Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

AND YOU TOLD THE D.A. THAT I HAVE THE CAR.

I DID.

GET THE HELL OUT OF HERE!

DON'T TOUCH ME! WHOA, WHOA, WAIT.

HE DOESN'T WANT YOU.

AND I DON'T WANT YOU.

THAT WAS NOT THE CASE LAST NIGHT.

ONE TIME, AND NEVER AGAIN.

THE SMOKE WASN'T ENOUGH?

NO.

WE'RE NOT EVEN.

WHY ARE YOU HANGING AROUND?

I'M PREGNANT.

NO, YOU'RE NOT. BY WHO?

MAY WE SPEAK WITH YOU IN THE STUDY, PLEASE?

YES.

OH!

♪♪♪♪

WELL, THAT'S EVERYBODY.

YES.

THE DISHES ARE DONE.

AND I'LL HAVE A CLEAN‐UP CREW HERE TOMORROW.

THANK YOU.

YOU SHOULD GO HOME.

LISTEN, I JUST WANTED TO TELL YOU BOTH HOW SORRY I AM.

WE KNOW.

I'M SORRY MY DAUGHTER WAS HERE.

YES, WELL, IT'S FINE.

NO, IT'S NOT. DID YOU TALK TO HER?

YES.

DID YOU GET THE ANSWERS THAT YOU NEEDED?

NOT ALL OF THEM...

BUT I PROMISE I WILL.

I AM SO SORRY.

IT'S ALL RIGHT.

SHE WASN'T HERE LONG.

AND LOSING AMANDA?

NOTHING IS BOTHERING ME.

NOTHING AT ALL.

WELL, GOOD.

DO YOU WANT ME TO STAY?

MNH‐MNH.

YOU SHOULD GO.

I'LL SEE YOU TOMORROW.

OKAY.

♪♪♪♪

I CAN DO THAT FOR YOU.

NO, I GOT IT.

WHAT ARE YOU DOING?

I JUST SAW A PLANT THAT NEEDS WATERING.

I CAN DO THAT. HANNA!

PLEASE.

I JUST NEED SOMETHING TO DO.

I CAN UNDERSTAND THAT.

GO HOME.

I'LL SEE YOU TOMORROW.

OKAY.

♪♪♪♪

MR. CRYER?

I'LL SEE YOU LATER.

♪♪♪♪

[ DOOR CLOSES ]

♪♪♪♪

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪♪♪

♪♪♪♪

[ SCREAMS, GASPS ]

Katheryn: WAKE UP.

OH!

HOW WAS YOUR NAP?

YOU HIT ME.

I KNOCKED YOUR ASS OUT.

ARE YOU KIDDING ME?

I THINK SHE'S FEELING THE EFFECTS, JIM.

OH.

I THINK SHE IS.

SHE'LL NEVER FEEL THE PAIN THAT WE'RE FEELING.

OHH.

NO, SHE WON'T.

I CAN'T BELIEVE YOU HIT ME.

WELL, I CAN'T BELIEVE HOW SCARED I AM.

YOU SHOULD BE.

YOU SHOULD BE.

OH, I'M NOT SCARED OF YOU.

I'M SCARED OF ME.

YOU SEE, CANDACE, I KNOW THAT GRIEF CAN BE A GREAT ANESTHETIC,

AND ONCE THAT ANESTHETIC WEARS OFF,

I HAVE NO IDEA WHO'S GOING TO EMERGE FROM MY SOUL.

WELL, WHOEVER IT IS, YOU SHOULD REMIND HIM OF WHO I AM.

YOU BOTH SHOULD BE REMINDED.

AND WHO ARE YOU?

BESIDES SOME PATHETIC LITTLE BITCH

FROM THE LOW SIDE OF THE TRACKS.

NO, HONEY.

I'M A BRILLIANT BITCH FROM THE LOW SIDE OF THE TRACKS.

AND BECAUSE OF YOUR IGNORANCE AND GENEROSITY,

I FOUND MY WAY TO THE GOOD PART OF TOWN.

THANKS, JIM.

[ BIRDS CHIRPING ]

♪♪♪♪

WHY DO YOU DENY IT? YOU'RE LYING THROUGH YOUR TEETH.

I'M LEAVING HERE.

WHAT?

I'M GETTING OUT OF HERE.

YOU'RE NOT GOING ANYWHERE.

[ BREATHES SHARPLY ]

MY HEAD IS BLEEDING.

WHAT?

WHAT ARE YOU GONNA DO?

♪♪♪♪

DID YOU CAUSE AMANDA TO HAVE A BREAK?

I DIDN'T DO ANYTHING.

[ SIGHS ]

MRS. CRYER?

HANNA, YOU WERE SUPPOSED TO GO HOME.

I HEAR CANDACE.

YOU'RE SUPPOSED TO GO HOME, HANNA.

GO ON HOME. LEAVE NOW.

YES, MOM, I'M IN HERE.

NO.

HANNA, PLEASE.

PLEASE WHAT?

SHE HIT ME WITH A BOTTLE.

WHAT? KATHERYN.

IT SLIPPED.

HANNA, YOU WERE SUPPOSED TO BE GONE.

NOW LEAVE.

