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1
00:00:10,743 --> 00:00:12,253
RIGHT. AGENTS?
2
00:00:12,246 --> 00:00:14,876
MA'AM.
AGENT HIGHTOWER.
3
00:00:14,881 --> 00:00:17,391
YEAH. ALL RIGHT. NARCOTICS
NEEDS HELP GETTING INTEL
4
00:00:17,385 --> 00:00:19,445
ON A METH HOUSE
IN THE SOUTHWEST.
5
00:00:19,452 --> 00:00:22,662
I SAID I COULD SPARE
TWO OF YOU.
SURE. WE'LL GET IT.
6
00:00:22,655 --> 00:00:24,315
VAN PELT AND CHO.
7
00:00:26,993 --> 00:00:28,703
WHAT'S THE JOB?
8
00:00:39,173 --> 00:00:42,713
(liquid drips)
9
00:00:46,546 --> 00:00:50,776
IT'S HARD TO BELIEVE
THERE'S INTEL IN THESE.
THERE BETTER BE.
IT'S DRIPPING ON MY FEET.
10
00:00:50,783 --> 00:00:53,723
HIGHTOWER KNOWS ABOUT
RIGSBY AND ME.
NOTICED THAT.
11
00:00:53,720 --> 00:00:56,960
SHE KNOWS,
BUT SHE HASN'T SAID ANYTHING.
12
00:00:56,957 --> 00:00:58,957
WHY DO YOU THINK THAT IS?
NO IDEA.
13
00:00:58,959 --> 00:01:00,929
IF YOU COULD GUESS.
I WOULDN'T.
14
00:01:00,927 --> 00:01:02,927
(sighs)
15
00:01:02,929 --> 00:01:04,999
I CAN'T STOP
THINKING ABOUT IT.
16
00:01:04,998 --> 00:01:08,468
(engine starts)
THAT'S JUST GONNA GET YOU
IN TROUBLE.
17
00:01:10,870 --> 00:01:14,040
CAN YOU HELP ME?
CAN YOU HELP ME?
18
00:01:14,040 --> 00:01:15,740
WHAT HAPPENED TO YOU?
19
00:01:15,742 --> 00:01:17,942
I LOST MY SHOE.
20
00:01:17,944 --> 00:01:21,154
CAN YOU TELL ME WHERE I AM?
I'M--I'M GONNA CALL THIS IN,
ALL RIGHT?
21
00:01:21,149 --> 00:01:22,779
MA'AM. MA'AM.
22
00:01:22,783 --> 00:01:24,053
CAN YOU...
23
00:01:24,051 --> 00:01:25,751
OKAY. ALL RIGHT.
24
00:01:25,753 --> 00:01:28,763
WE'RE GONNA GET YOU
SOME MEDICAL ATTENTION. COME ON.
OKAY.
25
00:01:28,756 --> 00:01:31,056
COME OVER HERE AND SIT DOWN.
OKAY.
26
00:01:31,057 --> 00:01:32,757
WHAT'S YOUR NAME?
27
00:01:32,759 --> 00:01:34,859
MM.
28
00:01:34,861 --> 00:01:36,061
MA'AM?
29
00:01:36,063 --> 00:01:37,473
MA'AM?
30
00:01:37,465 --> 00:01:38,725
GRACE.
31
00:01:38,731 --> 00:01:41,441
HEY. SHE SAID
SHE CAN'T REMEMBER WHO SHE IS,
32
00:01:41,435 --> 00:01:43,595
WHERE SHE CAME FROM
OR WHAT HAPPENED.
33
00:01:43,603 --> 00:01:45,743
NO I.D.
NOTHING ON HER AT ALL.
34
00:01:45,739 --> 00:01:47,609
WHERE'S LISBON?
SHE'S ON HER WAY.
35
00:01:47,608 --> 00:01:50,608
E.M.T.s THINK THE BULLET
GRAZED THE VICTIM'S HEAD.
36
00:01:50,610 --> 00:01:52,610
I THOUGHT
WE SHOULD TALK TO HER HERE.
37
00:01:52,612 --> 00:01:55,322
SHE LOST HER SHOE, SO SHE
COULDN'T HAVE WALKED FAR.
38
00:01:55,316 --> 00:01:58,046
THE CRIME SCENE'S
PROBABLY NEARBY.
GOOD THINKING.
39
00:01:58,051 --> 00:02:01,451
(police radio chatter)
SO SHOULD WE WAIT FOR LISBON
OR...
40
00:02:01,454 --> 00:02:02,724
NAH. HI.
41
00:02:02,722 --> 00:02:06,332
I'M PATRICK JANE.
HOW YOU DOING?
42
00:02:06,326 --> 00:02:09,096
(panting) MY HEAD HURTS.
43
00:02:09,096 --> 00:02:12,696
I DON'T REMEMBER WHO I AM.
44
00:02:12,699 --> 00:02:14,669
(exhales deeply)
45
00:02:16,836 --> 00:02:18,206
HOLD MY HAND.
46
00:02:18,205 --> 00:02:21,275
I'M GONNA TRY
AND HELP WITH THE PAIN.
47
00:02:21,275 --> 00:02:23,275
OKAY,
I WANT YOU TO CONCENTRATE
48
00:02:23,276 --> 00:02:25,806
AND LET THE PAIN FLOW
OUT THROUGH YOUR ARM
49
00:02:25,812 --> 00:02:27,312
AND INTO MY HAND.
50
00:02:27,314 --> 00:02:31,494
JUST LET IT FLOW,
LIKE WATER.
51
00:02:31,485 --> 00:02:33,485
AH, I CAN FEEL IT.
52
00:02:33,486 --> 00:02:35,416
CAN YOU FEEL THAT?
53
00:02:35,423 --> 00:02:36,323
YES.
54
00:02:36,324 --> 00:02:38,334
CAN YOU FEEL IT FLOWING?
YEAH.
55
00:02:38,325 --> 00:02:41,825
THE PAIN IS FLOWING AWAY.
56
00:02:43,896 --> 00:02:46,096
TELL ME YOUR NAME.
57
00:02:46,098 --> 00:02:48,098
DON'T REACH.
58
00:02:48,100 --> 00:02:51,040
JUST WAIT FOR IT.
59
00:02:51,038 --> 00:02:52,638
I CAN'T.
60
00:02:52,639 --> 00:02:53,939
AH, THAT'S OKAY.
61
00:02:53,941 --> 00:02:56,781
THAT'S OKAY.
62
00:02:56,776 --> 00:02:59,906
WHAT WERE YOU DOING THIS
MORNING, BEFORE YOU GOT HURT?
63
00:02:59,913 --> 00:03:01,413
(whispers) I CAN'T.
64
00:03:01,414 --> 00:03:03,654
IT'S OKAY. DON'T WORRY.
(sniffles)
65
00:03:03,651 --> 00:03:08,091
TONIGHT, THEN, BEFORE MY FRIENDS
FOUND YOU, WHAT WERE YOU DOING?
66
00:03:08,087 --> 00:03:10,257
I-I WAS IN A ROOM.
67
00:03:10,258 --> 00:03:12,188
IT'S COLD.
68
00:03:12,192 --> 00:03:15,232
CAN YOU SEE ANYTHING?
69
00:03:17,063 --> 00:03:19,503
IT'S--IT'S TOO DARK.
70
00:03:19,500 --> 00:03:22,700
WERE YOU SITTING IN A CHAIR
OR WERE YOU LYING DOWN?
71
00:03:22,703 --> 00:03:26,013
LYING DOWN.
ON THE FLOOR OR ON THE BED?
72
00:03:26,006 --> 00:03:27,706
ON THE FLOOR.
73
00:03:27,707 --> 00:03:29,907
THERE'S...
74
00:03:29,909 --> 00:03:33,209
DIRT AND STRAW.
75
00:03:33,212 --> 00:03:35,382
(clears throat)
76
00:03:35,383 --> 00:03:38,653
IT MAKES ME COUGH.
77
00:03:38,651 --> 00:03:41,891
WHAT DOES IT SMELL LIKE?
HORSES.
78
00:03:41,889 --> 00:03:43,959
THAT'S FANTASTIC.
79
00:03:43,956 --> 00:03:45,256
GRACE?
80
00:03:45,259 --> 00:03:47,299
YEAH. WE'RE LOOKING
FOR A STABLE.
81
00:03:47,295 --> 00:03:48,525
YEAH.
82
00:03:48,528 --> 00:03:50,828
(Patrick clears throat)
83
00:03:58,204 --> 00:04:01,744
HER SHOE.
84
00:04:06,280 --> 00:04:09,950
YEAH, THAT'S HER SHOE.
85
00:04:09,949 --> 00:04:12,849
(Patrick) OKAY.
86
00:04:14,955 --> 00:04:17,015
(Patrick clears throat)
87
00:04:17,024 --> 00:04:19,594
OKAY.
88
00:04:21,295 --> 00:04:23,325
(Patrick) ALL RIGHT.
89
00:04:25,632 --> 00:04:28,132
(whispers) GUYS, THERE'S
A LIGHT SWITCH RIGHT HERE.
90
00:04:28,134 --> 00:04:29,344
(click)
91
00:04:33,040 --> 00:04:34,880
OH.
92
00:04:34,875 --> 00:04:36,835
UH-OH.
93
00:04:52,893 --> 00:04:55,333
THE BULLET CREASED HER SKULL.
IT DIDN'T FRACTURE THE BONE,
94
00:04:55,329 --> 00:04:58,499
BUT A HIT LIKE THAT CAN KNOCK
YOU AROUND SOMETHING WICKED.
95
00:04:58,499 --> 00:05:00,499
SHE COULD HAVE BEEN UNCONSCIOUS
FOR A WHILE.
96
00:05:00,500 --> 00:05:02,300
SHOOTER PROBABLY THOUGHT
SHE WAS DEAD
97
00:05:02,302 --> 00:05:05,672
AND DUMPED HER
WITH THE OTHER BODIES.
WHAT ABOUT THE AMNESIA?
98
00:05:05,673 --> 00:05:07,683
I DON'T KNOW WHAT TO TELL YOU.
99
00:05:07,675 --> 00:05:09,675
RETROGRADE AMNESIA
USUALLY RECEDES WITH TIME,
100
00:05:09,677 --> 00:05:11,707
BUT I DON'T KNOW HOW FAST
THAT'LL HAPPEN.
101
00:05:11,711 --> 00:05:14,781
OKAY, WHAT I WANT YOU TO DO IS
JUST FOCUS ON THE QUEEN.
102
00:05:14,781 --> 00:05:18,051
HERE'S THE LADY.
NOW YOU SAW WHERE SHE IS.
103
00:05:18,050 --> 00:05:20,350
THERE'S THE LADY.
104
00:05:20,353 --> 00:05:21,793
OKAY. NOW TELL ME...
105
00:05:23,524 --> 00:05:25,364
WHERE'S THE QUEEN?
106
00:05:25,358 --> 00:05:27,928
WRONG.
FIRST BOY YOU EVER KISSED.
107
00:05:27,927 --> 00:05:30,027
I DON'T KNOW.
108
00:05:30,029 --> 00:05:33,329
WHAT'S YOUR FIRST NAME?
I DON'T KNOW. I'M SORRY.
109
00:05:33,332 --> 00:05:35,442
LOOK, THERE SHE WAS.
SHE WAS ALWAYS THERE.
110
00:05:35,435 --> 00:05:37,895
RIGHT IN THE MIDDLE.
AND THE POINT BEING?
111
00:05:37,904 --> 00:05:40,174
OH, I'M JUST MAKING SURE
SHE HAS AMNESIA,
112
00:05:40,173 --> 00:05:41,983
WHICH, BY THE WAY, YOU DO.
113
00:05:41,975 --> 00:05:45,005
IT'S HARD TO LIE WHEN YOU'RE
THINKING ABOUT SOMETHING ELSE.
114
00:05:45,012 --> 00:05:49,282
(whispers) GREAT.
WE'RE CHECKING
OUR MISSING PERSONS DATABASE,
115
00:05:49,281 --> 00:05:52,151
THEN WE'LL RUN YOUR PRINTS.
SOMETHING'LL PROBABLY COME UP.
(cell phone rings)
116
00:05:52,151 --> 00:05:55,321
FIND SOMEBODY TO COME IN
AND PRINT HER.
OKAY.
117
00:05:55,322 --> 00:05:58,262
AGENT HIGHTOWER.
MORNING, LISBON.
AS SOON AS IT'S PRACTICAL,
118
00:05:58,257 --> 00:06:00,927
I WANT TO SEE YOU, VAN PELT
AND RIGSBY IN MY OFFICE.
