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1
00:00:29,029 --> 00:00:31,596
IT'S ALL THERE.
2
00:00:31,640 --> 00:00:34,817
TELL ME WHERE I CAN FIND
THE JACK NAPIER PAINTING.
3
00:00:34,860 --> 00:00:36,775
YOUR PAINTING IS BEING
HELD BY THE COLLECTIVE,
4
00:00:36,819 --> 00:00:38,299
PRIVATE CLUB
OF CONNOISSEURS
5
00:00:38,342 --> 00:00:40,605
OF OUTLAWED ARTWORK
AND ANTIQUITIES.
6
00:00:40,649 --> 00:00:42,868
YOU WANT TO TIE
THE ROOM TOGETHER
7
00:00:42,912 --> 00:00:45,523
WITH A VINTAGE CANVAS
THAT TAKES YOU
8
00:00:45,567 --> 00:00:48,526
INSIDE THE MIND
OF PSYCHOTIC CRIMINALITY?
9
00:00:48,570 --> 00:00:50,137
THESE ARE THE PEOPLE
YOU NEED TO KNOW.
10
00:00:50,180 --> 00:00:51,486
I WANT AN INTRODUCTION.
11
00:00:51,529 --> 00:00:53,183
OH. THE TOP CROW?
12
00:00:53,227 --> 00:00:55,272
YOUR BIGGEST CLIENTS
ARE IN THE COLLECTIVE.
13
00:00:55,316 --> 00:00:56,665
THEY PAY YOUR BILLS.
14
00:00:56,708 --> 00:00:58,580
YOU WALK UP
TO THEIR DOORSTEP
15
00:00:58,623 --> 00:01:00,190
TRYING TO GRAB
THAT NAPIER,
16
00:01:00,234 --> 00:01:02,192
THEY'RE GONNA ASK YOU
FOR A REFUND. UNH!
17
00:01:16,772 --> 00:01:19,427
YOU'RE FROM CORYANA.
18
00:01:19,470 --> 00:01:22,517
YOU'RE GONNA TELL SAFIYAH
TO GIVE MY DAUGHTER BACK.
19
00:01:22,560 --> 00:01:23,692
UNH!
20
00:01:27,043 --> 00:01:28,479
AAH!
21
00:01:34,485 --> 00:01:36,835
I GOT A REPORT
OF A GUY LURKING
AROUND EAST END
22
00:01:36,879 --> 00:01:38,315
WITH A SPIKY POLE.
23
00:01:38,359 --> 00:01:40,578
IT DOESN'T CONCERN YOU,
BATWOMAN.
24
00:01:40,622 --> 00:01:42,885
THAT SO? BECAUSE HE'S
HANGING OFF MY LINE,
25
00:01:42,928 --> 00:01:45,148
SO WHY DON'T YOU
TELL ME WHAT KIND
OF FISH I CAUGHT?
26
00:01:45,192 --> 00:01:47,803
THERE'S AN ITEM
I'M LOOKING FOR.
27
00:01:47,846 --> 00:01:50,240
IT'S GONNA HELP ME
FIND MY DAUGHTER.
28
00:01:50,284 --> 00:01:53,156
THE WOMAN HOLDING
HER CAPTIVE DOESN'T
WANT ME TO FIND IT.
29
00:01:53,200 --> 00:01:55,680
SAFIYAH?
SHE SENT THIS GUY?
30
00:01:55,724 --> 00:01:58,596
WEAPON FITS THE M.O.
OF HER ASSASSINS,
31
00:01:58,640 --> 00:02:01,730
BUT I'LL CONFIRM
AFTER YOU HAND HIM
OVER NOW.
32
00:02:01,773 --> 00:02:04,124
I DON'T TAKE ORDERS
FROM CROWS,
33
00:02:04,167 --> 00:02:07,605
AND I GOT A BETTER SHOT
AT FINDING KATE KANE
BEFORE YOU DO.
34
00:02:10,913 --> 00:02:13,133
"ALL CROWS
ARE BASTARDS."
35
00:02:25,275 --> 00:02:27,277
VESPER: MORNING, GOTHAM.
GUESS THE EARLY BIRD
36
00:02:27,321 --> 00:02:29,149
GIVES US THE BIRD.
37
00:02:29,192 --> 00:02:31,325
ACROBATIC ART PRANKSTER
WOLF SPIDER WAS AT IT AGAIN,
38
00:02:31,368 --> 00:02:33,370
ROLLING HIS EYES
AT THE ENTIRE CITY
39
00:02:33,414 --> 00:02:35,981
FROM THE TOP
OF THE GOTHAM CENTURY SKYSCRAPER
40
00:02:36,025 --> 00:02:37,983
WITH AN IRIDESCENT EMOJI,
41
00:02:38,027 --> 00:02:40,029
MILLENNIAL HACKTIVISM
AT ITS FINEST
42
00:02:40,072 --> 00:02:43,554
AND ALMOST ENOUGH TO DISTRACT US
FROM AN EVEN JUICIER BAT STORY.
43
00:02:43,598 --> 00:02:46,253
ANOTHER SIGHTING OF BATWOMAN 2.0
44
00:02:46,296 --> 00:02:48,603
AND TOP CROW
JACOB KANE TOGETHER,
45
00:02:48,646 --> 00:02:50,692
THIS TIME WORKING
IN THE EAST END CRIME SCENE.
46
00:02:50,735 --> 00:02:53,521
ARE WE LOOKING AT GOTHAM'S
NEWEST POWER COUPLE?
47
00:02:53,564 --> 00:02:56,088
NO. JEEZ.
48
00:02:56,132 --> 00:02:57,873
I THOUGHT BATWOMAN
WAS COOL.
49
00:02:57,916 --> 00:03:00,789
HEY. WE DON'T KNOW
WHAT THEY WERE DOING.
50
00:03:00,832 --> 00:03:03,313
MAYBE BATWOMAN
WAS SAVING HIS ASS.
51
00:03:03,357 --> 00:03:04,706
THOUGHT YOU MIGHT BE HUNGRY
52
00:03:04,749 --> 00:03:07,404
AFTER LAST NIGHT'S
RECONNECTING.
53
00:03:07,448 --> 00:03:09,101
STILL SLEEPY.
54
00:03:09,145 --> 00:03:12,061
I WISH YOU COULD DO
SOMETHING ABOUT THAT.
55
00:03:12,104 --> 00:03:15,282
YOU CAN TAKE
THE DAY OFF.
56
00:03:15,325 --> 00:03:17,284
MMM. I CAN'T.
57
00:03:17,327 --> 00:03:22,114
AS CUTE AS I LOOK
IN YOUR RIDICULOUS ROBE,
58
00:03:22,158 --> 00:03:24,595
I SHOULD GET HOME
AND CHANGE FIRST.
59
00:03:24,639 --> 00:03:26,728
YOU WALK OF SHAMING
FOR ME?
60
00:03:26,771 --> 00:03:30,601
LIKE THE OLD DAYS.
61
00:03:30,645 --> 00:03:34,257
SPEAKING
OF THE OLD DAYS,
62
00:03:34,301 --> 00:03:37,478
IT'S TIME YOU GOT
THAT APOLOGY I OWE YOU.
63
00:03:40,481 --> 00:03:42,396
MY PARTYING WAS
OUT OF CONTROL,
64
00:03:42,439 --> 00:03:44,833
AND YOU TOOK MY STASH
THINKING IT WOULD HELP ME,
65
00:03:44,876 --> 00:03:48,619
AND INSTEAD, IT GOT
YOUR ASS THROWN IN JAIL,
66
00:03:48,663 --> 00:03:50,708
AND I GET WHY YOU DIDN'T
WANT ME TO VISIT YOU.
67
00:03:50,752 --> 00:03:53,624
YOU SERVED 18 MONTHS
FOR ME, RY,
68
00:03:53,668 --> 00:03:55,670
AND IT'S TIME I START
PAYING YOU BACK.
69
00:04:00,675 --> 00:04:03,286
ONE FOR YOU,
ONE FOR ME?
70
00:04:06,028 --> 00:04:08,030
I LOVE IT,
71
00:04:08,073 --> 00:04:09,640
BUT WE'RE GOOD.
72
00:04:09,684 --> 00:04:11,251
YOU GOT YOUR LIFE
TOGETHER.
73
00:04:11,294 --> 00:04:12,861
THAT'S ALL I WANTED.
74
00:04:15,298 --> 00:04:17,692
OHH! HEY.
WHAT IS THIS?
75
00:04:17,735 --> 00:04:19,171
IT'S..
A WORK INJURY.
76
00:04:19,215 --> 00:04:21,870
YOU FALL
ON A CORKSCREW?
77
00:04:21,913 --> 00:04:23,654
RYAN, YOU NEED TO GET
THAT LOOKED AT.
78
00:04:23,698 --> 00:04:25,395
YEAH. I JUST GOT
THIS JOB.
79
00:04:25,439 --> 00:04:27,876
I DON'T NEED MY BOSS
THINKING I CAN'T HACK IT.
80
00:04:27,919 --> 00:04:30,922
YOU TEND BAR.
SHE'LL UNDERSTAND.
81
00:04:30,966 --> 00:04:33,838
ALL THESE YEARS LATER
STILL WORRYING ABOUT ME.
82
00:04:33,882 --> 00:04:35,710
IT'S KIND OF CUTE.
83
00:04:35,753 --> 00:04:37,320
-YOU KNOW WHAT'S KIND OF CUTE?
-HMM?
84
00:04:37,364 --> 00:04:39,714
YOU...
85
00:04:39,757 --> 00:04:43,413
WITHOUT THAT NASTINESS
ON YOUR SHOULDER.
86
00:04:43,457 --> 00:04:45,937
YOU TAKE CARE
OF EVERYONE ELSE.
87
00:04:45,981 --> 00:04:48,331
TAKE CARE OF YOURSELF
FOR ONCE.
88
00:04:52,030 --> 00:04:53,728
MARY: GIVING YOU
AN ANTIBIOTIC.
89
00:04:53,771 --> 00:04:56,121
SO...IT'S JUST
AN INFECTION?
90
00:04:56,165 --> 00:04:57,819
WELL, IT MIGHT HAVE
TURNED NECROTIC
91
00:04:57,862 --> 00:05:01,997
IF YOU HAD WAITED
ANY LONGER.
92
00:05:02,040 --> 00:05:04,826
ARE YOU SURE YOU'RE NOT
HAVING ANY OTHER SYMPTOMS
93
00:05:04,869 --> 00:05:07,045
THAT YOU'RE NOT
TELLING ME ABOUT?
94
00:05:07,089 --> 00:05:08,569
NO. I...
95
00:05:08,612 --> 00:05:11,789
MAYBE A LITTLE MORE
TIRED THAN NORMAL.
96
00:05:11,833 --> 00:05:13,356
OK. OK.
97
00:05:17,099 --> 00:05:18,753
KATE WOULD POP
TWO OF THESE,
98
00:05:18,796 --> 00:05:20,320
AND SHE'D BE BACK
IN FIGHTING SHAPE.
99
00:05:20,363 --> 00:05:22,496
-OK. COOL.
