Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

IT'S YOURS, B.

IT'S PAID FOR IN YOUR NAME.

NAH, THIS IS BULL.

WHAT DO I HAVE TO DO TO PROVE IT?

TAKE ME TO YOUR JOB RIGHT NOW.

NORMAN IS THE YOUNG MAN THAT TOOK THE FALL FOR YOU.

YOU'RE GOING TO PUT HIS CLOTHES ON.

HE'S GOING TO PUT YOUR CLOTHES ON.

DAD!

‐TAKE NORMAN TO HIS CELL. ‐DAD!

MY SON AND I ARE GOING TO DINNER.

I WANTED TO SHOW HIM MY OFFICE, MY NAME ON THE DOOR.

Could you have my secretary meet us,

OR SHOULD I SEND ANOTHER TEXT TO THE MEDIA, MAYBE?

I'LL SEE WHAT I CAN DO.

[ CRICKETS CHIRPING ]

[ VEHICLE PASSES ]

THIS PLACE IS NICE.

YES, IT IS.

WHERE WE GOING NOW?

JUST A SECOND.

WHAT ARE WE WAITING FOR?

MY SECRETARY SHOULD'VE BEEN HERE BY NOW.

‐YOU GOT A SECRETARY? ‐YEP.

IS SHE HOT?

NOT AS HOT AS YOUR SISTER.

[ LAUGHS ]

[ LINE RINGING ] SHE ANSWERING?

[ SIGHS ] NO, I'M TRYING HER AGAIN.

[ LINE RINGING ]

HI, SALLY.

THAT'S SALLY. SHE WORKS IN ACCOUNTING.

‐YOU KNOW HER? ‐YEP.

AND THAT'S CHASE.

HE WORKS IN HUMAN RESOURCES.

THIS IS SO COOL.

YEP. I TOLD YOU.

WHERE'S YOUR OFFICE?

I DON'T HAVE A BADGE YET, SO I CAN'T GO UPSTAIRS.

OH, OKAY.

I DON'T KNOW WHERE SHE IS,

AND SHE'S NOT ANSWERING THE PHONE.

[ LINE RINGING ]

MISS YOUNG?

WHERE THE HELL HAVE YOU BEEN?

YO, CHILL.

NO. SHE KNOWS BETTER.

WHEN I START WORKING, THIS WON'T WORK.

YOU NEED TO SHOW UP HERE ON TIME.

IS THAT CLEAR?

YES.

THIS IS MY BROTHER, BENNY.

HI, BENNY.

YOU WILL CALL HIM MR. YOUNG.

SORRY. MR. YOUNG.

SAVE YOUR "SORRY" FOR ME FOR BEING LATE.

NOW SAY YOU'RE SORRY.

I'M SORRY I'M LATE.

DID YOU BRING US COFFEE?

UH...NO.

WHEN I INTERVIEWED YOU, I TOLD YOU

I LIKE TO BE GREETED WITH BLACK COFFEE.

MARGARET LOVES BLACK COFFEE, BENNY.

[ CHUCKLES ]

MM‐HMM.

I WON'T FORGET THAT NEXT TIME.

YOU'D BETTER NOT.

SO, IS EVERYTHING SET?

YES.

GREAT. LET'S GO TO THE OFFICE.

SURE. RIGHT THIS WAY.

YO, CHILL OUT.

[ CLEARS THROAT ]

HMPH.

[ ELEVATOR DINGS ]

[ SUSPENSEFUL MUSIC PLAYS ]

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪♪♪

[ TELEPHONE RINGS ]

HMM.

RIGHT?

[ CHUCKLES ]

RIGHT THIS WAY.

THANK YOU.

YOU SEE, BENNY?

MY NAME'S ALREADY ON THE DOOR.

HMM. IT WAS A SMALL MIRACLE.

SEEMS LIKE YOU PULLED IT OFF.

WHAT DO YOU THINK?

I LIKE IT.

"CANDACE YOUNG."

ATTORNEY AT LAW.

HMM.

[ SIGHS ]

MAN, THAT VIEW, THOUGH.

YEAH, YOUR SISTER WITH HER OWN CORNER OFFICE.

Benny: WO‐O‐OW.

CAN YOU LEAVE US, PLEASE?

UH, HOW LONG WILL YOU BE?

AS LONG AS I NEED TO

TO MAKE MY BROTHER FEEL COMFORTABLE WITH MY NEW JOB.

ALL RIGHT. I GET IT. IT'S ALL GOOD.

‐WE CAN ‐‐ ‐NO, NO, NO. SIT.

MAYBE THAT'S A GOOD IDEA.

SIT DOWN.

YOU SAID YOU DON'T BELIEVE ME, SO SEE IT.

WE'RE FINE.

‐BUT YOU HAVE TO UNDERSTAND... ‐BYE.

...THAT THERE ARE SEVERAL PARTNERS DOWN THE HALLWAY,

AND THEY SHOULD BE OUT ANY MINUTE AND HEADED THIS WAY.

YOU NEED TO HANDLE THAT.

MISS YOUNG...

GOODBYE.

I'LL TRY ‐‐

LEAVE. THANK YOU.

HMM. SO?

WOW.

[ SIGHS ] NOW ARE YOU GONNA STOP DOUBTING ME?

HELL, YEAH.

[ CHUCKLES ]

YOU WANT TO APOLOGIZE?

YEAH, I'M SORRY.

YOU KNOW WHAT? MOM IS JUST LIKE ‐‐

WELL, YOU KNOW HOW SHE IS.

