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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:26,700 --> 00:00:29,200 [Upbeat instrumental music] 2 00:01:03,800 --> 00:01:07,200 [Upbeat instrumental music continues] 3 00:01:13,900 --> 00:01:16,400 [Sassy instrumental music] 4 00:01:57,700 --> 00:02:00,600 [Upbeat instrumental music] 5 00:02:13,700 --> 00:02:16,100 FLEA: Right this way, folks! 6 00:02:19,200 --> 00:02:23,500 Gather round. That's right. You gotta hear me. 7 00:02:24,000 --> 00:02:26,600 All right. You will see a show of amazing... 8 00:02:26,800 --> 00:02:28,700 stupendous and cataclysmic proportions. 9 00:02:28,800 --> 00:02:30,700 Your two bits will do the work of a sawbuck. 10 00:02:30,900 --> 00:02:35,300 From the inside, folks, you're gonna see, right before your very eyes... 11 00:02:35,600 --> 00:02:38,000 without the aid of cheaters or a microscope... 12 00:02:38,200 --> 00:02:40,800 - Joe, the Turtle Boy. - That's it, the picture. 13 00:02:41,000 --> 00:02:43,600 Jail me, folks, if I ain't telling the truth. 14 00:02:43,900 --> 00:02:46,100 He walks, eats and sleeps just like a turtle... 15 00:02:46,100 --> 00:02:48,600 but talks the English language as well as you and I. 16 00:02:48,900 --> 00:02:51,600 And shaves himself with a safety razor. 17 00:02:51,900 --> 00:02:55,100 And as an added attraction folks, Joe plays the zither. 18 00:02:55,400 --> 00:02:58,000 Believe it or not, folks, he plays the zither. 19 00:02:58,200 --> 00:03:00,200 That's what you'll see when you go inside. 20 00:03:00,400 --> 00:03:02,600 BIG BILL: What did you get? SLICK: Not much. 21 00:03:04,600 --> 00:03:06,800 Them birds have to work for a living. 22 00:03:07,400 --> 00:03:10,400 These tickers look like a lot of heirlooms. Look at them. 23 00:03:14,600 --> 00:03:18,300 And that, folks, is only a sample of what you're gonna see for the one price. 24 00:03:18,500 --> 00:03:21,700 Now look, folks, you've got to give me your undivided attention... 25 00:03:22,000 --> 00:03:25,400 because I want you to hear each and every word that I'm going to say. 26 00:03:26,200 --> 00:03:30,600 FLEA: Over there, Tira, the beautiful Tira! 27 00:03:31,000 --> 00:03:33,100 Dancing, singing marvel of the age! 28 00:03:33,300 --> 00:03:36,000 Supreme flower of feminine pulchritude! 29 00:03:36,200 --> 00:03:39,700 FLEA: The girl who discovered you don't have to have feet to be a dancer. 30 00:03:39,900 --> 00:03:43,100 FLEA: Boys, just push right in there, you're gonna have a better view. 31 00:03:43,300 --> 00:03:46,200 All right, boys, the lumber. Drag it out! Pull ahead, men! 32 00:03:49,500 --> 00:03:51,900 [Upbeat instrumental music] 33 00:04:15,300 --> 00:04:17,700 [Playing fanfare] 34 00:04:22,200 --> 00:04:24,700 [Lively instrumental music] 35 00:04:27,500 --> 00:04:30,500 SPECTATOR: If I wasn't a married man, I could go for you, baby. 36 00:04:30,700 --> 00:04:32,200 No wisecracks, now. 37 00:04:38,500 --> 00:04:40,000 A penny for your thoughts. 38 00:04:44,100 --> 00:04:46,200 FLEA: Tira, boys! Tira! 39 00:04:46,400 --> 00:04:48,100 Just look at those eyes. 40 00:04:50,000 --> 00:04:51,400 I dig those eyes. 41 00:04:51,400 --> 00:04:52,400 [Audience laughing] 42 00:04:52,600 --> 00:04:56,700 FLEA: Boys, she can assume shapes that will astonish a chiropractor! 43 00:04:56,800 --> 00:05:00,300 And next to her a wiggling worm looks paralysed. 44 00:05:00,600 --> 00:05:02,400 Get the idea, boys? 45 00:05:02,500 --> 00:05:05,700 FLEA: I can say without fear of contradiction... 46 00:05:06,200 --> 00:05:09,900 that if Tira had played the town at the time... 47 00:05:10,200 --> 00:05:12,100 Noah would have missed the boat. 48 00:05:12,300 --> 00:05:13,900 You follow me? 49 00:05:15,600 --> 00:05:17,500 Boys, with the right kind of encouragement... 50 00:05:17,700 --> 00:05:19,500 she'll throw discretion to the winds... 51 00:05:19,700 --> 00:05:21,900 and her hips to the north, east, south and west. 52 00:05:22,100 --> 00:05:25,000 It's the only show on earth where the tickets are made of asbestos. 53 00:05:25,200 --> 00:05:29,800 FLEA: And now inside, Tira, the girl who makes your dreams come true. 54 00:05:30,100 --> 00:05:31,800 FLEA: Step right up, men. 55 00:05:34,400 --> 00:05:37,500 SPECTATOR: Does she do her stuff? TICKET MAN: You bet she can do it. 56 00:05:38,100 --> 00:05:40,500 [Upbeat instrumental music] 57 00:05:47,000 --> 00:05:49,500 [Band playing provocative instrumental music] 58 00:06:11,200 --> 00:06:12,600 Oh, mama! 59 00:06:14,600 --> 00:06:16,400 I know just how you feel, honey. 60 00:06:18,700 --> 00:06:20,200 [Tira humming] 61 00:06:22,900 --> 00:06:25,900 - Is that elegant or is that elegant? - Elegant. 62 00:06:30,500 --> 00:06:34,200 [Singing] They call me Sister Honky-Tonk 63 00:06:34,500 --> 00:06:37,200 I've got the face of a saint 64 00:06:37,400 --> 00:06:40,200 On the level, it ain't paint 65 00:06:40,500 --> 00:06:43,100 Beware of these eyes 66 00:06:43,500 --> 00:06:47,900 I'm a devil in disguise 67 00:06:48,400 --> 00:06:51,600 And they call me Sister Honky-Tonk 68 00:06:51,800 --> 00:06:53,300 Get over dirty 69 00:06:53,500 --> 00:06:56,600 They call me Sister Honky-Tonk 70 00:06:57,300 --> 00:06:58,800 [Tira humming] 71 00:07:01,100 --> 00:07:04,100 [Band continues playing provocative music] 72 00:07:36,700 --> 00:07:39,800 [Singing] Just play a passionate strain 73 00:07:40,100 --> 00:07:43,100 And I'll be low down again 74 00:07:43,200 --> 00:07:45,300 It's fire and it's flame 75 00:07:45,500 --> 00:07:48,800 So be careful of this dame 76 00:07:49,100 --> 00:07:52,500 They call me Sister Honky-Tonk 77 00:07:52,800 --> 00:07:54,600 I got to scram now 78 00:08:06,800 --> 00:08:08,700 Am I making myself clear, boys? 79 00:08:12,600 --> 00:08:13,700 Suckers. 80 00:08:15,900 --> 00:08:19,800 Tomorrow night at the same time: Tira! 81 00:08:21,400 --> 00:08:25,000 Tira, you're gonna be a good girl and work them lions tonight, ain't you? 82 00:08:25,300 --> 00:08:28,000 No, I'm gonna be a bad girl and go home to bed. 83 00:08:28,200 --> 00:08:30,400 - No. - I'm tired from tossing my hips. 84 00:08:30,500 --> 00:08:33,400 - I know, but... - Besides the cat act's on too late, anyway. 85 00:08:33,600 --> 00:08:36,200 I'll work them tomorrow night if you put them on earlier. 86 00:08:36,400 --> 00:08:38,600 Sometime you'll ask me to do you a favour and I'll... 87 00:08:38,800 --> 00:08:39,900 So what? 88 00:08:41,000 --> 00:08:44,800 - Hello, honey. - I've just been working on you. 89 00:08:45,300 --> 00:08:46,600 Oh, yeah? 90 00:08:46,800 --> 00:08:49,900 - What have you got to tell me tonight? - I have your horoscope. 91 00:08:50,100 --> 00:08:52,700 - I hope you got some good news in it. - Good and bad. 92 00:08:52,900 --> 00:08:54,700 Go ahead, I got my fingers crossed. 93 00:08:54,900 --> 00:08:56,800 You were born in August. 94 00:08:57,000 --> 00:09:00,000 - Yes, one of the hot months. - It was on the 17th... 95 00:09:00,400 --> 00:09:02,700 under the sign of Leo, the lion. 96 00:09:02,900 --> 00:09:05,000 King of the beasts, huh? 97 00:09:06,700 --> 00:09:09,100 Today is not lucky for you. 98 00:09:09,300 --> 00:09:11,500 I can't complain. So far it's been perfect. 99 00:09:11,700 --> 00:09:14,100 Tomorrow will be very lucky. 100 00:09:14,300 --> 00:09:16,700 But tonight, be careful. 101 00:09:17,100 --> 00:09:19,500 Something told me not to work that lion act tonight. 102 00:09:19,700 --> 00:09:21,300 You are very wise. 103 00:09:21,400 --> 00:09:23,700 I profit by my experience. 104 00:09:24,100 --> 00:09:27,300 Now listen, honey, you just tell me about my future. 105 00:09:27,500 --> 00:09:29,700 You see, I know all about my past. 106 00:09:33,200 --> 00:09:35,500 You have a wonderful future. 107 00:09:35,900 --> 00:09:38,300 I see a man in your life. 108 00:09:40,100 --> 00:09:41,500 What, only one? 109 00:09:42,700 --> 00:09:45,300 But this is one very particular man. 110 00:09:45,700 --> 00:09:48,600 He is very wealthy. Enormously wealthy. 111 00:09:48,900 --> 00:09:52,200 You mean a millionaire. What does he look like? 112 00:09:52,800 --> 00:09:55,700 I see he has brown eyes. 113 00:09:56,200 --> 00:09:58,200 In fact, I see two men. 114 00:09:58,700 --> 00:10:00,100 You don't mean twins? 115 00:10:01,700 --> 00:10:04,000 No. Two different men. 116 00:10:05,500 --> 00:10:08,900 In the near future I see a change. 117 00:10:09,300 --> 00:10:12,300 TIRA: What, a change of men? RAJAH: Not yet. 118 00:10:13,700 --> 00:10:16,300 I see a change of position. 119 00:10:16,700 --> 00:10:18,400 Sitting or reclining? 120 00:10:20,300 --> 00:10:22,200 But it's all left me. 121 00:10:22,800 --> 00:10:26,100 I can't help you anymore tonight. I can't. 122 00:10:27,700 --> 00:10:30,300 Thanks, Rajah. It's all right, I'm in a hurry anyway. 123 00:10:30,600 --> 00:10:32,900 - Give me my thing. - Horoscope. 124 00:10:33,100 --> 00:10:35,600 Keep this where you may consult it frequently. 125 00:10:35,800 --> 00:10:38,200 All right, I'll take it to bed with me. 126 00:10:40,100 --> 00:10:42,800 What are you playing me the chill for all of a sudden, baby? 127 00:10:43,100 --> 00:10:44,600 Because I ain't exactly in the mood. 128 00:10:44,700 --> 00:10:46,800 Seems like I can't put you in the mood, lately. 129 00:10:47,000 --> 00:10:48,300 I guess you're right. 130 00:10:51,300 --> 00:10:54,600 SLICK: Barton wants you to get in the cage and wrestle them lions tonight. 131 00:10:54,800 --> 00:10:55,800 Not tonight. I told Barton. 132 00:10:56,000 --> 00:10:59,400 Tira, you've got to. The show is walking on its heels in this town. 133 00:10:59,600 --> 00:11:01,100 What's the rush? 134 00:11:02,900 --> 00:11:05,400 You seem awful anxious to get somewhere. 135 00:11:06,700 --> 00:11:09,800 - Pulling something funny, if you ask me. - I ain't asking you. 136 00:11:10,100 --> 00:11:11,600 SLICK: I'm asking you. 137 00:11:11,700 --> 00:11:13,700 What do you want to stay in a hotel in town for? 138 00:11:13,900 --> 00:11:16,300 Why don't you stay on the lot, same as the rest of us? 139 00:11:16,500 --> 00:11:18,400 'Cause I ain't the same as the rest of you. 140 00:11:18,600 --> 00:11:20,900 I'm sick of people worrying about what I do. 141 00:11:25,100 --> 00:11:28,000 I get about as much privacy around here as a goldfish. 142 00:11:28,300 --> 00:11:30,000 Getting high hat, huh? 143 00:11:32,000 --> 00:11:35,300 What did you do? Got you a haircut or have your ears moved down? 144 00:11:36,800 --> 00:11:38,300 It's a wonder you noticed. 145 00:11:39,300 --> 00:11:42,100 OTTO: Miss Tira. TIRA: Come in, honey. 146 00:11:44,300 --> 00:11:46,800 A gentleman gave me this note for you. 147 00:11:48,100 --> 00:11:49,400 What's your name? 148 00:11:49,600 --> 00:11:52,200 My name is Frederick, but they calls me Otto. 149 00:11:54,400 --> 00:11:56,900 All right, honey, you tell the gentleman it's okay. 150 00:11:57,100 --> 00:11:58,100 Yes, ma'am. 151 00:11:58,500 --> 00:12:00,800 - Who's the boyfriend? - Wouldn't you like to know? 152 00:12:01,000 --> 00:12:03,900 I tell you, you go mixing up with any guy and I'll bust his jaw. 153 00:12:04,100 --> 00:12:06,800 I'll break him in two, you hear? I'll give him the works. 154 00:12:07,100 --> 00:12:09,600 If you ain't careful, you're liable to hurt somebody. 155 00:12:10,000 --> 00:12:11,800 SLICK: Take that as a warning. 156 00:12:12,000 --> 00:12:14,400 You take it and bury it, maybe it will grow lilies. 157 00:12:14,600 --> 00:12:17,300 - I'll see you later. - The later, the better. 158 00:12:20,100 --> 00:12:22,600 GIRL: Tira, can I come in? TIRA: Come on in. 159 00:12:23,300 --> 00:12:25,400 See, I just felt I had to talk to somebody. 160 00:12:25,600 --> 00:12:27,800 I'm in a rush, but go ahead and talk. 161 00:12:28,300 --> 00:12:30,500 You look terrible. What's the matter? 162 00:12:30,600 --> 00:12:33,200 Everything is the matter, with me anyhow. 163 00:12:33,400 --> 00:12:35,100 - Barton again? - Yeah. 164 00:12:35,400 --> 00:12:37,000 That guy is a habit with you, honey. 165 00:12:37,200 --> 00:12:39,500 Why don't you step out? A change will do you good. 166 00:12:39,600 --> 00:12:41,800 - That's what I'm doing. - What about Slick? 167 00:12:42,000 --> 00:12:45,800 He's all right. If he kept his hands out of other people's pockets. 168 00:12:47,000 --> 00:12:49,300 What is it gonna get me hanging around him? 169 00:12:49,500 --> 00:12:50,700 I got ideas. 170 00:12:51,400 --> 00:12:55,000 Somewhere there's a guy with a million waiting for a dame like me. 171 00:12:55,200 --> 00:12:56,600 Rajah said so. 172 00:12:58,700 --> 00:13:01,300 Tira, you always have such swell things. 173 00:13:01,500 --> 00:13:03,500 How do you do it on your salary? 174 00:13:03,700 --> 00:13:05,600 It's a gift, honey. 175 00:13:05,700 --> 00:13:07,500 GIRL: Them beads is pretty. 176 00:13:07,700 --> 00:13:09,300 TIRA: They are kind of pretty. 177 00:13:11,300 --> 00:13:14,300 He gave me them. Genuine amber. 178 00:13:14,500 --> 00:13:15,900 The beads, I mean. 179 00:13:16,300 --> 00:13:20,400 And these here handkerchiefs, genuine Madeira. 180 00:13:23,500 --> 00:13:25,100 TIRA: No, he gave me the pillows. 181 00:13:25,200 --> 00:13:27,700 TIRA: Here, here's the baby. He gave me them. 182 00:13:28,800 --> 00:13:33,000 And this here sailor, he gave me this here jade set... 183 00:13:34,100 --> 00:13:37,800 he got in Shanghai, genuine jade, he said. 184 00:13:38,200 --> 00:13:39,400 Here. 185 00:13:40,800 --> 00:13:43,600 Tira, they're beautiful. 