All language subtitles for Marvel.Studios.Assembled.S01E01.The.Making.of.WandaVision.720p.WEB.h264-KOGi-eng

Welcome To What Is A Strange Event.

The First Live Sitcom Taping
In Marvel Studios History.

I Didn't Know That I Was Gonna
Be Able To Do Anything Like This,

So It Just Feels Like An Incredible Gift.

Moving Through To The '60s And The '70s Now,

And, As We Dove Into The
'80s And '90s, Is Really Fun.

And Then, Ending Up In A Big Marvel,
Full Widescreen Format Is The Best.

We Were First Really Terrified, And
Now I Think We're Just So Excited.

The First Time I Heard About The
Concept, I Thought It Was Brilliant.

We're Putting Together So Many
Different Genres Of Television,

And We Are Putting Our Own Spin On It.

That Is Something Special, Baby.

I Just Think It's Gonna Be

So Shocking, And
Confusing, And Exciting

For Our Fans To Dissect
What We're Doing And Why,

And For Them To Try And
Get Steps Ahead Of Us.

And That's Just Very Cool
And It's Very Satisfying.

This Is For Us.

So Let Me Handle It.

What Is Outside Of Westview?

I Got A Call From Kevin To
Come See Him In His Office.

When I Went, "oh,
I'm Getting Canned."

And I Went In, And, Much To My Surprise,
They Pitched This Bonkers Idea For A Show.

And I Was Immediately
In, Of Course.

And The Show Has Only
Grown More Bonkers.

You're The New Clown?

At Least You're
Already In Makeup.

Welcome Home, Sir.

It's So Nice To See You Finally
Coming Out Of Your Shell.

It's Been A Crazy Ride.
That Was A Good One.

Jon Favreau Rung Me Up And...

We Had Made A Movie
Together Called Wimbledon.

He Rung Me Up And He Said,

"i'm Making This Movie With
Robert Downey, And He's Iron Man.

"and I Need Sort Of A Really
Boring, Personality-less Voice

"for The Computer
That Runs His World.

"and I Immediately
Thought Of You, Paul."

Rendering Periodic Table, Sir.

How Do You Say No When
You're Asked So Nicely?

Anyway, And It Was A Great Gig.

They'd Shot Everything And Whatever
Still Needed Clarification,

You Could Always Just Have Jarvis
Say, "the Baddies Are Coming!"

Sir, It Appears That
This Suit Can Fly.

Duly Noted. Take Me
To Maximum Altitude.

And Then, I Don't Know
How The Next Bit Happened.

I Guess Joss Whedon Had
Seen Me In Some Movie,

And Figured Out A Way For Me
To Actually Work For A Living,

If You Can Call It Work.

So, Then That Happened.
That Was Age Of Ultron.

Starting With Ultron,

Marvel Really Was So Excited
To Bring Wanda Into The Mcu.

And Was Only Really Teeing
Me Up For Possibilities

That We Didn't Know If We Would Actually
Fulfill Those Possibilities Or Not.

I Looked In Your Head,
And I Saw Annihilation.

Look Again.

So, We Would Place Easter
Eggs In Certain Places,

Whether It's Just A Glance Too
Long With Vision Or Just...

We Were Trying To Play Around
With That In Age Of Ultron.

I Feel Like The Hand-off
To Different Directors

Have Been Completely Different Experiences
For This Character Specifically.

I Think The Russo Brothers
Were Very Honest About,

"you Know, I Really Want This To
Be Something That You Shepherd

"and That You Take
Full Ownership Of."

And I Was Like, "okay."

So, I Had To Choreograph With
This Choreographer, Jenny White,

Who We Brought On
In Age Of Ultron.

Bring In That Energy
And Throw It Back Out.

We Just Had To Figure Out Our
Own Place At The Same Time

While Wanda Was Trying To Figure Out
Her Own Place In The Avengers Compound

And Finding Solace In Vision.

Tell Me What You Feel.

I Just Feel You.

And I Think Paul And I,
We Both Really Believed,

As Much As It's Fun To Be Part Of The
Humor And The Playfulness Of The Avengers,

We've Always... My
Character Specifically,

Has Also Always, In Our
Relationship Together,

We've Kind Of Just Created
Just An Emotional Foundation

That Doesn't Play Around
With Irony, Really.

Which Is Kind Of
Odd In These Movies

When So Much Is Ironic And
Funny And Fun To Watch.

But It's Also Kind Of Lovely That It's
Told Through Their Strange Love Story.

We Are Out Of Time.

I Can't.

Yes, You Can.

It Shouldn't Be You, But It Is.

I Love You.

Hey.

Now We Can Begin.
Wanda, You Pick.

And Then Moving On To The Show

With Mary Livanos, Our Producer,
And Jac Schaeffer, Our Creator,

They Really Honed In On All These
Things That Were In My Head,

And All These Inner Monologues And Threads
And Arcs That I Kind Of Just Created.

And They Just Really Took
It In Such A Deep Way

And Created Such Beautiful Arcs.

Morning, Wife! Morning, Sons!

Morning, Unfamiliar Wet Animal.

Who's This?

It's Such A Homage To The
Sort Of American Sitcoms

Throughout The 20th Century.

What Kind Of
Housewife Would I Be

If I Didn't Have A Gourmet Meal For
Four Just Lying About The Place?

Jac Schaeffer Has
Done Such A Great Job.

It's Such A Little
Beautiful Puzzle Box.

I Was Lucky Enough To Be
Invited To Look At The Materials

And Sort Of Digest It
And Think About It.

And There Was So Much
That Was Already There.

This Is Kevin Feige's Baby.

He Loves The Show And Had Some
Really Distinct Ideas And Visuals

And Things That They
All Wanted To Achieve.

Matt Shakman Is Just
The Person To Direct

A Complicated Rubik's
Cube Of A Show Like This.

He Runs The Geffen
Playhouse Back In La.

He's Worked On Game Of Thrones.

He's Worked On Countless Sitcoms

And, In Fact, Starred,
Back When He Was Younger,

In Sitcoms As A Child Actor,

And He Is Just The Swiss
Army Knife Of A Human

That We Need For
A Show Like This.

Hart Goes Back In. Door Slams.

He Goes To The Phone!

We Pause Here. All Right.

And Let's Continue On
With Our Ladies Over Here.

It Blew My Mind When They Pitched
Me The Concept For The Show.

More Than Just Because The Idea
Is Outrageously Fun And New,

But Also Because It Felt Like
It Hit All The Parts Of My Life.

