All language subtitles for Queen.of.the.South.S05E06.Plata.O.Plomo.1080p.AMZN.WEB-DL.DDP5.1.H.264-NTb

POTE: Previously on
Queen of the South...

The deposit on the waterfront
went through.

I mean, it's ours.
No one has to die.

You're here to advise me,
not question me.

We want the Monet back.

-I traded it to Hakim Bishara.
-Who is he?

An Algerian smuggler.

Is that what happened
to Rocco de la Peña?

You were in business with him.

Maybe you're responsible
for his death.

I had nothing to do with it.

You have any idea who you're--

-[gunshot]
-[groans]

Did you know Rocco was dead?
Now you can tell your friends

I'm open for business
in Europe.

I know a guy, Isidro Navarro.

I sent you there
to keep an eye on Boaz

and learn
about the Miami operation.

He says you're the boss.

[speaking Spanish]

I wasn't sure
until this pinche gringo

showed up on my doorstep.

-You want to count it?
-BOAZ: Nah.

I don't think you'd
be stupid enough to cross me.

He thinks I don't know
about his ulterior motive

to infiltrate our organization.

[gunshot]

[dramatic music]

[mellow music]

♪

Did you have a good swim?

It was good
for the first few laps,

but then
I swallowed some water.

Don't worry.
Chlorine won't kill you.

I'm not afraid
of the chlorine, Teresita.

I don't put it past
these rich pendejos

that they pee in the pool,

especially that one
right there.

Did you speak with Kelly Anne?

I did.
She made it in okay.

Said she was gonna take care
of some loose ends

on the waterfront.

Oh, look who decided
to show up.

Where you been, cabrón?
It's been two days.

I almost sent
a search party after you.

Yeah, I had to go dark.

What did you find out?

Oleg was right
about Isidro Navarro.

He runs coke from Morocco
to Germany,

and they move big numbers.

Mm, we get his business,

and we get a foothold
back into Europe.

[line ringing]

[phone rings]

Teresa, I was just
about to call you.

Have you arranged that meeting?

Isidro Navarro is in Berlin,
but only for a couple of hours.

-So I have to meet him today?
-OLEG: Exactly.

Text me the location.

We're gonna meet him right now?

He's in Berlin.

I'm gonna need some time
to secure the location.

Please get started.

[snoring]

[door clicks, creaks]

[groaning softly]

[dark music]

♪

[speaking Spanglish]

You paranoid, or what?

Ah, what the hell time is it?

It's time to send a message.

Put your pants on.
We got work to do.

I ain't had my morning coffee,
Mr. Rooster.

Bring it to go.
Vámonos.

♪

[indistinct chatter]

Cover the main gate.

Building is clear.

I'll keep an eye from here.

The place is not crowded,
which is good.

That tree line gives us
some cover from the windows

across the street.

It's not ideal.

We need to make it
short and sweet.

I hate mimes.

I'm gonna cover the west end.

OLEG: I reached out
to a few connections.

Luckily, Isidro happened to be
looking for a new supplier.

What do you know about him?

He's from an aristocratic
Galician family.

What's he doing
in the drug business?

For him, cocaine is just
another commodity,

just like soybeans or oil,

but it trades
at a much higher price.

No.

It has to be about more
than the money.

Perhaps he enjoys adrenaline.

You can ask him yourself.

He's 15 minutes late.

Let me give him a call.

[phone beeping]

[uneasy music]

[busy signal beeping]

He's not answering.

This doesn't feel right.

♪

-Teresa, get down!
-[gunshots]

[crowd screaming]

[Oleg grunts]

JAMES: Teresa.

[siren wailing]

[dramatic music]

♪

[dark music]

♪

[wincing]

You know what you're doing?

I usually do it on myself.

It's just a flesh wound.

Was Navarro connected
to Rocco de la Peña?

No.

I know your history with Rocco.

I would never put you
in that position.

JAMES: Look, maybe we should
talk about this on the flight

back to New Orleans.

we need to get out of here

before the locals
connect us to the body.

You want me to call the pilot?

Have him on standby.

[guns clicking]

GEORGE: What's this all about?

