Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

I AM TELLING YOU THAT

WYATT IS OFF THE RAILS. DO YOU UNDERSTAND ME?

I HAVE A PLAN IN PLACE FOR WYATT.

THEN DO IT. GET HIS ASS BACK IN LINE.

SHE'S HERE. ‐WHERE?

AT THE YOUNG MAN'S HOUSE. ‐IS DAVID'S TRUCK STILL THERE?

YES, IT IS. ‐TEXT ME THE ADDRESS, WILL YOU?

[ MUMBLING ]

SHH, SHH.

WYATT! TURN THAT OFF. GET UP.

YOU'RE GOING WITH ME. I'M NOT GOING ANYWHERE.

GET UP, GET UP! GET YOUR ASS UP AND IN THAT CAR,

WILLINGLY, OR I WILL PUT YOU IN IT MYSELF. GO!

BENNY?

OH!

OH!

[ CHUCKLES ]

[ SINISTER MUSIC PLAYS ]

[ GASP ]

[ RING ]

[ RING ]

WELL...

[ RING ]

MR. HARRINGTON?

EXCUSE ME. I NEED TO TAKE THIS.

[ RING ]

HELLO, SON.

I GOT A PROBLEM.

ARE YOU OKAY?

MOM CANCELED MY CREDIT CARDS

AND THEY LOCKED ME OUT OF MY HOTEL ROOM.

OH. ARE YOU AT THE HOTEL NOW?

YEAH.

LET ME SPEAK WITH THE MANAGER.

YES, HOW CAN I HELP YOU?

HELLO. THIS IS JUDGE HARRINGTON.

WOULD YOU PLEASE PUT MY SON'S ROOM CHARGES

ON MY CREDIT CARD?

YES, OF COURSE. OF COURSE, CONSIDER IT DONE.

THANK YOU SO MUCH.

HERE'S YOUR SON.

YES.

OKAY, THANKS, DAD.

SURE, I'LL SEE YOU BACK AT THE HOTEL.

OKAY.

I APOLOGIZE FOR THE INTERRUPTION.

THAT'S FINE.

SO, IS YOUR SON HERE?

[shakily] YES.

MAY I SPEAK WITH HIM?

UH...

HE'S IN THE BED.

LET ME GET YOUR KEYS FOR YOU.

YES,

PLEASE.

HI, HANNA.

SHH!

YOUR HUSBAND IS OUT THERE.

[ SUSPENSEFUL MUSIC PLAYS ]

WHERE ARE THE MAN'S KEYS?

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

WELL,

HERE ARE YOUR KEYS. THERE YOU GO.

THANK YOU.

MM‐HMM.

SO, YOUR SON IS ASLEEP?

WELL, HE'S TIRED.

I SEE.

I WOULD LIKE TO SPEAK WITH HIM.

YEAH, WELL,

SOME OTHER TIME, MAYBE?

HMM.

YEAH, WELL, UM, I'LL SEE YOU LATER.

HANNA.

YEAH.

I'M CONFUSED AS TO WHY YOUR SON WOULD HAVE MY TRUCK.

AS I SAID, UH,

YOUR WIFE HELPED HIM BEFORE AND, UH,

SHE GOT HIM OUT OF JAIL AGAIN LAST NIGHT.

ARE YOU SURE I CAN'T SPEAK WITH HIM DIRECTLY?

UH, THE TIME, I JUST ‐‐

I DON'T THINK IT WOULD BE A GOOD IDEA.

[ SUSPENSEFUL MUSIC PLAYS ]

HANNA.

I KNOW YOUR SON WAS IN JAIL BEFORE, FOR DRUGS.

WHY WAS HE ARRESTED LAST NIGHT?

WELL,

IT'S MY UNDERSTANDING THAT, UM,

HE WAS UH...

I WAS IN A FIGHT LAST NIGHT.

OH. YOU MUST BE BENNY.

I AM.

I UNDERSTAND THAT MY WIFE GOT YOU OUT OF JAIL LAST NIGHT.

YEAH.

I DON'T UNDERSTAND WHY YOU HAD MY TRUCK.

OH, I DROPPED HER OFF AT YOUR PLACE LAST NIGHT.

WHY?

SAID SHE'D BEEN DRINKING A LITTLE BIT.

SHE DIDN'T WANT TO DRIVE, SO I DROVE.

YES, SHE WAS DRINKING.

YEAH.

OKAY. THANK YOU.

SURE.

WHEN WERE YOU PLANNING TO RETURN IT?

TODAY.

TODAY, WHEN?

OH, WELL, I GAVE HER A CALL AND TOLD HER, WHENEVER

SHE NEEDED ME TO DROP IT OFF, I WOULD DROP IT OFF.

WHAT DID SHE SAY?

SAID SHE'D GIVE ME A CALL AND LET ME KNOW WHEN.

[ SUSPENSEFUL MUSIC PLAYS ]

OKAY.

HANNA, THANK YOU.

SURE.

I'LL SEE YOU LATER.

DRIVE CAREFUL.

BENNY, GOOD TO MEET YOU.

PLEASURE TO MEET YOU.

[ CRICKETS CHIRP ]

[ SINISTER MUSIC PLAYS ]

MOM ‐‐

SHH!

[ HORN HONKS ]

AHEM.

[ ENGINE TURNS OVER ]

BENJAMIN YOUNG, ‐LET ME EX‐‐

GET HER ASS OUT OF HERE, NOW. ‐MOM, IT'S NOT‐‐

NOW!

