All language subtitles for Confronting.a.Serial.Killer.S01E03.WEBRip.x264-ION10.Hi

[disquieting music]

His hands are around my neck.

[Wayne] It should've
been a slam dunk.

You caught the man in the act.

♪

[Gary] This was
the worst outcome

of my career.

[Jillian] Samuel
Little never thought

that he would be convicted.

There was such a
miscarriage of justice.

[Laurie] They failed me.

They failed every
woman after me.

Because we're
prostitutes, we're women,

it doesn't really matter.

So guess what.

All the deaths after
me are on them.

[Mitzi] It sickens me now

that so many women are dead:

Melinda LaPree, Patricia Mount,

Carol Alford, Audrey Nelson,

Guadalupe Apodaca, and more.

[Darren] But there's
two more prostitutes

that have survived Sam's attack:

Hilda Nelson and Leila McClain.

[Mitzi] Leila McClain
summed it up to a T

when she said, "Ain't
nobody gonna believe

"a Black prostitute

in Pascagoula,
Mississippi, in 1982."

♪

[melancholy music]

[Jillian] In August of 2018,

when I interviewed
Sam the first time,

he had maintained his innocence,

but by the end of
our second interview,

he started confessing to me,

and he told me about
13 murders that day.

It left me, like, frozen.

I sort of [exhales deeply]

said, "Okay, call law
enforcement immediately."

And so I called Mitzi
Roberts, and I said,

"He's talking.

What do I do?"

[suspenseful music]

And she said, "There
is a lead investigator

on this now, and he
is a Texas Ranger."

Ranger James Holland

was organizing a national effort

to solve these cold cases

related to Samuel Little.

So I got a call from
Ranger Holland, saying:

"Hello, this is Texas
Ranger James Holland,

and I hear that you have
some information for me."

And I said, "Well, you know",

"can I just organize
my notes? Can I"...

He's like, "No. Just
read them to me.

Just give-just give it
to me. What do you got?"

And as I went through
them, he was like,

"Got it, go.

Next one, next one,
next one, next one."

And I was just like,
"Okay, I guess he knows

about these murders already."

And then I told him

about the victim in Omaha
that was left in a barrel,

and then he said,

"Stop.

Say that again?"

[dramatic music]

[Jillian] Right.

[Jillian] Right.

The victim was a
Native American woman.

She was in a bar,

and Sam walked in, and he said,

"Is that an Indian?

Never met a real Indian."

[ominous music]

[Jillian] Her friend said,
"Don't get in the car,"

but she got in the car.

♪

[Jillian] Hmm.

[Jillian] And he strangled
her there in the car

and left her naked
body in this barrel.

♪

So two days later,

Ranger James Holland calls back,

and he's like, "We got her.

We got the victim in Omaha,"

the one from my confession.

That was the information
that identified her,

and it was Agatha White Buffalo.

[news reporter] In 1973,

the body of the
34-year-old was found

stuffed in one of these barrels

at 27th and N.

She had been strangled to death.

Her murder is no
longer a cold case.

Omaha police tell me it's
officially classified now

as exceptionally clear.

[Jillian] Initially,
I wasn't trying

to solve a murder.

I just remember walking
outside and saying,

you know, like, "I think maybe
I just did the best thing

I've ever done in my life."

And I haven't been
able to stop since.

♪

[news reporter] The FBI
calls Samuel Little.

America's most
prolific serial killer.

[Sam] If you want me to
tell my secrets to you,

come down here and
look me in my eye

while I do.

[Jillian] My deal
with the devil is,

"You will not die alone
if you tell me the truth."

[Sam] I'm not gonna
admit to those girls.

[Jillian] I don't believe you.

So you tell me the
truth right now.

[news reporter] Little
strangled 93 victims

between 1970 and 2005.

[Jillian] He was
tried and got off

again and again and again.

[news reporter]
Investigators believe

that Samuel Little
killed more people

than serial killers Ted Bundy,

John Wayne Gacy, and
Jeffrey Dahmer combined.

[Jillian] If you
weren't locked up,

I'd probably be dead by now.

[Sam] You're right.

[footsteps clomping]

[Jillian] These are all drawings

that Sam has sent me.

These are his murder victims.

[melancholy string music]

Sam learned to draw in the
Ohio State Reformatory,

where he was incarcerated

when he was 17 years old.