-BUT IF YOU'RE HURT,
100
00:05:22,539 --> 00:05:24,454
YOU SHOULD SIT OUT
A FEW DAYS.
101
00:05:24,498 --> 00:05:25,977
RIGHT. DID KATE
EVER SIT OUT?
102
00:05:26,021 --> 00:05:27,762
KATE WAS NEVER SHOT
WITH ANYTHING
103
00:05:27,805 --> 00:05:30,330
THAT PIERCED
THROUGH THE BATSUIT,
104
00:05:30,373 --> 00:05:33,158
AND YOU SHOULDN'T
COMPARE YOURSELF
TO HER.
105
00:05:33,202 --> 00:05:36,553
WHAT'S MY CHOICE, HUH?
EVERYBODY ELSE IS.
106
00:05:36,597 --> 00:05:38,686
I KNOW YOU
DON'T HAVE A TWITTER,
107
00:05:38,729 --> 00:05:41,732
SO I ASSUME
YOU MEAN LUKE.
108
00:05:41,776 --> 00:05:44,735
JUST DON'T TELL HIM
ABOUT THIS, OK?
109
00:05:44,779 --> 00:05:46,781
I DON'T NEED ANOTHER REASON
FOR HIM NOT TO TRUST ME.
110
00:05:46,824 --> 00:05:49,392
HE'S BEEN QUESTIONING
EVERY DECISION I MAKE.
111
00:05:49,436 --> 00:05:51,046
NOT TO BACKSEAT DRIVE,
BUT AREN'T YOU
112
00:05:51,089 --> 00:05:53,135
PROFICIENT IN 6
DIFFERENT FORMS
OF MARTIAL ARTS?
113
00:05:53,178 --> 00:05:54,702
WHAT'S THE POINT
OF JUST LEAVING
HIM HERE?
114
00:05:54,745 --> 00:05:56,965
I TOLD HIM WE WANTED
THE LOCATION OF CORYANA.
115
00:05:57,008 --> 00:05:58,532
HE'LL GIVE IT UP.
TAKE IT FROM A FOSTER KID.
116
00:05:58,575 --> 00:06:00,490
IT IS AMAZING HOW WELL
YOU BEHAVE
117
00:06:00,534 --> 00:06:01,970
WHEN YOU ARE
LITERALLY STARVING.
118
00:06:02,013 --> 00:06:03,624
WE DON'T HAVE TIME
TO WAIT HIM OUT.
119
00:06:03,667 --> 00:06:06,061
IF ALICE FINDS OCEAN
BEFORE WE FIND CORYANA,
120
00:06:06,104 --> 00:06:07,454
SAFIYAH'S GONNA GIVE
KATE TO HER,
121
00:06:07,497 --> 00:06:08,846
AND ALICE IS GOING
TO KILL HER.
122
00:06:08,890 --> 00:06:10,500
OK. SO DO YOUR
HACKER THING
123
00:06:10,544 --> 00:06:12,110
AND GET SOME INFO
ON THE SPIKY POLE GUY
124
00:06:12,154 --> 00:06:13,590
TO SPEED THIS UP.
125
00:06:15,984 --> 00:06:17,768
I ALREADY TRIED.
126
00:06:17,812 --> 00:06:19,291
I TRACKED HIS
MOVEMENTS
AND CONFIRMED
127
00:06:19,335 --> 00:06:21,119
THAT HE WASN'T
AFTER JACOB KANE.
128
00:06:21,163 --> 00:06:22,686
HE WAS STALKING THE GUY
THAT HE KILLED IN THE ALLEY,
129
00:06:22,730 --> 00:06:24,514
BUT THE VICTIM WAS
AN INVESTMENT ANALYST
130
00:06:24,558 --> 00:06:26,037
AT GOTHAM CAPITAL
WITH NO RECORD.
131
00:06:26,081 --> 00:06:28,475
WHAT'S HE GOT TO DO
WITH CORYANA?
132
00:06:28,518 --> 00:06:30,172
SIR, I'M NOT DEFENDING
HER ACTIONS,
133
00:06:30,215 --> 00:06:32,827
BUT MY GUESS IS SHE'S
AFTER WHAT WE'RE AFTER--
134
00:06:32,870 --> 00:06:34,350
KATE'S LOCATION.
135
00:06:34,394 --> 00:06:36,265
LET HER KEEP
SAFIYAH'S THUG.
136
00:06:36,308 --> 00:06:38,398
WE GOT A NEW LEAD
ON THE NAPIER--
137
00:06:38,441 --> 00:06:40,574
EVAN BLAKE,
OLD FRIEND OF KATE'S
138
00:06:40,617 --> 00:06:42,097
AND A FIXTURE
ON THE GOTHAM ART SCENE.
139
00:06:42,140 --> 00:06:44,055
JUST FLEW BACK
FROM A TRIP TO BERLIN.
140
00:06:44,099 --> 00:06:46,057
HE WAS CAUGHT
A COUPLE OF YEARS AGO
141
00:06:46,101 --> 00:06:48,930
WITH PLUNDERED ARTIFACT
AND FORCED TO PAY RESTITUTION.
142
00:06:48,973 --> 00:06:52,020
IN OTHER WORDS,
A LIKELY MEMBER
OF THE COLLECTIVE
143
00:06:52,063 --> 00:06:53,978
WHO MIGHT COOPERATE.
144
00:06:54,022 --> 00:06:56,720
EVAN: COMMANDER,
YOU'RE UNDERSELLING
OUR ENTIRE ORIGIN STORY.
145
00:06:56,764 --> 00:06:58,679
KATIE KANE SAVED
MY LIFE.
146
00:06:58,722 --> 00:07:00,811
-REALLY?
-GOTHAM PREP.
147
00:07:00,855 --> 00:07:02,465
IT'S EIGHTH GRADE,
AND THE WINTER FORMAL
148
00:07:02,509 --> 00:07:04,336
IS A MULTIVERSE
SHATTERING CRISIS
149
00:07:04,380 --> 00:07:06,382
BECAUSE
I'M "STRAIGHT."
150
00:07:06,426 --> 00:07:07,862
KATE WAS WAY OUT
BY THEN,
151
00:07:07,905 --> 00:07:09,516
I HAD THIS
TRAGIC CRUSH,
152
00:07:09,559 --> 00:07:11,387
AND I ASKED HER
TO THE DANCE.
153
00:07:11,431 --> 00:07:13,389
I'M SURE SHE WANTED
TO ROLL HER EYES
SO HARD,
154
00:07:13,433 --> 00:07:15,739
BUT WITH THE GRACE
OF A SAINT,
155
00:07:15,783 --> 00:07:17,393
SHE SAID YES.
156
00:07:17,437 --> 00:07:18,873
THE ONLY TIME YOU'LL
EVER HEAR TEENAGE KATE
157
00:07:18,916 --> 00:07:20,396
DESCRIBED AS A SAINT.
158
00:07:20,440 --> 00:07:21,919
MY PARENTS TAKE ME
TO PICK HER UP,
159
00:07:21,963 --> 00:07:23,443
AND KATE IS
JAW-DROPPING
160
00:07:23,486 --> 00:07:26,271
IN THIS TAILORED
VELVET SUIT,
161
00:07:26,315 --> 00:07:28,317
JUST RADIATING
QUEER CONFIDENCE.
162
00:07:28,360 --> 00:07:30,841
I ON THE OTHER HAND
DISSOLVE INTO
A MONSOON OF TEARS.
163
00:07:30,885 --> 00:07:32,669
KATE RACES ME UP
TO HER BEDROOM,
164
00:07:32,713 --> 00:07:34,149
AND WE GO THROUGH
THE WHOLE THING.
165
00:07:34,192 --> 00:07:36,194
"I'M GAY."
"I KNOW."
166
00:07:36,238 --> 00:07:37,892
WE MAKE IT
TO THE DANCE,
167
00:07:37,935 --> 00:07:40,198
AND I CAME OUT
BY DEFAULT
168
00:07:40,242 --> 00:07:42,418
BECAUSE I WORE KATE'S
ALEXANDER McQUEEN
169
00:07:42,462 --> 00:07:44,159
OFF-THE-SHOULDER
MINI,
170
00:07:44,202 --> 00:07:46,509
WHICH BEGGED
A LOT OF QUESTIONS,
171
00:07:46,553 --> 00:07:49,381
BUT I WASN'T
AFRAID ANYMORE.
172
00:07:49,425 --> 00:07:52,036
I WAS GLOWING,
173
00:07:52,080 --> 00:07:55,997
AND THEN KATE
DITCHED ME TO MAKE OUT
WITH MAGGIE WATSON.
174
00:07:56,040 --> 00:07:58,260
SOUNDS LIKE OUR GIRL.
175
00:07:58,303 --> 00:08:01,742
SO YOU NEED MY HELP
WITH KATE'S DISAPPEARANCE.
176
00:08:01,785 --> 00:08:03,308
I'M HERE FOR YOU.
177
00:08:03,352 --> 00:08:05,223
KATE WAS LOOKING
FOR A PIECE
OF ARTWORK,
178
00:08:05,267 --> 00:08:07,051
SOMETHING THAT MAY
HAVE GOTTEN HER
179
00:08:07,095 --> 00:08:08,749
ON THE WRONG SIDE
OF SOMEONE
VERY DANGEROUS.
180
00:08:08,792 --> 00:08:10,620
OUR THEORY IS
IF WE FIND THE ITEM
181
00:08:10,664 --> 00:08:12,230
IT WILL LEAD US
TO HER CAPTOR.
182
00:08:12,274 --> 00:08:14,494
WELL, YOU'VE COME
TO THE RIGHT ART SNOB.
183
00:08:14,537 --> 00:08:17,235
I WAS SENIOR EDITOR
AT THE GOTHAM MUSEUM
OF ANTIQUITIES,
184
00:08:17,279 --> 00:08:19,324
I CURATE MY OWN
PRIVATE COLLECTIONS,
185
00:08:19,368 --> 00:08:22,023
I'VE GOT MY HANDS
IN A BIT OF EVERYTHING.
186
00:08:22,066 --> 00:08:25,156
YEAH. WE KNOW.
AGENT MOORE.
187
00:08:25,200 --> 00:08:27,898
KATE WAS LOOKING
FOR A CANVAS PAINTED
BY JACK NAPIER,
188
00:08:27,942 --> 00:08:29,421
ALIAS THE JOKER.
189
00:08:29,465 --> 00:08:30,901
YOU'RE AWARE
OF IT, YES?
190
00:08:30,945 --> 00:08:32,860
I KNOW THE LEGEND.
191
00:08:32,903 --> 00:08:34,905
PSYCHOTIC EVILDOER
BREAKS INTO HOME,
192
00:08:34,949 --> 00:08:37,299
SPLASHES HOMEOWNER'S
GUTS ALL OVER SOME
OLD PAINTING
193
00:08:37,342 --> 00:08:40,215
IN THE FOYER
AND CALLS IT
MODERN ART.
194
00:08:40,258 --> 00:08:41,825
IT'S A BIT ON THE NOSE
IF YOU ASK ME.
195
00:08:41,869 --> 00:08:44,219
NOT TO MENTION
ILLEGAL TO BUY,
SELL, OR POSSESS
196
00:08:44,262 --> 00:08:47,004
SINCE IT WAS STOLEN
FROM AN ACTIVE CRIME SCENE.
