1
00:00:01,902 --> 00:00:03,342
PREVIOUSLY ON "THE HAVES
AND THE HAVE NOTS"...
2
00:00:03,336 --> 00:00:04,736
IT'S YOURS, B.
3
00:00:04,738 --> 00:00:06,308
IT'S PAID FOR IN YOUR NAME.
4
00:00:06,306 --> 00:00:07,566
NAH, THIS IS BULL.
5
00:00:07,574 --> 00:00:08,584
WHAT DO I HAVE TO DO
TO PROVE IT?
6
00:00:08,575 --> 00:00:10,235
TAKE ME TO YOUR JOB
RIGHT NOW.
7
00:00:10,243 --> 00:00:12,983
NORMAN IS THE YOUNG MAN
THAT TOOK THE FALL FOR YOU.
8
00:00:12,979 --> 00:00:14,049
YOU'RE GOING TO PUT
HIS CLOTHES ON.
9
00:00:14,047 --> 00:00:15,177
HE'S GOING TO PUT
YOUR CLOTHES ON.
10
00:00:15,181 --> 00:00:17,151
DAD!
11
00:00:17,150 --> 00:00:18,790
‐TAKE NORMAN TO HIS CELL.
‐DAD!
12
00:00:18,785 --> 00:00:20,785
MY SON AND I
ARE GOING TO DINNER.
13
00:00:20,787 --> 00:00:24,287
I WANTED TO SHOW HIM MY OFFICE,
MY NAME ON THE DOOR.
14
00:00:24,290 --> 00:00:26,190
Could you have my secretary
meet us,
15
00:00:26,192 --> 00:00:29,062
OR SHOULD I SEND ANOTHER TEXT
TO THE MEDIA, MAYBE?
16
00:00:29,062 --> 00:00:30,402
I'LL SEE WHAT I CAN DO.
17
00:00:30,396 --> 00:00:32,466
[ CRICKETS CHIRPING ]
18
00:00:32,465 --> 00:00:34,765
[ VEHICLE PASSES ]
19
00:00:34,768 --> 00:00:38,038
THIS PLACE IS NICE.
20
00:00:38,038 --> 00:00:39,538
YES, IT IS.
21
00:00:39,540 --> 00:00:41,210
WHERE WE GOING NOW?
22
00:00:41,207 --> 00:00:42,577
JUST A SECOND.
23
00:00:42,576 --> 00:00:44,646
WHAT ARE WE WAITING FOR?
24
00:00:44,645 --> 00:00:46,675
MY SECRETARY SHOULD'VE
BEEN HERE BY NOW.
25
00:00:46,680 --> 00:00:48,410
‐YOU GOT A SECRETARY?
‐YEP.
26
00:00:48,414 --> 00:00:49,984
IS SHE HOT?
27
00:00:49,983 --> 00:00:52,293
NOT AS HOT
AS YOUR SISTER.
28
00:00:52,285 --> 00:00:55,215
[ LAUGHS ]
29
00:00:55,221 --> 00:00:56,791
[ LINE RINGING ]
SHE ANSWERING?
30
00:00:56,790 --> 00:00:58,790
[ SIGHS ]
NO, I'M TRYING HER AGAIN.
31
00:00:58,792 --> 00:00:59,932
[ LINE RINGING ]
32
00:00:59,926 --> 00:01:03,136
HI, SALLY.
33
00:01:03,136 --> 00:01:05,706
THAT'S SALLY.
SHE WORKS IN ACCOUNTING.
34
00:01:05,706 --> 00:01:07,106
‐YOU KNOW HER?
‐YEP.
35
00:01:07,107 --> 00:01:08,737
AND THAT'S CHASE.
36
00:01:08,742 --> 00:01:10,482
HE WORKS IN
HUMAN RESOURCES.
37
00:01:10,476 --> 00:01:12,946
THIS IS SO COOL.
38
00:01:12,946 --> 00:01:15,316
YEP. I TOLD YOU.
39
00:01:15,315 --> 00:01:16,975
WHERE'S YOUR OFFICE?
40
00:01:16,983 --> 00:01:19,493
I DON'T HAVE A BADGE YET,
SO I CAN'T GO UPSTAIRS.
41
00:01:19,485 --> 00:01:21,855
OH, OKAY.
42
00:01:21,855 --> 00:01:23,015
I DON'T KNOW
WHERE SHE IS,
43
00:01:23,023 --> 00:01:24,663
AND SHE'S NOT ANSWERING
THE PHONE.
44
00:01:24,658 --> 00:01:28,058
[ LINE RINGING ]
45
00:01:28,061 --> 00:01:29,361
MISS YOUNG?
46
00:01:29,362 --> 00:01:31,502
WHERE THE HELL
HAVE YOU BEEN?
47
00:01:31,497 --> 00:01:32,797
YO, CHILL.
48
00:01:32,799 --> 00:01:34,869
NO.
SHE KNOWS BETTER.
49
00:01:34,868 --> 00:01:37,938
WHEN I START WORKING,
THIS WON'T WORK.
50
00:01:37,938 --> 00:01:39,608
YOU NEED TO SHOW UP HERE
ON TIME.
51
00:01:39,606 --> 00:01:40,836
IS THAT CLEAR?
52
00:01:40,841 --> 00:01:43,011
YES.
53
00:01:43,009 --> 00:01:45,679
THIS IS MY BROTHER, BENNY.
54
00:01:45,679 --> 00:01:47,949
HI, BENNY.
55
00:01:47,948 --> 00:01:49,348
YOU WILL CALL HIM
MR. YOUNG.
56
00:01:49,349 --> 00:01:52,049
SORRY. MR. YOUNG.
57
00:01:52,052 --> 00:01:55,822
SAVE YOUR "SORRY" FOR ME
FOR BEING LATE.
58
00:01:55,822 --> 00:01:58,022
NOW SAY YOU'RE SORRY.
59
00:01:58,024 --> 00:02:00,564
I'M SORRY I'M LATE.
60
00:02:00,561 --> 00:02:02,841
DID YOU BRING US COFFEE?
61
00:02:02,836 --> 00:02:04,706
UH...NO.
62
00:02:04,705 --> 00:02:06,265
WHEN I INTERVIEWED YOU,
I TOLD YOU
63
00:02:06,272 --> 00:02:08,542
I LIKE TO BE GREETED
WITH BLACK COFFEE.
64
00:02:08,542 --> 00:02:11,112
MARGARET LOVES BLACK COFFEE,
BENNY.
65
00:02:11,111 --> 00:02:12,151
[ CHUCKLES ]
66
00:02:12,145 --> 00:02:13,645
MM‐HMM.
67
00:02:13,647 --> 00:02:15,247
I WON'T FORGET THAT
NEXT TIME.
68
00:02:15,248 --> 00:02:17,278
YOU'D BETTER NOT.
69
00:02:17,283 --> 00:02:20,723
SO, IS EVERYTHING SET?
70
00:02:20,721 --> 00:02:22,091
YES.
71
00:02:22,088 --> 00:02:24,858
GREAT.
LET'S GO TO THE OFFICE.
72
00:02:24,858 --> 00:02:26,828
SURE. RIGHT THIS WAY.
73
00:02:28,461 --> 00:02:31,531
YO, CHILL OUT.
74
00:02:31,532 --> 00:02:33,072
[ CLEARS THROAT ]
75
00:02:33,066 --> 00:02:35,536
HMPH.
76
00:02:36,436 --> 00:02:38,366
[ ELEVATOR DINGS ]
77
00:02:42,242 --> 00:02:45,582
[ SUSPENSEFUL MUSIC PLAYS ]
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00:02:48,682 --> 00:02:51,692
‐‐Captions by VITAC‐‐
www.vitac.com
79
00:02:51,685 --> 00:02:54,755
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
80
00:02:54,755 --> 00:02:58,255
♪♪♪♪
81
00:03:04,304 --> 00:03:06,114
[ TELEPHONE RINGS ]
82
00:03:09,843 --> 00:03:11,113
HMM.
83
00:03:14,347 --> 00:03:16,247
RIGHT?
84
00:03:16,249 --> 00:03:17,579
[ CHUCKLES ]
85
00:03:17,584 --> 00:03:19,624
RIGHT THIS WAY.
86
00:03:19,620 --> 00:03:21,320
THANK YOU.
87
00:03:24,090 --> 00:03:25,430
YOU SEE, BENNY?
88
00:03:25,425 --> 00:03:26,685
MY NAME'S ALREADY
ON THE DOOR.
89
00:03:26,693 --> 00:03:28,963
HMM.
IT WAS A SMALL MIRACLE.
90
00:03:28,962 --> 00:03:30,632
SEEMS LIKE YOU
PULLED IT OFF.
91
00:03:31,832 --> 00:03:33,702
WHAT DO YOU THINK?
92
00:03:33,700 --> 00:03:36,470
I LIKE IT.
93
00:03:36,469 --> 00:03:38,369
"CANDACE YOUNG."
94
00:03:41,708 --> 00:03:43,538
ATTORNEY AT LAW.
95
00:03:44,845 --> 00:03:47,505
HMM.
96
00:03:47,514 --> 00:03:48,684
[ SIGHS ]
97
00:03:48,682 --> 00:03:51,022
MAN, THAT VIEW, THOUGH.
98
00:03:51,017 --> 00:03:54,917
YEAH, YOUR SISTER
WITH HER OWN CORNER OFFICE.
99
00:03:54,921 --> 00:03:56,721
Benny: WO‐O‐OW.
100
00:03:56,723 --> 00:03:57,863
CAN YOU LEAVE US, PLEASE?
101
00:03:57,858 --> 00:04:00,358
UH, HOW LONG WILL YOU BE?
102
00:04:00,360 --> 00:04:01,570
AS LONG AS I NEED TO
103
00:04:01,568 --> 00:04:04,508
TO MAKE MY BROTHER FEEL
COMFORTABLE WITH MY NEW JOB.
104
00:04:04,505 --> 00:04:06,005
ALL RIGHT.
I GET IT. IT'S ALL GOOD.
105
00:04:06,006 --> 00:04:07,066
‐WE CAN ‐‐
‐NO, NO, NO. SIT.
106
00:04:07,073 --> 00:04:08,073
MAYBE THAT'S A GOOD IDEA.
107
00:04:08,074 --> 00:04:09,144
SIT DOWN.
108
00:04:09,142 --> 00:04:12,512
YOU SAID YOU DON'T
BELIEVE ME, SO SEE IT.
109
00:04:12,513 --> 00:04:13,753
WE'RE FINE.
110
00:04:13,747 --> 00:04:15,377
‐BUT YOU HAVE TO UNDERSTAND...
‐BYE.
111
00:04:15,381 --> 00:04:17,621
...THAT THERE ARE SEVERAL
PARTNERS DOWN THE HALLWAY,
112
00:04:17,618 --> 00:04:19,918
AND THEY SHOULD BE OUT
ANY MINUTE AND HEADED THIS WAY.
113
00:04:19,920 --> 00:04:21,120
YOU NEED TO HANDLE THAT.
114
00:04:21,121 --> 00:04:22,191
MISS YOUNG...
115
00:04:22,188 --> 00:04:23,188
GOODBYE.
116
00:04:23,189 --> 00:04:25,359
I'LL TRY ‐‐
117
00:04:25,358 --> 00:04:26,688
LEAVE.
THANK YOU.
118
00:04:30,864 --> 00:04:32,974
HMM. SO?
119
00:04:32,966 --> 00:04:34,526
WOW.
120
00:04:34,534 --> 00:04:37,344
[ SIGHS ] NOW ARE YOU GONNA STOP
DOUBTING ME?
121
00:04:37,336 --> 00:04:39,336
HELL, YEAH.