It's interesting to think
about how you can have

the kind of close
observation that art requires

and then also... the
complete disregard

for human life that
murder requires.

You can definitely see his
art changing over time.

I guess my hope is that
they're getting more

true to life,

because then they
might be matched

to an unidentified victim.

♪

You know, these are the
ones I keep in my office...

♪

As sort of references
and, um, inspiration

to keep going

investigating these murders.

These are not curiosities to me.

These are lives

that were lost.

This is Audrey,

one of Sam's victims
from Los Angeles.

I have a relationship
with a lot of the victims,

but I most relate to Audrey

and think that that
could've been me.

Audrey was really artistic.

She was, like, a very
loud, bright personality,

and so when I want

kind of creative
motivation or inspiration,

I'll talk to Audrey.

[dramatic music]

This is a victim of Sam's

that is still unidentified.

He often draws
petechial hemorrhaging

in their eyes,

which is

what happens when
you're strangled,

broken blood vessels
in your eyes.

♪

I write a lot from the
victims' perspectives,

which I feel is taking
a lot of license,

and I wanna be very
mindful of that.

I really try to

ask their permission.

♪

And I ask,

"Can I tell your story,

and will you help me?"

What I like to imagine

is that Sam is no longer

the only person

who witnessed those moments.

I don't want them to...

♪

Just have been alone
with a monster, you know?

♪

This is one of his
favorite victims.

I don't think he even knows

why certain victims stay
with him more than others,

or he-he goes over
and over and over them

again in his mind

while he's lying
there in his cell.

This reads, "Sam kill me
but he knows I love him.

Ms. Sam."

[eerie music]

And then this reads,

"Your sister Jillian.

My dream. Mr. Sam."

There's very little that
does not creep me out

about any of this.

Yeah, he believes

that I'm

basically one of his victims,

like I'm a living,
breathing victim,

but essentially,
I belong to him.

He possesses me

the same way that he feels,

uh, about his victims,

and, um, that we're all
gonna be together again

in heaven.

♪

[sighs]

♪

[Jillian] You feel that
God has forgiven you?

[Jillian] Right.

[line beeps]

[sighs] Jesus.

♪

How did I get the ear
of a serial killer?

I listened to him.

♪

I told him I cared.

I told him I wouldn't judge him.

I told him I wouldn't leave him.

I said, "Give it
to me straight",

"give me everything,

"and I'll take your calls,

"and I'll write you letters,

and I'll be your friend."

And that's how I
got him to talk.

♪

[Jillian] Yeah, tell me.

[Jillian] Mm-hmm.

[Jillian] Right.

[Jillian] Mm-hmm.

I'm in this very
unusual position

because most people
don't get to interview

someone of this

degree of perniciousness

and evil

for this long of
a time, you know?

It's a-it's, like, a two-year
interview process we've had

since I started working
on this project.

♪

[line trills]

[Jill] This is Jill.

Hey, Jill. It's Jillian.

- How are you?
- [Jill] Good.

We're talking about
titles and cover.

[Jill]

- Uh-huh.
- [Jill]

- [Jillian] Uh-huh.
- [Jill]

Yeah. That's part of it.

I definitely grapple with themes

of, you know, what is
monstrous and what is human.

♪

I want to understand

this kind of aberrant behavior.

I wanna know his story,

what made him who he is.

Sam, will you tell me
about your childhood?

[Jillian] Mm-hmm.

Why don't we start that story

from the beginning?

[Jillian] Mm.

[Jillian] How?

[Jillian] Mm-hmm.

[Jillian] Mm-hmm.

[melancholy music]

♪

[Jillian] Samuel
Little was born in 1940

in Reynolds, Georgia,
which is a rural town

in the South.

♪

Sam Little's mother,
Bessie Mae Little,

was 16 years old,

and she had an affair

with Paul McDowell,

who was a little bit older.

♪

And she wound up
pregnant with Sam.

♪

Sam's mother, Bessie Mae,

was raised by her grandmother,

Josephine,

because her mother
died in childbirth,

and so this
grandmother was furious

about Bessie Mae having a baby.

[thunder booming]

[rain pattering]

When Sam was somewhere

between six and nine months old,

Josephine put her
granddaughter out and said,

"You need to... get
rid of this boy.

