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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,968 --> 00:00:02,302 - GOOD EVENING. 2 00:00:02,336 --> 00:00:03,871 WE'RE COMING TO YOU FROM THE HISTORIC ELYSIAN PARK 3 00:00:03,904 --> 00:00:05,772 IN LOS ANGELES, CALIFORNIA. 4 00:00:05,806 --> 00:00:07,608 NOW, EVERY WEEK ON MY SHOW, I CHALLENGE PEOPLE 5 00:00:07,641 --> 00:00:09,209 TO TAKE BIG RISKS. 6 00:00:09,243 --> 00:00:12,346 BUT SOME HAVE BEEN CRITICAL THAT I NEVER TAKE RISKS MYSELF. 7 00:00:12,379 --> 00:00:14,781 WELL, TONIGHT, THAT'S ALL GONNA CHANGE. 8 00:00:14,815 --> 00:00:16,383 OVER THE PAST MONTH, I'VE BEEN LEARNING 9 00:00:16,416 --> 00:00:19,386 HOW TO PICK THE LOCK ON THESE POLICE-GRADE HANDCUFFS. 10 00:00:19,419 --> 00:00:20,854 "WHY?" YOU ASK. 11 00:00:20,888 --> 00:00:22,789 BECAUSE TONIGHT I'M GONNA TAKE A BIGGER RISK 12 00:00:22,823 --> 00:00:25,893 THAN ANYONE HAS EVER TAKEN ON TELEVISION BEFORE. 13 00:00:25,926 --> 00:00:27,995 IN JUST A FEW MOMENTS, I'M GOING TO BE HANDCUFFED 14 00:00:28,028 --> 00:00:29,897 TO THIS SOLID STEEL FRAME, 15 00:00:29,930 --> 00:00:32,766 AND I'LL HAVE EXACTLY 90 SECONDS TO FREE MYSELF 16 00:00:32,799 --> 00:00:35,502 BEFORE THE CLAW ON THIS ROBOTIC ARM 17 00:00:35,536 --> 00:00:37,304 UNDOES MY PANTS, 18 00:00:37,337 --> 00:00:40,974 EXPOSING ME TO AN AUDIENCE OF CHILDREN. 19 00:00:41,008 --> 00:00:43,477 IF THAT HAPPENS, AN L.A.P.D. OFFICER 20 00:00:43,510 --> 00:00:47,014 IS STANDING BY TO ARREST ME FOR INDECENT EXPOSURE. 21 00:00:47,047 --> 00:00:50,617 WE'VE ALL SEEN ESCAPE ARTISTS RISK DEATH BEFORE. 22 00:00:50,651 --> 00:00:54,655 BUT TONIGHT, I'M GOING TO RISK SOMETHING EVEN WORSE: 23 00:00:54,688 --> 00:00:57,691 BECOMING A REGISTERED SEX OFFENDER FOR LIFE. 24 00:00:57,724 --> 00:01:01,128 AND WHAT YOU'RE GOING TO SEE TONIGHT IS 100% REAL. 25 00:01:01,161 --> 00:01:03,063 WELCOME TO NATHAN FOR YOU. 26 00:01:03,063 --> 00:01:06,066 THIS IS THE CLAW OF SHAME. 27 00:01:08,135 --> 00:01:09,670 - NOW, YOU KNOW THIS IS CONTROVERSIAL, RIGHT? 28 00:01:09,703 --> 00:01:12,272 - WHAT DO I GAIN BY DOING THIS? - NOTHING. 