YEAH, YOU'RE RIGHT. COME ON, CANDACE.

NO, NO, NO, NO, NO, NO, NO.

SHE'S NOT GOING ANYWHERE. YOU ARE. GO HOME.

OH, NOW, HOLD ON A MINUTE. JUST A MINUTE.

THIS IS MY CHILD.

YOU THINK I'M JUST GONNA KNOWINGLY LET YOU BEAT MY CHILD?

WELL, THAT'S NOT GONNA HAPPEN. COME ON, CANDACE.

HANNA.

WHAT?

WAIT.

WAIT, WHAT?

HANNA, I'M NOT SORRY.

YOU'RE NOT GONNA HURT MY CHILD.

THAT'S WHY YOU'RE NOT SUPPOSED TO BE HERE.

GO HOME.

I WILL WITH MY DAUGHTER.

Kathryn: BUT YOU DON'T UNDERSTAND.

YEAH, I DON'T WANT TO HEAR THIS. COME ON, CANDACE.

SHE'LL REGRET IT. I'M SUING.

YOU SHUT YOUR MOUTH.

WHAT?

SHUT YOUR MOUTH.

JUST 'CAUSE I'M PROTECTING YOU DOESN'T MEAN I'M ON YOUR SIDE.

I TOLD YOU NOT TO COME TO THIS WOMAN'S HOUSE, DIDN'T I?

DIDN'T I?

SHE WON'T TELL ME.

TELL YOU WHAT?

WHAT SHE DID TO MY DAUGHTER.

WHAT?

SHE DID SOMETHING.

SHE DID SOMETHING.

WHAT DID YOU DO?

I DIDN'T DO ANYTHING.

YOU'RE LYING.

SHE WAS FINE UNTIL SHE MET YOU.

[ SCOFFS ]

WHAT DID YOU DO?

YOU DID SOMETHING.

CANDACE, WHAT DID YOU DO?

[ SIGHS ] I'M LEAVING HERE.

LOOK.

I'M GONNA KEEP THESE PEOPLE OFF OF YOU,

BUT YOU BETTER TELL THEM,

AND YOU BETTER TELL THEM RIGHT DAMN NOW.

YOU BETTER TELL THESE PEOPLE WHAT THEY WANT TO KNOW.

SHE HIT ME.

YOU SHOULDN'T HAVE HAD YOUR ASS IN THIS WOMAN'S HOUSE.

MOVE.

MOVE ME.

MAMA.

I'M TELLING YOU.

YOU BETTER TELL THESE PEOPLE WHAT THEY WANT TO KNOW.

SHE WON'T.

YES, SHE WILL.

CANDACE.

DID YOU OR DID YOU NOT CAUSE AMANDA TO HAVE THIS BREAK?

YES OR NO?

NO, I DIDN'T.

THAT WOULD BE YOU AND YOUR WIFE.

I'M GONNA SAY THIS ONE MORE TIME.

WHAT DID YOU DO TO MY DAUGHTER?

I'M GONNA TELL YOU ONE MORE TIME.

I DIDN'T DO ANYTHING TO AMANDA.

SHE WAS FINE.

SHE WAS TAKING HER MEDS.

AND THEN SHE MET YOU.

[ SIGHS ]

THE LAST TIME SHE HAD A PSYCHOTIC BREAK

WAS BECAUSE OF SOMETHING TRAUMATIC.

BUT WE KNEW IT, AND WE CAUGHT IT,

AND WE HELPED HER.

THIS TIME, WE DIDN'T KNOW.

WHAT DID YOU DO?

WHAT HAPPENED, CANDACE?!

I DON'T KNOW. YOU KNOW.

CANDACE, I MEAN IT! TELL THEM RIGHT NOW.

SHE WAS RAPED.

SHE WAS ‐‐ WHAT? SHE WAS RAPED?

YES!

BY WHO? BY ONE OF YOUR...THUG FRIENDS?

BY HER PROFESSOR.

PROFESSOR CANON.

WHAT?

HER LAW PROFESSOR.

OH, COME ON. YOU'RE LYING.

YOU'RE LYING THROUGH YOUR TEETH, CANDACE.

NO, LISTEN! WHAT?

SHE SAID SHE TRIED TO TELL YOU.

ME?

SHE TRIED TO TELL YOU WHEN SHE WAS IN THE HOSPITAL,

AND YOU TOLD HER SHE WASN'T DOING ANYTHING

THAT ANYONE ELSE WASN'T DOING,

SO SHE WENT TO HIM FOR A MAKEUP EXAM,

AND HE GAVE HER ONE.

SHOWED UP AT OUR APARTMENT, AND HE RAPED HER.

THAT'S WHAT HAPPENED.

SHE FREAKED OUT.

SHE THOUGHT SHE WAS PREGNANT.

THAT'S WHY THE PREGNANCY TEST WAS THERE.

SHE TOOK THE TEST.

AMANDA WAS PREGNANT?

NO.

THERE'S NO WAY THAT COULD HAVE HAPPENED.

SHE TOOK THE TEST LIKE A DAY LATER.

SHE WOULDN'T HAVE BEEN ABLE TO FIND OUT THAT QUICKLY.