186 00:13:43,800 --> 00:13:45,500 - You like them? - Yes. 187 00:13:45,700 --> 00:13:48,500 Try them on. If they do something to you, you can have them. 188 00:13:48,700 --> 00:13:50,500 GIRL: Thanks. TIRA: Don't mention it. 189 00:13:51,000 --> 00:13:55,200 I'd like to stick around and show you the rest of my stuff, but I got a heavy date. 190 00:13:55,800 --> 00:13:57,500 I gotta be leaving you. 191 00:13:57,600 --> 00:14:00,500 - Tira, how can I ever thank you? - Don't. 192 00:14:01,800 --> 00:14:03,800 Why, you look better already. 193 00:14:04,400 --> 00:14:07,100 Say, you're a good-looking dame. 194 00:14:07,300 --> 00:14:10,200 There is a lot of guys that would go for you in a big way. 195 00:14:10,500 --> 00:14:13,300 Always remember, honey, a good motto is: 196 00:14:13,500 --> 00:14:16,500 "Take all you can get and give as little as possible." 197 00:14:16,700 --> 00:14:19,600 Don't forget, honey, never let one man worry your mind. 198 00:14:19,800 --> 00:14:22,500 TIRA: Find them, fool them, forget them. GIRL: Thanks again. 199 00:14:22,800 --> 00:14:25,100 TIRA: Hello, how's the joints tonight? ACROBAT 1: Fine. 200 00:14:25,300 --> 00:14:27,200 ACROBAT 2: Swell, Tira. HARRY: Hello, Tira. 201 00:14:27,300 --> 00:14:29,900 This is the first chance I've had to talk to you. 202 00:14:30,300 --> 00:14:33,700 - When are we going out again together? - Almost anytime you say, Harry. 203 00:14:33,900 --> 00:14:35,700 I got to see you more often. 204 00:14:35,900 --> 00:14:39,000 - You know, I'm kind of crazy about you. - Oh, yeah? 205 00:14:39,200 --> 00:14:41,400 - Can't get you out of my mind. - That's bad. 206 00:14:41,600 --> 00:14:44,900 Better not be thinking about me when you're up there in the flying rings. 207 00:14:45,200 --> 00:14:47,300 - Something's liable to happen. - Not a chance. 208 00:14:47,500 --> 00:14:49,900 How about us going somewhere after the show tonight? 209 00:14:50,100 --> 00:14:51,600 Not tonight, I gotta see my aunt. 210 00:14:51,700 --> 00:14:54,400 ACROBAT 3: Tira, us fellows are worried about Harry here. 211 00:14:54,700 --> 00:14:57,500 He don't eat enough, won't even sleep enough. 212 00:14:57,600 --> 00:15:00,500 Love, you know, is bad for an acrobat. 213 00:15:00,800 --> 00:15:03,600 Don't worry. I ain't gonna hurt him. 214 00:15:03,800 --> 00:15:05,700 I only wanna feel his muscles. 215 00:15:06,700 --> 00:15:08,000 Bye, Harry. 216 00:15:19,600 --> 00:15:22,900 ERNEST: I never met anybody just like you before. You're different. 217 00:15:23,100 --> 00:15:25,800 TIRA: Anything different always costs more but it's worth it. 218 00:15:27,600 --> 00:15:29,200 By the way, you married or single? 219 00:15:29,400 --> 00:15:31,700 ERNEST: Married five times. TIRA: Five times. 220 00:15:32,500 --> 00:15:35,100 Wedding bells must sound like an alarm clock to you. 221 00:15:35,300 --> 00:15:37,700 ERNEST: I don't' suppose you believe in marriage, do you? 222 00:15:37,900 --> 00:15:39,100 Only as a last resort. 223 00:15:40,300 --> 00:15:42,100 What do you do for a living? 224 00:15:43,500 --> 00:15:45,300 I'm sort of a politician. 225 00:15:45,600 --> 00:15:47,700 I don't like work, either. 226 00:15:47,900 --> 00:15:48,900 [Ernest chuckling] 227 00:15:49,700 --> 00:15:52,000 I like to get around and travel. 228 00:15:52,200 --> 00:15:55,200 Believe me, I've been places and seen things. 229 00:15:56,400 --> 00:15:58,400 I've been things and seen places. 230 00:15:58,500 --> 00:16:00,600 That sort of evens us up, eh? 231 00:16:01,000 --> 00:16:02,200 [Tira murmurs seductively] 232 00:16:03,200 --> 00:16:04,300 Sit down. 233 00:16:08,500 --> 00:16:09,900 I didn't get your name. 234 00:16:10,300 --> 00:16:12,900 ERNEST: I don't give my name to everybody, but it's... 235 00:16:13,100 --> 00:16:15,100 TIRA: Don't tell me it's Smith. ERNEST: No. 236 00:16:15,300 --> 00:16:18,100 - Brown. Ernest Brown. - That will do. 237 00:16:19,700 --> 00:16:22,100 TIRA: What colour are you eyes? ERNEST: I don't know. 238 00:16:23,200 --> 00:16:25,100 ERNEST: You like them? TIRA: Lovely. 239 00:16:27,000 --> 00:16:28,600 Where did you say you are from? 240 00:16:28,800 --> 00:16:31,500 ERNEST: Don't think I've said, but I'm from Dallas, Texas. 241 00:16:31,600 --> 00:16:33,100 Dallas, huh? 242 00:16:33,200 --> 00:16:36,600 I see. Pardon me. 243 00:16:41,000 --> 00:16:42,400 TIRA: Dallas, huh? 244 00:16:54,900 --> 00:16:57,000 There we are. 245 00:16:59,500 --> 00:17:00,900 Dallas, huh? 246 00:17:04,500 --> 00:17:06,900 [Light music playing] 247 00:17:15,000 --> 00:17:18,500 TIRA: [Singing on record] No one loves me like that Dallas man 248 00:17:18,800 --> 00:17:21,500 Bet your life no one loves you like that Dallas man. 249 00:17:21,700 --> 00:17:23,400 TIRA: [Singing] Kisses sweet like honey 250 00:17:23,600 --> 00:17:24,600 Oh, yeah? 251 00:17:24,700 --> 00:17:27,000 TIRA: [Singing] Smiles that big and sunny 252 00:17:27,200 --> 00:17:30,900 No one loves me like that Dallas man 253 00:17:33,000 --> 00:17:35,800 Why, folks, he's got backbone 254 00:17:36,000 --> 00:17:38,800 He's a Texas cyclone 255 00:17:39,000 --> 00:17:42,400 No one loves me like that Dallas man 256 00:17:43,900 --> 00:17:47,700 Why, brother, he's a wild-horse trainer 257 00:17:48,400 --> 00:17:51,100 With a special whip 258 00:17:51,500 --> 00:17:54,500 Gals, you'll go insaner 259 00:17:54,700 --> 00:17:57,300 When he gets you in his grip 260 00:17:57,700 --> 00:18:01,000 Strong arms made for loving 261 00:18:01,300 --> 00:18:04,200 Heat like from an oven 262 00:18:04,400 --> 00:18:08,200 No one loves me like that Dallas man 263 00:18:09,500 --> 00:18:11,900 [Light music continues playing] 264 00:18:28,100 --> 00:18:31,500 You just put your heart and soul in your dancing, don't you, honey? 265 00:18:31,800 --> 00:18:32,800 [Tira laughing] 266 00:18:33,000 --> 00:18:35,400 You've certainly given me the time of my life, baby. 267 00:18:35,600 --> 00:18:38,100 Don't say "given," I don't like that word "given." 268 00:18:45,900 --> 00:18:47,800 Do pretty well for yourself, don't you? 269 00:18:48,000 --> 00:18:49,400 That's nothing. 270 00:18:52,300 --> 00:18:56,100 TIRA: Ever take a crack at show business? ERNEST: That's one business I never tried. 271 00:18:56,300 --> 00:18:58,200 TIRA: You ought to do great in that racket. 272 00:18:58,400 --> 00:19:01,800 TIRA: In front of the tent, the big boss. ERNEST: You mean with a cigar? 273 00:19:02,100 --> 00:19:03,700 You catch on. 274 00:19:04,200 --> 00:19:08,100 Maybe I can fix it up with Mr. Barton to sell you an interest in the show. 275 00:19:08,300 --> 00:19:11,400 Then I can take the leading lady out all the time, huh? 276 00:19:11,700 --> 00:19:12,800 That's the angle. 277 00:19:12,900 --> 00:19:14,700 We'll talk that over later. 278 00:19:15,800 --> 00:19:17,500 Remember your five wives. 279 00:19:17,700 --> 00:19:20,400 You're the baby that can make me forget them. Kiss Papa. 280 00:19:22,500 --> 00:19:24,000 Give me a long one. 281 00:19:24,200 --> 00:19:26,700 You ain't the only girl I've ever kissed. 282 00:19:26,900 --> 00:19:29,400 You got a lot to learn even at that. 283 00:19:35,500 --> 00:19:38,300 TIRA: What do you mean by busting in here like this? 284 00:19:39,500 --> 00:19:41,600 What are you doing here with my wife? 285 00:19:41,700 --> 00:19:44,000 ERNEST: Your wife? TIRA: He's lying, I ain't his wife. 286 00:19:44,200 --> 00:19:46,900 You can't get away with this. Listen, you're in a tough spot. 287 00:19:47,100 --> 00:19:50,000 ERNEST: Wait, let me get this straight. TIRA: You got it straight. 288 00:19:50,200 --> 00:19:53,200 It's gonna be just too bad for you when I call the cops. 289 00:19:53,900 --> 00:19:56,300 [Light music continues playing] 290 00:19:58,100 --> 00:19:59,700 You can't shake this guy down. 291 00:19:59,900 --> 00:20:02,900 Here I am about to promote him for dough, you come in to spoil it. 292 00:20:03,100 --> 00:20:04,300 Don't give me that. 293 00:20:04,500 --> 00:20:08,500 I get it. You all don't have to talk it over. I reckon I'm leaving right now. 294 00:20:10,000 --> 00:20:12,600 No, you ain't. There's a business matter to settle first. 295 00:20:12,700 --> 00:20:14,300 ERNEST: I won't give you a nickel. 296 00:20:15,000 --> 00:20:18,300 ERNEST: You picked the wrong one. I got connections in this town. 297 00:20:18,600 --> 00:20:20,800 ERNEST: I'll see that you get what's coming to you. 298 00:20:21,000 --> 00:20:22,100 Now wait a minute. 299 00:20:22,200 --> 00:20:23,700 [Ernest grunts and falls] 300 00:20:26,600 --> 00:20:29,300 I've laid out bigger chumps than you, you mug. 301 00:20:33,500 --> 00:20:36,800 - Now try and get out of this. - You're in it with me. 302 00:20:37,100 --> 00:20:39,000 As fast as you pick them up, I'll drop them. 303 00:20:39,200 --> 00:20:42,500 Yeah? He ain't doing so good. You better look him over. 304 00:20:48,600 --> 00:20:51,700 - I think he's croaked. - Ain't that nice. 305 00:20:51,900 --> 00:20:54,800 I told you them barroom tricks of yours will get us in trouble. 306 00:20:55,000 --> 00:20:56,200 Come on, we gotta lam. 307 00:20:56,400 --> 00:20:59,100 What? Leave him here in my place for the cops to find? 308 00:20:59,300 --> 00:21:01,700 I ain't taking any rap for something you've done. 309 00:21:01,900 --> 00:21:05,200 You like me to get sent up, so you can have a free hand with the boys. 310 00:21:05,500 --> 00:21:06,800 What a good time you'd have. 311 00:21:06,900 --> 00:21:11,100 Listen, you may be tired of me, but I ain't tired of you. 312 00:21:14,200 --> 00:21:17,000 There ain't no time for that now. Get him out of here. 313 00:21:17,200 --> 00:21:19,100 Where am I gonna put a stiff in this joint? 314 00:21:19,300 --> 00:21:22,700 Put him out in the hall. They can't tell who did it then. 315 00:21:30,700 --> 00:21:33,900 Hey, lay off. Ain't you got no respect for the dead? 316 00:21:36,100 --> 00:21:37,900 Come on, let's blow. 317 00:21:48,400 --> 00:21:50,700 WOMAN: Is he dead? OFFICER 1: He's coming around. 318 00:21:50,900 --> 00:21:52,000 Got a crack on his head. 319 00:21:52,200 --> 00:21:53,300 MAN: Wonder how. 320 00:21:53,400 --> 00:21:54,800 Did you people hear any noise? 321 00:21:55,000 --> 00:21:56,600 Sure, I heard a phonograph playing. 322 00:21:56,700 --> 00:21:59,600 That's it. Take it easy, partner. Got any idea who did this? 323 00:22:01,400 --> 00:22:02,800 It's one of them circus fellows. 324 00:22:03,000 --> 00:22:05,100 - Pick him out? - Sure I can pick him. 325 00:22:06,400 --> 00:22:08,100 - Say, I've been robbed! - Are you sure? 326 00:22:08,300 --> 00:22:10,400 I had a diamond that big in a ring on my finger. 327 00:22:10,600 --> 00:22:13,500 We'll get some of the boys to pick him up if he ain't left town. 328 00:22:13,700 --> 00:22:15,000 - Can you make the grade? - Sure. 329 00:22:15,200 --> 00:22:16,400 OFFICER 1: Right this way. 330 00:22:26,300 --> 00:22:28,700 OFFICER 1: That's him. OFFICER 2: Through the tent. 331 00:22:29,000 --> 00:22:30,900 OFFICER 2: Move, boys. OFFICER 1: That's him. 332 00:22:31,000 --> 00:22:32,700 That's him, men, hurry up. 333 00:22:33,300 --> 00:22:35,200 There he goes. Don't let him get away. 334 00:22:36,500 --> 00:22:37,700 Catch him, men. 335 00:22:37,800 --> 00:22:39,700 You're not going to pull that on me. 336 00:22:39,900 --> 00:22:41,400 SLICK: Help! 337 00:22:42,800 --> 00:22:44,800 OFFICER 2: None of that. Don't start no riot. 338 00:22:45,000 --> 00:22:47,300 - That's him. - Go ahead, frisk him. 339 00:22:54,600 --> 00:22:55,700 Come on. 340 00:22:55,800 --> 00:22:57,400 ERNEST: That's it. OFFICER 1: You sure? 341 00:22:57,600 --> 00:22:59,700 ERNEST: I can prove it. OFFICER 1: Take him along. 342 00:22:59,900 --> 00:23:03,300 - But it's mine. - It's evidence, give it here. Come on. 343 00:23:15,900 --> 00:23:17,800 - Our phone working? - Yeah. 344 00:23:17,900 --> 00:23:19,100 Thanks. 345 00:23:19,700 --> 00:23:22,600 - Hello. Give me long distance. - Long distance? 346 00:23:22,800 --> 00:23:24,900 - Ain't you never heard of it? - Anything wrong? 347 00:23:25,100 --> 00:23:28,800 Cops picked up Slick for knocking over a guy and lifting his diamond ring. 348 00:23:29,100 --> 00:23:31,400 BIG BILL: He pulled that job here? TIRA: Don't worry. 349 00:23:31,600 --> 00:23:33,600 You're safe. It's me that they... 350 00:23:33,700 --> 00:23:35,600 Hello. Long distance? 351 00:23:36,000 --> 00:23:37,900 I want to talk to Benny Pinkowitz. 352 00:23:38,000 --> 00:23:42,200 New York City. I don't know. He lives around 88th Street and Riverside Drive. 353 00:23:44,700 --> 00:23:46,000 Pinkowitz. 354 00:23:46,800 --> 00:23:48,500 Pinkowitz, I said. 355 00:23:49,700 --> 00:23:51,600 All right, I'll spell it for you. 356 00:23:52,200 --> 00:23:55,500 "P" like in pansy. 357 00:23:57,000 --> 00:24:01,000 I-N-K-O-W... 358 00:24:01,600 --> 00:24:03,300 "W" like in witch. 359 00:24:04,000 --> 00:24:05,500 No, witch! 360 00:24:06,000 --> 00:24:07,900 Dame misunderstood me. 361 00:24:08,500 --> 00:24:11,000 I-T... 362 00:24:11,600 --> 00:24:13,100 "T" like in tomato. 363 00:24:14,100 --> 00:24:15,300 "Z." 364 00:24:16,200 --> 00:24:18,900 Put them all together, they spell "Pinkowitz." 365 00:24:19,100 --> 00:24:21,100 All right, you'll ring me? 366 00:24:21,600 --> 00:24:22,700 Okay. 367 00:24:22,900 --> 00:24:24,400 Why are you calling that shyster? 