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1
00:00:16,233 --> 00:00:19,628
CAPTIONING MADE POSSIBLE
BY LIONS GATE ENTERTAINMENT
2
00:00:22,326 --> 00:00:32,380
[BET YOUR BOTTOM DOLLAR
PLAYING]
3
00:00:32,380 --> 00:00:39,039
[BET YOUR BOTTOM DOLLAR
PLAYING]
4
00:00:39,082 --> 00:00:43,086
♪ EVERYBODY WANTS
TO BE SOMEONE ♪
5
00:00:43,130 --> 00:00:46,089
♪ FAME AND FORTUNE
IS A LOT OF FUN ♪
6
00:00:46,133 --> 00:00:48,787
♪ YOU CAN BET
YOUR BOTTOM DOLLAR ♪
7
00:00:48,831 --> 00:00:53,009
♪ I'M-A GONNA BE THE ONE
8
00:00:54,315 --> 00:00:56,621
♪ YOU CAN BET
YOUR BOTTOM DOLLAR ♪
9
00:00:56,665 --> 00:01:01,409
♪ BABY, IT'S A-GONNA COME
10
00:01:03,541 --> 00:01:07,328
♪ OTHER GUYS,
THEY TRY TO PUT ME DOWN ♪
11
00:01:07,371 --> 00:01:10,331
♪ BURST MY BUBBLE,
TREAT ME LIKE A CLOWN ♪
12
00:01:10,374 --> 00:01:12,985
♪ YOU CAN BET
YOUR BOTTOM DOLLAR ♪
13
00:01:13,029 --> 00:01:17,990
♪ I AIN'T GONNA
WEAR NO FROWN ♪
14
00:01:18,817 --> 00:01:22,386
♪ 'CAUSE FROWNING'S JUST
A SMILE THAT'S HANGIN' ♪
15
00:01:22,430 --> 00:01:25,868
♪ UPSIDE DOWN
16
00:01:26,477 --> 00:01:31,352
♪ IT ISN'T EVERYDAY
THAT YOU GET THE CHANCE ♪
17
00:01:31,395 --> 00:01:34,529
♪ TO SHINE AMONG THE STARS
18
00:01:34,572 --> 00:01:39,229
♪ YOU GOTTA SHOW THE WORLD
JUST WHAT YOU GOT ♪
19
00:01:39,273 --> 00:01:44,278
♪ AND, BABY,
JUST WHO YOU ARE ♪
20
00:01:44,321 --> 00:01:48,020
♪ EVERYBODY'S GOT
A DREAM INSIDE ♪
21
00:01:48,064 --> 00:01:51,198
♪ FEEL IT GROW,
IT'S KIND OF HARD TO HIDE ♪
22
00:01:51,241 --> 00:01:52,938
♪ YOU CAN BET
YOUR BOTTOM DOLLAR...♪
23
00:01:52,982 --> 00:01:54,592
Man: IRA, PLEASE, DON'T
GET STARTED ON BRIAN.
24
00:01:54,636 --> 00:01:56,594
HOW LONG HAVE
WE BEEN PLAYING
POKER AT HIS HOUSE?
25
00:01:56,638 --> 00:01:57,900
I DON'T KNOW. 2 YEARS?
26
00:01:57,943 --> 00:01:59,031
2 YEARS.
27
00:01:59,075 --> 00:02:00,250
IN 2 YEARS, HOW MANY
TIMES DID HE TELL US
28
00:02:00,294 --> 00:02:01,469
WE'RE ON
HIS NEXT SHOW?
29
00:02:01,512 --> 00:02:02,513
WELL, HE NEVER ACTUALLY
SAID THAT WE WERE--
30
00:02:02,557 --> 00:02:03,471
HE HAS IMPLIED IT
31
00:02:03,514 --> 00:02:05,473
AND HINTED AT IT
MANY TIMES.
32
00:02:05,516 --> 00:02:07,692
WELL, WE DON'T KNOW THAT
HE'S NOT GONNA HIRE US.
33
00:02:07,736 --> 00:02:09,999
WOULD ERNIE, OUR AGENT,
BE AVOIDING US
34
00:02:10,042 --> 00:02:11,218
IF BRIAN, OUR SCUMBAG,
35
00:02:11,261 --> 00:02:12,610
HAD SHOWN ANY INTEREST
IN HIRING US?
36
00:02:12,654 --> 00:02:14,525
MAYBE HE DOESN'T WANT
TO PUT ANYBODY ON HIS STAFF.
37
00:02:14,569 --> 00:02:16,397
MAYBE HE'S JUST GONNA HAND OUT
FREELANCE ASSIGNMENTS
38
00:02:16,440 --> 00:02:17,485
OH, DON'T BE
SO DESPERATE.
39
00:02:17,528 --> 00:02:20,401
IRA, WE HAVEN'T
WORKED IN 8 MONTHS...
40
00:02:20,444 --> 00:02:22,229
AND I HAVE A WIFE.
41
00:02:23,447 --> 00:02:25,928
ALL RIGHT, I--
DON'T SAY IT.
42
00:02:25,971 --> 00:02:27,886
Woman: ARE YOU ON YOUR WAY
TO YOUR CARD GAME?
43
00:02:27,930 --> 00:02:29,105
Man:
YEAH, WHAT'S UP?
44
00:02:29,149 --> 00:02:30,759
BRIAN'S SHOW
WAS PICKED UP.
45
00:02:30,802 --> 00:02:32,326
I WANT TO FINISH
MY BOOK!
46
00:02:32,369 --> 00:02:33,501
DO THE SHOW
FOR ONE SEASON,
47
00:02:33,544 --> 00:02:35,372
AND YOU CAN FINISH
YOUR BOOK DURING HIATUS.
48
00:02:35,416 --> 00:02:38,288
DO YOU HAVE ANYTHING LEFT
FROM THE ADVANCE?
49
00:02:38,332 --> 00:02:39,463
NO.
50
00:02:39,507 --> 00:02:40,725
YOU'RE THE ONLY ONE
WHO KNOWS ABOUT THIS.
51
00:02:40,769 --> 00:02:41,857
JUST LET BRIAN KNOW
THAT YOU'RE READY TO WORK
52
00:02:41,900 --> 00:02:44,164
AND CALL ME
IN THE MORNING.
53
00:02:55,566 --> 00:02:57,438
Man: HAVE YOU EVER WORKED
WITH BRIAN BEFORE?
54
00:02:57,481 --> 00:02:58,830
NO, I NEVER WORKED WITH HIM.
55
00:02:58,874 --> 00:03:01,398
I KNOW HE WAS
A REALLY BIG FAN
OF MONKEY'S UP.
56
00:03:01,442 --> 00:03:03,226
DON'T BRING THAT UP.
57
00:03:03,270 --> 00:03:04,009
WHY?
58
00:03:04,053 --> 00:03:05,054
WHEN YOU
BRING UP A SHOW
59
00:03:05,097 --> 00:03:06,925
THAT LASTED 8 EPISODES
2 SEASONS AGO
60
00:03:06,969 --> 00:03:07,883
IT'S LIKE
HOLDING UP A SIGN
61
00:03:07,926 --> 00:03:10,364
THAT SAYS,
"WILL WRITE FOR FOOD."
62
00:03:10,407 --> 00:03:11,408
GOTCHA.
63
00:03:11,452 --> 00:03:12,496
GOOD.
64
00:03:12,540 --> 00:03:14,063
NOW GET IN THERE
AND SUCK BRIAN'S DICK.
65
00:03:14,106 --> 00:03:17,197
I AM ALL OVER IT.
66
00:03:22,506 --> 00:03:23,551
NO, NO, BRIAN,
67
00:03:23,594 --> 00:03:25,205
I'M NOT ALLOWING YOU
TO DO THIS TO ME.
68
00:03:25,248 --> 00:03:26,989
I THOUGHT I WAS READY
TO COME BACK.
69
00:03:27,032 --> 00:03:29,339
YOU ARE READY, MAN!
I GOT YOU 22 ON THE AIR!
70
00:03:29,383 --> 00:03:32,473
THEY WANT A FUCKIN'
ANTHOLOGY SHOW, MAN.
71
00:03:32,516 --> 00:03:35,302
EVERY WEEK
A NEW FUCKIN' DEAL.
72
00:03:35,345 --> 00:03:36,433
22 TIMES.
73
00:03:36,477 --> 00:03:39,219
AND I DON'T EVEN KNOW
WHAT IT'S ABOUT.
74
00:03:42,961 --> 00:03:46,269
MORE SUSPENSEFUL
THAN EERIE,
75
00:03:46,313 --> 00:03:48,706
BUT A LITTLE EERIE...
76
00:03:48,750 --> 00:03:50,360
WITH AN EDGE.
77
00:03:50,404 --> 00:03:52,623
EVERYTHING'S
GOT AN EDGE.
78
00:03:52,667 --> 00:03:54,973
AND FUNNY, BUT DARK.
79
00:03:55,409 --> 00:03:56,801
HOW DARK DEPENDS ON
WHETHER WE GET
80
00:03:56,845 --> 00:03:58,629
SUNDAY AT 7:00
OR THURSDAY AT 10:00.
81
00:03:58,673 --> 00:04:01,371
AND IT'S GOTTA HAVE
THIS LOOK.
82
00:04:01,415 --> 00:04:02,459
SOMETHING ABOUT...
83
00:04:02,503 --> 00:04:05,767
DIGITALS AND PIXELS
AND DROP FRAMES.
84
00:04:05,810 --> 00:04:09,988
AND WE'LL GET THOSE
CHANTING BULGARIAN MONKS
TO DO THE THEME.
85
00:04:10,032 --> 00:04:11,425
MONKS WITH AN EDGE.
86
00:04:11,468 --> 00:04:12,643
IS THAT WHAT
THOSE IDIOTS TOLD YOU?
87
00:04:12,687 --> 00:04:13,992
THAT'S WHAT
I TOLD THEM.
88
00:04:14,036 --> 00:04:17,518
THEN WHAT'S THE DEAL?!
WHAT'S THE PROBLEM, BRIAN?
89
00:04:17,561 --> 00:04:18,780
I SAT ON THAT COUCH,
90
00:04:18,823 --> 00:04:21,261
AND I TRIED TO LISTEN
TO MY OWN VOICE.
91
00:04:21,304 --> 00:04:22,653
I WAS SPEAKING
IN TONGUES.
92
00:04:22,697 --> 00:04:24,525
WHO GIVES A SHIT WHAT
YOU WERE SPEAKING IN, BRIAN?!
93
00:04:24,568 --> 00:04:26,091
YOU GOT 22 SHOWS ON THE AIR.
94
00:04:26,135 --> 00:04:29,312
AND I KNOW MELINDA.
ONCE A DEAL IS MADE,
THE REST IS CAKE.
95
00:04:29,356 --> 00:04:30,705
CAKE?!
96
00:04:30,748 --> 00:04:33,403
CAKE?!
97
00:04:33,447 --> 00:04:36,493
22 EPISODES IS CAKE?!
98
00:04:36,537 --> 00:04:39,322
BRIAN, YOU JUST GOTTA
GET A TASTE FOR IT, OK?
99
00:04:39,366 --> 00:04:41,716
LISTEN, YOU'RE
A LITTLE RUSTY.
100
00:04:41,759 --> 00:04:43,239
COME ON, BRI!
YOU'RE THE MAN!
101
00:04:43,283 --> 00:04:44,501
REMEMBER WHEN
YOU USED TO GO OUT
IN THE DESERT FOR 3 DAYS
102
00:04:44,545 --> 00:04:45,981
AND COME BACK WITH
2 SHOOTING SCRIPTS?
103
00:04:46,024 --> 00:04:48,505
YEAH, BUT I DIDN'T
COME BACK WITH
THE EIGHTBALL OF BLOW.
104
00:04:48,549 --> 00:04:51,943
WELL, IF THAT'S
THE ONLY PROBLEM.
105
00:04:55,469 --> 00:04:57,427
COKE?
106
00:04:58,863 --> 00:05:00,343
ARE YOU OUT OF
YOUR FUCKING MIND?!
107
00:05:00,387 --> 00:05:02,519
FORGET IT! FORGET IT!
BAD IDEA! YOU'RE RIGHT!
108
00:05:02,563 --> 00:05:05,435
ALL RIGHT.
LET'S TAKE THIS
ONE STEP AT A TIME.
109
00:05:05,479 --> 00:05:06,567
ALL THEY NEED BY FRIDAY
110
00:05:06,610 --> 00:05:11,180
ARE STORY OUTLINES
FOR THE FIRST 6 SHOWS.
111
00:05:11,223 --> 00:05:12,747
NOTHING?
112
00:05:12,790 --> 00:05:13,530
NOTHING!
113
00:05:13,574 --> 00:05:14,879
YOU'VE HAD 30 DAYS, BRIAN!
114
00:05:14,923 --> 00:05:16,098
GODDAMN IT,
DON'T DO THIS TO ME!
115
00:05:16,141 --> 00:05:17,360
YOU WANTED TO START
WORKING AGAIN.
116
00:05:17,404 --> 00:05:18,796
YOU SAID
THE THERAPY WAS WORKING--
117
00:05:18,840 --> 00:05:20,755
YOU'RE FUCKIN' CENTERED
OR WHATEVER KIND OF BULLSHIT!
118
00:05:20,798 --> 00:05:23,061
I KNOW YOU, BRIAN!
YOU AREN'T GONNA
LIKE FLYING COACH
119
00:05:23,105 --> 00:05:24,628
AND LIVING IN FUCKING
HACIENDA HEIGHTS!
120
00:05:24,672 --> 00:05:27,109
2 WORDS FOR YOU, BRIAN:
POTATO FAMINE!
121
00:05:27,152 --> 00:05:30,504
[INCOHERENT YELLING]
122
00:05:30,547 --> 00:05:32,593
YOU'RE NOT GONNA LIKE
SCOURING ON YOUR FUCKING
FRIENDS' BATHROOM
123
00:05:32,636 --> 00:05:34,899
LOOKING FOR MUSHROOMS TO EAT!
I KNOW YOU, BUDDY!
124
00:05:34,943 --> 00:05:36,640
WHEN YOU STICK
A DARNING NEEDLE UP YOUR ASS,
125
00:05:36,684 --> 00:05:40,296
YOU'RE, LIKE,
AT THE VAN NUYS HOLIDAY INN!
126
00:05:42,080 --> 00:05:43,517
YOU OK?
127
00:05:44,213 --> 00:05:49,131
NO. THAT'S WHAT I'M
TRYING TO TELL YOU.
128
00:06:00,447 --> 00:06:01,883
I JUST CAN'T DO IT.
129
00:06:01,926 --> 00:06:05,103
[DOORBELL RINGS]
130
00:06:05,147 --> 00:06:06,801
HERE'S WHAT YOU GOTTA DO.
131
00:06:06,844 --> 00:06:08,324
YOU GOTTA GET
YOURSELF CLEANED UP,
132
00:06:08,368 --> 00:06:10,413
PLAY YOUR POKER GAME,
AND I'LL CALL YOU
IN THE MORNING.
133
00:06:10,457 --> 00:06:14,722
AND IF YOU STILL
DON'T WANT TO DO IT,
I'LL CALL MELINDA.
134
00:06:16,463 --> 00:06:17,377
[DOORBELL RINGS]
135
00:06:17,420 --> 00:06:20,336
WILL YOU GET THE DOOR?
136
00:06:29,171 --> 00:06:31,173
Man: FIRST DAY'S BETS.
137
00:06:31,216 --> 00:06:33,088
YEAH, I'M IN.
138
00:06:33,131 --> 00:06:34,089
UH-HUH.
139
00:06:34,132 --> 00:06:35,307
I CALL.
140
00:06:35,351 --> 00:06:36,483
I FEEL LUCKY.
141
00:06:36,526 --> 00:06:38,441
THAT'S RIGHT.
HERE THEY COME.
142
00:06:38,485 --> 00:06:39,573
KING TO THE 3...
143
00:06:39,616 --> 00:06:42,619
10, ACE...
QUEEN FOR THE ACTOR...
144
00:06:42,663 --> 00:06:44,142
JACK. LOOKING LOW.
145
00:06:44,186 --> 00:06:46,144
LOOKING VERY LOW.
146
00:06:46,188 --> 00:06:47,885
ACE, 10.
147
00:06:47,929 --> 00:06:50,018
5.
I'M IN IT.
148
00:06:50,061 --> 00:06:51,759
CHASING.
149
00:06:51,802 --> 00:06:53,543
I CALL.
I'M OUT.
150
00:06:56,894 --> 00:06:59,984
YOU'RE--YOU'RE
FOLDING AN ACE, TOO?
151
00:07:00,028 --> 00:07:02,160
BRIAN ALWAYS
BEATS ME LOW.
152
00:07:02,204 --> 00:07:04,075
YOU HAD HIM BEAT
ON THE TABLE, DUMMY.
153
00:07:04,119 --> 00:07:05,076
I HAD A QUEEN UNDERNEATH.
154
00:07:05,120 --> 00:07:07,514
WELL, THANKS
A FUCKING LOT, BENNY.
155
00:07:07,557 --> 00:07:08,558
JESUS CHRIST, BENNY,
156
00:07:08,602 --> 00:07:09,951
THEY'RE DEALT FACEDOWN
FOR A REASON.
157
00:07:09,994 --> 00:07:11,996
SORRY. SORRY. SORRY.
I'M SORRY.
158
00:07:12,040 --> 00:07:13,476
I'M SORRY.
159
00:07:13,520 --> 00:07:16,131
[ALL TALKING AT ONCE]
160
00:07:16,174 --> 00:07:17,480
HOW ABOUT A CHOCO-CCINO?
161
00:07:17,524 --> 00:07:20,222
I DON'T THINK SO.
IT ALWAYS MAKES ME
PHLEGMY.
162
00:07:20,265 --> 00:07:21,571
Ira: IS EVERYTHING
ALL RIGHT?
163
00:07:21,615 --> 00:07:23,486
HE NEVER OFFERED ME
A CHOCO-CCINO.
164
00:07:23,530 --> 00:07:25,923
CAN WE GET A NEW GAME
GOING HERE?
165
00:07:25,967 --> 00:07:27,229
YEAH, LET'S GO.
166
00:07:27,272 --> 00:07:28,056
THANKS, BENNY.
167
00:07:28,099 --> 00:07:29,100
I'M GONNA DEAL AGAIN.
168
00:07:29,144 --> 00:07:30,580
IT'S LIKE A DO-OVER.
169
00:07:30,624 --> 00:07:32,495
THIS TIME FROM
THE TOP OF THE DECK.
170
00:07:32,539 --> 00:07:34,497
WELL, YOU CAN'T ASK
FOR EVERYTHING.
171
00:07:34,541 --> 00:07:36,281
[LAUGHS]
172
00:07:36,325 --> 00:07:37,152
YOU IN, BENNY?
173
00:07:37,195 --> 00:07:38,501
DEAL ME IN.
I'M IN. I'M IN.
174
00:07:38,545 --> 00:07:39,807
ALL RIGHT,
LET'S ANTE UP, BOYS.
175
00:07:39,850 --> 00:07:41,504
Ira: ARE WE GONNA PLAY
THE WHOLE GAME THIS TIME?
176
00:07:41,548 --> 00:07:44,507
GET YOUR HEAD
IN THE GAME
THIS TIME, BENNY.
177
00:07:44,551 --> 00:07:45,465
FOR CHRIST'S SAKE.
178
00:07:45,508 --> 00:07:47,031
Benny: TAKE IT EASY.
179
00:07:47,075 --> 00:07:49,643
WE'RE NOT IN HIGH SCHOOL
ANYMORE. LET'S GO.
180
00:07:49,686 --> 00:07:51,514
TURN YOURS OVER,
WILL YA?
181
00:07:51,558 --> 00:07:56,432
10 OVER HERE.
WE GOT A 3 AND A 5.
182
00:07:56,476 --> 00:07:58,695
[LAUGHS]
BRIAN WINS AGAIN.
183
00:07:58,739 --> 00:07:59,783
Neal: GOT ME AGAIN.
184
00:07:59,827 --> 00:08:01,219
BRIAN'S TOO GOOD
TONIGHT.
185
00:08:01,263 --> 00:08:02,351
Benny:
IT'S THE BANK OF BRIAN.
186
00:08:02,394 --> 00:08:03,526
WHAT HAVE YOU
LOST, 500?
187
00:08:03,570 --> 00:08:04,614
YOU ARE HOT.Benny: YOU'RE
UNBELIEVABLE.
188
00:08:04,658 --> 00:08:06,660
BRIAN, I--
YOU'RE KILLING ME.
189
00:08:06,703 --> 00:08:08,531
YOU ARE FUCKING
KILLING ME.
190
00:08:08,575 --> 00:08:09,445
CHOCO-CCINO?
191
00:08:09,489 --> 00:08:10,881
MAY I HAVE
MY BALLS BACK?
192
00:08:10,925 --> 00:08:12,753
I'M A LOSER,
YOU'RE A WINNER.
193
00:08:12,796 --> 00:08:14,842
THAT'S A NICE SHIRT, BRIAN.
WHERE DID YOU GET IT?
194
00:08:14,885 --> 00:08:16,626
ALL RIGHT. I GIVE.
I GIVE. I SURRENDER.
195
00:08:16,670 --> 00:08:17,627
I'M ITALYING HERE.
196
00:08:17,671 --> 00:08:18,454
I'M GIVING UP.
I GOT BUPKIS.
197
00:08:18,498 --> 00:08:19,890
BUPKIS.
IT'S YOURS.
198
00:08:19,934 --> 00:08:21,326
HAVE YOU LOST
WEIGHT?
199
00:08:21,370 --> 00:08:25,069
BRIAN, YOU ARE HOTTER
THAN HONEYMOON DICK.
200
00:08:25,113 --> 00:08:25,766
CIGAR?
201
00:08:25,809 --> 00:08:27,245
NO, HAVE ONE OF MINE.
202
00:08:27,289 --> 00:08:29,160
YOU WANT ME
TO GET THE DOOR?
203
00:08:29,726 --> 00:08:31,336
UH, NO, I'LL GET IT.
204
00:08:31,380 --> 00:08:33,034
UH, DEAL ME OUT
THIS HAND.
205
00:08:33,077 --> 00:08:33,948
Benny: HANK'S DEAL.
206
00:08:33,991 --> 00:08:36,516
Hank:
JUST HANG ON A SECOND.
207
00:08:45,829 --> 00:08:47,048
BENNY,
208
00:08:47,091 --> 00:08:49,180
I THINK YOU'VE GOT
SOMETHING ON YOUR NOSE HERE.
209
00:08:49,224 --> 00:08:50,617
WHAT?
210
00:08:50,660 --> 00:08:52,619
I'D ASSUME IT WAS SOMETHING
BRIAN ATE 2 OR 3 DAYS AGO.
211
00:08:52,662 --> 00:08:55,099
HEY, I NOTICED
YOU DUMPING HANDS
TO HIM, TOO.
212
00:08:55,143 --> 00:08:56,448
WHAT THE FUCK
IS GOING ON?
213
00:08:56,492 --> 00:08:57,841
YEAH. ARE YOU GUYS
LOOKING FOR JOBS
OR SOMETHING?
214
00:08:57,885 --> 00:08:59,539
YEAH. WHAT'S
WITH YOU, HANK?
215
00:08:59,582 --> 00:09:00,670
I DIDN'T KNOW
YOU WERE SUCH
A KISS-ASS?
216
00:09:00,714 --> 00:09:02,585
I'M NOT, I GOT
SHIT CARDS,
ALL RIGHT?
217
00:09:02,629 --> 00:09:05,457
WAIT A MINUTE.
IS BRIAN GOING BACK TO WORK?
218
00:09:05,501 --> 00:09:07,329
TYPICAL FUCKING ACTOR.
ME. ME. ME.
219
00:09:07,372 --> 00:09:09,592
WHY DON'T YOU SUCK MY ASS,
WRITER BOY?
220
00:09:09,636 --> 00:09:11,028
HEY!NOT YOU, IRA.
221
00:09:11,072 --> 00:09:12,552
SOMEBODY WRITE
THAT UP FOR YOU?
SOMEBODY SCRIPT THAT?
222
00:09:12,595 --> 00:09:13,901
NO, NO. NO ONE HAS
TO WRITE THAT UP FOR ME.
223
00:09:13,944 --> 00:09:15,598
NO, I'M A PROFESSIONAL
FUCKIN' ACTOR.
224
00:09:15,642 --> 00:09:16,512
I CAN IMPROVISE.
225
00:09:16,556 --> 00:09:17,513
OH, YOU'RE
IMPROVISING?
YES!
226
00:09:17,557 --> 00:09:18,819
OH, THAT EXPLAINS
MY BOREDOM.
227
00:09:18,862 --> 00:09:20,951
WILL YOU ASSHOLES
KNOCK IT THE HELL OFF?
228
00:09:20,995 --> 00:09:22,605
JESUS FUCKIN' CHRIST!
229
00:09:22,649 --> 00:09:26,435
I GET ONE NIGHT A WEEK
TO RELAX AND HAVE
A LITTLE CAMARADERIE.
230
00:09:43,408 --> 00:09:48,370
[OPERATIC ARIA PLAYS
FROM A NEARBY BUILDING]
231
00:09:49,589 --> 00:09:50,415
[SIGHS]
232
00:09:50,459 --> 00:09:53,375
Man: HEY, YOU!
233
00:09:53,418 --> 00:09:57,509
HEY, YOU!
UP THERE!
234
00:09:59,816 --> 00:10:02,514
YES, YOU!
235
00:10:04,386 --> 00:10:07,607
[SCREAMING]
236
00:10:10,653 --> 00:10:14,265
[SIRENS]
237
00:10:15,789 --> 00:10:20,358
DOWN HERE!
238
00:10:24,841 --> 00:10:26,538
YEAH, YOU!
239
00:10:34,024 --> 00:10:35,678
CHAMPAGNE,
240
00:10:35,722 --> 00:10:39,464
YOU HAVE
BETRAYED ME!
241
00:10:41,597 --> 00:10:43,512
AAH!
242
00:10:47,429 --> 00:10:50,171
COME HERE,
SHITHEAD!
243
00:10:50,214 --> 00:10:52,477
Second man:
FUCK YOU!
244
00:11:00,529 --> 00:11:02,487
STAY.
245
00:11:04,446 --> 00:11:07,797
Woman: HELP ME
GET RID OF HIM.
246
00:11:08,450 --> 00:11:10,408
UHH.
247
00:11:11,366 --> 00:11:13,194
OUCH!
248
00:11:13,237 --> 00:11:15,936
[OPERATIC ARIA PLAYING]
249
00:11:27,251 --> 00:11:28,862
BET TO THE HALF.
250
00:11:28,905 --> 00:11:31,038
HUNDRED BUCKS.
251
00:11:31,081 --> 00:11:33,083
[GROANS]
252
00:11:47,837 --> 00:11:50,710
BRIAN,
YOU ALL RIGHT?
253
00:11:55,018 --> 00:11:56,324
HEY, YOU!
254
00:11:56,367 --> 00:11:59,719
I THOUGHT I HEARD
THE MARLBORO MAN
TALKING TO ME,
255
00:12:00,502 --> 00:12:01,764
BUT IT WAS OVER
AT THE HOTEL.
256
00:12:01,808 --> 00:12:06,290
A WOMAN AND A MAN
ARE STANDING ON
THE BALCONY.
257
00:12:06,334 --> 00:12:07,901
THE LIGHTS
IN THE TOWER
258
00:12:07,944 --> 00:12:10,207
FLASH 4 TIMES
AT PERFECT INTERVALS
259
00:12:10,251 --> 00:12:12,688
LIKE
PAUL FUCKIN' REVERE.
260
00:12:12,732 --> 00:12:17,258
I HEAR A WOMAN SCREAM
UP IN THE TOWER.
261
00:12:17,301 --> 00:12:19,739
THE MAN ON THE BALCONY
POINTS UP AND SAYS--
262
00:12:19,782 --> 00:12:22,698
"CHAMPAGNE,
YOU HAVE BETRAYED ME!"