WELL, NOW.

HELLO, HANNA.

WHY ARE YOU IN MY HOUSE?

I WAS VISITING WITH YOUR SON.

YOU WERE HAVING SEX WITH MY CHILD.

HE IS NOT A CHILD.

HE'S MY CHILD.

OKAY, SORRY.

YOU NEED TO GET YOUR ASS OUT OF MY HOUSE.

COME ON, I'LL TAKE YOU HOME.

SHE NEEDS A CAB, BENJAMIN.

NO, I'M GONNA TAKE HER HOME.

YOU AIN'T GOING NO‐DAMN‐WHERE UNTIL YOU TALK TO ME.

LET ME JUST TALK TO HER, CALM HER DOWN.

CALM ME DOWN?! I'LL CALL YOU A CAB.

I'LL CALL MY CAR SERVICE.

OUTSIDE.

I CAN'T BELIEVE YOU SLEEPING WITH THAT OLD‐ASS WOMAN.

YOU KNOW SHE'S MARRIED. YEAH.

WHAT IS WRONG WITH YOU?!

THIS ISN'T EVEN LIKE YOU AT ALL!

NO. THEN WHAT ARE YOU DOING?!

I DON'T KNOW, IT JUST ‐‐

BENJAMIN, DON'T YOU OPEN YOUR MOUTH

TO SAY THIS JUST HAPPENED.

THIS KIND OF STUFF DON'T JUST HAPPEN.

I KNOW.

THAT WOMAN IS MARRIED.

I KNOW.

YOU SHOULD BE ASHAMED OF YOURSELF.

MA ‐‐

SHUT UP!

YES, SAME ADDRESS.

UH‐HUH. I WILL BE HERE.

UGH.

HURRY.

YES, HURRY, PLEASE.

AND YOU WON'T BE HERE.

I'M SORRY?

NO, YOU WON'T BE IN HERE.

YOU'RE GETTING OUT MY HOUSE.

I HAVE TO WAIT FOR THE CAR. ‐WELL, YOU WON'T BE

DOING IT IN HERE. ‐HANNA, THIS NEIGHBORHOOD,

YOU KNOW I CAN'T GO OUT ‐‐ ‐WHAT ABOUT IT?!

IT IS NOT SAFE HERE! ‐EXCUSE ME?

IT IS NOT SAFE HERE! ‐WHAT?

OH, GIRL, YOU ARE BLACK.

AIN'T NOBODY GONNA BOTHER YOU AROUND HERE.

GET YOUR ASS OUT MY HOUSE. ‐HANNA!

NOW!

COME ON, I'MA TAKE YOU HOME.

NO, YOU WON'T BE STEPPING A FOOT OUT THIS DOOR,

AND I TOLD YOU THAT.

NO PROBLEM.

I WILL WAIT OUTSIDE FOR MY CAR.

YOU BETTER EXPLAIN THIS TO ME.

I CAN'T.

WELL, YOU DAMN WELL BETTER TRY.

WHAT THE HELL IS GOING ON?

NOTHING.

WHAT?!

HOW LONG YOU BEEN SEEING THIS WOMAN, BENJAMIN?

I'M NOT SEEING HER.

BOY, DON'T PLAY WITH ME.

I KNOW YOU'RE DOING MORE THAN THAT.

I SAW YOU. MOM.

WHEN DID THIS START?

HUH?

LAST NIGHT.

LAST NIGHT?

YEAH. HOW?

WHAT YOU MEAN, HOW?

ARE YOU CRAZY?

OH, YOU MUST BE,

'CAUSE I TAUGHT YOU BETTER THAN THIS.

MA.

HOW DID THIS START LAST NIGHT,

BENJAMIN?

I TOLD YOU ‐‐ SHE PICKED ME UP FROM JAIL.

SHE WAS DRINKING A LITTLE BIT,

SO SHE WANTED ME TO DRIVE. NOT A BIG DEAL, ALL RIGHT?

SHE OPENED UP TO ME ABOUT HOW HER HUSBAND

WAS CHEATING ON HER.

NEXT THING I KNEW, YOU KNOW,

ONE THING LED TO ANOTHER ‐‐

UGH.

YOU JUST LOWDOWN

AND NASTY.

I GET IT.

THAT WOMAN IS AS OLD AS I AM.

SAY IT LIKE THAT.

WELL, SHE IS.

LOOK, IT HAPPENED ONE TIME.

NOT A BIG DE‐‐

ALL RIGHT, IT HAPPENED TWICE.

WHY WOULD YOU DO THIS?

SHE THREW IT OUT THERE.

THAT DON'T MEAN YOU GOTTA TAKE IT!

WELL, I DID, SO. YOU KNOW WHAT?

I DON'T WANT YOU TO SEE THIS WOMAN AGAIN,

BENJAMIN, AND I MEAN IT.

YOU HEAR ME?!

DO YOU HEAR ME?! YES.

I MEAN IT.

LISTEN, IT JUST HAPPENED.

THAT MEANS IT DON'T GOTTA HAPPEN AGAIN.

LIKE CHILL OUT.

YEAH, IT BETTER NOT HAPPEN AGAIN.

YOU KNOW WHAT? GET OUT MY FACE.

I CAN'T EVEN LOOK AT YOU.

GO ON IN THERE AND CLEAN UP THAT ROOM

AND WASH MY SHEETS.

AND YOU BETTER NOT EVER BRING HER BLACK ASS

UP IN MY HOUSE LIKE THAT AGAIN, YOU UNDERSTAND ME?