368 00:24:24,500 --> 00:24:26,600 He helped me beat one rap, and he can do it again. 369 00:24:26,800 --> 00:24:27,900 How're you mixed up in this? 370 00:24:28,100 --> 00:24:29,200 Like an olive in a martini. 371 00:24:29,500 --> 00:24:31,000 [Telephone ringing] 372 00:24:36,200 --> 00:24:37,300 Hello. 373 00:24:38,300 --> 00:24:39,500 [Telephone ringing] 374 00:24:39,600 --> 00:24:41,100 That's service. 375 00:24:43,500 --> 00:24:44,800 Hello, Benny? 376 00:24:45,000 --> 00:24:46,400 Benny, this is Tira. 377 00:24:46,400 --> 00:24:48,600 Hello, Tira. 378 00:24:49,200 --> 00:24:51,700 It's all right. You didn't disturb me. 379 00:24:51,900 --> 00:24:53,500 What is this time? 380 00:24:54,300 --> 00:24:56,400 Can that be the truth? 381 00:24:56,800 --> 00:24:58,200 [Murmurs in disbelief] 382 00:24:58,800 --> 00:25:01,400 All right, I'll catch the first train out. 383 00:25:01,600 --> 00:25:03,600 Maybe for you, Tira, I can do something. 384 00:25:03,900 --> 00:25:06,400 But as for Slick, I ain't so sure. 385 00:25:06,800 --> 00:25:08,500 Say, have you got any money? 386 00:25:08,700 --> 00:25:12,000 It will take a nice piece of change to square up everything. 387 00:25:12,300 --> 00:25:14,100 About myself, I ain't asking a nickel. 388 00:25:14,200 --> 00:25:17,900 Don't worry, Benny. I'll have the money when you get here. Only work fast. 389 00:25:18,200 --> 00:25:21,100 Leave it to me. Goodbye. See you later. 390 00:25:24,400 --> 00:25:27,700 BENNY: Hey, operator, listen... 391 00:25:28,100 --> 00:25:31,100 I don't accept reverse charges. Yeah. 392 00:25:32,500 --> 00:25:34,400 Bill, you gotta let me have some dough. 393 00:25:34,600 --> 00:25:36,600 You're asking favours of me now? 394 00:25:36,800 --> 00:25:39,300 All right, you win. Give me a light. 395 00:25:41,600 --> 00:25:44,800 If you'd been nicer to me and worked the way I wanted you to... 396 00:25:45,000 --> 00:25:46,400 why then... 397 00:25:46,600 --> 00:25:48,200 It's either one thing or the other. 398 00:25:48,300 --> 00:25:51,000 You fix me up with dough or I gotta get out of town. 399 00:25:51,200 --> 00:25:53,300 If Slick goes up, he's gonna drag me with him. 400 00:25:53,500 --> 00:25:56,600 I want the dough, and I'll pay you back as soon as I can. 401 00:25:58,100 --> 00:25:59,700 I wanna help around here. 402 00:25:59,800 --> 00:26:02,600 I'm willing to do my share, more than my share. 403 00:26:02,800 --> 00:26:05,100 I'll work them cats like they've never been worked. 404 00:26:05,200 --> 00:26:08,600 If it'll make you happy, I'll even stick my head in the big cat's mouth. 405 00:26:08,900 --> 00:26:10,500 Think it over. 406 00:26:12,800 --> 00:26:15,000 She'll stick her head in the big cat's mouth? 407 00:26:16,800 --> 00:26:19,700 This is big. If she'll do that, your fortune's as good as made. 408 00:26:19,900 --> 00:26:22,100 The Big Show would grab that act in a minute. 409 00:26:22,300 --> 00:26:25,100 They've been all season looking for an attraction like that. 410 00:26:25,300 --> 00:26:28,400 They've been wanting something big. This is it. Can't you see it? 411 00:26:28,600 --> 00:26:32,200 The 24 sheets, "Dame Sticks Her Beautiful Head in a Lion's Mouth." 412 00:26:32,400 --> 00:26:35,400 The jaws of death! I mean, it's stupendous! 413 00:26:35,600 --> 00:26:39,400 Don't you realise you'd be a chump not to cash in on it? Give yourself a break. 414 00:26:39,700 --> 00:26:43,700 If I can't sell that act to the Big Show in 10 minutes, my name ain't Flea Madigan. 415 00:26:44,000 --> 00:26:46,400 Tell them we can handle them cats like nobody else. 416 00:26:46,600 --> 00:26:49,800 FLEA: She's safer in that cage than in bed. BIG BILL: I don't doubt it. 417 00:26:54,300 --> 00:26:57,700 - Tira, I've changed my mind. - Does it work any better? 418 00:26:58,900 --> 00:27:01,800 I've got your money. It's a drop in the bucket to what you'll get. 419 00:27:02,000 --> 00:27:04,100 There is a Santa Claus, but why the great joy? 420 00:27:04,300 --> 00:27:07,700 We can sell the act to the Big Show. That was a great idea you got. 421 00:27:08,000 --> 00:27:10,900 - What idea was that? - Sticking your head in the lion's mouth! 422 00:27:11,100 --> 00:27:13,300 Who's sticking whose head in whose mouth? 423 00:27:14,200 --> 00:27:17,900 FLEA: You! It's marvellous, it's stupendous! TIRA: It's lousy. 424 00:27:18,300 --> 00:27:21,600 BIG BILL: You can't back out on me. TIRA: What do you think I am, screwy? 425 00:27:21,700 --> 00:27:23,600 Sticking my head in a lion's mouth. 426 00:27:23,800 --> 00:27:25,700 Don't make me laugh, I ain't in the mood. 427 00:27:25,900 --> 00:27:28,100 He'll let you stick your hand in, why not your head? 428 00:27:28,300 --> 00:27:31,200 You're crazy if you don't grab this chance. It means a fortune. 429 00:27:31,400 --> 00:27:34,900 FLEA: Think of it, all the dough you can use! TIRA: What is the proposition? 430 00:27:35,200 --> 00:27:38,500 BIG BILL: The Big Show, playing big cities. Your name in 1,000-watt Mazdas. 431 00:27:38,600 --> 00:27:41,500 No more worrying, no more doubling, all the clothes you want. 432 00:27:41,700 --> 00:27:44,000 What good will clothes do me without a head? 433 00:27:45,500 --> 00:27:48,700 It's a cinch for you, Tira. Big Boy will never hurt you. 434 00:27:48,900 --> 00:27:51,300 He's young, you'll never have to use another cat. 435 00:27:51,600 --> 00:27:53,500 The Big Show, playing in all the big cities. 436 00:27:53,700 --> 00:27:55,900 FLEA: The silk hats, the Rolls-Royce cars... 437 00:27:56,100 --> 00:27:58,600 the clothes, the jewels, the smart money. 438 00:27:58,800 --> 00:28:01,000 Meeting the swells, huh? 439 00:28:02,000 --> 00:28:04,000 Boys, I think you got me sold. 440 00:28:04,200 --> 00:28:06,100 The only trouble with a trick like that... 441 00:28:06,300 --> 00:28:09,200 if it don't work the first time, you don't get a second chance. 442 00:28:09,400 --> 00:28:11,300 - How much dough you got? - A couple of grand. 443 00:28:11,500 --> 00:28:12,800 Let's have it. 444 00:28:15,200 --> 00:28:18,200 TIRA: I may need more later. BIG BILL: Here, sign. 445 00:28:18,700 --> 00:28:20,400 What's the matter, don't you trust me? 446 00:28:20,600 --> 00:28:22,900 I wouldn't trust my own mother, you know that. 447 00:28:29,900 --> 00:28:32,800 FLEA: I'll hop that first plane in the morning and I'll... 448 00:28:53,600 --> 00:28:56,400 TIRA: Joe, open up this cage. I'm going in. 449 00:28:56,700 --> 00:28:58,900 JOE: All right. 450 00:29:00,800 --> 00:29:04,300 Now listen, honey, there's a little something I wanna talk over with you. 451 00:29:04,500 --> 00:29:06,200 Now this is what you got to do. 452 00:29:17,700 --> 00:29:20,200 [Upbeat circus instrumental music] 453 00:29:47,900 --> 00:29:52,100 - When does this lion tamer appear? - Few minutes. 454 00:29:52,800 --> 00:29:55,900 - 9:45, to be exact. - How do you know? 455 00:29:57,300 --> 00:29:59,800 Why, it's here on the programme. 456 00:30:04,600 --> 00:30:06,600 [Audience applauding] 457 00:30:08,100 --> 00:30:09,600 [Fanfare playing] 458 00:30:11,600 --> 00:30:13,900 Ladies and gentlemen... 459 00:30:14,500 --> 00:30:17,600 I take great pleasure in introducing to you... 460 00:30:18,300 --> 00:30:20,800 Tira, the million-dollar beauty! 461 00:30:24,700 --> 00:30:26,600 [Lively instrumental music playing] 462 00:30:52,700 --> 00:30:54,700 [Playing fanfare] 463 00:31:04,200 --> 00:31:06,200 [Audience applauding] 464 00:31:21,900 --> 00:31:23,400 You see her? 465 00:31:23,500 --> 00:31:26,500 [Lively instrumental music continues playing] 466 00:31:57,900 --> 00:32:00,300 She is something special, isn't she? 467 00:32:00,500 --> 00:32:02,900 I'll say, she's fascinating. 468 00:32:03,500 --> 00:32:06,500 [Fast-paced instrumental music playing] 469 00:32:07,000 --> 00:32:09,000 [Lions growling] 470 00:32:35,800 --> 00:32:37,600 TIRA: Where were you last night? 471 00:32:40,100 --> 00:32:41,300 Give me a peek. 472 00:32:43,300 --> 00:32:45,100 TIRA: Come on, talk to me. 473 00:32:50,400 --> 00:32:51,900 TIRA: Come on, get up. 474 00:32:54,700 --> 00:32:57,000 Come on, speak up for yourself. 475 00:32:59,300 --> 00:33:03,200 TIRA: What's the matter with you? You gotta be sitting? Get up. 476 00:33:04,500 --> 00:33:07,000 TIRA: Yeah, you'll end up as a rug. 477 00:33:09,900 --> 00:33:13,500 Come on, you're holding up the works, you mug. 478 00:33:13,800 --> 00:33:15,200 Come on, get up there. 479 00:33:17,700 --> 00:33:19,100 Give us a peek. 480 00:33:25,900 --> 00:33:29,900 Romeo, what's the matter with you? Come on, get up there, that's it. 481 00:33:31,200 --> 00:33:34,700 [Fast-paced instrumental music continues playing] 482 00:33:53,300 --> 00:33:55,400 And now, ladies and gentlemen... 483 00:33:56,100 --> 00:34:00,400 for the first time since Nero threw the Christians to the lions... 484 00:34:01,600 --> 00:34:05,700 you will see feminine beauty, triumphant and unafraid. 485 00:34:06,100 --> 00:34:10,700 Miss Tira will defy death by placing her head... 486 00:34:11,600 --> 00:34:13,900 in the jaws of the king of beasts. 487 00:34:14,600 --> 00:34:15,900 Miss Tira! 488 00:34:16,300 --> 00:34:18,300 [Fanfare playing] 489 00:34:27,900 --> 00:34:29,400 [Lion growling] 490 00:34:38,500 --> 00:34:43,300 If them lions don't show some sense, I'm going down and bite her myself. 491 00:34:45,200 --> 00:34:47,600 Come on, handsome, say, "Ah." Come on, big guy. 492 00:34:48,100 --> 00:34:49,600 That's it. 493 00:34:56,300 --> 00:34:58,600 Remember my contract, baby. 494 00:35:12,800 --> 00:35:14,800 [Fanfare playing] 495 00:35:20,900 --> 00:35:24,000 - That was great, wasn't it? - I didn't see anything great about it. 496 00:35:24,200 --> 00:35:26,600 Look here, I happen to know her publicity man. 497 00:35:26,900 --> 00:35:29,100 - How would you all like to go back... - I'm for that. 498 00:35:29,300 --> 00:35:30,400 Oh, no. 499 00:35:30,500 --> 00:35:34,000 Let's do, Alicia. We don't care about seeing the rest of the show, do we? 500 00:35:34,300 --> 00:35:36,400 - No. - And it'll be a lot of fun knowing her. 501 00:35:36,500 --> 00:35:39,700 It's absurd to make such a fuss over an ordinary circus performer. 502 00:35:40,000 --> 00:35:42,500 - Are we going, or aren't we? - We certainly are. 503 00:35:42,700 --> 00:35:43,900 Well, let's go. 504 00:35:44,300 --> 00:35:45,700 Very well. 505 00:35:45,800 --> 00:35:48,800 I suppose I must bow before the general enthusiasm. 506 00:35:52,400 --> 00:35:56,100 Beulah, that's another performance under my belt and I still got the face. 507 00:35:56,300 --> 00:35:58,600 Bless you, child, I hopes you always keeps it. 508 00:35:58,900 --> 00:36:01,000 It's my fortune. 509 00:36:01,400 --> 00:36:04,400 When I was born with this face, it was the same as striking oil. 510 00:36:04,600 --> 00:36:06,000 Yes, ma'am. 511 00:36:06,100 --> 00:36:07,300 [Beulah laughing] 512 00:36:09,400 --> 00:36:12,400 You sure do believe in that horoscope, don't you, Miss Tira? 513 00:36:12,600 --> 00:36:15,300 It tells me everything. I wouldn't make a move without it. 514 00:36:16,300 --> 00:36:19,100 Yes, indeed, Tira enjoys meeting people. 515 00:36:19,300 --> 00:36:22,000 You'll find her a regular fellow. She has to be in the mood. 516 00:36:22,200 --> 00:36:25,800 That is, her work is very strenuous and stars will be temperamental at times. 517 00:36:26,100 --> 00:36:29,100 - Yes, so I've heard. - Yes. 518 00:36:29,300 --> 00:36:30,400 Excuse me just a moment. 519 00:36:30,500 --> 00:36:31,400 [Doorbell buzzing] 520 00:36:32,700 --> 00:36:34,200 See who that is. 521 00:36:36,500 --> 00:36:39,300 BEULAH: Evening, Mr. Madigan. FLEA: May I see Miss Tira, please? 522 00:36:39,500 --> 00:36:40,400 BEULAH: Yes, sir. 523 00:36:40,500 --> 00:36:41,900 TIRA: Come in, Flea. 524 00:36:42,800 --> 00:36:44,300 - Are you in the mood? - For what? 525 00:36:44,500 --> 00:36:45,700 Silk hats. 526 00:36:46,900 --> 00:36:48,600 I can get that way. 527 00:36:49,300 --> 00:36:50,800 FLEA: Okay, Beulah. 528 00:36:52,100 --> 00:36:54,100 FLEA: Step right in, please. KIRK: Thank you. 529 00:36:54,300 --> 00:36:57,400 FLEA: Just make yourself right at home. Miss Tira'll be out directly. 530 00:36:57,600 --> 00:36:59,800 KIRK: That's nice. Appreciate it. MR. BOND: Thank you. 531 00:37:00,000 --> 00:37:02,900 Mr. And Mrs. Fletcher, Mr. And Mrs. Bond. 532 00:37:03,100 --> 00:37:05,700 MRS. BOND: How do you do? FLEA: Mr. Lawrence and Miss Hatton. 533 00:37:05,900 --> 00:37:07,600 Pleased to meet you, won't you sit down? 534 00:37:07,700 --> 00:37:08,700 MRS. BOND: Thank you. 535 00:37:12,100 --> 00:37:13,200 Won't you sit down? 536 00:37:13,400 --> 00:37:15,700 If you don't mind, I'd rather wait in the lounge. 537 00:37:15,800 --> 00:37:17,600 Pleased to have met you, anyway. 538 00:37:24,800 --> 00:37:26,900 Now, let's see, where were we? 539 00:37:27,000 --> 00:37:30,700 I was about to say, we really came back to tell you what a thrill you gave us. 540 00:37:31,000 --> 00:37:34,000 Thank you, I'm glad you liked my act. It is kind of unusual. 541 00:37:34,200 --> 00:37:38,100 I don't see how you get up enough courage to thrust your head in that beast's mouth. 542 00:37:38,400 --> 00:37:40,100 I often wonder myself. 543 00:37:40,600 --> 00:37:42,100 It seems terribly dangerous. 