[speaking Spanglish]

His crew is moving against us.

Well, we should call Teresa,
let her know.

We'll let her know
when it's done.

That's why she sent me here.

These Haitians
are a nasty bunch.

Well, looks like it's gonna be
a working vacation for me, huh?

Come on. You ride with me.
I'll fill you in.

GEORGE: I was wondering
where you got to, Susie.

You coming along?

[speaking Spanish]

GEORGE: I was just
thinking that.

Do you think Oleg
set us up?

He almost died
trying to save me.

[phone buzzing]

It's Navarro.

Put it on speaker.

Hello?

NAVARRO: You tried
to set me up, Oleg.

Set you up, Isidro?

First you take down
my supplier.

Then you want
to fill my demand.

This is Teresa Mendoza.

What do you mean,
we took out your supplier?

Hakim Bishara.
You killed him three days ago.

[heavy music]

I did not know you worked
with Bishara,

and what happened
had nothing to do with you.

You expect me to believe that?

Listen to me very carefully.

I am not a man
who enjoys violence,

but I will see you dead
before I buy from you.

I missed this morning,
but I will not miss again.

You killed Navarro's supplier,

and you didn't think
to tell me that?

If I knew that,
I would have told you.

I want to know everything
about Navarro and his business.

♪

[phone buzzing]

-This is Kelly Anne.
-JIM: Miss Van Awken.

Hi, Jim.
How's it going over there?

Not good.

We can't gain access
to the property.

There's only one road in,

and apparently
that's privately owned.

They have security down here.

They won't let us in.

[tense music]

♪

Thank you.

You okay?

Yeah.

I want to make this deal
with Navarro work.

I'm not questioning you.

If you wanna go for this,
I am all in.

I just...

wanna know why
you think we need it.

It's an opportunity.

The market in Europe
is exploding.

It's higher here
than in the U.S.

Is that all?

We've already got more money
than we can launder.

This is about power.

[solemn music]

♪

You could have died today.

♪

[suspenseful music]

♪

-KELLY ANNE: Hello, gentlemen.
-SHAKER: Miss Van Awken.

BLEDSOE: Miss Van Awken.

KELLY ANNE: I'm gonna cut
to the chase.

So y'all are saying we own
the waterfront property

but not the road
leading up to it?

Well, that's a private roadway.

That was never part
of the original sale.

Well, that was not
in the disclosure.

Well, maybe you missed it.

I assure you I did not.

So tell me, how is my client
supposed to develop

the property
if she can't access it?

Well, my partner and I are
happy to sell you that roadway.

Okay, at what cost?

Oh, 500 million.

You can't be serious.

BLEDSOE: [chuckling]
Well, that's what it's worth.

You said it yourself.

You can't develop the property
without the road.

[dark music]

It'd be a shame
having this prime real estate

and just having it
sitting there.

Yeah.

Well, surely we can come
to some kind of accommodation.

[chuckles]
Look, we gave you our price.

We have a lot of appointments
today, hon, but take your time.

Talk to your client.
Get back to us.

Road's not goin' anywhere.

Mm-hmm.

Thank you.
Good day.

Miss Van Awken.

Mm.

Maybe you should call Teresa.

No, she's got a lot going on.

I can handle 'em.

♪

BOAZ: That's the stash house.

GEORGE: How do you know those
guys are moving against us?

Before we put that pinche
rataout of his misery,

he gave up something.

These Haitians are cutting
Teresa's coke with fentanyl.

Fentanyl?
They'd OD their own customers.

Why would they do that?

They're just...
[speaking Spanish]

They don't care.

Spring break's coming up.

First white kid dies,

heat's gonna blow back
on la jefa.

So what's the plan?

We're gonna sit here

and wait for those putos
to get home,

go ahead
and teach them a lesson.

OLEG:
His name is Jurgen Weisse.

He's Navarro's
inside man in Interpol.

He keeps him up on any
anti-narcotics operations

along the corridor.

If we get this guy,

we're gonna put ourselves
on Interpol's radar.

He can get us in a room
with Navarro.

What if the Spaniard
doesn't play ball?

He's not getting
another chance to kill me.

