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1
00:01:03,314 --> 00:01:06,567
[NARRATOR]
GOLD IS WHERE YOU FIND IT,
THE MINERS SAY,
2
00:01:06,567 --> 00:01:08,444
AND THIS WAS NEVER
BETTER DEMONSTRATED
3
00:01:08,444 --> 00:01:10,321
THAN AT CRIPPLE CREEK,
COLORADO,
4
00:01:10,321 --> 00:01:13,532
WHERE BACK IN 1892
A COWBOY STUBBED HIS TOE
5
00:01:13,532 --> 00:01:15,784
ON A STRANGE-LOOKING
PIECE OF ROCK
6
00:01:15,784 --> 00:01:17,953
AND STARTED ONE OF
THE LAST GOLD RUSHES
7
00:01:17,953 --> 00:01:19,663
IN WESTERN HISTORY.
8
00:01:19,663 --> 00:01:21,957
WITHIN A YEAR,
50 DEEP SHAFTS
9
00:01:21,957 --> 00:01:25,377
WERE POURING OUT TONS OF
THE RICHEST ORE EVER FOUND.
10
00:01:25,377 --> 00:01:27,630
THE TOWN GREW
FAST AND LOUD,
11
00:01:27,630 --> 00:01:32,384
AND, AS USUAL,
MEN DIED FASTER, LOUDER.
12
00:01:49,818 --> 00:01:51,654
BUT ALONG WITH
THE CUSTOMARY VIOLENCE
13
00:01:51,654 --> 00:01:53,489
AND BLOODSHED
OF A GOLD CAMP,
14
00:01:53,489 --> 00:01:57,034
SOMETHING NEW WAS ADDED
TO MAKE CRIPPLE CREEK UNIQUE
15
00:01:57,034 --> 00:01:59,078
AMONG ALL HER SINFUL SISTERS
16
00:01:59,078 --> 00:02:00,871
WAYLAYING SHIPMENTS
OF SMELTED GOLD
17
00:02:00,871 --> 00:02:03,415
WAS TOO OLD-FASHIONED
FOR THE CRIPPLE CREEK GANG.
18
00:02:03,415 --> 00:02:04,917
THESE BOYS WEREN'T WAITING
19
00:02:04,917 --> 00:02:07,253
FOR THE ORE
TO REACH THE SMELTER.
20
00:02:07,253 --> 00:02:10,965
WAGON LOAD UPON WAGON LOAD
OF THE HIGHEST-GRADE STUFF,
21
00:02:10,965 --> 00:02:14,426
SOME OF IT RUNNING AS MUCH
AS $60,000 A LOAD,
22
00:02:14,426 --> 00:02:16,220
WAS SIMPLY DISAPPEARING
23
00:02:16,220 --> 00:02:18,806
IN THE THIN,
ROCKY-MOUNTAIN AIR.
24
00:02:33,487 --> 00:02:35,614
THEY GOT SAM THE DRIVER,
TWO OF THE MINE CREW,
25
00:02:35,614 --> 00:02:37,700
AND WOUNDED FOUR OTHERS,
BESIDES ME.
26
00:02:37,700 --> 00:02:39,577
WELL, COULDN'T YOU
IDENTIFY ANY OF THEM?
27
00:02:39,577 --> 00:02:41,245
NO, MARSHAL,
THEY WERE ALL MASKED.
28
00:02:41,245 --> 00:02:43,414
THAT'S THE TENTH WAGON LOAD
OF MY RICHEST ORE
29
00:02:43,414 --> 00:02:44,915
THAT'S BEEN HIJACKED
THIS MONTH.
30
00:02:44,915 --> 00:02:46,792
SIX LOADS OF MINE NEVER
GOT TO THE SMELTER.
31
00:02:46,792 --> 00:02:49,128
THE WAY THEY SELECT ONLY
THE RICHEST ORE,
32
00:02:49,128 --> 00:02:51,880
YOU'D THINK THEY HAD ACCESS
TO MY SECRET ASSAYER REPORTS.
33
00:02:51,880 --> 00:02:55,759
I THINK YOU GENTLEMEN
SHOULD APPEAL TO YOUR
SENATORS IN WASHINGTON.
34
00:02:55,759 --> 00:02:57,595
WHAT DO YOU SUGGEST,
SULLIVAN?
35
00:02:57,595 --> 00:03:01,265
WELL, AS A GOVERNMENT ASSAYER,
I MUST AGREE WITH THE MARSHAL.
36
00:03:01,265 --> 00:03:02,641
THE LOSS OF GOLD
IN SUCH QUANTITIES
37
00:03:02,641 --> 00:03:05,519
IS A MATTER OF
NATIONAL CONCERN.
38
00:03:05,519 --> 00:03:08,314
GENTLEMEN, I THINK
THAT'S A GOOD IDEA.
39
00:03:08,314 --> 00:03:09,940
[NARRATOR]
THEY WERE RIGHT ABOUT THAT.
40
00:03:09,940 --> 00:03:12,860
IT WAS A MATTER
OF NATIONAL CONCERN.
41
00:03:12,860 --> 00:03:16,071
THIS YEAR OF 1893 WAS ONE
OF FINANCIAL DEPRESSION
42
00:03:16,071 --> 00:03:17,990
AND NEAR PANIC.
43
00:03:17,990 --> 00:03:20,367
THE COUNTRY'S GOLD RESERVE
HAD REACHED SUCH A LOW EBB
44
00:03:20,367 --> 00:03:22,911
THAT PRESIDENT CLEVELAND
PLACED AN EMBARGO
45
00:03:22,911 --> 00:03:25,372
ON THE SALE AND SHIPMENT
OF THAT PRECIOUS METAL
46
00:03:25,372 --> 00:03:27,374
TO FOREIGN NATIONS.
47
00:03:27,374 --> 00:03:28,876
EVERY OUNCE OF GOLD
48
00:03:28,876 --> 00:03:31,128
WAS NEEDED
BY THE NATIONAL TREASURY,
49
00:03:31,128 --> 00:03:34,214
SO THE PROBLEM
OF THE WHOLESALE LOOTING
OF CRIPPLE CREEK MINE
50
00:03:34,214 --> 00:03:37,259
BECAME THE IMMEDIATE
AND URGENT BUSINESS
51
00:03:37,259 --> 00:03:39,470
OF THE UNITED STATES
SECRET SERVICE.
52
00:03:46,185 --> 00:03:50,147
[HORSE GALLOPING]
53
00:03:52,149 --> 00:03:55,694
[GUNS FIRING]
54
00:04:27,768 --> 00:04:30,437
[FIRING CONTINUES]
55
00:05:05,889 --> 00:05:08,475
[MAN]
REACH.
56
00:05:19,862 --> 00:05:23,365
TURN AROUND,
EASY-LIKE.
57
00:05:26,285 --> 00:05:27,578
LARRY!
58
00:05:27,578 --> 00:05:29,037
KINDA JUMPY,
AIN'T YA, BRET?
59
00:05:29,037 --> 00:05:30,873
THAT TEXAS LINGO
OF YOURS HAD ME FOOLED.
60
00:05:30,873 --> 00:05:33,834
I THOUGHT THE PANHANDLE BOYS--
WELL, CHIEF BRUMMICK.
61
00:05:33,834 --> 00:05:35,961
HELLO, IVERS.
GLAD TO SEE YOU, SIR.
62
00:05:35,961 --> 00:05:37,087
SO YOU DID GET MY WIRE
AFTER ALL.
63
00:05:37,087 --> 00:05:38,714
YEAH, I GOT IT
ALL RIGHT,
64
00:05:38,714 --> 00:05:40,549
BUT I HAD QUITE A TIME
FOLLOWING YOUR INSTRUCTIONS.
65
00:05:40,549 --> 00:05:42,634
[CHUCKLES]
WHEN YOU DIDN'T REACH
RATON ON TIME,
66
00:05:42,634 --> 00:05:44,762
GALLAND AND I
STARTED DOWN TO SEE
WHAT HAD HAPPENED TO YOU.
67
00:05:44,762 --> 00:05:46,180
EVERY PEACE OFFICER
IN TEXAS
68
00:05:46,180 --> 00:05:48,182
WAS AFTER MY SCALP
FOR THAT BORDER JOB.
69
00:05:48,182 --> 00:05:49,850
HOW COME YOU DIDN'T CLEAR ME
WITH THE STATE AUTHORITIES?
70
00:05:49,850 --> 00:05:51,894
IT'S BETTER THIS WAY,
BRET.
71
00:05:51,894 --> 00:05:54,188
YOUR TEXAS REPUTATION
MAY HELP A LOT
72
00:05:54,188 --> 00:05:55,647
ON THAT
CRIPPLE CREEK CASE.
73
00:05:55,647 --> 00:05:57,232
OH, SO THAT'S WHERE
WE'RE GOING.
74
00:05:57,232 --> 00:05:58,817
IT'S THE BIGGEST
GOLD-STEALING CASE
IN HISTORY.
75
00:05:58,817 --> 00:06:00,736
THEY'RE GETTING AWAY
WITH TONS OF IT.
76
00:06:00,736 --> 00:06:02,154
WELL, HOW CAN THEY HOPE
TO SELL TONS OF GOLD
77
00:06:02,154 --> 00:06:03,989
IN THE UNITED STATES,
HERE?
78
00:06:03,989 --> 00:06:06,200
THEY DON'T.
THEY'RE SMUGGLING IT
OUT OF THE COUNTRY.
79
00:06:06,200 --> 00:06:07,201
SOUNDS LIKE A BIG JOB.
80
00:06:07,201 --> 00:06:09,244
BIG AND DANGEROUS.
81
00:06:09,244 --> 00:06:11,538
MORE THAN A DOZEN LOCAL
PEACE OFFICERS HAVE
ALREADY BEEN KILLED,
82
00:06:11,538 --> 00:06:12,956
MERELY TRYING TO STOP
THE HIGH GRADERS.
83
00:06:12,956 --> 00:06:14,291
IS THAT AS FAR
AS THEY GOT?
84
00:06:14,291 --> 00:06:15,959
YES, BUT THAT'S ONLY
THE FIRST LINK,
85
00:06:15,959 --> 00:06:18,086
AND WE WANT EVERY LINK
IN THAT CHAIN,
86
00:06:18,086 --> 00:06:19,838
BUT MOST OF ALL,
THE MEN WHO ENGINEERED
THE SCHEME
87
00:06:19,838 --> 00:06:21,965
AND ARRANGED THE PAYOFF.
88
00:06:21,965 --> 00:06:23,592
IS THIS BIG BRONC
THE ONLY HELP
I'M TO HAVE?
89
00:06:23,592 --> 00:06:25,677
NOW, AIN'T THAT NICE?
90
00:06:25,677 --> 00:06:27,095
YOU WON'T GO WRONG
WITH LARRY,
91
00:06:27,095 --> 00:06:28,347
BUT YOU'LL ALSO
HAVE HIS BROTHER STRAP.
92
00:06:28,347 --> 00:06:29,389
WELL, NOW
THAT'S BETTER!
93
00:06:29,389 --> 00:06:30,808
WHERE DO WE
PICK HIM UP?
94
00:06:30,808 --> 00:06:32,059
HE'S ALREADY
IN CRIPPLE CREEK,
95
00:06:32,059 --> 00:06:33,310
GIVING IT
THE ONCE OVER.
96
00:06:33,310 --> 00:06:34,311
ANY REPORT
FROM HIM YET?
97
00:06:34,311 --> 00:06:35,896
NOTHING DEFINITE,
98
00:06:35,896 --> 00:06:37,731
BUT HE SPOTTED
ONE OF THE TOUGHEST
GANGS IN THE WEST:
99
00:06:37,731 --> 00:06:38,982
THE MULDOON OUTFIT.
100
00:06:38,982 --> 00:06:41,318
WORKING FOR
THE CABEAU LIBERTY STABLE.
101
00:06:41,318 --> 00:06:42,653
WELL, THAT MIGHT
BE A LEAD, SIR.
102
00:06:42,653 --> 00:06:45,155
MAYBE.
ANYHOW, STRAP SUGGESTS
103
00:06:45,155 --> 00:06:46,907
THAT A COUPLE OF
NEW GUNFIGHTERS
104
00:06:46,907 --> 00:06:49,368
AND OUTLAWS MIGHT
FIND IT EASY TO
MAKE A HOOK UP.
105
00:06:49,368 --> 00:06:50,869
WELL, WITH
BILLY THE KID
106
00:06:50,869 --> 00:06:52,120
HERE AS A PARTNER,
I CAN'T MISS.
107
00:06:52,120 --> 00:06:54,122
WELL, DON'T
FORCE YOUR HAND.
108
00:06:54,122 --> 00:06:55,415
THE RIGHT PEOPLE
WILL SPOT YOU
SOON ENOUGH.
109
00:06:55,415 --> 00:06:56,834
WHERE DO WE FIND
STRAP?
110
00:06:56,834 --> 00:06:57,960
DON'T TRY.
HE'LL BE WATCHING FOR YOU.
111
00:06:57,960 --> 00:06:59,419
LET HIM MAKE
THE CONTACT.
112
00:06:59,419 --> 00:07:00,629
WELL, THAT'S ALL
I HAVE TO TELL YOU.
113
00:07:00,629 --> 00:07:01,880
FROM HERE ON,
YOU'RE ON YOUR OWN.
114
00:07:01,880 --> 00:07:03,131
THANKS, CHIEF.
115
00:07:03,131 --> 00:07:04,550
BUT I'M COUNTING
ON THE THREE OF YOU.
116
00:07:04,550 --> 00:07:07,135
THANK YOU, SIR.
117
00:07:07,135 --> 00:07:09,930
[MEN CAROUSING,
PIANO PLAYING]
118
00:07:26,154 --> 00:07:27,948
WHICH WAY TO
THE LIBERTY STABLE,
FRIEND?
119
00:07:27,948 --> 00:07:29,408
LIBERTY STABLE?
120
00:07:29,408 --> 00:07:31,660
RIGHT DOWN THERE,
AT THE END OF THE STREET.
121
00:07:31,660 --> 00:07:33,704
HOLLY, JACK,
122
00:07:33,704 --> 00:07:36,623
THREE WAGONS TO GO BACK
TO THE WOOD CUTTER'S CAMP
TONIGHT.
123
00:07:36,623 --> 00:07:39,668
FRESH HORSES...
AND SOBER DRIVERS.
124
00:07:39,668 --> 00:07:41,962
[MAN]
YES, BOSS.
125
00:07:41,962 --> 00:07:43,964
YOU'RE EARLY, MULDOON.
WE DON'T ROLL FOR
A COUPLE OF HOURS.
126
00:07:43,964 --> 00:07:45,549
WE WON'T ROLL
AT ALL...
127
00:07:45,549 --> 00:07:48,552
TILL WE GET OUR
PAY FOR THOSE LAST
THREE JOBS.
128
00:07:48,552 --> 00:07:50,846
YOU'LL GET YOUR PAY
WHEN I GET MINE,
129
00:07:50,846 --> 00:07:52,472
BUT NOT BEFORE.
130
00:07:52,472 --> 00:07:53,765
WE WANT OURS NOW,
131
00:07:53,765 --> 00:07:56,268
OR YOU CAN GET
YOURSELF A NEW CREW.
132
00:07:56,268 --> 00:08:00,355
NOBODY QUITS
THIS OUTFIT.
133
00:08:00,355 --> 00:08:02,858
I'LL SEE THE BOSS.
134
00:08:02,858 --> 00:08:04,943
GO AHEAD.
135
00:08:11,533 --> 00:08:13,160
STABLE YOUR PONIES,
GENTS?
136
00:08:13,160 --> 00:08:15,162
THANKS.
WE'LL TAKE CARE
OF THEM FOR YOU.
137
00:08:15,162 --> 00:08:17,205
ANY IDEAS AS TO WHERE
WE CAN GET A ROOM
AROUND HERE?
138
00:08:17,205 --> 00:08:21,251
IT'S HARD TO SAY.
TOWN'S OVERCROWDED.