197
00:08:47,048 --> 00:08:48,745
I'M SORRY.
SHOULD THERE BE
A HARSH LIGHT
198
00:08:48,789 --> 00:08:51,226
SHINING IN MY EYES
RIGHT NOW?
199
00:08:51,269 --> 00:08:54,708
BECAUSE THE KATE
I KNEW NEVER GAVE
A CRAP ABOUT ART,
200
00:08:54,751 --> 00:08:56,623
AND I HAVEN'T SPOKEN
WITH HER IN YEARS.
201
00:08:56,666 --> 00:08:58,886
WE HAVE REASON TO BELIEVE
THAT YOU'RE AFFILIATED
202
00:08:58,929 --> 00:09:01,366
WITH THE COLLECTIVE.
203
00:09:01,410 --> 00:09:02,716
HEH.
204
00:09:02,759 --> 00:09:04,108
WE'LL WORK TO GET YOU
FULL IMMUNITY
205
00:09:04,152 --> 00:09:05,719
IF YOU HELP US
MAKE CONTACT.
206
00:09:05,762 --> 00:09:08,417
IMMUNITY FROM WHAT,
MS. MOORE?
207
00:09:08,460 --> 00:09:09,940
I'M A PERFECT ANGEL.
208
00:09:09,984 --> 00:09:11,986
I THOUGHT YOU WERE
HERE FRIEND.
209
00:09:12,029 --> 00:09:15,598
I LOVE KATIE,
BUT THIS FEELS LIKE ENTRAPMENT.
210
00:09:15,642 --> 00:09:17,687
IF YOU NEED TO CONTACT
ME AGAIN,
211
00:09:17,731 --> 00:09:19,733
I'LL REFER YOU
TO MY LAWYERS.
212
00:09:26,043 --> 00:09:28,916
I WANT ALL OUR TECH
INSIDE EVERY DEVICE
EVAN OWNS,
213
00:09:28,959 --> 00:09:31,919
ROUND-THE-CLOCK
REVOLVING TAILS.
214
00:09:31,962 --> 00:09:33,921
YES, SIR,
BUT THERE COULD BE
215
00:09:33,964 --> 00:09:36,140
AN EASIER WAY
TO LOCATE CORYANA--
216
00:09:36,184 --> 00:09:38,186
WITH BATWOMAN'S HELP.
217
00:09:38,229 --> 00:09:40,536
LET ME ASK HER
FOR ACCESS TO HER PRISONER.
218
00:09:40,580 --> 00:09:42,494
BATWOMAN
OR WHOEVER IT IS
219
00:09:42,538 --> 00:09:44,148
WHO STEPPED IN
FOR MY DAUGHTER,
220
00:09:44,192 --> 00:09:46,629
I AM NOT GONNA GROVEL
AT HER FEET.
221
00:09:46,673 --> 00:09:48,022
THEN LET ME DO IT
222
00:09:48,065 --> 00:09:50,111
OR AT LEAST ASK NICELY
223
00:09:50,154 --> 00:09:52,287
BECAUSE ALICE WILL DO
A LOT WORSE THAN GROVEL
224
00:09:52,330 --> 00:09:54,202
TO FIND KATE
BEFORE WE DO.
225
00:10:06,170 --> 00:10:08,825
[SIGHS]
226
00:10:13,656 --> 00:10:17,442
[MEN GRUNTING]
227
00:10:17,486 --> 00:10:19,096
SAFIYAH: OCEAN.
228
00:10:24,014 --> 00:10:25,320
HI.
229
00:10:29,411 --> 00:10:31,587
[SIGHS]
230
00:10:33,720 --> 00:10:35,939
WHAT DO YOU CALL IT
WHEN YOU'RE SURE
231
00:10:35,983 --> 00:10:38,115
YOU'VE MET SOMEONE...
232
00:10:39,813 --> 00:10:42,163
YOU'RE SURE YOU'VE NEVER MET?
233
00:10:47,211 --> 00:10:49,170
A STAY OF EXECUTION.
234
00:10:49,213 --> 00:10:51,085
[INDISTINCT CHATTER]
235
00:10:51,128 --> 00:10:54,088
MAN: ♪ THERE'S A FULL MOON,
I'M HOWLIN' TONIGHT ♪
236
00:10:54,131 --> 00:10:56,830
♪ AND THERE'S A-BLOOD
ON THE THORN OF A ROSE ♪
237
00:10:56,873 --> 00:10:58,875
VODKA ON THE ROCKS.
238
00:10:58,919 --> 00:11:00,877
MAN: ♪ THINK YOU'RE
GONNA LOVE TONIGHT ♪
239
00:11:00,921 --> 00:11:04,446
♪ LISTEN, GIRL, WELL,
I THINK YOU SHOULD KNOW ♪
240
00:11:04,489 --> 00:11:07,014
VISITING FROM GOTHAM?
241
00:11:07,057 --> 00:11:11,235
WHY? DO I LOOK
DEPRESSED?
242
00:11:11,279 --> 00:11:14,108
YOU'VE GOT THE SOPHISTICATION
OF A CITY MOUSE.
243
00:11:14,151 --> 00:11:20,723
HEH. MOUSE. AHEM.
TOUCHY SUBJECT.
244
00:11:20,767 --> 00:11:22,986
DON'T YOU THINK
MICE ARE CUTE?
245
00:11:25,032 --> 00:11:28,426
I HAD A MOUSE
IN MY LIFE.
246
00:11:28,470 --> 00:11:30,559
I LOVED HIM
LIKE A BROTHER,
247
00:11:30,602 --> 00:11:32,082
AND WHEN HE STARTED
HOLDING ME BACK
248
00:11:32,126 --> 00:11:34,998
FROM MY DREAMS,
I KILLED HIM.
249
00:11:35,042 --> 00:11:36,565
HEH.
250
00:11:40,003 --> 00:11:42,179
SHOOT. UM...
251
00:11:42,223 --> 00:11:43,528
[COUGHS]
252
00:11:43,572 --> 00:11:46,314
I THINK IT'S MY TURN
TO, UH...
253
00:11:46,357 --> 00:11:48,011
MAN: ♪ YOU BETTER WAIT
254
00:11:48,055 --> 00:11:50,361
♪ BEFORE YOUR HEART IS TURNED
TO SLATE ♪
255
00:11:50,405 --> 00:11:54,626
[SLOW CLAP]
256
00:11:54,670 --> 00:11:58,587
THAT IS THE FASTEST
I'VE EVER SEEN HIM
TAKE THE HINT.
257
00:11:58,630 --> 00:12:00,458
CAN I JOIN YOU
258
00:12:00,502 --> 00:12:03,548
IN CASE HE DECIDES
TO TRY IT AGAIN?
259
00:12:03,592 --> 00:12:05,594
PRETTY SURE HE'S
IN THE NEXT COUNTY
BY NOW,
260
00:12:05,637 --> 00:12:07,944
BUT BY ALL MEANS.
261
00:12:21,828 --> 00:12:23,568
[GRAPPLING LINE UNSPOOLING]
262
00:12:28,356 --> 00:12:30,750
LAST TIME I CAME
HERE TO MEET
A BATWOMAN,
263
00:12:30,793 --> 00:12:34,362
THE VIBES...
WERE DIFFERENT.
264
00:12:34,405 --> 00:12:37,104
PLEASE SAY THIS ISN'T
A BOOTY CALL.
265
00:12:37,147 --> 00:12:39,889
LOOK. I DON'T KNOW
WHERE YOU GOT THIS IDEA
266
00:12:39,933 --> 00:12:41,804
THAT ALL CROWS
ARE BASTARDS,
267
00:12:41,848 --> 00:12:43,458
BUT SOME OF US
ARE TRYING TO
MAKE A DIFFERENCE.
268
00:12:43,501 --> 00:12:45,503
WELL, IN MY EXPERIENCE,
WHEN THE CROWS FLY TOGETHER,
269
00:12:45,547 --> 00:12:47,679
THEY CALL IT A MURDER
FOR A REASON.
270
00:12:47,723 --> 00:12:49,681
I WANT TO OFFER YOU
A DEAL.
271
00:12:49,725 --> 00:12:51,814
YOU GET EVERYTHING
WE KNOW ABOUT SAFIYAH
AND CORYANA,
272
00:12:51,858 --> 00:12:53,860
AND WE GET ACCESS
TO YOUR PRISONER.
273
00:12:53,903 --> 00:12:55,818
SO YOU CAN BEAT HIM
WITHIN AN INCH OF HIS LIFE.
274
00:12:55,862 --> 00:12:58,429
HE'S A MURDERER
WHO KNOWS WHERE
KATE'S BEING HELD.
275
00:12:58,473 --> 00:13:00,475
-I'LL THINK ABOUT IT.
-YOU SHOULD BE DOING
276
00:13:00,518 --> 00:13:02,259
EVERYTHING IN YOUR
POWER TO HELP KATE.
277
00:13:02,303 --> 00:13:05,262
I DON'T NEED A CROW
TELLING ME HOW TO DO MY JOB.
278
00:13:05,306 --> 00:13:08,744
I'M NOT SPEAKING
TO YOU AS A CROW.
279
00:13:08,788 --> 00:13:11,312
KATE'S THE LOVE
OF MY LIFE,
280
00:13:11,355 --> 00:13:13,793
AND I NEED YOUR HELP
TO GET HER BACK.
281
00:13:25,543 --> 00:13:26,849
HELL TO THE NO. NO.
282
00:13:26,893 --> 00:13:29,112
WORKING WITH THE CROWS
MAKES MY SKIN CRAWL.
283
00:13:29,156 --> 00:13:30,984
SCREW THAT. NO.
284
00:13:31,027 --> 00:13:32,855
IT'S NOT LIKE WE'RE
HOSTING THEM
A FUNDRAISER.
285
00:13:32,899 --> 00:13:35,249
TRUST ME. WE MAKE
A DEAL THAT SOUNDS GOOD,
286
00:13:35,292 --> 00:13:36,554
THEY'LL BREAK IT.
287
00:13:36,598 --> 00:13:38,121
NOT IF WE'RE DEALING
WITH SOPHIE.
288
00:13:38,165 --> 00:13:39,906
SOPHIE HAS HAULED MY ASS
IN FOR QUESTIONING
289
00:13:39,949 --> 00:13:44,127
SO MANY TIMES SHE KNOWS
MY DAMN COFFEE ORDER. NO!
290
00:13:44,171 --> 00:13:46,956
WILL YOU TALK SOME
SENSE INTO HER, PLEASE?
291
00:13:47,000 --> 00:13:49,654
WE'RE AT A DEAD END, RYAN.
LOOK. I'M SORRY,
292
00:13:49,698 --> 00:13:52,005
BUT YOU'RE OUTVOTED.
293
00:13:52,048 --> 00:13:54,746
I GET IT.
YOU WANT KATE BACK,
294
00:13:54,790 --> 00:13:58,359
BUT THE CROWS HAVE TRIED
TO RUIN MY LIFE FOR FUN.
295
00:13:58,402 --> 00:14:00,056
I'M NOT HELPING THEM!
