All language subtitles for Gone.2017.S01E12.Rise.1080p.AMZN.WEB-DL.DDP5.1.H.264-KiNGS_track4_eng

.

- "The Lord is my shepherd,

[gate buzzes]
"I shall not want.

"He lieth me down
in green pastures,

"he leadeth me
beside still waters.

"He restoreth my soul.

"He leadeth me
to righteousness

"in His name's sake.

"For thou art with me,
O Lord, thy rod

"and thy staff,
they comfort me.

[gate buzzes]

"Thou preparest a table
before me

"in the presence
of mine enemies.

"Surely goodness and mercy
shall follow me

"all the days of my life.

And I will dwell in the house
of the Lord, forever."

- Think you can hide
behind that book?

- [sighs]

- God hates sick bastards
like you.

[alarm blaring]

[indistinct yelling]

- Close it up.
- What's going on?

- Stay here.

- Open it. Open it!

[dramatic music]

♪

He's dead.
Check Foster's pulse.

- [gasping]

- [whimpering] No.

♪

- Stay here.

- Wait, he needs last rites.

- Get in.

[intense musical build-up]

[siren wailing]
- Male victim in transit,

puncture wound
to the left torso.

We're about 15 minutes
outside of your facility.

Requesting a trauma team
on standby.

[sirens wailing]

- "Yea, though I walk

"through the valley
of the shadow of death,

"I shall fear no evil...

[grunts]
For though art with me."

[muffled yelling, grunting]

[tires screeching]

[intense music]

- Officers need
immediate assistance.

Route 6 near Elmhurst.

I've got three people down.

Mel Foster has escaped.

♪

[upbeat jazz music]

♪

- ♪ I can remember

♪ When I...

[indistinct chatter]

- Thank you. Now let me
propose a toast.

How about that?
- Okay.

- [groans]
- Come on.

- No.
- To Kit and Noah.

Old friends in a new town.

- Cheers.
- Cheers.

- [chuckles] Kit, I just want
to say how great it is

to see you doing so well,

considering everything you went
through after you came home

and before.

You know, I prayed for you
every day that you were gone.

- Thank you, Mrs. Sager.
That's--that's really kind.

- Call me Tracy, and it's true.

We're so happy for you.
- Okay, come on.

- For both of you.
- Trace--Trace, they got

a jukebox here, help me pick
something, come on.

- His way of telling me
to change the subject.

I hope I wasn't out of line.
- No, no, no, you're okay.

You're fine.

- She had to bring it up.
- It's fine.

- It's really not.
- No, it is.

- Really not.
- It's fine.

Look, six months ago,
maybe I would have...

gotten up and walked out,
but right now, I'm fine.

- Yeah?
- Mm-hmm.

They're really cute together.

- Yeah.
[cell phone ringing]

- Oh, um...

Sorry, this is...
- No, no--

- Just Frank.
It's gonna take a second.

Just be right back.
- Yeah.

- Frank, hi.
What's up?

This better be good--I'm
with Noah's parents right now.

[signal breaking]

Frank, I--can you say it
again? I can't hear you.

- Mel Foster escaped
from prison four hours ago.

[tense music]

- More lights on the way.

[police radio chatter]

♪

- How'd it go down?

- Mel had an altercation
with an inmate.

That inmate is dead.

Then Mel got stabbed.

Loaded into an ambulance.

Now we have this.

Driver, the EMT, and the guard
are all dead.

- The fight was a set-up.

- Looks like he's been planning
this for a while.

And he had some help.

You remember
that "spiritual advisor,"

Sister Helen Ross?

- Yeah.
- She rode in the ambulance.

Now she's gone.

- Maybe he took her hostage.

- Her fingerprints are
on the syringe.

She jabbed the EMT
with a fatal dose of fentanyl,

then Mel overpowered
the guard

and stabbed him
and the driver to death.

- What about Mel's stab wound?

- Oh, it's legit all right.
His blood's all over the bed.

- He knew.

He knew he was going to do this

when I saw him in prison
last week.