263
00:12:22,742 --> 00:12:23,873
BETRAYED ME?
264
00:12:23,917 --> 00:12:25,440
DID YOU SAY,
"CHAMPAGNE"?
265
00:12:25,483 --> 00:12:26,571
IS ANYONE GONNA BET?
266
00:12:26,615 --> 00:12:27,921
THE MAN REAPPEARS
267
00:12:27,964 --> 00:12:29,923
AT THE OTHER END
OF THE HOTEL
ON THE FIRE ESCAPE.
268
00:12:29,966 --> 00:12:30,924
THE WOMAN SAYS TO HIM,
269
00:12:30,967 --> 00:12:32,316
"STAY AND HELP ME
GET RID OF HIM."
270
00:12:32,360 --> 00:12:35,972
THE GUY KISSES HER
AND TAKES OFF
DOWN THE ESCAPE.
271
00:12:36,016 --> 00:12:37,234
ARE YOU SURE THIS
WAS THE SAME GUY
272
00:12:37,278 --> 00:12:39,497
AND THE SAME WOMAN
AS THE ONES ON
THE BALCONY?
273
00:12:39,541 --> 00:12:41,369
WHAT DO YOU MEAN?
274
00:12:41,412 --> 00:12:42,631
HOW WELL
COULD YOU SEE THEM?
275
00:12:42,674 --> 00:12:43,501
HELLO?!
276
00:12:43,545 --> 00:12:46,287
DO SOMETHING.
277
00:12:46,330 --> 00:12:47,984
UHH...
278
00:12:51,422 --> 00:12:52,859
BET OR FOLD!
279
00:12:52,902 --> 00:12:53,860
HUNDRED BUCKS.
280
00:12:53,903 --> 00:12:56,688
HUNDRED BUCKS
TO IRA.
281
00:12:58,386 --> 00:13:00,388
I'M OUT.
282
00:13:00,649 --> 00:13:02,346
Neal: I'M IN.
283
00:13:04,740 --> 00:13:06,394
[WHISPERING]
Come here. Come here.
284
00:13:06,437 --> 00:13:09,005
Come here.
285
00:13:10,441 --> 00:13:11,442
WHAT?
286
00:13:11,486 --> 00:13:12,313
IT'S A TEST.
287
00:13:12,356 --> 00:13:13,531
WHAT ARE YOU
TALKING ABOUT?
288
00:13:13,575 --> 00:13:14,968
BRIAN...
289
00:13:15,011 --> 00:13:16,360
HE WANTS TO SEE
WHICH ONE OF US
CAN BREAK THE STORY.
290
00:13:16,404 --> 00:13:17,535
HE'S PLAYING WITH US.
291
00:13:17,579 --> 00:13:18,754
JUST LIKE, UH,
292
00:13:18,798 --> 00:13:19,755
JAMES COBURN DID
IN THE LAST OF SHEILA.
293
00:13:19,799 --> 00:13:20,843
OH, FOR CHRIST'S SAKE--
294
00:13:20,887 --> 00:13:22,453
I'M TELLING YOU...
295
00:13:22,497 --> 00:13:23,759
HANK AND NEAL ARE GOING
TO CUT OUR THROATS
IF WE COCK AROUND.
296
00:13:23,803 --> 00:13:26,327
NOW WE CAN
DO THIS IF YOU'LL
JUST GET INTO IT.
297
00:13:26,370 --> 00:13:27,241
STOP WINNING.
298
00:13:27,284 --> 00:13:28,546
OK, MAYBE--MAYBE
IT'S, UH, JUST
299
00:13:28,590 --> 00:13:30,026
YOUR RUN-OF-THE-MILL
SEX-FOR-HIRE THING,
RIGHT?
300
00:13:30,070 --> 00:13:31,680
HOOKER'S
IN THE WRONG PLACE
AT THE WRONG TIME.
301
00:13:31,723 --> 00:13:34,291
SHE WITNESSES
A POLITICAL
ASSASSINATION.
302
00:13:34,335 --> 00:13:37,251
WASN'T THAT
YOUR EQUALIZEREPISODE?
303
00:13:37,294 --> 00:13:39,296
YOU KNOW, MAYBE
THE HOOKER'S IN ON THIS
WITH THE GUY IN THE TOWER.
304
00:13:39,340 --> 00:13:42,822
A VARIATION OF THE PANEL GAME
OR THE BADGER RACKET.
305
00:13:42,865 --> 00:13:45,389
MAYBE YOU OUGHT TO STICK
TO SELLING ENEMA BAGS.
306
00:13:45,433 --> 00:13:46,390
MEDICAL SUPPLIES.
307
00:13:46,434 --> 00:13:48,392
WHY DOES SHE HAVE
TO BE A HOOKER?
308
00:13:48,436 --> 00:13:49,872
I DON'T KNOW, BENNY,
309
00:13:49,916 --> 00:13:52,483
MAYBE HER PARENTS
DIDN'T LOVE HER ENOUGH.
310
00:13:52,527 --> 00:13:53,397
SERIOUSLY,
311
00:13:53,441 --> 00:13:54,398
DID IT EVER OCCUR
TO YOU GUYS
312
00:13:54,442 --> 00:13:55,399
THAT
A GOOD-LOOKING WOMAN
313
00:13:55,443 --> 00:13:56,357
IN A HOTEL ROOM
314
00:13:56,400 --> 00:13:58,446
COULD BE ANYTHING
BUT A HOOKER?
315
00:13:58,489 --> 00:13:59,664
All: NO.
316
00:13:59,708 --> 00:14:01,492
OK, BENNY,
SHE'S NOT A HOOKER.
WHO IS SHE?
317
00:14:01,536 --> 00:14:02,929
UH, SOMEBODY'S WIFE.
318
00:14:02,972 --> 00:14:04,887
OH, THAT
IS EXCITING.
319
00:14:04,931 --> 00:14:06,497
ALL RIGHT, UH...
COLD OPENING:
320
00:14:06,541 --> 00:14:08,064
A JEWEL THIEF COMES
INTO A HOTEL ROOM, RIGHT?
321
00:14:08,108 --> 00:14:10,588
AND, UH, THERE'S
A HUSBAND AND WIFE IN BED.
THEY'RE ASLEEP.
322
00:14:10,632 --> 00:14:12,764
THE WIFE LOOKS UP.
SHE SEES THE THIEF.
323
00:14:12,808 --> 00:14:14,157
INSTEAD OF WAKING UP
HER HUSBAND,
324
00:14:14,201 --> 00:14:15,506
SHE TAKES THE JEWEL THIEF
OUT ON TO THE FIRE ESCAPE
325
00:14:15,550 --> 00:14:17,117
AND SAYS,
"WE CAN GET RID OF HIM."
326
00:14:17,160 --> 00:14:19,554
"HIM" BEING THE HUSBAND
WHO'S ASLEEP IN THE BED.
327
00:14:19,597 --> 00:14:21,861
THEN HOW DOES THAT
EXPLAIN THE BALCONY?
328
00:14:21,904 --> 00:14:22,905
OR THE TOWER?
329
00:14:22,949 --> 00:14:23,863
HOW MUCH OF THIS
ARE YOU MARRIED TO?
330
00:14:23,906 --> 00:14:25,865
THAT'S IT.
I'M GOING TO BELL.
331
00:14:25,908 --> 00:14:27,127
THIS IS FUCKING BULLSHIT.
332
00:14:27,170 --> 00:14:29,433
YOU KNOW, I GET ONE NIGHT
A WEEK TO PLAY POKER
333
00:14:29,477 --> 00:14:30,347
AND HAVE A LITTLE
CAMARADERIE,
334
00:14:30,391 --> 00:14:32,393
AND YOU ASSHOLES
FUCK IT UP.
335
00:14:32,436 --> 00:14:33,394
ARE YOU COMING?
336
00:14:33,437 --> 00:14:35,178
YEAH, SURE. WHY NOT?
337
00:14:35,222 --> 00:14:37,485
HEY, WHY DON'T WE
GO TO THE BIKE AND PLAY
WITH THE VIETNAMESE?
338
00:14:37,528 --> 00:14:39,574
IT'S A GOOD IDEA.
I DON'T UNDERSTAND
THEY SAY EITHER,
339
00:14:39,617 --> 00:14:41,619
BUT AT LEAST THEY
FUCKING PLAY POKER.
340
00:14:41,663 --> 00:14:44,100
THANK YOU FOR
A LOVELY EVENING, GENTLEMEN.
341
00:14:44,144 --> 00:14:45,014
GODDAMN WRITERS.
342
00:14:45,058 --> 00:14:48,365
Benny:
WHO PUT A NICKEL IN HIM?
343
00:14:48,888 --> 00:14:50,367
[DOOR CLOSES]
344
00:14:51,412 --> 00:14:52,804
Benny: BRIAN'S RIGHT.
345
00:14:52,848 --> 00:14:56,025
WHO USES THE LINE
"CHAMPAGNE, YOU HAVE
BETRAYED ME"?
346
00:14:56,069 --> 00:14:57,331
EITHER AN OLDER MAN
347
00:14:57,374 --> 00:14:58,636
OR AN ACADEMIC
OR AN INTELLECTUAL,
348
00:14:58,680 --> 00:15:00,508
NOT SOME GUY
RUNNING AROUND
THE CHATEAU MARMONT
349
00:15:00,551 --> 00:15:02,031
KILLING AND/OR ROBBING,
350
00:15:02,075 --> 00:15:03,119
KISSING SOME BABE,
351
00:15:03,163 --> 00:15:05,339
AND THEN FLEEING DOWN
THE FIRE ESCAPE.
352
00:15:05,382 --> 00:15:07,210
OR...
353
00:15:07,254 --> 00:15:09,038
OR WHAT?
354
00:15:09,865 --> 00:15:11,258
OR...
355
00:15:11,301 --> 00:15:13,608
WHAT OTHER KIND
OF GUY
356
00:15:13,651 --> 00:15:18,482
USES THE WORD
"BETRAYED"?
357
00:15:18,526 --> 00:15:19,962
A FOREIGNER.
358
00:15:20,006 --> 00:15:22,530
A FOREIGNER.
359
00:15:23,096 --> 00:15:26,360
I GOTTA TAKE A LEAK.
360
00:15:30,668 --> 00:15:32,061
WHO TOLD YOU?
361
00:15:32,105 --> 00:15:34,542
OUR AGENT'S ASSISTANT.
WHO TOLD YOU?
362
00:15:34,585 --> 00:15:35,978
YOUR AGENT.
363
00:15:36,022 --> 00:15:36,979
HUH.
364
00:15:37,023 --> 00:15:38,024
YEAH, HE'S BEEN
TRYING TO SIGN ME.
365
00:15:38,067 --> 00:15:39,634
I THOUGHT
YOU SHOULD KNOW.
366
00:15:39,677 --> 00:15:41,157
THANK YOU.
367
00:15:41,201 --> 00:15:42,985
ANYBODY KNOW WHAT
THE SHOW'S ABOUT?
368
00:15:43,029 --> 00:15:45,161
IT'S AN ANTHOLOGY.
YOU THINK HE'S ALL RIGHT?
369
00:15:45,205 --> 00:15:47,947
WHAT THE FUCK YOU MEAN
HE'S BEEN TRYING TO SIGN YOU?
370
00:15:47,990 --> 00:15:49,513
HEY, DON'T
GET MAD AT ME.
371
00:15:49,557 --> 00:15:51,167
HOW DO YOU LIKE IT
OVER THERE ANYWAY?
372
00:15:51,211 --> 00:15:52,995
OH, IT'S GREAT.
SIGN WITH HIM.
373
00:15:53,039 --> 00:15:55,476
SERIOUSLY, YOU THINK
BRIAN'S ALL RIGHT?
374
00:15:55,519 --> 00:15:56,564
IN WHAT WAY?
375
00:15:56,607 --> 00:15:58,783
WELL, IF WE WEREN'T
IN SHOW BUSINESS,
376
00:15:58,827 --> 00:16:02,352
THIS SORT OF OBSESSIONAL
SELF-ABSORPTION
377
00:16:02,396 --> 00:16:04,050
WOULD BE ABERRATIONAL.
378
00:16:04,093 --> 00:16:05,181
WHAT'S YOUR POINT?
379
00:16:05,225 --> 00:16:07,879
MY POINT IS WE ALL KNOW
380
00:16:07,923 --> 00:16:10,404
WHAT HAPPENED TO BRIAN
2 SEASONS AGO.
381
00:16:10,447 --> 00:16:12,101
YOU'VE NEVER BEEN
TENSE AT DEADLINE?
382
00:16:12,145 --> 00:16:16,279
YES, BUT THEY NEVER HAD
TO SEND ME HOME WITH
A PSYCHIATRIC NURSE.
383
00:16:16,323 --> 00:16:18,368
EVERYBODY WORKS
DIFFERENTLY.
384
00:16:18,412 --> 00:16:21,458
YOU THINK HE REALLY SAW
WHAT HE SAYS HE SAW?
385
00:16:21,502 --> 00:16:22,155
SURE.
386
00:16:22,198 --> 00:16:23,547
I DON'T KNOW,
MAYBE.
387
00:16:23,591 --> 00:16:25,288
WELL, THE NORMAL
FIRST REACTION
388
00:16:25,332 --> 00:16:26,550
TO POSSIBLE
SEEING A MURDER
389
00:16:26,594 --> 00:16:29,205
IS NOT TO BREAK IT DOWN
INTO 4 ACTS.
390
00:16:29,249 --> 00:16:31,294
I THINK HE'S
FUCKIN' WITH US.
391
00:16:31,338 --> 00:16:34,384
EITHER WAY, IT'S
A LITTLE PSYCHOTIC,
DON'T YOU THINK?
392
00:16:34,428 --> 00:16:37,431
WELL, MAYBE
WE SHOULD ALL
JUST GO HOME,
393
00:16:37,474 --> 00:16:39,041
TAKE OUR MEETINGS
WITH BRIAN
SEPARATELY,
394
00:16:39,085 --> 00:16:40,434
AND LET THE CHIPS
FALL WHERE THEY MAY.
395
00:16:40,477 --> 00:16:42,044
WORKS FOR ME.
I'M EXHAUSTED.
396
00:16:42,088 --> 00:16:43,480
AGREED.
WE ALL GO HOME
397
00:16:43,524 --> 00:16:45,395
AND LET BRIAN PULL
HIMSELF TOGETHER.
398
00:16:45,439 --> 00:16:46,875
IT'S SETTLED
THEN.
399
00:16:46,918 --> 00:16:49,921
ANYBODY WANNA
GO GET A DRINK?
400
00:16:50,618 --> 00:16:52,968
Hank: WHAT ABOUT THIS:
A CRYSTAL-METH LAB
401
00:16:53,012 --> 00:16:55,057
RUN BY A COUPLE
OF DISGRUNTLED PHARMACISTS.
402
00:16:55,101 --> 00:16:57,538
Neal: OH, YEAH.
THE KIDS LOVE THE WHOLE
PHARMACIST GENRE
403
00:16:57,581 --> 00:16:59,540
BLOW ME, NEAL,
AND I MEAN THAT SINCERELY.
404
00:16:59,583 --> 00:17:01,498
AT LEAST ABOUT THE GUY
ON THE FIRE ESCAPE.
405
00:17:01,542 --> 00:17:02,934
IF YOU DON'T LIKE
THE JEWEL THIEF, FINE.
406
00:17:02,978 --> 00:17:04,936
YOU KNOW,
THAT WAS JUST AN AREA.
407
00:17:09,158 --> 00:17:10,072
WOULD YOU COME ON?
408
00:17:10,116 --> 00:17:11,073
THEY'RE SPITBALLING
DOWN THERE.
409
00:17:11,117 --> 00:17:12,466
I'LL TELL YOU
ONE THING RIGHT NOW,
410
00:17:12,509 --> 00:17:13,684
I'M NOT WALKING BACK UP.
411
00:17:13,728 --> 00:17:17,253
I'M NOT GETTING A HEART ATTACK
FOR THIS GUY.
412
00:17:19,081 --> 00:17:21,040
NOW WHAT?
413
00:17:21,083 --> 00:17:24,043
WE HAVE TO TALK.
414
00:17:40,146 --> 00:17:41,625
BECAUSE WE'RE NOT
PRACTICALLY IN.
415
00:17:41,669 --> 00:17:43,323
HE'S JUST HARD UP
FOR AN IDEA.
416
00:17:43,366 --> 00:17:44,063
OH, GOD.
417
00:17:44,106 --> 00:17:45,107
BENNY, HE'S PUMPING US,
418
00:17:45,151 --> 00:17:46,891
TRYING TO GET US
TO WORK FOR NOTHING.
419
00:17:46,935 --> 00:17:49,416
IRA, WE'VE BEEN WORKING
FOR NOTHING FOR 8 MONTHS
IN YOUR LIVING ROOM.
420
00:17:49,459 --> 00:17:51,548
YEAH, BUT IN MY LIVING ROOM,
I DON'T HAVE TO ELBOW OUT
421
00:17:51,592 --> 00:17:52,941
A COUPLE OF DESPERATE HACKS
FOR THE PRIVILEGE.
422
00:17:52,984 --> 00:17:55,683
IRA, WE'RE A COUPLE
OF DESPERATE HACKS!
423
00:17:55,726 --> 00:17:57,337
OH, EVEN FOR YOU
THAT'S PATHETIC.
424
00:17:57,380 --> 00:17:59,687
YOU WANT TO KNOW WHAT
WOULD BE A LOT LESS PATHETIC?
425
00:17:59,730 --> 00:18:00,514
A JOB!
426
00:18:00,557 --> 00:18:01,515
LOOK, I'VE GOTTA HAVE THIS.
427
00:18:01,558 --> 00:18:03,473
I GOT A WIFE,
I'M LEASING TO BUY,
428
00:18:03,517 --> 00:18:07,477
AND I'M GOING AFTER THIS,
WITH YOU OR WITHOUT YOU.
429
00:18:07,956 --> 00:18:09,131
WHAT DID YOU JUST SAY?
430
00:18:09,175 --> 00:18:10,306
I SAID IF YOU DON'T
WANT THIS,
431
00:18:10,350 --> 00:18:11,786
I'M GOING AFTER IT
BY MYSELF
432
00:18:11,829 --> 00:18:13,092
WHAT ARE YOU
TALKING ABOUT?
433
00:18:13,135 --> 00:18:15,311
NOBODY EVEN KNOWS
IF YOU CAN WRITE BY YOURSELF.
434
00:18:15,355 --> 00:18:18,271
I GOT A SPEC.
435
00:18:18,314 --> 00:18:20,273
WHAT SPEC?
436
00:18:20,316 --> 00:18:21,665
I DID A SAMPLE
MURDER, SHE WROTE.
437
00:18:21,709 --> 00:18:23,014
I FINISHED IT
LAST WEEK.
438
00:18:23,058 --> 00:18:24,407
YOU SCUMBAG.
439
00:18:24,451 --> 00:18:25,887
LOOK,
IT'S SOMETHING THAT
I DID IN MY SPARE TIME.
440
00:18:25,930 --> 00:18:26,801
YOU SCUMBAG LIAR!
441
00:18:26,844 --> 00:18:28,107
YOU WEREN'T EVEN
TALKING TO ME!
442
00:18:28,150 --> 00:18:29,108
WHAT WAS
I SUPPOSED TO DO?
443
00:18:29,151 --> 00:18:30,370
DON'T TRY
AND JUSTIFY THIS!
444
00:18:30,413 --> 00:18:31,458
OK, OK, OK, OK. LISTEN,
445
00:18:31,501 --> 00:18:32,502
I'M SORRY ABOUT
WHAT I SAID.
446
00:18:32,546 --> 00:18:34,156
I DON'T WANT TO DO THIS
WITHOUT YOU.
447
00:18:34,200 --> 00:18:36,202
THEN WHAT THE HELL
ARE YOU DOING WRITING
A SPEC BEHIND MY BACK?
448
00:18:36,245 --> 00:18:37,333
AND MURDER, SHE WROTE?
449
00:18:37,377 --> 00:18:39,118
JESUS CHR--
450
00:18:40,075 --> 00:18:41,163
ISN'T THAT OFF THE AIR?
451
00:18:41,207 --> 00:18:43,165
THEY'RE DOING 3
2-HOUR REUNION SPECIALS.
452
00:18:43,209 --> 00:18:43,992
THIS IS HER IDEA, YES?
453
00:18:44,035 --> 00:18:45,689
SHE WAS SUPPORTIVE,
YEAH.
454
00:18:45,733 --> 00:18:47,952
YEAH, AS IN "I CAN'T
BLOW A MAN WHO DOESN'T
STAND UP FOR HIMSELF."
455
00:18:47,996 --> 00:18:51,565
THAT'S NOT WHY
SHE DOESN'T BLOW ME!
456
00:18:51,608 --> 00:18:52,696
WHERE ARE YOU GOING?
457
00:18:52,740 --> 00:18:53,567
TO GET A JOB!
458
00:18:53,610 --> 00:18:54,611
NOW YOU'RE
COOKING WITH GAS!
459
00:18:54,655 --> 00:18:56,135
BUT IT'S
EVERY MAN FOR HIMSELF,
460
00:18:56,178 --> 00:18:57,223
WHICH MEANS,
YOU'RE OUT.
461
00:18:57,266 --> 00:19:00,791
MURDER, SHE WROTE.
UNBELIEVABLE!
462
00:19:02,358 --> 00:19:04,491
ALL RIGHT, LET ME ASK
YOU GUYS SOMETHING.
463
00:19:04,534 --> 00:19:05,318
THEORETICALLY--
464
00:19:05,361 --> 00:19:06,841
EVENING,
MR. PETTIFORD.
465
00:19:06,884 --> 00:19:08,364
HAVEN'T SEEN YOU
IN A WHILE.
466
00:19:08,408 --> 00:19:11,106
UH, DIET COKE,
HEAVY ON
THE MARASCHINOS?
467
00:19:11,150 --> 00:19:15,110
REMY. WATER BACK.
468
00:19:15,328 --> 00:19:16,416
A LABBAT-ICE FOR ME.
469
00:19:16,459 --> 00:19:17,504
'CARDI, ROCKS.
470
00:19:17,547 --> 00:19:18,374
Brian: WHERE'S BENNY?
471
00:19:18,418 --> 00:19:19,854
HE VOMITED
AND WENT HOME.
472
00:19:19,897 --> 00:19:23,727
IN THAT CASE,
I'LL HAVE A VODKA
AND SAUERKRAUT JUICE.
473
00:19:23,771 --> 00:19:24,685
JIMMY...
474
00:19:24,728 --> 00:19:25,686
YES, MR. P.?
475
00:19:25,729 --> 00:19:28,993
THE WEST-FACING SUITE,
FIFTH FLOOR.
476
00:19:29,037 --> 00:19:30,343
DO YOU KNOW WHO'S IN THERE?
477
00:19:30,386 --> 00:19:32,997
NO, I DON'T.
478
00:19:33,781 --> 00:19:35,174
FIND OUT FOR ME,
WOULD YOU?
479
00:19:35,217 --> 00:19:37,393
I--I REALLY
CAN'T DO THAT.
480
00:19:37,437 --> 00:19:41,267
I--I KIND OF
HAVE TO RESPECT
THE GUESTS' PRIVACY.
481
00:19:41,310 --> 00:19:44,574
I'M SORRY,
MR. PETTIFORD.
482
00:19:44,618 --> 00:19:48,709
I'LL, UH, JUST
GO GET THOSE DRINKS.
483
00:19:51,929 --> 00:19:52,974
PUTZ.
484
00:19:53,017 --> 00:19:55,194
I MEAN...
485
00:20:03,898 --> 00:20:05,813
Man:
HEY, PHILIPPE...
486
00:20:05,856 --> 00:20:09,425
[SPEAKING FRENCH]
487
00:20:13,299 --> 00:20:15,431
SOMETHING ELSE.
SOMETHING...
488
00:20:15,475 --> 00:20:16,737
BIG...
489
00:20:16,780 --> 00:20:19,522
UNDERNEATH ALL OF THIS.
490
00:20:20,480 --> 00:20:24,962
NOW WHAT ARE THE BLINKING
FUCKING LIGHTS IN THE TOWER?
491
00:20:25,006 --> 00:20:28,052
AND I DON'T WANT
ANY TV BULLSHIT.
492
00:20:28,096 --> 00:20:29,576
AHEM.
493
00:20:29,619 --> 00:20:32,622
PERPETUAL NOVELTY.
494
00:20:33,667 --> 00:20:35,408
PERPETUAL NOVELTY.
495
00:20:35,451 --> 00:20:36,800
IT'S ONE OF
THE BASIC IDEAS
496
00:20:36,844 --> 00:20:38,367
IN FORMING
COMPLEXITY THEORY.
497
00:20:38,411 --> 00:20:39,847
I'VE BEEN READING
THIS BOOK.
498
00:20:39,890 --> 00:20:42,284
THEY'RE THESE
PHYSICISTS, BIOLOGISTS,
AND ECONOMISTS
499
00:20:42,328 --> 00:20:45,156
WORKING UP IN SOME
THINK TANK IN SANTA FE.
500
00:20:45,200 --> 00:20:46,506
THEY'VE BEEN
TRYING TO COME UP
501
00:20:46,549 --> 00:20:50,379
WITH MODELS FOR STUDYING
COMPLEX ADAPTIVE SYSTEMS.
502
00:20:50,423 --> 00:20:53,382
YOU UNDERSTAND? WE'RE
TRYING TO TAKE A SITUATION
503
00:20:53,426 --> 00:20:55,166
THAT WAS HAPPENING,
504
00:20:55,210 --> 00:20:57,038
THAT WAS UNFOLDING
IN THE MOMENT,
505
00:20:57,081 --> 00:20:59,301
AND WE'RE TRYING
TO FIND A POINT
OF EQUILIBRIUM
506
00:20:59,345 --> 00:21:01,825
FROM WHICH WE CAN
FIND ORDER IN IT.
507
00:21:01,869 --> 00:21:03,131
WELL, THESE GUYS
UP IN SANTA FE
508
00:21:03,174 --> 00:21:06,439
GO ON THE IDEA THAT IN
COMPLEX ADAPTIVE SYSTEMS,
509
00:21:06,482 --> 00:21:08,745
ORDER IS HIGHLY DISPERSED.
510
00:21:08,789 --> 00:21:10,660
THERE IS NO SINGLE
VANTAGE POINT FROM WHICH
511
00:21:10,704 --> 00:21:14,838
ONE CAN DISCERN
THE COHERENCE
OF THE BEHAVIOR.
512
00:21:14,882 --> 00:21:15,926
IN OTHER WORDS,
513
00:21:15,970 --> 00:21:18,320
THERE IS NO MASTER
NEURON IN THE BRAIN,
514
00:21:18,364 --> 00:21:21,323
NO MASTER CELL IN
THE DEVELOPING EMBRYO,
515
00:21:21,367 --> 00:21:23,586
SO WHAT APPEARS TO BE
ORDER IN A SYSTEM,
516
00:21:23,630 --> 00:21:27,373
IS MERELY THE OUTCOME
OF COOPERATION
AND COMPETITION
517
00:21:27,416 --> 00:21:30,071
AMONG THE AGENTS
IN THAT SYSTEM.
518
00:21:30,114 --> 00:21:33,466
WHO--WHO PUT ON
THE DISCOVERY CHANNEL?
519
00:21:41,952 --> 00:21:43,563
ANYBODY HERE
KNOW FRENCH?
520
00:21:43,606 --> 00:21:44,477
Brian: WHY?
521
00:21:44,520 --> 00:21:45,608
I'M OUTSIDE, OK?
522
00:21:45,652 --> 00:21:47,088
I'M BY THE FIRE ESCAPE,
523
00:21:47,131 --> 00:21:48,872
AND THERE ARE
THESE 2 VERY SUSPICIOUS
FRENCH GUYS, OK?