296
00:14:18,466 --> 00:14:21,904
LUKE: OK. SO.
297
00:14:21,948 --> 00:14:24,211
CROWS HORROR STORIES.
298
00:14:24,254 --> 00:14:26,082
YOU WANT ME TO GO,
OR...
299
00:14:26,126 --> 00:14:28,563
DO YOU WANT TO DO
YOUR FIRST?
300
00:14:28,606 --> 00:14:33,873
MY GIRL ANGELIQUE
HAD A DRUG HABIT,
301
00:14:33,916 --> 00:14:37,702
AND ON
A VERY UGLY NIGHT,
302
00:14:37,746 --> 00:14:41,837
SHE WAS GONE, LIKE
A DIFFERENT PERSON,
303
00:14:41,881 --> 00:14:43,970
SO I FOUND HER STASH,
AND I TOOK IT,
304
00:14:44,013 --> 00:14:47,495
THINKING I COULD
SOMEHOW STRAIGHTEN
HER OUT,
305
00:14:47,538 --> 00:14:51,455
BRING HER BACK.
306
00:14:51,499 --> 00:14:54,589
I'M ON THE STREET,
CRYING,
307
00:14:54,632 --> 00:14:56,373
NO QUESTION WHAT KIND
OF NIGHT I'M HAVING,
308
00:14:56,417 --> 00:14:58,898
AND I PASS
THESE TWO CROWS,
309
00:14:58,941 --> 00:15:01,465
AND ONE OF THEM
YELLS OUT,
310
00:15:01,509 --> 00:15:05,208
"YOU'D BE CUTER
WITH A SMILE
ON YOUR FACE."
311
00:15:05,252 --> 00:15:07,558
AND MY MAMA TOLD ME
WHAT TO DO ABOUT IT.
312
00:15:07,602 --> 00:15:10,474
I PAY THEM NO MIND
AND KEEP MOVING,
313
00:15:10,518 --> 00:15:13,347
BUT THEY--THEY
WOULDN'T LET ME GO,
314
00:15:13,390 --> 00:15:16,306
SO MY HAND WENT OUT,
MY FINGER WENT UP,
AND BOOM,
315
00:15:16,350 --> 00:15:18,004
THOSE CROWS HAD
WHAT THEY WANTED.
316
00:15:18,047 --> 00:15:22,356
THEY FOUND THE DRUGS
AND THOUGHT THEY WERE YOURS.
317
00:15:22,399 --> 00:15:24,749
SORRY THAT HAPPENED
TO YOU.
318
00:15:24,793 --> 00:15:27,448
WHAT WAS YOURS?
319
00:15:27,491 --> 00:15:30,755
UM...THE CROWS...
320
00:15:34,063 --> 00:15:37,327
KILLED MY FATHER.
321
00:15:37,371 --> 00:15:40,026
WAIT. WHAT?
322
00:15:40,069 --> 00:15:41,941
REALLY?
323
00:15:41,984 --> 00:15:43,551
REALLY.
324
00:15:45,814 --> 00:15:47,598
IT'S, UH, NOT A STORY
FOR TODAY,
325
00:15:47,642 --> 00:15:51,211
BUT, UM...
326
00:15:51,254 --> 00:15:53,691
IT'S THE WORST THING
THAT EVER HAPPENED TO ME.
327
00:16:05,486 --> 00:16:07,662
I SHOULD HAVE LET
YOU GO FIRST.
328
00:16:12,710 --> 00:16:16,062
LOOK. I WILL NEVER
FORGIVE THEM,
329
00:16:16,105 --> 00:16:20,022
AND I DON'T WANT TO
HELP THE CROWS EITHER,
330
00:16:20,066 --> 00:16:23,678
BUT WE NEED THEM
TO HELP US.
331
00:16:33,470 --> 00:16:35,255
REMEMBER, THIS ISN'T
PUNISHMENT
332
00:16:35,298 --> 00:16:36,821
JUST FOR THE SAKE
OF IT.
333
00:16:36,865 --> 00:16:39,433
GIVEN THIS MURDERER
EVERY OPPORTUNITY TO TALK,
334
00:16:39,476 --> 00:16:42,262
SO UNLESS YOU HAVE
ANY OTHER IDEAS,
335
00:16:42,305 --> 00:16:45,656
IT'S TIME TO TAKE THIS
TO THE NEXT LEVEL.
336
00:16:45,700 --> 00:16:47,615
SOPHIE: YOU'VE GOT
SOME CHOICES.
337
00:16:47,658 --> 00:16:50,618
YOU CAN GIVE US THE LOCATION
OF CORYANA...
338
00:16:50,661 --> 00:16:52,272
UNH!
339
00:16:52,315 --> 00:16:53,925
SOPHIE: YOU CAN GET US
IN TOUCH WITH SAFIYAH
340
00:16:53,969 --> 00:16:57,103
OR THE MAN KNOWN
AS OCEAN.
341
00:16:57,146 --> 00:17:00,106
HELP US FIND
THE NAPIER PAINTING.
342
00:17:00,149 --> 00:17:02,064
[GROANS]
343
00:17:02,108 --> 00:17:04,066
LISTEN TO ME.
IT IS NOT WORTH
344
00:17:04,110 --> 00:17:05,502
WHAT THEY'RE GONNA
DO TO YOU.
345
00:17:05,546 --> 00:17:07,069
THE MANY ARMS
WILL KILL WHOEVER
346
00:17:07,113 --> 00:17:09,071
LAYS HANDS
ON THAT PAINTING.
347
00:17:09,115 --> 00:17:12,074
YOU'LL NEVER FIND
CORYANA.
348
00:17:12,118 --> 00:17:14,207
I NEVER SAID THE TWO
WERE RELATED.
349
00:17:16,426 --> 00:17:19,386
THE PAINTING GETS US
TO CORYANA? IS IT A MAP?
350
00:17:22,693 --> 00:17:24,391
[GRUNTS]
351
00:17:24,434 --> 00:17:26,915
[GROANING]
352
00:17:26,958 --> 00:17:28,786
-CYANIDE CAPSULE!
-LET'S GET HIM DOWN!
353
00:17:28,830 --> 00:17:31,050
IT'S TOO LATE.
IT'S TOO LATE.
354
00:17:36,272 --> 00:17:37,578
RYAN: KANE PUSHED HIM
TOO HARD,
355
00:17:37,621 --> 00:17:39,101
AND NOW WE'RE
AT A DEAD END.
356
00:17:39,145 --> 00:17:41,147
SOPHIE: MAYBE NOT.
357
00:17:41,190 --> 00:17:43,323
WE'VE BEEN SURVEILLING
A SUSPECT WE LINKED
TO THE NAPIER,
358
00:17:43,366 --> 00:17:45,760
AND WE JUST GOT A HIT
ON ITS LOCATION.
359
00:17:45,803 --> 00:17:47,501
A GROUP CALLED
THE COLLECTIVE
360
00:17:47,544 --> 00:17:49,416
IS HAVING
A SPECIAL EXHIBITION
TOMORROW NIGHT
361
00:17:49,459 --> 00:17:51,331
TO AUCTION
THE PAINTING OFF.
362
00:17:51,374 --> 00:17:53,289
WHY NOW?
363
00:17:53,333 --> 00:17:54,856
WORD MUST HAVE GOTTEN
BACK TO THE OWNER
364
00:17:54,899 --> 00:17:56,423
ABOUT THE BODY THAT
DROPPED THE OTHER NIGHT.
365
00:17:56,466 --> 00:17:59,121
TOO MUCH HEAT.
366
00:17:59,165 --> 00:18:00,644
YOU DOING ANYTHING
TOMORROW NIGHT?
367
00:18:00,688 --> 00:18:02,516
YOU LOOKING FOR A DATE
TO THIS THING?
368
00:18:02,559 --> 00:18:04,518
WE DON'T HAVE
AN INSIDER,
369
00:18:04,561 --> 00:18:06,607
BUT WE NEED SOMEONE
WITH NO CONNECTION
TO THE CROWS
370
00:18:06,650 --> 00:18:08,478
WHO CAN INFILTRATE
THE EVENT
371
00:18:08,522 --> 00:18:12,917
AND GRAB THE NAPIER
WITHOUT GETTING CAUGHT.
372
00:18:12,961 --> 00:18:14,789
I GO ALONE.
373
00:18:14,832 --> 00:18:16,573
NO CROWS
AT THE LOCATION,
374
00:18:16,617 --> 00:18:18,009
NO SURVEILLANCE,
375
00:18:18,053 --> 00:18:19,533
AND I WANT YOU
DIRECTLY IN CHARGE
376
00:18:19,576 --> 00:18:21,665
OF ANY CROWS ASSIGNED
TO THIS MISSION.
377
00:18:24,712 --> 00:18:27,845
THIS IS A ONE-OFF.
WE'RE NOT PARTNERS.
378
00:18:34,939 --> 00:18:39,988
SO...OCEAN...
WHAT DO YOU DO?
379
00:18:40,031 --> 00:18:42,773
I...BORE PEOPLE TO DEATH
BY TELLING THEM
380
00:18:42,817 --> 00:18:45,036
I'M A SOIL TECHNICIAN.
381
00:18:45,080 --> 00:18:48,475
OOH. THAT SOUNDS LIKE
A FANCY NAME
382
00:18:48,518 --> 00:18:51,260
FOR DIRT NERD,
383
00:18:51,304 --> 00:18:52,914
BUT YOU SMILED
WHEN YOU SAID IT,
384
00:18:52,957 --> 00:18:55,351
SO...YOU MUST LIKE
YOUR WORK.
385
00:18:55,395 --> 00:18:58,180
I GREW UP IN NATURE.
386
00:18:58,224 --> 00:19:00,182
MY FAMILY CULTIVATED
EVERYTHING WE EVER NEEDED
387
00:19:00,226 --> 00:19:02,619
FROM THE LAND.
388
00:19:02,663 --> 00:19:07,842
IN A PLACE LIKE GOTHAM,
WHERE EVERYTHING IS CONCRETE,
389
00:19:07,885 --> 00:19:11,193
ISN'T THAT INCREDIBLE?
390
00:19:11,237 --> 00:19:13,021
SO TELL ME,
391
00:19:13,064 --> 00:19:18,200
WHERE IS THIS
MAGICAL PLACE
YOU HAIL FROM?
392
00:19:18,244 --> 00:19:21,377
MAN: ♪ AND I CHASE MY WHISKEY
WITH THE BLUES ♪
393
00:19:21,421 --> 00:19:23,031
I'M MEETING AN ASSOCIATE.
394
00:19:23,074 --> 00:19:25,251
SHOULD SPLASH SOME WATER
ON MY FACE.
395
00:19:25,294 --> 00:19:29,907
5 SHOTS...NO REGRETS.
396
00:19:33,084 --> 00:19:35,348
HEY. CAN I ASK YOU SOMETHING?
397
00:19:35,391 --> 00:19:38,307
HAVE WE MET
SOMEWHERE BEFORE?
398
00:19:38,351 --> 00:19:40,048
THINK I'D REMEMBER YOU.
399
00:19:40,091 --> 00:19:42,572
MAN: ♪ CHASE MY WHISKEY
WITH THE BLUES ♪
400
00:19:42,616 --> 00:19:45,227
PROBABLY JUST THINKING
ABOUT SOMEBODY ELSE.