- We're gonna find him.

We're gonna end this.

- Yeah.

Come on.

♪

- To recap our top story,
Mel Foster

who infamously abducted
six-year-old Kit Lanigan

20 years ago
has escaped from prison.

[cell phone ringing]

- Hi, I--I'm okay.

- [exhales] Where are you?

- I'm with Frank.
I'm okay, but I got to go.

Are you okay?

- [stammering]
Yeah, I'm fine.

Um. Okay. Go--go do your thing.

- All right.
I'll call you later.

[sighs]

- You good?

- Yeah, I'm fine.
- Okay.

So we all know why we're here.

Pittsburgh field office
is coordinating this manhunt,

but because
of our knowledge of Mel,

they've asked us
to participate.

Let's start with what we know.

- Helen Ross.
That's a legal name change.

Born Marguerite Cousins.

Former Silesian nun,
she left the order

to pursue a career
counseling inmates.

- She's got legit creds--

degrees in theology
and criminal psychology.

- That's a hell of a twin bill.

- Yeah, well,
she's no longer affiliated

with any religious order,
but she kept her title.

She started counseling Mel
four months ago.

- He must've turned her.

- But four months
isn't much time,

even for a master
manipulator like Mel.

- Maybe she got turned
before she met Mel.

By Legion.

- All right,
James, you, Kennedy, and I

are gonna focus
on Sister Helen Ross,

find out who she really is.

And if she did plan this
with Legion,

let's find out how.

You two guys go back
to the prison.

Maybe Mel left a clue.

- No, he wouldn't do that,
Frank.

He's too smart for that.

- Yeah, he's smart.

But don't forget,
we caught him once before.

[dark music]

♪

- He's not done with her.

- And he never will be.

[man speaking indistinctly
over PA]

- He liked the classics.

- He could quote
all kinds of books.

- And a lot of our books
are donated by colleges.

Law books are popular,
but we get medical books, too.

I'll leave you to it.
Excuse me.

[suspenseful piano music]

♪

- Bishop.

- He shouldn't have had
this photo.

- No, he knew I'd see it.

He knew that I'd be
standing right here

after he escaped.

[sighs]

Bishop...

remember when you told me
that I was in a box

and there wasn't any lock
on the door...anymore,

but I was in a box?

- Yeah, I was being--
- No, no, you were right.

I was.

But these last six months,

working these cases
with you guys,

I feel like I got out.

But what if...I was
just lying to myself?

What if I was only okay because
I knew that he was in here?

- Come here.
- [sniffling]

[somber music]

♪

- Mel dog-eared this page
on puncture wounds.

Between the eighth and ninth
ribs on the left side--

It's the only place
in the torso

you could suffer a stab wound

and miss the heart,
liver, and lungs.

- Right there.

He really studied that.

He found a place
to stab himself

where he'd get the most
blood and the least damage.

[cell phone ringing]

- Cassie, what's up?

- Last week, when I saw you,

you said I couldn't
hurt you anymore.

- [breathing heavily]

- I'm just curious, Beth.

Do you still think
that's true?

[tense music]

♪

.

- She called me
from the bus stop.

She said
that you had texted her

about meeting at the gym
after school

and she was gonna
walk over.

- I never texted her.
- They cloned your number.

Made it look like you were
texting her.

- The gym's so close
to the bus stop.

It's such a busy street.

It seemed so safe.
I never thought...

- We'll have James check
the cameras at your gym.

- This man, Mel Foster...

what does he want?

- I never told you this,
but I read your mom's book.

I know what he did to you.

- Look, we won't stop
till Cassie's back home.

We'll be in touch.

- Okay, there's Cassie.

Time stamp puts her at the gym
at 3:13 p.m.

- She's checking her phone.

- She's probably wondering
where I am.

Mel only targeted her
because of me.

If it wasn't for me,
none of this

would have even happened--
- All right, hey.

Get your mind right.
All right?

Cassie needs you
100% focused on finding her.

- Wait, hey, she's talking
to somebody.

- Who she talking to?

