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[♪]
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[WOMAN GASPINGAND SOBBING IN PAIN]
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[GASPING AND GROANING]
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[MAN BARKING IN DARI]
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SALAAM.
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[SPEAKS DARI]
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[♪]
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SHE HAS BEEN IN LABOR15 HOURS.
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[GUARD SHOUTS IN DARI]
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YOU SPEAK ENGLISH.
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WE HAVE A TELEVISION
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IN OUR VILLAGE.
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I KNOW WHO YOU ARE.
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YOU BROUGHT MEDICINETO OUR VILLAGE ONCE.
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[SUDDEN PAINED GASPING]
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HOLD ON TIGHT.
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[PANTING]
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WHAT'S HER NAME?
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MY DAUGHTER IS NILOFER.
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I AM ASAD.
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AND HER HUSBAND?
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THE FATHER WANTS A SON.
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A GIRL CAN ACCOMPLISHGREAT THINGS
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WHEN SHE'S FREE TO DO THEM.
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[PRAYING SILENTLY]
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FREEDOM...
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IS NOT IMPOSSIBLE...
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BUT IT MAY TAKE TIME
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AND YOU DO NOT HAVE MUCH.
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[BAG THUDS]
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[NEWBORN BAWLING]
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[SHOUTS IN DARI]
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♪ AH-HAH! ♪
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♪ OH, YEAH, BABY ♪
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♪ LIKE A FOOLI WENT AND STAYED TOO LONG ♪
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♪ NOW I'M WONDERINGIF YOUR LOVE'S STILL STRONG ♪
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♪ OOH, BABY ♪
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♪ HERE I AM ♪
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♪ SIGNED, SEALED, DELIVERED ♪
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♪ I'M YOURS ♪
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♪ SIGNED, S♪ OOH ♪DELIVERED ♪
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♪ THEN THAT TIMEI WENT AND SAID GOODBYE ♪
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♪ NOW I'M BACKAND NOT ASHAMED TO CRY ♪
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♪ OOH, BABY ♪
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♪ HERE I AMSIGNED, SEALED, DELIVERED... ♪
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ALL RISE.
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♪ ...I'M YOURS ♪
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[HUSHED]:THIS BETTER BE GOOD.
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MADAME CHAIRMAN, THIS COMMITTEEIS CALLED INTO EMERGENCY SESSION
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IN LIGHT OF NEWAND TIME-SENSITIVE INFORMATION
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MADAME THAT MAY INVOLVEOMMITTEEIS CALLEMILITARY ACTION. SESSION
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THANK YOU, SENATOR.
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BEFORE WE BEGIN,
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LET ME REITERATE
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THAT THIS IS A CLOSED SESSIONREGARDING NATIONAL SECURITY,
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AND ALL TESTIMONYGIVEN HERE TODAY IS SEALED.
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LET'S SEE...
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AND ALL TESTIMONYGIVEN MR... O'TOOLE?SEALED.
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YES. I'M OLIVER O'TOOLE.
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THESE ARE MY COLLEAGUES,YMS. McINERNEY, O'TOOLE?SEALED.
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MS. HAYWITH,MR. DORMAN.
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AND I UNDERSTAND YOU COMPRISEA TASK FORCE FROM...
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THE D.L.O.?
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THAT IS CORRECT.
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IS THIS C.I.A., F.B.I.,OR N.S.A.?
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U.S.P.S.
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WE WORK AT THE POST OFFICE.
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[REPORTER]:THAT'S RIGHT, BOB.
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THIS WAS THE IMAGE WE SAW NEARLY TWO YEARS AGO,
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WHEN 12-YEAR-OLD PHOEBE AMIDON TIED A YELLOW RIBBON
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AROUND THE TREE IN HER GRANDFATHER'S YARD,
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AWAITING NEWS OF HER MOTHER.
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LIEUTENANT RANDILYNN AMIDON IN HER WENT MISSINGS YARD,
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AWAITI WHILE SERVING MOTHER. WITH AMERICAN TROOPS
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IN AFGHANISTAN, NEAR THE PAKISTAN BORDER.
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BUT NOW, 22 MONTHS LATER,
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WITH AMIDON STILL MISSING
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AND THE CIRCUMSTANCES OF HER DISAPPEARANCE STILL SKETCHY,
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AND NO ANSWERS IN SIGHT,
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THIS "WELCOME BACK" RIBBON
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IS A SAD REMINDER OF THE REPUTATION
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LIEUTENANT AMIDON MAY NEVER RETURN HOME TO DEFEND.
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I WOULD LIKETO KNOW WHAT BEARING
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FOUR POSTAL EMPLOYEESFROM DENVER
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HAVE ON THE STATUS
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OF A MISSING AMERICAN SOLDIERIN AFGHANISTAN.
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[OLIVER]: YES, WELL.
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SEVERAL MONTHS AGO,
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IN THE COURSE OFPERFORMING OUR DUTIES
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AS POSTAL DETECTIVESIN THE DEAD LETTER OFFICE,
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WE BECAME ACQUAINTED
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WITH A PHOEBE AMIDON,
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THE 14-YEAR-OLD DAUGHTEROF LIEUTENANT RANDILYNN AMIDON,
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AS WELL AS HER GRANDFATHER,MR. HARPER FERGUSON.
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WE CAME TO BELIEVE
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THAT LIEUTENANT AMIDONDID NOT ABANDON HER DUTIES
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THE NIGHT SHE WENT MISSING,
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AND, IN FACT,SHE CONDUCTED HERSELF HEROICALLY
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AND YET, UH, SADLY,
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MOST LIKELY,WAS, UH, PROBABLY NOT LIVING.
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AND TO THAT, OF COURSE,WE HAVE NO COMMENT.
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OF COURSE.
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HOWEVER, WE NOW HAVEINFORMATION TO SUGGEST
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THAT LIEUTENANT AMIDONMAY WELL BE ALIVE
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AND URGENTLY IN NEEDOF YOUR ASSISTANCE.
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AND THAT IS BASEDON THE CONTENTS
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OF THE LETTERENTLY IN NEEDWE HAVE HERE?R ASSISTANCE.
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YES.
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AND YOU CAME TO THIS CONCLUSIONLAST NIGHT?
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YES, AND IF I MAY,I NEED TO GO BACK A FEW DAYS.
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PLEASE.
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YES, AND IF I MAY,I NEED LAST THURSDAY,EW DAYS.
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WE WERE PREPARING TO TRAVELTO WASHINGTON, D.C.,
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FOR THE NATIONALMISS SPECIAL DELIVERY PAGEANT.
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IS THATA REAL THING?
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I WAS FINALIZING SOME PAPERWORKBEFORE OUR TRIP...
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♪ ONE OF THESE DAYSMY TIME WILL COME... ♪
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I UNDERSTAND YOU HAVESOMETHING VERY UNIQUE
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PLANNED FOR THE PAGEANT.
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OH, WELL, THIS YEAR'S THEMEIS "DELIVERING INSPIRATION."
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PLANNED FOAND FOR MY TALENT,
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I WILL BE DOINGA DRAMATIC READING
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FROM MY UNPUBLISHEDHISTORICAL ROMANCE NOVEL
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RENITA HAYWEATHER: FRONTIER DUCHESS.
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A DRAMATIC NOVELIST!
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AMAZING!BRILLIANT.
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NO ONE CANCOMPETE WITH THAT.
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WE'LL ALL BECROSSING OUR FINGERS
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FOR YOU THIS SATURDAY.
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THANK YOU, RAMON.
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THAT WAS VERY NICE,
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MISS RITA.
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-[SMOOCHING]THAT WAS VE-THANK YOU.
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[♪]
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[NERVOUS CHUCKLE]
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TIME FOR US TO GOON OUR TRIP TO WASHINGTON, D.C.,
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TOGETHER.
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-OH, YEAH, OKAY.-GOODBYE!
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AS ALWAYS, MISS RITA...A PLEASURE.
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[GIGGLING]
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[CHUCKLING]
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OH, IT MUST BEVERY HARD TO SAY GOODBYE.
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OH, NOT REALLY.
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NO, NOT TO ME, MY FRIEND.
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GOODBYE TO MISS RITA.
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SHE WILL WIN,OF COURSE,T TO ME, MY FRIEND.
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AND THEN SHE'S OFFTRAVELING THE WORLD
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ON HER TRIUMPHANTGOODWILL TOUR.
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[CHUCKLES]
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JUST IMAGINE ALL THE PLACESSHE WILL GO...
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ALL THE PEOPLESHE WILL MEET...
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TSK, TSK, TSK.
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[♪]
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JUST A COUPLE MORE THINGS TO SIGN,
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THEN IT'S ALL YOURS.
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I AM SORRY FOR YOUR LOSS.
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BUT AT LEASTYOUR FATHER MADE SURE
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THAT YOU'D BE WELLTAKEN CARE OF.
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MY BIOLOGICAL FATHER.
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THAT YOU'D BE WELLTAKEN CAI NEVER KNEW HIM.
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I HAVE YOUR SKINNY CARAMELMY STEAMER COMING,ER.
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JUST THE WAY YOU LIKE IT.
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OH, THAT'SSO SWEET, NORMAN.
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WHO'S OLIVERTALKING TO?
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[NORMAN]: HIS LAWYER.
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HE INHERITED SO MUCH MONEY,SHE COMES TO SEE HIM NOW.
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WITH ALLOF THIS MONEY,
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I SUPPOSE YOU WILL WANT TO STARTTALKING ABOUT EARLY RETIREMENT.
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AND QUIT THE POST OFFICE?
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WELL, WHY NOT?
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YOU'RE YOUNG, YOU'RE SINGLE,AND AND YOU'RE RICH.FICE?
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MS. BULLOCK,
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THE ONLY THINGHARVEY SCHMIDTZ GAVE ME,
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BESIDES THIS INHERITANCE,CK,
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WAS A PIECE OF ADVICE.
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"YOU NEVER HAVE ENOUGH MONEYIF ALL YOU HAVE IS MONEY."
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WHAT DOES THAT MEAN, ANYWAY?
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IT MEANS...
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IT'S TIMETO GET BACK TO WORK.
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HAVE YOU SEEN YOUR ITINERARY,MS. McINERNEY?
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I'M SORRY. WHAT?
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[OLIVER]: WELL, I MADECOPIES FOR ALL OF US
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AND HIGHLIGHTED
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[THE EVENTS PERTINENTECOPITO EACH OF US US
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IN CORRESPONDING COLORS.
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YOU'RE YELLOW.
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[LAUGHS] YELLOW! HUH.
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WE ARRIVE AT 3:56.
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CHECK IN THE HOTEL AT 5:10,
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ARRIVE AT THE CAPITOL GRILLAT 6:45 FOR A QUIET DINNER
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BEFORE CURFEW AT 10:30.
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AND TOMORROW MORNING, RITA--RIGHT HERE IN PINK--
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REGISTERS FOR THE PAGEANTBEFORE AT 9:00,T 10:30.
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AND YOU AND I AND NORMANLEAVE AT 9:30
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TO TAKE A TOUROF THE LIBRARY OF CONGRESS,
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FORD'S THEATER, AND, UH,THE NATIONAL POSTAL MUSEUM.
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POSTAL MUSEUM?
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UH, THINK YOU'RE READYTO GO BACK THERE?
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IT'S TIME.
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I'D LIKE TO GET IT OVER WITH.
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OF COURSE.
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AND THEN I CAN SHOW YOUAROUND MY OLD STOMPING GROUNDS.
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OH. I-IS THERE A MUSEUMYOU'D LIKE TO ADD?
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OR-- OR... WOULD YOU LIKEATO VISIT OLD POSTAL FRIENDS?S.
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WELL, REBECCA STARKWELL
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OR-WAS MY ONLY FRIENDLIKEATO VIAT THE D.C. OFFICE,NDS?S.
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AND SHE'S ON HER HONEYMOON.
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OH. IS THERE AN OLD BOYFRIEND
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TO VISITAT THE POST OFFICE?
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I'M NOT IN THE HABITOF CALLING UP OLD BOYFRIENDS.
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AND EVEN IF I WERE,
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HIS WORK IS...
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WELL, HE'S HARDLY EVER IN TOWN.
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HIS WORK IS...GREAT!
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WELL, HE'S HAIT'S SETTLED THEN.
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TAXI SHOULD BE ARRIVINGANY MINUTE.
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ALMOST FORGOT!
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WHAT?
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DON'T ASK. CAN'T TELL.IT'S A SURPRISE.
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AHH!
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FIELD KIT!
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NORMAN! WE'REGOING ON HOLIDAY.
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ALL YOU NEED IS YOUR SUITCASE.
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NORMAN! WE'REUH-OH.GOING ON HOLIDAY.
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I KNOWIT'S A HORRIBLE THOUGHT,
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VEERING OFF YOUR BLUE ITINERARYINTO MY YELLOW ITINERARY,
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BUT I WAS WONDERING
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IF WE COULD MAKE A TINY DETOURYON OUR WAY TO THE HOTEL?,
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A DETOUR?
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I WANTED TO...
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DRIVE BY THE HOUSEWHERE I GREW UP,
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FOR OLD TIME'S SAKE.
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DRIVE BY THE HOUSEWHERE I GREW PLEASE?
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[EXHALING]
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[NORMAN]: OKAY!
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ALL SET.LET'S DO D.C.
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HAS ANYONESEEN MY CROWN?
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OH! AH.
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[♪]
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[RITA]:WHERE'S YOUR HOUSE?
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IT'S GONE.
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00:12:14,468 --> 00:12:17,262
ARE YOU SURE THISIS THE RIGHT STREET?
243
00:12:17,262 --> 00:12:20,098
OF COURSE I'M SURE.
244
00:12:20,098 --> 00:12:22,935
THAT'S THE TREEI USED TO CLIMB.
245
00:12:23,977 --> 00:12:27,106
THE GARDENWHERE WE PLANTED THE...
246
00:12:31,277 --> 00:12:32,361
THOSE BRICKS WERE
247
00:12:32,403 --> 00:12:35,782
THE FIREPLACE WHERE MY MOTHERAND I ALWAYS...
248
00:12:35,782 --> 00:12:37,408
[DEEP BREATH]
249
00:12:39,619 --> 00:12:41,455
18 YEARS...
250
00:12:41,455 --> 00:12:44,583
AND NOW IT'S LIKEWE WERE NEVER HERE.
251
00:12:47,461 --> 00:12:50,089
DID YOUPLANT THOSE?
252
00:12:50,089 --> 00:12:52,382
[SHANE]: FOR MOTHER'S DAY.
253
00:12:52,424 --> 00:12:54,301
DID YOU[QUIET CHUCKLE]PLANT THOSE?
254
00:12:54,301 --> 00:12:57,304
EVERY FALL, AFTER ALLTHE OTHER BLOOMS WOULD DIE,
255
00:12:57,346 --> 00:13:00,766
MY MOM... MY MOMYOU[QUIWOULD TAKE THE LAST ONE,OSE?
256
00:13:00,766 --> 00:13:03,143
AND PUT IN A VASE AND SAY,
257
00:13:03,143 --> 00:13:06,314
MY MO"LOOK.Y MOMYOU[QIT'S THE LAST ROSE OF SUMMER.?
258
00:13:06,314 --> 00:13:08,191
STILL HOLDING ON."
259
00:13:08,233 --> 00:13:09,984
[CHUCKLES SOFTLY]
260
00:13:09,984 --> 00:13:13,488
THEN, EVERY FALL...
261
00:13:13,529 --> 00:13:16,199
EVEN AFTERI WENT AWAY TO COLLEGE,TLY]
262
00:13:16,241 --> 00:13:19,995
AND EVERY SEPTEMBER AFTER THAT,UNTIL SHE MOVED AWAY,
263
00:13:20,036 --> 00:13:22,539
I WOULD GETAN ENVELOPE IN THE MAIL
264
00:13:22,581 --> 00:13:25,667
WITH THE LAST ROSE OF SUMMER
265
00:13:25,709 --> 00:13:30,256
WRAPPED IN WET PAPER TOWELS,IN A PLASTIC BAG.
266
00:13:32,633 --> 00:13:35,011
SHE WAS SENDINGYOU A MESSAGE.
267
00:13:36,846 --> 00:13:37,889
"PAY ATTENTION
268
00:13:37,889 --> 00:13:42,309
"TO THE SIMPLE, LITTLE THINGSRIGHT IN FRONT OF YOU...
269
00:13:43,519 --> 00:13:46,481
...OR THEY COULD BE GONEBEFORE YOU KNOW IT."
270
00:13:50,527 --> 00:13:52,111
FORGIVE ME, MR. O'TOOLE,
271
00:13:52,153 --> 00:13:55,407
BUT OTHER THAN THE SAD TRUTHTHAT WE CAN'T GO HOME AGAIN,
272
00:13:55,448 --> 00:13:58,243
WE'VE STILL HEARD NOTHINGTO SHED ANY LIGHT
273
00:13:58,285 --> 00:14:00,245
ON THE LETTER THAT I HOLD HERE,
274
00:14:00,287 --> 00:14:02,455
ADDRESSED TOTHE SECRETARY OF DEFENSE
275
00:14:02,455 --> 00:14:05,292
OF THE UNITED STATES OF AMERICA.
276
00:14:05,333 --> 00:14:07,085
ADDRESWITH RESPECT,THE SECRETARMADAME CHAIRMAN,
277
00:14:07,127 --> 00:14:09,505
UH, IT WAS STOPPING
278
00:14:09,547 --> 00:14:11,632
AT THE SITE OFMS. McINERNEY'S FORMER HOME
279
00:14:11,674 --> 00:14:14,427
THAT PUT US IN THE LOBBYOF THE FRANKLIN ADAMS HOTEL
280
00:14:14,468 --> 00:14:16,262
AT THE EXACT MOMENTWE CROSSED PATHS
281
00:14:16,304 --> 00:14:17,971
WITH PHOEBE AMIDONAND HER GRANDFATHER.
282
00:14:18,013 --> 00:14:20,183
IF THAT LETTERIS WHAT WE THINK IT IS,
283
00:14:20,224 --> 00:14:24,145
THEN IT'S COMPELLING USTO PAY ATTENTION TO THE DETAILS,
284
00:14:24,187 --> 00:14:26,605
OR THE CHANCE TO BRINGLIEUTENANT AMIDON HOME AGAIN
285
00:14:26,648 --> 00:14:28,567
WILL ALSO BE GONEBEFORE WE KNOW IT.
286
00:14:28,608 --> 00:14:32,111
SO YOUR PRESENCEHERE TODAY, MR. O'TOOLE,
287
00:14:32,153 --> 00:14:34,489
IS THE RESULT OFA PRIOR RELATIONSHIP
288
00:14:34,531 --> 00:14:37,201
WITH PHOEBE AMIDONAND HER GRANDFATHER?
289
00:14:37,242 --> 00:14:38,618
WELL, THAT,
290
00:14:38,660 --> 00:14:41,871
AND THE PRIOR RELATIONSHIPOF MS. McINERNEY WITH, UH...
291
00:14:41,913 --> 00:14:46,001
ACTUALLY, I'D LIKE TO TURNTHIS PART OVER TO HER NOW.
292
00:14:46,919 --> 00:14:48,628
MY NAME IS SHANE McINERNEY.
293
00:14:48,670 --> 00:14:49,922
I PROVIDE I.T. SERVICES
294
00:14:49,964 --> 00:14:52,174
FOR THE DEAD LETTER OFFICEIN DENVER.
295
00:14:52,216 --> 00:14:54,885
I USED TO WORK RIGHT HEREIN WASHINGTON
296
00:14:54,885 --> 00:14:56,554
IN DIRECT LINE OPERATIONS.
297
00:14:56,596 --> 00:14:59,432
WHEN WE ARRIVED AT THE HOTELON THURSDAY,N
298
00:14:59,474 --> 00:15:00,850
WE WERE CHECKING IN AND...
299
00:15:00,891 --> 00:15:01,934
RITA WAS REGISTERING
300
00:15:01,934 --> 00:15:03,936
FOR THE MISS SPECIAL DELIVERY PAGEANT.
301
00:15:03,978 --> 00:15:06,231
RITA OH, WAIT.TERING
302
00:15:08,441 --> 00:15:10,902
[♪]
303
00:15:11,987 --> 00:15:13,029
MS. McINERNEY.
304
00:15:13,071 --> 00:15:15,115
MM?
305
00:15:15,115 --> 00:15:16,533
UH, I WAS THINKING,
306
00:15:16,575 --> 00:15:17,701
PERHAPS THIS WEEK
307
00:15:17,701 --> 00:15:19,828
MIGHT PRESENTAN OPPORTUNITY FOR...
308
00:15:19,870 --> 00:15:23,249
FOR... FOR AN EVENING OUT.
309
00:15:24,666 --> 00:15:26,960
WE'RE IN WASHINGTON, D.C.,OLIVER.
310
00:15:26,960 --> 00:15:29,255
WE'RE ALREADY SPENDINGTHE WHOLE WEEK OUT.
311
00:15:29,255 --> 00:15:31,298
YES, BUT I WAS THINKING,
312
00:15:31,298 --> 00:15:34,468
WEUM, YOU AND I MIGHTGHAVE DINNER TOGETHER,
313
00:15:34,468 --> 00:15:35,803
JUST US, TO--
314
00:15:35,845 --> 00:15:38,305
TO TALK AND...
315
00:15:38,305 --> 00:15:40,517
PERHAPS I CAN OFFERSOME PERSPECTIVE
316
00:15:40,558 --> 00:15:43,770
ON THE RECENT LOSSOF YOUR CHILDHOOD HOME.
317
00:15:45,146 --> 00:15:47,482
YOU'RE ASKING ME...
318
00:15:47,482 --> 00:15:49,317
OUT...
319
00:15:49,317 --> 00:15:52,029
FOR DINNER?
