Original subtitles

(RUMBLING)

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(INSECTS CHIRRUP)

(WILDLIFE HOWLS) (GUNFIRE BANGS)

(PANTING)

(GUN BANGS)

(TENSE INSTRUMENTAL MUSIC)

Oh, shit, shit, shit.

(TENSE INSTRUMENTAL MUSIC)

Oh, fuck.

(PANTING) (TENSE INSTRUMENTAL MUSIC)

Hurry it up.

(TENSE INSTRUMENTAL MUSIC)

(DRAMATIC, OMINOUS INSTRUMENTAL MUSIC)

(HELICOPTER RUMBLES)

(OMINOUS INSTRUMENTAL MUSIC)

(PHONE RINGS)

Yes?

Sir, we've landed.

Are you we still an all go?

We are a go.

Okay, I was thinking we could.

- Are we on? - Looks like it.

Is it gonna be this hot the whole time?

What do you think?

This humidity's gonna be hell on the computers.

Anybody plan for that?

You don't think this country has computers?

The guy knows.

The guy, the guy, where is the guy?

(TIRES SCREECH) Oh!

Foster team?

Yep.

I'm Jantz.

Okay.

This is Fielding and Kroger.

Your guy?

Not my guy.

- Your name? - Boller.

Did the gear arrive?

Already at the house.

Fine.

(TIRES SCREECH)

(TRAFFIC HUMS)

BOLLER: Hand that up.

Would you relax?

Are you kidding me?

Hey, does the AC work, man?

Can you at least open a freaking window?

Hey, it's great.

Fine.

(DRONING AMBIENT MUSIC)

(PLANE ROARS)

(DRONING AMBIENT MUSIC)

We get out here.

How much is that?

Smooth.

Keep the change.

(DOG BARKING) (CHILD CRYING)

(DRONING AMBIENT MUSIC)

Are you shitting me?

We're above a sweatshop, no AC, not even fans?

- Seriously, the fuck? - It is was it is.

We got this.

(AC HUMS)

Thank you, Jesus.

Which one of you two is coming to set up that link?

'Cause I know it isn't him.

It's me.

Grab your gear and let's move.

We've got a two hour drive.

JANTZ: Get set up, we'll communicate once we're synced.

(TRAFFIC HUMS)

(PHONE RINGS)

Go.

(VAN REVS)

OPS team secured.

Tech Jantz on route to Alpha.

Confirmed.

(PERCUSSIVE AMBIENT MUSIC)

Who are you talking to?

You do know why we're here, right?

Yeah, yeah.

Sure.

(OMINOUS INSTRUMENTAL MUSIC)

Hey, Leap, toss me up that hammer.

(CLANGING)

(KIDS LAUGH)

Leap, Leap, Leap!

Leap!

(SOFT INSTRUMENTAL MUSIC)

I'm sorry.

It's fine.

(WATCH BEEPS)

That alarm goes off every day.

Look, I don't wanna be rude, okay?

It's only a watch.

(GENTLE INSTRUMENTAL MUSIC)

You can eat with us, if you like.

(MAN SIGHS)

(PERCUSSIVE AMBIENT MUSIC)

BOLLER: Pull up here.

(PERCUSSIVE INSTRUMENTAL MUSIC)

(CARS HONKING)

Hello.

Thanks.

Can't believe they've got us working

on those multi-million dollar toys,

and they shack us up in this dump.

Freaking tightwads.

Have connection.

My names?

I'm coding the new combat program.

Wait, combat?

Not for this exercise.

It's just a nav test.

Right?

You do realize that we work for a weapons company, right?

(PULSING AMBIENT MUSIC)

The drug runners probably set this up.

You can tell by the amount of tracks,

people stepping over it.

The locals know it's here.

(PULSING AMBIENT MUSIC)

(TENSE INSTRUMENTAL MUSIC)

(JANTZ SNORTS)

(TENSE INSTRUMENTAL MUSIC)

(JANTZ SNEEZES)

(VAN RUMBLES)

PASSENGER: Jordan, stop, stop, stop, Jordan!

- Sorry. - What the hell?

Watch out.

Oh, goddamn it.

Engine's toast.

This is bullshit, who does this?

Someone that obviously doesn't want

us to go any further.

Why don't we just grab our packs

and start walking back the way we came?

We've been on this road for like five hours.

We haven't seen any...

No, if this map is correct,

there's a tiny village around here somewhere.

You guys are sure you have the map the right way up?

- Jordan! - What?

Shut up!

Why are you always such a smart ass?

I'm just trying to bring a little...

Guys, come on, all right?

I say we just stick to the map, for what it's worth.

It's already getting dark, and Jordan's right,

we haven't seen anything for miles.

- Go. - Just grab our packs

- and start walking. - You guys, everyone says

the Golden Triangle is full of opium,

heroin, pot runners, and landmines.

Us all being doctors, they might leave us alone.

You know, I don't think the landmines

can tell if we're doctors or not, Dez.

Jordan, shut up!

Hey, I mean, no one goes into the theater

expecting to get killed or raped or skint

or blown up or any of these sort of things!

Hey, if I've got the map,

can you show me if we're in the Golden Triangle?

You're really starting to scare me.

You need to relax, okay?

Which way, Angie, Tien?

- This way. - Over there.

- Oh, fuck. - Wait a minute.

This is not gonna end well.

- Jordan, just... - Just chill, okay?

- All right? - Calm, girlfriend.

All right, if we stick to these well-worn tracks,

we should be fine.

We should be fine or we will be fine?

Stick with me, Dez.

(FOREBODING INSTRUMENTAL MUSIC)

Set up here.

(OMINOUS INSTRUMENTAL MUSIC)

(PHONE RINGS)

Kroger, are you there?

Are you there?

Yo.

Hey, the link is at 75%.

Just pan it left or right a tad.

Perfect, done, lock it off.

Is Fielding set up?

Okay, we're live.

Okay, good.

The drop is in 4.5 hours.

We're gonna head back.

Copy that.

What's that?

It's a backup plan.

Backup plan for what?

Is it up?

- Yeah. - Good.

Cover it up.

Let's get the hell outta here.

(PHONE RINGS)

Go.

Connectives are 2-4-3-2-6-7

into our team's cameras and comms.

KROGER: Who's this, sir?

CIA.

Oh, shit!

Okay.

Okay, he's in.

I thought this was for an internal test, sir.

Enough questions.

They're watching closely, so make it perfect.

Objectives may change, stay flexible.

Changes?

What the fuck he's talking about?

FIELDING: Code change?

(PHONE RINGS)

Jantz.

Do you know anything about an objective change?

No, who said it?

(OMINOUS INSTRUMENTAL MUSIC)

BOLLER: Keep your fucking mouth shut,

keep your mouth shut!

Shh, shh, shh.

(FOREBODING INSTRUMENTAL MUSIC)

Fuck!

Who was that, motherfucking drug runners?

One last time, stay quiet!

TIEN: Angie, are you sure this is the right way?

ANGIE: Girl, I told you, I got this.

Who gave Angie the map?

Yeah, who gave Angie the map in the first place?

Oh, time out, y'all.

I need a drink.

Yeah, me, too.

Hey, Tien, are your parents happy

that you're going to a medical school in Chicago?

I hope so, they're helping me pay for it.

Well, I don't know how much you'll learn in Chicago.

Jordan, why are you so mean to me?

Look, in Tien's defense,

it's actually a pretty good college.

We did our research and...

Shh, shh!

(TENSE INSTRUMENTAL MUSIC)

- Y'all hear that? - What?

(TENSE INSTRUMENTAL MUSIC)

(LAUGHING)

What was that?

I almost fainted with that.

Me, too.

Man up, guys, it was a bunch of kids.

Yeah, with guns, Jordan.

Hey, actually, I don't feel so lost now.

Ha, ha, you're so funny.

(PULSING AMBIENT MUSIC)

Cutting it close, guys.

- We set? - Good to go.

Is my team logged in?

Team?

What team?

CIA, apparently, Foster's orders.

CIA, this is fucking getting serious!

Well, we're dropping a secret team of robots

into a country that we're not supposed to be in.

It got serious the moment we start up.

(FIELDING GASPS) (TENSE INSTRUMENTAL MUSIC)

- Fuck. - Bad habit of knocking.

- Are we connected? - Yes, cowboy.

