1233
00:52:27,485 --> 00:52:29,976
DO YOU THINK LUCAS WENT BACK
AND KILLED TAMARA?
1234
00:52:31,557 --> 00:52:32,539
I DO...
1235
00:52:33,769 --> 00:52:34,890
MR. DEMETRY,
1236
00:52:34,927 --> 00:52:37,488
I KNOW THE DETECTIVE
ON THIS CASE.
1237
00:52:37,526 --> 00:52:39,455
MAY I CALL HIM
AND GET YOU SOME HELP.
1238
00:52:53,605 --> 00:52:55,850
IF THERE'S ONE,
THERE'LL BE MORE.
1239
00:53:01,328 --> 00:53:02,695
I GET THAT IT HURTS...
1240
00:53:02,733 --> 00:53:04,872
I REALLY DO...
1241
00:53:06,770 --> 00:53:08,804
BUT THE DIFFERENCE
BETWEEN A PROFESSIONAL
1242
00:53:08,842 --> 00:53:11,402
AND AN AMATEUR
1243
00:53:11,440 --> 00:53:13,087
IS THAT THE PRO PLAYS HURT.
1244
00:53:20,497 --> 00:53:21,653
ARE YOU LISTENING?
1245
00:53:27,554 --> 00:53:29,974
SHE WAS REALLY SOMETHING,
WASN'T SHE?
1246
00:53:32,575 --> 00:53:34,081
THEY BOTH WERE.
1247
00:53:37,103 --> 00:53:39,383
WE'RE GOING
TO SURVIVE THIS.
1248
00:53:39,455 --> 00:53:40,857
WE ALWAYS DO.
1249
00:53:53,850 --> 00:53:55,708
LUCAS ANDRONICUS,
1250
00:53:55,746 --> 00:53:56,866
YOU'RE UNDER ARREST
1251
00:53:56,904 --> 00:53:58,095
FOR THE ASSAULT
OF ALLAN DEMETRY.
1252
00:54:03,715 --> 00:54:05,959
AH, THE SINGLE LIFE.
1253
00:54:05,997 --> 00:54:07,504
GREAT, ISN'T IT?
1254
00:54:07,542 --> 00:54:09,189
A FREEDOM TO IT.
1255
00:54:09,226 --> 00:54:10,734
NO PRESSURE,
1256
00:54:10,771 --> 00:54:11,752
NO STRESS
AT THE END OF THE DAY.
1257
00:54:18,565 --> 00:54:19,687
YOU KNOW, I THINK
1258
00:54:19,758 --> 00:54:21,266
THAT REAL FREEDOM'S
NOT HAVING TO UPDATE
1259
00:54:21,303 --> 00:54:23,407
YOUR ONLINE
RELATIONSHIP STATUS.
1260
00:54:23,445 --> 00:54:25,550
OR TAKING THAT PERFECT
COUPLE PROFILE SELFIE
1261
00:54:25,586 --> 00:54:26,848
YOU KNOW THEY TOOK
A MILLION TIMES
1262
00:54:26,920 --> 00:54:28,006
JUST TO GET
THAT ONE.
1263
00:54:28,044 --> 00:54:29,516
I'M ACTUALLY
IN A LONG-TERM RELATIONSHIP
1264
00:54:29,554 --> 00:54:31,553
WITH FUN AND ADVENTURE.
1265
00:54:31,590 --> 00:54:32,886
ME TOO.
1266
00:54:32,924 --> 00:54:33,975
AW.
1267
00:54:36,189 --> 00:54:37,064
WE SHOULD GET
OUT OF HERE.
1268
00:54:37,137 --> 00:54:39,909
YEAH, IMMEDIATELY.
1269
00:54:54,339 --> 00:54:55,777
HMM.
1270
00:54:59,851 --> 00:55:00,868
HI.
1271
00:55:00,905 --> 00:55:01,956
JENN!
1272
00:55:02,028 --> 00:55:03,255
WE'LL KEEP ROLLING.
JOIN US?
1273
00:55:03,292 --> 00:55:04,238
OH...
1274
00:55:04,275 --> 00:55:06,310
OKAY, BUT...
1275
00:55:06,346 --> 00:55:09,363
IF THIS PUZZLE BOX
TURNS OUT TO BE EVIDENCE,
1276
00:55:09,401 --> 00:55:11,645
WELL, YOU'RE GOING TO HAVE
TO CLEAR IT WITH THE POLICE
1277
00:55:11,718 --> 00:55:13,471
TO USE ANY OF THIS FOOTAGE.
1278
00:55:15,229 --> 00:55:17,544
I'LL CHECK INTO THE LEGALITIES
OF IT, JENN,
1279
00:55:17,581 --> 00:55:18,702
JUST IN CASE.
1280
00:55:18,739 --> 00:55:20,107
OKAY.
1281
00:55:24,672 --> 00:55:26,426
HEY THERE.
1282
00:55:26,463 --> 00:55:27,444
OOPS, SORRY,
DARLING.
1283
00:55:27,481 --> 00:55:28,497
YOU'RE JUST...
1284
00:55:28,535 --> 00:55:29,550
YOU'RE STANDING
IN MY LIGHT.
1285
00:55:29,623 --> 00:55:31,376
THERE WE GO.
1286
00:55:31,413 --> 00:55:34,676
YOU'RE REALLY WARMING UP
TO THE CAMERAS, HUH?
1287
00:55:34,749 --> 00:55:36,712
"I'M READY FOR
MY CLOSE-UP..."
1288
00:55:36,785 --> 00:55:37,836
BUT I ACTUALLY AM.
1289
00:55:37,873 --> 00:55:39,065
I CAN SEE THAT.
1290
00:55:39,102 --> 00:55:40,188
OKAY, THAT'S, UM...
1291
00:55:40,225 --> 00:55:41,136
OW...
1292
00:55:42,963 --> 00:55:44,717
LET'S GET READY
TO GO.
1293
00:55:44,789 --> 00:55:46,858
ARE YOU OKAY?
1294
00:55:46,895 --> 00:55:49,211
OH.
1295
00:55:49,248 --> 00:55:51,949
YEAH, YEAH, IT'S JUST
AN OLD FOOTBALL INJURY.
1296
00:55:51,987 --> 00:55:53,178
FLARES UP
ONCE IN A WHILE.
1297
00:55:56,901 --> 00:55:58,304
I DID FIND
SUBSTANTIAL AMOUNTS
1298
00:55:58,341 --> 00:56:00,375
OF MORPHINE SULFATE
IN HER MOUTH.
1299
00:56:00,412 --> 00:56:01,533
ALL RIGHT,
WE'RE READY.
1300
00:56:01,571 --> 00:56:02,376
LET'S GET TO IT.
1301
00:56:02,413 --> 00:56:04,447
ALL RIGHT, SO...
1302
00:56:04,484 --> 00:56:06,518
THE PUZZLE BOX
MAGICALLY REAPPEARS.
1303
00:56:06,556 --> 00:56:08,169
SEEMS THERE'S SOMETHING MORE
TO THE MYSTERY AFTER ALL,
1304
00:56:08,206 --> 00:56:09,081
DON'T YOU THINK?
1305
00:56:11,717 --> 00:56:13,118
UM..
1306
00:56:13,156 --> 00:56:15,155
YEAH, UH... CUT?
1307
00:56:15,192 --> 00:56:16,559
UM...
1308
00:56:16,597 --> 00:56:18,104
YOU KNOW, THE FAMILY HAS
BEEN THROUGH SO MUCH.
1309
00:56:18,142 --> 00:56:19,087
ARE YOU SURE
1310
00:56:19,124 --> 00:56:20,632
THERE'S NOT A WAY
1311
00:56:20,669 --> 00:56:22,317
WE CAN'T RESTRUCTURE
THIS EPISODE
1312
00:56:22,354 --> 00:56:24,213
AND FOCUS ON ANOTHER ANTIQUE
IN THE STORE?
1313
00:56:26,216 --> 00:56:27,408
UH, WELL, JENN,
1314
00:56:27,445 --> 00:56:29,830
THE BOX
IS THE EPISODE...
1315
00:56:29,867 --> 00:56:32,357
BUT, I MEAN,
THEIR NAME WON'T BE ON IT.
1316
00:56:32,395 --> 00:56:33,446
I DEFINITELY DON'T
HAVE THE MONEY
1317
00:56:33,483 --> 00:56:35,869
TO FIGHT THE ANDRONICUS
FAMILY IN COURT.
1318
00:56:38,082 --> 00:56:39,730
FAMILY.
1319
00:56:39,768 --> 00:56:41,661
OH, I KNOW THAT LOOK.
1320
00:56:41,733 --> 00:56:43,452
THE FAMILY CREST,
OF COURSE.
1321
00:56:43,488 --> 00:56:45,874
THE CREST
IS THE FIRST CIPHER!
1322
00:56:45,912 --> 00:56:47,208
YES.
1323
00:57:01,499 --> 00:57:04,095
WELL, I WAS HOPING
FOR SOMETHING MORE THAN THAT.
1324
00:57:04,132 --> 00:57:05,921
OH, IT'S OKAY.
YOU'LL GET IT.
1325
00:57:05,958 --> 00:57:07,817
:
THAT'S LUNCH, EVERYONE.
1326
00:57:14,699 --> 00:57:16,488
WHAT?
1327
00:57:16,525 --> 00:57:18,735
:
JOEL'S LEG.
1328
00:57:18,772 --> 00:57:20,455
IT'S THE SAME ONE
THE STORE THIEF FELL ON
1329
00:57:20,492 --> 00:57:23,123
WHEN HE WAS TRYING
TO RUN AWAY.
1330
00:57:23,161 --> 00:57:24,352
HAS HE BEEN LIMPING
THE WHOLE TIME?
1331
00:57:24,390 --> 00:57:25,896
NOT THAT I NOTICED,
1332
00:57:25,934 --> 00:57:27,828
BUT WHY WOULD JOEL
STEAL THE BOX?
1333
00:57:27,900 --> 00:57:29,302
I DON'T KNOW.
1334
00:57:30,919 --> 00:57:32,777
IN THE MEANTIME,
WE'LL KEEP AN EYE ON JOEL
1335
00:57:32,850 --> 00:57:34,253
FOR ANYTHING
OUT OF THE ORDINARY,
1336
00:57:34,289 --> 00:57:36,078
ESPECIALLY IF IT HAS TO DO
WITH THE ANDRONICUS FAMILY.
1337
00:57:36,115 --> 00:57:37,166
RIGHT.
