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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:29,029 --> 00:00:31,596 IT'S ALL THERE. 2 00:00:31,640 --> 00:00:34,817 TELL ME WHERE I CAN FIND THE JACK NAPIER PAINTING. 3 00:00:34,860 --> 00:00:36,775 YOUR PAINTING IS BEING HELD BY THE COLLECTIVE, 4 00:00:36,819 --> 00:00:38,299 PRIVATE CLUB OF CONNOISSEURS 5 00:00:38,342 --> 00:00:40,605 OF OUTLAWED ARTWORK AND ANTIQUITIES. 6 00:00:40,649 --> 00:00:42,868 YOU WANT TO TIE THE ROOM TOGETHER 7 00:00:42,912 --> 00:00:45,523 WITH A VINTAGE CANVAS THAT TAKES YOU 8 00:00:45,567 --> 00:00:48,526 INSIDE THE MIND OF PSYCHOTIC CRIMINALITY? 9 00:00:48,570 --> 00:00:50,137 THESE ARE THE PEOPLE YOU NEED TO KNOW. 10 00:00:50,180 --> 00:00:51,486 I WANT AN INTRODUCTION. 11 00:00:51,529 --> 00:00:53,183 OH. THE TOP CROW? 12 00:00:53,227 --> 00:00:55,272 YOUR BIGGEST CLIENTS ARE IN THE COLLECTIVE. 13 00:00:55,316 --> 00:00:56,665 THEY PAY YOUR BILLS. 14 00:00:56,708 --> 00:00:58,580 YOU WALK UP TO THEIR DOORSTEP 15 00:00:58,623 --> 00:01:00,190 TRYING TO GRAB THAT NAPIER, 16 00:01:00,234 --> 00:01:02,192 THEY'RE GONNA ASK YOU FOR A REFUND. UNH! 17 00:01:16,772 --> 00:01:19,427 YOU'RE FROM CORYANA. 18 00:01:19,470 --> 00:01:22,517 YOU'RE GONNA TELL SAFIYAH TO GIVE MY DAUGHTER BACK. 19 00:01:22,560 --> 00:01:23,692 UNH! 20 00:01:27,043 --> 00:01:28,479 AAH! 21 00:01:34,485 --> 00:01:36,835 I GOT A REPORT OF A GUY LURKING AROUND EAST END 22 00:01:36,879 --> 00:01:38,315 WITH A SPIKY POLE. 23 00:01:38,359 --> 00:01:40,578 IT DOESN'T CONCERN YOU, BATWOMAN. 24 00:01:40,622 --> 00:01:42,885 THAT SO? BECAUSE HE'S HANGING OFF MY LINE, 25 00:01:42,928 --> 00:01:45,148 SO WHY DON'T YOU TELL ME WHAT KIND OF FISH I CAUGHT? 26 00:01:45,192 --> 00:01:47,803 THERE'S AN ITEM I'M LOOKING FOR. 27 00:01:47,846 --> 00:01:50,240 IT'S GONNA HELP ME FIND MY DAUGHTER. 28 00:01:50,284 --> 00:01:53,156 THE WOMAN HOLDING HER CAPTIVE DOESN'T WANT ME TO FIND IT. 29 00:01:53,200 --> 00:01:55,680 SAFIYAH? SHE SENT THIS GUY? 30 00:01:55,724 --> 00:01:58,596 WEAPON FITS THE M.O. OF HER ASSASSINS, 31 00:01:58,640 --> 00:02:01,730 BUT I'LL CONFIRM AFTER YOU HAND HIM OVER NOW. 32 00:02:01,773 --> 00:02:04,124 I DON'T TAKE ORDERS FROM CROWS, 33 00:02:04,167 --> 00:02:07,605 AND I GOT A BETTER SHOT AT FINDING KATE KANE BEFORE YOU DO. 34 00:02:10,913 --> 00:02:13,133 "ALL CROWS ARE BASTARDS." 35 00:02:25,275 --> 00:02:27,277 VESPER: MORNING, GOTHAM. GUESS THE EARLY BIRD 36 00:02:27,321 --> 00:02:29,149 GIVES US THE BIRD. 37 00:02:29,192 --> 00:02:31,325 ACROBATIC ART PRANKSTER WOLF SPIDER WAS AT IT AGAIN, 38 00:02:31,368 --> 00:02:33,370 ROLLING HIS EYES AT THE ENTIRE CITY 39 00:02:33,414 --> 00:02:35,981 FROM THE TOP OF THE GOTHAM CENTURY SKYSCRAPER 40 00:02:36,025 --> 00:02:37,983 WITH AN IRIDESCENT EMOJI, 41 00:02:38,027 --> 00:02:40,029 MILLENNIAL HACKTIVISM AT ITS FINEST 42 00:02:40,072 --> 00:02:43,554 AND ALMOST ENOUGH TO DISTRACT US FROM AN EVEN JUICIER BAT STORY. 43 00:02:43,598 --> 00:02:46,253 ANOTHER SIGHTING OF BATWOMAN 2.0 44 00:02:46,296 --> 00:02:48,603 AND TOP CROW JACOB KANE TOGETHER, 45 00:02:48,646 --> 00:02:50,692 THIS TIME WORKING IN THE EAST END CRIME SCENE. 46 00:02:50,735 --> 00:02:53,521 ARE WE LOOKING AT GOTHAM'S NEWEST POWER COUPLE? 47 00:02:53,564 --> 00:02:56,088 NO. JEEZ. 48 00:02:56,132 --> 00:02:57,873 I THOUGHT BATWOMAN WAS COOL. 49 00:02:57,916 --> 00:03:00,789 HEY. WE DON'T KNOW WHAT THEY WERE DOING. 50 00:03:00,832 --> 00:03:03,313 MAYBE BATWOMAN WAS SAVING HIS ASS. 51 00:03:03,357 --> 00:03:04,706 THOUGHT YOU MIGHT BE HUNGRY 52 00:03:04,749 --> 00:03:07,404 AFTER LAST NIGHT'S RECONNECTING. 53 00:03:07,448 --> 00:03:09,101 STILL SLEEPY. 54 00:03:09,145 --> 00:03:12,061 I WISH YOU COULD DO SOMETHING ABOUT THAT. 55 00:03:12,104 --> 00:03:15,282 YOU CAN TAKE THE DAY OFF. 56 00:03:15,325 --> 00:03:17,284 MMM. I CAN'T. 57 00:03:17,327 --> 00:03:22,114 AS CUTE AS I LOOK IN YOUR RIDICULOUS ROBE, 58 00:03:22,158 --> 00:03:24,595 I SHOULD GET HOME AND CHANGE FIRST. 59 00:03:24,639 --> 00:03:26,728 YOU WALK OF SHAMING FOR ME? 60 00:03:26,771 --> 00:03:30,601 LIKE THE OLD DAYS. 61 00:03:30,645 --> 00:03:34,257 SPEAKING OF THE OLD DAYS, 62 00:03:34,301 --> 00:03:37,478 IT'S TIME YOU GOT THAT APOLOGY I OWE YOU. 63 00:03:40,481 --> 00:03:42,396 MY PARTYING WAS OUT OF CONTROL, 64 00:03:42,439 --> 00:03:44,833 AND YOU TOOK MY STASH THINKING IT WOULD HELP ME, 65 00:03:44,876 --> 00:03:48,619 AND INSTEAD, IT GOT YOUR ASS THROWN IN JAIL, 66 00:03:48,663 --> 00:03:50,708 AND I GET WHY YOU DIDN'T WANT ME TO VISIT YOU. 67 00:03:50,752 --> 00:03:53,624 YOU SERVED 18 MONTHS FOR ME, RY, 68 00:03:53,668 --> 00:03:55,670 AND IT'S TIME I START PAYING YOU BACK. 69 00:04:00,675 --> 00:04:03,286 ONE FOR YOU, ONE FOR ME? 70 00:04:06,028 --> 00:04:08,030 I LOVE IT, 71 00:04:08,073 --> 00:04:09,640 BUT WE'RE GOOD. 72 00:04:09,684 --> 00:04:11,251 YOU GOT YOUR LIFE TOGETHER. 73 00:04:11,294 --> 00:04:12,861 THAT'S ALL I WANTED. 74 00:04:15,298 --> 00:04:17,692 OHH! HEY. WHAT IS THIS? 75 00:04:17,735 --> 00:04:19,171 IT'S.. A WORK INJURY. 76 00:04:19,215 --> 00:04:21,870 YOU FALL ON A CORKSCREW? 77 00:04:21,913 --> 00:04:23,654 RYAN, YOU NEED TO GET THAT LOOKED AT. 78 00:04:23,698 --> 00:04:25,395 YEAH. I JUST GOT THIS JOB. 79 00:04:25,439 --> 00:04:27,876 I DON'T NEED MY BOSS THINKING I CAN'T HACK IT. 80 00:04:27,919 --> 00:04:30,922 YOU TEND BAR. SHE'LL UNDERSTAND. 81 00:04:30,966 --> 00:04:33,838 ALL THESE YEARS LATER STILL WORRYING ABOUT ME. 82 00:04:33,882 --> 00:04:35,710 IT'S KIND OF CUTE. 83 00:04:35,753 --> 00:04:37,320 -YOU KNOW WHAT'S KIND OF CUTE? -HMM? 84 00:04:37,364 --> 00:04:39,714 YOU... 85 00:04:39,757 --> 00:04:43,413 WITHOUT THAT NASTINESS ON YOUR SHOULDER. 86 00:04:43,457 --> 00:04:45,937 YOU TAKE CARE OF EVERYONE ELSE. 87 00:04:45,981 --> 00:04:48,331 TAKE CARE OF YOURSELF FOR ONCE. 88 00:04:52,030 --> 00:04:53,728 MARY: GIVING YOU AN ANTIBIOTIC. 89 00:04:53,771 --> 00:04:56,121 SO...IT'S JUST AN INFECTION? 90 00:04:56,165 --> 00:04:57,819 WELL, IT MIGHT HAVE TURNED NECROTIC 91 00:04:57,862 --> 00:05:01,997 IF YOU HAD WAITED ANY LONGER. 92 00:05:02,040 --> 00:05:04,826 ARE YOU SURE YOU'RE NOT HAVING ANY OTHER SYMPTOMS 93 00:05:04,869 --> 00:05:07,045 THAT YOU'RE NOT TELLING ME ABOUT? 94 00:05:07,089 --> 00:05:08,569 NO. I... 95 00:05:08,612 --> 00:05:11,789 MAYBE A LITTLE MORE TIRED THAN NORMAL. 96 00:05:11,833 --> 00:05:13,356 OK. OK. 97 00:05:17,099 --> 00:05:18,753 KATE WOULD POP TWO OF THESE, 98 00:05:18,796 --> 00:05:20,320 AND SHE'D BE BACK IN FIGHTING SHAPE. 