YEAH, I KNOW.

SHE'S ALWAYS PUTTING THIS STUFF IN MY HEAD.

I KNOW THAT, TOO.

NOW, YOU KNOW SHE'S RIGHT SOMETIMES.

WELL, NOT THIS TIME.

YEAH, I CAN SEE THAT.

I KNOW I DON'T HAVE THE BEST REPUTATION

WHEN IT COMES TO THIS STUFF, BUT I'M LEGIT NOW

AND I'M FINALLY HERE, SO YOU DON'T HAVE TO WORRY.

[ CHUCKLES ]

MAN, I KNEW YOU COULD DO IT.

I KNEW I COULD, TOO.

I'M PROUD OF YOU, CANDACE.

THANK YOU.

NOW, LET'S GET OUT OF HERE AND FIGURE OUT

HOW YOU'RE GONNA PAY ME BACK.

LET'S DO IT.

‐GREAT. ‐[ GRUNTS ]

AND, LOOK, FOR THE RECORD,

I'M REALLY SORRY.

DON'T MENTION IT.

I KNOW SEEING IS BELIEVING.

AND NOW THAT YOU'VE SEEN,

I HAVE ONE MORE THING TO SHOW YOU.

WHAT'S THAT?

I'LL SHOW YOU TOMORROW.

IT'S TOO MUCH FOR ONE DAY.

AH, COME ON, WHAT IS IT?

NO, I'LL TELL YOU TOMORROW.

WHA‐‐ WHAT ARE YOU GONNA NAME YOUR TOW TRUCK COMPANY?

[ SIGHS ] YOU ALREADY KNOW.

"BENNY'S TOWING."

OH, THAT'S ORIGINAL.

WHAT DO YOU MEAN? YOU GOT A BETTER NAME?

"CANDY CANE TOWING."

[ CHUCKLES ] YEAH. RIGHT. THERE YOU GO.

‐YEAH. ‐EXCUSE ME ‐‐

YOU REALLY SHOULD KNOCK.

[ SCOFFS ]

SHE'S SO UNPROFESSIONAL. LET'S GO.

EXCUSE US.

WHO WAS THAT?

HI. I'M MAGGIE DAY.

LAURA, CALL SECURITY.

DO YOU KNOW JUDGE DAVID HARRINGTON?

YES, I DO.

WELL, THIS IS REALLY FUNNY.

UH, SIT. LET'S CHAT.

WHAT WAS SHE DOING IN MY OFFICE?

AND WHY IS THAT NAME ON THE DOOR?

UH... [ CHUCKLES ]

YOU KNOW, IT'S A FUNNY LITTLE GAME WE PLAY.

UH‐HUH.

PLEASE, HAVE A SEAT.

RIGHT. IT'S YOUR OFFICE.

OKAY, SO, UM...

SIGN HERE.

OKAY.

[ CELLPHONE VIBRATES ]

CAN YOU HOLD THIS FOR ME?

‐I'M SO SORRY. ‐OH, SURE.

MM‐HMM.

‐PLEASE EXCUSE ME. ‐OKAY, SURE.

HELLO?

VERONICA.

Hey, how are you, darling?

WELL, AS GOOD AS TO BE EXPECTED.

What's going on?

WHAT ARE YOU UP TO?

I JUST BOUGHT A HOUSE.

‐A house? ‐YES.

SO SOON?

VERONICA HAS TO HAVE A HOME, HONEY.

YES, YOU DO.

OKAY, SO, YOU HAVE TO COME BY AND SEE IT.

I WILL.

GOOD.

KAT? YOU DON'T SOUND GOOD.

YEAH, I'M FINE.

ARE YOU SURE?

I KNOW IT'S BEEN A TERRIBLE TIME.

YEAH, WELL, THAT'S NOT WHY I'M CALLING.

OKAY. WHY ARE YOU CALLING?

D.A. JENNIFER SALLISON CALLED.

SHE WANTS TO SEE US.

HUH. ABOUT?

OH, WHAT WYATT HAS SAID AND DONE.

IS THAT SO?

MM‐HMM.

WHO'S "US"?

YOU, DAVID, JIM, AND ME.

OKAY. WHERE?

HERE AT THE HOUSE.

WHAT TIME?

Well, she hasn't scheduled anything yet,

BUT WE SHOULD BE READY.

OKAY. I'LL BE THERE.

CAN WE TALK ABOUT YOU HAVING THE CAR?

[ CHUCKLES ] KAT...

No, Veronica.

I WANT TO TALK ABOUT IT.

YOU TOLD ME YOU DIDN'T HAVE IT.

KAT, WE REALLY SHOULDN'T TALK ABOUT THIS OVER THE PHONE, OKAY?

‐ALL RIGHT. ‐OKAY, SO, I'LL SEE YOU LATER.

‐MM‐HMM. ‐Okay.

‐I'LL CALL YOU LATER. ‐All right.

BYE‐BYE.

BYE‐BYE.

LINDSAY?

I'M READY TO FINISH SIGNING.

OKAY.

ALL RIGHT.

ALL RIGHT.

OKAY.

SIGN HERE.

YES.

AND HERE.

OKAY.

‐GREAT. ‐THANK YOU, LINDSAY.

WELL, CONGRATULATIONS.

IT IS A LOVELY HOME.

THANK YOU. YES, IT IS.

AND I'M SURE ONCE YOUR HUSBAND GETS OFF THE CAMPAIGN TRAIL,

HE'LL ENJOY IT, TOO.