Just leave him by the
side of the road."

♪

[Jillian] Mm-hmm.

[Jillian] And eventually,

she just got too
despondent and exhausted

and collapsed.

♪

Bessie Mae crawled to
the side of the road,

laid her baby down in the mud,

eyes to God, and prayed.

"Jesus," she said,

"please protect this child."

♪

[Jillian] Mm-hmm.

[Jillian] There was a
peddler with a goat cart

who everyone knew in the town.

[Jillian] And everybody knew

that Bessie Mae's
child was Paul's child,

and so this peddler

picked Sam up

and took him to his
paternal grandparents,

and so Fanny and
Henry took him in.

♪

Sam was taken by
his grandparents

to Lorain, Ohio,

and raised by them

as if he was their son.

[music intensifies]

[Jillian] Right.

[Jillian] Mm-hmm.

[suspenseful music]

♪

[Jillian] When he
was 13 years old,

he ran away from home,

and he saw these bicycles
lined up in a row,

and that was his first real time

he stole something.

♪

They arrested him,

and based on that,

he wound up in the
Boys' Industrial School.

So the Boys' Industrial School

was like the reformatory school.

Sam was in there for 19 months.

It was historically a
very abusive environment.

[disquieting music]

[Jillian] Right.

[Jillian] Each night,
the younger boys

kept their eyes shut
tight and prayed,

listening to the footsteps
of the older boys

strolling the rows of bunks.

They knew the next
sound they heard

would be screams.

If on some nights, those screams

sounded suspiciously like Sam's,

he knew it was never him.

It was understood

that even if it was you,

you never admitted to it.

♪

[suspenseful music]

[Jillian] Right.

♪

[Jillian] Sam has a very

vehement victim narrative

about his life.

He really wanted to
share that with me.

I just said, "I
would like to listen,

"I would like to not judge you,

and I just wanna understand."

[uneasy music]

During the time that Sam was
in the Ohio State Reformatory

in the early '60s,

his mother, Bessie Mae,

sent him a letter.

His mother, who he had not
seen since he was four,

wrote him and said,
"I'm living in Miami.

"I'm living in a place
called Coconut Grove.

"It's fantastic.

"The sun shines all the time.

"I have money.

Won't you come see me,
my one and only son?"

[Jillian] Mm-hmm.

[Jillian] Mm-hmm.

[Jillian laughs]

[Jillian] Sam moved
in with his mother,

who had sort of a rooming house.

♪

[Jillian] That's a
little weird, Sam.

[laughs]

♪

His mother wanted to make sure

he was having sex

so she would have a grandchild,

because she never
got to raise him.

When that wasn't working,

she would... crawl into
bed with him at night,

and she would have him

suck on her breast
as an adult man.

Wow.

Whew!

She was sexually
inappropriate with him,

but he'll apologize for
her until the end of time.

You're talking about Bessie Mae?

Did it make you angry,

or did it make you aroused?

[somber music]

♪

[Jillian] Sam told me

he had been thinking
about killing women

for a long time.

But it wasn't until he
moved in with his mother

that he finally,

after many years of
thinking about it

killed a woman.

♪

He was like,

"You wanna know
about the first one?"

♪

And I was like, "Yeah.

I wanna know about
the first one."

♪

[Jillian] Mm-hmm.

[dramatic music]

[Jillian] How do you
build a psychopath?

How do you build
a serial killer?

I can't tell you

what makes one person go
through all these things

and turn into somebody

who kills women.

I'm not a neuroscientist.

But my understanding
is that a serial killer

is a perfect storm of
genetics and environment.

♪

The first murder happened
before Sam's mom died,

and then after he
lost his mother,

it is the ultimate abandonment,

and he goes fully off the rails,

and he went on a
rageful killing spree.

[Jillian] It was
like the last thread

that tied him to his mom snapped

and he was free of all his guilt

and obligation of trying

to do the right
thing by his family,

free to be who he truly was.

Now there would be
no stopping him.

[menacing music]

♪

My job is to enter a world

and try to imagine myself

into other people's minds

and other people's lives.

But it does seem like a
tremendous responsibility

when those people
are no longer alive.

[desolate music]

♪

I don't only wanna know

what Sam has to say

about the women he killed.

I have a drive to
really understand

these women... What
they were like,

what they dreamed of,
who they truly were...