401
00:19:50,841 --> 00:19:52,452
OH, WELL.
402
00:20:08,076 --> 00:20:09,208
[FOOTSTEPS]
403
00:20:20,567 --> 00:20:22,656
DO YOU MIND...
404
00:20:22,699 --> 00:20:24,701
SHUTTING THE SHADE?
405
00:20:30,011 --> 00:20:33,362
YOU SLEPT THROUGH
HALF THE DAY.
406
00:20:33,406 --> 00:20:37,192
5 SHOTS, NO REGRETS.
407
00:20:40,674 --> 00:20:42,850
SHALL I EXPLAIN?
408
00:20:42,893 --> 00:20:44,808
I DO WISH YOU WOULD.
409
00:20:44,852 --> 00:20:46,636
SOME LUNATIC
ON A FAR-AWAY ISLAND
410
00:20:46,680 --> 00:20:48,159
IS HOLDING
MY SISTER HOSTAGE,
411
00:20:48,203 --> 00:20:49,683
AND SHE WON'T HAND HER OVER
UNTIL I GUT YOU
412
00:20:49,726 --> 00:20:51,946
AND AIR MAIL
THE EVIDENCE.
413
00:20:51,989 --> 00:20:54,340
THIS WOMAN GOT
A NAME?
414
00:20:54,383 --> 00:20:57,343
ENOUGH WOMEN WANT YOU DEAD
I NEED TO BE SPECIFIC?
415
00:20:57,386 --> 00:20:59,301
JUST ANSWER
THE DAMN QUESTION.
416
00:20:59,345 --> 00:21:01,260
SAFIYAH.
417
00:21:01,303 --> 00:21:05,873
ALTHOUGH HER OBEDIENT
ISLAND FOLLOWERS
CALL HER QUEEN.
418
00:21:07,178 --> 00:21:08,745
[SIGHS]
419
00:21:08,789 --> 00:21:11,444
NOT ME.
420
00:21:11,487 --> 00:21:13,489
I CALLED HER SISTER.
421
00:21:19,713 --> 00:21:23,194
MARY: I HAVE 3 WORDS.
422
00:21:23,238 --> 00:21:26,328
WHO...IS SHE?
423
00:21:26,372 --> 00:21:29,853
OHH! MM-WHA! LOOK!
424
00:21:29,897 --> 00:21:31,638
MAN: ♪ WE'RE MAKING
SNOW MELT ♪
425
00:21:31,681 --> 00:21:34,554
WAIT. ARE YOU SURE
ART COLLECTORS
426
00:21:34,597 --> 00:21:37,861
ARE SUPPOSED TO HAVE
THIS MUCH SWAG?
427
00:21:37,905 --> 00:21:39,950
WELL, FIRST OF ALL,
THEY'RE NOT
ART COLLECTORS.
428
00:21:39,994 --> 00:21:43,650
THEY'RE OUTLAWS,
AND IF EVAN BLAKE
IS THE STYLE GUIDE,
429
00:21:43,693 --> 00:21:45,956
THIS PARTY'S ABOUT
TO LOOK LIKE
"THE HUNGER GAMES."
430
00:21:46,000 --> 00:21:48,698
WHAT'S EVAN BLAKE'S DEAL?
431
00:21:48,742 --> 00:21:51,701
OHH.
432
00:21:51,745 --> 00:21:55,879
HE AND I WERE ALWAYS
ANGLING FOR KATE'S AFFECTION.
433
00:21:55,923 --> 00:21:59,535
NOPE. HE WAS
WAY MORE COMPETITIVE
434
00:21:59,579 --> 00:22:05,933
AND HAD--HEH--
A LOT MORE FLAIR THAN ME.
435
00:22:05,976 --> 00:22:08,675
NOW HE'S OVEREDUCATED,
AND APPARENTLY,
436
00:22:08,718 --> 00:22:10,807
HE'S ADDICTED
TO MISCHIEF.
437
00:22:10,851 --> 00:22:14,376
THE CROWS SAY THAT
HE RUNS THE DOOR
FOR THE COLLECTIVE.
438
00:22:14,420 --> 00:22:15,899
OH. NO.
439
00:22:18,902 --> 00:22:21,035
-YEAH.
-OK.
440
00:22:21,078 --> 00:22:24,081
WELL, I THINK I CAN
MAKE THIS WORK.
441
00:22:24,125 --> 00:22:27,084
MARY: I'D SAY SO.
442
00:22:27,128 --> 00:22:30,653
H-HEY. I--I BROUGHT
THE PLAN--
443
00:22:30,697 --> 00:22:33,308
I--I BROUGHT
THE GAME PLAN.
444
00:22:33,352 --> 00:22:36,267
[BOTH LAUGHING]
445
00:22:36,311 --> 00:22:37,791
THE EVENT IS
INSIDE A PRIVATE HANGAR
446
00:22:37,834 --> 00:22:39,445
AT GOTHAM INTERNATIONAL.
447
00:22:39,488 --> 00:22:41,316
IT'S ACTUALLY A PRETTY
CLEVER WAY OF DOING THIS.
448
00:22:41,360 --> 00:22:43,666
SO THE COLLECTIVE FLIES IN,
THEY UNLOAD THEIR PIECES,
449
00:22:43,710 --> 00:22:45,625
THEY BUY, SELL, PARTY,
450
00:22:45,668 --> 00:22:47,801
THEN THEY LOAD BACK UP,
FLY AWAY.
451
00:22:47,844 --> 00:22:50,847
NO CUSTOMS, NO TSA,
MAXIMUM SECURITY.
452
00:22:50,891 --> 00:22:53,241
HOW ARE WE SNEAKING
THE BATSUIT THROUGH
THAT SECURITY?
453
00:22:53,284 --> 00:22:54,982
SEE, WE JUST HAPPEN
TO HAVE VIP ACCESS
454
00:22:55,025 --> 00:22:57,811
TO EVERY SQUARE INCH
OF THAT TERMINAL.
455
00:22:57,854 --> 00:23:01,249
YEAH. BETWEEN
WAYNE ENTERPRISES
AND HAMILTON DYNAMICS,
456
00:23:01,292 --> 00:23:03,730
WE BURN MORE
PRIVATE JET FUEL
457
00:23:03,773 --> 00:23:05,427
THAN THE HADIDS,
KARDASHIANS,
458
00:23:05,471 --> 00:23:07,429
AND THE AIR FORCE
COMBINED.
459
00:23:07,473 --> 00:23:08,996
YEAH. SO WITH OUR
RESOURCES,
460
00:23:09,039 --> 00:23:10,780
CROWS' INTELLIGENCE,
AND A SECRET AGENT
461
00:23:10,824 --> 00:23:14,741
THAT NO ONE'S GOING TO
SUSPECT--RYAN WILDER.
462
00:23:14,784 --> 00:23:17,874
WAIT. I'M JUST SUPPOSED
TO TALK MY WAY INSIDE?
463
00:23:17,918 --> 00:23:20,050
OH, NO.
464
00:23:20,094 --> 00:23:22,226
DID YOU THINK MARY HAD
ALL THE ACCESSORIES?
465
00:23:22,270 --> 00:23:24,228
[INDISTINCT CHATTER]
466
00:23:24,272 --> 00:23:27,014
[ELECTRONIC MUSIC PLAYING]
467
00:23:27,057 --> 00:23:29,059
LOOK AT THIS
PRECISION METALWORK.
468
00:23:29,103 --> 00:23:32,323
THE WEIGHT IS
PERFECTLY BALANCED.
469
00:23:32,367 --> 00:23:34,369
WHAT'S THE PROVENANCE?
470
00:23:34,413 --> 00:23:35,936
WHICH BAT DID IT
BELONG TO?
471
00:23:35,979 --> 00:23:37,938
WOMAN.
472
00:23:37,981 --> 00:23:40,331
-1.0 OR--
-CURRENT MODEL.
473
00:23:42,638 --> 00:23:45,511
THE BATARANG IS
A STUNNING PIECE.
474
00:23:45,554 --> 00:23:47,469
WE'LL MAKE AN EXCEPTION
475
00:23:47,513 --> 00:23:51,647
AND ALLOW IT
INTO THE EXHIBITION.
476
00:23:51,691 --> 00:23:54,650
OK. I'M REALLY
LOVING THAT DRESS.
477
00:23:54,694 --> 00:23:56,086
DIDN'T IT DEBUT
IN LONDON?
478
00:23:56,130 --> 00:23:57,566
-NAILED IT.
-HUH.
479
00:23:57,610 --> 00:24:01,135
ACTUALLY, IT WAS NEW YORK,
WINTER '18.
480
00:24:01,178 --> 00:24:02,789
WELL, I HEARD THERE
WAS A DRESS CODE,
481
00:24:02,832 --> 00:24:04,921
SO I BORROWED IT
FROM A FRIEND.
482
00:24:04,965 --> 00:24:06,967
HEARD FROM WHO EXACTLY?
483
00:24:07,010 --> 00:24:09,056
OF COURSE, I'M
A BIG BELIEVER
IN THE FIRST AMENDMENT
484
00:24:09,099 --> 00:24:11,101
EXCEPT WHEN IT COMES
TO THE SHENANIGANS
THAT GO ON
485
00:24:11,145 --> 00:24:13,190
BEHIND THE COLLECTIVE'S
CLOSED DOORS.
486
00:24:13,234 --> 00:24:15,454
HA HA! EVAN BABY,
487
00:24:15,497 --> 00:24:19,022
WHAT ARE YOU DOING
TO MY GIRL HERE?
488
00:24:19,066 --> 00:24:20,720
RYAN: YOU BEAT
ME HERE.
489
00:24:20,763 --> 00:24:24,506
ANG, BIG NIGHT.
PATRONS NEED
THEIR PARTY FAVORS.
490
00:24:24,550 --> 00:24:26,552
AHH.
491
00:24:26,595 --> 00:24:28,684
AND THIS ONE'S YOURS?
492
00:24:28,728 --> 00:24:32,122
YEAH. I TOTALLY SPACED
ON THE HEADS UP.
493
00:24:32,166 --> 00:24:34,473
IT'S FINE.
YOU'RE FORGIVEN.
494
00:24:34,516 --> 00:24:35,648
ANY QUESTIONS?
495
00:24:35,691 --> 00:24:38,520
PRONOUNS?
496
00:24:38,564 --> 00:24:40,609
HE/HIM, THEY/THEM.
497
00:24:40,653 --> 00:24:42,959
I GO WITH THE FLOW.
498
00:24:43,003 --> 00:24:46,963
NOW, YOU TWO, GO FORTH
AND DO CRIMES.
499
00:24:47,007 --> 00:24:49,357
ANG, WHAT ARE
YOU DOING HERE?
500
00:24:49,400 --> 00:24:51,533
SAVING YOUR ASS
AT THE DOOR.
501
00:24:51,577 --> 00:24:53,317
YOU CAN'T JUST SLIDE
INTO THE DMs.
502
00:24:53,361 --> 00:24:54,884
YOU NEED A REFERRAL.
