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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:25,452 --> 00:01:26,518 CHLOE. 2 00:01:26,520 --> 00:01:29,354 THIS IS DR. GREENBERG 3 00:01:29,356 --> 00:01:30,656 AND THIS IS HIS WIFE JANICE. 4 00:01:30,658 --> 00:01:33,292 THEY'RE INTERESTED IN YOUR WORK. 5 00:01:33,294 --> 00:01:35,127 WHAT DO YOU GUYS WANNA KNOW? 6 00:01:35,129 --> 00:01:36,829 WE'VE BEEN TOLD THAT IT'S CHILDISH, 7 00:01:36,831 --> 00:01:39,765 SELF-INDULGENT, SOPHOMORIC. 8 00:01:39,767 --> 00:01:43,235 I SEE. WELL, MAYBE THIS ISN'T A GOOD TIME. 9 00:01:43,237 --> 00:01:45,237 HONEY, WHY DON'T WE LOOK AROUND A LITTLE MORE? 10 00:01:45,239 --> 00:01:47,773 SURE, PLEASE DO. I'LL BE AROUND. 11 00:01:50,143 --> 00:01:53,412 WOW. CAN YOU NOT DO THIS TO ME RIGHT NOW, PLEASE? 12 00:01:53,414 --> 00:01:55,247 WHY? WHY DID YOU PUT UP MY STUFF? IT'S NOT READY. 13 00:01:55,249 --> 00:01:56,849 THERE'S ABSOLUTELY NOBODY HERE. 14 00:01:56,851 --> 00:01:59,251 CHLOE, IT'S EARLY, AND THE GALLERY-- 15 00:01:59,253 --> 00:02:01,620 I HAVE PUT WAY TOO MUCH TIME AND MONEY INTO THIS THING 16 00:02:01,622 --> 00:02:03,655 TO JUST KEEP PUSHING IT OFF. 17 00:02:03,657 --> 00:02:05,357 YOU NEED TO CALM DOWN AND RELAX. 18 00:02:05,359 --> 00:02:06,725 - CALM DOWN? - YES. 19 00:02:06,727 --> 00:02:08,594 ARE YOU SERIOUS? THIS IS FUCKING EMBARRASSING. 20 00:02:08,596 --> 00:02:09,895 OKAY, WOW. I CAN'T DO THIS RIGHT NOW 21 00:02:09,897 --> 00:02:11,663 BECAUSE I HAVE TO GO SELL YOUR WORK. 22 00:02:16,236 --> 00:02:18,537 YOU KNOW WHAT? WE LOVE THIS ONE. 23 00:02:18,539 --> 00:02:19,905 [WOMAN] I JUST LOVE THIS PIECE... 24 00:02:19,907 --> 00:02:23,542 [CHATTER CONTINUES] 25 00:02:23,544 --> 00:02:25,711 UM, ACTUALLY, CHLOE? 26 00:02:25,713 --> 00:02:28,247 DO YOU MIND TELLING THE GREENBERGS ABOUT THIS PIECE? 27 00:03:01,447 --> 00:03:05,851 [WOMAN] WILL YOU TELL ME YOUR NAME AND, UH, YOUR AGE? 28 00:03:05,853 --> 00:03:07,486 TOBY. 29 00:03:07,488 --> 00:03:08,820 JONAS. 30 00:03:08,822 --> 00:03:10,956 I'M ALEXIA. I'M 22. 31 00:03:10,958 --> 00:03:13,892 -20. -18. 32 00:03:13,894 --> 00:03:16,895 I'M AGELESS, BABY. 33 00:04:17,557 --> 00:04:20,292 [SNIFFS] 34 00:04:24,264 --> 00:04:25,831 [SNIFFLES] 35 00:05:04,871 --> 00:05:06,471 [GASPS] 36 00:05:11,077 --> 00:05:12,444 [SOBS] 37 00:05:28,461 --> 00:05:29,728 [MAN] CHLOE? 38 00:05:34,067 --> 00:05:35,667 CHLOE? 39 00:05:37,036 --> 00:05:38,103 CHLOE? 40 00:05:53,920 --> 00:05:55,387 [CHLOE] HOW'D YOU GET HERE IN LIFE? 41 00:05:55,389 --> 00:05:59,658 YOU KNOW, GIRL. SURGERY ISN'T CHEAP. 42 00:06:02,428 --> 00:06:03,528 METH. 43 00:06:04,997 --> 00:06:07,065 MY EX-BOYFRIEND. 44 00:06:07,067 --> 00:06:10,869 THREESOMES LEAD TO GROUP SEX, 45 00:06:10,871 --> 00:06:14,039 WHICH LEAD TO THIS, I GUESS. 46 00:06:14,041 --> 00:06:16,875 THE PIMP PICKED ME UP WHEN I WAS IN THE PARK 47 00:06:16,877 --> 00:06:19,478 RIGHT WHEN I WAS AGING OUT OF FOSTER CARE, OKAY? 48 00:06:19,480 --> 00:06:22,114 [MAN] LISTEN, THIS IS ADEQUATE FOR-- 49 00:06:22,116 --> 00:06:25,817 OKAY. OKAY. UM, THIS-- 50 00:06:25,819 --> 00:06:27,619 [MAN #2] THAT'S FINE. THAT'S FINE. 51 00:06:27,621 --> 00:06:28,653 [MAN] OKAY. 52 00:06:28,655 --> 00:06:29,921 CHLOE? 53 00:06:36,963 --> 00:06:40,832 OKAY. WELL... 54 00:06:40,834 --> 00:06:43,802 WALKING OUT OF REHAB DID NOT HELP YOUR CASE ANY. 55 00:06:43,804 --> 00:06:46,505 I NEED YOU TO READ THIS NON-DISCLOSURE AGREEMENT 56 00:06:46,507 --> 00:06:49,040 AND SIGN IT. 57 00:06:49,042 --> 00:06:51,543 I REGRET TO INFORM YOU THAT THE BOARD FEELS 58 00:06:51,545 --> 00:06:54,913 YOU CAN NO LONGER UPHOLD YOUR OBLIGATIONS TO THE CHARITY. 59 00:06:54,915 --> 00:06:57,916 YOU ARE RELIEVED OF ALL DUTIES AND RESPONSIBILITIES, 60 00:06:57,918 --> 00:06:59,451 EFFECTIVE IMMEDIATELY. 61 00:06:59,453 --> 00:07:01,853 WHAT IS-- WHAT IS THIS? 62 00:07:01,855 --> 00:07:03,822 THE BOARD RECOGNIZES THAT YOU WERE IMPORTANT 63 00:07:03,824 --> 00:07:06,158 TO THE IMPLEMENTATION OF THE FOUNDATION, 64 00:07:06,160 --> 00:07:09,928 BUT IT CAN NO LONGER BE ASSOCIATED WITH YOU. 65 00:07:09,930 --> 00:07:11,730 THERE ARE OTHERS THAT NEED TO BE CONSIDERED-- 66 00:07:11,732 --> 00:07:13,799 THE FAMILIES, THE RESEARCHERS-- 67 00:07:13,801 --> 00:07:17,102 I'M NOT TAKING MONEY FROM MY MOTHER'S FOUNDATION. 68 00:07:17,104 --> 00:07:19,871 PLEASE, CHLOE. 69 00:07:19,873 --> 00:07:23,809 CHLOE, WE WANT YOU TO CONCENTRATE ON YOUR LIFE. 70 00:07:42,995 --> 00:07:45,764 [MAN] I HOPE YOU UNDERSTAND, CHLOE. I'M SORRY. 71 00:07:50,203 --> 00:07:53,472 COULD YOU PLEASE LOOK AT ME? 72 00:07:55,208 --> 00:07:58,677 CHLOE, I'M DOING THE BEST THAT I CAN. 73 00:07:58,679 --> 00:08:00,812 I'M ONLY TRYING TO HELP. 74 00:08:02,815 --> 00:08:05,083 THIS ISN'T WHAT MOM WOULD HAVE WANTED. 75 00:08:08,020 --> 00:08:10,489 YEAH, WELL, MAYBE SHE SHOULDN'T HAVE KILLED HERSELF. 76 00:08:31,143 --> 00:08:34,813 [CHLOE] IF YOU COULD BE ANYTHING, WHAT WOULD YOU BE? 77 00:08:34,815 --> 00:08:38,283 -REALLY? -NOT ME. 78 00:08:38,285 --> 00:08:40,252 OH, I DON'T KNOW. 79 00:08:40,254 --> 00:08:41,853 I HAVEN'T REALLY THOUGHT ABOUT IT. 80 00:08:41,855 --> 00:08:46,191 OH, GOD, IF I COULD BE ANYTHING... 81 00:08:49,262 --> 00:08:50,695 I'D BE IN LOVE. 82 00:08:52,098 --> 00:08:55,166 ♪ 83 00:09:09,215 --> 00:09:15,186 [WOMAN SINGING INDISTINCTLY] 84 00:09:15,188 --> 00:09:19,324 -IS SOMETHING WRONG? -SHH. JUST DON'T MOVE. 85 00:09:26,065 --> 00:09:27,832 WHAT-- WHAT ARE YOU DOING? 86 00:09:27,834 --> 00:09:29,334 I'M SORRY. MY NECK IS KILLING ME. 87 00:09:29,336 --> 00:09:31,736 IF YOU'RE NOT GONNA TAKE ANY SHOTS, YOU KNOW, 88 00:09:31,738 --> 00:09:33,738 IS IT OKAY IF I JUST GO HAVE A SMOKE? 89 00:09:33,740 --> 00:09:36,641 OKAY, WELL, EVERYTHING'S JUST THE SAME. 90 00:09:36,643 --> 00:09:38,877 IT'S LIKE-- EVERYTHING'S JUST THE SAME. 91 00:09:38,879 --> 00:09:41,279 YOU'RE JUST... 92 00:09:41,281 --> 00:09:44,049 DO YOU HAVE ANY OTHER LOOKS OR ANYTHING? 93 00:09:44,051 --> 00:09:46,318 ME? YOU'RE THE ARTIST. 94 00:09:48,588 --> 00:09:49,854 LET'S TRY SOMETHING. IF YOU COME-- 95 00:09:49,856 --> 00:09:52,357 TRY COMING TO THE SIDE, MAYBE? 96 00:09:52,359 --> 00:09:55,193 LIKE, THINK OF, LIKE, A STRONG POSE. 97 00:09:55,195 --> 00:09:59,931 MAYBE A PULLING ONE-- SOMETHING LIKE THAT. 98 00:09:59,933 --> 00:10:04,135 YEAH, JUST KIND OF WORK WITH THE RIBBONS A LITTLE BIT. 99 00:10:04,137 --> 00:10:06,304 WHATEVER YOU FEEL COMFORTABLE WITH. 100 00:10:21,087 --> 00:10:23,855 -[SIGHS] -WHAT'S--WHAT'S-- WHAT'S GOING ON? 101 00:10:23,857 --> 00:10:26,257 I'M SORRY, IT JUST DOESN'T SEEM LIKE YOU'RE THAT INTO IT. 102 00:10:26,259 --> 00:10:28,393 IF YOU WANT, WE CAN JUST RESCHEDULE. 103 00:10:31,364 --> 00:10:34,099 OKAY, LET'S-- 104 00:10:34,101 --> 00:10:35,767 THIS IS NOT GONNA WORK. 105 00:10:35,769 --> 00:10:37,702 LET'S TRY SOMETHING COMPLETELY DIFFERENT, OKAY? 106 00:10:37,704 --> 00:10:39,771 JUST BACK UP. 107 00:10:50,750 --> 00:10:52,317 LET'S TRY THIS. 108 00:10:57,390 --> 00:10:59,124 OKAY. 109 00:10:59,126 --> 00:11:01,159 SIT DOWN. 110 00:11:06,365 --> 00:11:11,703 ALL RIGHT. LET'S SEE. 111 00:11:14,674 --> 00:11:16,708 WHAT'S IT LIKE TO BE YOU? 112 00:11:16,710 --> 00:11:19,444 WAIT, ARE YOU RECORDING THIS? 113 00:11:19,446 --> 00:11:20,912 BECAUSE THAT'S NOT IN OUR CONTRACT 114 00:11:20,914 --> 00:11:22,914 AND I'M HALF-NAKED. 115 00:11:22,916 --> 00:11:24,349 [CHLOE] IT'S JUST A PIECE 116 00:11:24,351 --> 00:11:27,318 FOR THIS EXPERIMENTAL EXHIBIT I'M DOING. 117 00:11:29,855 --> 00:11:31,923 OKAY. 118 00:11:31,925 --> 00:11:35,026 WHEN DID YOU GET STARTED? 119 00:11:35,028 --> 00:11:38,997 16. 120 00:11:38,999 --> 00:11:40,965 [CHLOE] WHERE WERE YOU? 121 00:11:40,967 --> 00:11:44,102 IN NEW YORK. 122 00:11:44,104 --> 00:11:45,804 [CHLOE] CAN YOU LEAVE THAT OPEN, PLEASE? 123 00:11:45,806 --> 00:11:49,274 THANK YOU. YEAH. 124 00:11:49,276 --> 00:11:52,177 SO, WHAT'S IT LIKE MAKING MONEY 125 00:11:52,179 --> 00:11:54,245 USING YOUR BODY? 126 00:11:57,850 --> 00:11:59,184 WAIT, I'VE BEEN-- 127 00:11:59,186 --> 00:12:02,020 I'VE BEEN IN ELLE, COSMO, AND VOGUE. 128 00:12:02,022 --> 00:12:04,155 I'M A HIGH-FASHION MODEL, NOT-- 129 00:12:04,157 --> 00:12:06,991 NOT SOME WHORE. 130 00:12:06,993 --> 00:12:09,394 SO, IF YOU WANT TO SHOOT, WE CAN SHOOT. 131 00:12:11,330 --> 00:12:14,065 ONE MORE QUESTION. 132 00:12:17,837 --> 00:12:22,340 DO YOU LIKE BEING DESIRED BY MEN AND WOMEN? 133 00:12:22,342 --> 00:12:24,476 IT IS WHAT IT IS. IT'S A JOB. 134 00:12:29,949 --> 00:12:31,449 YOU SHOULD SMILE MORE. 135 00:12:33,319 --> 00:12:34,385 FUCK OFF. 136 00:12:42,495 --> 00:12:44,429 WHAT'S IT LIKE TO NEVER HAVE TO STRUGGLE? 137 00:12:46,999 --> 00:12:49,234 ARE YOU JOKING? 138 00:12:49,236 --> 00:12:53,171 WHAT THE FUCK DO YOU EVEN KNOW ABOUT STRUGGLING? 139 00:12:57,843 --> 00:13:01,012 FREAK. 140 00:13:01,014 --> 00:13:03,148 WHAT THE FUCK DO YOU EVEN KNOW ABOUT STRUGGLING? 141 00:13:03,150 --> 00:13:06,384 ARE YOU JOKING? I'M NOT SOME WHORE. 142 00:13:06,386 --> 00:13:11,222 WHAT THE FUCK DO YOU EVEN KNOW ABOUT STRUGGLING? 143 00:13:11,224 --> 00:13:13,992 [CHLOE] CAN YOU LEAVE THAT OPEN, PLEASE? 144 00:13:13,994 --> 00:13:16,461 [WOMAN] WHAT THE FUCK DO YOU EVEN KNOW ABOUT-- ARE YOU JOKING? 145 00:13:16,463 --> 00:13:18,930 I'M NOT SOME WHORE. WHAT THE FUCK DO YOU-- 146 00:13:18,932 --> 00:13:20,965 WHAT THE FUCK DO YOU EVEN KNOW ABOUT-- 147 00:13:20,967 --> 00:13:22,901 I'M NOT SOME WHORE. 148 00:13:22,903 --> 00:13:24,569 WHAT THE FUCK DO YOU EVEN KNOW ABOUT STRUGGLING? 149 00:13:24,571 --> 00:13:26,905 ARE YOU JOKING? I'M NOT SOME WHORE. 150 00:13:26,907 --> 00:13:30,275 ARE YOU JOKING? I'M NOT SOME WHORE. 151 00:13:32,378 --> 00:13:35,346 WHAT THE FUCK DO YOU EVEN KNOW ABOUT-- I'M NOT SOME WHORE. 152 00:13:35,348 --> 00:13:37,949 WHAT THE FUCK DO YOU EVEN KNOW ABOUT-- 153 00:13:39,018 --> 00:13:41,085 WHAT'S THIS FOR? 154 00:13:41,087 --> 00:13:43,888 IT'S FOR THIS PROJECT I'M DOING. 155 00:13:43,890 --> 00:13:45,924 WHAT'S WITH THE GLASS? 156 00:13:45,926 --> 00:13:47,992 IT'S JUST TO BLUR YOUR FACE. 157 00:13:49,261 --> 00:13:51,596 OH. 158 00:13:51,598 --> 00:13:56,134 -YOU OKAY? -I'M OKAY. 159 00:13:57,269 --> 00:13:59,504 CAN I ASK HOW OLD YOU ARE? 160 00:14:01,373 --> 00:14:04,342 I'M 18. 161 00:14:07,046 --> 00:14:09,547 HOW'D YOU GET HERE? 162 00:14:09,549 --> 00:14:13,351 MY DAD DROVE ME HERE. 163 00:14:13,353 --> 00:14:16,120 YOUR DAD DROPPED YOU OFF HERE? 164 00:14:17,456 --> 00:14:20,859 YEAH. HE'S WAITING OUTSIDE. 165 00:14:22,528 --> 00:14:26,364 WHERE--WHERE'S YOUR MOTHER? 