139
00:08:21,251 --> 00:08:23,420
MIGHT TRY OVER
THE SILVER PALACE.
140
00:08:23,420 --> 00:08:26,673
MUCH OBLIGED.
CUSTOMERS, JAKE.
141
00:08:57,996 --> 00:08:59,539
WHAT'LL IT BE, GENTS?
142
00:08:59,539 --> 00:09:01,208
WHO DO YOU SEE ABOUT
GETTING A ROOM HERE?
143
00:09:01,208 --> 00:09:04,461
YOU CAN ASK THE BOSS
THERE, MR. KIRBY.
144
00:09:04,461 --> 00:09:06,171
MR. KIRBY?
145
00:09:06,171 --> 00:09:08,799
BETTER KNOWN AS SILVER KIRBY.
WHAT CAN I DO FOR YOU GENTLEMEN?
146
00:09:08,799 --> 00:09:10,258
WELL, WE'D LIKE
TO GET A ROOM.
147
00:09:10,258 --> 00:09:11,760
OH, I'M SORRY,
148
00:09:11,760 --> 00:09:13,720
BUT I'M AFRAID
WE'RE ALL FILLED UP.
149
00:09:13,720 --> 00:09:17,265
DELIVERYMAN AND CABEAU
FIGURED YOU MIGHT BE ABLE
TO TAKE CARE OF US.
150
00:09:17,265 --> 00:09:19,059
SO, I SEE.
151
00:09:19,059 --> 00:09:20,686
AND YOU BOYS MUST HAVE RIDDEN
UP FROM THE VALLEY TONIGHT.
152
00:09:20,686 --> 00:09:22,980
YEAH, 40-MILE DAY.
153
00:09:22,980 --> 00:09:24,690
IT'S A LONG PULL.
154
00:09:24,690 --> 00:09:27,025
LET'S SEE IF WE CAN'T
DO SOMETHING FOR YOU.
155
00:09:27,025 --> 00:09:28,652
JULIE!
156
00:09:32,614 --> 00:09:35,742
HAVE WE A CANCELED
RESERVATION AVAILABLE
FOR THESE GENTLEMEN?
157
00:09:35,742 --> 00:09:38,078
WHY, YES, WE HAD A ROOM
READY FOR MR. MCKEE,
158
00:09:38,078 --> 00:09:39,454
BUT HE'S GONE
BACK TO VICTOR.
159
00:09:39,454 --> 00:09:41,873
WELL, BOYS, IT LOOKS
LIKE YOU'RE IN LUCK.
160
00:09:41,873 --> 00:09:43,208
COME ALONG, GENTLEMEN,
I'LL SHOW YOU THE WAY.
161
00:09:43,208 --> 00:09:44,501
THANKS, MA'AM,
162
00:09:44,501 --> 00:09:46,503
AND THANK YOU FOR BEING
SO ACCOMMODATING.
163
00:09:46,503 --> 00:09:49,464
GLAD TO OBLIGE.
THAT'S WHAT WE'RE
HERE FOR.
164
00:10:00,308 --> 00:10:04,062
I WONDER WHAT CABEAU
SAW IN THOSE TWO
TO WORRY ABOUT.
165
00:10:04,062 --> 00:10:06,398
MAYBE IT'S THE WAY THEY
SLING THEIR ARTILLERY:
166
00:10:06,398 --> 00:10:09,151
TEXAS STYLE, LOW AND HANDY.
167
00:10:11,236 --> 00:10:13,030
I SUPPOSE YOU BOYS CAME HERE
HOPING TO GET RICH QUICKLY,
168
00:10:13,030 --> 00:10:14,614
LIKE ALL THE OTHERS.
169
00:10:14,614 --> 00:10:16,199
NO, MA'AM, WE JUST
DRIFTED UP FROM TEXAS
170
00:10:16,199 --> 00:10:18,618
TO TAKE IN THE SIGHTS
OF CRIPPLE CREEK.
171
00:10:18,618 --> 00:10:22,789
YEAH, AND WE SURE LIKE
WHAT WE'VE SEEN SO FAR.
172
00:10:22,789 --> 00:10:25,625
THEY MUST HAVE MOVED
THE BLARNEY STONE
TO TEXAS.
173
00:10:25,625 --> 00:10:28,211
HERE'S THE ROOM.
WE HAD IT READY FOR MR. MCKEE.
174
00:10:28,211 --> 00:10:30,297
HE OWNS
THE GOLD DOLLAR MINE,
175
00:10:30,297 --> 00:10:31,673
SO AT LEAST
YOU BOYS'LL SLEEP
IN A MILLIONAIRE'S BED.
176
00:10:31,673 --> 00:10:35,719
AH, LOOKS REAL COZY-LIKE.
THANKS, MISS JULIE.
177
00:10:35,719 --> 00:10:37,888
NOT AT ALL, IT'S PART
OF MY JOB.
178
00:10:37,888 --> 00:10:39,639
NOW, IF YOU'LL
GIVE ME YOUR NAMES,
I'LL REGISTER FOR YOU.
179
00:10:39,639 --> 00:10:43,351
IVERS IS MINE. BRET IVERS.
THIS IS LARRY GALLAND.
180
00:10:43,351 --> 00:10:45,771
MINE'S JULIE HANSON.
GOOD NIGHT.
181
00:10:45,771 --> 00:10:48,148
GOOD NIGHT, MISS JULIE.
GOOD NIGHT, MA'AM.
182
00:10:52,027 --> 00:10:54,029
YA SEE STRAP DOWN THERE,
DEALING FARO?
183
00:10:54,029 --> 00:10:55,530
YEAH, LOOKS LIKE A REAL
SWEET LISTENING.
184
00:10:55,530 --> 00:10:57,991
I SURE HOPE--
185
00:10:57,991 --> 00:11:00,911
WHY, DO YOU THINK
SOMEBODY'S WORRIED
ABOUT US ALREADY?
186
00:11:00,911 --> 00:11:03,622
WE'RE IN THE RIGHT PLACE,
THEY'D WORRY ABOUT ANY
STRANGERS.
187
00:11:12,672 --> 00:11:15,092
SURE HOPE STRAP GETS
IN TOUCH WITH US TONIGHT.
188
00:11:15,092 --> 00:11:17,594
WELL,
WE'LL LEAVE THAT TO HIM.
IT'S HIS PLAY.
189
00:11:25,727 --> 00:11:26,978
SILVER SAYS, "NO DICE."
190
00:11:26,978 --> 00:11:29,523
EVERYBODY WAITS
FOR THE BIG PAYOFF.
191
00:11:29,523 --> 00:11:32,359
SO WE WAIT,
IS THAT IT?
192
00:11:32,359 --> 00:11:35,946
NO. WE MAKE OUR OWN
COLLECTION TONIGHT.
193
00:11:35,946 --> 00:11:39,074
NOW, YOU TWO STAY HERE.
I'LL GET THE BOYS
IN THE OTHER ROOM.
194
00:12:03,723 --> 00:12:06,184
OKAY, JUDGE.
195
00:12:17,445 --> 00:12:19,948
ONE DEALER LEFT.
GET THE BOYS.
196
00:12:27,038 --> 00:12:28,290
NIGHT, GILLETTE.
197
00:12:28,290 --> 00:12:30,125
G'NIGHT, MR. KIRBY.
198
00:12:34,129 --> 00:12:36,381
[WHISTLES]
199
00:12:38,049 --> 00:12:40,677
IT'S STRAP.
YEAH.
200
00:12:40,677 --> 00:12:44,514
[OMINOUS MUSIC]
201
00:12:47,809 --> 00:12:49,936
HOLD IT.
202
00:12:54,191 --> 00:12:56,234
MUST'VE GOTTEN WISE
TO STRAP.
203
00:12:56,234 --> 00:12:59,821
WAIT! THEY'RE USING HIM
AS A DECOY FOR A HOLDUP.
204
00:13:05,160 --> 00:13:06,703
[KNOCKS]
205
00:13:06,703 --> 00:13:08,413
MR. KIRBY!
MR. KIRBY!
206
00:13:13,668 --> 00:13:16,796
ALL RIGHT, KEEP IT QUIET,
YOU TWO. THIS IS A PRIVATE
GOLD STRIKE IN THE HOUSE.
207
00:13:18,048 --> 00:13:21,176
WELL, I'M NOT
WAITING ANYMORE.
208
00:14:14,771 --> 00:14:19,067
I RECKON IT'S ALL HERE,
MR. KIRBY.
209
00:14:19,067 --> 00:14:22,445
YOU DIDN'T GIVE THEM
A CHANCE TO SPEND ANY
OF IT, THAT'S CERTAIN.
210
00:14:22,445 --> 00:14:24,281
PUT IT AWAY, ED.
211
00:14:24,281 --> 00:14:27,450
I DON'T LIKE TO LOOK
A GIFT HORSE IN THE MOUTH,
212
00:14:27,450 --> 00:14:30,578
BUT HOW DID YOU HAPPEN
TO INVITE YOURSELVES
TO MULDOON'S PARTY?
213
00:14:30,578 --> 00:14:32,747
AH, I RECKON IT'S
JUST FORCE OF HABIT.
214
00:14:32,747 --> 00:14:36,084
YOU SEE, LARRY AND ME,
WE'RE SORTA GROUND-FLOOR
FELLAS.
215
00:14:36,084 --> 00:14:39,129
ANYTIME WE'RE SLEEPING
TWO STORIES HIGH,
WE GET KINDA NERVOUS.
216
00:14:39,129 --> 00:14:41,047
SO, I WAS JUST
LOOKING OUT
THE WINDOW,
217
00:14:41,047 --> 00:14:43,133
JUST TO MAKE SURE
WE COULD REACH
THE GROUND EASY--
218
00:14:43,133 --> 00:14:45,093
IN CASE OF FIRE.
219
00:14:45,093 --> 00:14:49,514
YEAH, FIRE, OR EVEN
THE WRONG KIND OF
KNOCK ON THE DOOR.
220
00:14:49,514 --> 00:14:51,683
THEN YOU SAW THAT MULDOON
OUT TO JUMP ME.
221
00:14:51,683 --> 00:14:54,144
YEAH, FOUR GUNS
ON ONE MAN.
222
00:14:54,144 --> 00:14:57,605
WE DON'T LIKE
THAT KIND OF ODDS
DOWN IN TEXAS.
223
00:14:57,605 --> 00:14:59,149
IT'S A LUCKY BREAK,
ALL THE WAY AROUND.
224
00:14:59,149 --> 00:15:02,152
GENTLEMEN, THIS CALLS
FOR A DRINK ON THE HOUSE.
225
00:15:13,038 --> 00:15:14,956
AND THAT'S BILL TATE
OF COLORADO SPRINGS.
226
00:15:14,956 --> 00:15:16,207
HE WORK FOR YOU TOO?
227
00:15:16,207 --> 00:15:18,752
DROVE FOR ME
ONCE IN A WHILE.
228
00:15:18,752 --> 00:15:20,962
VERY SAD AFFAIR,
229
00:15:20,962 --> 00:15:24,799
BUT THE BEST NIGHT'S
BUSINESS WE'VE HAD
FOR SOME TIME.
230
00:15:24,799 --> 00:15:28,803
I CAN MAKE A VERY
ATTRACTIVE CLUB RATE
FOR ALL SIX.
231
00:15:31,306 --> 00:15:33,183
WELL, SILVER,
YOU CAN LOCK UP NOW.
232
00:15:33,183 --> 00:15:34,601
CORPUS DELICTI'S
BEEN IDENTIFIED,
233
00:15:34,601 --> 00:15:37,020
AND HAWKINS HERE OFFERS
A VERY GOOD CLUB RATE.
234
00:15:37,020 --> 00:15:40,148
SIX COFFINS, NO FLOWERS,
NO MOURNERS.
235
00:15:40,148 --> 00:15:41,941
SEEMS TO ME
THAT'S UP TO CABEAU.
236
00:15:41,941 --> 00:15:44,527
I'D BE MORE CAREFUL
ABOUT MY HIRED HELP
IF I WERE YOU.
237
00:15:44,527 --> 00:15:46,780
LOOK, I GOTTA TAKE
WHAT I CAN GET.
238
00:15:46,780 --> 00:15:49,991
CUTTING AND HAULING THIS
TOWN'S SUPPLY OF CORDWOOD
IS A TOUGH JOB.
239
00:15:49,991 --> 00:15:51,618
BUT IF THAT'S ALL, MARSHAL,
I'LL BE ROLLING.
240
00:15:51,618 --> 00:15:53,536
I GOTTA HUSTLE UP
A NEW CREW.
241
00:15:53,536 --> 00:15:54,871
THAT'S ALL, CABEAU.
THANKS.
242
00:15:54,871 --> 00:15:56,998
I CAN MAKE IT EASIER
FOR YOU, MR. CABEAU,
243
00:15:56,998 --> 00:15:58,958
IF YOU'LL FURNISH
ONE OF YOUR OWN WAGONS.
244
00:15:58,958 --> 00:16:03,046
MY LARGEST HEARSE IS ONLY
A TWO-PASSENGER JOB.
245
00:16:03,046 --> 00:16:04,923
SEE JAKE AT
THE STABLE.
246
00:16:04,923 --> 00:16:06,633
OH, SPLENDID!
247
00:16:06,633 --> 00:16:09,427
I'LL SEND MY DECORATOR OVER
TO DRAPE IT IN BLACK.
248
00:16:09,427 --> 00:16:13,473
YOU CAN DRAPE IT IN
RED, WHITE, AND BLUE,
FOR ALL I CARE.
249
00:16:13,473 --> 00:16:16,267
A PATRIOTIC IDEA,
250
00:16:16,267 --> 00:16:19,813
BUT A LITTLE
TOO UNCONVENTIONAL
FOR CRIPPLE CREEK.
251
00:16:19,813 --> 00:16:21,815
WELL, GOOD NIGHT, ALL,
252
00:16:21,815 --> 00:16:26,361
AND THANKS AGAIN,
GENTLEMEN, FOR BEING
SO COOPERATIVE.
253
00:16:35,620 --> 00:16:37,580
MISS JULIE?
254
00:16:37,580 --> 00:16:40,458
SURE GLAD YOU WEREN'T
DOWN HERE WHEN THIS
HAPPENED, MISS JULIE.
255
00:16:40,458 --> 00:16:42,460
SO AM I.
256
00:16:42,460 --> 00:16:44,462
YEAH, IT'S PRETTY
ROUGH.
257
00:16:44,462 --> 00:16:46,005
COULDN'T BE HELPED,
ONCE IT STARTED.
258
00:16:46,005 --> 00:16:47,632
I SUPPOSE NOT.
259
00:16:47,632 --> 00:16:50,135
AND I'M SURE MR. KIRBY'S
VERY GRATEFUL TO YOU.
260
00:16:50,135 --> 00:16:51,261
GOOD NIGHT.
261
00:16:51,261 --> 00:16:53,054
GOOD NIGHT, MA'AM.
262
00:16:59,811 --> 00:17:03,648
I'LL RECKON LARRY AND ME'LL
SHOVE OFF OUR BED. GOOD
NIGHT, MEN.
263
00:17:03,648 --> 00:17:05,733
CONSIDER YOURSELF
THE HONORED GUESTS
OF THE HOUSE,
264
00:17:05,733 --> 00:17:07,527
FOR AS LONG AS
YOU WANT TO STAY.
265
00:17:07,527 --> 00:17:10,238
WELL NOW, THAT'S REAL
HANDSOME OF YOU.
266
00:17:10,238 --> 00:17:11,781
SEE YA IN THE MORNING.
267
00:17:11,781 --> 00:17:14,159
GOOD NIGHT.
G'NIGHT.
268
00:17:16,995 --> 00:17:19,497
[KIRBY]
NOTHING LIKE GOOD OL'
SOUTHERN CHIVALRY.
269
00:17:19,497 --> 00:17:21,958
IMAGINE THOSE BOYS,
270
00:17:21,958 --> 00:17:26,754
RISKING THEIR LIVES
FOR A TOTAL STRANGER
LIKE YOU.
271
00:17:26,754 --> 00:17:29,757
OR AM I TAKING TOO
MUCH FOR GRANTED?