- I can't see,
they're just out of frame.

It looks like she followed
them into the alley.

- There's no cameras
behind there.

- They surveilled her place.

Knew exactly where to stand
to avoid the cameras.

- I don't get it.

Mel and Legion had the
network's old fortune, right?

So why not go to Southeast Asia
or South America,

live like kings and reboot
the network there?

- That's probably their plan
after they're done.

- Done with what?

- Me.

- Kick.

Give me a minute.
- Yeah.

[sighs]

- I think Mel is trying
to set a trap for you.

I want you to sit
this one out.

- No. No, Frank.
Cassie needs me.

- Yeah, well, this is not
your run-of-the-mill predator.

- I know.

But I have to do this.

And you of all people
know what that feels like.

Please.

- Go on, get out of here.

Do it.
- Thank you.

- This is from
their last meeting.

- "If one wished to contend
with Him,

He could not answer him,
one time out of a thousand."

- What does the 51st Psalm
mean to you?

- Well, for me,
it's about forgiveness.

- It's all just prayers
and parables.

If these two were planning
a jailbreak,

they must've used ESP, because
they did not talk about it.

- And I'll see you tomorrow.

Okay?
- Yeah.

- No, wait.
Go back ten seconds.

[keyboard clicks]

Now throw this clip
on a different screen.

Go back to where Sister Helen
first arrived.

- How are you feeling?

- Good.

- Damn.

You know, play both clips
again, side by side.

Now zoom in.

[dark music]

♪

- And I'll see you tomorrow.

Okay?
- Yeah.

- She took his Bible.

- And he took hers.

- Their plan's in here.

In Mel's Bible.

Now we just have to find it.

[cell phone ringing]

- Hello?
- Hey.

It's Neil Pruitt.
No, don't hang up.

- Neil, no. I don't have time
for this right now, okay?

- I heard about that girl
that went missing.

I saw something.
- If this is some sort

of a sick joke,
I swear to God--

- No, no, it's not.

Meet me at your gym
in 20 minutes, all right?

Okay, there's no easy way
to say this

so I'm just gonna say it,
but don't freak out.

For the last few months...

I've had a camera set up
behind your place.

- You son of a bitch.
- The camera

has a motion sensor
hooked up to it.

It takes a picture every time

someone passes
through the alley.

- [breathing heavily]
Show me.

- The Sabrina case.

That's when I knew you were
working with Frank Novak.

"Famous Abduction Victim

Working with the FBI,
Cracking Cases?"

I mean that's the kind of story
that gets you out of working

for the Buzzlines in the world

and into
the "People" magazines.

The photos push to my phone.
That's how I knew.

- All right,
I'm gonna need this.

- Yeah.

- [breathing heavily]

Okay.

So you said this has been back

behind here for a couple
of months, right?

- Mm-hmm.
- So, this man,

he's been staking my place out.

Maybe you have another picture
of him?

- Well, when
the memory card's full,

it backs up the oldest photos

to a hard drive back
at my place.

I'll check, but it might
take a while.

I--I have a bunch of these
cameras all over town.

That's a lot of photos
to look through.

- Right, of course.

You know, I--I hope--
I hope it was worth it.

I hope you got that
"People" magazine gig.

- Actually, "People" passed.

It's probably for the best.

Besides, I like being
my own boss.

Better to...

Rule in hell
than serve in heaven.

Right?

Now, if you want to give me
an exclusive on this story...

- Yeah,
I'll do whatever you want.

Okay?

I'll do photos.
I'll do an interview.

I'll do anything.
If we find Cassie.

- Done.

- Hey.
- Kick--

- So Neil Pruitt planted
a camera behind my apartment.

Go through the footage, let me
know what you find, all right?

- Kit.

- What?

[heavy music]

What's up?

- Kick, this is
Deputy Director Moss.

- Hi. Nice to meet you.
Uh, can I--can I talk to you

for two minutes please?
- Kick. We have a problem.

- Ms. Lanigan, last week
you and Agent Bishop

engaged a suspect at
a farmhouse outside of town.