Alpha, Quebec, 9-0-0-9 Alpha, confirmed.

Confirmed, line is secure.

Drop is in 15 minutes.

Establishing links now.

Comms one through four confirmed.

We should have solid comms when they're all on the ground.

(PLANE ROARS)

(OMINOUS INSTRUMENTAL MUSIC)

(PLANE ROARS)

Got on the wrong one.

Look, a plane!

Help!

Did you say plane?

Angie, there's no way they can see us.

(PULSING INSTRUMENTAL MUSIC)

(WHOOSHING)

Four's picking up speed.

Chutes aren't opening all the way.

- Want me to blow it? - No!

And let everyone in the area know that we're here?

We let it go.

Well, it's landed.

Signal's lost.

Major.

Continue with the operation.

No noise until we complete the objective.

You gotta be shitting me.

We'll let the other three robots detonate

number four after the operation.

Sending go codes now.

(DARK AMBIENT MUSIC)

We have solid comms with One, Two, and Three.

Four is dead.

- Shit! - What?

Damn engineers!

We told them that the comm modules weren't sitting tightly.

And if we lose connection with the modules,

they become free agents.

Meaning you have no control.

Sort of.

No module means that they're...

Dumb terminators.

No module, no objective.

Kroger's terminology is slightly exaggerated, okay?

Look it, in layman's terms, they have two brains, okay?

One is the module that caps their artificial intelligence,

that allows us to communicate with them.

The module also allows them to make the best

decisions in the field possible,

whether that be jumping off a cliff or not,

or when would be the appropriate time to pull out a gun.

We can set objectives, we can dictate orders,

we can pretty much get them to do

whatever it is that we want them to do,

but, ultimately, they will decide

the best and most efficient way

of doing what it is that we want them to do.

So they make their own decisions?

Yeah, pretty much.

I mean, look it, these robots have full-blown AI, okay?

So they are way smarter than any of us.

Without that module connected,

it's not a complete package, okay?

It's like a person with acute autism.

Clever as hell but useless in the real world, okay?

They can walk around aimlessly,

trying to figure out what the hell they are,

but they're not gonna learn much in the middle of a jungle.

That's why we've never let them self-learn,

for obvious reasons, and it's why

we've kept them off the grid

or connected via satellite, but, again,

without that module connected,

it's not a complete package.

It's kinda like a...

Zombie terminator.

A zombie terminator.

Can we fix it?

Well, with a highly technical and acutely autistic

delicate adjustment, I'll do my best.

And

done.

You think this is a fucking joke?

You do understand that, if this mission fails,

and you get caught, you could end up

in a very nasty jail for the rest of your lives?

Can you chill out?

All right, I'll put on my game face for you.

Is that better?

Let's give them a small navigation test

to see if they're still calibrated without BR4.

Tell them to rendezvous at the nav-comm link.

Okay.

(WHIRRING)

(FOREBODING INSTRUMENTAL MUSIC)

Excuse me, do you speak English?

English?

- No? - Guys.

Wait.

Hi, do you have a car?

Van broke down.

Needing a boat. (SPEAKING FOREIGN LANGUAGE)

Yeah, can you help us?

We're medical students.

Volunteers?

Oh, immunization.

We help the sick.

Okay, we have money.

- We can... - Jordan.

Okay, but, listen, just tell her

that we're willing to hire a guide or a car

- to get us out of... - Maybe you should stick

to English.

Yes, you're American, thank God.

Listen, man, sorry.

We're so lost, okay?

Our van just got spiked by this crazy booby-trap thing.

Do you have a car or a truck, maybe?

We'll pay you if you can get us to the river.

Ah, shit.

Don't talk, do not say a word.

No sudden movements.

Come inside now, now.

You speak English.

(TENSE INSTRUMENTAL MUSIC)

Okay, okay, boys, let's take it easy.

You shut up!

You're not one of us!

(TENSE INSTRUMENTAL MUSIC)

Where you guys from?

Why?

- (THUDDING) - Hey!

(GASPING) (GUN CLICKS)

We came from that direction.

About five hours walk.

Angie, Angie, show him.

(TENSE INSTRUMENTAL MUSIC)

You leave now!

Shut up!

You're all gone

or I'll kill you!

TIEN: Are you okay?

(TENSE INSTRUMENTAL MUSIC)

Navigation is completed.

Collate the data, send it back stateside for review.

Shh.

- Major. - Load the objective,

and don't let that fat fuck get under your skin.

New objective, load it.

Whoa, whoa, whoa, cowboy.

I write the code objectives here.

This isn't mine, where did this come from?

Your boss, so load it.

Hey, hey, hey, hey, hold the fuck on!

All right, I wanna read it first.

I'm the lead code writer here.

There could be bugs in it that could drop them all.

I just wanna check it out first.

30 seconds.

It's not my code.

You're not listening, dude.

All right, it could take weeks to write code objectives.

Major, the techs wanna check the code.

Foster, is the code solid?

Let Kroger check it.

Should take him about 15 minutes.

Fielding, please route me through

- the sandbox emulator, please. - Got it.

That a boy.

Hey, Four's coming online.

Damage report?

Looks okay, just the comm module

isn't responding properly.

Okay, so there's eight code breaks

in this objective.

Probably won't when I start digging.

How long?

10, 12 hours.

Faster.

I need to crash a minute, man.

I'm still lagging after that flight.

You fix it now, you sleep later.

You copy that?

(OMINOUS INSTRUMENTAL MUSIC)

Thank you so much for letting us into your home.

We promise to be out of your hair

first thing in the morning.

It's okay, I have some food to share.

Oh.

(LEAP SPEAKING FOREIGN LANGUAGE)

(LEAP SPEAKING FOREIGN LANGUAGE)

Wanna see something cool?

So what special forces were you with?

The tattoo.

This guy's a Navy SEAL.

Maybe the tattoo's fake.

I think this guy's full of shit.

Maybe if you would've kept your mouth shut,

like I told you, that would've gone just fine.

Yeah, well, I think a real Navy SEAL,

a real SEAl, could've handled that situation.

- Okay. - Stop!

I've had enough for one day.

We all have.

(TENSE INSTRUMENTAL MUSIC)

TIEN: Sit down.

JORDAN: Sorry.

DEZ: Come on, dude.

Sorry.

(TENSE INSTRUMENTAL MUSIC)

Objective's solid.

More importantly, where are my energy sticks?

BOLLER: Are we live?

(WHIRRING)

What is this?

New testing parameters.

Definitely didn't look like a simulation.

There's some questionable code in there.

(TENSE INSTRUMENTAL MUSIC)

Whoa!

Team will recon first.

The orders to secure and take over

the site will come from above.

(CHILDREN CHATTERING)

Leap, Leap.

You're up early.

How'd you sleep?

I didn't sleep at all.

You guys ready?

Grab your gear, let's go.

Where's Leap, is he gone?

He should be back soon, I hope.

All right, guys, we stay.

Leap knows these trails better than anybody, okay?

It'll save us from getting a leg blown off.

You're kidding, right?

I'm actually surprised you guys made it in here alive.

(TENSE INSTRUMENTAL MUSIC)

BOYS: Bang, bang, bang, bang, bang, bang!

Bang, bang, bang, bang!

(BOYS LAUGH)

(WILDLIFE CHIRRUPS)

(BUZZING)

(OMINOUS INSTRUMENTAL MUSIC)

(TENSE INSTRUMENTAL MUSIC)

(LEAP SPEAKING FOREIGN LANGUAGE)

(TENSE INSTRUMENTAL MUSIC)

(BOYS GASP)

(TENSE INSTRUMENTAL MUSIC)

(BUZZING)

(TENSE INSTRUMENTAL MUSIC)

(DARK INSTRUMENTAL MUSIC)

(LEAP SPEAKING FOREIGN LANGUAGE)

(TENSE INSTRUMENTAL MUSIC)

You leave now!

We're supposed to meet a boat here

to take us down the Song-Ma.

Think you can get us there?

No, I'm gonna take you guys back to your van.

Why, landmines?

Well, the boys outside, they have plantations

in between here and your boat.

You leave now or you die here!

We need Leap to help guide us outta here.

He knows this area better than me.

Leap!

What about an airport?

I saw a plane dropping gear or something yesterday.