JAMES: If this guy's our best
shot of getting to Navarro...

We need to grab him tonight.

POTE: Orale.

[engine starts]

You know, I like you,

and I'm glad you're here.

But tell me the truth.

Teresa sent you down here
to watch me, didn't she?

[uneasy music]

♪

I came down here
for some R&R.

That's it.

But Teresa did say
that I could watch your back,

you know, lighten the load
if you needed it.

It's okay. I get it.

I'd do the same if I were her.

She wants to know
if I'm planning a move.

Are you?

No, no, 'mano.

Hell, I still owe Teresa
my life.

She should have killed me
for disobeying her.

But her heart's bigger
than my balls.

[both laughing]

Nah...

she's got nothing to fear
with me.

Hell, that's why
I'm sitting here now,

trying to take care
of this problem for her.

♪

[blows landing]

[ominous music]

♪

[Tchaikovsky's "Swan Theme"
playing]

♪

[both grunting]

[both straining]

JAMES: Aah!

♪

[music swells]

♪

♪

You know who I am.

You operated out of Malta
a few years back,

worked with a money launderer,
Rocco de la Peña,

until he put out
a bounty on you.

I hear he's dead.

One of his girls got tired
of being abused,

killed the sick bastard.

Why are we here?

♪

That's my daughter's
ballet academy.

♪

I need to speak
with Isidro Navarro alone.

He's a dangerous person
to cross.

♪

Your choice, cabrón.

[tense music]

♪

Clem doesn't think the parish
will go for it.

Not a chance.

Plus, the building inspector
wants his--

Hello, gentlemen.

Miss Van Awken.

Now, y'all have been
ducking my calls,

and I just don't have time
to play that game.

So that's 10 million in cash
right now for the roadway.

That's 490 mil short, hon.

We're willing to meet you
somewhere in the middle.

That's nowhere near halfway,
girlie.

You walk in here like this
with your muscle,

you think
you're gonna intimidate us

into accepting a lowball offer?

Well, you're wasting your time,
and worse, you're wasting ours.

Oh, now, take it easy, John.

I'm gonna nip this
in the bud.

It's Miss Van Awken,
not "girlie,"

and you both know
damn good and well

that waterfront is useless
to us without the road.

Perhaps you'd like to sell it
back to us then.

We'll give you 250 mil
right now

to take that waterfront
off your hands.

That's less than half
what we paid for it...

Which is what y'all's plan
was all along, wasn't it?

It's the only deal
I see on the table.

Mr. Shaker, you are begging
for us to sue you.

Oh, you could do that,
but that property'd end up

tied up in litigation
for years,

generating no revenue,

legal fees, property taxes.

Why, your client'd
be lucky to get back

a third of what she
put into it.

That's a hell of a business
model y'all have.

[laughs]
Thank you.

Oh, gentlemen,
would you please be so kind

as to escort Miss Van Awken

and her associate
off the premises?

GUARD: Yes, sir.

They were just leavin'
with their bags.

GUARD: Come on, man.

Okay.

[ominous music]

♪

Someone's coming.

[phone rings]

BOAZ: Hello?

The Haitians
just turned the corner.

They're comin' in.

All right.
It's go time.

[speaking Spanish]

He betrayed us.

[tires squealing]

[suspenseful music]

♪

Is that him?

Yes.

[intense music]

♪

BOAZ: Oye!

Hands in the air
where we can see them.

-Hurry up!
-Watch out!

[gunshots]

Where y'all boys at?

You ever hear of Mexican time?

Not a fan!

BOAZ: Hell yeah,
cavalry's here!

[Boaz spits]

You slow your roll, Baby Doc.

No! Please! No, please, no!

No!

-No, no, no!
-BOAZ: Cállate!

-Why are you doing this?
-[speaking Spanish]

Let George do that.

George, check the blow
and use one of those strips.

I'm gonna need some water.

What's this about?

You think we've
been cutting your shit?

You tell me.

Little bit of lactose, maybe,

to stretch it,
but that's about it.

You messed up, Sylvestre.

[tapping]

GEORGE:
Two red lines is negative.

One line is positive.