And I wanna know
about their families,

because they are
also Sam's victims.

♪

[children shouting]

[Pearl] My mother, Audrey,

fought for her life.

I always think about, like,
what she went through,

what-what that was like for her.

What else I got in here?

[somber music]

My name is Pearl,

and I am Audrey
Nelson's daughter.

Samuel Little murdered my mother

in Los Angeles.

These are a couple
little stuffed animals

that my mom tried to send to me

through my Uncle Bill

so I would know that, uh,
she was thinking of me.

[Jillian] The
multigenerational ripple effect

of unsolved cold case murder

is massive.

For many of these families,

I'm the first person
they've told this story to,

so I feel like it's
my responsibility

to hold their pain
and listen to them.

♪

All those years not
knowing what happened

to my mother, Audrey,

was very difficult.

It's something
that you really put

deep inside of you,

and it's terrible that
you can't share that.

♪

And so one day, I get a message

from a lady named
Jillian Lauren,

and she says that she was
gonna be writing a book,

and she wanted to know
about my mother, Audrey.

Jillian wanted to
really shine some light

- on the victims...
- [knocking]

and tell their story,

and I said, "Yeah, come on up."

[Jillian] Oh, gosh, hi! [Laughs]

How are you?

[Pearl] Good. How are you?

Good.

[Pearl] These are the
treasures that I have

of my mother.

This'll kind of be nice

for you to see.

Where's this photo from?

Is that her high
school yearbook?

[Pearl] So this is
what she looked like

when she was 17.

This is 1971...

[Jillian] Mm.

Five years before I was born.

Wow.

[Pearl] I know.

Look at her, so cute
in her bikini and

just feeding those
birds like that.

She was so happy.

♪

This is the only
photograph that I have

of my mother holding me.

This is the most
precious photograph

in my entire life.

She looks really proud.

[Pearl] I was with my
mother for a whole year

before, um, she got arrested

and Social Services said

that, um, she wasn't
fit to take care of me

because of the life
that she'd been living,

because of the prostitution.

♪

So I was adopted

by my grandmother
and grandfather.

But my mother did not
ever wanna lose me.

[eerie music]

♪

[sighing] Oh.

Eighth grade school year,

I was, uh, hanging my clothes

up to dry on the porch,

and the police

show up on the-on the doorstep,

and Grandmother was like,

"Oh, go to your room.
Go to your room."

I was like...

You know, I just kind of hid.

I just kind of hid and listened.

They found out that
she was just...

She was murdered in Los Angeles.

They didn't catch the person

or anything.

My mother was gone,

and all my chances of
ever being with her again

completely vanished.

[sighs]

[dramatic music]

[news reporter]
Investigators say

this is the face
of a serial killer,

one who's managed to
elude capture for years.

[news reporter]
Seventy-two-year-old

Samuel Little is now charged
with three cold case murders

in California.

[Pearl] I could never
forget that moment

when, in 2014,

I received a phone call

from a detective in Los Angeles,

Mitzi Roberts.

And I said, um, "You
caught the guy."

She's like, "Yeah.
We caught the guy."

He's definitely the one that

not only murdered my mother,

but there is a
couple other ladies.

[news reporter] The
victims were all mothers

leading what police call
high-risk lifestyles.

[Mitzi] He just
seemed to always be

one step ahead of the law.

Well, I know for
sure it's-it's...

That's not the way it's
gonna be this time.

♪

The months in between
arrest and trial

are just filled with
preparing the best case

for the murders
of Audrey Nelson,

Guadalupe Apodaca,

and Carol Alford

and not just rely on the DNA

but to put together a case

that was so strong

that we would leave
the jury [laughs]

with no other choice
but conviction.

[Beth] No one's ever attempted
to put it all together before,

and so we were very immersed in

all of his prior crimes,

reviewing files and
talking to law enforcement,

uh, and prosecutors
across the country

and digging up surviving victims

so that the jury had as
many of those puzzle pieces

as they could.

♪

[Wayne] I remember
that I got the call

from LAPD Homicide.

They said, "Detective
Sergeant Spees?"

And said, uh, "Thirty years ago,

you arrested a guy for rape."

And I said, "Sam Little."

She said, "Do you
remember the case?"

And I said, "Absolutely.