272
00:17:29,757 --> 00:17:31,718
I NEVER SAW THEM
BEFORE, BOSS.
273
00:17:31,718 --> 00:17:33,970
AND IT'S MY HUNCH THEY
MADE THIS GRANDSTAND PLAY
274
00:17:33,970 --> 00:17:35,430
TO GET IN YOUR
GOOD BOOK,
275
00:17:35,430 --> 00:17:36,681
NOT MINE.
276
00:17:36,681 --> 00:17:37,682
WHAT DO YA THINK,
DENVER?
277
00:17:37,682 --> 00:17:39,017
WELL, ALL I SAY IS, BOSS,
278
00:17:39,017 --> 00:17:40,685
YOU BETTER KEEP THAT
SAFE LOCKED
279
00:17:40,685 --> 00:17:42,812
WHILE YOUR NEW GUESTS
OF HONOR ARE IN TOWN.
280
00:17:42,812 --> 00:17:45,607
I AGREE WITH DENVER.
I'D NOT ONLY LOCK THE SAFE,
281
00:17:45,607 --> 00:17:47,358
I'D CHANGE THE COMBINATION.
282
00:17:51,070 --> 00:17:53,907
NIGHT, GENTS.
283
00:17:53,907 --> 00:17:55,241
WELL, MARSHAL,
284
00:17:55,241 --> 00:17:57,076
HOW DOES IT CHECK OUT
FROM THE POINT OF VIEW
285
00:17:57,076 --> 00:17:58,495
OF THE LAW?
286
00:17:58,495 --> 00:17:59,787
WELL,
I'D SAY THE TOWN
287
00:17:59,787 --> 00:18:01,998
IS WELL RID
OF THE MULDOON OUTFIT,
288
00:18:01,998 --> 00:18:05,084
BUT I'M NOT SO SURE IT'LL
BENEFIT BY THE CHANGE.
289
00:18:05,084 --> 00:18:07,170
THOSE TWO GUN ARTISTS
AIN'T HERE FOR THEIR HEALTH.
290
00:18:07,170 --> 00:18:10,089
MAYBE I BETTER CONTACT
MY OLD FRIEND
291
00:18:10,089 --> 00:18:11,925
SHERIFF SUMMERS
DOWN IN AMARILLO.
292
00:18:11,925 --> 00:18:14,969
HE'S GOT A RECORD OF
EVERY GUNFIGHTER IN TEXAS.
293
00:18:14,969 --> 00:18:17,013
IT'S A SMART IDEA,
MARSHAL.
294
00:18:17,013 --> 00:18:19,682
WE LAW-ABIDING CITIZENS
CAN'T BE TOO CAREFUL.
295
00:18:19,682 --> 00:18:21,684
HMM.
296
00:18:35,657 --> 00:18:37,242
WHY DON'T YOU LOOK
UNDER THE BED?
297
00:18:37,242 --> 00:18:39,202
WHY DON'T I KNOCK
YOUR BLOCK OFF, YOU MEAN.
298
00:18:39,202 --> 00:18:41,329
I'M SORRY, BRET.
YOU'RE DEAD RIGHT.
299
00:18:41,329 --> 00:18:42,497
I NEARLY WRECKED
OUR CASE.
300
00:18:42,497 --> 00:18:43,748
[STRAP]
YOU SURE DID.
301
00:18:43,748 --> 00:18:46,167
[IVERS]
STRAP!
302
00:18:53,633 --> 00:18:55,218
HIYA, STRAP.
303
00:18:55,218 --> 00:18:57,470
I OUGHT TO TAKE YOU ACROSS
MY KNEE AND SPANK YOU,
304
00:18:57,470 --> 00:18:58,638
LIKE I DID
WHEN YOU WERE A KID.
305
00:18:58,638 --> 00:18:59,681
OH, ALL RIGHT.
BALL ME OUT.
306
00:18:59,681 --> 00:19:02,350
I GOT IT COMING.
307
00:19:02,350 --> 00:19:03,726
IT ISN'T THAT BAD,
LARRY.
308
00:19:03,726 --> 00:19:04,894
YOU JUST BROKE A PLATE.
309
00:19:04,894 --> 00:19:06,563
I THINK I SAVED
THE PIECES,
310
00:19:06,563 --> 00:19:07,939
BUT YOU GUYS'LL HAVE
TO GLUE 'EM TOGETHER.
311
00:19:07,939 --> 00:19:09,065
HOW BAD
IS IT BROKEN?
312
00:19:09,065 --> 00:19:10,692
I CAN'T TELL
FOR SURE.
313
00:19:10,692 --> 00:19:13,111
SILVER KIRBY'S GRATEFUL,
BUT SUSPICIOUS.
314
00:19:13,111 --> 00:19:15,238
NOW, THAT FISH-EYED KILLER
OF HIS, DENVER JONES,
315
00:19:15,238 --> 00:19:17,073
FIGURES YOU'RE A COUPLE
OF REFUGEE OUTLAWS
316
00:19:17,073 --> 00:19:18,408
LOOKING FOR
A SOFT TOUCH.
317
00:19:18,408 --> 00:19:19,576
I HELPED
THE IDEA ALONG.
318
00:19:19,576 --> 00:19:21,536
SWELL! IF KIRBY
RUNS THINGS,
319
00:19:21,536 --> 00:19:23,413
HE MIGHT MAKE US
A PROPOSITION.
320
00:19:23,413 --> 00:19:24,914
HOW DOES KIRBY
ADD UP?
321
00:19:24,914 --> 00:19:26,499
I'VE GOT NOTHING
BUT HUNCHES SO FAR,
322
00:19:26,499 --> 00:19:28,459
BUT THERE'S A TIE-IN
BETWEEN HIM AND CABEAU.
323
00:19:28,459 --> 00:19:30,169
YEAH, I FIGURED AS MUCH,
324
00:19:30,169 --> 00:19:33,590
THE WAY CABEAU'S NAME
GOT US THIS ROOM.
325
00:19:33,590 --> 00:19:34,966
HOW DO THEY WORK IT?
326
00:19:34,966 --> 00:19:36,509
HERE'S ALL I GOT--
327
00:19:36,509 --> 00:19:38,386
CABEAU HAS TEN
FOUR-HORSE WAGONS
328
00:19:38,386 --> 00:19:39,637
HAULING CORDWOOD.
329
00:19:39,637 --> 00:19:40,847
THAT'S THE ONLY
FUEL THEY HAVE HERE.
330
00:19:40,847 --> 00:19:42,432
WHERE DO THEY GET IT?
331
00:19:42,432 --> 00:19:44,183
I DON'T KNOW,
BUT HIS WOODCUTTERS' CAMP
332
00:19:44,183 --> 00:19:46,060
RUNS FULL BLAST
ALL SUMMER,
333
00:19:46,060 --> 00:19:47,562
AND HIS RIGS ROLL
DAY AND NIGHT.
334
00:19:47,562 --> 00:19:49,397
OUT EMPTY,
AND BACK LOADED, HUH?
335
00:19:49,397 --> 00:19:52,025
HASN'T ANYBODY EVER
TRIED TO TRAIL THEM?
YEAH.
336
00:19:52,025 --> 00:19:53,693
SIX MARSHALS
AND TEN DEPUTIES,
337
00:19:53,693 --> 00:19:54,694
BUT THEY NEVER
GOT BACK.
338
00:19:54,694 --> 00:19:55,695
HMM.
339
00:19:55,695 --> 00:19:57,989
WELL, IT BEGINS
TO FIGURE.
340
00:19:57,989 --> 00:19:59,407
YOU'VE DONE ALL RIGHT,
STRAP.
341
00:19:59,407 --> 00:20:00,950
FOR A GUY ANCHORED
TO A FERAL BANK LAYOUT
342
00:20:00,950 --> 00:20:02,368
AND ONLY
HERE A WEEK.
343
00:20:02,368 --> 00:20:06,456
WHAT ABOUT THIS GAL,
JULIE HANSON?
344
00:20:06,456 --> 00:20:08,333
ALL I KNOW IS SHE
WORKS FOR A LIVING
345
00:20:08,333 --> 00:20:10,793
TO KEEP HER
OLD MAN EATING.
346
00:20:10,793 --> 00:20:11,961
HE'S AN OLD,
HARD-LUCK PROSPECTOR
347
00:20:11,961 --> 00:20:13,212
WHO'S DUG MORE HOLES
348
00:20:13,212 --> 00:20:14,547
THAN ALL THE GOPHERS
IN THE WEST.
349
00:20:14,547 --> 00:20:16,674
WELL, WE CAN'T
OVERLOOK ANYBODY
350
00:20:16,674 --> 00:20:18,259
CONNECTED WITH KIRBY.
351
00:20:18,259 --> 00:20:20,303
I GUESS I'LL HAVE
TO GIVE MISS JULIE
352
00:20:20,303 --> 00:20:21,638
MY PERSONAL ATTENTION.
353
00:20:21,638 --> 00:20:23,014
THERE HE GOES AGAIN,
354
00:20:23,014 --> 00:20:25,266
GRABBING OFF
THE BEST ASSIGNMENT.
355
00:20:26,351 --> 00:20:28,394
[WAGONS ROLLING]
356
00:20:38,363 --> 00:20:42,700
MR. CORDWOOD CABEAU
HIMSELF AT THE REINS.
357
00:20:42,700 --> 00:20:43,701
OFF THE BED, LARRY,
AND HARNESS UP.
WE'RE GOING FOR A RIDE.
358
00:20:43,701 --> 00:20:45,078
YOU GOT IT, BRET.
359
00:20:45,078 --> 00:20:46,537
THAT WAGON MAY PUT US
ON FIRST BASE.
360
00:20:46,537 --> 00:20:48,289
I HAVE A HUNCH IT'LL
DO MORE THAN THAT.
361
00:20:48,289 --> 00:20:50,541
MAY BUY US A SEAT
AT SILVER KIRBY'S TABLE.
362
00:20:50,541 --> 00:20:52,543
THAT'S THE BEST
NIGHT'S SLEEP I'VE HAD
363
00:20:52,543 --> 00:20:55,088
SINCE I MET UP
WITH HIM.
364
00:20:57,382 --> 00:20:59,759
STRAP,
BLOW OUT THE LAMP.
365
00:21:16,818 --> 00:21:18,903
[SUSPENSEFUL MUSIC]
366
00:21:18,903 --> 00:21:24,200
[♪♪]
367
00:22:31,768 --> 00:22:34,020
[DRIVER]
THAT'S IT, BOYS.
368
00:22:46,115 --> 00:22:47,784
WELL NOW, HOW D'YA
LIKE THAT?
369
00:22:47,784 --> 00:22:48,826
I'LL BE DOGGONE.
370
00:22:48,826 --> 00:22:50,536
WHAT DO WE DO NOW?
371
00:22:50,536 --> 00:22:52,914
FOLLOW CABEAU
TO THE SECOND LINK
IN THE CHAIN?
372
00:22:52,914 --> 00:22:55,416
NO, WE HAVEN'T GOT TIME.
IT'S TOO NEAR MORNING.
373
00:22:55,416 --> 00:22:57,168
BESIDES, I'VE GOT
A BETTER IDEA.
374
00:22:57,168 --> 00:22:59,128
MASK UP.
375
00:24:12,368 --> 00:24:14,412
HEY OH.
376
00:24:20,710 --> 00:24:22,211
[GALLAND]
WHAT DO WE DO WITH
THE STUFF WE GOT?
377
00:24:22,211 --> 00:24:24,338
[IVERS]
DUMP IT IN SOME
ABANDONED HOLE.
378
00:25:18,893 --> 00:25:21,187
[GALLAND]
IT'LL BE SAFE
IN THIS DEAD SHAFT.
379
00:25:31,781 --> 00:25:33,074
[STRAP]
WELL, I COULDN'T SLEEP,
380
00:25:33,074 --> 00:25:34,408
SO I GOT TO THE WINDOW
FOR A SMOKE,
381
00:25:34,408 --> 00:25:35,868
AND THERE'S THOSE
TWO BUCKAROOS
382
00:25:35,868 --> 00:25:38,162
CLIMBING DOWN FROM
THE ROOF TO THE GROUND.
383
00:25:38,162 --> 00:25:40,206
WHY DIDN'T
YOU TAIL 'EM?
384
00:25:40,206 --> 00:25:41,624
I'M JUST A FARO DEALER.
385
00:25:41,624 --> 00:25:44,126
I HAVEN'T BEEN HIRED
TO TAIL ANYBODY.
386
00:25:44,126 --> 00:25:47,088
I APPRECIATE YOUR
LOYALTY, GILLIS.
387
00:25:47,088 --> 00:25:49,507
PERHAPS I CAN THROW
SOMETHING YOUR WAY.
388
00:25:49,507 --> 00:25:51,133
TO START WITH,
TAKE YOUR THINGS AND MOVE
389
00:25:51,133 --> 00:25:53,928
INTO THAT EMPTY ROOM
NEXT TO OUR TEXAS GUESTS.
390
00:25:53,928 --> 00:25:55,680
KEEP CASES ON THEM,
NIGHT AND DAY.
391
00:25:55,680 --> 00:25:58,516
I'LL STICK TO 'EM
LIKE A BROTHER.
392
00:25:59,767 --> 00:26:00,977
[FOOTSTEPS]
393
00:26:05,314 --> 00:26:06,607
WHERE HAVE YOU BEEN?
394
00:26:06,607 --> 00:26:07,900
SLEEPING IN
YOUR STABLE?
395
00:26:07,900 --> 00:26:09,402
I'VE BEEN WALKING
TEN MILES.
396
00:26:09,402 --> 00:26:10,736
CAN I SEE YOU
IN PRIVATE?
397
00:26:10,736 --> 00:26:12,071
WELL,
THAT'S ALL RIGHT.
398
00:26:12,071 --> 00:26:13,197
I'VE, UH,
JUST TAKEN GILLIS
399
00:26:13,197 --> 00:26:15,074
INTO THE CORPORATION.
400
00:26:15,074 --> 00:26:18,828
POUR OUR ROUGHED-UP FRIEND
A CUP OF COFFEE, STRAP.
401
00:26:18,828 --> 00:26:20,246
WHAT'S THE SAD STORY?
402
00:26:20,246 --> 00:26:21,831
TWO MASKED GUNMEN
KILLED BEN FRY
403
00:26:21,831 --> 00:26:22,873
AND HIJACKED MY
WAGON LAST NIGHT.
404
00:26:22,873 --> 00:26:24,458
THEY GET THE ORE?
405
00:26:24,458 --> 00:26:26,377
YEAH, AND THE WAGON'S
BACK AT THE STABLE--
406
00:26:26,377 --> 00:26:28,921
EMPTY, SO THEY'VE CASHED
THE LOAD SOME PLACE.
407
00:26:30,923 --> 00:26:33,342
[IVERS] MORNING, MISS JULIE.
[GALLAND] MORNING, MA'AM.
408
00:26:33,342 --> 00:26:34,844
[KIRBY]
MORNING, BOYS.
409
00:26:34,844 --> 00:26:36,178
MORNING, MR. KIRBY.
MORNING.
410
00:26:36,178 --> 00:26:38,222
[KIRBY]
HAVE BREAKFAST WITH US.
411
00:26:38,222 --> 00:26:42,184
WELL, THAT'S AN INVITATION
WE NEVER REFUSE.
412
00:26:42,184 --> 00:26:43,185
THAT BELT BUCKLE!
413
00:26:43,185 --> 00:26:44,186
WHY, YOU!
414
00:26:44,186 --> 00:26:45,771
[KIRBY] CABEAU!
415
00:26:45,771 --> 00:26:47,273
THESE ARE THE TWO YEGGS
WHO STUCK ME UP.
416
00:26:47,273 --> 00:26:49,525
THERE MUST BE
SOME MISTAKE.
417
00:26:49,525 --> 00:26:50,609
THESE MEN ARE
MY FRIENDS,
418
00:26:50,609 --> 00:26:52,278
THEY'VE PROVED IT.