99 00:05:20,363 --> 00:05:22,496 -OK. COOL. -BUT IF YOU'RE HURT, 100 00:05:22,539 --> 00:05:24,454 YOU SHOULD SIT OUT A FEW DAYS. 101 00:05:24,498 --> 00:05:25,977 RIGHT. DID KATE EVER SIT OUT? 102 00:05:26,021 --> 00:05:27,762 KATE WAS NEVER SHOT WITH ANYTHING 103 00:05:27,805 --> 00:05:30,330 THAT PIERCED THROUGH THE BATSUIT, 104 00:05:30,373 --> 00:05:33,158 AND YOU SHOULDN'T COMPARE YOURSELF TO HER. 105 00:05:33,202 --> 00:05:36,553 WHAT'S MY CHOICE, HUH? EVERYBODY ELSE IS. 106 00:05:36,597 --> 00:05:38,686 I KNOW YOU DON'T HAVE A TWITTER, 107 00:05:38,729 --> 00:05:41,732 SO I ASSUME YOU MEAN LUKE. 108 00:05:41,776 --> 00:05:44,735 JUST DON'T TELL HIM ABOUT THIS, OK? 109 00:05:44,779 --> 00:05:46,781 I DON'T NEED ANOTHER REASON FOR HIM NOT TO TRUST ME. 110 00:05:46,824 --> 00:05:49,392 HE'S BEEN QUESTIONING EVERY DECISION I MAKE. 111 00:05:49,436 --> 00:05:51,046 NOT TO BACKSEAT DRIVE, BUT AREN'T YOU 112 00:05:51,089 --> 00:05:53,135 PROFICIENT IN 6 DIFFERENT FORMS OF MARTIAL ARTS? 113 00:05:53,178 --> 00:05:54,702 WHAT'S THE POINT OF JUST LEAVING HIM HERE? 114 00:05:54,745 --> 00:05:56,965 I TOLD HIM WE WANTED THE LOCATION OF CORYANA. 115 00:05:57,008 --> 00:05:58,532 HE'LL GIVE IT UP. TAKE IT FROM A FOSTER KID. 116 00:05:58,575 --> 00:06:00,490 IT IS AMAZING HOW WELL YOU BEHAVE 117 00:06:00,534 --> 00:06:01,970 WHEN YOU ARE LITERALLY STARVING. 118 00:06:02,013 --> 00:06:03,624 WE DON'T HAVE TIME TO WAIT HIM OUT. 119 00:06:03,667 --> 00:06:06,061 IF ALICE FINDS OCEAN BEFORE WE FIND CORYANA, 120 00:06:06,104 --> 00:06:07,454 SAFIYAH'S GONNA GIVE KATE TO HER, 121 00:06:07,497 --> 00:06:08,846 AND ALICE IS GOING TO KILL HER. 122 00:06:08,890 --> 00:06:10,500 OK. SO DO YOUR HACKER THING 123 00:06:10,544 --> 00:06:12,110 AND GET SOME INFO ON THE SPIKY POLE GUY 124 00:06:12,154 --> 00:06:13,590 TO SPEED THIS UP. 125 00:06:15,984 --> 00:06:17,768 I ALREADY TRIED. 126 00:06:17,812 --> 00:06:19,291 I TRACKED HIS MOVEMENTS AND CONFIRMED 127 00:06:19,335 --> 00:06:21,119 THAT HE WASN'T AFTER JACOB KANE. 128 00:06:21,163 --> 00:06:22,686 HE WAS STALKING THE GUY THAT HE KILLED IN THE ALLEY, 129 00:06:22,730 --> 00:06:24,514 BUT THE VICTIM WAS AN INVESTMENT ANALYST 130 00:06:24,558 --> 00:06:26,037 AT GOTHAM CAPITAL WITH NO RECORD. 131 00:06:26,081 --> 00:06:28,475 WHAT'S HE GOT TO DO WITH CORYANA? 132 00:06:28,518 --> 00:06:30,172 SIR, I'M NOT DEFENDING HER ACTIONS, 133 00:06:30,215 --> 00:06:32,827 BUT MY GUESS IS SHE'S AFTER WHAT WE'RE AFTER-- 134 00:06:32,870 --> 00:06:34,350 KATE'S LOCATION. 135 00:06:34,394 --> 00:06:36,265 LET HER KEEP SAFIYAH'S THUG. 136 00:06:36,308 --> 00:06:38,398 WE GOT A NEW LEAD ON THE NAPIER-- 137 00:06:38,441 --> 00:06:40,574 EVAN BLAKE, OLD FRIEND OF KATE'S 138 00:06:40,617 --> 00:06:42,097 AND A FIXTURE ON THE GOTHAM ART SCENE. 139 00:06:42,140 --> 00:06:44,055 JUST FLEW BACK FROM A TRIP TO BERLIN. 140 00:06:44,099 --> 00:06:46,057 HE WAS CAUGHT A COUPLE OF YEARS AGO 141 00:06:46,101 --> 00:06:48,930 WITH PLUNDERED ARTIFACT AND FORCED TO PAY RESTITUTION. 142 00:06:48,973 --> 00:06:52,020 IN OTHER WORDS, A LIKELY MEMBER OF THE COLLECTIVE 143 00:06:52,063 --> 00:06:53,978 WHO MIGHT COOPERATE. 144 00:06:54,022 --> 00:06:56,720 EVAN: COMMANDER, YOU'RE UNDERSELLING OUR ENTIRE ORIGIN STORY. 145 00:06:56,764 --> 00:06:58,679 KATIE KANE SAVED MY LIFE. 146 00:06:58,722 --> 00:07:00,811 -REALLY? -GOTHAM PREP. 147 00:07:00,855 --> 00:07:02,465 IT'S EIGHTH GRADE, AND THE WINTER FORMAL 148 00:07:02,509 --> 00:07:04,336 IS A MULTIVERSE SHATTERING CRISIS 149 00:07:04,380 --> 00:07:06,382 BECAUSE I'M "STRAIGHT." 150 00:07:06,426 --> 00:07:07,862 KATE WAS WAY OUT BY THEN, 151 00:07:07,905 --> 00:07:09,516 I HAD THIS TRAGIC CRUSH, 152 00:07:09,559 --> 00:07:11,387 AND I ASKED HER TO THE DANCE. 153 00:07:11,431 --> 00:07:13,389 I'M SURE SHE WANTED TO ROLL HER EYES SO HARD, 154 00:07:13,433 --> 00:07:15,739 BUT WITH THE GRACE OF A SAINT, 155 00:07:15,783 --> 00:07:17,393 SHE SAID YES. 156 00:07:17,437 --> 00:07:18,873 THE ONLY TIME YOU'LL EVER HEAR TEENAGE KATE 157 00:07:18,916 --> 00:07:20,396 DESCRIBED AS A SAINT. 158 00:07:20,440 --> 00:07:21,919 MY PARENTS TAKE ME TO PICK HER UP, 159 00:07:21,963 --> 00:07:23,443 AND KATE IS JAW-DROPPING 160 00:07:23,486 --> 00:07:26,271 IN THIS TAILORED VELVET SUIT, 161 00:07:26,315 --> 00:07:28,317 JUST RADIATING QUEER CONFIDENCE. 162 00:07:28,360 --> 00:07:30,841 I ON THE OTHER HAND DISSOLVE INTO A MONSOON OF TEARS. 163 00:07:30,885 --> 00:07:32,669 KATE RACES ME UP TO HER BEDROOM, 164 00:07:32,713 --> 00:07:34,149 AND WE GO THROUGH THE WHOLE THING. 165 00:07:34,192 --> 00:07:36,194 "I'M GAY." "I KNOW." 166 00:07:36,238 --> 00:07:37,892 WE MAKE IT TO THE DANCE, 167 00:07:37,935 --> 00:07:40,198 AND I CAME OUT BY DEFAULT 168 00:07:40,242 --> 00:07:42,418 BECAUSE I WORE KATE'S ALEXANDER McQUEEN 169 00:07:42,462 --> 00:07:44,159 OFF-THE-SHOULDER MINI, 170 00:07:44,202 --> 00:07:46,509 WHICH BEGGED A LOT OF QUESTIONS, 171 00:07:46,553 --> 00:07:49,381 BUT I WASN'T AFRAID ANYMORE. 172 00:07:49,425 --> 00:07:52,036 I WAS GLOWING, 173 00:07:52,080 --> 00:07:55,997 AND THEN KATE DITCHED ME TO MAKE OUT WITH MAGGIE WATSON. 174 00:07:56,040 --> 00:07:58,260 SOUNDS LIKE OUR GIRL. 175 00:07:58,303 --> 00:08:01,742 SO YOU NEED MY HELP WITH KATE'S DISAPPEARANCE. 176 00:08:01,785 --> 00:08:03,308 I'M HERE FOR YOU. 177 00:08:03,352 --> 00:08:05,223 KATE WAS LOOKING FOR A PIECE OF ARTWORK, 178 00:08:05,267 --> 00:08:07,051 SOMETHING THAT MAY HAVE GOTTEN HER 179 00:08:07,095 --> 00:08:08,749 ON THE WRONG SIDE OF SOMEONE VERY DANGEROUS. 180 00:08:08,792 --> 00:08:10,620 OUR THEORY IS IF WE FIND THE ITEM 181 00:08:10,664 --> 00:08:12,230 IT WILL LEAD US TO HER CAPTOR. 182 00:08:12,274 --> 00:08:14,494 WELL, YOU'VE COME TO THE RIGHT ART SNOB. 183 00:08:14,537 --> 00:08:17,235 I WAS SENIOR EDITOR AT THE GOTHAM MUSEUM OF ANTIQUITIES, 184 00:08:17,279 --> 00:08:19,324 I CURATE MY OWN PRIVATE COLLECTIONS, 185 00:08:19,368 --> 00:08:22,023 I'VE GOT MY HANDS IN A BIT OF EVERYTHING. 186 00:08:22,066 --> 00:08:25,156 YEAH. WE KNOW. AGENT MOORE. 187 00:08:25,200 --> 00:08:27,898 KATE WAS LOOKING FOR A CANVAS PAINTED BY JACK NAPIER, 188 00:08:27,942 --> 00:08:29,421 ALIAS THE JOKER. 189 00:08:29,465 --> 00:08:30,901 YOU'RE AWARE OF IT, YES? 190 00:08:30,945 --> 00:08:32,860 I KNOW THE LEGEND. 191 00:08:32,903 --> 00:08:34,905 PSYCHOTIC EVILDOER BREAKS INTO HOME, 192 00:08:34,949 --> 00:08:37,299 SPLASHES HOMEOWNER'S GUTS ALL OVER SOME OLD PAINTING 193 00:08:37,342 --> 00:08:40,215 IN THE FOYER AND CALLS IT MODERN ART. 194 00:08:40,258 --> 00:08:41,825 IT'S A BIT ON THE NOSE IF YOU ASK ME. 195 00:08:41,869 --> 00:08:44,219 NOT TO MENTION ILLEGAL TO BUY, SELL, OR POSSESS 196 00:08:44,262 --> 00:08:47,004 SINCE IT WAS STOLEN FROM AN ACTIVE CRIME SCENE. 