The Laurie Barros and
Tonya Jackson case."

She says, "Well, we have
him on three homicides,"

and I was-I was, you
know, blown away.

And she goes, "And we
made him on the DNA,

the DNA that you
guys collected."

She was a great detective,
uh, Mitzi Roberts,

and, uh, you know, she said,

"We're gonna-we're
gonna have you testify."

♪

[Mitzi] We went
around, and we talked

to the surviving victims,

um, the ones that
wanted to-to talk,

like Laurie, the
surviving victim

from the San Diego attack
who was left for dead.

♪

[Laurie] When I
got that phone call

saying, "We need
you to testify,"

I think all the air
was sucked out of me.

[sighs]

I had no idea that he served
only two and a half years

for two attempted
murders, rapes...

Very sadistic ones, no less...

Until Mitzi told me.

♪

I lost it.

I broke down,

and I-I... I was
scared all over again.

I-I...

I didn't wanna do it.

[Mitzi] God, I was
on the phone with her

for probably three hours,

just talking her through it

and trying to convince her

that I know it seems so hard now

but that-that she
had to trust us.

"This is your chance
to take back the power

"and to tell your story.

This is for you too."

We, for whatever
reason as a society,

treat victims of sexual assault

different than we treat
victims of any other crime.

Sexual assault victims
tend to be treated

on the stand like they're liars,

but it's not gonna
happen on this case.

[desolate music]

Surviving victims
on cases like this,

they are gold.

They are the... linchpin

that allows a jury to
actually understand

what happened to
all of these women

who can no longer speak

because they're in their graves.

♪

[Darren] The prosecutor,
who was Beth Silverman,

she calls me.

She wanted to be sure

she brought every
witness she could get.

She wanted all of us there.

I call Leila McClain,

and I call Hilda Nelson,

the two victims that survived
his attack in Pascagoula,

and I let them know
that he's in custody,

and they were like,
"Oh, thank you, Jesus.

Thank you, Jesus," and
they were all ready to go.

They were excited.

They could have
their day in court.

♪

[Beth] In August of 2014,

the trial against
Sam Little began.

He comes across
looking much different

now that all these
decades have gone by,

and he's sitting
in a wheelchair,

and so one of the
pieces of evidence

that I like to use
is photographs,

as many photographs as
the detectives can find

of what he looked
like at the time

that he was sexually assaulting

and trying to kill these women,

as opposed to the little old man

sitting in the wheelchair.

♪

The defense was
that he didn't do

any of these crimes,
that he wasn't, uh,

even a sex offender,

that he had consensual
sex with these women,

that they were women

who had prostituted themselves

and probably had consensual
sex with a number of men,

so either he's a serial killer,

or he's just the unluckiest
guy on the-on the planet.

And so in the opening
statement, the jury was told

that the surviving victims
were going to come in

and they were going to be able

to establish a blueprint
for what likely happened

to the three victims who
were murdered here in LA,

Audrey Nelson, Carol Alford,
and Guadalupe Apodaca.

♪

Two separate victims from
Pascagoula, Mississippi,

Leila and Hilda,

who were survivors,

told stories that were
strikingly similar.

[Darren] Leila
McClain tells a story

to where she is actually
in a bar in Carver Village

when she is approached, uh,

and-and offered a date,

and she gets in the car

with Sam Little.

[eerie music]

Here are the...
trial transcripts

from Los Angeles.

These are all
4,000-something pages

of the trial.

Let me find Leila's testimony.

♪

"As we was going
around the corner,

"I say, 'Go back that way.'

"He say, 'I don't
need to turn around

for what I want to do to you.'"

"And then he hit me right here

"in between my eyes

and then coldcocked
me behind my head."

"So you fought back?"

"With everything I had."

"Did you think that he
was trying to kill you,

choke you to death?"

"Definitely. He was
going to kill me."

[Mitzi] When it came time for
fireball Leila to identify

the person you're
testifying about in court,

she turns and says,

"Yeah, it's that man over there,

"only he's uglier now." [laughs]

And I just thought
that was the greatest.

So, um... and Sam didn't
like that too much.

[melancholy music]

[Darren] What I do find
ironic about all this

is that these people
that we looked at

as maybe not really
reliable witnesses

in 1982

were heroes and stars

in California in 2014

when they helped
prosecute Sam Little.