[tense music]

♪

One line.

Hmm.

That's more than baby laxative.

The science don't lie,
pendejo.

No. No.
No, no, this is bullshit!

ANGEL: [speaking Spanish]

Oh, you're in a world
of shit now.

What the fuck is this?

BOAZ: You tell me
what the fuck this is.

I never seen that shit
before in my life.

You've never seen this shit?

In your fucking life, huh?

Huh? You ain't seen this shit
in your life?

-BOAZ: [speaking Spanish]
-No!

No, please! No!

I'm telling you the truth!
No, please!

I'm telling you the truth!

[muffled groans]

[wheezing, coughing]

BOAZ: [laughing]

I'm gonna get some air.

BOAZ: [chuckles]
Let's get the fuck outta here.

[heavy music]

♪

You better hope I don't
walk out of here, Oleg.

Might as well
kill me right now.

I didn't mean to interfere
with your business.

I don't want to move
into your territory.

I realize the loss
of the Algerians has cost you.

Yes, and you would like
to capitalize on that loss.

Why should I do business
with someone I don't trust?

TERESA: You tried to kill me,

and I still want
to make this work.

Trust can be built over time.

Do you think
I don't have other options?

Not like the one
I'm offering you.

You can make a lot of money
with me, Isidro.

And if I say no?

Then I will have to work
with your competitors,

and with my supply line
and the quality of my product,

you could lose your share
of the market.

Just reaching for a cigarette.

[tense music]

♪

You grew up with money.

Why are you in this business?

My mother and I...
didn't inherit any wealth.

I was the product of an affair,

the bastard of the family,
in more ways than one.

Your mother wasn't Spanish?

Moroccan descent.

Spain, uh, has a...

difficult history
with the Berbers.

I wasn't handed anything
in this life.

We have that in common.

You know when there's
a good deal on the table.

I want points on the first run
and, uh,

a discount to compensate
for the loss of the Algerians.

Agreed.

But you can't go after Oleg.

Oleg and I have no problem.

Thank you for hearing me out.

We'll be in touch.

TERESA: Let's go.

♪

KELLY ANNE:
We've been scammed.

I knew the property
changed hands three times

in the last ten years,
but what I didn't know was why.

So it turns out
Shaker and Bledsoe

buy it back every time for
half of what they paid for it,

every time using a different
name and a different LLC.

How do they get away
with this?

They got, like,
a platoon of lawyers.

I mean, this year alone,
they've had six

separate lawsuits
against them dropped

just because they outspend
and outlast the plaintiffs.

It's this little game
they play,

and they haven't lost yet.

I'm--I'm so sorry.

I really tried to fix this.

TERESA: This is not your fault.

We did everything
the right way.

We could sell it back

and just write it off
as a tax loss.

No.

KELLY ANNE:
What do you wanna do?

[light suspenseful music]

If they wanna act
like gangsters,

let's treat them
like gangsters.

♪

[lively music playing]

♪

Beautiful view, no?

Yes, it is.

I wanted to say thank you
for yesterday, 'mano.

Saved my ass.

It got pretty hairy
for a second.

You mean that MAC-10 trying
to tattoo "mother" on my chest?

[laughing]

It's all in the game, brother.

What's that, uh...

what's that one cowboy movie?

The one with, uh...

the blue-eyed...

[speaking Spanish]

Ah, you're talking about
Newman and Redford,

Butch Cassidy
and the Sundance Kid?

[laughs]
Yeah, that one.

I love that movie.

You were Sundance to my Butch
yesterday, cabrón.

[both laughing]

I like that.

That's nice, man.

[chuckles]

You know, the truth?

I could use you here in Miami
full-time, George,

as my number two.

Well, I gotta say,
Miami does agree with me.

[both chuckling]

But that's something
I'd have to ask Teresa about.

I'll bring it up to her
soon I get back to New Orleans.

Well, then hurry back, 'mano,

'cause I'm sure
I can find some more trouble

for us to get into together.

-[George chuckling]
-One last shot...

All right?

I love you, cabrón.

Right back at you, brother.

Be right back.
I'm gonna make some calls.