HUH?

YOU KNOW I'M GROWN.

YEAH, AND LIVING IN MY HOUSE.

OKAY, WELL, THAT'S WHERE WE GONNA HOLD UP,

RIGHT THERE. ‐HOLD UP?

YEAH. ‐WAIT, WHO YOU TALKING TO

AND WHATCHA SAYIN'? ‐LISTEN, I'M IN THIS HOUSE

TO HELP YOU OUT, AND YOU KNOW THAT.

BRING HER BACK UP IN HERE, AND DISRESPECT ME

AND YOURSELF AGAIN, AND YOU WON'T BE.

I FEEL REALLY, REALLY UNCOMFORTABLE

WHEN YOU THREATEN ME LIKE THAT, ALL RIGHT?

I GOT MY OWN WAY.

I'M GETTING MONEY NOW.

I'M ONLY HERE TO HELP YOU OUT.

MM‐HMM.

LITTLE BOY, YOU KNOW I'LL FIND A WAY.

WHAT Y'ALL SAY? DON'T GET IT TWISTED.

GOD WILL ALWAYS OH.

MAKE A WAY FOR ME, YOU HEAR ME?

OKAY, YOU KNOW WHAT? I'MA GET OUTTA HERE.

I'MA LET YOU CALM DOWN. ‐YEAH, YOU DO THAT,

'CAUSE I AIN'T GONNA CALM DOWN UNTIL YOU PROMISE ME

THAT THIS WILL NEVER HAPPEN AGAIN.

I KNOW YOU HEAR ME TALKING TO YOU, BENJAMIN.

I'MA TALK TO YOU LATER.

YOU DAMN SKIPPY WE GONNA TALK, MM‐HMM.

COME ON, MY TRUCK'S

A BLOCK UP THE STREET. I'LL TAKE YOU HOME.

NO, YOU WON'T.

COME ON.

IT'S OKAY.

THE CAR'S CLOSE. YOU SURE?

YEAH, SHE'S SURE.

NASTY‐ASS SELF.

[ SCOFF ]

[ RING ]

HELLO?

HI!

OKAY.

SO THEY ACCEPTED BOTH OFFERS ON BOTH HOUSES?

[chuckle] AWESOME.

CAN WE MOVE UP THE CLOSING?

YEAH, I KNOW WE NEED TO DO THE INSPECTIONS,

BUT IF WE CAN RUSH THAT ALONG,

I'LL BE READY AS SOON AS NEXT WEEK.

OKAY. GREAT.

OH, AND AT SOME POINT, I'D LOVE TO SHOW MY BROTHER.

COULD I DO THAT?

GREAT.

WHAT'S THE CODE TO THE KEY BOX?

OKAY, THANK YOU.

[ KNOCKING ]

HEY.

SO, I WENT TO THE DRUGSTORE TO GET THE PREGNANCY TEST

AND, AS YOU MAY ALREADY KNOW,

MY CREDIT CARDS ARE CANCELED.

WHICH IS FINE, BECAUSE I BROUGHT CASH,

'CAUSE I EXPECTED HER TO DO THAT.

BUT THEN, I GET BACK TO MY ROOM

AND I'M LOCKED OUT OF MY ROOM.

HERE.

WHAT THE HELL?

GET ON YOUR FEET.

CANDACE.

PAY ME BACK WHEN YOU CAN.

WH‐WHERE DID YOU GET THIS KIND OF CASH?

WHAT'S MY NAME?

BAD BITCH, YES.

RIGHT.

BUT ‐‐ WHERE'S THE GIRL?

SHE'S DOWNSTAIRS.

CALL HER UP HERE.

I JUST TEXTED HER. OKAY.

BUT ‐‐ HOW MUCH IS THIS?

10 GRAND?

WHAT?!

YEAH.

OH, NO. NO, NO. MY DAD'S ON HIS WAY.

HE'LL GIVE ME SOME MONEY. I DON'T NEED ALL OF THIS.

OKAY, FINE.

THANK YOU. MM‐HMM.

ARE YOU OKAY?

YEAH.

YOU LOOK SAD.

JEFFERY, I'M NOT SAD.

OKAY.

[ GASP ]

I'M BUYING A HOUSE AND YOU

SHOULD MOVE IN WITH ME.

YOU'RE ‐‐ YOU'RE BUYING A HOUSE, REALLY?

YEAH, IT'LL BE GREAT. IT'S BEAUTIFUL.

YOU HAVE TO COME SEE IT.

I DON'T KNOW.

COME ON!

NO, I ‐‐ IT'LL CHANGE YOUR LIFE.

YEAH, NOT FOR THE BETTER, I'M SURE.

SHUT UP.

UH...

WELL ‐‐

[ KNOCKING ]

AND SHE COMES RUNNIN'.

HI.

HI.

GO PEE.

BATHROOM'S THAT WAY.

[ SUSPENSEFUL MUSIC PLAYS ]

I KNOW SHE DIDN'T GIVE ME AN ATTITUDE.

[ DOOR OPENS, CLOSES ]

GET OUT OF THE CAR, WYATT. WHY?

FIRST, YOU DIDN'T WANT TO GET IN THE CAR.

NOW YOU DON'T WANT TO GET OUT OF THE CAR.

JUST GET OUT OF THE DAMN CAR, NOW.

WHAT ARE WE DOING? WE HAVE A SCHEDULED VISIT.

WITH WHO?