166 00:14:27,967 --> 00:14:29,367 DEAD. 167 00:14:32,104 --> 00:14:34,005 [KNOCK ON DOOR] 168 00:14:34,007 --> 00:14:37,442 -WHO IS THAT? -OH, I DON'T KNOW. 169 00:14:37,444 --> 00:14:39,210 YOU'RE FULL OF SHIT. WHO IS THAT? 170 00:14:39,212 --> 00:14:40,645 IT'S OKAY, I'LL GET THE DOOR. IT'S FINE. 171 00:14:40,647 --> 00:14:42,213 WHAT THE FUCK, LADY? 172 00:14:42,215 --> 00:14:43,648 -CALM DOWN, I DIDN'T-- -NOT COOL, LADY! 173 00:14:43,650 --> 00:14:45,283 IT'S FINE. WAIT, WAIT, WAIT. 174 00:14:45,285 --> 00:14:46,351 HEY! HEY! 175 00:14:48,487 --> 00:14:50,421 UM, I THINK I MIGHT BE IN THE WRONG APARTMENT. 176 00:14:50,423 --> 00:14:52,190 I'M LOOKING FOR APARTMENT 119. 177 00:14:52,192 --> 00:14:54,158 THIS IS RIGHT. COME ON. KAT, YEAH? CONRAD SENT YOU? 178 00:14:54,160 --> 00:14:55,660 WHAT'S WITH THE KID? 179 00:14:55,662 --> 00:14:57,495 UM, NOTHING, I'M DOING INTERVIEWS. 180 00:14:57,497 --> 00:14:59,264 YOU'RE CERTAINLY DOING SOMETHING. 181 00:14:59,266 --> 00:15:00,598 YEAH, IT'LL JUST BE A FEW QUESTIONS. 182 00:15:00,600 --> 00:15:04,002 IF, UM-- I'LL PAY YOU, OKAY? 183 00:15:05,170 --> 00:15:06,437 HOW LONG WILL THIS TAKE? 184 00:15:06,439 --> 00:15:08,539 NO MORE THAN 15 MINUTES. 185 00:15:08,541 --> 00:15:12,277 IF YOU COULD JUST ANSWER A FEW QUESTIONS, AND BE HONEST, PLEASE. 186 00:15:12,279 --> 00:15:15,179 JUST BE, LIKE, BRUTALLY HONEST. 187 00:15:15,181 --> 00:15:18,349 BRUTALLY HONEST? 188 00:15:18,351 --> 00:15:22,186 UH, THERE'S NO SMOKING IN HERE. 189 00:15:31,530 --> 00:15:33,398 OKAY, COULD YOU JUST SAY YOUR NAME, AND YOUR AGE, 190 00:15:33,400 --> 00:15:36,100 AND SOME BASIC STUFF TO THE CAMERA, PLEASE, 191 00:15:36,102 --> 00:15:39,170 -KIND OF THING? -NO. 192 00:15:39,172 --> 00:15:41,072 OKAY, WELL, I NEED BASIC INFO FROM YOU. 193 00:15:41,074 --> 00:15:44,042 NO, YOU DON'T. 194 00:15:44,044 --> 00:15:46,144 OKAY, HOW DID YOU GET INTO YOUR FIELD? 195 00:15:46,146 --> 00:15:49,347 -MY FIELD? -PROSTITUTION. 196 00:15:49,349 --> 00:15:51,282 THANK YOU. 197 00:15:51,284 --> 00:15:54,218 A MAN PAID ME TO HAVE SEX WITH HIM. 198 00:15:54,220 --> 00:15:57,255 WHAT WERE THE CIRCUMSTANCES? 199 00:15:57,257 --> 00:15:59,490 CIRCUMSTANCES WERE HE WANTED TO FUCK ME, 200 00:15:59,492 --> 00:16:00,591 BUT I DIDN'T WANT TO FUCK HIM, 201 00:16:00,593 --> 00:16:02,994 SO HE GAVE ME SOME MONEY. 202 00:16:04,396 --> 00:16:05,663 HOW LONG AGO WAS THIS? 203 00:16:05,665 --> 00:16:07,699 A WHILE. 204 00:16:07,701 --> 00:16:10,168 HOW OLD WERE YOU? 205 00:16:11,403 --> 00:16:12,971 YOUNGER. 206 00:16:15,741 --> 00:16:20,244 OKAY. LET'S TRY SOMETHING ELSE. 207 00:16:20,246 --> 00:16:23,181 IS THIS-- 208 00:16:23,183 --> 00:16:25,583 IS THIS A LIFE THAT YOU'VE CHOSEN TO STICK WITH 209 00:16:25,585 --> 00:16:27,986 OR DO YOU WANT OUT? 210 00:16:27,988 --> 00:16:31,356 [KAT] WHY DO YOU WANT TO KNOW? 211 00:16:31,358 --> 00:16:35,026 BECAUSE THE DEAL WAS THAT I PAY YOU 212 00:16:35,028 --> 00:16:36,461 TO TELL ME THE TRUTH. 213 00:16:36,463 --> 00:16:39,397 NO, THE DEAL WAS YOU WANTED ME TO BE HONEST. 214 00:16:39,399 --> 00:16:41,766 -REMEMBER? -YES. 215 00:16:41,768 --> 00:16:44,369 WELL, THE TRUTH IS, YOU'RE ASKING ALL THE WRONG QUESTIONS. 216 00:16:44,371 --> 00:16:45,636 REALLY? 217 00:16:45,638 --> 00:16:47,338 WHEN DID I GET STARTED 218 00:16:47,340 --> 00:16:49,273 AND HOW LONG HAVE I BEEN DOING THIS? 219 00:16:49,275 --> 00:16:52,010 DO I WANT OUT? WHO CARES? 220 00:16:52,012 --> 00:16:54,012 DO YOU LIKE WHAT YOU DO? 221 00:16:54,014 --> 00:16:56,781 I LIKE BEING GOOD AT WHAT I DO. 222 00:16:56,783 --> 00:17:00,018 WHEN I'M WITH A CLIENT, I'M EXACTLY WHAT THEY WANT. 223 00:17:00,020 --> 00:17:01,753 NOT WHAT THEY SAY THEY WANT. 224 00:17:01,755 --> 00:17:03,755 NOT WHAT THEY THINK THEY WANT. 225 00:17:03,757 --> 00:17:07,792 I'M WHAT THEY DON'T KNOW THEY WANT. 226 00:17:09,228 --> 00:17:12,063 WHAT DO I WANT? 227 00:17:12,065 --> 00:17:16,801 YOU WANT SOMEONE TO COME IN HERE AND SHIT ALL OVER YOUR WORLD, 228 00:17:16,803 --> 00:17:21,139 MAKE YOU DO THINGS YOU REALLY WANT TO DO, BUT CAN'T. 229 00:17:21,141 --> 00:17:22,740 YOU SAID YOU WANTED BRUTAL HONESTY 230 00:17:22,742 --> 00:17:24,709 BECAUSE YOU ARE LOOKING FOR SOMEONE 231 00:17:24,711 --> 00:17:26,144 TO COME IN HERE AND TELL YOU THINGS 232 00:17:26,146 --> 00:17:28,579 YOU DON'T WANT TO HEAR. 233 00:17:28,581 --> 00:17:31,449 WHAT DON'T I WANT TO HEAR? 234 00:17:41,827 --> 00:17:43,661 I BELIEVE YOU OWE ME MONEY. 235 00:17:47,066 --> 00:17:49,500 [CHLOE] HOW MUCH YOU CHARGE? 236 00:17:49,502 --> 00:17:50,802 AS MUCH AS I CAN GET. 237 00:17:50,804 --> 00:17:53,504 UP TO $3,000 A NIGHT. 238 00:17:54,807 --> 00:17:58,076 I DO WHATEVER I NEED TO. 239 00:17:58,078 --> 00:18:01,813 TRADE OR STEAL, YOU KNOW, IF I NEED A FIX. 240 00:18:01,815 --> 00:18:05,817 I'LL CHARGE A DICK IN THE ASS IF HE'S GOT IT GOING ON. 241 00:18:08,187 --> 00:18:10,822 [MAN MOANING] 242 00:18:10,824 --> 00:18:13,558 [MOANING CONTINUES] 243 00:18:14,626 --> 00:18:20,098 [MAN COUGHING, WHEEZING] 244 00:18:22,201 --> 00:18:24,368 HEY, BABE. 245 00:18:24,370 --> 00:18:25,870 GET ME A BOTTLE OF WATER FROM THE MINI-BAR. 246 00:18:25,872 --> 00:18:29,140 -[MAN COUGHING] -YEAH, SURE. 247 00:18:36,482 --> 00:18:38,850 [COUGHING] 248 00:18:38,852 --> 00:18:40,451 OH, MAN. 249 00:18:43,489 --> 00:18:45,289 CAN I KEEP THESE? 250 00:18:46,859 --> 00:18:51,329 IF YOU WANT TO PLAY SOME MORE, WE HAVE TO RENEGOTIATE. 251 00:18:51,331 --> 00:18:54,398 BABE, TIMES ARE TIGHT. 252 00:18:54,400 --> 00:18:58,269 I CAN'T EVEN AFFORD OUR DATES ANYMORE. 253 00:18:58,271 --> 00:19:02,573 I KNOW YOU UNDERSTAND. [COUGHING] 254 00:19:04,676 --> 00:19:07,745 SOUNDS LIKE YOU COULDN'T GO ANOTHER ROUND ANYWAY, LOVE. 255 00:19:07,747 --> 00:19:10,181 YOU NEED TO TAKE CARE OF YOURSELF 256 00:19:10,183 --> 00:19:12,316 OR YOU'LL DIE BEFORE YOUR WIFE DOES. 257 00:19:12,318 --> 00:19:15,253 [GROANS] OH, MAN. 258 00:19:15,255 --> 00:19:18,689 I CAN'T BELIEVE A 45-YEAR-OLD PROSTITUTE IS HANDING OUT ADVICE. 259 00:19:18,691 --> 00:19:20,525 [CONTINUES COUGHING] 260 00:19:20,527 --> 00:19:21,926 I'M 44. 261 00:19:27,432 --> 00:19:30,768 [GIRL] MY DAD DROPPED ME HERE. 262 00:19:30,770 --> 00:19:34,605 [CHLOE] YOUR DAD DROPPED YOU OFF HERE? 263 00:19:34,607 --> 00:19:38,609 [GIRL] YEAH. HE'S WAITING OUTSIDE. 264 00:19:38,611 --> 00:19:40,311 [CHLOE] WHERE'S YOUR MOTHER? 265 00:19:41,914 --> 00:19:43,514 [GIRL] DEAD. 266 00:19:49,288 --> 00:19:52,823 [WOMAN ECHOING] I'M NOT LEAVING YOU ON PURPOSE. 267 00:19:54,826 --> 00:19:56,294 [GIRL] WHAT THE FUCK, LADY? 268 00:19:56,296 --> 00:19:57,762 [CHLOE] CALM DOWN. I DIDN'T CALL-- 269 00:19:57,764 --> 00:19:59,864 -NOT COOL, LADY. -IT'S FINE. 270 00:19:59,866 --> 00:20:01,399 [KAT] WHAT'S WITH THE KID? 271 00:20:01,401 --> 00:20:02,967 -[GIRL] NOT COOL, LADY! -[CHLOE] IT'S FINE. 272 00:20:02,969 --> 00:20:05,236 WHERE DO YOU WANT ME? 273 00:20:07,539 --> 00:20:10,808 THE KEY TO THIS JOB IS CONTROL. 274 00:20:10,810 --> 00:20:12,810 SHOW UP EARLY BEFORE THE CLIENT'S READY 275 00:20:12,812 --> 00:20:15,313 AND IT KEEPS YOU IN CHARGE OF THE SITUATION. 276 00:20:15,315 --> 00:20:18,316 PLUS IT HELPS WEED OUT THE COPS. 277 00:20:18,318 --> 00:20:20,952 [CHLOE] HOW'D YOU KNOW I WASN'T A COP? 278 00:20:20,954 --> 00:20:25,623 [CHUCKLING] YOU'RE NOT A COP. 279 00:20:25,625 --> 00:20:28,526 [CHLOE] HOW DO YOU KNOW ALL THIS STUFF? 280 00:20:28,528 --> 00:20:30,228 EXPERIENCE. 281 00:20:41,406 --> 00:20:43,507 [WHISTLES] 282 00:20:43,509 --> 00:20:46,911 UNBELIEVABLE. WHERE THE FUCK HAVE YOU BEEN? 283 00:20:46,913 --> 00:20:50,514 -SORRY. I SLEPT IN. -CHECK YOUR MESSAGES? 284 00:20:50,516 --> 00:20:51,882 I CALLED YOU THREE TIMES. 285 00:20:51,884 --> 00:20:53,918 I KNOW, BUT I WAS WORKING LATE LAST NIGHT. 286 00:20:53,920 --> 00:20:55,553 ONE JOB? THAT'S IT, RIGHT? 287 00:20:55,555 --> 00:20:57,955 YEP. 288 00:20:57,957 --> 00:21:00,491 YOU DON'T HAVE THE LUXURY TO WORK ONE JOB A NIGHT. 289 00:21:00,493 --> 00:21:01,859 ALL YOUR REGULARS HAVE BEEN CALLING 290 00:21:01,861 --> 00:21:03,894 AND ASKING FOR NEW AND IMPROVED GIRLS. 291 00:21:03,896 --> 00:21:07,865 MAYBE IT'S TIME FOR YOU TO FIND SOME OTHER GAME. 292 00:21:07,867 --> 00:21:09,600 I DON'T KNOW, LOOK FOR SOME OFFICE WORK. 293 00:21:09,602 --> 00:21:12,036 WHAT'S COME IN? 294 00:21:12,038 --> 00:21:15,306 I GET CALLS, JUST NOT FOR ROAD KILL. 295 00:21:15,308 --> 00:21:17,775 MAYBE IT'S TIME FOR A MAKEOVER, 296 00:21:17,777 --> 00:21:20,044 SQUEEZE ANOTHER YEAR OUT OF THIS. 297 00:21:20,046 --> 00:21:23,781 -I MEAN STUFF. -I KNOW WHAT YOU MEAN. 298 00:21:26,985 --> 00:21:28,286 IS THAT ALL? 299 00:21:28,288 --> 00:21:31,389 YOU WANT MORE? MAKE MORE MONEY. 300 00:21:31,391 --> 00:21:33,357 IF YOU CHECKED YOUR MESSAGES ONCE IN AWHILE, 301 00:21:33,359 --> 00:21:35,559 YOU'D KNOW THE CLIENT FROM THE OTHER DAY HAS BEEN CALLING. 302 00:21:35,561 --> 00:21:38,062 SHE CALLED ME, LIKE, THREE TIMES. 303 00:21:38,064 --> 00:21:39,764 SHE? WHO'S SHE? 304 00:21:39,766 --> 00:21:42,300 THE 119? UPTOWN? 305 00:21:42,302 --> 00:21:43,768 NEXT TO THE PAWN SHOP? 306 00:21:43,770 --> 00:21:46,037 I SENT YOU THERE TWO DAYS AGO. 307 00:21:46,039 --> 00:21:49,407 -THE WOMAN. -YEAH, RIGHT. 308 00:21:49,409 --> 00:21:53,411 HEY, ONE OF MR. ROMA'S GUYS 309 00:21:53,413 --> 00:21:56,580 CAME BACK HERE LOOKING FOR YOU EARLIER. 310 00:21:56,582 --> 00:21:59,684 SENT THEM TO YOUR OLD ADDRESS. 311 00:21:59,686 --> 00:22:02,053 THEY SAID YOU DON'T LIVE THERE ANYMORE. 312 00:22:02,055 --> 00:22:04,655 NO. NO, I DON'T. 313 00:22:06,692 --> 00:22:07,725 WHERE DO YOU LIVE? 314 00:22:12,097 --> 00:22:14,965 IT'S NONE OF YOUR BUSINESS. 315 00:22:14,967 --> 00:22:17,335 [CHUCKLING] CRAZY BITCH. 316 00:22:18,870 --> 00:22:20,738 [CHLOE] HOW DO YOU KNOW ALL THIS STUFF? 317 00:22:20,740 --> 00:22:24,575 [KAT] EXPERIENCE. THERE'S RULES. 318 00:22:24,577 --> 00:22:26,777 [CHLOE] WHAT ARE THE RULES? 319 00:22:26,779 --> 00:22:31,048 [KAT] YOU KNOW, NO IN-CALLS, NO GROUPS, 320 00:22:31,050 --> 00:22:33,684 NO FREEBIES, NO BLACKS, 321 00:22:33,686 --> 00:22:34,952 NO GETTING ATTACHED, 322 00:22:34,954 --> 00:22:38,789 AND DON'T DO DRUGS WITH CLIENTS. 323 00:22:38,791 --> 00:22:40,524 [KNOCK ON DOOR] 324 00:22:46,098 --> 00:22:49,033 -HEY. -COME ON IN. 325 00:22:53,472 --> 00:22:54,805 SO, WHAT ARE WE DOING TONIGHT? 326 00:22:54,807 --> 00:22:56,874 UH, I WANTED TO SHOOT NUDES. 327 00:22:59,111 --> 00:23:00,878 OH, THAT'S GOING TO COST YOU MORE THAN THIS. 328 00:23:00,880 --> 00:23:02,813 WELL, THERE'S 3,500 IN THERE. 329 00:23:02,815 --> 00:23:04,515 YEAH, BUT THAT GETS ME TO THE DOOR. 330 00:23:04,517 --> 00:23:06,117 I'M GONNA NEED ANOTHER 500. 