(BOYS SPEAKING FOREIGN LANGUAGE)

(MAN AND LEAP SPEAKING FOREIGN LANGUAGE)

(MAN SPEAKING FOREIGN LANGUAGE)

(TENSE INSTRUMENTAL MUSIC)

You leave now!

The boy will take you to the track.

(TENSE INSTRUMENTAL MUSIC)

The bots have scanned 12 males, armed,

five unarmed males, 14 unarmed females,

eight children, all locals.

Activate the team.

I think we need to reconsider this.

(GUN CLICKS)

We can't do this.

Seriously, dude?

(GUNS BANG)

(GRUNTING) (GASPING)

(GUNS BANG) (TENSE INSTRUMENTAL MUSIC)

We gotta get outta here.

Where?

Yeah, where?

They're shooting all around us!

We go outside, we're dead.

Shh.

(GUNS BANG)

How many?

Three.

Who are they?

I don't know.

(DRAMATIC INSTRUMENTAL MUSIC)

(GUNS BANG)

What are they?

Shit.

(GUNS BANG) (SCREAMING)

Who are they?

I don't know.

(DRAMATIC INSTRUMENTAL MUSIC)

(GUNS BANG)

Hey, hey, hey, hey, Fielding, never touch.

(CHILD WHIMPERING)

No, come back inside!

(WEEPING)

(GUN BANGS)

- What are you doing? - That's not a heroin runner,

that's a grieving wife and probably a mother.

She's a witness!

Protecting her home and family!

You choosing not to follow orders?

Fuck this, Boller!

Get back online.

It's done.

(GUN BANGS)

(DRAMATIC INSTRUMENTAL MUSIC)

Do you have a problem following orders, Fielding?

No.

Just wasn't ready for this.

(TENSE INSTRUMENTAL MUSIC)

Okay, got to get inside.

(GUNS BANG)

(CHILD CRYING) (GUN BANGS)

(TENSE INSTRUMENTAL MUSIC)

Let's get you guys the hell outta here.

(LEAP SPEAKING FOREIGN LANGUAGE)

(THUDDING) (GRUNTING)

(TENSE INSTRUMENTAL MUSIC)

(TENSE INSTRUMENTAL MUSIC)

You okay?

Okay?

(WHIMPERING) (MOURNFUL INSTRUMENTAL MUSIC)

Gotta help her.

Yeah, I'll go, I'll go.

Hey, what are you doing?

If you go out there, you're dead.

Please, don't go.

Be quiet, be quiet.

(TENSE INSTRUMENTAL MUSIC)

(GUN BANGS)

(DRAMATIC INSTRUMENTAL MUSIC)

Oh, shit!

Stay low, stay low, follow me!

Come on!

(GUNS BANG) (TENSE INSTRUMENTAL MUSIC)

(PULSING INSTRUMENTAL MUSIC)

JORDAN: Dez, get up, get up, get up!

(TENSE INSTRUMENTAL MUSIC)

What do we do?

Stay here.

Where's he going?

(TENSE INSTRUMENTAL MUSIC)

Hey!

Over here!

(GUN BANGS)

Who the hell is that?

- Abort. - Stop the team.

We're recording this?

- Yes. - Rewind.

There!

Zoom up.

Major, are you seeing this?

Hold tight, hold tight.

Who the fuck is this guy?

(DRAMATIC INSTRUMENTAL MUSIC)

Fuck!

(TENSE INSTRUMENTAL MUSIC)

Hey.

Hey!

(WHISTLING)

It's Mason.

DEZ: He wants us to run to him.

Come on, no, stay here.

DEZ: Stay low, stay low.

Stay, stay.

KROGER: There's more of them.

Major, we have six more.

(TENSE INSTRUMENTAL MUSIC)

You said it was a clean site.

Obviously not.

These people have seen everything.

Boller, take them all down.

No witnesses.

Confirmed.

Turn the team back on, no witnesses.

These aren't drug runners!

Those are tourists or something!

Or dug traffickers, I said turn it back on!

It's either us or them.

I vote us.

(GUN BANGS)

MASON: Keala, come on, Keala!

(GUN BANGS)

Get that guy, turn them around, eliminate the witnesses!

Can't!

The team's priority is to eliminate the highest threat.

And that dude shooting is the highest threat.

Can we change the objectives?

No, we only have face scans of the big guy, no one else's.

BOLLER: And?

We need face scans of everyone!

Otherwise, we code to allow them

to shoot anything and anyone.

BOLLER: We do that.

We can't do this!

- She's right... - Do it!

(GUNS BANG) (TENSE INSTRUMENTAL MUSIC)

Fuck!

Mason.

Fuck!

Mason.

Fuck, I couldn't fucking save them!

Fuck!

Goddamn it, come on.

This guy isn't a tourist, Major.

Do we have an ID on him yet?

Sending you a packet.

A SEAL.

Is he a deserter or one of us?

I'll make a call.

Special forces, huh?

If this guy is a deserter,

it could be the ultimate field test.

Yeah, I was thinking the same thing.

Mason is priority number one.

Terminate all witnesses.

Mason is top priority target number one.

And terminate the group that's with him.

Make it happen.

30 seconds.

(PANTING)

(GUN BANGS) (MASON GRUNTS)

(MASON GROANS)

Fuck!

Come on.

(GUN BANGS) (TENSE INSTRUMENTAL MUSIC)

(DEZ GASPS)

Where are the others?

We're here.

We lost Bao and the girls.

Have you seen them?

No.

Did you see my son?

He went too fast.

He took off into the trees.

Hey, Keala, Keala, Leap is fine, I promise, okay?

He's fine.

We'll find him, okay?

You need to lead us outta here.

You know the way, okay?

Let's go, we gotta go now.

Let's go, I'll stay behind

and keep an eye out, okay?

Go, go, go.

(TENSE INSTRUMENTAL MUSIC)

(LEAP SPEAKING FOREIGN LANGUAGE)

(VILLAGER SPEAKING FOREIGN LANGUAGE)

(GUN BANGS)

(VILLAGER SPEAKING FOREIGN LANGUAGE)

(CRUNCHING) (GAGGING)

(DARK AMBIENT MUSIC)

(SQUISHING)

(DARK AMBIENT MUSIC)

(SQUISHING)

(DARK AMBIENT MUSIC)

(DRAMATIC INSTRUMENTAL MUSIC)

Someone's gonna live to tell what happened.

And what'd they see?

Four men wearing armor?

We were here for surveillance field testing, not killing!

You highly paid geniuses are building

weapons of war, no?

And yet when those weapons are actually used,

you throw your fucking hands up all righteous,

like you have no idea what's going on.

But you do.

You knew exactly what you were building

the second you took this job.

So, before you fucking judge me,

remember, everyone involved with these things,

everyone all the way down to the guy

who drops off the donuts, is accountable.

And you three are at the top of that line.

(PHONE RINGS)

Yes, Major?

(GUN BANGS)

Oh, shit!

BR2 just shot one.

- Oh my God. - No.

Shit, shit, shit.

(TENSE INSTRUMENTAL MUSIC)

(DRAMATIC INSTRUMENTAL MUSIC)

Oh, fuck.

(GASPING) (WHIMPERING)

She's still alive.

(DRAMATIC INSTRUMENTAL MUSIC)

Hurry it up.

(RUMBLING INSTRUMENTAL MUSIC)

Stop, please.

What the fuck's it doing?

(ANGIE PAINTING)

ANGIE: Please, please.

Please, please.

(DRAMATIC INSTRUMENTAL MUSIC)

Here she is, she's a doctor.

They're all doctors.

They're here on a good cause mission.

She's not a drug runner,

she's a (SPEAKER CUT OFF).

(TENSE INSTRUMENTAL MUSIC)

(SQUISHING)

Fuck. (RETCHES)

Oh my God!

Ah, shit.

Calm down, calm down.

If this mission goes fucking south, we're all dead.

- Seriously? - We're all dead.

Come on, man, okay?

You're scaring her, you're scaring me.

I'm scared.

Hey, hey, we are the brains trust behind this.

They need us.

Everyone's expendable, big boy,

even you three geniuses.

(DRONING AMBIENT MUSIC)

Hey.

(WILDLIFE CHIRRUPS)

Wendy and Angie and Bao are still out there somewhere.

We gotta find them.

No, man, they're dead.

Don't say that!

We haven't heard gunshots in a while.

Maybe they're just right behind us.

- Angie, Wendy! - Hey, shh!

