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These are the user uploaded subtitles that are being translated: 1 00:00:19,853 --> 00:00:23,723 ♪ UNO, DOS, ONE, TWO, TRES, CUATRO ♪ 2 00:00:28,228 --> 00:00:31,531 ♪ HEY, WOOLY BULLY ♪ 3 00:00:31,531 --> 00:00:33,032 ♪ WATCH IT NOW, WATCH IT ♪ 4 00:00:34,034 --> 00:00:36,036 ♪ HERE HE COME, HERE HE COME ♪ 5 00:00:39,539 --> 00:00:41,541 ♪ WATCH IT NOW, HE'LL GETCHA ♪ 6 00:00:49,049 --> 00:00:52,052 ♪ MADDIE TOLD HATTIE ♪ 7 00:00:52,052 --> 00:00:54,054 ♪ ABOUT A THING SHE SAW ♪ 8 00:00:55,555 --> 00:00:57,557 ♪ HAD TWO BIG HORNS ♪ 9 00:00:58,558 --> 00:01:00,560 ♪ AND A WOOLY JAW ♪ 10 00:01:00,560 --> 00:01:03,863 ♪ WOOLY BULLY ♪ 11 00:01:03,863 --> 00:01:05,097 ♪ WOOLY BULLY ♪ 12 00:01:05,098 --> 00:01:06,099 ♪ YEAH, TRY IT... ♪ 13 00:01:07,534 --> 00:01:09,402 [BELL RINGS] 14 00:01:16,409 --> 00:01:17,910 THEN HER HUSBAND FINDS THEM. 15 00:01:17,911 --> 00:01:20,914 SO AT THE END, THEY ALL GET A HOLD OF PAUL NEWMAN-- 16 00:01:20,914 --> 00:01:23,416 I'D LIKE TO GET A HOLD OF PAUL NEWMAN. 17 00:01:23,416 --> 00:01:24,917 AND THEY BACK AGAINST HIS CAR 18 00:01:24,918 --> 00:01:26,419 AND THEY SMASH HIS FACE WITH A BOARD. 19 00:01:26,419 --> 00:01:27,420 OH, DON'T SAY IT. 20 00:01:27,420 --> 00:01:29,922 AND THEY SAY, "YOU'LL NEVER GET ANOTHER WOMAN 21 00:01:29,923 --> 00:01:30,924 TO LOOK AT YOU." 22 00:01:30,924 --> 00:01:31,925 OH, SURE. 23 00:01:32,425 --> 00:01:33,926 IN THE PLAY, THEY CASTRATE HIM. 24 00:01:33,927 --> 00:01:35,428 YOU'RE MAKING THAT UP. 25 00:01:35,428 --> 00:01:36,429 SO, HOW DID HE LOOK? 26 00:01:36,429 --> 00:01:37,930 HE HAD A CUT ON HIS FACE, BIG DEAL. 27 00:01:38,431 --> 00:01:39,932 HE'S STILL GORGEOUS. 28 00:01:39,933 --> 00:01:40,934 HI. HI. 29 00:01:41,434 --> 00:01:42,435 I THINK I'M GONNA PEE IN MY PANTS. 30 00:01:42,936 --> 00:01:43,937 DO YOU KNOW HIM? 31 00:01:43,937 --> 00:01:45,438 I NEVER DID BEFORE. 32 00:01:45,939 --> 00:01:46,940 HE'S SO CUTE. 33 00:01:47,440 --> 00:01:48,441 IF IT WASN'T FOR HIS NAME. 34 00:01:48,942 --> 00:01:49,943 JACK AND JILL. 35 00:01:57,717 --> 00:01:59,218 DO YOU KNOW HIM? 36 00:01:59,219 --> 00:02:00,220 GOD, NO. 37 00:02:00,220 --> 00:02:01,721 WHO IS HE? 38 00:02:01,721 --> 00:02:03,222 I THINK MY BROTHER KNOWS HIM. 39 00:02:03,223 --> 00:02:05,225 JUST GOT KICKED OUT OF SAINT ANTHONY'S 40 00:02:05,225 --> 00:02:06,226 SO HE'S COMING HERE. 41 00:02:06,226 --> 00:02:07,227 I WONDER WHAT HE DID. 42 00:02:07,727 --> 00:02:08,728 HE RAPED A NUN. 43 00:02:09,229 --> 00:02:10,230 DEBRA. 44 00:02:10,230 --> 00:02:12,232 WE GOT TO HAVE SORORITY AFTER SCHOOL. 45 00:02:12,232 --> 00:02:13,733 WE ELECTING OFFICERS? 46 00:02:13,733 --> 00:02:15,234 WE ALREADY DID. JILL'S PRESIDENT. 47 00:02:15,235 --> 00:02:16,236 WE CALLED YOU. 48 00:02:16,236 --> 00:02:17,237 WHO'S SUBBING FOR P.E.? 49 00:02:17,237 --> 00:02:19,839 WOULD YOU BELIEVE MISS NAGRONSKY? 50 00:02:19,839 --> 00:02:21,841 [BELL RINGS] 51 00:02:21,841 --> 00:02:23,342 SEE YOU AT LUNCH. 52 00:02:24,844 --> 00:02:27,847 ♪ WOOLY BULLY, WOOLY BULLY ♪ 53 00:02:27,847 --> 00:02:29,348 ♪ WOOLY BULLY ♪ 54 00:02:29,349 --> 00:02:30,350 ♪ WATCH IT NOW, WATCH IT ♪ 55 00:02:30,350 --> 00:02:31,351 ♪ HERE HE COMES ♪ 56 00:02:32,852 --> 00:02:34,353 ♪ YOU GOT IT, YOU GOT IT ♪ 57 00:02:39,359 --> 00:02:40,860 Man: THANK YOU. 58 00:02:44,364 --> 00:02:47,767 OK. WE NEED AN EXAMPLE 59 00:02:48,101 --> 00:02:51,604 OF HOW COMMERCE WOULD WORK IN A MERITOCRACY. 60 00:02:52,105 --> 00:02:53,106 YEAH. 61 00:02:53,106 --> 00:02:54,107 THE CAFETERIA. 62 00:02:54,607 --> 00:02:57,476 THE FOOD'S LOUSY, BUT IT'S CHEAP. 63 00:02:57,777 --> 00:03:00,746 NOW, YOU SEE, WE CAN LEARN FROM THE MOST UNLIKELY SOURCES, 64 00:03:00,747 --> 00:03:05,251 WHICH IS WHY I CONTINUE TO BOTHER CALLING ON JILL. 65 00:03:08,588 --> 00:03:13,092 Teacher: OK. MONARCHY, OLIGARCHY, 66 00:03:13,092 --> 00:03:16,095 DEMOCRACY, PLUTOCRACY, 67 00:03:16,095 --> 00:03:18,931 ANARCHY, MERITOCRACY... 68 00:03:19,232 --> 00:03:21,734 I THINK ABOUT HIM ALL THE TIME. 69 00:03:21,734 --> 00:03:23,736 I DREAM ABOUT HIM. 70 00:03:23,736 --> 00:03:25,237 I DREAM ABOUT BEING NEAR HIM 71 00:03:25,738 --> 00:03:27,740 FOR THE REST OF MY LIFE. 72 00:03:28,241 --> 00:03:31,744 I DREAM OF HAVING CHILDREN THAT LOOK LIKE HIM. 73 00:03:31,744 --> 00:03:34,747 I WOULDN'T BE AN ACTRESS ALL THE TIME, 74 00:03:34,747 --> 00:03:38,250 ONLY UNTIL I FOUND HIM AND FELL IN LOVE WITH HIM. 75 00:03:38,251 --> 00:03:40,753 AFTER THAT--AFTER THAT, WE'D TAKE A TRAIN 76 00:03:40,753 --> 00:03:42,755 AND GO TO THE BEAUTIFUL CITIES 77 00:03:42,755 --> 00:03:44,389 AND SEE THE WONDERFUL PEOPLE EVERYWHERE. 78 00:03:44,891 --> 00:03:46,392 AND WHENEVER PEOPLE WERE SICK, 79 00:03:46,392 --> 00:03:48,894 HE'D GO TO THEM AND MAKE THEM WELL AGAIN. 80 00:03:48,895 --> 00:03:51,898 THAT'S ENOUGH. 81 00:03:51,898 --> 00:03:53,900 VERY NICE, JILL. 82 00:03:55,401 --> 00:03:56,402 I'M SORRY. 83 00:03:56,402 --> 00:03:58,904 I WENT OFF THE WRONG TRACK. I'M SORRY. 84 00:03:58,905 --> 00:04:02,909 AN ACTOR NEVER APOLOGIZES FOR AN AUDITION, DEAR. 85 00:04:02,909 --> 00:04:04,710 NEXT, PLEASE. 86 00:04:18,758 --> 00:04:19,759 GOT THE MAIL ALREADY? 87 00:04:20,260 --> 00:04:20,760 HIYA. 88 00:04:21,261 --> 00:04:23,263 HI. ANYTHING FOR ME? 89 00:04:23,263 --> 00:04:24,264 NOPE. 90 00:04:24,264 --> 00:04:25,765 HOW WAS SCHOOL? 91 00:04:25,765 --> 00:04:27,266 SCHOOL WAS SCHOOL. 92 00:04:27,267 --> 00:04:30,270 DO YOUR TIME. KEEP YOUR MOUTH SHUT AND THEY LEAVE YOU ALONE. 93 00:04:30,270 --> 00:04:31,271 NOTHING, HUH? 94 00:04:31,271 --> 00:04:32,272 MM-MMM. 95 00:04:32,272 --> 00:04:34,274 I MEAN, HOW WAS THE AUDITION? 96 00:04:34,774 --> 00:04:36,275 I STANK UP THE JOINT. 97 00:04:36,776 --> 00:04:38,277 I TOLD YOU YOU SHOULD HAVE HAD BREAKFAST. 98 00:04:38,778 --> 00:04:41,280 YOU CAN'T ACT ON A FULL STOMACH. 99 00:04:41,781 --> 00:04:42,782 YOU'RE QUOTING STANISLAVSKI 100 00:04:43,283 --> 00:04:44,284 OR AUDREY HEPBURN? 101 00:04:44,784 --> 00:04:46,285 A BODY CANNOT FUNCTION PROPERLY 102 00:04:46,786 --> 00:04:48,721 ON A DIET OF TOMATO PIES. 103 00:04:48,721 --> 00:04:50,622 YOU NEED PROTEIN. 104 00:04:50,623 --> 00:04:52,124 YOU NEED FIBER. 105 00:04:52,125 --> 00:04:54,227 YOU NEED COMPLEX CARBOHYDRATES. 106 00:04:54,227 --> 00:04:55,895 WHEN DO YOU FIND OUT? 107 00:04:55,895 --> 00:04:56,896 TOMORROW. 108 00:04:56,896 --> 00:04:58,397 WHAT'S THE PLAY? 109 00:04:58,398 --> 00:05:01,167 THE TIME OF YOUR LIFE. I WANT TO DO KITTY. 110 00:05:01,167 --> 00:05:03,903 THERE MUST BE OTHER PARTS BESIDES KITTY. 111 00:05:03,903 --> 00:05:06,906 I MEAN, THE OBJECT ISN'T TO HAVE THE BIGGEST PART. 112 00:05:06,906 --> 00:05:08,407 YES, IT IS. 113 00:05:08,408 --> 00:05:09,909 I HOPE YOU GET IT. 114 00:05:09,909 --> 00:05:10,910 FAT CHANCE. 115 00:05:10,910 --> 00:05:12,411 YOU HAVE HOMEWORK? 116 00:05:12,412 --> 00:05:13,346 LOADS. 117 00:05:13,713 --> 00:05:16,716 I'LL CALL YOU WHEN DINNER'S READY. 118 00:05:53,619 --> 00:05:55,787 ♪ I HAD SKIN LIKE LEATHER ♪ 119 00:05:55,788 --> 00:05:59,024 ♪ AND THE DIAMOND-HARD LOOK OF A COBRA ♪ 120 00:06:01,060 --> 00:06:02,961 ♪ I WAS BORN BLUE AND WEATHERED ♪ 121 00:06:02,962 --> 00:06:06,532 ♪ AND I BURST JUST LIKE A SUPERNOVA ♪ 122 00:06:08,034 --> 00:06:10,036 ♪ I COULD WALK LIKE BRANDO ♪ 123 00:06:10,036 --> 00:06:11,537 ♪ RIGHT INTO THE SUN ♪ 124 00:06:11,537 --> 00:06:16,275 ♪ DANCE JUST LIKE A CASANOVA ♪ 125 00:06:16,275 --> 00:06:18,877 ♪ WITH MY BLACKJACK AND JACKET ♪ 126 00:06:18,878 --> 00:06:20,379 ♪ AND HAIR SLICKED SWEET ♪ 127 00:06:20,380 --> 00:06:22,348 ♪ SILVER-STAR STUDS ON MY DUDS ♪ 128 00:06:22,348 --> 00:06:23,782 ♪ LIKE A HARLEY IN HEAT ♪ 129 00:06:23,783 --> 00:06:25,651 ♪ WHEN I STRUT DOWN THE STREET ♪ 130 00:06:25,651 --> 00:06:27,953 ♪ I COULD FEEL ITS HEARTBEAT ♪ 131 00:06:28,321 --> 00:06:29,322 ♪ SISTERS FELL BACK ♪ 132 00:06:29,322 --> 00:06:31,324 ♪ SAID DON'T THAT MAN LOOK PRETTY ♪ 133 00:06:31,824 --> 00:06:33,325 ♪ THE CRIPPLE ON THE CORNER CRIED OUT ♪ 134 00:06:33,326 --> 00:06:34,660 ♪ NICKELS FOR YOUR PITY ♪ 135 00:06:34,660 --> 00:06:37,796 ♪ THEM GASOLINE BOYS DOWNTOWN SURE TALK PRETTY ♪ 136 00:06:37,797 --> 00:06:40,966 ♪ IT'S SO HARD TO BE A SAINT IN THE CITY ♪ 137 00:06:45,772 --> 00:06:48,274 ♪ I WAS THE KING OF THE ALLEY ♪ 138 00:06:48,274 --> 00:06:51,176 ♪ MAMA, I COULD TALK SOME TRASH ♪ 139 00:06:53,179 --> 00:06:56,182 ♪ I WAS THE PRINCE OF THE PAUPERS... ♪ 140 00:06:56,182 --> 00:06:57,183 HI. 141 00:06:58,684 --> 00:07:00,185 WHAT'S YOUR NAME? 142 00:07:00,186 --> 00:07:01,187 JILL. 143 00:07:01,187 --> 00:07:02,188 WHAT? 144 00:07:02,188 --> 00:07:03,189 JILL. 145 00:07:03,689 --> 00:07:04,690 IT'S A PLEASURE TO MEET YOU, JILL. 146 00:07:05,191 --> 00:07:07,193 THEY CALL ME THE SHEIK. 147 00:07:07,193 --> 00:07:08,194 THE SHEIK? 148 00:07:08,694 --> 00:07:09,695 YEAH. 149 00:07:09,695 --> 00:07:11,196 ARE YOU AN ARAB? 150 00:07:11,197 --> 00:07:14,700 NO. I'M ITALIAN. CAPADILUPO. 151 00:07:16,702 --> 00:07:19,204 THEN WHY DO THEY CALL YOU SHEIK? 152 00:07:19,705 --> 00:07:20,706 IT'S A LONG STORY. 153 00:07:21,207 --> 00:07:24,210 LISTEN, YOU WANT TO GO OUT WITH ME SOMETIME? 154 00:07:24,710 --> 00:07:25,711 ARE YOU KIDDING? 155 00:07:26,212 --> 00:07:27,213 NO. YOU WANT TO? 156 00:07:28,714 --> 00:07:30,716 I DON'T EVEN KNOW YOU. 157 00:07:30,716 --> 00:07:32,217 IF YOU GO OUT WITH ME, 158 00:07:32,218 --> 00:07:34,720 I'LL TELL YOU MY LIFE HISTORY. 159 00:07:34,720 --> 00:07:36,221 YOU JUST GO UP TO PEOPLE YOU DON'T EVEN KNOW 160 00:07:36,222 --> 00:07:37,723 AND START TALKING TO THEM? 161 00:07:38,224 --> 00:07:40,226 SURE. PEOPLE I LIKE. 162 00:07:40,226 --> 00:07:42,228 I LIKE YOU. 163 00:07:42,228 --> 00:07:43,729 YOU DON'T KNOW ME. 164 00:07:46,232 --> 00:07:47,733 SO, WHAT DO YOU LIKE TO DO? 165 00:07:47,733 --> 00:07:49,234 YOU LIKE TO GO TO THE MOVIES? 166 00:07:49,235 --> 00:07:50,736 YOU LIKE TO DANCE? WHATEVER YOU WANT TO DO. 167 00:07:50,736 --> 00:07:53,739 I DON'T WANT TO GO OUT WITH YOU. REALLY. 168 00:07:56,242 --> 00:07:57,743 OK. BE THAT WAY. 169 00:07:59,245 --> 00:08:00,746 I'LL SEE YOU LATER. 170 00:08:00,746 --> 00:08:01,747 NO. I... 171 00:08:06,752 --> 00:08:09,187 YOU KNOW, YOU REALLY SHOULD EAT MORE THAN THAT. 172 00:08:09,188 --> 00:08:11,690 YOU'RE TOO SKINNY FOR YOUR HEIGHT. 173 00:08:16,696 --> 00:08:18,197 WHAT DID HE WANT? 174 00:08:18,197 --> 00:08:19,698 HE ASKED ME OUT. 175 00:08:19,699 --> 00:08:20,700 REALLY? JUST LIKE THAT? 176 00:08:21,200 --> 00:08:22,201 HIS NAME IS SHEIK. 177 00:08:22,702 --> 00:08:23,703 HE'S AN ARAB? 178 00:08:23,703 --> 00:08:24,704 NO. CAPADI...SOMETHING OR OTHER. 179 00:08:25,204 --> 00:08:26,705 SO, YOU GOING OUT WITH HIM? 180 00:08:27,206 --> 00:08:30,709 NO. CHRIST. HE LOOKS LIKE HE SHOULD BE SELLING USED CARS... 181 00:08:30,710 --> 00:08:32,712 OR STEALING THEM. 182 00:08:32,712 --> 00:08:35,715 YOU KNOW, THIS MACARONI LOOKS LIKE IT'S BEEN LEFT OVER 183 00:08:35,715 --> 00:08:37,216 FROM LAST YEAR. 184 00:08:37,216 --> 00:08:39,651 DO YOU THINK I'M TOO SKINNY? 185 00:08:41,053 --> 00:08:44,556 FROM THE DEFINITION OF SIMILAR POLYGONS, 186 00:08:44,557 --> 00:08:46,559 IT FOLLOWS THAT FOR TWO POLYGONS TO BE SIMILAR, 187 00:08:47,059 --> 00:08:49,061 TWO DISTINCT CONDITIONS MUST BE FULFILLED. 188 00:08:49,061 --> 00:08:52,064 1--THE CORRESPONDING ANGLES MUST BE EQUAL. 189 00:08:52,064 --> 00:08:53,065 AND NUMBER 2-- 190 00:08:53,566 --> 00:08:55,568 THE CORRESPONDING SIDES MUST BE PROPORTIONAL. 191 00:08:56,068 --> 00:08:58,437 ALSO, SINCE THE DEFINITION IS REVERSIBLE, 192 00:08:58,437 --> 00:08:59,938 IF TWO POLYGONS-- 193 00:09:00,439 --> 00:09:01,873 [BELL RINGS] 194 00:10:08,774 --> 00:10:10,075 HEY, CONGRATULATIONS. 195 00:10:11,611 --> 00:10:14,113 I'M GOING TO PRETEND YOU'RE NOT THERE. 196 00:10:14,113 --> 00:10:17,216 TOO BAD YOU DIDN'T GET THE LEAD. 197 00:10:17,216 --> 00:10:18,717 KITTY IS THE LEAD. 198 00:10:18,718 --> 00:10:20,219 OH. 199 00:10:21,721 --> 00:10:23,556 I BET YOU'RE REAL GOOD... 200 00:10:23,556 --> 00:10:24,990 ACTING. 201 00:10:33,399 --> 00:10:35,901 YOU WANT TO TAKE A SHOT? 202 00:10:35,901 --> 00:10:38,403 YOU DON'T GIVE UP, DO YOU? 203 00:10:38,404 --> 00:10:40,406 NO. IT'S JUST THAT, UH, WELL... 204 00:10:40,406 --> 00:10:43,409 I THOUGHT YOU MIGHT LIKE TO SEE 205 00:10:43,409 --> 00:10:45,911 WHAT A REAL MACHINE RIDES LIKE. 206 00:10:45,911 --> 00:10:46,912 IS IT YOURS? 207 00:10:46,912 --> 00:10:48,680 IT BELONGS TO MY FRIEND RAT. 208 00:10:48,681 --> 00:10:51,684 YOU WOULDN'T BELIEVE WHAT HE'S GOT UNDER THE HOOD. 209 00:10:58,190 --> 00:11:00,692 I GOT TO GO. 210 00:11:00,693 --> 00:11:02,695 WHAT ARE YOU AFRAID OF? 211 00:11:02,695 --> 00:11:05,698 NOTHING. I GOT TO BRING SOME PEOPLE HOME. 212 00:11:06,198 --> 00:11:09,701 I'LL BRING YOU RIGHT BACK HERE. 213 00:11:09,702 --> 00:11:13,706 YOU REALLY EXPECT ME TO GET INTO A CAR WITH YOU? 214 00:11:14,206 --> 00:11:17,709 WHAT? WHAT, I'M GOING TO MAKE A MOVE ON YOU, HUH? 215 00:11:17,710 --> 00:11:20,713 YOU DO NOT KNOW THE SHEIK VERY WELL. 216 00:11:22,214 --> 00:11:23,715 HEY, COME ON. COME ON. 217 00:11:23,716 --> 00:11:26,652 LOOK, YOU GOT TO CELEBRATE GETTING CAST TODAY, RIGHT? 218 00:11:30,656 --> 00:11:33,158 FIVE MINUTES. 219 00:11:33,159 --> 00:11:34,660 FIVE MINUTES. 220 00:11:34,660 --> 00:11:37,663 YOU CAN LEARN A LOT IN FIVE MINUTES. 221 00:11:58,317 --> 00:11:59,818 YOU MIGHT WANT TO PUT YOUR SEAT BELT ON. 222 00:11:59,819 --> 00:12:00,820 OH, COME ON. 223 00:12:01,320 --> 00:12:03,121 HEY, IT'S YOUR LIFE. 224 00:12:03,589 --> 00:12:05,257 [♪ ROCK AND ROLL PLAYING] 225 00:12:13,499 --> 00:12:15,334 WHOO! 226 00:12:59,178 --> 00:13:00,679 LIKE TO DRIVE FAST? 227 00:13:00,679 --> 00:13:02,180 I LOVE IT. 228 00:13:04,683 --> 00:13:06,184 I'LL SEE YOU TOMORROW THEN. 229 00:13:06,685 --> 00:13:08,186 DON'T COUNT ON IT. 230 00:13:18,697 --> 00:13:20,198 YOU BETTER DRIVE. 231 00:13:25,571 --> 00:13:30,027 ♪ STOP IN THE NAME OF LOVE ♪ 232 00:13:30,028 --> 00:13:31,029 ♪ BEFORE YOU... ♪ 233 00:13:31,029 --> 00:13:32,530 [TELEPHONE RINGS] 234 00:13:34,532 --> 00:13:36,033 [RING] 235 00:13:36,034 --> 00:13:37,535 HELLO. 