ARE YOU GONNA SIT IN HERE AND ASK ME STUPID QUESTIONS

ALL NIGHT, OR ARE YOU GONNA GO INSIDE

AND FIND OUT WHAT THIS IS ALL ABOUT?

IT'S ONLY PRISON. YOU'RE NOT SCARED, RIGHT?

NO.

GOOD!

GET OUT OF THE CAR! TRUST YOUR OLD MAN.

YOU KNOW DAMN WELL I DON'T TRUST YOU.

TONIGHT WOULD BE A GREAT NIGHT TO START.

COME ON.

[ BEEP ]

DOES THIS USUALLY TAKE THIS LONG?

HOW THE HELL YOU EXPECT ME TO KNOW?

NO, IT DOESN'T.

WHAT IF SHE'S PREGNANT?

AM I GONNA HAVE TO COME IN THERE,

OR ARE YOU GONNA COME OUT HERE?

[ SUSPENSEFUL MUSIC PLAYS ]

WELL, ACCORDING TO THIS, JEFFERY,

YOU'RE GONNA BE A DADDY.

DAMN!

IT'S OKAY.

NO, IT'S NOT OKAY.

YOUR MOM WILL BE HAPPY.

NO, SHE WON'T.

YES, SHE WILL. WE CAN BE TOGETHER.

LISTEN, I KNOW YOU'RE GAY.

I WON'T SAY ANYTHING.

I JUST NEED HER TO HELP MY PARENTS. PLEASE.

LITTLE WOMAN ‐‐

WAIT, PLEASE.

LISTEN TO ME.

HIS MOTHER IS THE KIND OF WOMAN

WHO WILL NOT HELP YOUR PARENTS.

SHE WON'T, SO YOU CAN HANG THIS UP.

SHE'S EVIL.

YOU OBVIOUSLY KNOW SHE TRIED TO KEEP HIM

FROM LIVING HIS LIFE.

THAT'S WHO SHE IS.

I'M SORRY.

WHAT SHOULD I DO?

YOU'RE NOT HAVING THIS KID.

WHAT?!

I AM NOT HAVING AN ABORTION.

MELISSA, I DON'T WANT TO BE A FATHER!

THIS WASN'T MY PLAN. YOU DID THIS TO ME.

NO, YOU DID THIS TO ME!

HOW IN THE HELL IS THIS MY FAULT?

YOU AND MY MOM SET THIS WHOLE THING UP!

I AM NOT HAVING AN ABORTION

AND I AM TELLING YOU THIS RIGHT NOW ‐‐

IF YOUR MOTHER BACKS OUT OF THIS,

I AM GOING AFTER YOU FOR CHILD SUPPORT

AND EVERYTHING ELSE!

THERE SHE IS.

THERE'S THE WITCH I WAS LOOKIN' FOR.

TRY ME.

JUST TRY ME.

I'M SICK OF YOU, BITCH!

OH, WOW, SHE'S LEARNING NEW WORDS. GOOD.

MAN.

YOU KNOW HOW TO PICK 'EM.

MY MOTHER KNOWS HOW TO PICK THEM.

SO WHAT ARE YOU GONNA DO, PAPA?

[ SCOFF ]

I'M JUST GONNA GO BACK TO MY ROOM.

SORRY, JEFFERY.

THIS IS CRAZY.

[ LIGHT TAPPING ON DOOR ]

YO, YO.

[chuckle] HI.

YOU REMEMBER JEFFERY.

YEAH.

HI.

WHAT'S UP?

I WAS JUST LEAVING.

YEAH, HE NEEDS A DRINK.

HE'S GONNA BE A DADDY.

HEY‐EY.

YEAH, HEY‐EY.

I NEED MORE THAN A DRINK.

HOW THE HELL THAT HAPPEN?

LONG STORY.

WHAT'S UP?

GOT THE MONEY? WHAT?

WHAT YOU MEAN, WHAT? THE 5 GRAND I NEEDED.

OH. SORRY, I FORGOT.

YEAH, YOU SCARED ME.

HERE, TAKE 10.

YOU GOT 10 RIGHT HERE?

MM‐HMM.

ALL RIGHT, BALLER.

I'M GONNA GET THIS BACK TO YOU.

WHAT'S GOING ON?

NOTHING.

HOLD ON, BENNY.

HI, I NEED MY CAR PULLED UP, PLEASE.

TICKET NUMBER 347.

THANK YOU.

I WANT TO SHOW YOU SOMETHING.

NO, I GOT AN ERRAND TO RUN. COME ON.

WHERE WE GOING?

JUST COME ON.

ARGH.

WHOA‐OA.

[ CHUCKLE ]

THANK YOU.

HOLD UP. WAIT, WHERE WE GOING?

FOR A RIDE. GET IN.

WHOSE CAR IS THIS?

JUST GET IN.

CANDACE, LAST TIME YOU HAD A CAR THIS NICE,

I ENDED UP IN JAIL.

I KNOW. I PROMISE ‐‐

I PROMISE THIS IS LEGIT.

JUST GET IN THE CAR.

NO WAY.

STOP ACTING LIKE YOUR MAMA.

LET'S GO.

OH, NO WAY, CANDACE.

SEATBELTS.

[ ENGINE TURNS OVER ] ‐♪♪ FEEL YOUR EMBRACE ♪♪

♪♪ WHEN YOU'RE CLOSE TO ME ♪♪

♪♪ HOLDING ME TIGHT ♪♪

♪♪ I DON'T GIVE A DAMN ♪♪

♪♪ WHAT'S GOIN' ON IN THE WORLD ♪♪

♪♪ EVERYTHING'S ALL RIGHT ♪♪

♪♪ I GOT YOU ♪♪

YOU LOOK NERVOUS.