197 00:08:47,048 --> 00:08:48,745 I'M SORRY. SHOULD THERE BE A HARSH LIGHT 198 00:08:48,789 --> 00:08:51,226 SHINING IN MY EYES RIGHT NOW? 199 00:08:51,269 --> 00:08:54,708 BECAUSE THE KATE I KNEW NEVER GAVE A CRAP ABOUT ART, 200 00:08:54,751 --> 00:08:56,623 AND I HAVEN'T SPOKEN WITH HER IN YEARS. 201 00:08:56,666 --> 00:08:58,886 WE HAVE REASON TO BELIEVE THAT YOU'RE AFFILIATED 202 00:08:58,929 --> 00:09:01,366 WITH THE COLLECTIVE. 203 00:09:01,410 --> 00:09:02,716 HEH. 204 00:09:02,759 --> 00:09:04,108 WE'LL WORK TO GET YOU FULL IMMUNITY 205 00:09:04,152 --> 00:09:05,719 IF YOU HELP US MAKE CONTACT. 206 00:09:05,762 --> 00:09:08,417 IMMUNITY FROM WHAT, MS. MOORE? 207 00:09:08,460 --> 00:09:09,940 I'M A PERFECT ANGEL. 208 00:09:09,984 --> 00:09:11,986 I THOUGHT YOU WERE HERE FRIEND. 209 00:09:12,029 --> 00:09:15,598 I LOVE KATIE, BUT THIS FEELS LIKE ENTRAPMENT. 210 00:09:15,642 --> 00:09:17,687 IF YOU NEED TO CONTACT ME AGAIN, 211 00:09:17,731 --> 00:09:19,733 I'LL REFER YOU TO MY LAWYERS. 212 00:09:26,043 --> 00:09:28,916 I WANT ALL OUR TECH INSIDE EVERY DEVICE EVAN OWNS, 213 00:09:28,959 --> 00:09:31,919 ROUND-THE-CLOCK REVOLVING TAILS. 214 00:09:31,962 --> 00:09:33,921 YES, SIR, BUT THERE COULD BE 215 00:09:33,964 --> 00:09:36,140 AN EASIER WAY TO LOCATE CORYANA-- 216 00:09:36,184 --> 00:09:38,186 WITH BATWOMAN'S HELP. 217 00:09:38,229 --> 00:09:40,536 LET ME ASK HER FOR ACCESS TO HER PRISONER. 218 00:09:40,580 --> 00:09:42,494 BATWOMAN OR WHOEVER IT IS 219 00:09:42,538 --> 00:09:44,148 WHO STEPPED IN FOR MY DAUGHTER, 220 00:09:44,192 --> 00:09:46,629 I AM NOT GONNA GROVEL AT HER FEET. 221 00:09:46,673 --> 00:09:48,022 THEN LET ME DO IT 222 00:09:48,065 --> 00:09:50,111 OR AT LEAST ASK NICELY 223 00:09:50,154 --> 00:09:52,287 BECAUSE ALICE WILL DO A LOT WORSE THAN GROVEL 224 00:09:52,330 --> 00:09:54,202 TO FIND KATE BEFORE WE DO. 225 00:10:06,170 --> 00:10:08,825 [SIGHS] 226 00:10:13,656 --> 00:10:17,442 [MEN GRUNTING] 227 00:10:17,486 --> 00:10:19,096 SAFIYAH: OCEAN. 228 00:10:24,014 --> 00:10:25,320 HI. 229 00:10:29,411 --> 00:10:31,587 [SIGHS] 230 00:10:33,720 --> 00:10:35,939 WHAT DO YOU CALL IT WHEN YOU'RE SURE 231 00:10:35,983 --> 00:10:38,115 YOU'VE MET SOMEONE... 232 00:10:39,813 --> 00:10:42,163 YOU'RE SURE YOU'VE NEVER MET? 233 00:10:47,211 --> 00:10:49,170 A STAY OF EXECUTION. 234 00:10:49,213 --> 00:10:51,085 [INDISTINCT CHATTER] 235 00:10:51,128 --> 00:10:54,088 MAN: ♪ THERE'S A FULL MOON, I'M HOWLIN' TONIGHT ♪ 236 00:10:54,131 --> 00:10:56,830 ♪ AND THERE'S A-BLOOD ON THE THORN OF A ROSE ♪ 237 00:10:56,873 --> 00:10:58,875 VODKA ON THE ROCKS. 238 00:10:58,919 --> 00:11:00,877 MAN: ♪ THINK YOU'RE GONNA LOVE TONIGHT ♪ 239 00:11:00,921 --> 00:11:04,446 ♪ LISTEN, GIRL, WELL, I THINK YOU SHOULD KNOW ♪ 240 00:11:04,489 --> 00:11:07,014 VISITING FROM GOTHAM? 241 00:11:07,057 --> 00:11:11,235 WHY? DO I LOOK DEPRESSED? 242 00:11:11,279 --> 00:11:14,108 YOU'VE GOT THE SOPHISTICATION OF A CITY MOUSE. 243 00:11:14,151 --> 00:11:20,723 HEH. MOUSE. AHEM. TOUCHY SUBJECT. 244 00:11:20,767 --> 00:11:22,986 DON'T YOU THINK MICE ARE CUTE? 245 00:11:25,032 --> 00:11:28,426 I HAD A MOUSE IN MY LIFE. 246 00:11:28,470 --> 00:11:30,559 I LOVED HIM LIKE A BROTHER, 247 00:11:30,602 --> 00:11:32,082 AND WHEN HE STARTED HOLDING ME BACK 248 00:11:32,126 --> 00:11:34,998 FROM MY DREAMS, I KILLED HIM. 249 00:11:35,042 --> 00:11:36,565 HEH. 250 00:11:40,003 --> 00:11:42,179 SHOOT. UM... 251 00:11:42,223 --> 00:11:43,528 [COUGHS] 252 00:11:43,572 --> 00:11:46,314 I THINK IT'S MY TURN TO, UH... 253 00:11:46,357 --> 00:11:48,011 MAN: ♪ YOU BETTER WAIT 254 00:11:48,055 --> 00:11:50,361 ♪ BEFORE YOUR HEART IS TURNED TO SLATE ♪ 255 00:11:50,405 --> 00:11:54,626 [SLOW CLAP] 256 00:11:54,670 --> 00:11:58,587 THAT IS THE FASTEST I'VE EVER SEEN HIM TAKE THE HINT. 257 00:11:58,630 --> 00:12:00,458 CAN I JOIN YOU 258 00:12:00,502 --> 00:12:03,548 IN CASE HE DECIDES TO TRY IT AGAIN? 259 00:12:03,592 --> 00:12:05,594 PRETTY SURE HE'S IN THE NEXT COUNTY BY NOW, 260 00:12:05,637 --> 00:12:07,944 BUT BY ALL MEANS. 261 00:12:21,828 --> 00:12:23,568 [GRAPPLING LINE UNSPOOLING] 262 00:12:28,356 --> 00:12:30,750 LAST TIME I CAME HERE TO MEET A BATWOMAN, 263 00:12:30,793 --> 00:12:34,362 THE VIBES... WERE DIFFERENT. 264 00:12:34,405 --> 00:12:37,104 PLEASE SAY THIS ISN'T A BOOTY CALL. 265 00:12:37,147 --> 00:12:39,889 LOOK. I DON'T KNOW WHERE YOU GOT THIS IDEA 266 00:12:39,933 --> 00:12:41,804 THAT ALL CROWS ARE BASTARDS, 267 00:12:41,848 --> 00:12:43,458 BUT SOME OF US ARE TRYING TO MAKE A DIFFERENCE. 268 00:12:43,501 --> 00:12:45,503 WELL, IN MY EXPERIENCE, WHEN THE CROWS FLY TOGETHER, 269 00:12:45,547 --> 00:12:47,679 THEY CALL IT A MURDER FOR A REASON. 270 00:12:47,723 --> 00:12:49,681 I WANT TO OFFER YOU A DEAL. 271 00:12:49,725 --> 00:12:51,814 YOU GET EVERYTHING WE KNOW ABOUT SAFIYAH AND CORYANA, 272 00:12:51,858 --> 00:12:53,860 AND WE GET ACCESS TO YOUR PRISONER. 273 00:12:53,903 --> 00:12:55,818 SO YOU CAN BEAT HIM WITHIN AN INCH OF HIS LIFE. 274 00:12:55,862 --> 00:12:58,429 HE'S A MURDERER WHO KNOWS WHERE KATE'S BEING HELD. 275 00:12:58,473 --> 00:13:00,475 -I'LL THINK ABOUT IT. -YOU SHOULD BE DOING 276 00:13:00,518 --> 00:13:02,259 EVERYTHING IN YOUR POWER TO HELP KATE. 277 00:13:02,303 --> 00:13:05,262 I DON'T NEED A CROW TELLING ME HOW TO DO MY JOB. 278 00:13:05,306 --> 00:13:08,744 I'M NOT SPEAKING TO YOU AS A CROW. 279 00:13:08,788 --> 00:13:11,312 KATE'S THE LOVE OF MY LIFE, 280 00:13:11,355 --> 00:13:13,793 AND I NEED YOUR HELP TO GET HER BACK. 281 00:13:25,543 --> 00:13:26,849 HELL TO THE NO. NO. 282 00:13:26,893 --> 00:13:29,112 WORKING WITH THE CROWS MAKES MY SKIN CRAWL. 283 00:13:29,156 --> 00:13:30,984 SCREW THAT. NO. 284 00:13:31,027 --> 00:13:32,855 IT'S NOT LIKE WE'RE HOSTING THEM A FUNDRAISER. 285 00:13:32,899 --> 00:13:35,249 TRUST ME. WE MAKE A DEAL THAT SOUNDS GOOD, 286 00:13:35,292 --> 00:13:36,554 THEY'LL BREAK IT. 287 00:13:36,598 --> 00:13:38,121 NOT IF WE'RE DEALING WITH SOPHIE. 288 00:13:38,165 --> 00:13:39,906 SOPHIE HAS HAULED MY ASS IN FOR QUESTIONING 289 00:13:39,949 --> 00:13:44,127 SO MANY TIMES SHE KNOWS MY DAMN COFFEE ORDER. NO! 290 00:13:44,171 --> 00:13:46,956 WILL YOU TALK SOME SENSE INTO HER, PLEASE? 291 00:13:47,000 --> 00:13:49,654 WE'RE AT A DEAD END, RYAN. LOOK. I'M SORRY, 292 00:13:49,698 --> 00:13:52,005 BUT YOU'RE OUTVOTED. 293 00:13:52,048 --> 00:13:54,746 I GET IT. YOU WANT KATE BACK, 294 00:13:54,790 --> 00:13:58,359 BUT THE CROWS HAVE TRIED TO RUIN MY LIFE FOR FUN. 295 00:13:58,402 --> 00:14:00,056 I'M NOT HELPING THEM! 296 00:14:18,466 --> 00:14:21,904 LUKE: OK. SO. 297 00:14:21,948 --> 00:14:24,211 CROWS HORROR STORIES. 