320
00:15:52,070 --> 00:15:53,363
YES.OUT...
321
00:15:53,363 --> 00:15:55,157
YES!
322
00:15:56,283 --> 00:15:58,827
I'LL PUT ITIN THE SCHEDULE.OUT...
323
00:15:58,827 --> 00:15:59,828
DO THAT.
324
00:15:59,828 --> 00:16:01,830
IN YELLOW.
325
00:16:02,831 --> 00:16:04,750
OF COURSE.DO THAT.
326
00:16:07,378 --> 00:16:10,173
[HOST]:NEXT... MISS OKLAHOMA!
327
00:16:11,465 --> 00:16:13,842
[CONTESTANT MINDY]:OH, NO, NO, NO, NO, NO, NO, NO!
328
00:16:13,842 --> 00:16:15,136
[PERTURBED HUFF]
329
00:16:15,178 --> 00:16:16,345
ARE YOU OKAY?
330
00:16:16,345 --> 00:16:18,389
WELL, THEY'VE GOT ME SCHEDULEDFOR MY TALENT REHEARSAL
331
00:16:18,431 --> 00:16:19,683
AT THE SAME TIME I'M SUPPOSED TOGET MY NAILS DONE,
332
00:16:19,683 --> 00:16:21,726
BUT IF I MOVE THE NAILS,THEN THERE'S NO TIME
333
00:16:21,768 --> 00:16:23,728
FOR SOME FITTINGTHEY'VE GOT ME DOWN FOR.
334
00:16:23,770 --> 00:16:25,188
OR MAYBEI SHOULDN'T DO MY NAILS.
335
00:16:25,188 --> 00:16:27,231
MAYBE I SHOULDN'T REHEARSE,BUT IF I DON'T, THEN... OH!
336
00:16:27,273 --> 00:16:29,609
THIS IS WORSETHAN A STAMPEDE ON SUNDAY.
337
00:16:29,651 --> 00:16:32,404
NO. NO! THISIS WONDERFUL.
338
00:16:32,446 --> 00:16:33,530
YOU'RE MISS...
339
00:16:33,530 --> 00:16:34,531
WYOMING.
340
00:16:34,531 --> 00:16:36,200
YOU'RE MISS WYOMING!
341
00:16:36,241 --> 00:16:37,659
AND LOOK WHERE YOU ARE.
342
00:16:37,701 --> 00:16:39,036
WELL, THAT'STHE PROBLEM!
343
00:16:39,036 --> 00:16:40,913
THERE ARE MOREPEOPLE IN THIS HOTEL
344
00:16:40,955 --> 00:16:42,039
THAN THERE AREIN BIG PINEY.
345
00:16:42,039 --> 00:16:44,333
OH, BIG PINEY, WYOMING.POPULATION 576.
346
00:16:44,333 --> 00:16:46,001
HOW DO YOU KNOW THAT?
347
00:16:46,043 --> 00:16:48,170
OH, I HAVENEY, WYOMING.A PHOTOGRAPHIC MEMORY.
348
00:16:48,212 --> 00:16:49,755
I REMEMBEREVERYTHING I READ.
349
00:16:49,797 --> 00:16:52,132
WELL, AS LONG ASI REMEMBER TO REMEMBER.
350
00:16:52,132 --> 00:16:53,551
[LAUGHS]IT'S HARD TO REMEMBER
351
00:16:53,593 --> 00:16:55,553
ANYTHING INNG ASA PLACE LIKE THIS.MBER.
352
00:16:55,595 --> 00:16:56,929
I'M AFRAID,WHEN I GET UP TO SING,
353
00:16:56,929 --> 00:16:58,348
THERE'LL BE SO MANYPEOPLE IN THE ROOM,
354
00:16:58,389 --> 00:17:00,058
I'M AFRAID,I'LL FORGET THE WORDS.
355
00:17:00,058 --> 00:17:01,809
AND THE NOTES.
356
00:17:01,852 --> 00:17:03,311
AND THE SONG.
357
00:17:03,353 --> 00:17:04,229
LOOK.
358
00:17:04,229 --> 00:17:05,856
I DON'T HAVE TOREHEARSE TOMORROW.
359
00:17:05,897 --> 00:17:07,733
WHY DON'T YOUTAKE MY TIME?
360
00:17:07,733 --> 00:17:08,692
I DON'T MIND.
361
00:17:08,734 --> 00:17:10,235
-REALLY?-YEAH!
362
00:17:10,276 --> 00:17:12,070
MISS COLORADO.
363
00:17:12,112 --> 00:17:15,574
WE'RE PRACTICALLYNEIGHBORS, RIGHT?
364
00:17:15,616 --> 00:17:17,909
OKAY, MS. McINERNEY,YOU ARE ON THE EIGHTH FLOOR.
365
00:17:17,909 --> 00:17:18,785
THANK YOU.
366
00:17:18,827 --> 00:17:21,663
NORMAN, YOU ARE ON THE SIXTH.
367
00:17:22,623 --> 00:17:24,959
OH, MY GOODNESS.
368
00:17:25,918 --> 00:17:26,919
[MAN]: THANK YOUVERY MUCH.
369
00:17:26,961 --> 00:17:28,254
OH!
370
00:17:28,254 --> 00:17:29,922
IT'S PHOEBE.
371
00:17:29,964 --> 00:17:31,508
HEY! WHATOH!A SURPRISE.
372
00:17:31,549 --> 00:17:32,467
I CAN'T BELIEVE IT!
373
00:17:32,509 --> 00:17:33,468
-FOR HEAVEN'S SAKE.-HI!
374
00:17:33,510 --> 00:17:36,095
HARPER.OLIVER O'TOOLE.
375
00:17:36,095 --> 00:17:37,054
FOR HEAVEN'S SAKE,
376
00:17:37,096 --> 00:17:38,180
WHAT ARE YOUGUYS DOING HERE?
377
00:17:38,180 --> 00:17:40,099
-ARE YOU STAYING HERE?-YEAH.
378
00:17:40,099 --> 00:17:42,394
WHAT ARE YOUWHERE'S RITA?ING HERE?
379
00:17:42,435 --> 00:17:43,645
OH, SHE'S IN THE PAGEANT.
380
00:17:43,686 --> 00:17:44,646
WE CAMETO CHEER HER ON.
381
00:17:44,646 --> 00:17:46,106
AND WHAT BRINGS YOUTO THE CAPITOL?
382
00:17:46,106 --> 00:17:48,984
WE CAOH, WE'RE TRYING TO GETTOSOME ANSWERS ABOUT RANDILYNN.
383
00:17:49,026 --> 00:17:51,111
SEE IF THERE'SANY...
384
00:17:51,153 --> 00:17:52,445
RESOLUTION.
385
00:17:52,487 --> 00:17:54,031
WE HAD AN APPOINTMENT
386
00:17:54,072 --> 00:17:55,949
WITH SOMEONE FROMTHE STATE DEPARTMENT TOMORROW,
387
00:17:55,991 --> 00:17:59,287
BUT IT LOOKS LIKETHEY'VE HAD TO POSTPONE.
388
00:17:59,287 --> 00:18:00,579
NOT AGAIN.
389
00:18:00,621 --> 00:18:02,290
[NORMAN]: WELL, THAT'S A SHAME.
390
00:18:02,290 --> 00:18:04,083
[HARPER]:WELL, THAT'S WASHINGTON.
391
00:18:04,125 --> 00:18:06,460
WE'VE SPENT TWO YEARS,
392
00:18:06,460 --> 00:18:07,962
BUT WE ALWAYS SEEM TO KNOCKON THE WRONG DOORS.
393
00:18:08,004 --> 00:18:11,090
ISN'T THERE ANYONE ELSETHAT YOU CAN MEET WITH?
394
00:18:11,132 --> 00:18:13,259
MM, WE'VE RUN OUT OF IDEAS.
395
00:18:13,301 --> 00:18:15,469
I'VE GOT A STANDING APPOINTMENT
396
00:18:15,511 --> 00:18:17,263
WITH A DIALYSIS MACHINEBACK HOME,
397
00:18:17,305 --> 00:18:18,807
SO WE CAN'T EXTEND THE TRIP.
398
00:18:18,807 --> 00:18:20,349
[OLIVER]: OF COURSE.
399
00:18:20,349 --> 00:18:23,144
WOULD YOU EXCUSE MEFOR JUST A MINUTE?
400
00:18:23,186 --> 00:18:25,605
[OLIVER][♪]F COURSE.
401
00:18:25,647 --> 00:18:27,023
SO, WE HAVEYOU PENCILED IN
402
00:18:27,066 --> 00:18:28,900
TO JOIN USAT 9:30 TOMORROW.
403
00:18:28,942 --> 00:18:29,818
EXCELLENT.
404
00:18:29,859 --> 00:18:31,236
CAN'T HAVE YOUHEADING BACK
405
00:18:31,278 --> 00:18:32,404
WITHOUT HAVINGAT LEAST
406
00:18:32,404 --> 00:18:34,489
SOME GOOD MEMORIESIN WASHINGTON.
407
00:18:34,489 --> 00:18:35,490
WITHOUT HAVINGSOUNDS LIKE A PLAN!T LEAST
408
00:18:35,490 --> 00:18:38,118
OKAY, WELL, WE'LL SEEYOU GUYS TOMORROW, THEN.
409
00:18:38,160 --> 00:18:39,704
-OKAY, GREAT.-BYE.
410
00:18:39,704 --> 00:18:41,288
BYE.
411
00:18:44,542 --> 00:18:45,501
-OKAY, GREAT.WOW.-BYE.
412
00:18:45,543 --> 00:18:47,545
WHAT A COINCIDENCE, HUH?
413
00:18:47,587 --> 00:18:50,131
I DON'T REALLYBELIEVE IN THEM, NORMAN.
414
00:18:50,131 --> 00:18:52,133
[CHUCKLING BREATHLESSLY]
415
00:18:52,133 --> 00:18:53,634
IS THATI DON'T REALLYWHO I THINK IT IS?M, NORMAN.
416
00:18:53,634 --> 00:18:55,345
[CHUYEAH! IT'S PHOEBE AMIDON.
417
00:18:55,345 --> 00:18:56,346
IS THATI DON'T REALLYNO WAY!HINK IT IS?M, NORMAN.
418
00:18:56,346 --> 00:18:57,848
YOU'VE CHECKED IN?
419
00:18:57,889 --> 00:18:59,515
OH, YEAH,I'VE GOT MY ROOM KEY
420
00:18:59,515 --> 00:19:00,934
AND MY ROOMMATE--MISS LOUISIANA.
421
00:19:00,976 --> 00:19:04,354
IT SOUNDS LIKE YOU HAVESOME PRETTY SERIOUS COMPETITION.
422
00:19:04,354 --> 00:19:05,689
OH, I DON'T MIND.
423
00:19:05,731 --> 00:19:07,608
THERE'S MORE TO LIFEAVETHAN WINNING, RIGHT?COMPETITION.
424
00:19:07,649 --> 00:19:10,026
RIGHT. UM, SPEAKING OF WHICH,
425
00:19:10,068 --> 00:19:11,695
I WAS THINKING THAT,BEFORE DINNER,
426
00:19:11,737 --> 00:19:13,447
UM, YOU AND ICOULD--
427
00:19:13,489 --> 00:19:14,406
[MINDY]: RITA!
428
00:19:14,448 --> 00:19:16,200
WE'RE GOING OUT FOR YOGURT.YOU WANNA COME?
429
00:19:16,200 --> 00:19:17,952
OH! UM...
430
00:19:17,994 --> 00:19:19,536
WE'RE GOING OUT FOR YOGURT.YEAH! [GIGGLES]NNA COME?
431
00:19:19,578 --> 00:19:20,662
BYE, GUYS!
432
00:19:23,708 --> 00:19:25,376
SHE SEEMS HAPPY.
433
00:19:25,376 --> 00:19:26,377
YES. SHE DOES.
434
00:19:26,418 --> 00:19:29,213
I SUPPOSE IT'S JUSTTHE THREE OF US FOR DINNER.APPY.
435
00:19:29,213 --> 00:19:30,465
YEAH. YEAH.
436
00:19:30,507 --> 00:19:33,760
WHERE ISE IT'S JUSTMS. McINERNEY?S FOR DINNER.APPY.
437
00:19:38,723 --> 00:19:41,101
HI. IT'S SHANE.
438
00:19:41,143 --> 00:19:44,813
I'M IN TOWNAT THE FRANKLIN ADAMS AND...
439
00:19:44,855 --> 00:19:46,356
[TAKES A BREATH]
440
00:19:46,398 --> 00:19:49,276
STEVE, I-I NEED TO SEE YOU.
441
00:19:59,328 --> 00:20:01,080
I'D LIKE ANOTHER ARNOLD PALMER.
442
00:20:01,122 --> 00:20:04,708
A LITTLE MORE ARNOLD THAN PALMERTHIS TIME, PLEASE.
443
00:20:04,750 --> 00:20:06,460
WHY DO THEY PUTTINY UMBRELLAS IN DRINKS?
444
00:20:06,502 --> 00:20:08,504
WHY NOT TINY CARS?
445
00:20:08,546 --> 00:20:09,714
OR TINY CATS?
446
00:20:09,756 --> 00:20:12,133
SOMETHING ON YOUR MIND?
447
00:20:12,175 --> 00:20:15,929
I JUST KEEP THINKING ABOUTPHOEBE COMING ALL THE WAY HERE
448
00:20:15,929 --> 00:20:19,808
TO FIND OUT IF ANYONE KNOWSWHAT HAPPENED TO HER MOTHER.
449
00:20:20,767 --> 00:20:25,272
EVERYTHING ELSE JUST SEEMS SO...TRIVIAL COMPARED TO THAT.
450
00:20:25,272 --> 00:20:28,317
THE MISS SPECIAL DELIVERYPAGEANT
451
00:20:28,317 --> 00:20:31,779
IS PERHAPS NOT AN EVENTOF GREAT IMPORT
452
00:20:31,821 --> 00:20:33,948
THE MISS SPECIAL DELIVERYTO THE WORLD AT LARGE, NORMAN,
453
00:20:33,989 --> 00:20:36,867
BUT THE WORLDIS A TERRIBLY COMPLICATED PLACE,
454
00:20:36,909 --> 00:20:38,494
AND SO MUCH OF IT CAN BE UGLY.
455
00:20:38,494 --> 00:20:42,415
THAT'S WHY WHAT IS GENTLEAND BEAUTIFUL
456
00:20:42,457 --> 00:20:46,336
AND JOYFULIS WORTH FIGHTING TO PRESERVE.
457
00:20:46,336 --> 00:20:50,131
AND IT'S ALSO WHY WE HONORTHOSE WHO FIGHT.
458
00:20:50,131 --> 00:20:51,257
AND JOYFULIS WORTH FIGHTING TO PRESEYEAH.
459
00:20:55,345 --> 00:20:57,347
AND IT'S ALSO WHY WE HONORSO, NORMAN... WHO FIGHT.
460
00:20:58,974 --> 00:21:00,892
WHAT'S INTHE ENVELOPE? HMM?
461
00:21:00,934 --> 00:21:02,811
WELL, IT'S A SURPRISE F--
462
00:21:02,811 --> 00:21:04,480
[HEELS CLOPPING]
463
00:21:04,521 --> 00:21:06,565
WELL, I[♪] A SURPRISE F--
464
00:21:06,607 --> 00:21:08,609
MS. McINERNEY.
465
00:21:09,485 --> 00:21:11,112
HELLO, BEAUTIFUL!
466
00:21:13,447 --> 00:21:14,907
-OOH!-OH--
467
00:21:18,202 --> 00:21:19,662
LOOK AT YOU!
468
00:21:19,662 --> 00:21:21,247
WHOO. LOOK AT YOU...
469
00:21:21,288 --> 00:21:22,540
LOOK AI GOT YOUR CALL.
470
00:21:22,540 --> 00:21:24,334
YES, AND I THOUGHTYOU WERE GOING TO
471
00:21:24,334 --> 00:21:26,002
LOOK AI GCALL ME BACK.
472
00:21:26,002 --> 00:21:27,170
[STEVE]: I WAS JUSTHOUGHTRIGHT AROUND THE CORNER. TO
473
00:21:27,170 --> 00:21:28,838
I COULDN'T WAIT,SO I STAKED OUT YOUR HOTEL,
474
00:21:28,838 --> 00:21:30,507
FIGURED YOU'D SHOW UPOUGHTRIGHSOONER OR LATER.NER. TO
475
00:21:30,507 --> 00:21:32,842
[SHANE, AWKWARDLY]:YES, WELL, GOOD TIMING.
476
00:21:32,842 --> 00:21:34,219
UH, STEVE MAREK,
477
00:21:34,261 --> 00:21:36,346
THESE ARE MY CO-WORKERS--
478
00:21:36,346 --> 00:21:37,681
MY BOSS, ACTUALLY...
479
00:21:37,681 --> 00:21:39,642
OLIVER O'TOOLE
480
00:21:39,683 --> 00:21:41,101
AND NORMAN DORMAN.
481
00:21:42,019 --> 00:21:43,311
DENVER D.L.O., RIGHT?
482
00:21:43,353 --> 00:21:44,688
YES.
483
00:21:44,688 --> 00:21:47,024
I HEARD ABOUT YOU GUYS.YOU DO GREAT WORK.
484
00:21:47,024 --> 00:21:48,025
OH, THANK YOU.
485
00:21:48,025 --> 00:21:50,611
I HEAND WHAT IS ITGUYS.YOU DO FOR THE POST OFFICE?
486
00:21:50,653 --> 00:21:52,863
OLIVER, NORMAN,WOULD IT BE OKAY
487
00:21:52,905 --> 00:21:56,200
IF I BEGGED OFFOF DINNER TONIGHT? UM...
488
00:21:56,200 --> 00:21:58,912
STEVE AND I HAVE...
489
00:21:58,953 --> 00:22:00,621
IF I BEGGED OFFOSOME CATCHING UP TO DO.
490
00:22:01,539 --> 00:22:03,374
I CAN SEE THAT.
491
00:22:03,416 --> 00:22:06,420
BUT PERHAPSWE COULD MEET LATER?
492
00:22:06,420 --> 00:22:07,796
LATER?
493
00:22:10,382 --> 00:22:12,133
TONIGHT?BUT PERHAPSA-AFTER MR. MAREK?T LATER?
494
00:22:13,218 --> 00:22:16,680
FOR A NIGHTCAP?IN THE LOUNGE?
495
00:22:16,721 --> 00:22:19,058
YES. ALL RIGHT.
496
00:22:20,851 --> 00:22:21,894
[♪]
497
00:22:21,936 --> 00:22:23,729
NORMAN.
498
00:22:23,729 --> 00:22:25,940
SHALL WE DINE?
499
00:22:26,941 --> 00:22:28,067
NORMAN.YES. DINING.
500
00:22:28,108 --> 00:22:29,193
STARVING.
501
00:22:33,072 --> 00:22:34,199
MR. MAREK.
502
00:22:35,241 --> 00:22:37,743
[♪]
503
00:22:44,918 --> 00:22:47,462
SO THATWAS OLIVER O'TOOLE?
504
00:22:47,462 --> 00:22:49,089
YES.
505
00:22:50,090 --> 00:22:51,550
SO THATWAS DOES HE KNOW?E?
506
00:22:51,592 --> 00:22:53,051
NO.
507
00:22:53,093 --> 00:22:55,220
BUT AFTER TONIGHT...
508
00:22:55,220 --> 00:22:58,349
WE MAY HAVE TO TELL HIM.
509
00:23:00,226 --> 00:23:02,686
BU[♪]FTER TONIGHT...
510
00:23:02,728 --> 00:23:04,438
[MINDY]:AND ONE, TWO, THREE...
511
00:23:04,438 --> 00:23:06,774
[CONTESTANTS]:♪ DOWN BY THE OLD ♪
512
00:23:06,774 --> 00:23:09,944
♪ MILL STREAM ♪
513
00:23:09,944 --> 00:23:11,278
-♪ WHERE I FIRST ♪-[KNOCKING]
514
00:23:11,278 --> 00:23:12,572
OH! THE PIZZA!
515
00:23:12,614 --> 00:23:14,866
-♪ WHERE I FIRST ♪[EXCITED CHATTER]
516
00:23:17,410 --> 00:23:18,620
OH!
517
00:23:18,661 --> 00:23:19,954
HI.
518
00:23:19,954 --> 00:23:21,373
HI. IT'S NORMAN.
519
00:23:21,414 --> 00:23:23,458
[OVERLAPPING]: HI, NORMAN!
520
00:23:23,458 --> 00:23:24,626
HE'S CUTE.
521
00:23:24,626 --> 00:23:26,044
THANK YOU!
522
00:23:26,086 --> 00:23:28,588
UH, RITA,SORRY TO INTERRUPT.
523
00:23:28,630 --> 00:23:31,383
OH, YOU'RE NOT! WE WERE JUSTSITTING AROUND AND STUFF.
524
00:23:31,424 --> 00:23:33,636
I-I DIDN'T KNOWTHAT YOU PLAYED THAT.
525
00:23:33,636 --> 00:23:36,805
WELL, MY PARENTSWERE FLOWER CHILDREN.
526
00:23:36,805 --> 00:23:37,765
RIGHT.
527
00:23:37,806 --> 00:23:39,808
I WAS BORNUNDER THE PEPSI CHALLENGE TENT
528
00:23:39,808 --> 00:23:42,060
IN SEDONA, REMEMBER?
529
00:23:42,102 --> 00:23:44,188
[RITA CHUCKLES]
530
00:23:49,152 --> 00:23:51,487
[WHISPERS] WAS THERESOMETHING YOU NEEDED?
531
00:23:51,487 --> 00:23:53,907
OH. UH...
532
00:23:53,948 --> 00:23:55,199
NO.