♪

[phone beeping]

[line ringing]

-TERESA: George.
-Greetings from South Flo-Flo.

What's going on?

Oh, you know,
we had a little problem.

What kind of problem?

GEORGE: Retailers
in Little Haiti

cutting your product
with fentanyl.

I'ma spare you
the gory details,

but the important thing
is it's handled.

Did any of the tainted product
get out?

Nope. Boaz made sure of that.

He came down on those boys
like a hammer.

As far as I can see,

he's solid,
and he's down to business.

I still don't trust him.

I think he's past
what happened with Javier,

but if you want me
to stick around...

Please.

GEORGE: All right, you got it.

And, hey...
[laughs]

That boat's gonna show up
in a few days.

We're gonna
christen it together.

[laughs]

I'll put the champagne on ice.

[laughs]

Don't you pop that bottle
without me, principessa.

TERESA: Be careful.

[phone beeps]

[ominous music]

♪

I'm Teresa Mendoza.

It's a pleasure
to finally meet you.

Hello.

You're Equity Partners Limited?

Nice car.

I have a luxury dealership
among my holdings.

It, uh, matches your suit.

Ms. Mendoza, is it?

Forgive my cutting
to the chase,

but, um, has your lawyer
explained everything to you?

Why don't we step inside
so we can discuss it?

All right.

♪

What the hell is this?

My counteroffer.

[dramatic music]

[dark music]

[panting]

♪

You're never gonna get away
with this.

Mm-kay.

This document amends

the original sales agreement

to include that roadway.

This is how you people
do business?

I tried to deal with you
like businesspeople.

Yeah, all right, all right,
you made your point.

Um, you--we can resolve this.

Quit your sniveling, Clem.
She's bluffing.

They need us alive
to close the deal.

Actually, Mr. Bledsoe,

you have power of attorney
in absence of your partner.

[chuckles]

What do you mean,
in the absence of your--

-[gunshot]
-Aah! Aah!

Aah! Oh, God!

I'll si--I'll sign it!

I'll sign!

Y'all bring it over here.
I'll sign it.

[panting]

[whimpering]

♪

Here.

BLEDSOE: Thanks.

[groaning]

♪

We good?

You tell me.

-[cocks trigger]
-[Bledsoe gasps]

[whimpering]

I don't know nothin'.

I didn't see nothin'.

[driving music]

♪

JAMES: Something came for you.

Looks like Bledsoe's
trying to buy his safety.

[phone buzzing]

[phone beeps]

Hello?

It's Clem Bledsoe.

Escrow closed.

You have the waterfront
and the roadway.

-TERESA: Good.
-You got the car?

-TERESA: I did.
-It's just a token.

You'll never
hear from me again.

I know.

[line beeping]

[gun clicks]

[suppressed gunshot]

♪

[singing in Spanish]

♪

Hey.

Um, I've been trying
to get ahold of Pote.

He's on his way back
from Baton Rouge.

Clem Bledsoe?

Yeah, he was a loose end.

You know, sometimes...

I hardly
recognize her anymore.

Well, none of us are the same.

We've just all been through
too much and seen too much.

[soft music]

♪

Sometimes I miss that girl
from Culiacán.

[chuckles]

♪

You know,
I was Cole's doormat for years.

The minute I met Teresa,
I knew we shared something.

She helped me realize
we were survivors.

Yeah, we all are.

She's become something else.

She doesn't wanna
just survive anymore.

She wants to live.

So that girl from Culiacán,

she's gone.

-[announcer speaking Spanish]
-[man speaking Spanish]

[dramatic music]

[men speaking Spanish]

♪

Where's Boaz?

-He had business in Hialeah.
-Mm.

[speaking Spanish]

Ah, nah.
You know what?

I think
I'm gonna get a little...

[chuckles]

♪

Goddamn it, Boaz.

♪

You set those Haitians up

so I'd tell Teresa
you had her back.

The fentanyl, it was all you.

I really wish you hadn't
come in here, Sundance.

[intense music]

Don't you--

[gunshot]

[upbeat Latin music]

[singing in Spanish]

♪

Pendejo.

♪

[haunting music]

♪

[projector clicking]