524
00:21:48,916 --> 00:21:52,180
AND ONE OF THEM
SAYS TO THE OTHER, JUST...
525
00:21:52,223 --> 00:21:53,486
BEAR WITH ME, IT'S...
526
00:21:53,529 --> 00:22:02,059
[SPEAKING FRENCH]
527
00:22:02,103 --> 00:22:08,065
"HE MUST STILL HAVE
THE DESIRED PASTRY
WITH HIM."
528
00:22:11,721 --> 00:22:16,030
AHEM, EXCUSE ME.
UH, MR. P.
529
00:22:25,692 --> 00:22:27,346
YOU GUYS
KEEP WORKING,
530
00:22:27,389 --> 00:22:30,436
I HAVE TO GO
TO THE PHONE.
531
00:22:31,132 --> 00:22:33,264
Hank: WAIT! BRIAN,
ARE YOU ALL RIGHT?
532
00:22:33,308 --> 00:22:35,528
BRIAN?
533
00:22:35,789 --> 00:22:37,312
Neal:
NICE FUCKING
WORK, BENNY.
534
00:22:37,356 --> 00:22:38,574
YEAH, WHAT'D YOU DO?
535
00:22:38,618 --> 00:22:40,271
FIND A FRENCH-ENGLISH
DICTIONARY IN THE JOHN?
536
00:22:40,315 --> 00:22:41,882
YOU SAID EVERY MAN
FOR HIMSELF.
537
00:22:41,925 --> 00:22:42,883
WHAT'S THE MATTER
WITH YOU?
538
00:22:42,926 --> 00:22:44,101
WE'VE GOTTA GET
THIS GUY GROUNDED.
539
00:22:44,145 --> 00:22:45,407
OH, IS THAT WHAT
WE'RE GONNA DO, HANK?
540
00:22:45,451 --> 00:22:47,583
LOOK, MAYBE BRIAN
SAW SOMETHING,
MAYBE HE DIDN'T,
541
00:22:47,627 --> 00:22:50,499
BUT HE'S BECOMING
COMPLETELY DELUSIONAL.
542
00:22:50,543 --> 00:22:51,544
I THINK WE GOT
TO GET HIM HOME,
543
00:22:51,587 --> 00:22:54,285
AND--AND--AND
CALL HIS SHRINK.
544
00:22:54,329 --> 00:22:55,330
Neal: YOU'RE RIGHT.
545
00:22:55,374 --> 00:22:56,462
I MEAN, IF BRIAN
CRACKS UP AGAIN,
546
00:22:56,505 --> 00:22:59,029
THERE MIGHT NOT BE
ANY JOBS FOR ANY OF US.
547
00:22:59,073 --> 00:23:02,511
I'LL GET RIGHT TO THE POINT.
548
00:23:02,555 --> 00:23:03,643
I WANT YOUR STORY.
549
00:23:03,686 --> 00:23:05,340
GEE, YOU WORK FAST.
550
00:23:05,384 --> 00:23:07,211
WHAT MAKES YOU THINK
I'VE GOT A STORY?
551
00:23:07,255 --> 00:23:08,430
EVERYBODY'S GOT A STORY,
552
00:23:08,474 --> 00:23:10,084
IT'S JUST THAT
NOT EVERYBODY CAN TELL IT.
553
00:23:10,127 --> 00:23:11,781
HOW DO YOU KNOW
I CAN TELL IT?
554
00:23:11,825 --> 00:23:12,782
I'LL TELL IT.
555
00:23:12,826 --> 00:23:14,088
DOESN'T SOUND LIKE
MUCH FUN FOR ME.
556
00:23:14,131 --> 00:23:15,742
THERE'LL BE SOME MONEY
IN IT FOR YOU.
557
00:23:15,785 --> 00:23:17,308
HOW DO YOU KNOW
WHO I AM?
558
00:23:17,352 --> 00:23:20,137
I LIVE JUST UP THE HILL
FROM HERE.
559
00:23:20,181 --> 00:23:25,447
MY BEDROOM WINDOW
LOOKS STRAIGHT ACROSS
AT THE UPSTAIRS TERRACE.
560
00:23:25,491 --> 00:23:27,014
AND?
561
00:23:27,710 --> 00:23:31,235
I SAW WHAT WENT ON
UP THERE TONIGHT.
562
00:23:34,630 --> 00:23:37,459
AM I CONFUSED OR JUST
OUT OF MY LEAGUE?
563
00:23:37,503 --> 00:23:39,113
Benny: HIS SHRINK
WAS APPLEFIELD.
564
00:23:39,156 --> 00:23:40,419
Hank: WE'VE GOTTA CALL
DR. APPLEFIELD.
565
00:23:40,462 --> 00:23:43,813
[WHISPERING]
Guys, guys, guys, guys. Guys!
566
00:23:43,857 --> 00:23:45,206
Steven Spielberg
up at the--
567
00:23:45,249 --> 00:23:47,077
Steven Spielberg's
up at the desk.
568
00:23:47,121 --> 00:23:48,514
Oh, my God,
that's Spielberg.
569
00:23:48,557 --> 00:23:50,733
IRA: That's not
Steven Spielberg.
570
00:23:50,777 --> 00:23:51,604
Shut up. It is.
571
00:23:51,647 --> 00:23:52,779
I'm telling
you it is.
572
00:23:52,822 --> 00:23:55,042
My cousin Gary look
more like Spielberg--
573
00:23:55,085 --> 00:23:56,478
Anything I say
is not--
574
00:23:56,522 --> 00:23:59,481
I know Spielberg.
He goes to my temple.
575
00:23:59,525 --> 00:24:00,743
Whatever.
Whatever.
576
00:24:00,787 --> 00:24:03,833
THE WAITER DID TELL YOU
WHAT I DO, DIDN'T HE?
577
00:24:03,877 --> 00:24:04,878
NO.
578
00:24:04,921 --> 00:24:06,488
NO WONDER YOU'RE
BEING SO CAGEY.
579
00:24:06,532 --> 00:24:10,536
YOU MUST HAVE THOUGHT
I WAS A BLACKMAILER
OR SOMETHING AWFUL.
580
00:24:10,579 --> 00:24:13,626
I WRITE AND PRODUCE
TELEVISION SHOWS.
581
00:24:13,669 --> 00:24:15,192
MMM.
582
00:24:15,236 --> 00:24:16,324
NO KIDDING.
583
00:24:16,367 --> 00:24:19,849
I SAW WHAT WENT ON
UP THERE TONIGHT.
584
00:24:19,893 --> 00:24:22,417
IT STARTED TO GIVE ME
AN IDEA FOR A SHOW.
585
00:24:22,983 --> 00:24:24,114
[SIGHS]
586
00:24:24,158 --> 00:24:27,553
YOU KNOW,
I THINK MAYBE--
587
00:24:30,730 --> 00:24:34,385
YOU THINK MAYBE WHAT?
588
00:24:36,039 --> 00:24:38,215
CAN WE TALK ABOUT THIS
SOMEPLACE ELSE?
589
00:24:38,259 --> 00:24:39,478
WHERE?
590
00:24:39,521 --> 00:24:41,131
THERE'S A BAR
ACROSS THE STREET
THAT I LIKE.
591
00:24:41,175 --> 00:24:43,482
I'M A LITTLE OLD
FOR THAT PLACE.
592
00:24:43,525 --> 00:24:44,352
PLEASE.
593
00:24:44,395 --> 00:24:46,049
CAN WE JUST GET
OUT OF HERE?
594
00:24:46,093 --> 00:24:47,224
LET ME GET MY COAT.
595
00:24:47,268 --> 00:24:49,052
IT'S NOT SPIELBERG.
596
00:24:49,096 --> 00:24:51,620
I'M TELLING YOU
IT IS.
597
00:24:51,925 --> 00:24:53,404
NO, IT'S NOT SPIELBERG.
598
00:24:53,448 --> 00:24:54,449
ARE YOU HAPPY?
599
00:24:54,493 --> 00:24:56,059
ARE YOU SHOCKED
IT'S NOT SPIELBERG?
600
00:24:56,103 --> 00:24:58,366
Hank: LOOKS LIKE
RON SILVER.
601
00:24:58,409 --> 00:24:59,410
LOOKS LIKE RON SILVER?
602
00:24:59,454 --> 00:25:01,325
YOU'RE WRONG
ABOUT THAT, TOO.
603
00:25:01,369 --> 00:25:03,414
WHERE THE HELL'S BRIAN?
604
00:25:03,458 --> 00:25:04,590
SHOULD I GO
LOOK FOR HIM?
605
00:25:04,633 --> 00:25:05,678
WHY? SO YOU CAN TELL
HIM THAT THE LATVIANS
606
00:25:05,721 --> 00:25:07,375
ARE PLAYING DOMINOES
IN THE MEN'S ROOM?
607
00:25:07,418 --> 00:25:08,768
I'LL GO FIND HIM.
608
00:25:08,811 --> 00:25:11,422
I'LL GO WITH YOU.
609
00:25:41,104 --> 00:25:41,931
HI, CONNIE.
610
00:25:41,975 --> 00:25:44,151
GOOD EVENING, MR. P.
611
00:25:48,198 --> 00:25:51,593
UH, WE COULD GO
UP TO MY PLACE.
612
00:25:51,637 --> 00:25:52,942
Ira: WOULD YOU TWO
KNOCK IT OFF?
613
00:25:52,986 --> 00:25:54,291
Neal: WHERE THE FUCK
DID HE GO?
614
00:25:54,335 --> 00:25:55,379
MAYBE WE OUGHT TO
JUST GO HOME
615
00:25:55,423 --> 00:25:56,555
AND CALL HIM
IN THE MORNING.
616
00:25:56,598 --> 00:25:57,991
Hank: THE WAY
HE'S BEEN BEHAVING?
617
00:25:58,034 --> 00:25:59,862
WITH HIS HISTORY?
LISTEN, HE'S GOT
A BAGFUL OF PILLS,
618
00:25:59,906 --> 00:26:02,865
AND I HAPPEN TO KNOW
THERE'S A GUN
IN THE HOUSE.
619
00:26:02,909 --> 00:26:04,084
A GUN
IN THE HOUSE?
620
00:26:04,127 --> 00:26:06,521
WE WENT SHOOTING
AT THE RANGE
TOGETHER ONCE.
621
00:26:06,565 --> 00:26:08,001
WHEN DID YOU GO
SHOOTING AT THE RANGE?
622
00:26:08,044 --> 00:26:09,350
WE'RE GOING UP THERE.
623
00:26:09,393 --> 00:26:10,438
NO, REALLY, WHEN DID YOU
GO SHOOTING AT THE RANGE?
624
00:26:10,481 --> 00:26:12,179
I WANT TO KNOW.ENOUGH WITH THE RANGE.
625
00:26:12,222 --> 00:26:16,836
MAYBE WE JUST BETTER
GO ACROSS THE STREET.
626
00:26:28,064 --> 00:26:30,676
[R&B MUSIC PLAYING]
627
00:26:38,597 --> 00:26:39,641
SO...
628
00:26:39,685 --> 00:26:40,511
SO...
629
00:26:40,555 --> 00:26:41,948
SO, WHAT WENT ON
UP THERE?
630
00:26:41,991 --> 00:26:45,081
CAN WE GET A DRINK
FIRST?
631
00:26:48,824 --> 00:26:50,130
STOLI, ROCKS.
632
00:26:50,173 --> 00:26:51,914
AQUAVIT.
633
00:26:51,958 --> 00:26:53,568
DADDY.
634
00:26:56,005 --> 00:26:58,617
TRACY?
635
00:26:58,660 --> 00:27:01,097
NO. CARLA.
636
00:27:05,406 --> 00:27:08,104
I'LL HAVE
AN AQUAVIT.
637
00:27:10,672 --> 00:27:12,456
SHE SEEMED RELIEVED.
638
00:27:12,500 --> 00:27:14,676
LET'S START
AT THE BEGINNING.
639
00:27:14,720 --> 00:27:17,287
WHAT WERE THE LIGHTS
IN THE TOWER?
640
00:27:17,331 --> 00:27:18,549
WELL, YOU'RE
THE EXPERT,
641
00:27:18,593 --> 00:27:20,421
BUT IT SEEMS TO ME
THAT THAT PART
OF THE STORY
642
00:27:20,464 --> 00:27:23,685
WON'T MAKE ANY SENSE
UNLESS YOU START
AT THE BEGINNING.
643
00:27:23,729 --> 00:27:25,165
WHERE AT THE BEGINNING?
644
00:27:25,208 --> 00:27:26,514
WELL, DON'T YOU
USUALLY START OFF
645
00:27:26,557 --> 00:27:28,516
WITH THE MAIN CHARACTER?
WHO SHE IS.
646
00:27:28,559 --> 00:27:32,999
ALL RIGHT, I'LL PRETEND
I'M EUGENE O'NEILL
FOR A SECOND.
647
00:27:33,042 --> 00:27:34,348
WHERE ARE YOU FROM?
648
00:27:34,391 --> 00:27:35,654
NEW JERSEY.
649
00:27:35,697 --> 00:27:39,048
GREAT. WHAT WERE
THE LIGHTS IN THE TOWER?
650
00:27:39,092 --> 00:27:42,138
BRIAN. BRIAN!
651
00:27:42,182 --> 00:27:44,924
MAYBE WE SHOULD
CALL THE POLICE.
652
00:27:44,967 --> 00:27:46,360
BEFORE WE DO THAT,
653
00:27:46,403 --> 00:27:49,711
HAS ANYONE CHECKED
TO SEE IF THE FRONT
DOOR'S LOCKED?
654
00:27:51,757 --> 00:27:56,587
NEAL...YOU'RE
THE MOST ATHLETIC.
655
00:27:59,199 --> 00:28:00,722
I'LL CHECK UPSTAIRS.
656
00:28:00,766 --> 00:28:03,507
I'LL COME WITH YOU.
657
00:28:03,551 --> 00:28:05,205
I'LL CHECK
THE POOL.
658
00:28:05,248 --> 00:28:09,122
Hank: YOU UP HERE, BRIAN?Neal: BRIAN?
659
00:28:10,297 --> 00:28:13,169
HEY, BRIAN?
660
00:28:16,477 --> 00:28:20,916
I WOULD'VE SWORN HE
TURNED THIS THING ON
WHEN WE LEFT.
661
00:28:40,806 --> 00:28:42,503
[RINGING]
662
00:28:43,852 --> 00:28:46,637
BENNY, WHAT DID YOU DO?
663
00:28:47,638 --> 00:28:48,639
Neal: WHAT THE FUCK?!
664
00:28:48,683 --> 00:28:49,640
WELL, WHAT KIND
OF SCHMUCK BURGLAR'S
665
00:28:49,684 --> 00:28:52,861
GONNA STAND HERE
AND WAVE HIS ARMS?
666
00:28:53,209 --> 00:28:56,735
Neal: COME ON, BENNY,
MOVE IT, MOVE IT. HURRY.
667
00:28:56,778 --> 00:28:59,128
[SIREN WHOOPS]
668
00:28:59,172 --> 00:29:00,216
OH, SHIT!
669
00:29:00,260 --> 00:29:01,870
OH, MAN!
670
00:29:01,914 --> 00:29:03,393
[SIREN]
671
00:29:03,437 --> 00:29:07,093
[LATIN RHYTHM PLAYING]
672
00:29:07,136 --> 00:29:08,398
THIS IS REALLY GREAT.
673
00:29:08,442 --> 00:29:11,271
SHH. I LOVE THIS SONG.OH!
674
00:29:21,411 --> 00:29:23,457
LET'S TALK.
675
00:29:30,029 --> 00:29:31,987
OK, SHOOT.
676
00:29:32,031 --> 00:29:34,250
AREN'T YOU
FORGETTING SOMETHING?
677
00:29:34,294 --> 00:29:35,251
WHAT?
678
00:29:35,295 --> 00:29:36,339
ARE YOU THE ONLY ONE
WHO GETS TO BE
679
00:29:36,383 --> 00:29:38,037
ALL BUSINESS
AROUND HERE?
680
00:29:38,080 --> 00:29:40,430
OH, YEAH, WELL,
HOW 'BOUT THIS?
681
00:29:40,474 --> 00:29:42,302
IF I USE
WHAT YOU TELL ME
682
00:29:42,345 --> 00:29:44,478
AS AN "A" STORY
IN AN EPISODE,
683
00:29:44,521 --> 00:29:46,045
I'LL GIVE YOU
500 BUCKS.
684
00:29:46,088 --> 00:29:49,962
HMM. AND HOW MUCH
WILL YOU GET PAID
FOR THE STORY?
685
00:29:50,005 --> 00:29:51,920
WELL, IT'S KIND
OF COMPLICATED.
686
00:29:51,964 --> 00:29:53,226
I HAVE
AN OVERALL DEAL,
687
00:29:53,269 --> 00:29:54,880
AND THINGS
LIKE STORY PAYMENTS
688
00:29:54,923 --> 00:29:56,359
GET CHARGED
AGAINST IT.
689
00:29:56,403 --> 00:29:59,493
HMM. SO HOW MUCH WILL GET
CHARGED AGAINST IT
690
00:29:59,536 --> 00:30:00,711
FOR MY STORY?
691
00:30:00,755 --> 00:30:02,888
[VOICE ECHOING]
AFTER ALL,
IT IS MY STORY.
692
00:30:02,931 --> 00:30:03,932
IT HAPPENED TO ME.
693
00:30:03,976 --> 00:30:07,675
IT WAS A VERY
UPSETTING EXPERIENCE.
694
00:30:07,718 --> 00:30:10,634
ARE YOU ALL RIGHT?
695
00:30:20,296 --> 00:30:22,516
SOMEBODY'S
A LITTLE TENSE.
696
00:30:22,559 --> 00:30:24,648
I DON'T KNOW
WHICH ONE TO TAKE.
697
00:30:24,692 --> 00:30:27,651
WHAT EXACTLY
ARE YOUR SYMPTOMS?
698
00:30:27,695 --> 00:30:29,610
DISORIENTATION,
HEADACHE,
699
00:30:29,653 --> 00:30:30,567
OBSESSIVE THINKING.
700
00:30:30,611 --> 00:30:33,788
DO YOU FEEL PANICKED?
701
00:30:34,615 --> 00:30:36,530
STRANGELY, NO.
702
00:30:38,227 --> 00:30:41,404
OH, THIS ONE
WILL KNOCK YOU OUT.
703
00:30:42,536 --> 00:30:45,104
THIS ONE YOU HAVE TO TAKE
EVERY DAY FOR 3 WEEKS
704
00:30:45,147 --> 00:30:48,803
BEFORE YOU GET
ANY RESULTS.
705
00:30:49,499 --> 00:30:51,458
THIS ONE--OH,
THIS ONE'S A HYPNOTIC.
706
00:30:51,501 --> 00:30:54,591
POSSIBLE SIDE EFFECTS,
HAPPY HAPPY, JOY JOY.
707
00:30:54,635 --> 00:30:58,073
I HIGHLY RECOMMEND IT.
708
00:30:58,726 --> 00:30:59,640
A WOMAN
WITH A SECRET...
709
00:30:59,683 --> 00:31:03,426
AND A PHARMACOLOGY
DEGREE.
710
00:31:03,470 --> 00:31:06,255
WELL, ONE NEEDS TO STAY UP
ON THESE THINGS,
711
00:31:06,299 --> 00:31:07,387
DOESN'T ONE?
712
00:31:07,430 --> 00:31:09,476
OR, IN THIS CASE,
ONE NEEDS THESE THINGS
713
00:31:09,519 --> 00:31:11,478
TO STAY UP.
714
00:31:12,392 --> 00:31:14,481
AREN'T YOU GONNA
WRITE THAT DOWN?
715
00:31:14,524 --> 00:31:18,137
ONLY A REAL HACK
WRITES DOWN HIS OWN
BON MOTS.
716
00:31:18,180 --> 00:31:22,924
OTHER SIDE EFFECTS INCLUDE
SHORT-TERM MEMORY LOSS.
717
00:31:31,846 --> 00:31:34,936
THIS IS NICE.
718
00:31:34,980 --> 00:31:37,243
AND YOU ARE?
719
00:31:37,286 --> 00:31:39,549
HER PARTNER.
720
00:31:42,552 --> 00:31:43,423
EX-PARTNER.
721
00:31:43,466 --> 00:31:46,513
WHAT HAVE YOU GIVEN HIM?
722
00:31:46,556 --> 00:31:49,342
NOTHING.
723
00:31:49,385 --> 00:31:50,343
DON'T WORRY,
I'M NOT A COP
724
00:31:50,386 --> 00:31:52,911
OR A REPORTER
OR ANYTHING.
725
00:31:52,954 --> 00:31:54,347
I KNOW WHO YOU ARE.
726
00:31:54,390 --> 00:31:56,697
WELL, MAYBE YOU AND I
CAN TALK LATER.
727
00:31:56,740 --> 00:31:59,395
I DON'T WANT TO TALK TO YOU.
I WANT TO TALK TO HER.
728
00:31:59,439 --> 00:32:01,441
LATER.
729
00:32:01,484 --> 00:32:03,051
NOW.
730
00:32:05,706 --> 00:32:08,404
WOULD YOU EXCUSE ME
FOR A MINUTE?
731
00:32:09,188 --> 00:32:10,319
GET OVER HERE.
732
00:32:10,363 --> 00:32:12,931
GET YOUR HANDS
OFF ME, OK?!
733
00:32:12,974 --> 00:32:15,281
JUST RELAX.TOUGH GUY.
734
00:32:15,324 --> 00:32:18,371
TRYIN' TO SHOW OFF
IN FRONT OF HIM?
735
00:32:18,414 --> 00:32:20,025
I'M NOT GONNA SHOW OFF
IN FRONT OF HIM.
736
00:32:20,068 --> 00:32:21,504
WHAT DO YOU MEAN BY THAT?
737
00:32:21,548 --> 00:32:24,333
YOU'RE SUPPOSE
TO PLAY NICE IN FRONT
OF STRANGERS, OK?
738
00:32:24,377 --> 00:32:25,856
YOU JUST CALM DOWN.
739
00:32:25,900 --> 00:32:27,380
I'M THE ONE GOIN'--
740
00:32:27,423 --> 00:32:28,424
YOU MEAN ALL OVER TOWN?
741
00:32:28,468 --> 00:32:30,296
I THOUGHT I MADE IT
PERFECTLY CLEAR.
742
00:32:30,339 --> 00:32:31,427
I AM THROUGH WITH YOU.
743
00:32:31,471 --> 00:32:33,125
WHAT DO YOU MEAN
YOU'RE THROUGH WITH ME?
744
00:32:33,168 --> 00:32:34,343
MAYBE YOU'RE THROUGH
WITH ME, YOU'RE NOT
THROUGH WITH THE STUFF,
745
00:32:34,387 --> 00:32:35,562
AND THAT'S WHAT
I'M HERE TO PROTECT.
746
00:32:35,605 --> 00:32:36,519
TAKE A LOOK
IN THE MIRROR.
747
00:32:36,563 --> 00:32:37,912
YOU'RE A LOSER,
AND I DON'T WANT
748
00:32:37,956 --> 00:32:39,609
TO HAVE ANYTHING
TO DO WITH YOU.
749
00:32:39,653 --> 00:32:41,176
WHAT DO YOU MEAN
I'M A LOSER?!
750
00:32:41,220 --> 00:32:42,917
WHAT ARE YOU SAYING?!
YOU'RE CALLING ME
A FUCKING LOSER?!
751
00:32:42,961 --> 00:32:45,224
I'LL TELL YOU WHAT.
YOU WANNA GO WITH HIM...
752
00:32:45,267 --> 00:32:49,054
I'M NOT GOING WITH HIM.
WE'RE JUST TALKING.
753
00:32:49,097 --> 00:32:51,099
YOU GET YOUR HANDS
OFF ME!
754
00:32:51,143 --> 00:32:52,100
DON'T MANHANDLE--[THUD]
755
00:32:52,144 --> 00:32:55,408
OW! FUCK!
OK, I DON'T GIVE A FUCK.
756
00:32:55,451 --> 00:32:56,452
YOU WANNA GO
WITH HIM?
757
00:32:56,496 --> 00:32:57,758
JUST DON'T TAKE
ANY OF MY SHIT.
758
00:32:57,801 --> 00:32:59,325
YOU'RE HURTING ME.
LET GO.
759
00:32:59,368 --> 00:33:01,109
EXCUSE ME.
760
00:33:01,457 --> 00:33:03,329
FAMILY BUSINESS.
STEP OFF.
761
00:33:03,372 --> 00:33:04,852
UH, BEFORE WE
DO ANYTHING,
762
00:33:04,895 --> 00:33:09,248
I WANT YOU TO KNOW
THAT I AM REPRESENTED
BY BURT FIELDS.
763
00:33:09,813 --> 00:33:12,251
HAVE YOU ALREADY
SLEPT WITH HIM?
764
00:33:12,294 --> 00:33:14,340
SO WHAT?!
765
00:33:17,473 --> 00:33:19,171
THINK THEY ACCEPT
CREDIT CARDS?
766
00:33:19,214 --> 00:33:20,563
DESK SERGEANT SAID
THAT THEY DO.
767
00:33:20,607 --> 00:33:22,522
COME ON, GUYS, PLEASE.
HANG AROUND WITH ME,
PLEASE?
768
00:33:22,565 --> 00:33:23,697
WHAT DO YOU THINK'S
GONNA HAPPEN?
769
00:33:23,740 --> 00:33:24,915
YOU'RE RIGHT NEXT DOOR
TO A POLICE STATION.
770
00:33:24,959 --> 00:33:27,309
I KNOW, BUT IRA'S CAR
IS PARKED UP AT BRIAN'S.
771
00:33:27,353 --> 00:33:28,615
HOW WE GONNA GET BACK?
772
00:33:28,658 --> 00:33:31,096
BENNY, THE DESK SERGEANT
WILL CALL A CAB FOR YOU
773
00:33:31,139 --> 00:33:32,532
WHEN THEY'RE READY
TO LET IRA GO.
774
00:33:32,575 --> 00:33:33,968
OH, COME ON,
GUYS, PLEASE.
775
00:33:34,012 --> 00:33:35,361
PLEASE JUST STAY
AND WAIT.
776
00:33:35,404 --> 00:33:36,623
LISTEN, WE'RE TIRED.
777
00:33:36,666 --> 00:33:38,407
WE NEED TO GO FIND OUT
WHAT HAPPENED TO BRIAN.
778
00:33:38,451 --> 00:33:39,582
YEAH. BESIDES,
YOU'RE THE ONE
779
00:33:39,626 --> 00:33:41,106
THAT OPENED YOUR MOUTH
TO THE SECURITY GUY.
780
00:33:41,149 --> 00:33:43,804
I KNOW, I KNOW.
BUT HE'S GONNA
BE SO PISSED
781
00:33:43,847 --> 00:33:44,761
WHEN HE GETS OUT.
782
00:33:44,805 --> 00:33:48,983
YOU GUYS PROBABLY
NEED TO TALK.
783
00:33:51,812 --> 00:33:52,987
WELL,
DITCHED THOSE TWO.
784
00:33:53,031 --> 00:33:54,815
WE GAVE 'EM OUR STATEMENTS.
THEY'LL BE FINE.
785
00:33:54,858 --> 00:33:56,817
YOU KNOW, HANK,
SOMETIMES YOU SCARE ME.
786
00:33:56,860 --> 00:33:58,036
PARDON?
787
00:33:58,079 --> 00:33:59,820
YEAH, YOU KNOW,
ALL YOUR KUMBAYA
HORSE SHIT
788
00:33:59,863 --> 00:34:01,561
ABOUT "IS BRIAN
GONNA BE OK?"
789
00:34:01,604 --> 00:34:03,389
BUT WHEN IT COMES
TO IRA,
790
00:34:03,432 --> 00:34:05,956
WHO CAN'T DO
ANYTHING FOR YOU--
791
00:34:06,000 --> 00:34:07,436
I DIDN'T NOTICE YOU
STICKIN' AROUND.