I Grew Up Being On
Shows From The '80s

Like Facts Of Life, And Diff'rent
Strokes, Growing Pains, Et Cetera.

But I've Also Directed A Lot
Of Large-scale Spectacle.

And So, The Idea That There Existed
A Project In The Marvel Universe,

Which I'm Also An
Enormous Fan Of

And Dressed Up Like Superheroes From
The Marvel Comic Books When I Was A Kid

Until They Told
Me I Had To Stop,

The Idea That I Could Combine All
These Things That I've Always Loved

Into One Crazy Project Was
Almost Too Hard To Believe.

It's Too Good To Be True.

All Right, Ready, Janell?

- Yeah.
- All Right, Let's Do It.

And Action!

We're Starting In The 1950s,

So It Was Always Our Dream That If
We Did A True Multi-camera Show,

We Would Have A Live Audience.

And We Knew It Was A Risk, We
Knew It Would Be An Expense,

Almost An Indulgence,

But For The Actors, For The
Energy, And For The Crew,

It Will Be Really Exciting.

I've Been Playing To
The Audience, So...

You Tell Me Where The Camera Is, And
I'll Start Playing To The Camera.

So You're On Our Sitcom
Stage For The First Episode.

Over There Is Vision's
Office, Where He Works,

And He Works For A
Guy Named Mr. Hart.

Mr. Hart And His Dear
Lady Wife, Mrs. Hart.

That's What I Just Said.
What's Wrong With You, Son?

- Have You Got A Screw Loose?
- Oh, No, Sir, Screws All Tight, Sir.

And Then Over Here, Right To Your Right,
Is The House Where Wanda And Vision Live.

This Is Their Kitchen, Over Here,
This Beautiful Blue Kitchen.

But When You See It On The Show,
It'll Be In Black And White,

So You Won't Get To
See The Color Of It.

And Then Over Here
Is Their Living Room.

So What's A Single Gal Like You
Doing Rattling Around This Big House?

Behind You Is Our
Live Audience Seating.

We Wanted It To Feel Period,

So That's Why We Have
The Old Wooden Chairs

And We've Matched The
Railings And How It All Looks,

Because So Much Of It Is About
The Audience's Experience.

Kevin Feige And I Had A Lovely
Lunch With Dick Van Dyke

Shortly Before We Started
Pre-production On The Show,

So We Could Really Get In
Touch With How They Did It

And To Be As Authentic As We Could,
Not Just In How It Would Look And Feel,

But In How It Was Put Together,

The Style, The Way
They Rehearsed,

The Way They Approached
Blocking And Shooting.

Wanda Would Technically
Go To A Quick Change.

She's Not Gonna Do It Now.

We'll Get The Living Room
Dressed. It's Happening.

Then We Would Light The Candles Right
At The Very End, And We Would Go.

The Dick Van Dyke
Show Was Theater.

They Put It Up.

They Shot It Once In
Front Of The Audience,

Like A Play, All
The Way Through.

You Can Feel It
When You Watch It.

The Audience Is In It, Like
When They're In The Theater.

The Adrenaline, The Audience, And
The Actors Feed Off Of Each Other.

That Creates Something
You Can't Imitate.

That's Why We're Going
To These Great Lengths.

Our Actors Have Been Wonderful.

I'm A Little Anxious
About The Whole Live...

I Haven't Been In Front Of
A Live Audience Since 1884.

- Oh, Is That Right? Oh.
- Yeah.

So, I'm A Little Anxious
About The Whole Thing.

Yeah, I Would Be Too.

Still, I Just, You Know...

Hundred-plus Years Ago.

Hundred-plus Years Ago.
That's A Long Time.

Welcome To Wandavision.
Thank You So Much, Guys.

We're So Excited
To Have You Guys.

We've Been Working
Hard The Last Two Weeks

On Making This
Happen For You All.

If You Guys Can Give Us All The Laughter
And All The Natural Reactions You Have

To What We're Doing, We
Would Be Most Grateful.

Then You Will Probably
Hear Yourself,

Especially If You're One
Of Those Loud Laughers...

When You Actually Watch
The Show Later On.

I Would Love To Introduce You To
The Characters You'll Meet Today.

David Lengel.

Asif Ali.

Debra Jo Rupp.

Fred Melamed.

Kathryn Hahn.

The Vision Himself,
Paul Bettany.

And, As Wanda Maximoff,
Elizabeth Olsen!

I Mean, I've Done
Theater Before,

But Shooting A Tv Show In
Front Of A Live Audience

Was Like A Strange
Meta Experience For Me

Because I Grew Up On
The Full House Set

Watching These Live
Tapings On Fridays,

Never Thinking That That Would
Ever Be A Form Of Reality For Me.

Guess Who?

Oh.

Is That My Host Behind Me?

It Certainly Is!

Lovely To Make Your
Acquaintance. Yes!

Doing Sitcom Gave Me
So Much Joy Every Day.

I Think It Gave All Of
Us So Much Actual Joy.

It's Really Different.

High-octane. It's
Very Authentic,

You Know, Late '50s Sitcom,
And It Feels Very Different.

You Have To Swing For The
Fences And Hope That You...

We're Playing For An Audience.

I Feel Like In The Marvel Films,
It's A Cinematic Universe,

And This We're
Playing For Laughs.

I've Never Been
Allowed To Be Funny.

This Is My First Time
Getting To Be Funny As Wanda.

What A Gas.

I'm Very Funny.

She Is Enormously
Funny. I'm Very Funny.

I Think I Have Another Idea.

And... And Then I Change.

Every Member Of The Crew
Was Dressed In Costumes.

Everybody Got Into
The Spirit Of It.

And Then The Audience Came
In, And We Just Went For It.

It Was Nerve-racking, But I Think
It Was So Rewarding And So Funny.

Us Running Backstage,

Bumping Into Me, Or Kathryn Hahn, And
Making Her Drop Her Props Or Whatever.

Everybody's Getting Ready
Behind Doors To Come Out.

And It Was So Much Fun.

Oh, My!

That Was Just A Dream.

The Costumes Are So Fabulous.

Mayes, The Designer,
Is Such A Genius.

That Dress!

Yes, The Dress! It's... It's So...
It's Sokovian, Is What It Is! Yes!

It Is My Favorite
Period For Clothes

Because It Shows Off A
Waist If You Have A Waist.

I Have A Waist. I Have No Limbs.

I'm Very Short,
But I Have A Waist,

So I Really Like The
'50s. So, That Was Great.