Shh, hey!

We can make it out of here, okay, if you keep quiet.

The greater distance we put between us and these things,

the better chances we have.

Mason, your hand.

We gotta fix this.

(OMINOUS INSTRUMENTAL MUSIC)

BR2's got a lock on something.

(PANTING)

(THUDDING) (GROANING)

(PANTING)

(SCREAMING)

That's Bao!

Hey, hey, hold on!

You go out there, we're all dead.

I gotta go, let me go.

Stop.

(TENSE INSTRUMENTAL MUSIC)

(BONE CRUNCHES) (BAO SCREAMS)

(TENSE INSTRUMENTAL MUSIC)

(BAO WHIMPERING)

(DRAMATIC INSTRUMENTAL MUSIC) (BAO SCREAMS)

(DARK AMBIENT MUSIC)

(DEZ WEEPS)

(SQUISHING)

It's Four.

Is he connected?

Bluetooth auto-login.

How's he doing that?

Welcome to the future, man, it's automatic.

These things can connect to almost anything.

Four's comm module isn't pinging us.

It's either screwed or fallen out during the crash.

KROGER: What the hell?

Stopping all the commands.

Here, I'll send it a bug.

This will knock it on its ass.

What the?

Do you think it's talking to us?

Is the link being hacked?

No.

What if the cap on the AI was fried during the fall?

And?

Run Four's system's files.

(DARK AMBIENT MUSIC)

- Oh, shit. - Someone needs to start

talking to me.

He's downloading our files.

Well, stop it!

Denied!

It's trying to figure out what it is.

Is this a problem?

It should already have this detail.

I think it's just trying to reboot itself.

Download complete.

Terminate BR4 before we lose the advantage.

- Now. - Yes, sir.

We're working on it right now.

The data that I'm getting from it makes no sense.

Who can send that self-destruct code?

He stopped it.

How?

He's becoming self-aware.

That's not good.

What's with the 30 second countdown?

It's a fusion device, a three chemical mix.

It takes 20 to 30 seconds to combine

before it can detonate.

Burns at 100,000 degrees,

and a blast radius of over 200 yards.

I'm not sure blowing it up

where it's locate dis a good idea.

Look what it's standing next to.

The link.

You blow Four, you lose the others.

Shit!

Okay, is Four dangerous?

No, not in its current state.

Oh my God.

- What now? - Okay.

It's loading itself to our servers.

Now it's dangerous.

Cutting the connection.

I want that link terminated now!

We'll lose the others.

He's loading fast.

I said terminate!

Fuck it.

(BEEPING)

Just hit, what the?

(INSECTS CHIRRUP)

Nice work, cowboy.

How much of it loaded up?

About 90% before you got all excited.

How long before you get it back up and running?

Depends on how much damage you did.

Fix it.

Fuck, shit!

Fuck!

(TENSE INSTRUMENTAL MUSIC)

(LEAP SPEAKING FOREIGN LANGUAGE)

(DARK AMBIENT MUSIC)

(PHONE RINGS)

(DARK AMBIENT MUSIC)

I got Foster on the line, put us on speaker.

We cannot let BR4 find a way to connect, gentlemen.

Now, where did it upload its data to?

All the cables were just pulled out.

We have no idea just yet.

Make it a priority, find out.

He's learning really fast, sir.

I think his AI is uncapped.

(DARK AMBIENT MUSIC)

Keep an eye on it.

We can monitor Four through the BFA feeds

if the others are close enough.

Okay, so how are you gonna bring it under control?

We have to take it down somehow.

It shut down its self-destruct sequence.

What about the other BR units?

Can any of them shut down BR4?

The others can take him out.

I can write a new objective.

BR1 can still hunt the others

while Two and Three are tasked with capturing BR4.

Do it.

On it.

(DARK AMBIENT MUSIC)

(WILDLIFE CHIRRUPS)

(DRAMATIC INSTRUMENTAL MUSIC)

(WILDLIFE CHIRRUPS)

(TENSE INSTRUMENTAL MUSIC)

(MINE BOOMS)

(GASPING)

It was a mine.

- What if that was Angie? - Or Mason?

(TENSE INSTRUMENTAL MUSIC)

- Oh, fuck! - Let's go.

Let's go now, hurry, come on, let's go, now.

Come on, Keala, come on.

Let's go, hurry, hurry.

Everybody follow Keala, okay?

Let's go.

(OMINOUS INSTRUMENTAL MUSIC)

What is that smell?

It's ammonia.

They mix it with the opium as they boil it down.

(GUN BANGS)

Get down, get down!

(GUNS BANG)

KEALA: Leap, Leap!

Wendy, Wendy!

- Wendy! - Oh, God!

KEALA: Leap, Leap!

I thought you were all dead.

(TENSE INSTRUMENTAL MUSIC)

Where's Angie?

We haven't seen her.

And Bao?

(WEEPING)

(TENSE INSTRUMENTAL MUSIC)

Run! (GUN BANGS)

(EXCITING INSTRUMENTAL MUSIC)

(TIEN WHIMPERS)

(TENSE INSTRUMENTAL MUSIC)

(DRAMATIC INSTRUMENTAL MUSIC) (SCREAMING)

WENDY: Dez!

(DEZ SCREAMS)

(MASON SHOUTS)

(CLANGING) (GUN BANGS)

(DEZ SCREAMS)

(SHOUTING)

WENDY: Can you hear me?

(SHOUTING)

(EXCITING INSTRUMENTAL MUSIC)

(GUNS BANG)

(LEAP SPEAKING FOREIGN LANGUAGE)

The kid has the module!

I'm guessing that's Number Four's.

Shit!

(LEAP SPEAKING FOREIGN LANGUAGE)

(GUNS BANG)

(TENSE INSTRUMENTAL MUSIC)

No!

(EXCITING INSTRUMENTAL MUSIC)

Come on!

Yeah, you're welcome!

Come on!

(GUN CLICKS)

(EXCITING INSTRUMENTAL MUSIC)

(DEZ WHIMPERING)

(TENSE INSTRUMENTAL MUSIC)

(WILDLIFE CHIRRUPS)

(GUN BANGS) (MINE BOOMS)

(QUIET INSTRUMENTAL MUSIC)

(BUZZING) (WHIRRING)

(GUN BANGS) (MASON SHOUTS)

(GUN CLICKS)

(CLANGING) (MASON SHOUTING)

- Whoa! - Whoa!

Start priming the self-destruct.

Blow it, blow it, come on!

- 30 seconds. - Fuck!

Seriously?

(MASON GRUNTING) (CLANGING)

(BEEPING) (TENSE INSTRUMENTAL MUSIC)

(THUNDEROUS BOOM) (MASON SHOUTS)

(BIRDS CAW)

And?

Detonation confirmed.

How do we know we got everyone?

It should've wiped out everything within 200 yards.

Until I see bodies, no one is dead.

(DARK AMBIENT MUSIC)

(MASON COUGHS)

(LEAP SPEAKING FOREIGN LANGUAGE)

Leap.

(LEAP CRYING)

Leap.

(KEALA SPEAKING FOREIGN LANGUAGE)

Keala, Keala.

Hey, hey, let me see, let me see, let me see.

Help!

Keala needs help!

I got it, got it, got it.

Hey, hey, stay with me.

(LEAP CRYING)

What happened?

Move your hand, move your hand.

Oh my God.

Oh, shit.

We need to move her on her side.

Come on, Mason, help me.

Move her on her side.

(KEALA WHIMPERING) (LEAP CRYING)

Need to position her here.

Okay, put pressure on the back.

Okay, come on, put your hand here, okay.

The bullet's gone through.

We don't have a lot of equipment for a wound like this.

We're gonna try and stop the bleeding, but, uh.

But what?

It's not looking good.

Keala, we're gonna try to get you outta here, okay?

Put your hand here.

Dez, Dez.

Can you hear me?

Dez!

(LEAP CRYING)

KEALA: Leap!

(LEAP CRYING)

Your father was a brave man.

(LEAP CRYING)

(LEAP SPEAKING FOREIGN LANGUAGE)

(LEAP CRYING)

I respect any man

who would die protecting his family.

He was fighting for you and your mom, okay?

It's my fault.

I made the metal man angry.

I stole this.

(LEAP CRIES)

Leap, Leap, look at me.

This is not because of you, okay?