419
00:26:53,821 --> 00:26:55,531
[KIRBY]
HOW 'BOUT IT, IVERS?
420
00:26:55,531 --> 00:26:57,408
WELL, WE'RE MIGHTY
SORRY, MR. KIRBY.
421
00:26:57,408 --> 00:26:58,909
LARRY AND ME HAD NO IDEA
422
00:26:58,909 --> 00:27:01,537
YOU WERE MIXED UP
WITH CABEAU'S OUTFIT.
423
00:27:01,537 --> 00:27:03,456
NATURALLY, WE'D HAVE
LAID OFF THAT ORE WAGON.
424
00:27:03,456 --> 00:27:05,207
[KIRBY]
NATURALLY...
425
00:27:05,207 --> 00:27:07,960
AND, THAT BEING THE CASE,
ALL YOU HAVE TO DO IS TELL US
426
00:27:07,960 --> 00:27:09,462
WHERE YOU
DUMPED THOSE SACKS,
427
00:27:09,462 --> 00:27:11,380
AND THERE'LL
BE NO HARD FEELINGS.
428
00:27:11,380 --> 00:27:13,424
THAT WAS MIGHTY RICH
ORE, MR. KIRBY.
429
00:27:13,424 --> 00:27:14,717
YEAH, FROM WHAT WE HEAR,
430
00:27:14,717 --> 00:27:17,553
MUST BE WORTH
CLOSE TO $40,000.
431
00:27:17,553 --> 00:27:18,554
[MEN SHOUTING]
432
00:27:18,554 --> 00:27:19,555
[HANSON] GOLD!
433
00:27:19,555 --> 00:27:22,308
GATHER AROUND!
434
00:27:29,398 --> 00:27:32,318
"CANCELED POLLY," YOU CALLED
THAT CLAIM OF MINE, DID YA?
435
00:27:32,318 --> 00:27:34,695
HEY, GIVE ME THAT,
YOU GOPHER!
436
00:27:34,695 --> 00:27:37,490
IT'S JULIE'S FATHER.
HE STRUCK IT RICH.
437
00:27:37,490 --> 00:27:39,950
NONSENSE.
THAT OLD CLAIM OF HIS
ISN'T WORTH A QUARTER.
438
00:27:39,950 --> 00:27:42,161
NEVER WILL BE.
IF THERE'S ANY GOLD IN IT,
439
00:27:42,161 --> 00:27:43,996
SOMEBODY DUMPED IT
DOWN THE SHAFT.
440
00:27:43,996 --> 00:27:46,624
[MR. HANSON]
THREE COUNT CHORUS
TO THE OLD JULIANA,
441
00:27:46,624 --> 00:27:47,792
THE RICHEST STRIKE
THIS YEAR.
442
00:27:47,792 --> 00:27:50,127
THE JULIANA.
443
00:27:50,127 --> 00:27:53,005
SO, THAT'S WHERE
YOU DUMPED IT.
444
00:27:54,298 --> 00:27:56,050
OUR MISTAKE.
445
00:27:56,050 --> 00:27:58,135
WE THOUGHT IT WAS JUST AN
ABANDONED HOLE IN THE GROUND.
446
00:27:58,135 --> 00:28:01,472
I ADMIRE
YOUR NERVE, IVERS.
447
00:28:01,472 --> 00:28:03,015
THIS SORT OF CHANGES
YOUR PLANS, DOESN'T IT?
448
00:28:03,015 --> 00:28:05,267
I DON'T THINK SO.
449
00:28:05,267 --> 00:28:06,811
IF WE CAN TAKE IT
AWAY FROM CABEAU,
450
00:28:06,811 --> 00:28:09,897
THERE SHOULDN'T BE MUCH
TROUBLE HANDLING HANSON,
451
00:28:09,897 --> 00:28:11,148
ESPECIALLY SINCE
THE OLD MAN IS TRYING
452
00:28:11,148 --> 00:28:12,650
TO GET AWAY
WITH IT HIMSELF.
453
00:28:12,650 --> 00:28:15,611
GRANTED. LETS PRESUME
YOU RECOVER THE GOLD.
454
00:28:15,611 --> 00:28:17,113
HOW DO YOU DISPOSE OF IT?
455
00:28:17,113 --> 00:28:18,989
YOU CAN'T GO DRIVING
AROUND A MOUNTAIN
456
00:28:18,989 --> 00:28:22,076
WITH A WAGON LOAD
OF STOLEN GOLD.
457
00:28:22,076 --> 00:28:23,869
LARRY, LOOKS LIKE
HE'S GOT US, THERE.
458
00:28:23,869 --> 00:28:26,580
YEAH, WE NEVER
FIGURED ON THAT.
459
00:28:26,580 --> 00:28:29,708
OKAY, MR. KIRBY,
IT'S YOUR DEAL.
460
00:28:29,708 --> 00:28:32,586
I'D THOUGHT YOU'D
SEE IT MY WAY.
461
00:28:32,586 --> 00:28:34,505
LARRY, SINCE WE'VE
CAUSED ALL THIS TROUBLE,
462
00:28:34,505 --> 00:28:36,132
THE LEAST WE COULD DO
IS HELP MR. KIRBY
463
00:28:36,132 --> 00:28:37,133
GET THAT ORE BACK.
464
00:28:37,133 --> 00:28:39,343
THAT'S STRAIGHT TALKING.
465
00:28:39,343 --> 00:28:41,011
YOU WON'T LOSE BY IT.
466
00:28:41,011 --> 00:28:42,930
CABEAU, YOU'VE GOT
YOURSELF A COUPLE OF MEN
467
00:28:42,930 --> 00:28:44,390
WORTH A DOZEN MULDOONS.
468
00:28:44,390 --> 00:28:46,559
YOU'RE ASKING A LOT
OF ME, SILVER.
469
00:28:46,559 --> 00:28:47,935
KISS AND MAKE UP WITH
A COUPLE OF GUYS WHO
470
00:28:47,935 --> 00:28:50,020
PULLED ME OFF MY WAGON
AND NEAR BREAK MY NECK.
471
00:28:50,020 --> 00:28:53,649
[CHUCKLES]
CABEAU, YOU SURPRISE ME.
472
00:28:53,649 --> 00:28:55,151
THESE TWO TEXAS TORNADOS
473
00:28:55,151 --> 00:28:57,736
MIGHT BE JUST WHAT
THE DOCTOR ORDERED.
474
00:28:57,736 --> 00:28:59,113
ONE WAY TO FIND OUT IS...
475
00:28:59,113 --> 00:29:00,447
LET THEM SIT IN THE GAME,
476
00:29:00,447 --> 00:29:01,699
DEAL 'EM A FEW HANDS,
477
00:29:01,699 --> 00:29:03,242
AND SEE HOW
THEY PLAY 'EM.
478
00:29:03,242 --> 00:29:05,578
IF THAT'S THE WAY
YOU WANT IT.
479
00:29:05,578 --> 00:29:08,998
THAT'S THE WAY
I WANT IT.
480
00:29:08,998 --> 00:29:11,667
WON'T BE LONG NOW
BEFORE I BE JOININ'
481
00:29:11,667 --> 00:29:14,420
THAT MILLIONAIRE CLUB
OF YOURS, MR. HATTON, YESSIR.
482
00:29:14,420 --> 00:29:16,130
MY CONGRATULATIONS.
483
00:29:16,130 --> 00:29:17,590
IT'S BEAUTIFUL
STUFF, HANSON.
484
00:29:17,590 --> 00:29:19,175
AFTER I GET A FEW TONS OUT,
MR. SULLIVAN,
485
00:29:19,175 --> 00:29:21,177
WILL YA ASSAY IT FOR ME,
SO I KNOW THAT I GOT A VEIN,
486
00:29:21,177 --> 00:29:22,595
NOT JUST A POCKET?
487
00:29:22,595 --> 00:29:24,263
ANY TIME.
I'LL BE GLAD TO OBLIGE.
488
00:29:24,263 --> 00:29:25,890
THANKS, THANKS.
489
00:29:25,890 --> 00:29:28,434
OH, DAD, THIS IS WONDERFUL.
I CAN HARDLY BELIEVE IT.
490
00:29:28,434 --> 00:29:30,644
WON'T BE LONG BEFORE WE HAVE
THAT BIG HOUSE IN DENVER,
491
00:29:30,644 --> 00:29:34,023
LIKE WE BOTH WANTED,
HONEY.
492
00:29:34,023 --> 00:29:37,443
MY GAL WON'T HAVE TO WORK HERE
MUCH LONGER, MR. SILVER.
493
00:29:37,443 --> 00:29:39,904
COME ON, HONEY, I WANT
TO TALK TO YOU ALONE.
494
00:29:45,743 --> 00:29:47,536
NOW LISTEN, HONEY,
AND DON'T JUMP.
495
00:29:47,536 --> 00:29:49,413
THAT ORE REALLY
ISN'T OURS.
496
00:29:49,413 --> 00:29:51,165
A GANG OF HIGH-GRADING
SKUNKS DUMPED
497
00:29:51,165 --> 00:29:53,459
A WHOLE LOAD OF IT
DOWN THE JULIANA SHAFT.
498
00:29:53,459 --> 00:29:55,920
DAD, YOU'RE GOING
TO PASS IT OFF AS YOURS?
499
00:29:55,920 --> 00:29:58,088
OH, NOW YOU KNOW YOUR
DAD BETTER THAN THAT.
500
00:29:58,088 --> 00:29:59,965
BUT ALL THE EXCITEMENT
YOU STARTED.
501
00:29:59,965 --> 00:30:01,717
BUT I FIGURED IT
WAS THE BEST WAY
502
00:30:01,717 --> 00:30:03,385
TO CATCH THE CROOKS THAT
DUMPED THE ORE ON US,
503
00:30:03,385 --> 00:30:05,054
AND THEY'RE SURE TO
HIJACK IT AWAY FROM ME.
504
00:30:05,054 --> 00:30:06,513
I WON'T HAVE YOU TRYING
TO FIGHT OFF HIJACKERS.
505
00:30:06,513 --> 00:30:09,350
THEN NOT ME.
I'LL GET MARSHAL TETHEROE
506
00:30:09,350 --> 00:30:10,976
TO SET A TRAP FOR 'EM.
507
00:30:10,976 --> 00:30:12,811
WELL,
THAT'S DIFFERENT.
508
00:30:12,811 --> 00:30:14,647
AND YOU'RE NOT
TOO DISAPPOINTED?
509
00:30:14,647 --> 00:30:17,316
NO, DAD,
AND I'M PROUD OF YOU.
510
00:30:17,316 --> 00:30:19,318
WE'LL STRIKE IT RICH,
SOMEDAY, AND IT'LL BE
511
00:30:19,318 --> 00:30:21,070
ON THE UP AND UP TOO.
SURE, WE WILL.
512
00:30:21,070 --> 00:30:22,613
NOW, REMEMBER,
DON'T SAY A WORD
513
00:30:22,613 --> 00:30:23,864
TO ANYBODY ABOUT
THIS, WILL YA?
514
00:30:23,864 --> 00:30:26,408
I UNDERSTAND.
AND YOU BE CAREFUL.
515
00:30:26,408 --> 00:30:29,703
I WILL BE, HONEY.
DON'T YOU WORRY
ABOUT YOUR OLD MAN.
516
00:30:34,667 --> 00:30:37,336
[OMINOUS MUSIC]
517
00:31:06,365 --> 00:31:08,951
[PIANO PLAYING]
518
00:31:13,289 --> 00:31:15,916
[KNOCKS]
519
00:31:17,584 --> 00:31:19,670
IT'S OKAY. OPEN UP.
520
00:31:26,635 --> 00:31:28,095
WHERE'S SILVER?
521
00:31:28,095 --> 00:31:30,055
HE HAD DINNER OUT.
HE'LL BE BACK SOON.
522
00:31:30,055 --> 00:31:31,890
WELL, I CAN'T WAIT.
523
00:31:31,890 --> 00:31:33,058
TELL HIM
THIS JUST CAME IN
524
00:31:33,058 --> 00:31:34,768
FROM A FRIEND
OF MINE IN TEXAS.
525
00:31:34,768 --> 00:31:36,145
HE WANTS ANYTHING
DONE ABOUT IT TONIGHT,
526
00:31:36,145 --> 00:31:37,313
HE KNOWS WHERE TO FIND ME.
527
00:31:37,313 --> 00:31:39,565
OKAY, MARSHAL.
528
00:31:48,198 --> 00:31:49,658
1,200, GILLES.
529
00:31:49,658 --> 00:31:51,618
SIGN THE BOOK.
530
00:32:16,435 --> 00:32:17,644
SIT IN FOR ME,
WILL YOU, GEORGE?
531
00:32:17,644 --> 00:32:18,896
WHILE I RUN
AN ERRAND.
532
00:32:18,896 --> 00:32:20,856
SURE, STRAP.
533
00:32:24,985 --> 00:32:26,487
GOOD EVENING,
MR. KIRBY.
534
00:32:26,487 --> 00:32:29,198
EVENING, ED.
NICE CROWD OUT THERE.
535
00:32:29,198 --> 00:32:32,576
MARSHAL TETHEROE LEFT
A LETTER FOR YOU TO READ.
536
00:32:32,576 --> 00:32:34,453
WHERE?
RIGHT THERE
ON MY DESK.
537
00:32:34,453 --> 00:32:37,081
SOUNDED IMPORTANT.
SOMETHING FROM TEXAS.
538
00:32:42,127 --> 00:32:44,088
THERE'S NO
LETTER HERE.
539
00:32:45,464 --> 00:32:47,674
WHY, HE PUT IT
RIGHT DOWN THERE.
540
00:32:47,674 --> 00:32:49,009
GILLIS JUST SIGNED
THE MONEY BOOK.
541
00:32:49,009 --> 00:32:51,762
HE WAS THE LAST
MAN IN HERE.
542
00:32:56,809 --> 00:32:59,686
ALL RIGHT, MEN.
GET YOUR BETS DOWN.
543
00:33:02,564 --> 00:33:04,733
GET THE HORSES.
WE GOTTA SEE THE
MARSHAL RIGHT AWAY.
544
00:33:08,529 --> 00:33:10,531
[OMINOUS MUSIC]
545
00:33:10,531 --> 00:33:15,911
♪♪
546
00:33:24,336 --> 00:33:26,672
WELL, I GUESS THAT
DOES IT, MARSHAL.
547
00:33:26,672 --> 00:33:28,424
NOW YOU WAIT HERE
WHILE I GO GET ENERGY.
548
00:33:28,424 --> 00:33:29,591
WELL,
UH, NEVER MIND.
549
00:33:29,591 --> 00:33:31,427
WE CAN TAKE IT
FROM HERE ON.
550
00:33:31,427 --> 00:33:32,636
NOW, GAL DARN IT,
MARSHAL,
551
00:33:32,636 --> 00:33:33,762
I WANT TO SEE
THAT ORE DELIVERED
552
00:33:33,762 --> 00:33:35,055
JUST LIKE I PROMISED.
553
00:33:35,055 --> 00:33:36,890
NOW, HANSON,
LET'S BE REASONABLE.
554
00:33:36,890 --> 00:33:38,684
I WANT TO MAKE IT
AS EASY AS POSSIBLE
555
00:33:38,684 --> 00:33:39,768
FOR THE HIJACKERS.
556
00:33:39,768 --> 00:33:41,437
JUST ME
AND THE DRIVER.
557
00:33:41,437 --> 00:33:42,980
THEN MY DEPUTIES
CAN RIDE DOWN
558
00:33:42,980 --> 00:33:44,398
FROM THE HILLS
AND GET THEM ALL.
559
00:33:44,398 --> 00:33:45,399
WELL, ME GOING
AIN'T GONNA STOP
560
00:33:45,399 --> 00:33:47,109
THEM HIGH-GRADERS FROM--
561
00:33:47,109 --> 00:33:48,110
NAH, NOTHIN' DOIN'.
562
00:33:48,110 --> 00:33:49,570
BESIDES, I PROMISED JULIE
563
00:33:49,570 --> 00:33:51,029
I WOULDN'T LET YOU
TAKE ANY CHANCES.