122
00:04:39,338 --> 00:04:40,468
[ CHUCKLES ]
123
00:04:40,473 --> 00:04:42,643
YOU WANT TO APOLOGIZE?
124
00:04:44,978 --> 00:04:46,778
YEAH, I'M SORRY.
125
00:04:46,780 --> 00:04:49,120
YOU KNOW WHAT?
MOM IS JUST LIKE ‐‐
126
00:04:49,115 --> 00:04:51,045
WELL, YOU KNOW HOW SHE IS.
127
00:04:51,051 --> 00:04:52,221
YEAH, I KNOW.
128
00:04:52,218 --> 00:04:54,418
SHE'S ALWAYS PUTTING
THIS STUFF IN MY HEAD.
129
00:04:54,420 --> 00:04:56,060
I KNOW THAT, TOO.
130
00:04:56,056 --> 00:04:58,786
NOW, YOU KNOW SHE'S RIGHT
SOMETIMES.
131
00:04:58,792 --> 00:05:00,662
WELL, NOT THIS TIME.
132
00:05:00,661 --> 00:05:03,101
YEAH, I CAN SEE THAT.
133
00:05:04,905 --> 00:05:06,335
I KNOW I DON'T HAVE
THE BEST REPUTATION
134
00:05:06,339 --> 00:05:09,939
WHEN IT COMES TO THIS STUFF,
BUT I'M LEGIT NOW
135
00:05:09,943 --> 00:05:13,413
AND I'M FINALLY HERE,
SO YOU DON'T HAVE TO WORRY.
136
00:05:13,413 --> 00:05:15,153
[ CHUCKLES ]
137
00:05:15,148 --> 00:05:17,148
MAN, I KNEW YOU COULD DO IT.
138
00:05:17,150 --> 00:05:18,950
I KNEW I COULD, TOO.
139
00:05:18,952 --> 00:05:20,822
I'M PROUD OF YOU, CANDACE.
140
00:05:20,821 --> 00:05:22,861
THANK YOU.
141
00:05:22,856 --> 00:05:24,316
NOW, LET'S GET OUT OF HERE
AND FIGURE OUT
142
00:05:24,324 --> 00:05:27,064
HOW YOU'RE GONNA PAY ME BACK.
143
00:05:27,060 --> 00:05:28,190
LET'S DO IT.
144
00:05:28,194 --> 00:05:29,764
‐GREAT.
‐[ GRUNTS ]
145
00:05:29,763 --> 00:05:31,703
AND, LOOK,
FOR THE RECORD,
146
00:05:31,698 --> 00:05:32,798
I'M REALLY SORRY.
147
00:05:32,799 --> 00:05:34,969
DON'T MENTION IT.
148
00:05:34,968 --> 00:05:37,168
I KNOW SEEING IS BELIEVING.
149
00:05:37,170 --> 00:05:38,810
AND NOW THAT YOU'VE SEEN,
150
00:05:38,805 --> 00:05:41,465
I HAVE ONE MORE THING
TO SHOW YOU.
151
00:05:41,474 --> 00:05:42,584
WHAT'S THAT?
152
00:05:42,576 --> 00:05:44,436
I'LL SHOW YOU TOMORROW.
153
00:05:44,444 --> 00:05:45,984
IT'S TOO MUCH FOR ONE DAY.
154
00:05:45,979 --> 00:05:47,049
AH, COME ON, WHAT IS IT?
155
00:05:47,047 --> 00:05:48,277
NO, I'LL TELL YOU TOMORROW.
156
00:05:48,281 --> 00:05:50,821
WHA‐‐ WHAT ARE YOU GONNA NAME
YOUR TOW TRUCK COMPANY?
157
00:05:50,817 --> 00:05:53,387
[ SIGHS ]
YOU ALREADY KNOW.
158
00:05:53,386 --> 00:05:54,386
"BENNY'S TOWING."
159
00:05:54,387 --> 00:05:55,557
OH, THAT'S ORIGINAL.
160
00:05:55,556 --> 00:05:57,256
WHAT DO YOU MEAN?
YOU GOT A BETTER NAME?
161
00:05:57,257 --> 00:05:58,587
"CANDY CANE TOWING."
162
00:05:58,592 --> 00:06:00,292
[ CHUCKLES ] YEAH.
RIGHT. THERE YOU GO.
163
00:06:00,293 --> 00:06:01,803
‐YEAH.
‐EXCUSE ME ‐‐
164
00:06:01,802 --> 00:06:03,402
YOU REALLY SHOULD KNOCK.
165
00:06:05,238 --> 00:06:06,668
[ SCOFFS ]
166
00:06:06,673 --> 00:06:08,213
SHE'S SO UNPROFESSIONAL.
LET'S GO.
167
00:06:10,276 --> 00:06:13,276
EXCUSE US.
168
00:06:15,048 --> 00:06:16,048
WHO WAS THAT?
169
00:06:16,049 --> 00:06:17,749
HI. I'M MAGGIE DAY.
170
00:06:17,751 --> 00:06:19,591
LAURA, CALL SECURITY.
171
00:06:19,586 --> 00:06:21,286
DO YOU KNOW
JUDGE DAVID HARRINGTON?
172
00:06:21,287 --> 00:06:22,587
YES, I DO.
173
00:06:22,589 --> 00:06:24,629
WELL, THIS IS
REALLY FUNNY.
174
00:06:24,625 --> 00:06:26,355
UH, SIT. LET'S CHAT.
175
00:06:26,359 --> 00:06:28,929
WHAT WAS SHE DOING
IN MY OFFICE?
176
00:06:28,929 --> 00:06:30,659
AND WHY IS THAT NAME
ON THE DOOR?
177
00:06:30,664 --> 00:06:31,774
UH...
[ CHUCKLES ]
178
00:06:31,765 --> 00:06:33,365
YOU KNOW, IT'S A FUNNY
LITTLE GAME WE PLAY.
179
00:06:33,366 --> 00:06:34,366
UH‐HUH.
180
00:06:34,367 --> 00:06:36,097
PLEASE, HAVE A SEAT.
181
00:06:40,140 --> 00:06:43,910
RIGHT.
IT'S YOUR OFFICE.
182
00:06:43,910 --> 00:06:46,310
OKAY, SO, UM...
183
00:06:49,850 --> 00:06:51,150
SIGN HERE.
184
00:06:51,151 --> 00:06:52,591
OKAY.
185
00:06:52,586 --> 00:06:53,846
[ CELLPHONE VIBRATES ]
186
00:06:53,854 --> 00:06:54,994
CAN YOU HOLD THIS FOR ME?
187
00:06:54,988 --> 00:06:56,288
‐I'M SO SORRY.
‐OH, SURE.
188
00:06:56,289 --> 00:06:58,629
MM‐HMM.
189
00:07:00,761 --> 00:07:03,771
‐PLEASE EXCUSE ME.
‐OKAY, SURE.
190
00:07:03,770 --> 00:07:05,040
HELLO?
191
00:07:05,038 --> 00:07:06,238
VERONICA.
192
00:07:06,239 --> 00:07:07,939
Hey, how are you, darling?
193
00:07:07,941 --> 00:07:10,311
WELL, AS GOOD
AS TO BE EXPECTED.
194
00:07:10,310 --> 00:07:12,550
What's going on?
195
00:07:12,546 --> 00:07:14,006
WHAT ARE YOU UP TO?
196
00:07:14,014 --> 00:07:15,624
I JUST BOUGHT A HOUSE.
197
00:07:15,616 --> 00:07:17,076
‐A house?
‐YES.
198
00:07:17,083 --> 00:07:18,283
SO SOON?
199
00:07:18,284 --> 00:07:20,224
VERONICA HAS TO HAVE
A HOME, HONEY.
200
00:07:20,220 --> 00:07:23,020
YES, YOU DO.
201
00:07:23,023 --> 00:07:25,093
OKAY, SO, YOU HAVE TO COME BY
AND SEE IT.
202
00:07:25,091 --> 00:07:26,731
I WILL.
203
00:07:26,727 --> 00:07:28,487
GOOD.
204
00:07:28,494 --> 00:07:31,034
KAT? YOU DON'T SOUND GOOD.
205
00:07:31,031 --> 00:07:33,171
YEAH, I'M FINE.
206
00:07:33,166 --> 00:07:34,866
ARE YOU SURE?
207
00:07:34,868 --> 00:07:36,598
I KNOW IT'S BEEN
A TERRIBLE TIME.
208
00:07:36,603 --> 00:07:39,513
YEAH, WELL, THAT'S
NOT WHY I'M CALLING.
209
00:07:39,506 --> 00:07:41,906
OKAY. WHY ARE YOU CALLING?
210
00:07:41,908 --> 00:07:44,338
D.A. JENNIFER SALLISON CALLED.
211
00:07:44,344 --> 00:07:46,414
SHE WANTS TO SEE US.
212
00:07:46,412 --> 00:07:48,652
HUH.
ABOUT?
213
00:07:48,649 --> 00:07:52,089
OH, WHAT WYATT HAS SAID
AND DONE.
214
00:07:52,085 --> 00:07:54,385
IS THAT SO?
215
00:07:54,387 --> 00:07:55,857
MM‐HMM.
216
00:07:55,856 --> 00:07:57,816
WHO'S "US"?
217
00:07:57,824 --> 00:08:00,634
YOU, DAVID, JIM, AND ME.
218
00:08:00,634 --> 00:08:03,174
OKAY. WHERE?
219
00:08:03,169 --> 00:08:04,369
HERE AT THE HOUSE.
220
00:08:04,370 --> 00:08:05,940
WHAT TIME?
221
00:08:05,939 --> 00:08:07,639
Well, she hasn't scheduled
anything yet,
222
00:08:07,641 --> 00:08:09,781
BUT WE SHOULD BE READY.
223
00:08:09,776 --> 00:08:11,506
OKAY. I'LL BE THERE.
224
00:08:11,512 --> 00:08:14,882
CAN WE TALK ABOUT
YOU HAVING THE CAR?
225
00:08:14,881 --> 00:08:16,721
[ CHUCKLES ]
KAT...
226
00:08:16,717 --> 00:08:17,917
No, Veronica.
227
00:08:17,918 --> 00:08:20,388
I WANT TO TALK ABOUT IT.
228
00:08:20,386 --> 00:08:21,986
YOU TOLD ME YOU DIDN'T HAVE IT.
229
00:08:21,988 --> 00:08:25,288
KAT, WE REALLY SHOULDN'T TALK
ABOUT THIS OVER THE PHONE, OKAY?
230
00:08:25,291 --> 00:08:27,661
‐ALL RIGHT.
‐OKAY, SO, I'LL SEE YOU LATER.
231
00:08:27,661 --> 00:08:29,301
‐MM‐HMM.
‐Okay.
232
00:08:29,295 --> 00:08:30,955
‐I'LL CALL YOU LATER.
‐All right.
233
00:08:30,964 --> 00:08:32,034
BYE‐BYE.
234
00:08:32,032 --> 00:08:33,602
BYE‐BYE.
235
00:08:36,870 --> 00:08:38,710
LINDSAY?
236
00:08:38,705 --> 00:08:39,965
I'M READY TO FINISH SIGNING.
237
00:08:39,973 --> 00:08:41,543
OKAY.
238
00:08:41,542 --> 00:08:42,782
ALL RIGHT.
239
00:08:42,776 --> 00:08:44,746
ALL RIGHT.
240
00:08:44,745 --> 00:08:47,005
OKAY.
241
00:08:47,013 --> 00:08:48,653
SIGN HERE.
242
00:08:48,649 --> 00:08:50,349
YES.
243
00:08:50,350 --> 00:08:51,720
AND HERE.
244
00:08:51,718 --> 00:08:53,288
OKAY.
245
00:08:53,286 --> 00:08:55,086
‐GREAT.
‐THANK YOU, LINDSAY.