I'M SURE. HMM.

IS HE COMING TO SEE IT?

YOU KNOW HOW BUSY HE IS, LINDSAY.

YES. I DO.

DID YOU SPEAK TO NATALIE ABOUT DECORATING?

YES, I DID.

GREAT. I KNOW IT'LL TAKE AWHILE.

NO, I NEED THIS DONE IN A COUPLE OF DAYS,

SO SHE'LL JUST HAVE TO GET WITH IT.

A COUPLE OF DAYS? THAT'S IMPOSSIBLE.

FOR SOME.

WELL, FOR YOU, I'M SURE SHE CAN.

[ CHUCKLES ]

YES, I'M SURE.

AND I'M SO SORRY ABOUT YOUR HOUSE BURNING DOWN.

OH. DON'T MENTION IT, REALLY.

WELL, ENJOY YOUR BEAUTIFUL NEW HOME.

YES, I WILL.

AH. LET ME WALK YOU OUT.

‐OH, NO, NO. I KNOW THE WAY. ‐OKAY.

I WILL SEE YOU IN A FEW DAYS.

I CAN'T WAIT TO SEE WHAT YOU'VE DONE WITH THE PLACE.

[ CELLPHONE VIBRATES ] I CAN'T, EITHER.

YOU HAVE TO COME BACK, OKAY?

‐OKAY. THANK YOU. ‐ALL RIGHT. BYE‐BYE.

HELLO, WILSON.

[ CHUCKLES ]

I'VE BEEN TRYING TO CALL YOU FOR TWO DAYS.

WHERE'S THE CAR?

WHAT?

[ STAMMERS ] YOU LOST IT?

WHAT KIND OF FEDERAL AUCTION?

BOY, I GOT YOU AND YOUR BROTHER OFF.

NOW, WHERE'S THE CAR?

THE ONE I LEFT YOU A FEW WEEKS AGO.

YOU WERE SUPPOSED TO DESTROY IT.

[ SCOFFS ]

SO, IT'S JUST SITTING ON THE YARD?

WHERE'S THE TOW YARD?

I ‐‐ I DON'T CARE IF IT'S BEEN SOLD.

JUST TELL ME WHERE THE TOW YARD IS.

[ SIGHS ]

HOW LONG AM I OUT?

NORMAN, DON'T GET ANY IDEAS, OKAY?

I'M NOT GETTING ANY IDEAS.

JUST WANT TO KNOW HOW LONG.

YOU'RE GONNA BE OUT AS LONG AS I THINK IT TAKES

FOR MY SON TO LEARN HIS LESSON.

SIMPLE, RIGHT?

OKAY.

‐OKAY? ‐CAN I ‐‐ CAN I SEE MY WIFE?

NO, I DON'T THINK THAT'S A GOOD IDEA.

PLEASE.

HEY, HEY, HEY, DON'T BEG.

GUYS?

NORMAN, YOU WILL BE STAYING WITH THESE GENTLEMEN HERE

UNTIL IT'S TIME FOR YOU TO GO BACK TO PRISON.

MOW, IF YOU'RE ON YOUR BEST BEHAVIOR,

YOU WILL GET TO SEE YOUR WIFE.

YOU UNDERSTAND?

YES.

GOOD. GOODBYE.

OKAY. BYE.

THANK YOU.

[ SIGHS ]

WHO WAS THAT?

WHAT? IT WAS A GHOST.

IT LOOKED LIKE THE GUY THAT WAS ‐‐

NO, IT DIDN'T LOOK LIKE ANYONE, KATHRYN.

NO ONE WAS HERE. YOU DIDN'T SEE ANYONE, OKAY?

WELL, IF NO ONE IS HERE, WHERE IS WYATT?

WYATT IS LEARNING A LESSON.

A LESSON, HOW?

A LESSON IN TOUGH LOVE.

HOW, JIM?

YOU REALLY WANT TO KNOW?

YES.

WYATT IS IN PRISON.

PRISON?

YES.

JIM, HE WON'T MAKE IT A DAY IN THERE.

THAT'S THE WHOLE POINT.

OF COURSE HE WON'T MAKE IT A DAY IN THERE.

TELL ME WHAT YOU'RE DOING.

I HAD WYATT TRADE PLACES WITH NORMAN IN PRISON.

AFTER A WEEK, I WILL GO, AND I WILL GET WYATT.

AFTER A NIGHT, WYATT WILL STOP TALKING ABOUT,

"I WANT TO COME CLEAN, I WANT TO COME CLEAN,"

COME HOME, AND BE A GOOD BOY.

END OF LESSON.

TOUGH LOVE IS ONE THING.

PUTTING HIM IN DANGER'S WAY IS ANOTHER.

IS THIS WISE?

KATHRYN, I'M NOT AN IDIOT.

HE'S PROTECTED IN THERE.

I'VE GOT IT COVERED, ALL RIGHT?

WELL, YOU ALWAYS SAY YOU HAVE THINGS COVERED,

BUT HOW IS HE PROTECTED?

EVERYONE OUR SON WILL EVER

COME INTO CONTACT WITH IN PRISON

IS AN OFFICER, OKAY?

HE'S FINE.

I'VE THOUGHT THIS THROUGH.

WELL, WHILE YOU'RE PROTECTING HIM,

WHO IS PROTECTING US?

WHAT DOES THAT EVEN MEAN?

OH, YOUR B. F. F., JENNIFER SALLISON, CALLED.