298 00:14:24,254 --> 00:14:26,082 YOU WANT ME TO GO, OR... 299 00:14:26,126 --> 00:14:28,563 DO YOU WANT TO DO YOUR FIRST? 300 00:14:28,606 --> 00:14:33,873 MY GIRL ANGELIQUE HAD A DRUG HABIT, 301 00:14:33,916 --> 00:14:37,702 AND ON A VERY UGLY NIGHT, 302 00:14:37,746 --> 00:14:41,837 SHE WAS GONE, LIKE A DIFFERENT PERSON, 303 00:14:41,881 --> 00:14:43,970 SO I FOUND HER STASH, AND I TOOK IT, 304 00:14:44,013 --> 00:14:47,495 THINKING I COULD SOMEHOW STRAIGHTEN HER OUT, 305 00:14:47,538 --> 00:14:51,455 BRING HER BACK. 306 00:14:51,499 --> 00:14:54,589 I'M ON THE STREET, CRYING, 307 00:14:54,632 --> 00:14:56,373 NO QUESTION WHAT KIND OF NIGHT I'M HAVING, 308 00:14:56,417 --> 00:14:58,898 AND I PASS THESE TWO CROWS, 309 00:14:58,941 --> 00:15:01,465 AND ONE OF THEM YELLS OUT, 310 00:15:01,509 --> 00:15:05,208 "YOU'D BE CUTER WITH A SMILE ON YOUR FACE." 311 00:15:05,252 --> 00:15:07,558 AND MY MAMA TOLD ME WHAT TO DO ABOUT IT. 312 00:15:07,602 --> 00:15:10,474 I PAY THEM NO MIND AND KEEP MOVING, 313 00:15:10,518 --> 00:15:13,347 BUT THEY--THEY WOULDN'T LET ME GO, 314 00:15:13,390 --> 00:15:16,306 SO MY HAND WENT OUT, MY FINGER WENT UP, AND BOOM, 315 00:15:16,350 --> 00:15:18,004 THOSE CROWS HAD WHAT THEY WANTED. 316 00:15:18,047 --> 00:15:22,356 THEY FOUND THE DRUGS AND THOUGHT THEY WERE YOURS. 317 00:15:22,399 --> 00:15:24,749 SORRY THAT HAPPENED TO YOU. 318 00:15:24,793 --> 00:15:27,448 WHAT WAS YOURS? 319 00:15:27,491 --> 00:15:30,755 UM...THE CROWS... 320 00:15:34,063 --> 00:15:37,327 KILLED MY FATHER. 321 00:15:37,371 --> 00:15:40,026 WAIT. WHAT? 322 00:15:40,069 --> 00:15:41,941 REALLY? 323 00:15:41,984 --> 00:15:43,551 REALLY. 324 00:15:45,814 --> 00:15:47,598 IT'S, UH, NOT A STORY FOR TODAY, 325 00:15:47,642 --> 00:15:51,211 BUT, UM... 326 00:15:51,254 --> 00:15:53,691 IT'S THE WORST THING THAT EVER HAPPENED TO ME. 327 00:16:05,486 --> 00:16:07,662 I SHOULD HAVE LET YOU GO FIRST. 328 00:16:12,710 --> 00:16:16,062 LOOK. I WILL NEVER FORGIVE THEM, 329 00:16:16,105 --> 00:16:20,022 AND I DON'T WANT TO HELP THE CROWS EITHER, 330 00:16:20,066 --> 00:16:23,678 BUT WE NEED THEM TO HELP US. 331 00:16:33,470 --> 00:16:35,255 REMEMBER, THIS ISN'T PUNISHMENT 332 00:16:35,298 --> 00:16:36,821 JUST FOR THE SAKE OF IT. 333 00:16:36,865 --> 00:16:39,433 GIVEN THIS MURDERER EVERY OPPORTUNITY TO TALK, 334 00:16:39,476 --> 00:16:42,262 SO UNLESS YOU HAVE ANY OTHER IDEAS, 335 00:16:42,305 --> 00:16:45,656 IT'S TIME TO TAKE THIS TO THE NEXT LEVEL. 336 00:16:45,700 --> 00:16:47,615 SOPHIE: YOU'VE GOT SOME CHOICES. 337 00:16:47,658 --> 00:16:50,618 YOU CAN GIVE US THE LOCATION OF CORYANA... 338 00:16:50,661 --> 00:16:52,272 UNH! 339 00:16:52,315 --> 00:16:53,925 SOPHIE: YOU CAN GET US IN TOUCH WITH SAFIYAH 340 00:16:53,969 --> 00:16:57,103 OR THE MAN KNOWN AS OCEAN. 341 00:16:57,146 --> 00:17:00,106 HELP US FIND THE NAPIER PAINTING. 342 00:17:00,149 --> 00:17:02,064 [GROANS] 343 00:17:02,108 --> 00:17:04,066 LISTEN TO ME. IT IS NOT WORTH 344 00:17:04,110 --> 00:17:05,502 WHAT THEY'RE GONNA DO TO YOU. 345 00:17:05,546 --> 00:17:07,069 THE MANY ARMS WILL KILL WHOEVER 346 00:17:07,113 --> 00:17:09,071 LAYS HANDS ON THAT PAINTING. 347 00:17:09,115 --> 00:17:12,074 YOU'LL NEVER FIND CORYANA. 348 00:17:12,118 --> 00:17:14,207 I NEVER SAID THE TWO WERE RELATED. 349 00:17:16,426 --> 00:17:19,386 THE PAINTING GETS US TO CORYANA? IS IT A MAP? 350 00:17:22,693 --> 00:17:24,391 [GRUNTS] 351 00:17:24,434 --> 00:17:26,915 [GROANING] 352 00:17:26,958 --> 00:17:28,786 -CYANIDE CAPSULE! -LET'S GET HIM DOWN! 353 00:17:28,830 --> 00:17:31,050 IT'S TOO LATE. IT'S TOO LATE. 354 00:17:36,272 --> 00:17:37,578 RYAN: KANE PUSHED HIM TOO HARD, 355 00:17:37,621 --> 00:17:39,101 AND NOW WE'RE AT A DEAD END. 356 00:17:39,145 --> 00:17:41,147 SOPHIE: MAYBE NOT. 357 00:17:41,190 --> 00:17:43,323 WE'VE BEEN SURVEILLING A SUSPECT WE LINKED TO THE NAPIER, 358 00:17:43,366 --> 00:17:45,760 AND WE JUST GOT A HIT ON ITS LOCATION. 359 00:17:45,803 --> 00:17:47,501 A GROUP CALLED THE COLLECTIVE 360 00:17:47,544 --> 00:17:49,416 IS HAVING A SPECIAL EXHIBITION TOMORROW NIGHT 361 00:17:49,459 --> 00:17:51,331 TO AUCTION THE PAINTING OFF. 362 00:17:51,374 --> 00:17:53,289 WHY NOW? 363 00:17:53,333 --> 00:17:54,856 WORD MUST HAVE GOTTEN BACK TO THE OWNER 364 00:17:54,899 --> 00:17:56,423 ABOUT THE BODY THAT DROPPED THE OTHER NIGHT. 365 00:17:56,466 --> 00:17:59,121 TOO MUCH HEAT. 366 00:17:59,165 --> 00:18:00,644 YOU DOING ANYTHING TOMORROW NIGHT? 367 00:18:00,688 --> 00:18:02,516 YOU LOOKING FOR A DATE TO THIS THING? 368 00:18:02,559 --> 00:18:04,518 WE DON'T HAVE AN INSIDER, 369 00:18:04,561 --> 00:18:06,607 BUT WE NEED SOMEONE WITH NO CONNECTION TO THE CROWS 370 00:18:06,650 --> 00:18:08,478 WHO CAN INFILTRATE THE EVENT 371 00:18:08,522 --> 00:18:12,917 AND GRAB THE NAPIER WITHOUT GETTING CAUGHT. 372 00:18:12,961 --> 00:18:14,789 I GO ALONE. 373 00:18:14,832 --> 00:18:16,573 NO CROWS AT THE LOCATION, 374 00:18:16,617 --> 00:18:18,009 NO SURVEILLANCE, 375 00:18:18,053 --> 00:18:19,533 AND I WANT YOU DIRECTLY IN CHARGE 376 00:18:19,576 --> 00:18:21,665 OF ANY CROWS ASSIGNED TO THIS MISSION. 377 00:18:24,712 --> 00:18:27,845 THIS IS A ONE-OFF. WE'RE NOT PARTNERS. 378 00:18:34,939 --> 00:18:39,988 SO...OCEAN... WHAT DO YOU DO? 379 00:18:40,031 --> 00:18:42,773 I...BORE PEOPLE TO DEATH BY TELLING THEM 380 00:18:42,817 --> 00:18:45,036 I'M A SOIL TECHNICIAN. 381 00:18:45,080 --> 00:18:48,475 OOH. THAT SOUNDS LIKE A FANCY NAME 382 00:18:48,518 --> 00:18:51,260 FOR DIRT NERD, 383 00:18:51,304 --> 00:18:52,914 BUT YOU SMILED WHEN YOU SAID IT, 384 00:18:52,957 --> 00:18:55,351 SO...YOU MUST LIKE YOUR WORK. 385 00:18:55,395 --> 00:18:58,180 I GREW UP IN NATURE. 386 00:18:58,224 --> 00:19:00,182 MY FAMILY CULTIVATED EVERYTHING WE EVER NEEDED 387 00:19:00,226 --> 00:19:02,619 FROM THE LAND. 388 00:19:02,663 --> 00:19:07,842 IN A PLACE LIKE GOTHAM, WHERE EVERYTHING IS CONCRETE, 389 00:19:07,885 --> 00:19:11,193 ISN'T THAT INCREDIBLE? 390 00:19:11,237 --> 00:19:13,021 SO TELL ME, 391 00:19:13,064 --> 00:19:18,200 WHERE IS THIS MAGICAL PLACE YOU HAIL FROM? 392 00:19:18,244 --> 00:19:21,377 MAN: ♪ AND I CHASE MY WHISKEY WITH THE BLUES ♪ 393 00:19:21,421 --> 00:19:23,031 I'M MEETING AN ASSOCIATE. 394 00:19:23,074 --> 00:19:25,251 SHOULD SPLASH SOME WATER ON MY FACE. 395 00:19:25,294 --> 00:19:29,907 5 SHOTS...NO REGRETS. 396 00:19:33,084 --> 00:19:35,348 HEY. CAN I ASK YOU SOMETHING? 397 00:19:35,391 --> 00:19:38,307 HAVE WE MET SOMEWHERE BEFORE? 