29 00:01:12,306 --> 00:01:15,075 - IF HE'S GONNA ESCAPE, IF HE'S GONNA GO TO JAIL. 30 00:01:15,108 --> 00:01:17,644 - I MIGHT NOT EVEN ATTEMPT IT. 31 00:01:17,678 --> 00:01:20,814 HE'S TAKING A BIG RISK. 32 00:01:20,848 --> 00:01:22,249 - IF YOU'VE SEEN MY SHOW BEFORE, 33 00:01:22,282 --> 00:01:25,085 YOU KNOW I USUALLY FOCUS ON HELPING SMALL BUSINESSES 34 00:01:25,118 --> 00:01:27,120 BY BRINGING THEM BIG IDEAS. 35 00:01:27,154 --> 00:01:30,090 BUT TONIGHT'S EPISODE IS GOING TO BE A BIT DIFFERENT. 36 00:01:30,123 --> 00:01:33,527 RIGHT NOW, YOU'RE SEEING MY FINAL PRACTICE RUN, 37 00:01:33,560 --> 00:01:35,729 MY LAST CHANCE TO GET THE ESCAPE RIGHT 38 00:01:35,762 --> 00:01:38,765 BEFORE RISKING LIFE AS A SEX OFFENDER. 39 00:01:38,799 --> 00:01:40,234 BUT TO GET TO THIS POINT, 40 00:01:40,267 --> 00:01:44,838 IT TOOK MONTHS OF PLANNING AND PREPARATION. 41 00:01:44,872 --> 00:01:47,140 FIRSTLY, I AM NOT AN ESCAPE ARTIST. 42 00:01:47,174 --> 00:01:49,109 AND THOUGH I HAVE SOME EXPERIENCE DOING MAGIC 43 00:01:49,109 --> 00:01:50,444 AS A TEENAGER... 44 00:01:50,477 --> 00:01:52,312 THERE'S NOTHING IN THE BAG, RIGHT? 45 00:01:52,346 --> 00:01:53,447 - YEAH. 46 00:01:53,480 --> 00:01:54,615 - BAG IS COMPLETELY EMPTY. 47 00:01:54,648 --> 00:01:55,616 YOU CAN SEE RIGHT THROUGH IT. 48 00:01:55,649 --> 00:01:57,484 I QUIT PERFORMING YEARS AGO 49 00:01:57,518 --> 00:02:00,053 AND HAVE NEVER DONE AN ESCAPE BEFORE. 50 00:02:00,087 --> 00:02:01,622 SO I BOOKED A TRAINING SESSION 51 00:02:01,655 --> 00:02:03,357 WITH ESCAPE MASTER MARK PASKELL 52 00:02:03,390 --> 00:02:08,061 SO I COULD LEARN HOW TO PICK THE LOCKS ON A PAIR OF CUFFS. 53 00:02:08,095 --> 00:02:09,897 HOW DO I ESCAPE FROM HANDCUFFS? 54 00:02:09,930 --> 00:02:11,265 - A SHIM. - OH. 55 00:02:11,298 --> 00:02:13,467 - IF YOU HAVE A SHIM, YOU CAN-- 56 00:02:13,500 --> 00:02:15,435 - IS THAT A HAIR CLIP? - THIS IS A HAIR CLIP, 57 00:02:15,469 --> 00:02:17,070 BUT IT'S-- IT'S ADAPTED A LITTLE BIT. 58 00:02:17,070 --> 00:02:19,773 YOU GET IN THERE... 59 00:02:19,806 --> 00:02:22,409 AND PUSH. 60 00:02:22,442 --> 00:02:23,777 - RIGHT. - THEN YOU CAN GET OUT. 61 00:02:23,810 --> 00:02:25,712 - EVEN AFTER HE TAUGHT ME, IT TOOK ME 62 00:02:25,746 --> 00:02:27,714 OVER 30 MINUTES TO PICK THE LOCK. 63 00:02:27,748 --> 00:02:29,850 I HAD A LOT OF WORK AHEAD OF ME TO GET MY TIME DOWN 64 00:02:29,883 --> 00:02:31,151 TO 90 SECONDS. 