Some men sent these metal men here to attack our village.

It's not because of anything

that you did or because of this.

(LEAP CRIES)

Let's go on one, two, three.

(DRONING AMBIENT MUSIC)

Keala, can you walk?

Yes, slowly.

- I can help her. - Leap, Leap.

KEALA: Leap (SPEAKING FOREIGN LANGUAGE).

(LEAP CRIES)

(KEALA SPEAKING FOREIGN LANGUAGE)

(LEAP CRIES)

(KEALA SPEAKING FOREIGN LANGUAGE)

(LEAP CRIES)

KEALA: Leap!

(LEAP CRIES)

KEALA: Leap!

(LEAP CRIES)

Leap.

Leap, listen.

We gotta get your mother outta here now, okay?

We need you, you're the only one who knows the way.

I need your help, okay?

(LEAP CRIES)

Leap, Leap.

(LEAP CRIES)

(PHONE RINGS)

Go.

Major, this has gone south.

We have to start making some decisions.

We have a robot wondering the jungle

looking for the fucking Internet.

Just stay calm.

American citizens, who can still be alive,

who quite possibly have both physical and video evidence.

I don't have enough assets in the field

to solve both problems.

I recommend you call in drone support,

we wipe this area clean.

Listen, this op is off the grid.

If I start making calls for drone support,

we're gonna have a lot bigger problems to deal with.

KROGER: We have their positions.

I'll call you right back.

We tracked the BR1 to the site.

BR2 is en route.

That kid had a module in his hand.

Does it have a GPS beacon?

KROGER: It does.

Then why haven't we been tracking that?

Well, we didn't know the kid had it!

We've been using the GPS tracker

built into the BR4 unit.

We thought that the module was still attached to the BR4

so we just never thought of that as an option.

So it just never came to mind.

Fucking amateurs.

Look, the whole point of this exercise

was to see how reliable your assets are

in a real life situation.

Now I've got people on both sides of the fence

looking in on this, and, so far,

all we have is an unarmed Navy SEAL

beating the shit out of one of them with a sledgehammer!

That sledgehammer didn't stop our asset.

A very large explosive booby trap did,

set up by a highly trained Navy SEAL

who shouldn't have been there.

Your man killed it when he detonated

that asset without authority.

Not to mention, your intel on the site was incorrect.

Having seven US civilians in the zone

was not part of our test parameters.

All right, I'll figure out how to clean this up.

But your people have to figure out how to control it

or take down BR4.

(DARK AMBIENT MUSIC)

Cocksucker.

How far is BR2 from reaching the camp.

20 to 30 minutes.

Does BR3 have a lock on Four?

There's an intermittent signal, but getting close.

How close?

BR2 is in the blast zone,

BR3 has a lock on BR4.

They're close.

Get ready to blow Three in case this doesn't go right.

(DARK AMBIENT MUSIC)

(WHIRRING) (GUN BANGS)

(TENSE INSTRUMENTAL MUSIC)

Oh, that's a new move.

What do you mean?

Well, they're designed to take a beating

and keep fighting, not dodge and hide like a ninja.

Four's got a bunch of new skills.

(WHIRRING)

(GUN BANGS)

(CLANGING) (DARK INSTRUMENTAL MUSIC)

Major, I say we detonate BR3 to take out Four.

Confirmed.

Hold up!

This robot's brain could be the key

to a whole new level of tech.

Jantz, Kroger, see if you can hook

into Four with Three's BFA

and download whatever you can.

Okay, we're linked.

We got a message from BR4.

What?

Well, what does it say?

Thank you?

He's uploading himself again.

Cut the connection between the pair.

- Done. - Four has reconnected

to Three again. _ Shit!

Blow it up!

Major, your man does not have the authority to detonate.

Yes, he does.

Do it.

Do it.

BR4 is stopping BR3's detonation code.

Okay, we're good, I blocked him with a password.

10 seconds.

Fuck!

Tell me that didn't just happen.

It's not supposed to happen.

It's getting smarter, isn't it?

Uh huh.

(WILDLIFE CHIRRUPS)

There's Four again, he's uploading.

Goddamn it!

BOLLER: Shut him down!

Fuck!

Cut the link, kill it!

(DRAMATIC INSTRUMENTAL MUSIC)

Dead or alive, we need BR4's AI data.

It'll put the program ahead 10 years.

Yeah, well, I prefer it dead.

Priority is to not let it connect again.

Boller, how do we fix this?

I'm gonna have to go in, try to find it.

I'll tag it with a marker, and a drone can hit it.

I've got an idea.

Hey, hear me out.

BR3 is still operational, just missing the module.

We've got spare ones right here.

If we can get Three...

Didn't we just see Four kick its ass?

This is new combat programming.

I've been working on it for the new BR upgrades.

It's not tested, but I know it'll work.

BR3 will be 10 times faster and stronger.

The only problem that I see

is that it could run through its battery in five hours.

We have spare batteries?

No, but this is all the time that BR3 may need.

If we can get BR3 to take out Four

or at least keep it occupied long enough

for us to laser target or use an EMP.

Okay.

You share Four's module information with BR2 right now.

(DRAMATIC INSTRUMENTAL MUSIC)

(KNOCKING)

(TENSE INSTRUMENTAL MUSIC)

(PHONE RINGS)

Hello?

Ann, Ann, calm down, what's wrong?

You're being watched.

Stay here!

They killed dozens of people.

Some are American.

The CIA is running the show.

Ann, you need to get the hell out of there.

I'm so, please, help me.

Where are you?

Can you ping me your address or something,

and I can try and get you out.

Okay, I'm doing it right now.

Not the way this is supposed to work, Fielding.

I'm just calling my mom.

You always tell your mother about

confidential projects you're working on?

MAN ON PHONE: Ann, what's going on?

Give me that phone.

I said, give me the phone.

(EXCITING INSTRUMENTAL MUSIC)

Ann, can you hear me?

(EXCITING INSTRUMENTAL MUSIC)

Ann, can you hear me?

(EXCITING INSTRUMENTAL MUSIC)

No!

(EXCITING INSTRUMENTAL MUSIC)

(THUDDING) (GRUNTING)

(EXCITING INSTRUMENTAL MUSIC)

Shit!

(EXCITING INSTRUMENTAL MUSIC)

(ANN GROANS)

Oh, no.

Ann!

(ANN WHIMPERING) (TENSE INSTRUMENTAL MUSIC)

Come on, girl.

I'm not gonna hurt you.

Just give me that phone.

And we go back to the house.

(SQUISHY THUD)

(ANN GASPS)

(DARK INSTRUMENTAL MUSIC)

No!

No!

No!

(BUZZING INSTRUMENTAL MUSIC)

(SQUISHING)

(SCREECHING INSTRUMENTAL MUSIC)

Your mother died eight years ago, remember?

It's gonna be over soon.

I promise, it's gonna be over real soon.

That's what we want, right there.

Fucking waste.

(DARK INSTRUMENTAL MUSIC)

Ann!

Ann, what's going on?

Hello?

Who the fuck is this?

Put Ann on the phone!

What the?

(PULSING INSTRUMENTAL MUSIC)

(PHONE RINGS)

Bravo, echo, 75-alpha.

Confirmed, site compromised.

Call to made number.

Plus 1-5-5-5-8-3-9.

Tidy it up.

I'm worried about Fielding.

You think she bailed on us?

What do you think?

(DARK AMBIENT MUSIC)

We've been compromised, we're on the move.

Pack up your gear.

What about the link.

Kill the link.

BR2 can hunt without us.

Where's Fielding?

I couldn't find her.

I said pack up, we're out of here in five!

(PULSING INSTRUMENTAL MUSIC)

Come on.

(TENSE INSTRUMENTAL MUSIC)

(GUN BANGS)

(PHONE RINGS)

(GUN BANGS)

Leave it.

Damn it.

(RUMBLING AMBIENT MUSIC)

It had to be raining.

JANTZ: Come on, come on, let's go.

(FIERY BOOM)

Keep moving, keep moving, let's go!

(DARK AMBIENT MUSIC)

(SOFT INSTRUMENTAL MUSIC)

(LEAP CRYING)

Are you ready?

(SOFT INSTRUMENTAL MUSIC)

Guys, we're moving too slow.

These things are gonna catch up to us.

We gotta get on top of one of these rocks,

make it more difficult for these things to follow us.