398 00:19:38,351 --> 00:19:40,048 THINK I'D REMEMBER YOU. 399 00:19:40,091 --> 00:19:42,572 MAN: ♪ CHASE MY WHISKEY WITH THE BLUES ♪ 400 00:19:42,616 --> 00:19:45,227 PROBABLY JUST THINKING ABOUT SOMEBODY ELSE. 401 00:19:50,841 --> 00:19:52,452 OH, WELL. 402 00:20:08,076 --> 00:20:09,208 [FOOTSTEPS] 403 00:20:20,567 --> 00:20:22,656 DO YOU MIND... 404 00:20:22,699 --> 00:20:24,701 SHUTTING THE SHADE? 405 00:20:30,011 --> 00:20:33,362 YOU SLEPT THROUGH HALF THE DAY. 406 00:20:33,406 --> 00:20:37,192 5 SHOTS, NO REGRETS. 407 00:20:40,674 --> 00:20:42,850 SHALL I EXPLAIN? 408 00:20:42,893 --> 00:20:44,808 I DO WISH YOU WOULD. 409 00:20:44,852 --> 00:20:46,636 SOME LUNATIC ON A FAR-AWAY ISLAND 410 00:20:46,680 --> 00:20:48,159 IS HOLDING MY SISTER HOSTAGE, 411 00:20:48,203 --> 00:20:49,683 AND SHE WON'T HAND HER OVER UNTIL I GUT YOU 412 00:20:49,726 --> 00:20:51,946 AND AIR MAIL THE EVIDENCE. 413 00:20:51,989 --> 00:20:54,340 THIS WOMAN GOT A NAME? 414 00:20:54,383 --> 00:20:57,343 ENOUGH WOMEN WANT YOU DEAD I NEED TO BE SPECIFIC? 415 00:20:57,386 --> 00:20:59,301 JUST ANSWER THE DAMN QUESTION. 416 00:20:59,345 --> 00:21:01,260 SAFIYAH. 417 00:21:01,303 --> 00:21:05,873 ALTHOUGH HER OBEDIENT ISLAND FOLLOWERS CALL HER QUEEN. 418 00:21:07,178 --> 00:21:08,745 [SIGHS] 419 00:21:08,789 --> 00:21:11,444 NOT ME. 420 00:21:11,487 --> 00:21:13,489 I CALLED HER SISTER. 421 00:21:19,713 --> 00:21:23,194 MARY: I HAVE 3 WORDS. 422 00:21:23,238 --> 00:21:26,328 WHO...IS SHE? 423 00:21:26,372 --> 00:21:29,853 OHH! MM-WHA! LOOK! 424 00:21:29,897 --> 00:21:31,638 MAN: ♪ WE'RE MAKING SNOW MELT ♪ 425 00:21:31,681 --> 00:21:34,554 WAIT. ARE YOU SURE ART COLLECTORS 426 00:21:34,597 --> 00:21:37,861 ARE SUPPOSED TO HAVE THIS MUCH SWAG? 427 00:21:37,905 --> 00:21:39,950 WELL, FIRST OF ALL, THEY'RE NOT ART COLLECTORS. 428 00:21:39,994 --> 00:21:43,650 THEY'RE OUTLAWS, AND IF EVAN BLAKE IS THE STYLE GUIDE, 429 00:21:43,693 --> 00:21:45,956 THIS PARTY'S ABOUT TO LOOK LIKE "THE HUNGER GAMES." 430 00:21:46,000 --> 00:21:48,698 WHAT'S EVAN BLAKE'S DEAL? 431 00:21:48,742 --> 00:21:51,701 OHH. 432 00:21:51,745 --> 00:21:55,879 HE AND I WERE ALWAYS ANGLING FOR KATE'S AFFECTION. 433 00:21:55,923 --> 00:21:59,535 NOPE. HE WAS WAY MORE COMPETITIVE 434 00:21:59,579 --> 00:22:05,933 AND HAD--HEH-- A LOT MORE FLAIR THAN ME. 435 00:22:05,976 --> 00:22:08,675 NOW HE'S OVEREDUCATED, AND APPARENTLY, 436 00:22:08,718 --> 00:22:10,807 HE'S ADDICTED TO MISCHIEF. 437 00:22:10,851 --> 00:22:14,376 THE CROWS SAY THAT HE RUNS THE DOOR FOR THE COLLECTIVE. 438 00:22:14,420 --> 00:22:15,899 OH. NO. 439 00:22:18,902 --> 00:22:21,035 -YEAH. -OK. 440 00:22:21,078 --> 00:22:24,081 WELL, I THINK I CAN MAKE THIS WORK. 441 00:22:24,125 --> 00:22:27,084 MARY: I'D SAY SO. 442 00:22:27,128 --> 00:22:30,653 H-HEY. I--I BROUGHT THE PLAN-- 443 00:22:30,697 --> 00:22:33,308 I--I BROUGHT THE GAME PLAN. 444 00:22:33,352 --> 00:22:36,267 [BOTH LAUGHING] 445 00:22:36,311 --> 00:22:37,791 THE EVENT IS INSIDE A PRIVATE HANGAR 446 00:22:37,834 --> 00:22:39,445 AT GOTHAM INTERNATIONAL. 447 00:22:39,488 --> 00:22:41,316 IT'S ACTUALLY A PRETTY CLEVER WAY OF DOING THIS. 448 00:22:41,360 --> 00:22:43,666 SO THE COLLECTIVE FLIES IN, THEY UNLOAD THEIR PIECES, 449 00:22:43,710 --> 00:22:45,625 THEY BUY, SELL, PARTY, 450 00:22:45,668 --> 00:22:47,801 THEN THEY LOAD BACK UP, FLY AWAY. 451 00:22:47,844 --> 00:22:50,847 NO CUSTOMS, NO TSA, MAXIMUM SECURITY. 452 00:22:50,891 --> 00:22:53,241 HOW ARE WE SNEAKING THE BATSUIT THROUGH THAT SECURITY? 453 00:22:53,284 --> 00:22:54,982 SEE, WE JUST HAPPEN TO HAVE VIP ACCESS 454 00:22:55,025 --> 00:22:57,811 TO EVERY SQUARE INCH OF THAT TERMINAL. 455 00:22:57,854 --> 00:23:01,249 YEAH. BETWEEN WAYNE ENTERPRISES AND HAMILTON DYNAMICS, 456 00:23:01,292 --> 00:23:03,730 WE BURN MORE PRIVATE JET FUEL 457 00:23:03,773 --> 00:23:05,427 THAN THE HADIDS, KARDASHIANS, 458 00:23:05,471 --> 00:23:07,429 AND THE AIR FORCE COMBINED. 459 00:23:07,473 --> 00:23:08,996 YEAH. SO WITH OUR RESOURCES, 460 00:23:09,039 --> 00:23:10,780 CROWS' INTELLIGENCE, AND A SECRET AGENT 461 00:23:10,824 --> 00:23:14,741 THAT NO ONE'S GOING TO SUSPECT--RYAN WILDER. 462 00:23:14,784 --> 00:23:17,874 WAIT. I'M JUST SUPPOSED TO TALK MY WAY INSIDE? 463 00:23:17,918 --> 00:23:20,050 OH, NO. 464 00:23:20,094 --> 00:23:22,226 DID YOU THINK MARY HAD ALL THE ACCESSORIES? 465 00:23:22,270 --> 00:23:24,228 [INDISTINCT CHATTER] 466 00:23:24,272 --> 00:23:27,014 [ELECTRONIC MUSIC PLAYING] 467 00:23:27,057 --> 00:23:29,059 LOOK AT THIS PRECISION METALWORK. 468 00:23:29,103 --> 00:23:32,323 THE WEIGHT IS PERFECTLY BALANCED. 469 00:23:32,367 --> 00:23:34,369 WHAT'S THE PROVENANCE? 470 00:23:34,413 --> 00:23:35,936 WHICH BAT DID IT BELONG TO? 471 00:23:35,979 --> 00:23:37,938 WOMAN. 472 00:23:37,981 --> 00:23:40,331 -1.0 OR-- -CURRENT MODEL. 473 00:23:42,638 --> 00:23:45,511 THE BATARANG IS A STUNNING PIECE. 474 00:23:45,554 --> 00:23:47,469 WE'LL MAKE AN EXCEPTION 475 00:23:47,513 --> 00:23:51,647 AND ALLOW IT INTO THE EXHIBITION. 476 00:23:51,691 --> 00:23:54,650 OK. I'M REALLY LOVING THAT DRESS. 477 00:23:54,694 --> 00:23:56,086 DIDN'T IT DEBUT IN LONDON? 478 00:23:56,130 --> 00:23:57,566 -NAILED IT. -HUH. 479 00:23:57,610 --> 00:24:01,135 ACTUALLY, IT WAS NEW YORK, WINTER '18. 480 00:24:01,178 --> 00:24:02,789 WELL, I HEARD THERE WAS A DRESS CODE, 481 00:24:02,832 --> 00:24:04,921 SO I BORROWED IT FROM A FRIEND. 482 00:24:04,965 --> 00:24:06,967 HEARD FROM WHO EXACTLY? 483 00:24:07,010 --> 00:24:09,056 OF COURSE, I'M A BIG BELIEVER IN THE FIRST AMENDMENT 484 00:24:09,099 --> 00:24:11,101 EXCEPT WHEN IT COMES TO THE SHENANIGANS THAT GO ON 485 00:24:11,145 --> 00:24:13,190 BEHIND THE COLLECTIVE'S CLOSED DOORS. 486 00:24:13,234 --> 00:24:15,454 HA HA! EVAN BABY, 487 00:24:15,497 --> 00:24:19,022 WHAT ARE YOU DOING TO MY GIRL HERE? 488 00:24:19,066 --> 00:24:20,720 RYAN: YOU BEAT ME HERE. 489 00:24:20,763 --> 00:24:24,506 ANG, BIG NIGHT. PATRONS NEED THEIR PARTY FAVORS. 490 00:24:24,550 --> 00:24:26,552 AHH. 491 00:24:26,595 --> 00:24:28,684 AND THIS ONE'S YOURS? 492 00:24:28,728 --> 00:24:32,122 YEAH. I TOTALLY SPACED ON THE HEADS UP. 493 00:24:32,166 --> 00:24:34,473 IT'S FINE. YOU'RE FORGIVEN. 494 00:24:34,516 --> 00:24:35,648 ANY QUESTIONS? 495 00:24:35,691 --> 00:24:38,520 PRONOUNS? 496 00:24:38,564 --> 00:24:40,609 HE/HIM, THEY/THEM. 497 00:24:40,653 --> 00:24:42,959 I GO WITH THE FLOW. 498 00:24:43,003 --> 00:24:46,963 NOW, YOU TWO, GO FORTH AND DO CRIMES. 499 00:24:47,007 --> 00:24:49,357 ANG, WHAT ARE YOU DOING HERE? 500 00:24:49,400 --> 00:24:51,533 SAVING YOUR ASS AT THE DOOR. 501 00:24:51,577 --> 00:24:53,317 YOU CAN'T JUST SLIDE INTO THE DMs. 502 00:24:53,361 --> 00:24:54,884 YOU NEED A REFERRAL. 