533
00:23:55,241 --> 00:23:57,076
AWW.
534
00:23:57,118 --> 00:23:58,828
[AWKWARD CHUCKLING]
535
00:23:58,828 --> 00:24:00,497
SEE YA TOMORROW.
536
00:24:00,497 --> 00:24:01,540
OKAY.
537
00:24:04,000 --> 00:24:05,794
SLEEP TIGHT!
538
00:24:05,835 --> 00:24:07,421
[LADIES]: BYE, NORMAN!
539
00:24:07,462 --> 00:24:09,839
[ALL GIGGLING]
540
00:24:09,839 --> 00:24:12,051
[LAUGHTER AND CHATTERCARRYING]
541
00:24:12,051 --> 00:24:14,053
[WOMAN]: AW, HE LOOKS LIKEA TEDDY BEAR!
542
00:24:16,055 --> 00:24:18,473
[LAUGHTER AND CHATTERCA[♪]ING]
543
00:24:22,186 --> 00:24:24,564
I THINKTHAT WAS OUR SONG.
544
00:24:24,605 --> 00:24:27,024
WE NEVER HAD A SONG.
545
00:24:27,066 --> 00:24:29,068
WE SHOULD HAVE HAD ONE.
546
00:24:30,027 --> 00:24:32,697
SO WHY'DYOU LEAVE D.C.?
547
00:24:32,738 --> 00:24:34,365
TO GET AWAY FROM YOU.
548
00:24:34,365 --> 00:24:35,867
MM. OUCH.
549
00:24:35,867 --> 00:24:38,578
I ALWAYS KNOW WHEREI STAND WITH YOU.
550
00:24:40,038 --> 00:24:44,626
BUT I NEVER KNEWWHERE I STOOD WITH YOU, STEVE.
551
00:24:46,712 --> 00:24:50,757
AND THEN I FINALLY REALIZEDTHAT'S BAD FOR RELATIONSHIPS.
552
00:24:51,925 --> 00:24:55,512
BUT IT'S WHAT MAKES YOUSO GOOD AT YOUR JOB.
553
00:24:56,430 --> 00:24:59,350
BETRAYED BY MY OWN EXCELLENCE.
554
00:24:59,391 --> 00:25:01,352
AND YOUR HUMILITY.
555
00:25:01,393 --> 00:25:03,020
BUT YOU CAME BACK.
556
00:25:03,062 --> 00:25:05,523
ON VACATION.
557
00:25:05,565 --> 00:25:08,192
I WASN'T GOING TO CALL YOU.
558
00:25:09,318 --> 00:25:11,488
BUT NOW...
559
00:25:11,529 --> 00:25:13,656
I GUESS I NEED YOU.
560
00:25:13,698 --> 00:25:15,742
GOOD.
561
00:25:17,535 --> 00:25:20,873
I'LL SEE WHAT I CAN DO.
562
00:25:22,415 --> 00:25:25,418
AM I... EARLY?
563
00:25:28,421 --> 00:25:31,008
NO. NO, I WAS JUST LEAVING.
564
00:25:31,049 --> 00:25:32,676
HOW WAS DINNER?
565
00:25:33,636 --> 00:25:36,054
FINE, THANK YOU.
566
00:25:36,096 --> 00:25:38,599
OKAY.
567
00:25:40,601 --> 00:25:42,770
I'LL SEE YOU TOMORROW?
568
00:25:42,770 --> 00:25:44,772
OKAY.
569
00:25:48,777 --> 00:25:50,111
TOMORROW?
570
00:25:50,111 --> 00:25:50,945
OLIVER.
571
00:25:50,987 --> 00:25:53,615
I WILL JUSTADJUST MY ITINERARY
572
00:25:53,657 --> 00:25:55,325
TO REFLECTTHAT YOU WILL NOT
573
00:25:55,367 --> 00:25:56,785
BE JOINING US
574
00:25:56,826 --> 00:25:59,246
FOR OUR TOURIN THE MORNING.
575
00:25:59,288 --> 00:26:01,206
NO, I WILL.I'M COMING.
576
00:26:01,248 --> 00:26:05,419
WE JUST HAVE TO ADJUSTOUR PLANS FOR THE AFTERNOON.
577
00:26:06,753 --> 00:26:07,838
I COULDN'T BEAR
578
00:26:07,880 --> 00:26:11,425
TO SEE HOW DISAPPOINTED PHOEBEAND HER GRANDFATHER WERE.
579
00:26:11,466 --> 00:26:14,011
SHE'S LOST HER MOTHER,
580
00:26:14,053 --> 00:26:16,055
HE'S LOST A DAUGHTER...
581
00:26:16,096 --> 00:26:18,474
AND I GUESS...
582
00:26:18,474 --> 00:26:20,560
AFTER SEEING--
583
00:26:20,601 --> 00:26:24,147
OR NOT SEEING MY HOUSE TODAY--
584
00:26:24,189 --> 00:26:25,190
[SIGHS]
585
00:26:25,231 --> 00:26:27,943
I JUST FELT LIKE,AT LEAST-- AT LEAST, WITH THEM,
586
00:26:27,984 --> 00:26:28,860
MAYBE--
587
00:26:28,902 --> 00:26:30,904
MAYBE THEREWAS SOMETHING THAT I COULD DO,
588
00:26:30,946 --> 00:26:33,448
MAYBE I COULD...
589
00:26:33,489 --> 00:26:35,450
HELP THEMIN SOME WAY.
590
00:26:35,450 --> 00:26:37,661
WELL, THAT'S ADMIRABLE,
591
00:26:37,703 --> 00:26:40,246
BUT I'M AFRAIDP THEMLIEUTENANT AMIDON'S SITUATION.
592
00:26:40,246 --> 00:26:41,373
DOES NOT FALL UNDER THE PURVIEW
593
00:26:41,415 --> 00:26:43,750
OF THE UNITED STATESHEMLIEUTENPOSTAL SYSTEM.ITUATION.
594
00:26:43,792 --> 00:26:46,170
I DON'T SEE HOW YOU OR I
595
00:26:46,170 --> 00:26:48,672
OR YOUR FRIEND, STEVE,CAN HOPE TO MAKE A DIFFERENCE.
596
00:26:48,714 --> 00:26:50,799
I DON'T SWELL...YOU OR I
597
00:26:51,758 --> 00:26:54,678
YOU OR I CAN'T, BUT...
598
00:26:57,014 --> 00:26:59,016
OLIVER, I HAVEN'T BEEN
599
00:26:59,058 --> 00:27:02,144
COMPLETELY HONEST WITH YOUABOUT STEVE.
600
00:27:03,396 --> 00:27:05,607
HE'S NOT EXACTLY
601
00:27:05,648 --> 00:27:07,900
WITH THE POST OFFICE.
602
00:27:09,527 --> 00:27:10,695
SO, MS. McINERNEY,
603
00:27:10,695 --> 00:27:13,448
IT WAS YOU WHO MADE THE INITIALCONTACT WITH AGENT MAREK?
604
00:27:13,490 --> 00:27:14,699
SO[SHANE]: YES.EY,
605
00:27:14,699 --> 00:27:16,994
AND IT'S NOT SOMETHINGTHAT I DID LIGHTLY,
606
00:27:17,035 --> 00:27:18,954
BUT NOW I'M GLAD THAT I DID.
607
00:27:20,122 --> 00:27:24,167
SIR, CAN I ASSUMETHAT YOU ARE AGENT MAREK?
608
00:27:25,378 --> 00:27:26,712
YES, I AM, SENATOR.
609
00:27:26,754 --> 00:27:27,713
AND HASTHE TESTIMONY
610
00:27:27,755 --> 00:27:30,132
YOU'VE HEARD SO FARBEEN ACCURATE?
611
00:27:30,174 --> 00:27:31,759
YES, MA'AM.
612
00:27:32,885 --> 00:27:35,554
ALL RIGHT.CONTINUE, MS. McINERNEY.
613
00:27:35,554 --> 00:27:36,890
[SHANE]: THANK YOU.
614
00:27:36,931 --> 00:27:38,391
WELL, NEEDLESS TO SAY,
615
00:27:38,432 --> 00:27:40,601
THIS WAS ALL NEWSTO MR. O'TOOLE.
616
00:27:43,730 --> 00:27:45,231
THE CLANDESTINESERVICES?
617
00:27:45,231 --> 00:27:47,484
ONE OF THEM. YES.
618
00:27:47,526 --> 00:27:50,487
YOU... [SCOFFS]YOU DATED A SPY?
619
00:27:50,529 --> 00:27:53,740
AN INTELLIGENCE ANALYST.
620
00:27:53,782 --> 00:27:56,243
OFFICER.
621
00:27:56,243 --> 00:27:58,578
AGENT.
622
00:27:58,578 --> 00:28:00,080
KIND OF A SPY, YEAH.
623
00:28:00,080 --> 00:28:01,415
YOU LIED TO ME.
624
00:28:01,415 --> 00:28:02,332
I DIDN'T LIE TO YOU.
625
00:28:02,332 --> 00:28:03,583
I LIKE TO THINKTHAT YOU WERE ON
626
00:28:03,583 --> 00:28:06,253
A NEED-TO-KNOW BASIS,AND NOW YOU NEED TO KNOW.OU.
627
00:28:06,295 --> 00:28:09,757
AND WHAT ELSEDO I NEED TO KNOW, HMM?
628
00:28:09,757 --> 00:28:13,218
THAT STEVE HAS AGREEDTO MEET WITH HARPER AND PHOEBE
629
00:28:13,261 --> 00:28:15,388
IF WE TAKE THEMTO THE PENTAGON TOMORROW.
630
00:28:15,430 --> 00:28:17,432
IT SEEMS HE'DAGREE TO ANYTHING
631
00:28:17,432 --> 00:28:20,977
IF IT MEANT RE-IGNITINGTHE FLAMES OF...
632
00:28:21,019 --> 00:28:22,938
YOU KNOW, WHATEVER,WITH YOU.
633
00:28:23,939 --> 00:28:26,149
FIRST OF ALL, OLIVER,
634
00:28:26,191 --> 00:28:28,276
MY FLAMESARE NONE OF YOUR BUSINESS.
635
00:28:29,861 --> 00:28:32,322
AND SECOND,YOU DON'T HAVE TO LIKE HIM,
636
00:28:32,363 --> 00:28:33,449
BUT HE'S A GOOD MAN,
637
00:28:33,490 --> 00:28:36,743
AND WHATEVER HE MAY HAVEMEANT TO ME IN THE PAST,
638
00:28:36,785 --> 00:28:40,706
ALL HE MEANS NOWIS A CHANCE TO HELP PHOEBE.
639
00:28:43,334 --> 00:28:45,377
REALLY.
640
00:28:46,963 --> 00:28:49,048
[♪]
641
00:28:50,341 --> 00:28:51,676
REALLY.
642
00:28:52,969 --> 00:28:54,971
[♪]
643
00:28:59,392 --> 00:29:00,477
[MADAME CHAIRMAN]:MR. O'TOOLE,
644
00:29:00,477 --> 00:29:03,646
I AM DUE AT THE SENATEWAYS AND MEANS COMMITTEE
645
00:29:03,646 --> 00:29:04,606
IN AN HOUR.
646
00:29:04,606 --> 00:29:06,149
I AM DUE AT THE SENATENOW, CAN I BEGIN TO HOPE
647
00:29:06,149 --> 00:29:10,362
THAT THERE IS A WAY OR A MEANINGWITH THIS STORY OF YOURS?
648
00:29:10,403 --> 00:29:11,404
HMM?
649
00:29:11,446 --> 00:29:13,490
OH, ABSOLUTELY.
650
00:29:13,531 --> 00:29:14,449
[FLASH POPS]
651
00:29:14,491 --> 00:29:15,492
-THE NEXT DAY---HI!
652
00:29:15,492 --> 00:29:16,785
...WE TOOK PHOEBE
653
00:29:16,785 --> 00:29:18,203
AND HER GRANDFATHER TO THE NATIONAL POSTAL MUSEUM,
654
00:29:18,245 --> 00:29:19,538
WHERE RITA AND THE OTHER CONTESTANTS
655
00:29:19,580 --> 00:29:21,206
WERE MAKING AN APPEARANCE
656
00:29:21,248 --> 00:29:22,500
AND I WAS...
657
00:29:22,500 --> 00:29:25,211
WELL, I WAS ON SOMETHING OF A SENTIMENTAL JOURNEY.
658
00:29:25,253 --> 00:29:28,131
[FLASH POPPING,CONTESTANTS GIGGLING]
659
00:29:29,966 --> 00:29:32,551
[♪]
660
00:29:35,847 --> 00:29:38,182
[TAKES A SHAKY, DEEP BREATH]
661
00:29:38,224 --> 00:29:40,477
[SIGHING]
662
00:29:40,519 --> 00:29:41,603
YOU SEEM...
663
00:29:41,645 --> 00:29:44,689
DEEP IN THOUGHT.
664
00:29:46,691 --> 00:29:47,859
THREE YEARS AGO,
665
00:29:47,859 --> 00:29:51,446
I, UH, STOOD ON THIS VERY SPOTWITH MY WIFE...
666
00:29:52,572 --> 00:29:57,995
EXPOUNDING ON THE EARLY DAYSOF THE PONY EXPRESS.
667
00:29:59,955 --> 00:30:02,667
I TURNED AROUND AND, UH...
668
00:30:02,708 --> 00:30:04,544
SHE WASN'T THERE.
669
00:30:04,585 --> 00:30:09,048
I STOOD HERE WAITING AND WAITINGUNTIL THEY CLOSED,
670
00:30:09,048 --> 00:30:10,383
BUT, BY THEN,
671
00:30:10,383 --> 00:30:14,387
I STOOSHE'D ALREADY LEFT MEITINGAND CAUGHT A PLANE TO PARIS.
672
00:30:14,387 --> 00:30:16,973
THAT MUST HAVE BEENVERY PAINFUL.
673
00:30:19,017 --> 00:30:21,645
WHY DID YOU COME BACK HERETODAY?
674
00:30:25,941 --> 00:30:28,276
CLOSURE.
675
00:30:29,611 --> 00:30:32,656
YOU REMIND ME OF RANDILYNN.
676
00:30:33,532 --> 00:30:36,202
WHEN SHE WAS...NOT EVEN TWO,
677
00:30:36,243 --> 00:30:38,913
SHE COULD BARELY TALK,BUT SHE COULD WALK.
678
00:30:38,955 --> 00:30:41,332
WE COULDN'T KEEP UP WITH HER.
679
00:30:41,373 --> 00:30:44,085
ONE DAY, I TURNED AROUNDAND SHE WAS GONE,
680
00:30:44,126 --> 00:30:47,254
THEN I HEARD THIS HUGE BANG.
681
00:30:47,296 --> 00:30:50,174
I WENT RUNNING INTO THE BEDROOMAND THERE SHE IS,
682
00:30:50,216 --> 00:30:51,593
ON THE FLOOR, SOBBING.
683
00:30:51,634 --> 00:30:53,761
I SAID,"HONEY, WHAT HAPPENED?"
684
00:30:53,761 --> 00:30:56,806
WELL, SHE WAS CRYING SO HARD,SHE COULDN'T TELL ME,
685
00:30:56,848 --> 00:30:58,475
SO SHE-- SHE CLIMBED UP"HONEYON THE BEDPENED?"
686
00:30:58,516 --> 00:31:01,228
AND ROLLED OFF AGAINJUST TO SHOW ME.
687
00:31:01,269 --> 00:31:02,770
[BOTH LAUGHING]
688
00:31:02,813 --> 00:31:03,814
THAT KID...
689
00:31:03,856 --> 00:31:05,816
SHE WAS ALWAYS GOING BACK
690
00:31:05,816 --> 00:31:08,777
TO THE MOST PAINFUL PLACESIN HER LIFE
691
00:31:08,777 --> 00:31:11,489
TO MAKE SOME SENSESHE WAS ALOF THE PAIN.ACK
692
00:31:14,658 --> 00:31:16,660
ALL FOUR VERSES?
693
00:31:16,702 --> 00:31:18,787
YEAH. AND IFTHAT DIDN'T WORK,
694
00:31:18,787 --> 00:31:19,788
SHE'D DO EVERY VERSE
695
00:31:19,788 --> 00:31:21,040
OF THE STAR-SPANGLED BANNER, TOO.
696
00:31:21,082 --> 00:31:23,292
WOW. THATIS PRETTY PATRIOTIC.
697
00:31:23,292 --> 00:31:26,254
SHE WAS.
698
00:31:26,295 --> 00:31:29,048
HEY! PHOEBE!HOW ARE YOU?
699
00:31:29,090 --> 00:31:30,091
-I'M GOOD.-HOW'S LIB?
700
00:31:30,133 --> 00:31:31,134
-SHE'S GETTING FAT.-OH!
701
00:31:31,175 --> 00:31:33,052
I MADE THE NEIGHBORSPROMISE TO WALK HER
702
00:31:33,094 --> 00:31:34,429
TWICE A DAYWHILE WE WERE GONE.
703
00:31:35,304 --> 00:31:36,305
I LOVE YOUR CROWN.
704
00:31:36,305 --> 00:31:37,307
OH, THANK YOU!
705
00:31:37,349 --> 00:31:39,017
I HAVE TOWEAR IT EVERYWHERE.E YOUR CROWN.
706
00:31:39,058 --> 00:31:40,352
PHOTO SHOOTS, INTERVIEWS,
707
00:31:40,394 --> 00:31:43,147
EVEN A LECTUREON SPORTSMANSHIP
708
00:31:43,188 --> 00:31:45,024
BY LAST YEAR'SMISS SPECIAL HANDLING...
709
00:31:45,065 --> 00:31:46,316
WHAT'S THAT?
710
00:31:46,358 --> 00:31:49,236
OH, IT'S LIKEMISS CONGENIALITY, ONLY POSTAL.
711
00:31:49,278 --> 00:31:50,279
[RITA]: ANYWAYS,
712
00:31:50,320 --> 00:31:53,198
I AM FREE AS A BIRDFOR THE REST OF THE DAY.
713
00:31:53,240 --> 00:31:54,158
GREAT, UH, BECAUSE
714
00:31:54,158 --> 00:31:55,993
I HAVE SOMETHING BACKAT THE HOTEL THAT--
715
00:31:55,993 --> 00:31:56,994
[SHANE]: PHOEBE! BECAUSE
716
00:31:56,994 --> 00:31:58,037
I HAVE SOMETHING BACK[SHANE RUSHES UP]HAT--
717
00:31:58,078 --> 00:31:59,497
[SAFTER LUNCH,E! BECAUSE
718
00:31:59,497 --> 00:32:01,707
I WOULD LIKE TO TAKE YOUAND YOUR GRANDFATHER
719
00:32:01,749 --> 00:32:02,750
TO MEET A FRIEND OF MINE.
720
00:32:02,792 --> 00:32:05,753
I CAN'T PROMISE ANYTHING, BUT...
721
00:32:05,795 --> 00:32:07,297
[OLIVER]: MS. McINERNEY.
722
00:32:07,338 --> 00:32:08,506
[QUIET GASPING]
723
00:32:08,548 --> 00:32:11,217
GRANDPA!ARE YOU ALL RIGHT?
724
00:32:12,427 --> 00:32:14,054
GRANDPA?
725
00:32:15,055 --> 00:32:16,848
[DOOR BANGS]
726
00:32:16,890 --> 00:32:18,475
I THINK HE JUSTOVERDID IT A BIT,
727
00:32:18,517 --> 00:32:20,268
BUT WE'LL HAVE HIMCHECKED OUT JUST IN CASE.
728
00:32:20,310 --> 00:32:22,479
THANKS, NORMAN.
729
00:32:24,356 --> 00:32:26,775
GET SOME REST, HARPER.
730
00:32:27,901 --> 00:32:30,279
WELL, I GUESSIT'S UP TO US
731
00:32:30,321 --> 00:32:31,405
TO KEEPTHAT APPOINTMENT.
732
00:32:31,447 --> 00:32:33,240
WHAT APPOINTMENT?
733
00:32:33,240 --> 00:32:36,368
SO YOU ATTENDEDTHIS MEETING YESTERDAY
734
00:32:36,410 --> 00:32:38,204
AS WELL, MS. HAYWORTH?MENT?
735
00:32:38,245 --> 00:32:41,708
UH, IT'S "HAYWITH,"WITH AN "I".
736
00:32:42,667 --> 00:32:44,377
OH.
737
00:32:44,377 --> 00:32:46,045
YES, I DID.
738
00:32:46,045 --> 00:32:48,756
I HAD A FREE AFTERNOON OFF,SO I WENT ALONG.
739
00:32:48,798 --> 00:32:50,883
AND I AM VERY GLAD THAT I DID.
740
00:32:52,552 --> 00:32:55,388
I THINK. [NERVOUS CHUCKLE]
741
00:32:55,388 --> 00:32:57,725
AM I IN TROUBLE?
742
00:32:57,725 --> 00:33:00,227
JUST GIVE US THE FACTS,MS. HAYWITH.
743
00:33:00,268 --> 00:33:01,311
OH, OKAY.
744
00:33:01,353 --> 00:33:02,605
WELL, FIRST OF ALL,
745
00:33:02,646 --> 00:33:04,857
I HAD TO LEAVE MY CROWNAT THE DOOR.
746
00:33:05,816 --> 00:33:07,443
OH...
747
00:33:07,485 --> 00:33:09,987
I FEEL SO NAKEDWITHOUT IT.
748
00:33:13,282 --> 00:33:14,700
HERE HE COMES.
749
00:33:14,742 --> 00:33:16,702
OH.
750
00:33:16,702 --> 00:33:19,747
[FOOTSTEPS APPROACHING]
751
00:33:20,749 --> 00:33:21,958
OHI DID SOME DIGGING.