236 00:13:39,037 --> 00:13:40,538 OH, HI. 237 00:13:43,041 --> 00:13:45,043 NO. I GOT HOMEWORK. 238 00:13:46,544 --> 00:13:49,547 OH, COME ON. WHAT AM I SUPPOSED TO BE AFRAID OF? 239 00:13:54,552 --> 00:13:57,054 OK. FOR A LITTLE WHILE. 240 00:13:58,556 --> 00:14:00,057 NO. NOT HERE. 241 00:14:00,058 --> 00:14:01,559 I'LL MEET YOU SOMEPLACE. 242 00:14:01,559 --> 00:14:03,060 I DON'T KNOW. WHERE? 243 00:14:09,067 --> 00:14:10,068 OK. 244 00:14:13,071 --> 00:14:14,072 OK. 245 00:14:15,573 --> 00:14:17,074 OK. 246 00:14:18,076 --> 00:14:19,577 SEE YA. 247 00:14:22,580 --> 00:14:24,048 YOU'RE SUCH A DOPE! 248 00:14:26,951 --> 00:14:29,453 [GUNSHOTS] 249 00:14:29,454 --> 00:14:31,456 YOU READY WITH THOSE, MA? 250 00:14:31,456 --> 00:14:33,958 KEEP YOUR VOICE DOWN IN THERE, WILL YA? 251 00:14:35,960 --> 00:14:36,961 HERE THEY ARE. 252 00:14:36,961 --> 00:14:37,962 THANKS. 253 00:14:38,463 --> 00:14:39,964 I'D LIKE TO SEE YOU MOVE THAT FAST 254 00:14:40,465 --> 00:14:42,967 WHEN I NEED SOMETHING AROUND HERE. 255 00:14:42,967 --> 00:14:44,969 [GUNSHOTS] 256 00:14:44,969 --> 00:14:46,470 THAT A WAY, GUYS. KICK ASS. 257 00:14:57,815 --> 00:14:59,817 GOT A NEW JACKET? 258 00:14:59,817 --> 00:15:01,318 HE LOOKS NICE. 259 00:15:01,319 --> 00:15:03,621 WHERE DID YOU GET THE MONEY FOR IT? 260 00:15:04,889 --> 00:15:06,390 NOT FROM YOU. 261 00:15:06,391 --> 00:15:07,892 WHERE ARE YOU GOING? 262 00:15:07,892 --> 00:15:09,994 SINCE WHEN DO YOU CARE? 263 00:15:09,994 --> 00:15:11,495 IF I FIND OUT YOU'RE MAKING MONEY 264 00:15:11,996 --> 00:15:14,498 THE WAY I THINK YOU'RE MAKING MONEY, 265 00:15:14,499 --> 00:15:15,800 I'LL RIP YOUR LUNGS OUT. 266 00:15:16,034 --> 00:15:18,536 PROMISES, PROMISES. 267 00:15:22,407 --> 00:15:25,410 ISN'T THAT A LITTLE OVER YOUR HEAD? 268 00:15:25,410 --> 00:15:26,911 ONE OF THESE DAYS, MR. BIG SHOT, 269 00:15:26,911 --> 00:15:28,412 YOU'RE GONNA FIND YOURSELF FLAT ON YOUR ASS, 270 00:15:28,413 --> 00:15:30,415 SPREAD OUT ON THE SIDEWALK. 271 00:15:31,916 --> 00:15:34,919 LONG AS I DON'T END UP LIKE YOU. 272 00:15:34,919 --> 00:15:35,920 NIGHT, MA. 273 00:15:35,920 --> 00:15:37,421 HAVE A GOOD TIME. 274 00:15:43,561 --> 00:15:45,563 DRESSES LIKE A PIMP. 275 00:15:45,563 --> 00:15:47,498 HE LOOKS HANDSOME. 276 00:16:23,935 --> 00:16:24,936 [HORN HONKS] 277 00:16:29,307 --> 00:16:30,741 JILL. 278 00:16:34,112 --> 00:16:35,113 HI. 279 00:16:35,113 --> 00:16:36,614 HI. 280 00:16:37,615 --> 00:16:39,116 YOU LOOK REAL PRETTY. 281 00:16:39,117 --> 00:16:40,118 THANK YOU. 282 00:16:42,120 --> 00:16:43,621 COME ON. RAT'S WAITING ON US. 283 00:16:50,795 --> 00:16:52,463 ♪ SPARKS FLY ON E STREET ♪ 284 00:16:52,463 --> 00:16:53,964 ♪ WHEN THE BOYD BROTHERS WALK IN ♪ 285 00:16:54,465 --> 00:16:56,366 ♪ HANDSOME AND HOT ♪ 286 00:16:57,735 --> 00:17:00,237 ♪ ALL THE LITTLE GIRLS' SOULS GO WEAK ♪ 287 00:17:00,238 --> 00:17:03,741 ♪ WHEN THE MANCHILD GIVES THEM A DOUBLE SHOT ♪ 288 00:17:05,610 --> 00:17:07,945 ♪ THE SCHOOLBOY BOBS PULL OUT ALL THE STOPS ♪ 289 00:17:07,945 --> 00:17:10,447 ♪ ON A FRIDAY NIGHT ♪ 290 00:17:12,950 --> 00:17:15,452 ♪ WHILE TEENAGE JOCKS IN SKINTIGHT PANTS ♪ 291 00:17:15,453 --> 00:17:19,790 ♪ DO THE E STREET DANCE AND EVERYTHING'S ALL RIGHT ♪ 292 00:17:20,291 --> 00:17:22,293 ♪ NOW, THE KIDS DOWN THERE ARE EITHER DANCIN' ♪ 293 00:17:22,293 --> 00:17:23,794 ♪ OR HOOKED UP IN A SCUFFLE ♪ 294 00:17:23,795 --> 00:17:27,665 ♪ DRESSED IN SNAKESKIN SUITS PACKED WITH DETROIT MUSCLE ♪ 295 00:17:27,665 --> 00:17:32,169 ♪ THEY'RE DOIN' THE E STREET SHUFFLE ♪ 296 00:17:36,541 --> 00:17:38,843 ♪ NOW, THOSE E STREET BRATS IN TWILIGHT ♪ 297 00:17:39,343 --> 00:17:44,348 ♪ DO FLASHLIGHT PHANTOMS IN FULL-STAR STREAM ♪ 298 00:17:44,348 --> 00:17:46,216 ♪ DOWN FIRE TRAILS ON SILVER NIGHTS ♪ 299 00:17:46,217 --> 00:17:49,853 ♪ WITH BLONDE GIRLS PLAYIN' SWEET 16 ♪ 300 00:17:51,656 --> 00:17:53,691 ♪ AND THE RUDE BOYS SAY THE HEAT'S BEEN BAD ♪ 301 00:17:53,691 --> 00:17:56,193 ♪ SINCE POWER 13 GAVE TROOPER ROY A HIT ♪ 302 00:17:56,194 --> 00:17:58,529 ♪ IN A SUMMER SCUFFLE ♪ 303 00:17:58,830 --> 00:18:00,331 ♪ AND POWER'S GIRL LITTLE ANGEL ♪ 304 00:18:00,331 --> 00:18:01,832 ♪ BEEN ON THE CORNER ♪ 305 00:18:01,833 --> 00:18:04,335 ♪ KEEPIN' THOSE CRAZY BOYS OUT OF TROUBLE... ♪ 306 00:18:06,838 --> 00:18:13,678 ♪ OH, MY LOVE ♪ 307 00:18:13,678 --> 00:18:14,679 ♪ MY DARLIN'... ♪ 308 00:18:14,679 --> 00:18:16,180 YOU DON'T REMEMBER ME. 309 00:18:18,182 --> 00:18:19,082 WHAT? 310 00:18:19,417 --> 00:18:21,819 WE USED TO BE IN THE SAME GYM CLASS ONCE. 311 00:18:22,186 --> 00:18:24,021 YOU GO TO ST. CATHERINE'S. 312 00:18:24,322 --> 00:18:25,323 NO. TRANSFERRED. 313 00:18:25,323 --> 00:18:28,326 NINTH GRADE WE WERE IN THE SAME SQUAD. 314 00:18:28,326 --> 00:18:31,195 UM...ROSEN, ROTH, 315 00:18:31,529 --> 00:18:34,532 ROUSSEAU, TATUM, TESSETORI. 316 00:18:35,533 --> 00:18:37,268 JOANNE TESSETORI. 317 00:18:37,268 --> 00:18:39,937 YEAH. I WASN'T BLONDE THEN. 318 00:18:39,937 --> 00:18:42,105 YOU WERE GREAT AT VOLLEYBALL. 319 00:18:42,106 --> 00:18:44,875 YOU ALWAYS SAT OUT WITH YOUR PERIOD. 320 00:18:44,876 --> 00:18:46,844 YEAH. I STILL PULL THAT ONE. 321 00:18:49,280 --> 00:18:50,781 GOING OUT WITH SHEIK, GIRL? 322 00:18:51,282 --> 00:18:51,782 NO. 323 00:18:52,283 --> 00:18:53,684 HE'S A GREAT DRESSER. 324 00:18:53,684 --> 00:18:57,187 ♪ ARE YOU ♪ 325 00:18:57,188 --> 00:19:03,694 ♪ STILL MINE... ♪ 326 00:19:03,694 --> 00:19:06,697 YOU BEEN GOING OUT WITH, UM...RAT LONG? 327 00:19:06,697 --> 00:19:08,699 UH, OFF AND ON. 328 00:19:08,699 --> 00:19:10,634 HE'S GOT A NICE CAR. 329 00:19:12,536 --> 00:19:13,537 YOU WOULDN'T BELIEVE 330 00:19:14,038 --> 00:19:16,040 WHAT'S HE'S GOT UNDER HIS HOOD. 331 00:19:20,544 --> 00:19:23,547 SO, WHY'D YOU SAY YOU'D GO OUT WITH ME? 332 00:19:23,547 --> 00:19:25,048 I DON'T KNOW. 333 00:19:25,049 --> 00:19:26,550 JUST CURIOUS, RIGHT? 334 00:19:29,053 --> 00:19:31,055 YOU WANT TO GO OUT WITH ME AGAIN? 335 00:19:31,555 --> 00:19:33,056 SHEIK, YOU HARDLY SAID TWO WORDS TO ME ALL NIGHT. 336 00:19:34,558 --> 00:19:36,059 HEY, I FIGURED... 337 00:19:36,060 --> 00:19:38,062 YOU BETTER GET USED TO ME 338 00:19:38,062 --> 00:19:41,565 BEFORE I HIT YOU WITH ANYTHING TOO HEAVY. 339 00:19:41,565 --> 00:19:44,568 NEVER BEEN OUT WITH ANYBODY LIKE ME, HUH? 340 00:19:47,071 --> 00:19:48,072 NO. 341 00:19:48,072 --> 00:19:51,075 WELL, WHAT DO YOU THINK SO FAR? 342 00:19:51,075 --> 00:19:52,576 I THINK YOU'RE CRAZY. 343 00:19:54,578 --> 00:19:56,580 YOU GOT REAL PRETTY EYES. 344 00:19:57,581 --> 00:20:00,584 I BET YOU DON'T EVEN HAVE TO ACT 345 00:20:00,584 --> 00:20:02,085 UP THERE ON STAGE. 346 00:20:02,086 --> 00:20:04,088 PEOPLE JUST STARE AT YOUR EYES. 347 00:20:04,088 --> 00:20:06,090 I HOPE NOT. 348 00:20:06,090 --> 00:20:09,093 I'VE NEVER BEEN OUT WITH ANYBODY LIKE YOU. 349 00:20:29,613 --> 00:20:32,616 CAN I GIVE YOU A RIDE HOME? 350 00:20:32,616 --> 00:20:35,619 NO. I'M JUST A COUPLE OF BLOCKS. 351 00:20:35,619 --> 00:20:36,620 I'LL WALK. 352 00:20:36,620 --> 00:20:39,623 HEY, HAVE YOU EVER SEEN TRENTON LATE AT NIGHT? 353 00:20:39,623 --> 00:20:42,125 IT LOOKS LIKE A WHOLE DIFFERENT PLACE. 354 00:20:42,126 --> 00:20:44,128 I GOT TO GET HOME. 355 00:20:44,128 --> 00:20:46,563 IT'S BEST IF YOU DRIVE SLOW, 356 00:20:46,564 --> 00:20:49,066 FIND SOMETHING GOOD ON THE RADIO. 357 00:20:49,066 --> 00:20:51,068 I GOT TO GET HOME. 358 00:20:51,068 --> 00:20:52,569 YOU CAN DRIVE OK? 359 00:20:52,570 --> 00:20:55,072 YOU GIRLS REALLY PACKED AWAY THE LIQUOR IN THERE. 360 00:20:55,072 --> 00:20:56,073 I'M FINE. 361 00:20:58,576 --> 00:21:00,077 SEE YOU IN SCHOOL THEN. 362 00:21:00,578 --> 00:21:02,580 OK. SEE YOU. 363 00:21:20,097 --> 00:21:21,598 SO, IS HE FAST? 364 00:21:21,599 --> 00:21:23,100 COMPARED TO WHO? 365 00:21:23,100 --> 00:21:24,601 COMPARED TO BARRY SILVER. 366 00:21:24,602 --> 00:21:26,003 GROSS ME OUT. 367 00:21:26,504 --> 00:21:28,506 I BET HE'S A GOOD DANCER. 368 00:21:29,006 --> 00:21:30,007 I NEVER DANCED WITH HIM. 369 00:21:30,007 --> 00:21:31,008 WHAT DOES HE KISS LIKE? 370 00:21:31,008 --> 00:21:32,009 JESUS, BETH. 371 00:21:32,009 --> 00:21:33,510 WHAT'S YOUR PROBLEM? 372 00:21:33,511 --> 00:21:35,513 WELL, JUST BECAUSE JILL'S GOING OUT WITH SOME THUG-- 373 00:21:35,513 --> 00:21:36,514 HE'S NOT A THUG! 374 00:21:36,514 --> 00:21:38,516 YOU HAVE TO HAVE ALL THE CLINICAL DETAILS. 375 00:21:38,516 --> 00:21:39,517 I'M INTERESTED. 376 00:21:39,517 --> 00:21:40,518 SHE'S INTERESTED. 377 00:21:40,518 --> 00:21:42,520 I THINK HE DRESSES NICE. 378 00:21:42,520 --> 00:21:44,522 SO, HAVE YOU TWO SET THE DATE YET? 379 00:21:44,522 --> 00:21:45,523 GIVE ME A BREAK. 380 00:21:45,523 --> 00:21:47,525 ♪ GOIN' TO THE CHAPEL ♪ 381 00:21:47,525 --> 00:21:51,028 ♪ AND WE'RE GONNA GET MARRIED ♪ 382 00:21:51,028 --> 00:21:53,030 ♪ GOIN' TO THE CHAPEL ♪ 383 00:21:53,030 --> 00:21:57,534 ♪ AND WE'RE GONNA GET MARRIED ♪ 384 00:21:57,535 --> 00:21:59,036 ♪ GEE, I REALLY LOVE YOU ♪ 385 00:21:59,537 --> 00:22:02,940 ♪ AND WE'RE GONNA GET MARRIED ♪ 386 00:22:02,940 --> 00:22:07,044 I HAVE NO IDEA WHY ANYONE WOULD FIGHT OVER IT. 387 00:22:07,044 --> 00:22:10,213 ANYWAY, I'D BEEN STATIONED THERE FOR ABOUT A MONTH 388 00:22:10,548 --> 00:22:12,550 BEFORE I EVEN SAW A JAPANESE. 389 00:22:12,550 --> 00:22:13,551 HI. 390 00:22:13,551 --> 00:22:14,552 YES? 391 00:22:14,552 --> 00:22:17,054 YOU HAVE A MESSAGE FOR ME? 392 00:22:17,054 --> 00:22:18,055 NO. 393 00:22:18,055 --> 00:22:20,057 OH, SORRY TO INTERRUPT. 394 00:22:28,065 --> 00:22:29,566 AND, UM... 395 00:22:29,567 --> 00:22:32,503 AND THE OTHER MEN DIDN'T WANT TO TALK ABOUT IT. 396 00:22:32,503 --> 00:22:35,339 SO, IT WAS PITCH BLACK WHEN THE ARTILLERY BEGAN. 397 00:22:35,339 --> 00:22:38,141 YOU CAN'T IMAGINE THE IMPACT AND THE SHELLING-- 398 00:22:38,142 --> 00:22:39,643 THE JAPS OR THE GERMANS? 399 00:22:39,643 --> 00:22:41,511 JILL, WHO IS THIS PERSON? 400 00:22:41,512 --> 00:22:43,480 WHAT ARE YOU GETTING ON HER FOR? 401 00:22:43,981 --> 00:22:45,983 I'M AFRAID I'M GOING TO HAVE TO ASK YOU TO LEAVE. 402 00:22:46,484 --> 00:22:46,984 HEY, EXCUSE ME. 403 00:22:47,485 --> 00:22:49,487 I FIGURED THIS WAS HIGH SCHOOL. 404 00:22:49,987 --> 00:22:51,989 I COULD DROP IN AND SOAK UP A LITTLE KNOWLEDGE. 405 00:22:52,490 --> 00:22:53,491 OUT. OUT. 406 00:22:55,993 --> 00:22:56,994 OK. 407 00:22:57,495 --> 00:22:59,997 I'LL SEE YOU IN THE PARKING LOT. 408 00:23:02,333 --> 00:23:04,168 IS HE A STUDENT HERE? 409 00:23:04,668 --> 00:23:07,604 I DON'T KNOW HOW I DID. I'M REALLY WORRIED. 410 00:23:07,605 --> 00:23:09,106 WELL, IF YOU GET IN, ARE YOU GOING TO GO? 411 00:23:09,607 --> 00:23:10,608 OF COURSE I'M GOING TO GO. 412 00:23:10,608 --> 00:23:11,942 WELL, IT'S NOT LIKE A RULE OR ANYTHING, 413 00:23:11,942 --> 00:23:12,943 JUST 'CAUSE YOU GET ACCEPTED-- 414 00:23:13,444 --> 00:23:15,446 WHAT AM I SUPPOSED TO DO, STAY IN TRENTON? 415 00:23:15,446 --> 00:23:16,947 I CAN'T SEE IT, SIGNING ON 416 00:23:16,947 --> 00:23:19,449 FOR FOUR MORE YEARS OF THIS GARBAGE. 417 00:23:19,450 --> 00:23:20,451 IT'S NOT THE SAME. 418 00:23:20,451 --> 00:23:21,452 WHERE I WANT TO GO, 419 00:23:21,952 --> 00:23:22,452 THERE'S NO REQUIRED CLASSES, 420 00:23:22,953 --> 00:23:23,954 NO BELLS, NO TESTS. 421 00:23:23,954 --> 00:23:25,956 YOU STUDY WHAT YOU WANT. IT'S GREAT. 422 00:23:25,956 --> 00:23:26,957 HI. 423 00:23:26,957 --> 00:23:27,958 HIYA, MR. RIPEPPI. 424 00:23:27,958 --> 00:23:28,959 HELLO. 425 00:23:28,959 --> 00:23:30,460 SO, WHAT DO YOU DO IN COLLEGE 426 00:23:30,961 --> 00:23:32,963 THAT YOU DON'T DO IN HIGH SCHOOL? 427 00:23:32,963 --> 00:23:34,464 IS IT DIFFERENT SUBJECTS? 428 00:23:34,465 --> 00:23:36,467 SAME SUBJECTS, YOU JUST GO INTO THEM DEEPER. 429 00:23:36,467 --> 00:23:39,970 YOU WANT TO GO DEEPER INTO WHAT, EARTH SCIENCE? 430 00:23:39,970 --> 00:23:42,973 THEY GOT ANY GOOD SCHOOLS IN FLORIDA? 431 00:23:42,973 --> 00:23:43,974 FLORIDA? 432 00:23:43,974 --> 00:23:45,475 YEAH, THAT'S WHERE FRANK IS THESE DAYS. 433 00:23:45,476 --> 00:23:46,477 FRANK WHO? 434 00:23:46,477 --> 00:23:47,478 FRANK WHO? 435 00:23:47,478 --> 00:23:49,480 SINATRA, WHO ELSE? 436 00:23:49,480 --> 00:23:50,981 [BELL RINGS] 437 00:23:51,982 --> 00:23:53,783 BYE. SEE YOU TONIGHT. 438 00:24:09,567 --> 00:24:12,069 YOU SUPPOSED TO BE SOMEPLACE, MISTER? 439 00:24:12,069 --> 00:24:13,570 YEAH. I'M GOING TO CLASS. 440 00:24:13,571 --> 00:24:14,572 WHAT CLASS? 441 00:24:14,572 --> 00:24:15,573 WOOD SHOP. 442 00:24:15,573 --> 00:24:18,576 I SAW YOU IN SECOND LUNCH AGAIN TODAY. 443 00:24:18,576 --> 00:24:21,078 MY GIRLFRIEND'S GOT SECOND LUNCH. 444 00:24:21,078 --> 00:24:22,579 I WANTED TO TALK TO HER. 445 00:24:23,047 --> 00:24:24,548 YOU PULL THAT AGAIN, 446 00:24:24,548 --> 00:24:26,550 AND I'M GOING TO COME DOWN ON YOU. 447 00:24:30,254 --> 00:24:32,256 PROMISES, PROMISES. 448 00:24:33,891 --> 00:24:39,396 WE USED TO BE IN THE SAME GYM GLASS ONCE. ONCE. 449 00:24:39,396 --> 00:24:42,399 I'M SO GLAD BECAUSE I WANTED TO BE AN ACTRESS 450 00:24:42,399 --> 00:24:43,400 AND HAVE A YOUNG DOCTOR 451 00:24:43,400 --> 00:24:44,901 COME TO THE THEATER AND SEE ME 452 00:24:44,902 --> 00:24:47,905 AND FALL IN LOVE WITH ME AND SEND ME FLOWERS. 453 00:24:47,905 --> 00:24:49,406 I WOULDN'T KNOW WHO IT WAS, 454 00:24:49,406 --> 00:24:51,908 AND THEN ONE DAY, I'D SEE HIM IN THE STREET 455 00:24:51,909 --> 00:24:53,410 AND FALL IN LOVE WITH HIM. 456 00:24:53,410 --> 00:24:54,411 JILL. 457 00:24:54,411 --> 00:24:55,412 YES? 458 00:25:01,919 --> 00:25:04,922 I WANTED A WORD WITH YOU, DEAR. 459 00:25:04,922 --> 00:25:06,423 OK. 460 00:25:06,423 --> 00:25:08,358 I HEARD A RATHER DISTRESSING RUMOR 461 00:25:08,759 --> 00:25:11,762 IN THE FACULTY LOUNGE THE OTHER DAY 462 00:25:11,762 --> 00:25:13,764 ABOUT YOU AND SOME YOUNG MAN. 463 00:25:14,265 --> 00:25:15,266 ABOUT ME? 464 00:25:15,266 --> 00:25:17,768 I'VE SEEN MANY A PROMISING YOUNG ACTRESS 465 00:25:17,768 --> 00:25:22,139 BETRAY HER TALENT FOR THE SAKE OF A FEW CARELESS ADVENTURES. 