119
00:06:00,927 --> 00:06:03,797
I'VE BEEN MEANING TO ADDRESS
THIS ISSUE FOR A WHILE,
120
00:06:03,797 --> 00:06:06,197
BUT THERE'S BEEN SO MUCH
COMING ACROSS MY DESK,
121
00:06:06,199 --> 00:06:08,539
I HAVEN'T HAD THE TIME.
122
00:06:08,536 --> 00:06:11,566
FIRST OFF,
NEITHER OF YOU IS DENYING
123
00:06:11,572 --> 00:06:13,912
YOU'RE IN
A SEXUAL RELATIONSHIP?
124
00:06:13,906 --> 00:06:15,876
ARE YOU?
NO.
125
00:06:15,875 --> 00:06:18,505
NO, MA'AM.
YOU WORK TOGETHER,
YOU DEVELOP FEELINGS.
126
00:06:18,512 --> 00:06:20,052
NOTHING WRONG WITH THAT.
127
00:06:20,047 --> 00:06:22,417
BUT YOU KNOW VERY WELL
IT'S AGAINST CBI RULES,
128
00:06:22,415 --> 00:06:24,515
AND LIKE I TELL MY KIDS,
RULES ARE RULES.
129
00:06:24,518 --> 00:06:27,948
IF YOU WANT TO STAY TOGETHER,
THAT'S YOUR CHOICE.
130
00:06:27,954 --> 00:06:30,594
BUT ONE OF YOU HAS TO TRANSFER
OUT OF THE UNIT.
131
00:06:30,591 --> 00:06:33,291
IF YOU BOTH WANT
TO STAY IN THE UNIT,
132
00:06:33,293 --> 00:06:35,303
THEN YOU CAN'T BE TOGETHER.
133
00:06:35,295 --> 00:06:36,795
THAT'S WHAT IT IS.
134
00:06:36,797 --> 00:06:39,667
GIVE ME YOUR DECISION
TOMORROW AT THE LATEST.
135
00:06:43,235 --> 00:06:44,535
QUESTIONS?
136
00:06:44,538 --> 00:06:46,238
NO, MA'AM.
NO.
137
00:06:46,238 --> 00:06:47,508
OKAY.
138
00:06:50,577 --> 00:06:53,507
LISBON, STAY A MOMENT.
139
00:06:53,514 --> 00:06:56,554
WHY DIDN'T YOU HANDLE
THIS SITUATION YOURSELF?
140
00:06:56,550 --> 00:06:58,620
I WON'T DEFEND
WHAT I DID, MA'AM--
141
00:06:58,619 --> 00:07:00,619
I UNDERSTAND THESE TWO
SNEAKING AROUND,
142
00:07:00,620 --> 00:07:02,460
BUT YOU'RE THEIR SUPERIOR.
143
00:07:02,456 --> 00:07:05,386
I EXPECT MORE.
144
00:07:05,391 --> 00:07:06,791
(sighs)
145
00:07:06,793 --> 00:07:09,633
I'LL BE WRITING
A CORRECTIVE MEMO.
146
00:07:09,629 --> 00:07:11,229
THAT'S IT.
147
00:07:11,230 --> 00:07:13,170
THANK YOU FOR YOUR TIME.
148
00:07:20,973 --> 00:07:23,213
I DON'T WANT TO TALK ABOUT IT.
149
00:07:24,545 --> 00:07:27,945
CHO, WHERE ARE WE
WITH THE VICTIMS?
150
00:07:27,947 --> 00:07:30,777
I VERIFIED THE TWO I.D.s
WE FOUND AT THE SCENE.
151
00:07:30,783 --> 00:07:32,653
JANINE AND MITCHELL LANGHAM
FROM CHICO,
152
00:07:32,653 --> 00:07:35,293
BOTH IN THEIR 50s,
NO FAMILY IN STATE.
153
00:07:35,288 --> 00:07:38,528
NEIGHBOR SAID THAT THEY WERE
HIKING IN KASTEN STATE FOREST.
THAT'S 100 MILES
FROM WHERE WE FOUND THEM.
154
00:07:38,526 --> 00:07:41,996
WELL, WHAT ABOUT
THE THIRD VICTIM?
SAME AS THE JANE DOE.
NO I.D. OF ANY KIND.
155
00:07:41,995 --> 00:07:44,355
THE CORONER SAYS
HE'S IN HIS EARLY 20s.
156
00:07:44,363 --> 00:07:48,543
I PUT HIS PRINTS
INTO THE SYSTEM.
VAN PELT, DID YOU GET
ANY HITS ON THEM? VAN PELT?
157
00:07:48,536 --> 00:07:51,966
UH, I'LL CHECK. I'LL CHECK.
THE CORONER THINKS
THAT THEY WERE SHOT
158
00:07:51,971 --> 00:07:54,271
WITH A HIGH-POWERED RIFLE--
THE LANGHAMS UP CLOSE,
159
00:07:54,274 --> 00:07:56,114
OUR JANE DOE
AND THE UNIDENTIFIED MALE
160
00:07:56,108 --> 00:07:59,178
FROM A DISTANCE.
DO EITHER OF THE LANGHAMS
HAVE A RECORD?
161
00:07:59,178 --> 00:08:02,248
NO.
I THINK WE CAN SET
THE LANGHAMS ASIDE.
162
00:08:02,249 --> 00:08:05,049
I THINK THEY WERE BY-PRODUCTS.
WEREN'T PLANNED.
OH?
163
00:08:05,052 --> 00:08:07,562
YEAH. THE FIRST TWO VICTIMS
WERE SHOT FROM A DISTANCE,
164
00:08:07,555 --> 00:08:09,055
I.D.s WERE TAKEN.
165
00:08:09,055 --> 00:08:11,925
TWO VICTIMS WERE SHOT UP-CLOSE.
I.D.s WERE NOT TAKEN.
166
00:08:11,925 --> 00:08:15,455
CLEARLY, THE FIRST TWO VICTIMS
WERE THE TARGETS.
AND WHEN THE LANGHAMS
ROLL UP TO THE SCENE,
167
00:08:15,461 --> 00:08:17,101
WRONG PLACE, WRONG TIME.
168
00:08:17,096 --> 00:08:19,726
KILLER SHOOTS THE LANGHAMS,
FREAKS OUT.
169
00:08:19,733 --> 00:08:21,743
DOESN'T BOTHER
TO TAKE THEIR I.D.s.
170
00:08:21,735 --> 00:08:23,365
DOESN'T EVEN NOTICE
171
00:08:23,370 --> 00:08:26,570
THAT ONE OF THE FIRST VICTIMS
THAT HE SHOT WAS ONLY WOUNDED.
172
00:08:26,574 --> 00:08:28,644
WE GOT A HIT
ON THE MALE VICTIM'S PRINTS.
173
00:08:28,641 --> 00:08:30,141
HIS NAME'S LEONARD RAILTON,
174
00:08:30,143 --> 00:08:32,913
NATIVE AMERICAN, LIVED ON
THE STORM RIVER RESERVATION.
175
00:08:32,913 --> 00:08:34,883
THAT'S RIGHT NEXT
TO THE STATE FOREST.
176
00:08:34,881 --> 00:08:36,951
OH, HE'S BEEN IN AND OUT
OF THE SYSTEM
177
00:08:36,950 --> 00:08:39,290
SINCE HIS EARLY TEENS--
MOSTLY SMALL STUFF,
178
00:08:39,286 --> 00:08:40,846
A COUPLE OF DRUG BUSTS.
179
00:08:40,854 --> 00:08:43,194
NO FAMILY LISTED. HIS EMERGENCY
CONTACT IS HIS PAROLE OFFICER.
180
00:08:43,190 --> 00:08:45,260
GO AND GO SHOW JANE DOE
A PICTURE OF LEONARD
181
00:08:45,258 --> 00:08:48,388
AND THE LANGHAMS.
IT'S WORTH A SHOT.
OKAY.
182
00:08:48,394 --> 00:08:52,104
YOU GUYS CHECK OUT THE TRAIL
THAT THE LANGHAMS WERE HIKING.
183
00:08:52,099 --> 00:08:55,029
IT SOUNDS LIKE
SOMETHING'S GOING ON UP THERE.
184
00:08:55,034 --> 00:08:57,274
LET'S GO TALK
TO RAILTON'S P.O.
(lowered voice) HEY.
185
00:08:57,269 --> 00:09:00,269
THERE'S NO POINT IN HIDING
YOUR FRUSTRATION WITH HIGHTOWER.
186
00:09:00,273 --> 00:09:02,083
I MEAN, SOONER OR LATER,
187
00:09:02,075 --> 00:09:04,235
YOU'RE JUST GONNA EXPLODE
WITH SUPPRESSED RAGE.
188
00:09:04,244 --> 00:09:06,714
WITH ANY LUCK,
YOU'LL BE NEXT TO ME.
189
00:09:06,714 --> 00:09:09,454
WELL, THAT'S WHAT
I'M WORRIED ABOUT.
190
00:09:09,448 --> 00:09:11,078
GRACE.
191
00:09:11,083 --> 00:09:12,423
YOU OKAY?
192
00:09:12,418 --> 00:09:14,218
SURE. (sighs)
193
00:09:14,221 --> 00:09:15,461
NO. YOU?
194
00:09:15,455 --> 00:09:17,585
THIS IS A GOOD THING, OKAY?
195
00:09:17,591 --> 00:09:21,291
NO MORE SNEAKING AROUND. WE GET
TO DECIDE WHAT WE WANNA DO.
DO WE KNOW WHAT THAT IS?
196
00:09:21,293 --> 00:09:23,763
LET'S JUST GET THROUGH THE DAY,
AND THEN TONIGHT,
197
00:09:23,764 --> 00:09:28,034
WE'LL OPEN UP A BOTTLE OF WINE
AND WE'LL TALK, OKAY?
YEAH. SOUNDS GOOD.
198
00:09:28,034 --> 00:09:30,874
(whispers) I LOVE YOU.
(whispers) I LOVE YOU.
199
00:09:32,806 --> 00:09:36,806
(woman) I THOUGHT LEONARD
HAD A CHANCE, YOU KNOW?
200
00:09:36,809 --> 00:09:40,309
GOOD KID. REALLY TRYING
NOT TO REPEAT OLD MISTAKES.
201
00:09:40,312 --> 00:09:43,452
HOW LONG WERE YOU LEONARD'S
PAROLE OFFICER, MS. BRINTON?
202
00:09:43,450 --> 00:09:45,350
A LITTLE OVER A YEAR.
203
00:09:45,351 --> 00:09:48,521
HE HAVE ANY FAMILY
WE SHOULD SPEAK TO?
204
00:09:48,520 --> 00:09:50,320
NO, LEONARD DIDN'T HAVE
ANYBODY.
205
00:09:50,322 --> 00:09:53,332
BUT HIS MOTHER WAS SHOSHONE,
GREW UP ON THE RESERVATION.
206
00:09:53,326 --> 00:09:56,226
THAT'S WHY I GOT HIM TO MOVE
THERE AFTER HE WAS RELEASED.
WHY THE RESERVATION?
207
00:09:56,229 --> 00:09:59,229
LEONARD NEEDED PEOPLE
IN HIS LIFE WHO CARED ABOUT HIM.
208
00:09:59,231 --> 00:10:01,971
HE COULD GET THAT THERE.
IT'S A SMALL COMMUNITY--
209
00:10:01,969 --> 00:10:05,039
NOT TOO WELL-OFF, BUT TIGHT.
DO YOU LIVE THERE?
210
00:10:05,038 --> 00:10:07,268
MM-HMM. MY FATHER'S CLAN IS
FROM THERE. I'M SHOSHONE.
211
00:10:07,274 --> 00:10:08,514
SHOSHONE, UH,
212
00:10:08,508 --> 00:10:11,508
WITH A NEW YORK ITALIAN/IRISH
THING GOING ON,
213
00:10:11,510 --> 00:10:13,810
IF I'M NOT MISTAKEN
BY THE ACCENT.
214
00:10:13,813 --> 00:10:15,823
IS THAT
FROM YOUR MOTHER'S SIDE?
215
00:10:15,816 --> 00:10:18,516
I'M NOT THE FIRST PERSON
WHO NEEDED TIME
216
00:10:18,518 --> 00:10:20,488
TO FIGURE OUT WHO SHE WAS.
MM.
217
00:10:20,486 --> 00:10:22,186
WERE THERE ANY INDICATIONS
218
00:10:22,188 --> 00:10:24,188
THAT LEONARD WAS DOING
ANYTHING ILLEGAL?