246
00:08:55,088 --> 00:08:57,158
WELL, CONGRATULATIONS.
247
00:08:57,157 --> 00:08:58,387
IT IS A LOVELY HOME.
248
00:08:58,391 --> 00:08:59,791
THANK YOU.
YES, IT IS.
249
00:08:59,793 --> 00:09:02,303
AND I'M SURE ONCE YOUR HUSBAND
GETS OFF THE CAMPAIGN TRAIL,
250
00:09:02,302 --> 00:09:03,572
HE'LL ENJOY IT, TOO.
251
00:09:03,570 --> 00:09:05,310
I'M SURE.
HMM.
252
00:09:05,305 --> 00:09:07,835
IS HE COMING TO SEE IT?
253
00:09:07,841 --> 00:09:11,081
YOU KNOW HOW BUSY HE IS,
LINDSAY.
254
00:09:11,077 --> 00:09:13,247
YES. I DO.
255
00:09:13,246 --> 00:09:15,346
DID YOU SPEAK TO NATALIE
ABOUT DECORATING?
256
00:09:15,348 --> 00:09:16,648
YES, I DID.
257
00:09:16,650 --> 00:09:18,420
GREAT.
I KNOW IT'LL TAKE AWHILE.
258
00:09:18,418 --> 00:09:20,918
NO, I NEED THIS DONE
IN A COUPLE OF DAYS,
259
00:09:20,921 --> 00:09:23,061
SO SHE'LL JUST
HAVE TO GET WITH IT.
260
00:09:23,056 --> 00:09:25,086
A COUPLE OF DAYS?
THAT'S IMPOSSIBLE.
261
00:09:25,091 --> 00:09:27,691
FOR SOME.
262
00:09:27,694 --> 00:09:30,864
WELL, FOR YOU,
I'M SURE SHE CAN.
263
00:09:30,864 --> 00:09:31,874
[ CHUCKLES ]
264
00:09:31,865 --> 00:09:33,695
YES, I'M SURE.
265
00:09:33,700 --> 00:09:36,970
AND I'M SO SORRY ABOUT
YOUR HOUSE BURNING DOWN.
266
00:09:36,970 --> 00:09:39,540
OH.
DON'T MENTION IT, REALLY.
267
00:09:39,540 --> 00:09:42,810
WELL, ENJOY YOUR BEAUTIFUL
NEW HOME.
268
00:09:42,809 --> 00:09:44,309
YES, I WILL.
269
00:09:44,310 --> 00:09:46,480
AH. LET ME WALK YOU OUT.
270
00:09:46,479 --> 00:09:48,449
‐OH, NO, NO. I KNOW THE WAY.
‐OKAY.
271
00:09:48,448 --> 00:09:49,648
I WILL SEE YOU
IN A FEW DAYS.
272
00:09:49,650 --> 00:09:50,980
I CAN'T WAIT TO SEE WHAT
YOU'VE DONE WITH THE PLACE.
273
00:09:50,984 --> 00:09:52,194
[ CELLPHONE VIBRATES ]
I CAN'T, EITHER.
274
00:09:52,185 --> 00:09:53,215
YOU HAVE TO COME BACK,
OKAY?
275
00:09:53,219 --> 00:09:56,789
‐OKAY. THANK YOU.
‐ALL RIGHT. BYE‐BYE.
276
00:09:56,790 --> 00:09:59,690
HELLO, WILSON.
277
00:09:59,693 --> 00:10:01,033
[ CHUCKLES ]
278
00:10:01,027 --> 00:10:04,167
I'VE BEEN TRYING TO CALL YOU
FOR TWO DAYS.
279
00:10:04,170 --> 00:10:06,840
WHERE'S THE CAR?
280
00:10:06,840 --> 00:10:08,910
WHAT?
281
00:10:10,544 --> 00:10:12,354
[ STAMMERS ]
YOU LOST IT?
282
00:10:12,345 --> 00:10:14,145
WHAT KIND OF FEDERAL AUCTION?
283
00:10:18,819 --> 00:10:21,189
BOY, I GOT YOU
AND YOUR BROTHER OFF.
284
00:10:21,187 --> 00:10:23,757
NOW, WHERE'S THE CAR?
285
00:10:23,757 --> 00:10:27,257
THE ONE I LEFT YOU
A FEW WEEKS AGO.
286
00:10:27,260 --> 00:10:30,700
YOU WERE SUPPOSED TO DESTROY IT.
287
00:10:30,697 --> 00:10:33,927
[ SCOFFS ]
288
00:10:33,934 --> 00:10:39,774
SO, IT'S JUST SITTING
ON THE YARD?
289
00:10:39,773 --> 00:10:42,643
WHERE'S THE TOW YARD?
290
00:10:42,643 --> 00:10:43,913
I ‐‐ I DON'T CARE
IF IT'S BEEN SOLD.
291
00:10:43,910 --> 00:10:46,680
JUST TELL ME WHERE
THE TOW YARD IS.
292
00:10:46,680 --> 00:10:48,980
[ SIGHS ]
293
00:11:09,042 --> 00:11:10,642
HOW LONG AM I OUT?
294
00:11:10,644 --> 00:11:14,154
NORMAN, DON'T GET
ANY IDEAS, OKAY?
295
00:11:14,147 --> 00:11:15,217
I'M NOT GETTING
ANY IDEAS.
296
00:11:15,215 --> 00:11:17,045
JUST WANT TO KNOW
HOW LONG.
297
00:11:17,050 --> 00:11:18,820
YOU'RE GONNA BE OUT
AS LONG AS I THINK IT TAKES
298
00:11:18,819 --> 00:11:20,089
FOR MY SON
TO LEARN HIS LESSON.
299
00:11:20,086 --> 00:11:21,616
SIMPLE, RIGHT?
300
00:11:21,622 --> 00:11:23,022
OKAY.
301
00:11:23,023 --> 00:11:24,893
‐OKAY?
‐CAN I ‐‐ CAN I SEE MY WIFE?
302
00:11:24,891 --> 00:11:27,191
NO, I DON'T THINK
THAT'S A GOOD IDEA.
303
00:11:27,193 --> 00:11:28,333
PLEASE.
304
00:11:28,328 --> 00:11:30,298
HEY, HEY, HEY,
DON'T BEG.
305
00:11:30,296 --> 00:11:31,796
GUYS?
306
00:11:31,798 --> 00:11:35,398
NORMAN, YOU WILL BE STAYING
WITH THESE GENTLEMEN HERE
307
00:11:35,401 --> 00:11:37,201
UNTIL IT'S TIME FOR YOU
TO GO BACK TO PRISON.
308
00:11:37,203 --> 00:11:38,973
MOW, IF YOU'RE
ON YOUR BEST BEHAVIOR,
309
00:11:38,972 --> 00:11:40,242
YOU WILL GET
TO SEE YOUR WIFE.
310
00:11:40,240 --> 00:11:41,340
YOU UNDERSTAND?
311
00:11:41,341 --> 00:11:42,381
YES.
312
00:11:42,375 --> 00:11:44,175
GOOD.
GOODBYE.
313
00:11:44,177 --> 00:11:46,507
OKAY.
BYE.
314
00:11:46,513 --> 00:11:48,483
THANK YOU.
315
00:11:52,986 --> 00:11:54,086
[ SIGHS ]
316
00:11:54,087 --> 00:11:55,117
WHO WAS THAT?
317
00:11:55,121 --> 00:11:58,191
WHAT?
IT WAS A GHOST.
318
00:11:58,191 --> 00:11:59,731
IT LOOKED LIKE THE GUY
THAT WAS ‐‐
319
00:11:59,726 --> 00:12:02,096
NO, IT DIDN'T LOOK
LIKE ANYONE, KATHRYN.
320
00:12:02,102 --> 00:12:04,812
NO ONE WAS HERE.
YOU DIDN'T SEE ANYONE, OKAY?
321
00:12:04,805 --> 00:12:08,605
WELL, IF NO ONE IS HERE,
WHERE IS WYATT?
322
00:12:08,609 --> 00:12:12,349
WYATT IS LEARNING
A LESSON.
323
00:12:12,345 --> 00:12:14,345
A LESSON, HOW?
324
00:12:14,347 --> 00:12:16,347
A LESSON IN TOUGH LOVE.
325
00:12:16,349 --> 00:12:18,619
HOW, JIM?
326
00:12:18,619 --> 00:12:20,689
YOU REALLY WANT TO KNOW?
327
00:12:20,687 --> 00:12:22,387
YES.
328
00:12:22,388 --> 00:12:24,728
WYATT IS IN PRISON.
329
00:12:24,725 --> 00:12:26,825
PRISON?
330
00:12:26,827 --> 00:12:28,187
YES.
331
00:12:28,194 --> 00:12:29,834
JIM, HE WON'T MAKE IT A DAY
IN THERE.
332
00:12:29,830 --> 00:12:31,000
THAT'S THE WHOLE POINT.
333
00:12:30,997 --> 00:12:32,697
OF COURSE HE WON'T MAKE IT
A DAY IN THERE.
334
00:12:32,699 --> 00:12:34,469
TELL ME
WHAT YOU'RE DOING.
335
00:12:36,469 --> 00:12:39,439
I HAD WYATT TRADE PLACES
WITH NORMAN IN PRISON.
336
00:12:39,439 --> 00:12:41,309
AFTER A WEEK, I WILL GO,
AND I WILL GET WYATT.
337
00:12:41,307 --> 00:12:43,677
AFTER A NIGHT, WYATT
WILL STOP TALKING ABOUT,
338
00:12:43,677 --> 00:12:45,447
"I WANT TO COME CLEAN,
I WANT TO COME CLEAN,"
339
00:12:45,445 --> 00:12:47,545
COME HOME,
AND BE A GOOD BOY.
340
00:12:47,548 --> 00:12:49,278
END OF LESSON.
341
00:12:49,282 --> 00:12:50,722
TOUGH LOVE IS ONE THING.
342
00:12:50,717 --> 00:12:52,887
PUTTING HIM IN DANGER'S WAY
IS ANOTHER.
343
00:12:52,886 --> 00:12:53,946
IS THIS WISE?
344
00:12:53,954 --> 00:12:55,794
KATHRYN, I'M NOT
AN IDIOT.
345
00:12:55,789 --> 00:12:57,589
HE'S PROTECTED IN THERE.
346
00:12:57,591 --> 00:12:59,161
I'VE GOT IT COVERED,
ALL RIGHT?
347
00:12:59,159 --> 00:13:01,169
WELL, YOU ALWAYS SAY
YOU HAVE THINGS COVERED,
348
00:13:01,167 --> 00:13:03,797
BUT HOW IS HE PROTECTED?
349
00:13:03,804 --> 00:13:06,074
EVERYONE OUR SON WILL EVER
350
00:13:06,072 --> 00:13:09,042
COME INTO CONTACT WITH
IN PRISON
351
00:13:09,042 --> 00:13:11,042
IS AN OFFICER, OKAY?
352
00:13:11,044 --> 00:13:12,154
HE'S FINE.
353
00:13:12,145 --> 00:13:13,745
I'VE THOUGHT THIS THROUGH.
354
00:13:13,747 --> 00:13:16,947
WELL, WHILE YOU'RE
PROTECTING HIM,
355
00:13:16,950 --> 00:13:18,990
WHO IS PROTECTING US?
356
00:13:18,985 --> 00:13:21,045
WHAT DOES THAT EVEN MEAN?
357
00:13:21,054 --> 00:13:23,864
OH, YOUR B. F. F.,
JENNIFER SALLISON, CALLED.
358
00:13:23,857 --> 00:13:25,257
SHE WANTS TO SEE US.
359
00:13:25,258 --> 00:13:27,028
‐REALLY?
‐OFF THE RECORD, OF COURSE.