65 00:02:31,185 --> 00:02:33,720 AND AFTER SOME PRACTICING, I TOLD MARK MY IDEA 66 00:02:33,754 --> 00:02:35,322 FOR THE ESCAPE: 67 00:02:35,355 --> 00:02:38,859 TO HAVE TWO STAGEHANDS PULLING DOWN MY PANTS WITH ROPES, 68 00:02:38,892 --> 00:02:40,327 EXPOSING ME TO THE PUBLIC. 69 00:02:40,360 --> 00:02:43,263 AND SINCE MARK WAS CLEARLY AN EXPERT ON THIS STUFF, 70 00:02:43,297 --> 00:02:45,499 I WAS HOPING TO HAVE HIM AS AN OFFICIAL ADVISOR 71 00:02:45,532 --> 00:02:46,500 ON THE ESCAPE. 72 00:02:46,533 --> 00:02:47,568 I MEAN, WHAT DO YOU THINK? 73 00:02:47,601 --> 00:02:49,603 - MM, I DON'T KNOW. 74 00:02:49,636 --> 00:02:51,705 IT'S MOVING A LITTLE BIT OUT OF MY FIELD. 75 00:02:51,738 --> 00:02:52,940 - I GUESS I COULD SAY 76 00:02:52,973 --> 00:02:55,108 YOU'RE A CONSULTANT ON THE ESCAPE. 77 00:03:01,048 --> 00:03:03,217 MM, I DON'T KNOW. I'LL HAVE TO GET BACK TO YOU. 78 00:03:03,250 --> 00:03:04,618 - WOULD YOU WANT THAT? 79 00:03:04,651 --> 00:03:06,053 - I'LL HAVE TO GET BACK TO YOU ON THAT, THINK ON IT. 80 00:03:06,053 --> 00:03:08,455 - WE'LL JUST CREDIT YOU AS A CONSULTANT ON THE ESCAPE. 81 00:03:08,488 --> 00:03:09,823 - I APPRECIATE THAT. - IT'S NO BIG DEAL. 82 00:03:09,857 --> 00:03:11,191 WE'LL JUST GIVE IT TO YOU. - APPRECIATE THAT, BUT-- 83 00:03:11,225 --> 00:03:12,359 - IT'S DONE. IT'S AS GOOD AS DONE. 84 00:03:12,392 --> 00:03:13,560 - I APPRECIATE IT, BUT WHAT I'M SAYING IS, 85 00:03:13,594 --> 00:03:14,761 I WILL GET BACK TO YOU. 86 00:03:14,795 --> 00:03:15,963 - YOU'LL GET BACK TO ME ABOUT THE CREDIT? 87 00:03:16,063 --> 00:03:17,130 - YEAH. 88 00:03:17,164 --> 00:03:19,166 - WELL, WE'LL JUST PUT IT IN ANYWAYS. 89 00:03:19,199 --> 00:03:21,969 JUST, WE'LL PUT IT IN THE CREDITS OF THE SHOW. 90 00:03:22,069 --> 00:03:23,370 I NEVER HEARD BACK FROM MARK, 91 00:03:23,403 --> 00:03:25,739 BUT AT LEAST I KNEW HOW TO PICK HANDCUFFS. 92 00:03:25,772 --> 00:03:28,141 WHAT I DIDN'T KNOW WAS THE LEGAL REQUIREMENT 93 00:03:28,175 --> 00:03:29,977 FOR BECOMING A SEX OFFENDER. 94 00:03:30,077 --> 00:03:32,079 SO I FOUND AN ACTUAL CALIFORNIA JUDGE 95 00:03:32,079 --> 00:03:35,082 THAT WOULD AGREE TO ADVISE ME ON THE ESCAPE ON CAMERA, 96 00:03:35,082 --> 00:03:37,084 THE HONORABLE ANTHONY FILOSA. 97 00:03:37,084 --> 00:03:39,253 SO IF I DON'T ESCAPE IN 90 SECONDS, 98 00:03:39,286 --> 00:03:41,555 I'LL BE EXPOSED TO SOME PEOPLE. 