466 00:25:22,139 --> 00:25:24,141 YES, MISS VERNON. 467 00:25:24,141 --> 00:25:26,143 A THEATER PROFESSIONAL IS DEDICATED 468 00:25:26,143 --> 00:25:28,645 TO THE PURSUIT OF EXCELLENCE. 469 00:25:28,646 --> 00:25:30,147 YES, MISS VERNON. 470 00:25:30,147 --> 00:25:33,250 IF YOU STRIVE FOR ANYTHING LESS THAN EXCELLENCE, 471 00:25:33,250 --> 00:25:34,751 YOU'RE CHEATING THE PEOPLE 472 00:25:34,752 --> 00:25:37,254 WHO COME TO SEE YOU PERFORM 473 00:25:37,254 --> 00:25:40,156 AND BETRAYING YOUR OWN TALENT. 474 00:25:40,157 --> 00:25:41,658 YES, MISS VERNON. 475 00:25:44,161 --> 00:25:45,662 [SPEAKING ITALIAN] 476 00:25:50,167 --> 00:25:51,168 DON'T. 477 00:25:51,168 --> 00:25:52,669 WHAT? 478 00:25:52,670 --> 00:25:54,171 WHAT'S THE MATTER? 479 00:25:54,171 --> 00:25:56,673 NOTHING'S THE MATTER. JUST DON'T. 480 00:25:56,674 --> 00:25:58,676 CHRIST. 481 00:25:58,676 --> 00:26:00,678 I SHOULD BE HOME ASLEEP. 482 00:26:00,678 --> 00:26:02,179 YOU JEWISH GIRLS. 483 00:26:02,179 --> 00:26:04,181 WHAT ABOUT US JEWISH GIRLS? 484 00:26:04,181 --> 00:26:08,685 YOU MAKE SUCH A BIG DEAL OUT OF THINGS. 485 00:26:08,686 --> 00:26:09,687 SHH. 486 00:26:09,687 --> 00:26:12,189 YOU MEAN I DON'T PUT OUT? 487 00:26:15,693 --> 00:26:18,195 YOU'RE PRETTY SMART, YOU KNOW THAT? 488 00:26:18,195 --> 00:26:19,696 YOU'RE ABOUT THE SMARTEST GIRL 489 00:26:19,697 --> 00:26:21,198 I EVER WENT OUT WITH. 490 00:26:21,198 --> 00:26:22,199 THANK YOU. 491 00:26:22,199 --> 00:26:25,702 ONLY IT ISN'T HEALTHY, YOU KNOW, 492 00:26:25,703 --> 00:26:27,705 LIKE GETTING ALL EXCITED ABOUT THAT 493 00:26:27,705 --> 00:26:29,707 AND NOT GOING ANY FURTHER. 494 00:26:29,707 --> 00:26:31,709 IT'S REALLY BAD ON THE HEART, 495 00:26:31,709 --> 00:26:33,210 ESPECIALLY IF YOU'RE A GUY. 496 00:26:38,716 --> 00:26:40,718 THIS IS MY FAVORITE PART. 497 00:26:45,723 --> 00:26:48,726 YOU GOING TO GIVE ME A RIDE HOME? 498 00:26:48,726 --> 00:26:51,228 IF YOUR HEART CAN STAND IT. 499 00:26:53,063 --> 00:26:54,164 MY NAME ISN'T DUVAL. 500 00:26:54,665 --> 00:26:56,667 IT'S KORANOVSKY. 501 00:26:56,667 --> 00:26:58,035 KATARINA KORANOVSKY. 502 00:26:59,336 --> 00:27:01,338 AND WE LOST EVERYTHING-- 503 00:27:01,338 --> 00:27:02,339 THE HOUSE, 504 00:27:02,339 --> 00:27:05,342 THE FARM, THE TREES, 505 00:27:05,342 --> 00:27:08,345 THE HORSES, THE CHICKENS, THE COWS. 506 00:27:09,847 --> 00:27:10,848 PAPA DIED. 507 00:27:11,348 --> 00:27:12,349 HE WAS OLD. 508 00:27:12,850 --> 00:27:13,784 EXCUSE ME, DEAR. 509 00:27:14,184 --> 00:27:15,685 JUST A WORD. 510 00:27:15,686 --> 00:27:18,188 EVEN IF YOU'RE SUPPOSED TO BE 511 00:27:18,188 --> 00:27:21,691 A SOMEWHAT LOWLIFE CHARACTER, 512 00:27:21,692 --> 00:27:24,728 YOU MUSTN'T FORGET THAT YOU'RE AN ACTRESS, 513 00:27:24,728 --> 00:27:27,731 AND THAT KITTY HERSELF IS AN ACTRESS. 514 00:27:27,731 --> 00:27:30,767 NOT A VERY SUCCESSFUL ONE, 515 00:27:30,768 --> 00:27:32,269 AS WE HAVE DISCUSSED, 516 00:27:32,269 --> 00:27:34,271 BUT WITH THAT CERTAIN SOMETHING 517 00:27:34,271 --> 00:27:36,806 YOU MUST ALWAYS BE AWARE OF. 518 00:27:36,807 --> 00:27:38,809 DO YOU SEE MY POINT? 519 00:27:40,811 --> 00:27:41,812 JILL. 520 00:27:41,812 --> 00:27:44,815 YOU MEAN LIKE SHE'S ALWAYS ACTING, 521 00:27:44,815 --> 00:27:47,150 WHETHER SHE'S IN CHARACTER OR NOT. 522 00:27:48,419 --> 00:27:50,921 VERY WELL PUT. 523 00:27:51,422 --> 00:27:52,856 FROM THE TOP, DEAR. 524 00:27:57,761 --> 00:27:59,262 WHY, I DREAM OF HOME. 525 00:27:59,763 --> 00:28:01,264 CHRIST, I ALWAYS DREAM OF HOME. 526 00:28:01,265 --> 00:28:02,766 I HAVE NO HOME. 527 00:28:02,766 --> 00:28:04,267 I HAVE NO PLACE, 528 00:28:04,268 --> 00:28:06,770 BUT I ALWAYS DREAM OF US, 529 00:28:06,770 --> 00:28:09,239 ALL OF US...BLAH. 530 00:28:09,239 --> 00:28:12,242 YOU MAKE ONE WISECRACK, AND I'LL KILL YOU. 531 00:28:12,242 --> 00:28:14,244 I THOUGHT YOU WERE GOOD. 532 00:28:14,244 --> 00:28:16,746 YOU JUST WALTZ IN WHEREVER YOU WANT. 533 00:28:16,747 --> 00:28:19,750 YOU DON'T WANT ME TO WATCH YOU REHEARSE? 534 00:28:19,750 --> 00:28:23,253 IF YOU HAD HALF A BRAIN, YOU'D KNOW THAT. 535 00:28:23,253 --> 00:28:26,256 WHAT DO YOU MEAN, HALF A BRAIN? 536 00:28:26,256 --> 00:28:28,758 I DON'T WANT YOU TO WAIT FOR ME AFTER SCHOOL. 537 00:28:28,759 --> 00:28:32,763 I JUST GOT KICKED OFF THE BASKETBALL TEAM. 538 00:28:32,763 --> 00:28:36,266 YOU PROBABLY DESERVED IT. 539 00:28:36,266 --> 00:28:38,768 YOU'RE A REAL BALL-BUSTER, YOU KNOW THAT? 540 00:28:38,769 --> 00:28:40,771 WHAT HAPPENS IF YOU WOULD HAVE GOT 541 00:28:40,771 --> 00:28:41,772 KICKED OUT OF THIS PLAY, 542 00:28:41,772 --> 00:28:43,774 AND I COME TO YOU AND I SAY, 543 00:28:43,774 --> 00:28:45,275 "YOU PROBABLY DESERVED IT?" 544 00:28:45,275 --> 00:28:46,776 NICE MOUTH, YOU KNOW? 545 00:28:46,777 --> 00:28:49,279 I DON'T WANT YOU TO WAIT FOR ME AFTER SCHOOL. 546 00:28:49,279 --> 00:28:51,281 I DON'T WANT YOU DRIVING BY MY HOUSE AT NIGHT. 547 00:28:51,281 --> 00:28:52,782 I DON'T WANT YOU TO CALL ME. 548 00:28:52,783 --> 00:28:54,785 I'VE HAD NOTHING BUT TROUBLE EVER SINCE I MET YOU. 549 00:28:54,785 --> 00:28:56,219 LEAVE ME ALONE, OK? 550 00:28:56,220 --> 00:28:57,120 WHAT DO YOU THINK? 551 00:28:57,120 --> 00:29:01,424 YOU'RE TOO FUCKIN' GOOD FOR ME? HUH? 552 00:29:01,425 --> 00:29:03,693 THAT'S IT! GO AHEAD, GO AHEAD! WALK AWAY! 553 00:29:04,194 --> 00:29:06,696 GO AHEAD! TURN YOUR LITTLE CHIN UP IN THE AIR! 554 00:29:07,197 --> 00:29:08,698 GO HOME TO DADDY! 555 00:29:13,504 --> 00:29:16,306 WHAT DO YOU MEAN HALF A FUCKIN' BRAIN? 556 00:29:21,245 --> 00:29:24,135 ♪ SHA LA LA LA LA LA ♪ 557 00:29:24,135 --> 00:29:25,636 HERE'S YOUR BOYFRIEND. 558 00:29:25,637 --> 00:29:28,139 ♪ SHA LA LA LA LA LA ♪ 559 00:29:29,140 --> 00:29:32,643 ♪ SHA LA LA LA LA LA ♪ 560 00:29:32,644 --> 00:29:34,145 ♪ SHA LA LA LA LA LA ♪ 561 00:29:34,145 --> 00:29:37,148 ♪ IT'S NOT THE WAY YOU SMILE ♪ 562 00:29:37,148 --> 00:29:39,150 ♪ THAT TOUCHED MY HEART ♪ 563 00:29:41,119 --> 00:29:42,520 ♪ SHA LA LA LA LA LA ♪ 564 00:29:42,520 --> 00:29:45,523 ♪ IT'S NOT THE WAY YOU KISS ♪ 565 00:29:45,523 --> 00:29:49,026 ♪ THAT TEARS ME APART ♪ 566 00:29:49,027 --> 00:29:50,528 ♪ WHA-OH OH-OHH ♪ 567 00:29:50,528 --> 00:29:55,032 ♪ MANY, MANY, MANY NIGHTS ROLL BY ♪ 568 00:29:55,033 --> 00:29:58,536 ♪ I SIT ALONE AT HOME AND CRY ♪ 569 00:29:58,536 --> 00:30:00,437 ♪ OVER YOU ♪ 570 00:30:00,438 --> 00:30:03,441 ♪ WHAT CAN I DO ♪ 571 00:30:03,941 --> 00:30:06,443 ♪ I CAN'T HELP MYSELF ♪ 572 00:30:07,945 --> 00:30:09,947 ♪ 'CAUSE, BABY, IT'S YOU ♪ 573 00:30:09,947 --> 00:30:12,449 ♪ SHA LA LA LA LA LA ♪ 574 00:30:12,450 --> 00:30:13,717 ♪ BABY, IT'S YOU ♪ 575 00:30:13,718 --> 00:30:15,720 ♪ SHA LA LA LA LA LA ♪ 576 00:30:15,720 --> 00:30:17,221 ♪ DON'T LEAVE ME ALONE ♪ 577 00:30:17,221 --> 00:30:18,222 [TELEPHONE RINGS] 578 00:30:18,222 --> 00:30:20,724 ♪ SHA LA LA LA LA LA ♪ 579 00:30:20,725 --> 00:30:22,226 ♪ COME ON HOME ♪ 580 00:30:22,226 --> 00:30:23,227 [RING] HELLO. 581 00:30:38,743 --> 00:30:42,747 WE USED TO BE IN THE SAME GYM CLASS ONCE. 582 00:30:42,747 --> 00:30:45,750 YOU BE CAREFUL HOW YOU TALK TO ME. 583 00:30:47,251 --> 00:30:48,719 NOW I REMEMBER. 584 00:30:49,220 --> 00:30:51,222 I WANTED TO BE A DOCTOR ONCE. 585 00:30:51,723 --> 00:30:53,224 I'M SO GLAD BECAUSE I WANTED TO BE AN ACTRESS 586 00:30:53,725 --> 00:30:55,226 AND HAVE A YOUNG DOCTOR COME TO THE THEATER 587 00:30:55,226 --> 00:30:57,728 AND SEE ME AND FALL IN LOVE WITH ME, SEND ME FLOWERS. 588 00:30:57,729 --> 00:30:59,731 I WOULD DO THAT, KITTY. 589 00:30:59,731 --> 00:31:01,232 OH, I WOULDN'T KNOW WHO IT WAS. 590 00:31:01,232 --> 00:31:03,734 THEN ONE DAY, I'D SEE HIM IN THE STREET 591 00:31:03,735 --> 00:31:05,236 AND FALL IN LOVE WITH HIM. 592 00:31:05,236 --> 00:31:07,738 I WOULDN'T KNOW HE WAS THE ONE THAT WAS IN LOVE WITH ME. 593 00:31:07,739 --> 00:31:09,173 I'D THINK ABOUT HIM ALL THE TIME. 594 00:31:09,173 --> 00:31:11,575 WELL, YOU WERE JUST WONDERFUL. 595 00:31:11,576 --> 00:31:12,577 YEAH, YOU DID GREAT. 596 00:31:12,577 --> 00:31:13,578 BETTER THAN THE REHEARSALS. 597 00:31:16,080 --> 00:31:17,081 HI. 598 00:31:19,083 --> 00:31:21,585 HI. HOW YOU DOING? 599 00:31:21,586 --> 00:31:23,254 YOU LIKE THE PLAY? 600 00:31:24,255 --> 00:31:25,256 IT WAS ALL RIGHT. 601 00:31:27,759 --> 00:31:30,261 YOU'RE DAVEY FINE'S SISTER, AREN'T YOU? 602 00:31:30,261 --> 00:31:31,762 JODY. 603 00:31:32,263 --> 00:31:32,763 JODY. 604 00:31:37,268 --> 00:31:39,270 YOU GOING TO THE CAST PARTY? 605 00:31:39,270 --> 00:31:40,137 NAH. 606 00:31:40,438 --> 00:31:42,440 OH, I'M GLAD IT'S PASSED. 607 00:31:50,615 --> 00:31:52,116 I'M NOT GOING EITHER. 608 00:31:55,620 --> 00:31:58,122 YOU LIKE A RIDE SOMEWHERE? 609 00:31:58,122 --> 00:31:59,623 SURE. 610 00:32:01,125 --> 00:32:04,128 NO WAY TO GET THROUGH THAT CROWD. 611 00:32:04,128 --> 00:32:05,629 COME ON. 612 00:32:53,711 --> 00:32:54,712 YOU OK? 613 00:32:56,714 --> 00:32:58,215 UH-HUH. 614 00:33:02,220 --> 00:33:03,721 THERE'S A BACK WAY 615 00:33:03,721 --> 00:33:05,723 IF YOU DON'T WANT TO WALK 616 00:33:05,723 --> 00:33:07,725 THROUGH THE BAR AGAIN. 617 00:33:07,725 --> 00:33:08,726 OK. 618 00:33:15,733 --> 00:33:18,736 I USED TO HIT ON YOUR BROTHER 619 00:33:18,736 --> 00:33:20,738 FOR HIS LUNCH MONEY. 620 00:33:20,738 --> 00:33:21,739 THIRD GRADE. 621 00:33:29,413 --> 00:33:32,449 WE WERE AWFUL PROUD OF YOU LAST NIGHT. 622 00:33:32,950 --> 00:33:33,951 THANKS. 623 00:33:37,221 --> 00:33:40,090 MISS VERNON TOLD US HOW SHE WAS WORRIED ABOUT YOU. 624 00:33:40,091 --> 00:33:41,459 IN THE PLAY? 625 00:33:42,760 --> 00:33:45,496 ABOUT YOU AND THAT BOY. 626 00:33:45,496 --> 00:33:47,498 OH, GOD. 627 00:33:47,498 --> 00:33:50,000 WE THOUGHT YOU WERE THE BEST. 628 00:33:50,001 --> 00:33:52,003 I MEAN, OBJECTIVELY, WE REALLY DID. 629 00:33:52,003 --> 00:33:55,006 I TOLD HER YOU HAD TOO MUCH SENSE 630 00:33:55,006 --> 00:33:57,341 FOR THAT TO BE A PROBLEM. 631 00:33:57,341 --> 00:33:59,343 MOM, JUST DO ME A FAVOR. ALL RIGHT? 632 00:33:59,343 --> 00:34:02,279 JUST STAY OUT OF MY PERSONAL LIFE. 633 00:34:03,681 --> 00:34:05,182 SHE'S GOT A PERSONAL LIFE. 634 00:34:06,684 --> 00:34:07,651 WHAT'S WRONG WITH THAT? 635 00:34:17,962 --> 00:34:20,464 I THOUGHT YOU LIT UP THE STAGE. 636 00:34:20,464 --> 00:34:21,965 THAT DOES IT. 637 00:34:25,469 --> 00:34:26,603 [DOOR SLAMS] 638 00:34:26,604 --> 00:34:27,605 OF COURSE IT WOULD BE GREAT 639 00:34:27,605 --> 00:34:28,606 TO GO SOMEWHERE WHERE IT'S WARM. 640 00:34:29,106 --> 00:34:30,107 YEAH. 641 00:34:30,107 --> 00:34:32,109 I MEAN, IT'S NOT IMPORTANT WHERE YOU GO TO SCHOOL, 642 00:34:32,109 --> 00:34:33,110 LIKE A BIG NAME OR ANYTHING, 643 00:34:33,611 --> 00:34:34,612 BUT THE PEOPLE YOU CAN MEET THERE, 644 00:34:34,612 --> 00:34:35,613 WHO YOU SPEND YOUR TIME WITH. 645 00:34:36,113 --> 00:34:37,114 I MEAN, THAT'S THE MOST IMPORTANT THING. 646 00:34:37,114 --> 00:34:38,115 MEET THE RIGHT PEOPLE. 647 00:34:38,115 --> 00:34:39,616 GET IN THE CAR! 648 00:34:39,617 --> 00:34:40,517 AAH! 649 00:34:40,851 --> 00:34:41,852 GET IN THE CAR! GO! 650 00:34:41,852 --> 00:34:43,353 WHAT ARE YOU DOING? 651 00:34:43,354 --> 00:34:44,855 SHUT UP. YOU'RE BEING KIDNAPPED. 652 00:34:44,855 --> 00:34:46,356 OH, MY GOD. YOU'RE REALLY SOMETHING, YOU KNOW THAT? 653 00:34:46,357 --> 00:34:47,358 I SAID SHUT UP! 654 00:34:47,358 --> 00:34:48,359 A REAL SHIT FOR BRAINS! 655 00:34:48,859 --> 00:34:49,860 SHUT UP! I GOT TO GET HOME. 656 00:34:50,361 --> 00:34:51,862 NOBODY GOES HOME UNTIL WE GET 657 00:34:51,862 --> 00:34:52,863 SOMETHING SETTLED HERE. 658 00:34:53,364 --> 00:34:54,865 YOU'RE GOING TO END UP IN JAIL! 659 00:34:55,366 --> 00:34:56,367 AND WHEN THEY LET YOU OUT, 660 00:34:56,367 --> 00:34:57,868 THEY'RE GOING TO GIVE YOU A JOB PICKING UP GARBAGE! 661 00:34:58,369 --> 00:34:59,370 THAT'S IT, THAT'S IT. 662 00:34:59,370 --> 00:35:00,371 GIVE ME THE GUN, RAT. 663 00:35:00,371 --> 00:35:01,872 THEY'VE GOT A GUN! GIVE ME THE GUN! 664 00:35:02,373 --> 00:35:03,874 JESUS CHRIST! GIVE ME THE GUN! 665 00:35:03,874 --> 00:35:04,875 WHERE ARE WE GOING? 666 00:35:04,875 --> 00:35:05,876 SHUT UP! YOU BE CAREFUL WITH THAT. 667 00:35:05,876 --> 00:35:06,877 YOU SHUT UP, TOO. 668 00:35:06,877 --> 00:35:07,878 DON'T TELL ME-- 669 00:35:07,878 --> 00:35:08,879 IS THIS FUCKING THING LOADED? 670 00:35:08,879 --> 00:35:09,880 SHUT UP IN MY OWN FUCKING CAR?! 671 00:35:09,880 --> 00:35:10,881 IS IT LOADED? I DON'T THINK SO. 672 00:35:11,382 --> 00:35:12,383 THEN WHAT IN THE FUCK ARE YOU WORRIED ABOUT? 673 00:35:12,383 --> 00:35:13,384 THEY'RE GOING TO KILL US! 674 00:35:13,384 --> 00:35:14,385 NO, THEY'RE NOT. 675 00:35:14,385 --> 00:35:15,386 HOW THE FUCK DO YOU KNOW? 676 00:35:15,886 --> 00:35:16,887 WE GOT TO HAVE A CONFERENCE. 677 00:35:16,887 --> 00:35:17,888 OH, CHRIST! 678 00:35:29,400 --> 00:35:31,902 YOU GIRLS MAKE ONE PEEP, 679 00:35:31,902 --> 00:35:33,904 AND YOU'RE DEAD MEAT. 680 00:35:33,904 --> 00:35:35,906 YOU'RE GONNA END UP IN JAIL, MAN! 681 00:35:35,906 --> 00:35:37,908 YOU'RE GONNA END UP IN JAIL, SHEIK! 682 00:35:37,908 --> 00:35:40,410 I DON'T KNOW WHAT YOU'RE DOING! 683 00:35:40,411 --> 00:35:41,345 YOU'RE NUTS! 684 00:35:41,345 --> 00:35:43,847 [INDISTINCT ARGUING] 685 00:35:46,017 --> 00:35:47,518 SHOULD WE RUN? 686 00:35:48,019 --> 00:35:49,520 THEY'D CATCH US. 687 00:35:49,520 --> 00:35:51,522 WELL, ARE THEY GOING TO HURT US? 688 00:35:51,522 --> 00:35:52,523 NO! 689 00:35:52,523 --> 00:35:53,524 MAYBE. 690 00:35:54,025 --> 00:35:55,026 I DON'T KNOW. 691 00:35:55,526 --> 00:35:56,527 WELL, WHAT DOES HE WANT? 692 00:35:57,028 --> 00:35:59,530 HE WANTS ME TO GET ALL SCARED AND HYSTERICAL 693 00:35:59,530 --> 00:36:01,031 AND CRY AND APOLOGIZE. 694 00:36:01,032 --> 00:36:02,533 WELL, ARE YOU GONNA? 695 00:36:02,533 --> 00:36:04,034 DAMN HIM! 696 00:36:04,035 --> 00:36:05,536 ARE YOU GONNA? 697 00:36:05,536 --> 00:36:06,537 YES. 698 00:36:06,537 --> 00:36:09,406 UNLESS WE WANT TO SIT IN THIS CAR ALL NIGHT. 699 00:36:19,750 --> 00:36:21,752 THIS IS A NICE CAR. 700 00:36:24,488 --> 00:36:26,490 IT BELONGS TO LESTER AT THE BOWLING ALLEY. 