564
00:33:51,029 --> 00:33:53,115
NOW YOU JUST RAMBLE
ON BACK TO TOWN.
565
00:33:53,115 --> 00:33:55,742
EH, ALL RIGHT.
I'LL GO.
566
00:33:55,742 --> 00:33:57,786
BUT I DON'T
LIKE IT.
567
00:34:07,004 --> 00:34:09,673
"HANSON, GO BACK TO TOWN."
WELL, I AIN'T GOING.
568
00:34:09,673 --> 00:34:12,134
THIS IS MY
BUSINESS TOO.
569
00:34:12,134 --> 00:34:15,053
ENERGY!
ARE YOU LISTENING?
570
00:34:15,053 --> 00:34:17,931
THIS IS MY IDEA,
AND I AIN'T GONNA
GET FROZE OUT OF IT.
571
00:34:19,975 --> 00:34:24,021
LET'S GO. C'MON. C'MON.
C'MON, ENERGY! C'MON!
572
00:34:24,021 --> 00:34:26,398
COME ON!
573
00:34:42,706 --> 00:34:43,832
[WHISTLES]
574
00:34:55,886 --> 00:34:57,888
HIYA, BOYS.
MARSHALL.
575
00:34:57,888 --> 00:34:59,389
ALL RIGHT, CABEAU,
TAKE IT OVER.
576
00:34:59,389 --> 00:35:03,018
THERE'S NOTHING LIKE
HAVING THE LAW ON YOUR SIDE.
577
00:35:03,018 --> 00:35:05,312
ALL RIGHT,
LET'S GET ALONG.
578
00:35:08,774 --> 00:35:10,275
HI, COWBOY.
579
00:35:10,275 --> 00:35:12,236
MARSHAL, SILVER WANTS
TO SEE YOU RIGHT AWAY.
580
00:35:12,236 --> 00:35:13,737
DID HE GET
THAT LETTER?
581
00:35:13,737 --> 00:35:15,322
HE SURE DID.
582
00:35:15,322 --> 00:35:17,115
HE SAID TO LET ALL BETS
RIDE AS THEY LIE.
583
00:35:17,115 --> 00:35:18,867
HE'LL TAKE CARE
OF IT.
584
00:35:18,867 --> 00:35:20,744
WELL, BOYS,
HAVE A NICE TRIP.
585
00:35:22,871 --> 00:35:25,582
COME ON,
YOUNG FELLA.
586
00:35:37,844 --> 00:35:40,305
WE'VE BEEN TWO-TIMED
BY THE ORNERIEST CRITTER
587
00:35:40,305 --> 00:35:42,099
THAT EVER WORE
A TIN BADGE.
588
00:35:42,099 --> 00:35:43,600
COME ON,
LET'S GET TO TOWN.
589
00:35:43,600 --> 00:35:45,227
COME ON, ENERGY.
I GOTTA GO, NOW.
590
00:35:45,227 --> 00:35:46,562
I'VE GOT BUSINESS
TO ATTEND TO.
591
00:35:46,562 --> 00:35:48,772
WILL YOU COME ON?
COME ON, ENERGY,
592
00:35:48,772 --> 00:35:52,568
WILL YA COME ON?
COME ON.
593
00:36:01,159 --> 00:36:03,495
RIDE UP AND TELL CABEAU
MY HORSE PICKED UP A STONE.
594
00:36:03,495 --> 00:36:06,081
I'LL BE ALONG
IN A MINUTE.
595
00:36:49,958 --> 00:36:52,836
I DIDN'T KNOW YOU WERE IN
SO DEEP ON THIS PLAY, GILLIS.
596
00:36:52,836 --> 00:36:54,338
I WASN'T,
TILL TONIGHT.
597
00:36:54,338 --> 00:36:56,048
THAT LETTER
PUT ME IN.
598
00:36:56,048 --> 00:36:57,758
WHAT DID YOU
MAKE OF IT?
599
00:36:57,758 --> 00:36:59,426
SAME AS YOU DID,
MARSHAL.
600
00:36:59,426 --> 00:37:01,845
IVERS IN THIS TOWN
MIGHT BE GOVERNMENT MEN.
601
00:37:01,845 --> 00:37:03,013
I DON'T KNOW WHY
SILVER DIDN'T
602
00:37:03,013 --> 00:37:05,724
WIPE THEM BOTH
OUT RIGHT THERE.
603
00:37:05,724 --> 00:37:07,476
RECKON IT'S BECAUSE
HE NEVER SAW THE LETTER.
604
00:37:07,476 --> 00:37:10,729
TAKE IT EASY.
605
00:37:10,729 --> 00:37:12,272
ALL RIGHT, GILLIS,
WHAT IS IT?
606
00:37:12,272 --> 00:37:13,482
FEDERAL OR STATE?
607
00:37:13,482 --> 00:37:16,151
SECRET SERVICE.
608
00:37:16,151 --> 00:37:18,111
NOW, RIDE SLOW.
LEFT TURN.
609
00:37:18,111 --> 00:37:19,863
WELL, CRIPPLE CREEK'S
TO THE RIGHT.
610
00:37:19,863 --> 00:37:22,199
I'M TAKING YOU DOWN
TO COLORADO SPRINGS,
611
00:37:22,199 --> 00:37:23,742
AND LET AN HONEST SHERIFF
PUT YOU ON ICE
612
00:37:23,742 --> 00:37:25,535
TILL THIS CASE
IS CLOSED.
613
00:37:25,535 --> 00:37:27,329
OH, DON'T DO
THAT, GILLIS.
614
00:37:27,329 --> 00:37:28,789
THEY DON'T GIVE
A DOUBLE-DEALING MARSHAL
615
00:37:28,789 --> 00:37:30,165
LIKE ME AN EVEN BREAK
IN THIS STATE.
616
00:37:30,165 --> 00:37:32,292
I HATE CROOKS,
617
00:37:32,292 --> 00:37:34,378
BUT MOST OF ALL A SWORN
OFFICER OF THE LAW
618
00:37:34,378 --> 00:37:35,837
WITH A DIRTY BADGE.
619
00:37:35,837 --> 00:37:38,965
[GALLAND]
GET GOING.
620
00:37:43,345 --> 00:37:45,764
[GUN FIRES]
621
00:37:49,935 --> 00:37:51,353
ANY EXPLANATIONS?
622
00:37:51,353 --> 00:37:52,979
GIVE ME TIME,
AND I'LL THINK OF ONE.
623
00:37:52,979 --> 00:37:54,272
WHERE'S THAT LETTER?
624
00:37:54,272 --> 00:37:56,483
WHAT LETTER?
625
00:37:56,483 --> 00:37:57,484
LET'S GO.
626
00:37:57,484 --> 00:37:58,527
WHAT ABOUT THE MARSHAL?
627
00:37:58,527 --> 00:38:00,028
HAVEN'T YOU HEARD?
628
00:38:00,028 --> 00:38:01,613
HE DIED IN THE
LINE OF DUTY.
629
00:38:01,613 --> 00:38:03,949
THE HIGH-GRADERS
GOT HIM.
630
00:38:26,346 --> 00:38:28,473
ALL RIGHT, YOU TWO.
WE DON'T NEED YOU
ANY LONGER.
631
00:38:28,473 --> 00:38:30,058
YOU CAN GO
BACK TO TOWN.
632
00:38:30,058 --> 00:38:32,227
RIGHT.
633
00:38:50,454 --> 00:38:53,331
RECKON HERE'S WHERE THEY
WANT TO STOP OUR EDUCATION.
634
00:38:53,331 --> 00:38:55,292
YEAH, I'LL GUESS WE'LL HAVE
TO WORK OUR WAY THROUGH COLLEGE.
635
00:40:38,603 --> 00:40:40,438
TAKE IT BACK
TO THE STABLES, BOYS.
636
00:40:40,438 --> 00:40:41,940
HYAH!
637
00:41:43,543 --> 00:41:45,170
LEAD.
638
00:41:45,170 --> 00:41:47,130
THIS SLAG
IS FULL OF IT.
639
00:41:47,130 --> 00:41:48,965
THAT'S WHAT YOU GET
FROM PROCESSING SILVER ORE.
640
00:41:48,965 --> 00:41:51,051
RIGHT. THIS USED
TO BE A SILVER CAMP.
641
00:41:51,051 --> 00:41:52,552
THEY'VE GOT SOME OF
THE OLD MACHINERY
642
00:41:52,552 --> 00:41:54,179
DOWN THERE RUNNING
THE GOLD ORE THROUGH.
643
00:41:54,179 --> 00:41:56,890
YEAH, BUT I WONDER HOW
THEY SHIP THAT GOLD OUT.
644
00:41:56,890 --> 00:41:58,558
WELL, WE HAVEN'T GOT
TIME TO FIND OUT NOW.
645
00:41:58,558 --> 00:42:01,227
WE'VE GOT TO BEAT
CABEAU BACK INTO TOWN.
646
00:42:01,227 --> 00:42:03,188
THIS IS SURE THE MAIN
LINK IN OUR CHAIN.
647
00:42:03,188 --> 00:42:05,440
BREAK THIS,
AND WE BREAK THE CASE.
648
00:42:08,151 --> 00:42:11,071
LET'S TRY THIS WAY.
649
00:42:23,792 --> 00:42:26,670
ALL RIGHT,
MR. SECRET SERVICE.
650
00:42:26,670 --> 00:42:29,506
I KNOW ALL I NEED
TO KNOW ABOUT YOU.
651
00:42:29,506 --> 00:42:31,967
THERE'S ONE
OTHER QUESTION:
652
00:42:31,967 --> 00:42:36,930
ARE BRET IVERS
AND LARRY GALLAND
WORKING WITH YOU?
653
00:42:36,930 --> 00:42:40,392
THOSE TWO TRIGGER-HAPPY
HILLBILLIES?
654
00:42:40,392 --> 00:42:41,726
NOT A CHANCE.
655
00:42:41,726 --> 00:42:44,521
I NEVER SAW 'EM
BEFORE IN MY LIFE.
656
00:42:44,521 --> 00:42:46,523
THAT'S A GOOD
ANSWER, GILLIS.
657
00:42:46,523 --> 00:42:49,275
LET'S SEE HOW LONG
YOU STICK WITH IT.
658
00:42:49,275 --> 00:42:51,403
WE'RE GOING TO PLAY
A LITTLE GAME...
659
00:42:51,403 --> 00:42:54,030
MY OWN VERSION
OF RUSSIAN ROULETTE.
660
00:42:54,030 --> 00:42:56,241
DID YOU EVER
HEAR OF IT?
661
00:42:56,241 --> 00:42:57,993
NO.
662
00:42:57,993 --> 00:43:01,454
STAND HIM OVER THERE,
AGAINST THE WALL, LEFTY.
663
00:43:10,130 --> 00:43:12,132
THERE'S ONE CARTRIDGE
IN THIS GUN,
664
00:43:12,132 --> 00:43:13,967
AND FIVE EMPTY CHAMBERS.
665
00:43:13,967 --> 00:43:15,510
THE SLUG WITH YOUR NAME ON IT
666
00:43:15,510 --> 00:43:18,430
MAY BE IN THE FIRST,
OR THE LAST.
667
00:43:18,430 --> 00:43:20,640
OR, SOMEWHERE
IN BETWEEN.
668
00:43:20,640 --> 00:43:22,726
CHIEF, THAT'S ONE
FOR THE BOOK.
669
00:43:22,726 --> 00:43:26,021
I'D THOUGHT
YOU'D LIKE THAT.
670
00:43:26,021 --> 00:43:28,148
I'M GOING TO GIVE YOU
A GAMBLING CHANCE.
671
00:43:28,148 --> 00:43:31,317
IF YOU GIVE ME AN HONEST
ANSWER TO MY QUESTION,
672
00:43:31,317 --> 00:43:34,446
YOU WALK OUT THAT
DOOR A FREE MAN.
673
00:43:34,446 --> 00:43:36,406
YOU EXPECT ME
TO BELIEVE THAT?
674
00:43:36,406 --> 00:43:41,161
THAT'S ANOTHER GAMBLE
YOU'LL HAVE TO TAKE.
675
00:43:41,161 --> 00:43:42,996
AT THE MOMENT,
THE ODDS ARE FIVE TO ONE
676
00:43:42,996 --> 00:43:46,624
THAT THIS IS
AN EMPTY CHAMBER.
677
00:43:46,624 --> 00:43:49,961
READY, GILLIS?
678
00:43:49,961 --> 00:43:53,923
HOW 'BOUT MY ANSWER?
679
00:43:53,923 --> 00:43:55,884
[KIRBY]
HAVE IT YOUR WAY.
680
00:43:55,884 --> 00:43:58,511
[GUN CLICKS]
681
00:43:58,511 --> 00:44:00,930
THAT WAS A LONG SHOT,
GILLIS.
682
00:44:00,930 --> 00:44:05,685
NOW IT'S FOUR TO ONE.
683
00:44:05,685 --> 00:44:10,273
[KIRBY]
SAME QUESTION.
684
00:44:10,273 --> 00:44:12,984
SAME ANSWER.
685
00:44:12,984 --> 00:44:15,361
[GUN CLICKS]
686
00:44:18,573 --> 00:44:21,451
THIS IS GETTING
INTERESTING.
687
00:44:21,451 --> 00:44:25,622
ONE OF THE NEXT FOUR.
IT MAY BE THE VERY NEXT.
688
00:44:25,622 --> 00:44:27,248
[KIRBY]
ANY CHANGE OF MIND?
689
00:44:30,877 --> 00:44:34,089
HERE GOES YOUR
THREE-TO-ONE SHOT.
690
00:44:34,089 --> 00:44:38,510
[GUN CLICKS]
691
00:44:38,510 --> 00:44:40,762
WELL,
WHAT DO YOU KNOW?
692
00:44:40,762 --> 00:44:44,057
WITH LUCK LIKE YOURS,
A MAN COULD GET RICH.
693
00:44:44,057 --> 00:44:46,935
I'LL LAY TWO TO ONE
ON OUR LUCKY FRIEND
FROM WASHINGTON.
694
00:44:46,935 --> 00:44:48,770
I'LL TAKE TEN.
ME, TOO, BOSS.
695
00:44:48,770 --> 00:44:52,607
FORTY TO TWENTY, IT IS.
696
00:44:52,607 --> 00:44:54,484
GOOD LUCK, GILLIS.
697
00:44:54,484 --> 00:44:57,278
MY MONEY'S ON YOU.
698
00:44:57,278 --> 00:44:58,738
[GUN CLICKS]
699
00:44:58,738 --> 00:45:02,117
UNCLE SAM HAS SOME
DURABLE EMPLOYEES,
700
00:45:02,117 --> 00:45:04,994
I'LL SAY THAT
FOR YOU, GILLIS.
701
00:45:04,994 --> 00:45:07,330
BUT NOW WE'RE
DOWN TO CASES.
702
00:45:07,330 --> 00:45:09,457
ONE OF THE NEXT TWO.
703
00:45:09,457 --> 00:45:11,709
AN EVEN MONEY BET.
704
00:45:11,709 --> 00:45:14,420
[KIRBY]
STILL GAMBLING, GILLIS,
705
00:45:14,420 --> 00:45:16,089
OR DO I GET
MY HONEST ANSWER?
706
00:45:16,089 --> 00:45:19,384
YOU HAD IT, SILVER.
707
00:45:19,384 --> 00:45:22,470
GO AHEAD. WIND IT UP.
708
00:45:22,470 --> 00:45:26,349
WHAT DO YOU SAY, BOYS?
DOUBLE OR NOTHING?
709
00:45:26,349 --> 00:45:29,144
YOU'RE ON.
SHOOT, BOSS.
YOU'RE FATED.
710
00:45:29,144 --> 00:45:32,230
[GUN CLICKS]
711
00:45:36,151 --> 00:45:38,653
[KIRBY] MY HAT'S
OFF TO YOU, GILLIS.
712
00:45:38,653 --> 00:45:41,030
I'VE BEEN A GAMBLER
ALL MY LIFE,
713
00:45:41,030 --> 00:45:44,284
AND I'VE NEVER
SEEN A BETTER PLAY.