I Kind Of Like The Hair And
I Have A Magnificent Hat.

They Had A Little Table With A Whole
Bunch Of Hats, And I Just Went,

"could I Have That Hat, Please?"

And It Was Perfect.

But The '50s Undergarments Are
Not The Most Comfortable Things,

But They Help With Your Posture.

Yeah, I Got My Spanx On.
My Lifts In My Heels.

I've Got My Spanx On.
I've Got My Flats On.

Ready To Go. But I'm
Ready Emotionally.

You Wanna Talk About Your Butt?

Yeah, I Did, For A Second. I
Wanna Talk About My Dress First.

Um, It Makes Me
Have Better Posture.

And It Makes Me Wanna
Walk Like This And...

I Have Exactly The Same
Thing, But With My Fake Butt.

With Your Fake Butt. Yeah,

It Makes Me Stand Properly,
And Wanna Do This Too.

This? Yeah.

We Knew That When We
Started This Show,

The Way That We Were Going To Sell
It Authentically To An Audience

Would Be With Every
Level Of Recreation.

So, That Includes
The Camera Lenses,

That Includes The Set Decoration,
Era-accurate Lighting.

Jess Hall, Who's A Brilliant Dp,

Looked At Old Original Prints
Of These Television Shows,

And He Was Able To Try To Match

How Closely As We Could Possibly
Get To What It Looked Like Then.

You Truly Are A Pioneer!

Action!

Freeze! Swap!

Action!

Oh, No, Too Much!

We Wanted To Make Sure We Approached
It With Authenticity And Not Parody,

And To That End, We Wanted To
Shoot It The Way They Shot It.

That Means Visual Effects That Would
Have Been Done As Special Effects.

Luckily, Dan Sudick, Our
Special Effects Coordinator,

When I First Had My Call
With Him, When I Started This

And I Laid Out This Idea,

I Didn't Know If He Was
Going To Like The Idea

Or If He'd Be, "what're You
Talking About? I Blow Things Up!"

He Loved It. He
Started Laughing.

He Said, "i Came Up Under
The Guys Who Did Bewitched.

"they Were My Mentors.

"and So, I Started My Career
Doing Things On Wires.

"i Know How To Do It.
It's A Lot Of Fun."

And So, We Have Him And His Team

Doing Really Complicated Puppeteering
Gags With Wires And Rods,

And They're Spending Just As Much Time
On That As They Are Blowing Things Up.

How Can I Be Of Assistance?

Well, The Chicken Is No Longer A Chicken,
And The Lobsters Just Flew The Coop

So The Steak Is The
Last Man Standing.

I Went To Theater School.

You Study Screwball Comedies.

You Study Film Noir
Style Of Acting,

You Feel So Stupid When You're
In College. You're Like,

"when Will I Ever Do
This? No One Makes This."

And So, Getting To Use All Those
Tools That You Have Somewhere In You.

Something That I Don't
Really Get To Do.

Now, That's Romantic.

I Think The '50s Was The Hardest For
Me Because It Was Like A Warm Up.

Once It Clicked, It Was A Blast.

Down In One! Down In One!

Please Eat Before It Gets Cold.

I Think What It Did Was It Made
Me Think I've Wasted My Life.

I Should've Been On A
Sitcom All These Years.

I... I Just Loved It.

I Should Have Prefaced,
I'm A Very Shallow Person,

So I Really Rely On
People... People Applauding.

Yes! Thank You Very Much!

Thank You!

Thank You!

All Right!

Part Of The Challenge In
Producing A Show Like This

Is That We Really Are Making One
Giant Movie In The Way That We Shoot.

Each Day, Each Week, We're Shooting
Pivotal Moments Of The Series,

We Have To Make Sure That The Larger
Story, As A Whole, Is Seamless.

We Really Created All Of These
Different Characters In The Town.

And We Have Our Core Cast.

Raspberry Or Cheese-filled?

Oh, Neither For Me, Thank
You. I Don't Eat Food.

We Got The Davids. We
Have Asif. We Have Emma.

What Brought You Here?

How Long Have You Been Married? And
Why Don't You Have Children Yet?

So Grateful We Have Debra Jo,

Who Is Sitcom-gold

And Gets To Be A Part
In Our Wacky Show.

My, Um, Great Nephew
Basically Said

If I Did Not Take The Job, He
Would Never Visit Me Again,

So, I... Well, Here I Am.

She Loved Getting To Film Some Of The More
Marvel-y Stuff That We Did In The Finale.

She Just Thought
It Was Fabulous.

I Got To Do This Thing.

Oh, My God! I Got To Do
This Thing Where You...

I Don't Know What It's Called.

It's A Body Scan, Okay?
And So You Stand...

I Took Pictures. It's Amazing.

But I Won't Show Them
To Anyone, Marvel.

Kathryn Hahn.

I Don't Know How I Went So
Long Never Working With Her.

I've Had The Greatest Time.

You're, Like, A
Monologue Early, Kathryn.

I Was Feeling Left Out.

The Journey With Her Consistently
Throughout The Decades

And How The Nosy
Neighbor Is So Prominent.

Spoiler Alert!

She Nailed All Of The Layers

That Were Required Of
Her And Then Went Beyond.

Cut! One More!

One More! Still
Rolling. Ready?

This Character Is Like
A Blooming Onion To Me.

I Mean, The Fact That I Was
Able To Start On The Outside

And Kind Of Move Into The Center

As The Episodes Go On Was,
Like, Such An Actor's Dream.

I Keep Saying It Was
Like A Tracey Ullman...

Like A Tracey Ullman Special.

Well, I Was Just On
My Way To Jazzercise

When I Heard Your Brand-new Bundles
Of Joy Were On A Sleep Strike.

And The Fact That
Her True Center

Was This Fantastical,
Incredible Witch, Was Like...

Who Gets To Do That? I Remember
When It Was Pitched To Me...

It's So Exciting To Be Able To
Say This Out Loud To Somebody

'cause I Have Not Been Able
To Say It To Anybody. Um...

But When It Was Pitched
To Me, I Was Like

I Could Not Imagine A Part
In The Marvel Universe

That I Would Have
Wanted To Play More.

Oh, Good Times!

Good Times! And Cut!

Did You Hear That? No.

It Was Like A... A
Chattering Sound, Like...

Oh! Like A...

Yeah.

That's My New Ice Maker,
Built Right Into The Fridge.

Oh!

You're Fancy.

I Have Wanted To Be In The
Mcu Since The Mcu Debuted.