544 00:37:42,200 --> 00:37:45,400 It is, that's why I have to carry a rod, I mean a gun. 545 00:37:45,700 --> 00:37:47,000 I had to shoot a lion once. 546 00:37:47,100 --> 00:37:49,100 Really, was he mad? 547 00:37:49,300 --> 00:37:51,700 He wasn't exactly pleased about it. 548 00:37:52,700 --> 00:37:55,000 Would you be so good as to autograph my programme? 549 00:37:55,200 --> 00:37:56,200 Love to. 550 00:37:56,300 --> 00:37:58,700 MRS. BOND: I should think you dread every new performance. 551 00:37:58,900 --> 00:38:00,700 It is kind of wearing on the nerves. 552 00:38:00,900 --> 00:38:03,300 Of course, I don't intend to do this all my life. 553 00:38:03,500 --> 00:38:04,800 - Thanks. - And mine? 554 00:38:05,000 --> 00:38:06,500 [Tira murmurs in agreement] 555 00:38:06,700 --> 00:38:10,300 I don't believe after all this excitement, that you'd enjoy being idle. 556 00:38:10,800 --> 00:38:12,400 I'll be doing something. 557 00:38:14,100 --> 00:38:17,000 Say, I've got a great idea. Why don't you have supper with us? 558 00:38:17,300 --> 00:38:18,700 MR. BOND: We'd love to have you. 559 00:38:18,800 --> 00:38:21,000 Thanks, but I've previous engagements. 560 00:38:21,200 --> 00:38:22,200 That's too bad. 561 00:38:22,400 --> 00:38:25,200 - It's been such a great pleasure to meet you. - Thank you. 562 00:38:25,400 --> 00:38:27,900 Permit me to say, I think you're perfectly wonderful. 563 00:38:28,100 --> 00:38:30,400 Coming from a woman, that's a big compliment. 564 00:38:31,300 --> 00:38:32,400 MR. BOND: Delighted. 565 00:38:32,500 --> 00:38:34,800 It's been charming to meet you lovely people. 566 00:38:35,000 --> 00:38:37,500 MR. FLETCHER: Have a lovely evening. TIRA: Good night. 567 00:38:42,500 --> 00:38:45,600 Anyway, you've been awfully kind. I'll never forget you. 568 00:38:45,800 --> 00:38:47,300 No one ever does. 569 00:38:48,200 --> 00:38:49,900 - Good night. - Good night. 570 00:38:51,900 --> 00:38:53,700 FLEA: Swell person, isn't she? 571 00:38:53,800 --> 00:38:55,100 I'm so glad we met her. 572 00:38:55,300 --> 00:38:57,500 How about taking a look at the lion she works with? 573 00:38:57,700 --> 00:39:00,400 MR. FLETCHER: Good idea. MRS. FLETCHER: We'll wait for Alicia. 574 00:39:00,600 --> 00:39:03,200 MRS. BOND: Yes. We'll join you later. MR. BOND: Until then. 575 00:39:03,400 --> 00:39:05,600 FLEA: Don't be long. MRS. BOND: All right. 576 00:39:08,500 --> 00:39:11,900 Beulah, remind me to tell Flea Madigan to get that blue book in here... 577 00:39:12,200 --> 00:39:15,500 with the 400 in it. So I'll know who's who and what's what in this town. 578 00:39:15,700 --> 00:39:17,100 Yes, ma'am. 579 00:39:19,000 --> 00:39:20,600 Mr. Lawrence, huh? 580 00:39:21,200 --> 00:39:24,400 Did you have a nice visit with your lion tamer? 581 00:39:24,700 --> 00:39:27,700 Alicia, she's marvellous. You really should've stayed. 582 00:39:27,900 --> 00:39:29,800 - Such good fun. - Nonsense. 583 00:39:30,000 --> 00:39:33,200 I can't see why everybody's so absolutely gaga about her. 584 00:39:33,400 --> 00:39:35,500 She's obviously a person of the commonest sort. 585 00:39:35,700 --> 00:39:36,900 MRS. FLETCHER: Not at all. 586 00:39:37,100 --> 00:39:39,400 ALICIA: Of course, she would impress the men. 587 00:39:39,700 --> 00:39:43,900 They all have low minds. And she's certainly low enough to appeal to them. 588 00:39:44,200 --> 00:39:45,900 MRS. BOND: Alicia, how can you say that? 589 00:39:46,100 --> 00:39:49,400 ALICIA: We all have a right to our own opinion and I think she's cruel... 590 00:39:49,600 --> 00:39:51,100 and a very ill-bred person. 591 00:39:51,300 --> 00:39:52,400 [Gasping] 592 00:39:55,800 --> 00:39:57,100 I've never been so... 593 00:39:57,300 --> 00:39:59,400 I must get out of this place before I scream. 594 00:40:00,000 --> 00:40:03,200 Can you imagine that broad discussing me in that manner? 595 00:40:04,700 --> 00:40:07,000 Say, I like them brocades. 596 00:40:07,200 --> 00:40:09,800 - Order me six more pair in the morning. - Yes, ma'am. 597 00:40:15,400 --> 00:40:16,500 [Doorbell buzzing] 598 00:40:16,700 --> 00:40:20,400 - Is you in to anyone else? - I'm meeting all comers tonight. 599 00:40:25,800 --> 00:40:28,400 Sorry, I believe I left my cane inside. 600 00:40:29,100 --> 00:40:33,100 BEULAH: He says he left his cane. TIRA: Come in, Mr. Lawrence. Let's find it. 601 00:40:33,600 --> 00:40:36,000 It isn't necessary, I know right where I left it. 602 00:40:36,200 --> 00:40:39,500 - You got a good memory. - I ought to, since I left it here on purpose. 603 00:40:39,700 --> 00:40:42,300 TIRA: You mean you planted that stick? KIRK: Sure. 604 00:40:43,000 --> 00:40:45,500 Had to find a way to see you alone. 605 00:40:46,200 --> 00:40:49,000 I've seen your show three times and I think you're wonderful. 606 00:40:49,200 --> 00:40:52,600 - You're dazzling, beautiful, gorgeous... - Wait a minute, take it slower. 607 00:40:54,300 --> 00:40:56,900 What I mean is, let's get better acquainted. 608 00:40:57,200 --> 00:41:00,900 You know, we can have a lot of fun together. You'll like me when you know me. 609 00:41:01,200 --> 00:41:02,300 I'm not half bad. 610 00:41:02,400 --> 00:41:06,000 If you're half the man I think you are, you'll do. 611 00:41:07,800 --> 00:41:09,800 - I am. - Oh, well. 612 00:41:10,000 --> 00:41:12,700 Come on, let's go out tonight. I'll ditch the crowd. 613 00:41:12,900 --> 00:41:15,900 - I told you I have a previous engagement. - Break it. 614 00:41:16,500 --> 00:41:18,700 - You'll never regret it. - No. 615 00:41:19,600 --> 00:41:22,500 I'd love to, but I've got to meet my aunt. 616 00:41:23,200 --> 00:41:25,300 These relatives are a nuisance at times. 617 00:41:25,500 --> 00:41:28,300 What about tomorrow? For breakfast, lunch, dinner, anything. 618 00:41:28,500 --> 00:41:30,300 Let me see. 619 00:41:31,000 --> 00:41:33,400 Breakfast I have in bed, so that's out. 620 00:41:33,900 --> 00:41:36,700 TIRA: I don't eat lunch, and dinner... 621 00:41:37,200 --> 00:41:39,500 We'll make it supper tomorrow night. 622 00:41:39,900 --> 00:41:41,900 That's a date, then we'll go out. 623 00:41:42,400 --> 00:41:44,600 I like sophisticated men to take me out. 624 00:41:44,800 --> 00:41:47,000 I'm not really sophisticated. 625 00:41:48,300 --> 00:41:50,600 You're not really out yet, either. 626 00:41:57,300 --> 00:41:58,700 You got me. 627 00:41:59,700 --> 00:42:01,200 Have I? 628 00:42:02,200 --> 00:42:05,500 I guess I'd better be going before they come in here and get me. 629 00:42:05,700 --> 00:42:07,900 - Tomorrow night, then. - That's the night. 630 00:42:10,700 --> 00:42:13,600 Beulah, bring me my horoscope. 631 00:42:13,800 --> 00:42:16,100 - Here it is. - That's service. 632 00:42:16,300 --> 00:42:18,300 That man sure is crazy about you, ain't he? 633 00:42:18,500 --> 00:42:21,600 Crazy about me? The guy's a pushover for me. 634 00:42:28,100 --> 00:42:31,100 [Jazzy instrumental music] 635 00:42:33,200 --> 00:42:36,500 MAN 1: Thank you, Mr. Lawrence. That will be delivered to Miss Tira today. 636 00:42:42,400 --> 00:42:44,800 MAN 2: We will deliver the card to Miss Tira on Wednesday. 637 00:42:46,400 --> 00:42:49,500 WOMAN: All right, Miss Tira, Mr. Lawrence has arranged for the account. 638 00:42:49,700 --> 00:42:51,900 TIRA: Yeah? Now let me see. 639 00:42:55,000 --> 00:42:58,000 BEULAH: My, oh, my! Look at that. 640 00:43:22,600 --> 00:43:24,500 [Beulah murmuring in delight] 641 00:43:33,700 --> 00:43:37,100 [Jazzy instrumental music continues] 642 00:44:04,400 --> 00:44:07,100 [Singing] I always love to be in bright lights 643 00:44:07,400 --> 00:44:09,500 My streets are paved with gold 644 00:44:10,500 --> 00:44:12,700 I found myself a new kind of man 645 00:44:12,900 --> 00:44:13,900 Sing it, honey. 646 00:44:14,000 --> 00:44:15,300 [Singing] He's mine to have and hold 647 00:44:15,500 --> 00:44:16,500 And how. 648 00:44:16,600 --> 00:44:18,900 [Singing] I'm in my glory when he's around 649 00:44:19,100 --> 00:44:20,100 Yes, ma'am. 650 00:44:20,300 --> 00:44:22,500 [Singing] Found a new way to go to town 651 00:44:26,200 --> 00:44:29,400 - Miss Tira, you got something. - Something not bad, huh? 652 00:44:29,600 --> 00:44:30,700 Not bad? 653 00:44:30,900 --> 00:44:34,300 I've never seen such presents as this here Mr. Kirk Lawrence done give you. 654 00:44:34,500 --> 00:44:37,300 You sure skinned him pretty. You only knowed him a week. 655 00:44:37,500 --> 00:44:39,300 Yeah, but what a week! 656 00:44:40,700 --> 00:44:42,800 He's crazy about you, same as all the rest. 657 00:44:43,000 --> 00:44:45,100 I don't see how any man could help loving you. 658 00:44:45,300 --> 00:44:47,800 I don't give them any help, they do it themselves. 659 00:44:48,500 --> 00:44:51,600 You do keep me busy keeping track of your gentleman friends. 660 00:44:51,800 --> 00:44:53,600 I want to make it easy for you, Beulah... 661 00:44:53,700 --> 00:44:56,500 I'm thinking about putting in a filing system. 662 00:44:57,000 --> 00:44:58,200 BEULAH: Yes, ma'am. 663 00:44:58,300 --> 00:45:00,700 Men don't mean a thing to me. 664 00:45:00,900 --> 00:45:02,700 Be careful with that million-dollar foot. 665 00:45:02,900 --> 00:45:06,000 I don't know, but me and men do pretty well together. 666 00:45:06,400 --> 00:45:08,200 What kind of men do you like, Libby? 667 00:45:08,300 --> 00:45:10,600 I'm just crazy about dark men. 668 00:45:12,100 --> 00:45:14,800 Dark men? You ought to have a big time in Africa. 669 00:45:15,000 --> 00:45:16,900 LIBBY: Yes, ma'am. 670 00:45:17,200 --> 00:45:20,300 Don't get those nails too short, or they'll think I bite them. 671 00:45:20,500 --> 00:45:24,800 Miss Tira, I've been under the impression you is a one-man woman. 672 00:45:25,200 --> 00:45:27,100 I am, one man at a time. 673 00:45:28,100 --> 00:45:29,500 TIRA: Beulah. BEULAH: Yes, ma'am. 674 00:45:29,700 --> 00:45:31,500 Fetch me that importation. 675 00:45:31,600 --> 00:45:33,100 You mean this one? 676 00:45:33,500 --> 00:45:36,100 TIRA: Yes, that Parisian one. BEULAH: Yes, ma'am. 677 00:45:44,500 --> 00:45:47,500 [Singing] I play to win the game of romance 678 00:45:47,700 --> 00:45:50,400 With high cards in my hands 679 00:45:50,600 --> 00:45:53,500 But I've been trumped by an ace of hearts 680 00:45:53,700 --> 00:45:56,100 That feeling's oh, so grand 681 00:45:56,900 --> 00:45:59,900 Give me my parasols and fancy gowns 682 00:46:00,100 --> 00:46:02,200 I found a new way to go to town 683 00:46:02,400 --> 00:46:03,500 I'm high 684 00:46:03,500 --> 00:46:04,600 Yes, ma'am. 685 00:46:04,800 --> 00:46:05,800 TIRA: [Singing] I'm low 686 00:46:05,900 --> 00:46:07,200 Takes a good man to break me 687 00:46:07,400 --> 00:46:08,400 Sure does. 688 00:46:08,500 --> 00:46:09,600 [Singing] No man can shake me 689 00:46:09,800 --> 00:46:11,200 Until I let him go 690 00:46:12,100 --> 00:46:13,200 Oh de lum 691 00:46:13,300 --> 00:46:14,300 Come on. 692 00:46:24,200 --> 00:46:27,000 TIRA: Is it a flash or is it a flash? MAID: That's beautiful. 693 00:46:27,200 --> 00:46:29,900 I know it's beautiful, but I'm asking you is it a flash? 694 00:46:30,000 --> 00:46:31,200 It's a flash, all right. 695 00:46:31,400 --> 00:46:33,500 - Kind of daring, huh? - Not for you, it ain't. 696 00:46:33,600 --> 00:46:35,500 That's all I want to know. 697 00:46:36,300 --> 00:46:37,200 [Doorbell buzzing] 698 00:46:37,600 --> 00:46:40,300 If that's that house detective, tell him I'm... 699 00:46:40,600 --> 00:46:42,900 I never will get used to this joint. 700 00:46:43,100 --> 00:46:44,700 - Show the gentleman in. - Yes, ma'am. 701 00:46:44,900 --> 00:46:46,000 Get me my beads. 702 00:46:46,200 --> 00:46:48,600 You mean that pretty necklace you just had give to you? 703 00:46:48,800 --> 00:46:51,200 Yeah, the necklace. I will say beads. 704 00:46:52,800 --> 00:46:54,800 - Pretty, ain't it? - I'll say it is. 705 00:46:55,000 --> 00:46:56,700 I just wonder how much money that costs? 706 00:46:56,900 --> 00:46:59,400 I couldn't tell you right now, but I have an idea... 707 00:46:59,600 --> 00:47:02,800 It ain't no he, it's a she. Says her name is Miss Hatton. 708 00:47:03,100 --> 00:47:05,100 - Miss who? - Miss Hatton. 709 00:47:08,700 --> 00:47:10,300 - Pardon me. - Yes, ma'am. 710 00:47:15,300 --> 00:47:17,100 So it's you. 711 00:47:17,600 --> 00:47:19,200 ALICIA: You know why I'm here. 712 00:47:19,400 --> 00:47:22,100 Hardly. You see I'm a lion tamer, not a mind reader. 713 00:47:22,300 --> 00:47:25,700 Then it might refresh you to know that I'm Kirk's fianc�e. 714 00:47:26,100 --> 00:47:27,900 Nothing refreshing about that. 715 00:47:28,600 --> 00:47:31,500 - I want to know just what you intend to do. - What do you mean? 716 00:47:31,700 --> 00:47:33,500 You know you're making a fool of him. 717 00:47:33,700 --> 00:47:37,300 He ain't any different than when I first met him, not much. 718 00:47:37,800 --> 00:47:41,000 Everyone knows we're engaged and yet you're deliberately interfering. 719 00:47:41,200 --> 00:47:42,700 I ain't interfering with nothing. 720 00:47:42,900 --> 00:47:46,700 - If Kirk prefers my company to yours... - No, he doesn't, he only imagines he does. 721 00:47:46,900 --> 00:47:49,500 I'll admit the boy has got a great imagination. 722 00:47:50,300 --> 00:47:53,100 It's perfectly obvious what your intentions are. 723 00:47:53,500 --> 00:47:54,700 Kirk has lots of money... 724 00:47:54,800 --> 00:47:57,700 Wait a minute. Whatever you're thinking, you're wrong. 