THIS CAR GO FOR ABOUT 300 GRAND.

I KNOW.

HOW YOU GET IT?

BOUGHT IT.

CANDACE, WHAT'S GOING ON?

WHAT DID I TELL YOU?

YOU TOLD ME YOU GOT A JOB. YEAH.

THAT'S AN AWFUL LOT OF MONEY AT ONCE.

IT'S A LOT OF CREDIT.

WHAT YOU MEAN?

BENNY, WHEN YOU GET A GOOD JOB,

YOU KNOW, PEOPLE GIVE YOU CREDIT.

YOU KNOW I'VE ALWAYS AD GREAT CREDIT,

SO AS LONG AS I GOT THAT, I'LL GET WHATEVER I NEED.

NO, MNH‐MNH.

HOW YOU DOING ALL THIS?

BENNY, YOU'RE KILLING ME, ACTIN' LIKE YOUR MOTHER.

I TOLD YOU, I HAVE A JOB, I'M MAKING

$250,000 A YEAR ‐‐ CREDIT, PERKS.

JUST PLEASE, STOP.

YOU'RE GONNA RUIN YOUR SURPRISE. CHILL.

TAKE ME TO YOUR JOB.

STOP IT. I MEAN IT.

I HAVE A SURPRISE FOR YOU.

MM‐HMM. CHILL.

CANDACE ‐‐

SIT BACK, RELAX, AND ENJOY THE RIDE.

OH, MY GOSH, THIS IS MY SONG!

DON'T YOU LOVE THIS SONG?

♪♪ HAPPY TIMES ♪♪

♪♪ I GOT YOU ♪♪

♪♪ WHAT HAS THIS GIRL ♪♪

♪♪ GOT ME GROOVIN' ON? ♪♪

♪♪ WHAT HAS THIS GIRL ♪♪

♪♪ GOT ME MOVIN'? ♪♪

[ SUSPENSEFUL MUSIC PLAYS ]

HELLO, HORACE.

MR. CRYER.

I'D LIKE YOU TO MEET MY SON, WYATT.

HELLO.

WHAT AM I DOING HERE?

SHALL I SHOW HIM?

BY ALL MEANS.

RIGHT THIS WAY, SON.

GO ON.

WHERE AM I GOING?

YOU'RE GOING WITH THE NICE OFFICER.

DAD.

"DAD."

WHAT, YOU'RE CALLING ME "DAD"?

ALL OF A SUDDEN?

I THOUGHT YOU WERE ONLY CALLING ME "JIM," WYATT.

WHAT'S THE MATTER, YOU AFRAID, SON?

NO, I'M NOT.

NOT YET, YOU'RE NOT.

[ CLANG ]

YOU WILL BE.

[ KEYS JINGLE ]

STAND RIGHT THERE, SON.

RIGHT THERE.

[ CLANG ]

GIVE ME YOUR HAND, PLEASE.

WHAT FOR?

GIVE ME YOUR HAND, OR I'LL BREAK IT.

WHAT?

NOW.

[ FOREBODING MUSIC PLAYS ]

STAND AGAINST THE WALL, SON.

WHAT'S GOING ON? DO IT, NOW.

OH, OKAY.

HEY, YOU WANT TO PLAY SCARED CLEAN, HUH?

LET'S DO IT.

YOU NEED TO TAKE OFF YOUR CLOTHES.

[ FOREBODING MUSIC PLAYS ]

AND BEND OVER.

[ SUSPENSEFUL MUSIC PLAYS ]

THAT'S NOT HAPPENING.

THIS IS A FULL CAVITY SEARCH.

YOU WILL DO IT.

[scoff] THE HELL I WILL.

KIDDING?

GUARDS!

I HAVE AN INMATE THAT'S BEING UNRULY.

I'M NOT AN INMATE.

HELP HIM.

DON'T TOUCH ME.

DON'T TOUCH ME!

WHAT ARE YOU DOING?!

GET OFF!

OKAY.

I'M NOT AN INMATE. GET OFF!

DON'T TAKE MY PANTS OFF.

DON'T TAKE MY PANTS OFF.

[ GRUNTING ]

AHA.

[ CHUCKLE ]

MAN.

MITCH CALLED YOU, HUH?

ABOUT?

ABOUT THIS PLACE.

NO, YOU MENTIONED IT.

PSSH, BARELY.

MAN, NO.

BUT THEY SOLD IT.

I KNOW.

[ LAUGHS ]

IT'S YOURS, B.

YO, CANDACE, STOP PLAYING WITH ME.

NO.

STOP IT. HERE, TAKE THESE. DON'T DO THAT TO ME.

COME ON. GO IN.

YO, STOP IT. THIS IS CRAZY.

DON'T PLAY WITH ME.

LET'S GO. LET'S GO INSIDE.

HELL, NO!

COME ON. LET'S OPEN IT.

ARE YOU SERIOUS?

[ LAUGHTER ]

WHICH ONE IS IT? THIS ONE?

YEP, THAT ONE.

NO WAY.

MM‐HMM.

SO, THIS IS ALL THE PAPERWORK.

IT'S PAID FOR IN YOUR NAME.

[ READING ALOUD ]

WHAT?!

YEAH.

HOW'D YOU DO THIS?

I WAS ON THE PHONE FOR THE AUCTION.