503
00:24:54,928 --> 00:24:58,409
WHAT PARTY FAVORS
WAS HE TALKING ABOUT?
504
00:24:58,453 --> 00:25:00,237
ANG, NO.
505
00:25:00,281 --> 00:25:01,761
WHAT DO YOU WANT ME
TO SAY?
506
00:25:01,804 --> 00:25:03,589
THAT YOU WEREN'T
LYING THROUGH YOUR TEETH
507
00:25:03,632 --> 00:25:05,068
WHEN YOU TOLD ME
YOU'D PULED YOUR
LIFE TOGETHER.
508
00:25:05,112 --> 00:25:07,027
FOR YOUR INFORMATION,
I'M CLEAN.
509
00:25:07,070 --> 00:25:09,290
4 MONTHS,
BUT DO YOU KNOW
WHAT PEOPLE NEED
510
00:25:09,333 --> 00:25:12,728
TO PULL THEIR LIVES
TOGETHER? MONEY.
511
00:25:12,772 --> 00:25:16,515
IF YOU GET CAUGHT,
DISTRIBUTION IS
8-10 AT BLACKGATE.
512
00:25:16,558 --> 00:25:19,996
SAYS THE GIRL TURNING
BATWOMAN'S MISSING HARDWARE
513
00:25:20,040 --> 00:25:22,216
INTO AN ETSY SHOP.
514
00:25:22,259 --> 00:25:24,000
WE KNOW WHAT
I'M DOING HERE.
515
00:25:24,044 --> 00:25:26,176
WHAT ARE YOU DOING HERE?
516
00:25:28,222 --> 00:25:30,006
SAVE IT.
517
00:25:30,050 --> 00:25:33,314
YOU ARE THE ONLY ONE HERE
WHO'S JUDGING.
518
00:25:37,448 --> 00:25:39,581
-IS THIS THING ON?
-LOUD AND CLEAR.
519
00:25:39,625 --> 00:25:41,322
WANT TO TRY
CHANNEL TWO?
520
00:25:41,365 --> 00:25:43,280
NO, NOT REALLY.
521
00:25:45,326 --> 00:25:46,675
BATWOMAN TO MOORE.
522
00:25:46,719 --> 00:25:48,851
SOPHIE: COPY.
YOU'RE LATE.
523
00:25:48,895 --> 00:25:50,636
THOUGHT MAYBE YOU
GOT COLD FEET.
524
00:25:50,679 --> 00:25:54,248
RYAN: BELIEVE IT OR NOT,
I RAN INTO AN EX.
525
00:25:54,291 --> 00:25:58,121
OH. OK. WELL,
I HOPE HE'S NOT
GONNA BE DRAMA.
526
00:25:58,165 --> 00:26:00,820
SHE, AND ALWAYS.
527
00:26:00,863 --> 00:26:02,430
LET YOU KNOW
WHEN I FIND THE PAINTING.
528
00:26:02,473 --> 00:26:03,910
STAND BY.
529
00:26:10,656 --> 00:26:13,397
LUKE...GOT THE TARGET.
530
00:26:13,441 --> 00:26:15,356
OK. GREAT.
531
00:26:15,399 --> 00:26:17,271
GIVE ME A GOOD LOOK.
532
00:26:27,847 --> 00:26:30,371
OK. MOVING ON
TO THE NEXT PHASE.
533
00:26:55,526 --> 00:26:57,006
[BEEP]
534
00:27:01,576 --> 00:27:03,926
A LOT OF INTEREST
IN THIS ONE.
535
00:27:03,970 --> 00:27:07,582
YEAH. IT'S KIND OF
GIMMICKY, ISN'T IT?
536
00:27:07,626 --> 00:27:09,497
OH, IT'S DREADFUL,
ZERO TECHNIQUE,
537
00:27:09,540 --> 00:27:12,326
BUT, YOU KNOW,
CELEBRITY ARTISTS.
538
00:27:12,369 --> 00:27:14,502
HMM. HELP ME TO
UNDERSTAND THE APPEAL
539
00:27:14,545 --> 00:27:17,113
IN OWNING SOMETHING
LIKE THIS.
540
00:27:17,157 --> 00:27:19,594
SOME OF THE PEOPLE
HERE--TOTAL SICKOS.
541
00:27:19,638 --> 00:27:21,291
-AND YOU?
-I DON'T LIKE BEING TOLD
542
00:27:21,335 --> 00:27:23,380
WHAT I CAN AND CAN'T
DO IN LIFE.
543
00:27:23,424 --> 00:27:25,208
WHETHER IT'S THE ART
I COLLECT
544
00:27:25,252 --> 00:27:26,775
OR THE CLOTHES
I WEAR,
545
00:27:26,819 --> 00:27:28,864
I'M NOT DESPERATE
FOR ANYONE'S APPROVAL.
546
00:27:28,908 --> 00:27:31,214
STILL THROWING
SHADE AT MY
BORROWED COUTURE.
547
00:27:31,258 --> 00:27:34,435
HEH. WHAT CAN I SAY?
548
00:27:34,478 --> 00:27:37,438
I JUST PREFER TO SEE
EVERYONE'S TRUE COLORS.
549
00:27:42,965 --> 00:27:44,663
[COMPUTER BEEPS]
550
00:27:44,706 --> 00:27:46,099
SO I RAN A SPECTRAL
ANALYSIS
551
00:27:46,142 --> 00:27:47,666
TO ISOLATE
THE ORIGINAL CANVAS
552
00:27:47,709 --> 00:27:49,668
UNDERNEATH THE GORE.
553
00:27:49,711 --> 00:27:51,408
I THINK IT'S A PAINTING
OF OCEAN CURRENTS.
554
00:27:51,452 --> 00:27:52,845
YOU WERE RIGHT.
555
00:27:52,888 --> 00:27:54,368
THE JOKER SPLATTERED
SOME POOR GUY
556
00:27:54,411 --> 00:27:56,283
ALL OVER A MAP
TO CORYANA?
557
00:27:56,326 --> 00:27:58,720
BUT WE'LL NEED TO RESTORE
THE CANVAS
558
00:27:58,764 --> 00:28:00,156
TO LOCATE THE ISLAND.
559
00:28:00,200 --> 00:28:01,418
BUT THAT MEANS...
560
00:28:01,462 --> 00:28:02,855
YOU'RE GONNA NEED
TO STEAL IT.
561
00:28:11,602 --> 00:28:14,127
I DIDN'T KNOW SAFIYAH
HAD FAMILY.
562
00:28:14,170 --> 00:28:15,868
WE WEREN'T BLOOD.
563
00:28:15,911 --> 00:28:18,784
APPARENTLY, WE
WEREN'T ANYTHING.
564
00:28:20,524 --> 00:28:21,787
WHY DOES SHE
WANT ME DEAD?
565
00:28:21,830 --> 00:28:23,397
OH, NO OFFENSE,
BUT I HAVE
566
00:28:23,440 --> 00:28:25,225
WAY TOO MUCH DRAMA
IN MY LIFE TO CARE.
567
00:28:25,268 --> 00:28:29,142
SHE'S OBVIOUSLY
LOSING HER TOUCH
IF SHE SENT YOU.
568
00:28:29,185 --> 00:28:31,361
I'M SORRY. DID YOU
JUST CALL ME
A BAD ASSASSIN?
569
00:28:31,405 --> 00:28:33,015
NOT TO MONDAY MORNING
QUARTERBACK,
570
00:28:33,059 --> 00:28:35,757
BUT YOU HAD AMPLE
OPPORTUNITY TO KILL ME.
571
00:28:35,801 --> 00:28:37,454
YOU KNEW I WAS
STAYING HERE,
572
00:28:37,498 --> 00:28:39,630
WHICH MEANS YOU
COULD HAVE KILLED ME
IN MY SLEEP,
573
00:28:39,674 --> 00:28:42,198
BUT MAYBE YOU DON'T
KNOW HOW TO PICK A LOCK.
574
00:28:42,242 --> 00:28:43,939
FINE. SURPRISE ATTACK
IN THE BAR BATHROOM--
575
00:28:43,983 --> 00:28:46,855
EASY, PRIVATE.
576
00:28:46,899 --> 00:28:50,293
AT THE VERY LEAST,
YOU CAN AMBUSH ME
IN MY TRUCK.
577
00:28:50,337 --> 00:28:52,774
I HAVE A BACKSEAT,
AND I DON'T LOCK
MY DOORS,
578
00:28:52,818 --> 00:28:57,823
BUT INSTEAD, YOU,
WHAT, MAKE A SCENE
AT THE BAR,
579
00:28:57,866 --> 00:28:59,302
GET MY ATTENTION,
580
00:28:59,346 --> 00:29:02,218
INDULGE IN SMALLTALK,
GET DRUNK.
581
00:29:02,262 --> 00:29:07,746
HEH. SAFIYAH MUST BE
DESPERATE IF SHE
SENT YOU.
582
00:29:07,789 --> 00:29:13,055
I NEEDED MORE ANSWERS
BEFORE I COULD KILL YOU.
583
00:29:13,099 --> 00:29:14,883
I'VE NEVER SEEN YOU
BEFORE IN MY LIFE.
584
00:29:14,927 --> 00:29:17,712
NOR I YOU, WHICH IS WHY
I NEEDED TO KNOW MORE
585
00:29:17,756 --> 00:29:19,975
BEFORE I MADE OCEAN
BLEED THE RED SEA.
586
00:29:24,545 --> 00:29:27,287
HOW DO YOU EVEN KNOW
WHAT CORYANA LOOKS LIKE?
587
00:29:27,330 --> 00:29:30,681
BECAUSE I WAS THERE
5 YEARS AGO.
588
00:29:30,725 --> 00:29:32,422
THAT'S IMPOSSIBLE.
589
00:29:32,466 --> 00:29:34,337
I WAS THERE
5 YEARS AGO.
590
00:29:36,122 --> 00:29:38,080
-HOW PECULIAR.
-HMM.
591
00:29:39,995 --> 00:29:42,998
WELL, I SUPPOSE
YOU COULD KILL ME
592
00:29:43,042 --> 00:29:44,652
AND THEN SPEND THE REST
OF YOUR LIFE ON THE RUN,
593
00:29:44,695 --> 00:29:46,567
SEEING AS NONE OF THIS
CHANGES THE FACT
594
00:29:46,610 --> 00:29:48,874
THE ISLAND QUEEN
STILL WANTS YOU DEAD,
595
00:29:48,917 --> 00:29:51,964
OR WE COULD GIVE HER
A JINGLE.
596
00:29:52,007 --> 00:29:53,966
I'M GOOD
WITH OPTION "A."
597
00:29:56,533 --> 00:29:58,666
SAFIYAH, WE BOTH
KNOW THIS ISN'T
ABOUT A STUPID FLOWER.
598
00:29:58,709 --> 00:30:00,494
AND WHAT DO YOU THINK
IT'S ABOUT?
599
00:30:00,537 --> 00:30:02,496
ME HAVING THE ONE THING
YOU CAN'T.
600
00:30:08,154 --> 00:30:09,503
WHAT THE HELL
WAS THAT?
601
00:30:09,546 --> 00:30:11,113
EXACTLY.
602
00:30:11,157 --> 00:30:13,420
OPTION "B" IT IS.