725 00:47:58,000 --> 00:48:01,300 I only like him like a brother. You ain't got nothing to worry about. 726 00:48:01,500 --> 00:48:03,400 - You're a liar! - Say, listen you... 727 00:48:03,600 --> 00:48:05,600 a better dame than you once called me a liar... 728 00:48:05,800 --> 00:48:08,400 and they had a sew her up in 12 different places. 729 00:48:08,600 --> 00:48:11,500 You're lucky I'm a little more refined than I used to be. 730 00:48:11,900 --> 00:48:13,800 And if you were as much a lady as I am... 731 00:48:14,000 --> 00:48:16,300 you'd get out of here before I get real sore. 732 00:48:16,500 --> 00:48:20,400 - You haven't a streak of decency in you. - I don't show my good points to strangers. 733 00:48:22,000 --> 00:48:23,800 I'll trouble you to scram. 734 00:48:27,100 --> 00:48:28,400 Just a minute. 735 00:48:29,200 --> 00:48:33,300 ALICIA: I realise there's only one thing that will influence you to leave Kirk alone. 736 00:48:34,500 --> 00:48:35,600 How much? 737 00:48:45,300 --> 00:48:47,000 TIRA: Beulah. BEULAH: Yes, ma'am. 738 00:48:47,400 --> 00:48:48,600 Peel me a grape. 739 00:48:53,000 --> 00:48:54,800 JACK: I can't wait any longer. You'd better go. 740 00:48:55,000 --> 00:48:58,100 - I'm not going to Texas. That's final. - You're being ridiculous. 741 00:48:58,200 --> 00:49:00,500 This mad infatuation of yours for this... 742 00:49:01,000 --> 00:49:03,400 lion tamer, will ruin your life and Alicia's, too. 743 00:49:03,600 --> 00:49:05,100 Don't you worry about Alicia. 744 00:49:05,300 --> 00:49:07,500 You seem to forget that you're an engaged man. 745 00:49:07,700 --> 00:49:10,100 Jack, it's no good arguing. I'll handle my own affairs. 746 00:49:10,300 --> 00:49:12,900 - You're gonna continue with this woman? - Indefinitely. 747 00:49:13,100 --> 00:49:14,700 - You're mad. - Right. 748 00:49:28,100 --> 00:49:29,700 TIRA: Leave that where you found it. 749 00:49:30,300 --> 00:49:33,200 Well, hello, baby. 750 00:49:33,500 --> 00:49:34,800 SLICK: Here I am. TIRA: So I see. 751 00:49:35,000 --> 00:49:37,000 When'd did they open the pearly gates for you? 752 00:49:37,200 --> 00:49:38,700 SLICK: Yesterday. Glad to see me? 753 00:49:38,900 --> 00:49:40,400 Sure, don't I look it? 754 00:49:40,500 --> 00:49:43,100 - And you ain't sore. - Why should I be? 755 00:49:43,400 --> 00:49:45,300 You've done the time, not me. 756 00:49:46,200 --> 00:49:47,700 How did you happen to come up here? 757 00:49:47,800 --> 00:49:50,200 The show was laying off this week, so I looks up Barton. 758 00:49:50,400 --> 00:49:52,300 He tells me what a swell joint you got here. 759 00:49:52,500 --> 00:49:56,300 You've done pretty nice for yourself. From a tent to a penthouse. 760 00:49:59,200 --> 00:50:02,300 Yeah, this is a great layout. 761 00:50:02,600 --> 00:50:05,200 This is one place you ain't laying out in, honey. 762 00:50:06,500 --> 00:50:09,800 I guess that sort of means I don't exactly fit in around here. 763 00:50:09,900 --> 00:50:11,700 I wouldn't say that. 764 00:50:11,900 --> 00:50:14,300 The whole trouble with you, you got nervous fingers. 765 00:50:14,500 --> 00:50:16,200 SLICK: I'm all washed up with that. 766 00:50:16,400 --> 00:50:18,500 What are you figuring on doing for a living? 767 00:50:18,700 --> 00:50:22,700 I don't know. I'm sort of up against it. I thought maybe you might... 768 00:50:22,900 --> 00:50:24,600 Pulling the sob on me? 769 00:50:24,700 --> 00:50:25,700 No, I... 770 00:50:25,900 --> 00:50:27,100 I'll do something for you... 771 00:50:27,200 --> 00:50:29,700 if you promise to keep your hands in your own pockets. 772 00:50:29,900 --> 00:50:32,400 - Baby, I'd promise you anything. - But would you keep it? 773 00:50:32,600 --> 00:50:35,400 - Do you want me to swear? - Never mind, I can do that myself. 774 00:50:35,700 --> 00:50:39,500 Listen, go see Barton. Tell him I said to find something for you to do over there. 775 00:50:39,700 --> 00:50:42,800 And here, take this. But don't make a habit of it. 776 00:50:43,100 --> 00:50:45,800 Get yourself some clothes so you start looking normal again. 777 00:50:46,000 --> 00:50:47,400 Say, you're a pal. 778 00:50:48,000 --> 00:50:51,000 - You know there never was a dame like you. - Forget that. 779 00:50:51,200 --> 00:50:54,500 Okay, but I just want you to know I'm still warm for you, baby. 780 00:50:54,700 --> 00:50:58,000 - Maybe I'll be seeing you. - Make it soon, will you? 781 00:50:58,400 --> 00:50:59,900 Get going. 782 00:51:02,400 --> 00:51:04,600 That guy would show up now. 783 00:51:06,600 --> 00:51:07,800 Excuse me. 784 00:51:10,300 --> 00:51:11,500 [Doorbell buzzing] 785 00:51:15,600 --> 00:51:17,600 - Miss Tira's apartment? - Yes, sir. 786 00:51:18,000 --> 00:51:21,300 Just say if she can spare the time, Mr. Clayton would like to see her. 787 00:51:21,500 --> 00:51:24,800 BEULAH: I will if I can remember it, if not, I'll just say he's here. 788 00:51:25,400 --> 00:51:26,800 Perhaps that will do as well. 789 00:51:26,900 --> 00:51:30,700 TIRA: Take the gentleman's hat and coat. JACK: Thanks. 790 00:51:31,000 --> 00:51:32,500 I hope I haven't disturbed you. 791 00:51:32,700 --> 00:51:33,900 Not so far. 792 00:51:36,600 --> 00:51:38,400 Anything I can do for you? 793 00:51:38,700 --> 00:51:41,300 Yes, there is, but first I better introduce myself. 794 00:51:41,400 --> 00:51:44,200 That's not necessary, I know who you are. 795 00:51:44,600 --> 00:51:46,500 I've heard Kirk speak of you. 796 00:51:46,600 --> 00:51:48,300 Good, that simplifies matters. 797 00:51:48,500 --> 00:51:50,600 It's on Kirk's account I'm here. 798 00:51:50,800 --> 00:51:52,500 I see. 799 00:51:55,200 --> 00:51:58,000 Let's sit down and be comfortable about it. 800 00:52:02,200 --> 00:52:04,400 I hope I can come right to the point. 801 00:52:04,700 --> 00:52:06,800 About this situation between you and Kirk... 802 00:52:07,000 --> 00:52:09,400 he's neglecting important business on your account. 803 00:52:09,600 --> 00:52:12,600 And there's Miss Hatton, his fianc�e, to be considered. 804 00:52:12,700 --> 00:52:14,700 TIRA: She's a novel twist. 805 00:52:15,600 --> 00:52:18,000 Of course, I know you have no liking for Miss Hatton. 806 00:52:18,200 --> 00:52:21,000 She came in here, got nasty, I had to put her in her place. 807 00:52:21,700 --> 00:52:24,700 Yes, I heard you had some slight misunderstanding. 808 00:52:26,100 --> 00:52:27,700 Do you mind if I get personal? 809 00:52:27,900 --> 00:52:30,700 Go right ahead. I don't mind if you get familiar. 810 00:52:31,700 --> 00:52:33,200 It's all in the family. 811 00:52:34,000 --> 00:52:37,900 Well, then, do you really care for Kirk? I mean, do you love him? 812 00:52:38,500 --> 00:52:41,300 I don't know. See, my horoscope says so. 813 00:52:41,900 --> 00:52:43,500 I'm afraid I don't understand. 814 00:52:43,600 --> 00:52:46,200 I'm afraid I don't understand it myself sometimes. 815 00:52:47,100 --> 00:52:50,500 You see, it describes a guy, I mean, a man like Kirk. 816 00:52:51,100 --> 00:52:52,900 Surely you're not being serious. 817 00:52:53,100 --> 00:52:56,800 Why, I certainly am. My whole life is ruled by astrology. 818 00:52:58,100 --> 00:52:59,100 JACK: Well... 819 00:53:01,300 --> 00:53:03,200 What colour eyes have you got? 820 00:53:05,100 --> 00:53:06,400 I don't know. 821 00:53:08,300 --> 00:53:09,400 Fine. 822 00:53:09,800 --> 00:53:12,100 Well, as you were saying... 823 00:53:14,100 --> 00:53:18,100 You're telling me simply because Kirk fits some description in your horoscope... 824 00:53:18,300 --> 00:53:21,400 that you'd deliberately break up things between him and Miss Hatton? 825 00:53:21,700 --> 00:53:23,800 Maybe it would be a good break for him. 826 00:53:24,000 --> 00:53:27,300 Surely you wouldn't let personal dislike destroy their engagement. 827 00:53:27,500 --> 00:53:29,700 Unless, of course, you have serious intentions. 828 00:53:29,900 --> 00:53:31,500 What if I have? 829 00:53:32,400 --> 00:53:34,200 I'm afraid that's impossible. 830 00:53:34,500 --> 00:53:37,800 Listen, with me nothing is impossible. 831 00:53:38,900 --> 00:53:40,100 That may be. 832 00:53:40,200 --> 00:53:44,500 But I'm here to tell you, if you're thinking of marrying Kirk, you better not count on it. 833 00:53:44,800 --> 00:53:48,200 TIRA: Kirk sent you up here with that line? JACK: He doesn't know I'm here. 834 00:53:48,800 --> 00:53:52,500 I get it. You figure the family honour needs protecting. 835 00:53:53,300 --> 00:53:56,800 A circus dame would be sort of a red leaf on the family tree, is that it? 836 00:53:57,000 --> 00:53:59,500 Please understand that it's been difficult for me... 837 00:53:59,700 --> 00:54:03,700 to come here and talk to you about what you no doubt consider is none of my business. 838 00:54:04,000 --> 00:54:05,600 That's all right, I don't care. 839 00:54:05,800 --> 00:54:09,000 If someone's got something on their mind, I like them to get it off. 840 00:54:09,700 --> 00:54:13,200 - You're an unusual sort of person. - I've been accused of that. 841 00:54:13,700 --> 00:54:17,600 As a matter of fact, I'd much rather have met you under pleasanter circumstances. 842 00:54:17,900 --> 00:54:19,500 Same here, there's no hard feelings. 843 00:54:19,600 --> 00:54:22,800 Of course not. I shouldn't want you to feel unfriendly toward me. 844 00:54:23,100 --> 00:54:26,400 I shouldn't want you to get the impression that I'm just an adventuress. 845 00:54:26,600 --> 00:54:28,800 - I didn't think that. - What did you think? 846 00:54:29,000 --> 00:54:31,900 I had no definite idea what you would be like. 847 00:54:32,200 --> 00:54:33,800 I've seen newspaper pictures of you. 848 00:54:34,000 --> 00:54:36,400 Yeah? Ever seen this one here? 849 00:54:37,000 --> 00:54:38,700 There's one of my favourites. 850 00:54:40,900 --> 00:54:43,900 - It looks just like you. - It should, I posed for it. 851 00:54:45,700 --> 00:54:47,300 - You like it? - Yes. 852 00:54:47,400 --> 00:54:48,600 You can have it. 853 00:54:49,600 --> 00:54:51,500 No, thanks, I wouldn't want to deprive you... 854 00:54:51,700 --> 00:54:54,900 It's all right, I get them by the hundreds, frame and all. 855 00:54:55,400 --> 00:54:56,900 Well, in that case... 856 00:54:57,000 --> 00:54:59,100 Won't you stay? I'll ring for tea. 857 00:54:59,200 --> 00:55:02,600 No, thanks, really, I must be going. You've been wonderful. 858 00:55:03,600 --> 00:55:05,900 You've been kind of wonderful yourself. 859 00:55:06,700 --> 00:55:07,800 Thank you. 860 00:55:15,200 --> 00:55:19,700 Now you'll consider all I've said and try and bring Kirk to his senses. 861 00:55:20,100 --> 00:55:22,900 I can't promise anything right now, but... 862 00:55:23,500 --> 00:55:26,600 you have started a new train of thought in my mind. 863 00:55:26,900 --> 00:55:29,600 I'll think it over and let you know what I decide. 864 00:55:29,800 --> 00:55:32,900 - You'd be doing a fine thing. - Yeah? Fine for who? 865 00:55:33,400 --> 00:55:34,500 For all of us. 866 00:55:35,500 --> 00:55:37,600 You're kind of unusual yourself. 867 00:55:37,900 --> 00:55:39,900 I've been accused of that. 868 00:55:42,400 --> 00:55:44,500 Now you can reach me there at any time. 869 00:55:44,700 --> 00:55:47,300 And I want to thank you for the way you received me. 870 00:55:47,500 --> 00:55:49,900 And you can reach me there at any time. 871 00:55:51,600 --> 00:55:53,900 You'll hear from me. 872 00:55:56,000 --> 00:55:57,500 JACK: That will be fine. 873 00:55:59,400 --> 00:56:02,400 You fascinate me. You'd better go. 874 00:56:04,300 --> 00:56:05,600 JACK: Good night. 875 00:56:26,400 --> 00:56:27,600 [Telephone buzzing] 876 00:56:28,300 --> 00:56:30,100 JACK: Hello. SECRETARY: Miss Tira calling. 877 00:56:30,700 --> 00:56:31,700 Good. Put her on. 878 00:56:33,000 --> 00:56:34,600 Mr. Clayton? 879 00:56:35,300 --> 00:56:37,900 I've been thinking over everything you said and... 880 00:56:38,100 --> 00:56:39,300 I've made my decision. 881 00:56:39,500 --> 00:56:41,600 Good. I'm glad you made up your mind quickly. 882 00:56:41,800 --> 00:56:44,100 I'm very quick in a slow way. 883 00:56:46,000 --> 00:56:49,000 You see I can't discuss it over the phone. 884 00:56:49,200 --> 00:56:51,000 It's got a lot of angles to it. 885 00:56:51,200 --> 00:56:53,200 You better come up and see me. 886 00:56:53,800 --> 00:56:55,200 I'll be glad to. 887 00:56:55,300 --> 00:56:58,200 In fact, I'll come over right away if it's convenient for you. 888 00:56:58,500 --> 00:57:00,000 Most convenient. 889 00:57:00,500 --> 00:57:02,000 I'll tell you this much... 890 00:57:02,200 --> 00:57:04,700 you're gonna like what I got in mind. 891 00:57:06,700 --> 00:57:07,900 I'll be ready. 892 00:57:08,500 --> 00:57:09,800 Goodbye. 893 00:57:37,800 --> 00:57:39,600 - Hello, honey. - Good evening, Miss Tira. 894 00:57:39,700 --> 00:57:42,800 If anyone should call, I'm indisposed. 895 00:57:43,100 --> 00:57:44,300 Yes, ma'am. 896 00:57:45,300 --> 00:57:48,400 TIRA: You know what I mean, don't you? BEULAH: Yes, ma'am. 897 00:57:49,100 --> 00:57:50,300 Come here, dear. 898 00:57:50,400 --> 00:57:53,600 JACK: I haven't had you alone all evening with all those people. 899 00:57:54,100 --> 00:57:55,900 My public. 900 00:57:57,300 --> 00:57:59,500 Let me take a good look at you. 901 00:58:03,400 --> 00:58:05,300 You were wonderful tonight. 902 00:58:05,500 --> 00:58:07,700 I'm always wonderful at night. 