219
00:10:24,191 --> 00:10:27,331
NO. HE HAD SOME PROBLEMS
WHEN HE FIRST GOT THERE,
220
00:10:27,326 --> 00:10:30,326
BUT ABOUT SIX MONTHS AGO,
HE SETTLED DOWN, GOT A JOB,
221
00:10:30,330 --> 00:10:34,230
HAD A GIRLFRIEND
IN THE VALLEY.
WHAT WAS HER NAME?
222
00:10:34,234 --> 00:10:36,744
DERRIEN HOPWOOD.
I MET HER A COUPLE OF TIMES.
223
00:10:36,736 --> 00:10:38,436
NO RECORD.
224
00:10:38,437 --> 00:10:40,367
GOOD INFLUENCE,
I THOUGHT.
225
00:10:40,373 --> 00:10:41,773
IS THIS HER?
226
00:10:43,275 --> 00:10:46,505
UH... NO,
I DON'T KNOW THIS WOMAN.
227
00:10:46,513 --> 00:10:48,653
POSITIVE?
I SAID NO.
228
00:10:48,648 --> 00:10:50,178
I GOT IT.
229
00:10:51,518 --> 00:10:54,318
DOES LEONARD HAVE ANY FRIENDS
ON THE RESERVATION
230
00:10:54,321 --> 00:10:56,321
WE SHOULD TALK TO?
YOU'RE GOING ON THE REZ?
231
00:10:56,322 --> 00:11:00,232
YEAH.
WILL THE TRIBAL POLICE BE
WITH YOU?
232
00:11:00,226 --> 00:11:02,096
OH, THEY'RE AWARE
OF THE INVESTIGATION.
233
00:11:02,095 --> 00:11:05,965
WE'LL KEEP THEM IN THE LOOP.
I SHOULD GO WITH YOU.
234
00:11:05,966 --> 00:11:07,266
OH, THAT'S NOT NECESSARY.
235
00:11:07,267 --> 00:11:09,937
AS FAR AS SOME OF THEM
ARE CONCERNED,
236
00:11:09,937 --> 00:11:11,937
YOU'RE FOREIGNERS--
FOREIGNERS WITH BADGES.
237
00:11:11,938 --> 00:11:13,438
YOU WON'T GET ANYTHING.
238
00:11:13,440 --> 00:11:15,270
I'LL GET MY COAT.
239
00:11:15,274 --> 00:11:19,154
EXCELLENT. WELL,
WE GOT OURSELVES A NATIVE GUIDE.
240
00:11:19,145 --> 00:11:21,075
YES.
241
00:11:21,081 --> 00:11:23,321
(Rigsby)
JANINE AND MITCHELL LANGHAM.
242
00:11:23,316 --> 00:11:26,116
RING ANY BELLS?
(sighs) NO,
BUT I DON'T REALLY MEET PEOPLE
243
00:11:26,119 --> 00:11:29,119
UNLESS THEY'RE IN TROUBLE.
WELL, THESE PEOPLE GOT
INTO TROUBLE.
244
00:11:29,121 --> 00:11:31,221
BEEN ANY REPORTS
OF CRIME ON THE TRAILS?
245
00:11:31,224 --> 00:11:34,434
ROBBERIES, ASSAULTS?
NO, JUST, YOU KNOW, RACCOONS,
BIRDS, DEER, RATTLESNAKES, BEAR.
246
00:11:34,427 --> 00:11:37,357
WELL, I DON'T THINK
A BEAR SHOT FOUR PEOPLE
247
00:11:37,364 --> 00:11:39,404
WITH A HIGH-POWERED RIFLE.
NO, BEARS CAN'T DO THAT.
248
00:11:39,399 --> 00:11:41,569
THEIR NEIGHBOR SAID
THE LANGHAMS WOULD'VE WALKED
249
00:11:41,567 --> 00:11:44,567
THE MORNINGSTAR TRAIL.
HUH. MORNINGSTAR IS NOT
ONE OF OUR MORE POPULAR TRAILS.
250
00:11:44,571 --> 00:11:47,941
(indistinct radio chatter)
EXCUSE ME. I GOT--UH...
UH, TISDALE, STAND BY ONE.
251
00:11:47,941 --> 00:11:50,641
LOOK, I GOTTA GO.
I GOTTA GO UP THE HILL THERE.
252
00:11:50,643 --> 00:11:52,413
WE HAVE
AN ANIMAL CONTROL ISSUE.
253
00:11:52,412 --> 00:11:55,412
WELL, WE NEED TO CHECK OUT
THAT TRAIL.
(sighs) OKAY, UH...
254
00:11:55,414 --> 00:11:57,784
OKAY, THE TRAILHEAD
IS RIGHT OVER THERE.
255
00:11:57,784 --> 00:11:59,594
YOU JUST STAY ON THE PATH.
256
00:11:59,586 --> 00:12:02,786
WHEN YOU GET TO THE FORK,
YOU GO TO THE LEFT, OKAY?
257
00:12:02,789 --> 00:12:05,419
JUST STAY TO THE LEFT.
YOU'LL BE FINE.
258
00:12:05,424 --> 00:12:06,794
GOT IT. LEFT. THANKS.
259
00:12:06,793 --> 00:12:09,433
(woman) I DON'T RECOGNIZE
ANY OF THEM.
260
00:12:10,798 --> 00:12:13,428
TAKE YOUR TIME.
THINK ABOUT IT.
261
00:12:13,432 --> 00:12:17,142
I HAVE. THESE PEOPLE ARE
ALL DEAD, RIGHT?
262
00:12:17,136 --> 00:12:18,266
YES.
263
00:12:18,270 --> 00:12:20,510
THERE'S ONE PIECE
OF GOOD NEWS.
264
00:12:20,506 --> 00:12:23,406
WE RAN YOU THROUGH
THE FINGERPRINTS DATABASE.
265
00:12:23,409 --> 00:12:24,779
YOU'RE NOT THERE.
266
00:12:24,778 --> 00:12:26,948
HOW IS THAT GOOD NEWS?
267
00:12:26,947 --> 00:12:28,947
IT MEANS
YOU'RE NOT A CRIMINAL...
268
00:12:28,948 --> 00:12:31,818
OR YOU'RE
A VERY, VERY GOOD ONE.
269
00:12:31,818 --> 00:12:33,748
(chuckles)
270
00:12:37,389 --> 00:12:41,129
HOW'S IT GOING
WITH THE, UM...
271
00:12:41,128 --> 00:12:44,258
MISSING PERSONS THING?
272
00:12:44,264 --> 00:12:46,874
WELL, NO ONE'S FILED
A MISSING PERSONS REPORT
273
00:12:46,866 --> 00:12:48,266
FITTING YOUR DESCRIPTION
YET,
274
00:12:48,268 --> 00:12:51,538
BUT I'M SURE
IT'S JUST A MATTER OF TIME.
275
00:12:51,538 --> 00:12:53,308
YOU DON'T KNOW THAT.
276
00:12:53,306 --> 00:12:56,506
LOOK, YOU HAD A JOB TO DO,
AND YOU DID IT. THANKS.
277
00:12:56,509 --> 00:12:58,579
YOU DON'T HAVE TO STAY.
278
00:12:58,577 --> 00:13:00,507
I'LL STICK AROUND.
279
00:13:02,782 --> 00:13:05,782
(voice breaking) OKAY.
280
00:13:05,784 --> 00:13:07,754
THANKS.
281
00:13:07,754 --> 00:13:09,724
I'VE GOT A LOT OF TIME
INVESTED HERE,
282
00:13:09,721 --> 00:13:12,931
BUT IF SHE LEAVES, WE'RE INTO
THIS WHOLE SEXISM THING
283
00:13:12,926 --> 00:13:14,726
OF WHOSE JOB IS
MORE IMPORTANT.
284
00:13:14,726 --> 00:13:17,296
LIKE I SAID,
IT'S COMPLICATED.
NO, IT ISN'T.
285
00:13:17,297 --> 00:13:20,097
WHAT?
WHICH DO YOU WANT MORE--
YOUR JOB OR VAN PELT?
286
00:13:20,100 --> 00:13:22,900
WHAT? IT--IT'S NOT THAT EASY.
SURE IT IS.
THIS IS THE FORK, RIGHT?
287
00:13:22,903 --> 00:13:26,543
NO, WE--WE TOOK THE FORK.
NO, I DON'T THINK
THAT WAS THE FORK.
288
00:13:26,538 --> 00:13:29,738
I THINK THIS IS THE FORK.
WELL, WHATEVER. GO LEFT.
289
00:13:29,741 --> 00:13:31,241
IT'S NOT THAT SIMPLE.
290
00:13:31,244 --> 00:13:34,114
JOB OR VAN PELT.
ALL THERE IS TO IT.
291
00:13:45,091 --> 00:13:47,591
(Brinton) THE REC CENTER'S
THE COMMUNITY GATHERING SPOT.
292
00:13:47,594 --> 00:13:49,534
LEONARD USED TO COME HERE.
293
00:13:53,600 --> 00:13:55,100
THIS IS JOSEPH SILVERWING.
294
00:13:55,101 --> 00:13:57,801
HE HELPED
TO SETTLE LEONARD IN HERE.
295
00:13:57,803 --> 00:13:59,773
HE'S ON THE TRIBAL COUNCIL.
296
00:13:59,772 --> 00:14:02,612
JOSEPH, THESE ARE THE DETECTIVES
FROM CBI I CALLED YOU ABOUT.
TERESA LISBON. HI.
297
00:14:02,609 --> 00:14:04,139
PATRICK JANE.
298
00:14:04,144 --> 00:14:06,454
WE'RE INVESTIGATING THE MURDER
OF LEONARD RAILTON.
299
00:14:06,446 --> 00:14:08,446
CAN YOU TELL US ANYTHING
ABOUT HIM?
300
00:14:08,447 --> 00:14:11,777
HE'S A GOOD KID. WORKED HARD.
STAYED OUT OF TROUBLE.
301
00:14:11,783 --> 00:14:14,293
WE HEARD HE HAD A JOB.
302
00:14:14,287 --> 00:14:16,487
DOWN AT, UH,
MARKHAM WILLIS'S PLACE.
303
00:14:16,489 --> 00:14:18,789
IT'S A SOUVENIR SHOP
JUST OFF THE RESERVATION.
304
00:14:18,791 --> 00:14:20,791
WAS LEONARD HAVING
ANY PROBLEMS?
305
00:14:20,793 --> 00:14:22,363
NO.
306
00:14:22,361 --> 00:14:25,531
DID YOU HEAR ABOUT
ANY ARGUMENTS OR FIGHTS?
307
00:14:25,532 --> 00:14:26,832
NO.
308
00:14:26,832 --> 00:14:28,902
MONEY PROBLEMS?
HEALTH ISSUES?
309
00:14:28,902 --> 00:14:30,442
NO.
310
00:14:30,437 --> 00:14:33,307
YOU'RE RIGHT. YOU REALLY ARE
OPENING THINGS UP HERE.
311
00:14:33,306 --> 00:14:35,306
DO YOU KNOW ABOUT
ANY RELATIONSHIPS
312
00:14:35,307 --> 00:14:38,007
HE WAS HAVING
OFF THE RESERVATION MAYBE?
NO.
313
00:14:38,010 --> 00:14:41,580
(indistinct conversations)
314
00:14:45,585 --> 00:14:47,215
NICE SHOT.
315
00:14:48,888 --> 00:14:51,558
DID YOU GUYS KNOW
LEONARD RAILTON?
316
00:14:51,557 --> 00:14:53,687
(tap, balls clatter)
317
00:14:53,692 --> 00:14:55,562
I'LL TAKE THAT AS A YES.
318
00:14:55,562 --> 00:14:58,302
I'M TRYING TO FIND
THE PERSON WHO KILLED HIM.
319
00:14:58,298 --> 00:15:01,268
DO YOU WANT TO HELP ME
WITH THAT?
320
00:15:01,268 --> 00:15:03,698
DON'T ALL SPEAK AT ONCE.
321
00:15:03,702 --> 00:15:05,372
WHO'S GONNA TALK FIRST?
322
00:15:05,371 --> 00:15:07,671
(chuckles)
WE DON'T TALK TO PO-PO.
323
00:15:07,673 --> 00:15:09,743
PO-PO?
324
00:15:09,741 --> 00:15:11,241
I LIKE THAT.
325
00:15:11,244 --> 00:15:14,954
BUT I'M NOT PO-PO.
I'M A PO-PO CONSULTANT.
326
00:15:14,947 --> 00:15:17,277
HOW ABOUT THIS?