331 00:23:06,119 --> 00:23:08,085 OKAY. 332 00:23:08,087 --> 00:23:10,454 AND I WOULD LOVE A DRINK. 333 00:23:12,991 --> 00:23:14,792 YOU DON'T HAVE TO DO THAT, ACTUALLY. 334 00:23:14,794 --> 00:23:19,497 UM, HERE, YOU KNOW WHAT? HERE. COME HERE. 335 00:23:19,499 --> 00:23:22,566 COME TO THE CORNER OVER THERE. 336 00:23:25,170 --> 00:23:28,139 MAYBE... 337 00:23:28,141 --> 00:23:30,908 MAYBE GO DOWN ON THE FLOOR. 338 00:23:30,910 --> 00:23:32,743 AND IF YOU, LIKE... 339 00:23:36,515 --> 00:23:40,017 SO, I JUST, WHAT? PUT MY HEAD HERE? 340 00:23:40,019 --> 00:23:41,519 SHOULD I PUT IT BACK? 341 00:23:41,521 --> 00:23:43,587 LIKE, PUSH MY TITS OUT OR SOMETHING? 342 00:23:46,658 --> 00:23:50,094 -JUST BE NORMAL. -NORMAL? 343 00:23:51,797 --> 00:23:54,064 I'M CURIOUS. 344 00:23:54,066 --> 00:23:57,067 WHY DO YOU DO THIS? 345 00:23:57,069 --> 00:23:58,502 WHEN I MOVED HERE FROM LONDON, 346 00:23:58,504 --> 00:23:59,703 I WAS IN A BIT OF TROUBLE. 347 00:23:59,705 --> 00:24:02,039 SO, SOMEONE OFFERED ME A WAY OUT, 348 00:24:02,041 --> 00:24:05,109 AND, WELL, YOU KNOW. 349 00:24:05,111 --> 00:24:06,977 [CHLOE] OUT OF WHAT? 350 00:24:06,979 --> 00:24:10,181 -I HAD SEX TO PAY FOR DEBT. -[CAMERA SHUTTER CLICKS] 351 00:24:10,183 --> 00:24:14,518 AFTER THAT, IT SEEMED, I DON'T KNOW, EASY MONEY. 352 00:24:15,987 --> 00:24:17,822 [CHLOE] CAN YOU STAND UP, PLEASE? 353 00:24:23,562 --> 00:24:25,095 PERFECT. 354 00:24:26,832 --> 00:24:29,200 DO YOU EVER GET SICK OF IT ALL? 355 00:24:29,202 --> 00:24:33,103 [SIGHS] NO. 356 00:24:33,105 --> 00:24:35,739 [CHLOE] DO YOU HAVE ANY REGRETS? 357 00:24:35,741 --> 00:24:39,243 [KAT] YOU CAN'T REGRET ANYTHING YOU DO IN LIFE, RIGHT? 358 00:24:39,245 --> 00:24:40,878 SOMETIMES YOU JUST GOTTA LIVE YOUR LIFE 359 00:24:40,880 --> 00:24:43,614 AND HOPE IT ALL WORKS OUT. 360 00:24:44,549 --> 00:24:45,816 IS THAT RIGHT? 361 00:24:51,790 --> 00:24:54,658 YOU HUNGRY? WANNA GET SOME FOOD? 362 00:24:56,127 --> 00:24:58,128 ♪ 363 00:24:58,130 --> 00:25:02,766 [WOMAN SINGING INDISTINCTLY] 364 00:25:02,768 --> 00:25:05,669 [CHATTERING] 365 00:25:11,977 --> 00:25:13,777 WHAT ARE YOU DOING? 366 00:25:15,780 --> 00:25:17,648 [KAT] WORKING. 367 00:25:20,118 --> 00:25:22,253 TELL ME, HOW DO YOU WALK INTO A BAR 368 00:25:22,255 --> 00:25:26,123 -AND JUST FIND THESE... -JOHNS? 369 00:25:26,125 --> 00:25:27,791 IT'S REALLY NOT THAT DIFFICULT. 370 00:25:27,793 --> 00:25:31,262 ANY GUY CAN BECOME A CLIENT OR A JOHN. 371 00:25:31,264 --> 00:25:34,698 -LIKE THAT ONE OVER THERE? -EXACTLY LIKE THAT ONE. 372 00:25:34,700 --> 00:25:36,967 HAVE YOU EVER DATED A JOHN? 373 00:25:36,969 --> 00:25:39,203 SURE. 374 00:25:39,205 --> 00:25:40,771 YOU EVER FALL IN LOVE WITH ONE? 375 00:25:40,773 --> 00:25:44,108 I TRY NOT TO. THAT'S ONE OF MY RULES. 376 00:25:46,278 --> 00:25:48,045 LISTEN, I'VE GOTTA GO. 377 00:25:48,047 --> 00:25:50,981 -CAN I COME? -COME? 378 00:25:50,983 --> 00:25:54,752 -WHERE? -WITH YOU. 379 00:25:54,754 --> 00:25:57,655 THAT'S GONNA COST YOU A WHOLE LOT MORE. 380 00:25:57,657 --> 00:25:59,723 I UNDERSTAND. 381 00:26:06,298 --> 00:26:08,599 OKAY, WELL, MAYBE TOMORROW. 382 00:26:08,601 --> 00:26:10,734 OKAY. 383 00:26:13,305 --> 00:26:15,906 CATCH YOU LATER. 384 00:26:22,847 --> 00:26:26,250 SO, WHAT ARE YOU LOOKING FOR? 385 00:26:28,019 --> 00:26:29,253 WHAT CAN I GET? 386 00:26:36,695 --> 00:26:40,364 ♪ AND I'LL USE MY LEGS 387 00:26:40,366 --> 00:26:43,867 ♪ USE MY CHEST 388 00:26:43,869 --> 00:26:47,338 ♪ USE MY HANDS 389 00:26:47,340 --> 00:26:50,074 ♪ USE MY HIPS 390 00:26:50,076 --> 00:26:53,110 [CONTINUES INDISTINCTLY] 391 00:27:24,743 --> 00:27:26,877 ♪ 392 00:27:42,761 --> 00:27:44,261 SORRY I'M SO LATE. 393 00:27:44,263 --> 00:27:45,929 IT'S OKAY. TRAFFIC WAS AWFUL. 394 00:27:45,931 --> 00:27:48,098 OH, MY GOD. ALL RIGHT, WHAT DO I NEED? 395 00:27:48,100 --> 00:27:50,701 SORRY, EXCUSE THE MESS. I'M IN TRANSITION RIGHT NOW. 396 00:27:50,703 --> 00:27:53,671 SORRY. 397 00:27:53,673 --> 00:27:56,040 YOU, UH-- YOU NEED A PLACE TO STAY? 398 00:27:58,176 --> 00:28:01,011 NO. I'M JUST STAYING WITH A FRIEND. 399 00:28:01,013 --> 00:28:02,846 IT'S ALL GOOD. 400 00:28:02,848 --> 00:28:04,882 [HORN HONKS] 401 00:28:04,884 --> 00:28:07,951 ♪ AND EVERYTHING IS YOUR FAULT ♪ 402 00:28:11,289 --> 00:28:14,291 [CONTINUES INDISTINCTLY] 403 00:28:14,293 --> 00:28:16,894 OKAY. 404 00:28:16,896 --> 00:28:18,962 READY TO GET WEIRD? 405 00:28:45,156 --> 00:28:47,024 THANKS. 406 00:28:47,026 --> 00:28:48,826 YOU DON'T THINK HE'S GONNA SEE THAT, DO YOU? 407 00:28:48,828 --> 00:28:51,061 I DON'T THINK SO. WHAT DO YOU THINK? 408 00:28:52,997 --> 00:28:54,331 I GUESS IT'S OKAY. 409 00:28:54,333 --> 00:28:56,233 JUST GONNA HAVE TO KEEP HIM DISTRACTED, EH? 410 00:28:56,235 --> 00:28:58,235 WHAT TIME IS HE GONNA BE HERE? 411 00:28:58,237 --> 00:29:00,237 -ANY MINUTE. -OKAY. 412 00:29:08,179 --> 00:29:09,847 [KNOCK ON DOOR] 413 00:29:09,849 --> 00:29:12,249 [DOOR BOLT CLICKS] 414 00:29:16,087 --> 00:29:17,821 [SNIFFS] 415 00:29:17,823 --> 00:29:20,924 [KAT GIGGLING] 416 00:29:23,294 --> 00:29:26,063 [MAN MOANING] 417 00:29:26,065 --> 00:29:29,399 [KAT GASPING] 418 00:29:30,502 --> 00:29:32,269 [MAN COUGHING] 419 00:29:45,884 --> 00:29:48,385 THAT WAS FAST. 420 00:29:48,387 --> 00:29:49,953 [KAT] THEY USUALLY ARE. 421 00:30:38,603 --> 00:30:44,274 [CHLOE GASPING] 422 00:30:44,276 --> 00:30:45,509 SO, HOW'S IT LOOKING? 423 00:30:45,511 --> 00:30:49,012 OH, SHIT. OH, SHIT. 424 00:30:49,014 --> 00:30:51,114 DO YOU NEED SOME HELP WITH THAT? 425 00:30:51,116 --> 00:30:52,382 NO. GOD, NO. 426 00:30:56,120 --> 00:30:57,921 OH, MY GOD. 427 00:31:09,467 --> 00:31:11,301 NO, I'M NOT STUPID. 428 00:31:11,303 --> 00:31:14,304 YEAH, I--I KNOW WHAT YOU TOLD ME. 429 00:31:14,306 --> 00:31:16,607 I KNOW, BUT COME-- COME ON. 430 00:31:16,609 --> 00:31:21,211 YEAH. SHE'S HERE RIGHT NOW. 431 00:31:21,213 --> 00:31:23,881 OKAY. YEAH, I'LL GET IT. 432 00:31:30,054 --> 00:31:33,423 -YOU ARE FUCKED. -WHY? WHAT DID HE SAY? 433 00:31:33,425 --> 00:31:36,426 HE SAID YOU ARE FUCKED. 434 00:31:36,428 --> 00:31:40,530 HE SAID IT TO ME, AND NOW I'M SAYING IT TO YOU. 435 00:31:40,532 --> 00:31:42,332 SO, WHAT DO I DO? 436 00:31:42,334 --> 00:31:46,470 I MEAN, THIS HELPS, BUT IT'S NOT ENOUGH. 437 00:31:46,472 --> 00:31:49,907 FUCK. I THOUGHT WE HAD A DEAL WORKED OUT. 438 00:31:49,909 --> 00:31:51,909 WE HAD A DEAL. 439 00:31:51,911 --> 00:31:55,345 I THOUGHT SO, TOO. 440 00:31:55,347 --> 00:31:59,116 WHY CAN'T WE JUST DO WHAT WE DID THE TIME BEFORE? 441 00:32:00,184 --> 00:32:02,252 HE DON'T WANT YOU NO MORE. 442 00:32:02,254 --> 00:32:04,354 HE WANTS HIS MONEY. 443 00:32:06,691 --> 00:32:08,592 HOW MUCH TIME HAVE I GOT? 444 00:32:10,028 --> 00:32:11,595 ZERO. 445 00:32:13,197 --> 00:32:15,432 IT'S OUT OF MY HANDS NOW. 446 00:32:41,159 --> 00:32:43,226 SO, HOW'S THE PROJECT GOING? 447 00:32:43,228 --> 00:32:46,229 -ARE YOU ALMOST DONE? -UH, KIND OF. 448 00:32:46,231 --> 00:32:49,566 I DON'T REALLY KNOW IF I'VE FOUND MY ANGLE YET. 449 00:32:49,568 --> 00:32:52,569 WHY? MAYBE I CAN HELP. 450 00:32:52,571 --> 00:32:55,305 UH, THANKS, BUT YOU'VE ALREADY DONE ENOUGH. 451 00:32:57,575 --> 00:32:59,209 GOD, I'LL TELL YOU, 452 00:32:59,211 --> 00:33:00,711 ALL WEEK I'VE BEEN LOOKING AT APARTMENTS, 453 00:33:00,713 --> 00:33:03,080 AND THOSE BLOODY ESTATE AGENTS, 454 00:33:03,082 --> 00:33:05,082 THEY WANT HUGE DEPOSITS 455 00:33:05,084 --> 00:33:08,585 FOR ROOMS THAT ARE SMALLER THAN A MOTEL. 456 00:33:08,587 --> 00:33:10,120 YOU DON'T THINK I COULD GET, LIKE, 457 00:33:10,122 --> 00:33:13,123 A BIT OR TWO UPFRONT, DO YOU, OF MY PAY? 458 00:33:13,125 --> 00:33:17,094 YEAH, THAT'S FINE. I'LL GIVE YOU A WEEK IN ADVANCE. COOL? 459 00:33:17,096 --> 00:33:18,628 THANK YOU. THAT WOULD BE BRILLIANT. 460 00:33:18,630 --> 00:33:20,464 YEAH. 461 00:33:20,466 --> 00:33:23,533 -HOW DO I LOOK? -NORMAL. 462 00:33:26,604 --> 00:33:29,306 SO, WHEN WE FIRST MET, 463 00:33:29,308 --> 00:33:32,609 YOU TOLD ME THAT THERE ARE RULES. 464 00:33:32,611 --> 00:33:34,111 YEAH, I MEAN, THEY'RE NOT MY RULES. 465 00:33:34,113 --> 00:33:36,346 THEY'RE JUST THE RULES. 466 00:33:36,348 --> 00:33:39,016 WHAT KIND OF RULES? 467 00:33:39,018 --> 00:33:41,618 UM, NO IN-CALLS. 468 00:33:41,620 --> 00:33:44,121 ALWAYS MEET AT A HOTEL OR AT THE CLIENT'S PLACE. 469 00:33:44,123 --> 00:33:46,056 NEVER LET THEM KNOW WHERE YOU LIVE. 470 00:33:46,058 --> 00:33:48,125 DON'T DO DRUGS WITH CLIENTS. 471 00:33:48,127 --> 00:33:50,293 YOU'VE GOT TO STAY IN CONTROL. 472 00:33:50,295 --> 00:33:52,195 AND NO BLACKS. 473 00:33:53,765 --> 00:33:56,800 THAT SEEMS RACIST. 474 00:33:56,802 --> 00:33:59,770 YEAH, IT IS, BUT IT'S NOT MY RULES. 475 00:33:59,772 --> 00:34:02,706 I DIDN'T MAKE 'EM. 476 00:34:02,708 --> 00:34:04,441 [PHONE RINGS] 477 00:34:06,477 --> 00:34:08,145 [CHLOE] SORRY, HOLD ON. 478 00:34:08,147 --> 00:34:11,148 HELLO? YES. 479 00:34:11,150 --> 00:34:14,151 NO, I'M WITH A CLIENT RIGHT NOW, DAD. 480 00:34:14,153 --> 00:34:15,519 NO, IT WAS TO PAY A MODEL. 481 00:34:17,789 --> 00:34:19,489 NO, I DON'T CARE. I DO NOT-- 482 00:34:19,491 --> 00:34:21,291 NO, IT'S MY MONEY. I REALLY DON'T CARE. 483 00:34:21,293 --> 00:34:25,162 -SORRY. -THAT WENT WELL? 484 00:34:25,164 --> 00:34:27,397 [CHLOE] MY DAD, HE'S AN ASSHOLE. 485 00:34:28,332 --> 00:34:30,467 MOST ARE. 486 00:34:30,469 --> 00:34:32,736 HE ALWAYS FEELS LIKE HE HAS TO BE IN CONTROL OF EVERYTHING. 487 00:34:34,739 --> 00:34:37,174 DO YOU LIKE BEING IN CONTROL? 488 00:34:37,176 --> 00:34:39,409 MAYBE. 489 00:34:51,622 --> 00:34:54,691 OKAY, THAT'S ENOUGH. BULLETS AREN'T CHEAP. 490 00:34:54,693 --> 00:34:57,227 -THIS IS FUN. -YEAH? 491 00:34:57,229 --> 00:34:59,763 DO YOU--DO YOU ALWAYS CARRY THIS THING ON YOU? 492 00:34:59,765 --> 00:35:01,832 -YEP. -WHY? 493 00:35:01,834 --> 00:35:04,201 HAVE YOU EVER BEEN ATTACKED BY A CLIENT BEFORE? 494 00:35:04,203 --> 00:35:07,537 NOT A CLIENT, BUT, UM, A CRACKHEAD IN AN ALLEY ONCE. 495 00:35:07,539 --> 00:35:11,341 -NEVER? -IF YOU PUT IN ENOUGH TIME AND EFFORT, 496 00:35:11,343 --> 00:35:14,144 THEN YOU CAN WEED OUT THE PSYCHOS AND THE RAPISTS BEFORE YOU MEET THEM. 497 00:35:15,713 --> 00:35:17,681 WHEN YOU ARRIVE YOU CALL IN, 498 00:35:17,683 --> 00:35:19,549 DESCRIBE THE CLIENT, TELL THEM WHERE YOU'RE AT, 499 00:35:19,551 --> 00:35:23,520 AND SAY YOU'RE GONNA TEXT IN 20 MINUTES. 500 00:35:23,522 --> 00:35:25,555 EVEN IF NOBODY'S ON THE OTHER END OF THE PHONE, 501 00:35:25,557 --> 00:35:27,224 AT LEAST THE CLIENT THINKS 502 00:35:27,226 --> 00:35:29,126 THERE'S SOME BIG SON OF A BITCH IN THE LOBBY. 503 00:35:33,231 --> 00:35:37,400 SO, YOU'VE NEVER BEEN ATTACKED? 