701 00:36:26,490 --> 00:36:29,493 WE GOT TO HAVE IT BACK BY MIDNIGHT. 702 00:36:29,493 --> 00:36:30,760 BIG KIDNAPPERS. 703 00:36:30,761 --> 00:36:32,763 OH, YOU DON'T THINK THIS IS SERIOUS? 704 00:36:33,264 --> 00:36:34,265 NO, I DO. REALLY. 705 00:36:34,265 --> 00:36:35,766 I DO. 706 00:36:35,766 --> 00:36:38,769 YOU KNOW, YOU'RE NOT THE ONLY PERSON IN THE WORLD 707 00:36:38,769 --> 00:36:39,770 THAT'S GOT FEELINGS. YOU KNOW THAT? 708 00:36:40,271 --> 00:36:41,772 I KNOW. I'M SORRY. 709 00:36:52,283 --> 00:36:53,784 BETH IS ON GREENWOOD. 710 00:37:40,898 --> 00:37:41,899 LET'S GO TO THE SHORE. 711 00:37:41,899 --> 00:37:42,900 SHEIK! 712 00:37:42,900 --> 00:37:44,401 COME ON. YOU'RE A STAR. 713 00:37:44,401 --> 00:37:46,903 YOU CAN DO ANYTHING YOU WANT. 714 00:37:46,904 --> 00:37:49,907 PULL A 180 ON THIS SUCKER AND WE'RE OUT OF HERE. 715 00:37:49,907 --> 00:37:51,909 I'M GOING TO MISS A BIOLOGY TEST. 716 00:37:51,909 --> 00:37:53,410 WHAT DO YOU WANT TO KNOW ABOUT BIOLOGY? 717 00:37:53,911 --> 00:37:54,711 ASK ME ANYTHING. 718 00:37:54,979 --> 00:37:58,482 ♪ WHEN THE NIGHT HAS COME ♪ 719 00:37:59,984 --> 00:38:02,486 ♪ AND THE LAND IS DARK ♪ 720 00:38:02,486 --> 00:38:04,421 ♪ AND THE MOON ♪ 721 00:38:04,421 --> 00:38:07,824 ♪ IS THE ONLY LIGHT WE'LL SEE ♪ 722 00:38:10,327 --> 00:38:14,030 ♪ NO, I WON'T BE AFRAID ♪ 723 00:38:14,031 --> 00:38:18,602 ♪ OH, I WON'T BE AFRAID ♪ 724 00:38:18,602 --> 00:38:22,038 ♪ JUST AS LONG AS YOU STAND ♪ 725 00:38:22,439 --> 00:38:23,440 ♪ STAND BY ME... ♪ 726 00:38:23,440 --> 00:38:24,441 THE WAY I FIGURE IT. 727 00:38:24,441 --> 00:38:26,943 THERE'S ONLY THREE PEOPLE IN THE WORLD THAT MATTER-- 728 00:38:26,944 --> 00:38:29,947 JESUS CHRIST, FRANK SINATRA, AND ME. 729 00:38:29,947 --> 00:38:30,948 FRANK SINATRA? 730 00:38:30,948 --> 00:38:34,451 THE MAN KNOWS WHAT HE WANTS, AND HE GETS IT. 731 00:38:34,451 --> 00:38:37,454 BEST CLOTHES, BEST CARS, BEST WOMEN. 732 00:38:37,955 --> 00:38:38,956 YOU LISTEN TO SINATRA? 733 00:38:39,456 --> 00:38:40,957 MY PARENTS DO. 734 00:38:40,958 --> 00:38:42,459 THEY GOT TASTE. 735 00:38:42,459 --> 00:38:44,527 ♪ I WON'T CRY ♪ 736 00:38:44,528 --> 00:38:46,530 ♪ I WON'T CRY ♪ 737 00:38:46,530 --> 00:38:50,467 ♪ NO, I WON'T SHED A TEAR ♪ 738 00:38:50,467 --> 00:38:54,871 ♪ JUST AS LONG AS YOU STAND ♪ 739 00:38:54,872 --> 00:38:56,673 ♪ STAND BY ME ♪ 740 00:38:56,674 --> 00:39:02,446 ♪ AND, DARLING, DARLING, STAND BY ME ♪ 741 00:39:02,446 --> 00:39:06,950 ♪ OH, STAND BY ME ♪ 742 00:39:06,951 --> 00:39:08,886 ♪ WHOA, STAND NOW ♪ 743 00:39:09,887 --> 00:39:12,389 ♪ STAND BY ME ♪ 744 00:39:12,389 --> 00:39:14,391 ♪ STAND BE ME ♪ 745 00:39:19,396 --> 00:39:21,398 IF YOU DON'T GO TO CLASSES, 746 00:39:21,899 --> 00:39:23,901 THEY'LL KICK YOU OUT OF SCHOOL. 747 00:39:24,401 --> 00:39:25,402 SO? 748 00:39:28,906 --> 00:39:30,407 NOBODY SINGS LIKE SINATRA. 749 00:39:30,407 --> 00:39:31,908 WHO WANTS TO? 750 00:39:31,909 --> 00:39:34,411 YOU THINK FRANK WANTS TO HANG AROUND SOMEBODY 751 00:39:34,411 --> 00:39:36,413 WHO'S COPYING HIS STYLE? 752 00:39:36,914 --> 00:39:39,917 HE'S GOT RESPECT FOR THE INDIVIDUAL ARTIST. 753 00:39:41,418 --> 00:39:42,919 YOU'RE CRAZY. 754 00:39:42,920 --> 00:39:45,422 YOU DON'T THINK I CAN DO IT? 755 00:39:45,422 --> 00:39:46,923 I DIDN'T SAY THAT. 756 00:39:49,426 --> 00:39:50,927 WE GOT TO FEED YOU. 757 00:39:50,928 --> 00:39:53,730 YOU'RE GOING TO FUCKIN' DIE OUT HERE. 758 00:40:01,105 --> 00:40:04,108 I WANT THOSE SMOTHERED IN ONIONS, ALL RIGHT? 759 00:40:05,109 --> 00:40:06,477 HEY! 760 00:40:07,811 --> 00:40:09,312 PUNCH E-5. 761 00:40:14,318 --> 00:40:16,820 [STRANGERS IN THE NIGHT PLAYS] 762 00:40:25,329 --> 00:40:28,332 [FRANK SINATRA] ♪ STRANGERS IN THE NIGHT ♪ 763 00:40:28,332 --> 00:40:30,834 ♪ EXCHANGING GLANCES ♪ 764 00:40:30,834 --> 00:40:33,837 ♪ WONDERING IN THE NIGHT ♪ 765 00:40:33,837 --> 00:40:36,339 ♪ WHAT WERE THE CHANCES ♪ 766 00:40:36,340 --> 00:40:39,343 ♪ WE'D BE SHARING LOVE ♪ 767 00:40:39,343 --> 00:40:44,848 ♪ BEFORE THE NIGHT WAS THROUGH ♪ 768 00:40:47,351 --> 00:40:52,723 ♪ SOMETHING IN YOUR EYES WAS SO INVITING ♪ 769 00:40:52,723 --> 00:40:55,525 ♪ SOMETHING IN YOUR SMILE ♪ 770 00:40:56,026 --> 00:40:58,028 ♪ WAS SO EXCITING... ♪ 771 00:41:24,021 --> 00:41:25,522 GOING HOME? 772 00:41:25,522 --> 00:41:26,523 MM-HMM. 773 00:41:37,034 --> 00:41:39,036 I'LL SEE YOU TOMORROW, THEN. 774 00:41:39,036 --> 00:41:40,037 OK. 775 00:42:25,082 --> 00:42:28,585 ♪ STRANGERS IN THE NIGHT ♪ 776 00:42:28,585 --> 00:42:30,086 ♪ TWO LONELY PEOPLE ♪ 777 00:42:30,087 --> 00:42:33,056 ♪ WE WERE STRANGERS IN THE NIGHT ♪ 778 00:42:33,056 --> 00:42:36,959 NOW MAKE AN INCISION JUST UNDER THE CHIN 779 00:42:36,960 --> 00:42:38,461 AND MOVE DOWNWARD. 780 00:42:38,462 --> 00:42:39,963 DON'T CUT TOO DEEP. 781 00:42:39,963 --> 00:42:42,465 AND WATCH OUT FOR THE FORMALDEHYDE. 782 00:42:42,466 --> 00:42:43,967 JESUS. YOU WANT ME TO DO IT? 783 00:42:43,967 --> 00:42:45,969 NO. YOU DID THE CRAYFISH. 784 00:42:45,969 --> 00:42:47,470 SO WHAT ABOUT STEWART? 785 00:42:47,471 --> 00:42:48,972 HE HASN'T CALLED ME. 786 00:42:48,972 --> 00:42:51,474 THAT DOESN'T MEAN HE WON'T GO TO THE PROM WITH YOU. 787 00:42:51,475 --> 00:42:53,477 WE CAN ARRANGE IT. 788 00:42:53,477 --> 00:42:54,978 NOW, TAKE THE FORCEPS AND PULL 789 00:42:54,978 --> 00:42:55,979 THAT LITTLE RIB CAGE 790 00:42:56,480 --> 00:42:57,981 SO THE VISCERA ARE EXPOSED. 791 00:42:57,981 --> 00:42:58,982 FORCEPS. 792 00:42:58,982 --> 00:43:00,483 JUST PEEL THEM BACK. 793 00:43:00,484 --> 00:43:01,985 YOU GOING WITH SHEIK? 794 00:43:01,985 --> 00:43:04,988 MM-HMM. HE'S COMING TO LUNCH TODAY TO NEGOTIATE. 795 00:43:04,988 --> 00:43:07,991 HE WANTS TO MAKE A BIG PRODUCTION OUT OF IT 796 00:43:07,991 --> 00:43:09,492 AND HIRE A LIMOUSINE. 797 00:43:09,493 --> 00:43:11,995 OK. NOW WE'RE GOING TO CUT THE HEART OUT. 798 00:43:11,995 --> 00:43:14,364 HE KNOWS HOW TO TREAT A GIRL. 799 00:43:15,699 --> 00:43:17,200 HEY, SHEIK! 800 00:43:23,140 --> 00:43:24,641 WHY SHOULD I? 801 00:43:24,641 --> 00:43:28,645 IS THERE A LAW SAYING I HAVE TO GO TO THE PROM? 802 00:43:28,645 --> 00:43:29,646 HE'S CRAZY. 803 00:43:30,147 --> 00:43:31,148 HOW YOU DOING? 804 00:43:31,648 --> 00:43:33,316 I WAS TALKING WITH FAUSTO LAST NIGHT. 805 00:43:33,317 --> 00:43:35,319 REMEMBER HIM? I TOLD YOU ABOUT HIM. 806 00:43:35,319 --> 00:43:36,820 HE'S MY COUSIN. WE GOT A LIMO. 807 00:43:36,820 --> 00:43:38,621 REALLY? YEAH, HE'S A GOOD GUY. 808 00:43:38,622 --> 00:43:39,723 YOU! 809 00:43:39,723 --> 00:43:41,691 LET'S SEE YOUR PASS. 810 00:43:41,692 --> 00:43:44,161 WHAT PASS? THIS IS LUNCH PERIOD. 811 00:43:44,161 --> 00:43:45,595 NOT YOUR LUNCH PERIOD. 812 00:43:45,596 --> 00:43:48,098 HEY, I'M JUST TALKING TO THE GIRLS HERE, OK? 813 00:43:48,098 --> 00:43:49,599 WHAT'S YOUR PROBLEM? 814 00:43:49,600 --> 00:43:52,970 YOUR PROBLEM, MISTER. 815 00:43:52,970 --> 00:43:55,806 HEY, DON'T GET YOUR BALLS IN AN UPROAR. 816 00:43:58,709 --> 00:44:00,210 THAT WILL COST YOU A SUSPENSION. 817 00:44:04,548 --> 00:44:06,917 GREAT. I'M SUSPENDED. NOW, LEAVE ME ALONE. 818 00:44:06,917 --> 00:44:09,920 THAT MEANS OFF SCHOOL PROPERTY. 819 00:44:22,566 --> 00:44:26,069 AND YOU AND WHOSE ARMY IS GOING TO MAKE ME? 820 00:44:27,070 --> 00:44:30,573 DON'T FLATTER YOURSELF...PUNK. 821 00:44:40,717 --> 00:44:42,218 FUCK YOU. 822 00:44:49,726 --> 00:44:52,729 THAT WILL PUT YOU OUT OF SCHOOL ALTOGETHER. 823 00:44:52,729 --> 00:44:53,730 LET'S GO. 824 00:44:53,730 --> 00:44:55,231 DON'T FUCKIN' TOUCH ME. 825 00:44:55,232 --> 00:44:57,234 YOU WANT TO FIGHT ME, HUH? 826 00:44:57,234 --> 00:45:00,103 FUCKIN' SON OF A BITCH! 827 00:45:00,103 --> 00:45:01,404 LET HIM UP. LET HIM UP. 828 00:45:01,405 --> 00:45:02,906 LET ME GO. 829 00:45:02,906 --> 00:45:04,774 YOU GOING TO BEHAVE? 830 00:45:04,775 --> 00:45:06,109 LET HIM UP! 831 00:45:11,114 --> 00:45:13,616 YOU'RE OUT OF HERE, MISTER! 832 00:45:22,025 --> 00:45:23,359 SHEIK. 833 00:45:35,639 --> 00:45:38,642 OK. I WANT TO POSE A PROBLEM OR A PUZZLE FOR YOU. 834 00:45:39,142 --> 00:45:42,145 AND SEE IF YOU CAN GUESS WHO THIS PERSON IS. 835 00:45:42,646 --> 00:45:44,648 HE'S DESCRIBED IN THE HISTORY BOOKS 836 00:45:45,148 --> 00:45:48,151 AS A SHORT, SQUAT, SQUAT, TACITURN MAN... 837 00:45:49,653 --> 00:45:52,656 WHO, AFTER HIS DISCHARGE FROM THE ARMY 838 00:45:52,656 --> 00:45:55,659 AFTER FIGHTING IN THE MEXICAN WAR, 839 00:45:55,659 --> 00:45:58,161 HAD BEEN FIGHTING AN UNEQUAL BATTLE 840 00:45:58,161 --> 00:46:03,166 WITH ALCOHOLISM AND POVERTY AND FAILURE. 841 00:46:03,166 --> 00:46:06,669 HE, AT ONE POINT, BECAME A REAL ESTATE SALESMAN. 842 00:46:06,670 --> 00:46:10,173 AT ANOTHER POINT, HE WORKED IN HIS FATHER'S TANNERY. 843 00:46:10,173 --> 00:46:12,975 AT ANOTHER POINT, HE TRIED FARMING, BUT HE FAILED. 844 00:46:12,976 --> 00:46:14,210 I THINK JODY'S GOING TO BE OUR BIGGEST PROBLEM. 845 00:46:14,711 --> 00:46:16,713 LET HER GET HER OWN DATE. 846 00:46:17,214 --> 00:46:18,215 SHE'S IN THE SORORITY. 847 00:46:18,715 --> 00:46:20,216 WE'RE SUPPOSED TO HELP HER. 848 00:46:20,717 --> 00:46:21,217 I THINK WE SHOULD LOOK 849 00:46:21,718 --> 00:46:22,719 INTO GEORGIE LEACOCK FOR HER. 850 00:46:23,220 --> 00:46:25,722 YEAH. IF WE COULD FIT THAT MISSHAPEN BODY OF HIS INTO A TUXEDO. 851 00:46:26,223 --> 00:46:27,724 OK. SO GEORGIE FOR JODY. 852 00:46:27,724 --> 00:46:29,225 HOW ABOUT YOU, JILL? HUH? 853 00:46:29,726 --> 00:46:31,227 WHO DO WE GET FOR YOU? 854 00:46:31,228 --> 00:46:32,729 WELL, I'M GOING WITH SHEIK. 855 00:46:32,729 --> 00:46:34,230 HE GOT EXPELLED FROM SCHOOL, REMEMBER? 856 00:46:34,231 --> 00:46:35,232 SO? 857 00:46:35,732 --> 00:46:37,734 SO, YOU KNOW WHO THE FLOOR CHAPERONE IS THIS YEAR? 858 00:46:37,734 --> 00:46:38,735 McMANUS. 859 00:46:38,735 --> 00:46:41,738 YEAH. THEY SAY HE KILLED SOMEBODY IN THE MARINES. 860 00:46:41,738 --> 00:46:43,239 THEN THE HELL WITH IT. I'M NOT GOING TO THE PROM. 861 00:46:43,240 --> 00:46:44,741 DON'T BE RIDICULOUS. 862 00:46:44,741 --> 00:46:46,242 WHAT ABOUT JACK HARRIGAN? 863 00:46:46,243 --> 00:46:48,745 OH, HE'S TAKING SOME GIRL FROM MISS FINE'S. 864 00:46:48,745 --> 00:46:50,246 OH, THAT MAKES ME SICK. 865 00:46:50,247 --> 00:46:51,748 I'M NOT GOING. 866 00:46:51,748 --> 00:46:54,751 LOOK, HAS HE CALLED YOU YET SINCE HE GOT KICKED OUT? 867 00:46:54,751 --> 00:46:56,619 HE'S PROBABLY EMBARRASSED. 868 00:46:56,620 --> 00:46:58,121 YOU LOOK AT YOUR COMMITTEE GUIDELINES 869 00:46:58,622 --> 00:47:00,123 AND YOU'LL SEE THAT FORMAL WEAR 870 00:47:00,624 --> 00:47:03,627 IS DEFINED AS A BLACK TUXEDO. 871 00:47:03,627 --> 00:47:04,628 AND, GALS... 872 00:47:05,128 --> 00:47:06,529 3 INCHES. 873 00:47:06,530 --> 00:47:07,864 IF YOU COME IN 874 00:47:07,864 --> 00:47:11,868 WITH A HEMLINE THAT'S MORE THAN 3 INCHES ABOVE THE KNEE, 875 00:47:11,868 --> 00:47:13,870 OR ANYTHING ELSE THAT'S INAPPROPRIATE, 876 00:47:13,870 --> 00:47:17,273 BELIEVE ME, WE WILL STOP YOU AT THE DOOR. 877 00:47:17,774 --> 00:47:22,533 EVERY YEAR WE HAVE ONE OR TWO TRAGEDIES. 878 00:47:34,045 --> 00:47:36,547 [♪ MUSIC PLAYING IN BACKGROUND] 879 00:48:27,866 --> 00:48:28,867 HI. 880 00:48:28,867 --> 00:48:31,703 DO YOU KNOW WHAT TIME IT IS? 881 00:48:31,703 --> 00:48:33,204 REAL LATE, HUH? 882 00:48:36,207 --> 00:48:38,209 THIS CAME TODAY. 883 00:48:44,215 --> 00:48:45,716 OH, GOD. 884 00:48:45,717 --> 00:48:47,719 I WISH YOU'D TELL ME 885 00:48:47,719 --> 00:48:50,722 WHEN YOU'RE NOT COMING HOME AFTER SCHOOL. 886 00:48:59,731 --> 00:49:01,232 IF THEY TURN YOU DOWN, 887 00:49:01,733 --> 00:49:02,734 IT'S NO BIG THING. 888 00:49:03,234 --> 00:49:05,736 THERE'S LOTS OF OTHER SCHOOLS JUST AS GOOD. 889 00:49:08,740 --> 00:49:10,241 I'M IN. 890 00:49:11,743 --> 00:49:13,244 YOU'RE IN? 891 00:49:13,745 --> 00:49:16,247 THEY ACCEPTED ME. SARAH LAWRENCE. 892 00:49:18,750 --> 00:49:20,251 I'LL GET YOUR FATHER. 893 00:49:20,752 --> 00:49:21,753 DON'T WAKE HIM UP. 894 00:49:22,253 --> 00:49:24,755 YOU THINK HE COULD SLEEP IF HE KNEW? 895 00:49:26,758 --> 00:49:28,760 I'LL GET HIM DOWN HERE. 896 00:49:29,260 --> 00:49:30,261 WE'LL HAVE CHAMPAGNE. 897 00:49:37,335 --> 00:49:43,607 ♪ CHERISH IS THE WORD I USE TO DESCRIBE ♪ 898 00:49:46,878 --> 00:49:48,379 ♪ ALL THE FEELING THAT I HAVE ♪ 899 00:49:48,379 --> 00:49:53,350 ♪ HIDING HERE FOR YOU INSIDE ♪ 900 00:50:00,191 --> 00:50:01,959 JILL. 901 00:50:12,770 --> 00:50:14,638 YOU LOOK NICE. 902 00:50:16,874 --> 00:50:18,876 YOU WON'T BE SEEING ME. 903 00:50:18,876 --> 00:50:20,878 HAVE A NICE NIGHT. 904 00:50:23,448 --> 00:50:24,816 SHEIK! 905 00:50:46,471 --> 00:50:49,307 ♪ STRANGERS IN THE NIGHT ♪ 906 00:50:49,307 --> 00:50:51,609 ♪ EXCHANGING GLANCES ♪ 907 00:50:51,609 --> 00:50:54,411 ♪ WONDERING IN THE NIGHT ♪ 908 00:50:54,412 --> 00:50:56,680 ♪ WHAT WERE THE CHANCES ♪ 909 00:50:57,181 --> 00:51:00,250 ♪ WE'D BE SHARING LOVE ♪ 910 00:51:00,251 --> 00:51:06,457 ♪ BEFORE THE NIGHT WAS THROUGH... ♪ 911 00:51:06,457 --> 00:51:08,459 YOU OWE ME 25 BUCKS. 912 00:51:08,960 --> 00:51:11,095 HUH? 913 00:51:11,095 --> 00:51:12,596 A TUXEDO RENTAL... 914 00:51:12,597 --> 00:51:14,131 CORSAGE... 915 00:51:14,132 --> 00:51:16,200 GAS FOR YOUR CAR. 916 00:51:17,201 --> 00:51:19,269 WHAT ARE YOU TALKING ABOUT? 917 00:51:19,270 --> 00:51:22,606 YOU OBVIOUSLY DON'T WANT TO BE HERE WITH ME. 918 00:51:22,874 --> 00:51:23,875 OH. 919 00:51:23,875 --> 00:51:29,480 ♪ TOLD ME I MUST HAVE YOU ♪ 920 00:51:29,480 --> 00:51:32,583 ♪ STRANGERS IN THE NIGHT... ♪ 921 00:51:46,464 --> 00:51:48,866 ♪ WITH HER KILLER GRACES ♪ 922 00:51:48,866 --> 00:51:54,471 ♪ AND HER SECRET PLACES THAT NO BOY CAN FILL ♪ 923 00:51:57,575 --> 00:52:00,077 ♪ WITH HER HANDS ON HER HIPS ♪ 924 00:52:00,078 --> 00:52:04,082 ♪ OH, AND THAT SMILE ON HER LIPS... ♪ 925 00:52:04,082 --> 00:52:05,083 GO! 926 00:52:07,518 --> 00:52:10,921 ♪ WITH HER SOFT FRENCH CREAM ♪ 927 00:52:10,922 --> 00:52:13,424 ♪ STANDIN' IN THE DOORWAY LIKE A DREAM ♪ 928 00:52:13,424 --> 00:52:16,593 ♪ I WISH SHE'D JUST LEAVE ME ALONE ♪ 929 00:52:16,594 --> 00:52:18,596 YA-HOO! 930 00:52:19,097 --> 00:52:22,266 ♪ BECAUSE FRENCH CREAM WON'T SOFTEN ♪ 931 00:52:22,266 --> 00:52:23,767 DON'T SLOBBER, GEORGIE. 