360
00:13:27,027 --> 00:13:28,387
‐OFF THE RECORD?
‐MMM.
361
00:13:28,394 --> 00:13:29,634
KATHRYN,
THERE'S NO SUCH THING
362
00:13:29,630 --> 00:13:31,000
AS OFF THE RECORD
WITH JENNIFER SALLISON.
363
00:13:30,997 --> 00:13:32,127
SHE'S THE D. A.
364
00:13:32,132 --> 00:13:33,972
WELL, I KNOW, BUT SHE ASKED.
365
00:13:33,967 --> 00:13:36,637
AND WHAT DID YOU SAY?
366
00:13:36,637 --> 00:13:38,397
I SAID YES.
367
00:13:38,404 --> 00:13:40,914
IT'S ABOUT TIME WE STARTED
DEALING WITH THIS THING.
368
00:13:42,943 --> 00:13:44,753
ON THAT
WE CAN AGREE.
369
00:13:44,745 --> 00:13:47,605
SHE ALSO ASKED THAT
THE HARRINGTONS BE HERE.
370
00:13:47,614 --> 00:13:49,054
OH, SHE NEVER GIVES UP,
DOES SHE?
371
00:13:49,049 --> 00:13:50,449
NO, SHE DOESN'T.
372
00:13:50,450 --> 00:13:53,650
I'LL MAKE HER GIVE UP.
373
00:13:53,654 --> 00:13:56,024
SO, YOU'RE BACK.
374
00:13:56,022 --> 00:13:57,492
OH, NO, NO, NO.
I'M NOT BACK.
375
00:13:57,490 --> 00:14:00,130
I'M MUCH TOO FURIOUS
TO BE BACK.
376
00:14:00,126 --> 00:14:01,866
AND WHAT ABOUT
THE PROFESSOR?
377
00:14:01,868 --> 00:14:03,668
HE'S NEXT.
378
00:14:03,670 --> 00:14:05,740
[ SCOFFS ]
379
00:14:05,739 --> 00:14:08,139
SO, THERE GOES RETIREMENT.
380
00:14:08,141 --> 00:14:10,881
YEP.
381
00:14:10,877 --> 00:14:13,347
THERE IT GOES.
382
00:14:21,087 --> 00:14:22,287
I'M NOT SUPPOSED
TO BE HERE!
383
00:14:22,288 --> 00:14:23,688
CALM DOWN, NORMAN.
384
00:14:23,690 --> 00:14:24,690
I'M NOT NORMAN!
385
00:14:24,691 --> 00:14:26,231
WHATEVER.
386
00:14:26,226 --> 00:14:27,456
WHAT'S GOING ON?
387
00:14:27,460 --> 00:14:30,660
HEY!
HEY!
388
00:14:30,664 --> 00:14:32,204
WHAT'S GOING ON?
[ CELL DOOR SLAMS ]
389
00:14:35,035 --> 00:14:37,235
GET BACK HERE.
HEY!
390
00:14:47,247 --> 00:14:50,117
[ CELL DOOR OPENS ]
391
00:14:50,116 --> 00:14:51,886
[ CELL DOOR SLAMS ]
392
00:14:53,386 --> 00:14:54,886
DON'T SIT ON MY BUNK,
EVER!
393
00:14:54,888 --> 00:14:56,058
WHAT THE HELL, MAN?
394
00:14:58,124 --> 00:14:59,394
OKAY, YEAH.
395
00:14:59,392 --> 00:15:01,872
WHAT YOU IN HERE FOR?
396
00:15:01,868 --> 00:15:03,338
THERE'S BEEN A MIX‐UP.
397
00:15:03,336 --> 00:15:04,936
WHAT?
398
00:15:04,938 --> 00:15:07,608
YOU WANT TO HELP ME OUT
OR SOMETHING?
399
00:15:07,608 --> 00:15:10,908
[ SCOFFS ]
HELP YOU HOW?
400
00:15:10,911 --> 00:15:12,281
[ CHUCKLES ]
401
00:15:12,278 --> 00:15:14,278
WHAT DO I HAVE TO DO TO MAKE
A PHONE CALL AROUND HERE?
402
00:15:14,280 --> 00:15:15,880
YOU GOT TO PAY FOR THAT.
403
00:15:15,882 --> 00:15:17,122
YEAH, WELL, I DON'T
HAVE ANY MONEY.
404
00:15:17,117 --> 00:15:19,487
YOU DON'T NEED NO MONEY.
405
00:15:19,485 --> 00:15:21,185
BUT DON'T WE GET A CALL
OR SOMETHING?
406
00:15:25,225 --> 00:15:26,325
GUARD!
407
00:15:26,326 --> 00:15:27,756
HEY, MAN, WHO YOU
TRYING TO CALL?
408
00:15:27,761 --> 00:15:28,931
MY MOTHER.
409
00:15:28,929 --> 00:15:31,329
YOU WANT YOUR MAMA?
410
00:15:31,331 --> 00:15:33,431
YOU DON'T GET NO PHONE CALL,
MAN.
411
00:15:33,433 --> 00:15:34,973
BUT I NEED TO TALK
TO MY MOM.
412
00:15:34,968 --> 00:15:36,138
THAT AIN'T HAPPENING.
413
00:15:36,136 --> 00:15:37,596
WHAT?
414
00:15:37,604 --> 00:15:38,874
THAT AIN'T HAPPENING.
415
00:15:38,872 --> 00:15:40,072
WHY NOT?
416
00:15:41,708 --> 00:15:44,008
I NEED TO MAKE A CALL.
HEY, GUARD!
417
00:15:46,379 --> 00:15:47,979
HEY, GUARD?
418
00:15:47,981 --> 00:15:49,881
GUARD?
419
00:15:49,883 --> 00:15:51,893
STOP MAKING ALL THAT DAMN NOISE
UP IN HERE, MAN.
420
00:15:51,885 --> 00:15:53,385
LOOK, YOU DON'T
UNDERSTAND.
421
00:15:53,386 --> 00:15:55,216
WHAT IS IT, NORMAN?
422
00:15:57,257 --> 00:15:58,687
I'M NOT NORMAN.
423
00:15:58,692 --> 00:16:01,062
REALLY?
WELL, IT SAYS IN THE BOOK
424
00:16:01,061 --> 00:16:02,801
RIGHT NEXT TO YOUR NUMBER
THAT YOU'RE NORMAN.
425
00:16:02,803 --> 00:16:04,873
SO, WHAT IS IT?
426
00:16:04,871 --> 00:16:07,611
‐I'M NOT HIM.
‐WHAT THE HELL DO YOU WANT?
427
00:16:09,242 --> 00:16:13,582
I...
I...
428
00:16:13,580 --> 00:16:15,450
I NEED TO MAKE A PHONE CALL.
429
00:16:15,448 --> 00:16:16,578
COME ON, PLEASE?
430
00:16:16,583 --> 00:16:17,953
THAT AIN'T HAPPENING.
431
00:16:17,951 --> 00:16:19,451
WHY NOT?
432
00:16:19,452 --> 00:16:21,562
SON, YOU'VE BEEN HERE
LONG ENOUGH.
433
00:16:21,555 --> 00:16:22,915
YOU KNOW HOW THIS GOES.
434
00:16:22,923 --> 00:16:25,633
YOU DON'T GET
TO MAKE REQUESTS.
435
00:16:25,626 --> 00:16:27,226
HANDS OFF THE BARS.
436
00:16:27,227 --> 00:16:28,627
PLEASE?
437
00:16:30,096 --> 00:16:31,826
BUT...
438
00:16:35,902 --> 00:16:37,402
ARE YOU WHINING?
439
00:16:37,403 --> 00:16:39,073
HEY?
440
00:16:39,072 --> 00:16:40,242
HEY, NO DAMN WHINING!
441
00:16:40,240 --> 00:16:41,780
‐I'M NOT, I'M NOT...
‐SHUT UP!
442
00:16:41,775 --> 00:16:43,805
I'M NOT EVEN SUPPOSED
TO BE HERE.
443
00:16:43,810 --> 00:16:45,850
WHERE THE HELL IS NORMAN?
444
00:16:48,248 --> 00:16:49,578
S‐SO, YOU KNOW
THAT I'M NOT HIM?
445
00:16:49,583 --> 00:16:52,453
YEAH. WHERE HE AT?
446
00:16:52,452 --> 00:16:53,692
I DON'T KNOW.
THEY JUST ‐‐ THEY ‐‐
447
00:16:53,687 --> 00:16:55,987
THEY PUT ME HERE
IN HIS PLACE.
448
00:16:55,989 --> 00:16:58,989
I TOLD YOU, I'M NOT EVEN
SUPPOSED TO BE IN HERE.
449
00:16:58,992 --> 00:17:01,032
YEAH, WELL, YOU AIN'T
GONNA GET OUT NOW.
450
00:17:01,034 --> 00:17:02,874
THIS ISN'T RIGHT.
PLEASE.
451
00:17:02,869 --> 00:17:05,239
PLEASE WHAT?
452
00:17:05,238 --> 00:17:07,168
HUH?
453
00:17:08,775 --> 00:17:11,375
I GET IT.
YOU NEED ME LIKE HE DID.
454
00:17:11,377 --> 00:17:15,277
I'VE BEEN PROTECTING HIM
EVER SINCE HE'S BEEN IN HERE.
455
00:17:15,281 --> 00:17:18,721
TOLD HIM THIS AIN'T
NO PLACE FOR WIMPS.
456
00:17:18,719 --> 00:17:21,489
THEY WANT TO KILL HIM EVERY DAY
SINCE HE BEEN UP IN HERE
457
00:17:21,487 --> 00:17:23,317
FOR HITTING THAT LITTLE GIRL.
458
00:17:23,323 --> 00:17:25,363
WHAT ARE YOU DOING?
459
00:17:25,358 --> 00:17:26,558
‐HEY, WHAT ARE YOU DOING?
‐NO. SHH.
460
00:17:26,560 --> 00:17:27,590
WHAT ARE YOU DOING?
461
00:17:27,594 --> 00:17:28,664
WE'RE GONNA HAVE
A LITTLE FUN TONIGHT.
462
00:17:28,662 --> 00:17:29,962
‐HEY, STOP!
‐COME ON, LOVE.
463
00:17:29,963 --> 00:17:31,773
STOP IT!
464
00:17:31,765 --> 00:17:33,065
COME ON,
YOU KNOW HOW THIS GOES.
465
00:17:33,066 --> 00:17:34,936
HOW WHAT GOES?
466
00:17:34,935 --> 00:17:36,295
ME AND YOU, BABY.
467
00:17:36,302 --> 00:17:37,442
I'M NOT GAY.
468
00:17:37,437 --> 00:17:39,407
NEITHER AM I.
469
00:17:39,405 --> 00:17:41,835
BUT A MAN GOT TO TAKE CARE
OF HIS SELF.
470
00:17:41,842 --> 00:17:44,142
LOOK, NORMAN TOOK CARE
OF ME EVERY NIGHT.
471
00:17:44,144 --> 00:17:47,584
SO, SINCE HE'S GONE,
IT'S ME AND YOU.
472
00:17:47,581 --> 00:17:48,921
YOU'RE NOT
GONNA TOUCH ME.
473
00:17:48,915 --> 00:17:50,475
SO, SOON AS
LIGHTS‐OUT HAPPEN...
474
00:17:50,483 --> 00:17:51,753
[ CHUCKLES ]
475
00:17:51,752 --> 00:17:53,692
I'M SO HORNY.
476
00:17:53,687 --> 00:17:55,087
YOU'RE NOT GONNA
TOUCH ME.
477
00:17:55,088 --> 00:17:58,758
THEN I'M GONNA HAVE TO TAKE IT
LIKE I DID FROM NORMAN.