SHE WANTS TO SEE US.

‐REALLY? ‐OFF THE RECORD, OF COURSE.

‐OFF THE RECORD? ‐MMM.

KATHRYN, THERE'S NO SUCH THING

AS OFF THE RECORD WITH JENNIFER SALLISON.

SHE'S THE D. A.

WELL, I KNOW, BUT SHE ASKED.

AND WHAT DID YOU SAY?

I SAID YES.

IT'S ABOUT TIME WE STARTED DEALING WITH THIS THING.

ON THAT WE CAN AGREE.

SHE ALSO ASKED THAT THE HARRINGTONS BE HERE.

OH, SHE NEVER GIVES UP, DOES SHE?

NO, SHE DOESN'T.

I'LL MAKE HER GIVE UP.

SO, YOU'RE BACK.

OH, NO, NO, NO. I'M NOT BACK.

I'M MUCH TOO FURIOUS TO BE BACK.

AND WHAT ABOUT THE PROFESSOR?

HE'S NEXT.

[ SCOFFS ]

SO, THERE GOES RETIREMENT.

YEP.

THERE IT GOES.

I'M NOT SUPPOSED TO BE HERE!

CALM DOWN, NORMAN.

I'M NOT NORMAN!

WHATEVER.

WHAT'S GOING ON?

HEY! HEY!

WHAT'S GOING ON? [ CELL DOOR SLAMS ]

GET BACK HERE. HEY!

[ CELL DOOR OPENS ]

[ CELL DOOR SLAMS ]

DON'T SIT ON MY BUNK, EVER!

WHAT THE HELL, MAN?

OKAY, YEAH.

WHAT YOU IN HERE FOR?

THERE'S BEEN A MIX‐UP.

WHAT?

YOU WANT TO HELP ME OUT OR SOMETHING?

[ SCOFFS ] HELP YOU HOW?

[ CHUCKLES ]

WHAT DO I HAVE TO DO TO MAKE A PHONE CALL AROUND HERE?

YOU GOT TO PAY FOR THAT.

YEAH, WELL, I DON'T HAVE ANY MONEY.

YOU DON'T NEED NO MONEY.

BUT DON'T WE GET A CALL OR SOMETHING?

GUARD!

HEY, MAN, WHO YOU TRYING TO CALL?

MY MOTHER.

YOU WANT YOUR MAMA?

YOU DON'T GET NO PHONE CALL, MAN.

BUT I NEED TO TALK TO MY MOM.

THAT AIN'T HAPPENING.

WHAT?

THAT AIN'T HAPPENING.

WHY NOT?

I NEED TO MAKE A CALL. HEY, GUARD!

HEY, GUARD?

GUARD?

STOP MAKING ALL THAT DAMN NOISE UP IN HERE, MAN.

LOOK, YOU DON'T UNDERSTAND.

WHAT IS IT, NORMAN?

I'M NOT NORMAN.

REALLY? WELL, IT SAYS IN THE BOOK

RIGHT NEXT TO YOUR NUMBER THAT YOU'RE NORMAN.

SO, WHAT IS IT?

‐I'M NOT HIM. ‐WHAT THE HELL DO YOU WANT?

I... I...

I NEED TO MAKE A PHONE CALL.

COME ON, PLEASE?

THAT AIN'T HAPPENING.

WHY NOT?

SON, YOU'VE BEEN HERE LONG ENOUGH.

YOU KNOW HOW THIS GOES.

YOU DON'T GET TO MAKE REQUESTS.

HANDS OFF THE BARS.

PLEASE?

BUT...

ARE YOU WHINING?

HEY?

HEY, NO DAMN WHINING!

‐I'M NOT, I'M NOT... ‐SHUT UP!

I'M NOT EVEN SUPPOSED TO BE HERE.

WHERE THE HELL IS NORMAN?

S‐SO, YOU KNOW THAT I'M NOT HIM?

YEAH. WHERE HE AT?

I DON'T KNOW. THEY JUST ‐‐ THEY ‐‐

THEY PUT ME HERE IN HIS PLACE.

I TOLD YOU, I'M NOT EVEN SUPPOSED TO BE IN HERE.

YEAH, WELL, YOU AIN'T GONNA GET OUT NOW.

THIS ISN'T RIGHT. PLEASE.

PLEASE WHAT?

HUH?

I GET IT. YOU NEED ME LIKE HE DID.

I'VE BEEN PROTECTING HIM EVER SINCE HE'S BEEN IN HERE.

TOLD HIM THIS AIN'T NO PLACE FOR WIMPS.

THEY WANT TO KILL HIM EVERY DAY SINCE HE BEEN UP IN HERE

FOR HITTING THAT LITTLE GIRL.

WHAT ARE YOU DOING?

‐HEY, WHAT ARE YOU DOING? ‐NO. SHH.

WHAT ARE YOU DOING?

WE'RE GONNA HAVE A LITTLE FUN TONIGHT.

‐HEY, STOP! ‐COME ON, LOVE.

STOP IT!

COME ON, YOU KNOW HOW THIS GOES.

HOW WHAT GOES?

ME AND YOU, BABY.

I'M NOT GAY.

NEITHER AM I.

BUT A MAN GOT TO TAKE CARE OF HIS SELF.

LOOK, NORMAN TOOK CARE OF ME EVERY NIGHT.

SO, SINCE HE'S GONE, IT'S ME AND YOU.

YOU'RE NOT GONNA TOUCH ME.