932 00:52:23,768 --> 00:52:26,270 HA HA HA! 933 00:52:26,270 --> 00:52:27,771 THEY'RE PARTYING AT PJ'S. 934 00:52:27,772 --> 00:52:29,273 [SIREN] 935 00:52:29,273 --> 00:52:30,774 SOME KID WALKED OUT OF THERE 936 00:52:30,775 --> 00:52:33,778 AND WRAPPED HIS CAR AROUND A TELEPHONE POLE, 937 00:52:33,778 --> 00:52:36,280 SO NOW THE COPS ARE ON HIM. 938 00:52:36,280 --> 00:52:38,282 I WANT TO GO SOMEWHERE. 939 00:52:38,282 --> 00:52:39,783 I KNOW A PLACE. 940 00:52:39,784 --> 00:52:41,285 YOU SURE THEY'LL SERVE US? 941 00:52:41,285 --> 00:52:42,786 ANYBODY TALK TO JODY? 942 00:52:42,787 --> 00:52:43,788 SHE'S WITH CARL. 943 00:52:43,788 --> 00:52:46,290 THEY'RE SUPPOSED TO BE FOLLOWING US. 944 00:52:57,468 --> 00:52:59,436 ♪ WITH A THUNDER IN YOUR HEART ♪ 945 00:52:59,437 --> 00:53:01,872 ♪ HEY, MAN, WHEN YOU'RE KNEELIN' IN THE DARK ♪ 946 00:53:01,873 --> 00:53:04,876 ♪ IT SAYS YOU'RE NEVER GONNA LEAVE HER ♪ 947 00:53:07,745 --> 00:53:09,246 ♪ BUT THERE'S A STRANGER IN HER EYES ♪ 948 00:53:09,247 --> 00:53:11,249 THEY'RE PULLING UP ON US, RAT! 949 00:53:11,249 --> 00:53:13,251 THEY'RE GOING TO CATCH US. 950 00:53:13,251 --> 00:53:15,119 NO WAY! 951 00:53:15,119 --> 00:53:16,420 YOU'LL HIT THEM. 952 00:53:16,921 --> 00:53:17,755 WHOA! 953 00:53:17,755 --> 00:53:19,256 WE'RE GOING TO HIT THEM! 954 00:53:19,257 --> 00:53:21,158 ♪ AND TO TAKE NO CHANCES ♪ 955 00:53:21,159 --> 00:53:24,228 ♪ YOU TURN TO LEAVE IT ALL BEHIND ♪ 956 00:53:24,228 --> 00:53:25,896 ♪ AND WALK ON THROUGH ♪ 957 00:53:27,865 --> 00:53:30,901 ♪ WELL, SHE'LL TAKE YOU IN... ♪ 958 00:53:30,902 --> 00:53:32,904 WAIT FOR ME! 959 00:53:32,904 --> 00:53:34,405 WAIT FOR ME! 960 00:53:35,406 --> 00:53:36,907 AAH! 961 00:53:38,910 --> 00:53:42,413 ♪ BUT NO MATTER WHERE YOU SLEEP TONIGHT ♪ 962 00:53:42,914 --> 00:53:45,917 ♪ OR HOW FAR YOU RUN ♪ 963 00:53:47,418 --> 00:53:50,921 ♪ WHOA-OH, SHE'S THE ONE ♪ 964 00:54:02,967 --> 00:54:05,970 OK. I GOT A SCREWDRIVER, THREE RUM AND COKES, 965 00:54:05,970 --> 00:54:07,471 A GRASSHOPPER, AND TAB. 966 00:54:07,471 --> 00:54:08,972 YOU'RE SUCH A DRAG, JILL. 967 00:54:08,973 --> 00:54:11,976 ANYBODY WHO TOSSES THEIR COOKIES IN MY CAR CLEANS IT UP. 968 00:54:11,976 --> 00:54:12,977 I'M SHIT-FACED. 969 00:54:12,977 --> 00:54:15,479 BIG OF YOU TO ADMIT IT. 970 00:54:15,479 --> 00:54:17,981 HEY, JODY, HI. WANT A DRINK? 971 00:54:17,982 --> 00:54:20,484 I HAVE TO USE THE LADIES' ROOM. 972 00:54:20,484 --> 00:54:22,486 IS CARL PARKING THE CAR? 973 00:54:22,486 --> 00:54:23,987 CARL WENT HOME. 974 00:54:23,988 --> 00:54:25,489 I'M SHIT-FACED. 975 00:54:25,489 --> 00:54:27,491 LET ME SEE YOUR I.D. 976 00:54:27,491 --> 00:54:29,493 SHE DIDN'T LOOK SO GOOD. 977 00:54:29,493 --> 00:54:31,495 IS THAT A BEAUTIFUL JOB OR WHAT? 978 00:54:31,495 --> 00:54:33,497 FIRST I COULDN'T FEEL MY CHEEKS, 979 00:54:33,497 --> 00:54:34,498 THEN I COULDN'T FEEL MY NOSE, 980 00:54:34,498 --> 00:54:37,000 THEN I COULDN'T FEEL MY EYEBALLS. 981 00:54:37,001 --> 00:54:39,003 WHO WANTS TO FEEL YOUR EYEBALLS? 982 00:54:39,003 --> 00:54:41,739 DO YOU COME TO THIS PLACE OFTEN, JILL? 983 00:54:41,739 --> 00:54:43,040 JODY? 984 00:54:43,040 --> 00:54:44,808 JODY? 985 00:54:47,745 --> 00:54:48,746 WHAT HAPPENED? 986 00:54:48,746 --> 00:54:49,747 WHAT HAPPENED? 987 00:54:49,747 --> 00:54:53,751 I THINK I HURT MY FINGERS. 988 00:54:54,752 --> 00:54:55,753 GOD. 989 00:54:58,256 --> 00:54:59,257 WHAT HAPPENED, JODY? 990 00:54:59,757 --> 00:55:00,758 WHAT HAPPENED? 991 00:55:00,758 --> 00:55:04,261 I NEEDED SOMETHING TO CUT WITH. 992 00:55:04,262 --> 00:55:07,265 I BROKE THE MIRROR. 993 00:55:12,703 --> 00:55:15,205 YOU ALWAYS GET EVERYTHING YOU WANT. 994 00:55:15,206 --> 00:55:17,708 AND YOU NEVER DO ANYTHING FOR IT. 995 00:55:17,708 --> 00:55:20,711 IT JUST GETS HANDED TO YOU. 996 00:55:20,711 --> 00:55:22,212 IS THAT MY FAULT? 997 00:55:22,213 --> 00:55:23,214 I MEAN, ANYHOW, 998 00:55:23,648 --> 00:55:25,149 YOU COULD HAVE GONE TO BETH OR DEBRA. 999 00:55:25,149 --> 00:55:26,650 THEY'RE YOUR FRIENDS. 1000 00:55:26,651 --> 00:55:28,653 THEY THINK I'M A SLUT. 1001 00:55:28,653 --> 00:55:30,655 OH, COME ON. JUST BECAUSE YOU MAKE IT WITH BOYS 1002 00:55:30,655 --> 00:55:32,590 DOESN'T MEAN YOU'RE A SLUT. 1003 00:55:32,590 --> 00:55:33,457 SINCE WHEN? 1004 00:55:33,958 --> 00:55:35,960 I WAS JUST WONDERING, YOU KNOW, 1005 00:55:36,460 --> 00:55:37,961 WHAT THE BIG ATTRACTION WAS. 1006 00:55:38,462 --> 00:55:39,463 I LIKE IT. 1007 00:55:39,964 --> 00:55:40,965 IS THAT SO BAD? 1008 00:55:41,465 --> 00:55:43,967 I LIKE IT WHEN I'M MAKING IT. 1009 00:55:44,468 --> 00:55:45,469 OK? 1010 00:55:46,470 --> 00:55:48,972 IT'S JUST AFTERWARD THAT IT'S BAD. 1011 00:55:51,976 --> 00:55:54,778 LIKE... LIKE WITH SHEIK. 1012 00:55:56,781 --> 00:55:59,784 HOW COULD YOU DO THAT? 1013 00:55:59,784 --> 00:56:01,719 HE WAS MY BOYFRIEND. 1014 00:56:01,719 --> 00:56:03,087 I'M SORRY. 1015 00:56:03,087 --> 00:56:05,589 I'VE SEEN THIS EPISODE ON PEYTON PLACE. 1016 00:56:06,090 --> 00:56:07,091 DON'T YOU START MAKING JOKES. 1017 00:56:07,591 --> 00:56:08,592 WHAT'S YOUR PROBLEM? 1018 00:56:09,093 --> 00:56:10,094 ARE YOU GIRLS ALL RIGHT DOWN THERE? 1019 00:56:10,594 --> 00:56:13,096 WE'RE FINE, MAMA. GO BACK TO SLEEP. 1020 00:56:37,121 --> 00:56:39,123 ONE-WAY TO MIAMI BEACH. 1021 00:56:43,928 --> 00:56:46,430 FIRST WEEK, WE WERE SUPPOSED TO WEAR THESE LITTLE GREEN HATS, 1022 00:56:46,430 --> 00:56:48,932 ALL THE FRESHMEN ON CAMPUS. 1023 00:56:48,933 --> 00:56:51,435 I WONDER IF THEY STILL DO THAT. 1024 00:56:51,435 --> 00:56:53,437 YOU FELT RIDICULOUS, 1025 00:56:53,437 --> 00:56:57,441 BUT IT BUILT A KIND OF CAMARADERIE-- CLASS SPIRIT. 1026 00:56:57,942 --> 00:56:59,944 YOU'RE TALKING LOUD AGAIN, DAD. 1027 00:56:59,944 --> 00:57:02,446 AM I? I'M SORRY. 1028 00:57:06,450 --> 00:57:09,953 THE GROUNDS ARE BEAUTIFUL. 1029 00:57:09,954 --> 00:57:12,957 I WONDER IF THESE BUILDINGS ARE FIREPROOF. 1030 00:57:12,957 --> 00:57:15,960 SOME OF THEM LOOK PRETTY OLD. 1031 00:57:17,461 --> 00:57:20,464 THIS IS IT. 1032 00:57:20,464 --> 00:57:21,965 YOU'RE WHAT-- FIRST FLOOR? 1033 00:57:21,966 --> 00:57:23,467 RIGHT. 1034 00:57:30,474 --> 00:57:33,477 I CAN TAKE THEM FROM HERE. 1035 00:57:33,477 --> 00:57:35,979 DON'T BE SILLY. WE WANT TO SEE YOUR ROOM. 1036 00:57:35,980 --> 00:57:36,981 DAD. 1037 00:57:36,981 --> 00:57:37,982 I MEAN, WE'RE PAYING ENOUGH FOR IT. 1038 00:57:37,982 --> 00:57:38,983 MOM. 1039 00:57:38,983 --> 00:57:40,985 ANOTHER VISIT, ELI. 1040 00:57:46,490 --> 00:57:50,494 YOU'RE GOING TO HAVE A WONDERFUL TIME HERE. 1041 00:57:50,494 --> 00:57:51,995 YOU'LL WRITE? 1042 00:57:51,996 --> 00:57:53,497 I WILL. 1043 00:58:26,530 --> 00:58:29,032 ALL THESE YOUNG GIRLS. 1044 00:58:29,033 --> 00:58:32,503 I FEEL LIKE WE'RE DELIVERING HER TO A CONVENT. 1045 00:58:52,723 --> 00:58:54,224 HI. 1046 00:58:54,225 --> 00:58:55,226 HI. 1047 00:58:55,226 --> 00:58:56,727 IS THIS SLATER HALL? 1048 00:58:58,229 --> 00:58:59,730 I THINK SO. 1049 00:59:02,566 --> 00:59:04,067 I DREAM ABOUT HIM. 1050 00:59:05,069 --> 00:59:07,071 I DREAM OF HAVING CHILDREN 1051 00:59:07,071 --> 00:59:08,572 THAT LOOK LIKE HIM. 1052 00:59:11,075 --> 00:59:14,078 I WOULDN'T BE AN ACTRESS ALL THE TIME-- 1053 00:59:14,078 --> 00:59:15,079 OK. 1054 00:59:15,079 --> 00:59:17,581 AND THEN ONE DAY I'D-- 1055 00:59:17,581 --> 00:59:18,582 JILL? 1056 00:59:18,582 --> 00:59:19,583 MM-HMM. 1057 00:59:20,084 --> 00:59:22,586 WERE YOU IN THE, UH, DRAMATICS CLUB 1058 00:59:23,087 --> 00:59:24,588 OR SOMETHING IN HIGH SCHOOL? 1059 00:59:25,089 --> 00:59:26,090 I WAS PRESIDENT. 1060 00:59:26,590 --> 00:59:28,091 UH-HUH. WELL... 1061 00:59:28,092 --> 00:59:29,593 I THINK YOUR BEST BET 1062 00:59:29,593 --> 00:59:31,094 IS JUST FORGET EVERYTHING 1063 00:59:31,095 --> 00:59:32,596 YOU LEARNED THERE 1064 00:59:32,596 --> 00:59:34,598 AND START OVER. 1065 00:59:34,598 --> 00:59:39,102 "I'VE DISCOVERED A WORLD I DIDN'T KNOW EXISTED TILL I CAME HERE. 1066 00:59:39,103 --> 00:59:40,604 "I'M LEARNING A LOT. 1067 00:59:40,604 --> 00:59:43,607 THE OTHER GIRLS ARE A VERY DIVIRSE GROUP." 1068 00:59:43,607 --> 00:59:45,108 SHE SPELLED "DIVERSE" WRONG. 1069 00:59:45,109 --> 00:59:46,944 SHE WAS NEVER A SPELLER. 1070 00:59:47,211 --> 00:59:48,712 "...A VERY DIVERSE GROUP 1071 00:59:48,712 --> 00:59:50,213 "FROM INTERESTING BACKGROUNDS. 1072 00:59:50,214 --> 00:59:53,717 "I THINK THE DECISION NOT TO GO TO A CO-ED SCHOOL 1073 00:59:53,717 --> 00:59:55,218 "WAS A GOOD ONE. 1074 00:59:55,219 --> 00:59:57,721 "I FEEL LIKE I'M STARTING A NEW LIFE, 1075 00:59:57,721 --> 01:00:00,156 "WITH A WONDERFUL OPPORTUNITY TO MAKE FRIENDS 1076 01:00:00,157 --> 01:00:02,659 "AMONG PEOPLE I NEVER WOULD'VE MET IN TRENTON. 1077 01:00:04,662 --> 01:00:08,632 "THE DRAMA HERE IS NOT WHAT I HAD IMAGINED. 1078 01:00:08,632 --> 01:00:11,134 "OUR VISITING DIRECTOR IS ONE OF THE PEOPLE 1079 01:00:11,135 --> 01:00:13,637 "WHO IS RESHAPING AMERICAN THEATER. 1080 01:00:13,637 --> 01:00:16,673 "THE EMPHASIS IS ON DISCOVERING YOURSELF, 1081 01:00:16,674 --> 01:00:18,175 "ON BRINGING OUT THE FEARS 1082 01:00:18,676 --> 01:00:21,045 "AND PASSIONS INSIDE YOU. 1083 01:00:22,346 --> 01:00:23,814 "THE PRODUCTION THIS FALL 1084 01:00:24,315 --> 01:00:26,317 "IS ST. JOAN OF THE STOCKYARD. 1085 01:00:26,817 --> 01:00:27,818 "BUT FOR THE TIME BEING I'M CONCENTRATING 1086 01:00:28,319 --> 01:00:30,521 "ON DEVELOPING MY ACTING SKILLS 1087 01:00:30,521 --> 01:00:34,024 INSTEAD OF WORRYING ABOUT HOW BIG A PART I GET." 1088 01:00:34,024 --> 01:00:37,027 DOES SHE SAY WHETHER SHE'S HAPPY THERE? 1089 01:00:37,027 --> 01:00:39,029 IT'S HARD TO TELL. 1090 01:00:42,399 --> 01:00:44,901 PEAS, PEAS, PEAS, PEAS, 1091 01:00:44,902 --> 01:00:49,406 PEAS, PEAS, PEAS, PEAS. 1092 01:01:02,419 --> 01:01:03,420 TWO PIECES? 1093 01:01:03,420 --> 01:01:07,424 SAVE MYSELF A TRIP BACK THROUGH THE LINE. 1094 01:01:08,926 --> 01:01:10,928 SO WHO ARE THESE GUYS 1095 01:01:10,928 --> 01:01:12,429 THAT THEY'RE SHIPPING IN? 1096 01:01:12,429 --> 01:01:16,433 PRINCETON, COLUMBIA, AND BROWN. 1097 01:01:16,433 --> 01:01:20,236 BROWN--THEY'RE ANIMALS. 1098 01:01:20,237 --> 01:01:22,239 I HEARD ABOUT A GIRL 1099 01:01:22,239 --> 01:01:24,741 THAT WENT UP THERE FOR A MIXER. 1100 01:01:24,742 --> 01:01:27,745 AND SHE PASSED OUT ON BEER IN SOME DORM. 1101 01:01:27,745 --> 01:01:29,246 AND WHEN SHE CAME TO, 1102 01:01:29,246 --> 01:01:33,250 ALL THE GUYS THAT HAD TAKEN A CRACK AT HER 1103 01:01:33,250 --> 01:01:36,886 SIGNED THEIR INITIALS ON HER ASS. 1104 01:01:36,887 --> 01:01:38,388 I'VE GOT A CLASS NOW. 1105 01:01:38,389 --> 01:01:39,890 SEE YOU GUYS LATER. 1106 01:01:43,394 --> 01:01:46,330 SHE'S GOT A BOYFRIEND STILL IN HIGH SCHOOL. 1107 01:01:46,330 --> 01:01:47,831 THEY WRITE EACH OTHER... 1108 01:01:47,831 --> 01:01:49,332 EVERY DAY. 1109 01:01:49,333 --> 01:01:51,835 A BIT OF A WIMP. 1110 01:01:52,836 --> 01:01:54,337 SO WHAT ABOUT YOU? 1111 01:01:54,338 --> 01:01:55,839 YOU LEAVE ANYBODY BEHIND? 1112 01:01:55,839 --> 01:01:56,840 NO. 1113 01:01:56,840 --> 01:01:58,241 NOBODY? 1114 01:02:00,110 --> 01:02:02,112 WELL, THERE WAS THIS INSANE CHARACTER 1115 01:02:02,613 --> 01:02:03,614 IN HIGH SCHOOL. 1116 01:02:03,614 --> 01:02:07,117 HE WASN'T REALLY A GREASER... 1117 01:02:07,117 --> 01:02:08,118 ALMOST. 1118 01:02:08,118 --> 01:02:10,587 HE WAS SORT OF MY BOYFRIEND. 1119 01:02:11,021 --> 01:02:14,024 WON'T FIND MUCH OF THAT STUFF UP HERE. 1120 01:02:14,024 --> 01:02:15,859 I WONDER WHAT THEY'RE LIKE FROM PRINCETON. 1121 01:02:17,628 --> 01:02:20,330 I HEAR THEY FUCK WITH THEIR SOCKS ON. 1122 01:02:25,788 --> 01:02:28,357 ♪ WHEN I SAW THAT WOMAN THIS MORNING ♪ 1123 01:02:28,357 --> 01:02:31,159 ♪ SHE WAS WALKING DOWN THAT LONESOME ROAD ♪ 1124 01:02:32,328 --> 01:02:35,030 ♪ TRYIN' TO PLAY THE LEAD IN DUE TIME ♪ 1125 01:02:35,030 --> 01:02:37,766 ♪ BEFORE HEADIN' DOWN THE ROAD ♪ 1126 01:02:38,767 --> 01:02:41,703 ♪ TRYIN' TO PLAY THE LEAD IN DUE TIME ♪ 1127 01:02:41,704 --> 01:02:44,506 ♪ BEFORE HEADIN' DOWN THE ROAD ♪ 1128 01:02:44,506 --> 01:02:45,940 ♪ LET THE MUSIC WAKE ME ♪ 1129 01:02:45,941 --> 01:02:47,375 ♪ SHAKE ME ♪ 1130 01:02:47,376 --> 01:02:50,779 ♪ DON'T LET ME SLEEP TOO LONG ♪ 1131 01:02:50,779 --> 01:02:52,781 OW! 1132 01:02:54,283 --> 01:02:56,051 ♪ BEFORE HEADIN' DOWN THE ROAD ♪ 1133 01:02:56,051 --> 01:02:57,052 JILL! 1134 01:02:57,052 --> 01:02:58,553 HOW YOU DOING? 1135 01:02:58,554 --> 01:02:59,555 OK. 1136 01:02:59,555 --> 01:03:03,091 WHAT DID I TELL YOU? ANIMALS! 1137 01:03:09,365 --> 01:03:12,201 ♪ WELL, I SAW YOUR SISTER THIS MORNING ♪ 1138 01:03:12,201 --> 01:03:15,704 ♪ SHE WAS WALKIN' DOWN THE LONESOME ROAD... ♪ 1139 01:03:17,206 --> 01:03:18,207 HI. 1140 01:03:18,207 --> 01:03:19,208 HI. 1141 01:03:20,709 --> 01:03:22,210 YOU WANT TO FUCK? 1142 01:03:22,211 --> 01:03:23,712 I MEAN DANCE. 1143 01:03:23,712 --> 01:03:25,213 NO. 1144 01:03:26,715 --> 01:03:28,216 WHICH ONE? 1145 01:03:29,718 --> 01:03:31,219 WHAT? 1146 01:03:31,220 --> 01:03:34,223 WHICH ONE DON'T YOU WANT TO DO? 1147 01:03:34,223 --> 01:03:36,225 YOU DON'T WANT TO FUCK? 1148 01:03:36,225 --> 01:03:37,726 NO. 1149 01:03:39,228 --> 01:03:41,230 YOU DON'T WANT TO DANCE? 1150 01:03:41,230 --> 01:03:42,231 NO. 1151 01:03:44,733 --> 01:03:46,234 I'M A SENIOR. 1152 01:03:48,037 --> 01:03:50,406 YOU'RE NOT GOING TO MAKE IT. 1153 01:03:50,906 --> 01:03:51,907 HUH? 1154 01:03:52,408 --> 01:03:54,910 WHERE ARE YOU AIMING ON THE CUSHION? 1155 01:03:56,912 --> 01:03:59,414 IT'S NOT GOING TO DO IT. 1156 01:03:59,415 --> 01:04:02,418 ARE YOU TRYING TO PSYCH ME OUT? 1157 01:04:02,418 --> 01:04:03,919 DO IT YOUR WAY. 1158 01:04:07,923 --> 01:04:09,424 WE SHOULD GO SHOPPING. 1159 01:04:09,425 --> 01:04:10,926 SHOPPING? 1160 01:04:10,926 --> 01:04:11,927 FOR CLOTHES. 1161 01:04:11,927 --> 01:04:14,930 FOR YOU. I KNOW SOME PLACE IN NEW YORK 1162 01:04:14,930 --> 01:04:16,932 THAT WOULD BE GOOD FOR YOU. 1163 01:04:16,932 --> 01:04:18,433 YOU DO, HUH? 1164 01:04:18,434 --> 01:04:20,936 WE COULD GO IN, GET SOME THINGS FOR YOU, 1165 01:04:20,936 --> 01:04:22,938 MAYBE HOOK UP WITH SOMEBODY. 