I SAW THE TEST, CANDACE! I KNOW.

IT WAS POSITIVE, RIGHT THERE, IN THE BATHROOM.

I SAW IT WITH MY OWN TWO EYES! I KNOW!

YOU'RE TELLING ME MY DAUGHTER WAS PREGNANT,

OR ARE YOU TELLING ME MY DAUGHTER WAS NOT PREGNANT?

IT WAS A BAD TEST.

YOU'RE LYING.

YOU ARE STANDING HERE, AND YOU ARE LYING.

NO. NOPE.

I'M TELLING YOU THE TRUTH.

SHE'S TELLING THE TRUTH.

HOW DO YOU KNOW?

LIKE I SAID, THIS IS MY CHILD.

COME ON.

SHE'S LEAVING.

MM.

SAD PEOPLE.

YOU THINK SHE'S TELLING THE TRUTH?

I KNOW SHE'S TELLING THE TRUTH.

FIND THAT SON OF A BITCH.

YEAH.

♪♪♪♪

YES, THAT'S TRUE.

AND HE IS YOUR FATHER?

YES.

AND IS HE ALSO THE FATHER OF YOUR YOUNGER BROTHER?

YES.

WHAT IS GOING ON?

I'M SORRY.

HE'S GETTING AGITATED.

HIS ANSWERS AREN'T GOING TO BE TRUTHFUL.

HI. I'M LAWANNA.

I'M A PRODUCER FOR THE CHAT NEWS NETWORK.

WHAT IS THIS?

GUYS, CAN I HAVE A MOMENT, PLEASE?

SURE.

COME ON, GUYS, LET'S WAIT OUTSIDE.

[ SPEAKING SPANISH ]

WHAT ARE YOU DOING?

TAKING A POLYGRAPH, MOM.

WHY?

BECAUSE I TOLD THEM THAT I WAS JIM CRYER'S SON,

AND THEY DIDN'T BELIEVE ME.

WAIT, I'M SORRY.

YOU TOLD THE NEWS? YES.

YOU TOLD THOSE PEOPLE? YES, MOM.

WHY WOULD YOU DO THAT?

BECAUSE I WANT THE WORLD TO KNOW WHAT TYPE OF MAN HE IS.

HE DOESN'T DESERVE TO BE IN PUBLIC OFFICE.

SO YOU BROUGHT THESE PEOPLE TO MY HOUSE?

YEAH, AND THEY WANT TO TALK TO YOU, TOO.

I'M NOT GONNA DO THAT.

I WILL NEVER DO THAT TO HIM.

WHY ARE YOU SO FAITHFUL TO HIM?

HE DOESN'T LOVE YOU, HE DOESN'T LOVE ME,

AND HE DOESN'T LOVE MY BROTHER.

YOU DON'T UNDERSTAND THIS. MAKE ME UNDERSTAND.

I DON'T HAVE TO DO THAT.

I DON'T HAVE TO EXPLAIN ANYTHING TO YOU.

HE'S OUR FATHER.

I KNOW.

I KNOW THAT.

DON'T YOU WANT EVERYBODY ELSE TO KNOW THAT HE'S OUR FATHER?

THAT'S A PRIVATE MATTER, CARLOS,

AND I WANT THESE PEOPLE OUT OF HERE.

HAVE THEM COME BACK HERE AND PICK UP THEIR EQUIPMENT,

AND GET THEM OUT OF MY HOUSE, NOW!

OKAY.

LAWANNA?

Lawanna: YES?

I'M SORRY, BUT I'M GONNA HAVE TO ASK YOU GUYS TO LEAVE.

ARE YOU SURE? YES.

SHE DOESN'T FEEL COMFORTABLE DOING THIS.

MRS. GONZALES!

THIS IS VERY IMPORTANT TO OUR VIEWERS.

MOST OF THEM WOULD VOTE FOR HIM.

GET OUT. I THINK YOU NEED TO ‐‐

YOU DESERVE BETTER THAN THIS.

I THINK YOU SHOULD ALLOW ME TO ‐‐

GET OUT! GET OUT OF MY HOUSE, NOW, PLEASE!

OKAY, OKAY. OKAY. COME ON, LET'S GO.

YOU DO REALIZE THIS ENTIRE THING WAS RECORDED, DON'T YOU?

WHOA, WHOA, WHOA.

YOU WERE RECORDING THE WHOLE TIME?

YES, THE CAMERAS WERE ROLLING.

I'M SORRY, BUT YOU'RE GONNA HAVE TO DELETE THAT.

LISTEN, WE CAN'T USE IT, ANYWAY.

WITHOUT YOUR CONSENT, YOU HAVE NOTHING TO WORRY ABOUT.

YOU NEED TO DELETE IT.

WE WILL. NOW.

MRS. GONZALES, CALM DOWN, PLEASE.

COME ON, LET'S GO.

NO, YOU'RE NOT LEAVING UNTIL I SEE YOU DELETE IT.

I'M SORRY.

IT'S OUR PROPERTY.

EXCUSE US.

♪♪♪♪

YOU KNOW WHAT?

I'M SORRY, BUT I'M NOT GONNA SIT BACK AND LET THIS MAN ‐‐

I AM SO DISAPPOINTED IN YOU.