I Didn't Even Know What
I Was Auditioning For.

We All Know Marvel
Is Very Top Secret.

And I Was Just Sent Some Sides.

I Think It Was The '70s Episode.
So, I Was Very Confused.

It Didn't Say It Was
'70s, But It's High Farce.

And I Was Like, "what Do I
Do With This? I'm Not Sure."

Because It's Not Marvel
As My Mind Can Process.

And So They Sent Notes Like,

"just Overact. It's
Okay, Just Go For It.

"we Don't Care That You Don't
Feel That It's Grounded.

"that's Not What
We're Looking For."

So, I Was Like, "okay."

And I Did Some Very
Great Overacting.

Oh, Sugar.

He Hired Me!

Oh!

Wanda! I Landed A Promotion.

And Now That I've Gone All Corporate,
I Need Some Office Supplies.

I Just Didn't Know,
And I Was Like, "okay."

And I Let It Go
For, Like, Two Weeks

Because You Can't Hold These
Things Too Close To Your Heart

'cause You Will Get
Heartbroken So Many Times.

But This Time, There
Was No Heartbreak.

They Called, And They Were
Like, "hey, You Got The Part."

And I'm Like, "what
Part? What's The Part?"

I Went, "what Is It?"
But It's Marvel. Okay.

Before They Even
Told Me What It Was,

I Said To My Agent, I Was Like,

"oh, My Gosh, What If
It's Monica Rambeau?

"what If It's Monica Rambeau?"

And Then It Was Monica
Rambeau, And I Lost It.

And I Practically Tried To
Jump Off A Set Of Stairs

'cause I Thought I Could
Fly. I Was So Excited.

So, When We Leave Captain
Marvel, Monica Is A Young Girl.

She's Got Her Whole
Life Ahead Of Her.

You Have To Go! Monica!

You've A Chance To Fly The Coolest
Mission In The History Of Missions.

You'll Give It Up To Sit On The
Couch And Watch Fresh Prince With Me?

I Just Think You Should Consider

What Kind Of Example You're
Setting For Your Daughter.

And When We Pick Up
With Her In Wandavision,

We Find Out She Now Works For
S.w.o.r.d., As A Astronaut,

And I Feel Like We've Gotten To A
Really Great Origin Story For Monica.

Having The Opportunity To Play
Monica Rambeau Is Truly An Honor,

And To Have A Black Female Superhero
Be On A Screen Is Monumental.

Why Didn't Anyone
Tell Me The Plan?

It's Been So Amazing To Bring Darcy Back,
Especially In Kind Of An Unexpected Way.

You Know, The Last Time We Saw Darcy,
She Was Still Jane Foster's Intern

And Kind Of Her Friend.

We Weren't Sure What's Going On.

Apparently, She's Been Going
To College This Whole Time.

And Now She's An Astrophysicist.

My Equipment Registered An Extremely
High Level Of Cmbr. That's...

Relic Radiation Dating
Back To The Big Bang.

Yeah, Entwined Was A
Broadcast Frequency.

So I Had Your Goons Pick
Me Up A Sweet Vintage Tv.

And When I Plug This Bad Boy In,

The Cathode Ray Tube Inside
Plucked The Signal Out Of The Air

And Decoded It Just
Like In The Olden Times.

Voil�, Sound And Picture.

Randall Park,
Obviously, Is Jimmy Woo,

And It's Been Really Fun To Kind
Of Have Us Together In Scenes.

They Kind Of Have Us
With Teyonah Parris.

There's A Lot Of
Dark, Serious Drama,

And It's Fun To Kind Of
Have That Little Break.

You Can't Go Back Into The Hex.

Worst Case Scenario,

Wanda Removes My Free Will And
Puts Me In Ultra-low-rise Jeans.

I Feel Like It's Like A Family.

It's Like A Big Family. Just To Be A
Member Of The Family, It's Really Cool.

I Mean, When I Did Ant-man And The
Wasp, I Was Just Happy To Be There.

I Thought It Was
Gonna Be A One-off.

Your School Has Rules, Right?

Like, You Can't
Draw On The Walls.

Well, Your Daddy Went To Germany

And Drew On The Walls
With Captain America.

And That Was A Violation Of Article
16, Paragraph 3 Of The Sokovia Accords.

Just To Have Jimmy Come
Back Is Such A Thrill For Me

Because I Just Love
The Character So Much.

To Have So Much Of The Character We
Established In Ant-man And The Wasp

With The Magic And The Tendency
To Want To Connect With People

And Tell Stories About His Life, Even
When It's Not Necessarily Asked For.

Like All Those Little Things, Little Seeds
That We Planted In Ant-man And The Wasp,

They All Kind Of Get To
Blossom In Wandavision.

This Isn't A Missing Person's Case,
Captain Rambeau, It's A Missing Town.

Population 3,892.

Why Haven't You Gone
Inside To Investigate?

'cause It Doesn't Want Me To.

Tonally, Wandavision
Runs The Gamut.

I Can't Even Keep
Up Myself Sometimes.

I'm Like, "which
World Are We In Now?"

For The First Episode, It's
The '50s, And It's Silly Humor,

But It Was Like Really
Great Physical Comedy,

And That Bleeds Into The '60s, The
Second Episode, Which Is Bewitched.

Just Mind Your P's And Q's
And You're Gonna Do Just Fine.

The Tone Doesn't
Change Too Much.

Darling! Oh!

I Think We Still Allow Her To
Just Become More Modern Of A Woman

Instead Of Trying To
Play The Housewife.

Well, Thank You For Giving Me
The Strength And The Courage.

Thing That We Loved So Much
In The '50s And In The '60s,

Between The Marriages
In Those Shows,

Is That They Were Like Really
Funny And Really Honest,

And, Like, Lovely And
Beautiful And Felt In Love.

Should We Put Our Heads
Together? Very Cute.

And Then We Get Into The'70s

And It Just Becomes
This, Like, Brady Bunch

Kinda Creepily, Like,
Not Grounded Anymore.

Strangest Thing Just
Happened Outside With...

Whoa, Nelly!

It's A Surprise Initially
That She Got Pregnant.

We Didn't Know That
That Was Possible.

It's A Magical Moment Because She's,
Sort Of, Suddenly Six Months Pregnant.

If You Could Lean
In As Much As...

I Have A Belly In Front Of Me.

Her Pregnancy Is Progressing
At An Alarming Speed.

You're At About Four
Months Now. Is That Right?