903 00:58:08,200 --> 00:58:10,600 Yes, but tonight you were especially good. 904 00:58:10,800 --> 00:58:12,600 When I'm good, I'm very good. 905 00:58:12,800 --> 00:58:14,000 But when I'm bad... 906 00:58:14,100 --> 00:58:15,500 I'm better. 907 00:58:17,200 --> 00:58:19,400 Don't go away, I'll be right back. 908 00:58:20,700 --> 00:58:22,300 [Tira humming softly] 909 00:58:22,700 --> 00:58:25,500 TIRA: [Singing] No one loves me like that New York man 910 00:58:25,700 --> 00:58:28,000 BEULAH: You must've had a good time, you seem so happy. 911 00:58:28,200 --> 00:58:31,200 If I wasn't, you'd know it. Get me another gown, Beulah. 912 00:58:31,400 --> 00:58:34,300 I've danced this one around all evening. I gotta give it a rest. 913 00:58:34,600 --> 00:58:35,800 Yes, ma'am. Which one? 914 00:58:35,800 --> 00:58:37,600 - That lucky one. - Yes, ma'am. 915 00:58:44,700 --> 00:58:46,700 [Playing a soft tune] 916 00:58:58,300 --> 00:59:00,700 [Jack playing a jazzy tune] 917 00:59:12,600 --> 00:59:16,400 - That guy's got rhythm, eh? - Yes, I know what you means. 918 00:59:28,800 --> 00:59:32,000 Bring out a couple of drinks and then you two dames can retire. 919 00:59:32,200 --> 00:59:34,200 - Yes, ma'am. - Yes, ma'am. 920 00:59:34,400 --> 00:59:35,600 Open up that door. 921 00:59:37,200 --> 00:59:38,900 Here goes my big moment. 922 00:59:39,100 --> 00:59:40,500 [Beulah murmurs in agreement] 923 00:59:46,600 --> 00:59:49,200 Don't stop, honey, you put me in the mood. 924 00:59:49,800 --> 00:59:52,500 It's good to be here alone with you, dear. 925 00:59:52,700 --> 00:59:54,300 I kind of like it, too. 926 00:59:55,500 --> 00:59:58,100 The only thing I've got to be jealous. 927 00:59:58,300 --> 01:00:01,900 - Of course, if I could only trust you. - You can, hundreds have. 928 01:00:05,000 --> 01:00:06,700 Do you know I'm mad about you? 929 01:00:06,900 --> 01:00:09,800 I could tell you'd be, the first time I saw you. 930 01:00:11,700 --> 01:00:13,600 Say, I must be transparent. 931 01:00:13,800 --> 01:00:16,300 Honey, you're just wrapped in cellophane. 932 01:00:17,400 --> 01:00:18,600 Come on, darling. 933 01:00:18,800 --> 01:00:20,900 - Be serious. - You want me to? 934 01:00:21,100 --> 01:00:24,100 - Sure I do. - All right, now I'm very serious. 935 01:00:25,700 --> 01:00:27,100 I adore you. 936 01:00:28,700 --> 01:00:30,900 BEULAH: Yes, ma'am. 937 01:00:31,100 --> 01:00:33,000 How am I doing, Beulah? 938 01:00:33,200 --> 01:00:35,700 You're doing fine, you're doing grand. 939 01:00:36,900 --> 01:00:39,600 I'll do better when you are gone, you rascal, you! 940 01:00:40,000 --> 01:00:42,100 BEULAH: Yes, ma'am, I know you will, ma'am. 941 01:00:49,300 --> 01:00:50,900 Great gals, huh? 942 01:00:51,300 --> 01:00:53,400 [Tira playing a soft tune] 943 01:00:53,600 --> 01:00:57,200 Honey, I wonder if you realise just how much you mean to me. 944 01:00:58,200 --> 01:01:01,000 - I've never been so happy in my life. - You mean that? 945 01:01:01,600 --> 01:01:03,500 I guess love is a wonderful thing. 946 01:01:03,700 --> 01:01:05,700 Yes, I've heard it highly praised. 947 01:01:06,400 --> 01:01:11,300 [Singing] No one could be half as nice as you 948 01:01:15,400 --> 01:01:18,500 What have you done to me 949 01:01:19,400 --> 01:01:22,900 You're simply grand 950 01:01:23,200 --> 01:01:26,000 You worked your spell on me 951 01:01:27,100 --> 01:01:30,200 So make your demand 952 01:01:30,900 --> 01:01:34,200 I want you, I need you 953 01:01:35,200 --> 01:01:38,300 Your love must be mine oh, baby, baby 954 01:01:38,800 --> 01:01:43,800 To have you would be paradise divine 955 01:01:44,100 --> 01:01:46,800 - Move over, honey, and don't stop. - I'll never stop. 956 01:01:47,100 --> 01:01:50,100 [Singing] Want you, need you 957 01:01:51,100 --> 01:01:53,300 To call you my own 958 01:01:54,600 --> 01:01:56,900 To have you would be 959 01:01:57,200 --> 01:01:59,500 paradise I know 960 01:02:00,500 --> 01:02:02,400 Please won't you believe me 961 01:02:02,600 --> 01:02:05,400 Darling, you can never guess how much I love you. 962 01:02:05,700 --> 01:02:07,900 I'll never guess, you've got to you show me. 963 01:02:08,100 --> 01:02:10,500 - Just give me the chance. - You'll get it. 964 01:02:11,300 --> 01:02:12,400 [Singing] To have you 965 01:02:12,600 --> 01:02:14,700 I could be your slave. 966 01:02:15,300 --> 01:02:17,100 I guess that could be arranged. 967 01:02:18,400 --> 01:02:21,600 [Singing] What have you done to me? 968 01:02:22,600 --> 01:02:25,100 You're simply grand 969 01:02:25,300 --> 01:02:26,800 What have you done to me? 970 01:02:27,200 --> 01:02:28,400 You ought to know. 971 01:02:30,400 --> 01:02:33,600 [Singing] So make your demand 972 01:02:34,000 --> 01:02:37,300 I want you, need you 973 01:02:38,000 --> 01:02:41,300 Your love must be mine oh, baby, baby 974 01:02:42,100 --> 01:02:45,700 To have you would be paradise 975 01:02:47,200 --> 01:02:48,800 What are you gonna do about it? 976 01:02:49,400 --> 01:02:51,900 [Romantic instrumental music] 977 01:03:04,900 --> 01:03:08,100 What's this in the paper about you marrying this rich guy, Clayton? 978 01:03:08,300 --> 01:03:11,200 If it's publicity it's great, and if it ain't, it's no good. 979 01:03:11,700 --> 01:03:13,200 I'm quitting the show. 980 01:03:13,200 --> 01:03:16,000 - You're quitting? - Yeah, I'm sick of this racket. 981 01:03:16,600 --> 01:03:19,000 I found the right man, I'm gonna get married. 982 01:03:19,200 --> 01:03:20,500 You can't quit. 983 01:03:21,000 --> 01:03:23,900 - You got a five year contract with me. - Yeah? 984 01:03:24,200 --> 01:03:25,200 Did you ever read it? 985 01:03:25,300 --> 01:03:28,000 It says for a good cause you could give a two week's notice. 986 01:03:28,200 --> 01:03:31,300 - I'm giving you that notice now. - But you ain't got no good cause. 987 01:03:31,600 --> 01:03:33,700 Marriage is a good enough cause for anything. 988 01:03:33,900 --> 01:03:36,200 BIG BILL: You can't do that to me and get away with it. 989 01:03:36,400 --> 01:03:37,300 No? 990 01:03:45,900 --> 01:03:48,000 What's my picture doing by that skunk? 991 01:03:48,200 --> 01:03:49,700 I figured it belonged there. 992 01:03:49,800 --> 01:03:52,400 What do you mean? Everybody used to call me "The Bull." 993 01:03:52,600 --> 01:03:55,800 You may be the bull to them, but you're just plain skunk to me. 994 01:03:59,300 --> 01:04:00,500 BIG BILL: I got everything set. 995 01:04:00,700 --> 01:04:03,100 You get to the apartment and see everything's clear. 996 01:04:03,300 --> 01:04:04,400 All right. 997 01:04:04,500 --> 01:04:06,600 But suppose Tira gets back before we spring it. 998 01:04:06,800 --> 01:04:08,200 I got the chauffer fixed... 999 01:04:08,400 --> 01:04:10,800 so there'll be trouble with the car on the road. 1000 01:04:11,000 --> 01:04:13,000 Now, get going. Every minute counts. 1001 01:04:16,900 --> 01:04:19,900 Can't you hurry and get that thing fixed, I gotta get back. 1002 01:04:20,200 --> 01:04:22,200 I'm expecting Mr. Clayton at the apartment. 1003 01:04:22,200 --> 01:04:23,900 CHAUFFER: Doing the best I can, ma'am. 1004 01:04:24,100 --> 01:04:25,700 Your best is no good, try your worst. 1005 01:04:25,900 --> 01:04:26,900 Yes, ma'am. 1006 01:04:27,900 --> 01:04:30,000 Say, where are we? I thought we were in Jersey. 1007 01:04:30,200 --> 01:04:31,500 CHAUFFER: We're in Jersey, ma'am. 1008 01:04:31,600 --> 01:04:34,300 You sure you didn't take the wrong road and land in Brazil? 1009 01:04:34,500 --> 01:04:35,600 CHAUFFER: No, ma'am. 1010 01:04:37,700 --> 01:04:38,600 Come on. 1011 01:04:40,200 --> 01:04:41,400 Yes, ma'am. 1012 01:04:49,800 --> 01:04:51,000 [Doorbell buzzing] 1013 01:05:05,300 --> 01:05:06,300 Tira. 1014 01:05:09,100 --> 01:05:10,700 SLICK: What do you want? 1015 01:05:14,600 --> 01:05:16,100 You're Clayton. 1016 01:05:16,800 --> 01:05:18,900 I know all about you and Tira. 1017 01:05:19,100 --> 01:05:20,600 But that's all finished. 1018 01:05:20,800 --> 01:05:24,700 I've been away, but I'm back again and she ain't wanting no change. 1019 01:05:25,100 --> 01:05:27,400 We're going on just the same as before. 1020 01:05:27,600 --> 01:05:29,800 - Get it? - No, I don't get it. 1021 01:05:30,000 --> 01:05:32,000 - Where's Miss Tira? - She ain't here now. 1022 01:05:32,200 --> 01:05:34,600 She knew you was coming and she didn't want to see you. 1023 01:05:34,800 --> 01:05:36,300 What're you talking about? 1024 01:05:36,500 --> 01:05:39,900 SLICK: She didn't like to tell you herself, so I'm doing it for her. 1025 01:05:40,200 --> 01:05:41,600 Ain't that enough? 1026 01:05:43,200 --> 01:05:44,900 Yes, I guess that's enough. 1027 01:05:51,900 --> 01:05:53,600 This is the right thing to do, Jack. 1028 01:05:53,700 --> 01:05:56,800 With a woman of her type, this would have happened sooner or later. 1029 01:05:57,100 --> 01:05:59,600 If you ask me, I think you're lucky. 1030 01:05:59,800 --> 01:06:01,400 Maybe you are right. 1031 01:06:03,900 --> 01:06:06,500 Frank, get a messenger and send that at once, will you? 1032 01:06:06,700 --> 01:06:09,000 I'm gonna be out of town for three or four weeks. 1033 01:06:09,200 --> 01:06:11,900 In the meantime, I'm out to all callers. Everybody, understand? 1034 01:06:12,100 --> 01:06:13,800 Is that message for Miss Tira, too? 1035 01:06:14,700 --> 01:06:15,800 Yes. 1036 01:06:15,900 --> 01:06:19,100 But I understood you were to be married this month. 1037 01:06:19,900 --> 01:06:21,600 We're both mistaken. 1038 01:06:22,200 --> 01:06:23,400 FRANK: Yes, sir. 1039 01:06:25,900 --> 01:06:28,500 [Singing] What have you done to me 1040 01:06:28,800 --> 01:06:31,500 You're simply grand 1041 01:06:31,900 --> 01:06:34,400 You worked your spell on me 1042 01:06:34,600 --> 01:06:37,100 So make your demand 1043 01:06:37,500 --> 01:06:40,500 I want you, I need you 1044 01:06:41,000 --> 01:06:43,400 Your love must be mine 1045 01:06:43,600 --> 01:06:46,300 You sure gonna make a gorgeous bride. 1046 01:06:46,700 --> 01:06:49,000 I know I'm gonna make a nervous bride. 1047 01:06:49,400 --> 01:06:50,900 I ain't never done this before. 1048 01:06:51,100 --> 01:06:53,200 Marriage is a new kind of racket for me. 1049 01:06:53,800 --> 01:06:55,800 I've been married four times. 1050 01:06:57,100 --> 01:06:59,400 You ought to do well in the wholesale business. 1051 01:06:59,600 --> 01:07:00,600 [Laughing] 1052 01:07:00,800 --> 01:07:02,000 [Doorbell buzzing] 1053 01:07:02,100 --> 01:07:03,900 I don't wanna see anyone but Mr. Clayton. 1054 01:07:04,000 --> 01:07:05,200 MAID: Yes, ma'am. 1055 01:07:06,300 --> 01:07:08,800 That Mr. Clayton is sure a wonderful man. 1056 01:07:09,200 --> 01:07:10,600 I'll say he is. 1057 01:07:11,500 --> 01:07:14,100 I never knew I could go for anyone like I have for him. 1058 01:07:14,400 --> 01:07:16,300 He made me feel like a different dame. 1059 01:07:16,500 --> 01:07:18,600 I ain't just a "Sister Honky Tonk" no more. 1060 01:07:19,200 --> 01:07:20,800 You're a lady now. 1061 01:07:21,100 --> 01:07:22,100 Thank you. 1062 01:07:22,300 --> 01:07:25,000 MAID: Some messenger gave me this note to give you, Miss Tira. 1063 01:07:25,200 --> 01:07:26,300 Yeah? 1064 01:07:35,700 --> 01:07:36,900 You can go. 1065 01:07:44,700 --> 01:07:46,800 This is Miss Tira speaking. 1066 01:07:47,800 --> 01:07:50,000 I'm sorry, madam, Mr. Clayton's gone away. 1067 01:07:50,200 --> 01:07:52,700 Gone away? When is he expected back? 1068 01:07:52,900 --> 01:07:55,700 I couldn't say definitely but I'm sure not for several weeks. 1069 01:07:55,900 --> 01:07:59,300 - Is that the only message he left for me? - Yes, that's all. 1070 01:08:01,600 --> 01:08:02,700 Thanks. 1071 01:08:09,100 --> 01:08:11,800 BENNY: Hello, Tira darling. TIRA: Benny. 1072 01:08:12,100 --> 01:08:14,500 BENNY: How are you? You look so marvellous. 1073 01:08:14,800 --> 01:08:19,000 Come right in, sit right down and make yourself at home. 1074 01:08:20,500 --> 01:08:23,300 BENNY: Let me look at that beautiful smile of yours. 1075 01:08:23,500 --> 01:08:26,800 TIRA: You know about me getting married? BENNY: Sure. Congratulations. 1076 01:08:27,100 --> 01:08:28,200 Too late. It's all off. 1077 01:08:28,300 --> 01:08:31,400 TIRA: Sue the guy for breach of promise. BENNY: Certainly. 1078 01:08:31,600 --> 01:08:33,900 - The lowlife. - No, he ain't, Benny. 1079 01:08:34,600 --> 01:08:36,300 The first guy I ever really loved. 1080 01:08:36,500 --> 01:08:39,300 - I thought he loved me, too. - What a tragedy. 1081 01:08:41,100 --> 01:08:42,600 We start proceedings immediately. 1082 01:08:42,800 --> 01:08:44,700 BENNY: How much is he worth? TIRA: Millions. 1083 01:08:44,900 --> 01:08:47,400 Millions? We sue him for damages. 1084 01:08:47,800 --> 01:08:49,100 I ain't damaged. 1085 01:08:50,100 --> 01:08:52,800 I just want you to sue him for breach of promise. 1086 01:08:53,100 --> 01:08:57,300 I got all the proof you want, letters, wires, newspaper stories, even my trousseau. 1087 01:08:57,600 --> 01:09:00,100 For that trousseau alone we collect plenty. 1088 01:09:00,300 --> 01:09:03,000 It's a cinch. When do you want the case tried? 1089 01:09:03,500 --> 01:09:04,700 Let me see. 1090 01:09:05,000 --> 01:09:06,900 I go on the road with the show and... 1091 01:09:07,400 --> 01:09:08,900 I'll be back in a few months. 