NO WAY. CANDACE, THIS PLACE SOLD

FOR LIKE OVER 300 GRAND.

$550,000.

WAIT, WHAT?!

MM‐HMM, SO YOU BETTER BE MAKING

A LOT OF MONEY TO HELP ME PAY THIS MORTGAGE.

MORTGAGE?

I GOT A LOAN FROM MY CREDIT UNION.

NO, THIS IS BULL.

[ SUSPENSEFUL MUSIC PLAYS ]

WHAT?

YOU'RE LYING TO ME.

COME ON, B.

NO, NO, NO, YOU'RE LYING TO ME.

I'M NOT LYING.

THIS IS ALL LEGIT.

I WANT TO KNOW EVERYTHING.

OKAY. SO YOU DON'T BELIEVE ME.

HELL, NO, I DON'T BELIEVE YOU.

[ SCOFF ]

BENNY, YOU KNOW HOW MUCH IT HURTS ME

THAT YOU THINK I'M LYING?

WHAT DO I HAVE TO DO TO PROVE IT?

YOU KNOW WHAT?

TAKE ME TO YOUR JOB RIGHT NOW.

OKAY, LET ME CALL, FIRST.

WELL, CALL RIGHT HERE.

OKAY.

LET ME TEXT THEM, FIRST. MM‐HMM.

AND THEN, I WILL TRY TO CALL.

DID YOU FIND YOUR TRUCK?

YES.

WHERE WAS IT?

HANNA'S.

HANNA?

YES.

JIM AND KATHERYN'S HANNA?

YES.

[ SUSPENSEFUL MUSIC PLAYS ]

WHAT WAS IT DOING THERE?

APPARENTLY, VERONICA GOT HER SON

OUT OF JAIL LAST NIGHT.

HER SON.

YES.

HOW OLD IS HE?

I DON'T KNOW, 20‐SOMETHING?

HMM.

IS HE HANDSOME?

[scoff] I DON'T KNOW.

I SUPPOSE. WHY?

I DON'T KNOW. I JUST WONDERED.

WHY DOES HE HAVE YOUR TRUCK?

HE NEEDED A WAY HOME.

VERONICA LET HIM TAKE IT HOME.

THAT'S STRANGE.

IS IT?

YEAH. SHE ALWAYS THAT KIND TO HER CLIENTS?

VERONICA HASN'T PRACTICED LAW IN YEARS.

HER ONLY CLIENT, REALLY, KIND OF A SPECIAL CASE.

HMM.

SHE MUST REALLY LIKE HIM.

NOT THAT I KNOW OF. SHE HASN'T MENTIONED HIM

SINCE SHE REPRESENTED HIM A WHILE BACK.

OH.

OKAY, WELL,

I JUST THINK THAT'S STRANGE.

WHAT?

DAVID, WHY WOULD SHE PICK HIM UP

IN YOUR TRUCK AND THEN LEAVE IT?

[ BUZZ ]

[ SUSPENSEFUL MUSIC PLAYS ]

IS EVERYTHING OKAY?

[ BUZZ ]

UM, EXCUSE ME.

[ BEEP ]

HELLO.

HI, THIS IS CANDACE YOUNG.

I KNOW IT'S LATE, BUT I'M TRYING TO REACH MY BOSS.

WHAT ARE YOU TALKING ABOUT?

DID YOU GET MY TEXT?

YES.

GOOD!

SO YOU KNOW I'M SERIOUS.

WHAT DO YOU WANT NOW, MISS YOUNG?

LISTEN, I KNOW I DON'T OFFICIALLY START AT THE FIRM

UNTIL NEXT WEEK, BUT MY BROTHER,

HE CAN'T BELIEVE I'M GONNA BE WORKING THERE,

SO, WE WERE GONNA HOP IN THE CAR

AND HEAD THAT WAY. I WANTED TO SHOW HIM

MY OFFICE, MY NAME ON THE DOOR.

UM, COULD YOU HAVE MY SECRETARY MEET US,

TO SHOW US AROUND?

WE'LL BE THERE IN ABOUT 25 MINUTES.

THAT WOULD BE GREAT.

ALL RIGHT, NOW, NOW, HOLD ON A MINUTE.

NO, I DON'T ‐‐ I DON'T HAVE TIME.

THIS HAS TO HAPPEN.

HE DOESN'T BELIEVE ME.

WELL, I CAN'T BE THERE

BECAUSE I JUST MET YOUR BROTHER TODAY.

YOU DID? YES.

WHERE?

AT YOUR MOTHER'S HOUSE.

WHAT WERE YOU DOING THERE?

MY TRUCK WAS THERE.

FOR SOME REASON, VERONICA LET HIM KEEP IT OVERNIGHT.

REALLY?

THAT'S NOT LIKE HER.

NO, IT'S NOT.

WELL, BETTER CALL SOMEONE.

WELL, I CAN CALL, BUT I CAN'T GUARANTEE

THAT I CAN MAKE IT ‐‐

NO, YOU HAVE TO.

OR SHOULD I SEND ANOTHER TEXT ‐‐

TO THE MEDIA, MAYBE?

I'LL SEE WHAT I CAN DO.

OH, DON'T SEE, JUST DO.

I'LL CALL YOU LATER. NO TIME.

HAVE MAGGIE ‐‐ I MEAN, MARGARET ‐‐

YOU KNOW, THE BLONDE ONE,

THE ONE THAT YOUR WIFE LOVES SO MUCH ‐‐

HAVE HER MEET US THERE, TO SHOW US AROUND.