I Was So Excited
To Have An Episode

Where I Went Through Every Single
Stage Of My Pregnancy In One Day.

That Was Fabulous.

It Was So Perfect And Funny.

Vis...

Yes, Dear?

I Think My Water Just Broke.

We're Doing This Bit Where I'm
Trying To Hide That I'm Pregnant.

And So Monica Is
Over, Teyonah's Over.

And I'm Switching All These Coats
On And Off, Like, Magically.

And I'm In The Kitchen And Everything's
Kind Of Going Bonkers In The Kitchen.

I'm Trying To Hide
My Belly From Her.

And So, I Keep Magically
Changing All Of My Coats.

So, We'd Have To Freeze. And Then
Someone Would Come On And Put On My Coat,

Then I'd Have To Freeze Again,
Then I'd Have A Contraction.

And There's A Moment Where
I Had To Do A Double Take

And I Kept Making It Like A
Triple Take, And A Quadruple Take.

I Just Kept, Like,
Amping It Up Each Time.

And It Was The Moment When
Matt Came Up To Me And He Said,

"okay, Let's Try And Keep It...

"i Think We're Doing Too Much Now,
Let's Try And Keep It To A Double Take."

And It Was The Thing That
Matt Keeps Saying, Like,

"go Further, Go Further!"

And I Think That Was
When I Laughed So Hard

Because He Was
Telling Me To Stop.

Vision Ran To Get The
Doctor. He'll Be Back Soon.

Baby's Born, And I Miss It.

But I'm There For The Second Baby,
And Then, "oh, My God, They're Twins!"

So, Yeah, We Have Twins, And,
Uh, They're Confusing, Too,

Because They're Born Babies, But
Very Quickly, They're Toddlers.

Where Are The Twins?

Mommy? Daddy?

Wha... Did Y...

And Then, Very
Quickly, They Are,

You Know, Sort Of Ten Years Old.

We Don't Think
You'll Be Old Enough

To Properly Care For An Animal
Until You're At Least...

Ten.

Ten Years Old.

Look At Each Other.

Well, Now, Hang On There A
Minute... Wait, No, No, No.

You Young Whippersnappers.
No, No, No!

Let's Just Hope This
Dog Stays The Same Size.

This Is The '80s, Yeah. So
We Designed One Basic Layout,

And Then We've Just Changed
It Through The Decades.

So, This Is Still The Dick Van Dyke
Set, Inspired By Dick Van Dyke Kitchen,

But Now This Is The '80s

Inspired By Full House
And Family Ties...

Growing Pains, Shows That
We Loved From The '80s.

Now, I Know

Parents Aren't Supposed
To Take Shortcuts,

But I Think This Situation
Calls For One, Don't You?

It's Funny Now When
You Look Back At It,

It's A Beloved Generation And It's
Also A Self-parodying Era As Well

Because You Look At The Hair And
The Clothes And We All Wonder,

"we Really Thought
That Was Cool?

"how Did We Ever Go
Outside Looking That Way?"

It's Almost Like
We're On A Date.

Almost.

With Two Really
Cranky Chaperones.

My Memories Of The
'80s, As A '90s Child,

Is That I Still Got To Wear These
Beautiful Vests And Things Like This

And Had Lots Of Beautiful
Hats With Big Flowers On Them.

I Just Missed It,

But The '80s Were A Horrible
Time Of Style And Hair.

But I Really Actually Am Partial
To This Wig, I Have To Say.

I'm... It's Fabulous.

I Feel Like I'm
Filled With Secrets.

At The End Of The
Episode In The '80s,

To Wanda's Surprise,

She Gets A Knock At The Door.

It Was Not Something
That She Consciously Did.

And So She's Very
Confused By It.

And The Knock On The Door
Is Her Brother, Pietro.

But He Looks Different
Because It's Evan Peters.

No! Ow! Get Over Here!

And The Character He
Plays Is Like Uncle Jesse.

Come On!

Like, The Cool Uncle, Who's
Coming In To Stir Things Up.

Right On, Little Dude!

Chip Off The Old Maximoff Block.

You've Got Super Speed!

I Do? Yeah!

And That's The Trope He Uses

As Part Of His Relationship
To The Sitcom Land.

I Can't Believe What A
Bad Influence You Are.

Who Beefed In Your Borscht?

I'm Just Trying To
Do My Part. Okay?

Come To Town, Create Tension
With The Brother-in-law,

Stir Up Trouble With The
Rugrats, And Give You Grief.

I Mean, That's What
You Wanted, Isn't It?

What Happened To Your Accent?

What Happened To Yours?

I'm Thrilled. I'm Such A Huge
Fan Of The Marvel Universe.

So, I'm, Like... I'm
Just Excited To Be Here.

It's, Like, The Character
Is So Funny And Meta,

And An Interesting Way To Do It.

When Kevin Was Telling
Me About It, I Was Like,

"oh, That Sounds Awesome,
And Hilarious, And So Weird."

Long Lost Bro Get To Squeeze His
Stinkin' Sister To Death Or What?

She Recast Pietro?

For The '80s,

We're Doing Family Ties,
Growing Pains, Who's The Boss.

Who's The Popsicle?

And, Yeah, That's My Era,

So I Am Very Excited For That.
And Then Also, We're Having

Our Theme Songs Composed By
Bobby And Kristen Anderson-lopez.

You Wander The
World With A Vision

Of What Life Could Be

But Then The Years Come And
Teach You To Just Wait And See

Matt's Actually A Friend Of
Mine From School, From College.

He Called And Just Said,

"okay, So You Know Wanda And
Vision From The Avengers.

"this Is A Crazy Idea.
It's Like Sitcoms,

"and We Go From The
'50s, We Do The '60s,

"and Every Single Episode
Is A Different Style

"and A Different Theme Song."

And We Were Like...
"sign Us Up."

"sign Us Up. You Had Us At
'hello', Man. That Is Amazing."

Oh

A Newlywed Couple
Just Moved To Town

A Regular Husband And Wife

Who Left The Big City
To Find A Quiet Life

Wandavision!

But We Decided, Since
Everything Was So Disparate,

There's Gonna Be A '50s
Song And A '60s Song,

And They Would All Have The
Word "wandavision" In Them...

Wandavision!

Wandavision!

That We Decided To Make
A Wandavision Motif

That Would Be Able To Be
Used In A Different Way.

I Played Them
Through For Kristen,

But The First One Was This.

She Was Like, "that's The One."

"that's It."

It Could Be The '50s,
Where It's Like...