504 00:35:37,402 --> 00:35:38,869 NOT REALLY. 505 00:35:38,871 --> 00:35:42,405 NOTHING THAT I DIDN'T GET COMPENSATED FOR. 506 00:35:42,407 --> 00:35:44,741 HOW'D YOU FIND THIS PLACE? 507 00:35:44,743 --> 00:35:45,876 IT'S WHERE I USED TO WORK-- 508 00:35:45,878 --> 00:35:47,477 JUST UP THE ROAD. 509 00:35:49,881 --> 00:35:51,314 DOING WHAT? 510 00:36:42,800 --> 00:36:45,502 [MOANING] 511 00:36:52,476 --> 00:36:54,211 WE CAN LEAVE. 512 00:36:56,814 --> 00:36:59,616 I CAN HANDLE IT. [CLEARS THROAT] 513 00:37:01,519 --> 00:37:04,554 DID YOU REALLY USED TO WORK HERE? 514 00:37:05,656 --> 00:37:06,856 IT WASN'T QUITE LIKE THIS. 515 00:37:07,825 --> 00:37:10,427 THEY'RE TALENTED. 516 00:37:18,336 --> 00:37:20,904 COME ON. LET'S GET OUT OF HERE. 517 00:37:43,527 --> 00:37:46,596 [CAMERA CLICKING AND BEEPING] 518 00:38:02,546 --> 00:38:05,548 -WHAT ARE YOU DOING? -UH... 519 00:38:05,550 --> 00:38:06,950 JUST, UH... 520 00:38:08,552 --> 00:38:11,721 I'M--I'M, UH, TAKING THESE PICTURES... 521 00:38:11,723 --> 00:38:15,725 FOR DOCUMENTING, I DON'T KNOW, 522 00:38:15,727 --> 00:38:19,029 MY LIFE AND CHANGE. 523 00:38:19,031 --> 00:38:21,898 IN CASE YOU GET FAMOUS OR SOMETHING? 524 00:38:21,900 --> 00:38:23,900 OR SOMETHING. 525 00:38:23,902 --> 00:38:29,339 -CAN I SEE THEM? -UH, OKAY. 526 00:38:51,429 --> 00:38:55,065 WOW. THESE ARE BEAUTIFUL. 527 00:38:55,067 --> 00:38:56,666 THANK YOU. 528 00:39:03,941 --> 00:39:05,842 WHAT ARE YOU DOING? 529 00:39:14,118 --> 00:39:16,519 IT'S BEEN A REALLY LONG TIME SINCE... 530 00:39:18,089 --> 00:39:20,357 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 531 00:39:49,820 --> 00:39:53,490 -ALL RIGHT. GOT IT? -YES. 532 00:39:53,492 --> 00:39:55,558 -TO THE BEDROOM. -THANK YOU. 533 00:40:09,507 --> 00:40:12,575 -YOU ALL RIGHT? -UH-HUH. 534 00:40:15,846 --> 00:40:17,147 YOU WANNA GO GET A BEER? 535 00:40:17,149 --> 00:40:19,149 YEAH. I'M GONNA GO TO THE BATHROOM. 536 00:40:40,771 --> 00:40:43,006 [SNIFFS] 537 00:40:43,008 --> 00:40:45,875 [SNIFFLING] YOU READY? 538 00:40:45,877 --> 00:40:49,112 YEAH. WAIT. 539 00:40:52,049 --> 00:40:54,884 -AFTER YOU. -THANK YOU VERY MUCH. 540 00:40:54,886 --> 00:40:56,986 [SNIFFLES] 541 00:41:22,213 --> 00:41:25,748 I LOVE THE WAY HE LAYERED THE MUSIC SHEETS. 542 00:41:25,750 --> 00:41:27,584 COLLAGING WAS REALLY BIG IN THE '60s. 543 00:41:27,586 --> 00:41:30,086 IT'S VERY JASPER JOHNS. 544 00:41:30,088 --> 00:41:31,588 THAT'S ACTUALLY LAYERED? 545 00:41:31,590 --> 00:41:34,224 MM-HMM. DON'T TOUCH IT! 546 00:41:34,226 --> 00:41:36,226 STOP IT. 547 00:41:36,228 --> 00:41:38,761 STOP IT, I'M SERIOUS. DON'T DO THAT. 548 00:41:38,763 --> 00:41:40,230 I'M JUST MESSING WITH YOU. 549 00:41:40,232 --> 00:41:41,931 I WOULD NEVER REALLY TOUCH IT. 550 00:41:41,933 --> 00:41:44,234 I'VE BEEN TO HUNDREDS OF THESE POP-UPS. 551 00:41:44,236 --> 00:41:46,102 CLIENTS USED TO LOVE BRINGING ME HERE, 552 00:41:46,104 --> 00:41:49,939 SHOWING ME OFF TO THEIR INTELLECTUAL FRIENDS AND BOSSES. 553 00:41:49,941 --> 00:41:51,174 IT WAS FUN. 554 00:41:52,610 --> 00:41:55,778 AND WHAT HAPPENED? 555 00:41:55,780 --> 00:41:57,514 I GOT OLD. 556 00:42:10,561 --> 00:42:12,262 WHAT DO YOU THINK OF THIS ONE? 557 00:42:12,264 --> 00:42:14,264 HMM. 558 00:42:14,266 --> 00:42:16,566 IT DOESN'T REALLY MATCH 559 00:42:16,568 --> 00:42:18,568 THE REST OF THE GALLERY, DOES IT? 560 00:42:18,570 --> 00:42:21,004 KIND OF MUDDY, DARK. 561 00:42:21,006 --> 00:42:23,039 DON'T REALLY KNOW. 562 00:42:23,041 --> 00:42:25,208 WHAT DO YOU THINK? 563 00:42:26,777 --> 00:42:28,711 IT'S MINE. 564 00:42:35,019 --> 00:42:36,653 I DIDN'T OFFEND YOU, DID I? 565 00:42:36,655 --> 00:42:37,987 I MEAN, YOU'RE THE ONE THAT SAID 566 00:42:37,989 --> 00:42:39,789 YOU'RE A PHOTOGRAPHER, NOT A PAINTER. 567 00:42:39,791 --> 00:42:40,990 AND IT REALLY WASN'T THAT BAD. 568 00:42:40,992 --> 00:42:43,726 YOU'VE JUST GOT TO GET A NEW FRAME. 569 00:42:43,728 --> 00:42:45,995 IT'S FINE. 570 00:42:45,997 --> 00:42:47,830 HEY, WHY DON'T YOU PAINT ME? 571 00:42:47,832 --> 00:42:51,167 I--WHY WOULD I PAINT YOU? I DON'T PAINT ANYMORE. 572 00:42:51,169 --> 00:42:53,836 I'M SO HUNGRY. ARE YOU HUNGRY? 573 00:42:53,838 --> 00:42:55,271 PLEASE, PAINT ME. 574 00:42:55,273 --> 00:42:58,675 DO YOU LIKE SUSHI? 575 00:42:58,677 --> 00:43:00,109 COME ON, I'VE ALWAYS WANTED TO BE PAINTED 576 00:43:00,111 --> 00:43:02,011 BY A REAL ARTIST. 577 00:43:02,013 --> 00:43:03,313 WHAT DON'T YOU GET 578 00:43:03,315 --> 00:43:05,315 ABOUT ME NOT PAINTING ANYMORE, OKAY? 579 00:43:05,317 --> 00:43:07,951 SERIOUSLY, CAN WE JUST GET DRESSED AND GO EAT SOMEWHERE? 580 00:43:12,890 --> 00:43:15,725 [SIGHS] 581 00:43:15,727 --> 00:43:19,329 I JUST THINK THAT IT WOULD BE REALLY GOOD FOR US. 582 00:43:19,331 --> 00:43:20,863 -OH. -IT WOULD BE NICE. 583 00:43:20,865 --> 00:43:22,332 -DO YOU? -YES. 584 00:43:22,334 --> 00:43:24,033 -DON'T YOU THINK? -I DON'T KNOW. 585 00:43:24,035 --> 00:43:25,268 MAYBE ONE DAY. 586 00:43:41,251 --> 00:43:43,620 WE HAVEN'T TALKED ABOUT THAT. 587 00:43:48,892 --> 00:43:50,360 [SIGHS] 588 00:43:50,362 --> 00:43:54,130 -I'M NOT STUPID. -NOBODY SAID YOU WERE. 589 00:43:56,233 --> 00:43:59,969 -IT WAS AN ACCIDENT... -WHAT KIND OF ACCIDENT? 590 00:44:02,906 --> 00:44:05,074 AND A LONG TIME AGO. 591 00:44:05,076 --> 00:44:08,111 IT DOESN'T NEED TO CONCERN YOU, 592 00:45:22,820 --> 00:45:25,722 -[KNOCKING ON DOOR] -CHLOE? 593 00:45:26,824 --> 00:45:28,057 [KNOCKING] 594 00:45:30,327 --> 00:45:31,794 [KNOCKING] 595 00:45:31,796 --> 00:45:33,396 CHLOE, IT'S DAD. ARE YOU IN THERE? 596 00:45:33,398 --> 00:45:35,398 [DOORKNOB RATTLING] 597 00:45:37,334 --> 00:45:38,735 CHLOE? 598 00:45:38,737 --> 00:45:41,471 -[LOCKS RATTLE] -CHLOE? 599 00:45:43,474 --> 00:45:45,308 DID YOU JUST BREAK IN HERE? 600 00:45:45,310 --> 00:45:47,477 NO, YOU KNOW I HAVE KEYS. 601 00:45:47,479 --> 00:45:50,012 WELL, YOU CAN'T JUST COME IN HERE LIKE THAT. 602 00:45:50,014 --> 00:45:51,247 OH, PLEASE, CHLOE, 603 00:45:51,249 --> 00:45:52,849 IT'S TOO EARLY IN THE MORNING TO ARGUE. 604 00:45:52,851 --> 00:45:56,185 COME ON, PUT SOME CLOTHES ON. 605 00:45:56,187 --> 00:45:57,487 I'M GONNA CALL THE COPS ON YOU 606 00:45:57,489 --> 00:45:59,756 AND SEE HOW YOU LIKE BEING ARRESTED. 607 00:46:02,359 --> 00:46:04,026 YOU'RE SMOKING NOW? 608 00:46:04,028 --> 00:46:06,095 NO. 609 00:46:07,931 --> 00:46:10,533 I HAD FRIENDS OVER LAST NIGHT. 610 00:46:10,535 --> 00:46:13,336 -WHO? -DOES IT REALLY MATTER? 611 00:46:13,338 --> 00:46:15,037 DO I KNOW THEM? 612 00:46:15,039 --> 00:46:16,806 [CHLOE] NO. 613 00:46:19,877 --> 00:46:23,045 WELL, I JUST-- I JUST WANTED TO STOP BY 614 00:46:23,047 --> 00:46:24,213 AND SEE MY BEAUTIFUL DAUGHTER. 615 00:46:24,215 --> 00:46:25,348 DAD, IT'S 9:00 IN THE MORNING. 616 00:46:25,350 --> 00:46:26,883 PLEASE STOP SPYING ON ME. 617 00:46:26,885 --> 00:46:29,118 I'M NOT SPYING ON YOU. I JUST-- 618 00:46:29,120 --> 00:46:30,520 WHY DON'T YOU STICK TO YOUR WORD 619 00:46:30,522 --> 00:46:32,555 AND LEAVE ME ALONE? 620 00:46:32,557 --> 00:46:34,457 I WILL NEVER LEAVE YOU. 621 00:46:37,161 --> 00:46:40,062 DON'T YOU HAVE A FUNDRAISER TO RUN? 622 00:46:40,064 --> 00:46:41,464 REMEMBER? 623 00:47:20,270 --> 00:47:22,104 UGH, MY DAD. 624 00:47:22,106 --> 00:47:24,574 -THE ASSHOLE? -YEAH. 625 00:47:24,576 --> 00:47:26,275 WELL, HE SEEMED LIKE A NICE MAN TO ME. 626 00:47:26,277 --> 00:47:29,445 -WELL, HE'S NOT. -HE CAN'T BE THAT BAD. 627 00:47:29,447 --> 00:47:30,947 AT LEAST HE WANTED TO SEE YOU. 628 00:47:30,949 --> 00:47:32,315 NO, HE DOESN'T, 629 00:47:32,317 --> 00:47:33,950 HE JUST CALLED BECAUSE HE WANTS ME TO COME 630 00:47:33,952 --> 00:47:36,018 TO THIS GALA THING ON SATURDAY. 631 00:47:37,588 --> 00:47:40,122 IT'S JUST... 632 00:47:40,124 --> 00:47:41,424 WOULD YOU COME WITH ME? 633 00:47:41,426 --> 00:47:43,960 SATURDAY, IS IT? 634 00:47:43,962 --> 00:47:47,563 IT COULD BE FUN, COULDN'T IT? 635 00:47:47,565 --> 00:47:50,533 OKAY, IF THAT'S WHAT YOU WANT. 636 00:47:50,535 --> 00:47:55,037 -YEAH, THAT'S WHAT I WANT. -OH. THE GALA. 637 00:47:55,039 --> 00:47:57,506 THE GALA. 638 00:47:57,508 --> 00:48:01,043 -OKAY. -OKAY. 639 00:48:04,181 --> 00:48:05,948 -[GIGGLING] -[SHOUTING AND GIGGLING] 640 00:48:05,950 --> 00:48:09,518 ♪ 641 00:48:09,520 --> 00:48:15,157 ♪ CITY BIRD, CITY BIRD 642 00:48:15,159 --> 00:48:17,159 -♪ FLY AWAY -[NO AUDIBLE DIALOGUE] 643 00:48:17,161 --> 00:48:19,328 ♪ FROM MY WINDOW 644 00:48:19,330 --> 00:48:22,431 ♪ FROM MY WINDOW 645 00:48:22,433 --> 00:48:24,634 ♪ 'CAUSE YOU DON'T SING... 646 00:48:24,636 --> 00:48:27,169 [CHATTERING] 647 00:48:27,171 --> 00:48:28,504 STOP IT. 648 00:48:28,506 --> 00:48:30,406 STOP IT. 649 00:48:31,642 --> 00:48:33,643 SERIOUSLY, COME ON. STOP IT. 650 00:48:33,645 --> 00:48:35,645 NO, I DON'T WANT TO. I'M REALLY HAPPY. 651 00:48:35,647 --> 00:48:38,014 I'M HAVING A GOOD TIME SHOPPING FOR CLOTHES WITH YOU. 652 00:48:38,016 --> 00:48:39,515 WELL, THEN LET'S JUST SHOP FOR CLOTHES. 653 00:48:39,517 --> 00:48:41,517 STOP HANGING ALL OVER ME. WHAT ABOUT THAT ONE? 654 00:48:41,519 --> 00:48:43,185 YOU WANT IT? I'LL BUY IT FOR YOU. 655 00:48:43,187 --> 00:48:44,520 -YEAH, I LIKE IT. -YEAH? 656 00:48:44,522 --> 00:48:45,655 -YOU LIKE THIS ONE? -YEAH. 657 00:48:45,657 --> 00:48:48,190 YEAH, I LIKE THAT ONE. 658 00:48:48,192 --> 00:48:50,593 [MUTTERING] 659 00:48:51,662 --> 00:48:53,529 HONESTLY. 660 00:48:53,531 --> 00:48:54,964 YOU LIKE IT. 661 00:48:54,966 --> 00:48:56,699 YEAH, BUT I'M TWICE YOUR AGE. 662 00:48:56,701 --> 00:48:58,434 IT LOOKS LIKE YOU'RE KISSING YOUR MOTHER. 663 00:48:58,436 --> 00:49:01,037 SO, I'M--WHAT ARE YOU TALKING ABOUT? WHO CARES? 664 00:49:01,039 --> 00:49:03,372 I LIKE THIS ONE. THIS ONE IS GOOD, TOO. 665 00:49:03,374 --> 00:49:05,207 THAT WOULD LOOK REALLY GOOD ON YOU. 666 00:49:05,209 --> 00:49:06,442 I LIKE THAT ONE. 667 00:49:09,212 --> 00:49:10,680 HAVE YOU SEEN ANY THAT YOU WANT? 668 00:49:10,682 --> 00:49:13,215 NO. I WANT YOU. 669 00:49:13,217 --> 00:49:14,216 KISS ME. 670 00:49:14,218 --> 00:49:15,384 NO, I'M NOT WORKING. 671 00:49:15,386 --> 00:49:17,119 OH, YES, YOU ARE. 672 00:49:20,390 --> 00:49:22,058 OKAY, THAT'S ENOUGH. COME ON. 673 00:49:22,060 --> 00:49:23,993 -THE WORST. -COME ON. 674 00:49:25,395 --> 00:49:28,064 [KAT] RIGHT, SO LET ME GET THIS STRAIGHT. 675 00:49:28,066 --> 00:49:30,366 WE'RE GOING TO A PARTY BECAUSE YOU HATE EVERYBODY THERE. 676 00:49:30,368 --> 00:49:31,400 YES. 677 00:49:31,402 --> 00:49:32,702 AND YOU WANT THEM TO KNOW 678 00:49:32,704 --> 00:49:34,704 THAT YOU'RE DATING A PROSTITUTE. 