You discharged your weapon.

- Yeah, I did.

At a suspect
who was discharging

his weapon at my partner.

So, Bishop laid him out.

- Which was the finding
of the preliminary report,

but the full ballistics
have come back now.

Agent Bishop did not kill
that suspect, Ms. Lanigan.

You did.

As I told Agent Novak before,

you were brought onto
this team as an advisor,

not a field agent.

The Director has ordered

a full review of the shooting.

Pending those results,
I'm afraid that,

effective immediately,
you're off this task force

and off this case.

[dramatic crescendo]

.

- No. No, no, no,
you--you can't do that.

- I-it's done.
- Frank--

- I'm gonna need your firearm,

and this agent will escort
you home.

- Frank, can I please talk
to you for two minutes?

Two minutes, please?
- Kick, I can't.

- Frank, we promised
Cassie's mom. All right?

Please, just give me a minute
to talk to you. Come on.

Please.

- Katherine, can you
do me a favor?

- Two minutes.

- Let's go.

- You can't do this.
- Listen--listen to me.

My hands are tied.

This is coming
from the Director.

- Frank.
You don't understand.

You can't do this.

- [muttering] I saw this
garbage in the army.

- You have something to say,
Agent Bishop?

- Yeah, I do.
- John.

- No, you had no problem
putting Kick's ass on the line

when she was saving a kid
or taking credit, I bet.

But now your ass
is getting heat,

and you're shocked
she fired her gun?

- This task force may be
Frank's brainchild,

but I'm responsible
if anything goes wrong.

That shootout last week,
that man who was killed,

it could just as easily
have been Kick.

Do you ever think about that?
- Every day, Deputy Director.

But she doesn't need
to be protected.

That might be what you want,
hell, it might even be

what I want,
but it's not what she needs.

- So you're
a psychologist now?

- No. Just her partner.

- Now I'm gonna need
your firearm.

- [exhales sharply]

[tense music]

♪

- I don't need a chaperone.
- You're getting one.

[locks door]

- Our daughter Cassie was
taken from us earlier today.

She's 11 years old,

brown hair, brown eyes,

and she means
the whole world to us.

Please, if anyone
is watching this

and they know anything
about what happened to her,

please contact the FBI.
- What are you doing?

- Coding.

- With a Bible?

- Okay,
we know Mel and Legion

were using this Bible to pass
messages back and forth.

If we can break the key,
we can break the code.

- How do you do that?

- We start with numbers.

As in the Book of Numbers.

So, James figured they'd try
a substitution cipher.

And sure enough, you see these
highlighted verse numbers?

- Mm-hmm.

- Mel and Legion
are telling each other

which words to read
and which to discard--

we're assuming from another
book in the Bible.

- How do we know which one?
- We don't.

The Bible's huge, there are
too many combinations.

We need the computer for that.
It's cranking now.

With any luck, we should have
the code cracked

within the hour.

- This is brilliant.

Where'd you learn this,
Quantico?

- East Village.

[computer pinging]

Whoa--or less than an hour.
Frank!

It's a polyalphabetic cipher.

Much trickier than
a monoalphabetic.

- English, please.

- I found a key to their code
in the Book of Numbers.

Now I know where to apply it.

- Revelation.

[ominous music]

♪

- "My name is Legion."

"May I earn the glory you once
brought to the name."

[ominous music]

♪

- [sighs] Bummer they took
my gun, huh?

[dog whines]

Good boy.

Love you, Brucey.

- Hey. It's Neill.

I found a bunch of new photos.

I had to put them
on a thumb drive.

I think you're gonna want
to see these.

I'm gonna call you
on your landline.

[phone ringing]

[phone continues ringing]

[suspenseful music]

♪

- What took you so long?

- Shut up.
Did you bring it?

[cell phone rings]

- Moss.

- She's gone.
- What?

Find her.

Kit Lanigan just broke
out of protective custody.

- [sighs]
- You ready?

- Yeah.
- Yeah?

- No, no,
I don't--[chuckles nervously]

I don't know.