792
00:34:07,480 --> 00:34:09,438
YEAH, WELL, I NEVER
PRETENDED TO BE
IRA'S PAL, DID I?
793
00:34:09,482 --> 00:34:10,657
HOW OLD ARE YOU?
794
00:34:10,700 --> 00:34:12,833
29.YEAH? I'M 44.
795
00:34:12,876 --> 00:34:14,226
YEAH? REALLY?
796
00:34:14,269 --> 00:34:15,879
IS THAT WHEN
THEY GIVE OUT THE
HYPOCRITES LICENSES?
797
00:34:15,923 --> 00:34:17,794
ON THE DAY YOU TURN 37,
798
00:34:17,838 --> 00:34:19,013
ALL OF A SUDDEN
YOU REALIZE
799
00:34:19,057 --> 00:34:22,147
THAT OTHER PEOPLE
ARE NOT WHAT'S IMPORTANT.
800
00:34:22,190 --> 00:34:23,365
REALLY?
801
00:34:23,409 --> 00:34:25,498
YOU LEARN TO PUT YOUR FAITH
IN INSTITUTIONS.
802
00:34:25,541 --> 00:34:26,760
IT'S THE OPPOSITE
OF EVERYTHING
803
00:34:26,803 --> 00:34:27,935
THAT THE CULTURE
TEACHES YOU.
804
00:34:27,978 --> 00:34:31,112
IT'S NOT THE WIFE,
IT'S THE MARRIAGE.
805
00:34:31,156 --> 00:34:34,376
IT'S NOT THE PLAYER,
IT'S THE TEAM.
806
00:34:34,420 --> 00:34:35,725
THERE ARE CERTAIN
INSTITUTIONS
807
00:34:35,769 --> 00:34:38,467
THAT MUST BE PRESERVED,
EVEN IF THEY ARE DAMAGED.
808
00:34:38,511 --> 00:34:41,383
AND WHAT INSTITUTION
DOES BRIAN REPRESENT?
809
00:34:41,427 --> 00:34:43,385
SYNDICATION.
810
00:34:43,907 --> 00:34:46,780
SO YOU'RE NOT A HIPPIE.
YOU'RE HARRY LIME.
811
00:34:46,823 --> 00:34:50,392
THAT'S ANOTHER GREAT THING
ABOUT TURNING 37.
812
00:34:50,436 --> 00:34:51,959
YOU STOP BEING
INDIGNANT.
813
00:34:52,002 --> 00:34:54,831
OH, I'M NOT INDIGNANT.
I AM IN AWE.
814
00:34:54,875 --> 00:34:58,444
GO, MY SON,
AND SIN NO MORE.
815
00:34:58,487 --> 00:35:00,185
LET'S GET OUTTA HERE.
816
00:35:00,228 --> 00:35:02,970
COPS GIVE ME
THE CREEPS.
817
00:35:25,471 --> 00:35:27,734
OH...
818
00:35:28,387 --> 00:35:29,562
DID HE KICK ME?
819
00:35:29,605 --> 00:35:33,479
YOU HIT THE PLANTER
WHEN YOU FELL BACKWARDS.
820
00:35:34,871 --> 00:35:37,483
THERE WAS A WOMAN
WITH ME.
821
00:35:37,526 --> 00:35:40,573
YEAH. SHE SAID
YOU WOULDN'T WANT
TO CALL THE COPS.
822
00:35:40,616 --> 00:35:41,574
WHERE'D SHE GO?
823
00:35:41,617 --> 00:35:43,967
SHE HUSTLED SUGAR RAY
OUT OF HERE.
824
00:35:44,011 --> 00:35:46,100
DID SHE SAY
FOR ME TO WAIT?
825
00:35:46,144 --> 00:35:48,885
WHAT DO I LOOK LIKE,
A KIOSK?
826
00:36:18,524 --> 00:36:20,787
[HORN HONKS]
827
00:36:27,228 --> 00:36:28,229
GET IN.
828
00:36:28,273 --> 00:36:30,275
[CAR BACKFIRES]
829
00:36:30,318 --> 00:36:32,799
[ENGINE DIES]
830
00:36:32,842 --> 00:36:35,410
[CAR STARTS AGAIN]
831
00:36:45,028 --> 00:36:47,379
[GROANS]
832
00:36:49,468 --> 00:36:51,252
WHY THE HELL DID YOU
HAVE TO TELL HIM
833
00:36:51,296 --> 00:36:52,514
THAT YOU SLEPT WITH ME?
834
00:36:52,558 --> 00:36:56,562
I TOLD YOU, I THOUGHT
IT WOULD GET RID OF HIM.
835
00:37:09,270 --> 00:37:10,402
WANT A DRINK?
836
00:37:10,445 --> 00:37:12,447
GOT ANY VODKA?
837
00:37:12,491 --> 00:37:13,970
STOLI?
838
00:37:14,014 --> 00:37:16,451
FINE.
839
00:37:20,760 --> 00:37:23,241
COZY.
840
00:37:25,721 --> 00:37:26,940
YOU KNOW, I THINK
I FIGURED OUT
841
00:37:26,983 --> 00:37:29,421
WHAT I WANT
FOR MY STORY.
842
00:37:29,464 --> 00:37:31,510
OK, HOW MUCH?
843
00:37:31,553 --> 00:37:32,554
I WANT CREDIT.
844
00:37:32,598 --> 00:37:33,773
OH--[GLASS BREAKS]
845
00:37:33,816 --> 00:37:36,384
LOOK, IN ORDER
TO GET YOUR NAME
ON SOMETHING
846
00:37:36,428 --> 00:37:39,735
YOU'D HAVE TO
ACTUALLY WRITE IT...
847
00:37:39,779 --> 00:37:44,305
AND YOU'D HAVE
TO ACTUALLY HAVEA NAME.
848
00:37:45,524 --> 00:37:49,745
YOU CAN HAVE
ANYTHING ELSE.
849
00:38:03,716 --> 00:38:07,720
BOY, I'D HATE
TO SEE YOU
WITH A CRAB LEG.
850
00:38:20,385 --> 00:38:22,604
[GIGGLES]
851
00:38:23,562 --> 00:38:26,739
[DOORBELL RINGS]
852
00:38:28,436 --> 00:38:32,527
RUN SILENT, RUN DEEP.
853
00:38:33,441 --> 00:38:35,922
[DOORBELL RINGS]
854
00:38:35,965 --> 00:38:38,664
THEY'LL GO AWAY.
855
00:38:38,707 --> 00:38:41,536
[FOOTSTEPS]
856
00:38:47,716 --> 00:38:49,892
[CAR DOOR SLAMS]
857
00:38:54,070 --> 00:38:55,376
WHAT IF IT'S
YOUR FRIENDS?
858
00:38:55,420 --> 00:38:58,771
WHAT IF IT'S
YOUR PARTNER?
859
00:39:00,729 --> 00:39:02,383
LET ME SEE THAT.
860
00:39:02,427 --> 00:39:04,516
[SIGHS]
861
00:39:08,868 --> 00:39:11,523
THE SAFETY'S ON.
862
00:39:39,377 --> 00:39:42,249
[CLATTER]
863
00:40:06,491 --> 00:40:09,450
WHOA! UNH!
864
00:40:09,494 --> 00:40:10,233
DANNY!
865
00:40:10,277 --> 00:40:11,234
JESUS CHRIST, MAN,
866
00:40:11,278 --> 00:40:12,714
I THINK YOU BROKE
MY FUCKIN' ASS!
867
00:40:12,758 --> 00:40:14,368
WHAT THE HELL
WERE YOU DOIN'?
868
00:40:14,412 --> 00:40:15,674
I WAS WORRIED ABOUT YOU.
869
00:40:15,717 --> 00:40:16,849
DON'T YOU EVER
OPEN THE DOOR?
870
00:40:16,892 --> 00:40:18,503
HOW'D YOU KNOW
I WAS HERE?
871
00:40:18,546 --> 00:40:21,331
I SAW SOME SHADOWS
IN THE BEDROOM UPSTAIRS.
872
00:40:21,375 --> 00:40:23,377
YOU GOT A WOMAN
UP THERE?
873
00:40:24,509 --> 00:40:27,555
GET THAT FUCKING GUN
AWAY!
874
00:40:27,599 --> 00:40:29,078
GUNS ARE DANGEROUS.
875
00:40:29,122 --> 00:40:30,428
LISTEN, I GOT AN IDEA.
876
00:40:30,471 --> 00:40:31,733
HOW 'BOUT
I CALL THE NETWORK UP
877
00:40:31,777 --> 00:40:33,343
AND GIVE THEM
SOME OUTRAGEOUS
BULLSHIT STORY?
878
00:40:33,387 --> 00:40:36,477
THEN I THINK I COULD
BUY YOU ANOTHER WEEK.
879
00:40:36,521 --> 00:40:37,783
THAT'S NOT AN IDEA,
DANNY.
880
00:40:37,826 --> 00:40:40,394
WHEN YOU HAVE
THE OUTRAGEOUS
BULLSHIT STORY,
881
00:40:40,438 --> 00:40:41,743
THEN YOU'LL HAVE
AN IDEA.
882
00:40:41,787 --> 00:40:43,353
[SIGHS]
LOOK...
883
00:40:43,397 --> 00:40:46,705
DON'T SAY ANYTHING
TO THE NETWORK
JUST YET.
884
00:40:46,748 --> 00:40:48,446
WELL, I HAVE TO
TELL 'EM SOMETHING.
885
00:40:48,489 --> 00:40:49,272
OR ELSE YOU DO.
886
00:40:49,316 --> 00:40:52,450
I'LL FIGURE OUT SOMETHING.
887
00:40:52,493 --> 00:40:54,321
I BELIEVE IN YOU,
MAN.
888
00:40:54,364 --> 00:40:57,585
AND I BELIEVE
YOU BELIEVE IN ME.
889
00:41:07,726 --> 00:41:10,206
YEAH, COURTNEY,
I WANT YOU TO GET
A COUPLE NUMBERS FOR ME.
890
00:41:10,250 --> 00:41:13,514
I KNOW EXACTLY
WHAT TIME IT IS,
ALL RIGHT?!
891
00:41:13,558 --> 00:41:17,823
OK, I WANT YOU TO GET ME
DR. JERRY APPLEFIELD.
892
00:41:17,866 --> 00:41:19,520
GET HIS SERVICE.
893
00:41:19,564 --> 00:41:22,523
QUIT YAWNING.
QUIT YAWNING.
894
00:41:26,875 --> 00:41:28,007
WHAT THE HELL'S
GOIN' ON, GUYS?
895
00:41:28,050 --> 00:41:30,183
HOW COME YOU AREN'T
PLAYIN' POKER?
896
00:41:30,226 --> 00:41:31,619
IRA'S IN JAIL.
897
00:41:31,663 --> 00:41:32,794
WHAT?
898
00:41:32,838 --> 00:41:34,840
HE PUNCHED OUT
ONE OF THOSE
SECURITY GUYS.
899
00:41:34,883 --> 00:41:36,363
HOW THE HELL'D
THAT HAPPEN?
900
00:41:36,406 --> 00:41:39,801
WELL, HE THOUGHT
THE GUY CALLED BENNY
A JEW BOY.
901
00:41:39,845 --> 00:41:40,672
WELL, FUCK HIM.
902
00:41:40,715 --> 00:41:42,021
WHAT'S GOIN' ON
WITH BRIAN?
903
00:41:42,064 --> 00:41:42,935
WHO'S HE UP THERE WITH?
904
00:41:42,978 --> 00:41:46,242
BEATS THE SHIT
OUT OF US.
905
00:41:47,592 --> 00:41:50,769
HEY, WHO REPRESENTS
YOU GUYS?
906
00:41:53,119 --> 00:41:56,252
[MAN SOBBING]
907
00:42:07,699 --> 00:42:09,614
KNOCK IT OFF,
WILL YA?
908
00:42:09,657 --> 00:42:12,312
I'M SORRY.
909
00:42:12,355 --> 00:42:15,402
[CRYING]
910
00:42:17,012 --> 00:42:18,536
YOU'RE MAKING IT
VERY HARD FOR ME
911
00:42:18,579 --> 00:42:21,060
TO PRETEND
I'M NOT HERE.
912
00:42:22,017 --> 00:42:25,020
I'M NOT
A SEX JUNKIE.
913
00:42:25,064 --> 00:42:27,545
CONGRATULATIONS.
914
00:42:28,458 --> 00:42:30,373
NOBODY WANTS ME
FOR ME, YOU KNOW?
915
00:42:30,417 --> 00:42:34,726
EVERYBODY WANTS ME
'CAUSE I GOT THIS
FREAK DONG.
916
00:42:34,769 --> 00:42:36,597
WHAT?!
917
00:42:36,641 --> 00:42:37,598
YOU KNOW,
I SUPPOSE I'M WEAK
918
00:42:37,642 --> 00:42:38,947
'CAUSE I GO ALONG
WITH IT, RIGHT?
919
00:42:38,991 --> 00:42:43,125
BUT YOU KNOW,
I GOT TO MEET
ALL KINDS OF PEOPLE
920
00:42:43,169 --> 00:42:45,040
I NEVER WOULD'VE
MET OTHERWISE,
YOU KNOW?
921
00:42:45,084 --> 00:42:49,305
INTERESTING PEOPLE.
AND IT TOOK ME PLACES,
YOU KNOW?
922
00:42:49,349 --> 00:42:52,134
NOW LOOK WHERE
IT'S TAKEN ME.
923
00:42:52,178 --> 00:42:56,574
IT'S LIKE HAVING
AN ALBATROSS HANGING
BETWEEN YOUR LEGS!
924
00:42:56,617 --> 00:42:57,618
TELL ME SOMETHING, MAN,
925
00:42:57,662 --> 00:42:59,402
WHAT'S IT LIKE
TO HAVE A PENIS
926
00:42:59,446 --> 00:43:00,447
THAT YOU CAN'T SIT ON?
927
00:43:00,490 --> 00:43:02,057
LOOK, I DON'T KNOW
WHY, EXACTLY,
928
00:43:02,101 --> 00:43:04,843
BUT I'M NOT
COMFORTABLE
DISCUSSING THIS.
929
00:43:04,886 --> 00:43:07,019
YOU THINK
I'M COMFORTABLE?
930
00:43:07,062 --> 00:43:11,458
COME ON, I GOT
A MEDIUM-SIZED
FOREST CREATURE
931
00:43:11,501 --> 00:43:12,502
IN MY PANTS!
932
00:43:12,546 --> 00:43:14,548
HEY! I DON'T WANNA
HEAR ANOTHER WORD
933
00:43:14,592 --> 00:43:17,072
ABOUT YOUR DICK!
OK?!
934
00:43:17,116 --> 00:43:18,857
OK. ALL RIGHT.
935
00:43:18,900 --> 00:43:20,162
LYMON'S GIRLFRIEND--
936
00:43:20,206 --> 00:43:24,471
THIS UNBELIEVABLE-LOOKING
BLACK CHICK NAMED, UH,
937
00:43:24,514 --> 00:43:25,428
CHAMPAGNE--
938
00:43:25,472 --> 00:43:27,126
OK, WELL, SOMEBODY
MUST'VE TOLD--
939
00:43:27,169 --> 00:43:28,780
YOU KNOW, 'CAUSE
SHE WANTED TO TAKE ME
940
00:43:28,823 --> 00:43:30,520
UP IN THE TOWER
OF THE HOTEL
941
00:43:30,564 --> 00:43:32,566
TO, UH, SHOW ME
THE VIEW, RIGHT?
942
00:43:32,610 --> 00:43:35,525
WELL, NEXT THING
YOU KNOW--UNH!
943
00:43:35,569 --> 00:43:36,526
IF ONLY WE HADN'T
BEEN LEANING
944
00:43:36,570 --> 00:43:38,267
UP AGAINST
THE LIGHT SWITCH--
945
00:43:38,311 --> 00:43:41,183
CHAMPAGNE, CHAMPAGNE--
WHAT HOTEL WAS THIS?
946
00:43:41,227 --> 00:43:43,664
LOOK, I'VE DONE
2 PORNOS, OK?
947
00:43:43,708 --> 00:43:46,362
THEY SAID I WAS JUST
ANOTHER 13-INCH COCK.
948
00:43:46,406 --> 00:43:48,451
NOW I'M SELLING
PLUMBING FIXTURES.
949
00:43:48,495 --> 00:43:49,627
WHAT HOTEL?
950
00:43:49,670 --> 00:43:51,324
THE CHATEAU,
UP ON THE STRIP.
951
00:43:51,367 --> 00:43:52,586
THE ONE WITH THE TOWER.
952
00:43:52,630 --> 00:43:55,284
YOU WERE IN THE TOWER
TONIGHT SHTUPPING?
953
00:43:55,328 --> 00:43:56,503
MAKING LOVE.
954
00:43:56,546 --> 00:43:57,939
AND YOU WERE
BUMPING THE LIGHTS
ON AND OFF?
955
00:43:57,983 --> 00:43:59,767
WE WERE SUPPOSED
TO GO TO LYMON'S ROOM
956
00:43:59,811 --> 00:44:01,551
TO PLAY PICTIONARY,
RIGHT?
957
00:44:01,595 --> 00:44:03,162
BUT YOU GOTTA
BRING LUBRICATION.
958
00:44:03,205 --> 00:44:08,515
LOOK, LET ME
GIVE YOU A TIP
ABOUT STORYTELLING.
959
00:44:08,863 --> 00:44:10,343
START
AT THE BEGINNING.
960
00:44:10,386 --> 00:44:11,736
THE REAL QUESTION IS
961
00:44:11,779 --> 00:44:14,521
WILL THE NETWORK LET US
RUN THE SHOW?
962
00:44:15,957 --> 00:44:17,524
YOU TWO?
MM-HMM.
963
00:44:17,567 --> 00:44:20,440
FRANKLY, NO WAY.
964
00:44:20,483 --> 00:44:22,355
AND NONE OF THAT'S
GONNA MATTER BECAUSE
IF THE NETWORK
965
00:44:22,398 --> 00:44:23,878
DOESN'T HAVE
SOMETHING TO SEE
BY FRIDAY,
966
00:44:23,922 --> 00:44:25,793
THERE IS NOT
GONNA BE A SHOW.
967
00:44:25,837 --> 00:44:26,751
MM-HMM.
968
00:44:26,794 --> 00:44:28,622
BUT I GUARANTEE
YOU GUYS THIS--
969
00:44:28,666 --> 00:44:30,668
IF I CAN GET
ANOTHER ONE
OF MY CLIENTS
970
00:44:30,711 --> 00:44:32,060
TO CONFIGURE
HIS DEAL
971
00:44:32,104 --> 00:44:34,497
AND TAKE THE JOB
THAT BRIAN'S DOING
RIGHT NOW OVER,
972
00:44:34,541 --> 00:44:36,282
THEN YOU TWO WILL
BE ON THE SHOW
973
00:44:36,325 --> 00:44:38,632
AT NO LESS THAN
SUPERVISING
PRODUCERS.
974
00:44:38,676 --> 00:44:43,115
SO, BASICALLY,
WE SHOOT BRIAN
IN THE NUTS.
975
00:44:43,158 --> 00:44:45,857
I LOVE BRIAN.
DO YOU LOVE BRIAN?
976
00:44:45,900 --> 00:44:47,641
WE LOVE BRIAN.
WE'RE NOT GONNA
SHOOT HIM
977
00:44:47,685 --> 00:44:48,468
IN THE NUTS.
978
00:44:48,511 --> 00:44:49,425
DON'T YOU CARE
ABOUT BRIAN?
979
00:44:49,469 --> 00:44:50,775
HANG ON A SECOND.
WAIT A MINUTE.
980
00:44:50,818 --> 00:44:51,689
I LOVE BRIAN, TOO.
981
00:44:51,732 --> 00:44:53,038
HE'S JUST LIKE
A BROTHER TO ME.
982
00:44:53,081 --> 00:44:55,344
YEAH, WELL, HE'S
SICK. HE'S SICK,
YOU UNDERSTAND?
983
00:44:55,388 --> 00:44:56,519
YEAH.
984
00:44:56,563 --> 00:44:57,520
DANNY...
YES?
985
00:44:57,564 --> 00:45:00,480
COULD YOU EXCUSE US
FOR A SECOND?
986
00:45:00,523 --> 00:45:01,524
YEAH.
987
00:45:01,568 --> 00:45:02,351
IF YOU DON'T MIND,
WE JUST WANT TO--
988
00:45:02,395 --> 00:45:03,613
OH, YOU WANT ME
TO--OH.
989
00:45:03,657 --> 00:45:06,007
APPRECIATE IT.
990
00:45:22,502 --> 00:45:25,723
HANK, THIS IS NO TIME
TO TAKE THE HIGH
MORAL GROUND.
991
00:45:25,766 --> 00:45:27,072
LET ME ASK YOU
SOMETHING.
992
00:45:27,115 --> 00:45:30,205
IF DANNY WERE
TO HAND US A COUPLE
OF STAFF JOBS,
993
00:45:30,249 --> 00:45:33,905
DON'T YOU THINK
HE'D WANT US
AS CLIENTS?
994
00:45:34,296 --> 00:45:35,950
YOU THINK
HE'S GONNA FUCK US?
995
00:45:35,994 --> 00:45:37,125
WE'LL KNOW
HE'S FOR REAL
996
00:45:37,169 --> 00:45:39,345
IF HE WANTS
TO SIGN US.
997
00:45:44,785 --> 00:45:47,788
[NO AUDIO]
998
00:45:57,363 --> 00:46:00,801
WELL, I NEED TO KNOW
WHAT YOU GUYS
ARE GONNA DO.
999
00:46:00,845 --> 00:46:02,150
AND THERE'S
ONE MORE THING,
1000
00:46:02,194 --> 00:46:04,805
AND IF IT'S A PROBLEM,
WE'LL SHAKE HANDS
1001
00:46:04,849 --> 00:46:07,155
AND GO OUR SEPARATE WAYS.
1002
00:46:07,199 --> 00:46:08,330
IF YOU GUYS
TAKE THE JOBS,
1003
00:46:08,374 --> 00:46:11,856
I EXPECT TO BE
YOUR AGENT.
1004
00:46:20,560 --> 00:46:21,343
WHAT'D I TELL YOU?
1005
00:46:21,387 --> 00:46:24,912
I KNOW. I KNOW.
I KNOW.
1006
00:46:25,652 --> 00:46:28,350
LOOK, I KNOW
YOU'RE STILL PISSED.
1007
00:46:28,394 --> 00:46:30,483
THIS ISN'T LIKE YOU.
1008
00:46:30,526 --> 00:46:31,701
SAY SOMETHING.
1009
00:46:31,745 --> 00:46:33,007
THE GUY IN THE CELL
WITH ME
1010
00:46:33,051 --> 00:46:36,402
HAD A 13-INCH SHVONTZ.
1011
00:46:36,445 --> 00:46:37,533
OH, MY GOD.
1012
00:46:37,577 --> 00:46:39,318
NO, YOU IDIOT.
1013
00:46:39,361 --> 00:46:40,536
HE WAS THE GUY
IN THE TOWER
1014
00:46:40,580 --> 00:46:42,321
AT THE CHATEAU MARMONT
TONIGHT.
1015
00:46:42,364 --> 00:46:43,365
NO.
YES.
1016
00:46:43,409 --> 00:46:45,019
THIS IS
UNBELIEVABLE.
1017
00:46:45,063 --> 00:46:46,238
UN-FUCKING-BELIEVABLE.
1018
00:46:46,281 --> 00:46:47,979
OH, MY GOD.
SO, WHAT HAPPENED?
1019
00:46:48,022 --> 00:46:49,371
OK, YOU READY
FOR THIS?
1020
00:46:49,415 --> 00:46:51,112
BIG BOY LEAVES
HIS GIRLFRIEND
ON THE BALCONY
1021
00:46:51,156 --> 00:46:52,853
WITH THIS FAG
ENGLISHMAN,
1022
00:46:52,897 --> 00:46:56,161
TAKES THE FAG ENGLISHMAN'S
BLACK AMAZON GIRLFRIEND
UP TO THE TOWER
1023
00:46:56,204 --> 00:46:58,119
TO SHOW OFF
THE ARTILLERY PIECE.
1024
00:46:58,163 --> 00:46:59,381
HOLD ON. HOLD ON.
1025
00:46:59,425 --> 00:47:01,166
THE ENGLISHMAN IS GAY,
BUT HE HAS A GIRLFRIEND?
1026
00:47:01,209 --> 00:47:02,776
A SHEMALE, YOU KNOW?
TRANSSEXUAL?
1027
00:47:02,820 --> 00:47:08,173
AND GET THIS...
ITS NAME IS CHAMPAGNE.
1028
00:47:08,216 --> 00:47:09,609
CHAMPAGNE?
CHAMPAGNE.
1029
00:47:09,652 --> 00:47:10,479
OH, GOD.
1030
00:47:10,523 --> 00:47:11,829
SO HE'S PUSHIN'
AND PUSHIN',
1031
00:47:11,872 --> 00:47:13,308
AND THEY'RE LEANIN'
UP AGAINST THE LIGHT
SWITCH.
1032
00:47:13,352 --> 00:47:15,789
PRETTY SOON
THE FAG ENGLISHMAN
SHOWS UP,
1033
00:47:15,833 --> 00:47:17,138
GOES BAT-SHIT NUTS.
1034
00:47:17,182 --> 00:47:20,054
[DRAMATICALLY]
"CHAMPAGNE, YOU HAVE
BETRAYED ME!"
1035
00:47:20,098 --> 00:47:22,709
OH, MY GOD.
OH, MY GOD!
1036
00:47:22,752 --> 00:47:24,842
I HOPE THIS IS
A 10:00 SHOW.
1037
00:47:24,885 --> 00:47:27,235
Brian:
THAT'S YOUR STORY?
1038
00:47:27,279 --> 00:47:28,628
Woman:
THAT'S MY STORY.
1039
00:47:28,671 --> 00:47:32,980
SOUNDS LIKE ANOTHER
BAD TV EPISODE.
1040
00:47:35,765 --> 00:47:38,377
YOU'RE JUST
BEING TOO MUCH
OF A PERFECTIONIST.
1041
00:47:38,420 --> 00:47:40,335
WITH ALL DUE RESPECT,
YOU DON'T KNOW
WHAT THE FUCK
1042
00:47:40,379 --> 00:47:41,336
YOU'RE TALKING ABOUT.
1043
00:47:41,380 --> 00:47:44,470
YOU DON'T UNDERSTAND
THE PROCESS.
1044
00:47:44,949 --> 00:47:46,907
REALLY?
1045
00:47:46,951 --> 00:47:49,431
WHERE YOU GOIN'?
1046
00:47:50,171 --> 00:47:53,174
LOOK, YOU ASKED ME
WHAT HAPPENED.
1047
00:47:53,218 --> 00:47:53,914
I TOLD YOU.
1048
00:47:53,958 --> 00:47:55,220
IF YOU
DON'T LIKE IT,
1049
00:47:55,263 --> 00:47:57,526
THERE'S NOTHING
I CAN DO ABOUT IT.
1050
00:47:57,570 --> 00:47:59,398
BUT I WANT YOU
TO STAY.
1051
00:47:59,441 --> 00:48:02,618
AND YOU'LL BEHAVE?
1052
00:48:04,098 --> 00:48:05,404
OK.
1053
00:48:09,887 --> 00:48:11,410
OK, MAYBE I'M NOT
A WRITER,
1054
00:48:11,453 --> 00:48:12,759
BUT IT SEEMS TO ME
THE PROBLEM IS
1055
00:48:12,802 --> 00:48:15,414
THAT YOU'RE MISSING
THE MAIN CHARACTER.
1056
00:48:15,457 --> 00:48:16,676
WHAT MAIN CHARACTER?
1057
00:48:16,719 --> 00:48:18,808
THE MAIN CHARACTER
ISN'T SOMEBODY
OVER THERE.