Or, Um, You Know, The
'60s One, Which Is, Um...

And The '80s One, Which Is...

The Fun Became Finding A Way
To Hide That Musical Signature

Somewhere In Each Song.

Wandavision!

You Look At The Period, The
Influences Of The Period,

And The Instrumentation Of The Period,
And The Language Of The Period.

We Talked A Lot With Matt
And Jac About Our Favorites.

The Things That We
Were All Drawn To

Became The Things That We
Tried To Emulate The Most.

We Often Talked To Them
Before We Hit Each Decade,

At Least For A Half Hour.

So, You Know, We Would...

Maybe We Did The '50s And
The '60s On The Same Call,

And Said, "well, We
Know What The '50s Is.

"'60s, Let's Talk
About It." Um...

And, You Know, All Agreed
That Bewitched In Particular,

Um, Was A Big Thing.

But We Also Lookedat James Bond
Movies, We Looked At Burt Bacharach...

We Looked At,
Um... Mahna Mahna.

What Was Going On In The
Pop Culture Of That Time,

And Made Sure That We
Were Really Referencing

Sort Of That Bebop Jazz, The
Cool Jazz That Was There.

And Also, Just That Swinging
Sixties Culture Of The Time.

Wandavision Wa-wandavision

Wandavision

Wandavision

The '70s Has A
Touch Of Tambourine.

Oh, For Sure.

Because We Were Referencing

The Brady Bunch And
The Partridge Family,

And Any Family Jam Band That
Dresses Up In Fringe Outfits

And Travels In A Groovy
Van To Their Next Gig.

But It's Groovy And Fun

It's Me And It's You

Kristen And I Have Always
Loved Songs That Go...

Wandavision

Wandavision

One Plus One Is Family

Wandavision

The '80s... I Mean, In
Particular, The '80s

Is Where We're All From,
Where We Grew Up In.

After School, That's
Where We'd Go Home

And Watch Diff'rent Strokes
And Punky Brewster, And...

Right. I Mean, Our
Whole Family Life

Was Scheduled Around Family Ties
Coming On, Or Growing Pains.

The One That They've Done For
The '80s Is By Far My Favorite.

I Sing It All The Time.

Crossing Our Fingers,
Singing A Song

We're Making It
Up As We Go Along

Oh, And Then, With The Aughts.

Wanda Wanda Vision

We Got To Have This
Wonderful Collaboration

With The Original Riot Grrrl...

Kathleen Hanna, The Lead
Singer Of Bikini Kill.

And Just Gives It This Wonderful
Authenticity, Punk Authenticity.

Easy Come And Easy Go

But If It's All Illusion

Sit Back, And Enjoy The Show

We Got To Play In A Totally
Different Kind Of Playground,

With A Completely New
Set Of References,

And Show Off Other
Things That We Could Do.

And We Got To Write Things
That Really Didn't Have To

Carry A Whole Lot Of Story
Weight, Just Had To Set Tone.

I Think It's A Tone Unlike
Anything I've Ever Seen.

It's Fun, It's Funny,

It's Nostalgic, And It's Creepy.

To Jump Off The Genre Blending,

Even In The '50s
And '60s Episodes,

We Have Moments
Of Twilight Zone.

And Instead Of It Being
Moments Of Today's Horror,

We Take Camera Tricks From Twilight
Zone To Make You Feel Off-kilter.

So, In Order To Get To
That Cinematic Feeling

Or Sense Of Something
Being Off In Each...

'cause Something Has To Go Wrong In
Order To Advance To The Next Decade,

Or Else Why Are You Changing The
Scenario Or The Given Circumstances?

And So We Used Twilight
Zone Tropes For That.

And Then, For Something Like Once
We Get To The Halloween Episode,

We're In This Idyllic
Town, It's Halloween,

It's Like The Perfect
Type Of Halloween.

Truly The Most Charming Costumes
I've Seen On Extras Ever.

It Was Very, Very Cute.

And Kids Are Wreaking Havoc,
And It's Just Perfect.

Somebody Better Be Bleeding,
Broken, Or On Fire.

It Was So Fun To Get To Be In These
Old Costumes Of The Characters.

Why Do You... Look Different?

In Age Of Ultron,
Everyone Referenced

Certain Comic Books
For Me To Focus On,

And Told Me, "don't Pay
Attention To What She's Wearing.

"you're Not Gonna Be In A Leotard, Tights
And A Crown On Your Head. I Swear."

And I Was Like, "oh, Thank God."

And Now, The Way We Incorporated

The Retro Costume Of The
Scarlet Witch On Halloween,

It Gave Me So Much Joy.

Like, If You Were To Ask Me
Seven Years Ago To Wear That,

Even If It Were Ironically,

I Would Be Like, "oh, Really?"

But Now That I've So
Much Love For The Fandom

And So Much Love For The Comics,

It's So Fun To Be
In That Costume.

I Love You. I'm Sorry.

And Seeing Paul Dressed
Like A Wrestler,

He, It's Just The Whole... It's
Just He's... It's So Funny.

Thank You For Humoring Me And Wearing
This Ridiculous Get-up, Honey.

There Were No Other
Clothes In My Closet, So...

I Get To Disguise
Myself As The Vision,

But The Vision From
The Comic Books.

And It Was My Favorite Costume

'cause It Was So
Humiliating And Funny

And I Had A Pair Of Shorts Pulled
Very High Up Around My Waist,

And Yellow Converse
To Be My Super-shoes.

When Vision Goes Out Further

To Where We Call "ellis Avenue,"

Um, I Always Told The Kids...

Don't Go Past Ellis Avenue.

We Know, Mom. We Know.

That's The End Of The Hex.

And So, The Closer You
Get To The End Of The Hex,

The Less Control Wanda
Has Of The Actual Town,

And People Are Just
Doing Things By Rote.

People Are Having These
Repetitive Things,

Or Hanging Up
Halloween Decorations,

And Taking It Down,
And Doing It Again.

And Characters That You Realize

Are Just Less Well
Drawn By Wanda.

And Then He Gets Further Out,

And He Finds Children
Trick-or-treating,

But They're Just
Absolutely Frozen Still.

Are Those Your Children?

Are You Waiting For Something?

And That Leads To The
Denouement Of The Whole Show.

It's So Much Fun To Have Gone Through
All Of These Multi-camera Sitcom Stuff.

You're Shooting In A
Very Familiar Way, Right?

Very Static Cameras.