1338
00:57:37,203 --> 00:57:39,413
ANDRONICUS FAMILY!
1339
00:57:39,450 --> 00:57:40,607
QUIN ANDRONICUS...
1340
00:57:40,643 --> 00:57:41,625
HE USED TO DO
THESE PUZZLE BOXES
1341
00:57:41,662 --> 00:57:42,748
WITH HIS MOM.
1342
00:57:42,786 --> 00:57:43,977
MAYBE HE COULD HELP ME
FIGURE IT OUT.
1343
00:57:44,015 --> 00:57:45,381
IS THAT SAFE?
1344
00:57:45,454 --> 00:57:47,417
WELL, I'LL MEET HIM
IN A PUBLIC PLACE.
1345
00:57:47,455 --> 00:57:48,436
A VERY PUBLIC PLACE.
1346
00:57:48,473 --> 00:57:50,682
THE LOBBY OF HIS MOTEL,
1347
00:57:50,755 --> 00:57:52,332
AND I'LL LET FRANK KNOW
WHERE I AM.
1348
00:57:52,370 --> 00:57:53,421
ALL RIGHT.
1349
00:57:53,494 --> 00:57:54,826
I KNOW WHERE YOU ARE, TOO.
1350
00:57:56,197 --> 00:57:58,511
YOU LOOK GOOD
FOR YOUR CLOSE-UP.
1351
00:57:58,584 --> 00:58:00,161
THANK YOU.
1352
00:58:04,938 --> 00:58:06,094
NEW HOME-REPAIR
BUSINESS?
1353
00:58:06,132 --> 00:58:08,833
150 BUCKS PER COMPUTER.
1354
00:58:08,870 --> 00:58:10,764
MOSTLY SOFTWARE ISSUES
SO FAR.
1355
00:58:10,801 --> 00:58:12,941
THAT'S A GREAT START.
1356
00:58:12,978 --> 00:58:14,205
YEAH...
1357
00:58:14,277 --> 00:58:16,556
BUT COMPUBARN HAS THE MARKET
COMPLETELY CORNERED
1358
00:58:16,594 --> 00:58:18,102
AROUND HERE.
1359
00:58:18,139 --> 00:58:20,243
I'LL BE LUCKY TO FIND
A FEW MORE CUSTOMERS,
1360
00:58:20,280 --> 00:58:22,841
AND EVEN THEN,
I'M GOING TO COME UP SHORT.
1361
00:58:22,878 --> 00:58:24,246
YOU CAN ALWAYS DIVERSIFY.
1362
00:58:24,318 --> 00:58:26,211
WHAT COULD I DO?
1363
00:58:26,249 --> 00:58:28,529
SOMETHING THAT YOU ALREADY
KNOW AND LOVE.
1364
00:58:33,130 --> 00:58:34,075
THAT'S IT.
1365
00:58:35,728 --> 00:58:37,481
THE FAMILY BUSINESS.
1366
00:58:37,518 --> 00:58:39,833
A ONE-DAY ONLINE
MASSIVE GARAGE SALE.
1367
00:58:39,870 --> 00:58:41,728
ALL MY COLLECTIBLES AND COMICS.
1368
00:58:43,135 --> 00:58:44,538
ONLY IF YOU'RE SURE.
1369
00:58:44,609 --> 00:58:46,749
YEAH, I'M SURE.
1370
00:58:47,875 --> 00:58:49,452
GOOD.
1371
00:58:52,368 --> 00:58:55,105
AND THEN YOU JUST JUMPED
INTO THE AIR AND TACKLED HIM,
1372
00:58:55,177 --> 00:58:56,474
RIGHT THERE.
1373
00:58:56,546 --> 00:58:58,651
I'VE NEVER SEEN
ANYTHING LIKE IT.
1374
00:58:58,687 --> 00:59:01,073
I PLAYED A LOT OF
FOOTBALL IN HIGH SCHOOL.
1375
00:59:01,145 --> 00:59:03,179
WELL,
AS FAR AS HANGOUTS GO,
1376
00:59:03,217 --> 00:59:05,286
THAT ONE IS GOING
TO BE A HARD ONE TO TOP.
1377
00:59:05,323 --> 00:59:07,814
SO I GET ANOTHER
HANGOUT?
1378
00:59:07,851 --> 00:59:09,359
OF COURSE...
1379
00:59:09,395 --> 00:59:10,587
IF YOU WANT ONE.
1380
00:59:10,624 --> 00:59:11,922
OF COURSE.
1381
00:59:13,784 --> 00:59:15,221
SO...
1382
00:59:15,294 --> 00:59:17,363
SO...
1383
00:59:17,400 --> 00:59:18,627
YOU HAVE MY NUMBER.
1384
00:59:18,699 --> 00:59:19,610
WE SHOULD...
1385
00:59:19,647 --> 00:59:21,084
HANG OUT.
1386
00:59:21,122 --> 00:59:22,032
A LOT.
1387
00:59:22,105 --> 00:59:23,998
WE SHOULD.
1388
00:59:25,369 --> 00:59:26,350
CALL ME.
1389
00:59:26,388 --> 00:59:27,544
I WILL.
1390
00:59:39,728 --> 00:59:41,236
CAN I MAKE YOU DINNER SOMETIME?
1391
00:59:41,273 --> 00:59:42,605
ANYTIME.
1392
00:59:42,643 --> 00:59:43,939
PERFECT.
1393
00:59:43,976 --> 00:59:45,520
BYE.
1394
00:59:58,652 --> 01:00:00,160
:
LYNWOOD. LEAVE A MESSAGE.
1395
01:00:00,196 --> 01:00:01,458
OH, HEY, FRANK,
IT'S JENN.
1396
01:00:01,495 --> 01:00:03,599
I'M AT THE OVERVIEW MOTEL.
1397
01:00:03,637 --> 01:00:04,828
CAN YOU DO ME A FAVOR
1398
01:00:04,866 --> 01:00:06,443
AND RUN A BACKGROUND CHECK
ON JOEL JACOBS,
1399
01:00:06,481 --> 01:00:08,374
THAT PRODUCER FROM THE STORE?
1400
01:00:08,412 --> 01:00:10,411
HE STARTED LIMPING
RIGHT AFTER THE BREAK-IN,
1401
01:00:10,448 --> 01:00:12,657
AND HE WAS THE LAST PERSON
TO TOUCH THE PUZZLE BOX
1402
01:00:12,730 --> 01:00:14,624
BEFORE IT WENT MISSING.
1403
01:00:14,661 --> 01:00:16,624
I DON'T KNOW,
MAYBE THERE'S A CONNECTION.
1404
01:00:16,662 --> 01:00:17,572
I'LL CHECK IN WITH YOU LATER.
1405
01:00:17,610 --> 01:00:19,082
BYE.
1406
01:00:20,242 --> 01:00:21,154
I'M ASSUMING
YOU'RE JENN?
1407
01:00:22,525 --> 01:00:23,505
I AM.
1408
01:00:23,543 --> 01:00:24,734
QUIN.
1409
01:00:24,772 --> 01:00:26,982
HOW CAN I HELP YOU?
1410
01:00:31,336 --> 01:00:33,055
YOUR MOTHER'S WORK
WAS SO INTRICATE.
1411
01:00:33,092 --> 01:00:35,933
SHE WAS THE BEST...
1412
01:00:35,971 --> 01:00:37,478
AT EVERYTHING.
1413
01:00:39,341 --> 01:00:41,270
I WAS SORRY
TO HEAR ABOUT HER PASSING,
1414
01:00:41,307 --> 01:00:42,394
AND LUCAS' ARREST.
1415
01:00:43,835 --> 01:00:44,992
THEY ARRESTED HIM?
1416
01:00:45,028 --> 01:00:46,009
ON WHAT?
1417
01:00:46,047 --> 01:00:48,010
ASSAULT.
1418
01:00:48,048 --> 01:00:49,450
I'M SORRY,
I THOUGHT YOU KNEW.
1419
01:00:51,103 --> 01:00:52,188
WAS IT ALLAN DEMETRY?
1420
01:00:53,840 --> 01:00:54,997
WHAT MAKES YOU THINK THAT?
1421
01:00:56,298 --> 01:00:57,700
IF YOU SAW THE WAY
DEMETRY LOOKED AT TAMARA,
1422
01:00:57,738 --> 01:00:59,947
YOU'D KNOW THERE WAS
ALWAYS SOMETHING THERE.
1423
01:00:59,984 --> 01:01:01,211
LUCAS JUST NEVER SAW IT,
1424
01:01:01,249 --> 01:01:02,475
OR MAYBE HE DIDN'T WANT TO.
1425
01:01:05,812 --> 01:01:07,320
NOT MEANING TO PRY...
1426
01:01:07,357 --> 01:01:08,478
PRY AWAY.
1427
01:01:08,515 --> 01:01:11,252
WHEN WAS THE LAST TIME
YOU TALKED TO LUCAS?
1428
01:01:11,289 --> 01:01:13,604
UH, WELL...
1429
01:01:13,641 --> 01:01:14,692
HAVEN'T SPOKEN
TO HIM MUCH
1430
01:01:14,765 --> 01:01:16,483
IN THE LAST YEAR.
1431
01:01:16,520 --> 01:01:18,590
I DID SPEAK TO MY MOM
EVERY DAY.
1432
01:01:18,626 --> 01:01:19,538
I WAS TALKING
TO HER FRIDAY
1433
01:01:19,574 --> 01:01:21,749
WHEN THE CALL DROPPED.
1434
01:01:21,786 --> 01:01:23,223
I TRIED TO PHONE BACK,
BUT THERE WAS NO ANSWER,
1435
01:01:23,296 --> 01:01:26,173
AND THEN I REACHED
OUT TO LUCAS.
1436
01:01:26,209 --> 01:01:27,436
HE HADN'T HEARD
FROM HER EITHER,
1437
01:01:27,473 --> 01:01:29,508
SO...
1438
01:01:29,580 --> 01:01:31,053
WHEN NONE OF
MY TEXTS, EMAILS,
1439
01:01:31,125 --> 01:01:32,141
OR CALLS WERE RETURNED,
1440
01:01:32,178 --> 01:01:33,369
I DECIDED TO FLY HOME,
1441
01:01:33,406 --> 01:01:36,915
AND THAT'S WHEN I SAW
TAMARA AND DEMETRY.
1442
01:01:36,952 --> 01:01:38,530
DID YOU TELL LUCAS
WHAT YOU SAW?
1443
01:01:38,567 --> 01:01:39,865
I DID.