THANK YOU.

ALL RIGHT.

COME ON. YEAH?

LET'S GO.

[ BEEP ]

[ SUSPENSEFUL MUSIC PLAYS ]

WHAT'S GOING ON? I NEED YOU TO GET OVER

TO MORRIS, BENHAM, AND BRACKET.

I NEED TO CALL IN A FEW FAVORS.

WHAT?

MAGGIE, I NEED YOU OVER THERE, NOW.

YOU ALREADY HAVE THE ADDRESS.

I'LL CALL YOU ON THE WAY AND FILL YOU IN.

OKAY. OKAY? THANK YOU.

ALL RIGHT, SURE.

AHEM.

I ALREADY TOLD YOU

WHAT THE ADDRESS WAS ‐‐ 1361 JORDAN.

COME ON.

[ BEEP ]

HE'S LOST.

THE DRIVER.

WHY ARE YOU HAVING SEX WITH MY SON?

THAT'S A BIT PERSONAL, DON'T YOU THINK?

YOU HAVE A HUSBAND.

YES.

AND A SON HIS AGE.

I KNOW THAT.

THEN WHY ARE YOU HERE?

TO BE HONEST WITH YOU, I ‐‐

I DON'T KNOW.

SO DID YOU HAVE THIS PLANNED ALL ALONG?

I DON'T KNOW WHAT YOU MEAN.

WHEN YOU MET HIM.

DID YOU WANT HIM THEN?

NO!

THEN WHY ARE YOU DOING WHAT YOU'RE DOING?

IT JUST HAPPENED LAST NIGHT.

I ‐‐ I WAS VULNERABLE.

OH, OH, WERE YOU, NOW?

YES.

AND WHAT ABOUT TODAY?

WELL, IT WAS GOOD ‐‐

OH, SHUT YOUR DAMN MOUTH.

OKAY.

YOU REMEMBER THAT 24 HOURS YOU GAVE ME

TO TELL KATHERYN?

WELL, I'MA RETURN THE FAVOR.

YOU GOT 24 HOURS TO TELL YOUR HUSBAND,

OR I WILL.

I DON'T DEAL WELL WITH THREATS, HANNA.

AND I DON'T DEAL WELL WITH YOUR OLD ASS

COMIN' AFTER MY SON.

YOU SEE, WHEN YOU INSULT MY AGE,

YOU INSULT YOUR OWN.

I'M NOT RUNNING AFTER SOME 20‐SOMETHING‐YEAR‐OLD.

YOU'RE TOO OLD AND TOO MARRIED

TO BE CHASIN' AFTER MY SON,

AND I BETTER NOT CATCH YOUR ASS AROUND HERE

ON HIM AGAIN, YOU UNDERSTAND?

THIS IS A SAD LITTLE HOUSE.

WHAT?

YOU, LIVING HERE IN THE GHETTO

IN A SAD LITTLE HOUSE.

SEE, YOUR LIFE IS TOO SMALL

TO THREATEN ME, HANNA.

IF I WERE YOU, I WOULDN'T GET IN THIS.

UNFORTUNATELY,

IF MY SON IS IN IT, I'M IN IT.

SEE, YOU TELL DAVID ABOUT THIS,

AND I WILL HAVE TO TELL BENNY.

TELL BENNY WHAT?

[scoff] I DON'T KNOW,

BUT I WILL FIND SOMETHING TO TELL HIM.

YOU AIN'T SQUEAKY CLEAN, MISS HANNA.

[ FOREBODING MUSIC PLAYS ]

UNLIKE YOUR SON,

MINE LOVES ME

AND HE WON'T BELIEVE YOUR LYIN', TRIFLIN' ASS.

NOW, GET OFF MY PROPERTY.

YOU WANT TO WAIT FOR YOUR CAR?

WAIT FOR IT ACROSS THE STREET.

GLADLY.

THIS LITTLE HOUSE IS STARTING TO GIVE ME HIVES.

WHAT, IT REMINDS YOU OF WHERE YOU COME FROM?

OH, BABY, I WAS NEVER THIS LOW.

YOU KNOW WHAT, MISS HANNA?

YOU REALLY SHOULD CHANGE THOSE MATTRESSES.

I MEAN, EVEN FOR YOU, YOU SHOULD CHANGE THEM

WITHIN EIGHT YEARS, OR NINE.

HOW LONG HAS IT BEEN ‐‐ YOUR WHOLE LIFE,

YOU BEEN SLEEPIN' ON THOSE MATTRESSES?

AND THE SHEETS!

DARLING, WHAT THREAD COUNT WAS THAT?

1, 2, 3, 4, 5, 6, 7.

AH, MAYBE 7.

I'LL GIVE YOU 7.

ALL RIGHT, CLEOPATRA, ONCE YOU CLIMB BACK

INTO YOUR TOMB, I WILL FUMIGATE.

WHATEVER.

[ SLAM ]

YOU LET THEM FINGERPRINT ME, REALLY?

YOU'RE NOT AFRAID OF PRISON, WYATT.

THIS IS HOW IT GOES.

OKAY, SO YOU WANT THIS WHOLE PRISON THING

TO KEEP ME FROM TELLING HANNA

AND EVERYBODY ELSE, IS THAT IT?

YOU'RE WRONG, DAD.

OKAY.

NORMAN, COME ON IN HERE.

I GOT IT. COME ON.

WHAT'S THIS?

WYATT, THIS IS NORMAN. NORMAN, THIS IS WYATT.