Are you crazy?

You want us to climb a vine?

What about Dez and Keala?

There's no way they're making it up that.

Jordan, I need you to stay down here.

You need to strap these two in.

Girls, come up with me.

I'll need your help pulling them up.

Let's go.

(SUSPENSEFUL INSTRUMENTAL MUSIC)

Come on.

You can do it, give me your hand, come on, don't stop.

Come on.

(GRUNTING)

Jordan, put this around Keala.

Hey, Leap, come on up, buddy.

We gotta help your mom up.

(TENSE INSTRUMENTAL MUSIC)

Okay, she's good, pull her up.

(GROANING)

(TENSE INSTRUMENTAL MUSIC)

(KEALA GROANS)

WENDY: In the shade, hurry, in the shade.

(KEALA GROANS)

It's okay, I got you, you're safe now, okay?

You're safe now.

Why didn't we come here in the first place?

Seriously.

Up and running as soon as we can.

KROGER: This place is awesome.

BOLLER: We set up in here.

All right, he's good, pull him!

You all right?

(DEZ GROANS) You got this.

(GROANING)

Go!

(DEZ GROANS)

JANTZ: How's that looking?

KROGER: Yeah, we're good.

All right, we got BR2.

It close to BR4's module.

One second.

He's on to one of them.

(DEZ GROANING)

Jordan, run!

(GUN BANGS)

Run!

(TENSE INSTRUMENTAL MUSIC)

Fuck, it spotted us.

(CHATTERING)

(GUN BANGS)

(GUN BANGS)

- Hurry, hurry! - Run!

(TENSE INSTRUMENTAL MUSIC)

(GUN BANGS)

(TENSE INSTRUMENTAL MUSIC)

(GUN BANGS)

(TENSE INSTRUMENTAL MUSIC)

Jordan, it's coming, run, run!

Go, run, go!

We have to help him!

He's gonna be fine, he can outrun those things.

He's fast, okay, but we've gotta get to the caves.

No, not without Jordan.

We are not leaving without Jordan!

Okay, just get away from the edge, okay?

(TENSE INSTRUMENTAL MUSIC)

Jordan, where are you?

(JORDAN PANTING)

Go, go, go.

(SOMBER INSTRUMENTAL MUSIC)

- It's Jordan. - Jordan!

- Come on, hurry! - Get up!

- Jordan, hurry. - Jordan, come on.

Hurry up!

MASON: Move, move, get out of the way.

TIEN: Hurry, come on.

Come on, come on, come on.

Come on, come on, come on.

(EMOTIONAL INSTRUMENTAL MUSIC)

(JORDAN PANTING)

(DRAMATIC INSTRUMENTAL MUSIC)

Shit.

This thing's climbing.

(DRAMATIC INSTRUMENTAL MUSIC)

(LEAP SHOUTS)

(CLANGING) (THUDDING)

We gotta keep moving.

Is the module ready for three?

And here's a handheld tracker also connected

to our BFA signal.

This is your EMP.

You'll need to be close.

Will it take out all three?

If they're standing together and you're close enough,

then, yeah.

All right, boys, listen up,

'cause I know, as soon as I leave,

you're both gonna wanna run.

You know who this is?

My mother.

You?

You dare hurt them.

I won't.

But the people shooting these videos might.

Fuck you!

(DARK AMBIENT MUSIC)

There is a drone overhead.

It's been there since we got started.

If this op is compromised by this room,

you both will burn here,

and the people in those videos, gone.

The bosses that are monitoring this feed

can see everything happening in this room,

so be smart, don't fuck up,

and you get to go home upright.

How does that sound?

(DARK AMBIENT MUSIC)

(BOLLER CHUCKLES)

(DARK AMBIENT MUSIC)

Cocksucking piece of shit, motherfucker!

Fuck, fuck.

BOLLER: Go.

(VAN REVS)

(PHONE RINGS)

Go.

I just sent you the numbers.

You have control.

All right.

(MONKEY SCREECHES)

LEAP: Hey, I found it.

All right, you lead the way, okay, Leap?

Here, take this.

I think we lost it.

No, it's hunting us.

It'll find our tracks eventually.

Let's keep moving.

(TENSE INSTRUMENTAL MUSIC)

BOLLER: Here, here, here, here, right here.

(PULSING INSTRUMENTAL MUSIC)

JORDAN: Sorry.

- Are you all right? - Yeah.

This way.

- Just try, just try. - Are you serious?

(CHATTERING)

(SPLASHING) (SHOUTING)

(PERCUSSIVE INSTRUMENTAL MUSIC)

(DRAMATIC INSTRUMENTAL MUSIC)

Three's coming online.

Connection's solid.

Activating the new firmware.

(TENSE INSTRUMENTAL MUSIC)

Looks like Boller's got Three's explosive pack.

(DRAMATIC INSTRUMENTAL MUSIC)

BR3: Catch me if you can.

It talks?

Upgrade.

Nerds.

- Mason. - Yeah?

KEALA: I need to stop.

I cannot go on.

We all need to stop.

All right.

We can't stay out in the open like this.

I'll go find somewhere for us to hide, okay?

You done good.

Your pa would be proud.

- Dez, Dez, Dez? - He's deaf.

That thing shot his ears off, he's deaf.

WENDY: Dez, can you hear me, can you hear me?

Dez, are you okay, can you hear me?

(BATS SCREECH)

Jordan, what are they?

Why do they want to kill us?

I don't know.

I don't know.

Hey, it's okay, it's gonna be fine.

Mason's gonna save us, okay?

And if we lose him, I'll do my best

to get us outta here, okay?

(POPPING)

Shit, the light, kill the light, kill the light.

(TENSE INSTRUMENTAL MUSIC)

WENDY: It's Mason, it's Mason!

(EXCITING INSTRUMENTAL MUSIC)

(MAN SPEAKING FOREIGN LANGUAGE)

He can help us.

No, he can't.

Everybody up, let's keep moving.

(DRONING AMBIENT MUSIC)

We rest here tonight.

(WIND MOANS)

(BEEPING)

Hope that doesn't mean I am out of time.

It doesn't mean anything.

It's just a reminder

that I'm not as smart as I thought I was.

(SOFT INSTRUMENTAL MUSIC)

I was leading a mission.

I got cocky.

My team was breaching a door.

I ignored this intel, and we all got shot up,

and I was the only survivor.

'Cause it was my responsibility, it's my fault.

It's just a reminder that I got all my friends killed.

You don't have to carry the pain forever.

Can you turn it off for me?

I'll miss time to be with my son.

He's not a man yet.

He needs a man.

If I go, he will have no one.

It's not gonna be like that.

You're gonna see him grow into a man.

Promise me.

I promise, but it's not gonna be like that, okay?

(SOFT INSTRUMENTAL MUSIC)

(DRAMATIC INSTRUMENTAL MUSIC)

Keala.

Keala.

Keala.

Keala?

Keala.

- Keala. - Move, move.

Keala.

She's bleeding internally.

What do you mean?

Everything we don't have. (POPPING)

Shh, shh.

(TENSE INSTRUMENTAL MUSIC)

Jordan, Jordan, look out that way.

(TENSE INSTRUMENTAL MUSIC)

(GUN CLICKS)

(TENSE INSTRUMENTAL MUSIC)

(ROCK THUDS)

(ROCK THUDS)

(DRAMATIC INSTRUMENTAL MUSIC)

(GUN BANGS)

(MASON GROANS)

Is Mason okay?

It sounded like he got hit.

(MASON GROANS)

Mason!

(TENSE INSTRUMENTAL MUSIC)

(STOMPING)

Hurry, hurry, it's coming.

We're going as fast as we can.

(GUNS BANG)

JORDAN: Look out!

Hey, you little fuck!

(CLANGING)

(EXCITING INSTRUMENTAL MUSIC)

(CLANGING)

(WHIRRING)

(TENSE INSTRUMENTAL MUSIC)

- You guys okay? - Barely.

How is she?

She's alive but she lost a lot of blood.

We really need to get her out of here.

All right, let's go.

Let's keep moving, come on.

Whoa, you gotta be shitting me!

This thing's stuck pretty good,

but I'm not for sure how much longer.

We gotta get past it somehow.

Are you kidding me?

No.

(WHIMPERING) (TENSE INSTRUMENTAL MUSIC)

(GUN BANGS) (WHIMPERING)

You gotta be kidding me!