679 00:49:34,706 --> 00:49:38,174 WELL, I WOULDN'T TAKE IT THAT FAR, BUT... 680 00:49:38,176 --> 00:49:40,576 SO, YOU'RE PAYING ME TO BE AMAZING AND SUFFER THROUGH IT WITH YOU? 681 00:49:40,578 --> 00:49:42,311 MM-HMM. CORRECT. 682 00:49:43,714 --> 00:49:45,715 -YOU KNOW WHAT? -HMM? 683 00:49:45,717 --> 00:49:47,583 YOU'RE LUCKY I LIKE YOU. 684 00:49:47,585 --> 00:49:49,018 I KNOW. 685 00:49:49,020 --> 00:49:51,554 ♪ 686 00:49:55,258 --> 00:50:00,162 [NO AUDIBLE DIALOGUE] 687 00:50:05,535 --> 00:50:09,271 [WOMAN SINGING INDISTINCTLY] 688 00:50:18,315 --> 00:50:20,516 OOH, FANCY. 689 00:50:22,486 --> 00:50:25,454 SO, WHAT IS THIS GALA FOR? 690 00:50:25,456 --> 00:50:28,257 THIS IS A CHARITY FOR HUNTINGTON'S DISEASE. 691 00:50:28,259 --> 00:50:30,359 LET'S GO TO THE BAR. 692 00:50:32,129 --> 00:50:33,696 I THOUGHT SHE WAS STILL IN REHAB. 693 00:50:33,698 --> 00:50:35,364 CHEERS, I GUESS. 694 00:50:39,069 --> 00:50:41,370 WHOA. EASY TIGER. 695 00:50:42,639 --> 00:50:45,074 -DON'T TELL. -DON'T TELL? 696 00:50:48,545 --> 00:50:50,479 -YOU LOOK REALLY PRETTY. -THANK YOU. 697 00:50:50,481 --> 00:50:51,514 YEAH. 698 00:50:51,516 --> 00:50:53,649 YOWZA! 699 00:50:53,651 --> 00:50:55,551 THERE IS MY GIRL! 700 00:50:55,553 --> 00:50:56,819 YOU FINALLY CAME OUT OF YOUR CAVE. 701 00:50:56,821 --> 00:50:59,822 -WHAT IS UP? -SAME OLD. 702 00:50:59,824 --> 00:51:01,390 UH, THIS IS MY BEST FRIEND ZOE. 703 00:51:01,392 --> 00:51:02,691 -THIS IS KAT. -HI. 704 00:51:02,693 --> 00:51:04,293 -HELLO, ZOE. -IT'S SO NICE TO MEET YOU. 705 00:51:04,295 --> 00:51:05,628 NICE TO MEET YOU. 706 00:51:05,630 --> 00:51:07,329 I'VE HEARD ABSOLUTELY NOTHING ABOUT YOU, 707 00:51:07,331 --> 00:51:09,165 BECAUSE SOMEONE FORGOT HOW TO USE THEIR PHONE. 708 00:51:09,167 --> 00:51:11,567 JERK. 709 00:51:11,569 --> 00:51:13,202 OOH. WAITER'S CALLING MY NAME. 710 00:51:13,204 --> 00:51:14,804 WHO WANTS BUBBLY? 711 00:51:14,806 --> 00:51:16,839 YEAH, I THINK I'LL BE FINISHED BY THE TIME YOU GET BACK. 712 00:51:16,841 --> 00:51:18,674 GIRL, I KNOW EXACTLY HOW YOU FEEL. 713 00:51:18,676 --> 00:51:22,211 I SWEAR, MY SOUL IS MADE OF CHAMPAGNE AND BACON. 714 00:51:22,213 --> 00:51:24,814 SHE'S FUNNY. SHE'S COOL. 715 00:51:24,816 --> 00:51:27,183 YEAH, OUR PARENTS GREW UP TOGETHER. SHE'S RAD. 716 00:51:27,185 --> 00:51:29,351 -OH, REALLY? -MM-HMM. 717 00:51:29,353 --> 00:51:32,288 I'M SO GLAD YOU COULD MAKE IT. 718 00:51:32,290 --> 00:51:33,656 YOU LOOK STUNNING, SWEETHEART. 719 00:51:33,658 --> 00:51:35,591 -REALLY, REALLY LOVELY. -THANK YOU. THANK YOU. 720 00:51:35,593 --> 00:51:38,561 HI. I'M CHLOE'S FATHER, 721 00:51:38,563 --> 00:51:40,362 AND YOU'RE... 722 00:51:40,364 --> 00:51:42,531 THIS IS MY GIRLFRIEND, KAT, I'M SORRY. 723 00:51:42,533 --> 00:51:44,533 IT'S AN ABSOLUTE PLEASURE TO MEET YOU, SIR. 724 00:51:44,535 --> 00:51:46,202 WHAT A GORGEOUS HOUSE YOU HAVE. 725 00:51:46,204 --> 00:51:48,137 WELL, THANK YOU. THANK YOU VERY MUCH. 726 00:51:48,139 --> 00:51:50,206 WHAT DO YOU DO, KAT? 727 00:51:50,208 --> 00:51:51,340 OH, I MODEL FOR YOUR DAUGHTER. 728 00:51:51,342 --> 00:51:53,843 -NUDES, MOSTLY. -REALLY? 729 00:51:53,845 --> 00:51:58,214 -MR. D! WHAT IS SHAKING? -ZOE, HOW ARE YOU? 730 00:51:58,216 --> 00:52:00,216 OH, MY GOD, I LOVE THE TIE. 731 00:52:00,218 --> 00:52:02,218 -IT'S VERY NORM-CORE. -THANK YOU. 732 00:52:02,220 --> 00:52:05,221 UM, I'M DOING GOOD. I'M DOING GOOD, YOU KNOW? 733 00:52:05,223 --> 00:52:07,790 -GOOD. -TAKING IT DAY BY DAY. 734 00:52:07,792 --> 00:52:09,391 HOW ARE YOU AND THE FOLKS? 735 00:52:09,393 --> 00:52:11,560 OH, YOU KNOW, THE FOLKS ARE GOOD. 736 00:52:11,562 --> 00:52:14,296 YEAH, SAME OLD, YOU KNOW? 737 00:52:26,276 --> 00:52:27,576 [KAT] WHAT'S IN THERE? 738 00:52:27,578 --> 00:52:28,644 NOTHING. 739 00:52:30,280 --> 00:52:31,780 [CANISTER TAPPING] 740 00:52:31,782 --> 00:52:34,884 [WOMEN GASPING] 741 00:52:34,886 --> 00:52:38,854 [SNIFFING] 742 00:52:38,856 --> 00:52:40,823 [WOMEN GASPING] 743 00:52:40,825 --> 00:52:45,227 [MUTED CHATTER AND LAUGHTER] 744 00:52:48,598 --> 00:52:50,766 WHEW! IT IS HOT IN HERE. 745 00:52:50,768 --> 00:52:53,602 [CHLOE SNIFFS, GRUNTS] 746 00:52:53,604 --> 00:52:55,838 [SNIFFS] OH, MY GOD. 747 00:52:57,440 --> 00:52:58,807 ALL OF THIS USED TO BE MY ROOM. 748 00:52:58,809 --> 00:53:00,843 ALL MY ARTWORK WAS UP EVERYWHERE IN HERE. 749 00:53:00,845 --> 00:53:06,448 YOU NAME IT--DOODLES, DRAWINGS, PAINTINGS. 750 00:53:06,450 --> 00:53:08,617 UM, MY MOM HUNG IT. 751 00:53:08,619 --> 00:53:10,286 SHE PUT IT ALL UP. 752 00:53:10,288 --> 00:53:13,355 I MEAN, MY DAD TURNED THIS INTO HIS FUCK DEN. 753 00:53:13,357 --> 00:53:14,790 [LAUGHS] 754 00:53:14,792 --> 00:53:16,926 -GO ON. -YEAH, I BET YOU HE HAD SEX 755 00:53:16,928 --> 00:53:18,827 RIGHT THERE WHERE YOU'RE SITTING. 756 00:53:18,829 --> 00:53:20,462 ON THIS BED? COME ON. 757 00:53:20,464 --> 00:53:22,298 -ON THIS BED RIGHT HERE? -RIGHT HERE. 758 00:53:22,300 --> 00:53:23,933 NO WAY. WHAT DO YOU THINK HE DID? 759 00:53:23,935 --> 00:53:25,935 -WITH WHAT KIND OF WOMEN? -OH, GOD, I DON'T KNOW. 760 00:53:25,937 --> 00:53:27,937 WERE THEY HUSKIES? WERE THEY WHORES? 761 00:53:27,939 --> 00:53:29,471 [GROANING] OH, MY GOD, 762 00:53:29,473 --> 00:53:32,474 THEY MUST HAVE BEEN ABSOLUTE WHORES. 763 00:53:32,476 --> 00:53:35,311 COME TO ME! MWAH! MWAH! 764 00:53:35,313 --> 00:53:37,980 -OH, MY GOD. -HEY. 765 00:53:37,982 --> 00:53:39,415 YES? 766 00:53:43,320 --> 00:53:44,653 WHAT? 767 00:53:44,655 --> 00:53:46,388 PROMISE YOU WON'T LEAVE ME. 768 00:53:48,825 --> 00:53:50,526 I WON'T. 769 00:53:52,329 --> 00:53:53,896 -BACK TO THE PARTY. -OKAY! 770 00:53:55,498 --> 00:53:57,833 SHE'S ABSOLUTELY FANTASTIC. 771 00:53:57,835 --> 00:53:59,501 WHAT MEDIUM DO YOU WORK IN? 772 00:53:59,503 --> 00:54:01,237 SHE WORKS IN ALL MEDIUMS, OF COURSE. 773 00:54:01,239 --> 00:54:02,871 SHE'S ABSOLUTELY BLOODY BRILLIANT. 774 00:54:02,873 --> 00:54:04,974 WE'RE COLLABORATING ON A PROJECT TOGETHER RIGHT NOW. 775 00:54:04,976 --> 00:54:06,508 REALLY? 776 00:54:06,510 --> 00:54:07,977 YEAH, IT'S MAINLY PHOTOGRAPHY, 777 00:54:07,979 --> 00:54:10,446 BUT--AND VIDEO, OF COURSE. 778 00:54:10,448 --> 00:54:12,348 AND I'M--I'M TRYING TO PROJECT FILM 779 00:54:12,350 --> 00:54:13,916 ONTO THREE -DIMENSIONAL CANVASES 780 00:54:13,918 --> 00:54:16,852 AND CAPTURE, OBVIOUSLY, THE PIECE IN ITSELF, 781 00:54:16,854 --> 00:54:21,523 BUT ALSO WHAT'S THE SECOND BEFORE AND AFTER EVERYTHING. 782 00:54:21,525 --> 00:54:23,792 BUT I'M JUST STILL-- STILL FIGURING IT OUT. 783 00:54:23,794 --> 00:54:27,363 I'M ONE OF THE MODELS. STRICTLY NUDES. 784 00:54:27,365 --> 00:54:30,633 EVERYONE, CAN I HAVE YOUR ATTENTION, PLEASE? 785 00:54:30,635 --> 00:54:35,704 WELCOME TO THE 14TH ANNUAL 786 00:54:35,706 --> 00:54:38,440 "WE CARE, WE CURE" GALA. 787 00:54:38,442 --> 00:54:42,878 [APPLAUSE] 788 00:54:42,880 --> 00:54:44,713 -HI. -HI. 789 00:54:44,715 --> 00:54:46,715 I'M SORRY I HAVEN'T CALLED. 790 00:54:46,717 --> 00:54:48,517 I'VE JUST BEEN REALLY BUSY AT THE GALLERY, 791 00:54:48,519 --> 00:54:50,019 BUT I WANNA HEAR HOW EVERYTHING'S COMING. 792 00:54:50,021 --> 00:54:51,487 [FATHER CONTINUES INDISTINCTLY] 793 00:54:51,489 --> 00:54:52,688 YEAH. IT'S FINE. 794 00:54:52,690 --> 00:54:53,722 EVERYTHING'S REALLY GOOD. 795 00:54:53,724 --> 00:54:54,957 DON'T WORRY ABOUT IT. 796 00:54:54,959 --> 00:54:56,592 EVERYTHING'S COMING ALONG. 797 00:54:56,594 --> 00:54:58,360 I CAN'T WAIT TO SHOW YOU. IT'S GONNA BE GREAT. 798 00:54:58,362 --> 00:55:00,396 -IT SHOULD BE DONE SOON. -OKAY, GOOD. 799 00:55:00,398 --> 00:55:01,997 JUST LET ME KNOW WHEN YOU'RE READY. 800 00:55:01,999 --> 00:55:03,565 YEAH, OKAY. LET'S LISTEN. 801 00:55:03,567 --> 00:55:05,367 [FATHER] IT WASN'T LONG AFTER WE WERE MARRIED 802 00:55:05,369 --> 00:55:09,738 THE TELL-TALE SIGNS BEGAN TO APPEAR-- 803 00:55:09,740 --> 00:55:12,875 THE DEPRESSION, 804 00:55:12,877 --> 00:55:16,045 THE DEMENTIA, 805 00:55:16,047 --> 00:55:18,414 AND PROBABLY THE WORST FOR GABRIELA, 806 00:55:18,416 --> 00:55:21,350 LOSS OF COORDINATION. 807 00:55:21,352 --> 00:55:22,751 AS MANY OF YOU KNOW, 808 00:55:22,753 --> 00:55:25,487 SHE WAS A VERY, VERY STRONG WOMAN, 809 00:55:25,489 --> 00:55:26,488 AND SHE FOUGHT. 810 00:55:26,490 --> 00:55:27,823 WHERE HAVE YOU BEEN HIDING? 811 00:55:27,825 --> 00:55:29,425 I'VE BEEN LOOKING EVERYWHERE FOR YOU. 812 00:55:29,427 --> 00:55:30,926 I WAS IN THE BATHROOM. 813 00:55:30,928 --> 00:55:32,761 WELL, I'M REALLY GLAD THAT YOU'RE HERE. 814 00:55:32,763 --> 00:55:34,596 I DIDN'T EVEN KNOW IF YOU YOU GOT OUT OF REHAB. 815 00:55:34,598 --> 00:55:36,598 YOUR DAD'S BEEN SUPER WEIRD ABOUT THE WHOLE THING. 816 00:55:36,600 --> 00:55:38,634 I'M FINE. I'M FINE. I'VE JUST BEEN WORKING A LOT. 817 00:55:38,636 --> 00:55:40,069 YEAH, AND GETTING SOME ACTION CLEARLY. 818 00:55:40,071 --> 00:55:41,904 YES. 819 00:55:41,906 --> 00:55:45,708 AND WITH THAT IN MIND, 820 00:55:45,710 --> 00:55:47,776 I WOULD LIKE TO INTRODUCE TO YOU 821 00:55:47,778 --> 00:55:50,746 ANOTHER VERY SPECIAL PERSON, 822 00:55:50,748 --> 00:55:52,781 WHO HAS INSPIRED NOT ONLY ME, 823 00:55:52,783 --> 00:55:55,818 BUT ALL THOSE WHO HAVE EVER HEARD HER STORY-- 824 00:55:55,820 --> 00:55:59,688 -JACKIE SORKA. -[APPLAUSE] 825 00:56:04,461 --> 00:56:05,794 [JACKIE] THANK YOU ALL VERY MUCH. 826 00:56:05,796 --> 00:56:07,096 I'M SO HONORED TO BE HERE. 827 00:56:07,098 --> 00:56:09,465 [SIGHS] 828 00:56:09,467 --> 00:56:11,467 EIGHT MONTHS AGO, 829 00:56:11,469 --> 00:56:13,902 I DECIDED TO EMBARK ON AN INEVITABLE JOURNEY 830 00:56:13,904 --> 00:56:15,771 THAT THREATENED TO CHANGE THE COURSE OF MY LIFE. 831 00:56:15,773 --> 00:56:17,673 MY BROTHER AND I WATCHED HUNTINGTON'S DISEASE 832 00:56:17,675 --> 00:56:21,810 TAKE OUR FATHER'S LIFE 833 00:56:21,812 --> 00:56:26,815 WITH A 50% CHANCE OF HAVING THE H.T. GENE, 834 00:56:26,817 --> 00:56:29,651 I CHOSE NOT TO GET TESTED AS A CHILD. 835 00:56:29,653 --> 00:56:34,490 BUT AS MY HEART GREW HARDER AND HARDER TO INVEST, 836 00:56:34,492 --> 00:56:35,591 I MADE THE HARD CHOICE. 837 00:56:35,593 --> 00:56:37,826 I PICKED UP THE PHONE. 838 00:56:37,828 --> 00:56:39,561 I CALLED MY DOCTOR. 839 00:56:41,664 --> 00:56:44,833 I CALLED MY FAMILY 840 00:56:44,835 --> 00:56:46,168 AND MY LOVED ONES. 841 00:56:46,170 --> 00:56:50,005 WE WERE PREPARED FOR ANYTHING AND EVERYTHING 842 00:56:50,007 --> 00:56:53,709 EXCEPT BEING THROWN OFF-COURSE BY A POSITIVE RESULT. 