752
00:33:22,000 --> 00:33:24,002
I GOT AHOLD OF THE FILE--
753
00:33:24,043 --> 00:33:26,254
IT'S AN ACTIVE, WORKING CASE.
754
00:33:26,295 --> 00:33:27,631
NOW, WE NEVER GIVE UPON OUR OWN,
755
00:33:27,672 --> 00:33:28,923
NO MATTER HOW LONG IT TAKES,
756
00:33:28,923 --> 00:33:32,761
BUT, AFTER READING THROUGH THIS,WE MIGHT BE RUNNING OUT OF TIME.
757
00:33:32,761 --> 00:33:36,306
SO YOU DON'T BELIEVESHE WAS KILLED IN THE MISSION?
758
00:33:38,767 --> 00:33:41,436
LOOK, I CAN'T READ YOUINTO THE FILE,
759
00:33:41,436 --> 00:33:43,773
BUT I CAN SAY THAT,AS OF SIX MONTHS AGO,
760
00:33:43,814 --> 00:33:46,275
I PERSONALLY BELIEVELIEUTENANT AMIDON WAS ALIVE
761
00:33:46,275 --> 00:33:49,487
AND BEING HELDSOMEWHERE NEAR PAKISTAN.
762
00:33:50,613 --> 00:33:53,032
LIKELY BY THE INSURGENTSTHAT ATTACKED HER TEAM
763
00:33:53,073 --> 00:33:54,950
WHEN SHE DISAPPEARED.
764
00:33:54,950 --> 00:33:56,911
THEN YOU THINKSHE WAS CAPTURED?
765
00:33:56,952 --> 00:33:58,621
OFF THE RECORD?
766
00:33:58,663 --> 00:34:01,416
[SHANE]:GO ON, PLEASE.
767
00:34:02,333 --> 00:34:04,961
[EXHALING DEEPLY] WELL,LIEUTENANT AMIDON WAS A MEDIC.
768
00:34:04,961 --> 00:34:07,756
SHE TRAINED FORTHE CULTURAL SUPPORT TEAMS,
769
00:34:07,798 --> 00:34:09,675
WHO INTERFACE WITH THE AFGHANS,
770
00:34:09,716 --> 00:34:10,759
COLLECTED INTELLIGENCE.
771
00:34:10,801 --> 00:34:11,718
SEE, THE MALE SOLDIERS
772
00:34:11,718 --> 00:34:13,136
COULDN'T TALK TO AFGHAN WOMEN,
773
00:34:13,178 --> 00:34:14,971
BUT THE FEMALE SOLDIERS COULD.
774
00:34:15,013 --> 00:34:17,266
WHAT SEEMED LIKE SUSPICIOUS ACTIVITY--
775
00:34:17,308 --> 00:34:19,351
GOING OFF-BASE, CONSORTING WITH THE LOCALS--
776
00:34:19,393 --> 00:34:22,563
HAD ACTUALLY BEEN COVERTLY SANCTIONED BY THE ARMY.
777
00:34:22,604 --> 00:34:25,942
SEE, WE CAN'T ALWAYSANSWER ALLEGATIONS
778
00:34:25,983 --> 00:34:27,651
WITHOUT PUTTINGOTHER PEOPLE IN DANGER,
779
00:34:27,651 --> 00:34:29,946
SO THE WHOLE TRUTHABOUT LIEUTENANT AMIDON
780
00:34:29,987 --> 00:34:31,864
IS, REALLY, YET TO BE TOLD.
781
00:34:31,906 --> 00:34:35,076
IS SHE ALIVE, STEVE?
782
00:34:36,661 --> 00:34:38,162
[SETS GLASSES DOWN]
783
00:34:38,204 --> 00:34:40,498
SHE WENT BACKFOR TWO OF OUR OWN,
784
00:34:40,540 --> 00:34:42,209
WHO WERE CUT DOWNIN A FIREFIGHT.
785
00:34:42,250 --> 00:34:45,128
NOW, THE INSURGENTSHAD WITHDRAWN,
786
00:34:45,170 --> 00:34:46,338
BUT THEY WAITED, AS THEY DO,
787
00:34:46,338 --> 00:34:48,215
FOR THE RESCUE TEAMTO COME BACK FOR THE WOUNDED.
788
00:34:48,256 --> 00:34:50,508
AND THENTHEY AMBUSHED THEM?
789
00:34:50,508 --> 00:34:52,010
[GUNFIRE EXCHANGING]
790
00:34:53,386 --> 00:34:54,680
HANG IN THERE, COSTAS!YOU HEAR ME?
791
00:34:54,722 --> 00:34:56,974
WE'RE GONNA GET YOU OUT OF HERE!
792
00:34:58,016 --> 00:34:59,101
EVAC!
793
00:35:02,020 --> 00:35:03,856
[SHOUTING]
794
00:35:06,024 --> 00:35:07,693
MOVE OUT! MOVE OUT!
795
00:35:18,496 --> 00:35:20,749
[ROTORS BEATING,GUNFIRE CONTINUING]
796
00:35:28,548 --> 00:35:30,592
[ROCKET EXPLODING]
797
00:35:30,634 --> 00:35:33,220
RANDI!
798
00:35:33,220 --> 00:35:34,596
RANDI!
799
00:35:34,638 --> 00:35:37,057
GET UP! RANDILYNN!
800
00:35:37,057 --> 00:35:39,184
[♪]
801
00:35:41,854 --> 00:35:43,981
AND THEN SHE WAS WOUNDED?
802
00:35:44,023 --> 00:35:45,400
AND CAPTURED.
803
00:35:45,441 --> 00:35:47,360
BUT NOT BY ANY CENTRAL GROUP,
804
00:35:47,402 --> 00:35:49,445
OTHERWISE WE WOULD'VEKNOWN MORE BY NOW.
805
00:35:50,946 --> 00:35:54,200
THERE WAS A RESCUE ATTEMPTLAST YEAR.
806
00:35:55,451 --> 00:35:56,494
AFTER THAT,
807
00:35:56,536 --> 00:35:57,871
IT APPEARSTHAT SHE WAS MOVED.
808
00:35:57,913 --> 00:35:59,873
THE DRONES HAVEN'T BEEN ABLETO FIND HER.
809
00:35:59,915 --> 00:36:02,751
WE FOLLOWED UP ON A SIGHTING,BUT THAT DIDN'T PAN OUT.
810
00:36:02,793 --> 00:36:04,628
THEN THERE'S THIS LETTER,WHICH MAY OR MAY NOT
811
00:36:04,628 --> 00:36:06,087
HAVE BEEN WRITTENBY LIEUTENANT AMIDON,
812
00:36:06,129 --> 00:36:07,923
THBUT THAT'S GONNA TAKER,SOME TIME TO CONFIRM.
813
00:36:07,964 --> 00:36:10,426
I'M SORRY,DID YOU SAY A LETTER?
814
00:36:11,760 --> 00:36:13,304
A LETTER. YEAH.
815
00:36:21,062 --> 00:36:22,897
A POINT OFCLARIFICATION,
816
00:36:22,939 --> 00:36:24,231
PLEASE, MADAME CHAIRMAN.
817
00:36:24,273 --> 00:36:26,400
MS. HAYWITH,HAVE WE FINALLY
818
00:36:26,442 --> 00:36:29,153
COME TO THE REASON FORTHIS HEARING THIS MORNING?
819
00:36:29,195 --> 00:36:30,488
YOU MEAN THE LETTER?
820
00:36:30,488 --> 00:36:32,574
YES.
821
00:36:32,615 --> 00:36:34,617
OH, YES. THAT'S WHENYMR. MAREK SHOWED US THE LETTER.
822
00:36:34,617 --> 00:36:35,910
WELL, HE ACTUALLYDIDN'T SHOW US THE LETTER,
823
00:36:35,952 --> 00:36:37,036
THAT WAS THE PROBLEM.
824
00:36:38,580 --> 00:36:40,623
THAT'S WHENI DID THE BAD THING.
825
00:36:40,623 --> 00:36:43,460
GO ON.
826
00:36:48,256 --> 00:36:50,593
THIS ARRIVEDALMOST TWO WEEKS AGO
827
00:36:50,634 --> 00:36:51,677
FROM AFGHANISTAN,
828
00:36:51,719 --> 00:36:53,053
MADE ITS WAY TO US.
829
00:36:53,095 --> 00:36:54,012
IT'S NOT IN AN ENVELOPE.
830
00:36:54,012 --> 00:36:55,138
IT'S ALL JERRY-RIGGED TOGETHERWITH TAPE,
831
00:36:55,138 --> 00:36:56,307
IT'S IT'S ADDRESSEDLOPE.
832
00:36:56,349 --> 00:36:58,100
IT'S ALL JERRY-RIGGED TOGETHER"F-E-E-B."
833
00:36:58,142 --> 00:37:00,603
"BY THE AMERICAN SECRETARYOF THE MILITARY EMBASSY,
834
00:37:00,603 --> 00:37:01,645
"WASHINGTON, D.C., U.S.A.,
835
00:37:01,687 --> 00:37:03,022
"BY THE AMERICAN SECRETARYOFFROM SOLDIER FEMALE.",
836
00:37:03,064 --> 00:37:05,649
NOW, THE HANDWRITINGON THE OUTSIDE IS DIFFERENT
837
00:37:05,649 --> 00:37:06,985
FROM THE INSIDE.
838
00:37:07,026 --> 00:37:08,402
NOLIEUTENANT AMIDONGONMAY HAVE WRITTEN THIS,ENT
839
00:37:08,444 --> 00:37:10,947
BUT SOMEBODY ELSE MAILED ITAND ROUTED IT THROUGH KABUL.
840
00:37:10,989 --> 00:37:12,699
KABUL HAS MAIL?
841
00:37:12,741 --> 00:37:14,117
AH. YOU'D BE SURPRISED.
842
00:37:14,117 --> 00:37:17,329
THEY HAVE QUITE AN EFFICIENTPOSTAL SYSTEM IN AFGHANISTAN.
843
00:37:17,329 --> 00:37:18,455
AH. YOU'D BE SUR[RITA]: OH.
844
00:37:18,497 --> 00:37:20,999
TAND WITH ALL THE CELLPHONESPOSTAL SYAND LAPTOPSHANISTAN.
845
00:37:21,040 --> 00:37:22,542
BEING HACKED SO OFTENOUT THERE,
846
00:37:22,584 --> 00:37:24,336
THIS MAY HAVE BEEN A GOOD WAY
847
00:37:24,336 --> 00:37:26,588
TO GET A MESSAGE THROUGHUNMONITORED.
848
00:37:26,630 --> 00:37:27,840
I HAVE ALWAYS MAINTAINED THAT
849
00:37:27,840 --> 00:37:32,219
MAIL IS STILL THE GOLD STANDARDOF HUMAN COMMUNICATION.
850
00:37:33,512 --> 00:37:35,014
I HAVE ALWARIGHT.NTAINED THAT
851
00:37:35,014 --> 00:37:36,015
THE PROBLEM IS,
852
00:37:36,056 --> 00:37:37,391
I MEAN,EXCEPT FOR SOMETHING IN HERET
853
00:37:37,433 --> 00:37:38,643
ABOUT THE FOURTH OF JULY,
854
00:37:38,684 --> 00:37:40,686
IT ALL REALLY JUST APPEARSTO BE GIBBERISH.
855
00:37:40,686 --> 00:37:42,688
BUT THAT'S WHAT WE DOEVERY DAY--
856
00:37:42,730 --> 00:37:45,858
WE FIGURE OUT LETTERSTHAT DON'T MAKE SENSE.
857
00:37:45,858 --> 00:37:46,859
LET'S SEE.
858
00:37:46,901 --> 00:37:48,653
OH, I-I CAN'T LET YOUTHAT LOOK AT THAT.NSE.
859
00:37:48,653 --> 00:37:52,866
OH, FOR HEAVEN'S SAKE, STEVE.WE'RE ALL ON THE SAME SIDE!
860
00:37:52,908 --> 00:37:55,702
OHIT'S CLASSIFIED.YOUI'VE SHOWN YOU TOO MUCH ALREADY.
861
00:37:55,702 --> 00:37:57,538
[OLIVER]: WELL, NOT TO PUTTOO FINE A POINT ON THIS,
862
00:37:57,579 --> 00:37:58,580
THAT WAS NOT ADDRESSED
863
00:37:58,622 --> 00:38:02,167
TO THE SECRETARY,BUT SOMEONE NAMED "F-E-E-B,"
864
00:38:02,208 --> 00:38:04,545
WHICH I SUBMIT IS SOMEONE'SIDEA OF HOW TO SPELL "PHOEBE,"
865
00:38:04,545 --> 00:38:06,963
AND, THEREFORE,STILL HAS YET TO BE DELIVERED
866
00:38:07,005 --> 00:38:08,424
WHICH I SUBMIT IS SOMEONE'SIDTO ITS INTENDED RECIPIENT,,"
867
00:38:08,465 --> 00:38:09,716
AND, THEREFORE,FALLS CLEARLY UNDER
868
00:38:09,716 --> 00:38:12,469
THE JURISDICTION OF THE UNITEDSTATES POSTAL SERVICE.
869
00:38:13,554 --> 00:38:15,056
AND, THEREFORE,FAIS HE KIDDING?DER
870
00:38:15,056 --> 00:38:17,558
I'M SORRY, HE'S NOT.
871
00:38:17,558 --> 00:38:18,434
[SIGHS]
872
00:38:18,475 --> 00:38:20,562
WELL, THAT'SJUST NOT GONNA HAPPEN.
873
00:38:20,603 --> 00:38:22,605
THERE'S TOO MUCH ANALYSIS AHEAD.
874
00:38:22,647 --> 00:38:24,816
THERE'S HANDWRITING,DNA, CRYPTOGRAPHY.
875
00:38:24,816 --> 00:38:26,401
YOU THINKIT'S A CODED MESSAGE?
876
00:38:26,443 --> 00:38:28,278
T[STEVE]: I HOPE SO,OTHERWISE, LIKE I SAID,
877
00:38:28,320 --> 00:38:30,071
IT JUST DOESN'T MAKE ANY SENSE.
878
00:38:30,113 --> 00:38:31,156
I KNOW.
879
00:38:31,198 --> 00:38:34,284
I MEAN... I BET!
880
00:38:34,326 --> 00:38:35,911
[RITA CHUCKLES NERVOUSLY]
881
00:38:35,911 --> 00:38:37,745
WE SHOULD GO!
882
00:38:37,745 --> 00:38:39,748
I HAVE A BIG TAP DANCE[RITNUMBER TO LEARN TONIGHT.
883
00:38:43,586 --> 00:38:44,795
[SHANE]: STEVE...
884
00:38:44,837 --> 00:38:48,591
I THINK I SHOULD TELL YOU THATRITA HAS A PHOTOGRAPHIC MEMORY
885
00:38:48,591 --> 00:38:50,008
AND THERE'SA PRETTY GOOD CHANCE
886
00:38:50,050 --> 00:38:52,303
THAT SHE CAN REMEMBER EVERYTHINGTHAT LETTER SAID.
887
00:38:52,345 --> 00:38:54,012
AH, GIVE OR TAKE A FEWWORDS HERE AND THERE.
888
00:38:54,055 --> 00:38:56,057
YOUR THUMB WASCOVERING SOME OF IT.
889
00:38:56,099 --> 00:38:56,975
SORRY.
890
00:38:57,016 --> 00:38:58,935
WELL, LET'S JUST PRETENDI DIDN'T HEAR THAT.
891
00:38:58,977 --> 00:39:00,895
FAIR ENOUGH.
892
00:39:00,937 --> 00:39:01,855
IF YOU COME UPWITH ANYTHING,
893
00:39:01,896 --> 00:39:03,189
I'D LIKETO HEAR ABOUT IT.
894
00:39:03,231 --> 00:39:06,109
I DIDN'T KNOWTHE "DEPARTMENT OF AGRICULTURE"
895
00:39:06,109 --> 00:39:07,777
WAS SO CLANDESTINE.
896
00:39:07,777 --> 00:39:09,738
YOU'D BE SURPRISED.
897
00:39:17,621 --> 00:39:18,705
DON'T FORGET YOUR CROWN.
898
00:39:18,747 --> 00:39:20,624
OH, RIGHT.
899
00:39:22,417 --> 00:39:25,254
[NORMAN]: WOW.A REAL SPY. STEVE?
900
00:39:25,295 --> 00:39:27,339
ANALYST.
901
00:39:27,381 --> 00:39:29,634
A MINOR COG IN THE WHEEL.
902
00:39:29,634 --> 00:39:31,260
HOW IS HARPER?
903
00:39:31,301 --> 00:39:33,971
[NORMAN]: OH, WELL, I WANTEDTO TAKE HIM TO SEE A DOCTOR,
904
00:39:33,971 --> 00:39:36,807
BUT HE INSISTED ON GOING BACKTO THE HOTEL WITH PHOEBE.
905
00:39:36,807 --> 00:39:40,686
HARPER'S A TOUGH GUY,BUT HE COULD USE SOME GOOD NEWS.
906
00:39:40,686 --> 00:39:43,814
BUT HE INSITHEN WE NEED TOACKTO THE HOFIND HIM SOME, HMM?
907
00:39:43,814 --> 00:39:44,774
HARPER'S A TOUGH GUY,BUT HE COULWELL, HOW? GOOD NEWS.
908
00:39:44,816 --> 00:39:47,068
WE ONLY HAD ONE... COG.
909
00:39:47,861 --> 00:39:50,321
WE ARE AN ELITE POSTALTASK FORCE, NORMAN.
910
00:39:50,363 --> 00:39:52,491
WIDE POWERSOF POSTAL DISCRETION.
911
00:39:52,491 --> 00:39:55,494
I THINK IT'S TIMEWE USED THEM.
912
00:39:56,870 --> 00:39:58,664
[RITA]: OKAY, THERE WASONLY SIX LINES.
913
00:39:58,664 --> 00:40:02,334
THE FIRST ONE WAS, UM,"THE DAY WILL END FAST."
914
00:40:02,376 --> 00:40:03,710
AND THEN"THE BIRTHDAY OF LIBERTY,"
915
00:40:03,752 --> 00:40:07,840
WHICH IS THE FOURTH OF JULY CLUETHAT STEVE WAS TALKING ABOUT.
916
00:40:07,840 --> 00:40:09,759
GO ON.
917
00:40:09,759 --> 00:40:11,510
WHICH IS THEN THERE WASJULY CLUETHAT THIS WEIRD THING--ABOUT.
918
00:40:11,552 --> 00:40:13,012
"RETURN TO THE FOUR-POSTER."
919
00:40:13,012 --> 00:40:15,014
WHAT?
920
00:40:15,973 --> 00:40:18,059
SOME KIND OFARMY POST, MAYBE?
921
00:40:18,100 --> 00:40:20,312
HMM.
922
00:40:20,353 --> 00:40:22,272
THEN THERE WAS, LET ME SEE,
923
00:40:22,314 --> 00:40:24,232
"SONG 5-9-1-6"
924
00:40:24,274 --> 00:40:27,194
AND "PROVERBIAL 1-8-1-0."
925
00:40:28,862 --> 00:40:30,072
ANYTHING ELSE?
926
00:40:30,113 --> 00:40:32,700
NO, JUST HALF A WORD OR TWO.
927
00:40:32,700 --> 00:40:34,868
"GRIM FEET."
928
00:40:34,910 --> 00:40:35,869
NO, JUST HALF A GRIM FEET?O.
929
00:40:35,869 --> 00:40:36,870
THAT'S WHAT IT SAID.
930
00:40:36,870 --> 00:40:40,332
THAT'S THE PART WHEREHIS THUMB WAS COVERING IT.
931
00:40:40,374 --> 00:40:44,086
STEVE'S RIGHT.NONE OF THIS MAKES ANY SENSE.
932
00:40:44,086 --> 00:40:47,256
EVERYTHING SEEMS LIKESOME SORT OF CLUE,
933
00:40:47,256 --> 00:40:50,343
SO IT MUST MEAN SOMETHINGNONE OF TTO SOMEONE.NY SENSE.
934
00:40:50,384 --> 00:40:52,095
EVERYTHING SEEMS LIKESOME SMM-HMM.CLUE,
935
00:40:52,136 --> 00:40:53,888
WELL, IF IT WASADDRESSED TO PHOEBE,
936
00:40:53,930 --> 00:40:55,682
SHOULDN'T SHE KNOWWHAT IT MEANS?
937
00:40:55,724 --> 00:40:57,809
SOMEONE ELSEWROTE THAT ON THE ENVELOPE,
938
00:40:57,851 --> 00:40:59,936
AND I WOULD HATETO GIVE PHOEBE FALSE HOPE
939
00:40:59,978 --> 00:41:01,270
IF WE DON'T HAVE TO.
940
00:41:01,312 --> 00:41:03,231
WE ARE PROFESSIONALS.
941
00:41:03,231 --> 00:41:06,568
WE SHOULD BE ABLETO BREAK THIS CODE.
942
00:41:06,568 --> 00:41:08,737
[♪]
943
00:41:22,459 --> 00:41:23,628
I HATE TO SAY THIS,
944
00:41:23,669 --> 00:41:25,045
BUT I REALLY DO NEED
945
00:41:25,087 --> 00:41:26,922
TO LEARN TO TAP DANCE,BUT I PROMISE YOU,
946
00:41:26,922 --> 00:41:29,717
WHILE MY FEET ARE TAPPING,MY MIND WILL BE THINKING.
947
00:41:29,717 --> 00:41:31,261
DO YOU WANNA COME, NORMAN?
948
00:41:32,262 --> 00:41:33,263
WHILE MY FEET ARE TAPPING,MY MIND OH, SURE!HINKING.
949
00:41:33,263 --> 00:41:34,930
OKAY.