SO, SOON AS LIGHTS‐OUT HAPPEN...

[ CHUCKLES ]

I'M SO HORNY.

YOU'RE NOT GONNA TOUCH ME.

THEN I'M GONNA HAVE TO TAKE IT LIKE I DID FROM NORMAN.

WHAT DOES THAT MEAN?

SOMEBODY SENT ME A GIFT.

WHAT?

YEAH.

AND I'M GONNA OPEN MY PRESENT TONIGHT.

YOU'RE NOT GONNA TOUCH ME.

WE'LL SEE.

I'M LOOKING FORWARD TO LIGHTS‐OUT TONIGHT, BABY.

ME AND YOU, ME AND YOU.

[ INHALES ]

WHOO.

[ CHUCKLES ]

OOH! I'M GETTING EXCITED, THINKING ABOUT IT.

DAMN.

MMM.

[ GRUNTS ]

YEAH, YEAH.

[ CHUCKLES ]

[ CRYING ]

[ HORN BLOWS ]

[ CHUCKLES ]

DAMN.

THIS MY OWN TOW TRUCK COMPANY?

YEAH?

ALL THESE CARS MINE, HUH?

YEAH, THEY ALL CAME WITH THE AUCTION.

I MEAN, I'M SURE SOME OF THEM START,

BUT, YOU KNOW, THERE ARE A LOT OF WRECKS HERE.

YOU GOT ALL THE KEYS TO 'EM?

MM‐HMM.

[ SIGHS ]

NOW, THIS JOINT RIGHT HERE,

I'M GONNA FIX THAT UP, GIVE THAT TO MOM.

I THOUGHT SHE HAD A CAR.

WELL, SHE DID.

I WRECKED IT.

WHAT?

YEAH.

HOW?

DON'T WORRY ABOUT IT.

HOW, BENNY?

HOLD UP.

HOW'D YOU KNOW ABOUT HER CAR?

I SAW IT.

NO, YOU DIDN'T.

I AIN'T TELL YOU ABOUT IT, EITHER.

COME ON.

COME CLEAN.

ERICA.

SO, YOU SET ME UP.

COME ON, NOW.

YOU KNOW YOU'RE WRONG FOR THAT.

LISTEN.

I WANTED HER TO HAVE IT,

AND YOU KNOW SHE WOULDN'T HAVE TAKEN IT FROM ME.

IT WAS ALL LEGIT.

SO, YOU BOUGHT MOM A CAR, HUH?

YEAH, BUT SHE WOULDN'T CARE, ANYWAY.

WHY DIDN'T YOU JUST TELL ME?

CERTAIN THINGS YOU DON'T NEED TO KNOW.

WELL, THERE ARE SOME THINGS I NEED TO KNOW.

THAT'S WHY I TOOK YOU TO MY JOB.

YEAH.

LISTEN, I'M SORRY I DIDN'T TELL YOU,

BUT YOU KNOW OUR MAMA.

YEAH, I DO.

DO YOURSELF A FAVOR.

WHAT'S THAT?

ALL THIS...

DON'T TELL HER.

[ SCOFFS ]

HOW AM I NOT GONNA TELL HER

ABOUT THIS TOW TRUCK COMPANY?

YOU KNOW ME ‐‐ I CAN'T HIDE THAT.

YOU CAN TELL HER YOU'RE WORKING HERE.

SHE DOESN'T NEED TO KNOW YOU OWN IT.

LOOK, I'M NOT LYING TO HER.

TECHNICALLY, IT'S NOT LYING.

HOW'S THAT?

YOU COULD...WORK FOR ME.

SINCE YOU OWE ME THE MONEY.

[ CHUCKLES ] NO.

LISTEN, I'M NOT SAYING TO LIE TO HER.

I'M JUST SAYING, DON'T TELL HER EVERYTHING. THAT'S ALL.

NO WAY.

THINK ABOUT IT.

LOOK, I ALREADY SAW YOUR JOB.

I'LL JUST TELL HER THE TRUTH.

SHE WON'T BELIEVE YOU.

YES, SHE WILL.

BENNY, DON'T TELL HER.

LET IT GO.

I AM TELLING YOU, IF YOU TELL HER THIS PLACE IS YOURS,

SHE WILL NOT LET YOU HAVE ANY PEACE ABOUT IT.

COME ON.

THIS IS WHAT YOU'VE BEEN WAITING FOR.

A PLACE OF YOUR OWN.

DON'T LET HER PISS ON YOUR DREAM.

WELL, LOOK, IT'S NOT LIKE

I CAN RUN IT BY MYSELF, ANYWAY, RIGHT?

SO, MAYBE SHE WORKS FOR ME.

OH, PLEASE.

WHAT? I DON'T WANT TO SEE HER

WORKING FOR THEM FOLK, ANYWAY.

[ SIGHS ] ONE STEP AT A TIME.

YOU KNOW SHE CAN'T MOVE FAST.

LET ME TELL YOU SOMETHING.

THIS IS FAST.

YOU KNOW SHE'S OLD‐FASHIONED AND SHE LOVES MAIDING.

STOP IT.

IT'S TRUE. SHE WON'T.

WHAT IS THIS OTHER SURPRISE?

I'LL TELL YOU TOMORROW.

BUT THAT'S IF IT'S NOT MOVING TOO FAST FOR YOU.

OH, COME ON, TELL ME.

MNH‐MNH.

[ SUCKS TEETH ]

WHO THE HELL IS THIS?

WHAT'S SHE DOING HERE?