And Then Suddenly, When You Cut To
An Angle That Shouldn't Be There

Or A Camera Move
That Would Never...

It Really, You Really Feel
It When You're Watching It,

So It's A Great Storytelling
Tool. And Then, Of Course,

In The End, Everything Kind
Of Breaks Down And Becomes,

"we're In The Real World, In An
Mcu Version Of The Real World."

Am I Dead? No.

Why Would You Think
That? Because You Are.

We Are Standing At The Very Front
Of What We Call "the Pop-up Base,"

Which Is Our Military
Base Set Up By S.w.o.r.d.

To Investigate The Anomaly That
Wanda Has Set Up Here In Westview.

So That's What This
Building Is About,

A Temporary Structure

From Which To Observe And
Deal With This Problem.

We're In The Marvel World,

So In Many Ways, You'd Expect We Would
Start With Something A Bit More Stylized

And, Sort Of, You Know, Sci-fi.

But We Wanted To Make It
A Little More Realistic,

So We Started With Ideas

Of What Kind Of Military Response
Is There To A Disaster, For Example,

If It Were A Chemical Attack,

Or Nuclear Attack, Or
Something Like That.

And They Actually Have These
Response Teams Called Cbrns,

Which Go Out And Deal With

Chemical, Biological,
Radiological And Nuclear Threats.

So It's Sort Of
Inspired By That.

Now, That Said, The Building Behind
Me Is A Complete Hybrid, It Isn't...

Nothing Exists Like This In The
Air Force, In The Army, Or Marines.

So, We Made Up Our Own Version Of It
To Make It A Little More Marvel-like.

What Do We Have Up?

Radar, Lidar, Sodar, Infrared.

Cycle Through.

We're Inside The Pop-up Base

Monitoring The Hex,
Which Is What Darcy Calls

The Magical Wanda-world
Westview Area.

So, This Is All Different
Kinds Of Military

And Space-science People,

And Then, There's My
Little Desk Back There.

They Gave Her Her
Own Little Corner,

Um, Where She's Basically
Cracked The "the Magic."

So, You're Saying The Universe Created
A Sitcom Starring Two Avengers?

It's A Working Theory.

Darcy Discovers That There's

Basically An Old Television
Signal Emanating From The Hex,

From The Anomaly.

And She Goes, And She Grabs An Old
Tv With A Piece Of Rabbit Ears On It,

And She Picks Up The Tv Show That
Wanda's Broadcasting Out From The Hex.

So, What We Do Is, In Each Period
That Wanda Iterates Within The Hex,

We Bring In Those Period Tvs.

So You See Late '50s,
'60s, '70s, And So On.

Everything Might Look Fake In The
Tv, But Everything In There Is Real.

What's Fun Is Just The Contrast.

We Started In This Very,
Sort Of, Light Sitcom World,

Which I Had Never Designed
Before, So That Was Fun.

But Then, To Then Dive
Right Into, Sort Of,

Straight-ahead Mcu Style,

Visual Style, Acting Style,
Script, And All That,

Just Is Delightful After
All Of That, In A Way,

Just Because, You Know, "is This
All In The Same Movie?" It Is.

Which Is Great, But Just
The Design Challenges

Of Having To Go From That
To This, That's Really Fun.

We're At The Town Square
Which Is In Hollywood,

So Basically, We See That In
Six Periods Pretty Extensively.

So Much Of It Is A Design
Challenge To Get All Of That Right,

To, Sort Of, Express The Period,
It's Sort Of Unprecedented.

Part Of The Challenge Is That We
Don't Have A Shooting Schedule

That Allows Us To Shoot For
Two Days, Go Away For Two Days,

Turn It Around,
Repaint, Come Back.

We're Doing Overnight
Changeovers.

Which Means That We Have To Basically
Define All Of The Design Changes,

All The Pieces You're
Gonna Bring In,

Design Them, Build Them, Paint
Them, Prefit Them Probably,

So You Know Exactly
What You're Doing,

And Everything Comes In Almost
Like Lego In A Certain Way.

All These Parts Come In
And Go Up Very Quickly,

'cause You've Only Got, Maybe, 12
Hours To Complete This Turnaround.

"for The Children!"

The Experience Of
Doing The Finale

When Wanda, She Has To
Run Through Town Square,

And She's Looking
For Agnes, Or Agatha,

And All Of The People In
The Town Start To Wake Up,

And Surround Her,
And Crowd Her Almost,

Like, Begging Her
To Let Them Go.

I Can't Take This
Anymore, Wanda, Please.

Please!

It Was A Very Long Sequence.
It Had Quite A Climax.

I Mean, Who Is The
Boss Here, Wanda?

Heroes Don't Torture People.

Getting To Do A Wide Like That,
It Feels Like A Piece Of Theater.

It Felt Really Satisfying
To Do Emotionally, I Think.

And It Just Felt
Epic, Like The...

There's Some Moments When These Movies
Just Feel Like So Cinematic On The Day,

And That Just Felt Really Grand.

Go, Now, All Of You. Go!

Run!

What's So Special
About This Script

Is That You Don't Actually
Know What Is Coming From Where,

And Who Is Actually
The Bad Person,

And When Someone Has
Ulterior Motives,

And What's Actually Happening.

So, Sometimes You Feel Like,

"well, Wanda Is The
Bad... She's The Villain.

"she Has Turned All Of These
People's Lives Upside Down.

"she's The Villain."

Then, You Find Out That, Well,
Agnes Is Pretty Terrible.

She's Got Her Own Thing That She's
Been Brewing The Entire Time,

And Kinda Counteracting,
Counter-magicking Wanda.

And Then You Have, Um, Hayward,

He's Pretty Not A
Very Good Person.

And He's Got His Own
Agenda That's Throwing...

Everyone Has Their Own Agenda,

And What's Great Is
That At Some Point,

You See It All Clash And Blow Up

Into An Epic Superhero
Fight, Might I Say.

Last One To Town Square Is
A Walking Pair Of Mom Jeans.

Burden!

Usually, I'm Like One
Of The Only Flyers.

Like, I'm The Only
One On Wires Often.

That Is Something I Do
A Lot In These Films.

I Mean, It Looks Like A Blast.

And So, I Feel Like
It's The First Time

Marvel Has Had To Accommodate
For So Many Flying Sequences.

And It Was A Real Challenge...

I Mean, Kathryn's In
A Ridiculous Costume

That Is Very Uncomfortable
To Harness And Fly In.

But We All Just, Like,
We're Always Harnessed

Like, For The Last Six Weeks.