327
00:15:17,283 --> 00:15:21,523
I BET THAT I CAN SINK A BALL
BEFORE YOUR BEST PLAYER CAN,
328
00:15:21,520 --> 00:15:25,290
AND HE CAN HAVE
THREE CHANCES TO MY ONE,
329
00:15:25,292 --> 00:15:30,032
AND IF I LOSE...
50 BUCKS. HUH?
330
00:15:30,029 --> 00:15:33,869
BUT IF I WIN,
YOU TELL ME ABOUT LEONARD.
331
00:15:33,865 --> 00:15:36,095
WE GOT A DEAL?
332
00:15:36,102 --> 00:15:37,742
GREAT.
WHO'S YOUR SHARPSHOOTER?
333
00:15:37,736 --> 00:15:40,706
IT'S YOU, ISN'T IT, SHORTY?
LET'S DO THIS.
334
00:15:40,706 --> 00:15:42,206
OKAY.
335
00:15:42,209 --> 00:15:44,409
ALL RIGHT.
FIRST BALL IN WINS.
336
00:15:44,411 --> 00:15:45,511
(balls clatter)
337
00:15:45,511 --> 00:15:48,011
YOU GET THREE CHANCES.
I GET ONE.
338
00:15:48,014 --> 00:15:49,524
OKAY.
339
00:15:49,515 --> 00:15:51,715
AND BY THE WAY,
THAT GIRL YOU'RE CRUSHING ON,
340
00:15:51,717 --> 00:15:54,847
THE ONE IN THE BLUE SWEATER--
IT'S NEVER GONNA HAPPEN.
341
00:15:54,854 --> 00:15:57,624
SHE'S INTO THE TALL GUY.
GOOD LUCK.
342
00:15:57,624 --> 00:15:59,564
MY MONEY'S ON THE KID.
343
00:16:02,495 --> 00:16:04,725
(Patrick) ONE.
344
00:16:06,533 --> 00:16:08,973
TWO.
345
00:16:08,967 --> 00:16:12,537
LAST TIME. GOOD LUCK.
LUCKY LAST.
346
00:16:12,538 --> 00:16:14,468
THAT'S THREE.
347
00:16:14,474 --> 00:16:17,844
THERE'S A HOLE
IN THAT BALL.
(ball clatters)
348
00:16:17,844 --> 00:16:20,054
HERE'S THE HARD PART.
349
00:16:20,047 --> 00:16:22,047
(groans)
350
00:16:26,818 --> 00:16:29,218
(Patrick groans)
351
00:16:30,756 --> 00:16:33,156
OOH! SCHOOLED YA.
352
00:16:35,128 --> 00:16:37,328
OKAY, SO, UH,
WHAT WAS LEONARD'S STORY?
353
00:16:37,330 --> 00:16:41,300
HE HAD MONEY.
A LOT OF IT.
354
00:16:41,301 --> 00:16:43,501
ALWAYS HAD
THE NEWEST KICKS.
355
00:16:43,503 --> 00:16:45,343
SINCE WHEN?
356
00:16:45,337 --> 00:16:46,837
LIKE, SIX MONTHS AGO.
357
00:16:46,838 --> 00:16:49,338
WELL, I HEARD
HE HAD A JOB.
358
00:16:49,341 --> 00:16:52,311
(scoffs) OH, YEAH.
AT WILLIS'S SOUVENIR SHOP?
359
00:16:52,312 --> 00:16:54,812
THAT'S PENNIES.
360
00:16:54,813 --> 00:16:56,283
LEONARD HAD MONEY.
361
00:16:56,283 --> 00:16:59,693
ANY IDEA WHERE THAT
MIGHT HAVE COME FROM?
362
00:16:59,686 --> 00:17:01,186
HE WOULDN'T SAY.
363
00:17:01,187 --> 00:17:04,157
BUT HE WAS OUT IN THE WOODS
ALL THE TIME,
364
00:17:04,156 --> 00:17:05,826
SO... WE FIGURED,
YOU KNOW?
365
00:17:05,825 --> 00:17:07,355
YES?
366
00:17:07,359 --> 00:17:09,559
(chuckles) EVERYBODY KNOWS
WHAT GOES ON IN THE WOODS.
367
00:17:09,561 --> 00:17:11,561
(chuckles) OH, SURE.
THE WOODS.
368
00:17:11,564 --> 00:17:13,774
YEAH,
THIS IS NOT THE TRAIL.
369
00:17:13,766 --> 00:17:15,266
IT'S OVER HERE.
370
00:17:15,268 --> 00:17:18,398
ARE YOU SURE? I THOUGHT
I SAW IT OVER HERE.
371
00:17:19,838 --> 00:17:22,468
WATER TANK?
372
00:17:24,676 --> 00:17:26,746
(Rigsby) CHO?
373
00:17:26,746 --> 00:17:28,746
YEAH?
374
00:17:28,748 --> 00:17:31,678
THERE'S A POT PLANT HERE.
375
00:17:31,683 --> 00:17:34,323
ACTUALLY, THERE'S A WHOLE BUNCH
OF POT PLANTS HERE.
376
00:17:34,320 --> 00:17:36,820
IT LOOKS LIKE A FARM.
OH, YEAH,
377
00:17:36,823 --> 00:17:39,593
WHICH MEANS THERE'S PROBABLY
SOME BAD GUYS WITH GUNS.
378
00:17:39,592 --> 00:17:43,232
(gunshots)
379
00:17:43,230 --> 00:17:45,060
(pants)
380
00:17:45,064 --> 00:17:47,804
(pants) NO BARS.
SO MUCH FOR BACKUP.
381
00:17:50,036 --> 00:17:52,136
(gunshots)
382
00:17:52,138 --> 00:17:54,308
(panting)
THERE'S ONLY ONE SHOOTER.
YOU DRAW FIRE,
383
00:17:54,307 --> 00:17:57,277
AND I'LL TAKE HIM FROM THE SIDE.
READY? ONE... TWO...
ONE... TWO...
384
00:17:57,277 --> 00:17:59,177
THREE!
GO.
385
00:18:14,794 --> 00:18:16,104
RIGSBY! CLEAR!
386
00:18:16,095 --> 00:18:18,725
GOT IT!
387
00:18:18,730 --> 00:18:22,730
(both panting)
388
00:18:28,474 --> 00:18:32,014
IT'S THE KIND OF FARM YOU FIND
ALL OVER PUBLIC LANDS--
389
00:18:32,010 --> 00:18:35,480
ABOUT AN ACRE OF PLANTS,
IRRIGATION PIPES EVERYWHERE.
(Cho) MUST BE TAPPING
INTO WATER FROM UP THE VALLEY.
390
00:18:35,481 --> 00:18:38,451
DID YOU HIT THE SHOOTER?
MAYBE HE'S IN A HOSPITAL.
DIDN'T SEE ANY BLOOD.
I DOUBT IT.
391
00:18:38,451 --> 00:18:40,721
DO YOU THINK THE RANGER
KNOWINGLY DIRECTED YOU
392
00:18:40,720 --> 00:18:43,920
TOWARD THE POT FARM?
WAS THIS A SETUP?
IT'S HARD TO SAY.
WE GOT PRETTY TURNED AROUND.
393
00:18:43,923 --> 00:18:47,063
I'M NOT EXACTLY SURE
WE WERE ON THE TRAIL.
WHERE'S THE RANGER NOW?
394
00:18:47,058 --> 00:18:50,558
UP IN THE MOUNTAINS. SUPERVISOR
SAYS HE'S OUT OF CALLING RANGE.
FIND OUT WHEN HE'S BACK.
395
00:18:50,563 --> 00:18:53,233
SO IT LOOKS LIKE LEONARD RAILTON
WAS WORKING FOR THE POT FARMERS.
396
00:18:53,232 --> 00:18:57,602
THERE'S A HUNDRED WAYS
THAT COULD TURN UGLY.
MEH. IF LEONARD WAS FARMIN'
THE WEED,
397
00:18:57,604 --> 00:19:00,514
HE WOULD'VE TOLD HIS FRIENDS
ABOUT IT.
398
00:19:00,507 --> 00:19:03,677
WHATEVER HE WAS DOING,
HE FELT SHAME OR AMBIVALENCE.
399
00:19:03,675 --> 00:19:05,635
WHICH TAKES
THE INVESTIGATION WHERE?
400
00:19:05,644 --> 00:19:08,914
WELL, WE HAVEN'T SPOKEN
TO THE GIRLFRIEND YET.
401
00:19:08,914 --> 00:19:11,424
SO GO DO THAT.
YOU TWO TALK TO NARCOTICS.
402
00:19:11,417 --> 00:19:14,947
SEE IF THERE'S A LINE ON
MARIJUANA PLAYERS IN THAT AREA.
403
00:19:14,953 --> 00:19:17,893
YOU HEARD WHAT SHE SAID.
404
00:19:17,890 --> 00:19:21,360
WE WEREN'T LIVING TOGETHER
OR ANYTHING, JUST HANGING OUT.
405
00:19:21,361 --> 00:19:24,301
SO LEONARD ISN'T
THE BABY'S FATHER, MS. HOPWOOD?
406
00:19:24,297 --> 00:19:26,697
KAI'S FATHER?
(laughs) NO.
407
00:19:26,699 --> 00:19:27,829
(Kai fusses)
408
00:19:27,834 --> 00:19:29,904
OH, YEAH. I KNOW, HONEY.
409
00:19:29,902 --> 00:19:32,772
BUT LEONARD LIKED
YOUR LITTLE BOY, DIDN'T HE?
410
00:19:32,771 --> 00:19:35,141
SURE. (chuckles)
411
00:19:35,141 --> 00:19:38,511
LEONARD BOUGHT
MOST OF THE TOYS HERE.
AND THIS, UH...
412
00:19:38,510 --> 00:19:41,780
ENORMOUS STACK
OF INFANT FORMULA.
413
00:19:41,780 --> 00:19:44,720
YEAH, LIKE,
1,000 BUCKS WORTH.
414
00:19:44,717 --> 00:19:45,977
(Kai fusses)
415
00:19:45,984 --> 00:19:47,754
WHAT'S THE STORY
WITH THAT?
416
00:19:47,753 --> 00:19:50,593
WELL, IT'S BECAUSE KAI GOT
THIS RASH.
417
00:19:50,589 --> 00:19:53,829
IT WAS GOING AROUND, YOU KNOW?
A COUPLE OF KIDS HAD IT.
418
00:19:53,826 --> 00:19:56,456
HE HAD THIS IDEA
IT WAS THE POWDERED FORMULA.
419
00:19:56,462 --> 00:19:58,802
HE MADE ME THROW
ALL THE POWDERED OUT,
420
00:19:58,798 --> 00:20:01,998
WHICH IS CRAZY,
'CAUSE IT'S CHEAPER,
421
00:20:02,000 --> 00:20:04,200
AND IT'S REAL EASY TO USE.
422
00:20:04,202 --> 00:20:07,172
ALL YOU DO IS ADD WATER.
(chuckles)
423
00:20:07,173 --> 00:20:10,283
HOW'S THE RASH NOW?
424
00:20:10,277 --> 00:20:12,007
(fusses)
ALL GONE.
425
00:20:12,010 --> 00:20:13,850
(chuckles)
426
00:20:13,846 --> 00:20:16,516
I GUESS HE WAS RIGHT.
427
00:20:16,516 --> 00:20:19,286
YOU WEREN'T SURPRISED TO HEAR
ABOUT LEONARD, WERE YOU?
428
00:20:19,286 --> 00:20:21,086
I MEAN,
YOU--YOU CARED FOR HIM,
429
00:20:21,086 --> 00:20:24,286
BUT YOU WEREN'T STARTLED
TO LEARN THAT HE WAS DEAD.
430
00:20:24,290 --> 00:20:27,360
HE HAD MONEY,
431
00:20:27,359 --> 00:20:30,329
AND NOT FROM
THAT LAME SOUVENIR STORE JOB.
432
00:20:30,329 --> 00:20:33,499
HE WOULDN'T TELL ME
WHERE HE WAS GETTIN' IT.
433
00:20:33,500 --> 00:20:36,700
MY EXPERIENCE IS,
THAT MEANS TROUBLE.
434
00:20:36,702 --> 00:20:39,512
YOUR BEST GUESS?
435
00:20:39,506 --> 00:20:41,836
WHATEVER ELSE
HE WAS DOING...
436
00:20:41,840 --> 00:20:43,340
(Kai fussing)
437
00:20:43,343 --> 00:20:46,513
HE--HE WAS ALWAYS GOOD
TO ME AND KAI.
438
00:20:46,512 --> 00:20:50,722
HE WAS A GOOD MAN.
YOU FIND WHO DID THIS.
439
00:20:50,717 --> 00:20:52,947
WE'LL DO EVERYTHING WE CAN.