950
00:41:34,930 --> 00:41:38,351
UM, WHAT WASTHAT LAST CLUE AGAIN?
951
00:41:38,351 --> 00:41:39,936
IT WAS A PARTIAL."GRIM FEET."
952
00:41:39,936 --> 00:41:41,271
UM, WHAT WASTHAT LAST CLUE AGAIN?[SIGHING]
953
00:41:41,271 --> 00:41:44,775
WE MAY BE IN OVERRTIAL.OUR HEADS HERE, OLIVER.
954
00:41:44,816 --> 00:41:45,942
I MEAN,
955
00:41:45,984 --> 00:41:49,279
THE ONLY THING THAT WE HAVEIS THE FOURTH OF JULY CLUE.
956
00:41:49,321 --> 00:41:50,572
THE FOURTH HAS COME AND GONE.
957
00:41:50,614 --> 00:41:56,662
IF THAT DAY IS IMPORTANT,THEN THIS COULD ALL BE TOO LATE.
958
00:42:00,291 --> 00:42:02,126
♪ BY PLANES, TRAINSBUS, MULE, OR LIVERY ♪
959
00:42:02,126 --> 00:42:05,212
♪ YOU BET SHE'LL GETTHOSE LETTERS THROUGH ♪
960
00:42:05,212 --> 00:42:07,757
♪ BY ♪ SO HAILRAINSMISS SPECIAL DELIVERY ♪
961
00:42:07,799 --> 00:42:10,134
♪ YOU BET SHE'LL GET♪ AND ALL THINGS COASTAL ♪
962
00:42:10,134 --> 00:42:11,469
♪ FROM COAST TO COAST'LL SING ♪
963
00:42:11,511 --> 00:42:12,470
♪ SHE'S THE DAMSEL ♪
964
00:42:12,512 --> 00:42:13,846
♪ WE STAMP AND CANCEL ♪
965
00:42:13,888 --> 00:42:16,391
♪ THE HOLY GRAILOF FIRST-CLASS MAIL ♪
966
00:42:16,433 --> 00:42:20,103
♪ MISS SPECIAL DELIVERY ♪
967
00:42:20,145 --> 00:42:22,981
♪ THAT'S YOU! ♪
968
00:42:22,981 --> 00:42:24,232
YEAH!
969
00:42:24,274 --> 00:42:26,819
OKAY. HOLD ON.♪
970
00:42:26,819 --> 00:42:27,986
[WEARY GASP]
971
00:42:28,028 --> 00:42:30,447
MISS LOUISIANA,SLIDE YOU OVER HERE...
972
00:42:32,825 --> 00:42:33,992
[DANCERS PANTING]
973
00:42:33,992 --> 00:42:35,661
SO MUCH HARDERTHAN YOU'D THINK!
974
00:42:35,661 --> 00:42:38,747
YEAH. EVERYBODY'SOUT OF STEP BUT YOU.
975
00:42:40,333 --> 00:42:42,251
HOW MANY PEOPLE DO YOUTHINK ARE GONNA BE THERE?
976
00:42:42,293 --> 00:42:43,544
OH, LIKE 500.
977
00:42:43,544 --> 00:42:47,131
I CAN'T SINGIN FRONT OF 500 PEOPLE!
978
00:42:47,173 --> 00:42:48,132
OH, YOU'LL BE OKAY.OH, LIKE 500.
979
00:42:48,174 --> 00:42:49,217
IN RITA'S BOOK,
980
00:42:49,258 --> 00:42:50,969
RENITA HAYWEATHER: FRONTIER DUCHESS,
981
00:42:51,010 --> 00:42:53,012
RENITA HAS TO SING "MOON RIVER"
982
00:42:53,012 --> 00:42:55,056
WHILE SITTINGON TOP OF A WURLITZER ORGAN
983
00:42:55,098 --> 00:42:56,057
RENIN THE LAST CHANCE SALOONER"
984
00:42:56,099 --> 00:42:58,352
WHILE A BUNCH OF COWBOYSEAT PISTACHIOS.
985
00:42:58,393 --> 00:43:00,562
BUT SHE KNOWSTHAT IT'LL INSPIRE MR. D'LORMAN
986
00:43:00,604 --> 00:43:02,147
BEFORE THE BIG SHOOT-OUT,
987
00:43:02,189 --> 00:43:03,815
SO SHE DOES IT.
988
00:43:03,857 --> 00:43:06,318
WOW! I WANNAREAD THAT BOOK.
989
00:43:06,360 --> 00:43:09,363
[DIRECTOR]: OKAY, LADIES,LET'S GO BACK TO FIFTH POSITION.
990
00:43:09,363 --> 00:43:10,280
FIFTH?
991
00:43:10,280 --> 00:43:11,448
MY DOGS AREBARKIN' SO BAD,
992
00:43:11,490 --> 00:43:12,700
I CAN'T GET BACKTO FIRST.FIFTH?
993
00:43:12,742 --> 00:43:15,327
"MY DOGS ARE BARKING."
994
00:43:15,327 --> 00:43:17,079
DON'T YOU JUST LOVE HER?
995
00:43:17,121 --> 00:43:19,374
-[RITA LAUGHING]"MY DOGS-YEAH.ARKING."
996
00:43:20,875 --> 00:43:23,043
FIVE, SIX, SEVEN, EIGHT...
997
00:43:23,043 --> 00:43:25,546
♪ SHE'S MISS SPECIAL DELIVERY ♪
998
00:43:25,588 --> 00:43:28,549
♪ YES, SHE'SOUR POST OFFICE QUEEN ♪
999
00:43:28,591 --> 00:43:29,634
"MY DOGS"?
1000
00:43:29,634 --> 00:43:32,262
♪ FROM ROCKY MOUNTAINTO FIELD AND FOUNTAIN... ♪
1001
00:43:32,303 --> 00:43:33,722
"DOG.OGS"?
1002
00:43:33,722 --> 00:43:35,265
DOGS? DOGS!
1003
00:43:35,306 --> 00:43:36,892
LIBERTY! LET'S GO!
1004
00:43:36,892 --> 00:43:39,394
♪ YOU BET SHE'LL GETTHOSE LETTERS THROUGH ♪
1005
00:43:39,394 --> 00:43:43,064
♪ SO HAILMISS SPECIAL DELIVERY ♪S GO!
1006
00:43:43,106 --> 00:43:44,608
"LIBERTY"?
1007
00:43:44,650 --> 00:43:45,651
YES, MA'AM.
1008
00:43:45,692 --> 00:43:48,154
RANDILYNN WASN'T TALKINGABOUT THE FOURTH OF JULY.
1009
00:43:48,195 --> 00:43:50,489
SHE WAS TALKING ABOUT LIB.
1010
00:43:50,531 --> 00:43:52,366
THEIR DOG'S NAMEIS "LIBERTY."
1011
00:43:52,408 --> 00:43:53,910
ARE YOU TELLING ME
1012
00:43:53,910 --> 00:43:57,163
THAT THIS COMMITTEE CONVENEDA SPECIAL EMERGENCY SESSION
1013
00:43:57,204 --> 00:44:01,918
BECAUSE OF THE BIRTHDATEARE YOU OF SOMEONE'S PET?
1014
00:44:01,918 --> 00:44:05,087
THE BIRTHDATE OFPHOEBE AMIDON'S GERMAN SHEPHERD
1015
00:44:05,087 --> 00:44:07,757
IS OF UTMOST IMPORTANCE,ARE YOU MADAME CHAIRMAN.?
1016
00:44:07,757 --> 00:44:09,842
IT TURNED OUT TO BETHE CODE-BREAKER,
1017
00:44:09,884 --> 00:44:10,927
THE ROSETTA STONE...
1018
00:44:11,803 --> 00:44:16,558
AND THE KEY TO SAVINGRANDILYNN AMIDON'S LIFE.
1019
00:44:20,771 --> 00:44:22,522
"THE DAY WILL END FAST,"
1020
00:44:22,564 --> 00:44:23,566
"THE BIRTHDAY OF LIBERTY,"
1021
00:44:23,607 --> 00:44:25,400
"RETURN TO THE FOUR-POSTER,"
1022
00:44:25,443 --> 00:44:26,777
"SONG 5-9-1-6."
1023
00:44:26,819 --> 00:44:29,863
"PROVERBIAL 1-8-1-0,"
1024
00:44:29,905 --> 00:44:31,699
AND "GRIM FEET."
1025
00:44:31,740 --> 00:44:35,036
GRIM... FEET.
1026
00:44:36,120 --> 00:44:38,331
ABRAHAM LINCOLNSLEPT IN THIS HOTEL
1027
00:44:38,372 --> 00:44:39,415
AFTER HIS ELECTION,
1028
00:44:39,457 --> 00:44:40,959
BEFORE HE MOVED INTOTHE WHITE HOUSE IN 1860.
1029
00:44:40,959 --> 00:44:43,127
I WONDER WHAT THEY CALLEDTHE LINCOLN BEDROOM
1030
00:44:43,127 --> 00:44:46,172
BEFORE IT WASTHE LINCOLN BEDROOM.
1031
00:44:52,637 --> 00:44:53,722
HUH.
1032
00:44:54,639 --> 00:44:56,558
MAY I USE THIS?
1033
00:44:57,809 --> 00:44:59,603
[RITA]: GUESS WHAT!
1034
00:44:59,644 --> 00:45:01,771
ROOM 1201, PLEASE.
1035
00:45:01,813 --> 00:45:03,023
OLIVER.
1036
00:45:03,065 --> 00:45:05,067
HARPER.OLIVER O'TOOLE.
1037
00:45:05,109 --> 00:45:06,485
WHEN YOU TOLD METHAT STORY
1038
00:45:06,485 --> 00:45:08,320
ABOUT YOUR DAUGHTERFALLING OFF THE BED.
1039
00:45:08,362 --> 00:45:10,531
UH, WAS ITA FOUR-POSTER BED?
1040
00:45:10,573 --> 00:45:13,200
AND ASK HIM WHENLIBERTY'S BIRTHDAY IS!
1041
00:45:14,910 --> 00:45:18,123
HARPER, UH, I BELIEVEWE NEED TO TALK.
1042
00:45:23,962 --> 00:45:25,839
[HARPER]: WELL, I'M GLAD
1043
00:45:25,881 --> 00:45:27,673
SOMEBODY'S GOING TOSLEEP TONIGHT.
1044
00:45:27,673 --> 00:45:28,717
[DOOR SHUTS]
1045
00:45:28,759 --> 00:45:30,051
SOMEBODY'S GOING TOSLEEP TONIGHWELL, SO...
1046
00:45:30,093 --> 00:45:31,803
[OLIVER]: HARPER,WHEN RANDILYNN FELL OUT
1047
00:45:31,803 --> 00:45:32,846
OF THAT FOUR-POSTER BED,
1048
00:45:32,846 --> 00:45:33,764
[OLIVER]: HARPER,WHEN SHE WAS TWO.LL OUT
1049
00:45:33,764 --> 00:45:36,517
DO YOU THINKOF SHE REMEMBERS THAT?D,
1050
00:45:36,558 --> 00:45:38,184
[OLIVER]: HARPER,IT WAS A FAMILY JOKE, YES.
1051
00:45:38,184 --> 00:45:39,144
AND YOU'RE SURE
1052
00:45:39,185 --> 00:45:41,647
[OTHAT PHOEBE'S PUPPYIT WAS WAS BORN ON JULY 21st?
1053
00:45:41,647 --> 00:45:43,732
YEAH, CAN'T FORGET THAT.
1054
00:45:44,942 --> 00:45:48,695
DO THE WORDS "GRIM FEET"PUPPYMEAN ANYTHING TO YOU? JULY 21st?
1055
00:45:48,695 --> 00:45:51,157
GRIM FEET?
1056
00:45:51,198 --> 00:45:52,033
DO THE WORDS "GRIM FEET"PUPPYMEAN ANYTHING TNO.OU? JULY 21st?
1057
00:45:52,074 --> 00:45:54,911
AND HOW ABOUT"THE DAY WILL END FAST"?
1058
00:45:54,952 --> 00:45:56,037
FAST,"IN A HURRY,"
1059
00:45:56,078 --> 00:45:58,039
OR FAST AS IN "NOT EATING"?
1060
00:45:58,039 --> 00:46:00,958
HMM! GOOD POINT.
1061
00:46:02,126 --> 00:46:05,463
UM, "PROVERBIAL SONG"?
1062
00:46:05,505 --> 00:46:07,465
PROVERBIAL...
1063
00:46:07,507 --> 00:46:09,217
OH, MY GOODNESS.
1064
00:46:09,259 --> 00:46:10,928
RITA, WE NEED A BIBLE.
1065
00:46:10,969 --> 00:46:12,054
THERE'S ONEIN THE DRAWER THERE.
1066
00:46:12,054 --> 00:46:15,390
PROVERBS AND SONG--"SONG" IS THE MODERN VERSION
1067
00:46:15,390 --> 00:46:16,391
THERE'S ONEOF THE WORD "PSALM."THERE.
1068
00:46:16,433 --> 00:46:17,267
THANK YOU.
1069
00:46:17,309 --> 00:46:19,728
SIR, IS YOUR DAUGHTERA WOMAN OF FAITH?
1070
00:46:19,728 --> 00:46:20,896
OH, YES. [CHUCKLES]
1071
00:46:20,896 --> 00:46:22,981
SIR, IS YSHE EVEN TAUGHTA SOME BIBLE STUDY AT THE BASE.
1072
00:46:23,023 --> 00:46:24,149
SO SHE KNOWSHER BIBLE? YES. [CHUCKLES]
1073
00:46:24,191 --> 00:46:25,401
OH, CHAPTER AND VERSE.
1074
00:46:25,443 --> 00:46:29,322
[RITA]: PROVERBS,CHAPTER 18, VERSE 10.
1075
00:46:29,363 --> 00:46:32,491
PSALMS 59:16...
1076
00:46:33,910 --> 00:46:35,703
THEY BOTH TALK ABOUT...
1077
00:46:35,745 --> 00:46:36,663
OH, WOW!
1078
00:46:36,705 --> 00:46:38,582
OLIVER--"THE DAY WILL END FAST."
1079
00:46:38,623 --> 00:46:39,874
I THINK I KNOW WHAT IT MEANS.
1080
00:46:39,874 --> 00:46:41,084
[RITA]: OH! HERE WE GO.
1081
00:46:41,084 --> 00:46:44,421
"THE NAME OF THE LORDI THINIS A HIGH TOWER. MEANS.
1082
00:46:44,463 --> 00:46:47,674
THE JUST RUN TO IT,AND ARE SAFE."
1083
00:46:47,716 --> 00:46:49,926
I NEED TO CALL STEVE.
1084
00:46:51,010 --> 00:46:52,262
WHO'S STEVE?
1085
00:46:52,262 --> 00:46:53,138
WELL, HE'S NOT
1086
00:46:53,138 --> 00:46:54,932
WITH THE DEPARTMENTOF AGRICULTURE.EVE?
1087
00:46:54,932 --> 00:46:58,685
MR. O'TOOLE AND HIS TEAMCONTACTED ME LAST NIGHT, NOT
1088
00:46:58,728 --> 00:46:59,812
THEY SUGGESTED
1089
00:46:59,812 --> 00:47:02,481
THE LETTERWAS SOME FORM OF ESCAPE PLAN
1090
00:47:02,481 --> 00:47:05,150
AND THEY MADEA RATHER PERSUASIVE CASE.
1091
00:47:05,192 --> 00:47:07,570
THBUT NOTRWAS SOA CONCLUSIVE ONE. PLAN
1092
00:47:07,612 --> 00:47:09,947
NO. BUT I FELT THERE WASENOUGH INFORMATION
1093
00:47:09,989 --> 00:47:10,990
TO BRING IT TO YOUR ATTENTION,
1094
00:47:10,990 --> 00:47:14,160
ESPECIALLY CONSIDERINGTHE DEADLINE.
1095
00:47:14,202 --> 00:47:17,580
TWELL, GO AHEAD, MR. O'TOOLE.,
1096
00:47:17,622 --> 00:47:19,124
MAKE YOUR CASE.
1097
00:47:19,124 --> 00:47:21,042
ACTUALLY, I'D LIKE TOTURN THAT OVER
1098
00:47:21,042 --> 00:47:22,711
TO MY COLLEAGUE,MR. DORMAN.
1099
00:47:27,924 --> 00:47:30,886
ACTUALLY, I'D LIKE TOTHANK YOU, MR. O'TOOLE.
1100
00:47:31,803 --> 00:47:35,141
UH, AS MS. HAYWITH EXPLAINED,THE SECOND CLUE,
1101
00:47:35,141 --> 00:47:40,646
"THE BIRTHDAY OF LIBERTY"IS IN REFERENCE TO JULY 21st,
1102
00:47:40,646 --> 00:47:43,149
WHICH HAPPENS TO BE TOMORROWAND, NOT COINCIDENTALLY,
1103
00:47:43,149 --> 00:47:46,611
IS ALSO THE BIRTHDATEOF THE AMIDON FAMILY DOG.
1104
00:47:46,653 --> 00:47:51,032
AND THAT DATE IS SOME SORT OF"KEY" TO THE CODE, YOU SAY?
1105
00:47:51,073 --> 00:47:53,785
YES, WHEN PAIREDWITH THE FIRST CLUE--
1106
00:47:53,785 --> 00:47:55,703
"THE DAY WILL END FAST."
1107
00:47:55,745 --> 00:47:57,372
YIN AFGHANISTAN,AND AROUND THE WORLD,
1108
00:47:57,414 --> 00:48:01,126
THE HOLY MONTH OF RAMADANIS OBSERVED, UH,
1109
00:48:01,168 --> 00:48:04,546
WITH PRAYER, ACTS OF CHARITY,AND FASTING.
1110
00:48:04,587 --> 00:48:06,799
THIS YEAR, THOSE 30 DAYSOF FASTING ENDED
1111
00:48:06,799 --> 00:48:09,885
WITH A TRADITIONAL FESTIVALOF FAST-BREAKING FOUR DAYS AGO,
1112
00:48:09,927 --> 00:48:11,679
THIAND WE SUGGEST THATYSOTHAT IS THE DAY
1113
00:48:11,679 --> 00:48:14,139
THAT LIEUTENANT AMIDONCHOSE TO ESCAPE.
1114
00:48:14,181 --> 00:48:17,184
[LOCALS CHEERINGAND CELEBRATING]
1115
00:48:18,185 --> 00:48:21,189
[CELEBRATORY GUNFIRE POPPING]
1116
00:48:26,527 --> 00:48:29,197
[SHOUTING IN DARI]
1117
00:48:30,990 --> 00:48:33,451
[♪]
1118
00:48:40,834 --> 00:48:42,669
[MAN]: IT IS TIME.
1119
00:49:07,945 --> 00:49:10,406
[♪]
1120
00:49:33,764 --> 00:49:36,683
[SPEAKING DARI]
1121
00:49:41,606 --> 00:49:42,815
IF SHE'S ACTUALLY ESCAPED,
1122
00:49:42,815 --> 00:49:44,817
IT'S LIKELY SHE HAD HELPFROM A LOCAL,
1123
00:49:44,817 --> 00:49:46,986
SOMEONE WILLINGIF STO RISK THEIR LIFE,ED,
1124
00:49:47,028 --> 00:49:48,571
IT'S LIKELY SHE HAD HELPMOST LIKELY A PASHTUN--
1125
00:49:48,613 --> 00:49:50,072
THEY HAVE A GREAT RESPECT
1126
00:49:50,114 --> 00:49:52,950
FOR THEIR TRADITIONSAND HOSPITALITY AND CHARITY.
1127
00:49:52,950 --> 00:49:54,244
EVEN SO,
1128
00:49:54,244 --> 00:49:55,453
IT'S HARD TO IMAGINE,
1129
00:49:55,453 --> 00:49:58,081
BECAUSE THE PUNISHMENTFOR HELPING AN AMERICAN
1130
00:49:58,123 --> 00:49:59,124
IT'S HIS DEATH.AGINE,
1131
00:49:59,124 --> 00:50:01,334
ASSUMING SHE DIDESCAPE FOUR DAYS AGO,
1132
00:50:01,376 --> 00:50:02,961
WHERE IS SHE GOING?
1133
00:50:02,961 --> 00:50:05,798
WELL, THAT'S THE THIRD CLUE."RETURN TO THE FOUR-POSTER."
1134
00:50:05,798 --> 00:50:08,592
[OLIVER]: A REFERENCETO AN AMIDON FAMILY JOKE--
1135
00:50:08,634 --> 00:50:11,512
WELL, A FOUR-POSTER BEDCLUE."RWHERE SHE FELL AS A CHILD"
1136
00:50:11,554 --> 00:50:13,764
AND RETURNEDTO RE-ENACT HER FALL.
1137
00:50:13,806 --> 00:50:16,517
[STEVE]: WHICH WOULD SUGGESTTHE VILLAGE OF DARAKHT,
1138
00:50:16,559 --> 00:50:18,769
IT WAS THE SITEOF THE ORIGINAL FIREFIGHT
1139
00:50:18,811 --> 00:50:21,105
AND THE LOCATION WHERELIEUTENANT AMIDON WAS SEEN LAST,
1140
00:50:21,147 --> 00:50:22,606
FALLING OUT OF A HELICOPTER.
1141
00:50:22,648 --> 00:50:23,817
ACCORDINGTO MR. MAREK,
1142
00:50:23,858 --> 00:50:26,485
DARAKHT ALSO HASA DISTINCTIVE HIGH TOWER,
1143
00:50:26,485 --> 00:50:29,322
AND TWICE IN HER LETTER,IN CLUES FOUR AND FIVE,
1144
00:50:29,363 --> 00:50:32,326
RANDILYNN REFERSTO A BIBLICAL TOWER OR FORTRESS
1145
00:50:32,326 --> 00:50:36,663
AS A PLACE OF SAFETYAND REFUGE.