WELL, I'M DISAPPOINTED IN HIM,

AND YOU SHOULD JOIN ME IN TELLING THE WORLD.

I WOULD LOVE IT IF I HAD A LITTLE BIT OF YOUR SUPPORT.

I CAN'T DO THAT.

I JUST ‐‐ I CAN'T.

OKAY.

LET HIM RUN OVER YOU LIKE A WET RAG.

I WON'T.

♪♪♪♪

[ DOOR CLOSES ]

♪♪♪♪

[ ENGINE IDLING ]

♪♪♪♪

[ SIGHS ]

HEY.

HEY.

I GOT YOUR KEYS.

OH.

OKAY.

THANKS.

YEAH.

UH, MAY I COME IN?

YEAH.

♪♪♪♪

I PUT SOME GAS IN IT.

OH, THAT WAS NICE OF YOU.

YEAH.

I WAS GONNA GET IT WASHED,

BUT I DIDN'T KNOW HOW YOUR HUSBAND LIKED HIS TRUCK WASHED.

HOW DID YOU KNOW IT WAS MY HUSBAND'S?

MY MOTHER TOLD ME.

WHAT DOES SHE KNOW ABOUT IT?

NOTHING.

YOU KNOW THAT'S KIND OF LOW, RIGHT?

WHAT'S THAT?

WHAT ME AND YOU DID IN HIS TRUCK.

WELL, WHAT'S LOW IS

SLEEPING WITH THE WOMAN WHO'S WORKING WITH HIM,

ME WALKING IN ON IT,

DENYING IT TO MY FACE,

AND TRYING TO MAKE ME THINK I'M CRAZY.

NOW, WHICH IS LOWER?

I'M VERY SORRY ABOUT THAT, BUT THAT'S NONE OF MY BUSINESS.

WELL, IT WAS YOUR BUSINESS LAST NIGHT.

[ CHUCKLES ]

LISTEN, I GOT CARRIED AWAY LAST NIGHT.

THAT'S OKAY. YOU'RE A YOUNG MAN.

THE RIGHT THINGS TURN YOU ON.

[ SIGHS ]

BENJAMIN.

YEAH?

DID YOU ENJOY MAKING LOVE TO ME LAST NIGHT?

LOOK, I'M NOT ‐‐

TELL ME.

YEAH.

HOW SO?

COME ON.

COME ON.

YOU SERIOUS?

YES.

WELL, IT WAS ‐‐ IT WAS DIFFERENT.

[ CHUCKLES ] MIGHT BE THE BEST I EVER HAD.

YOU, UH, YOU STARTED OFF

DOING THIS ‐‐ DOING THIS THING THAT WAS ON POINT.

WELL, THAT'S BECAUSE I'M A MATURE WOMAN,

NOT ONE OF THESE LITTLE COLLEGE GIRLS YOU DEAL WITH.

[ CHUCKLES ]

BUT I DON'T FEEL GOOD ABOUT THIS.

MM.

SO WE GONNA LET THIS GO, OKAY?

LISTEN, I DON'T WANT TO GET ‐‐

YOU DON'T WANT TO...

MRS. HARRINGTON, YOU'RE MARRIED.

ARE YOU EXCITED?

I'M TRYING TO DO THE RIGHT THING, BUT A MAN STILL ‐‐

I KNOW THAT.

AND YOU MAKE ME FEEL LIKE A WOMAN.

LISTEN, YOU GOT TO GO.

DO I?

YES.

WHERE'S YOUR ROOM?

WHICH ONE IS IT?

[ SIGHS ]

MRS. HARRINGTON.

BENJAMIN, WHICH ONE'S YOUR ROOM?

WHICH ONE IS IT?

BENNY?

[ LAUGHS ]

WELL, IT'S NOT THAT ONE.

SO IT'S THIS ONE?

OKAY.

♪♪♪♪

CAREFUL.

UNZIP ME.

GLADLY.

MM.

[ SHOES THUMPING LIGHTLY ]

NOW...

MM.

♪♪♪♪

DAMN.

AH!

[ BIRDS CHIRPING ]

♪♪♪♪

[ KEY CARD CLICKING ]

[ LOCK BEEPING ]

CANDACE.

[ SIGHS ] WHAT?

HI.

THIS IS NOT A GOOD TIME.

I KNOW. I SAW YOU DOWNSTAIRS IN THE LOBBY.

I TRIED TO CATCH YOU BEFORE YOU GOT ON THE ELEVATOR.

[ LOCK RATTLING ]

[ LOCK BEEPING ]

I JUST WANT TO CHECK ON YOU.

I'M FINE.

[ LOCK BEEPING ] NO, YOU'RE NOT.

HERE.

[ SIGHS ]

YOU'RE SHAKING.

HERE.

LET ME GET THIS.

[ LOCK BEEPS ]

[ LOCK BEEPS ]

[ SIGHS ]

THE FUNERAL WAS ROUGH.

YEAH, I CAN ONLY IMAGINE.

THAT'S WHY I WANTED TO COME UPSTAIRS

AND MAKE SURE YOU'RE OKAY.

WHY ARE YOU DOING THIS?

DOING WHAT?