478
00:18:01,367 --> 00:18:03,197
WHAT DOES THAT MEAN?
479
00:18:03,203 --> 00:18:05,313
SOMEBODY SENT ME A GIFT.
480
00:18:05,305 --> 00:18:06,635
WHAT?
481
00:18:06,640 --> 00:18:08,680
YEAH.
482
00:18:08,675 --> 00:18:12,545
AND I'M GONNA OPEN
MY PRESENT TONIGHT.
483
00:18:12,546 --> 00:18:14,306
YOU'RE NOT GONNA TOUCH ME.
484
00:18:14,314 --> 00:18:15,684
WE'LL SEE.
485
00:18:15,682 --> 00:18:18,082
I'M LOOKING FORWARD
TO LIGHTS‐OUT TONIGHT, BABY.
486
00:18:18,084 --> 00:18:21,354
ME AND YOU, ME AND YOU.
487
00:18:21,354 --> 00:18:22,524
[ INHALES ]
488
00:18:22,523 --> 00:18:25,663
WHOO.
489
00:18:25,659 --> 00:18:28,359
[ CHUCKLES ]
490
00:18:28,361 --> 00:18:31,771
OOH! I'M GETTING EXCITED,
THINKING ABOUT IT.
491
00:18:31,765 --> 00:18:33,395
DAMN.
492
00:18:33,399 --> 00:18:34,899
MMM.
493
00:18:34,901 --> 00:18:38,511
[ GRUNTS ]
494
00:18:38,505 --> 00:18:41,535
YEAH, YEAH.
495
00:18:41,542 --> 00:18:43,782
[ CHUCKLES ]
496
00:18:43,777 --> 00:18:46,647
[ CRYING ]
497
00:19:04,237 --> 00:19:06,637
[ HORN BLOWS ]
498
00:19:06,640 --> 00:19:07,910
[ CHUCKLES ]
499
00:19:07,908 --> 00:19:09,178
DAMN.
500
00:19:09,175 --> 00:19:10,805
THIS MY OWN TOW TRUCK
COMPANY?
501
00:19:10,811 --> 00:19:12,081
YEAH?
502
00:19:12,078 --> 00:19:13,508
ALL THESE CARS MINE, HUH?
503
00:19:13,514 --> 00:19:15,454
YEAH, THEY ALL CAME
WITH THE AUCTION.
504
00:19:15,448 --> 00:19:16,748
I MEAN, I'M SURE
SOME OF THEM START,
505
00:19:16,750 --> 00:19:19,750
BUT, YOU KNOW, THERE ARE
A LOT OF WRECKS HERE.
506
00:19:19,753 --> 00:19:21,123
YOU GOT ALL THE KEYS
TO 'EM?
507
00:19:21,121 --> 00:19:22,421
MM‐HMM.
508
00:19:22,422 --> 00:19:24,732
[ SIGHS ]
509
00:19:24,725 --> 00:19:25,925
NOW, THIS JOINT RIGHT HERE,
510
00:19:25,926 --> 00:19:28,556
I'M GONNA FIX THAT UP,
GIVE THAT TO MOM.
511
00:19:28,562 --> 00:19:31,002
I THOUGHT SHE HAD A CAR.
512
00:19:30,997 --> 00:19:32,197
WELL, SHE DID.
513
00:19:32,198 --> 00:19:34,168
I WRECKED IT.
514
00:19:34,167 --> 00:19:35,567
WHAT?
515
00:19:35,569 --> 00:19:36,639
YEAH.
516
00:19:36,637 --> 00:19:38,507
HOW?
517
00:19:38,505 --> 00:19:39,765
DON'T WORRY ABOUT IT.
518
00:19:39,773 --> 00:19:42,583
HOW, BENNY?
519
00:19:42,576 --> 00:19:44,706
HOLD UP.
520
00:19:44,711 --> 00:19:47,481
HOW'D YOU KNOW
ABOUT HER CAR?
521
00:19:47,480 --> 00:19:50,420
I SAW IT.
522
00:19:50,416 --> 00:19:51,986
NO, YOU DIDN'T.
523
00:19:51,985 --> 00:19:53,715
I AIN'T TELL YOU ABOUT IT,
EITHER.
524
00:19:56,456 --> 00:19:58,056
COME ON.
525
00:19:58,058 --> 00:19:59,828
COME CLEAN.
526
00:20:02,068 --> 00:20:03,738
ERICA.
527
00:20:03,737 --> 00:20:06,537
SO, YOU SET ME UP.
528
00:20:06,540 --> 00:20:08,010
COME ON, NOW.
529
00:20:08,008 --> 00:20:09,878
YOU KNOW YOU'RE WRONG
FOR THAT.
530
00:20:09,876 --> 00:20:11,546
LISTEN.
531
00:20:11,545 --> 00:20:13,975
I WANTED HER TO HAVE IT,
532
00:20:13,980 --> 00:20:15,650
AND YOU KNOW SHE WOULDN'T
HAVE TAKEN IT FROM ME.
533
00:20:15,649 --> 00:20:17,119
IT WAS ALL LEGIT.
534
00:20:17,117 --> 00:20:19,147
SO, YOU BOUGHT MOM
A CAR, HUH?
535
00:20:19,152 --> 00:20:22,722
YEAH, BUT SHE WOULDN'T CARE,
ANYWAY.
536
00:20:22,723 --> 00:20:24,423
WHY DIDN'T YOU
JUST TELL ME?
537
00:20:24,424 --> 00:20:26,134
CERTAIN THINGS
YOU DON'T NEED TO KNOW.
538
00:20:26,126 --> 00:20:28,726
WELL, THERE ARE SOME THINGS
I NEED TO KNOW.
539
00:20:28,729 --> 00:20:31,159
THAT'S WHY I TOOK YOU
TO MY JOB.
540
00:20:31,164 --> 00:20:33,574
YEAH.
541
00:20:35,301 --> 00:20:37,541
LISTEN, I'M SORRY
I DIDN'T TELL YOU,
542
00:20:37,538 --> 00:20:39,008
BUT YOU KNOW OUR MAMA.
543
00:20:39,005 --> 00:20:40,605
YEAH, I DO.
544
00:20:40,607 --> 00:20:42,477
DO YOURSELF A FAVOR.
545
00:20:42,475 --> 00:20:43,775
WHAT'S THAT?
546
00:20:43,777 --> 00:20:46,347
ALL THIS...
547
00:20:46,346 --> 00:20:47,376
DON'T TELL HER.
548
00:20:47,380 --> 00:20:48,620
[ SCOFFS ]
549
00:20:48,615 --> 00:20:49,645
HOW AM I NOT GONNA TELL HER
550
00:20:49,650 --> 00:20:50,720
ABOUT THIS TOW TRUCK COMPANY?
551
00:20:50,717 --> 00:20:52,117
YOU KNOW ME ‐‐
I CAN'T HIDE THAT.
552
00:20:52,118 --> 00:20:54,918
YOU CAN TELL HER
YOU'RE WORKING HERE.
553
00:20:54,921 --> 00:20:56,761
SHE DOESN'T NEED TO KNOW
YOU OWN IT.
554
00:20:56,757 --> 00:20:58,217
LOOK, I'M NOT LYING TO HER.
555
00:20:58,224 --> 00:21:01,174
TECHNICALLY, IT'S NOT LYING.
556
00:21:01,167 --> 00:21:02,597
HOW'S THAT?
557
00:21:02,603 --> 00:21:06,413
YOU COULD...WORK FOR ME.
558
00:21:06,406 --> 00:21:07,506
SINCE YOU OWE ME THE MONEY.
559
00:21:07,508 --> 00:21:09,038
[ CHUCKLES ]
NO.
560
00:21:09,042 --> 00:21:12,552
LISTEN, I'M NOT SAYING
TO LIE TO HER.
561
00:21:12,546 --> 00:21:14,746
I'M JUST SAYING, DON'T TELL HER
EVERYTHING. THAT'S ALL.
562
00:21:14,748 --> 00:21:16,018
NO WAY.
563
00:21:16,016 --> 00:21:19,016
THINK ABOUT IT.
564
00:21:19,019 --> 00:21:21,189
LOOK, I ALREADY
SAW YOUR JOB.
565
00:21:21,187 --> 00:21:22,857
I'LL JUST TELL HER
THE TRUTH.
566
00:21:22,856 --> 00:21:24,556
SHE WON'T BELIEVE YOU.
567
00:21:24,558 --> 00:21:26,728
YES, SHE WILL.
568
00:21:26,727 --> 00:21:29,627
BENNY, DON'T TELL HER.
569
00:21:29,630 --> 00:21:31,160
LET IT GO.
570
00:21:31,164 --> 00:21:33,674
I AM TELLING YOU, IF YOU
TELL HER THIS PLACE IS YOURS,
571
00:21:33,667 --> 00:21:35,797
SHE WILL NOT LET YOU HAVE
ANY PEACE ABOUT IT.
572
00:21:35,802 --> 00:21:38,172
COME ON.
573
00:21:38,171 --> 00:21:39,911
THIS IS WHAT YOU'VE
BEEN WAITING FOR.
574
00:21:39,906 --> 00:21:41,936
A PLACE OF YOUR OWN.
575
00:21:41,942 --> 00:21:43,682
DON'T LET HER PISS
ON YOUR DREAM.
576
00:21:43,677 --> 00:21:45,107
WELL, LOOK, IT'S NOT LIKE
577
00:21:45,111 --> 00:21:47,181
I CAN RUN IT BY MYSELF,
ANYWAY, RIGHT?
578
00:21:47,180 --> 00:21:49,880
SO, MAYBE SHE WORKS FOR ME.
579
00:21:49,883 --> 00:21:51,383
OH, PLEASE.
580
00:21:51,384 --> 00:21:53,324
WHAT?
I DON'T WANT TO SEE HER
581
00:21:53,319 --> 00:21:54,559
WORKING FOR THEM FOLK,
ANYWAY.
582
00:21:54,555 --> 00:21:55,785
[ SIGHS ]
ONE STEP AT A TIME.
583
00:21:55,789 --> 00:21:57,019
YOU KNOW SHE CAN'T MOVE FAST.
584
00:21:57,023 --> 00:21:58,063
LET ME TELL YOU SOMETHING.
585
00:21:58,058 --> 00:22:00,728
THIS IS FAST.
586
00:22:00,727 --> 00:22:03,037
YOU KNOW SHE'S OLD‐FASHIONED
AND SHE LOVES MAIDING.
587
00:22:03,036 --> 00:22:04,266
STOP IT.
588
00:22:04,270 --> 00:22:06,010
IT'S TRUE.
SHE WON'T.
589
00:22:06,006 --> 00:22:08,206
WHAT IS THIS
OTHER SURPRISE?
590
00:22:08,208 --> 00:22:10,908
I'LL TELL YOU TOMORROW.
591
00:22:10,911 --> 00:22:13,281
BUT THAT'S IF IT'S NOT
MOVING TOO FAST FOR YOU.
592
00:22:13,279 --> 00:22:14,949
OH, COME ON, TELL ME.
593
00:22:14,948 --> 00:22:16,448
MNH‐MNH.
594
00:22:16,449 --> 00:22:18,279
[ SUCKS TEETH ]
595
00:22:19,953 --> 00:22:21,693
WHO THE HELL IS THIS?
596
00:22:21,688 --> 00:22:23,188
WHAT'S SHE DOING HERE?
597
00:22:40,406 --> 00:22:41,836
MRS. HARRINGTON.
598
00:22:41,842 --> 00:22:43,612
BENJAMIN?
599
00:22:43,610 --> 00:22:45,050
HI.
600
00:22:45,045 --> 00:22:47,305
WHAT ARE YOU
DOING HERE?
601
00:22:47,313 --> 00:22:49,123
I'M LOOKING FOR THE OWNER.