1058
00:48:18,852 --> 00:48:21,072
IT'S SOMEBODY HERE
WHO SAW SOMETHING
1059
00:48:21,115 --> 00:48:21,986
AND CAN'T
FIGURE IT OUT
1060
00:48:22,029 --> 00:48:24,423
AND IT'S
DRIVING HIM CRAZY.
1061
00:48:24,466 --> 00:48:28,470
TELEVISION IS NO PLACE
FOR LITERARY SELF-PORTRAIT.
1062
00:48:28,514 --> 00:48:30,211
BULLSHIT.
1063
00:48:30,255 --> 00:48:33,214
DO YOU EVER ACTUALLY
WATCH TELEVISION?
1064
00:48:33,258 --> 00:48:34,999
DO YOU?
1065
00:48:35,042 --> 00:48:37,131
SOMETIMES.
1066
00:48:37,175 --> 00:48:38,263
FUCK TELEVISION.
1067
00:48:38,306 --> 00:48:40,961
WHAT WOULD
HITCHCOCK DO?
1068
00:48:47,925 --> 00:48:50,971
YOU'RE MY MUSE.
1069
00:48:52,103 --> 00:48:54,366
OBVIOUSLY, THERE'S
NO TV SHOW IN THIS,
1070
00:48:54,409 --> 00:48:56,281
BUT IT GIVES US A HUGE
STRATEGIC ADVANTAGE
1071
00:48:56,324 --> 00:48:58,283
OVER THOSE 2 SHITHEADS.
1072
00:48:58,326 --> 00:49:01,982
ALL RIGHT, WE GOTTA
COME UP WITH A STORY
FOR BRIAN.
1073
00:49:02,026 --> 00:49:03,070
HE STILL NEEDS A STORY.
1074
00:49:03,114 --> 00:49:04,376
WE'LL HAVE HIS
UNDIVIDED ATTENTION,
1075
00:49:04,419 --> 00:49:06,682
BUT WE GOTTA COME UP
WITH A STORY.
1076
00:49:09,990 --> 00:49:12,471
BEFORE WE START...
1077
00:49:12,514 --> 00:49:14,560
WE GOTTA TALK
ABOUT OUR PROBLEM.
1078
00:49:14,603 --> 00:49:17,780
IT'S BEEN IN THE ROOM
STARING AT US EVERY DAY,
1079
00:49:17,824 --> 00:49:20,958
LIKE A--LIKE A GOITER.
1080
00:49:22,611 --> 00:49:26,093
ALL RIGHT... YOU WANNA
TALK ABOUT THIS?
1081
00:49:26,137 --> 00:49:27,312
FINE.
1082
00:49:27,355 --> 00:49:30,010
WHAT YOU DID SUCKED.
1083
00:49:30,054 --> 00:49:33,448
WE WERE PARTNERS
FOR 8 YEARS.
1084
00:49:33,492 --> 00:49:35,494
YOU CHOSE
TO FUCK THAT UP.
1085
00:49:35,537 --> 00:49:37,583
SO EVEN IF WE DO
WORK TOGETHER,
1086
00:49:37,626 --> 00:49:38,671
LET'S FACE IT,
1087
00:49:38,714 --> 00:49:41,282
IT'S NOT GONNA BE
LIKE IT WAS BEFORE.
1088
00:49:41,326 --> 00:49:43,110
I'M SORRY THAT
YOU FEEL THIS WAY,
1089
00:49:43,154 --> 00:49:46,418
BUT IT'S NORMAL
FOR A GROWN MAN
TO BE MARRIED.
1090
00:49:46,461 --> 00:49:47,593
WHAT?
1091
00:49:47,636 --> 00:49:49,073
NOT EVERYBODY WANTS
TO SPEND THANKSGIVING
1092
00:49:49,116 --> 00:49:50,726
AT THE TRACK.
1093
00:49:50,770 --> 00:49:52,859
IS THAT WHAT YOU THINK
THIS IS ABOUT?
1094
00:49:52,902 --> 00:49:55,122
WELL, DON'T MAKE THIS
ABOUT THE MURDER,
SHE WROTE,
1095
00:49:55,166 --> 00:49:57,820
BECAUSE YOU DIDN'T
KNOW ABOUT THAT
UNTIL TONIGHT.
1096
00:49:57,864 --> 00:49:58,952
YOU'VE BEEN
PICKIN' ON ME
1097
00:49:58,996 --> 00:50:01,476
EVER SINCE I GOT HOME
FROM MY HONEYMOON.
1098
00:50:01,520 --> 00:50:04,392
ADMIT IT.
YOU HATE MY WIFE.
1099
00:50:04,436 --> 00:50:05,741
OH, REALITY CHECK,
BENNY.
1100
00:50:05,785 --> 00:50:07,830
EVERYBODY HATES YOUR WIFE.
1101
00:50:09,354 --> 00:50:11,530
YOU REALLY DON'T KNOW
THAT I KNOW, DO YOU?
1102
00:50:11,573 --> 00:50:13,053
KNOW WHAT?
1103
00:50:13,097 --> 00:50:14,315
AT YOUR BACHELOR PARTY--
1104
00:50:14,359 --> 00:50:16,578
A PARTY THAT I SOMEWHAT
HELPED TO ORGANIZE--
1105
00:50:16,622 --> 00:50:18,058
WHILE EVERYONE'S
UP FRONT WITH THE GIRLS,
1106
00:50:18,102 --> 00:50:21,018
YOU'RE IN THE BACK ROOM
WITH THAT COCKSUCKER
FINGERMAN
1107
00:50:21,061 --> 00:50:22,236
STABBING ME IN THE BACK.
1108
00:50:22,280 --> 00:50:23,977
FANTASY BASEBALL?
1109
00:50:24,021 --> 00:50:25,761
FINGERMAN
WAS THE ONLY ONE
1110
00:50:25,805 --> 00:50:27,459
WHO HAD A CHANCE
TO OVERTAKE ME.
1111
00:50:27,502 --> 00:50:28,938
HE NEEDED
ONE MORE BIG STICK,
1112
00:50:28,982 --> 00:50:30,375
YOU MADE SURE
HE GOT GRIFFEY.
1113
00:50:30,418 --> 00:50:34,683
YOU'RE TALKING ABOUT
A FUCKING ROTISSERIE
LEAGUE, IRA.
1114
00:50:35,293 --> 00:50:37,425
NO. YOU'RE WRONG.
1115
00:50:37,469 --> 00:50:43,257
LOOK, THERE'S
ONE THING IN LIFE
THAT I'M GOOD AT.
1116
00:50:43,301 --> 00:50:47,348
FOR 4 STRAIGHT YEARS
I DOMINATED THAT LEAGUE.
1117
00:50:47,392 --> 00:50:49,655
THAT BOTHERED YOU,
DIDN'T IT?
1118
00:50:49,698 --> 00:50:53,528
BOTHERED YOU ENOUGH
TO TRY AND RUIN IT
FOR ME.
1119
00:50:55,704 --> 00:50:57,445
YOU'RE RIGHT.
1120
00:50:58,142 --> 00:51:00,709
I SHOULDN'T HAVE
DONE IT, BUT...
1121
00:51:01,623 --> 00:51:05,410
IRA, I--
I GOTTA TELL YA...
1122
00:51:05,453 --> 00:51:07,412
WHEN THINGS AREN'T
GOING YOUR WAY,
1123
00:51:07,455 --> 00:51:10,067
YOU'RE KIND
OF AN ASSHOLE.
1124
00:51:10,110 --> 00:51:15,115
AND WHEN THINGS
AREGOING YOUR WAY,
1125
00:51:15,159 --> 00:51:18,075
YOU'RE
A HUGE ASSHOLE.
1126
00:51:24,516 --> 00:51:26,561
IT'S AMADEUS.
WHAT?
1127
00:51:26,605 --> 00:51:29,042
THE GUY IN THE CELL,
ME, IT'S AMADEUS.
1128
00:51:29,086 --> 00:51:33,090
A GIFTED MAN DESTROYED
BY THREATENED, JEALOUS
MEDIOCRITY--
1129
00:51:33,133 --> 00:51:34,308
THAT'S WHAT BRIAN SAW.
1130
00:51:34,352 --> 00:51:35,875
THAT'S THE THEME
OF THE STORY!
1131
00:51:35,918 --> 00:51:37,181
WHAT ABOUT THE GUY
WITH THE SCHLONG?
1132
00:51:37,224 --> 00:51:40,401
AH...WE'LL MAKE HIM
SOME KIND OF ODDBALL GENIUS
1133
00:51:40,445 --> 00:51:42,751
LIKE...LIKE RAIN MAN,
ONLY NOT RETARDED.
1134
00:51:42,795 --> 00:51:45,972
NO. NOT A GENIUS.
TELEKINETIC.
1135
00:51:46,015 --> 00:51:47,713
THE GUY IS
TELEKINETIC.
1136
00:51:47,756 --> 00:51:49,541
BUT IT'S SOMETHING
THAT'S PASSED DOWN
1137
00:51:49,584 --> 00:51:51,543
GENETICALLY,
LIKE SCHIZOPHRENIA.
1138
00:51:51,586 --> 00:51:52,631
I DON'T THINK
SCHIZOPHRENIA
1139
00:51:52,674 --> 00:51:54,111
CAN BE PASSED DOWN
GENETICALLY.
1140
00:51:54,154 --> 00:51:57,375
NO, NO, NO, NO. THE POWER,
IT'S PASSED DOWN
GENETICALLY,
1141
00:51:57,418 --> 00:51:58,419
BUT IT SKIPS GENERATIONS.
1142
00:51:58,463 --> 00:52:00,508
IT'S--IT'S--IT'S
THIS RECESSIVE GENE
1143
00:52:00,552 --> 00:52:04,512
THAT--THAT'S ONLY FOUND
IN THIS ONE FAMILY.
1144
00:52:04,556 --> 00:52:05,992
RIGHT, RIGHT, OK, OK.
1145
00:52:06,035 --> 00:52:07,036
WE'RE AT
THIS FAMILY REUNION--
1146
00:52:07,080 --> 00:52:09,822
NO, LIKE, UH, IT'S
AT A CHRISTENING,
1147
00:52:09,865 --> 00:52:11,040
OR A BRIS
WITH A BABY--
1148
00:52:11,084 --> 00:52:13,521
A NEW BABY
COMES INTO THIS
OLD-LINE FAMILY
1149
00:52:13,565 --> 00:52:15,088
IN SAN FRANCISCO.PITTSBURGH.
1150
00:52:15,132 --> 00:52:16,350
NO, NO, NO.
SAN FRANCISCO,
1151
00:52:16,394 --> 00:52:18,309
AND THERE THIS BIG
HOUSE ON NOB HILL
1152
00:52:18,352 --> 00:52:21,660
AND A MATRIARCH--
UH, A RESPECTED,
POWERFUL--
1153
00:52:21,703 --> 00:52:23,314
STANWYCK IN
THE BIG VALLEY.
1154
00:52:23,357 --> 00:52:26,360
I'M TELLING YA,
THIS IS TOO GOOD
FOR BRIAN.
1155
00:52:26,404 --> 00:52:29,102
WHERE'S THE FUCKIN' CAB?
1156
00:52:32,888 --> 00:52:35,587
I RODE ON ONE ONCE.
1157
00:52:36,457 --> 00:52:39,721
Brian: WHAT IF
THE GUY WATCHING
IS A PRIEST?
1158
00:52:39,765 --> 00:52:43,247
OH, YEAH...YEAH.
THAT'S GOOD.
1159
00:52:43,290 --> 00:52:46,163
THE PRIEST DOESN'T
REPORT IT RIGHT
AWAY,
1160
00:52:46,206 --> 00:52:48,513
'CAUSE HE'S NOT SURE
WHAT HE'S SEEING.
1161
00:52:48,556 --> 00:52:49,470
YEAH.
1162
00:52:49,514 --> 00:52:50,776
IF HE SAYS ANYTHING
TO THE COPS,
1163
00:52:50,819 --> 00:52:53,387
HE'LL JUST SOUND
LIKE THE VOYEUR
HE REALLY IS.
1164
00:52:53,431 --> 00:52:57,522
THE GUY WHO COMMITS
THE MURDER [GASPS]
HE CONFESSES [GASPS]
1165
00:52:57,565 --> 00:53:01,352
TO A PRIEST.
[GASPS]
1166
00:53:01,395 --> 00:53:02,266
WHAT?
1167
00:53:02,309 --> 00:53:04,746
ISN'T THAT A KIND
OF A REACH?
1168
00:53:04,790 --> 00:53:06,400
THAT HE HAPPENS
TO CONFESS
1169
00:53:06,444 --> 00:53:09,316
TO THE ONLY WITNESS
TO THE CRIME?
1170
00:53:09,360 --> 00:53:11,057
[MOANING]
1171
00:53:11,100 --> 00:53:14,408
OHH, NOT IF--[PANTING]
1172
00:53:14,452 --> 00:53:15,757
NOT IF THE PRIEST
1173
00:53:15,801 --> 00:53:19,500
IS THE ONLY WITNESS
THAT HE CONFESSES
TO THE GUY
1174
00:53:19,544 --> 00:53:21,067
TO SHUT HIM UP.
1175
00:53:21,110 --> 00:53:23,678
OHH! JESUS!
1176
00:53:23,722 --> 00:53:26,812
CHRIST! YOU'RE
INCREDIBLE!
1177
00:53:26,855 --> 00:53:28,205
Neal: THANK YOU.
1178
00:53:28,248 --> 00:53:31,469
THANKS. YOU KNOW,
THAT'S MY BMW OUT THERE.
1179
00:53:31,512 --> 00:53:34,472
DID YOU--
DID YOU SEE THAT?
1180
00:53:35,647 --> 00:53:38,476
ALL RIGHT, OK, UH...
1181
00:53:38,519 --> 00:53:40,652
ALL RIGHT, SECOND SEASON
OF OUTER LIMITS,RIGHT?
1182
00:53:40,695 --> 00:53:42,262
THERE'S THE ONE
WITH THE GIANT ANTS,
1183
00:53:42,306 --> 00:53:44,612
AND THEY ALL HAVE FACES
LIKE MARIO CUOMO.
1184
00:53:44,656 --> 00:53:46,092
YOU KNOW,
I'M NOT MARRIED
TO THIS NOTION,
1185
00:53:46,135 --> 00:53:51,271
BUT WHAT ABOUT
SOMETHING THAT'S NOT
BASED ON A TV SHOW?
1186
00:53:51,315 --> 00:53:53,665
ALL RIGHT, FINE.
1187
00:54:04,893 --> 00:54:06,852
TWILIGHT ZONE.
1188
00:54:07,461 --> 00:54:08,462
DEVIL EPISODE.
1189
00:54:08,506 --> 00:54:09,420
ALL RIGHT, IT'S A DARK,
RAINY NIGHT,
1190
00:54:09,463 --> 00:54:10,725
THE GUY PULLS
INTO A MONASTERY,
1191
00:54:10,769 --> 00:54:12,292
THE MONKS, THEY'VE GOT
THIS GUY PRISONER, RIGHT?
1192
00:54:12,336 --> 00:54:14,903
AND HE TURNS OUT--
HE'S THE DEVIL,
1193
00:54:14,947 --> 00:54:16,122
BUT THE GUY LETS
THE PRISONER GO,
1194
00:54:16,165 --> 00:54:17,384
AND HE'S GOTTA SPEND
THE REST OF HIS LIFE
1195
00:54:17,428 --> 00:54:18,429
TRYING TO
RECAPTURE THE DEVIL.
1196
00:54:18,472 --> 00:54:19,865
IF WE'RE GOING TO
RIP SOMETHING OFF,
1197
00:54:19,908 --> 00:54:22,259
LET'S AT LEAST
RIP OFF A FEATURE,
FOR CHRIST'S SAKES.
1198
00:54:22,302 --> 00:54:24,304
FINE. FINE. EVEN BETTER.
1199
00:54:24,348 --> 00:54:27,351
UH...MAYBE
SOMETHING FRENCH, HUH?
1200
00:54:27,394 --> 00:54:30,354
WHAT DO YOU SUPPOSE
WE'LL GET FOR
SUPERVISING PRODUCER?
1201
00:54:30,397 --> 00:54:31,877
WHAT DO YOU THINK
THAT IS?
1202
00:54:31,920 --> 00:54:33,705
15K A SHOW.
1203
00:54:33,748 --> 00:54:35,402
REALLY? TIMES 20.
1204
00:54:35,446 --> 00:54:37,448
YOU GOTTA FIGURE
WE'LL DO AT LEAST
3 SCRIPTS EACH.
1205
00:54:37,491 --> 00:54:39,319
THAT'S LIKE ANOTHER
70K RIGHT THERE.
1206
00:54:39,363 --> 00:54:41,452
WHAT ABOUT
THIS DEVIL IDEA?
1207
00:54:41,495 --> 00:54:42,540
HUH?
1208
00:54:42,583 --> 00:54:44,150
D-D-DO YOU KNOW
WHERE THE OFFICES ARE?
1209
00:54:44,193 --> 00:54:45,499
I--I--I HEARD THEY MIGHT
BE IN THE SAME BUILDING
AS SPELLING,
1210
00:54:45,543 --> 00:54:47,719
WHICH'D BE GOOD
BECAUSE THAT MEANS
WE COULD HAVE LUNCH
1211
00:54:47,762 --> 00:54:49,155
AT MARIE CALLENDER'S.
1212
00:54:49,198 --> 00:54:52,289
WHAT? IT'S THE GOOD ONE.
THE ONE ON WILSHIRE.
1213
00:54:52,332 --> 00:54:54,334
WILL YOU TRY TO FOCUS?
1214
00:54:54,378 --> 00:54:57,511
ALL RIGHT,
ALL RIGHT, UM...
1215
00:54:57,555 --> 00:55:01,428
OK, UH, THE LAST DETAIL,
BUT IN SPACE.
1216
00:55:01,472 --> 00:55:03,343
DANNY SAID
NO STRAIGHT SCI-FI.
1217
00:55:03,387 --> 00:55:06,825
ALL RIGHT, THE LAST DETAIL
IN THE WASTELAND.
1218
00:55:06,868 --> 00:55:10,611
THE LAST DETAIL
MEETS MAD MAX?
1219
00:55:12,047 --> 00:55:14,963
DEPRESSING.
SUCKS.
1220
00:55:15,399 --> 00:55:16,530
HOW ARE YOU GONNA
DUMP YOUR AGENT?
1221
00:55:16,574 --> 00:55:20,360
I THINK I'LL JUST
HAVE MY LAWYER FAX HER.
1222
00:55:20,404 --> 00:55:22,231
THAT IS BRUTAL.
1223
00:55:22,275 --> 00:55:23,102
YEAH, I KNOW.
1224
00:55:23,145 --> 00:55:24,451
HA HA HA HA.
HA HA HA HA HA.
1225
00:55:24,495 --> 00:55:26,410
YOU'RE GOOD.
YOU'RE GOOD.
1226
00:55:26,453 --> 00:55:28,542
I--I GOT STUFF
TO LEARN.
1227
00:55:28,586 --> 00:55:29,456
HA HA HA.
1228
00:55:29,500 --> 00:55:30,675
CAN WE HAVE
SOME COFFEE HERE?
1229
00:55:30,718 --> 00:55:33,025
Woman: AND THEN...
1230
00:55:33,068 --> 00:55:34,592
AND THEN...
1231
00:55:34,635 --> 00:55:36,507
AND THEN
THEY CHANGE PLACES.
1232
00:55:36,550 --> 00:55:38,291
[BRIAN'S VOICE
MUFFLED]
1233
00:55:38,335 --> 00:55:40,293
WHAT?
1234
00:55:40,337 --> 00:55:42,034
WHO'S CHANGED PLACES?
1235
00:55:42,077 --> 00:55:43,949
THE KILLER
AND THE PRIEST.
1236
00:55:43,992 --> 00:55:44,645
OHH.
1237
00:55:44,689 --> 00:55:46,778
THEY'RE DOPPELGANGERS.
1238
00:55:46,821 --> 00:55:49,650
AND AT THE END,
1239
00:55:49,694 --> 00:55:51,957
THE PRIEST
IS IN HIS BEDROOM.
1240
00:55:52,000 --> 00:55:54,351
HE'S BACK
AT THE RECTORY,
1241
00:55:54,394 --> 00:55:55,961
SITTING IN A CHAIR...
1242
00:55:56,004 --> 00:55:58,180
LOOKING OUT
THE W-WINDOW...
1243
00:55:58,224 --> 00:56:00,487
ONLY IT'S NOT
THE PRIEST.
1244
00:56:00,531 --> 00:56:04,186
IT'S THE KILLER WEARING
THE PRIEST'S VESTMENTS.
1245
00:56:04,230 --> 00:56:05,536
HE--
1246
00:56:05,579 --> 00:56:07,538
[SIGHS IN EXASPERATION]
1247
00:56:10,105 --> 00:56:11,411
WHAT DID
YOU STOP FOR?
1248
00:56:11,455 --> 00:56:14,153
WE WERE DOING
SO GOOD THIS TIME.
1249
00:56:14,196 --> 00:56:16,460
WE WERE DOING GOOD,
WEREN'T WE?
1250
00:56:16,503 --> 00:56:18,418
WE WERE DOING GREAT.
GREAT STORY.
1251
00:56:18,462 --> 00:56:20,551
SO...GET BACK
DOWN THERE.
1252
00:56:20,594 --> 00:56:23,031
WELL,
THAT'S ONE STORY.
1253
00:56:24,076 --> 00:56:25,120
I'LL BE A DEAD MAN
1254
00:56:25,164 --> 00:56:27,296
IF I HAVE TO GO
THROUGH THIS 22 TIMES.
1255
00:56:27,340 --> 00:56:28,646
WELL, THANKS A LOT.
1256
00:56:28,689 --> 00:56:31,431
I--I DIDN'T MEAN IT
LIKE THAT.
OH.
1257
00:56:31,475 --> 00:56:33,825
YOU'RE FANTASTIC, BUT...
1258
00:56:33,868 --> 00:56:37,394
LET'S FACE IT.
WE'RE INVOLVED BECAUSE
IT'S FILLING A NEED.
1259
00:56:37,437 --> 00:56:40,353
I NEED TO BE OVERSTIMULATED
TO BE CREATIVE.
1260
00:56:40,397 --> 00:56:43,095
THAT'S ALWAYS BEEN
MY PROBLEM.
1261
00:56:43,138 --> 00:56:45,184
I JUST CAN'T TAKE IT
ANYMORE.
1262
00:56:45,227 --> 00:56:47,012
IT'S JUST US,
AND IT'S GOOD.
1263
00:56:47,055 --> 00:56:51,451
THIS TIME.
BUT YOU'RE ONLY ONE STORY.
1264
00:56:51,495 --> 00:56:54,411
BY EPISODE 6, WE'LL DO
A STORY ABOUT DOPE DEALERS
1265
00:56:54,454 --> 00:56:56,456
OR SATANISTS, AND I'LL BE
DISCOVERED DOWN AN ALLEY
1266
00:56:56,500 --> 00:56:58,893
WITH A NEEDLE IN MY ARM
OR FUCKING A GOAT.
1267
00:56:58,937 --> 00:57:01,983
I'M NEVER GONNA MAKE IT.
1268
00:57:02,549 --> 00:57:03,942
OK, OK.
1269
00:57:03,985 --> 00:57:06,510
WELL, LOOK, I THINK
WE'VE DONE ENOUGH
FOR ONE NIGHT.
1270
00:57:06,553 --> 00:57:09,991
LOOK, YOU TAKE AN
ATIVAN, GET A GOOD
NIGHT'S SLEEP,
1271
00:57:10,035 --> 00:57:12,298
AND WHEN YOU WAKE UP
IN THE MORNING,
1272
00:57:12,341 --> 00:57:13,604
YOU'LL
WRITE OUR STORY,
1273
00:57:13,647 --> 00:57:17,303
AND EVERYTHING'S
GONNA LOOK
A WHOLE LOT SUNNIER.
1274
00:57:19,348 --> 00:57:21,438
[SIGHS]
1275
00:57:21,481 --> 00:57:23,918
Benny: THE OLD LADY
PUSHES INTO THE ROOM
WITH HER WALKER, OK?
1276
00:57:23,962 --> 00:57:27,226
AND THE WHOLE FAMILY
PARTS, SO THAT SHE
CAN VIEW THE KID.
1277
00:57:27,269 --> 00:57:29,271
ALL RIGHT, ALL RIGHT.
WHEN SHE LEANS OVER THE KID,
1278
00:57:29,315 --> 00:57:30,490
WE'LL PING-PONG CLOSEUPS.
1279
00:57:30,534 --> 00:57:32,884
THE OLD LADY SEES SOMETHING
IN THE KID'S EYES.
1280
00:57:32,927 --> 00:57:35,800
OK, ALL RIGHT,
AND SHE TURNS
TO THE FAMILY
1281
00:57:35,843 --> 00:57:37,018
AND SHE ASKS THEM
TO PART
1282
00:57:37,062 --> 00:57:38,324
SO THAT SHE CAN,
YOU KNOW,
HAVE SOME ROOM,
1283
00:57:38,367 --> 00:57:42,241
AND SHE REACHES IN,
AND SHE PULLS OUT
A, UH...
1284
00:57:42,284 --> 00:57:43,285
MARBLE.
1285
00:57:43,329 --> 00:57:44,156
A TOOTH.
1286
00:57:44,199 --> 00:57:45,462
SHARK'S TOOTH.
1287
00:57:45,505 --> 00:57:47,028
A BEAR'S TOOTH.
1288
00:57:47,464 --> 00:57:48,943
Both: A WOLF'S TOOTH.
1289
00:57:48,987 --> 00:57:50,989
OK, SHE PUTS THE TOOTH
DOWN IN THE CRIB,
1290
00:57:51,032 --> 00:57:53,861
AND WHAM! IT GOES FLYING
INTO THE KID'S HAND.
1291
00:57:53,905 --> 00:57:55,254
THE KID HAS THE POWER.
1292
00:57:55,297 --> 00:57:59,388
THE KID HAS THE
POWER, THE OLD LADY
HAS THE POWER.
1293
00:57:59,432 --> 00:58:01,390
OH, JEEZ.
1294
00:58:04,742 --> 00:58:05,830
YOU KNOW THEY'LL
TRY TO MAKE US
1295
00:58:05,873 --> 00:58:08,702
SHARE AN ASSISTANT,
DON'T YOU?
1296
00:58:08,746 --> 00:58:09,660
FUCK THAT NOISE.
1297
00:58:09,703 --> 00:58:11,792
WE'LL EACH GET
OUR OWN ASSISTANT.
1298
00:58:11,836 --> 00:58:13,490
MM-HMM.
1299
00:58:15,970 --> 00:58:19,887
ABOUT THIS DEVIL IDEA...
WHAT IF...
1300
00:58:19,931 --> 00:58:21,715
WE...
1301
00:58:22,411 --> 00:58:24,501
YOU KNOW, I COULD GET
CAR INSURANCE NOW.
1302
00:58:24,544 --> 00:58:25,414
I COULD, UH...
1303
00:58:25,458 --> 00:58:27,242
HOW 'BOUT THIS...
1304
00:58:27,286 --> 00:58:28,722
WE'RE OUT
IN THE DESERT.
1305
00:58:28,766 --> 00:58:29,941
MM-HMM--
UH, WASTELAND.
1306
00:58:29,984 --> 00:58:32,421
WILL YOU FORGET ABOUT
THE WASTELAND ALREADY?
1307
00:58:32,465 --> 00:58:34,902
WE'RE IN A DESERT.
1308
00:58:37,775 --> 00:58:42,475
NO. WE OPEN UP
ON A BLACK SCREEN.
1309
00:58:44,738 --> 00:58:46,610
SCRATCH THAT.
WE'RE IN THE DESERT.
1310
00:58:46,653 --> 00:58:49,787
DEATH VALLEY.
NOTHING MOVES.
1311
00:58:49,830 --> 00:58:56,054
A COUPLE OF VULTURES
WORK ON SOME BARE BONES.