WYATT, THIS IS NORMAN.

I DIDN'T SAY ANYTHING.

WHAT?

THE D. A. WAS HERE.

WAS SHE?

YES.

AND?

[tearfully] I DIDN'T SAY ANYTHING.

I ‐‐ PLEASE ‐‐

HEY, HEY, HEY, CALM DOWN. CALM DOWN.

I DIDN'T.

I KNOW, I KNOW. I KNOW YOU BETTER THAN THAT.

IT'S OKAY. IT'S ALL RIGHT.

HEY, HEY, HEY, HEY, LISTEN TO ME.

IT'S GONNA BE VERY GOOD.

WYATT, THIS IS NORMAN.

NORMAN IS THE YOUNG MAN THAT TOOK THE FALL FOR YOU.

[ SUSPENSEFUL MUSIC PLAYS ]

HI.

SO TELL ME SOMETHING, NORMAN.

WHAT IS IT LIKE FOR YOU IN HERE?

IT'S HELL.

WHY DON'T YOU TELL ME ABOUT IT.

THEY TRY TO KILL ME EVERY DAY.

OKAY.

OKAY, SO I'M SUPPOSED TO LISTEN TO THIS GUY

AND DECIDE IT'S NOT WORTH ME COMING HERE.

IS THAT IT?

NOT EXACTLY.

NORMAN, TAKE OFF YOUR CLOTHES.

YOU HEARD ME! TAKE YOUR CLOTHES OFF, NOW.

WYATT, TAKE YOUR CLOTHES OFF, TOO.

WHAT THE HELL ARE YOU TALKING ABOUT?

DO IT, NOW, WYATT. TAKE 'EM OFF.

THERE'S A GUARD STANDING OUTSIDE THAT DOOR.

I CAN BRING THAT GUARD IN HERE.

IN FACT, I CAN BRING TWO IN HERE,

AND I CAN HAVE THEM STRIP YOUR ASS.

YOU TAKE YOUR CLOTHES OFF,

OR I'LL HAVE THEM DO IT FOR YOU, RIGHT NOW.

NO, IT'S NOT HAPPENING.

GUARD!

CAN YOU COME HERE AND STRIP MY SON, PLEASE.

ALL RIGHT. ALL RIGHT. WHAT?

FINE, FINE, I'LL ‐‐

FINE. FINE, OKAY, THAT'S ALL RIGHT. THAT'S ALL RIGHT.

THAT'S ALL RIGHT. THAT'S ALL RIGHT. THAT'S ALL RIGHT.

THANK YOU.

WHAT THE HELL IS GOING ON?

YOU'RE GONNA PUT HIS CLOTHES ON.

HE'S GONNA PUT YOUR CLOTHES ON.

WHY?

WHAT, IS THAT CONFUSING?

TAKE 'EM OFF. COME ON, LET'S GO, LET'S GO, LET'S GO!

WE DON'T HAVE ALL DAY.

PUT THE SHIRT ON, NORMAN.

NORMAN, I'M SORRY THAT YOU HAD TO

TAKE THE FALL FOR SUCH A THANKLESS YOUNG MAN,

BUT I PROMISE YOU I'LL DO EVERYTHING I CAN

TO MAKE IT UP TO YOU.

FOR EXAMPLE, TONIGHT, YOU'RE GONNA GET A GOOD MEAL

AND A NICE HOTEL ROOM.

YOU GOOD?

YEAH.

FITS HIM NICE, DON'T YOU THINK?

WHAT'S WRONG WITH YOU?

WHAT IS WRONG WITH ME?

YEAH.

YOU LISTEN TO ME, WYATT.

YOU SAID YOU WEREN'T AFRAID. YOU SAID YOU WANTED PRISON.

YOU SAID YOU WANTED TO TALK TO THE D. A.

WELL, MY FRIEND, THIS IS WHAT YOU'VE GOT.

ENJOY IT, WYATT.

COME ON, NORMAN, LET'S GET OUTTA HERE.

YOU CAN'T LEAVE ME HERE.

I CAN'T LEAVE YOU HERE? THE HELL I CAN'T. I AM.

COME ON, NORMAN! DAD.

LET'S GO. "DAD"?

YEAH. REALLY? "DAD."

NO, NO, NO, SEE, IT'S "JIM."

IT'S "WHORE." IT'S ALL OF THOSE THINGS

YOU'VE BEEN CALLING ME LATELY. STOP.

ENJOY YOUR STAY, WYATT. COME ON.

GUARDS! DAD, DAD.

TAKE NORMAN TO HIS CELL. DAD!

MY SON AND I ARE GOING TO DINNER!

DAD!

WHAT ARE YOU...?

NEXT ON "THE HAVES AND THE HAVE NOTS"...

D.A. JENNIFER SALISON CALLED.

SHE WANTS TO SEE US.

ABOUT?

OH, WHAT WYATT HAS SAID AND DONE.

WHO'S "US"?

YOU, DAVID, JIM, AND ME.

WYATT IS IN PRISON.

JIM, HE WON'T MAKE IT A DAY IN THERE.

THAT'S THE WHOLE POINT.

COME ON, MAN. DON'T TOUCH ME.

COME ON!

I WENT TO HER JOB. WHAT?

YEAH. SHE REALLY HAVE A JOB?

WATCH THIS.

THIS DON'T SCARE ME, SON.

I AIN'T GONNA SCARE YOU.

[ GUNS ENGINE ]

I'M GONNA KILL YOU.