BEING SO NICE TO ME.

BEING SO THIS GUY.

I DON'T KNOW WHAT YOU MEAN.

CUT THE CRAP.

WHAT IS IT?

YOU'VE NEVER HAD A GUY BE NICE TO YOU BEFORE, CANDACE?

YES.

THEN HE GOT WHAT HE WANTED

AND RETURNED TO BEING HIMSELF.

WELL, I HAVEN'T GOT WHAT I WANTED, SO...

WHAT EXACTLY DO YOU WANT?

WHAT I WANT IS TO GET TO KNOW YOU,

LEARN MORE ABOUT YOU, FIGURE OUT WHO YOU ARE.

WHY?

YOU KNOW, IT'S BEEN A LONG TIME SINCE I'VE BEEN INTRIGUED.

YOU GET TO MY STATUS IN LIFE, AND THINGS BECOME BORING.

AND EVERY NOW AND THEN,

A WOMAN WILL COME ALONG AND MAKE YOU FEEL ALIVE AGAIN.

AND THAT'S WHAT YOU'VE DONE FOR ME.

SO, IS IT WRONG THAT I WANT TO GET TO KNOW YOU?

NO.

OKAY. GOOD.

♪♪♪♪

[ SIGHS ]

BUT I'M A MESS.

CANDACE...WE ALL ARE.

OKAY.

WHAT DO YOU WANT TO KNOW?

WHAT DO YOU MEAN?

LET'S CUT THE GAMES AND GET TO KNOW EACH OTHER.

WHAT DO YOU WANT TO KNOW?

OKAY.

[ SIGHS ]

WHAT DO YOU DO?

I'LL TAKE THE BAR IN ABOUT A WEEK, AND I'LL BE A LAWYER.

THAT'S GREAT.

WHAT ELSE?

UH... WHAT DO YOU DO FOR A LIVING?

I WAS AN ESCORT TO HIGH‐PROFILE MEN IN COLLEGE.

[ LAUGHS ]

I'M SERIOUS, ALL RIGHT? STOP JOKING.

YOU'RE SERIOUS?

YES.

THEY PAID FOR MY COLLEGE EDUCATION AND LAW SCHOOL.

I EVEN BLACKMAILED A FEW OF 'EM.

I'VE BEEN ON MY OWN SINCE I WAS 16.

I WAS RAPED AND MOLESTED AS A LITTLE GIRL.

I DON'T KNOW WHO MY FATHER IS.

MY MOTHER AND I CAN'T STAND EACH OTHER.

I HAD A BABY WITH A GANG MEMBER

WHO WENT TO JAIL FOR MULTIPLE HOMICIDES.

HE TOLD ME HE KILLED MY SON,

BUT MY MOTHER SWEARS HE'S ALIVE.

I DON'T ALLOW MYSELF TO LOVE OR HURT

BECAUSE IT COSTS TOO MUCH.

SO, WE CAN HAVE GREAT SEX,

BUT I WILL NEVER LOVE YOU...

OR CARE DEEPLY ABOUT YOU.

I'M INCAPABLE OF THAT.

I HAVEN'T LOVED ANYTHING OR ANYONE SINCE I LOST MY SON.

EXCEPT MY BROTHER.

[ CHUCKLES ]

WHO I WOULD KILL FOR TO PROTECT.

THAT'S WHO I AM.

NOW YOU KNOW ME.

I, UH, LOVED MY WIFE, BUT I WAS NEVER FAITHFUL.

WHEN SHE PASSED AWAY...

WASN'T EVEN THERE.

'CAUSE IT WAS ALL TOO MUCH.

LOOK, I'M RICH...

AND I'M STRONG, BUT THERE IS NOTHING I COULD DO TO SAVE HER.

I LIVE WITH THE GUILT OF THAT.

SO AFTER SHE PASSED AWAY,

I SLEPT WITH AS MANY WOMEN THAT WOULD LET ME,

SO I WOULDN'T HAVE TO FEEL THE PAIN OF HER DEATH.

I DO WANT TO LOVE AGAIN,

BUT THE TRUTH IS,

I WAS JUST LOOKING FOR SOME EXOTIC, AMAZING SEX.

BUT THERE'S SOMETHING ABOUT YOU THAT HAS DRAWN ME TO YOU.

I AM SELF‐CENTERED.

I KNOW ME.

AND EVENTUALLY, YOU'LL JUST BECOME ANOTHER WOMAN TO CONQUER.

FLAG PLANTED ‐‐

DEEPLY, I MIGHT ADD ‐‐

THEN I'LL BE GONE.

[ SIGHS ]

THAT'S WHO I AM.

SO, NOW YOU KNOW ME.

♪♪♪♪

YES. DO YOU HAVE A PROFESSOR CANON THERE, PLEASE?

OKAY. UM.

I NEED AS MUCH INFORMATION ABOUT HIM AS I COULD GET ‐‐

PERSONAL INFORMATION, HIS ADDRESS, THINGS LIKE THAT.

THANK YOU.

SO? [ CELLPHONE BEEPS ]

SHE DID HAVE A PROFESSOR NAMED CANON,

AND THE SON OF A BITCH IS STILL WORKING THERE.