440
00:20:52,951 --> 00:20:54,351
(makes popping sound)
441
00:20:54,354 --> 00:20:56,224
(gasping)
442
00:20:56,221 --> 00:20:57,891
(imitates baby gurgling)
443
00:21:01,461 --> 00:21:04,661
(Lisbon) MR. WILLIS, HOW LONG
WAS LEONARD WORKING HERE?
(packages rustle)
444
00:21:04,663 --> 00:21:08,103
UH...
I GUESS ABOUT SIX MONTHS.
445
00:21:08,099 --> 00:21:11,569
I HIRED HIM ON DOLORES BRINTON'S
RECOMMENDATION.
446
00:21:11,570 --> 00:21:13,840
HE WAS A GREAT KID,
GOOD WORKER.
447
00:21:13,839 --> 00:21:17,039
OH, YEAH.
THAT'S WHAT I'M TALKING 'BOUT.
448
00:21:17,042 --> 00:21:18,512
PRETTY GREAT, HUH?
449
00:21:18,510 --> 00:21:20,210
THIS IS FANTASTIC.
450
00:21:20,211 --> 00:21:21,711
D-DO YOU DELIVER?
451
00:21:21,713 --> 00:21:24,483
AS A MATTER OF FACT, WE DO.
ALL RIGHT.
452
00:21:24,483 --> 00:21:27,453
JANE, PUT IT BACK.
WHAT?
453
00:21:27,453 --> 00:21:29,763
YOU HEARD ME. NOW.
OKAY.
454
00:21:29,756 --> 00:21:31,056
NOW!
455
00:21:31,057 --> 00:21:32,857
ALL RIGHT.
456
00:21:32,858 --> 00:21:34,158
WE THINK THAT, UH,
457
00:21:34,160 --> 00:21:36,900
LEONARD WAS GETTING MONEY
FROM SOMEPLACE ELSE.
458
00:21:36,895 --> 00:21:40,495
ANY IDEA WHAT THAT WAS ABOUT?
NO. HE NEVER SAID A WORD
ABOUT IT. WHAT WAS HE DOING?
459
00:21:40,500 --> 00:21:42,430
WE'RE STILL WORKING
ON THAT.
460
00:21:42,434 --> 00:21:44,744
I CAN GIVE YOU A DEAL
ON THAT BONNET.
461
00:21:44,737 --> 00:21:46,907
SPECIAL
LAW ENFORCEMENT DISCOUNT.
462
00:21:46,905 --> 00:21:48,605
(chuckles)
YOU'RE NOT SELF-CONSCIOUS
463
00:21:48,607 --> 00:21:50,677
ABOUT PEDDLING
YOUR OWN CULTURE, ARE YOU?
464
00:21:50,676 --> 00:21:53,376
(chuckles)
THIS IS NOT MY CULTURE.
465
00:21:53,380 --> 00:21:55,850
THIS WAR BONNET IS
FROM THE LAGUNA PEOPLE.
466
00:21:55,847 --> 00:21:56,977
MM.
467
00:21:56,982 --> 00:21:59,492
IT HAS NOTHING TO DO
WITH US SHOSHONE.
468
00:21:59,486 --> 00:22:02,646
IT'S KIND OF A PASTICHE,
REALLY.
469
00:22:02,654 --> 00:22:05,064
BUT THAT'S WHAT
YOU AMERICANS WANT TO BUY,
470
00:22:05,057 --> 00:22:08,727
SO THAT'S WHAT I SELL.
THANK YOU FOR YOUR TIME,
MR. WILLIS. JANE?
471
00:22:10,696 --> 00:22:11,956
JANE!
472
00:22:11,963 --> 00:22:14,673
I'LL MEET YOU OUTSIDE.
473
00:22:16,803 --> 00:22:19,843
IS THERE SOME KIND OF SERVICE
FOR LEONARD?
474
00:22:19,838 --> 00:22:21,838
TOMORROW AFTERNOON,
I BELIEVE.
475
00:22:21,840 --> 00:22:23,210
AH.
476
00:22:23,209 --> 00:22:24,509
THAT'S SUCH A SHAME.
477
00:22:24,510 --> 00:22:26,210
I'M GONNA TAKE THAT.
478
00:22:26,211 --> 00:22:28,481
AND I LIKE THIS ONE, TOO.
479
00:22:28,480 --> 00:22:31,150
IT'S REALLY BEAUTIFUL.
SO THAT AS WELL,
480
00:22:31,150 --> 00:22:33,320
AND, UM...
481
00:22:33,318 --> 00:22:36,518
THIS THING. I'LL SEE
IF I CAN GET A TUNE OUT OF THAT.
482
00:22:36,522 --> 00:22:39,632
JUST LOVE THOSE FEATHERS.
YEAH.
MM.
483
00:22:39,625 --> 00:22:41,585
(plays notes)
484
00:22:41,594 --> 00:22:43,404
GRACE, HI. IT'S JANE.
485
00:22:43,395 --> 00:22:46,725
HOW'S IT GOING WITH JANE DOE
THERE? SHE GET A CLUE YET?
486
00:22:46,732 --> 00:22:48,432
MM, DIDN'T THINK SO.
487
00:22:48,434 --> 00:22:50,804
YOU KNOW, BRING HER
DOWN TO THE OFFICE.
488
00:22:50,802 --> 00:22:54,542
I THINK WE'RE GONNA HAVE TO GET
A LITTLE MORE INTERVENTIONIST.
489
00:22:54,540 --> 00:22:56,380
(Patrick) OKAY.
490
00:22:56,375 --> 00:22:59,845
IF YOU START TO FEEL DIZZY
OR WOOZY OR--OR ANYTHING--
491
00:22:59,846 --> 00:23:03,146
GRACE, QUIT HOVERING.
ALL RIGHT? SHE'S FINE.
492
00:23:03,148 --> 00:23:05,348
I TOOK HER
OUT OF THE HOSPITAL, JANE.
493
00:23:05,351 --> 00:23:08,591
SHE'S MY RESPONSIBILITY.
I GET THAT, BUT SHE'S FINE.
AREN'T YOU?
494
00:23:08,587 --> 00:23:10,087
WHAT ARE THESE?
495
00:23:10,088 --> 00:23:13,288
OH, THESE ARE PICTURES
OF WHERE YOU'RE FROM.
496
00:23:13,291 --> 00:23:15,561
I DON'T KNOW
WHERE I'M FROM.
497
00:23:15,561 --> 00:23:17,101
SURE YOU DO.
498
00:23:17,096 --> 00:23:19,566
I'LL LAY MONEY ON THE FACT
THAT YOU'RE A LOCAL.
499
00:23:19,566 --> 00:23:22,066
YOU HAVE ROOTS AROUND HERE.
500
00:23:22,067 --> 00:23:25,097
YOU VISITED PLACES LIKE THIS
AS A KID.
501
00:23:25,104 --> 00:23:28,614
ONE OF THESE PICTURES HERE
WILL MEAN SOMETHING TO YOU.
502
00:23:28,607 --> 00:23:30,607
I GET NOTHING FROM THAT.
503
00:23:30,609 --> 00:23:33,549
WHAT ABOUT THIS? HMM?
504
00:23:33,546 --> 00:23:35,546
GRACE, A MINUTE?
505
00:23:35,548 --> 00:23:37,448
OH, SURE.
I'LL BE RIGHT BACK.
506
00:23:37,450 --> 00:23:39,450
OKAY.
507
00:23:39,451 --> 00:23:40,791
THIS?
508
00:23:42,888 --> 00:23:44,518
MNH-MNH.
509
00:23:44,523 --> 00:23:46,533
JUST RELAX.
DON'T WORK SO HARD.
510
00:23:46,526 --> 00:23:48,086
LOOK AT THAT.
511
00:23:48,094 --> 00:23:49,604
HAVE YOU EVER SEEN
512
00:23:49,596 --> 00:23:52,626
A MORE BEAUTIFUL,
MORE PEACEFUL PLACE?
513
00:23:52,632 --> 00:23:55,802
IT WOULD BE COOL
IF I COULD JUST SAY THE WORD,
514
00:23:55,801 --> 00:23:57,971
AND YOU COULD BE
RIGHT THERE,
515
00:23:57,970 --> 00:24:01,870
LISTENING
TO THE BIRDS SING...
516
00:24:01,874 --> 00:24:05,514
(lowers voice) THE WIND RUSTLING
THROUGH THE TREES...
517
00:24:05,511 --> 00:24:10,281
THE WATER LAPPING
AGAINST THE SHORE.
518
00:24:10,281 --> 00:24:13,121
IF I COULD JUST SAY THE WORD.
519
00:24:15,253 --> 00:24:18,063
(telephone rings)
520
00:24:18,057 --> 00:24:21,687
(sighs)
WAYNE, THIS COULDN'T WAIT?
521
00:24:30,469 --> 00:24:33,139
THIS IS SO SIMPLE.
522
00:24:33,138 --> 00:24:35,068
I LOVE YOU...
523
00:24:35,074 --> 00:24:37,744
MORE THAN--MORE THAN THIS JOB,
MORE THAN ANYTHING.
524
00:24:37,743 --> 00:24:39,753
(sighs)
YOU GOT SHOT AT TODAY.
525
00:24:39,746 --> 00:24:42,476
YOU'RE PUMPED FULL
OF ADRENALINE.
NO, NO.
526
00:24:42,480 --> 00:24:44,620
WELL, YES,
BUT THAT DOESN'T MATTER.
527
00:24:44,616 --> 00:24:46,616
(gulps)
528
00:24:46,618 --> 00:24:48,618
I KNOW WHAT I WANT TO DO.
529
00:24:48,621 --> 00:24:51,921
(inhales deeply)
I, UH...
530
00:24:51,923 --> 00:24:54,993
I TALKED TO A GUY IN
THE SAN FRANCISCO OFFICE TODAY.
531
00:24:54,993 --> 00:24:57,503
THERE'S AN OPENING
IN THE MAJOR CRIMES UNIT.
532
00:24:57,496 --> 00:25:00,496
IT'S ONLY
AN HOUR AND A HALF AWAY.
533
00:25:00,499 --> 00:25:04,069
YOU MEAN IT?
PLEASE, LET'S JUST DO THIS.
534
00:25:04,069 --> 00:25:06,569
I-I DON'T CARE
WHERE I WORK.
535
00:25:06,573 --> 00:25:09,113
I-I WANT YOU.
536
00:25:09,107 --> 00:25:11,107
YOU REALLY MEAN IT?
537
00:25:11,109 --> 00:25:13,679
(whispers) YES, YES.
538
00:25:23,756 --> 00:25:25,386
REALLY? NOW?
539
00:25:25,391 --> 00:25:28,331
RANGER TISDALE SHOULD BE OFF
THE MOUNTAIN IN AN HOUR, SO...
540
00:25:28,326 --> 00:25:30,996
HIS BANK RECORDS SAY
HE'S DEPOSITING 2 GRAND A MONTH
541
00:25:30,997 --> 00:25:33,497
OVER AND ABOVE HIS SALARY--
CASH.
542
00:25:33,499 --> 00:25:35,669
LET'S GO TALK TO HIM.
543
00:25:42,575 --> 00:25:44,635
TISDALE.
544
00:25:45,744 --> 00:25:48,214
I WAS GONNA CALL YOU.
I JUST HEARD.
545
00:25:48,213 --> 00:25:50,583
POT FARM.
DOESN'T THAT BEAT EVERYTHING?
546
00:25:50,583 --> 00:25:54,123
YEAH,
RIGHT IN YOUR OWN WOODS.
YEAH. I'VE BEEN HIKING
THESE TRAILS FOR EIGHT YEARS.
547
00:25:54,119 --> 00:25:56,789
I HAD NO IDEA. I DON'T KNOW
WHERE YOU ENDED UP,
548
00:25:56,788 --> 00:25:59,788
BUT YOU MUST'VE GOTTEN
SERIOUSLY TURNED AROUND.
549
00:25:59,791 --> 00:26:01,561
THAT'S HARD TO BELIEVE
550
00:26:01,559 --> 00:26:04,199
WHEN THE POT FARMERS ARE
PAYING YOU $2,000 A MONTH.
551
00:26:04,195 --> 00:26:08,565
2 TH--I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
YOU'RE GONNA HAVE
TO COME WITH US.
552
00:26:08,567 --> 00:26:10,637
(thud)
OH!
553
00:26:14,173 --> 00:26:16,473
(grunts)
(grunts)
554
00:26:16,474 --> 00:26:18,344
(both grunting)
555
00:26:21,313 --> 00:26:22,783
NICE WORK.