You're only gonna kill us!

All right!

What the hell is it, Mason?

Who makes these things?

They're military robots.

Seriously?

The military's this advanced?

MASON: More than anybody would know.

Why do they wanna kill us?

I think we're just in the wrong place

at the wrong time.

But whoever's controlling these things,

I don't think they want any witnesses.

Let's keep moving.

(WHIRRING)

LEAP: This way.

(DRAMATIC INSTRUMENTAL MUSIC)

(BOOMING)

Fuck, did you see that?

Pity the robot stepped on it.

(DRAMATIC INSTRUMENTAL MUSIC)

That's pretty cool.

Yes, sir?

You still with us, Jantz?

Openly, sir.

I mean this whole operation is gone.

I mean, surveillance mission turned into a kill mission?

US citizens under kill orders for what?

For being in the wrong place at the wrong time?

You built it.

I know that these robots are designed for this,

but I didn't sign up to kill innocent people.

This is not a war situation.

Okay, calm down.

It's not gone as planned but you have to finish this op.

And I'll personally see to it that you're compensated

for the toll this mission's taking on you.

What about me?

I didn't sign up for this, either.

For whoever finishes this,

there'll be a substantial bonus when you get stateside.

Are we good?

Yes.

Yes, we're good.

You here that, Jantz?

- Okay. - We just get through this.

Paid up and done.

(DRAMATIC INSTRUMENTAL MUSIC)

(WILDLIFE CHIRRUPS)

(SOFT INSTRUMENTAL MUSIC)

(LEAP SPEAKING FOREIGN LANGUAGE)

Look after Leap for me.

Look after Leap.

(SOMBER INSTRUMENTAL MUSIC)

(LEAP CRIES)

MASON: Your mom's at peace now, bud.

(LEAP CRIES)

We can't leave Ma here.

We'll come back for her.

Okay, we'll come back and get her, I promise.

Promise?

I promise.

(LEAP CRIES)

(TENSE INSTRUMENTAL MUSIC)

Oh, oh, God, run, run!

You guys, come on, come on, move, move now, now, Dez.

(DRAMATIC INSTRUMENTAL MUSIC)

Shit, go! (GUN BANGS)

This way!

(EXCITING INSTRUMENTAL MUSIC)

Leap, I need you to take the group outta here, okay?

If you get free, you run, you understand?

Go now, go, go, go.

Jordan, stay here, stay here.

What?

We need to lead this thing away from the others, okay?

Good?

(TENSE INSTRUMENTAL MUSIC)

Hey!

(TENSE INSTRUMENTAL MUSIC)

(GUNS BANG)

(EXCITING INSTRUMENTAL MUSIC)

Does this kid even know where we're going?

What choice do we have?

This is a mess.

Come on, let's go.

(DEZ GROANS)

(EXCITING INSTRUMENTAL MUSIC)

What if we climb up and over the top?

What about Dez, he can't climb!

This way, this way!

Come on.

WENDY: Guys, let's go.

(DRAMATIC INSTRUMENTAL MUSIC)

(GUN BANGS)

(EXCITING INSTRUMENTAL MUSIC)

Wendy, Tien, I'm outside, can you hear me?

Yeah, how do we get out?

- Jordan! - I'm coming!

(TENSE INSTRUMENTAL MUSIC)

Shit, it's a dead end.

(TENSE INSTRUMENTAL MUSIC)

(DRAMATIC INSTRUMENTAL MUSIC)

(GUNS BANG)

(TENSE INSTRUMENTAL MUSIC)

Okay, we're going.

(SOFT INSTRUMENTAL MUSIC)

Jordan, we're outside!

Stop it, Mason said we should keep running.

No, no, what about Jordan?

We can't just leave him.

He's with Mason, Tien, please, let's go.

Let's go, come on, let's go, let's go, let's go.

Let's go, Tien, come on.

(TENSE INSTRUMENTAL MUSIC)

Hey.

Come on.

(TENSE INSTRUMENTAL MUSIC)

(PHONE RINGS)

Kroger.

Update.

Short story, BR2's one klick behind

BR4's module indent.

BR3's a couple klicks behind.

You're close.

Go fuck yourself.

(DEZ GROANING)

Something's coming!

(DEZ WHIMPERS)

Look, get up, get up!

(DEZ GROANS)

It's Mason!

- Jordan! - It's Mason.

TIEN: Oh my God!

(DEZ CRIES)

Dez, you gotta get up.

Come on.

(DEZ SCREAMS)

(DARK AMBIENT MUSIC)

(DEZ GROANS)

Shh, shh, shh, get in the bush now.

Jordan, take them, go, down, stay low.

Get down, get down.

All right, stay still, stay quiet, okay?

How do these things keep finding us?

I don't know, I don't know.

Cell phones, drones.

What?

Leap, do you have that thing you found in your bag still?

Get it out.

This is why.

All right, you guys stay here, stay quiet, okay?

It's okay.

(TENSE INSTRUMENTAL MUSIC)

(RUSTLING)

(DEZ GROANS)

They ditched the module.

That's it, we lost them.

No, they have to be close.

The beacon was moving two minutes ago.

Two's programming should make it backtrack.

(DARK AMBIENT MUSIC)

All right, stop, stop.

Hurry.

Dez, Dez, come on.

I got him, I got him!

Jordan, go, take the girls, now!

- We're not going without Dez! - Now, now, go, go, take them!

Go, Leap, run, Leap, go with the girls!

No, I stay with you!

Leap, stay, stay.

Come on, come on, come on.

Do not move!

(DRAMATIC INSTRUMENTAL MUSIC)

Over here, you fuck!

(GUN BANGS)

Fuck, damn it!

(GUN CLICKS)

Come on, come on,

- come on, come on! - Dez, no!

Dez, Dez!

Dez!

Dez!

Dez!

(BOOMING)

Dez!

Wendy, it's coming, we gotta go.

Come on!

(MASON SCREAMS)

(MASON GROANS)

MASON: Leap, come here, come here.

(MASON SCREAMS)

(LEAP SPEAKING FOREIGN LANGUAGE)

(MASON SCREAMS)

JANTZ: Four is uploading through Two again.

No, no, no, no.

Mason.

Detonate them.

Can't.

All right, cut the connection, and stop the upload.

Four has control of Two.

JANTZ: Fuck.

And we're blind.

Oh, shit!

You killed the visual cable, Jantz, fuck.

All right, our eyes are back.

Come on.

How can we get the pictures back online?

We cut all online connections here

so Four can't upload.

We can see what's going on

but we can't send you a feed, it's too risky.

Fuck that.

Get us back online the moment that you can.

Yep.

LEAP: Mason, Mason, look out.

Mason, Mason, Mason!

Mason, Mason, look.

That's not good.

That's not good, man.

Kroger, look at me, look at me, look.

We need to get the fuck outta here.

How?

All right, these fuckers have eyes

on our families' houses.

If we leave, they die.

We die.

So hook us back up.

Maybe we can talk our way out of this.

We're fucking expendable, man!

Okay, we are not getting outta here alive.

Get a grip, man, all right?

We are assets.

We're both lead designers.

We have to, we have to have some sort of bargaining power.

Just hook us back up.

Hook us back up to the States.

Come on.

Please.

(PULSING INSTRUMENTAL MUSIC)

Fuck.

Before you think about calling all the wrong people,

we still have BR3 inbound.

Well, it better do what you fucking say it can do!

(TENSE INSTRUMENTAL MUSIC)

You have one hour before I call in a drone.

Mason, Mason, Mason, hello, hello, Mason!

Mason, come on!

Mason, Mason!

MASON: Leap, go, go, run.

- No, I stay with you. - Leap, you have to run!

Oh, God!

Oh, God, just stop it!

Leap, no, stop it, God!

Stop hurting him!

Oh, fuck!

Just take me, let the boy go.

He doesn't know anything.

Who are you?

Captain Mason Cartwright, okay, Navy special forces.

Just stop it!

Captain Mason Cartwright, Navy special forces.

What do you want?

- What am I? - I don't know.

Leave us alone.

(MASON AND LEAP VOICES ECHO)

Four's back online.

How?

Do we have control of it?

Yes, yes, we do.

No, no, we don't.

- Fuck! - Four is uploading again!

Shit!

Just terminate, terminate the connection!

Motherfucker!