1444
01:01:39,901 --> 01:01:42,111
NOW I'M GUESSING MY CALL
ALONG WITH MOM'S SILENCE
1445
01:01:42,149 --> 01:01:43,164
MADE HIM FLY OUT.
1446
01:01:43,237 --> 01:01:45,446
DO YOU THINK
IT'S POSSIBLE
1447
01:01:45,484 --> 01:01:46,886
THAT LUCAS COULD HAVE
SOMETHING TO DO
1448
01:01:46,924 --> 01:01:48,255
WITH TAMARA'S DEATH?
1449
01:01:48,327 --> 01:01:51,450
I DON'T THINK HE'D HURT
THE ONE PERSON HE LOVED
1450
01:01:51,487 --> 01:01:53,170
MORE THAN HIMSELF.
1451
01:01:55,665 --> 01:01:57,945
YOU KNOW THE WORST PART?
1452
01:01:57,982 --> 01:02:00,086
I'M NOT EVEN SAD SHE'S GONE.
1453
01:02:01,283 --> 01:02:02,720
OH, I'M SORRY, I'M...
1454
01:02:02,757 --> 01:02:03,737
INQUISITIVE.
IT'S FINE.
1455
01:02:03,775 --> 01:02:04,791
I'M THE SAME WAY.
1456
01:02:04,863 --> 01:02:06,300
I JUST NEED SOME
TIME TO REFOCUS.
1457
01:02:06,337 --> 01:02:07,600
OF COURSE.
1458
01:02:10,936 --> 01:02:12,444
DO YOU KNOW
THE PATTERN?
1459
01:02:14,482 --> 01:02:16,376
NO, BUT I KNOW
THE SYMBOLS,
1460
01:02:16,449 --> 01:02:18,062
AND I KNOW THE WAY
SHE THOUGHT.
1461
01:02:18,098 --> 01:02:21,080
WHATEVER MOM WAS HIDING
MUST'VE BEEN IMPORTANT.
1462
01:02:21,118 --> 01:02:23,117
HIDING FROM WHO?
1463
01:02:23,154 --> 01:02:25,996
I DON'T KNOW...
YET...
1464
01:02:26,033 --> 01:02:28,277
BUT THIS SPIRAL
DRAWN THIS WAY
1465
01:02:28,315 --> 01:02:30,033
MEANS "FAMILY",
1466
01:02:30,106 --> 01:02:31,718
BUT IF YOU TAKE
THE SAME SYMBOL
1467
01:02:31,790 --> 01:02:33,052
AND TURN IT
UPSIDE DOWN,
1468
01:02:33,090 --> 01:02:34,632
THEN IT MEANS "DANGER."
1469
01:02:36,144 --> 01:02:38,283
IT'S LIKE SHE WAS SENDING US
RIDDLES FROM THE GRAVE.
1470
01:02:38,320 --> 01:02:41,372
ALMOST LIKE SHE KNEW
SHE WAS IN DANGER?
1471
01:02:42,533 --> 01:02:44,637
THESE TWO TEAR SYMBOLS...
1472
01:02:44,675 --> 01:02:46,042
IF YOU PUT THEM
SIDE-BY-SIDE,
1473
01:02:46,115 --> 01:02:48,395
THEY BECOME
THE INFINITY SIGN.
1474
01:02:48,432 --> 01:02:49,693
COUPLED
WITH THE SWIRL FOR "FAMILY"
1475
01:02:49,731 --> 01:02:50,641
AND THE GREEK VERB FOR "IS,"
1476
01:02:50,714 --> 01:02:52,080
IT BECOMES...
1477
01:02:52,117 --> 01:02:54,468
:
"FAMILY IS FOREVER."
1478
01:02:58,157 --> 01:02:59,172
I'M SORRY.
1479
01:02:59,245 --> 01:03:01,489
UH, I HAVE TO GO.
1480
01:03:01,527 --> 01:03:03,350
IF YOU'D LIKE,
1481
01:03:03,387 --> 01:03:05,632
I COULD TAKE IT AND
WORK ON IT TONIGHT.
1482
01:03:05,704 --> 01:03:07,107
WELL, ACTUALLY,
I'D LIKE TO HANG ON TO IT,
1483
01:03:07,143 --> 01:03:08,827
BUT MAYBE I COULD
COME BY TOMORROW?
1484
01:03:08,864 --> 01:03:11,073
SURE.
1485
01:03:11,111 --> 01:03:13,672
JUST BE CAREFUL.
1486
01:03:13,744 --> 01:03:14,655
THE LAST PEOPLE
TO TOUCH IT
1487
01:03:14,692 --> 01:03:15,848
TURNED UP DEAD.
1488
01:03:30,350 --> 01:03:31,541
HEY, FRANK.
1489
01:03:31,614 --> 01:03:33,332
DEMETRY LET US PING HIS CELL,
1490
01:03:33,369 --> 01:03:34,701
WHICH GAVE US THE LOCATION
1491
01:03:34,739 --> 01:03:36,421
OF WHERE HE SENT
THE "I'M SORRY" TEXT.
1492
01:03:36,459 --> 01:03:37,826
WHERE WAS HE?
1493
01:03:37,863 --> 01:03:39,230
HE WAS AT HOME,
1494
01:03:39,302 --> 01:03:41,161
AN HOUR AWAY
FROM THE ANDRONICUS HOUSE.
1495
01:03:41,198 --> 01:03:42,916
DID YOU FIND ANYTHING ON JOEL?
1496
01:03:42,953 --> 01:03:44,426
CALLED AROUND.
1497
01:03:44,463 --> 01:03:46,533
IT SEEMS YOUR PRODUCER FRIEND
IS IN SOME SERIOUS DEBT
1498
01:03:46,569 --> 01:03:47,691
WITH SOME VERY BAD PEOPLE.
1499
01:03:47,728 --> 01:03:48,709
HOW BAD?
1500
01:03:48,746 --> 01:03:49,727
WORST.
1501
01:03:49,765 --> 01:03:50,921
LOAN SHARKS.
1502
01:03:50,958 --> 01:03:52,992
STEEP INTEREST,
BIG CONSEQUENCES.
1503
01:03:53,030 --> 01:03:54,186
SO JOEL MIGHT NEED MONEY
1504
01:03:54,223 --> 01:03:55,169
IF THE SHOW FALLS THROUGH
1505
01:03:55,206 --> 01:03:56,327
TO PAY OFF HIS DEBT?
1506
01:03:56,364 --> 01:03:58,047
WELL, YEAH.
1507
01:03:58,084 --> 01:04:00,611
JOEL MIGHT HAVE GONE OVER
TO ASK FOR SOME CASH.
1508
01:04:00,647 --> 01:04:02,226
SOMEHOW, THINGS GET HEATED.
1509
01:04:02,297 --> 01:04:05,315
WHICH WOULD GIVE HIM MOTIVATION
TO KILL EITHER ONE OF THEM.
1510
01:04:05,352 --> 01:04:06,754
IF QUIN'S ALIBI HOLDS,
1511
01:04:06,791 --> 01:04:09,036
ONLY JOEL AND LUCAS
ARE LEFT AS SUSPECTS.
1512
01:04:09,109 --> 01:04:11,845
TRUE, AND?
1513
01:04:11,883 --> 01:04:13,811
FRANK, IS IT POSSIBLE
1514
01:04:13,883 --> 01:04:15,637
THAT JOEL COULD HAVE KILLED
ELIZABETH FOR MONEY,
1515
01:04:15,674 --> 01:04:18,374
AND LUCAS KILLED TAMARA
OUT OF A JEALOUS RAGE?
1516
01:04:18,412 --> 01:04:19,744
YOU'RE SUGGESTING
TWO DIFFERENT KILLERS?
1517
01:04:19,781 --> 01:04:21,043
MAYBE...
1518
01:04:21,081 --> 01:04:22,763
WITH TWO DIFFERENT MOTIVES.
1519
01:04:22,801 --> 01:04:23,816
HMM.
1520
01:04:31,788 --> 01:04:34,209
WELL, MAYBE I'LL
TELL YOU WHAT I KNOW.
1521
01:04:34,245 --> 01:04:36,105
I KNOW THAT TAMARA
WAS HAVING AN AFFAIR
1522
01:04:36,141 --> 01:04:37,544
FOR A WHILE,
1523
01:04:37,581 --> 01:04:41,054
SOMETHING YOU PROBABLY
ALREADY ASSUMED WAS GOING ON,
1524
01:04:41,092 --> 01:04:44,776
WHICH LED YOU RIGHT OVER
TO ASSAULT ALLAN DEMETRY.
1525
01:04:44,812 --> 01:04:47,198
I ASSUME YOUR SHIRT
GOT RIPPED IN THAT FIGHT
1526
01:04:47,236 --> 01:04:49,971
AND NOT IN THE CAR DOOR
LIKE YOU ORIGINALLY TOLD ME.
1527
01:04:50,044 --> 01:04:51,938
I WAS LYING BEFORE.
1528
01:04:51,975 --> 01:04:52,991
NOT NOW.
1529
01:04:53,028 --> 01:04:54,465
AND AFTER THE FIGHT,
1530
01:04:54,503 --> 01:04:56,712
WELL, YOU WERE FEELING
RILED UP,
1531
01:04:56,749 --> 01:04:58,292
SO YOU WENT BACK HOME
1532
01:04:58,330 --> 01:04:59,977
AND SETTLED THE SCORE
WITH YOUR WIFE.
1533
01:05:00,014 --> 01:05:01,451
I WOULD NEVER...
1534
01:05:01,489 --> 01:05:03,488
MY CLIENT IS ONLY TO BE
QUESTIONED FOR THE ASSAULT.
1535
01:05:05,456 --> 01:05:06,472
OKAY.
1536
01:05:06,509 --> 01:05:08,789
SO...
DID YOU ASSAULT MR. DEMETRY?
1537
01:05:08,826 --> 01:05:11,282
WELL, WOULDN'T YOU?
1538
01:05:11,355 --> 01:05:13,669
SHE WAS EVERYTHING TO ME,
MY LIFE.
1539
01:05:13,742 --> 01:05:15,074
HE TOOK THAT FROM ME.
1540
01:05:15,111 --> 01:05:17,496
SO YOU TOOK IT BACK FROM HIM,
RIGHT?
1541
01:05:17,533 --> 01:05:20,620
'CAUSE IF YOU CAN'T HAVE HER,
NEITHER CAN HE.
1542
01:05:20,658 --> 01:05:21,814
DON'T ANSWER THAT.