556
00:26:22,781 --> 00:26:25,351
(panting) FELT GOOD.
(chuckles)
557
00:26:27,252 --> 00:26:28,522
SEND YOU TO THE FARM?
558
00:26:28,519 --> 00:26:31,219
I WAS TRYING LIKE HELL
TO KEEP YOU AWAY FROM IT.
559
00:26:31,222 --> 00:26:33,632
ALL YOU HAD TO DO
WAS STAY ON THE TRAIL.
560
00:26:33,625 --> 00:26:37,025
IS THAT REALLY SO HARD?
SO YOU WERE TAKING MONEY
FROM THE POT DEALERS
561
00:26:37,028 --> 00:26:39,828
TO PROTECT THEIR FARM,
RIGHT?
(sighs) THEY WERE PAYING ME
562
00:26:39,832 --> 00:26:42,332
TO DIRECT TOURISTS AWAY
AND LET 'EM KNOW
563
00:26:42,334 --> 00:26:46,444
IF THERE WERE ANY LOCAL COPS
OR FEDS SNOOPING AROUND.
564
00:26:46,438 --> 00:26:49,378
OKAY, THESE PEOPLE WHO GOT
KILLED--I NEVER EVEN SAW THEM.
565
00:26:49,375 --> 00:26:52,575
I NEED THE NAMES
OF THE PEOPLE WHO PAID YOU.
566
00:26:52,577 --> 00:26:54,407
I CAN'T DO THAT.
567
00:26:54,413 --> 00:26:57,023
LOOK, THESE AREN'T HIPPIES
568
00:26:57,016 --> 00:26:59,016
GROWING WEED IN THE FOREST,
OKAY?
569
00:26:59,018 --> 00:27:00,948
THESE ARE
SERIOUS, SERIOUS MEN.
570
00:27:00,952 --> 00:27:03,722
IF THEY LEARN THAT
I GAVE UP THEIR NAMES,
571
00:27:03,722 --> 00:27:06,192
THEY'LL KILL ME.
572
00:27:06,192 --> 00:27:09,662
LOOK, THEY KNOW
YOU'VE BEEN ARRESTED.
573
00:27:09,662 --> 00:27:11,962
THEY THINK YOU'RE
GIVING THEM UP RIGHT NOW.
574
00:27:11,963 --> 00:27:14,433
NOW WITH THESE MEN WALKING
AROUND, YOU'RE IN DANGER.
575
00:27:14,432 --> 00:27:17,702
GIVE US THEIR NAMES,
AND WE'LL LOCK THEM UP.
NO, I CAN'T.
576
00:27:17,703 --> 00:27:19,673
IT'S YOUR CALL.
577
00:27:19,672 --> 00:27:22,782
YOU GOT A FAMILY?
UH, YEAH.
578
00:27:22,775 --> 00:27:24,935
WELL, I SUGGEST
YOU SEND THEM SOMEWHERE.
579
00:27:24,943 --> 00:27:27,313
NOT OUT OF TOWN--
GET 'EM OUT OF STATE.
580
00:27:27,313 --> 00:27:29,583
KNOW ANYBODY ON THE EAST COAST?
NO.
581
00:27:29,580 --> 00:27:31,380
THAT'S TOO BAD.
HOW ABOUT OVERSEAS?
582
00:27:31,383 --> 00:27:34,393
THAT'S A FIRST-RATE INTERVIEWER
YOU GOT THERE.
THANK YOU.
583
00:27:34,385 --> 00:27:36,015
HEY, WHAT'S UP?
584
00:27:36,021 --> 00:27:39,531
SO RIGSBY AND CHO TELL ME THERE
WAS ONLY ONE DUDE WITH A GUN.
585
00:27:39,525 --> 00:27:42,085
THAT DOESN'T SEEM LIKE MUCH.
NO, IT'S NOT.
586
00:27:42,094 --> 00:27:44,034
SO WHEN YOU SAY,
"THESE ARE NOT HIPPIES,
587
00:27:44,029 --> 00:27:46,399
THESE ARE SERIOUS, SERIOUS MEN,"
588
00:27:46,397 --> 00:27:49,337
THAT IMPLIES MANY SCARY MEN
WITH LARGE GUNS, RIGHT?
589
00:27:49,335 --> 00:27:51,435
YES.
SO WHY JUST ONE?
590
00:27:51,436 --> 00:27:54,306
I DON'T KNOW.
THEY MIGHT BE LOW ON MONEY.
591
00:27:54,306 --> 00:27:57,176
I MEAN,
THE--THE CROP IS DOING BADLY.
PLANTS ARE DYING?
592
00:27:57,175 --> 00:28:00,175
YEAH, YEAH. AND THE WORD IS
THAT IT'S BEEN GOING ON
593
00:28:00,179 --> 00:28:02,749
FOR ABOUT SIX MONTHS,
AND NOBODY CAN FIGURE IT OUT,
594
00:28:02,749 --> 00:28:05,519
AND THEY'RE REALLY KIND OF
FREAKING OUT ABOUT IT.
I'M SURE.
595
00:28:05,517 --> 00:28:07,587
JANE?
YEAH?
596
00:28:07,586 --> 00:28:10,756
UH, I THINK I GOTTA--
I GOTTA GO. I'LL SEE YOU LATER.
597
00:28:10,757 --> 00:28:11,957
THANK YOU.
598
00:28:11,958 --> 00:28:13,988
SO WHAT'D YOU GET
FROM THE GUY?
599
00:28:13,992 --> 00:28:16,662
THE POT FARMERS
DIDN'T KILL LEONARD.
THAT SO?
600
00:28:16,662 --> 00:28:18,662
YEP.
YOU CERTAIN?
601
00:28:18,663 --> 00:28:21,773
WELL, CERTAINTY IS
THE MOTHER OF FOOLS.
602
00:28:21,768 --> 00:28:24,298
SO ALL THIS IS JUST...
603
00:28:24,303 --> 00:28:26,173
GUESSWORK WITH YOU?
604
00:28:26,172 --> 00:28:27,542
PRETTY MUCH.
605
00:28:27,538 --> 00:28:31,178
I MEAN, THAT'S--
THAT'S WHAT I DO, I GUESS.
606
00:28:31,176 --> 00:28:33,506
FOR INSTANCE,
I GUESS THAT YOU'RE MARRIED.
607
00:28:33,511 --> 00:28:35,111
I'M WEARING A RING.
608
00:28:35,114 --> 00:28:38,424
WELL, I GUESS THAT YOU'RE
MARRIED, BUT NOT HAPPILY.
609
00:28:38,416 --> 00:28:41,746
NOT THAT THERE'S
DIVORCE PROCEEDINGS IN PLACE,
610
00:28:41,753 --> 00:28:43,763
BUT...
611
00:28:43,756 --> 00:28:46,086
POSSIBLY A TRIAL SEPARATION.
612
00:28:46,092 --> 00:28:48,802
GUESS I SHOULD'VE
PUT UP A PHOTO, HUH?
613
00:28:48,795 --> 00:28:50,425
MM-HMM.
614
00:28:50,429 --> 00:28:53,499
I KNOW YOU'RE NOT GIVING ME
RELATIONSHIP ADVICE,
615
00:28:53,499 --> 00:28:56,369
SO I HAVE TO WONDER
WHY YOU WOULD GO THERE.
616
00:28:56,367 --> 00:28:59,867
I GUESS IT'S YOUR WAY
OF EXPRESSING UNHAPPINESS.
617
00:28:59,872 --> 00:29:01,942
MM, COULD BE.
618
00:29:01,941 --> 00:29:04,941
I GUESS
IT'S YOUR WAY OF SAYING
619
00:29:04,943 --> 00:29:08,183
YOU'RE UNHAPPY WITH THE WAY
I'M HANDLING LISBON.
620
00:29:08,180 --> 00:29:10,180
WE SPEND
A LOT OF TIME TOGETHER.
621
00:29:10,182 --> 00:29:14,592
AND WHEN SHE'S UNHAPPY,
UH, I'M LESS HAPPY.
622
00:29:14,586 --> 00:29:16,216
IT'S HUMAN NATURE.
623
00:29:16,221 --> 00:29:17,691
YES, IT IS.
624
00:29:17,689 --> 00:29:19,489
I'LL TELL YOU WHAT,
PATRICK.
625
00:29:19,490 --> 00:29:22,760
WHY DON'T YOU LET ME
HANDLE MY BUSINESS MY WAY
626
00:29:22,760 --> 00:29:25,130
AND THEN JUDGE ME
BY THE RESULTS?
627
00:29:25,131 --> 00:29:27,771
AND I'LL LET YOU
HANDLE YOURS YOUR WAY...
628
00:29:27,766 --> 00:29:29,066
UP TO A POINT.
629
00:29:29,067 --> 00:29:30,767
THAT SOUNDS FAIR.
630
00:29:30,769 --> 00:29:32,769
UP TO A POINT.
631
00:29:32,770 --> 00:29:35,710
YEAH, VERY FAIR. WE DONE?
632
00:29:35,707 --> 00:29:37,037
NO.
633
00:29:37,042 --> 00:29:39,082
PLEASE DON'T INTERRUPT
INTERROGATIONS.
634
00:29:39,077 --> 00:29:41,547
IT'S RUDE.
THAT'S A RULE, IS IT?
635
00:29:41,547 --> 00:29:43,177
GUIDELINE.
636
00:29:43,182 --> 00:29:45,622
I'LL KEEP IT IN MIND.
637
00:29:45,616 --> 00:29:47,246
NOW WE'RE DONE.
638
00:29:48,820 --> 00:29:51,760
LOVING THOSE PUMPS.
639
00:29:51,757 --> 00:29:54,127
THANK YOU.
640
00:29:54,125 --> 00:29:56,325
BYE.
641
00:29:56,327 --> 00:29:57,727
(blinds clatter)
642
00:29:57,729 --> 00:30:00,869
(typing)
643
00:30:04,069 --> 00:30:05,569
OH, WHAT'S THIS?
INTERESTING.
644
00:30:05,570 --> 00:30:06,970
(lowered voice)
WE NEED TO TAKE AMNESIA GIRL
645
00:30:06,972 --> 00:30:09,282
UP TO THE RESERVATION.
646
00:30:09,275 --> 00:30:12,705
MEET ME IN THE PARKING LOT
IN TEN MINUTES.
(lowered voice) WHY TAKE HER
TO THE RESERVATION?
647
00:30:12,711 --> 00:30:15,051
THEY'RE HOLDING A MEMORIAL
FOR LEONARD RAILTON.
648
00:30:15,047 --> 00:30:18,747
SHE SHOULD BE THERE.
SHE MIGHT REMEMBER SOMETHING.
WORTH A TRY, I GUESS.
649
00:30:18,750 --> 00:30:20,420
OH, DO ME A FAVOR.
HMM?
650
00:30:20,419 --> 00:30:23,419
DON'T MENTION THIS
TO LISBON OR HIGHTOWER.
AND WHY NOT?
651
00:30:23,422 --> 00:30:25,892
WELL, WHY COMPLICATE THINGS?
COMPLICATE HOW?
652
00:30:25,892 --> 00:30:28,392
HELL, VAN PELT,
YOU SHOULDN'T HAVE TAKEN HER
653
00:30:28,394 --> 00:30:30,764
OUT OF THE HOSPITAL
IN THE FIRST PLACE.
654
00:30:30,761 --> 00:30:33,431
YOUR CAR,
PARKING LOT, TEN MINUTES.
655
00:30:33,432 --> 00:30:37,842
(man chanting in
Native American language)
656
00:30:39,204 --> 00:30:42,314
MR. JANE,
WHAT ARE YOU DOING HERE?
657
00:30:42,307 --> 00:30:45,337
WELL, WE'RE HERE
TO PAY OUR RESPECTS.
658
00:30:45,344 --> 00:30:47,284
IT'S OKAY.
WE WON'T EAT MUCH.
659
00:30:47,278 --> 00:30:51,018
LEONARD HAD ONLY BEEN WITH US
A SHORT WHILE,
660
00:30:51,017 --> 00:30:53,287
BUT IF YOU SAW HIM
661
00:30:53,285 --> 00:30:56,645
WALKING A TRAIL UP AT THE LAKES
OR RIDING A HORSE,
662
00:30:56,654 --> 00:30:58,594
YOU COULD SEE
663
00:30:58,589 --> 00:31:00,659
THAT HE WAS HOME.
664
00:31:00,659 --> 00:31:03,099
SO REMEMBER THE OLD WORDS.
665
00:31:03,095 --> 00:31:05,095
WHEN A FRIEND DIES,
666
00:31:05,096 --> 00:31:06,626
WE SHOULD NOT CRY.