602
00:22:49,115 --> 00:22:50,375
HE IS THE OWNER.
603
00:22:52,185 --> 00:22:54,185
NO, THIS PLACE IS OWNED
BY SOMEONE ELSE.
604
00:22:54,187 --> 00:22:55,387
NOT ANYMORE.
605
00:22:55,388 --> 00:22:57,518
EXCUSE ME?
606
00:22:57,524 --> 00:23:01,034
WHAT THE HELL ARE YOU
DOING HERE, VERONICA?
607
00:23:01,034 --> 00:23:03,044
WHAT ARE YOU SAYING?
608
00:23:03,036 --> 00:23:04,506
YOU OWN THIS PLACE?
609
00:23:04,505 --> 00:23:05,705
YES.
610
00:23:05,706 --> 00:23:07,806
IT JUST WENT UP
FOR AUCTION.
611
00:23:07,808 --> 00:23:09,778
I KNOW THAT.
612
00:23:09,776 --> 00:23:11,306
AND HE BOUGHT IT.
613
00:23:11,311 --> 00:23:13,551
YOU DID?
614
00:23:15,315 --> 00:23:17,445
YEAH.
615
00:23:17,450 --> 00:23:19,750
GUESS THE OWNERS LOST IT
616
00:23:19,753 --> 00:23:21,193
IN SOME TYPE
OF EMBEZZLEMENT SCHEME.
617
00:23:21,187 --> 00:23:24,017
BUT WHAT ARE YOU
DOING HERE?
618
00:23:24,024 --> 00:23:25,964
I'M SORRY.
I SHOULD'VE KNOWN THAT.
619
00:23:25,959 --> 00:23:27,659
‐THEY'RE MY CLIENTS.
‐MMM.
620
00:23:27,661 --> 00:23:31,201
I HADN'T HEARD FROM THEM,
SO I THOUGHT I'D COME BY.
621
00:23:31,197 --> 00:23:33,067
YOU'RE LYING.
622
00:23:33,066 --> 00:23:38,066
SO, I GUESS THEY'RE NOT HERE.
OKAY.
623
00:23:38,071 --> 00:23:40,441
WHY ARE YOU REALLY HERE?
624
00:23:40,440 --> 00:23:44,780
SO, WERE ALL THE VEHICLES
A PART OF THAT AUCTION?
625
00:23:44,778 --> 00:23:45,878
YEAH.
626
00:23:45,879 --> 00:23:47,149
STOP TALKING TO HER.
627
00:23:47,147 --> 00:23:48,247
WHAT? WHY?
628
00:23:48,248 --> 00:23:50,048
‐THIS HO'S UP TO SOMETHING.
‐YO...
629
00:23:50,050 --> 00:23:51,050
WHAT?
630
00:23:51,051 --> 00:23:52,091
DON'T TALK TO HER
LIKE THAT.
631
00:23:52,085 --> 00:23:54,215
I KNOW HER.
632
00:23:54,220 --> 00:23:56,760
YOU KNOW, THERE'S REALLY NO NEED
FOR ME TO STICK AROUND HERE,
633
00:23:56,757 --> 00:24:00,127
SO, THANK YOU,
AND I'LL SEE YOU LATER.
634
00:24:02,435 --> 00:24:04,605
BYE.
635
00:24:12,178 --> 00:24:13,978
WHAT THE HELL WAS THAT?
636
00:24:13,980 --> 00:24:16,180
I DON'T KNOW.
637
00:24:16,182 --> 00:24:18,622
DON'T TRUST IT.
638
00:24:18,619 --> 00:24:20,049
HOW DO YOU KNOW HER?
639
00:24:20,053 --> 00:24:22,693
THAT'S JEFFERY'S MOTHER.
640
00:24:22,689 --> 00:24:26,259
AH, I DIDN'T
EVEN KNOW THAT.
641
00:24:26,259 --> 00:24:29,699
YEAH.
BUT HOW DO YOU KNOW HER?
642
00:24:29,696 --> 00:24:32,066
THAT WAS THE WOMAN
THAT HELPED ME OUT
643
00:24:32,065 --> 00:24:33,125
WITH OUR LAST PROBLEM.
644
00:24:33,133 --> 00:24:34,473
‐THAT WAS HER?
‐YOU REMEMBER. YEAH.
645
00:24:34,467 --> 00:24:37,067
THE ONE WHO GOT YOU OFF.
646
00:24:37,070 --> 00:24:38,440
MM‐HMM.
647
00:24:38,438 --> 00:24:39,808
GOT IT.
648
00:24:39,806 --> 00:24:40,836
WHAT?
649
00:24:40,841 --> 00:24:42,811
NOTHING.
650
00:24:42,809 --> 00:24:43,839
[ CHUCKLES ]
I GOT IT.
651
00:24:43,844 --> 00:24:45,214
GOT WHAT?
WHAT DO YOU GOT?
652
00:24:45,211 --> 00:24:47,681
BUT WHAT I DON'T UNDERSTAND
IS, WHY IS SHE HERE?
653
00:24:50,150 --> 00:24:52,650
I DON'T KNOW.
654
00:24:57,357 --> 00:24:59,187
HMM.
655
00:25:17,050 --> 00:25:18,690
[ CELLPHONE VIBRATING ]
656
00:25:18,685 --> 00:25:21,785
[ BEEPS ]
657
00:25:21,788 --> 00:25:23,458
YEAH, WAR.
658
00:25:23,456 --> 00:25:24,986
HEY, I APPRECIATE
YOU CALLING ME BACK, BRO.
659
00:25:24,991 --> 00:25:26,161
ALL RIGHT, LISTEN.
660
00:25:26,159 --> 00:25:28,059
THIS IS GONNA SOUND
A LITTLE BIT CRAZY,
661
00:25:28,061 --> 00:25:29,901
BUT I NEED SOME METH.
662
00:25:29,896 --> 00:25:32,266
METH, YEAH.
CRYSTAL METH.
663
00:25:32,265 --> 00:25:33,665
I NEED SOME.
664
00:25:33,667 --> 00:25:35,097
NAH, BRO, IT'S NOT FOR ME.
665
00:25:35,101 --> 00:25:38,401
YEAH. YEAH?
ALL RIGHT, LISTEN.
666
00:25:38,404 --> 00:25:40,344
I'M GONNA COME CHECK YOU OUT
IN ABOUT AN HOUR.
667
00:25:40,340 --> 00:25:41,370
OKAY?
668
00:25:41,374 --> 00:25:42,814
LOOK, JUST FLOAT IT TO ME.
669
00:25:42,809 --> 00:25:44,949
I'LL GIVE YOU THE MONEY BACK
IN A FEW DAYS.
670
00:25:44,945 --> 00:25:46,705
NO.
671
00:25:46,713 --> 00:25:48,583
YEAH, LOOK, I NEED THIS, WAR.
672
00:25:50,617 --> 00:25:53,287
ALL RIGHT, MAN.
673
00:26:14,681 --> 00:26:17,851
[ TV PLAYING ]
674
00:26:25,091 --> 00:26:27,231
[ CLEARS THROAT ]
675
00:26:38,572 --> 00:26:40,842
[ SIGHS ]
676
00:26:40,841 --> 00:26:42,941
HEY.
677
00:26:42,943 --> 00:26:45,153
HEY.
678
00:26:45,145 --> 00:26:47,605
WHERE YOU BEEN?
679
00:26:47,614 --> 00:26:49,524
‐CANDACE.
‐MMM.
680
00:26:52,352 --> 00:26:53,922
YOU KNOW SHE GOT A NEW CAR,
RIGHT?
681
00:26:53,920 --> 00:26:54,920
IS THAT RIGHT?
682
00:26:54,921 --> 00:26:57,491
MM‐HMM.
683
00:26:57,490 --> 00:26:59,430
SO, WHAT, THAT'S ALL YOU GOT
TO SAY ABOUT IT?
684
00:26:59,425 --> 00:27:01,665
WELL, SINCE YOU ASKED,
685
00:27:01,668 --> 00:27:04,668
I THINK I SAW IT.
686
00:27:04,671 --> 00:27:05,841
STAY OUT OF IT.
687
00:27:05,839 --> 00:27:08,109
REMEMBER, HER LAST NEW CAR
GOT YOU LOCKED UP.
688
00:27:08,108 --> 00:27:10,478
YEAH, WELL, I ALREADY WENT
FOR A RIDE IN IT.
689
00:27:10,476 --> 00:27:12,176
BENJAMIN...
690
00:27:12,178 --> 00:27:14,578
SHOOT, I'M NOT TRYING
TO HEAR IT RIGHT NOW.
691
00:27:14,581 --> 00:27:17,851
YOU KNOW WHAT?
YOU'RE GETTING BESIDE YOURSELF.
692
00:27:17,851 --> 00:27:19,621
FIRST YOU BRING THAT WOMAN
IN MY HOUSE,
693
00:27:19,620 --> 00:27:21,320
THEN YOU GO RIDING SOMEWHERE
WITH THAT GIRL.
694
00:27:21,321 --> 00:27:22,821
THAT GIRL IS MY SISTER.
695
00:27:22,823 --> 00:27:25,233
YEAH, AND YOU KNOW SHE CAN'T
DO RIGHT TO SAVE HER LIFE.
696
00:27:27,193 --> 00:27:29,003
YOU KNOW
WHERE SHE TOOK ME?
697
00:27:28,995 --> 00:27:30,695
I DON'T KNOW,
AND I DON'T CARE.
698
00:27:30,697 --> 00:27:33,267
WHEREVER IT IS,
IT'S PROBABLY SOME CON.
699
00:27:33,266 --> 00:27:34,536
‐I WENT TO HER JOB.
‐WHAT?
700
00:27:34,535 --> 00:27:35,695
YEAH.
701
00:27:35,702 --> 00:27:37,342
SHE REALLY HAVE A JOB?
702
00:27:37,337 --> 00:27:38,907
YEP.
703
00:27:38,905 --> 00:27:40,305
[ SCOFFS ]
BENJAMIN...
704
00:27:40,306 --> 00:27:41,836
LOOK, I SEEN IT
WITH MY OWN EYES.
705
00:27:41,842 --> 00:27:44,552
SHE GOT AN OFFICE,
NAME TAG ON THE DOOR,
706
00:27:44,545 --> 00:27:45,945
SHE GOT HER OWN SECRETARY.
707
00:27:45,946 --> 00:27:48,916
IT'S A NICE OFFICE, TOO.
WAIT UNTIL YOU SEE IT.
708
00:27:48,915 --> 00:27:50,745
I'M TELLING YOU,
IT'S LEGIT.
709
00:27:50,751 --> 00:27:53,021
THEY EXTENDED HER
HER OWN LINE OF CREDIT.
710
00:27:53,019 --> 00:27:55,589
TELLING YOU, THEY LOVE HER
OVER THERE.
711
00:27:56,923 --> 00:27:58,163
AND YOU SAW IT?
712
00:27:58,158 --> 00:27:59,628
LISTEN,
WITH MY OWN EYES.
713
00:27:59,626 --> 00:28:02,196
I'M NOT LYING TO YOU.
IT'S LEGIT.
714
00:28:02,202 --> 00:28:03,872
MMM.
715
00:28:03,870 --> 00:28:05,510
OKAY, GOOD.
716
00:28:08,141 --> 00:28:09,911
NO, BEN,
I DON'T BELIEVE IT.
717
00:28:09,910 --> 00:28:11,280
LISTEN, I HEARD THAT.
718
00:28:11,277 --> 00:28:13,607
I DON'T, BENNY.
SORRY.
719
00:28:13,614 --> 00:28:15,684
THAT'S BECAUSE YOU'RE EXPECTING
THE WORST FROM HER, THAT'S WHY.
720
00:28:15,682 --> 00:28:18,182
NO, I EXPECT CANDACE
TO BE CANDACE.