SO NINE WAS TELLING THE TRUTH?

APPARENTLY.

HOW COULD THAT SON OF A BITCH DO THIS TO HER?!

I DON'T KNOW!

BUT I'M GOING TO HANDLE IT.

ARE WE GOING CRAZY?

NO. HUH?

NO, WE'RE NOT GOING CRAZY.

IN FACT, THERE'S SOMETHING

BOILING UP INSIDE OF ME RIGHT NOW THAT'S GONNA GET US

CLEAR THROUGH THE OTHER SIDE OF THIS THING JUST FINE.

REALLY?

THE SAME WAY YOU HANDLED EVERYTHING ELSE?

THE SAME WAY YOU HANDLED OUR DAUGHTER?!

I TOLD YOU ABOUT HER, JIM.

I TOLD YOU. I WARNED HER.

AND NOW I'M TELLING YOU.

YOU LISTEN TO ME! LOOK AT ME!

I AM TELLING YOU THAT WYATT IS OFF THE RAILS.

DO YOU UNDERSTAND ME?!

I HAVE A PLAN IN PLACE FOR WYATT.

WHEN?

NOW, TODAY.

THEN DO IT.

GET HIS ASS BACK IN LINE.

YOU LISTEN TO ME GOOD.

IF I START THIS THING, IT CAN'T BE STOPPED,

AND YOU CANNOT GET IN THE WAY OF IT ‐‐ DO YOU HEAR ME?

IT'S TOUGH LOVE, KATHERYN.

I DON'T CARE!

I DON'T CARE WHAT IT IS.

JUST DO IT.

CONSIDER IT DONE.

WYATT!

WYATT!

WYATT. TURN THAT OFF.

GET UP. YOU'RE GOING WITH ME.

WHERE ARE WE GOING?

WE'RE GOING FOR A RIDE.

TURN IT OFF. GET UP. YOU'RE GOING WITH ME.

I'M NOT GOING ANYWHERE.

SO HELP ME, WYATT. GET UP! GET UP!

GET YOUR ASS UP AND IN THAT CAR WILLINGLY,

OR I WILL PUT YOU IN IT MYSELF.

GO.

FINE.

♪♪♪♪

GO!

[ BIRDS CHIRPING ]

♪♪♪♪

YOUR SKIN IS THE MOST BEAUTIFUL THING I'VE EVER SEEN.

YOU DON'T GET OUT MUCH.

YEAH, I DO.

WHAT?

NOTHING.

NO.

WHAT?

YOU GO SATELLITE SOMETIMES.

HMM?

REMOTE, OFF IN THE DISTANCE IN THOUGHT.

I TOLD YOU I HAVE A LOT ON MY MIND.

WELL, SHARE.

NO.

WHY NOT?

PEOPLE DON'T WANT TO HEAR OTHER PEOPLE'S PROBLEMS.

TRY ME.

I JUST WANT TO FIND MY SON.

WHERE IS HE?

HIS FATHER IS HIDING HIM FROM ME.

GANG MEMBER?

YEP.

WAS HE DANGEROUS?

WHEN HE'S NOT BEHIND BARS...

WHICH HE IS NOW.

OKAY, WELL, MAYBE YOU SHOULD GO SEE HIM.

WHAT? [ CHUCKLES ]

GO SEE HIM AND ASK HIM.

BUT HE'S DANGEROUS.

HE'S IN A JAIL.

I'M SURE THERE'S A LOT OF PROTECTION BETWEEN YOU TWO.

HE'S NOT CIVIL.

HE'S NOT INTELLIGENT.

HE'S AN ANIMAL.

IT WOULD BE LIKE VISITING A WILD, HUNGRY TIGER IN AFRICA.

YEAH, BUT YOUR TIGER IS NOT IN AFRICA.

HE'S IN A ZOO IN A CAGE.

THERE ARE BARS.

YOU SHOULD GO SEE HIM. DO YOU WANT ME TO GO WITH YOU?

NO.

YOU SURE?

I SAID NO. [ CHUCKLES ]

OKAY.

OH, CRAP.

DON'T ‐‐

DON'T WHAT?

DON'T MAKE UP SOMETHING ABOUT THE TIME SO YOU CAN GO.

IF YOU WANT TO GO, JUST GO.

I'M NOT ONE OF THOSE GIRLS WHO NEED AN EXCUSE.

[ LAUGHS ]

WHAT'S SO FUNNY?

YOU.

WHY?

MY PLANE HAS BEEN ON THE TARMAC FOR THE LAST THREE HOURS.

I WAS SUPPOSED TO BE IN NEW YORK A COUPLE DAYS,

AND I WAS GONNA LEAVE EARLY,

BUT I WANT TO MAKE SURE THAT YOU'RE OKAY.

SO I'LL JUST CALL THEM

AND MAKE SURE THAT I RESCHEDULE THE FLIGHT.

LIKE I SAID, NO EXCUSES.

THAT'S NOT AN EXCUSE.

AND BY THE WAY, YOU SHOULD COME.

NEW YORK CITY WOULD DO YOU SOME GOOD.

WHAT?

IN TWO DAYS, MY PLANE'S GONNA LEAVE AT 9:00 A. M.