1543
01:05:23,642 --> 01:05:26,413
I DIDN'T KILL MY WIFE.
1544
01:05:26,450 --> 01:05:28,590
I LOVE HER.
1545
01:05:28,627 --> 01:05:30,275
I ALWAYS WILL.
1546
01:05:32,138 --> 01:05:33,540
CAN YOU TELL ME
1547
01:05:33,577 --> 01:05:36,103
WHY THERE WAS A BOTTLE
OF PEANUT OIL IN YOUR RECYCLING,
1548
01:05:36,141 --> 01:05:38,595
DESPITE YOUR MOTHER
BEING SO DEATHLY ALLERGIC TO IT?
1549
01:05:38,633 --> 01:05:41,860
I'VE NEVER SEEN ANY OIL,
AND I WOULD NEVER BUY IT.
1550
01:05:41,898 --> 01:05:43,160
WHY DON'T YOU ASK THE STAFF?
1551
01:05:43,196 --> 01:05:45,161
OH, THEY SAID
THE SAME THING.
1552
01:05:45,198 --> 01:05:47,548
MY MOTHER DIED
FROM FALLING DOWN THE STAIRS.
1553
01:05:47,585 --> 01:05:49,338
WHILE POSSIBLY HAVING
A HEART ATTACK
1554
01:05:49,376 --> 01:05:51,129
CAUSED BY ANAPHYLACTIC SHOCK
1555
01:05:51,166 --> 01:05:53,095
BROUGHT ON BY PEANUT OIL.
1556
01:05:53,132 --> 01:05:54,640
WE'RE STILL WAITING
TO HEAR BACK
1557
01:05:54,677 --> 01:05:56,324
THE FINALIZED
AUTOPSY, BUT...
1558
01:05:56,362 --> 01:05:59,274
THIS ISN'T LOOKING GOOD FOR YOU.
1559
01:05:59,312 --> 01:06:02,047
I WAS AT DEMETRY'S.
1560
01:06:02,120 --> 01:06:03,100
I WASN'T ANYWHERE
NEAR THAT HOUSE
1561
01:06:03,137 --> 01:06:05,207
WHEN TAMARA DIED.
1562
01:06:05,244 --> 01:06:06,576
DEMETRY'S HOUSE
ACROSS THE BRIDGE?
1563
01:06:06,614 --> 01:06:08,191
YES.
1564
01:06:08,263 --> 01:06:09,315
SO?
1565
01:06:09,351 --> 01:06:10,473
SO IT'S A
TOLL BRIDGE.
1566
01:06:10,510 --> 01:06:12,860
MEANS THERE'S
A TIME-STAMPED PICTURE
1567
01:06:12,897 --> 01:06:14,862
OF YOUR CAR CROSSING EITHER WAY.
1568
01:06:16,268 --> 01:06:17,319
WHICH WILL SHOW YOU
1569
01:06:17,356 --> 01:06:19,355
THAT I WASN'T ANYWHERE
NEAR TAMARA.
1570
01:06:20,586 --> 01:06:21,883
LET'S HOPE FOR YOUR SAKE.
1571
01:06:39,860 --> 01:06:40,806
: HELLO?
1572
01:06:40,843 --> 01:06:41,718
HEY, HANNAH.
1573
01:06:41,756 --> 01:06:43,614
WHAT'RE YOU UP TO?
1574
01:06:43,652 --> 01:06:45,405
I WAS THINKING
1575
01:06:45,442 --> 01:06:47,301
OF HANGING UP THE HANGOUTS.
1576
01:06:47,338 --> 01:06:50,390
YOU SAID DINNER ANYTIME,
SO WHAT ABOUT NOW?
1577
01:06:51,902 --> 01:06:55,200
WELL, I AM STILL
IN YOUR NEIGHBORHOOD.
1578
01:06:55,238 --> 01:06:56,780
GIVE ME ABOUT 10 MINUTES
OR SO?
1579
01:06:56,852 --> 01:06:57,798
I'LL SEE YOU THEN.
1580
01:06:57,870 --> 01:06:59,448
OKAY, BYE.
1581
01:07:17,811 --> 01:07:19,529
HOW'S IT GOING?
1582
01:07:21,287 --> 01:07:22,935
I KIND OF DON'T
WANT TO SELL THESE.
1583
01:07:24,447 --> 01:07:25,849
I DON'T KNOW.
1584
01:07:25,886 --> 01:07:27,605
IT'S LIKE MY YOUTH
GONE, MAYBE?
1585
01:07:27,641 --> 01:07:30,764
1980 MONGO BMX.
1586
01:07:30,801 --> 01:07:32,028
WHAT?
1587
01:07:32,065 --> 01:07:33,081
STUNT BIKE.
1588
01:07:33,154 --> 01:07:35,398
BLACK RIMS, CHROME PAINT.
1589
01:07:35,435 --> 01:07:37,961
IT WAS THE COOLEST THING
ON TWO WHEELS,
1590
01:07:37,998 --> 01:07:40,313
AND THOSE LAST DAYS OF SUMMER,
JUMPING AT THE TRACK,
1591
01:07:40,351 --> 01:07:41,612
I THOUGHT
I COULD TOUCH THE SKY
1592
01:07:41,649 --> 01:07:43,438
IF ONLY I GOT
HIGH ENOUGH.
1593
01:07:43,475 --> 01:07:44,420
YOU USED TO JUMP?
1594
01:07:44,458 --> 01:07:45,509
OH, YEAH.
1595
01:07:45,581 --> 01:07:48,352
I WAS WAY COOLER
BACK IN THE DAY,
1596
01:07:48,390 --> 01:07:51,653
YOU KNOW,
BEFORE RESPONSIBILITIES
1597
01:07:51,726 --> 01:07:55,585
AND BILLS AND LIFE
AND ALL THAT STUFF.
1598
01:07:55,658 --> 01:07:57,271
WHY DID YOU STOP?
1599
01:07:57,342 --> 01:07:59,798
BROKE MY COLLARBONE
IN THREE PLACES.
1600
01:07:59,835 --> 01:08:00,922
OUCH.
1601
01:08:00,959 --> 01:08:03,484
THEN GRANDMA MADE ME RETIRE.
1602
01:08:03,522 --> 01:08:04,362
SHE MADE YOU SELL THE BIKE?
1603
01:08:04,399 --> 01:08:05,416
NO,
1604
01:08:05,452 --> 01:08:08,434
BUT I DID END UP SELLING IT.
1605
01:08:08,471 --> 01:08:10,189
GOT A DECENT AMOUNT OF CASH
FOR IT BACK THEN,
1606
01:08:10,227 --> 01:08:13,104
CASH THAT I USED AS A DEPOSIT
ON MY FIRST CAR.
1607
01:08:13,141 --> 01:08:14,614
I'M GUESSING
LIKE THE CAR I SMASHED OUTSIDE?
1608
01:08:14,650 --> 01:08:17,001
EXACTLY...
1609
01:08:17,038 --> 01:08:18,124
BUT THAT'S WHEN I LEARNED
1610
01:08:18,162 --> 01:08:20,687
THAT THOUGH
MY BMX DAYS WERE OVER,
1611
01:08:20,724 --> 01:08:21,705
THERE WAS STILL
A LOT OF GREAT THINGS
1612
01:08:21,742 --> 01:08:23,250
YET TO COME,
1613
01:08:23,287 --> 01:08:25,462
LIKE MEETING YOUR MOM,
1614
01:08:25,498 --> 01:08:26,830
HAVING THE TWO OF YOU...
1615
01:08:26,868 --> 01:08:29,113
IT'S STILL THE BEST TRADE
I'VE EVER MADE.
1616
01:08:30,835 --> 01:08:33,536
SO I GUESS MY COMICS
AND MY COLLECTIBLES,
1617
01:08:33,574 --> 01:08:35,432
THEY'RE MY BMX?
1618
01:08:35,469 --> 01:08:37,995
YEAH...
1619
01:08:38,068 --> 01:08:41,330
AND YOU'RE GOING
TO TRADE UP, TOO.
1620
01:08:41,367 --> 01:08:42,594
I AM.
1621
01:08:42,631 --> 01:08:44,314
YEAH.
1622
01:08:54,216 --> 01:08:55,864
HANN...
1623
01:08:55,902 --> 01:08:56,883
NOT.
1624
01:08:56,919 --> 01:08:58,779
SURPRISE!
1625
01:08:58,815 --> 01:09:01,095
AVA!
1626
01:09:18,335 --> 01:09:20,721
OH, I'M SORRY
I'M LATE, EVERYONE.
1627
01:09:20,757 --> 01:09:22,582
:
IS EVERYTHING OKAY?
1628
01:09:22,619 --> 01:09:24,794
I'M NOT SURE.
FRANK'S ON HIS WAY HERE.
1629
01:09:24,830 --> 01:09:26,724
LADIES, WE READY TO GO?
1630
01:09:26,761 --> 01:09:27,707
YES.
1631
01:09:33,923 --> 01:09:35,431
MR. SOSNIAK!
1632
01:09:35,468 --> 01:09:37,818
IT'S GOOD TO HEAR FROM YOU.
1633
01:09:37,890 --> 01:09:39,960
YOU KNOW, I HAVE TO TELL YOU,
1634
01:09:39,996 --> 01:09:41,996
I WAS CUTTING SOME
FOOTAGE LAST NIGHT,
1635
01:09:42,033 --> 01:09:44,207
AND IT IS REALLY
COMING TOGETHER.
1636
01:09:44,245 --> 01:09:45,928
-THAT'S GOOD.
-THAT'S WONDERFUL.
1637
01:09:45,965 --> 01:09:46,946
YOU KNOW,
I WASN'T SURE
1638
01:09:46,983 --> 01:09:48,385
BEFORE THE
LOCATION SCOUT
1639
01:09:48,422 --> 01:09:50,562
THAT COMING ALL THIS WAY
WAS GOING TO BE WORTH IT,
1640
01:09:50,599 --> 01:09:53,300
BUT THIS TOWN, IT'S...
IT'S REALLY GROWN ON ME.
1641
01:09:53,338 --> 01:09:55,407
LOCATION SCOUT?
1642
01:09:55,444 --> 01:09:57,408
OH, YEAH,
THAT'S WHEN CREWS GO TO PLACES
1643
01:09:57,446 --> 01:09:58,918
BEFORE WE SHOOT
1644
01:09:58,954 --> 01:10:01,481
JUST TO MAKE SURE THE LOCATION'S
WHAT WE'RE LOOKING FOR.