1166 01:04:22,938 --> 01:04:25,440 PHILLIP'S GOT THIS FRIEND FROM PRINCETON. 1167 01:04:25,441 --> 01:04:27,443 YOU'RE STANDING IN MY LIGHT. 1168 01:04:30,446 --> 01:04:32,448 IT'S NOT LIKE YOU NEED 1169 01:04:32,448 --> 01:04:34,450 A WHOLE WARDROBE OR ANYTHING. 1170 01:04:34,450 --> 01:04:35,951 JUST SOME BASIC STUFF. 1171 01:04:35,951 --> 01:04:38,954 I MEAN, YOUR INSTINCTS ARE PRETTY GOOD. 1172 01:04:41,957 --> 01:04:44,459 YOU JUST HAVE TO LEARN HOW TO LISTEN. 1173 01:04:45,894 --> 01:04:47,795 SO, THE FIVE OF US, RIGHT, 1174 01:04:47,796 --> 01:04:48,797 WE PILE INTO THIS CAR. 1175 01:04:48,797 --> 01:04:51,800 AND WE END UP AT THIS BAR IN TRENTON. RIGHT? 1176 01:04:51,800 --> 01:04:53,301 LET'S GET MORE WINE. 1177 01:04:53,302 --> 01:04:54,803 THIS LOCAL-- THIS LOCAL COMES IN. RIGHT? 1178 01:04:54,803 --> 01:04:56,304 WE BOXED HIM IN. 1179 01:04:56,305 --> 01:05:01,310 SO, HE SAYS, "WHOEVER BELONGS TO A GREEN VOLVO, 1180 01:05:01,310 --> 01:05:02,811 I'M GONNA TEAR HIS FACE OFF." 1181 01:05:02,811 --> 01:05:04,312 THIS GUY'S RIGHT OUT OF THE STONE AGE-- 1182 01:05:04,313 --> 01:05:05,814 RIGHT? HE'S GOT HAIR ON HIS KNUCKLES, 1183 01:05:05,814 --> 01:05:07,816 HIS FOREHEAD SLOPES BACK 1184 01:05:07,816 --> 01:05:10,819 WHERE HIS FRONTAL LOBE IS SUPPOSED TO BE. 1185 01:05:10,819 --> 01:05:12,821 AND THIS GUY IS REALLY HEAVY-DUTY NEW JERSEY. 1186 01:05:12,821 --> 01:05:15,323 SO, NOBODY SPEAKS UP, RIGHT? 1187 01:05:15,324 --> 01:05:16,825 HE STARTS LOOKING AROUND THE BAR 1188 01:05:16,825 --> 01:05:19,828 TO SEE WHO HE THINKS MIGHT DRIVE A GREEN VOLVO. RIGHT? 1189 01:05:19,828 --> 01:05:22,831 EVERYBODY IN THE BAR LOOKS JUST LIKE THIS GUY. I MEAN, 1190 01:05:22,831 --> 01:05:25,834 WE'RE TALKING EARLY STAGES OF EVOLUTION. 1191 01:05:25,834 --> 01:05:27,836 SO, FINALLY, HE COMES OVER AND HE STANDS LOOKING 1192 01:05:27,836 --> 01:05:30,839 AT THE FIVE OF US AT THE TABLE. 1193 01:05:30,839 --> 01:05:32,841 ALL RIGHT? I'M TRYING TO THINK, 1194 01:05:32,841 --> 01:05:35,343 "WHAT WOULD JOHNNY WEISSMULLER DO 1195 01:05:35,344 --> 01:05:37,846 IN A--IN A SITUATION LIKE THIS?" 1196 01:05:51,059 --> 01:05:54,028 LET'S GET SOME MORE WINE. 1197 01:05:54,429 --> 01:05:55,930 SO, THERE WAS THIS GUY, RAT. 1198 01:05:55,931 --> 01:05:58,433 I NEVER KNEW HIS REAL NAME. 1199 01:05:58,433 --> 01:06:01,436 HEY, HIS MOTHER NAMED HIM RAT IN THE CRADLE 1200 01:06:01,436 --> 01:06:02,937 AND IT STUCK. 1201 01:06:02,938 --> 01:06:05,440 RAT DELAROCCO. 1202 01:06:05,440 --> 01:06:07,942 HE'S PROBABLY ITALIAN, BUT MAYBE NOT. 1203 01:06:07,943 --> 01:06:09,945 OH, AND HE ALWAYS WORE THIS GLOVE 1204 01:06:09,945 --> 01:06:12,447 ON HIS HAND LIKE A RACING DRIVER, AND HE NEVER TOOK IT OFF, 1205 01:06:12,447 --> 01:06:14,949 BOWLING EVEN OR WHEN WE'D EAT PIZZA. 1206 01:06:14,950 --> 01:06:17,452 I ALWAYS PICTURED HIM ALL NAKED IN A BATHTUB 1207 01:06:17,452 --> 01:06:18,453 EXCEPT FOR THAT GLOVE, 1208 01:06:18,954 --> 01:06:19,955 LIKE DEAN MARTIN WITH HIS HAT 1209 01:06:19,955 --> 01:06:21,456 IN SOME CAME RUNNING. 1210 01:06:21,456 --> 01:06:23,458 DID YOU EVER SEE THAT WITH SHIRLEY MacLAINE? 1211 01:06:23,458 --> 01:06:24,459 IT WAS GREAT. 1212 01:06:25,961 --> 01:06:27,963 RAT HAD THIS CAR, SEE. 1213 01:06:27,963 --> 01:06:29,965 AND HE CALLED IT... 1214 01:06:29,965 --> 01:06:31,466 THE RATMOBILE! 1215 01:06:34,970 --> 01:06:36,972 THE RATMOBILE. 1216 01:06:38,974 --> 01:06:39,975 YOU SHOULD HAVE SEEN 1217 01:06:39,975 --> 01:06:41,977 WHAT HE HAD UNDER HIS HOOD. 1218 01:06:43,979 --> 01:06:45,480 I'M TALKING LIKE A CRAZY PERSON, 1219 01:06:45,480 --> 01:06:46,481 AREN'T I? 1220 01:06:46,481 --> 01:06:48,483 YOU'RE DOING FINE. 1221 01:06:50,485 --> 01:06:52,487 OK. 1222 01:06:52,487 --> 01:06:53,888 SO, ANYWAY... 1223 01:06:53,889 --> 01:06:56,758 RAT WOULD BE DRIVING, RIGHT? 1224 01:06:56,758 --> 01:06:57,759 AND WE'D BE TAKING A SHOT. 1225 01:06:57,759 --> 01:07:00,261 DID I EVER TELL YOU ABOUT TAKING A SHOT? 1226 01:07:00,262 --> 01:07:01,263 UH-HUH. 1227 01:07:03,265 --> 01:07:04,766 YOU NEVER WENT OUT 1228 01:07:04,766 --> 01:07:07,268 WITH ANYBODY LIKE ME BEFORE, HUH? 1229 01:07:09,771 --> 01:07:12,273 HEY, HEY, HEY. 1230 01:07:12,274 --> 01:07:14,776 DID I TELL YOU ABOUT ME AND FRANK SINATRA? 1231 01:07:14,776 --> 01:07:15,777 NO. 1232 01:07:15,777 --> 01:07:16,778 HUH? 1233 01:07:19,281 --> 01:07:22,284 ME AND FRANK SINATRA ARE LIKE THAT. 1234 01:07:22,284 --> 01:07:24,286 YOU KNOW WHAT I MEAN? 1235 01:07:29,191 --> 01:07:30,125 JILL? 1236 01:07:30,626 --> 01:07:31,627 WHAT'S THE MATTER? 1237 01:07:31,627 --> 01:07:32,628 WHAT'S WRONG? 1238 01:07:32,628 --> 01:07:33,495 HEY, ARE YOU ALL RIGHT? 1239 01:07:33,795 --> 01:07:34,629 OH, SHIT. WHAT'S THE MATTER? 1240 01:07:34,630 --> 01:07:37,299 TRY TO KEEP HER HEAD UP! 1241 01:07:37,299 --> 01:07:39,668 I THINK SHE BLEW IT ON THE CHECK. 1242 01:07:39,668 --> 01:07:41,169 OH, WATCH OUT. 1243 01:07:41,169 --> 01:07:43,171 I THINK WE BETTER GET HER HOME. 1244 01:07:43,171 --> 01:07:45,673 YOU OK? 1245 01:07:45,674 --> 01:07:46,675 MISS... 1246 01:07:46,675 --> 01:07:50,178 MISS, WE SEEM TO HAVE A SLIGHT PROBLEM. 1247 01:07:56,685 --> 01:07:59,187 I DON'T THINK I HAVE ANYTHING LEFT. 1248 01:07:59,187 --> 01:08:01,189 I DID IT ON THE TRAIN, TOO. 1249 01:08:01,189 --> 01:08:02,690 WELL, JUST IN CASE. 1250 01:08:03,692 --> 01:08:06,194 WOULD YOU DIAL THIS FOR ME? 1251 01:08:06,194 --> 01:08:07,195 SURE. 1252 01:08:15,704 --> 01:08:19,708 YEAH, I'D LIKE TO CALL 305-866-5050, PLEASE. 1253 01:08:19,708 --> 01:08:21,209 ASK FOR ALBERT. 1254 01:08:35,223 --> 01:08:36,724 YEAH, IS ALBERT THERE? 1255 01:08:39,227 --> 01:08:41,229 THEY'RE GETTING HIM. 1256 01:08:41,229 --> 01:08:42,230 THANKS. 1257 01:08:42,230 --> 01:08:44,732 CALL IF YOU NEED ANY HELP. 1258 01:08:44,733 --> 01:08:46,234 OK. 1259 01:08:46,234 --> 01:08:47,735 SORRY I WOKE YOU. 1260 01:08:47,736 --> 01:08:48,737 NO PROBLEM. 1261 01:08:55,177 --> 01:08:57,179 SHEIK? 1262 01:08:58,180 --> 01:09:00,182 HI. IT'S JILL. 1263 01:09:02,184 --> 01:09:05,187 YEAH. IN THE DORM. 1264 01:09:06,688 --> 01:09:08,189 I CALLED YOUR HOUSE AND I TALKED TO YOUR MOTHER. 1265 01:09:08,190 --> 01:09:12,194 SHE GAVE IT TO ME. I THINK I WOKE HER UP. 1266 01:09:12,194 --> 01:09:13,595 WHAT IS IT? A RESTAURANT OR SOMETHING? 1267 01:09:13,595 --> 01:09:14,963 NO, NO. IT'S A CLUB. 1268 01:09:14,963 --> 01:09:17,465 I'M DOING MY ACT HERE. 1269 01:09:17,466 --> 01:09:19,468 YEAH, I'M SINGING. 1270 01:09:19,468 --> 01:09:20,469 YEAH. 1271 01:09:23,972 --> 01:09:25,974 SO, UH... 1272 01:09:25,974 --> 01:09:28,409 SO, UH, W-WHAT ARE YOU DOING? 1273 01:09:28,410 --> 01:09:30,812 I'VE BEEN SORT OF BUMMED OUT. 1274 01:09:34,816 --> 01:09:36,818 IT'S DIFFERENT HERE. 1275 01:09:39,821 --> 01:09:43,324 UM, THERE'S A LOT OF PRESSURE. 1276 01:09:43,325 --> 01:09:46,328 I--I DON'T KNOW HOW YOU'RE SUPPOSED TO ACT. 1277 01:09:48,830 --> 01:09:49,831 NO. 1278 01:09:51,333 --> 01:09:53,335 ONLY FOR THIS GIRL NAMED SHELLY, 1279 01:09:53,335 --> 01:09:56,204 AND NO ONE LIKES HER EITHER. 1280 01:09:56,505 --> 01:09:58,807 SO, YOU THINKING OF DROPPING OUT? 1281 01:09:58,807 --> 01:10:01,543 NO, NO...NO. 1282 01:10:01,543 --> 01:10:06,047 YOU KNOW, I WAS THINKING OF COMING DOWN TO MIAMI, THOUGH. 1283 01:10:06,048 --> 01:10:08,550 I GOT A FRIEND DOWN THERE. 1284 01:10:08,550 --> 01:10:09,984 REMEMBER BETH LEBO? 1285 01:10:10,352 --> 01:10:11,953 AND THERE'S THIS GUY BILL 1286 01:10:11,953 --> 01:10:13,955 WHOSE FAMILY IS IN THE TOY BUSINESS. 1287 01:10:13,955 --> 01:10:15,456 ZELMIRE TOYS, AND THIS GUY LEONARD. 1288 01:10:15,457 --> 01:10:16,458 LEONARD? YEAH, LEONARD. 1289 01:10:16,458 --> 01:10:18,460 HIS FAMILY'S THE GOLDEN MEAT COMPANY. 1290 01:10:18,460 --> 01:10:19,961 BEEF BY-PRODUCTS. 1291 01:10:20,962 --> 01:10:22,463 HOW ARE YOUR CLASSES? 1292 01:10:22,464 --> 01:10:23,465 CLASSES? 1293 01:10:23,465 --> 01:10:26,668 THEY'RE NOT REAL HIGH ON THE LIST 1294 01:10:26,668 --> 01:10:27,669 DOWN HERE. 1295 01:10:27,669 --> 01:10:29,671 OH. 1296 01:10:29,671 --> 01:10:31,673 ANYHOW, WHO WE'RE MEETING NOW IS THIS GUY CURTIS, 1297 01:10:31,673 --> 01:10:32,674 WHO'S VERY SWEET, 1298 01:10:33,175 --> 01:10:34,676 AND HE'S BRINGING SOMEONE FOR YOU. 1299 01:10:34,676 --> 01:10:36,577 GREAT. 1300 01:10:36,578 --> 01:10:37,912 WHAT DO YOU THINK ABOUT THAT, LOU? 1301 01:10:37,913 --> 01:10:40,315 A WHOLE SCHOOL FULL OF HORNY WOMEN. 1302 01:10:40,682 --> 01:10:43,184 I HAD A COUSIN WHO WENT THERE ONCE. 1303 01:10:43,185 --> 01:10:45,153 SHE WAS A FREEDOM RIDER BACK WHEN THEY HAD THOSE, 1304 01:10:45,554 --> 01:10:47,556 BUT THEN SHE WAS ALWAYS WEIRD. 1305 01:10:47,556 --> 01:10:48,523 WHO WANTS TO GO IN THE WATER? 1306 01:10:48,924 --> 01:10:50,926 I THINK I'M READY FOR ANOTHER BREW. 1307 01:10:51,393 --> 01:10:53,395 LISTEN, THERE'S SOME BILLS IN MY WALLET, HONEY. 1308 01:10:53,395 --> 01:10:54,896 WHY DON'T YOU GET US ANOTHER SIX. 1309 01:10:54,896 --> 01:10:55,763 OK. 1310 01:10:56,098 --> 01:10:57,599 I'LL GO WITH YOU. 1311 01:10:57,599 --> 01:11:00,101 AND GET SOME SMOKES, TOO, OK? 1312 01:11:00,102 --> 01:11:01,103 OK. 1313 01:11:04,606 --> 01:11:05,573 AND LISTEN, 1314 01:11:05,574 --> 01:11:07,509 IF WE'RE NOT HERE WHEN YOU GET BACK, 1315 01:11:07,509 --> 01:11:09,511 IT MEANS WE MET A COUPLE OF HOT ONES 1316 01:11:09,511 --> 01:11:11,012 AND TOOK THEM DOWN TO THE GROVE. 1317 01:11:14,850 --> 01:11:16,785 I WAS WONDERING... 1318 01:11:17,285 --> 01:11:18,786 IF YOU'D BE UP TO GO SEE SHEIK TONIGHT? 1319 01:11:19,287 --> 01:11:20,788 HE'S DOWN HERE? YEAH. 1320 01:11:20,789 --> 01:11:21,790 WHAT'S HE DOING, 1321 01:11:22,290 --> 01:11:23,291 RUNNING A KIDNAPPING SERVICE? 1322 01:11:23,291 --> 01:11:25,793 HE'S PERFORMING. HE'S GOT A NIGHTCLUB ACT. 1323 01:11:25,794 --> 01:11:29,297 WELL, IF YOU REALLY THINK YOU WANT TO SEE HIM. 1324 01:11:29,297 --> 01:11:31,299 WELL, WE COULD JUST TAKE A PEAK AND NOT LET HIM KNOW. 1325 01:11:31,299 --> 01:11:32,800 IF IT'S TOO AWFUL, WE'LL JUST-- 1326 01:11:32,801 --> 01:11:34,302 WELL, WHAT ABOUT LOU? 1327 01:11:34,302 --> 01:11:35,803 WE'LL DROWN HIM. 1328 01:11:35,804 --> 01:11:37,305 THAT'S CURTIS' ELDORADO. 1329 01:11:38,807 --> 01:11:40,308 WHERE DO YOU MEET ALL THESE GUYS? 1330 01:11:40,308 --> 01:11:42,810 THROUGH THE SORORITY. ARE YOU STILL IN? 1331 01:11:42,811 --> 01:11:45,814 SORORITIES AREN'T REAL HIGH ON THE LIST UP THERE. 1332 01:11:49,384 --> 01:11:52,387 [FRANK SINATRA] ♪ I ONCE KNEW A WORRYIN' MAN ♪ 1333 01:11:52,387 --> 01:11:54,889 ♪ HE WAS A HURRYIN' MAN ♪ 1334 01:11:55,390 --> 01:11:57,892 ♪ WITH NEVER A SECOND TO PLAY ♪ 1335 01:11:57,893 --> 01:11:59,895 ♪ HE HAD APPOINTMENTS TO KEEP ♪ 1336 01:11:59,895 --> 01:12:02,397 ♪ LOTS OF PEOPLE TO MEET ♪ 1337 01:12:02,397 --> 01:12:06,901 ♪ AND IT TOOK 30 HOURS TO MAKE HIM A DAY ♪ 1338 01:12:13,408 --> 01:12:16,411 ♪ NOT FOR ME ♪ 1339 01:12:16,411 --> 01:12:19,414 ♪ NOT WHAT I WANT TO BE ♪ 1340 01:12:20,415 --> 01:12:22,917 ♪ PUT MY LOVE TO THE TEST ♪ 1341 01:12:24,419 --> 01:12:26,921 ♪ THAT'S WHEN I'M AT MY BEST ♪ 1342 01:12:29,424 --> 01:12:31,426 ♪ 'CAUSE WITH YOU, PRETTY BABY ♪ 1343 01:12:31,426 --> 01:12:33,428 ♪ STANDIN' BY MY SIDE ♪ 1344 01:12:33,428 --> 01:12:36,931 ♪ I COULDN'T BE A FAILURE EVEN IF I TRIED ♪ 1345 01:12:36,932 --> 01:12:38,433 ♪ 'CAUSE YOU ♪ 1346 01:12:38,433 --> 01:12:40,935 ♪ MAKE ME ♪ 1347 01:12:40,936 --> 01:12:45,440 ♪ MR. SUCCESS ♪ 1348 01:12:54,549 --> 01:12:56,050 THANK YOU. THANK YOU. 1349 01:12:56,051 --> 01:12:59,054 THE CHAIRMAN OF THE BOARD, LADIES AND GENTLEMEN. 1350 01:12:59,054 --> 01:13:01,556 AND NOW, ANOTHER REQUEST. 1351 01:13:01,556 --> 01:13:03,057 Arthur, J-12. 1352 01:13:10,298 --> 01:13:12,800 THIS IS FOR ALL YOU LADIES 1353 01:13:12,801 --> 01:13:15,303 WHO KEEP THE HOME FIRES BURNING. 1354 01:13:15,303 --> 01:13:19,807 UH-1, UH-2, UH-1, 2, 3, AND... 1355 01:13:24,813 --> 01:13:26,815 [JACK JONES] ♪ HEY, LITTLE GIRL ♪ 1356 01:13:26,815 --> 01:13:30,318 ♪ COMB YOUR HAIR, FIX YOUR MAKEUP ♪ 1357 01:13:30,318 --> 01:13:35,323 ♪ SOON HE WILL OPEN THE DOOR ♪ 1358 01:13:35,323 --> 01:13:38,826 ♪ DON'T THINK BECAUSE THERE'S A RING ♪ 1359 01:13:39,327 --> 01:13:40,828 ♪ ON YOUR FINGER ♪ 1360 01:13:40,829 --> 01:13:45,200 ♪ YOU NEEDN'T TRY ANYMORE... ♪ 1361 01:13:52,040 --> 01:13:54,042 YOU ORDER ANYTHING YOU WANT, OK? 1362 01:13:56,544 --> 01:13:58,045 IT'S PRETTY EXPENSIVE. 1363 01:13:58,046 --> 01:14:00,548 HEY, YOU GO TO THE FOUNTAINBLEU, 1364 01:14:00,548 --> 01:14:02,049 YOU GO FIRST CLASS. HUH? 1365 01:14:02,050 --> 01:14:04,552 THAT'S THE POINT. ANYTHING YOU WANT. 1366 01:14:04,552 --> 01:14:05,553 THANKS. 1367 01:14:07,555 --> 01:14:08,856 ISN'T THIS FANTASTIC? 1368 01:14:09,090 --> 01:14:12,593 MIAMI BEACH IS THE GREATEST PLACE IN THE WORLD. 1369 01:14:12,594 --> 01:14:14,429 I THINK BACK ON TRENTON SOMETIMES. 1370 01:14:14,696 --> 01:14:17,131 IT'S LIKE YEARS I SPENT IN PRISON. 1371 01:14:18,533 --> 01:14:20,067 YOU LIKE IT. 1372 01:14:20,068 --> 01:14:21,569 WHAT, ARE YOU KIDDING? 1373 01:14:21,569 --> 01:14:24,071 THE PEOPLE YOU SEE DOWN HERE, I'VE SEEN WOMEN, 1374 01:14:24,072 --> 01:14:25,440 THEIR HANDS NEVER BEEN NEAR DISHWATER. 1375 01:14:25,740 --> 01:14:27,742 TILL THEY'RE 20 YEARS OLD, 1376 01:14:27,742 --> 01:14:29,110 THEY GO TO THESE DEBUTANTE PARTIES, LOOK FOR A HUSBAND, 1377 01:14:29,411 --> 01:14:30,412 THEY HAVE A BIG WEDDING, 1378 01:14:30,412 --> 01:14:31,846 AND THEN FOR THE REST OF THEIR LIFE, THEY GO SHOPPING. 1379 01:14:39,654 --> 01:14:41,055 SO, ARE YOU SEEING ANYBODY? 1380 01:14:42,924 --> 01:14:43,925 NOT REALLY. 1381 01:14:44,392 --> 01:14:45,760 HOW ABOUT YOU? 1382 01:14:45,760 --> 01:14:47,595 NOT REALLY. 1383 01:14:50,732 --> 01:14:52,633 SO, HOW'S YOUR SINGING CAREER? 1384 01:14:54,002 --> 01:14:55,503 QUE SERA, SERA. 1385 01:14:55,503 --> 01:14:57,404 YOU KNOW? I JUST NEED THE RIGHT BREAK. 1386 01:14:58,773 --> 01:15:00,141 ARE YOU WORKING ON YOUR VOICE? 