843 00:56:53,711 --> 00:56:56,145 I MEAN, S.A.T.'S AND WEDDINGS AND CHILDREN-- 844 00:56:56,147 --> 00:57:00,449 I HAD PLANNED FOR SO MUCH LIFE. 845 00:57:02,552 --> 00:57:07,156 I MEAN, EVERY DAY BRINGS NEW CHALLENGES, 846 00:57:07,158 --> 00:57:11,527 BUT I AM DETERMINED TO PACK IN FIFTY YEARS OF LIFE 847 00:57:11,529 --> 00:57:15,063 IF ALL I HAVE IS TEN LEFT. 848 00:57:25,175 --> 00:57:26,909 [SNIFFLING] 849 00:57:32,715 --> 00:57:34,783 [SNIFFLING] 850 00:57:47,730 --> 00:57:49,531 [CHATTERING] 851 00:57:51,568 --> 00:57:55,838 HEY. I THOUGHT YOU SAID YOU WEREN'T GONNA LEAVE ME. 852 00:57:55,840 --> 00:57:58,574 WHAT ARE YOU TALKING ABOUT? I WAS RIGHT THERE. 853 00:57:58,576 --> 00:58:00,509 -HERE IT IS. -THANK YOU. 854 00:58:00,511 --> 00:58:01,777 GIVE ME A CALL SOMETIME. 855 00:58:01,779 --> 00:58:04,913 WHERE'S YOUR WIFE? YOU DITCH HER? 856 00:58:04,915 --> 00:58:07,216 -EXCUSE ME? -YOUR WIFE. 857 00:58:07,218 --> 00:58:09,084 -I'M NOT-- -WHAT'S GOING ON? 858 00:58:09,086 --> 00:58:10,786 I DON'T KNOW, UH-- 859 00:58:10,788 --> 00:58:12,721 WHAT ARE YOU TWO DOING OUT HERE? 860 00:58:12,723 --> 00:58:14,923 I--I--SORRY. 861 00:58:14,925 --> 00:58:16,158 I THINK YOU SHOULD COME 862 00:58:16,160 --> 00:58:17,259 AND GET SOME FRESH AIR MAYBE? 863 00:58:17,261 --> 00:58:18,961 YOU'RE A LITTLE WORKED UP. 864 00:58:18,963 --> 00:58:20,996 ME? I'M NOT THE ONE TRYING TO FUCK RANDOM GUYS. 865 00:58:22,232 --> 00:58:24,967 MAYBE I SHOULD, UM... 866 00:58:24,969 --> 00:58:27,669 -IT WAS NICE MEETING YOU. -THAT IT WAS. 867 00:58:29,239 --> 00:58:32,241 WHAT ARE YOU TALKING ABOUT? 868 00:58:32,243 --> 00:58:35,244 I THOUGHT YOU SAID YOU WEREN'T GONNA LEAVE ME. 869 00:58:35,246 --> 00:58:39,615 I DIDN'T. I WAS RIGHT THERE. 870 00:58:39,617 --> 00:58:41,183 CHLOE! 871 00:58:48,124 --> 00:58:49,958 CHLOE! 872 00:58:49,960 --> 00:58:51,260 I DIDN'T LEAVE YOU. 873 00:58:51,262 --> 00:58:53,028 YOU WERE THE ONE WHO DISAPPEARED. 874 00:58:53,030 --> 00:58:55,631 OH, COME ON, JUST ADMIT IT. YOU WERE WORKING. 875 00:58:55,633 --> 00:58:57,633 I WAS TALKING TO PEOPLE! 876 00:58:57,635 --> 00:59:00,035 JUST ADMIT IT. YOU WERE WORKING. 877 00:59:00,037 --> 00:59:01,637 NO, I SWEAR! THAT IS NOT WHAT HAPPENED! 878 00:59:01,639 --> 00:59:02,804 I WASN'T TRYING TO FUCK THE GUY. 879 00:59:02,806 --> 00:59:04,139 HE JUST WANTED A CIGARETTE. 880 00:59:04,141 --> 00:59:07,276 COME ON. 881 00:59:07,278 --> 00:59:08,977 GET YOUR FUCKING HANDS OFF ME. 882 00:59:08,979 --> 00:59:10,646 CHLOE, CHLOE, LET ME TALK TO YOU 883 00:59:10,648 --> 00:59:12,281 FOR JUST A MINUTE, PLEASE! 884 00:59:12,283 --> 00:59:14,716 IT'S FINE, I'LL GET HER. 885 00:59:31,868 --> 00:59:33,902 [SNIFFS] 886 00:59:40,209 --> 00:59:42,844 OH, MY GOD. YOU DON'T--YOU DON'T CARE ABOUT ANYONE. 887 00:59:42,846 --> 00:59:45,180 YOU DON'T FUCKING CARE ABOUT YOURSELF. 888 00:59:45,182 --> 00:59:47,215 [KAT] IS THAT WHAT THAT LITTLE FIT WAS ABOUT IN THERE? 889 00:59:47,217 --> 00:59:49,618 I MEAN, WHAT THE FUCK WAS THAT? 890 00:59:55,191 --> 00:59:58,026 YOU KNOW, I'VE NEVER BEEN IN LOVE. 891 00:59:58,028 --> 00:59:59,695 [KAT] DON'T SAY IT. 892 00:59:59,697 --> 01:00:01,263 WHY? 893 01:00:01,265 --> 01:00:04,866 BECAUSE THIS ISN'T IT. 894 01:00:04,868 --> 01:00:07,936 WELL, I WANTED TO SAY IT BEFORE YOU GO. 895 01:00:09,205 --> 01:00:11,273 I'M GOING? 896 01:00:14,344 --> 01:00:15,877 WHERE AM I GOING? 897 01:00:15,879 --> 01:00:17,779 YOU JUST GOTTA GO. 898 01:00:25,288 --> 01:00:27,889 -TAKE OFF YOUR DRESS. -WHAT? 899 01:00:27,891 --> 01:00:31,059 -TAKE OFF YOUR DRESS. -WHY? 900 01:00:31,061 --> 01:00:33,662 BECAUSE I WANT TO DO ONE LAST INTERVIEW WITH YOU BEFORE YOU LEAVE. 901 01:00:33,664 --> 01:00:36,264 -OH, I'M LEAVING TONIGHT? -YES. 902 01:00:36,266 --> 01:00:39,735 -THEN I'M LEAVING NOW. -NO, YOU'RE NOT. 903 01:00:39,737 --> 01:00:43,305 TAKE THIS. HERE. IT'S EVERYTHING AND A LITTLE EXTRA. 904 01:00:47,744 --> 01:00:49,144 TAKE OFF YOUR CLOTHES. 905 01:00:51,214 --> 01:00:53,248 DON'T SIT. YOU ALWAYS SIT. 906 01:00:53,250 --> 01:00:54,983 HERE, STAND. 907 01:00:59,922 --> 01:01:01,823 THERE WE GO. 908 01:01:05,161 --> 01:01:07,763 WAIT, STOP. 909 01:01:07,765 --> 01:01:09,665 I WANT THE TRUTH FROM YOU. 910 01:01:11,300 --> 01:01:15,237 YOU HAVE A KID, AM I RIGHT? 911 01:01:15,239 --> 01:01:17,406 HAD. I HAD A KID. 912 01:01:17,408 --> 01:01:19,841 YEAH? WHAT HAPPENED? 913 01:01:19,843 --> 01:01:23,278 I GAVE IT AWAY. 914 01:01:23,280 --> 01:01:24,379 [CHLOE] YOU GAVE IT AWAY. 915 01:01:24,381 --> 01:01:26,882 WAS IT A HE OR A SHE OR-- 916 01:01:26,884 --> 01:01:28,417 IT. 917 01:01:28,419 --> 01:01:30,118 IT GREW INSIDE OF ME, I HAD IT, 918 01:01:30,120 --> 01:01:31,286 I GAVE IT AWAY. 919 01:01:31,288 --> 01:01:32,854 DID YOU EVER TRY TO FIND-- 920 01:01:32,856 --> 01:01:37,092 NO, AND THAT'S THE END OF THAT STORY. 921 01:01:37,094 --> 01:01:41,163 -HOW COULD YOU JUST-- -EASILY. 922 01:01:41,165 --> 01:01:44,933 I DIDN'T KNOW OR CARE IF I WAS PREGNANT UNTIL IT WAS TOO LATE. 923 01:01:44,935 --> 01:01:48,970 -HOW COULD YOU JUST-- -WHAT? WHAT? 924 01:01:48,972 --> 01:01:50,305 YOU DON'T UNDERSTAND 925 01:01:50,307 --> 01:01:52,374 HOW A MOTHER COULD JUST GIVE AWAY HER CHILD 926 01:01:52,376 --> 01:01:54,843 AND NEVER THINK ABOUT IT AGAIN? 927 01:01:54,845 --> 01:01:57,145 I'M NOBODY'S MOTHER. 928 01:01:57,147 --> 01:01:59,147 I'M JUST A WOMAN WHO GAVE UP 929 01:01:59,149 --> 01:02:02,117 ON HER LITTLE GIRL. 930 01:02:02,119 --> 01:02:05,420 SO, IT WAS A GIRL? 931 01:02:05,422 --> 01:02:08,156 SURE. DO YOU KNOW WHAT? 932 01:02:08,158 --> 01:02:10,926 ARE YOU DONE WORKING OUT YOUR MOMMY ISSUES? 933 01:02:10,928 --> 01:02:12,160 THIS HAS NOTHING TO DO WITH ME. 934 01:02:12,162 --> 01:02:14,096 -OH, IT ISN'T? -UNH-UNH. 935 01:02:14,098 --> 01:02:15,831 YOU TAKE ME TO YOUR MOTHER'S CHARITY EVENT. 936 01:02:15,833 --> 01:02:17,999 YOU GO BATSHIT CRAZY WHEN I START TO FLIRT. 937 01:02:18,001 --> 01:02:21,336 YOU COME HOME HERE AND YOU JUST GRILL ME ABOUT MY SCAR. 938 01:02:21,338 --> 01:02:24,339 DO YOU WANT A WHORE OR A THERAPIST? 939 01:02:27,043 --> 01:02:29,111 OH, MAYBE YOU WANT ANOTHER MOTHER. 940 01:02:32,115 --> 01:02:35,016 STOP IT. 941 01:02:35,018 --> 01:02:36,351 YOU COULD NEVER BE MY MOTHER 942 01:02:36,353 --> 01:02:38,086 BECAUSE MY MOTHER WAS LOVING. 943 01:02:38,088 --> 01:02:39,921 -BLAH, BLAH, BLAH. -GET THE FUCK OUT. 944 01:02:39,923 --> 01:02:41,356 GET OUT, GET OUT, GET OUT. 945 01:02:41,358 --> 01:02:42,524 I DON'T GIVE A SHIT. NOW! 946 01:02:42,526 --> 01:02:44,860 [KAT] I'M LEAVING ANYWAY. 947 01:02:44,862 --> 01:02:47,763 HOW LONG CAN YOU KEEP A WHORE AROUND, HUH? 948 01:03:46,923 --> 01:03:50,091 WHAT YOU THINK FOR DINNER? MAYBE BARBEQUE? 949 01:03:50,093 --> 01:03:51,459 OH, WHERE THE FUCK HAVE YOU BEEN? 950 01:03:51,461 --> 01:03:54,429 -WORKING. -REALLY? THAT'S GOOD. 951 01:03:54,431 --> 01:03:57,265 I HOPE THIS IS IT, BECAUSE MR. ROMA IS ALL OVER MY ASS NOW. 952 01:03:57,267 --> 01:04:00,068 YEAH, IT'S NOT ENOUGH, BUT I'M GONNA GIVE TO YOU IN TWO, THREE DAYS. 953 01:04:00,070 --> 01:04:02,904 HOW'S THAT SUPPOSED TO HAPPEN? 954 01:04:02,906 --> 01:04:04,272 I DON'T FUCKING KNOW. 955 01:04:04,274 --> 01:04:07,275 THIS IS YOUR JOB. I NEED CLIENTS. 956 01:04:07,277 --> 01:04:08,577 YOU SHOULD PROBABLY KEEP THIS 957 01:04:08,579 --> 01:04:10,212 BECAUSE THERE'S NOTHING OUT THERE. 958 01:04:10,214 --> 01:04:13,582 NOTHING OUT THERE, OR NOTHING OUT THERE FOR ME? 959 01:04:13,584 --> 01:04:16,952 TAKE YOUR PICK. 960 01:04:16,954 --> 01:04:20,088 I GOT GIRLS TURNING 20 THAT ARE IN FOR A SURPRISE. 961 01:04:22,091 --> 01:04:25,126 TWENTY. IT'S DRY. 962 01:04:28,965 --> 01:04:30,465 I'LL DO ANYTHING. 963 01:04:30,467 --> 01:04:32,601 I'LL DO PARTIES. 964 01:04:32,603 --> 01:04:34,202 I'LL EVEN DO GROUPS. 965 01:04:34,204 --> 01:04:35,203 ANYTHING. 966 01:04:35,205 --> 01:04:37,372 ANYTHING? 967 01:04:39,475 --> 01:04:43,445 WELL, THERE'S SOMETHING, BUT IT IS NOT GOOD. 968 01:04:46,482 --> 01:04:49,985 -YOU HEAR ME? -ANYTHING. 969 01:04:49,987 --> 01:04:51,319 -NOT GOOD. -I'LL DO ANYTHING. 970 01:04:51,321 --> 01:04:52,888 IT PAYS WELL, BUT IT'S NOT GOOD. 971 01:04:54,156 --> 01:04:56,324 THAT'S OKAY. 972 01:04:56,326 --> 01:04:58,159 ANYTHING. I CAN DO IT. 973 01:04:58,161 --> 01:05:00,095 ALL RIGHT. I'LL CALL YOU. 974 01:05:06,502 --> 01:05:11,239 -ARE YOU OKAY? -YEAH, I'M FINE. 975 01:05:11,241 --> 01:05:16,111 CHLOE, I THINK IT'S IMPORTANT FOR YOU TO KNOW 976 01:05:16,113 --> 01:05:17,946 THAT I NEVER DID ANYTHING TO MOM 977 01:05:17,948 --> 01:05:21,416 THAT SHE DIDN'T ASK ME TO DO. 978 01:05:25,354 --> 01:05:29,257 YOUR MOM DIDN'T WANT TO SUFFER, SO SHE... 979 01:05:34,530 --> 01:05:37,165 CHLOE, YOU NEED HELP. 980 01:05:37,167 --> 01:05:39,267 THAT'S WHY WE'RE HERE, 981 01:05:39,269 --> 01:05:43,271 MR. KENNER AND I WOULD LIKE TO DISCUSS YOUR OPTIONS. 982 01:05:44,674 --> 01:05:47,676 YOU KNOW? 983 01:05:47,678 --> 01:05:50,679 CHLOE, MOM HAD HUNTINGTON'S FOR MANY YEARS. 984 01:06:01,223 --> 01:06:03,558 I LOVE YOU. 985 01:06:03,560 --> 01:06:06,628 [KNOCK ON DOOR] 986 01:06:11,067 --> 01:06:12,467 YOU PETE? 987 01:06:12,469 --> 01:06:15,971 YOU CAN PUT YOUR SHIT OVER THERE. 988 01:06:34,090 --> 01:06:38,994 HEY, UM, COULD YOU HELP ME WITH SOMETHING? 989 01:06:38,996 --> 01:06:41,596 -SURE, ANYTHING. -I NEED TO FIND SOMEONE. 990 01:06:41,598 --> 01:06:43,231 OKAY. 991 01:07:28,110 --> 01:07:30,478 [PETE] SO, ARE YOU GONNA SHARE ANY OF THAT WITH ME? 992 01:07:30,480 --> 01:07:33,815 YOU'RE GOOD. SO THIS IS IT? 993 01:07:33,817 --> 01:07:35,550 -YEAH. -JUST IN FRONT OF THIS? 994 01:07:35,552 --> 01:07:38,186 -YEAH. THAT'S IT. -LET'S DO IT. 995 01:07:38,188 --> 01:07:40,121 OKAY, SO RENT HERE IS NOT FREE, OKAY? 996 01:07:40,123 --> 01:07:41,656 [KAT] GOT IT. 997 01:07:41,658 --> 01:07:43,658 [PETE] THERE'S A LOT OF WORK IF YOU NEED IT. 998 01:07:43,660 --> 01:07:45,727 -LET'S JUST DO IT. -YEAH, LET'S SEE WHAT YOU GOT. 999 01:07:47,329 --> 01:07:48,663 WHOA, WHAT ARE YOU-- 1000 01:07:48,665 --> 01:07:50,632 STOP, STOP, STOP. WHOA, STOP. 1001 01:07:50,634 --> 01:07:54,369 IS THIS YOUR FIRST TIME? SLOWLY, BABE, OKAY? 1002 01:07:54,371 --> 01:07:57,272 SLOWLY. I GOTTA SELL THIS SHIT TO PEOPLE. 1003 01:07:57,274 --> 01:07:59,274 TRY AGAIN. 1004 01:07:59,276 --> 01:08:02,343 ALL RIGHT, MAKE IT LOOK LIKE YOU'RE INTO IT. 1005 01:08:02,345 --> 01:08:03,812 LOOK LIKE YOU LIKE IT. 1006 01:08:07,683 --> 01:08:09,684 OKAY, YOU GOTTA-- YOU GOTTA BE HAP-- 1007 01:08:09,686 --> 01:08:12,520 YOU LOOK LIKE YOU'RE ABOUT TO FUCKING CRY. 1008 01:08:12,522 --> 01:08:14,289 TRY AND BE HAPPY. 1009 01:08:22,364 --> 01:08:24,532 [CHLOE] I'M GONNA ASK YOU A FEW QUESTIONS, OKAY? 1010 01:08:24,534 --> 01:08:25,767 [GIRL] OKAY. 1011 01:08:28,370 --> 01:08:30,772 -WHAT'S YOUR NAME? -AMY. 1012 01:08:32,374 --> 01:08:35,543 HMM. YOUR MOMMY SAID WE COULD TALK. 1013 01:08:35,545 --> 01:08:39,447 SHE'S NOT MY REAL MOMMY. 