721
00:28:18,184 --> 00:28:20,354
SHE GONNA BE WHO SHE IS.
I'M JUST TELLING YOU.
722
00:28:20,353 --> 00:28:23,523
WHATEVER.
723
00:28:27,193 --> 00:28:28,533
WHERE YOU GOING NOW?
724
00:28:28,529 --> 00:28:30,559
I GOT A TOW.
725
00:28:30,564 --> 00:28:33,004
OKAY.
726
00:28:39,973 --> 00:28:41,213
I'LL BE BACK.
727
00:28:41,207 --> 00:28:42,837
AND WE'RE NOT FINISHED
TALKING ABOUT THAT WOMAN
728
00:28:42,843 --> 00:28:44,043
YOU BROUGHT UP IN MY HOUSE,
EITHER.
729
00:28:44,044 --> 00:28:45,984
GOODBYE, MOM.
730
00:28:45,979 --> 00:28:48,209
I'M SERIOUS, BENJAMIN.
731
00:28:59,459 --> 00:29:01,669
Watts: LIGHTS OUT.
732
00:29:01,668 --> 00:29:03,098
[ DOOR SLAMS ]
733
00:29:03,103 --> 00:29:05,943
[ CELL DOOR SLAMS ]
734
00:29:07,808 --> 00:29:10,678
NORMAN?
735
00:29:10,677 --> 00:29:12,807
NORMAN,
YOU HEAR ME CALLING YOU?
736
00:29:12,813 --> 00:29:16,083
[ Singsong ]
IT'S THAT TI‐IME.
737
00:29:16,082 --> 00:29:18,722
PLEASE DON'T.
738
00:29:18,719 --> 00:29:22,219
[ DISTANT SHOUTS, CLANGS ]
739
00:29:25,859 --> 00:29:27,529
COME ON, MAN.
740
00:29:27,528 --> 00:29:28,958
COME ON, IT'S JUST SOMETHING
741
00:29:28,962 --> 00:29:30,802
YOU'RE GONNA HAVE TO
GET USED TO.
742
00:29:30,797 --> 00:29:33,267
COME ON, MAN.
743
00:29:33,266 --> 00:29:35,466
‐DON'T TOUCH ME.
‐CO‐‐
744
00:29:35,468 --> 00:29:36,798
OH, IT'S LIKE THAT?
745
00:29:36,803 --> 00:29:38,103
YOU GONNA MAKE ME TAKE IT?
746
00:29:38,104 --> 00:29:39,474
‐HUH?
‐STOP! STOP!
747
00:29:39,472 --> 00:29:40,472
IT'S LIKE THAT?
748
00:29:40,473 --> 00:29:42,383
STOP!
STOP! STOP!
749
00:29:42,375 --> 00:29:43,475
YOU GONNA MAKE ME TAKE IT?
750
00:29:43,476 --> 00:29:45,046
THAT'S WHAT I'M IN HERE
FOR, DAWG ‐‐ RAPE.
751
00:29:45,045 --> 00:29:46,305
THAT'S WHY THEY GOT US
IN THIS CELL.
752
00:29:46,312 --> 00:29:47,482
STOP!
753
00:29:47,480 --> 00:29:48,520
THEY PUT ME IN HERE
FROM GENERAL POP.
754
00:29:48,515 --> 00:29:49,545
‐LET'S GO.
‐STOP!
755
00:29:49,550 --> 00:29:51,350
HUH?
756
00:29:51,351 --> 00:29:54,961
[ GRUNTING ]
757
00:29:59,259 --> 00:30:00,769
GUARD!
758
00:30:00,767 --> 00:30:02,667
GUARD!
GUARD!
759
00:30:02,669 --> 00:30:04,909
COME ON, YOU'RE GONNA
LOVE THIS, MAN.
760
00:30:04,905 --> 00:30:06,665
GUARD!
GUARD!
761
00:30:06,673 --> 00:30:08,113
[ GRUNTING ]
762
00:30:08,108 --> 00:30:09,608
RICO!
763
00:30:09,610 --> 00:30:14,310
LEAVE THE KID ALONE.
764
00:30:14,314 --> 00:30:16,624
SORRY, WATTS.
765
00:30:16,617 --> 00:30:18,117
I'M GONNA COME BACK HERE
766
00:30:18,118 --> 00:30:20,218
EVERY THREE MINUTES
IF I HAVE TO.
767
00:30:20,220 --> 00:30:22,390
OKAY.
768
00:30:22,388 --> 00:30:25,328
YOU KNOW YOU GOT IN TROUBLE
FOR THIS BEFORE, RIGHT?
769
00:30:25,325 --> 00:30:26,955
TWO WEEKS IN THE HOLE.
770
00:30:26,960 --> 00:30:28,600
YEAH, YEAH.
771
00:30:28,595 --> 00:30:30,525
CAN I HAVE ANOTHER CELL, PLEASE?
772
00:30:30,531 --> 00:30:32,631
PLEASE?
773
00:30:32,633 --> 00:30:33,903
HE WON'T BOTHER YOU.
774
00:30:35,836 --> 00:30:36,896
Wyatt: PLEASE!
775
00:30:36,903 --> 00:30:38,673
PLEASE.
776
00:30:38,672 --> 00:30:40,342
PLEASE!
777
00:30:43,209 --> 00:30:46,579
I AIN'T GONNA BOTHER YOU.
778
00:30:46,580 --> 00:30:49,080
SHIFT CHANGE IS IN 30 MINUTES.
779
00:30:49,082 --> 00:30:52,652
THOSE GUARDS DON'T CARE.
780
00:30:52,653 --> 00:30:55,393
SOME OF 'EM LIKE TO WATCH.
781
00:30:55,388 --> 00:30:59,058
[ CHUCKLES ]
782
00:31:04,404 --> 00:31:07,744
[ CRYING ]
783
00:31:12,378 --> 00:31:14,148
[ CRICKETS CHIRPING ]
784
00:31:42,609 --> 00:31:45,479
WANTED TO MAKE SURE
YOU'RE OKAY.
785
00:31:45,478 --> 00:31:49,048
I'M NOT OKAY.
786
00:31:49,049 --> 00:31:50,879
THAT, I KNOW.
787
00:31:52,185 --> 00:31:56,255
I DON'T THINK I'LL EVER
BE OKAY AGAIN.
788
00:31:58,692 --> 00:32:00,732
OH.
789
00:32:00,734 --> 00:32:04,574
WYATT, WYATT, WYATT.
790
00:32:04,571 --> 00:32:06,141
JIM...
791
00:32:06,139 --> 00:32:07,739
DON'T.
792
00:32:07,741 --> 00:32:10,411
HE'S RIGHT.
793
00:32:10,410 --> 00:32:12,210
‐DON'T GO BACK THERE.
‐HE IS. HE'S RIGHT.
794
00:32:12,212 --> 00:32:14,582
WHEN HE WAS BEING VIOLATED,
I WASN'T THERE.
795
00:32:14,581 --> 00:32:16,221
I COULD'VE BEEN.
796
00:32:16,216 --> 00:32:18,916
BUT I WAS WITH CELINE.
797
00:32:22,288 --> 00:32:23,788
I'VE HAD TO LIVE
WITH THE GUILT OF THAT
798
00:32:23,790 --> 00:32:27,790
EVER SINCE THE MOMENT
I FOUND OUT ABOUT IT.
799
00:32:27,794 --> 00:32:29,804
AND NOW AMANDA.
800
00:32:29,796 --> 00:32:32,066
I SHOULD'VE BEEN HERE
FOR AMANDA, BUT I COULDN'T.
801
00:32:34,735 --> 00:32:37,035
AND I'VE GOT TO LIVE
WITH THAT GUILT.
802
00:32:39,305 --> 00:32:40,865
I HAVE TRIED SO DESPERATELY
803
00:32:40,874 --> 00:32:43,584
TO MAKE THINGS RIGHT
FOR MY CHILDREN ‐‐ FIX IT.
804
00:32:48,381 --> 00:32:50,851
IT'S LIKE ONE OF THOSE
NIGHTMARES, THOUGH.
805
00:32:50,851 --> 00:32:53,921
YOU GOT A MONSTER ON YOUR ASS,
BUT YOU CAN'T GET AWAY
806
00:32:53,920 --> 00:32:56,590
'CAUSE YOUR FEET ARE SO DAMN
HEAVY, YOU CAN'T EVEN MOVE.
807
00:32:58,825 --> 00:33:01,425
I DON'T KNOW HOW IN THE HELL
I GOT...
808
00:33:01,434 --> 00:33:07,074
HERE FROM THERE.
809
00:33:07,073 --> 00:33:10,783
I HAVE SINGLE‐HANDEDLY
DESTROYED THE LIVES
810
00:33:10,777 --> 00:33:13,907
OF THE TWO PEOPLE I LOVE MOST
IN THIS ENTIRE WORLD,
811
00:33:13,914 --> 00:33:17,584
MY CHILDREN.
812
00:33:21,622 --> 00:33:24,532
WELL, HERE'S WHAT I KNOW.
813
00:33:26,660 --> 00:33:28,660
AS PARENTS WHO LOVE
OUR CHILDREN...
814
00:33:31,397 --> 00:33:34,067
...WE DO OUR BEST
TO PROTECT THEM.
815
00:33:36,603 --> 00:33:40,413
REGARDLESS,
THEY GET BRUISED,
816
00:33:40,406 --> 00:33:43,176
SOMETIMES BROKEN.
817
00:33:43,176 --> 00:33:47,606
AND WE WATCH THEM GROW,
818
00:33:47,614 --> 00:33:51,424
AND WE CARE FOR THEM,
819
00:33:51,417 --> 00:33:54,817
AND WE LOVE THEM.
820
00:33:57,257 --> 00:34:02,197
AND ‐‐ AND I KNOW
YOU WEREN'T THERE.
821
00:34:02,202 --> 00:34:05,612
AND NOW I KNOW WHY YOU FEEL
822
00:34:05,606 --> 00:34:07,836
SO MUCH GUILT ABOUT IT.
823
00:34:07,841 --> 00:34:10,511
BUT I ALSO KNOW
824
00:34:10,511 --> 00:34:13,211
THAT YOU LOVE
YOUR CHILDREN.
825
00:34:16,382 --> 00:34:18,922
AND WHAT'S IMPORTANT
826
00:34:18,919 --> 00:34:22,259
IS WHAT YOU DO NOW.
827
00:34:22,255 --> 00:34:24,725
THAT'S WHAT MATTERS.
828
00:34:24,725 --> 00:34:28,285
WHAT YOU DO NOW.
829
00:34:28,294 --> 00:34:32,574
IS THAT RIGHT?
830
00:34:32,566 --> 00:34:37,096
YES, IT IS.
831
00:34:37,103 --> 00:34:39,443
[ INHALES ]
832
00:34:39,439 --> 00:34:42,839
[ Voice breaking ]
BUT SHE'S GONE.
833
00:34:42,843 --> 00:34:46,983
DAVID, SHE'S GONE.
834
00:34:46,980 --> 00:34:49,450
YES.
835
00:34:52,619 --> 00:34:55,059
YES.
836
00:35:43,043 --> 00:35:45,583
‐HEY. HOW YOU DOING?
‐HI.
837
00:35:45,579 --> 00:35:46,649
I'M HERE TO BAIL
SOMEBODY OUT.
838
00:35:46,647 --> 00:35:47,647
OKAY. WHO IS THAT?
839
00:35:47,648 --> 00:35:49,448
HIS NAME'S QUINCY MAXWELL.
840
00:35:49,449 --> 00:35:52,889
OKAY. BAIL IS $5,000,
CASH ONLY.
841
00:35:52,886 --> 00:35:54,386
MOVE YOUR HANDS.