1387 01:15:00,475 --> 01:15:02,977 THE VOICE. VOICE IS NOT THAT IMPORTANT. 1388 01:15:02,977 --> 01:15:04,979 I MEAN, YOU LOOK AT A GUY LIKE DINO. 1389 01:15:04,979 --> 01:15:09,316 OK? YOU LOOK AT THE CLOTHES, YOU LOOK AT THE STYLE. 1390 01:15:09,317 --> 01:15:12,153 VOICE IS NOT THE WHOLE STORY. 1391 01:15:13,922 --> 01:15:16,324 YOU EVER BEEN TO A PLACE LIKE THIS? 1392 01:15:17,692 --> 01:15:19,193 MY PARENTS USED TO BRING ME HERE 1393 01:15:19,661 --> 01:15:21,162 WHEN I WAS LITTLE. 1394 01:15:21,162 --> 01:15:22,663 NO KIDDING. 1395 01:15:25,667 --> 01:15:27,168 WELL, NEXT TIME, 1396 01:15:27,168 --> 01:15:29,170 IF SOME OF THE THINGS I GOT WORKING FOR ME, 1397 01:15:29,170 --> 01:15:30,171 THEY COME THROUGH, 1398 01:15:30,171 --> 01:15:31,672 WE'LL BOOK A ROOM HERE. 1399 01:15:31,673 --> 01:15:33,574 NOTHING BUT THE BEST. 1400 01:15:47,555 --> 01:15:49,056 IT'S THE MICE. 1401 01:15:49,057 --> 01:15:51,559 GOT TO LET THEM KNOW YOU'RE HOME. 1402 01:15:51,559 --> 01:15:53,060 YOU WANT SOME COFFEE OR SOMETHING? 1403 01:15:53,061 --> 01:15:55,063 I GOT MY OWN KITCHEN HERE. 1404 01:15:55,063 --> 01:15:56,064 NO, THANKS. 1405 01:16:03,071 --> 01:16:04,072 LIKE THE TUX? 1406 01:16:04,572 --> 01:16:05,573 IT'S NICE. 1407 01:16:06,074 --> 01:16:06,574 IT'S CUSTOM-TAILORED. 1408 01:16:07,075 --> 01:16:08,076 I HAD IT MADE. 1409 01:16:14,582 --> 01:16:16,584 WHERE DID YOU GET ALL THESE PICTURES? 1410 01:16:18,586 --> 01:16:19,587 REMEMBER THAT LITTLE SQUIRT 1411 01:16:20,088 --> 01:16:22,090 WHO TOOK PICTURES FOR THE YEARBOOK? 1412 01:16:22,590 --> 01:16:24,592 I SORT OF BOUGHT THE NEGATIVES OFF HIM. 1413 01:16:35,103 --> 01:16:39,107 DOES IT PAY PRETTY WELL, THE NIGHT CLUB? 1414 01:16:39,607 --> 01:16:41,609 MONDAY THROUGH FRIDAY, I WASH DISHES. 1415 01:16:42,110 --> 01:16:45,546 AND ON WEEKENDS, THEY LET ME DO THE ACT. 1416 01:16:45,547 --> 01:16:48,049 PEOPLE SEEM TO GO FOR IT. 1417 01:16:49,551 --> 01:16:52,554 YOU KNOW, THAT'S HOW JERRY LEWIS GOT HIS START, 1418 01:16:52,554 --> 01:16:53,555 LIP-SYNCING RECORDS. 1419 01:16:53,555 --> 01:16:54,556 OH. 1420 01:16:56,558 --> 01:16:59,561 I HAVEN'T DECIDED THOUGH WHETHER TO BILL MYSELF 1421 01:16:59,561 --> 01:17:01,563 AS JUST "THE SHEIK," 1422 01:17:01,563 --> 01:17:04,566 OR...I DON'T KNOW, USE ANOTHER NAME. 1423 01:17:08,069 --> 01:17:09,070 YOU NEVER TOLD ME 1424 01:17:09,571 --> 01:17:11,573 WHY PEOPLE STARTED CALLING YOU THAT. 1425 01:17:13,575 --> 01:17:15,076 IT'S A KIND OF PROTECTION. 1426 01:17:15,577 --> 01:17:17,078 A WHAT? 1427 01:17:17,579 --> 01:17:19,080 A KIND OF RUBBER. 1428 01:17:21,082 --> 01:17:23,584 YOU KNOW, TROJANS, RAMSES, SHEIK. 1429 01:17:27,088 --> 01:17:29,590 SPEAKING OF WHICH... 1430 01:17:30,091 --> 01:17:31,092 ARE YOU ON ANYTHING? 1431 01:17:31,593 --> 01:17:33,094 ARE YOU ON THE PILL OR SOMETHING? 1432 01:17:33,595 --> 01:17:35,597 OH. 1433 01:17:35,597 --> 01:17:37,098 NO. 1434 01:17:37,599 --> 01:17:39,601 WELL, I GOT THAT COVERED. 1435 01:18:02,624 --> 01:18:04,425 TURN THE LIGHT OFF. 1436 01:19:36,718 --> 01:19:38,720 DON'T TAKE ANY SHIT UP THERE. 1437 01:19:38,720 --> 01:19:40,722 I DON'T EVEN KNOW WHY YOU'RE GOING BACK. 1438 01:19:40,722 --> 01:19:43,224 I GOT TO WORK SOME THINGS OUT. 1439 01:19:43,224 --> 01:19:46,727 IF YOU ASK ME, IT'S A WASTE OF TIME. 1440 01:19:46,728 --> 01:19:48,229 I SHOULD GO. 1441 01:19:49,731 --> 01:19:51,232 I'M GOING TO CALL. 1442 01:19:51,232 --> 01:19:52,733 SO WILL I. 1443 01:19:52,734 --> 01:19:54,736 I'M GOING TO WRITE, TOO. 1444 01:19:54,736 --> 01:19:56,237 SO WILL I. 1445 01:19:59,240 --> 01:20:00,741 I LOVE YOU. 1446 01:20:02,243 --> 01:20:03,244 I KNOW. 1447 01:20:11,771 --> 01:20:13,773 SO, ANYWAYS... 1448 01:20:13,773 --> 01:20:15,775 I FIGURED IT WAS OK 1449 01:20:15,775 --> 01:20:19,779 GETTING IT ON WITH MY ENGLISH LIT TUTOR 1450 01:20:19,779 --> 01:20:22,782 BECAUSE HE WASN'T MARRIED. 1451 01:20:22,782 --> 01:20:25,785 WHAT'S THAT GOT TO DO WITH IT? 1452 01:20:25,785 --> 01:20:27,286 I DON'T KNOW. 1453 01:20:27,287 --> 01:20:28,788 GET GOOD GRADES? 1454 01:20:28,788 --> 01:20:32,792 As. BUT I EARNED THEM. 1455 01:20:33,293 --> 01:20:34,294 I BET YOU DID. 1456 01:20:36,796 --> 01:20:38,798 COULDN'T HAVE GOTTEN AWAY WITH THAT 1457 01:20:38,798 --> 01:20:40,800 FOR LONG IN HIGH SCHOOL. 1458 01:20:40,800 --> 01:20:41,801 NO SHIT. 1459 01:20:41,801 --> 01:20:44,804 I USED TO GO OUT WITH THIS GREASER. 1460 01:20:44,804 --> 01:20:46,806 LEATHER JACKET! 1461 01:20:47,807 --> 01:20:50,810 HE'S THIS SMALL-TIME HOOD, RIGHT? 1462 01:20:50,810 --> 01:20:53,813 GOING TO BE THE NEXT FRANK SINATRA. 1463 01:20:53,813 --> 01:20:55,815 [LAUGHTER] 1464 01:20:58,318 --> 01:20:59,819 CHEER UP, SHELLY. 1465 01:20:59,819 --> 01:21:03,322 SO WHAT WAS THIS GUY, POLISH? 1466 01:21:03,323 --> 01:21:05,825 ITALIAN. 1467 01:21:05,825 --> 01:21:08,828 HIS NAME WAS SHEIK, LIKE THE PROPHYLACTIC. 1468 01:21:08,828 --> 01:21:09,829 SHEIK! 1469 01:21:11,331 --> 01:21:13,833 AND HE WAS JUST CRAZY ABOUT ME. 1470 01:21:13,833 --> 01:21:15,334 HE FOLLOWED ME AROUND, CALLED ME UP. 1471 01:21:15,335 --> 01:21:17,837 ONCE HIM AND HIS FRIEND RAT KIDNAPPED ME. 1472 01:21:18,338 --> 01:21:19,839 HEARD THIS NUMBER BEFORE, ROSEN. 1473 01:21:20,340 --> 01:21:22,342 HE WAS SUCH A FUCKIN' LOSER. 1474 01:21:22,342 --> 01:21:23,843 THEY BORROWED THE CAR, RIGHT, 1475 01:21:23,843 --> 01:21:26,345 AND THEY HAD TO HAVE IT BACK 1476 01:21:26,846 --> 01:21:27,847 BY MIDNIGHT. 1477 01:21:27,847 --> 01:21:31,350 YOU USED TO GET IT ON WITH THEM IN CARS? 1478 01:21:31,351 --> 01:21:33,353 I'M GOING TO MAKE IT 1479 01:21:33,353 --> 01:21:34,854 WITH SOMEBODY NAMED SHEIK? 1480 01:21:34,854 --> 01:21:36,856 ALL ROSEN DOES IN CARS IS BOOT ON THE UPHOLSTERY. 1481 01:21:36,856 --> 01:21:39,525 COULD SOMEBODY CHANGE THAT RECORD PLEASE? 1482 01:21:39,526 --> 01:21:41,027 I'M SCARED. 1483 01:21:41,528 --> 01:21:43,530 OF THE RECORD? 1484 01:21:43,530 --> 01:21:45,031 IT FREAKS ME OUT. 1485 01:21:45,031 --> 01:21:47,033 NEVER SMOKE DOPE WITH AMATEURS. 1486 01:21:47,033 --> 01:21:48,534 I THINK WE CAN MAKE A FOOD RUN. 1487 01:21:48,535 --> 01:21:50,537 FOOD? GOD. WHAT'S OPEN AT THIS HOUR? 1488 01:21:50,537 --> 01:21:52,539 WE'LL KNOCK OVER A BAKERY TRUCK. 1489 01:21:52,539 --> 01:21:55,041 COME ON. WE'RE OUT OF HERE. 1490 01:21:56,042 --> 01:21:59,045 I DON'T THINK I CAN MAKE IT. 1491 01:21:59,045 --> 01:22:00,546 COME ON, JILL! 1492 01:22:00,547 --> 01:22:03,550 MAYBE WE'LL MEET SOME BIKERS FOR YOU AT DUNKIN DONUTS. 1493 01:22:16,896 --> 01:22:18,397 [KNOCK ON DOOR] 1494 01:22:28,908 --> 01:22:29,909 HEY. 1495 01:22:29,909 --> 01:22:31,410 STEVE. 1496 01:22:31,411 --> 01:22:32,912 A BUNCH OF THE GUYS, 1497 01:22:32,912 --> 01:22:34,413 WE WERE ROAD-TRIPPING. 1498 01:22:34,414 --> 01:22:35,915 I TRIED TO THINK 1499 01:22:35,915 --> 01:22:38,417 OF WHO I KNEW ON CAMPUS. 1500 01:22:38,418 --> 01:22:39,919 YOU LIKE TO COME IN? 1501 01:22:40,420 --> 01:22:41,921 SURE. 1502 01:22:41,921 --> 01:22:44,924 IT MAY BE SMALL, BUT IT'S UGLY. 1503 01:22:53,433 --> 01:22:54,934 YOU LOOK DIFFERENT. 1504 01:22:54,934 --> 01:22:56,435 I'M NOT THROWING UP. 1505 01:22:58,938 --> 01:23:01,440 YOU WERE PRETTY SICK. 1506 01:23:01,441 --> 01:23:04,243 I DON'T REMEMBER A WHOLE LOT FROM THAT NIGHT. 1507 01:23:04,511 --> 01:23:06,012 I JUST KNOW I WAS A MESS. 1508 01:23:06,012 --> 01:23:07,013 I'VE SEEN WORSE. 1509 01:23:08,982 --> 01:23:09,782 DO YOU SMOKE? 1510 01:23:09,782 --> 01:23:11,150 SURE. 1511 01:23:17,490 --> 01:23:19,291 SO, WHAT DO YOU DO WHEN YOU ROAD-TRIP? 1512 01:23:19,559 --> 01:23:22,061 WELL, PHILLIP WENT TO SEE IF HE FIND LESLIE. 1513 01:23:22,061 --> 01:23:25,064 AND THE OTHER GUYS WENT TO THE LIBRARY 1514 01:23:25,064 --> 01:23:26,432 TO SEE IF THEY COULD PICK ANYBODY UP. 1515 01:23:29,736 --> 01:23:31,237 GOOD LUCK. 1516 01:23:39,312 --> 01:23:41,247 PHILLIP SAYS YOU'RE AN ACTRESS. 1517 01:23:41,247 --> 01:23:43,148 THAT'S THE RUMOR. 1518 01:23:51,658 --> 01:23:54,560 SO, YOU WANT TO STAY THE NIGHT? 1519 01:23:56,896 --> 01:23:58,397 SURE. 1520 01:24:38,438 --> 01:24:41,908 PHILLIP'S DRIVING DOWN RIGHT AFTER HIS POLI-SCI EXAM. 1521 01:24:41,908 --> 01:24:44,410 HE'LL BE PRETTY WIPED, BUT HE'LL GET HERE. 1522 01:24:44,410 --> 01:24:45,911 CHRISSIE'S GOT THIS GUY 1523 01:24:45,912 --> 01:24:47,914 WHO'S FLYING DOWN FROM HARVARD 1524 01:24:47,914 --> 01:24:49,415 AND THEN TAKING THE TRAIN. 1525 01:24:49,415 --> 01:24:51,417 CHRIST. 1526 01:24:51,417 --> 01:24:53,919 KAREN'S GOT THIS DUDE FROM COLUMBIA, 1527 01:24:53,920 --> 01:24:56,422 BUT HE'S OK. 1528 01:24:56,422 --> 01:24:58,924 SHELLY'S GUY FROM HIGH SCHOOL IS COMING. 1529 01:24:58,925 --> 01:25:00,426 SHE WOULDN'T DARE. 1530 01:25:00,426 --> 01:25:01,927 HE'S IN LOVE WITH HER. 1531 01:25:01,928 --> 01:25:03,930 THAT'S WHAT PSYCHOTHERAPY IS FOR. 1532 01:25:03,930 --> 01:25:06,933 BET THEY STILL JERK EACH OTHER OFF. 1533 01:25:18,444 --> 01:25:20,446 8-BALL. 1534 01:25:20,446 --> 01:25:22,448 YOU CAN'T BEAT ME, ROSEN. 1535 01:25:27,954 --> 01:25:29,956 WHAT DID I TELL YOU? 1536 01:25:29,956 --> 01:25:30,957 SPEED KILLS. 1537 01:25:31,958 --> 01:25:33,459 WHAT ABOUT YOU? 1538 01:25:33,459 --> 01:25:34,460 STEVE'S COMING. 1539 01:25:34,460 --> 01:25:35,461 OH, YEAH? 1540 01:25:35,461 --> 01:25:37,963 GOOD. I WAS WORRIED ABOUT YOU. 1541 01:25:37,964 --> 01:25:40,967 WHY IS IT SUCH A BIG DEAL? 1542 01:25:40,967 --> 01:25:43,970 IT ALWAYS WAS AND ALWAYS WILL BE. 1543 01:25:43,970 --> 01:25:45,838 UH, OFF THE CUSHION. 1544 01:25:47,774 --> 01:25:48,775 THANKS. 1545 01:25:48,775 --> 01:25:50,777 HELLO? 1546 01:25:50,777 --> 01:25:52,111 SHEIK? WHAT'S WRONG? 1547 01:25:52,378 --> 01:25:53,879 NOTHING'S WRONG. 1548 01:25:56,883 --> 01:25:57,884 NO. 1549 01:25:57,884 --> 01:25:59,886 DID I WAKE YOU UP? 1550 01:25:59,886 --> 01:26:02,255 OF COURSE YOU WOKE ME UP. IT'S 2:00. 1551 01:26:02,255 --> 01:26:04,123 I'M SORRY. UH... 1552 01:26:04,123 --> 01:26:07,626 I JUST HAD TO TALK TO YOU, THAT'S ALL. 1553 01:26:10,129 --> 01:26:13,132 OH, UH, THINGS ARE COMING ALONG. YOU KNOW? 1554 01:26:13,633 --> 01:26:16,135 I MEAN, A LOT OF THINGS ARE GONNA HAPPEN FOR ME SOON. 1555 01:26:16,636 --> 01:26:17,536 I CAN FEEL IT. YOU KNOW? 1556 01:26:17,537 --> 01:26:19,405 I'M REALLY TIRED. 1557 01:26:21,307 --> 01:26:23,609 CAN I CALL YOU TOMORROW NIGHT OR SOMETHING? 1558 01:26:23,609 --> 01:26:27,212 WELL, I'M OUT OF THE DORM A LOT. 1559 01:26:29,482 --> 01:26:31,984 ALL RIGHT. UH... 1560 01:26:32,485 --> 01:26:33,819 WILL YOU WRITE ME? 1561 01:26:35,088 --> 01:26:36,589 YEAH, I WILL. 1562 01:26:36,589 --> 01:26:38,023 ALL RIGHT. 1563 01:26:39,525 --> 01:26:41,026 GOOD NIGHT, JILL. 1564 01:26:47,400 --> 01:26:49,402 YOU WAITING FOR A CALL? 1565 01:26:49,402 --> 01:26:51,404 FROM BOSTON. 1566 01:26:52,905 --> 01:26:54,406 SORRY ABOUT THAT. 1567 01:26:57,210 --> 01:26:58,211 I AM SO MAD! 1568 01:26:58,211 --> 01:27:01,214 I MEAN, HE JUST DOES THESE THINGS! 1569 01:27:01,214 --> 01:27:02,715 I CAN'T CONTROL...I-- 1570 01:27:02,715 --> 01:27:04,717 DO YOU THINK IT'S EXCITING? 1571 01:27:05,718 --> 01:27:06,719 SORT OF. 1572 01:27:06,719 --> 01:27:08,721 THAT'S SOMETHING YOU CAN USE. 1573 01:27:08,721 --> 01:27:10,222 THAT SENSE OF EXCITEMENT 1574 01:27:10,223 --> 01:27:12,225 THAT GOES WITH FEAR. 1575 01:27:13,226 --> 01:27:15,628 HE'S SUCH AN ASSHOLE! 1576 01:27:15,962 --> 01:27:17,964 HE'S FUCKING KIDNAPPING ME! 1577 01:27:19,966 --> 01:27:22,468 IS THAT ALL THAT YOU FEEL? 1578 01:27:40,586 --> 01:27:43,088 YOU ALBERT? 1579 01:27:43,089 --> 01:27:45,591 THEY CALL ME SHEIK. 1580 01:27:45,591 --> 01:27:48,093 I WAS TOLD TO SEE ALBERT. 1581 01:27:48,094 --> 01:27:49,595 I'M HIM, TOO. 1582 01:27:49,595 --> 01:27:52,097 YOU SUPPOSED TO FIX ME UP? 1583 01:27:52,098 --> 01:27:53,599 OH, YOU BUSING? 1584 01:27:53,599 --> 01:27:54,600 AM I WHAT? 1585 01:27:54,600 --> 01:27:55,601 YOU BUSING? 1586 01:27:55,601 --> 01:27:56,602 NO, NO. I'M SINGING. 1587 01:27:58,571 --> 01:28:00,072 SINGING? 1588 01:28:00,072 --> 01:28:02,574 YEAH. I'M THE NEW SINGER. VINNIE FRANCO. 1589 01:28:05,077 --> 01:28:07,379 I DON'T GET IT. 1590 01:28:07,380 --> 01:28:08,614 WHAT DON'T YOU GET? 1591 01:28:08,614 --> 01:28:11,617 THEY SAID YOU'RE GOING TO RUN A MICROPHONE CHECK FOR ME. 1592 01:28:11,617 --> 01:28:13,619 YOU MEAN, YOU REALLY SING? 1593 01:28:13,619 --> 01:28:15,120 NO. I MOVE MY LIPS 1594 01:28:15,621 --> 01:28:17,589 AND THEY PLAY THE FUCKING JUKEBOX. 1595 01:28:17,590 --> 01:28:18,991 DOES THIS WORK? 1596 01:28:21,494 --> 01:28:22,995 IF THEY WANTED REAL SINGING, 1597 01:28:22,995 --> 01:28:24,997 WHY DIDN'T THEY ASK ME FIRST? 1598 01:28:24,997 --> 01:28:28,667 HUH? WHY DIDN'T THEY GIVE ME A SHOT? 1599 01:28:29,168 --> 01:28:30,669 I FIGURED THIS WOULD BE A TOILET, 1600 01:28:30,670 --> 01:28:31,504 BUT THIS IS RIDICULOUS. 1601 01:28:31,504 --> 01:28:33,305 YOU'RE A REAL SINGER, HUH? YEAH. 1602 01:28:33,306 --> 01:28:35,941 HOW COME I NEVER HEARD OF YOU? 1603 01:28:35,942 --> 01:28:37,843 IF I HAD A VOICE, WOULD I BE WORKING IN A PLACE LIKE THIS? 1604 01:29:06,405 --> 01:29:10,909 ♪ THE SUMMER THAT I WAS BAPTIZED ♪ 1605 01:29:10,910 --> 01:29:16,382 ♪ MY FATHER HELD ME TO HIS SIDE ♪ 1606 01:29:16,382 --> 01:29:20,886 ♪ AS THEY PUT ME TO THE WATER ♪ 1607 01:29:20,887 --> 01:29:26,392 ♪ HE SAID HOW ON THAT DAY I CRIED ♪ 1608 01:29:26,392 --> 01:29:28,894 ♪ WE WERE PRISONERS OF LOVE ♪ 1609 01:29:28,895 --> 01:29:31,397 ♪ A LOVE AND CHAINS ♪ 1610 01:29:31,397 --> 01:29:33,899 ♪ YOU WERE SLAMMIN' THE DOOR ♪ 1611 01:29:33,900 --> 01:29:35,701 ♪ I WAS STANDIN' IN THE RAIN ♪ 1612 01:29:35,701 --> 01:29:38,370 ♪ WITH THE SAME HOT BLOOD ♪ 1613 01:29:38,371 --> 01:29:40,873 ♪ RUNNIN' IN OUR VEINS ♪ 1614 01:29:40,873 --> 01:29:42,875 ♪ ADAM RAISED A CAIN ♪ 1615 01:29:42,875 --> 01:29:45,377 ♪ ADAM RAISED A CAIN ♪ 1616 01:29:45,378 --> 01:29:48,013 ♪ ADAM RAISED A CAIN ♪ 1617 01:29:48,014 --> 01:29:51,017 ♪ ADAM RAISED A CAIN ♪ 1618 01:29:51,017 --> 01:29:55,054 ♪ ALL THOSE LITTLE FACES ♪ 1619 01:29:56,422 --> 01:29:58,891 ♪ ASK YOU WHY YOU'RE BACK ♪ 1620 01:30:01,294 --> 01:30:06,098 ♪ FIX YOU WITH POSITION ♪ 1621 01:30:06,098 --> 01:30:09,101 ♪ AND THE KEYS TO YOUR DADDY'S CADILLAC ♪ 1622 01:30:11,771 --> 01:30:13,372 ♪ WELL, IN THE DARKNESS OF YOUR OLD ROOM ♪ 1623 01:30:13,372 --> 01:30:15,741 ♪ YOUR MAMA CALLS YOU BY YOUR TRUE NAME ♪ 1624 01:30:16,242 --> 01:30:18,911 ♪ YOU REMEMBER THE FACES ♪ 1625 01:30:18,911 --> 01:30:21,580 ♪ THE PLACES, THE NAMES ♪ 1626 01:30:21,581 --> 01:30:23,549 ♪ YOU KNOW IT'S NEVER OVER ♪ 1627 01:30:23,549 --> 01:30:26,051 ♪ IT'S RELENTLESS AS THE RAIN ♪ 1628 01:30:26,052 --> 01:30:28,054 ♪ ADAM RAISED A CAIN ♪ 1629 01:30:28,054 --> 01:30:30,556 ♪ ADAM RAISED A CAIN ♪ 1630 01:30:30,556 --> 01:30:34,059 IT'S NOT LIKE IT'S THE SENIOR PROM OR ANYTHING. 