99 00:03:41,588 --> 00:03:42,890 - WHAT ARE "SOME PEOPLE"? 100 00:03:42,923 --> 00:03:44,825 - JUST, LIKE, ADULTS OR SOMETHING? 101 00:03:44,858 --> 00:03:46,293 I DON'T KNOW. - CHILDREN? ADULTS? 102 00:03:46,326 --> 00:03:49,329 - IS CHILDREN BETTER? 103 00:03:51,331 --> 00:03:52,533 - INTERESTING QUESTION. 104 00:03:52,566 --> 00:03:54,735 BOTH COULD BE OFFENDED. 105 00:03:54,768 --> 00:03:56,103 MORE LIKELY CHILDREN, 106 00:03:56,136 --> 00:03:58,939 INSOFAR AS THAT IT'S OFFENSIVE, PERIOD. 107 00:03:58,972 --> 00:04:02,209 - SO YOU'RE SAYING IT'S BETTER TO USE CHILDREN? 108 00:04:02,242 --> 00:04:04,645 - I-I DON'T REALLY THINK IT'S MY PLACE 109 00:04:04,678 --> 00:04:05,746 TO SUGGEST IT. 110 00:04:05,779 --> 00:04:08,081 - OKAY. SURE. - ALL RIGHT? 111 00:04:08,115 --> 00:04:09,449 YEAH, I REALLY DON'T. 112 00:04:09,483 --> 00:04:10,651 - I TOOK THE JUDGE'S SUGGESTION 113 00:04:10,684 --> 00:04:12,619 THAT I SHOULD EXPOSE MYSELF TO CHILDREN, 114 00:04:12,653 --> 00:04:14,488 AND ON TOP OF THAT, 115 00:04:14,521 --> 00:04:15,822 HE WAS A TREASURE TROVE OF INFORMATION 116 00:04:15,856 --> 00:04:17,457 ON HOW TO BECOME A SEX OFFENDER. 117 00:04:17,491 --> 00:04:19,326 - THERE WOULD HAVE TO BE THE ELEMENT 118 00:04:19,359 --> 00:04:21,695 OF WILLFULNESS PROVEN. 119 00:04:21,728 --> 00:04:23,530 - SO WOULD IT HELP IF, RIGHT BEFORE I DID IT, 120 00:04:23,564 --> 00:04:27,201 I SAID, "I'M DOING THIS ON PURPOSE TO EXPOSE MYSELF"? 121 00:04:27,234 --> 00:04:30,404 - WELL, YOU JUST ABANDON ANY PRECAUTION. 122 00:04:30,437 --> 00:04:31,972 "YOU KNOW, FOLKS, SOMETHING COULD HAPPEN, 123 00:04:32,072 --> 00:04:34,741 "YOU KNOW, AND IF IT DOES, 124 00:04:34,775 --> 00:04:36,243 SO WHAT?" 125 00:04:36,276 --> 00:04:37,845 SOMETHING LIKE THAT. 126 00:04:37,878 --> 00:04:39,780 - SO IT'S LIKE, YOU KNOW, IF THIS GOES WRONG, 127 00:04:39,813 --> 00:04:40,848 I DON'T REALLY CARE. 128 00:04:40,881 --> 00:04:42,115 - TOO BAD, 'CAUSE I-- - TOO BAD. 129 00:04:42,149 --> 00:04:43,483 I'M GONNA-- - TOO BAD, I-- 130 00:04:43,517 --> 00:04:44,918 - I'M GONNA GET OFF. IT'S GONNA MAKE ME HORNY. 131 00:04:44,952 --> 00:04:46,286 - WELL, WHATEVER. 