842
00:35:58,124 --> 00:35:59,894
IT'S ALL THERE.
843
00:35:59,893 --> 00:36:01,743
UH, OKAY.
844
00:36:01,735 --> 00:36:03,335
WELL, SIGN IN, HAVE A SEAT,
845
00:36:03,336 --> 00:36:04,706
AND I'LL GET
YOUR PAPERWORK STARTED.
846
00:36:04,705 --> 00:36:06,505
OKAY.
847
00:36:09,442 --> 00:36:11,312
UM, DO YOU KNOW
WHAT PART
848
00:36:11,311 --> 00:36:12,751
OF THE JAIL
HE'S COMING OUT OF?
849
00:36:12,746 --> 00:36:14,106
‐BACK DOOR.
‐OKAY.
850
00:36:14,114 --> 00:36:15,224
THANK YOU.
851
00:36:15,215 --> 00:36:17,245
YEP.
852
00:36:17,250 --> 00:36:19,190
Watts: HEY, SEE YOU
LATER, JOE.
853
00:36:19,185 --> 00:36:21,385
Joe: OKAY, WATTS.
HAVE A GOOD NIGHT.
854
00:36:21,387 --> 00:36:23,017
GREAT.
855
00:36:23,023 --> 00:36:25,433
HEARD THAT?
856
00:36:25,425 --> 00:36:28,285
WHAT?
857
00:36:28,294 --> 00:36:31,974
SHIFT JUST CHANGED.
858
00:36:34,267 --> 00:36:36,237
LOOK, CAN WE TALK?
859
00:36:36,236 --> 00:36:39,266
WHAT YOU WANT
TO TALK ABOUT?
860
00:36:39,272 --> 00:36:42,182
I'M WYATT.
861
00:36:42,175 --> 00:36:43,375
I'M A NICE GUY.
862
00:36:43,376 --> 00:36:45,546
NO, YOU'RE NOT.
YOU RUN OVER CHILDREN.
863
00:36:45,546 --> 00:36:47,846
NO.
864
00:36:47,848 --> 00:36:49,778
NO, I DON'T.
865
00:36:49,783 --> 00:36:51,593
AIN'T THAT WHAT YOU DID?
866
00:36:51,585 --> 00:36:54,445
NO.
867
00:36:54,454 --> 00:36:56,164
NO, NO.
868
00:36:56,156 --> 00:36:58,726
THAT WAS NORMAN.
869
00:36:58,725 --> 00:37:02,435
NOW YOU'VE GOT IT.
870
00:37:02,435 --> 00:37:05,295
GENTLEMEN,
IT'S LIGHTS‐OUT.
871
00:37:05,304 --> 00:37:06,944
IN THE BED NOW.
872
00:37:08,642 --> 00:37:10,712
I'VE BEEN TRYING TO GET HIM
IN THE BED.
873
00:37:10,710 --> 00:37:12,280
WHAT, HE WON'T GO?
874
00:37:12,278 --> 00:37:13,648
NOPE.
875
00:37:13,647 --> 00:37:16,347
[ CHUCKLES ]
WELL, SMART MAN.
876
00:37:16,349 --> 00:37:17,849
COME ON, GUARD.
877
00:37:20,053 --> 00:37:22,163
PLEASE?
878
00:37:22,155 --> 00:37:23,715
PLEASE HELP ME.
879
00:37:23,724 --> 00:37:25,294
MAN, GO TO SLEEP.
880
00:37:25,291 --> 00:37:26,791
IT'S LIGHTS‐OUT.
881
00:37:26,793 --> 00:37:28,063
PLEASE!
882
00:37:28,061 --> 00:37:30,361
PLEASE.
HE'S TRYING TO RAPE ME.
883
00:37:30,363 --> 00:37:32,303
PLEASE?
884
00:37:32,298 --> 00:37:34,298
YOU'RE A MAN.
FIGHT HIM.
885
00:37:34,300 --> 00:37:35,340
NO. PLEASE.
886
00:37:35,335 --> 00:37:36,465
BOB AND WEAVE.
887
00:37:36,469 --> 00:37:37,769
STICK AND MOVE.
888
00:37:37,771 --> 00:37:40,071
JUST BOB AND WEAVE.
889
00:37:45,211 --> 00:37:46,381
OH.
890
00:37:46,379 --> 00:37:49,579
SO, YOU'RE A SNITCH,
TOO, HUH?
891
00:37:56,389 --> 00:37:58,119
[ CRYING ]
892
00:38:03,804 --> 00:38:05,874
YO, Q.
893
00:38:05,872 --> 00:38:09,942
WHAT UP, B?
894
00:38:09,943 --> 00:38:11,583
WHAT, MAN?
I DON'T GET NO LOVE?
895
00:38:11,578 --> 00:38:12,848
I BAILED YOU OUT.
896
00:38:12,846 --> 00:38:15,216
OH, YEAH?
897
00:38:15,215 --> 00:38:17,145
YEAH.
898
00:38:17,150 --> 00:38:19,690
NEED A RIDE?
899
00:38:19,686 --> 00:38:21,286
NAH, I'M GOOD.
900
00:38:21,287 --> 00:38:23,017
I KNOW YOU AIN'T NO BITCH,
DAWG.
901
00:38:23,023 --> 00:38:24,963
GET YOUR ASS IN THE CAR.
902
00:38:24,958 --> 00:38:26,788
[ SCOFFS ]
903
00:38:26,793 --> 00:38:28,393
IT'S LIKE THAT?
904
00:38:28,394 --> 00:38:30,934
OH, YEAH, IT'S LIKE THAT.
905
00:38:30,931 --> 00:38:33,571
COME ON.
906
00:38:33,567 --> 00:38:36,137
OKAY.
907
00:38:47,748 --> 00:38:50,178
[ ENGINE STARTS ]
908
00:39:00,527 --> 00:39:03,467
HOLD ON, MAN, WHAT KIND
OF THUG WEAR A SEAT BELT?
909
00:39:03,469 --> 00:39:05,639
THE ONES THAT DON'T
TRUST YOUR ASS.
910
00:39:05,639 --> 00:39:07,309
MMM.
911
00:39:07,307 --> 00:39:09,637
WHAT IS THIS?
912
00:39:09,643 --> 00:39:12,683
IT'S A CONVERSATION BETWEEN
TWO MEN, NOTHING MAJOR.
913
00:39:12,679 --> 00:39:14,779
ABOUT?
914
00:39:14,781 --> 00:39:16,481
ABOUT THE WOMEN I LOVE
IN MY LIFE.
915
00:39:16,482 --> 00:39:19,022
MY MOTHER AND MY SISTER.
916
00:39:19,019 --> 00:39:20,419
YOUR ASS?
917
00:39:20,420 --> 00:39:22,320
YOU'RE MY PROBLEM.
918
00:39:24,224 --> 00:39:26,534
OKAY.
919
00:39:30,731 --> 00:39:33,001
SO, YOU HIT MY MA, HUH?
920
00:39:32,999 --> 00:39:35,299
‐HUH? WHAT?
‐NAH.
921
00:39:35,301 --> 00:39:36,771
I SLAPPED THAT BITCH
TO THE GROUND.
922
00:39:36,770 --> 00:39:39,510
WHAT?
YOU BITCH ASS, YEAH.
923
00:39:39,506 --> 00:39:42,136
NAH. WAIT TILL I GET
YOUR SISTER.
924
00:39:42,142 --> 00:39:43,482
AND THEN YOU.
925
00:39:43,476 --> 00:39:45,106
YEAH, I GOT A PROBLEM
WITH THAT.
926
00:39:45,111 --> 00:39:46,351
WATCH ME DEAL WITH THIS.
927
00:39:46,346 --> 00:39:47,646
WATCH THIS.
928
00:39:47,648 --> 00:39:50,048
[ ENGINE REVS ]
929
00:39:50,050 --> 00:39:51,150
SCARED MONEY
DON'T MAKE NONE.
930
00:39:51,151 --> 00:39:52,251
SCARED MONEY
DON'T MAKE MONEY.
931
00:39:52,252 --> 00:39:54,222
AIN'T NOBODY SCARED
OVER HERE, DAWG.
932
00:39:54,220 --> 00:39:56,590
WATCH ME MAKE
THIS MONEY.
933
00:39:56,590 --> 00:39:57,590
BENNY, BENNY.
934
00:39:57,591 --> 00:39:58,861
"BENNY, BENNY."
SHUT UP.
935
00:39:58,859 --> 00:39:59,929
[ CHUCKLES ]
936
00:39:59,926 --> 00:40:01,736
LAUGHING, RIGHT?
YOU FUNNY?
937
00:40:01,735 --> 00:40:04,365
YOU FUNNY, DAWG.
WATCH THIS.
938
00:40:04,370 --> 00:40:05,770
LET'S DO IT.
939
00:40:05,772 --> 00:40:06,942
LET'S DO IT.
940
00:40:06,940 --> 00:40:08,610
'CAUSE AIN'T NOBODY
TRYING TO SCARE YOU, BRO.
941
00:40:08,609 --> 00:40:10,309
THIS DON'T SCARE ME, SON.
942
00:40:11,645 --> 00:40:13,875
I AIN'T GONNA SCARE YOU.
943
00:40:13,880 --> 00:40:15,950
[ ENGINE REVVING ]
944
00:40:15,949 --> 00:40:19,289
I'M GONNA KILL YOU.
945
00:40:19,285 --> 00:40:20,685
THEN LET'S GET TO IT.
946
00:40:20,687 --> 00:40:23,057
GET TO IT.
947
00:40:23,056 --> 00:40:25,826
[ ENGINE REVS ]
948
00:40:25,826 --> 00:40:27,086
WHOA!
949
00:40:27,093 --> 00:40:28,803
I'LL GET YOU.
950
00:40:28,795 --> 00:40:31,665
GET YOUR ASS ‐‐
951
00:40:31,665 --> 00:40:32,965
[ TIRES SCREECHING ]
952
00:40:39,239 --> 00:40:41,609
[ GRUNTING,
SHOUTING INDISTINCTLY ]
953
00:41:27,127 --> 00:41:30,727
NEXT ON "THE HAVES
AND THE HAVE NOTS"...
954
00:41:30,731 --> 00:41:32,201
SHE STOPPED AT A TOW YARD.
955
00:41:32,198 --> 00:41:33,328
A TOW YARD?
956
00:41:33,333 --> 00:41:34,873
YOU HAVEN'T
MENTIONED CANDACE.
957
00:41:34,868 --> 00:41:36,198
DON'T YOU WORRY
ABOUT CANDACE.
958
00:41:36,202 --> 00:41:37,202
I'M ALL OVER IT.
959
00:41:37,203 --> 00:41:38,773
WELL, I HAVE A PLAN,
AS WELL.
960
00:41:38,772 --> 00:41:41,042
GOOD. THEN MAYBE ONE OF
OUR PLANS WILL ACTUALLY WORK.
961
00:41:41,041 --> 00:41:43,241
THIS IS CANDACE.
962
00:41:43,243 --> 00:41:44,883
YOU ARE LOVELY.
963
00:41:44,878 --> 00:41:46,448
MOST OF THE TIME
WHEN ONE SPOUSE
964
00:41:46,446 --> 00:41:47,876
THINKS THAT THE OTHER ONE
IS CHEATING,
965
00:41:47,881 --> 00:41:50,081
IT USUALLY MEANS THEY'RE
HAVING AN AFFAIR THEMSELVES.
966
00:41:50,083 --> 00:41:51,123
SO, YOU KNOW HER?
967
00:41:51,117 --> 00:41:53,247
YES, I DO.
968
00:41:53,253 --> 00:41:55,493
WOULD SHE HAVE AN AFFAIR?
969
00:41:55,488 --> 00:41:56,988
NEVER.