503 00:24:54,928 --> 00:24:58,409 WHAT PARTY FAVORS WAS HE TALKING ABOUT? 504 00:24:58,453 --> 00:25:00,237 ANG, NO. 505 00:25:00,281 --> 00:25:01,761 WHAT DO YOU WANT ME TO SAY? 506 00:25:01,804 --> 00:25:03,589 THAT YOU WEREN'T LYING THROUGH YOUR TEETH 507 00:25:03,632 --> 00:25:05,068 WHEN YOU TOLD ME YOU'D PULED YOUR LIFE TOGETHER. 508 00:25:05,112 --> 00:25:07,027 FOR YOUR INFORMATION, I'M CLEAN. 509 00:25:07,070 --> 00:25:09,290 4 MONTHS, BUT DO YOU KNOW WHAT PEOPLE NEED 510 00:25:09,333 --> 00:25:12,728 TO PULL THEIR LIVES TOGETHER? MONEY. 511 00:25:12,772 --> 00:25:16,515 IF YOU GET CAUGHT, DISTRIBUTION IS 8-10 AT BLACKGATE. 512 00:25:16,558 --> 00:25:19,996 SAYS THE GIRL TURNING BATWOMAN'S MISSING HARDWARE 513 00:25:20,040 --> 00:25:22,216 INTO AN ETSY SHOP. 514 00:25:22,259 --> 00:25:24,000 WE KNOW WHAT I'M DOING HERE. 515 00:25:24,044 --> 00:25:26,176 WHAT ARE YOU DOING HERE? 516 00:25:28,222 --> 00:25:30,006 SAVE IT. 517 00:25:30,050 --> 00:25:33,314 YOU ARE THE ONLY ONE HERE WHO'S JUDGING. 518 00:25:37,448 --> 00:25:39,581 -IS THIS THING ON? -LOUD AND CLEAR. 519 00:25:39,625 --> 00:25:41,322 WANT TO TRY CHANNEL TWO? 520 00:25:41,365 --> 00:25:43,280 NO, NOT REALLY. 521 00:25:45,326 --> 00:25:46,675 BATWOMAN TO MOORE. 522 00:25:46,719 --> 00:25:48,851 SOPHIE: COPY. YOU'RE LATE. 523 00:25:48,895 --> 00:25:50,636 THOUGHT MAYBE YOU GOT COLD FEET. 524 00:25:50,679 --> 00:25:54,248 RYAN: BELIEVE IT OR NOT, I RAN INTO AN EX. 525 00:25:54,291 --> 00:25:58,121 OH. OK. WELL, I HOPE HE'S NOT GONNA BE DRAMA. 526 00:25:58,165 --> 00:26:00,820 SHE, AND ALWAYS. 527 00:26:00,863 --> 00:26:02,430 LET YOU KNOW WHEN I FIND THE PAINTING. 528 00:26:02,473 --> 00:26:03,910 STAND BY. 529 00:26:10,656 --> 00:26:13,397 LUKE...GOT THE TARGET. 530 00:26:13,441 --> 00:26:15,356 OK. GREAT. 531 00:26:15,399 --> 00:26:17,271 GIVE ME A GOOD LOOK. 532 00:26:27,847 --> 00:26:30,371 OK. MOVING ON TO THE NEXT PHASE. 533 00:26:55,526 --> 00:26:57,006 [BEEP] 534 00:27:01,576 --> 00:27:03,926 A LOT OF INTEREST IN THIS ONE. 535 00:27:03,970 --> 00:27:07,582 YEAH. IT'S KIND OF GIMMICKY, ISN'T IT? 536 00:27:07,626 --> 00:27:09,497 OH, IT'S DREADFUL, ZERO TECHNIQUE, 537 00:27:09,540 --> 00:27:12,326 BUT, YOU KNOW, CELEBRITY ARTISTS. 538 00:27:12,369 --> 00:27:14,502 HMM. HELP ME TO UNDERSTAND THE APPEAL 539 00:27:14,545 --> 00:27:17,113 IN OWNING SOMETHING LIKE THIS. 540 00:27:17,157 --> 00:27:19,594 SOME OF THE PEOPLE HERE--TOTAL SICKOS. 541 00:27:19,638 --> 00:27:21,291 -AND YOU? -I DON'T LIKE BEING TOLD 542 00:27:21,335 --> 00:27:23,380 WHAT I CAN AND CAN'T DO IN LIFE. 543 00:27:23,424 --> 00:27:25,208 WHETHER IT'S THE ART I COLLECT 544 00:27:25,252 --> 00:27:26,775 OR THE CLOTHES I WEAR, 545 00:27:26,819 --> 00:27:28,864 I'M NOT DESPERATE FOR ANYONE'S APPROVAL. 546 00:27:28,908 --> 00:27:31,214 STILL THROWING SHADE AT MY BORROWED COUTURE. 547 00:27:31,258 --> 00:27:34,435 HEH. WHAT CAN I SAY? 548 00:27:34,478 --> 00:27:37,438 I JUST PREFER TO SEE EVERYONE'S TRUE COLORS. 549 00:27:42,965 --> 00:27:44,663 [COMPUTER BEEPS] 550 00:27:44,706 --> 00:27:46,099 SO I RAN A SPECTRAL ANALYSIS 551 00:27:46,142 --> 00:27:47,666 TO ISOLATE THE ORIGINAL CANVAS 552 00:27:47,709 --> 00:27:49,668 UNDERNEATH THE GORE. 553 00:27:49,711 --> 00:27:51,408 I THINK IT'S A PAINTING OF OCEAN CURRENTS. 554 00:27:51,452 --> 00:27:52,845 YOU WERE RIGHT. 555 00:27:52,888 --> 00:27:54,368 THE JOKER SPLATTERED SOME POOR GUY 556 00:27:54,411 --> 00:27:56,283 ALL OVER A MAP TO CORYANA? 557 00:27:56,326 --> 00:27:58,720 BUT WE'LL NEED TO RESTORE THE CANVAS 558 00:27:58,764 --> 00:28:00,156 TO LOCATE THE ISLAND. 559 00:28:00,200 --> 00:28:01,418 BUT THAT MEANS... 560 00:28:01,462 --> 00:28:02,855 YOU'RE GONNA NEED TO STEAL IT. 561 00:28:11,602 --> 00:28:14,127 I DIDN'T KNOW SAFIYAH HAD FAMILY. 562 00:28:14,170 --> 00:28:15,868 WE WEREN'T BLOOD. 563 00:28:15,911 --> 00:28:18,784 APPARENTLY, WE WEREN'T ANYTHING. 564 00:28:20,524 --> 00:28:21,787 WHY DOES SHE WANT ME DEAD? 565 00:28:21,830 --> 00:28:23,397 OH, NO OFFENSE, BUT I HAVE 566 00:28:23,440 --> 00:28:25,225 WAY TOO MUCH DRAMA IN MY LIFE TO CARE. 567 00:28:25,268 --> 00:28:29,142 SHE'S OBVIOUSLY LOSING HER TOUCH IF SHE SENT YOU. 568 00:28:29,185 --> 00:28:31,361 I'M SORRY. DID YOU JUST CALL ME A BAD ASSASSIN? 569 00:28:31,405 --> 00:28:33,015 NOT TO MONDAY MORNING QUARTERBACK, 570 00:28:33,059 --> 00:28:35,757 BUT YOU HAD AMPLE OPPORTUNITY TO KILL ME. 571 00:28:35,801 --> 00:28:37,454 YOU KNEW I WAS STAYING HERE, 572 00:28:37,498 --> 00:28:39,630 WHICH MEANS YOU COULD HAVE KILLED ME IN MY SLEEP, 573 00:28:39,674 --> 00:28:42,198 BUT MAYBE YOU DON'T KNOW HOW TO PICK A LOCK. 574 00:28:42,242 --> 00:28:43,939 FINE. SURPRISE ATTACK IN THE BAR BATHROOM-- 575 00:28:43,983 --> 00:28:46,855 EASY, PRIVATE. 576 00:28:46,899 --> 00:28:50,293 AT THE VERY LEAST, YOU CAN AMBUSH ME IN MY TRUCK. 577 00:28:50,337 --> 00:28:52,774 I HAVE A BACKSEAT, AND I DON'T LOCK MY DOORS, 578 00:28:52,818 --> 00:28:57,823 BUT INSTEAD, YOU, WHAT, MAKE A SCENE AT THE BAR, 579 00:28:57,866 --> 00:28:59,302 GET MY ATTENTION, 580 00:28:59,346 --> 00:29:02,218 INDULGE IN SMALLTALK, GET DRUNK. 581 00:29:02,262 --> 00:29:07,746 HEH. SAFIYAH MUST BE DESPERATE IF SHE SENT YOU. 582 00:29:07,789 --> 00:29:13,055 I NEEDED MORE ANSWERS BEFORE I COULD KILL YOU. 583 00:29:13,099 --> 00:29:14,883 I'VE NEVER SEEN YOU BEFORE IN MY LIFE. 584 00:29:14,927 --> 00:29:17,712 NOR I YOU, WHICH IS WHY I NEEDED TO KNOW MORE 585 00:29:17,756 --> 00:29:19,975 BEFORE I MADE OCEAN BLEED THE RED SEA. 586 00:29:24,545 --> 00:29:27,287 HOW DO YOU EVEN KNOW WHAT CORYANA LOOKS LIKE? 587 00:29:27,330 --> 00:29:30,681 BECAUSE I WAS THERE 5 YEARS AGO. 588 00:29:30,725 --> 00:29:32,422 THAT'S IMPOSSIBLE. 589 00:29:32,466 --> 00:29:34,337 I WAS THERE 5 YEARS AGO. 590 00:29:36,122 --> 00:29:38,080 -HOW PECULIAR. -HMM. 591 00:29:39,995 --> 00:29:42,998 WELL, I SUPPOSE YOU COULD KILL ME 592 00:29:43,042 --> 00:29:44,652 AND THEN SPEND THE REST OF YOUR LIFE ON THE RUN, 593 00:29:44,695 --> 00:29:46,567 SEEING AS NONE OF THIS CHANGES THE FACT 594 00:29:46,610 --> 00:29:48,874 THE ISLAND QUEEN STILL WANTS YOU DEAD, 595 00:29:48,917 --> 00:29:51,964 OR WE COULD GIVE HER A JINGLE. 596 00:29:52,007 --> 00:29:53,966 I'M GOOD WITH OPTION "A." 597 00:29:56,533 --> 00:29:58,666 SAFIYAH, WE BOTH KNOW THIS ISN'T ABOUT A STUPID FLOWER. 598 00:29:58,709 --> 00:30:00,494 AND WHAT DO YOU THINK IT'S ABOUT? 599 00:30:00,537 --> 00:30:02,496 ME HAVING THE ONE THING YOU CAN'T. 600 00:30:08,154 --> 00:30:09,503 WHAT THE HELL WAS THAT? 601 00:30:09,546 --> 00:30:11,113 EXACTLY. 