♪

[Mitzi] When Laurie
got to court,

it hit her finally

that this was real

and that she was gonna
have to face this guy.

She went into a
complete panic attack.

♪

[Laurie] Just really triggered
by the courtroom itself,

you know, the building,

just think-bringing
memories back

and a feeling like I'm
not gonna be believed

and I'm gonna be
judged and I'm...

Why am I electing to do
this to myself again?

♪

[Mitzi] We just told her,
"This is your conviction,

what you should've gotten
so many years ago,"

and then she got it
together, and she was so good

and so powerful.

[Laurie] And I looked
him in the face

multiple times.

"You don't win."

♪

[Beth] One thing I noticed
about the surviving victims

was that the longer
they sat on the stand,

the more comfortable they became

trying to show Sam Little

that they were stronger than him

and that they had risen above
what he had done to them.

[Jillian] Mm-hmm.

[Sam laughs]

[Jillian] Yeah, yeah.

Well, she believes
that was the truth.

♪

[Mitzi] It was a bunch
of powerful women

that took him down.

That's something that
Sam never had to deal...

He was used to
overpowering these women

and then getting away with
it and getting away with it,

and I really think
he thought again,

he was gonna get away
with it this time.

But, you know, the jig is up,

as they say.

♪

[Jillian] She did a hell-
she did a hell of a job.

She really did. You
got to admit it.

♪

[Mitzi] September 2, 2014,

the verdict was read,
and Sam was convicted

of all three counts of
murder, first degree.

♪

[news reporter] The
relatives of Little's victims

spoke out during today's
sentencing hearing.

Afterwards, they gathered
in a courthouse hallway,

total strangers brought
together by tragedy.

I was 13 when I had to bury her.

I had to say goodbye.

[news reporter] Pearl Unique
Nelson says her mother

was just starting to get
her life back together

when she was murdered in 1989.

We got him. He's gone.

He can't hurt anybody now.

♪

I think when Samuel Little knew,

"The show is over, and
now I'm going to jail,"

he was just more dark and angry.

His eyes changed.

Could never forget that moment.

[news reporter]
Seventy-four-year-old

Samuel Little swore at
the victims' relatives

and shouted in the courtroom

during the sentencing hearing,

denying that he
committed the killings.

I didn't do it.

[bleep].

[bleep].

[judge] Mr. Little,
that's enough.

[news reporter] Tony
Zambrano is talking

about his mother,
Guadalupe Apodaca.

In this photo, Tony
is seen smiling,

sitting alongside his
brother and mother,

who was murdered
by Little in 1989.

It was a big mystery.

You know, um, you
know, that's-that's...

That was... been the worst part,

not knowing, you
know, who did it.

If you have a mom out there,
you know, call her up,

and, you know, tell
her you love her,

because you might not
have another chance.

[Mitzi] Then it was
Sam's turn to speak,

and he gave some spiel

about how it was a
modern-day lynching.

This conviction was
brought on by lies

and liars coached by liars.

[Mitzi] He said Beth
and I, you know,

made up lies and the
victims are all liars.

The obsession of labeling
me as a serial killer

without any proof, any bodies,

was a legal lynching.

[dramatic music]

[Mitzi] The judge sentenced
him to the maximum,

which was three life sentences

with no possibility of parole.

[Jillian] Even after Sam Little

was finally convicted

of three murders in 2014,

he... vehemently denied

he committed these crimes

until 2018, when he
began confessing to me.

Sam still does go on these rants

about how he was framed.

"DNA doesn't prove anything.
Just proved that I was there."

And I'm like, "But you did it!"

"Just say you did it.

"Just admit it.

"Just say you're guilty,

'cause you are guilty."

And he did.

♪

I feel like we haven't talked

about the victims

that you were convicted for.

I wanna hear about Audrey.

I wanna hear about Lupe.

I want you to walk me
through them, one by one.

[Jillian] That's right.

[Jillian] Do you know
she was an artist, too,

like you?

♪

Did you ever ask
Sam about Audrey?

I did.

Did he even remember that one?

Yes.

He remembered, um... [sighs]

How much do you wanna know?

Just tell me.

So she was staying at a hotel

in downtown LA.

She was walking down the street.