1014 01:08:44,220 --> 01:08:45,687 [CHLOE] YOU WANNA STOP DOING THIS? 1015 01:08:45,689 --> 01:08:47,388 [WOMAN] YOU NEED ANOTHER DAMN QUESTION. 1016 01:08:47,390 --> 01:08:49,390 [CHLOE] DO YOU WANNA STOP DOING THIS? 1017 01:08:49,392 --> 01:08:50,792 [SIGHS] 1018 01:08:53,229 --> 01:08:54,729 NO. 1019 01:08:54,731 --> 01:08:56,731 [CHLOE] YOU EVER THINK THAT YOU WILL? 1020 01:08:56,733 --> 01:09:00,735 SURE, YOU KNOW, IN A YEAR OR TWO. 1021 01:09:00,737 --> 01:09:03,404 -SURE. -OH, NO, NO, NO. 1022 01:09:03,406 --> 01:09:06,574 NO, I'M PLANNING ON DOING THIS MAYBE ONE MORE YEAR, 1023 01:09:06,576 --> 01:09:07,909 TWO AT THE MOST. 1024 01:09:07,911 --> 01:09:12,180 UH, YEAH, ONE, MAYBE TWO YEARS TOPS. 1025 01:09:19,755 --> 01:09:21,456 [KNOCKING ON DOOR] 1026 01:09:21,458 --> 01:09:23,491 ARE YOU IN THERE? 1027 01:09:25,427 --> 01:09:27,162 CHLOE? 1028 01:09:31,700 --> 01:09:33,635 OH. 1029 01:09:33,637 --> 01:09:36,437 HELLO, IS CHLOE AROUND? 1030 01:09:36,439 --> 01:09:39,207 NO, SORRY. SHE'S IN AN APPOINTMENT. 1031 01:09:39,209 --> 01:09:40,642 OKAY. 1032 01:09:40,644 --> 01:09:43,678 WELL, DO YOU KNOW WHEN SHE'S GONNA BE HOME? 1033 01:09:43,680 --> 01:09:46,314 I DON'T. SORRY. 1034 01:09:48,784 --> 01:09:51,920 -ARE YOU OKAY? -YEAH, I'M FINE. 1035 01:09:51,922 --> 01:09:54,289 LOOK, CAN I JUST COME IN AND GET MY STUFF? 1036 01:09:54,291 --> 01:09:57,292 I DON'T THINK THAT'S REALLY A GOOD IDEA. 1037 01:09:57,294 --> 01:09:59,527 FUCK. 1038 01:09:59,529 --> 01:10:02,363 -ARE YOU OKAY, THOUGH? -YEAH. 1039 01:10:03,299 --> 01:10:05,366 I'LL SWING BY LATER. 1040 01:10:07,970 --> 01:10:09,871 YOU KNOW SHE'S SICK. 1041 01:10:13,475 --> 01:10:15,510 CHLOE'S GONNA LOSE HER INDEPENDENCE 1042 01:10:15,512 --> 01:10:19,814 AND SHE NEEDS PEOPLE WHO CAN TAKE CARE OF HER. 1043 01:10:19,816 --> 01:10:22,217 DO YOU HONESTLY THINK YOU CAN DO THAT? 1044 01:10:40,669 --> 01:10:42,403 [CHLOE] DO YOU LIKE WHAT YOU DO? 1045 01:10:42,405 --> 01:10:45,340 [KAT] I LIKE BEING GOOD AT WHAT I DO. 1046 01:10:45,342 --> 01:10:48,343 WHEN I'M WITH A CLIENT, I'M EXACTLY WHAT THEY WANT. 1047 01:10:48,345 --> 01:10:49,978 NOT WHAT THEY SAY THEY WANT, 1048 01:10:49,980 --> 01:10:51,980 NOT WHAT THEY THINK THEY WANT, 1049 01:10:51,982 --> 01:10:55,350 I'M WHAT THEY DON'T KNOW THEY WANT. 1050 01:10:57,686 --> 01:11:00,922 [CHLOE] WHAT DO I WANT? 1051 01:11:00,924 --> 01:11:02,523 [KAT] YOU WANT SOMEONE TO COME IN HERE 1052 01:11:02,525 --> 01:11:04,993 AND SHIT ALL OVER YOUR WORLD, 1053 01:11:04,995 --> 01:11:08,796 MAKE YOU DO THINGS YOU REALLY WANT TO DO, BUT CAN'T. 1054 01:11:08,798 --> 01:11:11,966 YOU SAID YOU WANTED BRUTAL HONESTY BECAUSE YOU 1055 01:11:11,968 --> 01:11:13,935 ARE LOOKING FOR SOMEONE TO COME IN HERE 1056 01:11:13,937 --> 01:11:15,837 AND TELL YOU THINGS YOU DON'T WANT TO HEAR. 1057 01:11:17,873 --> 01:11:20,742 SHIT. 1058 01:11:20,744 --> 01:11:22,844 WHAT'RE YOU DOING HERE? 1059 01:11:22,846 --> 01:11:24,479 I WAS REALLY WORRIED ABOUT YOU. 1060 01:11:27,716 --> 01:11:29,717 SORRY, I JUST USED MY KEY TO GET IN. 1061 01:11:29,719 --> 01:11:31,886 YOU DIDN'T GET BACK TO ME. I DIDN'T HEAR FROM YOU. 1062 01:11:31,888 --> 01:11:33,755 IT'S COOL. 1063 01:11:33,757 --> 01:11:35,923 UM, DID YOU, UH, TOUCH ANYTHING? 1064 01:11:35,925 --> 01:11:37,458 NO. 1065 01:11:37,460 --> 01:11:38,993 'CAUSE I HAD EVERYTHING SET UP ON THIS TABLE 1066 01:11:38,995 --> 01:11:40,428 -THAT WAS REALLY FOR-- -NO. 1067 01:11:40,430 --> 01:11:42,563 THERE WERE THESE POLAROIDS-- 1068 01:11:42,565 --> 01:11:45,566 LOOK, CHLOE, EVERYONE'S REALLY WORRIED ABOUT YOU, OKAY? 1069 01:11:45,568 --> 01:11:48,569 AND, UM, YOUR GIRLFRIEND STOPPED BY. 1070 01:11:48,571 --> 01:11:50,738 MY--KAT STOPPED BY? 1071 01:11:50,740 --> 01:11:52,473 YEAH. 1072 01:11:52,475 --> 01:11:54,976 WHEN DID KAT COME BY? 1073 01:11:54,978 --> 01:11:57,845 I DON'T KNOW. 20, 30 MINUTES AGO. 1074 01:11:57,847 --> 01:12:00,381 -LOOK, ARE YOU OKAY? -FUCK. 1075 01:12:06,055 --> 01:12:07,955 LOOK, YOU GOTTA TALK TO ME, OKAY? 1076 01:12:07,957 --> 01:12:09,791 -YEAH. -YEAH? 1077 01:12:09,793 --> 01:12:11,592 -WHAT'S GOING ON? -[SIGHS] I'M JUST HOT. 1078 01:12:11,594 --> 01:12:12,894 YEAH, YOU'RE HOT? 1079 01:12:12,896 --> 01:12:14,529 OKAY, I'M GONNA GET YOU A GLASS OF WATER, 1080 01:12:14,531 --> 01:12:16,998 AND, UM, I'M GONNA CALL YOUR DAD, ALL RIGHT? 1081 01:12:17,000 --> 01:12:18,533 DON'T CALL MY DAD. DON'T CALL MY DAD. 1082 01:12:18,535 --> 01:12:20,768 -DON'T CALL MY DAD. -CHLOE? 1083 01:12:23,772 --> 01:12:25,440 WHAT DO YOU WANT? YOU GOTTA TALK TO ME. 1084 01:12:25,442 --> 01:12:26,941 CAN YOU HELP ME? 1085 01:12:26,943 --> 01:12:29,377 CAN YOU HELP ME WITH SOMETHING? COME HERE. 1086 01:12:29,379 --> 01:12:31,713 -OOH. OKAY. -IT'S OKAY. 1087 01:12:31,715 --> 01:12:32,814 -IT'S OKAY. -MY HANDS. 1088 01:12:32,816 --> 01:12:34,682 YEAH, I KNOW. I KNOW. I KNOW. 1089 01:12:34,684 --> 01:12:36,884 DO YOU WANT ME TO HELP YOU? YOU WANT TO TELL ME WHAT TO DO? 1090 01:12:36,886 --> 01:12:38,453 -MM-HMM. -OKAY. 1091 01:12:38,455 --> 01:12:39,887 I'D LIKE IF YOU CAN JUST PULL UP THIS FILE 1092 01:12:39,889 --> 01:12:41,122 WITH THE ONE WHERE SHE'S SITTING 1093 01:12:41,124 --> 01:12:44,092 IN THE BATHROOM, UM... 1094 01:12:44,094 --> 01:12:45,526 THE ONE THAT'S A LITTLE BIT CLOSER 1095 01:12:45,528 --> 01:12:46,527 AND ON HER FACE. 1096 01:12:46,529 --> 01:12:48,496 OKAY. THIS IS THE ONE 1097 01:12:48,498 --> 01:12:49,564 I'M GOING TO SETUP, OKAY? 1098 01:12:59,641 --> 01:13:01,743 [PETE] HEY, ARE YOU READY YET? HE'S HERE. 1099 01:13:01,745 --> 01:13:03,478 COME ON, HURRY UP. 1100 01:13:03,480 --> 01:13:06,147 [DOOR OPENS, CLOSES] 1101 01:13:08,584 --> 01:13:11,886 ISN'T HE THE GUY FROM THE CHAT ROOM? 1102 01:13:11,888 --> 01:13:13,955 HOW THE HELL SHOULD I KNOW? 1103 01:13:13,957 --> 01:13:15,623 COME ON. [SNAPS FINGERS] 1104 01:13:17,659 --> 01:13:20,661 [CHLOE] WHAT'S THE WORST THING ABOUT YOUR WORK? 1105 01:13:20,663 --> 01:13:22,797 BEATINGS, 1106 01:13:22,799 --> 01:13:24,999 NOT GETTING PAID, 1107 01:13:25,001 --> 01:13:26,868 GETTIN' HARASSED BY PIGS AND ARRESTED. 1108 01:13:26,870 --> 01:13:29,070 I--WHAT DO YOU THINK? 1109 01:13:29,072 --> 01:13:32,440 BEING TREATED LIKE A HUMAN TOILET. 1110 01:13:32,442 --> 01:13:35,076 -THAT I CAN'T GO BACK. -[CHLOE] BACK WHERE? 1111 01:13:39,515 --> 01:13:40,915 BACK HOME. 1112 01:13:42,518 --> 01:13:45,686 [KEYBOARD CLICKING] 1113 01:13:45,688 --> 01:13:48,456 [VOICE MUMBLES] 1114 01:13:51,160 --> 01:13:53,995 COME HERE. 1115 01:13:53,997 --> 01:13:56,931 NO INCALL. 1116 01:13:56,933 --> 01:13:59,934 ALWAYS MEET AT A HOTEL OR THE CLIENT'S PLACE. 1117 01:13:59,936 --> 01:14:01,736 NEVER LET THEM KNOW WHERE YOU LIVE. 1118 01:14:01,738 --> 01:14:03,204 [GRUNTING] 1119 01:14:04,873 --> 01:14:08,543 DON'T DO DRUGS WITH CLIENTS. GOTTA STAY IN CONTROL. 1120 01:14:12,714 --> 01:14:14,715 [TELEPHONE RINGING] 1121 01:14:14,717 --> 01:14:17,752 [MOANING] 1122 01:14:17,754 --> 01:14:19,086 YOU GOTTA STAY IN CONTROL. 1123 01:14:19,088 --> 01:14:21,222 NEVER LET THEM KNOW WHERE YOU LIVE. 1124 01:14:25,494 --> 01:14:27,628 YOU'VE GOT TO STAY IN CONTROL. 1125 01:14:27,630 --> 01:14:32,233 THEY'RE NEVER MY RULES. THEY'RE THE RULES TO KEEP YOU SAFE. 1126 01:14:32,235 --> 01:14:34,502 [CHLOE] WHAT KIND OF RULES? 1127 01:14:34,504 --> 01:14:37,171 UM, NO INCALLS 1128 01:14:37,173 --> 01:14:39,974 ALWAYS MEET AT A HOTEL OR AT THE CLIENT'S PLACE. 1129 01:14:39,976 --> 01:14:42,143 NEVER LET THEM KNOW WHERE YOU LIVE. 1130 01:14:42,145 --> 01:14:45,613 DON'T DO DRUGS WITH CLIENTS, GOTTA STAY IN CONTROL. 1131 01:14:45,615 --> 01:14:47,748 [PETE] YOU WANNA GET THE FUCK OUTTA HERE TOMORROW NIGHT? 1132 01:14:47,750 --> 01:14:49,083 GET A DRINK OR SOMETHING? 1133 01:14:49,085 --> 01:14:52,019 [SIGHS] OKAY. 1134 01:15:10,873 --> 01:15:14,242 [CHLOE] HI, I'D LIKE TO MAKE AN APPOINTMENT. 1135 01:15:14,244 --> 01:15:16,677 UH, IS SHE AVAILABLE TONIGHT? 1136 01:15:17,846 --> 01:15:20,147 UGH, UH, R-RIGHT NOW? 1137 01:15:21,917 --> 01:15:24,018 OKAY. UM, I'LL TEXT YOU MY ADDRESS. 1138 01:15:25,287 --> 01:15:28,189 [KAT] SO, WHERE ARE WE GOING TONIGHT? 1139 01:15:32,094 --> 01:15:34,228 [STAMMERING] SORRY. I--I, UM, 1140 01:15:34,230 --> 01:15:35,763 I JUST GOT A CALL. 1141 01:15:35,765 --> 01:15:37,632 YOU'RE WORKING TONIGHT. 1142 01:15:37,634 --> 01:15:40,568 HE'S COMING OVER NOW. SO GET READY. 1143 01:16:11,833 --> 01:16:13,868 [KNOCKING ON DOOR] 1144 01:16:19,675 --> 01:16:21,676 WELL, COME ON, JOIN US. DON'T BE SCARED. 1145 01:16:24,313 --> 01:16:26,814 COME IN. 1146 01:16:26,816 --> 01:16:29,750 WHAT ARE WE DOING HERE? 1147 01:16:29,752 --> 01:16:33,154 FILMING HOUSE EXTRA. 1148 01:16:33,156 --> 01:16:35,590 I KNOW. SIT. 1149 01:16:43,732 --> 01:16:46,867 WHERE'S THE BLOW? 1150 01:16:46,869 --> 01:16:48,603 YOU COMPLAINING RIGHT NOW? 1151 01:16:49,805 --> 01:16:51,839 SO, UH, 1152 01:16:51,841 --> 01:16:54,809 HOW'D YOU GET STARTED? 1153 01:16:54,811 --> 01:16:56,978 I WAS STRIPPING AT BACHELOR PARTIES, 1154 01:16:56,980 --> 01:17:00,681 AND, UH, SWITCHED OVER. 1155 01:17:00,683 --> 01:17:03,184 REMEMBER YOUR FIRST TIME? 1156 01:17:03,186 --> 01:17:04,885 [SCOFFS] 1157 01:17:04,887 --> 01:17:07,021 NO, NOT REALLY. 1158 01:17:08,757 --> 01:17:11,158 [WHISPERING] 1159 01:17:14,363 --> 01:17:16,631 EVERYTHING ALL RIGHT? 1160 01:17:18,200 --> 01:17:22,069 WHAT'S THE WORST THING THAT'S EVER HAPPENED TO YOU? 1161 01:17:22,071 --> 01:17:25,139 NOTHING BAD HAS EVER HAPPENED TO ME. 1162 01:17:26,375 --> 01:17:29,243 NOT YET. 1163 01:17:29,245 --> 01:17:31,846 YOU EVER FALL IN LOVE WITH A CLIENT? 1164 01:17:35,917 --> 01:17:38,285 NO, THAT'S NOT ME. 1165 01:17:40,922 --> 01:17:43,090 [CLEARS THROAT] I'M GONNA GO GET A SIX PACK. 1166 01:17:43,092 --> 01:17:45,793 WHAT? YOU SERIOUS? 1167 01:17:45,795 --> 01:17:48,829 LOOK. HE'S A FRIEND OF CONRAD'S, OKAY? 1168 01:17:48,831 --> 01:17:50,264 RELAX. 1169 01:17:50,266 --> 01:17:52,767 [DOOR OPENS, CLOSES] 1170 01:18:49,825 --> 01:18:51,859 YOU WANT A HIT? 1171 01:18:55,330 --> 01:18:58,165 YOU JUST GONNA SIT THERE AND SAY NOTHING? 1172 01:18:59,468 --> 01:19:01,235 FUCK IT. I'LL DO ANOTHER ONE. 1173 01:20:07,803 --> 01:20:09,870 WHAT IS THAT SHIT, MAN? 1174 01:20:12,541 --> 01:20:14,108 I'M NOT INTO THAT FUCKING SHIT. 1175 01:20:14,110 --> 01:20:15,342 [SNIFFS] 1176 01:20:55,450 --> 01:20:57,852 I'M NOT DOING IT. 1177 01:20:57,854 --> 01:20:59,553 I'M NOT FUCKING INTO THAT SHIT. 1178 01:21:02,958 --> 01:21:05,459 FUCK IT. 1179 01:21:05,461 --> 01:21:07,328 I'M NOT INTO THAT SHIT. 1180 01:21:07,330 --> 01:21:09,029 AH! OW! 1181 01:21:14,269 --> 01:21:17,972 WHAT? WHAT THE FUCK? 1182 01:21:17,974 --> 01:21:21,375 WHAT'S WRONG? 