1146
00:50:36,663 --> 00:50:37,789
WHEREVER SHE IS,
1147
00:50:37,831 --> 00:50:40,125
WE KNOW SHE WASN'T TRAINEDIN NAVIGATION
1148
00:50:40,167 --> 00:50:42,419
OR ADVANCED SURVIVAL.
1149
00:50:42,461 --> 00:50:45,422
HOW CAN SHE POSSIBLYMAKE HER WAY BACK TO DARAKHT?
1150
00:50:45,464 --> 00:50:47,007
[SHANE]: LIEUTENANT AMIDON
1151
00:50:47,049 --> 00:50:49,176
IS THE DAUGHTEROF AN AIR FORCE CAPTAIN.
1152
00:50:49,176 --> 00:50:51,345
HER HUSBANDWAS KILLED IN ACTION IN KABUL.
1153
00:50:51,386 --> 00:50:53,681
SHE IS AN AMERICAN SOLDIER,
1154
00:50:53,723 --> 00:50:55,808
BUT SHE IS ALSOAN AMERICAN MOTHER,
1155
00:50:55,850 --> 00:50:59,145
AND NOTHING IS GONNA KEEPA WOMAN LIKE THAT
1156
00:50:59,187 --> 00:51:00,730
FROM DOING WHATEVER IT TAKES
1157
00:51:00,730 --> 00:51:03,984
TO FIND HER WAY BACKTO HER LITTLE GIRL.
1158
00:51:05,026 --> 00:51:07,403
FROM DOING W[♪]EVER IT TAKES
1159
00:51:43,566 --> 00:51:45,152
WE CANNOT GO ON.
1160
00:51:45,193 --> 00:51:46,819
THERE ISA ROADBLOCK AHEAD.
1161
00:51:46,861 --> 00:51:48,238
COME.
1162
00:51:49,239 --> 00:51:50,157
IT'S TOO DANGEROUS
1163
00:51:50,157 --> 00:51:51,741
FOR YOU TO STAYIN THE TRUCK.
1164
00:51:51,741 --> 00:51:53,911
I MUST GO ONIT'S TBEFORE THEY FIND YOU.
1165
00:51:53,911 --> 00:51:55,871
IT'S OKAY.
1166
00:51:55,913 --> 00:51:56,955
I MUST GO ONIT'S TBWAIT FOR ME THERE.U.
1167
00:51:56,997 --> 00:52:00,626
I WILL TRY AND RETURN TOMORROWAND TAKE YOU TO DARAKHT.
1168
00:52:01,627 --> 00:52:02,920
I AM SORRY.
1169
00:52:02,920 --> 00:52:05,256
I HAVE ONLY A LITTLE FOODTO LEAVE WITH YOU.
1170
00:52:05,256 --> 00:52:06,257
PLEASE, NO.
1171
00:52:06,257 --> 00:52:07,383
I HAVE ONLY A LITTLE FOODYOU TAKE IT.AVE WITH YOU.
1172
00:52:07,425 --> 00:52:09,343
YOU'VE DONESO MUCH ALREADY.
1173
00:52:09,385 --> 00:52:10,886
NO. THE FAST IS OVER.
1174
00:52:10,928 --> 00:52:12,596
WE MUST ALL CELEBRATE.
1175
00:52:12,596 --> 00:52:14,640
THANK YOU.
1176
00:52:14,682 --> 00:52:17,601
IF I AM NOT BACK IN TWO DAYS,
1177
00:52:17,643 --> 00:52:19,646
PLEASE KNOW THAT I HAVE TRIED,BUT I COULD NOT,
1178
00:52:19,688 --> 00:52:22,816
THEN YOU MUST WALKTHE REST OF THE WAY.
1179
00:52:22,857 --> 00:52:24,943
ALWAYS KEEP THE MOUNTAINSON YOUR RIGHT,
1180
00:52:24,943 --> 00:52:25,819
AND AT NIGHT,
1181
00:52:25,860 --> 00:52:29,281
ALWAYS KEETHE BRIGHTEST STARON YOOVER THAT PEAK.
1182
00:52:31,366 --> 00:52:34,661
IT IS VERY DANGEROUS...BUT GOD IS GOOD.
1183
00:52:34,703 --> 00:52:36,746
YES.
1184
00:52:36,746 --> 00:52:39,124
BUT PEOPLE, NOT ALWAYS.
1185
00:52:39,124 --> 00:52:41,126
I THINK WE ARE.
1186
00:52:41,126 --> 00:52:42,962
BUT YOU... AND ME.WAYS.
1187
00:52:44,171 --> 00:52:46,716
I THI[♪]WE ARE.
1188
00:52:50,678 --> 00:52:52,930
HOLD ON TIGHT.
1189
00:52:54,807 --> 00:52:56,726
[♪]
1190
00:52:56,767 --> 00:52:58,186
[QUIET SOB ESCAPES]
1191
00:53:03,650 --> 00:53:08,113
[♪]
1192
00:53:10,657 --> 00:53:11,742
[GASPS]
1193
00:53:16,247 --> 00:53:18,124
AH!
1194
00:53:18,165 --> 00:53:20,459
[GROANS] OH!
1195
00:53:31,053 --> 00:53:33,139
[♪]
1196
00:53:41,982 --> 00:53:44,401
[♪]
1197
00:54:07,383 --> 00:54:09,510
[SIGHS]
1198
00:54:16,726 --> 00:54:18,102
[WINCING]
1199
00:54:20,897 --> 00:54:23,733
[OLIVER]: THE LETTERWRITTEN BY LIEUTENANT AMIDON
1200
00:54:23,733 --> 00:54:26,195
IS, IN FACT, A ROADMAPFOR A RESCUE MISSION
1201
00:54:26,236 --> 00:54:27,529
[OLIVER]: THE LETTERWRTHAT BEGAN FOUR DAYS AGO,N
1202
00:54:27,571 --> 00:54:29,949
AND WE HOPEWILL END TOMORROW
1203
00:54:29,949 --> 00:54:31,366
IN A RENDEZVOUSWITH AMERICAN TROOPS
1204
00:54:31,408 --> 00:54:34,954
IN THE VERY SAME PLACEWHERE SHE WAS FIRST CAPTURED--
1205
00:54:34,995 --> 00:54:37,915
THE "HIGH TOWER"IN THE VILLAGE OF DARAKHT,
1206
00:54:37,957 --> 00:54:40,167
AS INDICATED BY THE CLUESSHE GAVE US.
1207
00:54:40,209 --> 00:54:43,003
FIVE OUT OF SIXSO-CALLED CLUES, MR. O'TOOLE.
1208
00:54:43,045 --> 00:54:44,630
[OLIVER]: YES, WELL, UH,
1209
00:54:44,630 --> 00:54:46,299
THE LAST CLUEWAS PARTIALLY OBSCURED
1210
00:54:46,341 --> 00:54:47,925
WHEN MS. HAYWITH[GLANCED AT THE LETTER,,
1211
00:54:47,925 --> 00:54:50,803
BUT SHE WAS ABLE TO MAKE OUTTHE WORDS "GRIM FEET."
1212
00:54:50,803 --> 00:54:54,140
WE RESPECTFULLY REQUEST[GLANTHE OPPORTUNITYER,,
1213
00:54:54,182 --> 00:54:55,976
BUT SHE WTO INSPECT MAKE OUTTHETHE ACTUAL LETTER."
1214
00:54:56,017 --> 00:54:58,519
IN ORDER TO DECODETHE FINAL CLUE.
1215
00:54:58,561 --> 00:54:59,688
MS. HAYWITH IS FORTUNATE
1216
00:54:59,730 --> 00:55:02,357
SHE HASN'T BEEN INDICTEDFOR READING AND DISSEMINATING
1217
00:55:02,399 --> 00:55:04,610
THE INFORMATIONSHE HAS ALREADY SEEN.
1218
00:55:04,651 --> 00:55:07,696
AND MR. MAREK MAY VERY WELLBE DISCIPLINED FOR ALLOWING HER,
1219
00:55:07,738 --> 00:55:08,655
OR ANY OF YOU,
1220
00:55:08,697 --> 00:55:11,367
TO EVEN BECOME AWAREOF ITS EXISTENCE.
1221
00:55:11,408 --> 00:55:13,119
WHATEVER "GRIM FEET" MAY MEAN,
1222
00:55:13,119 --> 00:55:14,078
THAT IS A MATTER
1223
00:55:14,120 --> 00:55:16,622
FOR OUR OWN INTELLIGENCE SERVICETO DETERMINE.
1224
00:55:16,622 --> 00:55:17,957
[NORMAN]:BUT THERE ISN'T TIME!
1225
00:55:17,957 --> 00:55:20,126
SHE TOOK A HUGE CHANCESENDING THAT LETTER.
1226
00:55:20,167 --> 00:55:21,586
AND HERE WE ARE,MAYBE THE ONLY PEOPLE
1227
00:55:21,628 --> 00:55:23,671
WHO COULD SOLVE THAT MESSAGEIN TIME TO SAVE HER.
1228
00:55:23,671 --> 00:55:26,799
WHY WOULD A SOLDIERHOPING FOR RESCUE
1229
00:55:26,799 --> 00:55:29,302
WHO COUPURPOSELY WRITEESSAGEINSOMETHING OBSCURE.
1230
00:55:29,344 --> 00:55:31,846
AND RUN THE CHANCETHAT IT WOULDN'T BE DECODED?
1231
00:55:31,846 --> 00:55:34,641
TO PROTECT ANYONECOMING TO HELP HER.
1232
00:55:34,641 --> 00:55:37,227
HAVING SPENT QUITE A BITEOF TIME IN THE MILITARY,CODED?
1233
00:55:37,269 --> 00:55:38,270
MADAME CHAIRMAN,
1234
00:55:38,311 --> 00:55:39,813
I CAN ATTEST
1235
00:55:39,813 --> 00:55:42,149
THAT LIEUTENANT AMIDONWOULD KNOW
1236
00:55:42,149 --> 00:55:45,277
THAT SHOULD SOMEONE INTERCEPTA MORE SPECIFIC LETTER,
1237
00:55:45,318 --> 00:55:49,490
THAT THEY COULD SIMPLY ALLOW HERTO REACH HER RENDEZVOUS POINT
1238
00:55:49,532 --> 00:55:52,493
AND THEN WAIT TO AMBUSHTHE ENTIRE RESCUE PARTY.
1239
00:55:52,493 --> 00:55:54,995
IT'S WHAT HAPPENEDTHE NIGHT SHE WAS CAPTURED.
1240
00:55:55,037 --> 00:55:57,456
SHE WOULDN'TALLOW IT TO HAPPEN AGAIN.
1241
00:55:59,583 --> 00:56:02,670
WE'LL TAKEA FIVE-MINUTE BREAK.
1242
00:56:03,922 --> 00:56:05,882
I CAN'T GOTO PRISON, NORMAN.
1243
00:56:05,924 --> 00:56:07,300
I THINK SHE WAS JUSTSAYING THAT YOU COULD,
1244
00:56:07,341 --> 00:56:08,843
BUT YOU WON'T.
1245
00:56:08,885 --> 00:56:10,595
THAT'S WHAT I GOTOUT OF IT, ANYWAYS.
1246
00:56:10,637 --> 00:56:11,596
I MEAN, IFANYONE'S IN TROUBLE,
1247
00:56:11,638 --> 00:56:13,973
IT'S PROBABLYTHAT STEVE GUY.
1248
00:56:14,015 --> 00:56:16,017
I HAD YOU VETTED.
1249
00:56:16,059 --> 00:56:18,353
IT'S WHAT WE DOAROUND HERE.
1250
00:56:18,353 --> 00:56:19,854
AS IT TURNS OUT,
1251
00:56:19,854 --> 00:56:22,066
YOU'RE WHAT WE CALL"A SOLID CITIZEN."
1252
00:56:22,107 --> 00:56:25,778
OH, WELL, I TAKE THATAS A COMPLIMENT.
1253
00:56:25,820 --> 00:56:27,612
I'M COMING TO SUSPECT
1254
00:56:27,612 --> 00:56:29,949
THAT PERHAPS YOU ARE ONE,AS WELL.
1255
00:56:31,408 --> 00:56:34,161
MAYBE SHANE HAS GOOD TASTE.
1256
00:56:35,204 --> 00:56:36,914
HMM. [CHUCKLES]
1257
00:56:36,914 --> 00:56:40,042
I MUST CONFESS, AT FIRST,I WAS, UM...
1258
00:56:40,042 --> 00:56:43,504
SUSPICIOUS OF YOUR MOTIVESFOR HELPING US.
1259
00:56:45,423 --> 00:56:47,092
I MUSTLOOK, I KNOW FIRST,IT SOUNDS KIND OF CORNY,
1260
00:56:47,133 --> 00:56:48,551
BUT I STILL BELIEVEIN ALL THAT STUFF
1261
00:56:48,551 --> 00:56:50,053
WE USED TO SINGWHEN WE WERE KIDS--
1262
00:56:50,053 --> 00:56:52,681
THE GRAND OLD FLAG,AMBER WAVES OF GRAIN,
1263
00:56:52,681 --> 00:56:54,140
"THE HALLS OF MONTEZUMA."
1264
00:56:54,140 --> 00:56:56,393
THE GRAND OLD FLAG,[SHANE]: EXCUSE ME, GENTLEMEN.
1265
00:56:56,393 --> 00:56:59,062
HATE TO INTERRUPT,BUT THEY'RE GOING BACK IN.
1266
00:56:59,104 --> 00:57:03,234
WE WERE JUST, UH,DISCUSSING PATRIOTISM.
1267
00:57:03,234 --> 00:57:04,276
[CHUCKLES]
1268
00:57:04,276 --> 00:57:06,028
[NORMAN]: PHOEBE WASTELLING ME YESTERDAY
1269
00:57:06,070 --> 00:57:08,364
HER MOM WAS SO PATRIOTIC THAT,INSTEAD OF LULLABIES,
1270
00:57:08,405 --> 00:57:10,867
SHE'D SING ALL THE VERSESTO "THE STAR-SPANGLED BANNER"
1271
00:57:10,908 --> 00:57:13,077
AND "AMERICA THE BEAUTIFUL"EVERY NIGHT.
1272
00:57:14,411 --> 00:57:16,413
ALL THE VERSES?
1273
00:57:16,413 --> 00:57:18,916
[♪]
1274
00:57:20,835 --> 00:57:22,295
IT IS THE CONCLUSIONOF THIS COMMITTEE,
1275
00:57:22,337 --> 00:57:23,630
THAT ALTHOUGH YOU FOLKS
1276
00:57:23,671 --> 00:57:25,965
HAVE PAINTEDA VERY ENTERTAINING STORY,
1277
00:57:26,007 --> 00:57:28,176
WE ARE UNWILLINGTO SEE AMERICAN TROOPS
1278
00:57:28,218 --> 00:57:30,470
PUT IN HARM'S WAY AT THIS TIME
1279
00:57:30,512 --> 00:57:31,804
FOR A RESCUE MISSION
1280
00:57:31,847 --> 00:57:33,766
BASED ON A LOOSE INTERPRETATION
1281
00:57:33,807 --> 00:57:36,393
OF FIVE SO-CALLED CLUESIN A LETTER.
1282
00:57:36,434 --> 00:57:37,811
MADAME CHAIRMAN--
1283
00:57:37,853 --> 00:57:40,397
IF YOU CAN'T TELL USWHAT "GRIM FEET" MEANS,
1284
00:57:40,439 --> 00:57:41,440
MR. O'TOOLE,
1285
00:57:41,440 --> 00:57:43,859
IT RENDERS THE RESTOF YOUR CONJECTURES USELESS.
1286
00:57:43,901 --> 00:57:48,947
A FEW DATES AND A REFERENCETO AN OLD OUTPOST WITH A TOWER
1287
00:57:48,947 --> 00:57:51,700
IS NO INDICATIONOF INTENT TO ESCAPE.
1288
00:57:51,742 --> 00:57:53,036
-BUT WE HAVE IT!-MR. O'TOOLE--
1289
00:57:53,077 --> 00:57:54,662
IF MR. MAREKWOULD JUST CONFIRM
1290
00:57:54,703 --> 00:57:56,164
THE COMPLETE PHRASEIN THAT LETTER--
1291
00:57:56,205 --> 00:57:58,374
THE WORDS ENDING IN GRIM FEET--WE CAN GIVE YOU
1292
00:57:58,416 --> 00:58:00,418
LIEUTENANT AMIDON'SPROMISE TO ESCAPE.
1293
00:58:00,459 --> 00:58:02,546
YOU'VE SHARED ENOUGH ALREADY,MR. MAREK.
1294
00:58:02,587 --> 00:58:04,255
DO NOT RESPOND.
1295
00:58:04,297 --> 00:58:07,091
STEVE, THE CLUETHAT RITA COULDN'T READ--
1296
00:58:07,133 --> 00:58:10,011
WAS IT "PILGRIM FEET?"
1297
00:58:10,053 --> 00:58:11,763
THE TRUTH, NOW, PLEASE.
1298
00:58:11,763 --> 00:58:13,390
ANSWER THAT,MR. MAREK...
1299
00:58:13,432 --> 00:58:15,976
AND YOU MAY LIVE TO REGRET IT.
1300
00:58:15,976 --> 00:58:18,228
[♪]
1301
00:58:22,942 --> 00:58:26,529
ONLY IF HE'S WRONG,MADAME CHAIRMAN.
1302
00:58:28,364 --> 00:58:30,616
MR. MAREK... THAT LAST CLUE--
1303
00:58:32,785 --> 00:58:35,580
WAS IT "PILGRIM FEET?"
1304
00:58:43,463 --> 00:58:44,505
YES.
1305
00:58:44,505 --> 00:58:47,050
[STOMPS FOOT]RANDILYNN AMIDON...
1306
00:58:48,552 --> 00:58:51,096
RANDILYNN AMIDONSANG EVERY VERSE
1307
00:58:51,137 --> 00:58:52,931
OF "AMERICA THE BEAUTIFUL"EVERY NIGHT
1308
00:58:52,931 --> 00:58:55,392
AS A LULLABYTO HER LITTLE GIRL.
1309
00:58:55,434 --> 00:58:56,602
OF "AMERICA THE BEAUTIFUL"EVERY VERSE, INCLUDING,
1310
00:58:56,602 --> 00:58:58,937
"OH, BEAUTIFULFOR PILGRIM FEET
1311
00:58:58,980 --> 00:59:02,733
"WHOSE STERN IMPASSIONED STRESSA THOROUGHFARE FOR FREEDOM
1312
00:59:02,774 --> 00:59:04,110
BEAT CROSS THE WILDERNESS."
1313
00:59:04,151 --> 00:59:05,695
LADIES AND GENTLEMEN,
1314
00:59:05,695 --> 00:59:09,532
RANDILYNN AMIDON IS SOMEWHEREIN AFGHANISTAN TONIGHT,
1315
00:59:09,574 --> 00:59:11,868
BEATING A THOROUGHFAREACROSS THE WILDERNESS
1316
00:59:11,909 --> 00:59:13,620
IN SEARCH OF THAT TOWER,
1317
00:59:13,661 --> 00:59:15,622
IN SEARCH OF EVERYTHINGWE STAND FOR,
1318
00:59:15,663 --> 00:59:16,664
IN SEARCH-- IN SEARCH OF
1319
00:59:16,706 --> 00:59:20,918
THE FREEDOMTHAT SHE WAS WILLING TO DIE FOR.
1320
00:59:20,960 --> 00:59:24,256
AND SOMEWHERENEAR THAT SAME WILDERNESS
1321
00:59:24,297 --> 00:59:25,715
IS A BAND OF HER BROTHERS
1322
00:59:25,757 --> 00:59:28,301
WITH THE COURAGETO DIE FOR HER, FOR US,
1323
00:59:28,343 --> 00:59:29,803
TO BRING RANDILYNN HOME...
1324
00:59:32,430 --> 00:59:34,975
[♪]
1325
00:59:36,226 --> 00:59:40,606
IF YOU WILL JUSTHAVE THE COURAGE TO SEND THEM.
1326
00:59:43,942 --> 00:59:46,320
[♪]
1327
00:59:59,543 --> 01:00:01,920
[♪]
1328
01:00:06,883 --> 01:00:08,385
HAVE YOU HEARDANYTHING?
1329
01:00:08,427 --> 01:00:09,887
[SHANE]: NOTHING.
1330
01:00:09,929 --> 01:00:10,804
I WISH WE COULD
1331
01:00:10,804 --> 01:00:13,640
TELL HARPER AND PHOEBEWHAT WAS GOING ON.
1332
01:00:13,682 --> 01:00:16,561
[SHANE]: YOU KNOWWE'RE SWORN TO SECRECY, NORMAN.
1333
01:00:16,602 --> 01:00:18,103
HOW IS HE?
1334
01:00:18,145 --> 01:00:19,104
HE'S FINE.
1335
01:00:19,104 --> 01:00:21,607
WE'LL ALL BE ONTHE SAME FLIGHT TOMORROW.
1336
01:00:21,607 --> 01:00:23,734
WE EVEN MADE PLANS TOGET TOGETHER IN DENVER.
1337
01:00:23,776 --> 01:00:26,446
THINK WE'LL HAVE ANYTHINGTO TELL THEM BY THEN?
1338
01:00:26,487 --> 01:00:28,448
I DON'T IMAGINEWE'LL EVER HEAR
1339
01:00:28,489 --> 01:00:30,450
WHAT THE COMMITTEEDECIDES TO DO--
1340
01:00:30,450 --> 01:00:33,786
UNLESS, UH...UNLESS THE NEWS IS GOOD.