667
00:31:06,632 --> 00:31:09,872
WE SHOULD NOT HATE SOMEONE
668
00:31:09,867 --> 00:31:11,337
OR FIGHT.
669
00:31:11,336 --> 00:31:15,436
WE SHOULD DO RIGHT ALWAYS.
670
00:31:15,441 --> 00:31:18,141
AND WE SHOULD LISTEN
TO THE OLD WORDS
671
00:31:18,144 --> 00:31:20,484
AND REMEMBER LEONARD.
672
00:31:20,479 --> 00:31:24,379
IF ANYONE ELSE
HAS SOMETHING TO SAY...
673
00:31:24,383 --> 00:31:25,883
OH, I WOULD.
674
00:31:27,185 --> 00:31:29,855
THIS WOMAN WAS WITH LEONARD
WHEN HE WAS SHOT.
675
00:31:29,855 --> 00:31:31,855
SHE HAS LOST HER MEMORY.
676
00:31:31,856 --> 00:31:35,356
SO WE BROUGHT HER HERE TODAY
677
00:31:35,361 --> 00:31:37,661
TO SEE IF A FACE
678
00:31:37,663 --> 00:31:39,603
OR A PLACE OR ANYTHING
679
00:31:39,597 --> 00:31:42,127
COULD HELP HER REMEMBER
WHO SHE IS.
680
00:31:42,134 --> 00:31:46,544
THIS IS KIND OF A SACRED MOMENT.
IS THIS REALLY THE TIME?
681
00:31:46,538 --> 00:31:48,668
IT'LL TAKE BUT A SECOND.
682
00:31:53,011 --> 00:31:54,651
(Patrick) ANYTHING?
683
00:31:54,645 --> 00:31:57,445
NO.
684
00:31:57,449 --> 00:32:00,519
NEVER MIND. THE TRIP
WAS NOT ENTIRELY WASTED.
685
00:32:00,519 --> 00:32:04,719
I WAS ALSO LOOKING AT ALL OF YOU
TO SEE IF ANYONE RECOGNIZED HER.
686
00:32:04,722 --> 00:32:09,132
AND IT SEEMS TO ME THAT SOMEBODY
HERE DOES KNOW THIS WOMAN.
687
00:32:09,127 --> 00:32:12,297
AND THAT SOMEBODY
IS YOU, SIR.
688
00:32:12,298 --> 00:32:14,098
ME?
689
00:32:14,099 --> 00:32:16,799
I THINK YOU'RE MISTAKEN.
690
00:32:16,801 --> 00:32:18,601
PROVE IT.
691
00:32:18,604 --> 00:32:20,514
(grunts) HOW?
692
00:32:22,740 --> 00:32:24,610
LOOK INTO MY EYES
693
00:32:24,609 --> 00:32:26,309
AND HOLD THIS.
694
00:32:29,780 --> 00:32:32,820
NOW TELL ME
YOU DON'T KNOW HER.
695
00:32:32,817 --> 00:32:35,087
I DO NOT KNOW THIS WOMAN.
696
00:32:37,788 --> 00:32:39,718
OKAY.
697
00:32:39,724 --> 00:32:41,734
UM, UM, OKAY.
698
00:32:41,727 --> 00:32:43,757
IT APPEARS
THAT I'M MISTAKEN,
699
00:32:43,761 --> 00:32:46,161
WHICH IS VERY GOOD FOR YOU.
700
00:32:46,164 --> 00:32:48,474
THAT ELIMINATES YOU
FROM OUR INQUIRY.
701
00:32:48,467 --> 00:32:50,737
MY APOLOGIES. CARRY ON. WE'LL
JUST TAKE OUR SEATS IN THE BACK.
702
00:32:50,736 --> 00:32:52,296
THANK YOU.
703
00:32:52,304 --> 00:32:55,614
AND, LISTEN, IF YOU--
IF YOU DON'T WANT US HERE,
704
00:32:55,606 --> 00:32:57,736
THEN JUST SAY THE WORD
AND WE'LL GO. JUST SAY THE WORD.
705
00:32:57,742 --> 00:33:01,352
(Joseph) I THINK
IT WOULD BE BETTER--
I SEE IT.
706
00:33:01,346 --> 00:33:04,876
I SEE IT! I SEE IT! I SEE IT!
707
00:33:04,883 --> 00:33:07,823
I SEE IT.
708
00:33:07,818 --> 00:33:12,058
(laughing)
709
00:33:14,925 --> 00:33:19,125
NOW JUST RELAX, BREATHE
AND TELL US WHAT YOU SEE.
710
00:33:19,131 --> 00:33:22,131
THERE'S A BLUE LAKE...
711
00:33:22,134 --> 00:33:24,844
PINE TREES...
712
00:33:24,836 --> 00:33:26,866
A MOUNTAIN...
713
00:33:26,872 --> 00:33:28,642
THERE'S A BIRD SINGING.
714
00:33:31,742 --> 00:33:34,652
TELL US WHAT'S HAPPENING
AT THIS LAKE.
715
00:33:34,645 --> 00:33:37,145
IT'S WHERE
THE BAD THING HAPPENED.
716
00:33:37,148 --> 00:33:40,548
WHAT BAD THING?
717
00:33:40,551 --> 00:33:42,351
GO LOOK. THEY...
718
00:33:42,354 --> 00:33:45,164
THEY LEFT SOMETHING
ON THE SHORE.
719
00:33:45,156 --> 00:33:47,626
WHO DID?
GO LOOK.
THEY LEFT SOMETHING.
720
00:33:47,625 --> 00:33:50,225
(whispers)
THEY LEFT SOMETHING.
721
00:33:54,833 --> 00:33:56,843
I'M SORRY.
722
00:33:56,835 --> 00:33:59,665
OKAY, SHOW'S OVER. COME ON.
723
00:33:59,671 --> 00:34:01,471
WATCH YOUR HEAD.
724
00:34:01,472 --> 00:34:04,142
SO MR. SILVERWING IS
GONNA COMPLAIN TO OUR SUPERIORS
725
00:34:04,143 --> 00:34:05,943
IN THE STRONGEST TERMS.
NICE WORK.
726
00:34:05,943 --> 00:34:09,283
SEE, THAT'S WHY I DIDN'T BRING
YOU ALONG--DENIABILITY.
727
00:34:09,280 --> 00:34:13,420
HOW DID YOU KNOW WE WERE HERE?
I HAD LITTLE, TINY
G.P.S. TRACKERS
728
00:34:13,418 --> 00:34:15,418
SEWN INTO ALL YOUR SUITS.
729
00:34:15,420 --> 00:34:19,190
FOR A SECOND THERE, I ALMOST
BELIEVED YOU. GRACE?
730
00:34:19,190 --> 00:34:23,200
SORRY, JANE.
I HAD TO TELL HER. IT'S MY JOB.
EH, THAT'S NOT IT.
731
00:34:23,195 --> 00:34:25,725
GET HER BACK TO THE HOSPITAL.
YES, BOSS.
732
00:34:25,731 --> 00:34:27,671
SHE DID REMEMBER SOMETHING.
WE HAVE A CLUE.
733
00:34:27,666 --> 00:34:30,336
A LAKE IN THE MOUNTAIN,
SOMETHING ON THE SHORE?
734
00:34:30,335 --> 00:34:33,535
COULD BE WHERE
THE MURDERS HAPPENED.
THERE'S OVER 50 LAKES
IN THOSE MOUNTAINS!
735
00:34:33,539 --> 00:34:37,739
I'LL TAKE HER BACK
TO THE HOSPITAL.
LISTEN, I'M SORRY I DIDN'T
TELL YOU WHERE I WAS GOING.
736
00:34:37,742 --> 00:34:39,612
I WAS TRYING
TO PROTECT YOU.
737
00:34:39,610 --> 00:34:41,850
I KNEW I WAS
GONNA STIR THINGS UP,
738
00:34:41,847 --> 00:34:45,617
AND, WHAT, WITH HIGHTOWER ALL--
DON'T. DON'T EVER TRY
TO PROTECT ME.
739
00:34:45,617 --> 00:34:48,187
I CAN PROTECT MYSELF
FROM HIGHTOWER OR ANYBODY ELSE.
OKAY.
740
00:34:48,186 --> 00:34:51,756
LET'S GO BACK
TO THE OFFICE.
WE COULD.
OR WE COULD STAY HERE
741
00:34:51,757 --> 00:34:55,127
AND CATCH
LEONARD RAILTON'S KILLER.
HOW ARE WE GONNA DO THAT?
742
00:34:55,126 --> 00:34:56,926
I NEED A CUP.
743
00:34:56,927 --> 00:34:59,827
PAPER OR PLASTIC--
I'D PREFER PAPER.
(car door opens)
744
00:35:01,967 --> 00:35:05,797
(car door slams)
SO JANE DOE
DIDN'T REMEMBER THE LAKE?
745
00:35:05,804 --> 00:35:07,114
POSTHYPNOTIC SUGGESTION.
746
00:35:07,105 --> 00:35:09,875
I SHOWED HER A BEAUTIFUL PICTURE
OF A LAKE AND TOLD HER
747
00:35:09,875 --> 00:35:12,535
THAT SHE WOULD REMEMBER IT WHEN
SHE HEARD THE TRIGGER PHRASE--
748
00:35:12,543 --> 00:35:15,013
"SAY THE WORD." SHE REMEMBERED
THE PICTURE, ASSOCIATED IT
749
00:35:15,012 --> 00:35:18,452
WITH THE CRIME AND FELT THAT
SOMETHING WAS LEFT BEHIND THERE.
WHAT SOMETHING?
750
00:35:18,449 --> 00:35:19,919
WELL, IT--IT DOESN'T MATTER.
751
00:35:19,918 --> 00:35:22,718
THE KILLER'S FEELING
PARANOID NOW, SO HE OR SHE
752
00:35:22,721 --> 00:35:25,521
WILL BE COMPELLED TO GO BACK
TO THE SCENE OF THE CRIME
753
00:35:25,523 --> 00:35:30,263
AND MAKE SURE THAT
NOTHING WAS LEFT BEHIND.
THAT'S ASSUMING THE MURDER
OCCURRED AT THE LAKE.
754
00:35:30,262 --> 00:35:32,762
WELL, IT DID.
BECAUSE?
755
00:35:32,764 --> 00:35:35,434
BECAUSE THE POT CROP DIED,
AND LEONARD RAILTON WAS WORRIED
756
00:35:35,434 --> 00:35:37,204
ABOUT THE WATER HIS
GIRLFRIEND'S BABY WAS GETTING.
757
00:35:37,202 --> 00:35:40,472
HEY, IT'S OVER HERE.
AND THE WATER SUPPLY
FOR AROUND HERE
758
00:35:40,472 --> 00:35:42,572
COMES FROM THE MOUNTAIN LAKES.
759
00:35:42,574 --> 00:35:44,944
CHO FOLLOWED THE KILLER
AFTER THE MEMORIAL.
760
00:35:44,943 --> 00:35:47,453
AND? WHO IS IT?
WE'LL SEE.
761
00:35:49,780 --> 00:35:51,550
WHERE IS HE?
762
00:35:51,550 --> 00:35:53,920
(Cho)
STRAIGHT THROUGH THE TREES.
763
00:35:56,621 --> 00:35:58,691
(tapping)
(Cho) HANDS UP.
764
00:35:58,690 --> 00:36:01,230
WHAT'S GOING ON?
GET YOUR HANDS UP.
765
00:36:01,226 --> 00:36:03,926
NO, I-I DON'T UNDERSTAND.
766
00:36:05,764 --> 00:36:08,274
WHAT ARE YOU DOING?
767
00:36:09,735 --> 00:36:10,795
RIFLE SHELL.
768
00:36:10,802 --> 00:36:13,002
WHERE'D YOU GET THAT,
MR. WILLIS?
769
00:36:13,003 --> 00:36:14,673
I JUST FOUND IT.
770
00:36:14,672 --> 00:36:16,682
I WAS GONNA GIVE IT TO YOU.
771
00:36:16,675 --> 00:36:19,445
DO YOU THINK
IT'S CONNECTED TO THOSE MURDERS?
(laughing)
772
00:36:19,445 --> 00:36:22,645
THAT'S THE BEST YOU GOT?
WHY'D YOU SHOOT
THOSE FOUR PEOPLE, MR. WILLIS?
773
00:36:22,648 --> 00:36:25,648
I DIDN'T.
WELL, KEEP IN MIND
THAT TWO OF THEM--
774
00:36:25,650 --> 00:36:28,850
THE LANGHAMS--THEY WERE,
UH, BY-PRODUCTS, LATECOMERS.