603
00:30:13,463 --> 00:30:15,944
AHEM.
604
00:30:15,988 --> 00:30:17,032
[SIGHS]
605
00:30:19,165 --> 00:30:20,949
THERE SHOULD BE
A DISPENSER
NEXT TO THE SINK
606
00:30:20,993 --> 00:30:25,258
WITH...UH, YOU KNOW,
PRODUCTS.
607
00:30:25,301 --> 00:30:26,520
I SEE IT.
608
00:30:26,563 --> 00:30:27,869
A LOT OF FIREPOWER
IN THAT ROOM,
609
00:30:27,913 --> 00:30:29,479
SO YOU'RE GONNA HAVE TO
MOVE FAST.
610
00:30:29,523 --> 00:30:31,481
BATWOMAN, STATUS CHECK.
YOU FIND IT?
611
00:30:33,309 --> 00:30:34,920
TARGET IDENTIFIED.
I JUST NEED TO TAKE IT
612
00:30:34,963 --> 00:30:37,661
FOR FURTHER ANALYSIS.
613
00:30:37,705 --> 00:30:39,315
WE'LL MONITOR
FROM HERE.
614
00:30:46,322 --> 00:30:47,758
[GROANS]
615
00:30:51,414 --> 00:30:54,113
[ALARM BLARING]
616
00:30:54,156 --> 00:30:56,550
UH...BATWOMAN?
617
00:30:56,593 --> 00:30:58,639
[BLARING CONTINUES]
618
00:30:59,945 --> 00:31:02,251
[EXCITED CHATTER]
619
00:31:05,211 --> 00:31:07,778
I THINK
WE HAVE COMPETITION.
620
00:31:07,822 --> 00:31:09,128
LUKE: WHO?
621
00:31:09,171 --> 00:31:10,607
YOU EVER HEARD
OF WOLF SPIDER?
622
00:31:15,395 --> 00:31:17,397
SHOOT HIM BEFORE HE
GETS TOO HIGH!
623
00:31:17,440 --> 00:31:18,702
MISS--MISS,
THIS WAY, PLEASE.
624
00:31:18,746 --> 00:31:20,661
NO. RYAN!
625
00:31:20,704 --> 00:31:24,012
[GUNFIRE]
626
00:31:24,056 --> 00:31:25,709
HAND IT OVER.
627
00:31:42,726 --> 00:31:44,206
-HYAH!
-UNH!
628
00:31:45,425 --> 00:31:46,861
UGH!
629
00:31:55,000 --> 00:31:56,523
DAMN.
630
00:32:04,052 --> 00:32:05,924
UNH!
631
00:32:05,967 --> 00:32:08,709
UGH! OHH.
632
00:32:08,752 --> 00:32:10,754
[MOANING]
633
00:32:10,798 --> 00:32:12,626
PAINTING'S ON THE MOVE.
634
00:32:12,669 --> 00:32:14,149
DO YOU NEED MEDICAL?
635
00:32:14,193 --> 00:32:15,977
UGH. JUST SLOW HIM DOWN.
I'LL BE THERE.
636
00:32:16,021 --> 00:32:17,457
WE'RE ON IT.
637
00:32:20,373 --> 00:32:22,941
[SIRENS]
638
00:32:32,472 --> 00:32:35,083
[TIRES SQUEALING]
639
00:32:39,305 --> 00:32:40,697
NIMBLE LITTLE BASTARD.
640
00:32:40,741 --> 00:32:42,612
LITTLE TASER ACTION
WILL SLOW HIM DOWN.
641
00:32:51,404 --> 00:32:52,840
DAMN IT! GET ME CLOSER.
642
00:32:52,883 --> 00:32:54,450
I'M ON IT.
643
00:32:59,542 --> 00:33:02,415
AW. FRICKING CARTRIDGE
IS JAMMED!
644
00:33:02,458 --> 00:33:04,460
[TIRES SQUEAL]
645
00:33:08,116 --> 00:33:09,683
DUDE, WHAT DID YOU DO?
646
00:33:09,726 --> 00:33:11,511
HE JUMPED
IN FRONT OF ME.
647
00:33:17,082 --> 00:33:20,215
GET SOME TIES ON HIM.
648
00:33:20,259 --> 00:33:23,697
THIS ISN'T GOOD.
CALL FOR MEDICAL.
649
00:33:23,740 --> 00:33:26,221
SOPHIE: STATUS CHECK.
650
00:33:26,265 --> 00:33:28,832
TARGET ACQUIRED.
WE GOT THE PAINTING.
651
00:33:28,876 --> 00:33:30,530
-LET'S GO.
-WHAT? WHAT ARE YOU DOING?
652
00:33:30,573 --> 00:33:33,098
WE CAN'T LEAVE HIM
HERE.
653
00:33:33,141 --> 00:33:34,621
MOORE WANTS THE PAINTING,
654
00:33:34,664 --> 00:33:37,145
NOT AN EXCESSIVE FORCE
HEADLINE.
655
00:33:37,189 --> 00:33:39,191
LET'S GO.
656
00:33:39,234 --> 00:33:40,931
SOMEONE ELSE
WILL CLEAN HIM UP.
657
00:33:40,975 --> 00:33:43,021
[CAR APPROACHING]
658
00:33:52,465 --> 00:33:54,075
[TIRES SQUEAL]
659
00:34:10,657 --> 00:34:11,962
EVAN?
660
00:34:12,006 --> 00:34:14,965
EVAN! EVAN,
CAN YOU HEAR ME?
661
00:34:24,192 --> 00:34:25,628
MARY: WE'RE GONNA NEED
A BLOOD DRIVE AFTER THIS.
662
00:34:25,672 --> 00:34:27,021
-HE'S GONNA RECOVER, RIGHT?
-WELL, CONSIDERING HE WAS
663
00:34:27,065 --> 00:34:29,197
HIP CHECKED
BY A 4,800-POUND HUNK
664
00:34:29,241 --> 00:34:31,112
OF TOXIC MASCULINITY,
665
00:34:31,156 --> 00:34:33,680
HE'S DOING GREAT.
666
00:34:33,723 --> 00:34:35,769
DISTAL FEMUR FRACTURE,
DISLOCATED ELBOW,
667
00:34:35,812 --> 00:34:38,119
MINOR CONCUSSION,
668
00:34:38,163 --> 00:34:40,339
BUT WHEN
THE BONE SHATTERED,
669
00:34:40,382 --> 00:34:42,341
IT NICKED
HIS FEMORAL ARTERY,
670
00:34:42,384 --> 00:34:43,820
SO IF YOU HADN'T
BEEN THERE TO BRING
HIM IN IN TIME,
671
00:34:43,864 --> 00:34:45,561
HE WOULD HAVE
BLED OUT.
672
00:34:45,605 --> 00:34:47,259
OK. WHAT--WHAT
HAPPENED BACK THERE?
673
00:34:47,302 --> 00:34:49,565
YOU WANT TO KNOW
WHAT HAPPENED?
674
00:34:49,609 --> 00:34:52,307
I LISTENED TO YOU
OVER MY GUT,
AND NOW LOOK.
675
00:34:52,351 --> 00:34:54,135
I MEANT WHAT
HAPPENED TO YOU?
676
00:34:54,179 --> 00:34:55,441
YOU SOUNDED
LIKE YOU WERE
IN ROUGH SHAPE.
677
00:34:55,484 --> 00:34:56,703
YOU CALLED FOR BACKUP.
678
00:34:56,746 --> 00:34:57,965
THIS ISN'T ABOUT ME.
679
00:34:58,008 --> 00:34:59,575
THIS IS ABOUT US,
680
00:34:59,619 --> 00:35:01,925
THIS TEAM AND HOW
I CAN'T KEEP WORKING
681
00:35:01,969 --> 00:35:03,623
FOR YOUR APPROVAL.
682
00:35:03,666 --> 00:35:05,146
I WANTED TO SUIT UP
AND NOT THINK
683
00:35:05,190 --> 00:35:07,888
ABOUT YOU COMPARING ME
TO KATE KANE FOR ONCE,
684
00:35:07,931 --> 00:35:09,933
SO I AGREED TO PARTNER
WITH THE CROWS,
685
00:35:09,977 --> 00:35:12,022
AND FOR WHAT?
686
00:35:12,066 --> 00:35:14,851
YOU SIDED WITH THE GUYS
WHO KILLED YOUR OLD MAN.
687
00:35:14,895 --> 00:35:17,941
YOUR TASTE SUCKS,
688
00:35:17,985 --> 00:35:20,074
BUT YOU KNOW WHAT?
689
00:35:20,118 --> 00:35:22,772
I WEAR THE SUIT,
I TAKE THE BULLETS,
690
00:35:22,816 --> 00:35:25,601
SO WHEN I SAY I HAVE
A BAD FEELING ABOUT SOMETHING,
691
00:35:25,645 --> 00:35:27,255
YOU TWO, LISTEN!
692
00:35:33,392 --> 00:35:37,178
DID HER MAJESTY SAY
WHEN SHE'D GRACE US
WITH A CALLBACK?
693
00:35:37,222 --> 00:35:39,354
WOULD YOU JUST
SIT THERE
694
00:35:39,398 --> 00:35:41,226
WITHOUT TALKING?
695
00:35:41,269 --> 00:35:42,966
I HAVE SPENT MORE YEARS
OF MY LIFE
696
00:35:43,010 --> 00:35:46,622
IN CAPTIVITY
THAN ANY ELEPHANT
IN THE GOTHAM ZOO.
697
00:35:46,666 --> 00:35:51,279
THE KEY TO SURVIVING--
KEEP YOURSELF ENTERTAINED.
698
00:35:51,323 --> 00:35:52,846
ROUGH CHILDHOOD?
699
00:35:52,889 --> 00:35:54,239
YOU COULD SAY I COME
BY MY ABANDONMENT ISSUES
700
00:35:54,282 --> 00:35:56,502
HONESTLY, YEAH.
701
00:35:56,545 --> 00:35:59,374
HOW DO YOU KNOW
SAFIYAH?
702
00:35:59,418 --> 00:36:03,291
I WAS SQUATTING ON A YACHT
IN GOTHAM HARBOR.
703
00:36:03,335 --> 00:36:05,728
SAFIYAH'S MINIONS
WERE PIRATING IT
WHILE I WAS ON BOARD,
704
00:36:05,772 --> 00:36:09,254
AND APPARENTLY,
SHE WAS IMPRESSED
705
00:36:09,297 --> 00:36:10,864
BY THE FIGHT I PUT UP.
706
00:36:10,907 --> 00:36:12,431
AND SHE LET YOU STAY?
707
00:36:12,474 --> 00:36:14,520
-YEAH.
-NO WAY.
708
00:36:14,563 --> 00:36:17,479
THE ISLAND'S
CARDINAL RULE
IS NO OUTSIDERS.
709
00:36:17,523 --> 00:36:19,960
HMM.
710
00:36:20,003 --> 00:36:21,657
WHY DON'T I REMEMBER
ANY OF THIS?
711
00:36:21,701 --> 00:36:23,355
THAT'S THE THING.
712
00:36:23,398 --> 00:36:26,227
YOU SHOULD,
AND I SHOULD REMEMBER YOU.