1341
01:00:33,829 --> 01:00:36,456
BUT FOR NOW, HOWEVER,
1342
01:00:36,497 --> 01:00:39,209
WE MUST TURN TO THE PRESENT.
1343
01:00:39,250 --> 01:00:40,919
VERY BEST OF LUCK, RITA.
1344
01:00:40,961 --> 01:00:42,463
OH, THANK YOU.
1345
01:00:42,463 --> 01:00:43,964
YES, AND HAVE FUN!
1346
01:00:43,964 --> 01:00:45,299
I WILL.
1347
01:00:45,341 --> 01:00:47,092
I THINK...
1348
01:00:47,092 --> 01:00:48,635
YOU MIGHT HAVE A FRIEND
1349
01:00:48,677 --> 01:00:50,762
THAT NEEDS TO BEI THREMINDED OF THAT.
1350
01:00:50,804 --> 01:00:53,390
[RITA]: OH! OH, MY GOODNESS.
1351
01:00:53,390 --> 01:00:56,102
OKAY. I BETTER GET GOING, GUYS.
1352
01:00:56,143 --> 01:00:57,603
UH, I'LL SEE[RITA]: OH! OH, MYYOU LATER.
1353
01:00:57,644 --> 01:00:59,021
UM... RITA?
1354
01:00:59,063 --> 01:01:01,398
I'LL BE RIGHT BACK.
1355
01:01:04,026 --> 01:01:05,737
[HEAVY SIGH]
1356
01:01:05,778 --> 01:01:08,698
NORMAN?YOU ALL RIGHT?
1357
01:01:09,824 --> 01:01:12,910
I HAVE A PRESENTFOR RITA.
1358
01:01:12,910 --> 01:01:15,830
I JUST WANTED HERTO KNOW...
1359
01:01:16,999 --> 01:01:17,916
I HAVE A PRESENTFOR IF SHE WINS,
1360
01:01:17,916 --> 01:01:20,335
SHE'LL BE GONEFOR A WHOLE YEAR,
1361
01:01:20,377 --> 01:01:23,213
TRAVELING AROUND,PRESENTGIVING SPEECHES...E WINS,
1362
01:01:24,339 --> 01:01:27,425
SHAKING HANDS WITH PEOPLE,
1363
01:01:27,468 --> 01:01:29,595
OTHER PEOPLE...
1364
01:01:29,595 --> 01:01:32,390
ARE YOU AFRAIDSHE'LL FORGET...
1365
01:01:32,431 --> 01:01:33,641
US?HER PEOPLE...
1366
01:01:35,601 --> 01:01:38,062
THERE ARE A LOT MORE THINGSON THIS EARTH
1367
01:01:38,062 --> 01:01:40,814
THAN BEINGMISS SPECIAL DELIVERY, YOU KNOW.
1368
01:01:40,814 --> 01:01:42,275
I THINK, ARE A LOT MORE THINGSAFTER THIS WEEK,S EARTH
1369
01:01:42,316 --> 01:01:45,194
WE ALL KNOW THAT,EINGNORMAN.ECIAL DELIVERY, YOU KNOW.
1370
01:01:46,362 --> 01:01:48,865
[♪]
1371
01:01:59,334 --> 01:02:02,087
OH, NORMAN,THANK GOODNESS!
1372
01:02:02,129 --> 01:02:03,964
WE'VE MISSED THE BUS
1373
01:02:04,006 --> 01:02:07,677
AND MINDY'S HAVINGA LITTLE TROUBLE WALKING...
1374
01:02:08,969 --> 01:02:10,763
FORWARD.
1375
01:02:12,640 --> 01:02:13,641
OH!
1376
01:02:18,979 --> 01:02:22,650
SO ARE THEY GOING TOCHARGE YOU WITH ANYTHING?
1377
01:02:22,692 --> 01:02:23,901
PROBABLY NOT.
1378
01:02:23,901 --> 01:02:25,820
BUT IF I DO GET ARRESTED,YOU'LL BAIL ME OUT, RIGHT?
1379
01:02:25,861 --> 01:02:28,865
I HEARD THAT OLIVERCAME INTO A GOOD SUM OF MONEY.
1380
01:02:28,907 --> 01:02:30,909
HOW DO YOU KNOW THAT?
1381
01:02:30,909 --> 01:02:32,535
OH, NEVER MIND.
1382
01:02:32,578 --> 01:02:35,914
I DON'T THINK ALL THAT MONEY'SGONNA CHANGE HIM, THOUGH.
1383
01:02:35,956 --> 01:02:37,082
WELL, THAT'S TOO BAD.
1384
01:02:37,123 --> 01:02:39,293
I WAS HOPING YOU WERE GOING TOGIVE ME ANOTHER CHANCE.
1385
01:02:39,335 --> 01:02:40,627
AH.
1386
01:02:40,669 --> 01:02:43,880
WELL, THERE'SNOTHING ACTUALLY OFFICIAL
1387
01:02:43,922 --> 01:02:46,175
BETWEEN--
1388
01:02:53,599 --> 01:02:56,644
...BETWEENOLIVER AND ME.
1389
01:02:58,438 --> 01:02:59,606
BUT UNOFFICIALLY?
1390
01:02:59,647 --> 01:03:01,941
STEVE, WE'RE FRIENDS.
1391
01:03:02,942 --> 01:03:04,902
AND A SOLID FRIENDSHIPIS A GOOD WAY
1392
01:03:04,944 --> 01:03:07,864
TO START ANYTHING.
1393
01:03:09,074 --> 01:03:12,244
YOU WERE ALWAYSSO UNAVAILABLE,
1394
01:03:12,285 --> 01:03:15,622
FOR THAT-- WITH ALL THAT"AGRICULTURAL" WORK
1395
01:03:15,622 --> 01:03:17,582
THAT TOOK YOU AWAYALL THE TIME.
1396
01:03:17,582 --> 01:03:19,793
I'M BACK.I LIVE HERE NOW.
1397
01:03:19,793 --> 01:03:23,255
[SHANE]: IT'S NOT ABOUTWHERE YOU LIVE, STEVE.
1398
01:03:24,214 --> 01:03:26,467
HOME IS MORE THANJUST AN ADDRESS.
1399
01:03:26,467 --> 01:03:28,302
IT'S...
1400
01:03:28,302 --> 01:03:31,805
IT'S ROSES THAT YOU STICK AROUNDTO WATCH GROW.
1401
01:03:33,474 --> 01:03:36,477
IT'S A PORCH SWING...
1402
01:03:36,477 --> 01:03:37,854
AND...
1403
01:03:37,896 --> 01:03:40,106
TAKING THE TIME TO SWING ON IT.
1404
01:03:40,148 --> 01:03:41,983
I CAN GET YOU A PORCH SWING.
1405
01:03:41,983 --> 01:03:43,818
[LAUGHING]
1406
01:03:43,818 --> 01:03:45,820
I CAN GET YO[♪] PORCH SWING.
1407
01:03:47,155 --> 01:03:50,033
I'VE ALREADY GOT ONE.
1408
01:03:51,535 --> 01:03:53,870
MR. MAREK.
1409
01:03:53,912 --> 01:03:54,871
[CELLPHONEVIBRATES]
1410
01:03:54,913 --> 01:03:56,748
YEAH.HEY, OLIVER.
1411
01:03:56,790 --> 01:03:59,168
YOU, UH...HEARD ANY NEWS?
1412
01:04:00,335 --> 01:04:02,504
[EXHALING DEEPLY]
1413
01:04:02,504 --> 01:04:03,673
WELL...
1414
01:04:03,714 --> 01:04:05,090
OF COURSE.
1415
01:04:05,132 --> 01:04:07,092
YOU CAN NEITHERCONFIRM NOR DENY.
1416
01:04:07,092 --> 01:04:08,469
I CAN NEITHERCONFIRM NOR DENY
1417
01:04:08,511 --> 01:04:09,679
YOU CAN NTHAT, BASED ONCONFIRM A RECOMMENDATION
1418
01:04:09,679 --> 01:04:12,765
FROM THE SENATE SUBCOMMITTEEFOR MILITARY ACTIONS,
1419
01:04:12,807 --> 01:04:14,392
YOU CAN NTHAT, BASED ONCONTHE PRESIDENT HAS APPROVED
1420
01:04:14,434 --> 01:04:16,519
A PLAN FORA SPECIAL OPERATIONS MISSION
1421
01:04:16,561 --> 01:04:19,355
THAT COMMENCED AT 1600 HOURSWASHINGTON TIME
1422
01:04:19,355 --> 01:04:20,648
WITH THE OBJECTIVE
1423
01:04:20,690 --> 01:04:23,860
OF RECOVERINGA LIEUTENANT RANDILYNN AMIDON.
1424
01:04:23,860 --> 01:04:26,863
SO IT'S A GO?
1425
01:04:26,863 --> 01:04:28,574
[LAUGHS]
1426
01:04:30,867 --> 01:04:32,118
[EXHALING DEEPLY]
1427
01:04:35,163 --> 01:04:36,415
[RAMON]:THAT'S RIGHT, JENNIFER.
1428
01:04:36,457 --> 01:04:38,834
WE ARE HEREIN THE NATION'S CAPITOL
1429
01:04:38,875 --> 01:04:42,004
AS HISTORY IS BEING MADEBY DENVER'S OWN RITA HAYWITH,
1430
01:04:42,046 --> 01:04:43,881
THE FIRST COLORADOMISS SPECIAL DELIVERY
1431
01:04:43,881 --> 01:04:46,258
TO MAKE ITTO THE FINAL TALENT COMPETITION
1432
01:04:46,300 --> 01:04:47,551
THE FIRST COLORADOFOR THE NATIONAL CROWN.
1433
01:04:47,593 --> 01:04:51,556
[RITA]: TAKE A DEEP BREATHAND TRUST ME, MINDY.
1434
01:04:51,556 --> 01:04:55,310
I SWEAR, THERE ARE NOT500 PEOPLE OUT THERE
1435
01:04:55,310 --> 01:04:57,979
[VOICE SHAKING]:DEEP BREATHHOW... MANY...ME, MINDY.
1436
01:04:58,020 --> 01:05:00,190
I SWEAR, THERE ARE NOTARE... THERE?UT THERE
1437
01:05:01,399 --> 01:05:04,194
473? [CHUCKLES]
1438
01:05:04,236 --> 01:05:06,154
OH! IT'S OKAY, MINDY!
1439
01:05:06,196 --> 01:05:08,490
JUST THINKABOUT BIG PINEY.
1440
01:05:08,490 --> 01:05:10,075
JUST PRETENDYOU'RE SINGING
1441
01:05:10,075 --> 01:05:11,827
JUST THINKTO YOUR FRIENDS,
1442
01:05:11,827 --> 01:05:14,079
AND YOUR NEIGHBORS,AND, UH...E SINGING
1443
01:05:14,079 --> 01:05:16,457
JUST THINKAND YOUR LIVESTOCK.
1444
01:05:19,042 --> 01:05:21,170
WE SHOULD TAKE OUR SEATS.
1445
01:05:21,212 --> 01:05:22,755
I CAN'T SIT.
1446
01:05:22,796 --> 01:05:25,258
I KEEP THINKINGABOUT THE MISSION.
1447
01:05:25,258 --> 01:05:26,759
WHAT TIME IS IT?
1448
01:05:26,759 --> 01:05:28,094
EIGHT.
1449
01:05:28,094 --> 01:05:30,304
IT'S HAPPENING.
1450
01:05:31,765 --> 01:05:34,726
NOW, IN JUST A FEW MINUTES,
1451
01:05:34,768 --> 01:05:36,603
SHE WILL STEP OUT
1452
01:05:36,603 --> 01:05:38,104
ONTO THAT STAGE
1453
01:05:38,104 --> 01:05:40,148
AND HOPEFULLY INTOTHE HEARTS OF THE JUDGES,
1454
01:05:40,189 --> 01:05:42,317
AND THEN PERHAPS, TOMORROW,INTO THE HEADLINES.
1455
01:05:42,359 --> 01:05:44,569
WE'LL HAVE THOSE FINAL RESULTSFOR YOU
1456
01:05:44,611 --> 01:05:46,071
TONIGHT AT 11:00.
1457
01:05:46,071 --> 01:05:47,281
[EMCEE]:AND WE'RE BACK.
1458
01:05:47,322 --> 01:05:49,783
AND NEXT,IN THE TALENT COMPETITION,
1459
01:05:49,783 --> 01:05:53,078
MISS LOUISIANA,PEGGY RHODES.
1460
01:05:53,120 --> 01:05:55,164
[APPLAUDING]
1461
01:06:01,962 --> 01:06:04,590
[♪]
1462
01:06:07,718 --> 01:06:09,470
RITA?
1463
01:06:09,512 --> 01:06:11,097
NORMAN!
1464
01:06:11,097 --> 01:06:12,974
I JUST WANTED TO SAY--
1465
01:06:12,974 --> 01:06:15,560
WELL, I, UM, WANTEDNTO GIVE YOU SOMETHING
1466
01:06:15,601 --> 01:06:17,270
BEFORE YOU GO ON.
1467
01:06:17,312 --> 01:06:19,898
TSK! OH!THANK YOU, NORMAN.
1468
01:06:21,525 --> 01:06:24,570
I SENT CHAPTER 14OFRENITA HAYWEATHER
1469
01:06:24,611 --> 01:06:26,154
INTO THEPOSTAL LIVING QUARTERLY
1470
01:06:26,154 --> 01:06:28,699
AND THEY PRINTED IT!
1471
01:06:28,740 --> 01:06:32,703
THIS IS A COPYOF THEIR NEXT EDITION.
1472
01:06:35,164 --> 01:06:37,083
YOU'RE A PUBLISHEDWRITER, RITA!
1473
01:06:37,124 --> 01:06:39,711
SEE? UM, THEY WANTED A PHOTO,
1474
01:06:39,752 --> 01:06:41,170
SO I SENT THAT PICTURETHAT I TOOK
1475
01:06:41,212 --> 01:06:43,214
AT LAST YEAR'SSAFETY INSPECTION.
1476
01:06:43,255 --> 01:06:47,009
I HAD TO PHOTOSHOP ITA LITTLE. OH!
1477
01:06:47,009 --> 01:06:48,470
AND YOU GETA YEAR'S SUBSCRIPTION
1478
01:06:48,511 --> 01:06:51,348
AND A CHECK FOR $500!
1479
01:06:51,348 --> 01:06:54,726
NORMAN...WH-WHAT HAVE YOU DONE?
1480
01:06:54,767 --> 01:06:57,104
OH, I JUST THOUGHT,IN CASE YOU WIN,
1481
01:06:57,104 --> 01:06:59,439
I DIDN'T WANTYOU TO FORGET
1482
01:06:59,439 --> 01:07:02,317
OH, I JUSTTHAT YOU'REIN CASE YA GREAT WRITER,
1483
01:07:02,359 --> 01:07:03,276
I DIDN'T WANTAND A POSTABLE.O FORGET
1484
01:07:03,318 --> 01:07:05,445
[TAKES A DEEP BREATH]AND YOU'RE MY, UM...
1485
01:07:06,404 --> 01:07:07,573
YOU'RE MY--
1486
01:07:07,615 --> 01:07:09,032
BUT I CAN'T WIN NOW.
1487
01:07:09,032 --> 01:07:11,201
I CAN'T COMPETEWITHOUT A TALENT,
1488
01:07:11,243 --> 01:07:14,372
AND Y-Y-YOU JUST GOTMY TALENT DISQUALIFIED.
1489
01:07:14,372 --> 01:07:15,414
WHAT?
1490
01:07:15,456 --> 01:07:16,665
"NO CONTESTANTSHALL PERFORM
1491
01:07:16,707 --> 01:07:17,875
"USING A TALENT
1492
01:07:17,875 --> 01:07:20,628
FOR WHICH SHE HAS RECEIVEDPREVIOUS COMPENSATION."
1493
01:07:20,669 --> 01:07:21,963
BUT--
1494
01:07:22,005 --> 01:07:23,714
I'M IN PRINT!
1495
01:07:23,714 --> 01:07:25,591
AND THEY'VE PAID ME.
1496
01:07:25,633 --> 01:07:27,719
I'M NOT AN AMATEUR ANYMORE.
1497
01:07:27,761 --> 01:07:30,472
NORMAN...WHAT WERE YOU THINKING?
1498
01:07:34,726 --> 01:07:37,479
[CROWD APPLAUDS]
1499
01:07:38,397 --> 01:07:40,315
[RITA]:NORMAN, THIS IS A DISASTER.
1500
01:07:40,357 --> 01:07:41,275
CAN'T YOU SEE?
1501
01:07:41,316 --> 01:07:42,985
[APPLAUSE CONTINUES]
1502
01:07:43,027 --> 01:07:45,195
ARE WE HAVINGOUR FIRST FIGHT?
1503
01:07:45,237 --> 01:07:46,238
[SIGHS]
1504
01:07:46,238 --> 01:07:49,116
[EMCEE]:MISS WYOMING-- MINDY MALONEY!
1505
01:07:49,158 --> 01:07:50,159
[APPLAUDING]
1506
01:07:50,200 --> 01:07:51,911
GO ON, MINDY!
1507
01:07:51,911 --> 01:07:54,038
YOU CAN DO IT! GO!
1508
01:08:06,092 --> 01:08:07,760
[APPLAUSE SUBSIDES]
1509
01:08:10,430 --> 01:08:12,432
[ORCHESTRA BEGINS PLAYING]
1510
01:08:12,432 --> 01:08:15,060
[WORDS FAIL MINDY]
1511
01:08:15,101 --> 01:08:18,021
[MUSIC CONTINUES]
1512
01:08:18,063 --> 01:08:20,106
[ORCHESTRA HALTS]
1513
01:08:20,106 --> 01:08:21,650
[SILENCE FALLS]
1514
01:08:21,692 --> 01:08:22,734
[RITA]: NO, NO, NO, NO!
1515
01:08:22,776 --> 01:08:25,362
EVERYTHING IS FALLING APART.
1516
01:08:25,362 --> 01:08:26,989
I'M SORRY, RITA.I'M SO SORRY.
1517
01:08:27,031 --> 01:08:29,450
N-- IT'S OKAY, NORMAN.EVERYTHINNEVER MIND.G APART.
1518
01:08:36,624 --> 01:08:38,459
[RITA CHUCKLES NERVOUSLY]
1519
01:08:38,501 --> 01:08:40,753
[WHISPERING]:IT'S OKAY. IT'S OKAY.
1520
01:08:40,795 --> 01:08:41,754
UM, UH...
1521
01:08:41,796 --> 01:08:43,423
[RITA CHUCKLES AWKWARDLY]
1522
01:08:43,465 --> 01:08:45,467
LADIES AND GENTLEMEN-- HEH.
1523
01:08:45,467 --> 01:08:48,845
MY FRIENDAND CO-CONTESTANT, MINDY,
1524
01:08:48,845 --> 01:08:51,514
JUST NEEDS...SHE JUST NEEDS A MOMENT.
1525
01:08:52,682 --> 01:08:56,019
THIS YEAR'S THEMEIS "DELIVERING INSPIRATION"
1526
01:08:56,061 --> 01:08:58,313
AND... WELL, LET'S FACE IT,
1527
01:08:58,313 --> 01:09:03,444
SOMETIMES, INSPIRATIONTAKES A LITTLE... TIME.
1528
01:09:03,486 --> 01:09:04,445
AND... WELLSO...'S FACE IT,
1529
01:09:04,487 --> 01:09:07,781
I THOUGHTI WOULD GO FIRST.
1530
01:09:07,823 --> 01:09:10,284
YOU KNOW, FOR MY TALENT,
1531
01:09:10,326 --> 01:09:11,452
I WAS GOING TO DO
1532
01:09:11,494 --> 01:09:14,830
A DRAMATIC READINGFROM MY UNPUBLISHED NOVEL,
1533
01:09:14,873 --> 01:09:17,250
RENITA HAYWEATHER: FRONTIER DUCHESS,
1534
01:09:17,291 --> 01:09:21,379
BUT IT TURNS OUTTHAT I'M...
1535
01:09:21,420 --> 01:09:23,507
WELL, I'M PUBLISHED AFTER ALL...
1536
01:09:23,507 --> 01:09:24,841
[CHUCKLES]
1537
01:09:24,883 --> 01:09:26,217
WHICH IS REALLY TOO BAD,
1538
01:09:26,259 --> 01:09:27,844
BECAUSE I REALLY LIKE THE PART
1539
01:09:27,844 --> 01:09:31,097
WHERE A MYSTERIOUSCATTLE-BEARING MR. D'LORMAN
1540
01:09:31,097 --> 01:09:33,892
GIVES HERBECHIS TRUSTY STEED, ZEPHYR,RT
1541
01:09:33,933 --> 01:09:34,851
WHERE A MYSTERIOUSCATTTO PULL HER WAGON!ORMAN
1542
01:09:34,851 --> 01:09:36,811
YOU KNOW, AT FIRST,SHE DOESN'T UNDERSTAND
1543
01:09:36,853 --> 01:09:39,148
WHY HE WOULD GIVE AWAYHIS FAVORITE HORSE LIKE THAT,
1544
01:09:39,189 --> 01:09:42,401
BUT THEN SHE REALIZESHE DID IT BECAUSE,
1545
01:09:42,442 --> 01:09:44,737
NO MATTER WHERE SHE WENT,
1546
01:09:44,779 --> 01:09:47,364
ZEPHYR WOULD ALWAYSFIND THE WAY HOME.
1547
01:09:47,364 --> 01:09:51,411
WHICH IS REALLY HIS WAYOF SAYING
1548
01:09:51,452 --> 01:09:53,454
THAT HE IS IN LOVE WITH HER!
1549
01:09:56,791 --> 01:09:59,002
OH...
1550
01:10:04,549 --> 01:10:06,176
HE'S IN LOVE WITH HER?