1645
01:10:01,518 --> 01:10:03,306
I THOUGHT JOEL KNEW
ABOUT THIS TOWN
1646
01:10:03,343 --> 01:10:04,324
BECAUSE HE
GREW UP HERE.
1647
01:10:04,362 --> 01:10:05,518
:
OH, HE DID,
1648
01:10:05,555 --> 01:10:07,238
BUT HE STILL HAS TO SELL IT
TO INVESTORS
1649
01:10:07,275 --> 01:10:08,467
AND MAKE SURE
1650
01:10:08,504 --> 01:10:10,995
THE ACTUAL LOCATION
IS THE RIGHT FIT.
1651
01:10:11,032 --> 01:10:12,610
WHEN WAS THIS SCOUT?
1652
01:10:12,682 --> 01:10:13,873
WELL, I MEAN,
MY FIRST ONE
1653
01:10:13,911 --> 01:10:15,945
WAS PROBABLY FOUR DAYS AGO?
1654
01:10:15,982 --> 01:10:17,771
FOUR DAYS AGO?
1655
01:10:17,807 --> 01:10:19,350
AND JOEL WAS WITH YOU THEN?
1656
01:10:19,388 --> 01:10:20,720
YEAH.
1657
01:10:20,757 --> 01:10:22,089
WHY?
1658
01:10:22,125 --> 01:10:23,563
OH, NO REASON.
1659
01:10:23,601 --> 01:10:25,388
I'M JUST INTERESTED
IN THE PROCESS.
1660
01:10:31,851 --> 01:10:33,498
CAN WE SHOOT YET?
1661
01:10:33,536 --> 01:10:35,043
YES, WE'RE READY.
1662
01:10:35,081 --> 01:10:35,886
:
OKAY, LET'S DO IT.
1663
01:10:35,923 --> 01:10:37,115
ALL RIGHT.
1664
01:10:40,101 --> 01:10:41,117
:
CAMERA'S UP.
1665
01:10:41,154 --> 01:10:42,170
:
SOUND SPEED.
1666
01:10:42,207 --> 01:10:44,031
:
JENN, BRING US UP TO DATE.
1667
01:10:44,069 --> 01:10:45,611
YES, WELL...
1668
01:10:45,648 --> 01:10:47,857
WE DISCOVERED
THE COMBINATION
1669
01:10:47,895 --> 01:10:50,280
FOR, "FAMILY IS FOREVER."
1670
01:10:50,352 --> 01:10:51,368
NOW, UNFORTUNATELY,
1671
01:10:51,405 --> 01:10:53,334
THIS DIDN'T OPEN
THE BOX,
1672
01:10:53,407 --> 01:10:55,371
BUT PERHAPS
ONE OF THE FINAL CIPHERS
1673
01:10:55,443 --> 01:10:57,442
HAS SOMETHING TO DO
WITH FAMILY.
1674
01:11:01,341 --> 01:11:02,251
SORRY TO INTERRUPT.
1675
01:11:02,289 --> 01:11:03,971
CUT.
1676
01:11:04,009 --> 01:11:07,763
MR. JACOBS, A WORD?
1677
01:11:07,800 --> 01:11:09,589
UH, SURE.
1678
01:11:16,367 --> 01:11:18,225
MEET YOU OUTSIDE.
1679
01:11:21,985 --> 01:11:23,491
FRANK,
JOEL WAS IN TOWN
1680
01:11:23,564 --> 01:11:25,142
AROUND THE TIME
OF ELIZABETH'S DEATH,
1681
01:11:25,179 --> 01:11:27,494
AND HE TAKES THE SAME MEDS
THAT WERE FOUND ON TAMARA.
1682
01:11:27,531 --> 01:11:29,249
MAYBE THERE'S
SOME CONNECTION?
1683
01:11:29,287 --> 01:11:30,724
YEAH, I'D SAY SO.
1684
01:11:30,761 --> 01:11:32,479
F.Y.I.,
1685
01:11:32,517 --> 01:11:34,410
LUCAS WASN'T AT THE SCENE
OF TAMARA'S DEATH.
1686
01:11:34,482 --> 01:11:35,920
HOW DO YOU KNOW?
1687
01:11:35,956 --> 01:11:37,288
TIMES ON
THE TOLL BRIDGE CAMERAS.
1688
01:11:37,326 --> 01:11:38,974
THERE'S NO WAY
HE COULD'VE BEEN THERE.
1689
01:11:44,208 --> 01:11:45,574
THAT'S QUITE THE LIMP
YOU GOT THERE.
1690
01:11:45,647 --> 01:11:47,189
YOUR MORPHINE'S
FOR THAT?
1691
01:11:47,226 --> 01:11:49,296
NO, IT'S FOR MIGRAINES.
1692
01:11:49,333 --> 01:11:51,613
JUST...
KNEE'S AN OLD SPORTS INJURY.
1693
01:11:52,914 --> 01:11:53,859
HOW'S THE SHOOTING GOING?
1694
01:11:53,897 --> 01:11:55,755
IT'S COMING ALONG.
1695
01:11:55,793 --> 01:11:57,967
SO YOU'LL BE ABLE
TO PAY MR. SOSNIAK.
1696
01:11:58,005 --> 01:12:00,285
HE'S A TOUGH GUY.
1697
01:12:00,322 --> 01:12:01,864
BIG CONSEQUENCES
FOR PEOPLE
1698
01:12:01,901 --> 01:12:03,900
WHO DON'T PAY BACK
THEIR LOANS.
1699
01:12:03,938 --> 01:12:07,306
WELL, WHAT WE DO
FOR THE THINGS WE LOVE, RIGHT?
1700
01:12:07,343 --> 01:12:09,378
WHAT ELSE DID YOU DO?
1701
01:12:10,783 --> 01:12:12,221
WHAT DO YOU MEAN?
1702
01:12:12,259 --> 01:12:14,187
WELL, YOU WERE IN TOWN
DURING BOTH DEATHS.
1703
01:12:14,224 --> 01:12:15,556
WE BOTH KNOW
1704
01:12:15,629 --> 01:12:17,838
THAT LIMP ISN'T BECAUSE
OF SOME OLD SPORTS INJURY,
1705
01:12:17,875 --> 01:12:21,875
AND YOU KNEW
THE ANDRONICUS FAMILY.
1706
01:12:21,948 --> 01:12:24,544
YEAH, I KNEW THEM...
1707
01:12:24,581 --> 01:12:25,737
A LONG TIME AGO, SURE.
1708
01:12:25,775 --> 01:12:28,160
I MEAN,
WE USED TO PLAY CARDS TOGETHER.
1709
01:12:28,197 --> 01:12:30,582
ONE NIGHT, I WON A LOT
OF MONEY OFF OF LUCAS,
1710
01:12:30,619 --> 01:12:31,882
AND WHEN THEIR
FATHER FOUND OUT,
1711
01:12:31,918 --> 01:12:35,814
LUCAS TOLD THEM
THAT I'D CHEATED TO WIN IT,
1712
01:12:35,850 --> 01:12:37,674
THAT I'D VIRTUALLY STOLEN IT.
1713
01:12:37,711 --> 01:12:39,043
OF COURSE,
HARVEY LET EVERYONE KNOW THAT,
1714
01:12:39,081 --> 01:12:42,378
AND AFTER THAT, NO ONE
WOULD TRUST OR HIRE ME.
1715
01:12:42,416 --> 01:12:44,520
WHICH IS WHY YOU LEFT TOWN?
1716
01:12:44,557 --> 01:12:46,520
YEAH.
1717
01:12:46,558 --> 01:12:48,277
SO MAYBE NOW IS A GOOD TIME
TO TELL ME
1718
01:12:48,349 --> 01:12:49,786
WHY YOU STOLE THE PUZZLE BOX?
1719
01:12:51,297 --> 01:12:52,524
I DON'T KNOW WHAT...
1720
01:12:52,562 --> 01:12:54,244
DURING THE TIME OF
ELIZABETH AND TAMARA'S DEATH,
1721
01:12:54,317 --> 01:12:55,263
WHERE WERE YOU?
1722
01:12:55,300 --> 01:12:56,878
WELL, WHEN TAMARA DIED,
1723
01:12:56,915 --> 01:12:58,773
I WAS IN A PRODUCTION MEETING
WITH MY CREW.
1724
01:12:58,811 --> 01:12:59,897
I MEAN, THEY'LL VERIFY THAT,
1725
01:12:59,935 --> 01:13:01,547
AND THE NIGHT
THAT ELIZABETH DIED,
1726
01:13:01,584 --> 01:13:04,110
KAT AND I WERE OUTLINING
AN EPISODE AT THE DINER
1727
01:13:04,148 --> 01:13:05,304
FROM DUSK 'TIL DAWN.
1728
01:13:05,341 --> 01:13:06,954
ASK HER.
1729
01:13:06,990 --> 01:13:09,236
YOU CAN EVEN
ASK THE STAFF.
1730
01:13:09,273 --> 01:13:11,798
OKAY, I WILL...
1731
01:13:11,870 --> 01:13:15,731
BUT ALL I REALLY WANT TO KNOW
IS WHY YOU TOOK THE BOX?
1732
01:13:25,281 --> 01:13:27,386
UH-OH.
1733
01:13:27,424 --> 01:13:28,825
IS THIS A PROBLEM
THAT CAN BE SOLVED
1734
01:13:28,863 --> 01:13:31,704
BY CHOCOLATE CHIP MINT?
1735
01:13:31,742 --> 01:13:33,741
THINKING AT LEAST
DOUBLE CHOCOLATE FUDGE.
1736
01:13:33,778 --> 01:13:35,075
WHOA.
1737
01:13:35,112 --> 01:13:37,778
SCHOOL, GUY, OR OTHER?
1738
01:13:37,815 --> 01:13:39,393
GUY.
1739
01:13:39,430 --> 01:13:40,797
DOUBLE FUDGE IT IS.
1740
01:13:43,081 --> 01:13:44,624
I'LL GET THAT.
1741
01:13:49,471 --> 01:13:50,452
OH, HEY.
1742
01:13:50,489 --> 01:13:51,751
OFFICER...
1743
01:13:51,788 --> 01:13:52,839
RYAN.
1744
01:13:52,876 --> 01:13:55,192
IS HANNAH HERE,
BY CHANCE?
1745
01:13:55,228 --> 01:13:56,736
YEAH, SURE.
1746
01:13:56,773 --> 01:13:57,789
HANNAH,
YOU'VE GOT A VISITOR.
1747
01:14:03,865 --> 01:14:04,776
YOU OKAY?