MRS. HARRINGTON.

BENJAMIN?

HI.

WHAT ARE YOU DOING HERE?

I'M LOOKING FOR THE OWNER.

HE IS THE OWNER.

NO, THIS PLACE IS OWNED BY SOMEONE ELSE.

NOT ANYMORE.

EXCUSE ME?

WHAT THE HELL ARE YOU DOING HERE, VERONICA?

WHAT ARE YOU SAYING?

YOU OWN THIS PLACE?

YES.

IT JUST WENT UP FOR AUCTION.

I KNOW THAT.

AND HE BOUGHT IT.

YOU DID?

YEAH.

GUESS THE OWNERS LOST IT

IN SOME TYPE OF EMBEZZLEMENT SCHEME.

BUT WHAT ARE YOU DOING HERE?

I'M SORRY. I SHOULD'VE KNOWN THAT.

‐THEY'RE MY CLIENTS. ‐MMM.

I HADN'T HEARD FROM THEM, SO I THOUGHT I'D COME BY.

YOU'RE LYING.

SO, I GUESS THEY'RE NOT HERE. OKAY.

WHY ARE YOU REALLY HERE?

SO, WERE ALL THE VEHICLES A PART OF THAT AUCTION?

YEAH.

STOP TALKING TO HER.

WHAT? WHY?

‐THIS HO'S UP TO SOMETHING. ‐YO...

WHAT?

DON'T TALK TO HER LIKE THAT.

I KNOW HER.

YOU KNOW, THERE'S REALLY NO NEED FOR ME TO STICK AROUND HERE,

SO, THANK YOU, AND I'LL SEE YOU LATER.

BYE.

WHAT THE HELL WAS THAT?

I DON'T KNOW.

DON'T TRUST IT.

HOW DO YOU KNOW HER?

THAT'S JEFFERY'S MOTHER.

AH, I DIDN'T EVEN KNOW THAT.

YEAH. BUT HOW DO YOU KNOW HER?

THAT WAS THE WOMAN THAT HELPED ME OUT

WITH OUR LAST PROBLEM.

‐THAT WAS HER? ‐YOU REMEMBER. YEAH.

THE ONE WHO GOT YOU OFF.

MM‐HMM.

GOT IT.

WHAT?

NOTHING.

[ CHUCKLES ] I GOT IT.

GOT WHAT? WHAT DO YOU GOT?

BUT WHAT I DON'T UNDERSTAND IS, WHY IS SHE HERE?

I DON'T KNOW.

HMM.

[ CELLPHONE VIBRATING ]

[ BEEPS ]

YEAH, WAR.

HEY, I APPRECIATE YOU CALLING ME BACK, BRO.

ALL RIGHT, LISTEN.

THIS IS GONNA SOUND A LITTLE BIT CRAZY,

BUT I NEED SOME METH.

METH, YEAH. CRYSTAL METH.

I NEED SOME.

NAH, BRO, IT'S NOT FOR ME.

YEAH. YEAH? ALL RIGHT, LISTEN.

I'M GONNA COME CHECK YOU OUT IN ABOUT AN HOUR.

OKAY?

LOOK, JUST FLOAT IT TO ME.

I'LL GIVE YOU THE MONEY BACK IN A FEW DAYS.

NO.

YEAH, LOOK, I NEED THIS, WAR.

ALL RIGHT, MAN.

[ TV PLAYING ]

[ CLEARS THROAT ]

[ SIGHS ]

HEY.

HEY.

WHERE YOU BEEN?

‐CANDACE. ‐MMM.

YOU KNOW SHE GOT A NEW CAR, RIGHT?

IS THAT RIGHT?

MM‐HMM.

SO, WHAT, THAT'S ALL YOU GOT TO SAY ABOUT IT?

WELL, SINCE YOU ASKED,

I THINK I SAW IT.

STAY OUT OF IT.

REMEMBER, HER LAST NEW CAR GOT YOU LOCKED UP.

YEAH, WELL, I ALREADY WENT FOR A RIDE IN IT.

BENJAMIN...

SHOOT, I'M NOT TRYING TO HEAR IT RIGHT NOW.

YOU KNOW WHAT? YOU'RE GETTING BESIDE YOURSELF.

FIRST YOU BRING THAT WOMAN IN MY HOUSE,

THEN YOU GO RIDING SOMEWHERE WITH THAT GIRL.

THAT GIRL IS MY SISTER.

YEAH, AND YOU KNOW SHE CAN'T DO RIGHT TO SAVE HER LIFE.

YOU KNOW WHERE SHE TOOK ME?

I DON'T KNOW, AND I DON'T CARE.

WHEREVER IT IS, IT'S PROBABLY SOME CON.

‐I WENT TO HER JOB. ‐WHAT?

YEAH.

SHE REALLY HAVE A JOB?

YEP.

[ SCOFFS ] BENJAMIN...

LOOK, I SEEN IT WITH MY OWN EYES.

SHE GOT AN OFFICE, NAME TAG ON THE DOOR,

SHE GOT HER OWN SECRETARY.

IT'S A NICE OFFICE, TOO. WAIT UNTIL YOU SEE IT.

I'M TELLING YOU, IT'S LEGIT.

THEY EXTENDED HER HER OWN LINE OF CREDIT.

TELLING YOU, THEY LOVE HER OVER THERE.

AND YOU SAW IT?

LISTEN, WITH MY OWN EYES.

I'M NOT LYING TO YOU. IT'S LEGIT.