I'LL TEXT YOU THE ADDRESS.

OSCAR.

THINK ABOUT IT.

[ SCOFFS LIGHTLY ]

OKAY?

CAN I SHOWER?

SURE.

IN YOUR ROOM.

[ LAUGHS ]

OKAY, FINE.

I TELL YOU WHAT.

MEET ME ON MY PLANE AT 9:00 A. M. IN TWO DAYS.

IF YOU DON'T, THEN I'M OUT OF HERE.

THEN YOU'RE OUT OF HERE.

CAN I HAVE MY SHIRT?

NAH.

I'M GONNA KEEP THIS ONE.

REALLY? REALLY.

YOU WANT ME TO GO TO MY ROOM LIKE THIS?

THAT SHIRT WAS $1,200.

BRING IT TO THE PLANE.

I'LL SEE YOU AT 9:00 A. M.

[ DOOR CLOSES ]

[ CELLPHONE DIALING ]

[ CELLPHONE RINGS ]

[ CELLPHONE BEEPS ] HELLO?

HI.

What's going on?

SHE'S HERE.

Where? AT THE YOUNG MAN'S HOUSE.

IS THAT SO?

Yes.

HOW LONG HAS SHE BEEN THERE?

ABOUT AN HOUR.

WHAT ARE THEY DOING?

I WATCHED HER WALK INSIDE.

A FEW MINUTES LATER, I HEARD MUSIC PLAYING.

CAN YOU GET CLOSER?

I STICK OUT LIKE A SORE THUMB IN THIS NEIGHBORHOOD.

OKAY, ALL RIGHT. WELL, STAY ON IT.

I am.

DID YOU GET PICTURES OF HER GOING IN?

Yes.

OKAY, GOOD.

Make sure you get some of her going out.

YES.

AND, BRUCE, I‐I NEED YOU TO STAY ON HER.

IF HER HAIR IS OUT OF PLACE OR HER SKIRT IS CROOKED,

I WANT TO KNOW.

OKAY.

IS DAVID'S TRUCK STILL THERE?

YES, IT IS.

TEXT ME THE ADDRESS, WILL YOU? All right.

I'M GONNA MOVE DOWN THE BLOCK IN CASE SHE COMES OUT.

THANKS.

OKAY.

[ CELLPHONE BEEPS ]

[ CELLPHONE DIALING ]

[ CELLPHONE RINGS ]

[ CELLPHONE RINGING ]

[ CELLPHONE BEEPS ]

HELLO, MAGGIE.

HI. WHERE ARE YOU?

ON MY WAY TO THE HOTEL.

OKAY, LISTEN.

I HAD YOUR CAR GPS TRACKED.

YOU DID?

I DID, AND, UM...

WHY WOULD YOU DO THAT?

WELL, I‐I JUST WANTED TO MAKE SURE THAT IT WASN'T STOLEN.

And, well, David, it's in a strange neighborhood.

IT'S, UH, IT'S AT 1361 JORDAN STREET.

Jordan Street?

Why would it be there?

I DON'T KNOW. SHALL I CALL THE POLICE?

Yes.

WAIT, W‐WHAT IF YOUR WIFE HAS IT?

VERONICA WOULDN'T BE CAUGHT DEAD ON THAT SIDE OF TOWN.

Besides, she has her own car.

OKAY, SO I'LL SEND THE POLICE.

Okay.

ARE ‐‐ ARE YOU SURE SHE DOESN'T HAVE IT?

NO.

LISTEN, DAVID, I‐I HATE TO BE THE ONE TO SAY THIS,

BUT WE KNOW SHE HAD A HISTORY OF DRUG PROBLEMS,

SO ARE YOU SURE THAT SHE'S NOT...

SHE'S NOT USING AGAIN.

I‐I'M ‐‐ I'M JUST SAYING.

I MEAN, IT IS A HIGH‐DRUG AREA, SO ‐‐

YES, I KNOW.

OKAY, SO, I'LL, UM, I'LL SEND THE POLICE.

NO, NO. NO, NO, NO.

I'LL ‐‐ I'LL...

I'LL GO SEE WHAT'S GOING ON.

ARE YOU SURE?

I MEAN, MAYBE I ‐‐ MAYBE I SHOULD SEND THE POLICE.

NO, NO. IT'S ‐‐ IT'S FINE, REALLY.

OKAY, ARE YOU HEADED THERE NOW?

Yes.

SHALL I MEET YOU?

NO, MAGGIE.

I'LL HANDLE IT.

OKAY, SO I‐I'LL MEET YOU BACK AT THE HOTEL.

OKAY.

[ CELLPHONE BEEPS ]

DRIVER, CHANGE OF PLANS.

WE'RE GOING TO JORDAN STREET, 1361, PLEASE.

[ CELLPHONE BEEPS ]

[ SIGHS ]

[ INSECTS CHIRPING ]

[ INDISTINCT CONVERSATIONS ]

♪♪♪♪

[ DOOR CLANKS SHUT ]

♪♪♪♪

CANDY.

HI.

OH, BABY, I MISSED YOU.

I MISSED YOU, TOO.

DAMN, YOU LOOK GOOD.

SO DO YOU.