1092 01:09:09,300 --> 01:09:12,200 - Better start then. - Easy. Got the case. 1093 01:09:12,400 --> 01:09:16,100 Darling, you give me a few details and I'll serve him with papers right away. 1094 01:09:16,300 --> 01:09:19,000 Okay. First, I'll tell you how I met the guy. 1095 01:09:19,600 --> 01:09:23,100 But remember in anything I say I ain't got any real animosity for him. 1096 01:09:23,200 --> 01:09:24,600 Of course. 1097 01:09:28,200 --> 01:09:31,100 - If I was a home girl, I'd be heartbroken. - Yes. 1098 01:09:35,300 --> 01:09:38,900 Miss Tira, I understand you've had a rather colourful past. 1099 01:09:40,400 --> 01:09:44,000 I gotta admit I've been the love interest in more than one guy's life. 1100 01:09:44,300 --> 01:09:45,500 [Jurors laughing] 1101 01:09:45,600 --> 01:09:49,100 I don't see what my past has got to do with my present. 1102 01:09:49,600 --> 01:09:52,500 We shall show that to the satisfaction of the court, I believe. 1103 01:09:53,200 --> 01:09:55,400 Nevertheless, the fact remains that you've been on... 1104 01:09:55,600 --> 01:09:57,200 friendly terms with several men. 1105 01:09:57,500 --> 01:10:00,200 All right, I'm a sweetheart of Sphigma Psi, so what? 1106 01:10:09,500 --> 01:10:11,800 You must answer questions directly, please. 1107 01:10:13,500 --> 01:10:14,900 Pardon me, Judge. 1108 01:10:21,600 --> 01:10:22,800 Proceed. 1109 01:10:22,800 --> 01:10:24,900 Do you know a man named Wiley... 1110 01:10:25,200 --> 01:10:27,000 generally called Slick? 1111 01:10:27,200 --> 01:10:29,300 TIRA: Yes, I know the... The gentleman. 1112 01:10:29,500 --> 01:10:32,200 And you recall the man you see there? 1113 01:10:34,300 --> 01:10:37,200 If I'm not mistaken, you mean that Dallas man. 1114 01:10:38,200 --> 01:10:41,600 BOB: And you are also acquainted, aren't you, with Mr. Kirk Lawrence? 1115 01:10:42,700 --> 01:10:44,500 Yes, I had the pleasure. 1116 01:10:45,000 --> 01:10:47,700 And no doubt you recall those five gentlemen... 1117 01:10:48,000 --> 01:10:50,700 seated in the first row right inside the railing? 1118 01:10:50,900 --> 01:10:54,200 Mr. Blake, Mr. Larson, Mr. Willard... 1119 01:10:55,300 --> 01:10:58,700 Mr. Foster, Mr. Harris. 1120 01:11:00,200 --> 01:11:03,900 I do recall their faces but them ain't the names they gave me. 1121 01:11:12,400 --> 01:11:13,800 Pardon me again, Judge. 1122 01:11:14,600 --> 01:11:15,800 It's all right. 1123 01:11:16,500 --> 01:11:17,800 That's all, Miss Tira. 1124 01:11:18,000 --> 01:11:20,800 JUDGE: Does the plaintiff's attorney wish any further questions? 1125 01:11:21,000 --> 01:11:23,700 I would like to request recess for about 10 minutes. 1126 01:11:23,900 --> 01:11:26,200 JUDGE: Is that agreeable to the defence? BOB: Perfectly. 1127 01:11:26,600 --> 01:11:28,500 This court's adjourned for 10 minutes. 1128 01:11:37,800 --> 01:11:40,000 BENNY: Why did you admit that you knew all these men? 1129 01:11:40,200 --> 01:11:42,600 I do know them. You don't want me to commit perjury? 1130 01:11:42,800 --> 01:11:45,700 Yes, why didn't you tell me there was so many men in your life? 1131 01:11:45,900 --> 01:11:47,300 Why shouldn't I know guys? 1132 01:11:47,500 --> 01:11:50,000 I've been around. I travel from coast to coast. 1133 01:11:50,200 --> 01:11:54,300 A dame like me can't make trips like that without meeting any of the male population. 1134 01:11:54,600 --> 01:11:57,900 Listen to me, Tira. You know me, I'm a smart lawyer. 1135 01:11:58,300 --> 01:12:01,200 Give me that much loophole and I'm through it like an eel. 1136 01:12:01,400 --> 01:12:04,100 With what all those guys, all those riffraffs, pardon me... 1137 01:12:04,400 --> 01:12:07,500 going up to the judge and telling all they know about you and them. 1138 01:12:07,700 --> 01:12:09,900 - It's curtains for us. - You mean we're finished? 1139 01:12:10,100 --> 01:12:11,700 Yeah, sure, drop it. 1140 01:12:11,900 --> 01:12:13,100 You had enough publicity. 1141 01:12:13,100 --> 01:12:16,800 What those guys are gonna tell the judge won't read so nice in the newspapers. 1142 01:12:17,100 --> 01:12:18,300 I ain't gonna drop it. 1143 01:12:18,400 --> 01:12:21,100 Listen, Benny, have I a right to question witnesses myself? 1144 01:12:21,300 --> 01:12:22,400 Yeah, sure but... 1145 01:12:22,600 --> 01:12:24,600 - That's what I'm gonna do. - You don't mean it. 1146 01:12:25,300 --> 01:12:29,200 Now Mr. Brown, just tell the jury in your words, what took place. 1147 01:12:30,400 --> 01:12:33,200 I was watching her dance and I seen her looking at me. 1148 01:12:33,800 --> 01:12:37,600 I kind of looked back and she flirted and made a date with me. 1149 01:12:38,800 --> 01:12:41,000 So, I took her out for a ride in my car... 1150 01:12:41,300 --> 01:12:44,100 and she asked me up to her hotel room where she was living. 1151 01:12:44,400 --> 01:12:46,000 We had a couple of drinks... 1152 01:12:46,200 --> 01:12:48,900 and she put on a phonograph record and we danced. 1153 01:12:49,400 --> 01:12:51,500 And while we was dancing, she kissed me. 1154 01:12:55,600 --> 01:12:58,700 And how long were you with Miss Tira in her hotel room? 1155 01:12:59,200 --> 01:13:02,600 - Close to a couple hours, I should say. - That's all, Mr. Brown. 1156 01:13:02,900 --> 01:13:03,900 Cross-examine. 1157 01:13:04,700 --> 01:13:06,800 BENNY: My client begs the permission of the court... 1158 01:13:07,000 --> 01:13:08,900 to question the defence witness herself. 1159 01:13:09,800 --> 01:13:13,100 It's a little unusual, but quite within the plaintiff's right. 1160 01:13:13,300 --> 01:13:16,200 JUDGE: She may question the witnesses. BOB: If you please... 1161 01:13:16,500 --> 01:13:18,800 the court should warn the jury not to be swayed... 1162 01:13:19,000 --> 01:13:20,900 by any theatricalism by the plaintiff. 1163 01:13:21,100 --> 01:13:25,000 JUDGE: The jury in weighing the evidence will bear in mind the defence's warning. 1164 01:13:25,300 --> 01:13:26,300 Proceed. 1165 01:13:31,800 --> 01:13:33,300 Lovely tie. 1166 01:13:34,000 --> 01:13:36,700 Mr. Brown, aren't you the man that had the five wives? 1167 01:13:37,600 --> 01:13:38,600 Yeah. 1168 01:13:38,800 --> 01:13:41,600 And you was married to one when you were with me, wasn't you? 1169 01:13:41,800 --> 01:13:43,500 - Yes. - Cheating. 1170 01:13:44,000 --> 01:13:46,500 You made it sound nasty the way you spoke about us two... 1171 01:13:46,700 --> 01:13:48,400 being alone together in my place. 1172 01:13:48,600 --> 01:13:52,300 And you know nothing happened that you couldn't tell your grandchildren about. 1173 01:13:52,500 --> 01:13:53,500 Well, I... 1174 01:13:53,700 --> 01:13:57,000 In other words, it was just a harmless little social date, wasn't it? 1175 01:13:57,300 --> 01:13:59,100 - Yeah. - Okay, I'm through with you. 1176 01:13:59,300 --> 01:14:00,300 [All laughing] 1177 01:14:00,500 --> 01:14:01,600 How am I doing? 1178 01:14:04,600 --> 01:14:06,000 Any further questions? 1179 01:14:07,500 --> 01:14:09,700 You're excused, Mr. Brown. Next witness. 1180 01:14:10,300 --> 01:14:11,400 Mr. Kirk Lawrence. 1181 01:14:11,500 --> 01:14:13,400 BAILIFF: Mr. Kirk Lawrence, take the stand. 1182 01:14:13,600 --> 01:14:15,300 OFFICER: Quiet, please. 1183 01:14:22,100 --> 01:14:24,700 BAILIFF: Do you solemnly swear to tell the whole truth... 1184 01:14:24,900 --> 01:14:26,700 and nothing but the truth, so help you God? 1185 01:14:26,900 --> 01:14:28,400 KIRK: I do. BAILIFF: Take the stand. 1186 01:14:28,600 --> 01:14:31,300 BOB: Aren't you well-acquainted with the plaintiff? 1187 01:14:31,500 --> 01:14:34,100 - Yes. - In fact, you were intimate friends. 1188 01:14:34,600 --> 01:14:35,600 Yes. 1189 01:14:35,800 --> 01:14:39,400 Isn't it true that you once seriously contemplated asking her to marry you? 1190 01:14:40,100 --> 01:14:41,100 Yes. 1191 01:14:41,200 --> 01:14:43,900 Now, I understand that after knowing you only a week... 1192 01:14:44,100 --> 01:14:47,600 the plaintiff accepted several thousand dollars worth of gifts from you. 1193 01:14:47,900 --> 01:14:49,800 Such as a diamond bracelet... 1194 01:14:50,000 --> 01:14:52,000 BOB: Gowns, a fur coat... KIRK: That's correct. 1195 01:14:52,100 --> 01:14:54,700 BOB: And almost immediately after accepting these gifts... 1196 01:14:55,000 --> 01:14:57,300 she became engaged to Mr. Clayton, isn't that so? 1197 01:14:57,900 --> 01:14:58,900 Yes. 1198 01:14:59,000 --> 01:15:02,700 And after becoming engaged she refused to talk to you, even on the telephone. 1199 01:15:03,100 --> 01:15:04,100 Yes. 1200 01:15:04,300 --> 01:15:06,800 Mr. Clayton has more money than you have, hasn't he? 1201 01:15:07,100 --> 01:15:08,200 That's true. 1202 01:15:08,500 --> 01:15:11,700 What construction did you place upon this woman's treatment of you? 1203 01:15:12,300 --> 01:15:15,500 In plain words, I felt she simply played me for a good thing. 1204 01:15:15,700 --> 01:15:17,100 BOB: Thank you, Mr. Lawrence. 1205 01:15:20,800 --> 01:15:21,900 Your witness. 1206 01:15:30,300 --> 01:15:33,500 You're not looking to get those presents back, are you, Mr. Lawrence? 1207 01:15:33,700 --> 01:15:34,900 No, of course not. 1208 01:15:35,300 --> 01:15:38,500 - I don't expect you to return them, anyway. - You're right, I wouldn't. 1209 01:15:40,100 --> 01:15:44,200 You gave me those presents because you liked me a little, didn't you? 1210 01:15:44,500 --> 01:15:45,600 Yes. 1211 01:15:45,800 --> 01:15:47,400 I didn't ask you for them, did I? 1212 01:15:47,600 --> 01:15:50,400 I don't regret giving them to you, if that's what you mean. 1213 01:15:50,600 --> 01:15:52,700 Thanks, I didn't think you did. 1214 01:15:52,900 --> 01:15:55,200 Now, you was engaged to marry a girl... 1215 01:15:55,400 --> 01:15:58,300 just at the time you started running around with me, wasn't you? 1216 01:15:58,500 --> 01:15:59,600 Yes. 1217 01:15:59,700 --> 01:16:02,200 And you know your fianc�e came up to me to see me... 1218 01:16:02,400 --> 01:16:04,400 to ask me to break it off with you, don't you? 1219 01:16:04,600 --> 01:16:05,600 I heard so. 1220 01:16:05,700 --> 01:16:08,200 All right, I broke it off. So what are you crying about? 1221 01:16:11,900 --> 01:16:14,700 Your Honour, this sort of questioning is most irregular. 1222 01:16:14,900 --> 01:16:17,700 The plaintiff, not being a practicing attorney... 1223 01:16:17,900 --> 01:16:20,000 may put her questions as best she can. 1224 01:16:20,200 --> 01:16:21,600 Thanks, Judge, you're regular. 1225 01:16:21,800 --> 01:16:23,900 I'm doing my best to be legitimate. 1226 01:16:24,100 --> 01:16:25,100 That's all with you. 1227 01:16:28,700 --> 01:16:30,000 JUDGE: Any further questions? 1228 01:16:30,100 --> 01:16:32,600 BOB: Defence is ready for the next witness. JUDGE: Excused. 1229 01:16:32,800 --> 01:16:34,700 JUDGE: Proceed. BOB: Miss Beulah Thorndyke. 1230 01:16:37,000 --> 01:16:40,200 They had nerve enough to call my own maid to squeal on me? 1231 01:16:40,300 --> 01:16:42,500 BOB: You are Miss Tira's personal maid, aren't you? 1232 01:16:42,700 --> 01:16:45,300 I was, but I ain't sure now. 1233 01:16:45,600 --> 01:16:48,900 BOB: As her personal maid, it was your duty to answer telephone calls... 1234 01:16:49,200 --> 01:16:50,900 and admit visitors to the apartment? 1235 01:16:51,100 --> 01:16:52,700 Yes, ma'am... Yes, sir. 1236 01:16:53,400 --> 01:16:56,200 BOB: Miss Tira often had gentlemen callers, didn't she? 1237 01:16:56,400 --> 01:16:57,400 Quite some. 1238 01:16:57,500 --> 01:17:00,300 BOB: During the time Miss Tira and Mr. Clayton were engaged... 1239 01:17:00,500 --> 01:17:02,100 did she have other men visitors? 1240 01:17:04,100 --> 01:17:05,300 Not that I recall. 1241 01:17:06,000 --> 01:17:08,000 You have a very convenient memory. 1242 01:17:08,300 --> 01:17:10,000 That's all. Cross-examine. 1243 01:17:13,800 --> 01:17:17,000 TIRA: Shadow, what are you doing here? BEULAH: I don't know. 1244 01:17:17,400 --> 01:17:19,400 They done subpoenaed me. 1245 01:17:20,600 --> 01:17:23,100 - Beulah, tell the boys the truth. - Yes, ma'am. 1246 01:17:23,300 --> 01:17:25,100 After Mr. Clayton and me became engaged... 1247 01:17:25,200 --> 01:17:27,400 did you ever hear me talk about any other man... 1248 01:17:27,600 --> 01:17:29,600 or did you ever see me with any other man... 1249 01:17:29,800 --> 01:17:31,900 - outside of my manager, Mr. Barton? - No, ma'am. 1250 01:17:32,100 --> 01:17:35,000 Did you ever hear me make any cracks about Mr. Clayton's money? 1251 01:17:35,300 --> 01:17:38,000 - No, ma'am. - Did you hear me talk about Mr. Clayton? 1252 01:17:38,200 --> 01:17:39,300 Oh, yes, ma'am. 1253 01:17:40,400 --> 01:17:41,700 What did you hear me say? 1254 01:17:41,800 --> 01:17:43,600 - You said... - Just a minute. 1255 01:17:46,600 --> 01:17:47,700 Tell the jury. 1256 01:17:47,900 --> 01:17:50,200 - Is that all right with you, Judge? - Yes. 1257 01:17:50,800 --> 01:17:52,000 Proceed. 1258 01:17:52,200 --> 01:17:56,100 You said that you never knew you could love a man like you love him. 1259 01:17:58,300 --> 01:17:59,700 I kind of forgot I said that. 1260 01:17:59,800 --> 01:18:02,900 And you said you had fallen so hard for him that it hurt. 1261 01:18:03,200 --> 01:18:04,700 Wait a minute. 1262 01:18:05,600 --> 01:18:07,300 Answer one question at a time. 1263 01:18:07,500 --> 01:18:09,800 I just telling the truth like you told me to. 1264 01:18:10,000 --> 01:18:11,900 Yes, but you're telling too much of it. 1265 01:18:12,500 --> 01:18:15,500 I ain't never seen nobody so brokenhearted as you was... 1266 01:18:15,600 --> 01:18:17,600 when you and Mr. Clayton done bust up. 1267 01:18:18,400 --> 01:18:20,900 That's enough, Beulah. You're ruining my character. 