MMM.

OKAY, GOOD.

NO, BEN, I DON'T BELIEVE IT.

LISTEN, I HEARD THAT.

I DON'T, BENNY. SORRY.

THAT'S BECAUSE YOU'RE EXPECTING THE WORST FROM HER, THAT'S WHY.

NO, I EXPECT CANDACE TO BE CANDACE.

SHE GONNA BE WHO SHE IS. I'M JUST TELLING YOU.

WHATEVER.

WHERE YOU GOING NOW?

I GOT A TOW.

OKAY.

I'LL BE BACK.

AND WE'RE NOT FINISHED TALKING ABOUT THAT WOMAN

YOU BROUGHT UP IN MY HOUSE, EITHER.

GOODBYE, MOM.

I'M SERIOUS, BENJAMIN.

Watts: LIGHTS OUT.

[ DOOR SLAMS ]

[ CELL DOOR SLAMS ]

NORMAN?

NORMAN, YOU HEAR ME CALLING YOU?

[ Singsong ] IT'S THAT TI‐IME.

PLEASE DON'T.

[ DISTANT SHOUTS, CLANGS ]

COME ON, MAN.

COME ON, IT'S JUST SOMETHING

YOU'RE GONNA HAVE TO GET USED TO.

COME ON, MAN.

‐DON'T TOUCH ME. ‐CO‐‐

OH, IT'S LIKE THAT?

YOU GONNA MAKE ME TAKE IT?

‐HUH? ‐STOP! STOP!

IT'S LIKE THAT?

STOP! STOP! STOP!

YOU GONNA MAKE ME TAKE IT?

THAT'S WHAT I'M IN HERE FOR, DAWG ‐‐ RAPE.

THAT'S WHY THEY GOT US IN THIS CELL.

STOP!

THEY PUT ME IN HERE FROM GENERAL POP.

‐LET'S GO. ‐STOP!

HUH?

[ GRUNTING ]

GUARD!

GUARD! GUARD!

COME ON, YOU'RE GONNA LOVE THIS, MAN.

GUARD! GUARD!

[ GRUNTING ]

RICO!

LEAVE THE KID ALONE.

SORRY, WATTS.

I'M GONNA COME BACK HERE

EVERY THREE MINUTES IF I HAVE TO.

OKAY.

YOU KNOW YOU GOT IN TROUBLE FOR THIS BEFORE, RIGHT?

TWO WEEKS IN THE HOLE.

YEAH, YEAH.

CAN I HAVE ANOTHER CELL, PLEASE?

PLEASE?

HE WON'T BOTHER YOU.

Wyatt: PLEASE!

PLEASE.

PLEASE!

I AIN'T GONNA BOTHER YOU.

SHIFT CHANGE IS IN 30 MINUTES.

THOSE GUARDS DON'T CARE.

SOME OF 'EM LIKE TO WATCH.

[ CHUCKLES ]

[ CRYING ]

[ CRICKETS CHIRPING ]

WANTED TO MAKE SURE YOU'RE OKAY.

I'M NOT OKAY.

THAT, I KNOW.

I DON'T THINK I'LL EVER BE OKAY AGAIN.

OH.

WYATT, WYATT, WYATT.

JIM...

DON'T.

HE'S RIGHT.

‐DON'T GO BACK THERE. ‐HE IS. HE'S RIGHT.

WHEN HE WAS BEING VIOLATED, I WASN'T THERE.

I COULD'VE BEEN.

BUT I WAS WITH CELINE.

I'VE HAD TO LIVE WITH THE GUILT OF THAT

EVER SINCE THE MOMENT I FOUND OUT ABOUT IT.

AND NOW AMANDA.

I SHOULD'VE BEEN HERE FOR AMANDA, BUT I COULDN'T.

AND I'VE GOT TO LIVE WITH THAT GUILT.

I HAVE TRIED SO DESPERATELY

TO MAKE THINGS RIGHT FOR MY CHILDREN ‐‐ FIX IT.

IT'S LIKE ONE OF THOSE NIGHTMARES, THOUGH.

YOU GOT A MONSTER ON YOUR ASS, BUT YOU CAN'T GET AWAY

'CAUSE YOUR FEET ARE SO DAMN HEAVY, YOU CAN'T EVEN MOVE.

I DON'T KNOW HOW IN THE HELL I GOT...

HERE FROM THERE.

I HAVE SINGLE‐HANDEDLY DESTROYED THE LIVES

OF THE TWO PEOPLE I LOVE MOST IN THIS ENTIRE WORLD,

MY CHILDREN.

WELL, HERE'S WHAT I KNOW.

AS PARENTS WHO LOVE OUR CHILDREN...

...WE DO OUR BEST TO PROTECT THEM.

REGARDLESS, THEY GET BRUISED,

SOMETIMES BROKEN.

AND WE WATCH THEM GROW,

AND WE CARE FOR THEM,

AND WE LOVE THEM.

AND ‐‐ AND I KNOW YOU WEREN'T THERE.

AND NOW I KNOW WHY YOU FEEL

SO MUCH GUILT ABOUT IT.

BUT I ALSO KNOW

THAT YOU LOVE YOUR CHILDREN.

AND WHAT'S IMPORTANT

IS WHAT YOU DO NOW.

THAT'S WHAT MATTERS.

WHAT YOU DO NOW.

IS THAT RIGHT?

YES, IT IS.

[ INHALES ]

[ Voice breaking ] BUT SHE'S GONE.