1748
01:14:09,939 --> 01:14:11,376
WHAT'S GOING ON?
1749
01:14:11,413 --> 01:14:12,464
I THOUGHT YOU
WERE COMING BY?
1750
01:14:12,501 --> 01:14:13,483
I DID.
1751
01:14:14,678 --> 01:14:15,799
WAS SHE YOUR EX?
1752
01:14:17,838 --> 01:14:18,889
YEAH.
1753
01:14:18,927 --> 01:14:19,942
LOOK, I GET IT.
1754
01:14:19,980 --> 01:14:20,995
YOU WEREN'T READY.
1755
01:14:21,068 --> 01:14:22,329
I PUSHED YOU INTO IT.
1756
01:14:22,366 --> 01:14:23,979
NO, WITHOUT YOU,
1757
01:14:24,017 --> 01:14:25,875
I WOULDN'T HAVE BEEN ABLE
TO MOVE ON.
1758
01:14:27,387 --> 01:14:28,683
WHAT DO YOU MEAN?
1759
01:14:28,756 --> 01:14:30,017
YOU REMEMBER
THAT LAUNDRY BASKET
1760
01:14:30,055 --> 01:14:31,036
FULL OF HER THINGS
1761
01:14:31,073 --> 01:14:31,808
SITTING IN MY CLOSET?
1762
01:14:31,845 --> 01:14:33,213
YEAH.
1763
01:14:33,250 --> 01:14:34,371
SHE CAME BY,
1764
01:14:34,408 --> 01:14:37,636
WANTING TO MAYBE
MAKE THINGS WORK,
1765
01:14:37,673 --> 01:14:39,146
BUT THE ONLY THING
I COULD THINK OF
1766
01:14:39,183 --> 01:14:41,534
WAS YOU AND THAT LAUNDRY BASKET,
1767
01:14:41,570 --> 01:14:44,131
AND JUST GETTING IT
OUT OF MY LIFE,
1768
01:14:44,168 --> 01:14:47,220
SO THAT I COULD BRING YOU IN.
1769
01:14:50,803 --> 01:14:51,749
YOU REHEARSED THAT
ON THE WAY OVER HERE,
1770
01:14:51,787 --> 01:14:52,628
DIDN'T YOU?
1771
01:14:54,385 --> 01:14:55,365
I TOTALLY DID...
1772
01:14:55,403 --> 01:14:57,753
'CAUSE I WAS HOPING
1773
01:14:57,790 --> 01:14:59,438
THAT MAYBE WE COULD TRY
ONE OF THOSE REAL DATES.
1774
01:14:59,475 --> 01:15:02,667
YOU MEAN THE ONE
WITH EXPECTATIONS,
1775
01:15:02,705 --> 01:15:04,563
ROMANTIC DINNERS, FLOWERS?
1776
01:15:04,601 --> 01:15:06,284
IT DOES SOUND
PRETTY TERRIBLE, DOESN'T IT?
1777
01:15:06,322 --> 01:15:07,723
TOTALLY...
1778
01:15:10,007 --> 01:15:11,410
BUT I'M IN.
1779
01:15:17,240 --> 01:15:18,536
UH, KAT?
1780
01:15:18,574 --> 01:15:21,239
JENN, DANI, UM...
1781
01:15:21,277 --> 01:15:24,399
LOOK, I OWE YOU ALL
AN APOLOGY.
1782
01:15:24,472 --> 01:15:27,033
AS YOU KNOW,
I PUT EVERY PENNY,
1783
01:15:27,069 --> 01:15:28,121
CREDIT CARD,
1784
01:15:28,158 --> 01:15:30,051
EVERY DROP OF SWEAT
INTO THIS SHOW.
1785
01:15:30,089 --> 01:15:32,053
MY FAMILY,
MY HOUSE,
1786
01:15:32,090 --> 01:15:33,878
EVERYTHING
ON THE LINE,
1787
01:15:33,916 --> 01:15:37,143
BUT I BROKE
UNDER THE PRESSURE.
1788
01:15:37,181 --> 01:15:38,337
I THOUGHT
1789
01:15:38,374 --> 01:15:40,197
THAT A MYSTERIOUS BOX
GOING MISSING
1790
01:15:40,235 --> 01:15:41,637
WOULD BE GREAT
FOR THE EPISODE,
1791
01:15:41,709 --> 01:15:43,462
THAT IT WOULD HEIGHTEN
THE TENSION,
1792
01:15:43,500 --> 01:15:46,131
BUT THEN IT GOT
INVOLVED IN A MURDER...
1793
01:15:46,169 --> 01:15:48,202
AND I'M GUESSING
YOU PANICKED
1794
01:15:48,239 --> 01:15:49,396
AND RETURNED IT?
1795
01:15:49,433 --> 01:15:50,905
: YEAH.
1796
01:15:50,943 --> 01:15:54,170
LOOK, I JUST WANTED TO DO
SOMETHING GREAT IN THIS TOWN,
1797
01:15:54,208 --> 01:15:58,383
AND I'M SORRY THAT
I SCARED ANYONE,
1798
01:15:58,421 --> 01:15:59,998
SO I'LL PACK UP
THE CREW
1799
01:16:00,036 --> 01:16:01,403
AND WE'LL LEAVE
BY TONIGHT.
1800
01:16:01,476 --> 01:16:04,422
YOU RISKED EVERYTHING
FOR RATINGS?
1801
01:16:04,459 --> 01:16:07,336
:
WELL, JOEL WAS SAYING
1802
01:16:07,373 --> 01:16:09,127
THAT YOU AND THE CREW
WERE WORKING TOGETHER
1803
01:16:09,164 --> 01:16:10,601
DURING THE NIGHTS
OF BOTH DEATHS.
1804
01:16:10,674 --> 01:16:11,584
IS THAT TRUE?
1805
01:16:11,622 --> 01:16:14,076
YEAH.
1806
01:16:14,114 --> 01:16:16,183
I WAS WITH HIM BOTH NIGHTS.
1807
01:16:16,221 --> 01:16:18,360
I'M SURE THE REST OF THE CREW
CAN VERIFY THAT.
1808
01:16:18,397 --> 01:16:19,448
JENN?
1809
01:16:19,520 --> 01:16:21,625
ARE WE PRESSING CHARGES?
1810
01:16:24,014 --> 01:16:24,925
DO YOU HAVE
ENOUGH FOOTAGE
1811
01:16:24,997 --> 01:16:26,189
TO FINISH THE SHOW?
1812
01:16:28,473 --> 01:16:30,156
WELL, I NEED TO KNOW
WHAT'S IN THE BOX
1813
01:16:30,194 --> 01:16:32,157
TO MAKE THE EPISODE WORK.
1814
01:16:36,337 --> 01:16:38,371
WELL, IT'S NOT WORTH
LOSING YOUR HOUSE OVER.
1815
01:16:38,444 --> 01:16:39,810
NO, I THINK
WE CAN TRY
1816
01:16:39,847 --> 01:16:41,671
TO FIGURE OUT
THE FINAL CIPHER.
1817
01:16:43,288 --> 01:16:45,042
WAIT A MINUTE... REALLY?
1818
01:16:45,113 --> 01:16:46,551
:
SO WE'RE ALL GOOD?
1819
01:16:48,378 --> 01:16:50,729
YES, FRANK,
THANK YOU.
1820
01:16:50,766 --> 01:16:52,273
ALL RIGHT,
I'LL LEAVE YOU TO IT.
1821
01:16:57,085 --> 01:17:00,208
KAT, I'M REALLY...
I'M SORRY...
1822
01:17:00,280 --> 01:17:01,296
BUT I DO THINK
1823
01:17:01,334 --> 01:17:03,157
THAT WE CAN MAKE
THIS WORK.
1824
01:17:05,792 --> 01:17:06,843
LET'S DO THIS.
1825
01:17:09,198 --> 01:17:10,389
OKAY, CAMERA'S UP.
1826
01:17:10,427 --> 01:17:12,566
:
SOUND SPEED.
1827
01:17:12,602 --> 01:17:13,934
ACTION WHEN YOU'RE
READY, JENN.
1828
01:17:13,972 --> 01:17:14,953
TALK US THROUGH IT.
1829
01:17:14,990 --> 01:17:16,849
OKAY.
1830
01:17:16,886 --> 01:17:18,113
WELL, RIGHT HERE,
1831
01:17:18,149 --> 01:17:21,483
WE HAVE THE COMBINATION
FOR "FAMILY IS FOREVER,"
1832
01:17:21,521 --> 01:17:23,133
BUT THIS SYMBOL
UPSIDE-DOWN
1833
01:17:23,170 --> 01:17:24,994
MEANS "DANGER,"
1834
01:17:25,031 --> 01:17:26,433
SO MAYBE
WHAT SHE WAS TRYING TO SAY
1835
01:17:26,506 --> 01:17:29,698
IS NOTHING
IS AS IT SEEMS.
1836
01:17:29,735 --> 01:17:31,348
EVERYTHING IS UPSIDE DOWN.
1837
01:17:40,232 --> 01:17:41,599
SO NOW, IF I...
1838
01:17:41,672 --> 01:17:43,987
IF I ALIGN THE SYMBOL
WITH "DANGER"
1839
01:17:44,059 --> 01:17:46,058
AND THE SYMBOL FOR "HOME,"
1840
01:17:46,131 --> 01:17:47,322
AND I SLIDE OVER THE SYMBOL
FOR "IN,"
1841
01:17:47,359 --> 01:17:49,008
WELL, THEN I HAVE...
1842
01:17:49,044 --> 01:17:51,044
I HAVE,
"HOME IN DANGER."
1843
01:17:54,240 --> 01:17:55,222
OH!
1844
01:17:59,787 --> 01:18:00,874
IT'S EMPTY.
1845
01:18:00,946 --> 01:18:02,208
THERE'S NOTHING
IN IT.
1846
01:18:03,895 --> 01:18:06,947
WAIT A MINUTE.
1847
01:18:06,984 --> 01:18:08,948
THE ANSWER IS NOT IN THE BOX.
1848
01:18:08,985 --> 01:18:10,809
THE ANSWER IS THE BOX.
1849
01:18:10,847 --> 01:18:12,460
WHY...
1850
01:18:12,531 --> 01:18:13,547
IF YOU LOOK INSIDE,
1851
01:18:13,584 --> 01:18:15,619
THESE LINES
AND THE COLORS,
1852
01:18:15,656 --> 01:18:17,831
THIS IS A PLACE.