1312
00:58:56,097 --> 00:58:58,970
SUDDENLY, [SNAPS]
VULTURES LOOK UP.
1313
00:58:59,013 --> 00:59:01,538
SOMETHING IS IN THE AIR.
1314
00:59:01,581 --> 00:59:04,453
A GOPHER STICKS
ITS HEAD OUT OF ITS HOLE.
1315
00:59:04,497 --> 00:59:07,413
A FEW FEET AWAY,
A CRACK DEVELOPS
1316
00:59:07,456 --> 00:59:09,067
IN THE HARD-BAKED SURFACE.
1317
00:59:09,110 --> 00:59:14,551
SOMETHING IS PUSHING
AT THE GROUND
FROM UNDERNEATH
1318
00:59:14,594 --> 00:59:18,293
LIKE A CHICK TRYING
TO GET OUT OF ITS SHELL.
1319
00:59:18,337 --> 00:59:19,164
OK.
1320
00:59:19,207 --> 00:59:20,339
THE VULTURES TAKE OFF,
1321
00:59:20,382 --> 00:59:21,340
AND THE GOLFER--
1322
00:59:21,383 --> 00:59:23,429
"GOLFER"?
WHAT--WHY IS--
1323
00:59:23,472 --> 00:59:25,344
WHY IS THERE
A GOLFER?
GOPHER.
1324
00:59:25,387 --> 00:59:27,346
GOPHER.
GOPHER.
1325
00:59:27,389 --> 00:59:30,784
JUMPS OUT OF ITS HOLE
AND RUNS AWAY.
1326
00:59:30,828 --> 00:59:35,136
THE GROUND CRACKS OPEN
JUST ENOUGH
1327
00:59:35,180 --> 00:59:38,357
FOR AN INCREDIBLY
GROTESQUE...
1328
00:59:38,400 --> 00:59:42,274
GNARLED, INHUMAN HAND
TO PUSH THROUGH.
1329
00:59:42,317 --> 00:59:43,971
AS THE SUNLIGHT
HITS THE HAND,
1330
00:59:44,015 --> 00:59:51,500
IT SUDDENLY UNGNARLS
AND MORPHS INTO A NORMAL
MAN'S HAND.
1331
00:59:51,544 --> 00:59:53,372
NO, THAT'S EXPENSIVE.
1332
00:59:53,415 --> 00:59:56,244
NO, NO, NO. I KNOW THIS GUY
JUST OPEN UP A DIGITAL HOUSE
OVER ON SEWARD.
1333
00:59:56,288 --> 00:59:58,333
THEY CAN DO IT ALL
ON A FUCKIN' MACINTOSH.
1334
00:59:58,377 --> 00:59:59,552
ALL RIGHT, FINE, OK,
GO AHEAD.
1335
00:59:59,596 --> 01:00:03,600
AFTER--AFTER THE HAND,
THIS LITTLE YODA HEAD,
1336
01:00:03,643 --> 01:00:05,819
AND THEN THE REST
OF THE BODY COMES OUT,
1337
01:00:05,863 --> 01:00:09,083
AND THIS THING
MORPHS INTO--
1338
01:00:09,127 --> 01:00:10,345
HARRY HAMLIN.
HUH?
1339
01:00:10,389 --> 01:00:12,913
HARRY HAMLIN.
FINE.
1340
01:00:12,957 --> 01:00:14,175
SO THEN HARRY...
1341
01:00:14,219 --> 01:00:15,350
HAMLIN...
1342
01:00:15,394 --> 01:00:18,658
STANDS UP, STRETCHES,
TAKES A DEEP BREATH,
1343
01:00:18,702 --> 01:00:21,313
TURNS AROUND, AND SEES...
1344
01:00:21,356 --> 01:00:23,141
THE LAS VEGAS STRIP
BEHIND HIM.
1345
01:00:23,184 --> 01:00:25,143
HE'S THE DEVIL.HE'S THE DEVIL.
1346
01:00:25,186 --> 01:00:26,927
HE'S JUST ESCAPED
FROM HELL.
UH-HUH.
1347
01:00:26,971 --> 01:00:28,929
THERE'S THE WHOLE
FLIP-FLOP ON THE
TWILIGHT ZONESHOW.
1348
01:00:28,973 --> 01:00:30,496
I GET IT,
NO, I GET IT.
I GET IT!
1349
01:00:30,539 --> 01:00:32,803
OF COURSE!
"ESCAPE
FROM HELL."
1350
01:00:32,846 --> 01:00:33,891
THAT'S
OUR STORY.
1351
01:00:33,934 --> 01:00:35,762
THAT IS OUR
FUCKIN' STORY!
1352
01:00:35,806 --> 01:00:36,676
[CAR ALARM]WHAT'D YOU DO?
1353
01:00:36,720 --> 01:00:38,504
COOL THAT, MAN.
CUT THAT OUT.
1354
01:00:38,547 --> 01:00:39,984
TURN IT OFF.
1355
01:01:37,258 --> 01:01:41,349
CUT TO: A PAGODA
IN THE HIGHLANDS OF
EAST FUCKING TIMOR.
1356
01:01:41,393 --> 01:01:43,351
AMERICAN GUY,
EARLY 30s.
1357
01:01:43,395 --> 01:01:47,181
LIVES WITH THE MONKS.
VOW OF SILENCE,
JUST PRAYS,
1358
01:01:47,225 --> 01:01:49,923
EATS RICE BALLS
AND CHICKEN FAT SANDWICHES.
1359
01:01:49,967 --> 01:01:51,490
THERE'S A PHONE CALL.
1360
01:01:51,533 --> 01:01:52,970
HE GOES OVER,
HE REACHES DOWN--
1361
01:01:53,013 --> 01:01:54,667
HOLD ON, HOLD ON,
HOLD ON, HOLD ON.
1362
01:01:54,711 --> 01:01:56,321
IF THE MONKS HAVE
TAKEN A VOW OF
SILENCE,
1363
01:01:56,364 --> 01:01:58,366
WHY DO THEY HAVE
A TELEPHONE?
1364
01:01:59,541 --> 01:02:01,761
A CARRIER PIGEON
FLIES UP HIS ASS, OK?
1365
01:02:01,805 --> 01:02:04,155
HE GETS A MESSAGE
FROM HIS GRANDMOTHER
1366
01:02:04,198 --> 01:02:05,460
IN PITTSBURGH.
1367
01:02:05,504 --> 01:02:07,854
SHE TELLS HIM
THAT ANOTHER ONE
WITH THE POWER,
1368
01:02:07,898 --> 01:02:10,422
ANOTHER ONE LIKE THEM,
HAS BEEN BORN.
1369
01:02:10,465 --> 01:02:12,946
[CHUCKLES]
OH, BROTHER.
1370
01:02:14,165 --> 01:02:15,601
EXCUSE ME?
1371
01:02:21,607 --> 01:02:24,479
I DON'T BELIEVE
I GOT YOUR CREDITS.
1372
01:02:24,523 --> 01:02:25,829
OH, YOU HAVE CREDITS?
1373
01:02:25,872 --> 01:02:30,659
BETWEEN US, WE HAVE 19
PRODUCED TELEVISION CREDITS.
1374
01:02:30,703 --> 01:02:31,704
OH.
1375
01:02:31,748 --> 01:02:33,314
WELL,
THAT EXPLAINS IT.
1376
01:02:33,358 --> 01:02:34,446
THAT EXPLAINS WHAT?
1377
01:02:34,489 --> 01:02:37,144
THAT EXPLAINS
TELEVISION.
1378
01:02:38,755 --> 01:02:40,669
I SUPPOSE YOU DON'T
WATCH TELEVISION.
1379
01:02:40,713 --> 01:02:41,845
NO, I DON'T.
I PREFER MOVIES.
1380
01:02:41,888 --> 01:02:43,498
YEAH, WELL, YOU'RE
RIDIN' THE FUCKIN' BUS.
1381
01:02:43,542 --> 01:02:45,196
Woman: WHAT ARE YOU DOING,
DRIVING IT?
1382
01:02:45,239 --> 01:02:46,414
HA HA HA HA HA!
1383
01:02:46,458 --> 01:02:47,807
THAT'S A GOOD ONE, LYNN!
1384
01:02:47,851 --> 01:02:49,243
Driver: HA HA HA!
1385
01:02:49,287 --> 01:02:51,985
WE'RE GONNA GO
GET MY CAR.
1386
01:02:52,029 --> 01:02:53,682
ALL RIGHT.
1387
01:02:53,726 --> 01:02:56,163
SEE, 'CAUSE I THOUGHT
DENNIS HOPPER MAYBE
PUT YOU GUYS ON BOARD
1388
01:02:56,207 --> 01:02:57,948
AND THEN WHEN ONE OF YOU
GETS AN IDEA,
1389
01:02:57,991 --> 01:02:59,297
THE BUS EXPLODES.
1390
01:02:59,340 --> 01:03:01,212
HA HA HA HA HA!
1391
01:03:01,255 --> 01:03:03,388
WHAT'S WRONG
WITH THE IDEA?
1392
01:03:03,431 --> 01:03:06,391
[SIGHS]
SERIOUSLY?
1393
01:03:06,434 --> 01:03:08,219
SERIOUSLY.
1394
01:03:08,262 --> 01:03:11,875
WELL, FIRST OF ALL,
ALL RIGHT,
1395
01:03:11,918 --> 01:03:14,399
YOU DO HAVE THIS
NICE LITTLE STORY
1396
01:03:14,442 --> 01:03:15,922
ABOUT THIS
DYSFUNCTIONAL FAMILY, FINE,
1397
01:03:15,966 --> 01:03:20,622
BUT THEN WHY TART IT UP
WITH THIS--THIS
TELEKINESIS THING?
1398
01:03:20,666 --> 01:03:23,147
GO WITH
WHAT IS ESSENTIAL.
1399
01:03:23,190 --> 01:03:25,497
THE OUTSIDER
WITHIN THE FAMILY, SEE.
1400
01:03:25,540 --> 01:03:27,760
YOU KNOW,
FIND THE ANTAGONIST
1401
01:03:27,804 --> 01:03:30,981
WITHIN THAT SITUATION.
THEN...
1402
01:03:34,723 --> 01:03:36,334
THE OLD WOMAN.
1403
01:03:36,377 --> 01:03:37,770
IT'S THE OLD WOMAN.
THE OLD WOMAN--
1404
01:03:37,814 --> 01:03:40,773
SHE ABUSED THE HERO,
AND THAT'S WHY
HE'S SO FUCKED UP,
1405
01:03:40,817 --> 01:03:42,340
AND NOW THIS BABY IS BORN,
1406
01:03:42,383 --> 01:03:44,472
AND HE KNOWS THAT
SHE IS GOING TO DO
1407
01:03:44,516 --> 01:03:45,517
THE SAME THING TO HIM,
1408
01:03:45,560 --> 01:03:48,346
AND THAT IS WHY
HE HAS TO COME BACK.
1409
01:03:48,389 --> 01:03:50,000
WELL, THERE YOU GO.
1410
01:03:51,523 --> 01:03:53,830
CAN I ASK YOU WHAT
YOU DO FOR A LIVING?
1411
01:03:53,873 --> 01:03:56,484
UM, WELL, I HAPPEN TO BE
1412
01:03:56,528 --> 01:04:00,967
ONE OF THE HIGHEST-PAID
SCRIPT READERS IN THE BUSINESS.
1413
01:04:01,402 --> 01:04:04,928
I CAN COVER 5 OF THESE
IN ONE NIGHT.
1414
01:04:06,146 --> 01:04:08,366
I'M AN INSOMNIAC.
1415
01:04:08,845 --> 01:04:10,542
SO SOME POOR SCHMUCK
IS SITTING HOME
1416
01:04:10,585 --> 01:04:13,806
THINKING THAT HE'S ONE YES
AWAY FROM SELLING A SCRIPT,
1417
01:04:13,850 --> 01:04:16,287
AND IT'S YOUR JOB TO BLOW
HIM OUT OF THE WATER.
1418
01:04:16,330 --> 01:04:18,419
YOU KNOW WHAT?
I SHOULD GET COMBAT PAY
1419
01:04:18,463 --> 01:04:22,467
FOR WADING
THROUGH THIS CRAP.
THAT'S WHAT IT IS.
1420
01:04:22,510 --> 01:04:24,904
HEY, HEY, HEY!
1421
01:04:24,948 --> 01:04:26,036
IRA, TAKE IT EASY!
1422
01:04:26,079 --> 01:04:27,646
IT'S ALL RIGHT, CLAUDE,
IT'S ALL RIGHT.
1423
01:04:28,908 --> 01:04:31,476
LOOK, IF I DON'T DO IT,
SOMEBODY ELSE WILL.
1424
01:04:31,519 --> 01:04:32,390
NAZI.
1425
01:04:32,433 --> 01:04:34,044
OH, GOOD.
GOOD FOR YOU.
1426
01:04:34,087 --> 01:04:35,306
SUNSET BOULEVARD.
1427
01:04:35,349 --> 01:04:37,482
WHERE THE HELL
ARE WE?
1428
01:04:37,525 --> 01:04:38,396
EXCUSE ME.
1429
01:04:38,439 --> 01:04:39,527
WHERE ARE WE?
1430
01:04:39,571 --> 01:04:41,181
SUNSET
BOULEVARD.
1431
01:04:41,225 --> 01:04:42,443
[MEXICAN MUSIC PLAYING]
1432
01:04:42,487 --> 01:04:44,054
IT'S GUATEMALA.
1433
01:04:44,097 --> 01:04:45,098
IT'S ECHO PARK.
1434
01:04:45,142 --> 01:04:46,926
UH, DO YOU GO BACK
THE OTHER WAY?
1435
01:04:46,970 --> 01:04:48,275
EVENTUALLY.
1436
01:04:48,319 --> 01:04:50,103
WHAT THE HELL
DOES THAT MEAN?
1437
01:04:50,147 --> 01:04:51,322
I MEAN,
I GO DOWNTOWN,
1438
01:04:51,365 --> 01:04:52,889
I GO TO UNION
STATION,
1439
01:04:52,932 --> 01:04:54,107
SEVENTH
AND ALVARADO,
1440
01:04:54,151 --> 01:04:55,804
AND THEN I COME
BACK SUNSET
THE OTHER WAY.
1441
01:04:55,848 --> 01:04:57,676
AND HOW LONG TILL YOU
GET UP TO THE STRIP?
1442
01:04:57,719 --> 01:05:00,374
'BOUT AN HOUR
AND A HALF.
1443
01:05:02,855 --> 01:05:05,553
COULD YOU FRESHEN
THESE UP FOR US,
PLEASE?
1444
01:05:05,597 --> 01:05:08,208
YEAH. THANKS VERY MUCH.
1445
01:05:11,559 --> 01:05:13,431
[SIGHS]
1446
01:05:13,474 --> 01:05:15,563
HE CAN'T BE
THE DEVIL.
1447
01:05:16,390 --> 01:05:18,305
RIGHT.
1448
01:05:18,349 --> 01:05:19,741
WHY?
1449
01:05:19,785 --> 01:05:21,918
WELL, WHY WOULD
THE DEVIL HAVE TO
ESCAPE FROM HELL?
1450
01:05:21,961 --> 01:05:23,180
IF YOU'RE ESCAPING
FROM HELL,
1451
01:05:23,223 --> 01:05:25,356
YOU'RE ESCAPING
FROM THE DEVIL.
1452
01:05:25,834 --> 01:05:27,140
OK, WELL, IT'S NOT
THE DEVIL, ALL RIGHT?
1453
01:05:27,184 --> 01:05:31,623
HE'S JUST A GUY, RIGHT.
HE WAS A ROGUE, YOU KNOW?
1454
01:05:31,666 --> 01:05:35,279
IN A PREVIOUS LIFE,
HE WAS A BAD GUY,
A CRIMINAL.
1455
01:05:35,322 --> 01:05:36,976
AN ESCAPE ARTIST.
1456
01:05:37,020 --> 01:05:38,499
YEAH! NO, THAT'D BE GREAT.
1457
01:05:38,543 --> 01:05:40,762
HE'S LIKE THE WORLD'S
GREATEST ESCAPE ARTIST.
1458
01:05:40,806 --> 01:05:41,633
THAT'S IT!
1459
01:05:41,676 --> 01:05:43,548
I--YOU KNOW?
DURING HIS LIFE,
1460
01:05:43,591 --> 01:05:44,810
NO JAIL COULD HOLD HIM.
1461
01:05:44,853 --> 01:05:45,985
OR DURING HIS DEATH.
1462
01:05:46,029 --> 01:05:47,639
UH-HUH.
YOU SEE THERE?
1463
01:05:47,682 --> 01:05:49,075
NO, THAT'S GREAT.
THAT'S GOOD.
1464
01:05:49,119 --> 01:05:49,989
YEAH, HERE WE GO.
1465
01:05:50,033 --> 01:05:52,513
HERE WE GO.
THERE IT IS, YEAH.
1466
01:05:52,557 --> 01:05:53,993
MMM.
1467
01:05:54,037 --> 01:05:55,995
UH-OH.
WHAT?
1468
01:05:56,039 --> 01:06:01,305
WASN'T HUDSON HAWK
THE WORLD'S GREATEST
ESCAPE ARTIST?
1469
01:06:01,870 --> 01:06:02,915
FUCK.
SHIT!
1470
01:06:02,959 --> 01:06:04,961
FUCK.
SHIT!
1471
01:06:05,004 --> 01:06:06,614
FUCK! NO!
1472
01:06:06,658 --> 01:06:12,316
NO, HUDSON HAWK
WAS THE WORLD'S
GREATEST CAT BURGLAR.
1473
01:06:12,359 --> 01:06:13,708
WELL, THAT'S NOT
THE SAME THING.
1474
01:06:13,752 --> 01:06:16,363
NO, THAT'S DIFFERENT.
1475
01:06:16,407 --> 01:06:17,495
WHEW.
1476
01:06:17,538 --> 01:06:18,583
[BOTH CHORTLE]
1477
01:06:18,626 --> 01:06:19,584
THAT WAS CLOSE.
1478
01:06:19,627 --> 01:06:21,325
I KNOW, BUT WE
GOT IT BACK, THOUGH.
1479
01:06:21,368 --> 01:06:23,631
GOTTA PEE.
MM-HMM.
1480
01:06:23,675 --> 01:06:25,416
I'LL KEEP WORKIN'.
1481
01:06:55,098 --> 01:06:57,143
[TELEPHONE RINGS]
1482
01:06:57,187 --> 01:06:58,318
[RING]
1483
01:06:58,362 --> 01:06:59,015
YEAH?
1484
01:06:59,058 --> 01:07:00,494
HEY, DANNY, IT'S NEAL.
1485
01:07:00,538 --> 01:07:01,756
HOW'S IT GOING, NEAL?
1486
01:07:01,800 --> 01:07:04,063
UH, IT'S GOING PRETTY
GOOD, I THINK, YOU KNOW?
1487
01:07:04,107 --> 01:07:05,499
WHAT DO YOU MEAN
YOU THINK?
1488
01:07:05,543 --> 01:07:07,980
WELL, YOU KNOW,
WE'VE GOT A...
1489
01:07:08,024 --> 01:07:10,896
WE HAVE A STORY,
YOU KNOW.
IT'S JUST, UH...
1490
01:07:10,939 --> 01:07:13,290
SPIT IT OUT, NEAL.
IT'S BEEN A ROUGH NIGHT.
1491
01:07:13,333 --> 01:07:14,943
WELL, I THINK HANK
IS GREAT.
1492
01:07:14,987 --> 01:07:16,336
YOU KNOW THAT.
I THINK HE'S
TERRIFIC.
1493
01:07:16,380 --> 01:07:20,688
YOU KNOW, HE'S GOT
A LOT OF GREAT
IDEAS, UM...
1494
01:07:20,732 --> 01:07:21,994
AND I THINK WE CAN
REALLY WORK WELL
1495
01:07:22,038 --> 01:07:23,256
TOGETHER
ON THE SHOW.
1496
01:07:23,300 --> 01:07:24,605
Danny: NEAL.
1497
01:07:24,649 --> 01:07:25,998
ALL RIGHT, LOOK,
I'M JUST A LITTLE
UNCOMFORTABLE
1498
01:07:26,042 --> 01:07:27,739
WITH US BOTH BEING
SUPERVISING
PRODUCERS, YOU KNOW?
1499
01:07:27,782 --> 01:07:29,784
IT'S SORT OF--
IT STARTS TO LOOK
LIKE WE'RE--
1500
01:07:29,828 --> 01:07:31,482
YOU KNOW,
LIKE PARTNERS.
1501
01:07:31,525 --> 01:07:33,049
WHAT'S WRONG
WITH BEING PARTNERS, NEAL?
1502
01:07:33,092 --> 01:07:34,354
MAYBE IT'LL DO YOU BOTH
SOME GOOD.
1503
01:07:34,398 --> 01:07:36,182
WELL, I--I JUST,
YOU KNOW,
1504
01:07:36,226 --> 01:07:37,488
I'VE ALWAYS LIKED
TO WORK ALONE,
1505
01:07:37,531 --> 01:07:38,445
AND YOU KNOW
WHAT THEY SAY
1506
01:07:38,489 --> 01:07:39,838
ABOUT WRITING
PARTNERSHIPS.
1507
01:07:39,881 --> 01:07:41,405
YEAH, I KNOW, IT'S LIKE
2 GUYS FUCKING THE SAME DOG.
1508
01:07:41,448 --> 01:07:43,146
LISTEN, NEAL,
ALL YOU GOTTA DO IS
1509
01:07:43,189 --> 01:07:45,974
GET A TEASER, 4 ACTS,
WRITE OUT THE BEATS,
1510
01:07:46,018 --> 01:07:47,715
AND WE'LL WORRY ABOUT
THE CREDITS LATER.
1511
01:07:47,759 --> 01:07:49,543
OK, YOU KNOW,
I DON'T WANT
TO TAKE ANYTHING
1512
01:07:49,587 --> 01:07:50,675
AWAY FROM HANK,
YOU KNOW?
1513
01:07:50,718 --> 01:07:51,850
I SAID I THINK HE'S
GREAT, YOU KNOW?
1514
01:07:51,893 --> 01:07:53,243
AND THE DRUG THING
DOESN'T WORRY ME.
1515
01:07:53,286 --> 01:07:55,810
I JUST SORT OF
FEEL LIKE IF HE'S
SUPERVISING PRODUCER
1516
01:07:55,854 --> 01:07:57,725
I SHOULD AT LEAST
BE CO-EXEC.
1517
01:07:57,769 --> 01:07:59,379
HOLD ON.
1518
01:08:00,815 --> 01:08:02,339
JENNIFER?
1519
01:08:02,382 --> 01:08:03,949
IT'S HANK.
1520
01:08:03,992 --> 01:08:06,386
HANK. HANK, I THOUGHT
YOU WERE WITH NEAL.
1521
01:08:06,430 --> 01:08:08,954
WELL, THAT'S WHAT
I'M CALLING ABOUT: NEAL.
1522
01:08:08,997 --> 01:08:10,782
HANK, I'VE GOT
A CLIENT ON THE LINE
1523
01:08:10,825 --> 01:08:11,870
ON LOCATION IN HAWAII.
1524
01:08:11,913 --> 01:08:14,655
HE'S ABOUT TO LEAVE
THE SET. HOLD ON.
1525
01:08:14,699 --> 01:08:15,874
NEAL?
MM-HMM?
1526
01:08:15,917 --> 01:08:17,484
I'VE GOT A CLIENT
ON THE LINE FROM VERMONT.
1527
01:08:17,528 --> 01:08:18,833
HE'S JUST ARRIVING
TO THE SET,
1528
01:08:18,877 --> 01:08:20,444
AND HE'S GOT A CASE
OF TSURIS.HOLD ON.
1529
01:08:20,487 --> 01:08:22,359
ALL RIGHT, WHAT'S
THE PROBLEM WITH NEAL?
1530
01:08:22,402 --> 01:08:24,056
WELL, THERE'S NO PROBLEM.
1531
01:08:24,100 --> 01:08:25,492
HE'S BEEN A BIG HELP.
1532
01:08:25,536 --> 01:08:27,233
BUT YOU HAVE A PROBLEM
SHARING THE SAME CREDIT,
RIGHT?
1533
01:08:27,277 --> 01:08:31,585
WELL, I DON'T THINK
HE'S EVER BEEN MORE
THAN STORY EDITOR.
1534
01:08:31,629 --> 01:08:32,891
HANG ON.
1535
01:08:32,934 --> 01:08:34,849
NEAL, WHAT'S THE BIGGEST
STAFF JOB YOU EVER HAD?
1536
01:08:34,893 --> 01:08:37,417
EXECUTIVE STORY
CONSULTANT ON
MONKEY'S UP.
1537
01:08:37,461 --> 01:08:38,549
YOU KNOW, I DON'T
THINK HANK'S
EVER BEEN
1538
01:08:38,592 --> 01:08:40,725
ANYTHING MORE THAN,
LIKE, STORY EDITOR.
1539
01:08:40,768 --> 01:08:42,509
HOLD ON. WHAT ABOUT YOU?
1540
01:08:42,553 --> 01:08:45,991
CO-PRODUCER
ON THE RECTIFIER.
1541
01:08:46,034 --> 01:08:47,514
HANG ON.
1542
01:09:10,058 --> 01:09:11,582
Danny: OK, HANK,
HERE'S THE DEAL:
1543
01:09:11,625 --> 01:09:14,759
YOU GET SUPERVISING,
PLUS 5K MORE A WEEK,
1544
01:09:14,802 --> 01:09:16,326
NEAL GETS
STRAIGHT PRODUCER,
1545
01:09:16,369 --> 01:09:18,241
WE'LL TELL HIM
IT'S THE SAME MONEY.
1546
01:09:18,284 --> 01:09:20,199
IT'S OUR LITTLE SECRET.
1547
01:09:20,243 --> 01:09:21,983
I THINK THAT'S FAIR.
1548
01:09:27,250 --> 01:09:28,599
[BEEP]
1549
01:09:30,253 --> 01:09:32,168
Danny: ALL RIGHT, NEAL,
BUT THIS IS GONNA BE
OUR LITTLE SECRET.
1550
01:09:32,211 --> 01:09:33,343
DON'T YOU THINK
THAT'S FAIR?
1551
01:09:33,386 --> 01:09:35,345
YEAH, IT'S FAIR.
NOW GO TO WORK.
1552
01:09:35,388 --> 01:09:37,738
GO TO WORK, HANK.
1553
01:09:46,399 --> 01:09:47,748
"CLIENT OF MINE..."
1554
01:09:47,792 --> 01:09:49,010
DON'T YOU EVEN
SPEAK TO ME.
1555
01:09:49,054 --> 01:09:53,101
I HAVE NO BURNING DESIRE
TO SPEAK TO YOU.
1556
01:09:55,147 --> 01:09:57,454
OH, FUCK!
1557
01:10:00,196 --> 01:10:01,371
MY LAPTOP.
1558
01:10:01,414 --> 01:10:04,417
Neal: HUH?
1559
01:10:04,765 --> 01:10:06,419
WHERE ARE MY CAR KEYS?
1560
01:10:06,463 --> 01:10:08,465
[CAR ALARM
CHIRPS OFF]
1561
01:10:09,814 --> 01:10:11,859
FUCK!
1562
01:11:10,178 --> 01:11:12,311
AHH...
1563
01:11:18,970 --> 01:11:20,363
Man: THIS IS
DR. JERRY APPLEFIELD'S
1564
01:11:20,406 --> 01:11:22,060
CURRENT PATIENT LINE.
1565
01:11:22,103 --> 01:11:23,322
REFERRALS SHOULD--
1566
01:11:23,366 --> 01:11:24,410
HELLO?
1567
01:11:24,454 --> 01:11:26,978
JERRY? BRIAN.
1568
01:11:27,021 --> 01:11:29,502
I JUST CAN'T DO IT.
1569
01:11:29,546 --> 01:11:32,113
BRIAN, HOW MANY TIMES
HAVE I TOLD YOU?