775
00:36:28,853 --> 00:36:31,823
BUT LEONARD...
776
00:36:31,822 --> 00:36:34,962
LEONARD YOU KILLED BECAUSE OF
WHAT'S IN THE LAKE, DIDN'T YOU?
777
00:36:34,960 --> 00:36:38,000
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
778
00:36:37,996 --> 00:36:40,066
TOXIC WASTE.
779
00:36:40,065 --> 00:36:42,195
GREAT, BIG BARRELS OF IT,
I EXPECT.
780
00:36:42,199 --> 00:36:43,669
DUMPED BY YOU.
781
00:36:43,668 --> 00:36:46,798
THAT'S WHY THE POT PLANTS
IN THE VALLEY WERE DYING.
782
00:36:46,804 --> 00:36:49,444
THAT'S WHY DERRIEN HOPWOOD'S
CHILD GOT A RASH.
783
00:36:49,440 --> 00:36:51,840
LEONARD WAS GONNA TELL,
784
00:36:51,842 --> 00:36:53,952
SO YOU HAD TO SHOOT HIM.
785
00:36:53,945 --> 00:36:57,675
AND ANYONE ELSE THAT JUST...
HAPPENED TO COME ALONG THAT DAY.
786
00:36:57,682 --> 00:37:00,052
I DON'T EVEN KNOW
WHAT TO SAY.
787
00:37:00,050 --> 00:37:02,420
THAT IS NOT TRUE.
788
00:37:02,420 --> 00:37:05,260
WELL, THIS IS GROUND ZERO
FOR THE DUMPING,
789
00:37:05,257 --> 00:37:07,957
SO THE WATER HERE MUST BE
MUCH MORE TOXIC
790
00:37:07,958 --> 00:37:10,828
THAN IT IS DOWN IN THE VALLEY.
THAT IS NONSENSE!
791
00:37:10,829 --> 00:37:12,299
(Patrick) REALLY?
792
00:37:12,297 --> 00:37:14,967
FEELING A LITTLE PARCHED?
HAVE A DRINK.
793
00:37:14,965 --> 00:37:16,265
NO.
794
00:37:16,268 --> 00:37:18,998
NO.
WHY NOT?
795
00:37:19,003 --> 00:37:21,743
OH, COME ON.
CHEERS. HAVE A DRINK.
NO.
796
00:37:21,739 --> 00:37:23,939
LITTLE SIP.
NO. NO, PLEASE, STOP.
NO!
797
00:37:23,942 --> 00:37:25,242
(grunts) ALL RIGHT!
798
00:37:25,242 --> 00:37:29,452
I TRIED TO GET SO MANY IDEAS
ACROSS THE TRIBAL COUNCIL.
799
00:37:29,447 --> 00:37:32,747
(sighs)
BUT SOMEBODY DIDN'T LIKE IT,
800
00:37:32,751 --> 00:37:35,021
OR IT WASN'T
CULTURALLY APPROPRIATE,
801
00:37:35,019 --> 00:37:37,459
OR BLAH, DE, BLAH, DE, BLAH.
802
00:37:37,456 --> 00:37:39,816
SO THIS GUY SAID
803
00:37:39,824 --> 00:37:41,764
HE NEEDED TO DUMP
SOME STUFF,
804
00:37:41,760 --> 00:37:46,500
AND DID I KNOW ANY PLACE
ON THE REZ THAT HE COULD DO IT?
805
00:37:46,498 --> 00:37:49,498
SO I HAD LEONARD TAKE THEM
UP TO THE LAKE.
806
00:37:49,501 --> 00:37:52,141
WELL, I FIGURED WITH HIS RECORD,
HE'D TAKE THE MONEY
807
00:37:52,137 --> 00:37:55,267
AND KEEP HIS MOUTH SHUT.
808
00:37:55,273 --> 00:37:57,013
WELL, WE WENT WELL.
809
00:37:58,443 --> 00:38:00,553
(thud)
GOT MORE TRUCKS UP THERE.
810
00:38:00,545 --> 00:38:03,345
I MEAN, SOMETHING WAS
FINALLY WORKING FOR ME.
811
00:38:04,849 --> 00:38:08,049
AND THEN THAT KID IN THE VALLEY
GOT A RASH.
812
00:38:08,052 --> 00:38:09,862
AND LEONARD WAS WORRIED.
813
00:38:09,855 --> 00:38:12,085
SAID WE WERE
POISONING THE VALLEY,
814
00:38:12,090 --> 00:38:16,860
AND IF WE DIDN'T STOP, THAT
HE WAS GONNA BLOW THE WHISTLE.
815
00:38:16,862 --> 00:38:20,732
THEN I OVERHEARD HIM
ON THE PHONE,
816
00:38:20,731 --> 00:38:23,871
ARRANGING TO MEET SOMEBODY
UP AT THE LAKE.
817
00:38:26,003 --> 00:38:28,413
SO I WENT, TOO.
818
00:38:32,777 --> 00:38:34,707
(gunshot)
819
00:38:36,914 --> 00:38:38,654
(gunshot)
820
00:38:38,650 --> 00:38:40,920
WHEN DID THE LANGHAMS
GET THERE?
821
00:38:40,918 --> 00:38:42,818
I WAS CLEANING UP.
822
00:38:46,525 --> 00:38:48,855
YOU KNOW,
WHAT THEY DOING THERE, ANYWAY?
823
00:38:48,860 --> 00:38:50,460
(gunshot)
824
00:38:50,461 --> 00:38:51,761
(gunshot)
825
00:38:51,762 --> 00:38:54,972
UM,
THEY WERE TAKING A HIKE?
826
00:38:54,965 --> 00:38:56,895
(sighs)
827
00:38:59,737 --> 00:39:03,137
(voice breaking) I'M SORRY.
828
00:39:03,141 --> 00:39:05,741
I AM.
829
00:39:05,744 --> 00:39:07,554
(whispers) I'M SORRY.
830
00:39:09,581 --> 00:39:11,581
WELL, THAT'S OKAY, THEN.
831
00:39:11,583 --> 00:39:15,493
AS LONG AS YOU'RE SORRY.
MAYBE WE'LL JUST LET YOU GO.
832
00:39:20,858 --> 00:39:22,828
I'M KIDDING.
833
00:39:24,596 --> 00:39:26,696
(knock on window)
834
00:39:29,668 --> 00:39:32,738
HEY.
GOT SOMETHING FOR YOU.
835
00:39:32,737 --> 00:39:34,737
YOUR DRIVER'S LICENSE.
836
00:39:34,739 --> 00:39:37,479
WE GOT IT
FROM MARKHAM WILLIS.
837
00:39:38,809 --> 00:39:42,409
YOUR NAME IS CAMILLE DILLON.
YOU LIVE IN OAKLAND.
838
00:39:42,414 --> 00:39:44,824
YOU'RE AN INTERNET JOURNALIST
AND WRITER.
839
00:39:44,815 --> 00:39:46,815
WE CONTACTED YOUR FAMILY.
840
00:39:46,818 --> 00:39:49,618
YOUR MOM IS ON HER WAY
FROM DES MOINES.
841
00:39:51,222 --> 00:39:53,492
MY NAME IS CAMILLE?
842
00:39:53,492 --> 00:39:55,492
APPARENTLY,
YOU TAUGHT LEONARD RAILTON
843
00:39:55,494 --> 00:39:57,664
WHILE HE WAS
IN THE JUVENILE SYSTEM.
844
00:39:57,663 --> 00:40:01,003
A LITTLE WHILE AGO,
HE GOT IN TOUCH WITH YOU ABOUT--
845
00:40:00,998 --> 00:40:02,428
WAIT.
846
00:40:02,434 --> 00:40:06,374
SOMETHING...
SOMETHING WAS WRONG.
847
00:40:06,371 --> 00:40:08,571
THEY WERE...
848
00:40:08,574 --> 00:40:11,684
SOMEONE WAS, UH, DUMPING...
849
00:40:11,677 --> 00:40:14,007
TOXINS.
Y-YES.
850
00:40:14,012 --> 00:40:18,882
AND HE--
HE WANTED PEOPLE TO KNOW. HE...
851
00:40:18,884 --> 00:40:20,694
HE CALLED...
852
00:40:20,686 --> 00:40:23,386
AND HE--HE ASKED
FOR MY HELP.
853
00:40:23,387 --> 00:40:25,217
I REM--
854
00:40:25,222 --> 00:40:26,862
I REMEMBER HIM.
855
00:40:29,393 --> 00:40:32,403
I REMEMBER HIM
ASKING FOR MY HELP.
856
00:40:32,396 --> 00:40:34,026
(sniffles and whispers)
I REMEMBER.
857
00:40:35,934 --> 00:40:38,274
I REMEMBER ME.
858
00:40:38,268 --> 00:40:42,568
(voice breaking)
I KNOW WHO I AM.
859
00:40:51,382 --> 00:40:53,552
HEY. JUST LET ME
FINISH THIS UP,
860
00:40:53,552 --> 00:40:56,392
AND WE'LL GO
TALK TO HIGHTOWER.
861
00:40:56,387 --> 00:40:57,987
WAYNE...
862
00:40:57,989 --> 00:40:59,859
WHAT'S UP?
863
00:41:01,693 --> 00:41:05,663
I LOVE YOU. I DO.
864
00:41:05,664 --> 00:41:08,674
BUT I THINK
I LOVE THE JOB MORE.
865
00:41:08,666 --> 00:41:11,636
WELL, JOB'S NOT A PROBLEM.
I'M GONNA GO.
866
00:41:11,637 --> 00:41:14,567
YOU'D BE LEAVING THE UNIT...
FOR US.
867
00:41:14,572 --> 00:41:16,572
SO?
868
00:41:16,574 --> 00:41:19,384
I DON'T WANT
THAT RESPONSIBILITY.
869
00:41:19,376 --> 00:41:21,276
YOU'LL HATE ME FOR IT.
870
00:41:21,278 --> 00:41:24,548
(voice breaking) MAYBE NOT
TODAY, BUT SOMEDAY YOU WILL.
NO, GRACE, WE--WE--
871
00:41:24,550 --> 00:41:26,680
(whispers) I'M SORRY.
872
00:41:31,657 --> 00:41:33,657
YOU'RE, UH...
873
00:41:33,659 --> 00:41:35,689
CERTAIN ABOUT THIS?
874
00:41:35,693 --> 00:41:40,533
I KNOW WHO I AM.
875
00:41:42,067 --> 00:41:44,667
(chair rolls)
876
00:41:51,610 --> 00:41:53,480
NARCOTICS PICKED UP
THE POT FARMERS
877
00:41:53,478 --> 00:41:54,908
OFF THE RANGER'S CONFESSION.
878
00:41:54,913 --> 00:41:57,883
I ALSO GOT A CALL
FROM A GUY NAMED SILVERWING
879
00:41:57,882 --> 00:42:02,092
ABOUT A STUNT YOU PULLED UP ON
THE STORM RIVER RESERVATION.
WELL, I WOULDN'T CALL THAT
A STUNT SO M--
880
00:42:02,086 --> 00:42:05,086
WHATEVER. HE WAS DISPLEASED.
YES, MA'AM.
I FILLED OUT A P-90--
881
00:42:05,090 --> 00:42:07,460
YOU SOLVED THE TRIPLE,
RIGHT?
YEAH.
882
00:42:07,458 --> 00:42:09,258
NOBODY GOT HURT?
(Patrick) NO.
883
00:42:09,260 --> 00:42:12,200
THEN THE HELL WITH HIM.
YOU GOT JUSTICE DONE.
884
00:42:12,197 --> 00:42:14,597
KEEP UP THE GOOD WORK.
885
00:42:19,269 --> 00:42:21,269
THAT WAS UNEXPECTED.
886
00:42:21,271 --> 00:42:23,211
I'LL SAY.
887
00:42:27,411 --> 00:42:28,711
HEY, GRACE.
888
00:42:28,713 --> 00:42:31,053
HI. (sniffles)
(elevator bell dings)
889
00:42:31,048 --> 00:42:32,918
YOU ALL RIGHT?
(crying) I'M FINE.
890
00:42:32,918 --> 00:42:35,218
OKAY, BUT...
(sobbing)
891
00:42:35,219 --> 00:42:36,859
YEAH, I-I JUST...
892
00:42:39,958 --> 00:42:43,328
I JUST, UH, FORGOT MY... STUFF.
893
00:42:43,327 --> 00:42:46,257
(continues sobbing)
894
00:42:50,835 --> 00:42:53,905
STAY TUNED FOR SCENES
FROM OUR NEXT EPISODE.
62456
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