We've Been Harnessed Quite
A Bit, And It Was So Fun.

It Was... I Love Flying.

I Love Doing All The Flying Work,
I Really, Truly Enjoy It So Much.

But We... I Think
It's The First Time

I Think Marvel's Really Had To Create
A Full Fight Sequence In The Air.

I Think My Most Gratifying Was

When I Finally Put
On Agatha's Hero Look

And Was Able To Be Raised Up In
Those Wires For The First Time.

You Look Amazing.
You Look Amazing.

And Feel Those Huge Fans On Me,

Even Though It Was Like A Hundred
And Something Degrees Outside.

It Was Like Crazy Just To Feel
All The Work Of All These People

That Had Gone Into Collaborating,
Into Helping Make Her.

You're Supposed To Be A Myth.

A Being Capable Of
Spontaneous Creation,

And Here You Are, Using It
To Make Breakfast For Dinner!

To Play The Good And The Bad, To
Play The Wicked And The Playful,

And To Play A Villain
That's Also Funny,

It's The Best.

There's More. I Want It All.

When You're On These Big Films,
And You Get All Those Pieces Moving

That Are In The World's Control,
It Feels Really Special.

Thanks For The Lesson...

But I Don't Need You
To Tell Me Who I Am.

The Features, As You Know, Set
A Very High Bar For The Look,

And For The Effects To Supplement
The Story, Not Overwhelm The Story.

That Same Mandate
For The Features

Was Absolutely What They Were Wanting
To Achieve For The Streaming Service.

Vision Himself, He's
A Digital Prosthetic.

Poor Paul, We Paint Him Purple,

And He Has To Go Through
The Day Like That.

But Otherwise, All The Rest
Of That Is A Digital Effect.

Every Time Vision's Synthezoid,
That He's Got A Cg Face,

So We Would Go Back
To Matt And Say,

"do You Know, For This Beat,

"does He Really Need To Be
Synthezoid? Could He Be Human?"

And Matt And Jac Would
Often Come Back With,

"well, He's His True Self.

"you Know, When He's In His Home, We
Want Specific Beats To Be Synthezoid

"even Though They're
Visual Effect Shots,

"just Because It's Who He Is
When He's At Home With Wanda."

So, We Let The Story Determine
When We'd Use The Visual Effects.

So When We Translated Red
Vision Into Black And White,

He Didn't Really
Look Like Vision.

We Did Tests Using Footage
From The Previous Films

As My First Week On The Job.

We Knocked On A Colorist's Door And
Said, "can We See What He Looks Like?"

And We Quickly Realized
He Would Have To Be Blue.

During The '50s And '60s, Actresses
Would Actually Use Blue Makeup,

Blue Lipstick So Their
Lips Would Appear Red.

And Lo And Behold, We
Did The Same With Paul,

Found The Right, Uh, Shade Of
Blue During Some Camera Tests,

Did A Little Additional Tweaking In
The Di And Found A Really Good Target.

What We Got To Was A Place Where
We Really Keep The Performance.

Paul Is Vision,

And So What We End Up Doing Is
Kind Of Painting Out His Ears,

And Augmenting And
Tracking Cg Onto His Body,

But That's Him.

Wanda's World Is
Her Safe Haven,

So When The Hex Takes
Over The Military Base,

It Turns Into A Happy
Thing, Into A...

A Kind Of Absurd Thing Almost,
Which Is The Circus, Which Is Fun.

For Visual Effects, It Wasn't
Necessarily A Complicated Thing.

You Shoot The A Side,
Then The B Side,

And Then You Augment Each.

We Knew That The Hex
Had To Be A Boundary

That Kept The Townspeople In,

But That Was Mysterious To
The People On The Outside.

We Decided Early That It
Would Be More Mysterious

If It Was An Invisible Hex.

And So It Helped Build Tension And
We Got To Make It Look Quite Cool.

We Looked At All Different Manners
Of Film Boundaries In The Past

And Decided That We Wanted Our Hex
To Have The Language Of Television.

So, We Studied How Magnets Were
Drawn On Old Crt Televisions

And The Magnetization You
Would Get Across The Screen,

The Pixelization You Would Get
When You Zoomed Way Into An Old Tv.

The Cathodic Lines Or Those
Skinny Lines That You Would See

In Ntsc Old, Square Tvs.

And So We Went To Photography,

And We Found Our Favorite Images
For What This Boundary Could Be,

Using The Language
Of Television.

Westview Was Meant To
Be Wanda's Idyllic Town,

So That Was A Touchstone.

Everything About Wanda's Home Inside,
Outside, And The Town They Live In,

Came From This Concept That She
Recreated The Reality She Wanted

From Her Childhood, From
Those Television Shows.

It's Executing A Vision To The
Standard That Wanda Would Have Wanted.

As Far As Tv Goes, There
Is An Argument That

Avengers And The Marvel Mcu

Is The Largest Episodic
Experiment Ever, Right?

Because It's Like These Shows That
Then Have Interconnected Spin-offs

And Then Different...
Until We Culminate.

Spirits Lifted.

It Has Always Been
Episodic Storytelling,

So That Didn't Feel
That Different For Me.

What Feels Different Is The
Focus On Wanda And Vision,

Which Is Really Nice
After All This Time.

I Think The Beauty Of
What Jac Schaeffer,

And Mary Livanos, Matt,
And Feige Put Together

Was A Story That Can Only Be
Told In The Medium Of Television.

And The Way We're Telling It
Is A Complete Conversation

Of American Sitcom Hitting Against
The Marvel Cinematic Universe.

For Marvel To Take The Opportunity
To Do A Television Show,

And For The First Show To Come Out To Be
An Actual Love Song To American Sitcoms,

Is So Perfect, And It's So
Perfect For Wanda's Character.

Dick Van Dyke Again? Always
"sitcom, Sitcom, Sitcom..."

The Thing That I Really Loved
At The End Of The Journey

Is, I Think It's The First Time
Wanda Has Really Accepted Who She Is

And Actually Puts
To Bed So Much Pain.

And We Find Her Finally
Having Peace And Being Okay.

I Can't Feel You.

I'm So Excited Now That We've
Cracked Open This Other Part Of Her,

So That There Hopefully Could
Be More Stories To Tell.

It's Been Such A Gift, And So
I Really Loved Doing This Show.

Cut.

That Is A Wrap On Lizzy.

I've Never Experienced Loss

Because I've Never Had
A Loved One To Lose.

But What Is Grief...

If Not Love Persevering?