- Kick.

You're ready.

- Bishop.

Whatever happens to me...

I can still kick your ass.

Okay?
- If I let you.

- No. Always.

- Watch your back.

- I got to go.

- See ya.

[dialing beeps]

[phone buzzing]

- Hey.
- She got it.

- Understood.

[disconnect beep]

.

- We decoded 11 messages
Mel and Legion

sent each other over
the last few months.

- The first few messages
are love letters,

Legion saying
how great Mel is,

how he hopes he can
make Mel proud.

- Okay. So Legion's
a fan of Mel's.

- Well, things changed after
we rescued Gabriel Carter.

Legion's tone goes way dark.

- An earlier message mentioned
busting Mel out of jail.

Now it becomes an obsession.

The goal is to bust Mel out

and rebuild the network,
bigger and better than ever.

- Which is gonna take
a lot of money.

Which is why they kidnapped
Kevin Spencer.

To get to Mel's fortune.

- And now they have that.
So, what's the plan now?

- Get out of Dodge.

Somewhere
with loose law enforcement

where they can run the network
without interference.

There's just one thing
they want to do first...

kill Kick.

Along with the man
who rescued her.

[tense music]

♪

- [sighs] Okay.

I hate guns.

Sometimes I--I wonder how much
you remember about before.

- I remember that.

It was Easter, and you
and I colored those eggs.

And then we wrote our names
on it in white crayon.

- Yeah.

- One for you, one for me,
one for Dad.

You know, Mom, for the
first time, I feel like...

I understand
what you went through.

I mean Cassie's not
my daughter, but...

I get it.

Mom, Frank found me,
but you saved me.

[cell phone ringing]

Yeah, it's Kick.
- Hey, it's Neil.

I got him.
The man you're looking for.

Two weeks ago in the alley
with the same woman.

You can see his face
plain as day.

- Okay. Yeah, um,

text me the address,
and I'm on my way.

- All right.
[disconnect beep]

- Can I use your car?

- Yeah.
Yeah, uh...

[keys jingle]

Okay.

You know what I'm gonna say.
Um...

- You're gonna say
"Be careful."

I love you.
- I love you.

[soft music]

- Thank you.

- [exhales deeply]

- You guys religious?

- Uh...

Mom's Catholic.

My dad's nothing.

- What about you, Kennedy?
You're a Methodist, right?

- It's been a while.
- I went to Jesuit school.

I used to have this priest.

He said that within each of us

is a good dog
and an evil dog.

And that these two dogs
are forever

battling each other.

- So...

Which dog wins?

- Whichever dog you
feed the most.

I've seen a lot of cases.

A lot of bad stuff.

No matter what I saw,

I always fed that good dog
no matter what.

But then along comes a guy
like Mel,

and he just makes me want
to feed the bad dog.

He just makes me want to...

end him.

- Guys. I got something.

- This is Bill Baker's
Mel Foster file.

It goes back 30 years.
- Bill Baker?

- The agent who was on the
Mel Foster case before Frank.

- I haven't seen this
in years.

- It's hundreds of pages long.

Look at this notation
Baker made.

Three kids who were abducted
in the early 90's--

Michael Parra, Joseph Spivey,
Marisa Betances.

- Mel was in the vicinity
when those kids were taken,

but Bill never had enough
evidence to charge him.

[knocking rapidly]

- Hey.

- Hi.
- Come on in.

- You have the pictures?
- Yeah, yeah, I got them.

- I ran a search on each kid.

Marisa Betances turned up
in '05 in Seattle.

She had been arrested
for soliciting.

She's been in and out
of jail ever since.

Michael Parra was never found.

Joseph Spivey turned up
in 2001.

He was 19. He'd been living
on the street.

Now, here's what's weird.

Last year, Spivey vanished
off the grid, gone.

Like he wanted to disappear.

Last known trace of him
was in 2015.

He listed himself
as self-employed

as a photographer.

[unsettling music]

♪

- Okay, don't look at me.
Look right here.

Okay? Look at the butterfly.