DAVID, SHE'S GONE.

YES.

YES.

‐HEY. HOW YOU DOING? ‐HI.

I'M HERE TO BAIL SOMEBODY OUT.

OKAY. WHO IS THAT?

HIS NAME'S QUINCY MAXWELL.

OKAY. BAIL IS $5,000, CASH ONLY.

MOVE YOUR HANDS.

IT'S ALL THERE.

UH, OKAY.

WELL, SIGN IN, HAVE A SEAT,

AND I'LL GET YOUR PAPERWORK STARTED.

OKAY.

UM, DO YOU KNOW WHAT PART

OF THE JAIL HE'S COMING OUT OF?

‐BACK DOOR. ‐OKAY.

THANK YOU.

YEP.

Watts: HEY, SEE YOU LATER, JOE.

Joe: OKAY, WATTS. HAVE A GOOD NIGHT.

GREAT.

HEARD THAT?

WHAT?

SHIFT JUST CHANGED.

LOOK, CAN WE TALK?

WHAT YOU WANT TO TALK ABOUT?

I'M WYATT.

I'M A NICE GUY.

NO, YOU'RE NOT. YOU RUN OVER CHILDREN.

NO.

NO, I DON'T.

AIN'T THAT WHAT YOU DID?

NO.

NO, NO.

THAT WAS NORMAN.

NOW YOU'VE GOT IT.

GENTLEMEN, IT'S LIGHTS‐OUT.

IN THE BED NOW.

I'VE BEEN TRYING TO GET HIM IN THE BED.

WHAT, HE WON'T GO?

NOPE.

[ CHUCKLES ] WELL, SMART MAN.

COME ON, GUARD.

PLEASE?

PLEASE HELP ME.

MAN, GO TO SLEEP.

IT'S LIGHTS‐OUT.

PLEASE!

PLEASE. HE'S TRYING TO RAPE ME.

PLEASE?

YOU'RE A MAN. FIGHT HIM.

NO. PLEASE.

BOB AND WEAVE.

STICK AND MOVE.

JUST BOB AND WEAVE.

OH.

SO, YOU'RE A SNITCH, TOO, HUH?

[ CRYING ]

YO, Q.

WHAT UP, B?

WHAT, MAN? I DON'T GET NO LOVE?

I BAILED YOU OUT.

OH, YEAH?

YEAH.

NEED A RIDE?

NAH, I'M GOOD.

I KNOW YOU AIN'T NO BITCH, DAWG.

GET YOUR ASS IN THE CAR.

[ SCOFFS ]

IT'S LIKE THAT?

OH, YEAH, IT'S LIKE THAT.

COME ON.

OKAY.

[ ENGINE STARTS ]

HOLD ON, MAN, WHAT KIND OF THUG WEAR A SEAT BELT?

THE ONES THAT DON'T TRUST YOUR ASS.

MMM.

WHAT IS THIS?

IT'S A CONVERSATION BETWEEN TWO MEN, NOTHING MAJOR.

ABOUT?

ABOUT THE WOMEN I LOVE IN MY LIFE.

MY MOTHER AND MY SISTER.

YOUR ASS?

YOU'RE MY PROBLEM.

OKAY.

SO, YOU HIT MY MA, HUH?

‐HUH? WHAT? ‐NAH.

I SLAPPED THAT BITCH TO THE GROUND.

WHAT? YOU BITCH ASS, YEAH.

NAH. WAIT TILL I GET YOUR SISTER.

AND THEN YOU.

YEAH, I GOT A PROBLEM WITH THAT.

WATCH ME DEAL WITH THIS.

WATCH THIS.

[ ENGINE REVS ]

SCARED MONEY DON'T MAKE NONE.

SCARED MONEY DON'T MAKE MONEY.

AIN'T NOBODY SCARED OVER HERE, DAWG.

WATCH ME MAKE THIS MONEY.

BENNY, BENNY.

"BENNY, BENNY." SHUT UP.

[ CHUCKLES ]

LAUGHING, RIGHT? YOU FUNNY?

YOU FUNNY, DAWG. WATCH THIS.

LET'S DO IT.

LET'S DO IT.

'CAUSE AIN'T NOBODY TRYING TO SCARE YOU, BRO.

THIS DON'T SCARE ME, SON.

I AIN'T GONNA SCARE YOU.

[ ENGINE REVVING ]

I'M GONNA KILL YOU.

THEN LET'S GET TO IT.

GET TO IT.

[ ENGINE REVS ]

WHOA!

I'LL GET YOU.

GET YOUR ASS ‐‐

[ TIRES SCREECHING ]

[ GRUNTING, SHOUTING INDISTINCTLY ]

NEXT ON "THE HAVES AND THE HAVE NOTS"...

SHE STOPPED AT A TOW YARD.

A TOW YARD?

YOU HAVEN'T MENTIONED CANDACE.

DON'T YOU WORRY ABOUT CANDACE.

I'M ALL OVER IT.

WELL, I HAVE A PLAN, AS WELL.

GOOD. THEN MAYBE ONE OF OUR PLANS WILL ACTUALLY WORK.

THIS IS CANDACE.

YOU ARE LOVELY.

MOST OF THE TIME WHEN ONE SPOUSE

THINKS THAT THE OTHER ONE IS CHEATING,

IT USUALLY MEANS THEY'RE HAVING AN AFFAIR THEMSELVES.

SO, YOU KNOW HER?

YES, I DO.

WOULD SHE HAVE AN AFFAIR?

NEVER.