713
00:36:26,271 --> 00:36:28,229
THE FACT THAT WE BOTH
HAVE THE SAME MEMORIES
714
00:36:28,273 --> 00:36:30,492
MAKES ME THINK THAT
SAFIYAH DID SOMETHING
715
00:36:30,536 --> 00:36:33,234
TO GET US TO FORGET.
716
00:36:33,278 --> 00:36:35,280
YOU THINK SAFIYAH
ERASED OUR MEMORY?
717
00:36:36,759 --> 00:36:38,152
SOME OF THEM.
718
00:36:40,285 --> 00:36:43,940
THE THING IS WE MIGHT
NEVER KNOW.
719
00:36:43,984 --> 00:36:45,638
TELL ME YOU ORDERED
DELIVERY
720
00:36:45,681 --> 00:36:46,943
AND THOSE AREN'T
721
00:36:46,987 --> 00:36:51,078
1, 2...3 ASSASSINS
APPROACHING.
722
00:36:51,121 --> 00:36:52,949
HMM.
723
00:36:52,993 --> 00:36:55,735
THE MANY ARMS
OF DEATH.
724
00:36:55,778 --> 00:36:58,564
OH. MORE RELATIVES
OF YOURS, I PRESUME.
725
00:36:58,607 --> 00:37:01,784
YEAH. CAN YOU, UH,
CUT ME LOOSE?
726
00:37:01,828 --> 00:37:03,699
I CAN'T TRUST YOU.
727
00:37:03,743 --> 00:37:05,832
YOU DON'T TRUST ME
TO DEFEND MYSELF
728
00:37:05,875 --> 00:37:07,442
FROM MURDER?
729
00:37:12,404 --> 00:37:15,929
[VOICE MUFFLED]
730
00:37:24,459 --> 00:37:25,765
WHERE'S OCEAN?
731
00:37:25,808 --> 00:37:26,940
OCEAN: HEY.
732
00:37:26,983 --> 00:37:28,246
SURPRISE.
733
00:37:30,030 --> 00:37:31,292
AAH!
734
00:37:31,336 --> 00:37:33,642
[ALL GRUNTING]
735
00:37:37,167 --> 00:37:39,082
HEY. DO YOU HAVE
ANY CASH?
736
00:37:39,126 --> 00:37:40,867
WE SHOULD PROBABLY LEAVE
THE MAID A TIP.
737
00:37:40,910 --> 00:37:42,172
YOU'RE DARK.
738
00:37:42,216 --> 00:37:43,565
ALICE: SHOULDN'T
HAVE DOUBTED ME.
739
00:37:43,609 --> 00:37:45,263
LET'S GO.
YOU'RE DRIVING.
740
00:37:52,705 --> 00:37:54,489
BADGES OF THE CROWS
WHO DID THIS.
741
00:37:54,533 --> 00:37:56,361
THAT'S NOT ENOUGH,
742
00:37:56,404 --> 00:37:59,102
BURN IT ALL DOWN, GIRL,
THE WHOLE THING.
743
00:37:59,146 --> 00:38:01,148
I CAN'T DO THAT.
744
00:38:01,191 --> 00:38:02,802
I BELIEVE
IN THE MISSION
OF THE CROWS.
745
00:38:02,845 --> 00:38:05,065
AN ORGANIZATION THAT
DECIDES WHAT JUSTICE IS
746
00:38:05,108 --> 00:38:07,241
BASED ON WHO CAN PAY
THE MOST MONEY,
747
00:38:07,285 --> 00:38:09,809
THAT BEATS INFORMATION
OUT OF ITS SUSPECTS,
748
00:38:09,852 --> 00:38:12,159
THAT RUNS SOMEONE OVER
FOR STEALING A PAINTING?
749
00:38:12,202 --> 00:38:14,117
THAT'S WHAT YOU
BELIEVE IN?
750
00:38:14,161 --> 00:38:16,511
YOU THINK TWO MEN
LOSING THEIR JOBS
ISN'T ENOUGH?
751
00:38:16,555 --> 00:38:19,949
YOU'RE RIGHT,
BUT I'M FIGHTING TO
CHANGE THE CULTURE.
752
00:38:19,993 --> 00:38:21,951
YEAH? WELL, GOOD LUCK
WITH THAT,
753
00:38:21,995 --> 00:38:23,562
BUT IF YOU WANT TO PARTY
WITH ME,
754
00:38:23,605 --> 00:38:25,738
ADD YOUR BADGE
TO THAT LITTLE PILE
OVER THERE.
755
00:38:25,781 --> 00:38:29,263
UNTIL THEN,
THIS PARTNERSHIP IS OVER.
756
00:38:29,307 --> 00:38:31,657
WHAT ABOUT
THE PAINTING?
757
00:38:31,700 --> 00:38:33,789
OUR FORENSICS TEAM
IS STILL WORKING ON IT.
758
00:38:33,833 --> 00:38:35,835
DON'T YOU WANT TO KNOW
WHERE CORYANA IS?
759
00:38:35,878 --> 00:38:37,967
WE'LL SEE WHO GETS
THERE FIRST.
760
00:38:55,550 --> 00:39:00,381
MARY HAMILTON.
HEH HEH. AWKWARD.
761
00:39:00,425 --> 00:39:02,383
BECAUSE I KNOW
YOU'RE WOLF SPIDER?
762
00:39:02,427 --> 00:39:04,298
BECAUSE I'M PRETTY SURE
I'M NAKED.
763
00:39:04,342 --> 00:39:07,519
OH, VERY MUCH SO.
764
00:39:07,562 --> 00:39:10,522
EVAN, YOU NEED TO
FIND A BETTER SUIT.
765
00:39:10,565 --> 00:39:13,873
SPANDEX IS NO MATCH
FOR AN ONCOMING SUV.
766
00:39:13,916 --> 00:39:16,266
MMM. BUT IT'S SO
COMFORTABLE.
767
00:39:16,310 --> 00:39:20,183
THEN MAYBE FIND
A SAFER EXCUSE
TO PLAY DRESS-UP.
768
00:39:20,227 --> 00:39:23,448
GOTHAM'S ELITE TAKE
THEMSELVES TOO SERIOUSLY.
769
00:39:23,491 --> 00:39:25,319
WHO ELSE IS GONNA
EYE-ROLL THEM
770
00:39:25,363 --> 00:39:27,930
WITH AS MUCH STYLE
AS ME?
771
00:39:30,019 --> 00:39:32,239
THE CROWS GOT
THE PAINTING.
772
00:39:34,763 --> 00:39:36,548
I WAS STEALING IT
FOR KATE.
773
00:39:39,159 --> 00:39:40,769
THOUGHT I HAD
A BETTER CHANCE
AT GRABBING IT
774
00:39:40,813 --> 00:39:42,423
THAN THE CROWS.
775
00:39:42,467 --> 00:39:44,382
HEY. DON'T BEAT
YOURSELF UP ABOUT IT
776
00:39:44,425 --> 00:39:47,080
BECAUSE IT TURNS OUT
NOBODY ACTUALLY GOT
THE NAPIER PAINTING.
777
00:39:47,123 --> 00:39:48,777
IT WAS A FORGERY.
778
00:39:48,821 --> 00:39:50,475
-THAT'S IMPOSSIBLE.
-NO.
779
00:39:50,518 --> 00:39:52,433
BATWOMAN TOOK A SAMPLE
OF THE ORGANIC COMPOUND
780
00:39:52,477 --> 00:39:54,348
THAT WAS PAINTED OVER
THE ORIGINAL CANVAS,
781
00:39:54,392 --> 00:39:56,306
AND IT WAS
PIG'S BLOOD.
782
00:39:58,396 --> 00:40:00,528
NAPIER WOULD'VE NEVER
USED PIG'S BLOOD.
783
00:40:00,572 --> 00:40:03,270
RIGHT. SO THE CROWS
ENDED UP
784
00:40:03,313 --> 00:40:05,707
WITH A DECOY COPY,
AND THE ORIGINAL
785
00:40:05,751 --> 00:40:08,710
IS STILL OUT THERE
SOMEWHERE,
786
00:40:08,754 --> 00:40:10,582
AND SO IS KATE.
787
00:40:21,723 --> 00:40:24,987
WOMAN: ♪ I SEE EVIL EYES
788
00:40:25,031 --> 00:40:28,426
♪ LOOKING ROUND
789
00:40:28,469 --> 00:40:31,690
♪ SPIRITS IN DISGUISE
790
00:40:31,733 --> 00:40:34,170
♪ WALKING AROUND
791
00:40:34,214 --> 00:40:35,563
[MOANS]
792
00:40:35,607 --> 00:40:38,305
♪ OOH, OOH, OOH, OOH
793
00:40:38,348 --> 00:40:41,656
♪ LOOK, DON'T TOUCH
794
00:40:41,700 --> 00:40:43,919
♪ OOH, OOH, OOH, OOH
795
00:40:43,963 --> 00:40:48,446
♪ IT'S DANGEROUS
796
00:40:48,489 --> 00:40:49,838
♪ SOMETHING WICKED
THIS WAY COMES ♪
797
00:40:49,882 --> 00:40:51,797
OH, MY GOD.
798
00:40:51,840 --> 00:40:55,191
♪ SOMETHING WICKED
THIS WAY COMES ♪
799
00:40:55,235 --> 00:40:57,759
♪ SOMETHING
WICKED THIS WAY COMES ♪
800
00:40:57,803 --> 00:40:59,935
[ALICE AND OCEAN LAUGHING]
801
00:40:59,979 --> 00:41:01,850
ONCE WE GET
SOME DISTANCE
FROM THE MANY ARMS,
802
00:41:01,894 --> 00:41:04,070
WE CAN TRY TO
FIGURE OUT WHAT
SAFIYAH DID TO US
803
00:41:04,113 --> 00:41:05,898
AND WHY.
804
00:41:05,941 --> 00:41:08,814
LOOKS LIKE YOU'RE NOT
AS FAST AS YOU THINK,
BUDDY BOY.
805
00:41:08,857 --> 00:41:10,685
THEY GOT YOU
PRETTY BAD BACK THERE.
806
00:41:17,039 --> 00:41:18,911
[GASPS]
807
00:41:18,954 --> 00:41:21,566
HEY. YOU ALL RIGHT?
808
00:41:21,609 --> 00:41:24,786
UH...YEAH.
EYES ON THE ROAD.
809
00:41:26,396 --> 00:41:28,355
WHAT'S WITH YOU?
810
00:41:28,398 --> 00:41:31,314
NOTHING.
811
00:41:31,358 --> 00:41:32,751
CAN YOU CHECK
IN THE BACK REAL QUICK?
812
00:41:32,794 --> 00:41:35,057
IS THERE A WHITE TUBE
BACK THERE?
813
00:41:35,101 --> 00:41:36,624
YEAH.
814
00:41:40,280 --> 00:41:43,065
WHAT IS THIS?
815
00:41:43,109 --> 00:41:45,285
YOU EVER HEAR
OF A GUY CALLED
JACK NAPIER?
816
00:42:14,575 --> 00:42:16,490
MAN: GREG, MOVE YOUR HEAD!
54634
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