[camera clicks]

- [groans]

.

[suspenseful music]

[chair thuds lightly]

- Welcome home, Beth.

I can only imagine
how you must be feeling.

- [panting]
- I see you sitting there,

and I see your friend.

And all I can think is...

"What's past is prologue."

I taught Kit Shakespeare.

All the classics.
She was a quick learner.

I bet you will be, too.

- Maybe this one
will be more loyal,

more appreciative of everything
her father does for her.

- Yes.

- So what's your name?
Hm?

Not the name that Mel
gave you when he took you.

But your real name.
Your real name from before.

- Mel always
did say you were smart.

- I know what it's like

to have him in your head

and to think that
you'll never be free.

- Oh...I'm free.

- No. You're not.

'Cause if you were free,
you would have killed me

when I joined the team.
- [chuckles]

- Or when we found
Kevin Spencer last week.

But you didn't.

Because it's not
what he wanted.

Mel wanted this.

- [breathing heavily]
- Shh.

- [sniffing]

[whispers] You're about to
see how free I really am.

- [whimpering]

- Joseph...

was his name
when I took him in 1993.

After I was arrested,
we lost touch.

But a few months ago,
he reached out.

Said he was thinking about me.

Thinking about getting
the family back together.

He and Helen had a plan.

I was touched.

You know, he's been
laying flowers

at your mother's grave
all these years.

- My mother's name is Paula.

- Helen. Would you be so kind

as to take a picture of Kit
and send it to Paula?

Let this be the way
she remembers her.

[camera lens clicks]

- Ah, let's send two.

Huh? Before and after?

- Neil.
- What?

- I have waited a long time
for this.

- You just let him talk
to you like that?

What happened to
"Better to rule in hell

than serve in heaven"?

- Better to rule in hell

than serve in heaven,
right?

- That's when I knew.

- He liked the classics.

- He could quote
all kinds of books.

That's when I knew.

I didn't know when.

Or where, or how,
but I knew

that he'd taken you.

And I knew you were with Mel.

And that's what I told Frank.

You don't understand.

You can't do this.

Neil Pruitt.

And then we came up
with a plan

that I'd let you take me.

And you'd take me
right to Cassie.

[sniffles]

Injecting people

with digital trackers...

It's pretty sick.

Did you bring it?

[dark, suspenseful music]

But guess what?

I didn't walk
into your trap, Neil.

You walked into mine.

- Stupid boy!

- No.

Aaahh!

[yelling]

- Kill her, Neil!

[dramatic music]

♪

- [groaning]

- [grunting]

[thudding, crashing]

- Drop it!

[groans]
Ah...

He's on the stairs!

- Come on!

- Freeze!

Frank! He's coming down.

[both grunting]
[blows thumping]

- Hey. Get back.

- Come on.

- [grunting]

Cassie!

[gunshot]
- [yells]

- Lord, I am not worthy
to receive--

[dark music]

- [groaning]
- Frank!

Frank. Oh, my God.

Frank.

- We need an ambulance
at Homestead.

Cassie.

- Where are you hit?
Where are you hit?

- Kick, where's Pruitt?

- He's in there!

- No, he's not.

- Oh. Oh, my God.

Oh, my God.

Frank.
[Frank mutters]

- You look like your brother.

- What'd you say?

- Mark, right?

[screams]

- What the hell
did you say?

- Pruitt.
[Mel screams]

Get Pruitt.

- [groaning]

- Give me my gun.

- [panting]

- Go. Go, go. Go.

I got it.

I got him.

[distant sirens wailing]

- [groaning]

[foreboding music]

♪

- Frank.

Frank--
[groans]

Aah--aah--aah--

- Missed.

[door slams open]

- I got one body down.

- Front entrance clear.
- Over here.

Got two more bodies down.

- Frank.

[indistinct chatter]

Hey.
- Don't lift me.

- Okay.

Don't lift me.
- Frank.

Over here!

Okay. You'll be fine.

- I can't breathe.

I can't breathe.

[intense music build-up]

[both panting]

[dark music]

♪