132 00:04:46,320 --> 00:04:47,654 - THE MOST TROUBLING THING I LEARNED FROM HIM, THOUGH, 133 00:04:47,688 --> 00:04:50,357 WAS THAT IF ANYONE HELPED ME PULL MY PANTS DOWN, 134 00:04:50,390 --> 00:04:51,725 THEY COULD GO TO JAIL TOO. 135 00:04:51,758 --> 00:04:54,695 - THAT PERSON IS AS GUILTY AS YOU ARE. 136 00:04:54,728 --> 00:04:55,896 - SO I CAN'T HAVE ANY HELPERS. 137 00:04:55,929 --> 00:04:57,331 - RIGHT. - I DIDN'T WANT TO PUT 138 00:04:57,364 --> 00:04:58,999 ANYONE AT RISK BESIDES MYSELF. 139 00:04:59,099 --> 00:05:00,901 SO IF NO HUMAN COULD DO IT, 140 00:05:00,934 --> 00:05:03,403 I WAS GONNA HAVE TO USE A ROBOT. 141 00:05:03,437 --> 00:05:05,405 AND THE SEARCH TOOK MONTHS, WITH EVERYONE 142 00:05:05,439 --> 00:05:08,075 FROM U.S. DEFENSE COMPANIES TO NASA TELLING US 143 00:05:08,108 --> 00:05:10,110 THE TECHNOLOGY DIDN'T EXIST TO HAVE A ROBOT 144 00:05:10,143 --> 00:05:12,379 PULL DOWN SOMEONE'S PANTS. 145 00:05:12,412 --> 00:05:13,847 BUT I DIDN'T GIVE UP, AND EVENTUALLY, 146 00:05:13,881 --> 00:05:15,549 I FOUND A COMPANY THAT SAID THEY COULD DO IT. 147 00:05:15,582 --> 00:05:17,851 - SO THIS IS IT. 148 00:05:17,885 --> 00:05:21,655 THIS IS A KUKA-ROBOTICS K.R. 15-2. 149 00:05:21,688 --> 00:05:23,056 - AFTER JOHN SHOWED ME THE ROBOT, 150 00:05:23,056 --> 00:05:25,926 I EXPLAINED TO HIM SPECIFICALLY WHAT I NEEDED IT TO DO. 151 00:05:25,959 --> 00:05:27,227 THEN, ONCE THE PANTS ARE DOWN, 152 00:05:27,261 --> 00:05:29,530 I WANT IT TO COME UP HERE, 153 00:05:29,563 --> 00:05:32,232 HOOK ONTO THE BOXERS, AND PULL THOSE DOWN. 154 00:05:32,266 --> 00:05:34,101 JOHN SUGGESTED MAKING CUSTOM-DESIGNED PANTS 155 00:05:34,134 --> 00:05:37,104 WITH LOOPS THAT WOULD MAKE IT EASIER FOR THE ROBOT 156 00:05:37,137 --> 00:05:38,572 TO REMOVE THEM, 157 00:05:38,605 --> 00:05:39,907 SO I HIRED A TAILOR TO MAKE THE PANTS 158 00:05:39,940 --> 00:05:42,075 TO JOHN'S SPECIFICATIONS. 159 00:05:42,109 --> 00:05:43,577 AND OVER THE WEEK THEY WERE BEING MADE, 160 00:05:43,610 --> 00:05:45,879 HE INFORMALLY BECAME MY PRACTICE PARTNER. 161 00:05:45,913 --> 00:05:47,114 I BORROWED A PAIR OF HIS UNDERWEAR 162 00:05:47,147 --> 00:05:49,650 SO WE COULD PULL DOWN MY PANTS ALL THE WAY 163 00:05:49,683 --> 00:05:50,851 WITHOUT SEEING MY PENIS. 164 00:05:50,884 --> 00:05:53,887 - 90. 165 00:05:56,523 --> 00:05:58,759 - THE PANTS BEING TAKEN OFF WAS DEFINITELY DISTRACTING, 166 00:05:58,792 --> 00:06:01,028 BUT I WAS GETTING CLOSER TO MY 90-SECOND GOAL. 167 00:06:01,028 --> 00:06:03,263 TIME, TIME, STOP IT. WHAT DO I GOT? 168 00:06:03,297 --> 00:06:04,364 - OKAY, 150. 