1268 01:18:21,500 --> 01:18:24,900 BOB: I object, Your Honour. This witness' testimony is entirely irrelevant. 1269 01:18:25,200 --> 01:18:26,500 I move to strike it from record. 1270 01:18:26,600 --> 01:18:27,600 JUDGE: Motion denied. 1271 01:18:27,800 --> 01:18:29,400 JUDGE: Any more questions? BOB: No. 1272 01:18:29,600 --> 01:18:31,700 JUDGE: You're excused. Next witness. 1273 01:18:31,800 --> 01:18:33,500 Call Mr. Slick Wiley to the stand. 1274 01:18:33,800 --> 01:18:36,300 BAILIFF: Mr. Wiley, Mr. Slick Wiley, please take the stand. 1275 01:18:39,300 --> 01:18:42,100 - Bob, do you have to question this man? - Of course, Jack. 1276 01:18:42,400 --> 01:18:45,000 He'll win our case for us. She can't laugh him off. 1277 01:18:45,200 --> 01:18:47,800 Don't mention the night I found him at her apartment. 1278 01:18:48,000 --> 01:18:49,800 I've got to ask him about that. 1279 01:18:50,000 --> 01:18:53,300 BOB: That's what I'm depending on. JACK: I don't want you to mention it. 1280 01:18:53,500 --> 01:18:56,000 All right, I'll keep it as clean as I can. 1281 01:18:59,200 --> 01:19:01,700 When he gets through with Slick, we haven't got a chance. 1282 01:19:01,900 --> 01:19:05,500 Mr. Wiley, you know the plaintiff, Miss Tira, very well, do you not? 1283 01:19:05,900 --> 01:19:08,700 Sure, we've been like that. 1284 01:19:09,500 --> 01:19:11,200 During the time... 1285 01:19:11,400 --> 01:19:14,200 the plaintiff was engaged to the defendant, Mr. Clayton... 1286 01:19:14,500 --> 01:19:15,800 were you friendly with her? 1287 01:19:16,600 --> 01:19:18,200 Never better. 1288 01:19:18,300 --> 01:19:22,600 Isn't it true the plaintiff used to give you sums of money at times for your own use? 1289 01:19:22,900 --> 01:19:26,500 Yeah, sure. She was always a good for anywhere from $10 to a C-note. 1290 01:19:26,800 --> 01:19:28,000 Isn't it also a fact... 1291 01:19:28,100 --> 01:19:31,100 that you kept personal belongings in the plaintiff's apartment? 1292 01:19:31,400 --> 01:19:35,300 And that on at least once you were seen in her apartment only partly dressed? 1293 01:19:35,500 --> 01:19:37,200 SLICK: You mean in pyjamas? BOB: Yes. 1294 01:19:37,400 --> 01:19:39,900 Yeah, I always kept two pair there. 1295 01:19:40,200 --> 01:19:41,400 Silk ones. 1296 01:19:41,600 --> 01:19:43,800 One green and one purple with yellow stripes. 1297 01:19:44,000 --> 01:19:45,200 [All laughing] 1298 01:19:45,300 --> 01:19:46,800 [Judge knocks gavel] 1299 01:19:47,700 --> 01:19:50,100 Mr. Wiley, did the plaintiff ever suggest to you... 1300 01:19:50,300 --> 01:19:53,500 her interest in the defendant was principally because of his wealth? 1301 01:19:53,800 --> 01:19:55,000 Yeah, sure. 1302 01:19:55,100 --> 01:19:57,900 SLICK: She always looked to hook some guy with a lot of dough. 1303 01:19:58,200 --> 01:20:00,800 That's all, Mr. Wiley. Cross-examine. 1304 01:20:05,200 --> 01:20:07,500 TIRA: Where were you on the night of June 7? 1305 01:20:10,500 --> 01:20:11,900 I don't remember. 1306 01:20:12,100 --> 01:20:16,400 All right, I'll give you a choice, where were you any night last June, July, or August? 1307 01:20:17,700 --> 01:20:19,700 Come on, make up your mind. 1308 01:20:20,400 --> 01:20:21,500 In stir. 1309 01:20:21,700 --> 01:20:23,900 That's it, speak up so they can hear you. 1310 01:20:24,000 --> 01:20:25,300 He was in stir. 1311 01:20:25,400 --> 01:20:29,200 That means, in other words, gentlemen of the jury, he was in jail. 1312 01:20:30,200 --> 01:20:34,100 Tell the gentlemen how many other jails you been in the last 10 years. 1313 01:20:35,500 --> 01:20:37,000 I don't remember. 1314 01:20:38,000 --> 01:20:38,900 TIRA: He can't remember. 1315 01:20:39,000 --> 01:20:41,300 And what's this about you owning silk pyjamas? 1316 01:20:41,700 --> 01:20:42,900 You know it's a lie. 1317 01:20:43,200 --> 01:20:45,000 You forgot to tell these good people... 1318 01:20:45,000 --> 01:20:47,900 the only time I gave you money was when you got out of jail... 1319 01:20:48,200 --> 01:20:50,000 you were broke, and walking on your heels. 1320 01:20:50,000 --> 01:20:51,200 You heel. 1321 01:20:52,500 --> 01:20:55,000 As for you sitting in my apartment in silk pyjamas... 1322 01:20:55,300 --> 01:20:57,600 you never sat around my apartment in nothing. 1323 01:20:57,800 --> 01:20:59,000 And you know it. 1324 01:21:00,500 --> 01:21:02,100 Answer me, did you? 1325 01:21:03,000 --> 01:21:04,400 Sure, I did. 1326 01:21:04,600 --> 01:21:07,300 - And I was seen there, too. - Why you... 1327 01:21:08,000 --> 01:21:09,100 You perjurer. 1328 01:21:09,200 --> 01:21:11,400 I object to the witness being harassed this way. 1329 01:21:11,600 --> 01:21:13,400 Who's harassing who? 1330 01:21:14,800 --> 01:21:17,000 I'm just asking for a square deal, that's all. 1331 01:21:17,200 --> 01:21:19,900 I'm asking good, honest, and intelligent people not to take... 1332 01:21:20,200 --> 01:21:23,400 the word of an ex-convict against a good, honest and innocent woman. 1333 01:21:23,600 --> 01:21:25,300 I object, Your Honour. 1334 01:21:25,500 --> 01:21:27,800 JUDGE: Objection overruled. TIRA: You're right, Judge. 1335 01:21:28,000 --> 01:21:29,900 [All laughing] 1336 01:21:33,200 --> 01:21:34,300 There you are. 1337 01:21:34,400 --> 01:21:36,500 She's got the jury and the judge under her arm. 1338 01:21:36,700 --> 01:21:38,700 They'll hand her the case on a silver platter. 1339 01:21:38,900 --> 01:21:40,800 - Don't be unfair. - Unfair? 1340 01:21:40,900 --> 01:21:43,600 You've got so much money, you don't mind losing this case. 1341 01:21:43,800 --> 01:21:45,700 But my reputation means something to me. 1342 01:21:45,900 --> 01:21:48,100 If ever there was a case I wanted to win, this is it. 1343 01:21:48,300 --> 01:21:51,000 I told you not to put the man on the stand in the first place. 1344 01:21:51,200 --> 01:21:53,400 You'll have to take stand and tell your story. 1345 01:21:53,600 --> 01:21:55,300 I'll do nothing of the kind. 1346 01:21:55,500 --> 01:21:58,700 If you feel that way about it, why did you contest the case at all? 1347 01:22:01,300 --> 01:22:03,100 I'm sorry I did. 1348 01:22:04,200 --> 01:22:08,100 If any right-thinking man will believe what a crook and a jailbird will say... 1349 01:22:08,400 --> 01:22:11,500 then there's nothing I could say that'll make any difference. 1350 01:22:11,800 --> 01:22:13,400 I'm through with this guy, Judge. 1351 01:22:14,000 --> 01:22:15,900 Do you wish to question the witness further? 1352 01:22:16,100 --> 01:22:19,200 Yes. I have a few questions I should like to ask. 1353 01:22:19,500 --> 01:22:21,700 - Mr. Wiley... - Stop. Sit down. 1354 01:22:23,100 --> 01:22:25,200 That's enough. Call it off. 1355 01:22:25,500 --> 01:22:28,800 - I'll settle for the amount asked. - You're absolutely mad. 1356 01:22:29,900 --> 01:22:32,400 I don't want it to go any further, do you understand? 1357 01:22:33,100 --> 01:22:34,800 All right, have it your own way. 1358 01:22:35,000 --> 01:22:38,400 If you want to make a fool of yourself over this woman, I can't stop you. 1359 01:22:38,600 --> 01:22:39,800 Don't try to. 1360 01:22:41,000 --> 01:22:42,100 BOB: Your Honour... 1361 01:22:42,300 --> 01:22:45,300 my client has requested me, for some peculiar reason of his own... 1362 01:22:45,500 --> 01:22:47,000 to cease contest of this suit. 1363 01:22:47,200 --> 01:22:49,700 He's prepared to settle for the full amount of the case. 1364 01:22:49,900 --> 01:22:52,100 JUDGE: How extraordinary. BOB: I'll say it is. 1365 01:22:52,200 --> 01:22:55,500 - What is this, Benny? - Don't ask me, I'm paralysed. 1366 01:22:55,800 --> 01:22:57,100 Sounds like a trick. 1367 01:22:57,300 --> 01:23:00,900 Does the plaintiff accept this motion as satisfaction of this suit? 1368 01:23:01,200 --> 01:23:03,300 Okay, the plaintiff accepts it with pleasure. 1369 01:23:03,400 --> 01:23:05,600 JUDGE: In view of the agreement between the parties... 1370 01:23:05,800 --> 01:23:08,100 the jury is discharged with thanks. 1371 01:23:09,000 --> 01:23:11,500 Case dismissed. Court's adjourned. 1372 01:23:15,300 --> 01:23:17,300 JUROR 1: I'm glad you won your case, Miss Tira. 1373 01:23:17,600 --> 01:23:19,000 JUROR 2: That's our pleasure. 1374 01:23:19,900 --> 01:23:23,000 Wait a minute. Boys, now, take it easy. 1375 01:23:23,200 --> 01:23:25,800 I'll give you all the breaks in the world but don't crowd. 1376 01:23:26,100 --> 01:23:27,300 Pictures first. 1377 01:23:28,900 --> 01:23:30,800 PHOTOGRAPHER 1: Miss Tira, would you stand up? 1378 01:23:31,000 --> 01:23:32,800 Of course, if it'll make you happy. 1379 01:23:32,800 --> 01:23:34,700 PHOTOGRAPHER 2: Look this way, please. 1380 01:23:34,900 --> 01:23:37,100 Wait a minute boys, one at a time. I'm not twins. 1381 01:23:37,300 --> 01:23:38,500 [All laughing] 1382 01:23:38,700 --> 01:23:40,400 PHOTOGRAPHER 3: Hold that pose, please. 1383 01:23:40,500 --> 01:23:42,200 PHOTOGRAPHER 3: That's it. All right. 1384 01:23:42,400 --> 01:23:44,000 PHOTOGRAPHER 4: Hold for me, please. 1385 01:23:44,200 --> 01:23:45,500 PHOTOGRAPHER 4: Thank you. 1386 01:23:47,300 --> 01:23:49,600 - Will you answer a few questions, Miss Tira? - Of course. 1387 01:23:49,900 --> 01:23:51,800 You've won the case. What do you intend to do? 1388 01:23:52,000 --> 01:23:53,700 Carry on the same as before. 1389 01:23:53,900 --> 01:23:56,500 Why did you admit knowing so many men in your life? 1390 01:23:57,000 --> 01:24:00,400 It's not the men in your life that counts, it's the life in your men. 1391 01:24:01,000 --> 01:24:03,000 REPORTER: Do you feel you've done right? 1392 01:24:03,200 --> 01:24:04,800 TIRA: Show me a woman who can do better. 1393 01:24:08,500 --> 01:24:10,100 You were right, Judge. 1394 01:24:11,900 --> 01:24:14,200 - It was nice of you to come up. - Thank you. 1395 01:24:14,300 --> 01:24:17,100 You've been charming, my dear. Very charming. 1396 01:24:17,300 --> 01:24:19,700 - I'm glad you found that out. - Of course. 1397 01:24:19,900 --> 01:24:21,600 Well, goodbye. 1398 01:24:22,700 --> 01:24:24,800 I see you've that hand trouble, too, huh? 1399 01:24:26,400 --> 01:24:28,800 - Goodbye again. - Goodbye. 1400 01:24:30,700 --> 01:24:32,200 [Telephone ringing] 1401 01:24:35,400 --> 01:24:36,500 Hello? 1402 01:24:38,100 --> 01:24:39,900 Juror Number 4. 1403 01:24:40,700 --> 01:24:42,500 Yes, I remember you. 1404 01:24:42,800 --> 01:24:45,100 You were the one with the nice, kind face. 1405 01:24:46,800 --> 01:24:48,500 I know you were for me. 1406 01:24:53,300 --> 01:24:55,500 I wanna thank you for those beautiful flowers. 1407 01:24:55,800 --> 01:24:56,900 They were lovely. 1408 01:24:57,700 --> 01:25:00,400 And don't forget, come up and see me sometime. 1409 01:25:01,600 --> 01:25:03,500 BEULAH: Mr. Clayton, how is you? 1410 01:25:05,500 --> 01:25:07,000 Yes. 1411 01:25:09,300 --> 01:25:10,900 All right, goodbye. 1412 01:25:14,300 --> 01:25:18,200 You said things in the courtroom that led me to believe you loved me. 1413 01:25:18,500 --> 01:25:20,700 That you still love me. Did you mean them? 1414 01:25:21,300 --> 01:25:24,900 - What difference does it make now? - All the difference in the world. 1415 01:25:25,300 --> 01:25:26,500 You didn't believe me before. 1416 01:25:26,600 --> 01:25:29,600 Because I didn't understand about Slick being up here that night. 1417 01:25:31,100 --> 01:25:32,700 So that's it. 1418 01:25:33,300 --> 01:25:36,800 I didn't understand it myself till I found out it was all a big frame-up. 1419 01:25:37,100 --> 01:25:38,600 To keep me from leaving the show. 1420 01:25:38,700 --> 01:25:41,500 Then let's forget the whole thing and go on together. 1421 01:25:41,800 --> 01:25:44,700 - You sure you want it that way? - You know I do. 1422 01:25:44,900 --> 01:25:46,100 Sit down. 1423 01:25:47,500 --> 01:25:49,300 You're everything to me. 1424 01:25:51,300 --> 01:25:52,700 TIRA: Beulah. BEULAH: Yes, ma'am. 1425 01:25:52,900 --> 01:25:54,800 Bring me my jewel case. 1426 01:25:55,300 --> 01:25:59,000 - You're more fascinating than ever. - I get better as I go along. 1427 01:25:59,300 --> 01:26:00,500 BEULAH: Here, Miss Tira. 1428 01:26:00,600 --> 01:26:02,200 Got something for you. 1429 01:26:03,700 --> 01:26:06,100 I'm glad to know it wasn't the money you wanted. 1430 01:26:06,400 --> 01:26:09,600 You got a lot of other things it takes to make a woman happy. 1431 01:26:10,000 --> 01:26:11,500 [Jazzy instrumental music] 1432 01:26:11,700 --> 01:26:13,200 JACK: I'm crazy about you. 1433 01:26:13,300 --> 01:26:15,500 I did my best to make you that way. 1434 01:26:15,800 --> 01:26:18,500 Look, darling, you need a rest, and so do I. 1435 01:26:18,900 --> 01:26:22,200 - Let me take you away somewhere. - Would you call that a rest? 1436 01:26:24,200 --> 01:26:27,200 - What are you thinking about? - The same thing you are. 1437 01:26:27,600 --> 01:26:30,000 [Jazzy instrumental music continues] 1438 01:26:36,000 --> 01:26:39,800 [Singing] Baby, I can warm you with this love of mine 1439 01:26:40,700 --> 01:26:43,700 I'm no angel 1440 01:26:44,400 --> 01:26:48,000 Oh, let me feel my fingers running through your hair 1441 01:26:48,900 --> 01:26:51,500 I can give you kisses till you 1442 01:26:59,900 --> 01:27:03,300 [Jazzy song] 115924