YOU COME TO BAIL ME OUT?

I ‐‐

I CAME TO TALK TO YOU.

NO.

YOU'RE GONNA BAIL ME OUT SO WE CAN REALLY TALK.

I WILL.

GO AHEAD AND DO IT.

FIRST, UH, I NEED TO ASK YOU SOMETHING.

WHAT?

WHERE IS MY SON, QUINCY?

YOU KNOW WHERE HE IS.

MY MOTHER TOLD ME SHE SAW HIM WITH YOU.

IS HE ALL RIGHT?

YEAH, HE'S ALL RIGHT.

WHERE IS HE?

BAIL ME OUT, AND WE CAN GO GET HIM.

FIRST, TELL ME WHERE HE IS,

AND THEN I'LL BAIL YOU OUT.

[ LAUGHS ]

YOU THINK I'M STUPID?

[ SIGHS ]

QUINCY, PLEASE.

WHERE IS MY SON?

YOU DROPPED DIME ON ME.

WHAT?

YOU GAVE ME UP.

NO.

STOP LYING.

I SAW THE STATEMENTS, THE SEALED RECORDS.

SHE SHOWED ME EVERYTHING.

YOUR NAME, YOUR SIGNATURE.

WHO?

VERONICA.

SHE GOT ME OUT,

AND AS SOON AS I GET IN TOUCH WITH HER,

SHE'LL GET ME OUT AGAIN.

YOU DROPPED DIME.

NO, I DIDN'T.

DON'T LIE.

QUINCY, PLEASE.

TELL ME WHERE Q. IS.

BAIL ME OUT, AND I'LL TAKE YOU TO HIM.

[ SIGHS ]

YOU KNOW IT'S NOT GOING TO WORK LIKE THAT.

AW, OKAY.

YOU THINK YOU'RE PROTECTED BY THIS GLASS BETWEEN US?

QUINCY, PLEASE.

I AIN'T TELLING YOU A DAMN THING.

QUINCY.

AS SOON AS SHE GETS ME OUT OF HERE,

I'M GONNA COME FIND YOU,

AND YOU'RE GONNA REGRET EVER DROPPING DIME ON ME.

AND YOU KNOW WHAT ELSE?

YOUR BROTHER, BENNY?

HE'S DEAD.

HE'S THE ONE THAT GOT ME IN HERE.

HE'S DEAD.

AND YOU'RE DEAD.

A SLOW DEATH.

I'M GONNA LET OUR SON WATCH ME KILL YOU

SO HE CAN SEE WHAT A LOW‐DOWN, TRIFLING WHORE

HIS MOTHER REALLY IS.

WHAT KIND OF BITCH SNITCHES ON HER MAN?

THAT DON'T HAPPEN WHERE WE COME FROM.

I'MA MAKE OUR SON HATE YOU ALMOST AS MUCH AS I DO.

QUINCY.

[ NO AUDIO ]

♪♪♪♪

[ RECEIVER CLICKS ]

QUINCY!

♪♪♪♪

♪♪♪♪

MR. HARRINGTON?

HANNA.

WHAT ARE YOU DOING HERE?

THIS IS MY TRUCK.

DO YOU LIVE HERE?

YES.

WHY IS MY TRUCK AT YOUR HOUSE?

MY SON BROUGHT IT HERE LAST NIGHT.

YOUR SON? WHY?

HE SAID YOUR WIFE TOLD HIM TO TAKE IT.

WHY WOULD SHE DO THAT?

[ SIGHS ]

SHE GOT HIM OUT OF JAIL LAST NIGHT.

DID SHE?

MM‐HMM.

WHY WOULD SHE TELL HIM TO TAKE MY TRUCK?

I DON'T KNOW.

YOU WANT TO COME IN? WE CAN ASK HIM TOGETHER.

YES, PLEASE.

ALL RIGHT.

♪♪♪♪

WELL, COME ON IN.

[ MUSIC PLAYING IN DISTANCE ]

JUST HAVE A SEAT.

MM.

BENNY?

I'LL BE RIGHT BACK.

BENNY?

[ GASPS ] OH!

[ GASPS ]

♪♪♪♪

NEXT ON "THE HAVES AND THE HAVE NOTS"...

THIS CAR GOES FOR ABOUT 300 GRAND.

HOW YOU DOING ALL THIS?

I HAVE TO WAIT FOR THE CAR, HANNA.

YEAH, WELL, YOU WON'T BE DOING IT IN HERE.

WELL, I'M NOT DOING IT IN THIS NEIGHBORHOOD.

IT IS NOT SAFE HERE.

OH, GIRL, YOU ARE BLACK.

AIN'T NOBODY GONNA BOTHER YOU, ALL RIGHT?

GET YOUR ASS OUT OF MY HOUSE.

HOW IS THIS MY FAULT?

YOU AND MY MOTHER SET THIS WHOLE THING UP.

IF YOUR MOTHER BACKS OUT OF THIS,

I AM GOING AFTER YOU FOR CHILD SUPPORT AND EVERYTHING ELSE.

YOU NEED TO TAKE OFF YOUR CLOTHES AND BEND OVER.

THIS IS A FULL CAVITY SEARCH.

YOU WILL DO IT.