1570
01:11:32,157 --> 01:11:33,332
IN ORDER
TO HAVE SOMETHING,
1571
01:11:33,376 --> 01:11:36,466
YOU MUST FIRST
STOP WANTING IT.
1572
01:11:56,790 --> 01:11:59,140
Ira: ALL RIGHT, THAT'S IT.
I SAY WE HITCH.
1573
01:11:59,184 --> 01:12:01,142
Benny: YOU KNOW,
IT WOULD HAVE
BEEN FASTER
1574
01:12:01,186 --> 01:12:02,492
IF WE STAYED
ON THE BUS.
1575
01:12:02,535 --> 01:12:03,928
I'D BE BACK IN JAIL.
1576
01:12:03,971 --> 01:12:05,538
YOU KNOW, MAYBE IT'S
NOT SUCH A BAD IDEA,
1577
01:12:05,582 --> 01:12:08,411
YOU HAVE
THE OLD LADY BE
THE BAD GUY, HUH?
1578
01:12:08,454 --> 01:12:10,064
JUST KEEP WALKING.
1579
01:12:10,108 --> 01:12:11,370
[MUTTERS]
1580
01:12:11,414 --> 01:12:14,025
BANG-ZOOM.
1581
01:12:14,068 --> 01:12:15,548
Hank: KARMA.
1582
01:12:15,592 --> 01:12:17,376
Neal: COME AGAIN?
I DIDN'T HEAR YOU
THE FIRST 15 TIMES.
1583
01:12:17,420 --> 01:12:18,899
BUT YOU KNOW SOMETHING?
1584
01:12:18,943 --> 01:12:20,640
THIS DIDN'T HAPPEN
BECAUSE WE WERE
IN THOSE PHONE BOOTHS
1585
01:12:20,684 --> 01:12:21,946
CUTTING EACH OTHER'S
THROATS.
1586
01:12:21,989 --> 01:12:23,469
YEAH, IT DID,
AND YOU KNOW IT,
1587
01:12:23,513 --> 01:12:24,818
AND IF KARMA
DOES EXIST,
1588
01:12:24,862 --> 01:12:26,342
THEN THAT ASSHOLE
WILL RUN DANNY OVER
IN MY CAR.
1589
01:12:26,385 --> 01:12:29,736
I THINK THAT WHEN
WE AGREED TO DO THIS
BEHIND BRIAN'S BACK,
1590
01:12:29,780 --> 01:12:32,522
WE ESTABLISHED DUPLICITY
AS A GROUND RULE.
1591
01:12:32,565 --> 01:12:33,914
DANNY WAS SCREWING US.
1592
01:12:33,958 --> 01:12:35,438
HOW COULD WE NOT EVENTUALLY
TRY TO SCREW EACH OTHER?
1593
01:12:35,481 --> 01:12:38,136
YEAH, WELL, IT DIDN'T
TAKE US VERY LONG,
THOUGH, DID IT?
1594
01:12:38,179 --> 01:12:39,616
THERE IS A WAY
TO MAKE IT RIGHT.
1595
01:12:39,659 --> 01:12:41,269
YEAH, DO WE HAVE
TO KILL A CHICKEN?
1596
01:12:41,313 --> 01:12:42,401
WHEN WE GET
TO BRIAN'S HOUSE,
1597
01:12:42,445 --> 01:12:44,403
WE WAKE HIM UP,
SIT HIM DOWN,
1598
01:12:44,447 --> 01:12:46,405
AND TELL HIM
WHAT WE TRIED TO DO.
1599
01:12:46,449 --> 01:12:47,841
OH, YEAH,
THAT SHOULD
CALM THE WATERS.
1600
01:12:47,885 --> 01:12:50,104
HEY, PAL, WHEN YOU
WERE HAVING YOUR
NERVOUS BREAKDOWN,
1601
01:12:50,148 --> 01:12:51,802
HANK AND I TRIED
TO FUCK YOU
IN THE ASS.
1602
01:12:51,845 --> 01:12:55,675
AND THEN WE GIVE HIM
"ESCAPE FROM HELL."
1603
01:12:55,719 --> 01:12:57,068
LET HIM SAY
IT'S HIS.
1604
01:12:57,111 --> 01:12:58,374
IT'LL SOLVE
HIS PROBLEM.
1605
01:12:58,417 --> 01:12:59,244
TEMPORARILY.
1606
01:12:59,287 --> 01:13:00,332
IT'S AN ACT
OF CONTRITION.
1607
01:13:00,376 --> 01:13:02,813
IT'LL PUT US RIGHT
WITH THE LORD.
1608
01:13:02,856 --> 01:13:03,814
AND WHO KNOWS?
1609
01:13:03,857 --> 01:13:04,945
MAYBE HE'LL
GET HIS SHIT TOGETHER
1610
01:13:04,989 --> 01:13:07,426
AND WIND UP RUNNING
THE SHOW AFTER ALL.
1611
01:13:07,470 --> 01:13:09,297
AND WE WAIT TILL THEN
TO TELL HIM ABOUT DANNY.
1612
01:13:09,341 --> 01:13:13,998
AND WE FUCK DANNY,
AND THE KARMA WHEEL
COMES FULL-CIRCLE.
1613
01:13:14,041 --> 01:13:15,478
UH-HUH,
UH-HUH.
SEE WHAT
I'M SAYING?
1614
01:13:15,521 --> 01:13:17,871
I'M WITH YOU.
VERY ZEN.
1615
01:13:20,352 --> 01:13:24,182
[BANGING]
1616
01:13:28,012 --> 01:13:31,624
[BANGING CONTINUES]
1617
01:13:31,668 --> 01:13:32,886
[BRIAN GROANS]
1618
01:13:32,930 --> 01:13:36,847
Brian: IT'S
NEVER GONNA WORK!
1619
01:13:37,195 --> 01:13:40,024
IT'S NEVER
GONNA WORK!
1620
01:13:40,067 --> 01:13:43,157
HONEY, COME ON.
1621
01:13:43,201 --> 01:13:44,463
STOP THAT.
1622
01:13:44,507 --> 01:13:45,246
AAH!
1623
01:13:45,290 --> 01:13:47,423
NO. COME HERE.
STOP THAT.
1624
01:13:47,466 --> 01:13:48,249
[SOBS] IT'S NEVER
GONNA WORK.
1625
01:13:48,293 --> 01:13:49,294
IT'S NEVER
GONNA WORK.
1626
01:13:49,337 --> 01:13:51,862
COME ON, YOU'RE
GONNA HURT YOURSELF.
1627
01:13:51,905 --> 01:13:52,906
NEVER GONNA WORK.
1628
01:13:52,950 --> 01:13:55,518
IT'S FINE. IT'S OK.
1629
01:13:55,561 --> 01:13:58,477
I'M HERE.
1630
01:13:58,521 --> 01:14:00,436
IT'S NEVER
GONNA WORK.
1631
01:14:00,479 --> 01:14:02,220
NO, NO, NO, NO.
1632
01:14:02,263 --> 01:14:03,961
IT'S FINE.
1633
01:14:04,004 --> 01:14:06,485
IT'S FINE.
1634
01:14:09,445 --> 01:14:11,490
IT'S OK.
1635
01:14:11,534 --> 01:14:15,581
NO, NO, NO, NO.
IT'S FINE.
1636
01:14:15,625 --> 01:14:17,322
IT'S FINE.
1637
01:14:17,365 --> 01:14:20,064
COME ON, NOW.
YOU'RE EXHAUSTED, BRIAN,
1638
01:14:20,107 --> 01:14:22,980
AND YOU JUST NEED
TO SLEEP.
1639
01:14:23,023 --> 01:14:24,416
I'LL TAKE CARE OF YOU.
1640
01:14:24,460 --> 01:14:25,373
[GROANS]
1641
01:14:25,417 --> 01:14:26,113
JUST GET UNDER
THE COVERS, BRIAN.
1642
01:14:26,157 --> 01:14:27,550
I'LL TAKE CARE
OF YOU.
1643
01:14:27,593 --> 01:14:28,899
YOU CAN'T
TAKE CARE OF ME.
1644
01:14:28,942 --> 01:14:31,989
OH, I'LL
TAKE CARE OF YOU.
JUST SLEEP.
1645
01:14:32,032 --> 01:14:33,643
SORRY.
1646
01:15:05,588 --> 01:15:07,764
[SIGHS]
1647
01:15:12,595 --> 01:15:14,684
SHIT.
1648
01:15:22,300 --> 01:15:24,345
[KNOCK KNOCK]
1649
01:15:25,216 --> 01:15:27,174
[KNOCK KNOCK]
1650
01:15:27,610 --> 01:15:29,481
[KNOCK KNOCK]
1651
01:15:36,749 --> 01:15:38,446
YES?
1652
01:15:38,490 --> 01:15:40,144
WHERE'S BRIAN?
1653
01:15:40,187 --> 01:15:41,188
WHO ARE YOU?
1654
01:15:41,232 --> 01:15:43,364
WE'RE
BRIAN'S FRIENDS.
WHO ARE YOU?
1655
01:15:43,408 --> 01:15:45,366
I'M BRIAN'S GIRLFRIEND.
1656
01:15:45,410 --> 01:15:46,759
YOU'RE MIRANDA?
1657
01:15:46,803 --> 01:15:47,760
YES.
1658
01:15:47,804 --> 01:15:49,153
OH.
1659
01:15:49,196 --> 01:15:50,589
I'M BENNY KANOPKA.
1660
01:15:50,633 --> 01:15:53,461
THIS IS IRA GOLD--
KANOPKA-GOLD.
1661
01:15:53,505 --> 01:15:54,593
NICE TO MEET YOU.
1662
01:15:54,637 --> 01:15:57,378
LISTEN, WE NEED
TO SEE BRIAN.
1663
01:15:57,422 --> 01:15:59,859
UH, I'M AFRAID
THAT'S IMPOSSIBLE NOW.
1664
01:15:59,903 --> 01:16:03,471
YOU SEE, BRIAN SPENT THE NIGHT
IN THE EMERGENCY HOSPITAL,
1665
01:16:03,515 --> 01:16:05,386
AND, UM, HE'S RESTING NOW.
1666
01:16:05,430 --> 01:16:06,518
EMERGENCY HOSPITAL?
1667
01:16:06,562 --> 01:16:07,563
WHAT HAPPENED?
1668
01:16:07,606 --> 01:16:10,435
HOW WELL DID YOU SAY
YOU KNEW BRIAN?
1669
01:16:11,871 --> 01:16:14,178
STRESS, HUH?
1670
01:16:14,657 --> 01:16:17,094
THEY HAD TO SHOOT HIM UP
WITH THORAZINE.
1671
01:16:17,137 --> 01:16:19,270
HOW TERRIBLE.
1672
01:16:19,313 --> 01:16:20,619
I JUST WONDER.
1673
01:16:20,663 --> 01:16:22,490
THE THING THAT SEEMED
TO SET HIM OFF
LAST NIGHT--
1674
01:16:22,534 --> 01:16:24,405
HE THOUGHT
HE SAW SOMETHING
OVER AT THE HOTEL.
1675
01:16:24,449 --> 01:16:25,929
HE WAS DESPERATE
TO FIND OUT WHAT IT WAS.
1676
01:16:25,972 --> 01:16:28,018
HE WANTS TO TURN IT
INTO A STORY.
1677
01:16:28,061 --> 01:16:29,062
SEE, THE THING IS,
1678
01:16:29,106 --> 01:16:32,588
WE KNOW WHAT HAPPENED
AT THE HOTEL.
1679
01:16:33,240 --> 01:16:34,720
THAT'S VERY SWEET OF YOU,
1680
01:16:34,764 --> 01:16:36,504
BUT THE DOCTOR SAID
THE LAST THING BRIAN
NEEDS RIGHT NOW
1681
01:16:36,548 --> 01:16:38,289
IS TO START THINKING
ABOUT WORK AGAIN.
1682
01:16:38,332 --> 01:16:41,466
SO I WILL LET HIM KNOW
YOU CAME BY. SO LONG.
1683
01:16:41,509 --> 01:16:43,337
HEY--HEY!
1684
01:16:47,472 --> 01:16:49,039
Benny: I HOPE
HE'LL BE ALL RIGHT.
1685
01:16:49,082 --> 01:16:50,649
FUCK HIM.
WE'LL NAIL HIM LATER.
1686
01:16:50,693 --> 01:16:51,824
LET'S GET
A CHEESEBURGER.
1687
01:16:51,868 --> 01:16:53,913
HOW COULD YOU GET
A CHEESEBURGER NOW?
1688
01:16:53,957 --> 01:16:54,914
OH, BOY.
1689
01:16:54,958 --> 01:16:56,568
OH, LOOK AT THIS.
1690
01:16:56,612 --> 01:16:57,438
SHIT.
1691
01:16:57,482 --> 01:16:58,962
GOT OUT OK?
1692
01:16:59,005 --> 01:17:00,398
NO. I WAS KILLED
1693
01:17:00,441 --> 01:17:01,617
IN A CELL BLOCK
RIOT.
1694
01:17:01,660 --> 01:17:04,271
WHAT'S UP WITH BRIAN?
IS EVERYTHING OK?
1695
01:17:04,315 --> 01:17:05,577
NOT EXACTLY.
1696
01:17:05,621 --> 01:17:07,753
HE CAN'T SEE ANYONE
RIGHT NOW.
1697
01:17:07,797 --> 01:17:09,494
HMM.
1698
01:17:09,537 --> 01:17:10,887
[FOOTSTEPS]
1699
01:17:10,930 --> 01:17:12,497
[CLATTER]
1700
01:17:12,540 --> 01:17:14,847
[SHOUTING]
1701
01:17:16,066 --> 01:17:17,807
BRIAN?
1702
01:17:19,156 --> 01:17:21,375
OH, MY GOD! JESUS.
1703
01:17:21,419 --> 01:17:22,507
BRIAN! JESUS!
1704
01:17:22,550 --> 01:17:24,857
WHAT DO YOU THINK
YOU'RE DOING?
1705
01:17:24,901 --> 01:17:26,206
[SOBBING]
1706
01:17:26,250 --> 01:17:27,686
HOW COULD YOU DO
SUCH A THING?
1707
01:17:27,730 --> 01:17:30,428
I TOLD YOU I WAS
GONNA TAKE CARE
OF YOU.
1708
01:17:30,471 --> 01:17:32,691
I'M GONNA
TAKE CARE OF YOU.
1709
01:17:32,735 --> 01:17:34,388
FOR GOD SAKES.
1710
01:17:34,432 --> 01:17:36,347
[SIGHING]
1711
01:17:36,390 --> 01:17:38,305
COME ON.
1712
01:17:39,393 --> 01:17:40,307
[SIGHS]
1713
01:17:40,351 --> 01:17:42,440
AH, JESUS,
THAT IS FUCKING AWFUL.
1714
01:17:42,483 --> 01:17:44,094
YEAH, WELL,
CAN WE SEE HIM?
1715
01:17:44,137 --> 01:17:45,356
NO. NOT FOR
A COUPLE OF DAYS.
1716
01:17:45,399 --> 01:17:47,401
WE TALKED
TO THE DOCTOR
OURSELVES.
1717
01:17:47,445 --> 01:17:49,447
HE'S ALL RIGHT.
THE GIRLFRIEND'S
WITH HIM.
1718
01:17:49,490 --> 01:17:50,927
OH, THE G--
WHAT GIRLFRIEND?
1719
01:17:50,970 --> 01:17:52,668
YOU DON'T KNOW
BRIAN'S GIRLFRIEND?
1720
01:17:52,711 --> 01:17:54,321
WE DO.
LOVELY GIRL.
1721
01:17:54,365 --> 01:17:56,628
AH. WELL, IF IT'S
ALL THE SAME TO YOU,
IF SHE'S STILL UP THERE,
1722
01:17:56,672 --> 01:17:58,021
WE'D LIKE
TO TALK TO HER.
1723
01:17:58,064 --> 01:17:59,065
YOU WANT
TO TALK TO HER?
1724
01:17:59,109 --> 01:18:00,893
YOU DON'T WANT
TO TALK TO BRIAN, HUH?
1725
01:18:00,937 --> 01:18:02,939
SO WHAT IF WE DO?
1726
01:18:07,726 --> 01:18:10,555
[ARGUING]
1727
01:18:12,339 --> 01:18:14,994
Benny: YOU'RE NOT
ALLOWED UP THERE.
STAY BACK.
1728
01:18:15,038 --> 01:18:16,387
I'M NOT FUCKING
WITH YOU, MAN.
1729
01:18:16,430 --> 01:18:18,258
I'M NOT BULLSHITTING.
NOW, STAY--OW!
1730
01:18:18,302 --> 01:18:20,173
Hank: JUST LET ME
TALK TO--
DON'T TOUCH ME.
1731
01:18:20,217 --> 01:18:22,480
Ira: I'M GONNA SMACK YOU.
I'M GONNA SMACK YOU HARD.
1732
01:18:22,523 --> 01:18:24,308
ARE YOU LAYING HANDS
ON ME?
1733
01:18:24,351 --> 01:18:27,311
[ARGUING CONTINUES]
1734
01:18:36,799 --> 01:18:37,713
JEEZ.
1735
01:18:37,756 --> 01:18:38,975
ALL RIGHT. OK.
1736
01:18:39,018 --> 01:18:43,153
ALL RIGHT. FUCK IT.
LET'S GO. COME ON.
1737
01:18:44,023 --> 01:18:45,503
HEY! HEY! HEY!
1738
01:18:45,546 --> 01:18:46,722
HEY, COME HERE!
COME HERE!
1739
01:18:46,765 --> 01:18:48,288
ALL RIGHT,
ALL RIGHT,
ALL RIGHT!
1740
01:18:48,332 --> 01:18:50,334
ALL RIGHT,
TIME-OUT, TIME-OUT.
1741
01:18:50,377 --> 01:18:51,727
COME ON.
THIS IS IDIOTIC.
1742
01:18:51,770 --> 01:18:54,164
LET'S BE UP-FRONT
WITH EACH OTHER.
1743
01:18:54,207 --> 01:18:55,208
TELL HIM, NEAL.
1744
01:18:55,252 --> 01:18:57,602
WE'VE GOT A STORY
FOR HIM.
1745
01:18:57,645 --> 01:18:58,821
WELL, WE GOT
A STORY, TOO.
1746
01:18:58,864 --> 01:19:01,562
BUT THE DOCTOR SAID
NO STORIES TODAY!
1747
01:19:01,606 --> 01:19:03,260
WE'RE NOT
BULLSHITTING YOU.
1748
01:19:03,303 --> 01:19:04,348
HE'S IN BAD SHAPE.
1749
01:19:04,391 --> 01:19:06,306
WELL, WHY ARE YOU
KEEPING US FROM HIM?
1750
01:19:06,350 --> 01:19:07,394
WE'RE NOT KEEPING YOU
FROM HIM.
1751
01:19:07,438 --> 01:19:09,440
WE'RE PROTECTING HIM
FROM YOU!
1752
01:19:09,483 --> 01:19:10,789
WHAT'S THE DIFFERENCE?!
1753
01:19:10,833 --> 01:19:12,051
MOTIVE.
1754
01:19:12,095 --> 01:19:13,487
AHA!
1755
01:19:13,531 --> 01:19:15,359
OH, WAIT
A MINUTE.
1756
01:19:15,402 --> 01:19:16,534
DANNY.
1757
01:19:16,577 --> 01:19:20,451
DANNY CAME AFTER YOU GUYS,
TOO, DIDN'T HE?
1758
01:19:20,494 --> 01:19:21,408
NO.
1759
01:19:21,452 --> 01:19:22,583
YOU GUYS BEEN
TALKING TO DANNY?
1760
01:19:22,627 --> 01:19:24,194
OH, COME ON, IRA.
COY REALLY
IS NOT YOU.
1761
01:19:24,237 --> 01:19:26,718
OH, WHAT'S THE MATTER
WITH YOU? I'VE BEEN
IN JAIL ALL NIGHT!
1762
01:19:26,762 --> 01:19:27,937
WHAT'D DANNY SAY?
1763
01:19:27,980 --> 01:19:29,155
IS IT ABOUT
THE SHOW?
1764
01:19:29,199 --> 01:19:31,897
SHOW US A GIRLFRIEND
AND BRIAN IN A PUDDLE
1765
01:19:31,941 --> 01:19:34,334
OF HIS OWN URINE,
AND MAYBE WE'LL TELL YOU.
1766
01:19:34,378 --> 01:19:36,946
[KNOCKING ON DOOR]
1767
01:19:42,603 --> 01:19:43,561
WELL?
1768
01:19:43,604 --> 01:19:44,431
SHE'S IN THERE.
WE JUST LEFT HER.
1769
01:19:44,475 --> 01:19:46,129
MAYBE SHE WENT
BACK TO SLEEP.
1770
01:19:46,172 --> 01:19:46,912
SHE'S NOT ASLEEP.
1771
01:19:46,956 --> 01:19:48,348
WELL,
THEN WHERE IS SHE?
1772
01:19:48,392 --> 01:19:52,875
MIRANDA? MIRANDA?
1773
01:19:52,918 --> 01:19:54,354
Ira: MIRANDA?
1774
01:19:54,398 --> 01:19:57,793
IS EVERYTHING
ALL RIGHT?
1775
01:20:00,708 --> 01:20:03,581
I'M GONNA CALL
911!
1776
01:20:04,930 --> 01:20:06,410
I'M IN THE SHOWER!
1777
01:20:06,453 --> 01:20:08,455
COULD YOU GUYS
COME BACK LATER?
1778
01:20:08,499 --> 01:20:11,328
Ira: OH. OK, SORRY.
1779
01:20:11,371 --> 01:20:13,460
WE'RE LEAVING NOW...
1780
01:20:13,504 --> 01:20:15,027
ALL OF US.
1781
01:20:15,071 --> 01:20:17,551
[FOOTSTEPS]
1782
01:20:33,698 --> 01:20:37,354
[GLASS BREAKS, MEN GROAN]
1783
01:20:39,443 --> 01:20:41,010
OH...
1784
01:20:41,053 --> 01:20:44,143
WELL, WELL, LOOK
WHAT YOU DID NOW.
1785
01:20:44,187 --> 01:20:46,058
YOU FUCKING IDIOT.
1786
01:20:46,102 --> 01:20:47,364
YOUPUSHED ME!
1787
01:20:47,407 --> 01:20:49,366
HE WAS TRYING
TO HOLD YOU BACK.
1788
01:20:49,409 --> 01:20:50,889
WELL, HE LET GO.
1789
01:20:50,933 --> 01:20:52,978
SORRY, MIRANDA.
1790
01:20:54,371 --> 01:20:55,372
MIRANDA?
1791
01:20:55,415 --> 01:20:56,939
YEP,
THAT'S MIRANDA.
1792
01:20:56,982 --> 01:20:59,376
Hank: WELL, SHE SURE WASN'T
IN THE SHOWER, WAS SHE?
1793
01:20:59,419 --> 01:21:01,508
YEAH, AND HER NAME
ISN'T MIRANDA.
1794
01:21:01,552 --> 01:21:03,206
YES, IT IS.
SHE TOLD US.
1795
01:21:03,249 --> 01:21:05,077
WELL, HANK,
WHAT DO YOU THINK
1796
01:21:05,121 --> 01:21:07,079
THESE THREE
ARE TRYING TO PULL?
1797
01:21:07,123 --> 01:21:07,993
YOU'RE PARANOID.
1798
01:21:08,037 --> 01:21:08,951
MAYBE I'M PARANOID,
1799
01:21:08,994 --> 01:21:10,909
BUT HER NAME IS
GEORGIA FECKLER.
1800
01:21:10,953 --> 01:21:12,345
AND SHE'S A WRITER.
1801
01:21:12,389 --> 01:21:13,694
SO THE FUCK WHAT.
1802
01:21:13,738 --> 01:21:16,393
ALL RIGHT, J-JUST
TELL ME ONE THING.
IS BRIAN OK?
1803
01:21:16,436 --> 01:21:17,394
YEAH.
1804
01:21:17,437 --> 01:21:18,917
NEAL, HOW DO YOU
KNOW HER?
1805
01:21:18,961 --> 01:21:20,614
Neal:
SHE CAME IN TO PITCH
ON MONKEY'S UP.
1806
01:21:20,658 --> 01:21:23,443
YOU HAD A PARTNER
BACK THEN--
A GUY WITH A GOATEE.
1807
01:21:23,487 --> 01:21:24,575
YEAH, WELL, NOW I DON'T.
1808
01:21:24,618 --> 01:21:26,707
WELL, WHAT THE HELL
ARE YOU DOING HERE?
1809
01:21:26,751 --> 01:21:29,145
WHO DO YOU THINK YOU ARE?
1810
01:21:29,188 --> 01:21:31,495
HEY, WE'RE BRIAN'S--
UH, FRIENDS.
1811
01:21:31,538 --> 01:21:32,409
REALLY?
1812
01:21:32,452 --> 01:21:33,453
YEAH. AND RIGHT NOW
1813
01:21:33,497 --> 01:21:35,760
WE'RE GOING UPSTAIRS
TO CHECK ON HIM.
1814
01:21:35,803 --> 01:21:38,241
NO, YOU'RE NOT.
1815
01:21:38,284 --> 01:21:39,938
OK...
1816
01:21:39,982 --> 01:21:41,157
IS BRIAN STILL ALIVE?
1817
01:21:41,200 --> 01:21:44,856
YEAH. NOW NO ONE
TRY ANYTHING FUNNY.
1818
01:21:44,900 --> 01:21:46,162
ARE YOU SCREWING HIM?
1819
01:21:46,205 --> 01:21:49,469
HE HAPPENS TO KNOW
MY WORK, ALL RIGHT?
JESUS.
1820
01:21:49,513 --> 01:21:51,080
WHY'D YOU LET US THINK
YOU WERE HIS GIRLFRIEND?
1821
01:21:51,123 --> 01:21:54,953
BRIAN WANTED TO TALK TO ME
ABOUT A JOB ON THE NEW SHOW.
1822
01:21:54,997 --> 01:21:56,520
I KNEW THAT HE BLEW YOU OFF.
1823
01:21:56,563 --> 01:21:59,305
I JUST DIDN'T WANT
TO HURT YOUR FEELINGS, OK?
1824
01:21:59,349 --> 01:22:00,741
Men: BULLSHIT!
1825
01:22:00,785 --> 01:22:02,221
LOOK, 2 MINUTES AGO YOU'RE
ALL AT EACH OTHER'S THROATS.
1826
01:22:02,265 --> 01:22:05,398
A MINUTE A WOMAN APPEARS,
YOU'RE THE ROCKETTES.
1827
01:22:05,442 --> 01:22:07,357
HEY, SEX HAD NOTHING
TO DO WITH IT.
1828
01:22:07,400 --> 01:22:09,576
YOU LIED TO US.
YOU WERE GONNA
CUT US OUT.
1829
01:22:09,620 --> 01:22:10,969
WELL, I DIDN'T SEE
MUCH CHANCE
1830
01:22:11,013 --> 01:22:14,277
OF GETTING INVITED
TO THE POKER GAME,
DID I, NEAL?
1831
01:22:14,320 --> 01:22:16,192
I HAVE NO IDEA
WHAT YOU'RE
TALKING ABOUT.
1832
01:22:16,235 --> 01:22:18,542
THE REASON YOU CUT US OFF
ON THE MONKEY'S UPSTORY
1833
01:22:18,585 --> 01:22:20,196
IS BECAUSE
I WOULDN'T PLAY BALL.
1834
01:22:20,239 --> 01:22:22,285
WELL, I HATE TO BREAK IT
TO YOU, BUT THE REASON
YOU GOT CUT OFF
1835
01:22:22,328 --> 01:22:24,069
WAS BECAUSE YOUR
PARTNER WAS A PSYCHO.
1836
01:22:24,113 --> 01:22:25,375
HE ACTED THAT WAY
'CAUSE EVERYONE
1837
01:22:25,418 --> 01:22:27,377
ON YOUR WRITING STAFF
KEPT HITTING ON ME.