1183 01:21:21,377 --> 01:21:24,078 WHAT-- WHAT? 1184 01:21:24,080 --> 01:21:26,614 -WHAT'S-- -GET OUT. 1185 01:21:26,616 --> 01:21:28,549 GET OUT. GET THE FUCK OUT! 1186 01:21:28,551 --> 01:21:32,019 -WHAT'RE YOU TALKING ABOUT? -GET THE FUCK OUT! 1187 01:21:34,322 --> 01:21:36,090 OH, MY GOD. 1188 01:21:43,331 --> 01:21:45,966 [MUFFLED VOICE] NO, NO, NO! 1189 01:21:45,968 --> 01:21:48,903 [GASPING, COUGHING] 1190 01:21:52,641 --> 01:21:54,942 [MAN] ...ROOM SSI. 1191 01:21:54,944 --> 01:21:57,311 [KAT CHOKING, SILENCE] 1192 01:22:28,977 --> 01:22:31,412 [GASPING] 1193 01:22:47,262 --> 01:22:49,596 [WOMAN] I'M NOT LEAVING YOU ON PURPOSE. 1194 01:22:49,598 --> 01:22:51,498 I'M NOT LEAVING YOU ON PURPOSE. 1195 01:22:51,500 --> 01:22:53,500 I'M NOT LEAVING YOU ON... 1196 01:22:53,502 --> 01:22:54,969 [SILENCE] 1197 01:22:56,638 --> 01:22:59,239 -[GASPS] -[MONITOR BEEPING] 1198 01:23:20,595 --> 01:23:22,663 [GROANS] 1199 01:23:49,391 --> 01:23:51,058 [CHLOE] HOW DO YOU GET THROUGH IT? 1200 01:23:52,293 --> 01:23:55,562 THE DRUGS. 1201 01:23:55,564 --> 01:23:57,331 HOPE. 1202 01:24:01,469 --> 01:24:03,103 I JUST DO. 1203 01:24:05,306 --> 01:24:06,774 I BELIEVE YOU KNOW MY CLIENT 1204 01:24:06,776 --> 01:24:09,643 MISS CHLOE DAVIS? 1205 01:24:09,645 --> 01:24:12,179 YES, I DO. 1206 01:24:12,181 --> 01:24:15,482 HOW DID YOU FIND ME? 1207 01:24:15,484 --> 01:24:18,552 I'M THE EXECUTOR OF MISS DAVIS' ESTATE. 1208 01:24:26,561 --> 01:24:30,264 MISS DAVIS HAS SET UP A TRUST FUND IN YOUR NAME. 1209 01:24:34,602 --> 01:24:37,337 TRUST FUND? 1210 01:24:37,339 --> 01:24:40,674 I TAKE IT MISS DAVIS DIDN'T DISCUSS THIS WITH YOU. 1211 01:24:42,343 --> 01:24:44,211 SHE CAME TO ME ABOUT A MONTH AGO 1212 01:24:44,213 --> 01:24:46,747 TO ADJUST HER WILL AMONGST OTHER THINGS. 1213 01:24:48,516 --> 01:24:51,385 A WEEK AGO I HIRED A PRIVATE DETECTIVE 1214 01:24:51,387 --> 01:24:52,853 TO TRACK YOU DOWN. 1215 01:24:54,456 --> 01:24:55,656 SHORTLY THEREAFTER, 1216 01:24:55,658 --> 01:24:58,725 HE INFORMED US OF YOUR INCIDENT. 1217 01:25:00,695 --> 01:25:03,397 WE SPOKE TO THE POLICE AND, UH, 1218 01:25:03,399 --> 01:25:07,234 THEY HAVE NOT FOUND THE MAN WHO DID THIS TO YOU. 1219 01:25:07,236 --> 01:25:09,103 THEY'VE ALSO NOT BEEN ABLE TO LOCATE 1220 01:25:09,105 --> 01:25:13,707 -A MR. UH, CONRAD SETCH. -WHAT'D YOU MEAN YOU LEFT? 1221 01:25:13,709 --> 01:25:15,442 THE MAN WHO DROPPED YOU OFF AT THE HOSPITAL. 1222 01:25:15,444 --> 01:25:18,579 GET THE FUCKING CAR, IDIOT! 1223 01:25:18,581 --> 01:25:20,514 DOESN'T SURPRISE ME. 1224 01:25:22,550 --> 01:25:25,552 NOW, MISS FULLER. 1225 01:25:25,554 --> 01:25:29,256 I DON'T KNOW WHAT YOUR RELATIONSHIP WAS WITH MISS DAVIS, 1226 01:25:29,258 --> 01:25:32,759 NOR DOES IT MATTER. 1227 01:25:32,761 --> 01:25:34,561 THIS TRUST FUND WAS SET UP 1228 01:25:34,563 --> 01:25:36,697 WITH SEVERAL STRICT CONDITIONS 1229 01:25:36,699 --> 01:25:40,701 OF WHICH I WILL BE MONITORING CLOSELY. 1230 01:25:40,703 --> 01:25:44,238 IF YOU NEGLECT THAT IN WAY SHAPE OR FORM 1231 01:25:44,240 --> 01:25:46,140 TO ABIDE BY THESE CONDITIONS, 1232 01:25:46,142 --> 01:25:48,775 THE TRUST WILL BE NULL AND VOID 1233 01:25:48,777 --> 01:25:51,545 AND ALL OF THE FUNDS WILL BE DONATED TO CHARITY. 1234 01:25:53,414 --> 01:25:56,750 AN OPPORTUNITY HERE, MISS FULLER, 1235 01:25:56,752 --> 01:25:59,820 ONE THAT VERY FEW PEOPLE ARE EVER GIVEN. 1236 01:26:03,758 --> 01:26:06,527 HAVE YOU BEEN LISTENING TO ME, MISS FULLER? 1237 01:26:07,896 --> 01:26:09,763 EVERY WORD. 1238 01:26:11,900 --> 01:26:15,435 SHE TOLD ME TO TELL YOU ONE LAST THING, 1239 01:26:15,437 --> 01:26:18,672 IS THAT YOU ATTEND HER ART EXHIBIT. 1240 01:26:32,620 --> 01:26:36,190 TOBY, 20. 1241 01:26:36,192 --> 01:26:38,559 I'M ALEXIA, I'M 22. 1242 01:26:38,561 --> 01:26:39,626 SINCE I WAS LITTLE, 1243 01:26:39,628 --> 01:26:41,562 I ALWAYS WANTED TO BE A SINGER. 1244 01:26:41,564 --> 01:26:42,863 I WANTED TO BE FAMOUS 1245 01:26:42,865 --> 01:26:45,699 AND BE A REALLY AWESOME FEMALE ROCK STAR. 1246 01:26:48,703 --> 01:26:50,337 -THAT WOULD BE COOL. -NOT GETTING PAID. 1247 01:26:50,339 --> 01:26:51,972 I'M ALEXIA, I'M 22. 1248 01:26:51,974 --> 01:26:54,408 GETTIN' HARASSED BY PIGS AMD ARRESTED. 1249 01:26:54,410 --> 01:26:56,743 WHAT DO YOU THINK? NOT GETTIN' PAID. 1250 01:26:56,745 --> 01:26:58,779 [OVERLAPPING VOICES] ...AWESOME FEMALE ROCK STAR. 1251 01:26:58,781 --> 01:27:00,948 GETTIN' HARASSED BY PIGS AND ARRESTED. 1252 01:27:00,950 --> 01:27:03,483 -WHAT DO YOU THINK? -THAT WOULD BE COOL. 1253 01:27:03,485 --> 01:27:05,919 NOT GETTIN' PAID, 1254 01:27:05,921 --> 01:27:07,821 GETTIN' HARASSED BY PIGS AND ARRESTED. 1255 01:27:07,823 --> 01:27:11,491 -WHAT DO YOU THINK? -WHAT'S THIS FOR? 1256 01:27:11,493 --> 01:27:13,227 -NOT GETTIN' PAID-- -EIGHTEEN. 1257 01:27:13,229 --> 01:27:15,762 -JONAS. -GETTIN' HARASSED BY PIGS, AND ARRESTED. 1258 01:27:15,764 --> 01:27:18,665 -WHAT'S THIS FOR? -TO BE IN LOVE. 1259 01:27:18,667 --> 01:27:21,468 -EIGHTEEN. -WITH SOMEBODY WHO ISN'T ASHAMED OF ME. 1260 01:27:21,470 --> 01:27:23,470 -JONAS. -WHAT'S THIS FOR? 1261 01:27:23,472 --> 01:27:28,242 [OVERLAPPING VOICES] 1262 01:27:28,244 --> 01:27:30,510 WITH SOMEBODY WHO ISN'T ASHAMED OF ME. 1263 01:27:30,512 --> 01:27:32,646 -WHAT'S THIS FOR? -JONAS. 1264 01:27:32,648 --> 01:27:34,248 [VOICES CONTINUE] 1265 01:27:34,250 --> 01:27:36,850 ...TO BE IN LOVE. 1266 01:27:36,852 --> 01:27:39,753 WITH SOMEBODY WHO ISN'T ASHAMED OF ME. 1267 01:27:39,755 --> 01:27:40,854 JONAS. 1268 01:27:40,856 --> 01:27:42,856 I GREW IT INSIDE OF ME. 1269 01:27:42,858 --> 01:27:45,525 I HAD IT, I GAVE IT AWAY. 1270 01:27:45,527 --> 01:27:49,796 I DIDN'T KNOW, OKAY, I WAS PREGNANT UNTIL IT WAS TOO LATE. 1271 01:27:49,798 --> 01:27:52,432 I FOUND A COUPLE OUT OF STATE WHO WANTED TO ADOPT. 1272 01:27:52,434 --> 01:27:55,769 I HAD A KID. I GAVE IT AWAY. 1273 01:27:55,771 --> 01:27:58,572 "IT," I GREW IT INSIDE OF ME, 1274 01:27:58,574 --> 01:28:01,575 I HAD IT, I GAVE IT AWAY. 1275 01:28:01,577 --> 01:28:05,545 I DIDN'T KNOW, OKAY, I WAS PREGNANT UNTIL IT WAS TOO LATE. 1276 01:28:05,547 --> 01:28:07,514 -I FOUND A COUPLE OUT OF STATE-- -WHAT'S YOUR NAME? 1277 01:28:07,516 --> 01:28:08,782 AMY. 1278 01:28:08,784 --> 01:28:10,350 -I HAD A KID. -HOW OLD ARE YOU, AMY? 1279 01:28:10,352 --> 01:28:12,319 -EIGHT. -I GAVE IT AWAY. 1280 01:28:12,321 --> 01:28:14,454 HOW CAN A MOTHER GIVE AWAY HER CHILD 1281 01:28:14,456 --> 01:28:16,323 -AND NEVER THINK ABOUT IT? -HOW OLD ARE YOU, AMY? 1282 01:28:16,325 --> 01:28:18,525 -EIGHT. -AND THAT'S THE END OF THE STORY. 1283 01:28:18,527 --> 01:28:20,027 AND THAT'S THE END OF THE STORY. 1284 01:28:20,029 --> 01:28:22,396 SHE'S NOT MY REAL MOMMY. 1285 01:28:22,398 --> 01:28:26,366 -WHAT'S YOUR NAME? -AMY. 1286 01:28:26,368 --> 01:28:28,635 -HOW OLD ARE YOU, AMY? -EIGHT. 1287 01:28:30,505 --> 01:28:32,339 YOUR MOMMY SAID WE COULD TALK. 1288 01:28:32,341 --> 01:28:34,408 SHE'S NOT MY REAL MOMMY. 1289 01:28:37,445 --> 01:28:38,779 HAVE YOU EVER MET YOUR REAL MOMMY? 1290 01:28:38,781 --> 01:28:40,681 NO. 1291 01:28:40,683 --> 01:28:43,016 DO YOU WANT TO? 1292 01:28:47,588 --> 01:28:50,590 -WHAT'S YOUR NAME? -AMY. 1293 01:28:50,592 --> 01:28:52,826 -HOW OLD ARE YOU, AMY? -EIGHT. 1294 01:29:14,515 --> 01:29:17,351 [GUITAR MUSIC PLAYING] 1295 01:29:18,619 --> 01:29:20,787 ♪ CITY BIRD 1296 01:29:20,789 --> 01:29:23,724 ♪ CITY BIRD 1297 01:29:23,726 --> 01:29:28,395 ♪ FLY AWAY FROM MY WINDOW 1298 01:29:28,397 --> 01:29:31,898 ♪ FROM MY WINDOW 1299 01:29:31,900 --> 01:29:35,602 ♪ 'CAUSE YOU DON'T SING 1300 01:29:35,604 --> 01:29:39,606 ♪ LIKE THE BIRDS FROM HOME SING ♪ 1301 01:29:39,608 --> 01:29:44,711 ♪ YOUR SONG IS DYING 1302 01:29:44,713 --> 01:29:48,882 ♪ I SET THE TABLE FOR THE GHOSTS IN MY HOME ♪ 1303 01:29:48,884 --> 01:29:51,985 ♪ MY HOME 1304 01:29:51,987 --> 01:29:53,987 ♪ AND POUR THE WINE AND RAISE A GLASS ♪ 1305 01:29:53,989 --> 01:29:57,524 ♪ FOR THE GUESTS IN MY HOME 1306 01:29:57,526 --> 01:30:00,394 ♪ MM 1307 01:30:00,396 --> 01:30:01,995 ♪ THEY'RE ENTERING 1308 01:30:01,997 --> 01:30:04,030 ♪ IN THEIR SKIN AND IN THEIR BONES ♪ 1309 01:30:04,032 --> 01:30:07,534 ♪ STILL IN THEIR BONES 1310 01:30:07,536 --> 01:30:09,870 ♪ THE VISION SCARES, BUT NONE COMPARES ♪ 1311 01:30:09,872 --> 01:30:12,873 ♪ TO THE DREAD OF DRINKING ALONE ♪ 1312 01:30:12,875 --> 01:30:16,510 ♪ MM 1313 01:30:16,512 --> 01:30:22,115 ♪ AFTER THE TOWERS TUNED TO A TOMB ♪ 1314 01:30:24,852 --> 01:30:29,456 ♪ THE UNDERWORLD REFUGEES ALL ♪ 1315 01:30:29,458 --> 01:30:33,794 ♪ WERE REFUSED BY THE BANKER ♪ 1316 01:30:33,796 --> 01:30:37,164 ♪ THEY COULD NEVER GO IN 1317 01:30:37,166 --> 01:30:40,167 ♪ SO I LET THEM IN, OH 1318 01:30:40,169 --> 01:30:44,738 ♪ OH, CITY BIRD 1319 01:30:44,740 --> 01:30:47,974 ♪ CITY BIRD 1320 01:30:47,976 --> 01:30:51,978 ♪ FLY AWAY FROM MY WINDOW 1321 01:30:51,980 --> 01:30:55,849 ♪ FROM MY WINDOW 1322 01:30:55,851 --> 01:30:59,186 ♪ 'CAUSE YOU DON'T SING 1323 01:30:59,188 --> 01:31:03,557 ♪ LIKE THE BIRDS FROM HOME SING ♪ 1324 01:31:03,559 --> 01:31:06,660 ♪ YOUR SONG IS DYING 1325 01:31:06,662 --> 01:31:09,095 [VOCALIZING] 1326 01:31:31,586 --> 01:31:36,923 ♪ I LIGHT THE CANDLE FOR THE GHOSTS IN MY HOME ♪ 1327 01:31:36,925 --> 01:31:39,926 ♪ MY HOME 1328 01:31:39,928 --> 01:31:41,795 ♪ SAY A PRAYER 1329 01:31:41,797 --> 01:31:45,499 ♪ TO PLEASE SEND CARE FOR THE GUESTS IN MY HOME ♪ 1330 01:31:45,501 --> 01:31:46,933 ♪ MM 1331 01:31:48,603 --> 01:31:50,270 ♪ BUT IN THEIR SLEEP 1332 01:31:50,272 --> 01:31:52,272 ♪ THEY CLAW AND SCREAM THE DEVIL HOME ♪ 1333 01:31:52,274 --> 01:31:55,609 ♪ THE DEVIL'S COME HOME 1334 01:31:55,611 --> 01:31:57,944 ♪ BUT THAT NIGHTMARE DOES NOT COMPARE ♪ 1335 01:31:57,946 --> 01:32:01,114 ♪ TO THE DEMONS IN SLEEPING ALONE ♪ 1336 01:32:01,116 --> 01:32:02,983 ♪ MM 1337 01:32:04,785 --> 01:32:10,257 ♪ AFTER THE TOWER IS TURNED TO A TOMB ♪ 1338 01:32:13,094 --> 01:32:17,063 ♪ THE UNDERWORLD REFUGEES 1339 01:32:17,065 --> 01:32:21,968 ♪ ALL WERE REFUSED BY THE BANKER ♪ 1340 01:32:21,970 --> 01:32:24,938 ♪ AND WITH NOWHERE TO GO 1341 01:32:24,940 --> 01:32:28,642 ♪ THEY WASH UP ON SKID ROW 1342 01:32:28,644 --> 01:32:35,148 ♪ A HARD CITY BIRD 1343 01:32:35,150 --> 01:32:38,585 ♪ CITY BIRD 1344 01:32:38,587 --> 01:32:42,656 ♪ FLY AWAY FROM MY WINDOW 1345 01:32:42,658 --> 01:32:46,192 ♪ FROM MY WINDOW 1346 01:32:46,194 --> 01:32:49,896 ♪ 'CAUSE YOU DON'T SING 1347 01:32:49,898 --> 01:32:53,967 ♪ LIKE THE BIRDS FROM HOME SING ♪ 1348 01:32:53,969 --> 01:32:57,037 ♪ YOUR SONG IS DYING 1349 01:32:57,039 --> 01:32:59,306 [VOCALIZING CONTINUES] 87499