1631 01:30:34,060 --> 01:30:35,061 I JUST THOUGHT... 1632 01:30:38,064 --> 01:30:39,565 YEAH, I KNOW. 1633 01:30:39,565 --> 01:30:42,067 WELL, I CAN GET SOMEBODY ELSE TO GO WITH ME. 1634 01:30:42,068 --> 01:30:43,069 SURE. 1635 01:30:44,070 --> 01:30:47,073 OK. GIVE ME A CALL SOMETIME, ALL RIGHT? 1636 01:30:48,574 --> 01:30:50,075 HAVE A NICE FLIGHT. 1637 01:30:52,078 --> 01:30:53,579 OK, BYE-BYE. 1638 01:30:55,081 --> 01:30:57,083 SHIT. 1639 01:30:57,083 --> 01:30:59,085 I DON'T KNOW WHAT I'M GOING TO DO. 1640 01:31:21,307 --> 01:31:24,310 YOU WERE TALKING ON THE TELEPHONE. 1641 01:31:24,310 --> 01:31:25,311 MM-HMM. 1642 01:31:27,813 --> 01:31:30,816 THAT MUST HAVE BEEN INTERESTING. 1643 01:31:33,819 --> 01:31:36,321 REMEMBER I TOLD YOU ABOUT STEVE? 1644 01:31:36,322 --> 01:31:38,824 THAT WAS HIM ON THE PHONE. 1645 01:31:40,326 --> 01:31:41,727 RICK ISN'T COMING EITHER. 1646 01:31:41,727 --> 01:31:45,197 I CALLED HIM AND TOLD HIM SHELLY DIED. 1647 01:31:46,198 --> 01:31:50,535 THEY BURIED HER BEHIND THE BIOLOGY LAB. 1648 01:31:52,038 --> 01:31:53,539 IT WAS BEAUTIFUL. 1649 01:32:13,526 --> 01:32:17,530 ♪ IN THE BIBLE, MAMA, CAIN SLEW ABEL ♪ 1650 01:32:17,530 --> 01:32:23,002 ♪ AND EAST OF EDEN, MAMA, HE WAS CAST ♪ 1651 01:32:23,002 --> 01:32:27,506 ♪ YOU'RE BORN INTO THIS LIFE PAYIN' ♪ 1652 01:32:27,506 --> 01:32:29,674 ♪ WITH THE SINS OF SOMEBODY ELSE'S PAST ♪ 1653 01:32:30,176 --> 01:32:31,177 YOU KNOW JILL ROSEN? 1654 01:32:32,678 --> 01:32:35,180 DO YOU KNOW JILL ROSEN? 1655 01:32:35,681 --> 01:32:37,683 DO YOU KNOW JILL ROSEN? 1656 01:32:39,685 --> 01:32:41,186 DO YOU KNOW JILL ROSEN? 1657 01:32:41,187 --> 01:32:42,087 YEAH. 1658 01:32:44,957 --> 01:32:46,959 WHERE'S JILL? 1659 01:32:46,959 --> 01:32:48,360 WHERE'S JILL? 1660 01:32:50,229 --> 01:32:52,564 ♪ ADAM RAISED A CAIN ♪ 1661 01:32:52,565 --> 01:32:55,067 ♪ ADAM RAISED A CAIN ♪ 1662 01:32:55,067 --> 01:32:57,803 ♪ ADAM RAISED A CAIN ♪ 1663 01:32:57,803 --> 01:33:00,105 ♪ LOST BUT NOT FORGOTTEN ♪ 1664 01:33:00,106 --> 01:33:02,374 ♪ FROM THE DARK HEART OF A DREAM ♪ 1665 01:33:02,374 --> 01:33:04,876 ♪ ADAM RAISED A CAIN ♪ 1666 01:33:04,877 --> 01:33:07,379 ♪ ADAM RAISED A CAIN ♪ 1667 01:33:07,379 --> 01:33:09,881 ♪ ADAM RAISED A CAIN ♪ 1668 01:33:09,882 --> 01:33:11,984 ♪ ADAM RAISED A CAIN ♪ 1669 01:33:33,939 --> 01:33:35,941 WHAT ARE YOU DOING HERE? 1670 01:33:35,941 --> 01:33:38,443 I CAME TO SEE YOU. 1671 01:33:38,444 --> 01:33:39,945 SHEIK... 1672 01:33:39,945 --> 01:33:41,446 YOU DIDN'T WRITE. 1673 01:33:41,447 --> 01:33:43,449 I KNOW. I'M SORRY. 1674 01:33:43,449 --> 01:33:45,717 IT DOESN'T MATTER. I'M HERE. 1675 01:33:47,453 --> 01:33:48,954 ALL MY STUFF. 1676 01:33:48,954 --> 01:33:51,456 I GOT TO TALK TO YOU. 1677 01:33:53,125 --> 01:33:55,927 I THINK ABOUT YOU ALL THE TIME. 1678 01:33:56,195 --> 01:33:57,663 WHAT DO YOU MEAN? 1679 01:33:59,598 --> 01:34:01,066 I WANT YOU. 1680 01:34:03,502 --> 01:34:04,369 SHEIK, I-- 1681 01:34:04,370 --> 01:34:07,373 DAMN IT! YOU SHUT UP AND YOU LISTEN! 1682 01:34:07,373 --> 01:34:08,874 YOU NEVER GIVE ME AN INCH-- 1683 01:34:09,375 --> 01:34:11,944 NOT IN HIGH SCHOOL, NOT EVER! 1684 01:34:11,944 --> 01:34:13,445 AND WE'RE GOOD TOGETHER! 1685 01:34:13,445 --> 01:34:14,946 I KNOW THAT! 1686 01:34:14,947 --> 01:34:16,949 AND ALL THE REST-- ALL THE COLLEGE, 1687 01:34:16,949 --> 01:34:18,450 ALL THE JOBS, AND THE BULLSHIT 1688 01:34:18,450 --> 01:34:19,951 DOESN'T MEAN SHIT! 1689 01:34:19,952 --> 01:34:23,322 JUST YOU AND ME, THAT'S WHAT'S IMPORTANT! 1690 01:34:26,125 --> 01:34:28,460 I'M NOT IN LOVE WITH YOU. 1691 01:34:34,233 --> 01:34:35,167 WHY NOT? 1692 01:34:36,569 --> 01:34:38,571 IT JUST DOESN'T WORK FOR ME. 1693 01:34:40,005 --> 01:34:43,341 WHAT THE FUCK DOES THAT MEAN, HUH? 1694 01:34:43,342 --> 01:34:45,844 YOU DON'T EVEN GIVE ME A CHANCE! 1695 01:34:45,845 --> 01:34:47,246 IT'S BECAUSE OF WHO I AM, RIGHT? 1696 01:34:47,580 --> 01:34:49,348 WHAT DO YOU MEAN WHO YOU ARE? 1697 01:34:49,348 --> 01:34:51,950 OH, DON'T HAND ME THAT SHIT! DON'T HAND ME THAT SHIT! 1698 01:34:52,318 --> 01:34:55,254 ON ACCOUNT OF WHERE I'M GONNA END UP, RIGHT? RIGHT? 1699 01:34:55,254 --> 01:34:56,588 YOU'VE GOT YOUR SINGING. 1700 01:34:56,589 --> 01:34:57,856 OH, BULLSHIT! 1701 01:34:59,358 --> 01:35:02,861 I AIN'T--I AIN'T EVER GONNA BE ANYTHING. 1702 01:35:02,862 --> 01:35:05,364 I'M GONNA END UP A FUCKIN' GARBAGE MAN LIKE MY FATHER. 1703 01:35:05,364 --> 01:35:07,032 OH, THAT'S NOT TRUE. 1704 01:35:07,032 --> 01:35:08,733 DON'T FUCKIN' TALK DOWN TO ME! 1705 01:35:26,285 --> 01:35:27,786 SHEIK. 1706 01:35:27,786 --> 01:35:29,788 DON'T YOU LOOK AT ME. 1707 01:35:35,794 --> 01:35:36,795 I'M SORRY. 1708 01:35:36,795 --> 01:35:38,797 I'M SO SORRY. 1709 01:35:44,303 --> 01:35:46,805 I DO LOVE YOU, YOU KNOW. 1710 01:35:46,805 --> 01:35:49,808 JUST NOT THE WAY YOU WANT ME TO. 1711 01:35:52,811 --> 01:35:54,312 YOU KNOW, 1712 01:35:54,313 --> 01:35:57,316 I GOT SOME FEELING IN THIS, TOO. 1713 01:35:59,818 --> 01:36:02,821 I'M TRYING TO BE SOMEBODY UP HERE, 1714 01:36:02,821 --> 01:36:04,823 AND I'M A COMPLETE WASHOUT, 1715 01:36:04,823 --> 01:36:06,324 HIDING IN MY ROOM ALL NIGHT 1716 01:36:06,325 --> 01:36:08,827 BECAUSE SOME GUY WON'T GO TO A DANCE WITH ME. 1717 01:36:08,827 --> 01:36:11,062 YOU THINK I GOT A MAID OR SOMETHING? 1718 01:36:11,563 --> 01:36:12,564 YOU LIED TO ME. 1719 01:36:13,065 --> 01:36:16,034 I DIDN'T WANT TO HURT YOUR FEELINGS. 1720 01:36:16,035 --> 01:36:17,403 WHAT ABOUT WHEN YOU CAME TO MIAMI? 1721 01:36:17,403 --> 01:36:20,305 HUH? WHAT THE FUCK WAS THAT? 1722 01:36:20,306 --> 01:36:23,809 WHAT DO YOU WANT FROM ME? 1723 01:36:23,809 --> 01:36:25,811 YOU WANT ME TO QUIT SCHOOL 1724 01:36:25,811 --> 01:36:27,712 AND GET MARRIED TO YOU AND HAVE KIDS? 1725 01:36:27,713 --> 01:36:30,182 WHAT THE FUCK IS SO AWFUL ABOUT THAT? 1726 01:36:30,182 --> 01:36:33,185 THAT'S NOT WHO I WANT TO BE! 1727 01:36:33,185 --> 01:36:35,687 I DON'T KNOW WHAT I WANT, BUT IT'S NOT THAT. 1728 01:36:35,688 --> 01:36:36,989 WHEN WE WERE IN HIGH SCHOOL-- 1729 01:36:36,989 --> 01:36:40,792 WE'RE NOT IN HIGH SCHOOL ANYMORE! 1730 01:37:15,060 --> 01:37:18,063 YOU DON'T WANT TO SEE ME ANYMORE? 1731 01:37:18,564 --> 01:37:19,565 NO. 1732 01:37:32,077 --> 01:37:34,579 YOU SHOULDN'T HAVE SLEPT WITH JODY. 1733 01:37:38,584 --> 01:37:40,586 YEAH, THAT WAS STUPID. 1734 01:37:51,530 --> 01:37:54,032 AHH. 1735 01:37:56,035 --> 01:37:58,537 SO, WHAT ARE YOU GOING TO DO NOW? 1736 01:38:01,540 --> 01:38:03,041 I DON'T KNOW. 1737 01:38:03,042 --> 01:38:04,543 [KNOCK ON DOOR] 1738 01:38:04,543 --> 01:38:06,044 Girl: JILL? 1739 01:38:06,045 --> 01:38:09,048 YOU IN THERE, JILL? 1740 01:38:09,048 --> 01:38:11,550 Boy: WE SHOULD GET A MOVE ON. 1741 01:38:14,553 --> 01:38:17,556 MAYBE SHE CRAPPED OUT AND TOOK THE TRAIN HOME ALREADY. 1742 01:38:17,556 --> 01:38:19,057 UH...HEH. 1743 01:38:24,563 --> 01:38:27,566 IS THIS DANCE A BIG DEAL OR SOMETHING? 1744 01:38:27,566 --> 01:38:30,068 EVERYBODY TRIES TO IMPRESS EACH OTHER 1745 01:38:30,069 --> 01:38:32,571 WITH WHAT GUY THEY CAN GET 1746 01:38:32,571 --> 01:38:35,073 TO GO TO IT WITH THEM. 1747 01:38:35,074 --> 01:38:37,076 AND YOU GOT STOOD UP? 1748 01:38:37,076 --> 01:38:39,078 SHOT DOWN. 1749 01:38:41,080 --> 01:38:42,915 FUCKIN' GUY'S AN ASSHOLE. 1750 01:38:49,922 --> 01:38:52,925 YOU COULD TAKE ME TO IT. 1751 01:38:52,925 --> 01:38:54,326 WHAT? 1752 01:38:54,326 --> 01:38:57,462 I CAN'T HAVE EVERYBODY THINKING I'M A COOTIE, 1753 01:38:57,463 --> 01:38:59,465 SITTING ALONE IN MY ROOM. 1754 01:39:05,971 --> 01:39:07,806 YOU DON'T WANT TO GO IN THERE WITH ME. 1755 01:39:07,806 --> 01:39:09,107 YES, I DO. 1756 01:39:09,108 --> 01:39:10,576 WHAT ARE THEY GOING TO THINK 1757 01:39:10,576 --> 01:39:12,444 YOU WALK IN THERE WITH SOME MEATBALL? 1758 01:39:12,444 --> 01:39:13,812 THEY'RE GOING TO THINK 1759 01:39:13,812 --> 01:39:17,148 I GOT THE BEST-LOOKING GUY IN THE WHOLE PLACE. 1760 01:39:23,956 --> 01:39:25,958 I SEEN SOME OF THESE GUYS WHEN I WAS LOOKING FOR YOU. 1761 01:39:25,958 --> 01:39:27,759 THEY DRESS LIKE SHIT. 1762 01:39:29,495 --> 01:39:31,797 YOU MUST'VE TERRORIZED THE PLACE. 1763 01:39:33,031 --> 01:39:34,532 YEAH, I DID. 1764 01:39:37,369 --> 01:39:38,636 SO, HOW ABOUT IT? 1765 01:39:38,637 --> 01:39:40,639 YOU GOING TO BAIL ME OUT? 1766 01:39:40,639 --> 01:39:42,107 [APPLAUSE AND CHEERING] 1767 01:39:46,111 --> 01:39:47,112 ALL RIGHT. 1768 01:39:48,614 --> 01:39:49,615 OVER HERE. 1769 01:39:50,616 --> 01:39:52,117 LADIES AND GENTLEMEN, 1770 01:39:52,117 --> 01:39:54,619 WE JUST GOT A WEIRD REQUEST, 1771 01:39:54,620 --> 01:39:57,122 BUT WE'RE GOING TO DO IT ANYWAY. 1772 01:40:23,048 --> 01:40:26,051 ♪ STRANGERS IN THE NIGHT ♪ 1773 01:40:26,051 --> 01:40:28,553 ♪ EXCHANGING GLANCES ♪ 1774 01:40:29,054 --> 01:40:31,556 ♪ WONDERING IN THE NIGHT ♪ 1775 01:40:31,557 --> 01:40:34,059 ♪ WHAT WERE THE CHANCES ♪ 1776 01:40:34,059 --> 01:40:37,062 ♪ WE'D BE SHARING LOVE ♪ 1777 01:40:37,563 --> 01:40:40,566 ♪ BEFORE THE NIGHT WAS THROUGH ♪ 1778 01:40:45,571 --> 01:40:48,574 ♪ SOMETHING IN YOUR EYES ♪ 1779 01:40:48,574 --> 01:40:51,076 ♪ WAS SO INVITING ♪ 1780 01:40:51,076 --> 01:40:54,079 ♪ SOMETHING IN YOUR SMILE ♪ 1781 01:40:54,079 --> 01:40:56,581 ♪ WAS SO EXCITING ♪ 1782 01:40:57,082 --> 01:41:00,085 ♪ SOMETHING IN MY HEART ♪ 1783 01:41:00,085 --> 01:41:07,592 ♪ TOLD ME I MUST HAVE YOU ♪ 1784 01:41:07,593 --> 01:41:11,096 ♪ STRANGERS IN THE NIGHT ♪ 1785 01:41:11,096 --> 01:41:12,597 ♪ TWO LONELY PEOPLE ♪ 1786 01:41:12,598 --> 01:41:16,602 ♪ WE WERE STRANGERS IN THE NIGHT ♪ 1787 01:41:16,602 --> 01:41:18,604 ♪ UP TO THE MOMENT ♪ 1788 01:41:18,604 --> 01:41:22,107 ♪ THAT WE SAID OUR FIRST HELLO ♪ 1789 01:41:22,107 --> 01:41:24,609 ♪ LITTLE DID WE KNOW ♪ 1790 01:41:24,610 --> 01:41:28,113 ♪ THAT LOVE WAS JUST A GLANCE AWAY ♪ 1791 01:41:28,113 --> 01:41:31,616 ♪ A WARM EMBRACING DANCE AWAY ♪ 1792 01:41:31,617 --> 01:41:35,120 [FRANK SINATRA] ♪ AND EVER SINCE THAT NIGHT ♪ 1793 01:41:35,621 --> 01:41:37,623 ♪ WE'VE BEEN TOGETHER ♪ 1794 01:41:37,623 --> 01:41:40,626 ♪ LOVERS AT FIRST SIGHT ♪ 1795 01:41:40,626 --> 01:41:42,628 ♪ IN LOVE FOREVER ♪ 1796 01:41:42,628 --> 01:41:46,131 ♪ IT TURNED OUT SO RIGHT ♪ 1797 01:41:46,131 --> 01:41:51,636 ♪ FOR STRANGERS IN THE NIGHT ♪ 1798 01:42:09,274 --> 01:42:12,777 ♪ LOVE WAS JUST A GLANCE AWAY ♪ 1799 01:42:12,778 --> 01:42:18,283 ♪ A WARM EMBRACING DANCE AWAY ♪ 1800 01:42:18,283 --> 01:42:21,286 ♪ EVER SINCE THAT NIGHT ♪ 1801 01:42:21,286 --> 01:42:23,288 ♪ WE'VE BEEN TOGETHER ♪ 1802 01:42:23,288 --> 01:42:26,291 ♪ LOVERS AT FIRST SIGHT ♪ 1803 01:42:26,291 --> 01:42:28,293 ♪ IN LOVE FOREVER ♪ 1804 01:42:28,293 --> 01:42:31,296 ♪ IT TURNED OUT SO RIGHT ♪ 1805 01:42:31,296 --> 01:42:36,801 ♪ FOR STRANGERS IN THE NIGHT ♪ 1806 01:42:39,805 --> 01:42:42,307 ♪ IT'S NOT THE WAY YOU SMILE ♪ 1807 01:42:42,307 --> 01:42:44,809 ♪ THAT TOUCHED MY HEART ♪ 1808 01:42:46,311 --> 01:42:47,812 ♪ SHA LA LA LA LA ♪ 1809 01:42:47,813 --> 01:42:50,816 ♪ IT'S NOT THE WAY YOU KISS ♪ 1810 01:42:50,816 --> 01:42:54,820 ♪ THAT TEARS ME APART ♪ 1811 01:42:54,820 --> 01:42:58,824 ♪ WHOA, MANY, MANY, MANY NIGHTS ROLL BY ♪ 1812 01:42:58,824 --> 01:43:05,831 ♪ I SIT ALONE AT HOME AND CRY OVER YOU ♪ 1813 01:43:06,331 --> 01:43:08,333 ♪ WHAT CAN I DO ♪ 1814 01:43:08,333 --> 01:43:12,837 ♪ I CAN'T HELP MYSELF ♪ 1815 01:43:13,338 --> 01:43:15,840 ♪ WHEN, BABY, IT'S YOU ♪ 1816 01:43:15,841 --> 01:43:18,343 ♪ SHA LA LA LA LA LA LA ♪ 1817 01:43:18,343 --> 01:43:19,844 ♪ BABY, IT'S YOU ♪ 1818 01:43:19,845 --> 01:43:22,347 ♪ SHA LA LA LA LA LA LA ♪ 1819 01:43:22,347 --> 01:43:24,282 ♪ SHA LA LA LA LA ♪ 1820 01:43:24,283 --> 01:43:28,787 ♪ YOU SHOULD HEAR WHAT THEY SAY ABOUT YOU ♪ 1821 01:43:28,787 --> 01:43:30,789 ♪ CHEAT, CHEAT ♪ 1822 01:43:30,789 --> 01:43:32,791 ♪ SHA LA LA LA LA ♪ 1823 01:43:32,791 --> 01:43:34,793 ♪ THEY SAY, THEY SAY YOU NEVER ♪ 1824 01:43:34,793 --> 01:43:37,295 ♪ NEVER, NEVER BEEN TRUE ♪ 1825 01:43:37,296 --> 01:43:39,298 ♪ CHEAT, CHEAT ♪ 1826 01:43:39,298 --> 01:43:44,803 ♪ OH, IT DOESN'T MATTER WHAT THEY SAY ♪ 1827 01:43:44,803 --> 01:43:48,807 ♪ I KNOW I'M GONNA LOVE YOU ANY OLD WAY ♪ 1828 01:43:48,807 --> 01:43:50,308 ♪ WHAT CAN I DO ♪ 1829 01:43:50,309 --> 01:43:52,811 ♪ WHEN IT'S TRUE ♪ 1830 01:43:52,811 --> 01:43:55,313 ♪ I DON'T WANT NOBODY ♪ 1831 01:43:55,814 --> 01:43:57,816 ♪ NOBODY, NO ♪ 1832 01:43:57,816 --> 01:44:00,318 ♪ BABY, IT'S YOU ♪ 1833 01:44:00,319 --> 01:44:02,321 ♪ SHA LA LA LA LA LA LA ♪ 1834 01:44:02,321 --> 01:44:03,822 ♪ BABY, IT'S YOU ♪ 1835 01:44:03,822 --> 01:44:06,825 ♪ SHA LA LA LA LA LA LA ♪ 1836 01:44:14,333 --> 01:44:16,835 ♪ OHH ♪ 1837 01:44:16,835 --> 01:44:20,338 ♪ MANY, MANY NIGHTS ROLL BY ♪ 1838 01:44:20,339 --> 01:44:25,844 ♪ I SIT ALONE AT HOME AND CRY OVER YOU ♪ 1839 01:44:26,345 --> 01:44:28,847 ♪ WHAT CAN I DO ♪ 1840 01:44:28,847 --> 01:44:32,851 ♪ I CAN'T HELP MYSELF ♪ 1841 01:44:33,352 --> 01:44:35,354 ♪ 'CAUSE, BABY, IT'S YOU ♪ 1842 01:44:35,354 --> 01:44:37,856 ♪ SHA LA LA LA LA LA LA ♪ 1843 01:44:37,856 --> 01:44:39,357 ♪ BABY, IT'S YOU ♪ 1844 01:44:39,358 --> 01:44:41,360 ♪ SHA LA LA LA LA LA LA ♪ 1845 01:44:41,360 --> 01:44:43,862 ♪ DON'T BELIEVE ME, I KNOW ♪ 1846 01:44:43,862 --> 01:44:45,864 ♪ SHA LA LA LA LA LA LA ♪ 1847 01:44:45,864 --> 01:44:47,365 ♪ COME ON HOME ♪ 117184

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