602 00:30:11,157 --> 00:30:13,420 OPTION "B" IT IS. 603 00:30:13,463 --> 00:30:15,944 AHEM. 604 00:30:15,988 --> 00:30:17,032 [SIGHS] 605 00:30:19,165 --> 00:30:20,949 THERE SHOULD BE A DISPENSER NEXT TO THE SINK 606 00:30:20,993 --> 00:30:25,258 WITH...UH, YOU KNOW, PRODUCTS. 607 00:30:25,301 --> 00:30:26,520 I SEE IT. 608 00:30:26,563 --> 00:30:27,869 A LOT OF FIREPOWER IN THAT ROOM, 609 00:30:27,913 --> 00:30:29,479 SO YOU'RE GONNA HAVE TO MOVE FAST. 610 00:30:29,523 --> 00:30:31,481 BATWOMAN, STATUS CHECK. YOU FIND IT? 611 00:30:33,309 --> 00:30:34,920 TARGET IDENTIFIED. I JUST NEED TO TAKE IT 612 00:30:34,963 --> 00:30:37,661 FOR FURTHER ANALYSIS. 613 00:30:37,705 --> 00:30:39,315 WE'LL MONITOR FROM HERE. 614 00:30:46,322 --> 00:30:47,758 [GROANS] 615 00:30:51,414 --> 00:30:54,113 [ALARM BLARING] 616 00:30:54,156 --> 00:30:56,550 UH...BATWOMAN? 617 00:30:56,593 --> 00:30:58,639 [BLARING CONTINUES] 618 00:30:59,945 --> 00:31:02,251 [EXCITED CHATTER] 619 00:31:05,211 --> 00:31:07,778 I THINK WE HAVE COMPETITION. 620 00:31:07,822 --> 00:31:09,128 LUKE: WHO? 621 00:31:09,171 --> 00:31:10,607 YOU EVER HEARD OF WOLF SPIDER? 622 00:31:15,395 --> 00:31:17,397 SHOOT HIM BEFORE HE GETS TOO HIGH! 623 00:31:17,440 --> 00:31:18,702 MISS--MISS, THIS WAY, PLEASE. 624 00:31:18,746 --> 00:31:20,661 NO. RYAN! 625 00:31:20,704 --> 00:31:24,012 [GUNFIRE] 626 00:31:24,056 --> 00:31:25,709 HAND IT OVER. 627 00:31:42,726 --> 00:31:44,206 -HYAH! -UNH! 628 00:31:45,425 --> 00:31:46,861 UGH! 629 00:31:55,000 --> 00:31:56,523 DAMN. 630 00:32:04,052 --> 00:32:05,924 UNH! 631 00:32:05,967 --> 00:32:08,709 UGH! OHH. 632 00:32:08,752 --> 00:32:10,754 [MOANING] 633 00:32:10,798 --> 00:32:12,626 PAINTING'S ON THE MOVE. 634 00:32:12,669 --> 00:32:14,149 DO YOU NEED MEDICAL? 635 00:32:14,193 --> 00:32:15,977 UGH. JUST SLOW HIM DOWN. I'LL BE THERE. 636 00:32:16,021 --> 00:32:17,457 WE'RE ON IT. 637 00:32:20,373 --> 00:32:22,941 [SIRENS] 638 00:32:32,472 --> 00:32:35,083 [TIRES SQUEALING] 639 00:32:39,305 --> 00:32:40,697 NIMBLE LITTLE BASTARD. 640 00:32:40,741 --> 00:32:42,612 LITTLE TASER ACTION WILL SLOW HIM DOWN. 641 00:32:51,404 --> 00:32:52,840 DAMN IT! GET ME CLOSER. 642 00:32:52,883 --> 00:32:54,450 I'M ON IT. 643 00:32:59,542 --> 00:33:02,415 AW. FRICKING CARTRIDGE IS JAMMED! 644 00:33:02,458 --> 00:33:04,460 [TIRES SQUEAL] 645 00:33:08,116 --> 00:33:09,683 DUDE, WHAT DID YOU DO? 646 00:33:09,726 --> 00:33:11,511 HE JUMPED IN FRONT OF ME. 647 00:33:17,082 --> 00:33:20,215 GET SOME TIES ON HIM. 648 00:33:20,259 --> 00:33:23,697 THIS ISN'T GOOD. CALL FOR MEDICAL. 649 00:33:23,740 --> 00:33:26,221 SOPHIE: STATUS CHECK. 650 00:33:26,265 --> 00:33:28,832 TARGET ACQUIRED. WE GOT THE PAINTING. 651 00:33:28,876 --> 00:33:30,530 -LET'S GO. -WHAT? WHAT ARE YOU DOING? 652 00:33:30,573 --> 00:33:33,098 WE CAN'T LEAVE HIM HERE. 653 00:33:33,141 --> 00:33:34,621 MOORE WANTS THE PAINTING, 654 00:33:34,664 --> 00:33:37,145 NOT AN EXCESSIVE FORCE HEADLINE. 655 00:33:37,189 --> 00:33:39,191 LET'S GO. 656 00:33:39,234 --> 00:33:40,931 SOMEONE ELSE WILL CLEAN HIM UP. 657 00:33:40,975 --> 00:33:43,021 [CAR APPROACHING] 658 00:33:52,465 --> 00:33:54,075 [TIRES SQUEAL] 659 00:34:10,657 --> 00:34:11,962 EVAN? 660 00:34:12,006 --> 00:34:14,965 EVAN! EVAN, CAN YOU HEAR ME? 661 00:34:24,192 --> 00:34:25,628 MARY: WE'RE GONNA NEED A BLOOD DRIVE AFTER THIS. 662 00:34:25,672 --> 00:34:27,021 -HE'S GONNA RECOVER, RIGHT? -WELL, CONSIDERING HE WAS 663 00:34:27,065 --> 00:34:29,197 HIP CHECKED BY A 4,800-POUND HUNK 664 00:34:29,241 --> 00:34:31,112 OF TOXIC MASCULINITY, 665 00:34:31,156 --> 00:34:33,680 HE'S DOING GREAT. 666 00:34:33,723 --> 00:34:35,769 DISTAL FEMUR FRACTURE, DISLOCATED ELBOW, 667 00:34:35,812 --> 00:34:38,119 MINOR CONCUSSION, 668 00:34:38,163 --> 00:34:40,339 BUT WHEN THE BONE SHATTERED, 669 00:34:40,382 --> 00:34:42,341 IT NICKED HIS FEMORAL ARTERY, 670 00:34:42,384 --> 00:34:43,820 SO IF YOU HADN'T BEEN THERE TO BRING HIM IN IN TIME, 671 00:34:43,864 --> 00:34:45,561 HE WOULD HAVE BLED OUT. 672 00:34:45,605 --> 00:34:47,259 OK. WHAT--WHAT HAPPENED BACK THERE? 673 00:34:47,302 --> 00:34:49,565 YOU WANT TO KNOW WHAT HAPPENED? 674 00:34:49,609 --> 00:34:52,307 I LISTENED TO YOU OVER MY GUT, AND NOW LOOK. 675 00:34:52,351 --> 00:34:54,135 I MEANT WHAT HAPPENED TO YOU? 676 00:34:54,179 --> 00:34:55,441 YOU SOUNDED LIKE YOU WERE IN ROUGH SHAPE. 677 00:34:55,484 --> 00:34:56,703 YOU CALLED FOR BACKUP. 678 00:34:56,746 --> 00:34:57,965 THIS ISN'T ABOUT ME. 679 00:34:58,008 --> 00:34:59,575 THIS IS ABOUT US, 680 00:34:59,619 --> 00:35:01,925 THIS TEAM AND HOW I CAN'T KEEP WORKING 681 00:35:01,969 --> 00:35:03,623 FOR YOUR APPROVAL. 682 00:35:03,666 --> 00:35:05,146 I WANTED TO SUIT UP AND NOT THINK 683 00:35:05,190 --> 00:35:07,888 ABOUT YOU COMPARING ME TO KATE KANE FOR ONCE, 684 00:35:07,931 --> 00:35:09,933 SO I AGREED TO PARTNER WITH THE CROWS, 685 00:35:09,977 --> 00:35:12,022 AND FOR WHAT? 686 00:35:12,066 --> 00:35:14,851 YOU SIDED WITH THE GUYS WHO KILLED YOUR OLD MAN. 687 00:35:14,895 --> 00:35:17,941 YOUR TASTE SUCKS, 688 00:35:17,985 --> 00:35:20,074 BUT YOU KNOW WHAT? 689 00:35:20,118 --> 00:35:22,772 I WEAR THE SUIT, I TAKE THE BULLETS, 690 00:35:22,816 --> 00:35:25,601 SO WHEN I SAY I HAVE A BAD FEELING ABOUT SOMETHING, 691 00:35:25,645 --> 00:35:27,255 YOU TWO, LISTEN! 692 00:35:33,392 --> 00:35:37,178 DID HER MAJESTY SAY WHEN SHE'D GRACE US WITH A CALLBACK? 693 00:35:37,222 --> 00:35:39,354 WOULD YOU JUST SIT THERE 694 00:35:39,398 --> 00:35:41,226 WITHOUT TALKING? 695 00:35:41,269 --> 00:35:42,966 I HAVE SPENT MORE YEARS OF MY LIFE 696 00:35:43,010 --> 00:35:46,622 IN CAPTIVITY THAN ANY ELEPHANT IN THE GOTHAM ZOO. 697 00:35:46,666 --> 00:35:51,279 THE KEY TO SURVIVING-- KEEP YOURSELF ENTERTAINED. 698 00:35:51,323 --> 00:35:52,846 ROUGH CHILDHOOD? 699 00:35:52,889 --> 00:35:54,239 YOU COULD SAY I COME BY MY ABANDONMENT ISSUES 700 00:35:54,282 --> 00:35:56,502 HONESTLY, YEAH. 701 00:35:56,545 --> 00:35:59,374 HOW DO YOU KNOW SAFIYAH? 702 00:35:59,418 --> 00:36:03,291 I WAS SQUATTING ON A YACHT IN GOTHAM HARBOR. 703 00:36:03,335 --> 00:36:05,728 SAFIYAH'S MINIONS WERE PIRATING IT WHILE I WAS ON BOARD, 704 00:36:05,772 --> 00:36:09,254 AND APPARENTLY, SHE WAS IMPRESSED 705 00:36:09,297 --> 00:36:10,864 BY THE FIGHT I PUT UP. 706 00:36:10,907 --> 00:36:12,431 AND SHE LET YOU STAY? 707 00:36:12,474 --> 00:36:14,520 -YEAH. -NO WAY. 708 00:36:14,563 --> 00:36:17,479 THE ISLAND'S CARDINAL RULE IS NO OUTSIDERS. 709 00:36:17,523 --> 00:36:19,960 HMM. 710 00:36:20,003 --> 00:36:21,657 WHY DON'T I REMEMBER ANY OF THIS? 711 00:36:21,701 --> 00:36:23,355 THAT'S THE THING. 