1551
01:10:09,220 --> 01:10:10,722
OH! [GASPS]
1552
01:10:13,725 --> 01:10:15,269
[RELIEVED LAUGHING]
1553
01:10:15,311 --> 01:10:16,520
OH, THAT'S SO COOL!
1554
01:10:16,520 --> 01:10:17,771
[RITA LAUGHING HARDER]
1555
01:10:17,813 --> 01:10:20,316
[SCATTERED CHUCKLINGAMONGST CROWD] SO COOL!
1556
01:10:20,357 --> 01:10:23,194
OH! [WHISPERS]YOU READY? OKAY.
1557
01:10:23,235 --> 01:10:25,905
LADIES AND GENTLEMEN...
1558
01:10:25,905 --> 01:10:28,032
MISS WYOMING
1559
01:10:28,074 --> 01:10:30,577
LIS READY TO SING NOW..
1560
01:10:30,618 --> 01:10:33,746
AND FOR MY NEW TALENT,I...
1561
01:10:33,746 --> 01:10:38,585
WELL, I GUESS WE'RE JUST GONNAHAVE TO DO THIS TOGETHER.
1562
01:10:39,544 --> 01:10:41,879
PEGGY, CAN I BORROWYOUR GUITAR?
1563
01:10:43,423 --> 01:10:44,424
THANKS.
1564
01:10:47,845 --> 01:10:50,472
[WHISPERS]: YOU STILLHAVE A SHOT, MINDY.
1565
01:10:50,513 --> 01:10:52,265
TAKE IT.
1566
01:11:04,278 --> 01:11:05,279
[TAKES A SHAKY BREATH]
1567
01:11:05,279 --> 01:11:11,786
[SHAKILY]: ♪ TO DREAMTHE IMPOSSIBLE DREAM ♪
1568
01:11:12,704 --> 01:11:15,414
[GAINING CONFIDENCE]:[TAKE♪ TO FIGHT ♪EATH]
1569
01:11:15,414 --> 01:11:19,961
♪ THE UNBEATABLE FOE ♪
1570
01:11:20,003 --> 01:11:26,760
[GAINI♪ TO BEARENCE]:WITH UNBEARABLE SORROW ♪
1571
01:11:26,801 --> 01:11:28,553
♪ TO RUN ♪
1572
01:11:28,595 --> 01:11:33,392
♪ WHERE THE BRAVEDARE NOT GO ♪
1573
01:11:33,433 --> 01:11:35,728
♪ TO RIGHT ♪
1574
01:11:35,770 --> 01:11:40,357
♪ THE UNRIGHTABLE WRONG ♪
1575
01:11:40,399 --> 01:11:46,781
♪ TO LOVEPURE AND CHASTE FROM AFAR ♪
1576
01:11:47,698 --> 01:11:49,575
♪ TO TRY ♪
1577
01:11:49,575 --> 01:11:53,163
♪ WHEN YOUR ARMSARE TOO WEARY ♪
1578
01:11:53,204 --> 01:11:59,502
♪ TO REACHTHE UNREACHABLE STAR ♪
1579
01:11:59,544 --> 01:12:01,838
♪ THIS IS MY QUEST ♪
1580
01:12:01,880 --> 01:12:05,133
♪ TO FOLLOW THAT STAR ♪
1581
01:12:05,175 --> 01:12:07,719
♪ NO MATTER HOW HOPELESS ♪
1582
01:12:07,761 --> 01:12:10,806
♪ NO MATTER HOW FAR ♪
1583
01:12:10,847 --> 01:12:16,228
♪ TO FIGHT FOR THE RIGHTWITHOUT QUESTION OR PAUSE ♪
1584
01:12:16,270 --> 01:12:19,565
♪ TO BE WILLINGTO MARCH INTO HELL ♪
1585
01:12:19,606 --> 01:12:23,027
♪ FOR A HEAVENLY CAUSE ♪
1586
01:12:24,320 --> 01:12:26,072
♪ AND I KNOW ♪
1587
01:12:26,113 --> 01:12:28,825
♪ IF I'LL ONLY BE TRUE ♪
1588
01:12:28,866 --> 01:12:32,204
♪ TO THIS GLORIOUS QUEST ♪
1589
01:12:32,204 --> 01:12:37,459
♪ THAT MY HEARTWILL LIE PEACEFUL AND CALM ♪
1590
01:12:37,459 --> 01:12:42,965
♪ WHEN I'M LAID TO MY REST ♪
1591
01:12:45,050 --> 01:12:48,804
♪ THAT MY HEARTWILL L♪ AND THE WORLD ♪ALM ♪
1592
01:12:48,846 --> 01:12:51,432
♪ WILL BE BETTER FOR THIS ♪
1593
01:12:51,474 --> 01:12:53,016
[RANDILYNN WHIMPERS AND SOBS]
1594
01:12:53,058 --> 01:12:56,229
♪ THAT ONE SOUL ♪
1595
01:12:56,270 --> 01:12:59,523
♪ SCORNEDAND COVERED WITH SCARS ♪
1596
01:12:59,565 --> 01:13:02,276
♪ STILL STROVE ♪
1597
01:13:02,318 --> 01:13:06,239
♪ WITH HER LAST OUNCEOF COURAGE ♪
1598
01:13:06,239 --> 01:13:11,661
♪ TO REACH... ♪
1599
01:13:11,703 --> 01:13:15,582
♪ THE UNREACHABLE ♪
1600
01:13:15,582 --> 01:13:25,050
[BELTING IT OUT]:♪ STAR... ♪
1601
01:13:26,760 --> 01:13:29,596
[APPLAUSE ERUPTS]
1602
01:13:32,725 --> 01:13:35,853
[♪]
1603
01:13:42,067 --> 01:13:45,405
[CHEERING AND APPLAUSECONTINUES]
1604
01:13:54,289 --> 01:13:55,123
THERE SHE IS!
1605
01:13:55,165 --> 01:13:56,374
MISS SPECIAL DELIVERY!
1606
01:13:56,416 --> 01:13:58,960
ONLY BECAUSE OFTHIS LADY RIGHT HERE.
1607
01:13:59,002 --> 01:14:00,421
MISS SPECIAL HANDLING!
1608
01:14:00,462 --> 01:14:01,547
OH! NO.
1609
01:14:01,588 --> 01:14:02,756
THANK YOU, RITA.
1610
01:14:02,756 --> 01:14:04,300
OH, MINDY.YOU DESERVE IT!
1611
01:14:04,300 --> 01:14:06,635
THE WAY YOU SANG...RITA.
1612
01:14:06,635 --> 01:14:07,970
WELL...
1613
01:14:07,970 --> 01:14:09,221
THE WAY YOU'LL NEVER KNOW
1614
01:14:09,263 --> 01:14:12,433
HOW MUCH SOME OF USWELNEEDED TO HEAR IT TONIGHT.
1615
01:14:13,935 --> 01:14:16,395
WELL, I GUESSI'LL BE SEEING YOU.
1616
01:14:16,437 --> 01:14:20,107
YOU REALLY ARE "SPECIAL,"RITA.
1617
01:14:21,150 --> 01:14:23,695
OH, THANK YOU.
1618
01:14:29,367 --> 01:14:31,203
I'M SO SORRYFOR EVERYTHING.
1619
01:14:31,203 --> 01:14:33,663
I REALLY DON'T KNOWWHAT I WAS THINKING.
1620
01:14:33,663 --> 01:14:35,958
I'M SO SORRYOH...FOR EVERYTHING.
1621
01:14:35,999 --> 01:14:37,793
WELL, I THINK
1622
01:14:37,835 --> 01:14:40,378
YOU WERE THINKING THAT...
1623
01:14:40,420 --> 01:14:42,422
YOU LOVE ME?
1624
01:14:43,507 --> 01:14:46,510
YEAH. I WAS DEFINITELYTHINKING THAT!
1625
01:14:46,510 --> 01:14:48,596
[QUIET CHUCKLE]
1626
01:14:51,849 --> 01:14:53,059
YEAH. I WAS DEFINITELYOH-- [CHUCKLES]
1627
01:14:54,268 --> 01:14:55,478
AWW.
1628
01:14:55,519 --> 01:14:57,188
-I'LL---MM-HMM.
1629
01:14:57,188 --> 01:14:58,606
OKAY.
1630
01:15:04,028 --> 01:15:06,030
[CHUCKLING]
1631
01:15:07,782 --> 01:15:09,242
YEAH.
1632
01:15:09,284 --> 01:15:12,204
WE'LL GET IT.
1633
01:15:13,205 --> 01:15:14,248
[SHANE]:WHEN YOU ASKED ME
1634
01:15:14,289 --> 01:15:15,790
TO HAVE DINNER WITH YOUIN WASHINGTON,
1635
01:15:15,832 --> 01:15:20,129
I WAS HOPING FORA LITTLE MORE.
1636
01:15:20,129 --> 01:15:23,548
YOU KNOW, CHIPSAND POTATO SALAD
1637
01:15:23,590 --> 01:15:25,718
I WAS HOPING FORA LITO GO WITH THE SANDWICH.
1638
01:15:25,718 --> 01:15:27,386
[BOTH LAUGHING]
1639
01:15:27,386 --> 01:15:28,971
I WAS HOPING FORA LITO GO WITH THEI OWE YOU ONE.
1640
01:15:29,013 --> 01:15:31,265
YOU OWE MENOTHING, OLIVER.
1641
01:15:32,558 --> 01:15:34,394
WHATEVER HAPPENS NOW,
1642
01:15:34,394 --> 01:15:38,606
YOU GAVE ME SOMETHING TODAYTHAT I'LL NEVER FORGET.
1643
01:15:40,025 --> 01:15:41,902
WHATEVER HAPPE[♪]NOW,
1644
01:15:41,943 --> 01:15:44,654
A LITTLE HOPEFOR THIS WORLD AGAIN.
1645
01:15:50,410 --> 01:15:51,453
BELIEVE IT OR NOT,
1646
01:15:51,495 --> 01:15:55,832
I USED TO KNOW ALL THE VERSESTO THAT SONG, TOO.
1647
01:15:55,874 --> 01:15:57,168
MM.
1648
01:15:57,209 --> 01:16:00,879
"THINE ALABASTER CITIES GLEAM,
1649
01:16:00,921 --> 01:16:04,466
UNDIMMED BY HUMAN TEARS."
1650
01:16:08,304 --> 01:16:09,305
HARPER TOLD ME
1651
01:16:09,346 --> 01:16:11,933
THAT PHOEBE PUTS UPA GOOD FRONT,
1652
01:16:11,933 --> 01:16:13,851
BUT...
1653
01:16:13,851 --> 01:16:18,523
SHE STILL CRIES HERSELFTO SLEEP
1654
01:16:18,565 --> 01:16:21,067
ALMOST EVERY NIGHT.
1655
01:16:24,279 --> 01:16:25,822
[EXHALING HEAVILY]
1656
01:16:25,863 --> 01:16:26,907
OLIVER, WHEN I THINK
1657
01:16:26,949 --> 01:16:28,366
ABOUT WHAT'S HAPPENINGOVER THERE RIGHT NOW,
1658
01:16:28,366 --> 01:16:30,994
I JUST HOPE WE DIDTHE RIGHT THING.
1659
01:16:31,036 --> 01:16:33,121
ABOUT WHAT'S HAPPENINGOVER THERE RIOH, I THINK WE DID.
1660
01:16:33,121 --> 01:16:35,123
I THINK...
1661
01:16:35,123 --> 01:16:36,917
WE WERE CALLED
1662
01:16:36,959 --> 01:16:39,962
TO BE A PART OF...
1663
01:16:40,003 --> 01:16:41,672
A LOT OF LITTLE MIRACLES
1664
01:16:41,714 --> 01:16:44,342
THAT HAD TO HAPPENTO GET THIS FAR.
1665
01:16:46,385 --> 01:16:49,555
WELL, NOW WE JUSTNEED ONE MORE.
1666
01:16:53,852 --> 01:16:56,855
[SIGHS DEEPLY]
1667
01:16:58,356 --> 01:16:59,566
[♪]
1668
01:16:59,608 --> 01:17:01,401
"IN THE MORNING,
1669
01:17:01,401 --> 01:17:04,028
I WILL SING OF YOUR MERCY..."
1670
01:17:04,070 --> 01:17:06,490
"FOR YOU ARE MY FORTRESS,
1671
01:17:06,490 --> 01:17:09,243
"MY REFUGE,
1672
01:17:09,284 --> 01:17:11,661
"FOR "MY HIGH TOWERTRESS,
1673
01:17:11,703 --> 01:17:13,413
IN TIMES OF TROUBLE."
1674
01:17:13,455 --> 01:17:15,665
[ROTORS BEATING]
1675
01:17:15,665 --> 01:17:18,002
[♪]
1676
01:17:19,754 --> 01:17:22,632
[HELICOPTER APPROACHING]
1677
01:17:25,009 --> 01:17:27,428
♪ O, BEAUTIFUL ♪
1678
01:17:27,470 --> 01:17:29,930
DELTA BRAVO, WE HAVE EYES ON SOUL SISTER.
1679
01:17:29,972 --> 01:17:31,682
I REPEAT. WE HAVE SOUL SISTER.
1680
01:17:31,724 --> 01:17:38,690
♪ FOR AMBER WAVES OF GRAIN ♪
1681
01:17:41,359 --> 01:17:49,117
♪ FOR PURPLE MOUNTAINMAJESTIES ♪
1682
01:17:49,117 --> 01:17:55,624
♪ ABOVE THE FRUITED PLAIN ♪
1683
01:18:03,090 --> 01:18:05,134
♪ FOR PURPLE MOUNTAIN♪ AMERICA ♪
1684
01:18:06,719 --> 01:18:09,055
♪ AMERICA ♪
1685
01:18:09,055 --> 01:18:13,560
♪ GOD SHED HIS GRACEON THEE ♪
1686
01:18:15,562 --> 01:18:23,236
♪ AND CROWN THY GOODWITH BROTHERHOOD ♪
1687
01:18:23,278 --> 01:18:31,078
♪ FROM SEA TO SHINING SEA ♪
1688
01:18:35,291 --> 01:18:37,751
[♪]
1689
01:19:00,859 --> 01:19:02,902
WHERE'S OUR TAXI GOING?
1690
01:19:02,944 --> 01:19:05,865
OH, YOU WON'TBE NEEDING IT.
1691
01:19:09,284 --> 01:19:10,410
YOU MUST BE PHOEBE.
1692
01:19:10,452 --> 01:19:11,328
YEAH.
1693
01:19:11,370 --> 01:19:12,622
HELLO, SIR.
1694
01:19:12,622 --> 01:19:13,914
STEVEN MAREK.
1695
01:19:13,956 --> 01:19:15,666
DEPARTMENT OF DEFENSE.
1696
01:19:17,418 --> 01:19:18,419
FORMER AIR FORCE?
1697
01:19:18,461 --> 01:19:20,004
-YEAH. THAT'S RIGHT.-I THOUGHT YOU AND PHOEBE--
1698
01:19:20,004 --> 01:19:21,797
...WOULD LIKE TO SEEWHAT ARMY RANGERS
1699
01:19:21,839 --> 01:19:23,466
ARE FLYING AROUND IN-I THOUGTHESE DAYS.PHOEBE--
1700
01:19:23,508 --> 01:19:26,511
[♪]
1701
01:19:32,893 --> 01:19:34,310
MOM!
1702
01:19:35,311 --> 01:19:36,271
MOMMY!
1703
01:19:36,312 --> 01:19:38,273
OH, MAMA!
1704
01:19:38,273 --> 01:19:40,484
[LAUGHING AND CRYING]
1705
01:19:42,986 --> 01:19:45,281
OH[♪]AMA!
1706
01:19:58,502 --> 01:20:01,380
[PHOEBE KEEPS SOBBING]
1707
01:20:03,090 --> 01:20:06,511
-HI, DADDY!-OH! OH...
1708
01:20:06,511 --> 01:20:09,181
[♪]
1709
01:20:23,195 --> 01:20:26,031
[♪]
1710
01:20:38,252 --> 01:20:40,797
[♪]
1711
01:20:43,883 --> 01:20:45,677
WE'RE HEADINGTO THE AIRPORT,
1712
01:20:45,677 --> 01:20:47,929
WITH ONE STOPON THE WAY.
1713
01:20:48,930 --> 01:20:52,184
WE'RE HEADINGTO THE AIRPORT[♪]
1714
01:21:08,408 --> 01:21:10,828
WHAT'S THIS?
1715
01:21:11,829 --> 01:21:12,913
UH...
1716
01:21:12,913 --> 01:21:16,209
THIS ISTHE FIRST ACQUISITION
1717
01:21:16,251 --> 01:21:19,504
BY THE NEWLY-FORMEDO'TOOLE FOUNDATION.
1718
01:21:20,463 --> 01:21:22,298
YOU BOUGHT THIS LOT?
1719
01:21:22,298 --> 01:21:23,967
I DID.
1720
01:21:23,967 --> 01:21:25,927
AND YOU'RE BUILDINGYOU BOURETIREMENT HOMES?
1721
01:21:25,969 --> 01:21:28,555
OH... ALL SORTSOF THINGS.
1722
01:21:28,597 --> 01:21:31,057
MAYBE A... SCHOOL
1723
01:21:31,099 --> 01:21:33,309
OR A LIBRARYIN AFGHANISTAN.
1724
01:21:33,352 --> 01:21:35,271
WE'RE STARTING SMALL.
1725
01:21:35,312 --> 01:21:37,689
I ASSUME YOU CAN USEYOUR COMPUTER TO TRACK DOWN
1726
01:21:37,731 --> 01:21:40,401
THE ORIGINAL BLUEPRINTSFOR YOUR ANCESTRAL HOME?
1727
01:21:43,279 --> 01:21:45,447
[LAUGHING]
1728
01:21:45,447 --> 01:21:46,615
PROBABLY!
1729
01:21:46,657 --> 01:21:49,035
IT WAS A PRETTY SMALL HOUSE,THOUGH.[LAUGHING]
1730
01:21:49,076 --> 01:21:50,411
OH.
1731
01:21:50,452 --> 01:21:53,956
WELL, WE'LL JUSTMAKE IT BIGGER.
1732
01:21:53,956 --> 01:21:55,667
THERE'LL BE A PORCH...
1733
01:21:55,708 --> 01:21:59,170
UH, AND A SWING,TOF COURSE.IGGER.
1734
01:22:00,713 --> 01:22:01,756
ROSES.
1735
01:22:01,798 --> 01:22:04,634
OH, THAT REMINDS ME.
1736
01:22:04,634 --> 01:22:06,136
AHEM.
1737
01:22:06,178 --> 01:22:08,263
OH, THAT REMINDS ME.WHAT'S THIS?
1738
01:22:11,058 --> 01:22:12,475
IS IT...
1739
01:22:12,475 --> 01:22:15,729
I TOOK A CUTTING FROMYOUR ROSEBUSH OVER THERE.
1740
01:22:16,814 --> 01:22:18,315
IF YOU TAKE IT HOME,PLANT IT,
1741
01:22:18,356 --> 01:22:20,108
NEXT YEAR,YOU'LL HAVE THE...
1742
01:22:20,150 --> 01:22:22,445
FIRST ROSE OF SUMMER.
1743
01:22:23,904 --> 01:22:26,657
YES.
1744
01:22:26,657 --> 01:22:28,993
[♪]
1745
01:22:29,035 --> 01:22:31,620
ARE WE ALLSUPPOSED TO MOVE HERE?
1746
01:22:31,662 --> 01:22:32,496
[LAUGHING]
1747
01:22:32,496 --> 01:22:34,040
NOT FOR A LONG TIMEYET, NORMAN.
1748
01:22:34,040 --> 01:22:36,167
WE ALL HAVE A LOT LEFT TO DO.BESIDES...
1749
01:22:36,167 --> 01:22:39,087
IT'S NICE TO HAVE SOMETHINGTO LOOK FORWARD TO, HMM?
1750
01:22:39,128 --> 01:22:40,672
WOW, SHANE! IT'S SO COOL--
1751
01:22:40,672 --> 01:22:43,592
YOUR FIRST HOUSEWILL BE YOUR LAST HOUSE.
1752
01:22:43,633 --> 01:22:46,178
AH, THE GREAT CIRCLE OF LIFE.
1753
01:22:46,220 --> 01:22:47,887
[CHUCKLING]
1754
01:22:47,929 --> 01:22:49,639
CAN I HAVE A WORKSHOP?AND A LABORATORY?
1755
01:22:49,681 --> 01:22:50,557
MAYBE A LITTLE...
1756
01:22:50,557 --> 01:22:53,018
MINI-ANTI-MATTER CYCLOTRONIN THE GARAGE?
1757
01:22:53,018 --> 01:22:54,269
NO, NORMAN.BE A LITTLE...
1758
01:22:54,311 --> 01:22:55,437
NO CYCLOTRON.
1759
01:22:55,479 --> 01:22:56,689
IT'S TIME TO GO.
1760
01:22:56,731 --> 01:22:59,358
[♪]
1761
01:23:02,570 --> 01:23:04,780
WHAT A FAMILY.
1762
01:23:05,740 --> 01:23:07,367
THE FEW...
1763
01:23:07,367 --> 01:23:08,868
THE PROUD...
1764
01:23:08,909 --> 01:23:10,077
THE POSTAL.
1765
01:23:10,120 --> 01:23:13,664
♪ AND CROWN THY GOOD ♪
1766
01:23:13,706 --> 01:23:15,291
♪ WITH BROTHERHOOD ♪
1767
01:23:15,291 --> 01:23:20,505
♪ FROM SEA TO SHINING SEA ♪
1768
01:23:24,551 --> 01:23:26,803
♪ WITH B[♪]HERHOOD ♪
114591
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