1853
01:18:17,868 --> 01:18:19,796
IT'S A ROOM,
1854
01:18:19,869 --> 01:18:22,078
AND I'VE BEEN THERE.
1855
01:18:26,399 --> 01:18:27,520
UH, JENN...
1856
01:18:27,557 --> 01:18:29,346
DON'T WORRY,
I'M CALLING FRANK.
1857
01:18:30,506 --> 01:18:32,471
:
SO YOU'VE REALLY SOLVED IT?
1858
01:18:32,508 --> 01:18:33,313
ALMOST.
1859
01:18:50,483 --> 01:18:51,604
LOOK FAMILIAR?
1860
01:18:54,696 --> 01:18:57,537
IT'S AN EXACT RE-CREATION
OF THIS LIBRARY.
1861
01:18:57,575 --> 01:18:58,626
YES, SHE HID
HER MESSAGE
1862
01:18:58,663 --> 01:19:00,662
IN THE PUZZLE BOX,
1863
01:19:00,698 --> 01:19:03,575
SO THE CLUES ARE
PROBABLY IN THIS ROOM.
1864
01:19:03,613 --> 01:19:05,402
THEY MAY BE
ON THE WALLS
1865
01:19:05,439 --> 01:19:06,841
OR IN THE WALLS.
1866
01:19:11,091 --> 01:19:12,985
WHAT MESSAGE?
1867
01:19:13,022 --> 01:19:14,214
THE INFINITY SIGN.
1868
01:19:14,250 --> 01:19:16,284
THAT MEANS FOREVER...
1869
01:19:18,217 --> 01:19:20,287
AND THAT'S THE GREEK SYMBOL
FOR "IS."
1870
01:19:22,185 --> 01:19:24,324
YES, OF COURSE.
1871
01:19:24,362 --> 01:19:25,729
THE FAMILY PORTRAIT.
1872
01:19:25,765 --> 01:19:27,344
"FAMILY."
1873
01:19:27,381 --> 01:19:28,642
THAT'S ONE OF
THE EARLY CIPHERS.
1874
01:19:28,715 --> 01:19:29,626
"FAMILY IS..."
1875
01:19:29,663 --> 01:19:31,521
FOREVER.
1876
01:19:31,559 --> 01:19:33,241
SHE ALWAYS SAID THAT.
1877
01:19:36,825 --> 01:19:38,507
"WE MUST LEARN
TO LIVE TOGETHER AS BROTHERS
1878
01:19:38,545 --> 01:19:41,386
OR PERISH TOGETHER AS FOOLS."
1879
01:19:41,424 --> 01:19:42,966
THAT WAS DEFINITELY HER.
1880
01:19:43,039 --> 01:19:44,125
NO, NO, NO,
THAT CAN'T BE RIGHT.
1881
01:19:44,162 --> 01:19:45,249
THERE HAS TO BE MORE.
1882
01:20:07,263 --> 01:20:10,069
IT'S A LETTER
FROM YOUR MOTHER.
1883
01:20:17,093 --> 01:20:18,074
WHAT ARE YOU DOING?
1884
01:20:18,111 --> 01:20:20,145
I WANT TO KNOW
WHAT SHE KNOWS.
1885
01:20:20,183 --> 01:20:21,093
MR. ANDRONICUS...
1886
01:20:23,026 --> 01:20:24,709
DETECTIVE LYNWOOD
IS ON HIS WAY.
1887
01:20:24,746 --> 01:20:26,921
WHY DO YOU HAVE
A GUN?
1888
01:20:28,257 --> 01:20:29,694
SHE'S GOING TO TELL US.
1889
01:20:29,731 --> 01:20:30,713
GO.
1890
01:20:34,120 --> 01:20:37,207
I THINK IT STARTED
ABOUT A YEAR AGO,
1891
01:20:37,245 --> 01:20:40,648
WHEN LUCAS AND TAMARA
CUT OFF CONTACT FROM QUIN
1892
01:20:40,720 --> 01:20:43,807
BECAUSE OF THE FIGHT
AND THE RESTRAINING ORDER.
1893
01:20:43,845 --> 01:20:46,405
QUIN THOUGHT TAMARA
WAS HAVING AN AFFAIR.
1894
01:20:46,443 --> 01:20:48,618
LUCAS DIDN'T WANT TO LISTEN.
1895
01:20:51,849 --> 01:20:52,795
READ THE LETTER.
1896
01:20:55,781 --> 01:20:59,992
ELIZABETH SAW ALLAN DEMETRY
AND TAMARA
1897
01:21:00,030 --> 01:21:02,064
EARLY FRIDAY MORNING.
1898
01:21:04,629 --> 01:21:06,487
TAMARA COULD ONLY ASSUME
1899
01:21:06,525 --> 01:21:09,717
THAT ELIZABETH'S NEXT PHONE CALL
WOULD BE TO LUCAS...
1900
01:21:11,966 --> 01:21:14,456
A PHONE CALL
THAT WOULD LEAVE HER
1901
01:21:14,494 --> 01:21:17,546
PREPARING FOR A MESSY DIVORCE,
1902
01:21:17,583 --> 01:21:18,739
LOSING MONEY AND STOCK
1903
01:21:18,777 --> 01:21:21,478
IN A VERY VALUABLE
REAL-ESTATE COMPANY...
1904
01:21:22,673 --> 01:21:24,497
AND SHE COULDN'T
LET THAT HAPPEN.
1905
01:21:27,589 --> 01:21:30,852
QUIN'S REPEATED ATTEMPTS
TO GET IN TOUCH WITH ELIZABETH
1906
01:21:30,889 --> 01:21:32,221
GO UNANSWERED,
1907
01:21:32,258 --> 01:21:34,433
SO HE FLIES HERE
SATURDAY MORNING
1908
01:21:34,469 --> 01:21:35,696
TO CHECK ON HER...
1909
01:21:35,769 --> 01:21:38,154
ONLY WHEN HE ARRIVES,
1910
01:21:38,191 --> 01:21:40,050
HE SEES ALLAN LEAVING THE HOUSE
1911
01:21:40,087 --> 01:21:41,665
IN THE EARLY HOURS
OF THE MORNING.
1912
01:21:41,737 --> 01:21:42,753
HE CAN'T CONFRONT TAMARA
1913
01:21:42,790 --> 01:21:45,246
BECAUSE OF
THE RESTRAINING ORDER,
1914
01:21:45,318 --> 01:21:48,652
SO HE CALLS YOU, LUCAS,
OVERSEAS, ABOUT DEMETRY,
1915
01:21:48,723 --> 01:21:50,933
HOPING THIS TIME,
YOU WILL BELIEVE HIM.
1916
01:21:53,007 --> 01:21:55,392
TO KEEP ELIZABETH FURTHER
CUT OFF FROM THE WORLD...
1917
01:21:57,254 --> 01:21:59,043
TAMARA FIRES
THE REST OF THE STAFF
1918
01:21:59,116 --> 01:22:01,079
ON SATURDAY.
1919
01:22:01,151 --> 01:22:04,625
ELIZABETH KNOWS
THAT SHE HAS TO HIDE HER MESSAGE
1920
01:22:04,663 --> 01:22:08,487
IN A PLACE THAT TAMARA
WON'T BE ABLE TO FIND.
1921
01:22:08,524 --> 01:22:12,138
SHE PUTS THE CLUES
IN THE PUZZLE BOX,
1922
01:22:12,175 --> 01:22:12,981
HOPING THAT QUIN
WILL BE ABLE TO SOLVE THEM.
1923
01:22:15,405 --> 01:22:17,544
KNOWING YOU BOTH WILL BE HOME
EVENTUALLY...
1924
01:22:19,337 --> 01:22:20,704
TAMARA KNOWS
SHE HAS TO GET RID OF ELIZABETH
1925
01:22:20,742 --> 01:22:23,934
AND COVER HER TRACKS...
1926
01:22:24,007 --> 01:22:27,761
AND WITH ELIZABETH'S
FAILING HEALTH,
1927
01:22:27,798 --> 01:22:30,534
SHE HOPES IT WILL LOOK
LIKE NATURAL CAUSES
1928
01:22:30,571 --> 01:22:32,570
INSTEAD OF AN ALLERGIC REACTION
TO PEANUT RESIDUE
1929
01:22:32,608 --> 01:22:36,714
OR VAPORS THAT ARE UNTRACEABLE
IN AN AUTOPSY.
1930
01:22:36,785 --> 01:22:40,084
LUCAS, YOU ARRIVE HOME
ON SUNDAY NIGHT
1931
01:22:40,121 --> 01:22:42,296
TO FIND ELIZABETH DEAD...
1932
01:22:42,332 --> 01:22:44,261
BUT SOMETHING DOESN'T SIT RIGHT.
1933
01:22:49,986 --> 01:22:51,950
MAYBE THERE'S TRUTH
1934
01:22:51,987 --> 01:22:53,530
IN WHAT QUIN
HAS BEEN TELLING YOU.
1935
01:22:53,568 --> 01:22:55,566
I, I... I DON'T KNOW.
I WAS UPSTAIRS.
1936
01:22:55,604 --> 01:22:57,567
I JUST...
I CAME DOWN, AND I...
1937
01:22:57,605 --> 01:23:00,306
: TAMARA, OF COURSE,
DENIES THE AFFAIR...
1938
01:23:01,747 --> 01:23:02,693
TEXT HER, RIGHT NOW!
1939
01:23:02,730 --> 01:23:03,746
OKAY, OKAY.
1940
01:23:03,783 --> 01:23:05,010
RIGHT NOW, RIGHT NOW.
1941
01:23:05,083 --> 01:23:06,590
LOOK, I'M GOING TO DO IT, OKAY?
1942
01:23:06,627 --> 01:23:08,135
: YOU CONFRONT
ALLAN DEMETRY,
1943
01:23:08,172 --> 01:23:10,417
AND HE CONFESSES IMMEDIATELY.
1944
01:23:10,454 --> 01:23:13,260
YOU THREATEN HIM.
1945
01:23:13,298 --> 01:23:15,508
YOU TELL HIM TO BREAK IT OFF
VIA TEXT.
1946
01:23:17,018 --> 01:23:19,088
HARVEY...
1947
01:23:19,125 --> 01:23:21,686
YOU HEAR
ABOUT ELIZABETH'S DEATH
1948
01:23:21,724 --> 01:23:22,739
AND POSSIBLY THE AFFAIR
1949
01:23:22,812 --> 01:23:26,074
FROM LUCAS...