714
00:45:46,452 --> 00:45:47,579
AS FAR AS I'M CONCERNED,
715
00:45:47,579 --> 00:45:48,663
YOU'VE EARNED A BREAK.
716
00:45:54,085 --> 00:45:56,713
YOU DON'T BELIEVE ME?
717
00:45:56,713 --> 00:45:58,590
I'M GOING
TO TURN YOU LOOSE.
718
00:45:58,590 --> 00:46:02,177
THAT IS, WHEN MY GOLD
INVESTMENTS PAY OFF.
719
00:46:02,177 --> 00:46:04,470
TAKE HIM
TO HIS ROOM, LEFTY.
720
00:46:13,438 --> 00:46:15,523
[KIRBY]
HAVE A GOOD
SLEEP, GILLIS.
721
00:46:15,523 --> 00:46:17,192
YOU'VE GOT IT COMING.
722
00:46:34,584 --> 00:46:36,586
TOO BAD.
723
00:46:38,254 --> 00:46:41,007
HE WAS THE BEST
FARO DEALER I EVER HAD.
724
00:46:53,978 --> 00:46:56,731
THAT YOU, GILLIS?
725
00:46:56,731 --> 00:46:57,899
[GALLAND]
OH, HI, DENVER.
726
00:46:57,899 --> 00:47:00,026
HELLO, GENTS.
JUST GET BACK?
727
00:47:00,026 --> 00:47:02,570
YEAH, WE JUST ROLLED IN
WITH A ROLL OF LOGS.
WHERE'S GILLIS?
728
00:47:02,570 --> 00:47:04,364
HE ISN'T WITH US
ANY MORE.
729
00:47:04,364 --> 00:47:06,407
SOMETHING HAPPEN TO HIM?
730
00:47:06,407 --> 00:47:08,201
THAT SKUNK TURNED OUT
TO BE A GOVERNMENT MAN.
731
00:47:08,201 --> 00:47:09,786
HOW'D YOU FIND OUT?
732
00:47:09,786 --> 00:47:10,828
MARSHAL TITHEROE GOT
A TIP-OFF LETTER FROM TEXAS,
733
00:47:10,828 --> 00:47:11,829
FROM AN OLD FRIEND.
734
00:47:11,829 --> 00:47:13,373
WHAT DOES GILLIS DO,
735
00:47:13,373 --> 00:47:16,167
BUT STEAL THE LETTER,
AND SHOOT THE MARSHAL?
736
00:47:16,167 --> 00:47:17,627
SILVER AND I GOT
THERE JUST IN TIME.
737
00:47:17,627 --> 00:47:19,045
JUST IN TIME FOR WHAT?
738
00:47:19,045 --> 00:47:21,923
TO GRAB GILLIS
AND BRING HIM IN.
739
00:47:21,923 --> 00:47:24,300
WE WORKED HIM OVER
PLENTY.
740
00:47:24,300 --> 00:47:26,010
FINALLY CAME THROUGH
AND ADMITTED EVERYTHING.
741
00:47:26,010 --> 00:47:29,180
CAN YOU IMAGINE
A WEASEL LIKE THAT?
742
00:47:29,180 --> 00:47:30,848
HOW 'BOUT THAT?
743
00:47:30,848 --> 00:47:32,558
WHAT'D YA DO TO HIM?
744
00:47:32,558 --> 00:47:35,436
I ALWAYS GIVE
A GAME GUY A BREAK.
745
00:47:35,436 --> 00:47:38,731
I PLUGGED HIM IN THE BACK
SO HE WOULDN'T SEE IT COMING.
746
00:47:38,731 --> 00:47:39,857
SEE YA DOWNSTAIRS.
747
00:47:39,857 --> 00:47:41,234
RIGHT.
748
00:47:44,404 --> 00:47:46,322
LARRY.
749
00:47:50,994 --> 00:47:53,288
FUNNY ABOUT THAT LETTER.
750
00:47:53,288 --> 00:47:56,749
NOBODY IN TEXAS KNEW
STRAP'S BUSINESS BUT ME.
751
00:47:56,749 --> 00:47:59,002
NOT EVEN OUR
OWN FOLKS.
752
00:47:59,002 --> 00:48:00,295
THAT LETTER WAS
ABOUT ME, LARRY.
753
00:48:00,295 --> 00:48:01,921
NOT STRAP.
754
00:48:01,921 --> 00:48:03,089
HOW DO YOU NOW?
755
00:48:03,089 --> 00:48:05,174
HE GAVE IT TO ME LAST NIGHT.
756
00:48:05,174 --> 00:48:07,593
HE WROTE A MESSAGE ON IT
THAT HE'D HAVE TO DROP OFF
THE CASE
757
00:48:07,593 --> 00:48:10,096
AND TAKE TETHEROE WITH HIM.
LET'S SEE IT.
758
00:48:10,096 --> 00:48:11,806
I BURNED IT BACK
ON THE ROAD WHEN I STALLED
759
00:48:11,806 --> 00:48:14,726
TO TAKE CARE OF
THE HORSE'S HOOF.
760
00:48:14,726 --> 00:48:16,644
IT'S ALL MY FAULT, LARRY,
FOR HOLDING OUT ON YOU.
761
00:48:16,644 --> 00:48:19,897
YOU COULDN'T OF KNOWN
THEY'D CATCH UP WITH STRAP.
762
00:48:19,897 --> 00:48:21,566
ALL HE HAD TO DO
WAS LIGHT OUT FOR
763
00:48:21,566 --> 00:48:23,318
COLORADO SPRINGS
WITH THE MARSHAL.
764
00:48:23,318 --> 00:48:24,819
COULD HAVE HUNG
BACK LONG ENOUGH
765
00:48:24,819 --> 00:48:26,070
TO COVER THE ROAD
FOR HIM.
766
00:48:26,070 --> 00:48:27,238
HE DIDN'T ASK
YOU TO, DID HE?
767
00:48:27,238 --> 00:48:29,699
NO.
768
00:48:29,699 --> 00:48:33,453
NO. HE JUST SAID,
"GOOD LUCK."
769
00:48:33,453 --> 00:48:35,204
YOU DID JUST WHAT
HE WANTED YOU TO DO.
770
00:48:35,204 --> 00:48:36,831
THAT'S WHY HE SLIPPED
THE LETTER TO YOU
771
00:48:36,831 --> 00:48:38,207
INSTEAD OF ME.
772
00:48:38,207 --> 00:48:40,752
I MIGHT HAVE JUMPED IN
LIKE I DID ON MULDOON,
773
00:48:40,752 --> 00:48:43,880
AND TAKEN ALL THREE
OF US OFF THE CASE.
774
00:48:43,880 --> 00:48:48,301
AS IT IS, HE...
HE COVERED US GOOD.
775
00:48:48,301 --> 00:48:50,928
SO...
776
00:48:50,928 --> 00:48:53,056
LET'S GET BACK
ON THE JOB.
777
00:48:53,056 --> 00:48:55,933
I'LL WASH FIRST,
IF YOU DON'T MIND.
778
00:49:10,114 --> 00:49:12,408
I RUBBED IT IN GOOD,
BUT IT DIDN'T SEEM
779
00:49:12,408 --> 00:49:15,411
TO MEAN A THING TO HIM.
THEY NEVER BATTED AN EYE.
780
00:49:15,411 --> 00:49:17,497
THEN IN YOUR BOOK,
THEY'RE OKAY?
781
00:49:17,497 --> 00:49:20,166
YOU KNOW ME. I DON'T
BUY MANY GOLD BRICKS,
782
00:49:20,166 --> 00:49:23,669
BUT I'M ALMOST SOLD
ON THAT PAIR.
783
00:49:23,669 --> 00:49:25,004
KEEP YOUR WALLET
IN YOUR POCKET.
784
00:49:25,004 --> 00:49:27,382
TILL WE CHECKED WITH
THAT OLD FRIEND
785
00:49:27,382 --> 00:49:31,135
OF THE MARSHAL'S
DOWN IN TEXAS.
786
00:49:41,229 --> 00:49:44,107
STRAP'S LUCKY GUN,
787
00:49:44,107 --> 00:49:45,191
AND IF HE HAD
IT ON HIM,
788
00:49:45,191 --> 00:49:47,693
HE MIGHT BE
ALIVE TODAY.
789
00:49:47,693 --> 00:49:51,114
STRAP WAS ONLY WORRYING
ABOUT KEEPING THE CASE ALIVE.
790
00:49:51,114 --> 00:49:52,698
NOW THAT WE
HAVEN'T GOT HIM
AS A LISTENING POST,
791
00:49:52,698 --> 00:49:55,785
WE'RE ON OUR OWN.
YEAH, NOBODY TO TIP US OFF
792
00:49:55,785 --> 00:49:57,954
HOW CLOSE
WE'RE BEING WATCHED.
793
00:49:57,954 --> 00:50:00,665
AND TIME'S
RUNNING SHORT, TOO.
794
00:50:00,665 --> 00:50:02,208
SOMEHOW, ONE OF US
WILL HAVE TO GET AWAY
795
00:50:02,208 --> 00:50:04,794
AND DOWN INTO THAT
SMELTER IN BUENA VISTA.
796
00:50:04,794 --> 00:50:06,796
GOT ANY IDEAS?
797
00:50:06,796 --> 00:50:08,756
NOT A GLIMMER.
798
00:50:12,510 --> 00:50:14,804
HANSON,
ALL SLICKED UP.
799
00:50:16,431 --> 00:50:18,141
LOOKS LIKE
HE'S GOING AWAY.
800
00:50:26,190 --> 00:50:28,484
LET'S FIND OUT
WHERE'S HE'S GOING.
801
00:50:29,777 --> 00:50:30,903
BUT WHY DIDN'T
YOU EXPLAIN
802
00:50:30,903 --> 00:50:32,321
TO MR. STRATTON
AND THE OTHERS?
803
00:50:32,321 --> 00:50:34,323
WELL, DOGGONE IT,
I TRIED TO,
804
00:50:34,323 --> 00:50:35,324
BUT THEY WOULDN'T
BELIEVE ME.
805
00:50:35,324 --> 00:50:36,742
WHY, THE WAY THEY ACTED,
806
00:50:36,742 --> 00:50:39,078
YOU MIGHT THINK I
STOLE THAT ORE MYSELF,
807
00:50:39,078 --> 00:50:41,414
AND THAT MARSHAL WAS IN
WITH THAT GANG, TOO.
808
00:50:41,414 --> 00:50:43,332
I'M GOING TO TAKE
ACTION, THAT'S ALL.
809
00:50:43,332 --> 00:50:44,917
DAD, I WON'T HAVE YOU
MIXED UP IN THIS.
IT'S TOO DANGEROUS.
810
00:50:44,917 --> 00:50:46,836
I AIN'T AFEARED!
811
00:50:46,836 --> 00:50:49,422
I'M GOING TO SEE MY FRIEND
LIEUTENANT GOVERNOR JIM BLACK.
812
00:50:49,422 --> 00:50:51,424
HE AND ME USED
TO PROSPECT TOGETHER,
813
00:50:51,424 --> 00:50:52,842
AND WHEN I TELL HIM
ABOUT THIS ORE,
814
00:50:52,842 --> 00:50:54,510
HE'LL BUST THIS
GANG WIDE OPEN.
815
00:50:54,510 --> 00:50:56,387
DAD, PLEASE, DON'T.
YOU JUST DON'T--
816
00:50:56,387 --> 00:50:58,931
NO, JULIE.
I'M GOING, AND NOTHING'S
GOING TO STOP ME.
817
00:50:58,931 --> 00:51:02,059
[HANSON]
DON'T WORRY ABOUT YOUR OLD MAN.
HE'LL BE ALL RIGHT.
818
00:51:02,059 --> 00:51:04,061
GOOD BYE, NOW.
819
00:51:11,444 --> 00:51:13,905
LOOKS LIKE YOUR DAD
MEANS BUSINESS.
820
00:51:13,905 --> 00:51:15,865
YES, AND I'M WORRIED
TO DEATH ABOUT HIM.
821
00:51:15,865 --> 00:51:17,450
I DON'T BLAME YOU
FOR WORRYING, MA'AM.
822
00:51:17,450 --> 00:51:19,577
IF THE WRONG FOLKS
HEARD ABOUT THAT,
823
00:51:19,577 --> 00:51:21,287
YOUR DAD'S LIFE WOULDN'T
BE WORTH A NICKEL.
824
00:51:21,287 --> 00:51:22,330
THAT'S WHAT
I TOLD HIM,
825
00:51:22,330 --> 00:51:23,789
BUT HIS MIND'S MADE UP,
826
00:51:23,789 --> 00:51:25,458
AND THERE'S NOTHING
I CAN DO ABOUT IT.
827
00:51:25,458 --> 00:51:27,502
I WISH WE COULD DO SOMETHING
TO HELP HIM, MISS JULIE.
828
00:51:27,502 --> 00:51:29,170
I DON'T SEE HOW--
829
00:51:29,170 --> 00:51:31,047
THERE IS SOMEONE
WHO COULD HELP.
830
00:51:31,047 --> 00:51:32,298
MR. KIRBY
LIKES FATHER.
831
00:51:32,298 --> 00:51:33,966
HE'S BEEN
VERY KIND TO HIM.
832
00:51:33,966 --> 00:51:35,676
MAYBE HE COULD THINK
OF SOME WAY TO STOP HIM.
833
00:51:35,676 --> 00:51:37,053
I'M SURE HE COULD.
834
00:51:37,053 --> 00:51:39,847
I'LL GO SEE HIM
RIGHT AWAY.
835
00:51:39,847 --> 00:51:41,516
THIS IS THE
BREAK WE NEED.
836
00:51:41,516 --> 00:51:43,392
WE'LL GRAB OLD MAN
HANSON OFF THAT STAGE
837
00:51:43,392 --> 00:51:45,561
AND STASH HIM
AWAY SOMEWHERE.
HOW'LL THAT HELP?
838
00:51:45,561 --> 00:51:47,605
IT'LL PUT US IN
SOLID WITH SILVER.
839
00:51:47,605 --> 00:51:49,190
AND WHILE WE'RE
GUARDING HANSON,
840
00:51:49,190 --> 00:51:51,234
I'LL TAKE A SHOT AT
THAT BUENA VISTA LEAD.
841
00:51:51,234 --> 00:51:52,443
LET'S RIDE.
842
00:51:52,443 --> 00:51:53,861
HANSON WASN'T
ON THE STAGE.
843
00:51:53,861 --> 00:51:55,279
A COUPLE OF GUYS WITH
MASKS HELD IT UP
844
00:51:55,279 --> 00:51:56,948
AND TOOK
THE OLD MAN AWAY.
845
00:51:56,948 --> 00:51:59,492
WELL, I RECKON I'M
GUILTY, YOUR HONOR.
846
00:51:59,492 --> 00:52:00,785
YOU MAKE RATHER
HASTY DECISIONS,
847
00:52:00,785 --> 00:52:01,953
DON'T YOU, IVERS?
848
00:52:01,953 --> 00:52:04,413
WE HAD TO.
THE STAGE HAD LEFT.
849
00:52:04,413 --> 00:52:06,123
I KNEW YOU DIDN'T WANT
HANSON STIRRING THINGS UP
850
00:52:06,123 --> 00:52:08,584
AROUND DENVER,
SO LARRY AND ME
PICKED HIM OFF THE COACH.
851
00:52:08,584 --> 00:52:10,002
WHERE IS HE?
852
00:52:10,002 --> 00:52:11,337
LARRY'S GOT HIM
IN THAT OLD TRAPPERS CABIN,
853
00:52:11,337 --> 00:52:13,005
UP ON
TABOR MOUNTAIN.
854
00:52:13,005 --> 00:52:15,049
I CAME IN TO TELL YOU
AND TAKE SOME SUPPLIES
855
00:52:15,049 --> 00:52:16,050
OUT TO THEM.
856
00:52:16,050 --> 00:52:17,301
SMART THINKING, IVERS.