He pulled up, picked her up,

and they went and
got some heroin,

they got high in
the back of his car,

and that he strangled her

on the floor of the car,

um, and it was right there

in the... parking lot

where he left her.

Um, he half picked her
up, half dragged her,

uh, out of the car

and put her in the-in
the dumpster...

- Mm-hmm.
- Where she was left,

and you've seen her.

Yes.

No, nothing's pretty
about what he does.

I just feel like, you know,

that Sam Little... just, he

he was kind of just jonesing

for-for a quick kill.

He just saw someone.

Unfortunately, it was her.

I think that's correct,

that it was more of a chance...

- Yeah, it wasn't...
- encounter.

Yeah.

She fought. She-she fought.

She fought him.

She was kicking and screaming,

and you could tell
by all the bruises,

and he was dragging her.

Sh-she was fighting
for her life.

♪

Knowing what happened, I feel

like, uh, the chapter

has been closed on a book.

I feel that now
my mother, Audrey,

can really rest in peace.

♪

[Jillian] This story,
Audrey's story,

will never leave me.

After seeing the Audrey
Nelson crime scene photos,

I kept having these dreams

that my kids were in a dumpster,

that my dogs were in a dumpster.

Like, I just kept
having these dreams that

my husband would
just be sobbing.

[indistinct chatter]

- Catch!
- Oh, game over!

[Jillian] The Sam Little project

wears on you.

It wears on the relationship.

It wears on the family.

[operator] call
from a telephone...

call from a telephone number...

[Jillian] The
repetitiveness of it,

the consistent demands

of a sociopath

who, by definition,

is a psychic vampire,

but I've always tried to provide

a safe space for my children

and my family

around this work,

and there's a lot to negotiate.

So, T, how do you feel

about what I'm writing
about right now?

[Tariku] It's kind of cool.

What's cool about it?

I like stories.

[Jillian] You think
the story about Sam

is a pretty good story?

[Tariku] Yeah.

You think it has a
good villain in it?

Well

he's kind of too villainous

and, like, he just doesn't care

who dies and who lives.

Yeah, he doesn't really
have empathy, right?

My 12-year-old is
really curious,

and he's really interested
in the forensics of it,

and he's sort of a
junior detective.

He wants to understand DNA.
He wants to talk about it.

Now, my eight-year-old...

You win.

- You get your hugs later.
- All right.

I just try to keep him
away as much as I can,

but he knows.

[sighs]

Do you feel like, um,

my working on this story has

affected our-our
family and our lives?

Because... dealing with
someone without empathy

- can be very...
- [Tariku] Mm-hmm.

- Difficult.
- [Tariku] Yeah.

How do you feel like
it's affected us?

Because you can't, like...

You can't be mad at him.

Well, you can be mad
at him, but, like,

you can't, like,
show your anger.

Otherwise, you can't get
the stuff that you need.

And... but then you have...
You let it out at home.

But if you could let it out,

I bet it would be
a different story

and... all this
would be different.

[Scott] I'm not
resenting the project.

I'm not resenting anyone

other than probably Sam himself,

and, uh, I guess

that it-it feels
important and necessary,

but I don't want our kids

really being exposed
to it that much.

♪

And there's times
where I'm like,

"I just can't hear
any more about this."

♪

So right now, we
figured out a way

where it's just like, "Listen",

"y-just go up and work.

"Can't come down here
and-and talk about this

in this kind of space we're
in with the kids and stuff."

♪

I have-I have been
a little angry.

[Tariku] Mm.

I'm sorry.

It's okay.

[melancholy music]

- Yeah.
- I'm not angry at you.

- I know.
- You gave me a great manicure.

Wanna do another coat?

♪

[Scott] I've always
had a-a feeling

that we're drawn into things

for a reason, and

these victims' stories
need to be told,

and... it's really,
really important to her,

and I feel it's-it's important
to the souls of these

people.

♪

[Jillian] I believe
in the project,

and I-I believe in the case,

and I-I wound up
in the middle of it

before I even understood

what it was.

♪

It's taken its toll

on myself and my family.

[disquieting music]

♪

I never expected to
be solving cold cases,

but it is a mission for me now.

I have a compulsion

or an obsession

to bring justice
to these victims...

Oh, yeah, look at that.

Before he dies,

because so many of
these mysteries,

so many of these Jane Does,

die with him.

♪