1838
01:22:27,420 --> 01:22:29,074
I DID NOT
HIT ON YOU.
1839
01:22:29,118 --> 01:22:30,380
OH, SO YOU WALK
ALL THE FREELANCERS
1840
01:22:30,423 --> 01:22:32,817
OUT TO LOT "Z"
AFTER THE STORY MEETINGS.
1841
01:22:32,860 --> 01:22:33,949
IT WAS DARK.
1842
01:22:33,992 --> 01:22:35,341
WHICH EXPLAINS WHY YOU
CRACKED YOUR HEAD
1843
01:22:35,385 --> 01:22:37,996
ON MY CAR DOOR
AFTER YOU MADE YOUR POUNCE.
1844
01:22:38,040 --> 01:22:39,041
JESUS. NEAL.
1845
01:22:39,084 --> 01:22:39,998
THAT IS WEAK.
1846
01:22:40,042 --> 01:22:42,392
YOU POUNCED ON HER?
THAT'S SAD.
1847
01:22:42,435 --> 01:22:43,871
SHE IS LYING!
1848
01:22:43,915 --> 01:22:46,309
YOU GUYS ARE BEAUTIFUL.
YOU'RE ALL FREAKED OUT
1849
01:22:46,352 --> 01:22:48,006
BECAUSE AFTER ALL
YOUR CARD GAMES
1850
01:22:48,050 --> 01:22:51,009
AND YOUR COCKSUCKING,
BRIAN WENT FOR ME.
1851
01:22:51,053 --> 01:22:52,358
ON MY MERITS.
1852
01:22:52,402 --> 01:22:55,274
HEY, WE DID
A THIRTYSOMETHING.
1853
01:22:55,318 --> 01:22:56,362
WELL...
1854
01:22:56,406 --> 01:22:58,495
[SHOUTING, GUNSHOTS]
1855
01:22:58,538 --> 01:22:59,757
COME ON! I GOT HER!
1856
01:22:59,800 --> 01:23:00,540
OW...
1857
01:23:00,584 --> 01:23:03,456
HEY, BRIAN!
HOLD HER!
1858
01:23:04,501 --> 01:23:06,416
AH...AH...
1859
01:23:06,459 --> 01:23:08,722
OH, MY HEAD!
1860
01:23:09,897 --> 01:23:10,811
JESUS.
1861
01:23:10,855 --> 01:23:12,378
OH, MAN.
1862
01:23:12,422 --> 01:23:13,814
[SIGHS]
1863
01:23:16,165 --> 01:23:19,342
Georgia: GO AWAY.
I TOLD YOU TO LEAVE
BRIAN ALONE.
1864
01:23:19,385 --> 01:23:21,953
HE'S MY RESPONSI--
1865
01:23:21,997 --> 01:23:23,999
BRIAN.
1866
01:23:25,217 --> 01:23:26,784
OH, MY GOD.
1867
01:23:27,741 --> 01:23:28,786
OH, MY GOD.
1868
01:23:28,829 --> 01:23:30,222
"HOW DO I KNOW IT'S VALIUM"?
1869
01:23:30,266 --> 01:23:32,616
I KNOW IT'S VALIUM BECAUSE
I'M HOLDING THE EMPTY BOTTLE
1870
01:23:32,659 --> 01:23:35,314
WITH YOUR FUCKING
PHONE NUMBER ON IT.
1871
01:23:35,358 --> 01:23:36,794
I'M SORRY, DR. APPLEFIELD.
1872
01:23:36,837 --> 01:23:40,928
I--WELL, YEAH, HE'S
BREATHING ALL RIGHT,
1873
01:23:40,972 --> 01:23:43,670
BUT HE'S COMPLETELY
UNCONSCIOUS.
1874
01:23:43,714 --> 01:23:47,544
HE'S--HIS COLOR
IS NOT GOOD AT ALL.
1875
01:23:47,587 --> 01:23:50,460
UH, HIS--HIS CHEST
IS ALL GURGLY,
1876
01:23:50,503 --> 01:23:52,114
SOUNDS RATHER PHLEGMY.
1877
01:23:52,157 --> 01:23:54,246
AND, I MEAN,
AS FAR AS I KNOW--
1878
01:23:54,290 --> 01:23:56,161
AND I DON'T KNOW MUCH
ABOUT IT--
1879
01:23:56,205 --> 01:23:57,336
HE'S COMPLETELY COMATOSE.
1880
01:23:57,380 --> 01:23:59,164
I MEAN, THIS IS
JUDY GARLAND TIME.
1881
01:23:59,208 --> 01:24:00,470
I CANNOT WAKE HIM UP.
1882
01:24:00,513 --> 01:24:01,862
Dr. Applefield:
YOU THINK YOU'RE
GONNA BE ABLE
1883
01:24:01,906 --> 01:24:03,299
TO STAY WITH HIM
FOR A COUPLE OF DAYS?
1884
01:24:03,342 --> 01:24:06,041
WELL, YEAH, SURE,
BUT SHOULDN'T HE BE
IN A HOSPITAL?
1885
01:24:06,084 --> 01:24:07,520
NO. I THINK
I WAS ABLE TO GET
1886
01:24:07,564 --> 01:24:10,001
EVERYTHING OUT OF HIM
WHEN I HAD HIM
IN THE BATHROOM.
1887
01:24:10,045 --> 01:24:11,394
DOES HE NEED ANYTHING
SPECIAL?
1888
01:24:11,437 --> 01:24:15,137
UH, YOU HAVE ANY
GOOD IDEAS FOR A SCRIPT?
1889
01:24:15,920 --> 01:24:18,836
HOLLYWOOD SHRINK HUMOR.
1890
01:24:19,967 --> 01:24:22,361
HE'LL BE ALL RIGHT
IN A COUPLE OF DAYS.
1891
01:24:22,405 --> 01:24:26,409
I'M AFRAID IT'S
AN OCCUPATIONAL HAZARD
WITH THESE GUYS.
1892
01:24:26,452 --> 01:24:29,368
IT'S A LOT OF PRESSURE.
1893
01:24:31,544 --> 01:24:33,416
YOU DON'T THINK
HE'LL DO IT AGAIN.
1894
01:24:33,459 --> 01:24:35,200
OH, NO. HE DOESN'T
WANT TO DIE.
1895
01:24:35,244 --> 01:24:37,028
HE JUST
DOESN'T WANT TO WRITE.
1896
01:24:37,072 --> 01:24:38,377
I THINK WHEN HE REALIZES
1897
01:24:38,421 --> 01:24:39,900
THAT HE DOESN'T HAVE TO
TAKE THIS JOB,
1898
01:24:39,944 --> 01:24:43,295
HE'S GOING
TO START TO FEEL SOME--
SOME IMMEDIATE RELIEF.
1899
01:24:43,339 --> 01:24:46,516
ALL RIGHT.
WELL, THANK YOU, DOCTOR.
1900
01:24:46,559 --> 01:24:49,084
I'LL TAKE CARE OF EVERYTHING.
1901
01:25:02,488 --> 01:25:04,795
SO HOW'D YOU
GET TO HIM, ANYWAY?
1902
01:25:04,838 --> 01:25:07,711
I HEARD ABOUT HIS DEAL
2 WEEKS AGO.
1903
01:25:07,754 --> 01:25:09,234
MM-HMM.
1904
01:25:09,278 --> 01:25:10,583
I KNEW SOMEBODY
WHO KNEW SOMEBODY
WHO USED TO DATE HIM.
1905
01:25:10,627 --> 01:25:12,498
THEY SAID HE DRINKS
AT THE CHATEAU BAR.
1906
01:25:12,542 --> 01:25:15,501
I'D BEEN SITTING
IN THAT SAME COCKTAIL DRESS
1907
01:25:15,545 --> 01:25:16,807
EVERY NIGHT FOR A WEEK.
1908
01:25:16,850 --> 01:25:20,071
HE THOUGHT I WAS THIS GIRL
HE SAW ON THE BALCONY.
1909
01:25:20,115 --> 01:25:21,551
I WENT WITH IT.
1910
01:25:21,594 --> 01:25:24,467
HMM. WOMEN WHO SIT
IN HOTEL LOBBIES
IN COCKTAIL DRESSES
1911
01:25:24,510 --> 01:25:26,295
IN HOPES OF MAKING MONEY.
GEE--
1912
01:25:26,338 --> 01:25:27,644
GO FUCK YOURSELF, HANK.
1913
01:25:27,687 --> 01:25:29,254
IRA, WELL,
WHO THE HELL DID HE
SEE UP THERE THEN?
1914
01:25:29,298 --> 01:25:32,475
IT WAS A GUY.
HE HAD A 13-INCH--
AH, FORGET IT.
1915
01:25:32,518 --> 01:25:33,998
IT DOESN'T MATTER
ANYHOW NOW.
1916
01:25:34,041 --> 01:25:35,565
ALL CONNECTION DISCONNECTED.
1917
01:25:35,608 --> 01:25:38,437
AH, WELL, HE'D BEEN
DISCONNECTED ANYWAY.
1918
01:25:38,481 --> 01:25:41,005
NO, HE WASN'T.
HE WOULD HAVE MADE IT.
1919
01:25:41,048 --> 01:25:42,006
THINK SO?
1920
01:25:42,049 --> 01:25:43,573
DANNY CAME TO US,
OFFERED US GIGS.
1921
01:25:43,616 --> 01:25:45,270
HE NEEDED SOME MATERIAL
TO STALL THE NETWORKS
1922
01:25:45,314 --> 01:25:47,316
UNTIL HE FOUND
A REPLACEMENT FOR BRIAN.
1923
01:25:47,359 --> 01:25:48,447
YOU TURNED HIM DOWN?
1924
01:25:48,491 --> 01:25:49,753
WE'RE NOT THAT DESPERATE.
1925
01:25:49,796 --> 01:25:51,581
WHEN DID THIS HAPPEN?
1926
01:25:51,624 --> 01:25:52,538
LATE LAST NIGHT.
1927
01:25:52,582 --> 01:25:54,845
AND YOU TOLD HIM NO
LAST NIGHT?
1928
01:25:54,888 --> 01:25:55,846
YEAH.
1929
01:25:55,889 --> 01:25:58,892
THAT'S TOO BAD.
1930
01:26:00,764 --> 01:26:03,506
I MEAN, WE GAVE HIM
THE IMPRESSION THAT
WE WOULD, UH--
1931
01:26:03,549 --> 01:26:05,464
IN OTHER WORDS,
YOU SAID YOU'D DO IT.
1932
01:26:05,508 --> 01:26:06,639
YES, BUT SUBSEQUENTLY
1933
01:26:06,683 --> 01:26:09,642
WE EMBRACED
A NEW PHILOSOPHY.
1934
01:26:11,470 --> 01:26:13,951
SO DANNY THINKS YOU GUYS
ARE STILL DOING THE SHOW?
1935
01:26:13,994 --> 01:26:16,345
GOOD. THAT'LL BUY US
SOME TIME.
1936
01:26:16,388 --> 01:26:17,128
WHAT?
1937
01:26:17,172 --> 01:26:18,347
BRIAN'S DOING THE SHOW.
1938
01:26:18,390 --> 01:26:20,131
CAN SOMEBODY
MAKE SOME COFFEE?
1939
01:26:20,175 --> 01:26:21,567
HA HA HA. HAVE YOU
SEE HIM LATELY?
1940
01:26:21,611 --> 01:26:24,266
I DON'T THINK A CUP
OF COFFEE'S GONNA
DO THE TRICK.
1941
01:26:24,309 --> 01:26:25,615
IT'S FOR US,
YOU IMBECILE.
1942
01:26:25,658 --> 01:26:27,530
NOW, YOU SAID YOU HAD
A STORY FOR THE SHOW, RIGHT?
1943
01:26:27,573 --> 01:26:29,227
YEAH.
1944
01:26:29,271 --> 01:26:30,533
NOW, WHAT ABOUT YOU TWO?
DID YOU MANAGE TO COME UP
WITH ANYTHING
1945
01:26:30,576 --> 01:26:32,404
BEFORE YOU REALIZED DANNY
WAS BULLSHITTING YOU?
1946
01:26:32,448 --> 01:26:35,494
YES. WE OPEN IN A DESERT.
DEATH VALLEY.
1947
01:26:35,538 --> 01:26:37,453
WHATEVER.
BRIAN'S DOING THE SHOW.
1948
01:26:37,496 --> 01:26:39,237
YOU'RE GONNA BE
THE STAFF.
1949
01:26:39,281 --> 01:26:40,282
WHO YOU GONNA BE?
1950
01:26:40,325 --> 01:26:41,500
I'M GONNA BE BRIAN.
1951
01:26:41,544 --> 01:26:42,893
WHY DO YOU
GET TO BE BRIAN?
1952
01:26:42,936 --> 01:26:45,243
OUTSIDE OF HIS SHRINK,
WE'RE THE ONLY 5 PEOPLE
1953
01:26:45,287 --> 01:26:47,637
WHO KNOW EXACTLY WHAT KIND
OF SHAPE BRIAN IS IN.
1954
01:26:47,680 --> 01:26:49,073
AND WE'RE ALL WRITERS.
1955
01:26:49,116 --> 01:26:50,379
SO WE FRONT FOR HIM.
1956
01:26:50,422 --> 01:26:53,251
EXACTLY. BRIAN HAS THIS
INCREDIBLE OPPORTUNITY.
1957
01:26:53,295 --> 01:26:55,427
HE DOESN'T WANT TO DO IT.
WE DO.
1958
01:26:55,471 --> 01:26:56,298
WHOA, WHOA, WHOA.
1959
01:26:56,341 --> 01:26:58,387
WHY DO YOU
GET TO BE BRIAN?
1960
01:26:58,430 --> 01:26:59,344
BECAUSE...
1961
01:26:59,388 --> 01:27:01,346
I'M BRIAN'S NEW PARTNER.
1962
01:27:01,390 --> 01:27:03,914
DOES BRIAN KNOWTHIS?
1963
01:27:03,957 --> 01:27:05,220
LET ME TAKE CARE OF BRIAN.
1964
01:27:05,263 --> 01:27:06,830
YOU GUYS JUST KEEP
BULLSHITTING DANNY.
1965
01:27:06,873 --> 01:27:10,268
TELL HIM YOU CAME BY
TO SEE BRIAN LAST NIGHT
TO GET YOUR CAR.
1966
01:27:10,312 --> 01:27:12,183
BRIAN WAVED YOU IN.
1967
01:27:12,227 --> 01:27:13,837
HE--HE WAS UP WORKING
ALL NIGHT.
1968
01:27:13,880 --> 01:27:15,273
HE COME UP WITH
3 GREAT STORIES.
1969
01:27:15,317 --> 01:27:17,406
6. WE'RE GONNA WORK
ALL NIGHT IF WE HAVE TO.
1970
01:27:17,449 --> 01:27:18,842
COULD YOU GO
MAKE THE COFFEE?
1971
01:27:18,885 --> 01:27:20,060
NO, NO, BUT I--I
WANT TO STAY HERE--
1972
01:27:20,104 --> 01:27:21,366
Neal: BENNY, WOULD YOU
MAKE SOME DAMN COFFEE?
1973
01:27:21,410 --> 01:27:23,281
SHE ASKED YOU
TO MAKE THE COFFEE.
1974
01:27:23,325 --> 01:27:24,848
DO YOU WANT THE JOB
OR NOT?
1975
01:27:24,891 --> 01:27:26,458
[ALL SHOUT]
1976
01:27:26,502 --> 01:27:27,416
JACK-OFF.
1977
01:27:27,459 --> 01:27:29,635
BRING ME SOME
SWEET N' LOW, TOO.
1978
01:27:30,767 --> 01:27:31,898
YOUR TEAM?
1979
01:27:31,942 --> 01:27:33,204
LIKE THE '62 METS.
1980
01:27:33,248 --> 01:27:36,512
GREAT. YOU'LL FILL ONE
SUPERVISING PRODUCER SLOT.
1981
01:27:36,555 --> 01:27:39,123
YOU'RE PRODUCER.
YOU'RE CO-PRODUCER.
1982
01:27:39,166 --> 01:27:39,993
WAIT A MINUTE.
1983
01:27:40,037 --> 01:27:41,430
DON'T GET GREEDY.
1984
01:27:41,473 --> 01:27:42,518
I COULD GO TO DANNY.
1985
01:27:42,561 --> 01:27:43,997
DON'T BE GREEDY ANDSTUPID.
1986
01:27:44,041 --> 01:27:48,219
YOU'RE SUPPOSED TO SAVE THAT
IN CASE I TRY AND FIRE YOU.
1987
01:27:48,263 --> 01:27:49,612
WHY WOULD BRIAN
GO FOR THIS?
1988
01:27:49,655 --> 01:27:50,743
HANK,
DO YOU MIND?
1989
01:27:50,787 --> 01:27:52,049
WHY WOULDN'T HE GO FOR IT?
1990
01:27:52,092 --> 01:27:53,398
HE DOESN'T HAVE TO GO
THROUGH WITH THE TORTURE.
1991
01:27:53,442 --> 01:27:56,183
HE GETS TO SHARE
45 GRAND A SHOW.
1992
01:27:56,227 --> 01:27:57,446
HE GETS TO KEEP HIS HOUSE.
1993
01:27:57,489 --> 01:27:58,534
AND HE'LL BE GETTING
1994
01:27:58,577 --> 01:28:00,100
THE BEST SEX
OF HIS ENTIRE LIFE.
1995
01:28:00,144 --> 01:28:02,451
YOU SAID YOU DIDN'T
SLEEP WITH HIM.
1996
01:28:02,494 --> 01:28:03,626
OH, GROW UP.
1997
01:28:03,669 --> 01:28:05,671
Hank: WHAT WILL A PRODUCER
GET PER EPISODE?
1998
01:28:05,715 --> 01:28:07,499
Georgia:
I DON'T KNOW--12?
1999
01:28:07,543 --> 01:28:10,328
[CHATTER]
2000
01:28:12,722 --> 01:28:14,463
Hank: IRA,
LET HER FINISH.
2001
01:28:14,506 --> 01:28:18,118
Georgia:
OH, BY THE WAY, THAT TIME
IN THE PARKING LOT--
2002
01:28:18,162 --> 01:28:20,643
BENNY,
WHERE'S THAT COFFEE?
2003
01:28:22,384 --> 01:28:25,865
[DIALING]
2004
01:28:25,909 --> 01:28:29,608
[RINGING]
2005
01:28:29,652 --> 01:28:31,262
Man: HELLO?
2006
01:28:31,306 --> 01:28:32,698
IT'S BRIAN.
2007
01:28:32,742 --> 01:28:34,657
WELL...
2008
01:28:34,700 --> 01:28:36,136
IT WORKED.
2009
01:28:36,180 --> 01:28:38,487
OH, THAT'S BEAUTIFUL.
DO YOU THINK THEY
CAN HANDLE IT?
2010
01:28:38,530 --> 01:28:41,141
YOU KNOW
WHAT'S REALLY GREAT?
2011
01:28:41,185 --> 01:28:43,143
I DON'T CARE.
2012
01:28:43,187 --> 01:28:44,406
WONDERFUL.
2013
01:28:44,449 --> 01:28:46,973
THAT'S EXACTLY WHERE
WE WERE TRYING TO GET TO.
2014
01:28:47,409 --> 01:28:49,672
THOSE 22 SHOWS--
THEY GUARANTEED?
2015
01:28:49,715 --> 01:28:50,977
ABSOLUTELY.
2016
01:28:51,021 --> 01:28:52,544
SO WHAT'D I TELL YOU?
2017
01:28:52,588 --> 01:28:55,460
IN ORDER TO HAVE SOMETHING,
YOU MUST FIRST STOP WANTING IT.
2018
01:28:55,504 --> 01:28:57,680
OR APPEARING TO WANT IT.
2019
01:28:57,723 --> 01:28:58,811
YEAH, WELL,
2020
01:28:58,855 --> 01:29:00,770
WE'LL GET INTO THAT
IN THE NEXT SESSION.
2021
01:29:00,813 --> 01:29:02,424
BRIAN, YOU'RE FEELING OK?
2022
01:29:02,467 --> 01:29:04,904
I'M STILL
A LITTLE PHLEGMY
2023
01:29:04,948 --> 01:29:06,253
FROM THE CHOCO-CCINO.
2024
01:29:06,297 --> 01:29:08,343
WELL, I'LL SEND UP
SOME EXPECTORATE.
2025
01:29:08,386 --> 01:29:09,474
THAT OUGHT TO CLEAR YOU UP.
2026
01:29:09,518 --> 01:29:12,042
BRIAN, ARE THOSE GUYS
STILL DOWNSTAIRS?
2027
01:29:12,085 --> 01:29:12,782
MM-HMM.
2028
01:29:12,825 --> 01:29:13,739
DO ME A FAVOR, WILL YOU?
2029
01:29:13,783 --> 01:29:15,393
WILL YOU FLUSH
THAT BAG OF PILLS
2030
01:29:15,437 --> 01:29:17,308
BEFORE ONE OF THEM
GETS INTO IT?
2031
01:29:17,352 --> 01:29:18,701
OH, SURE.
2032
01:29:18,744 --> 01:29:21,312
AND, BRIAN,
I'M PROUD OF YOU.
I'LL SEE YOU MONDAY.
2033
01:29:21,356 --> 01:29:22,487
MONDAY.
2034
01:29:22,531 --> 01:29:24,359
[BEEPS]
2035
01:29:34,978 --> 01:29:37,763
♪ NOTHING'S IMPOSSIBLE,
I HAVE FOUND ♪
2036
01:29:37,807 --> 01:29:41,114
♪ FOR WHEN MY CHIN
IS ON THE GROUND ♪
2037
01:29:41,158 --> 01:29:42,594
♪ I PICK MYSELF UP
2038
01:29:42,638 --> 01:29:44,030
♪ AND DUST MYSELF OFF
2039
01:29:44,074 --> 01:29:46,685
♪ START ALL OVER AGAIN
2040
01:29:46,729 --> 01:29:49,384
♪ DON'T LOSE YOUR CONFIDENCE,
IF YOU SLIP ♪
2041
01:29:49,427 --> 01:29:52,430
♪ BE GRATEFUL
FOR A PLEASANT TRIP ♪
2042
01:29:52,474 --> 01:29:55,694
♪ PICK YOURSELF UP,
DUST YOURSELF OFF ♪
2043
01:29:55,738 --> 01:29:57,914
♪ START ALL OVER AGAIN
2044
01:29:57,957 --> 01:30:00,786
♪ YOUR FACE HAS THAT
FULL-OF-DOUBT LOOK ♪
2045
01:30:00,830 --> 01:30:03,833
♪ 'CAUSE RIGHT NOW YOU'RE
FEELING KIND OF SMALL ♪
2046
01:30:03,876 --> 01:30:06,879
♪ BUT SWITCH
TO A SUNNY OUTLOOK ♪
2047
01:30:06,923 --> 01:30:10,361
♪ AND SOMEDAY
YOU'LL HAVE IT ALL ♪
2048
01:30:10,405 --> 01:30:13,146
♪ LIFE IS A PARTY,
BUT NOW AND THEN ♪
2049
01:30:13,190 --> 01:30:16,236
♪ YOU HAVE TO FALL
TO RISE AGAIN ♪
2050
01:30:16,280 --> 01:30:19,501
♪ PICK YOURSELF UP,
DUST YOURSELF OFF ♪
2051
01:30:19,544 --> 01:30:22,852
♪ START ALL OVER AGAIN
2052
01:30:29,815 --> 01:30:31,861
THANK YOU VERY MUCH.
2053
01:30:42,132 --> 01:30:44,264
♪ THURSDAY NIGHT,
I GOT MY BABY AT HOME ♪
2054
01:30:44,308 --> 01:30:47,224
♪ I TURN THE LIGHTS DOWN LOW
AND TURN THE TV ON ♪
2055
01:30:47,267 --> 01:30:49,487
♪ CHANNEL 27
FOR THE LATE MOVIE ♪
2056
01:30:49,531 --> 01:30:52,664
♪ PRETTY GOOD THING,
AND IT'S CALLED TV ♪
2057
01:30:52,708 --> 01:30:55,145
♪ TV
2058
01:30:55,188 --> 01:30:56,712
♪ TV
2059
01:30:56,755 --> 01:31:01,281
♪ YOU KNOW THAT SOMETIMES, BABY,
IT'S PRETTY GOOD COMPANY ♪
2060
01:31:01,325 --> 01:31:05,198
♪ UH-UH-UH,
UH-UH-UH-UH ♪
2061
01:31:05,242 --> 01:31:07,331
♪ HOLD ME CLOSE
'CAUSE IT'S A MYSTERY ♪
2062
01:31:07,374 --> 01:31:09,986
♪ I DON'T NEED A FRIEND
OR THE SILVER SCREEN ♪
2063
01:31:10,029 --> 01:31:12,379
♪ IF THERE'S ONE THING
THAT YOU GOTTA SEE ♪
2064
01:31:12,423 --> 01:31:15,905
♪ PRETTY GOOD THING,
AND IT'S CALLED TV ♪
2065
01:31:15,948 --> 01:31:17,254
♪ TV
2066
01:31:17,297 --> 01:31:18,385
♪ UH
2067
01:31:18,429 --> 01:31:19,952
♪ TV
2068
01:31:19,996 --> 01:31:25,349
♪ I KNOW THAT SOMETIMES, BABY,
IT'S PRETTY GOOD COMPANY ♪
2069
01:31:25,392 --> 01:31:30,615
♪ I SAID THAT SOMETIMES, BABY,
IT'S PRETTY GOOD COMPANY ♪
2070
01:31:30,659 --> 01:31:35,185
♪ AHH!
2071
01:31:46,762 --> 01:31:48,720
♪ FRIDAY NIGHT,
I GOT MY BABY ALONE ♪
2072
01:31:48,764 --> 01:31:51,767
♪ I TURN THE LIGHTS DOWN LOW
AND TURN THE TV ON ♪
2073
01:31:51,810 --> 01:31:54,334
♪ CHANNEL 27
FOR THE LATE MOVIE ♪
2074
01:31:54,378 --> 01:31:57,294
♪ PRETTY GOOD THING,
AND IT'S CALLED TV ♪
2075
01:31:57,337 --> 01:31:59,514
♪ TV
2076
01:31:59,557 --> 01:32:01,298
♪ TV
2077
01:32:01,341 --> 01:32:05,868
♪ YOU KNOW THAT SOMETIMES, BABY,
IT'S PRETTY GOOD COMPANY ♪
2078
01:32:05,911 --> 01:32:07,434
♪ UH
2079
01:32:07,478 --> 01:32:11,613
♪ I SAID THAT SOMETIMES, BABY,
IT'S PRETTY GOOD COMPANY ♪
2080
01:32:11,656 --> 01:32:16,792
♪ I'VE LEARNED THAT SOMETIMES,
BABY, IT'S PRETTY GOOD ♪
2081
01:32:17,923 --> 01:32:20,404
♪ AH-AH-AH-AH
2082
01:32:20,447 --> 01:32:23,102
♪ AH-AH-AH
2083
01:32:23,146 --> 01:32:25,583
♪ AH-AH-AH-AH
2084
01:32:25,627 --> 01:32:28,368
♪ AH-AH-AH
2085
01:32:28,412 --> 01:32:30,545
♪ TV
2086
01:32:30,588 --> 01:32:32,851
♪ COMPANY
2087
01:32:32,895 --> 01:32:35,550
♪ TV
2088
01:32:35,593 --> 01:32:38,553
♪ COMPANY
2089
01:32:38,596 --> 01:32:41,599
♪ UH-UH-UH...
2090
01:32:41,643 --> 01:32:43,340
♪ WHOO!
2091
01:32:44,210 --> 01:32:46,822
CAPTIONING MADE POSSIBLE BY
LIONS GATE ENTERTAINMENT
2092
01:32:46,865 --> 01:32:49,868
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
137788
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