857
00:52:17,301 --> 00:52:19,178
AFTER ALL,
YOU COULDN'T KNOW
858
00:52:19,178 --> 00:52:20,638
THAT JULIE HANSON WOULD
BE FOOLISH ENOUGH TO
859
00:52:20,638 --> 00:52:22,139
TELL US ABOUT
HER FATHER.
860
00:52:22,139 --> 00:52:24,267
THAT'S RIGHT. OF COURSE
IF YOU DON'T THINK
861
00:52:24,267 --> 00:52:25,893
HOLDING THE OLD MAN
ALIVE IS SAFE ENOUGH--
862
00:52:25,893 --> 00:52:27,895
WELL, THAT'S GOOD
ENOUGH FOR NOW.
863
00:52:27,895 --> 00:52:29,230
BESIDES, I OWE
HIM A RAIN CHECK
864
00:52:29,230 --> 00:52:30,982
FOR HELPING ME
GET BACK THAT ORE
865
00:52:30,982 --> 00:52:32,316
THAT YOU BOYS LIFTED.
866
00:52:32,316 --> 00:52:33,859
YEAH.
867
00:52:35,403 --> 00:52:36,862
AM I INTERRUPTING?
868
00:52:36,862 --> 00:52:39,031
[KIRBY]
NOT AT ALL.
COME IN, JULIE.
869
00:52:40,741 --> 00:52:42,118
I WAS JUST
WONDERING IF
870
00:52:42,118 --> 00:52:43,411
YOU'D DONE ANYTHING
ABOUT FATHER.
871
00:52:43,411 --> 00:52:44,829
HE'S IN
GOOD HANDS.
872
00:52:44,829 --> 00:52:46,455
HE'S THE GUEST OF
OUR TEXAS FRIEND,
873
00:52:46,455 --> 00:52:48,207
IN A MOUNTAIN LODGE.
874
00:52:48,207 --> 00:52:50,376
OH, THAT'S WONDERFUL.
THANKS, MR. KIRBY.
875
00:52:50,376 --> 00:52:52,253
AND THANK YOU,
MR. IVERS.
876
00:52:52,253 --> 00:52:54,338
ONLY, PLEASE DON'T TELL HIM
I HAD ANYTHING TO DO WITH IT.
877
00:52:54,338 --> 00:52:56,007
HE'D BE FURIOUS
WITH ME.
878
00:52:56,007 --> 00:52:58,175
OH, WE WON'T, MA'AM.
WHY, HE DOESN'T EVEN KNOW
879
00:52:58,175 --> 00:52:59,927
THAT MR. KIRBY
ACTED FOR YA.
880
00:52:59,927 --> 00:53:02,179
HE THINKS WE'RE MEMBERS
OF THE HIGH-GRADERS
881
00:53:02,179 --> 00:53:05,766
AND KIDNAPPED HIM
TO KEEP HIS MOUTH SHUT.
882
00:53:05,766 --> 00:53:08,019
THANKS AGAIN,
MR. IVERS.
883
00:53:14,900 --> 00:53:16,902
CAN'T SMOKE UNTIL
I GET SOMETHING TO EAT.
884
00:53:25,077 --> 00:53:27,663
AIN'T ENOUGH YOU
HAVE TO KIDNAP ME,
885
00:53:27,663 --> 00:53:29,957
YOU'RE TRYING TO STARVE
ME TO DEATH, TOO.
886
00:53:40,384 --> 00:53:42,803
[IVERS WHISTLING]
887
00:53:42,803 --> 00:53:44,096
HEY, WHERE YOU
GOING NOW?
888
00:53:44,096 --> 00:53:45,306
WELL, THERE'S MY PARTNER
WITH THE GRUB.
889
00:53:45,306 --> 00:53:47,391
JUST TAKE IT EASY,
POP.
890
00:53:47,391 --> 00:53:49,935
AM I GLAD
TO SEE YOU.
891
00:53:49,935 --> 00:53:51,812
HI, LARRY.
HOW'D YOU'D MAKE OUT?
892
00:53:51,812 --> 00:53:54,190
WELL, IF THERE ARE
ANY NAMES HE HASN'T
CALLED ME,
893
00:53:54,190 --> 00:53:55,232
I DON'T KNOW
WHAT THEY ARE.
894
00:53:55,232 --> 00:53:56,817
COFFEE AND BACON!
895
00:53:56,817 --> 00:53:58,027
MAYBE THIS'LL SOFTEN
THE OL' BOY'S HEART.
896
00:53:58,027 --> 00:53:59,570
HOW'D YOU MAKE OUT
WITH KIRBY?
897
00:53:59,570 --> 00:54:02,740
FINE. WE'RE NOW HIS
FAIR-HAIRED PLAYMATES.
898
00:54:02,740 --> 00:54:04,492
BETTER GET HIM
TO SEND ME UP SOME HELP.
899
00:54:04,492 --> 00:54:05,785
I CAN'T STAY AWAKE
ANOTHER NIGHT
900
00:54:05,785 --> 00:54:07,161
LISTENING TO
HANSON CUSS.
901
00:54:07,161 --> 00:54:09,246
WELL, STICK WITH IT
UNTIL I GET BACK.
902
00:54:09,246 --> 00:54:12,708
I'M GOING DOWN TO BUENA NOW
TO SMOKE OUT LINK NUMBER TWO.
903
00:54:12,708 --> 00:54:14,669
SEE YA PRONTO.
904
00:54:16,962 --> 00:54:18,964
[SUSPENSEFUL MUSIC]
905
00:54:18,964 --> 00:54:23,969
♪♪
906
00:58:00,185 --> 00:58:02,104
I'LL GET
THE WAGON PACKED UP.
907
00:58:02,104 --> 00:58:04,023
WE HAVE TO MAKE
TODAY'S TRAIN TO LEADVILLE.
908
00:58:33,928 --> 00:58:36,055
HEY, JOE, GIVE HIM
A HAND OVER HERE.
909
00:59:02,539 --> 00:59:04,750
[SUSPENSEFUL MUSIC]
910
00:59:04,750 --> 00:59:10,130
♪♪
911
00:59:33,487 --> 00:59:35,364
NOW GET BACK TO WORK.
912
01:00:10,983 --> 01:00:13,402
HERE YOU ARE,
YOU GRINNING TEXAS HYENA.
913
01:00:13,402 --> 01:00:15,612
ONLY WISH I HAD
SOME RATS TO PUT IN IT.
914
01:00:15,612 --> 01:00:17,406
'PRECIATE THAT, PA.
915
01:00:17,406 --> 01:00:20,200
AND DON'T CALL ME POP,
GALL DARN YA.
916
01:00:20,200 --> 01:00:23,037
LIKE WHEN I SAID
WHEN I FOUGHT WITH
GENERAL ULYSSES GRANT,
917
01:00:23,037 --> 01:00:25,956
A JOHNNY REB IS JUST
A NO GOOD CUSS,
918
01:00:25,956 --> 01:00:28,083
AND NEVER WILL
BE ANYTHING ELSE.
919
01:00:28,083 --> 01:00:29,585
AND THAT GOES
FOR YOU TOO!
920
01:00:29,585 --> 01:00:31,128
NOW HOLD IT.
HOLD IT, OLD TIMER,
921
01:00:31,128 --> 01:00:32,755
YOU'VE GOT US ALL WRONG.
[GALLAND] HI, BRET.
922
01:00:32,755 --> 01:00:34,798
HI, LARRY.
AND JUST TO PROVE IT,
923
01:00:34,798 --> 01:00:36,633
I'M GONNA SEND YOU
IN THIS AFTERNOON
ON A TRAIN TO DENVER.
924
01:00:36,633 --> 01:00:40,137
WHAT KIND OF NEW
WEASEL-PUSSING
YOU TRYING NOW?
925
01:00:40,137 --> 01:00:42,514
EH, MAYBE WE GOT RELIGION
AND TURNED HONEST.
926
01:00:42,514 --> 01:00:43,640
GO PACK YOUR
VALISE AND HURRY.
927
01:00:43,640 --> 01:00:45,392
GLORY BE,
WILL I!
928
01:00:55,736 --> 01:00:57,404
I GOT DOWN IN AMONG
THE GOPHERS, LARRY.
929
01:00:57,404 --> 01:00:59,073
SLICKEST OPERATION
EVER PULLED.
930
01:00:59,073 --> 01:01:00,282
YOU MEAN THEY'RE SMELTING
THAT GOLD UNDERGROUND?
931
01:01:00,282 --> 01:01:01,825
NOT ONLY THAT,
932
01:01:01,825 --> 01:01:03,410
THEY'RE PLATING IT
TO MAKE IT LOOK LIKE
933
01:01:03,410 --> 01:01:05,788
ORDINARY PIG LEAD,
AND SHIPPING IT OUT THAT WAY.
934
01:01:05,788 --> 01:01:08,540
LEAD-PLATED GOLD BRICKS.
WELL, WHAT DO YOU KNOW?
935
01:01:08,540 --> 01:01:10,209
NOW GET THIS:
936
01:01:10,209 --> 01:01:11,835
THE GOLD SHIPMENT'S
GOING OUT ON THE SAME TRAIN
937
01:01:11,835 --> 01:01:13,587
WITH YOU AND HANSON.
938
01:01:13,587 --> 01:01:16,673
THE CRATES ARE MARKED,
"PIER 63, SAN FRANCISCO."
939
01:01:16,673 --> 01:01:18,258
PIER 63.
WHAT ABOUT HANSON?
940
01:01:18,258 --> 01:01:19,760
WELL,
JUST KEEP HIM PACIFIED
941
01:01:19,760 --> 01:01:21,220
UNTIL YOU GET
HIM TO DENVER
942
01:01:21,220 --> 01:01:22,638
AND THEN TURN HIM OVER
TO THE U.S. MARSHAL
943
01:01:22,638 --> 01:01:24,389
THERE TO HOLD HIS...
FRIENDLY CUSTODY.
944
01:01:24,389 --> 01:01:26,934
AND, AT THE SAME TIME,
I FOLLOW THE PIG LEAD.
945
01:01:26,934 --> 01:01:28,602
RIGHT. NOW, GET ALL
THE DOPE YOU CAN
946
01:01:28,602 --> 01:01:30,395
AND THEN MEET ME
BACK HERE AT THE SHACK.
947
01:01:30,395 --> 01:01:32,231
I'LL LET YOU KNOW
WHEN I'M GETTING IN.
948
01:01:32,231 --> 01:01:34,274
ONE OF THOSE
"LOVE FOR MOTHER"
TELEGRAMS.
949
01:01:34,274 --> 01:01:35,692
CHECK.
950
01:01:35,692 --> 01:01:38,237
WELL, WHAT'S HOLDING US UP?
I'M READY.
951
01:01:38,237 --> 01:01:39,905
AND IF THIS AIN'T
SOME MORE MONKEY SHINES,
952
01:01:39,905 --> 01:01:41,573
WHY, MAYBE I CAN
GET THE GOVERNOR
953
01:01:41,573 --> 01:01:43,325
TO LET YOU BOYS OFF
WITH 20 YEARS.
954
01:01:43,325 --> 01:01:44,743
THANKS!
955
01:01:44,743 --> 01:01:47,621
WELL, COME ON.
LETS GET GOING, COME ON.
956
01:02:06,473 --> 01:02:09,017
[DISTANT FOGHORN BLOWS]
957
01:02:33,250 --> 01:02:35,627
[SPEAKING CHINESE]
958
01:03:11,872 --> 01:03:14,208
WELL,
WHAT DO YOU KNOW?
959
01:03:14,208 --> 01:03:17,419
THE LAUNDRY MAN
OF CRIPPLE CREEK.
960
01:03:28,889 --> 01:03:32,517
TRANSLATE THIS
FOR ME, WILL YA?
961
01:03:32,517 --> 01:03:34,811
IT MEANS, "WHEN THIS
IS IN YOUR HANDS,
962
01:03:34,811 --> 01:03:36,772
FULFILL ALL
OBLIGATIONS."
963
01:03:36,772 --> 01:03:39,107
SO, IN OTHER WORDS,
"ON RECEIPT OF THIS,
PAY OFF."
964
01:03:39,107 --> 01:03:40,817
YES.
965
01:03:40,817 --> 01:03:43,278
CAN YOU TELL ME WHEN THIS
WILL REACH CRIPPLE CREEK?
966
01:03:43,278 --> 01:03:47,199
WELL, UH, LETS SEE.
DENVER: TWO DAYS.
967
01:03:47,199 --> 01:03:49,451
COLORADO SPRINGS:
THREE.
968
01:03:49,451 --> 01:03:51,787
STAGE COACH
TO CRIPPLE CREEK...
969
01:03:51,787 --> 01:03:53,497
IT OUGHT TO BE
THURSDAY MORNING.
970
01:03:53,497 --> 01:03:56,166
GOOD.
SO WILL I.
971
01:03:56,166 --> 01:03:57,834
THANKS VERY MUCH,
MR. POSTMASTER.
972
01:03:57,834 --> 01:03:58,752
NOT AT ALL.
973
01:04:20,899 --> 01:04:22,067
YOUR NAME'S IVERS,
ISN'T?
974
01:04:22,067 --> 01:04:23,360
THAT'S RIGHT.
975
01:04:23,360 --> 01:04:24,403
THE OPERATOR DOWN
AT THE SPRINGS
976
01:04:24,403 --> 01:04:25,862
SENT THIS UP TO YOU.
977
01:04:25,862 --> 01:04:28,323
MUCH OBLIGED.
978
01:04:53,598 --> 01:04:54,766
CABEAU.
979
01:04:54,766 --> 01:04:56,393
SILVER.
980
01:04:56,393 --> 01:04:57,894
WHAT ARE YOU SO GLUM ABOUT?
TODAY'S PAYDAY.
981
01:04:57,894 --> 01:04:59,104
THE BIGGEST
WE'VE EVER HAD,
982
01:04:59,104 --> 01:05:00,605
SET FOR 2:00.
983
01:05:00,605 --> 01:05:01,773
HERE'S HOW THE CUTS
ARE GOING TO RUN.
984
01:05:01,773 --> 01:05:03,400
YOU'RE GONNA--
985
01:05:03,400 --> 01:05:05,944
DENVER, YOU'RE JUST
IN TIME FOR THE BIG NEWS.
986
01:05:05,944 --> 01:05:08,280
MINE'S NOT
SO GOOD, BOSS.
987
01:05:08,280 --> 01:05:09,865
WELL, THAT'S WHAT
I GET FOR COUNTING
988
01:05:09,865 --> 01:05:11,283
MY CHIPS WHILE THE
GAME'S STILL RUNNING.
989
01:05:11,283 --> 01:05:12,617
GO HEAD.
SPILL IT.
990
01:05:12,617 --> 01:05:13,910
SHERRIFF SUMMERS
OF DAYTON COUNTY
991
01:05:13,910 --> 01:05:15,579
MET ME HALFWAY,
AT TRINIDAD.
992
01:05:15,579 --> 01:05:17,039
THAT LETTER HE
WROTE THE MARSHAL
993
01:05:17,039 --> 01:05:19,249
WAS ABOUT IVERS,
NOT GILLIS.
994
01:05:19,249 --> 01:05:20,667
IT SAID THE SET-UP
IN TEXAS LOOKED LIKE
995
01:05:20,667 --> 01:05:22,377
IVERS WAS
A GOVERNMENT MAN,
996
01:05:22,377 --> 01:05:24,838
WORKING ON THE INSIDE
WITH THE BORDER SMUGGLER.
997
01:05:24,838 --> 01:05:27,090
AND GILLIS COVERED
FOR IVERS AND GALLAND.
998
01:05:27,090 --> 01:05:28,467
A THREE-HORSE
TEAM.
999
01:05:28,467 --> 01:05:30,135
LOOKS THAT WAY, BUT WHAT
ARE THEY WAITING FOR?
1000
01:05:30,135 --> 01:05:31,762
THEY MUST KNOW EVERYTHING
THERE IS TO KNOW BY NOW.