1950
01:23:26,111 --> 01:23:28,638
AND YOU TAKE
THE NEXT FLIGHT HOME,
1951
01:23:28,674 --> 01:23:29,691
BUT YOU ARE ENRAGED.
1952
01:23:31,097 --> 01:23:32,254
YOU!
1953
01:23:32,325 --> 01:23:33,412
WHAT HAVE YOU DONE?
1954
01:23:33,449 --> 01:23:35,483
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
1955
01:23:35,521 --> 01:23:37,870
: YOU GO UPSTAIRS,
MAYBE LOOKING FOR LUCAS,
1956
01:23:37,908 --> 01:23:40,714
NOT REALIZING THAT HE'S GONE
TO SEE ALLAN DEMETRY.
1957
01:23:40,751 --> 01:23:41,908
WHAT'S GOING ON?
1958
01:23:41,945 --> 01:23:43,417
DID ELIZABETH SEE
YOU TWO TOGETHER?
1959
01:23:43,455 --> 01:23:44,786
DID YOU TAKE HER
FROM ME?
1960
01:23:44,824 --> 01:23:46,296
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
1961
01:23:46,334 --> 01:23:48,122
OH, YOU'RE JUST GOING
TO LOOK ME IN THE FACE
1962
01:23:48,194 --> 01:23:50,966
AND SAY IT WAS
AN ACCIDENT?
1963
01:23:51,003 --> 01:23:53,002
I LOVE HER.
1964
01:23:53,040 --> 01:23:55,213
WHATEVER YOU THINK HAPPENED,
DIDN'T.
1965
01:23:55,251 --> 01:23:58,023
I KNOW THIS IS GOING
TO BE HARD FOR ALL OF US,
1966
01:23:58,059 --> 01:24:00,726
BUT I'M HERE.
1967
01:24:00,798 --> 01:24:01,849
IT'S GOING TO BE OKAY.
1968
01:24:01,886 --> 01:24:03,078
DON'T TOUCH ME!
1969
01:24:09,750 --> 01:24:11,574
: IT COULD'VE JUST BEEN
AN UNFORTUNATE ACCIDENT
1970
01:24:11,611 --> 01:24:13,751
THAT HAPPENED
IN THE HEAT OF THE MOMENT,
1971
01:24:13,787 --> 01:24:14,699
BUT YOU KNOW
WITH YOUR REPUTATION
1972
01:24:14,771 --> 01:24:16,489
HOW IT WILL LOOK IN THE PRESS,
1973
01:24:16,526 --> 01:24:18,103
SO YOU GO
INTO PROBLEM-SOLVING MODE.
1974
01:24:20,072 --> 01:24:22,142
YOU TAKE THE PILLS
FROM YOUR RECENT HIP SURGERY,
1975
01:24:22,178 --> 01:24:24,704
AND YOU TRY TO MAKE IT LOOK
LIKE AN OVERDOSE...
1976
01:24:27,339 --> 01:24:29,759
BUT MY ARRIVAL CUTS THAT SHORT.
1977
01:24:35,098 --> 01:24:36,641
TAMARA?
1978
01:24:40,609 --> 01:24:42,820
TAMARA?
1979
01:24:44,086 --> 01:24:45,207
AND LUCAS, I'M ASSUMING
1980
01:24:45,279 --> 01:24:47,664
YOU DIDN'T TELL THE POLICE
ABOUT THE AFFAIR
1981
01:24:47,702 --> 01:24:48,893
BECAUSE YOU KNEW THEN
1982
01:24:48,930 --> 01:24:50,086
YOU WOULD BE
THE NUMBER-ONE SUSPECT
1983
01:24:50,124 --> 01:24:51,667
IN YOUR WIFE'S DEATH.
1984
01:24:51,703 --> 01:24:53,177
HOW COULD YOU?
1985
01:24:54,477 --> 01:24:58,688
SHE TOOK MY WIFE, MY NAME.
1986
01:24:58,760 --> 01:25:00,794
EVENTUALLY, SHE WOULD'VE TAKEN
EVERYTHING I BUILT.
1987
01:25:00,832 --> 01:25:02,409
WE BUILT.
1988
01:25:02,447 --> 01:25:04,059
WE BUILT.
1989
01:25:04,097 --> 01:25:04,972
I'M SORRY.
1990
01:25:06,309 --> 01:25:07,289
: THE LETTER
WAS A WARNING TO ALL OF US
1991
01:25:07,327 --> 01:25:08,694
ABOUT TAMARA.
1992
01:25:08,731 --> 01:25:10,449
MOTHER WANTED ALL OF US
TO STICK TOGETHER...
1993
01:25:10,522 --> 01:25:13,574
YOU, ME, QUIN.
1994
01:25:13,611 --> 01:25:15,434
SHE WOULDN'T HAVE WANTED
ANY OF THIS.
1995
01:25:16,595 --> 01:25:18,454
MR. ANDRONICUS...
1996
01:25:18,525 --> 01:25:21,578
YOU CAN MAKE THIS RIGHT
FOR ELIZABETH.
1997
01:25:21,616 --> 01:25:23,790
PUT THE GUN DOWN, DAD.
1998
01:25:23,827 --> 01:25:24,879
PLEASE.
1999
01:25:28,285 --> 01:25:29,267
DAD...
2000
01:25:29,304 --> 01:25:31,584
PLEASE...
2001
01:25:31,657 --> 01:25:33,761
THE GUN WON'T
SOLVE ANYTHING.
2002
01:25:36,009 --> 01:25:37,481
OKAY.
2003
01:25:42,925 --> 01:25:44,925
THANK YOU.
2004
01:25:47,665 --> 01:25:49,910
SHE LOVED YOU ALL.
2005
01:25:49,948 --> 01:25:51,104
HER FINAL WORDS...
2006
01:25:52,440 --> 01:25:54,579
FAMILY IS FOREVER.
2007
01:25:56,126 --> 01:25:57,458
WE CAN MAKE IT RIGHT.
2008
01:26:08,730 --> 01:26:09,711
WELCOME!
2009
01:26:09,747 --> 01:26:10,905
HELLO.
2010
01:26:10,942 --> 01:26:11,888
-HI, SALLY.
-HOW ARE YOU?
2011
01:26:11,924 --> 01:26:13,222
OH, IT'S A HECTIC WEEK.
2012
01:26:13,258 --> 01:26:15,258
WELL, "STRESSED" IS "DESSERTS"
SPELLED BACKWARDS
2013
01:26:15,294 --> 01:26:17,399
AND THERE IS NOTHING
THAT DESSERT CAN'T FIX.
2014
01:26:17,437 --> 01:26:19,084
THAT IS MY MOTTO.
2015
01:26:19,121 --> 01:26:21,331
I'LL JUST TAKE THAT THROUGH
TO THE KITCHEN...
2016
01:26:21,403 --> 01:26:22,315
IF IT MAKES IT THERE.
2017
01:26:22,351 --> 01:26:23,402
YEAH.
2018
01:26:23,475 --> 01:26:24,385
SO?
2019
01:26:24,423 --> 01:26:26,211
SO...
2020
01:26:26,249 --> 01:26:28,563
SIGNED CONFESSION
FROM HARVEY.
2021
01:26:28,600 --> 01:26:31,161
THE BROTHERS ARE TALKING AGAIN,
2022
01:26:31,198 --> 01:26:33,023
AND, WELL,
QUIN HAS CONVINCED LUCAS
2023
01:26:33,059 --> 01:26:34,953
TO COMPLY WITH MAIN STREET'S
BUILDING HEIGHT CODES.
2024
01:26:34,990 --> 01:26:36,674
HUH.
2025
01:26:36,745 --> 01:26:38,218
GREAT JOB AS ALWAYS, JENN.
2026
01:26:38,291 --> 01:26:40,359
RIGHT BACK AT YOU.
2027
01:26:40,397 --> 01:26:42,607
OH, I MADE YOUR FAVORITE DISH.
2028
01:26:42,644 --> 01:26:43,555
HONEY GARLIC RIBS?
2029
01:26:44,926 --> 01:26:46,153
OKAY, YOUR SECOND FAVORITE.
2030
01:26:48,331 --> 01:26:50,049
IS IT WEIRD
THAT OUR FIRST ACTUAL DATE
2031
01:26:50,087 --> 01:26:53,876
IS MEETING
MY ENTIRE FAMILY?
2032
01:26:53,913 --> 01:26:56,404
TOTALLY...
2033
01:26:56,441 --> 01:26:57,597
BUT I'M IN.
2034
01:26:58,828 --> 01:27:00,125
:
AND I'M DONE.
2035
01:27:00,162 --> 01:27:02,828
HEY, I KNEW
YOU COULD DO IT.
2036
01:27:02,865 --> 01:27:04,689
YOUR DAD AND I
WANT YOU TO KNOW
2037
01:27:04,727 --> 01:27:05,707
THAT WE'RE VERY PROUD
2038
01:27:05,744 --> 01:27:07,287
THAT YOU REACHED
YOUR GOAL.
2039
01:27:07,324 --> 01:27:08,656
WE'VE ALWAYS BEEN
YOUR BIGGEST FANS.
2040
01:27:08,693 --> 01:27:09,744
AND NOW,
2041
01:27:09,817 --> 01:27:11,465
WE'RE YOUR
BIGGEST BUYERS.
2042
01:27:11,537 --> 01:27:12,764
WE WANT YOU TO GROW UP,
2043
01:27:12,801 --> 01:27:14,835
BUT YOUR PAST IS A BIG PART
OF WHO YOU ARE.
2044
01:27:14,873 --> 01:27:15,853
IT'S NOT ALL THERE...
2045
01:27:15,890 --> 01:27:17,012
:
JUST ENOUGH.
2046
01:27:17,049 --> 01:27:18,381
SWEET.
2047
01:27:18,419 --> 01:27:19,434
THANKS.
2048
01:27:21,051 --> 01:27:23,015
OH, IT'S ON!
2049
01:27:23,052 --> 01:27:24,209
IT'S ALL HAPPENING!
2050
01:27:24,247 --> 01:27:26,070
:
A STAR IS BORN.
2051
01:27:26,107 --> 01:27:28,808
I WILL BE SIGNING AUTOGRAPHS
AT THE END OF THE PRESENTATION.
2052
01:27:28,846 --> 01:27:30,002
ARE YOU GOING TO REMEMBER
US LITTLE PEOPLE
2053
01:27:30,039 --> 01:27:31,476
NOW THAT
YOU'RE BIG AND FAMOUS?
2054
01:27:31,513 --> 01:27:32,810
WHAT'S YOUR NAME AGAIN?
137385
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