712 00:36:23,398 --> 00:36:26,227 YOU SHOULD, AND I SHOULD REMEMBER YOU. 713 00:36:26,271 --> 00:36:28,229 THE FACT THAT WE BOTH HAVE THE SAME MEMORIES 714 00:36:28,273 --> 00:36:30,492 MAKES ME THINK THAT SAFIYAH DID SOMETHING 715 00:36:30,536 --> 00:36:33,234 TO GET US TO FORGET. 716 00:36:33,278 --> 00:36:35,280 YOU THINK SAFIYAH ERASED OUR MEMORY? 717 00:36:36,759 --> 00:36:38,152 SOME OF THEM. 718 00:36:40,285 --> 00:36:43,940 THE THING IS WE MIGHT NEVER KNOW. 719 00:36:43,984 --> 00:36:45,638 TELL ME YOU ORDERED DELIVERY 720 00:36:45,681 --> 00:36:46,943 AND THOSE AREN'T 721 00:36:46,987 --> 00:36:51,078 1, 2...3 ASSASSINS APPROACHING. 722 00:36:51,121 --> 00:36:52,949 HMM. 723 00:36:52,993 --> 00:36:55,735 THE MANY ARMS OF DEATH. 724 00:36:55,778 --> 00:36:58,564 OH. MORE RELATIVES OF YOURS, I PRESUME. 725 00:36:58,607 --> 00:37:01,784 YEAH. CAN YOU, UH, CUT ME LOOSE? 726 00:37:01,828 --> 00:37:03,699 I CAN'T TRUST YOU. 727 00:37:03,743 --> 00:37:05,832 YOU DON'T TRUST ME TO DEFEND MYSELF 728 00:37:05,875 --> 00:37:07,442 FROM MURDER? 729 00:37:12,404 --> 00:37:15,929 [VOICE MUFFLED] 730 00:37:24,459 --> 00:37:25,765 WHERE'S OCEAN? 731 00:37:25,808 --> 00:37:26,940 OCEAN: HEY. 732 00:37:26,983 --> 00:37:28,246 SURPRISE. 733 00:37:30,030 --> 00:37:31,292 AAH! 734 00:37:31,336 --> 00:37:33,642 [ALL GRUNTING] 735 00:37:37,167 --> 00:37:39,082 HEY. DO YOU HAVE ANY CASH? 736 00:37:39,126 --> 00:37:40,867 WE SHOULD PROBABLY LEAVE THE MAID A TIP. 737 00:37:40,910 --> 00:37:42,172 YOU'RE DARK. 738 00:37:42,216 --> 00:37:43,565 ALICE: SHOULDN'T HAVE DOUBTED ME. 739 00:37:43,609 --> 00:37:45,263 LET'S GO. YOU'RE DRIVING. 740 00:37:52,705 --> 00:37:54,489 BADGES OF THE CROWS WHO DID THIS. 741 00:37:54,533 --> 00:37:56,361 THAT'S NOT ENOUGH, 742 00:37:56,404 --> 00:37:59,102 BURN IT ALL DOWN, GIRL, THE WHOLE THING. 743 00:37:59,146 --> 00:38:01,148 I CAN'T DO THAT. 744 00:38:01,191 --> 00:38:02,802 I BELIEVE IN THE MISSION OF THE CROWS. 745 00:38:02,845 --> 00:38:05,065 AN ORGANIZATION THAT DECIDES WHAT JUSTICE IS 746 00:38:05,108 --> 00:38:07,241 BASED ON WHO CAN PAY THE MOST MONEY, 747 00:38:07,285 --> 00:38:09,809 THAT BEATS INFORMATION OUT OF ITS SUSPECTS, 748 00:38:09,852 --> 00:38:12,159 THAT RUNS SOMEONE OVER FOR STEALING A PAINTING? 749 00:38:12,202 --> 00:38:14,117 THAT'S WHAT YOU BELIEVE IN? 750 00:38:14,161 --> 00:38:16,511 YOU THINK TWO MEN LOSING THEIR JOBS ISN'T ENOUGH? 751 00:38:16,555 --> 00:38:19,949 YOU'RE RIGHT, BUT I'M FIGHTING TO CHANGE THE CULTURE. 752 00:38:19,993 --> 00:38:21,951 YEAH? WELL, GOOD LUCK WITH THAT, 753 00:38:21,995 --> 00:38:23,562 BUT IF YOU WANT TO PARTY WITH ME, 754 00:38:23,605 --> 00:38:25,738 ADD YOUR BADGE TO THAT LITTLE PILE OVER THERE. 755 00:38:25,781 --> 00:38:29,263 UNTIL THEN, THIS PARTNERSHIP IS OVER. 756 00:38:29,307 --> 00:38:31,657 WHAT ABOUT THE PAINTING? 757 00:38:31,700 --> 00:38:33,789 OUR FORENSICS TEAM IS STILL WORKING ON IT. 758 00:38:33,833 --> 00:38:35,835 DON'T YOU WANT TO KNOW WHERE CORYANA IS? 759 00:38:35,878 --> 00:38:37,967 WE'LL SEE WHO GETS THERE FIRST. 760 00:38:55,550 --> 00:39:00,381 MARY HAMILTON. HEH HEH. AWKWARD. 761 00:39:00,425 --> 00:39:02,383 BECAUSE I KNOW YOU'RE WOLF SPIDER? 762 00:39:02,427 --> 00:39:04,298 BECAUSE I'M PRETTY SURE I'M NAKED. 763 00:39:04,342 --> 00:39:07,519 OH, VERY MUCH SO. 764 00:39:07,562 --> 00:39:10,522 EVAN, YOU NEED TO FIND A BETTER SUIT. 765 00:39:10,565 --> 00:39:13,873 SPANDEX IS NO MATCH FOR AN ONCOMING SUV. 766 00:39:13,916 --> 00:39:16,266 MMM. BUT IT'S SO COMFORTABLE. 767 00:39:16,310 --> 00:39:20,183 THEN MAYBE FIND A SAFER EXCUSE TO PLAY DRESS-UP. 768 00:39:20,227 --> 00:39:23,448 GOTHAM'S ELITE TAKE THEMSELVES TOO SERIOUSLY. 769 00:39:23,491 --> 00:39:25,319 WHO ELSE IS GONNA EYE-ROLL THEM 770 00:39:25,363 --> 00:39:27,930 WITH AS MUCH STYLE AS ME? 771 00:39:30,019 --> 00:39:32,239 THE CROWS GOT THE PAINTING. 772 00:39:34,763 --> 00:39:36,548 I WAS STEALING IT FOR KATE. 773 00:39:39,159 --> 00:39:40,769 THOUGHT I HAD A BETTER CHANCE AT GRABBING IT 774 00:39:40,813 --> 00:39:42,423 THAN THE CROWS. 775 00:39:42,467 --> 00:39:44,382 HEY. DON'T BEAT YOURSELF UP ABOUT IT 776 00:39:44,425 --> 00:39:47,080 BECAUSE IT TURNS OUT NOBODY ACTUALLY GOT THE NAPIER PAINTING. 777 00:39:47,123 --> 00:39:48,777 IT WAS A FORGERY. 778 00:39:48,821 --> 00:39:50,475 -THAT'S IMPOSSIBLE. -NO. 779 00:39:50,518 --> 00:39:52,433 BATWOMAN TOOK A SAMPLE OF THE ORGANIC COMPOUND 780 00:39:52,477 --> 00:39:54,348 THAT WAS PAINTED OVER THE ORIGINAL CANVAS, 781 00:39:54,392 --> 00:39:56,306 AND IT WAS PIG'S BLOOD. 782 00:39:58,396 --> 00:40:00,528 NAPIER WOULD'VE NEVER USED PIG'S BLOOD. 783 00:40:00,572 --> 00:40:03,270 RIGHT. SO THE CROWS ENDED UP 784 00:40:03,313 --> 00:40:05,707 WITH A DECOY COPY, AND THE ORIGINAL 785 00:40:05,751 --> 00:40:08,710 IS STILL OUT THERE SOMEWHERE, 786 00:40:08,754 --> 00:40:10,582 AND SO IS KATE. 787 00:40:21,723 --> 00:40:24,987 WOMAN: ♪ I SEE EVIL EYES 788 00:40:25,031 --> 00:40:28,426 ♪ LOOKING ROUND 789 00:40:28,469 --> 00:40:31,690 ♪ SPIRITS IN DISGUISE 790 00:40:31,733 --> 00:40:34,170 ♪ WALKING AROUND 791 00:40:34,214 --> 00:40:35,563 [MOANS] 792 00:40:35,607 --> 00:40:38,305 ♪ OOH, OOH, OOH, OOH 793 00:40:38,348 --> 00:40:41,656 ♪ LOOK, DON'T TOUCH 794 00:40:41,700 --> 00:40:43,919 ♪ OOH, OOH, OOH, OOH 795 00:40:43,963 --> 00:40:48,446 ♪ IT'S DANGEROUS 796 00:40:48,489 --> 00:40:49,838 ♪ SOMETHING WICKED THIS WAY COMES ♪ 797 00:40:49,882 --> 00:40:51,797 OH, MY GOD. 798 00:40:51,840 --> 00:40:55,191 ♪ SOMETHING WICKED THIS WAY COMES ♪ 799 00:40:55,235 --> 00:40:57,759 ♪ SOMETHING WICKED THIS WAY COMES ♪ 800 00:40:57,803 --> 00:40:59,935 [ALICE AND OCEAN LAUGHING] 801 00:40:59,979 --> 00:41:01,850 ONCE WE GET SOME DISTANCE FROM THE MANY ARMS, 802 00:41:01,894 --> 00:41:04,070 WE CAN TRY TO FIGURE OUT WHAT SAFIYAH DID TO US 803 00:41:04,113 --> 00:41:05,898 AND WHY. 804 00:41:05,941 --> 00:41:08,814 LOOKS LIKE YOU'RE NOT AS FAST AS YOU THINK, BUDDY BOY. 805 00:41:08,857 --> 00:41:10,685 THEY GOT YOU PRETTY BAD BACK THERE. 806 00:41:17,039 --> 00:41:18,911 [GASPS] 807 00:41:18,954 --> 00:41:21,566 HEY. YOU ALL RIGHT? 808 00:41:21,609 --> 00:41:24,786 UH...YEAH. EYES ON THE ROAD. 809 00:41:26,396 --> 00:41:28,355 WHAT'S WITH YOU? 810 00:41:28,398 --> 00:41:31,314 NOTHING. 811 00:41:31,358 --> 00:41:32,751 CAN YOU CHECK IN THE BACK REAL QUICK? 812 00:41:32,794 --> 00:41:35,057 IS THERE A WHITE TUBE BACK THERE? 813 00:41:35,101 --> 00:41:36,624 YEAH. 814 00:41:40,280 --> 00:41:43,065 WHAT IS THIS? 815 00:41:43,109 --> 00:41:45,285 YOU EVER HEAR OF A GUY CALLED JACK NAPIER? 816 00:42:14,575 --> 00:42:16,490 MAN: GREG, MOVE YOUR HEAD! 54634

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