1001
01:05:31,762 --> 01:05:33,555
NO. NO, THEY CAN'T
POSSIBLE KNOW
1002
01:05:33,555 --> 01:05:35,599
WHO PAYS US OFF
OR WHEN IT'S TO BE.
1003
01:05:35,599 --> 01:05:37,684
COULD BE THAT'S WHAT
THEY'RE WAITING FOR.
1004
01:05:37,684 --> 01:05:39,311
SEND A COUPLE OF MEN
UP TO THE CABIN
1005
01:05:39,311 --> 01:05:40,562
AND BRING IN GALLAND
AND THE OLD MAN,
1006
01:05:40,562 --> 01:05:42,314
AND TELL IVERS
I WANT TO SEE HIM.
1007
01:05:44,691 --> 01:05:46,693
SHOULDN'T TAKE US LONG
TO FIND OUT EXACTLY
1008
01:05:46,693 --> 01:05:48,820
HOW MUCH THEY DO KNOW.
1009
01:05:57,996 --> 01:06:00,499
HEY, GALLAND.
1010
01:06:12,302 --> 01:06:14,763
NOBODY HERE.
IT'S A COLD CAMP.
1011
01:06:14,763 --> 01:06:17,474
THERE HASN'T BEEN
ANYBODY HERE FOR DAYS.
1012
01:06:54,094 --> 01:06:55,220
HI.
1013
01:06:55,220 --> 01:06:56,847
WELL, HOWDY.
1014
01:06:56,847 --> 01:06:58,014
WHERE'S THE OLD MAN?
1015
01:06:58,014 --> 01:06:59,766
RAN OUT ON ME
WHILE I WAS ASLEEP.
1016
01:06:59,766 --> 01:07:01,977
I JUST WENT
AFTER HIM.
1017
01:07:01,977 --> 01:07:03,353
SADDLEBAGS?
1018
01:07:04,813 --> 01:07:08,483
OH, YOU BOYS GET
FUNNY IDEAS, DON'T YOU?
1019
01:07:47,856 --> 01:07:49,149
HI, IVERS.
1020
01:07:49,149 --> 01:07:50,442
HI, CABEAU.
1021
01:07:50,442 --> 01:07:51,902
I FIGURED YOU
MIGHT BE HERE.
1022
01:07:51,902 --> 01:07:53,570
YEAH, I WAS JUST LOOKING
FOR MY PAL, LARRY.
1023
01:07:53,570 --> 01:07:55,363
OH, HE'S GONE ON
IN WITH THE BOYS.
1024
01:07:55,363 --> 01:07:58,074
SAY, SILVER WANTS
TO SEE US ALL THERE.
THIS IS PAYDAY.
1025
01:07:58,074 --> 01:08:02,537
A BIG PAYOFF, HEY?
SOUNDS MIGHTY FINE.
1026
01:08:02,537 --> 01:08:04,414
YOU SAID IT.
1027
01:08:04,414 --> 01:08:06,208
LOOK'S LIKE THERE'S
BEEN A FIGHT IN THE CABIN.
1028
01:08:06,208 --> 01:08:07,584
SURE LARRY'S ALL RIGHT?
1029
01:08:07,584 --> 01:08:11,338
OH, SURE HE IS.
I PASSED HIM ON THE WAY UP.
1030
01:08:11,338 --> 01:08:13,465
FUNNY, I DIDN'T.
1031
01:08:13,465 --> 01:08:15,258
THEY TOOK THE CUT OFF.
1032
01:08:15,258 --> 01:08:17,260
COME ON,
I'LL SHOW YOU.
1033
01:08:17,260 --> 01:08:19,262
MAYBE IT WAS
OLD MAN HANSON
1034
01:08:19,262 --> 01:08:20,680
WHO PUT UP THE FIGHT.
1035
01:08:20,680 --> 01:08:21,806
HOW DID HE LOOK?
1036
01:08:21,806 --> 01:08:23,266
OH,
FINE AND DANDY.
1037
01:08:23,266 --> 01:08:27,187
STILL CUSSING
EVERYBODY IN SIGHT.
1038
01:08:35,654 --> 01:08:37,739
[PIANO PLAYING]
1039
01:08:37,739 --> 01:08:42,911
♪♪
1040
01:08:48,166 --> 01:08:50,460
ALL I WANT TO KNOW,
GALLAND, IS, UH,
1041
01:08:50,460 --> 01:08:52,712
WHERE YOU WENT
WITH THE OLD MAN.
1042
01:08:52,712 --> 01:08:54,881
AND WHETHER YOU AND
IVERS SENT FOR ANY HELP.
1043
01:08:54,881 --> 01:08:56,883
KEEP ON TRYING,
SILVER.
1044
01:08:56,883 --> 01:08:58,510
I MAY BREAK DOWN
ANY MINUTE.
1045
01:09:10,146 --> 01:09:11,439
OUR OBSTINATE
YOUNG FRIEND
1046
01:09:11,439 --> 01:09:13,149
HAS TOLD ME MORE
THAN HE REALIZES.
1047
01:09:13,149 --> 01:09:14,776
IF HE WERE
EXPECTING HELP,
1048
01:09:14,776 --> 01:09:16,486
HE'D BE BRAGGING
ABOUT IT.
1049
01:09:16,486 --> 01:09:18,405
I THINK IT'S SAFE TO GO
AHEAD WITH THE PAYOFF.
1050
01:09:18,405 --> 01:09:22,701
IN THE MEANTIME,
KEEP OUR FRIEND
WELL ENTERTAINED.
1051
01:09:45,682 --> 01:09:46,975
HELLO, IVERS.
1052
01:09:46,975 --> 01:09:48,184
CABEAU TELL YOU
THE GOOD NEWS?
1053
01:09:48,184 --> 01:09:49,811
YEAH,
HE SURE DID.
1054
01:09:49,811 --> 01:09:52,188
I'M GIVING A LITTLE PARTY
IN HONOR OF THE OCCASION.
1055
01:09:52,188 --> 01:09:53,607
COME ON UP AND
JOIN THE BOYS.
1056
01:09:53,607 --> 01:09:54,983
I'LL BE BACK IN
A LITTLE WHILE.
1057
01:09:54,983 --> 01:09:56,359
RIGHT.
1058
01:09:56,359 --> 01:09:58,612
ENJOY YOURSELVES.
1059
01:10:12,459 --> 01:10:14,419
YOU FIRST,
CABEAU.
1060
01:10:17,797 --> 01:10:20,467
HOLD IT.
1061
01:10:20,467 --> 01:10:21,885
GET RID OF THOSE GUNS.
1062
01:10:21,885 --> 01:10:24,095
LEFT HAND!
1063
01:10:25,847 --> 01:10:28,099
UNTIE HIM.
1064
01:10:28,099 --> 01:10:30,852
EVERYBODY'S PAYDAY BUT OURS.
IS THAT THE IDEA, DENVER?
1065
01:10:30,852 --> 01:10:32,145
IT'S YOUR PLAY, IVERS.
1066
01:10:32,145 --> 01:10:33,438
SPREAD YOUR CARDS
ON THE TABLE.
1067
01:10:33,438 --> 01:10:36,066
OKAY, YOU'RE ALL
UNDER ARREST.
1068
01:10:36,066 --> 01:10:37,776
HOLD IT.
1069
01:10:37,776 --> 01:10:40,111
GET 'EM UP.
1070
01:10:40,111 --> 01:10:41,488
TAKE EM DOWN TO
THE MINER'S COMMITTEE
1071
01:10:41,488 --> 01:10:43,198
AND LET THEM
TAKE CARE OF THEM.
1072
01:10:43,198 --> 01:10:45,200
ALL RIGHT,
GET MOVING.
1073
01:11:09,849 --> 01:11:11,351
ACES FULL.
1074
01:13:04,130 --> 01:13:05,632
OKAY, GET UP.
1075
01:13:08,343 --> 01:13:11,346
I'M GOING TO SAVE
YOU FOR THE HANGERS.
1076
01:13:11,346 --> 01:13:13,890
STRAP WOULD LIKE IT
BETTER THAT WAY.
1077
01:13:13,890 --> 01:13:14,974
OKAY, LET'S GO.
1078
01:13:14,974 --> 01:13:17,185
COME ON, GET UP.
1079
01:13:36,371 --> 01:13:38,706
GENTLEMEN!
1080
01:13:38,706 --> 01:13:40,458
I'M SPEAKING
TO YOU AS AGENT
1081
01:13:40,458 --> 01:13:42,377
OF THE U.S.
SECRET SERVICE.
1082
01:13:42,377 --> 01:13:45,797
THESE MEN ARE LEADERS
OF THE HIGH-GRADERS.
1083
01:13:45,797 --> 01:13:47,173
MR. HATTON...
1084
01:13:49,551 --> 01:13:51,719
I'M PLACING THEM
IN YOUR CHARGE. TAKE OVER.
1085
01:13:51,719 --> 01:13:54,013
[HATTON]
I'LL BE VERY
GLAD TO DO SO.
1086
01:13:54,013 --> 01:13:57,559
MORT, JOHNSON, HIBBS!
1087
01:14:07,902 --> 01:14:09,445
WELL, KID, THERE'S
ONLY ONE CHANCE NOW
1088
01:14:09,445 --> 01:14:10,780
TO COMPLETE OUR CASE.
1089
01:14:10,780 --> 01:14:12,031
IF SILVER KIRBY
IS STILL AROUND,
1090
01:14:12,031 --> 01:14:13,575
HE MAY TRY TO
COLLECT THE PAYOFF.
1091
01:14:13,575 --> 01:14:15,660
THE CHINESE LAUNDRY
IS THE SPOT TO WATCH.
1092
01:14:15,660 --> 01:14:17,453
I LEARNED THAT
IN 'FRISCO.
1093
01:14:17,453 --> 01:14:19,372
WELL, WHAT ARE
WE WAITING FOR?
1094
01:14:31,217 --> 01:14:32,427
WELL, AT LEAST
MISS JULIE
1095
01:14:32,427 --> 01:14:34,345
DON'T HAVE TO DO
HER OWN WASHING.
1096
01:14:38,683 --> 01:14:40,685
YOU DON'T GET YOUR LAUNDRY
IN THE BACK ROOM.
1097
01:14:40,685 --> 01:14:43,396
CAN SHE BE
IN ON THIS, TOO?
1098
01:14:59,203 --> 01:15:00,788
YOU BETTER LEAVE, TOO.
1099
01:15:00,788 --> 01:15:02,206
THERE'S NO TELLING
HOW MUCH THEY FOUND OUT.
1100
01:15:02,206 --> 01:15:03,583
IF THEY DON'T
KNOW ABOUT YOU,
1101
01:15:03,583 --> 01:15:05,919
THEY COULDN'T HAVE ANY
SUSPICIONS ABOUT ME.
1102
01:15:05,919 --> 01:15:07,378
AND MY MARKET
FOR UNLISTED GOLD
1103
01:15:07,378 --> 01:15:08,922
IS INEXHAUSTIBLE.
1104
01:15:08,922 --> 01:15:11,049
SORRY, MR. SULLIVAN,
BUT THE MARKET IS CLOSED.
1105
01:15:11,049 --> 01:15:12,967
I'LL TAKE THAT BAG,
JULIE.
1106
01:15:15,178 --> 01:15:16,554
NOT A PAYOFF, LARRY!
1107
01:15:16,554 --> 01:15:19,223
ALL IN BRAND NEW,
U.S. YELLOWBACKS.
1108
01:15:19,223 --> 01:15:20,850
YOU'RE A PRISONER
OF THE GOVERNMENT
1109
01:15:20,850 --> 01:15:23,353
YOU WERE SUPPOSED TO SERVE,
MR. JAMES C. SULLIVAN.
1110
01:15:23,353 --> 01:15:26,105
SIR, THE NAME IS
JAMES CHANG SULLIVAN,
1111
01:15:26,105 --> 01:15:28,942
AND I ONLY OWE ALLEGIANCE
TO MY MOTHER'S COUNTRY.
1112
01:15:28,942 --> 01:15:30,526
BY NOW THE GOLD IS
WELL ON ITS WAY
1113
01:15:30,526 --> 01:15:32,070
TO THE DOWAGER
EMPRESS OF CHINA.
1114
01:15:32,070 --> 01:15:33,696
SORRY TO DISAPPOINT YOU,
1115
01:15:33,696 --> 01:15:35,448
BUT BY NOW, IT'S IN
THE MINT IN SAN FRANCISCO.
1116
01:15:37,450 --> 01:15:39,911
TAKE OUR ORIENTAL FRIENDS
TO THE MINER'S COMMITTEE.
1117
01:15:39,911 --> 01:15:42,705
WHILE I ASK MISS HANSON
SOME QUESTIONS.
1118
01:15:42,705 --> 01:15:44,666
DROP THAT GUN,
GALLAND.
1119
01:15:47,460 --> 01:15:49,253
JULIE, DEAR,
1120
01:15:49,253 --> 01:15:52,423
TAKE THAT BAG
OUT TO THE BUCKBOARD
AND WAIT FOR ME.
1121
01:15:52,423 --> 01:15:54,550
GIVE HER THE BAG,
IVERS.
1122
01:15:54,550 --> 01:15:56,010
JULIE CAN'T STAND
BLOODSHED.
1123
01:15:57,762 --> 01:15:59,681
[GUN FIRES]
1124
01:16:07,230 --> 01:16:10,191
NOT A BAD TRY FOR A GAL
WHO CAN'T STAND BLOODSHED.
1125
01:16:10,191 --> 01:16:11,317
HE WAS MY HUSBAND.
1126
01:16:16,990 --> 01:16:19,617
ALL RIGHT, LARRY,
TAKE HER AWAY.
1127
01:16:19,617 --> 01:16:21,285
I'LL GET THE LOOT.
1128
01:16:29,043 --> 01:16:31,254
WHAT A FOOLISH PAIR
OF YOUNG MEN YOU ARE.
1129
01:16:31,254 --> 01:16:32,797
THERE'S A HALF MILLION
IN THAT BAG,
1130
01:16:32,797 --> 01:16:34,757
AND THE POSSIBILITY
OF MUCH MORE TO COME.
1131
01:16:34,757 --> 01:16:36,884
AND I'LL BET HE COULD EVEN
GET US AN INTRODUCTION
1132
01:16:36,884 --> 01:16:38,344
TO THE EMPRESS OF CHINA.
1133
01:16:38,344 --> 01:16:41,139
I'LL BET HE COULD!
1134
01:16:41,139 --> 01:16:42,598
THAT'S TOO BAD,
LARRY.
1135
01:16:42,598 --> 01:16:44,058
WE'RE JUST A
COUPLE OF CHUMPS.
1136
01:16:44,058 --> 01:16:46,894
BORN TO DIE POOR,
BUT HONEST.
1137
01:16:46,894 --> 01:16:49,022
YEAH, RECKON THAT'S
ABOUT THE MOST MONEY
1138
01:16:49,022 --> 01:16:50,857
WE EVER DON'T GET
AS LONG AS WE LIVE.
1139
01:16:50,857 --> 01:16:52,483
OH, GOOD AFTERNOON,
GENTLEMEN.
1140
01:16:52,483 --> 01:16:55,778
AM I WRONG, OR ARE MY
SERVICES AGAIN IN DEMAND?
1141
01:16:55,778 --> 01:16:57,488
YOU GET AROUND FAST,
DON'T YOU?
1142
01:16:57,488 --> 01:16:59,615
IT MY PROFESSION,
IT PAYS TO KEEP ONE'S EAR
1143
01:16:59,615 --> 01:17:02,035
ATTUNED TO THE BARK
OF A SIX-GUN.
1144
01:17:02,035 --> 01:17:04,454
IF THIS KEEPS UP,
I'LL REALLY HAVE
TO PUT YOU TWO
1145
01:17:04,454 --> 01:17:06,622
ON A COMMISSION BASIS.
1146
01:17:06,622 --> 01:17:10,251
AND, THANK YOU AGAIN,
GENTLEMEN.
1147
01:17:11,878 --> 01:17:14,297
WELL,
IF WE EVER NEED ONE,
WE GOT A JOB.
78530
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