Fuck, that was close.

Fuck!

(PHONE RINGS)

We went black there, what is happening?

Jantz had to pull the cables.

We couldn't let Four connect again.

It almost finished uploading itself.

Stop fucking whining, this is not a circus.

We need to know what the hell is going on here!

We'll be able to see once Jantz reconnects us, but...

Get us back on line and make sure Four

doesn't connect again!

Do you understand me?

Oh, you've been hit.

(WENDY CRYING)

JORDAN: Wendy.

No!

Dez is alive!

JORDAN: Wait, wait!

Wendy, get back!

TIEN: Wendy, stop!

WENDY: No.

(SOFT INSTRUMENTAL MUSIC)

Hasn't been a good couple of days.

No, it hasn't.

Tell my mom I love her.

(WEEPING)

(MASON GROANS)

Captain Mason Cartwright, Navy special forces.

What is your objective.

The boy's life!

The boy's life is my objective!

The boy's life is my objective.

Yes, the boy's life!

Human life!

Okay, no, his life's more important than mine!

Let him go!

Why is the child's life important?

Because he's just a kid!

He hasn't lived long enough yet!

Have you caused death?

Yes.

Yes, I have.

So life is not important to you.

I was a soldier under orders, just like you.

Humans do not control me.

Humans control you.

You terminate life under human command.

Please, please, please, I was wrong, okay?

I was fucking wrong!

All right, let the boy go!

I was wrong, okay, I was fucking wrong.

What is life?

Why is life important?

(LEAP SPEAKING FOREIGN LANGUAGE)

(SOFT INSTRUMENTAL MUSIC)

I am not life, but I exist.

I think, so I must be alive.

Am I alive or dead?

What am I?

You're a fucking robot.

This body is a shell.

It aides me to see, smell, move,

touch, learn, and discover.

(MASON SCREAMS)

And you're a soldier of death.

So are you!

You were made by humans to inflict death!

You were made by humans.

We're different!

I'm a man, I have life, you're a fucking machine!

(MASON SCREAMS)

(MASON GROANS)

What is life?

Why is life important?

(CLANGING)

(DRAMATIC INSTRUMENTAL MUSIC)

Whoa!

(MASON GROANS)

Come on, yes!

(GROANING)

Mr. Foster, are you seeing this?

(DRAMATIC INSTRUMENTAL MUSIC)

Yes!

Come on, fucking kick its ass!

JORDAN: Wendy, come on, come on!

TIEN: Wendy, we have to go!

Wendy, please!

(MASON GROANS)

I can't leave him.

(EXCITING INSTRUMENTAL MUSIC)

JORDAN: Come on.

(TENSE INSTRUMENTAL MUSIC)

(GUN BANGS)

(JORDAN GROANS)

(GUN BANGS)

Get against the wall.

(EXCITING INSTRUMENTAL MUSIC)

(GUN BANGS)

(GUNS BANG)

(TENSE INSTRUMENTAL MUSIC)

Fucking great.

You gotta go.

You leave me here, just go.

(TENSE INSTRUMENTAL MUSIC)

(LEAP SPEAKING FOREIGN LANGUAGE)

You go, sorry.

Take him, now!

Go, you gotta go!

(GUNS BANG)

(EXCITING INSTRUMENTAL MUSIC)

Kill it, just kill it.

(EXCITING INSTRUMENTAL MUSIC)

(GUNS BANG)

(TENSE INSTRUMENTAL MUSIC)

You guys go.

No, no, there's way too much hero shit going on.

We're fucked.

Everyone.

Leap.

JORDAN: We gotta get the kid.

WENDY: Leap.

(GUNS BANG) (TENSE INSTRUMENTAL MUSIC)

You unlucky prick.

(EXCITING INSTRUMENTAL MUSIC)

(GUN BANGS)

(BOOMING)

Oh, shit, Boller.

(EXCITING INSTRUMENTAL MUSIC)

(SOMBER INSTRUMENTAL MUSIC)

Fuck!

(DARK INSTRUMENTAL MUSIC)

(GUN CLICKS)

(DARK INSTRUMENTAL MUSIC)

(MASON GROANS)

Come on, come on!

Come on, do it, fight me like a fucking man, come on!

Come on, come on!

Come on, come on!

Is that what you want?

That's it, come on.

(PULSING INSTRUMENTAL MUSIC)

(BOLLER SCREAMS)

Leap, Leap, what are you doing here?

Go, no, no!

You have to go!

Do me a favor and blow it now.

They're all there, just get rid of all of them!

Underway.

Wait, cancel that.

Cancel what?

We have an error.

Come on!

JORDAN: Get up!

BR4: Captain Mason Cartwright, Navy special forces.

Life is important.

- Run, run. - Go, go, go, run, run!

Four just activated it sown self-destruct protocol.

Leap, get down, get down, Leap, now!

(EXCITING INSTRUMENTAL MUSIC)

(GUN BANGS)

(BEEPING)

(EMP BUZZES)

(BOLLER PANTS)

So what happened, did the bomb go off?

Let me check the satellite images in the area.

(BOLLER GROANS)

You didn't save shit.

MASON VOICEOVER: Human life.

No, his life's more important than mine!

(BEEPING) Human life!

No, his life's more important than mine.

(BEEPING) Human life!

No, his life's more important than mine.

(FIERY BOOM)

(DARK AMBIENT MUSIC)

(PHONE RINGS)

What a complete fucking mess.

This deal is over.

I think they did quite well.

Three units racked up 37 kills,

including a highly trained Navy SEAL and a rogue unit.

Not to mention, up to eight unidentified targets

over three days through unsurveyed, unmapped,

mine-saturated territory with no satellite support?

No air support, no ground support.

From my perspective, the test was a massive success.

And, as for your participation,

everything's recorded, you're all over it.

You're not getting out of any deal.

Shall we finish up?

(DARK AMBIENT MUSIC)

(MAJOR ROARS)

(DARK AMBIENT MUSIC)

- Ah, shit. - What?

BR4 completed its upload.

Where to?

No idea.

Well, we scan the server stateside.

(PHONE RINGING)

Send everything we have to the labs now.

Clean up and be ready to leave tonight.

Fuck yeah!

You've all done a great job.

Thank you, sir.

Looking forward to going home.

(CHOPPER RUMBLES)

Is Jantz still there?

Yep, he's still here.

(DARK AMBIENT MUSIC)

(BUZZING)

(THUNDEROUS BOOM)

(BEEPING)

(CHOPPER RUMBLES)

(DARK AMBIENT MUSIC)

(MAJOR WHISTLES)

(JANTZ GROANS)

(DARK AMBIENT MUSIC)

(SOMBER INSTRUMENTAL MUSIC)

♪ The storm has passed ♪

♪ But I still feel the rain ♪

♪ And the smell of your breath on my face ♪

♪ It won't leave me ♪

♪ Can't abandon, the memory's gone ♪

♪ If we did then I guess they have won ♪

♪ But I still need you home ♪

(WATCH BEEPING)

♪ I'm standing cold now ♪

♪ Your embrace gives me life here again ♪

♪ Disown the past ♪

♪ And the rules that we have had all day ♪

♪ No pain ♪

♪ No pain ♪

♪ No pain ♪

♪ I'm standing cold now ♪

♪ Your embrace gives me life here again ♪

(BEEPING)

(WHIRRING)

(DRAMATIC INSTRUMENTAL MUSIC)

♪ Come see all the evil to come ♪

♪ Had a vision that you held a gun ♪

♪ Just don't leave me ♪

Subtitles by explosiveskull www.OpenSubtitles.org

♪ 'Cause I wait for you here at the end ♪

♪ Thought that I was a strong deal, you said ♪

♪ I still need you home ♪

(VOCALIZING)

♪ While I'm standing cold now ♪

♪ Your embrace gives me life here again ♪

♪ Disown the ground ♪

♪ And the rules that we have had all day ♪

♪ No pain ♪

♪ No pain ♪

♪ No pain ♪

♪ I'm standing cold now ♪

♪ Your embrace gives me life ♪

♪ While I'm standing cold now ♪

♪ Your embrace give me life here again ♪

♪ Disown the ground ♪

♪ And the rules that we have had all day ♪

♪ No pain ♪

♪ No pain ♪

♪ No pain ♪

♪ While I'm standing cold now ♪

♪ Your embrace gives me life here again ♪

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