169 00:06:04,398 --> 00:06:06,166 - AND AFTER GETTING AN HOUR OR SO 170 00:06:06,200 --> 00:06:07,401 OF TRAINING IN, THE COMPLETED PANTS 171 00:06:07,434 --> 00:06:10,437 WERE PACKAGED UP AND DELIVERED TO REEL EFX 172 00:06:10,470 --> 00:06:13,040 SO THE ROBOT COULD BEGIN BEING PROGRAMMED. 173 00:06:13,073 --> 00:06:14,842 IN THE MEANTIME, I WANTED TO FIND OUT 174 00:06:14,875 --> 00:06:17,110 THE REAL CONSEQUENCES OF GOING TO PRISON 175 00:06:17,144 --> 00:06:18,612 AS A SEX OFFENDER, SO I MET UP 176 00:06:18,645 --> 00:06:21,949 WITH JIMMY MURPHY, WHO'S SERVED OVER 11 YEARS 177 00:06:22,049 --> 00:06:24,117 FOR A VARIETY OF VIOLENT CRIMES. 178 00:06:24,151 --> 00:06:25,719 - I'LL TELL YOU THIS. 179 00:06:25,752 --> 00:06:28,288 IN THERE, IT'S THE LAST THING YOU WANT TO BE. 180 00:06:28,322 --> 00:06:29,456 IT'S THE LOWEST. 181 00:06:29,489 --> 00:06:32,526 - WHAT WOULD HAPPEN TO ME IN THERE? 182 00:06:32,559 --> 00:06:35,262 - WELL, YOU KNOW, YOU'D PROBABLY, UH, GO-- 183 00:06:35,295 --> 00:06:36,396 GO TO YOUR CELL, AND YOU'D FIND 184 00:06:36,430 --> 00:06:39,466 A COUPLE OF SNICKERS BARS ON YOUR PILLOW. 185 00:06:39,499 --> 00:06:40,634 - OH, WOW. - AND THEN-- 186 00:06:40,667 --> 00:06:41,768 - SO THIS DOESN'T SOUND THAT BAD AT ALL. 187 00:06:41,802 --> 00:06:42,870 - NO, YOU'D GO IN THERE, 188 00:06:42,903 --> 00:06:44,471 AND YOU'D SAY, "OH, WOW, WHAT A GIFT." 189 00:06:44,505 --> 00:06:46,073 YOU KNOW, AND YOU'D EAT THE STUFF. 190 00:06:46,106 --> 00:06:49,276 WELL, SOMEONE'S GONNA COME AND SAY, "HEY. 191 00:06:49,309 --> 00:06:50,944 WHAT HAPPENED TO MY CHOCOLATE?" 192 00:06:50,978 --> 00:06:53,080 AND YOU'RE GONNA GO, "OH, I, UH, I ATE THAT." 193 00:06:53,080 --> 00:06:54,081 AND THEN THEY'RE GONNA GO, 194 00:06:54,081 --> 00:06:55,716 "WELL, YOU NEED TO PAY FOR THAT." 195 00:06:55,749 --> 00:06:57,918 - YEAH, HOW? I DON'T HAVE ANY MONEY. 196 00:06:57,951 --> 00:06:59,286 - WELL, THEN YOU MIGHT FIND YOUR HEAD BOUNCING 197 00:06:59,319 --> 00:07:01,221 OFF SOMEBODY'S BELT BUCKLE. 198 00:07:01,255 --> 00:07:02,222 - I DON'T WANT TO DO THAT. 199 00:07:02,256 --> 00:07:03,624 - NO, OF COURSE YOU DON'T. 200 00:07:03,657 --> 00:07:05,492 'CAUSE THERE'S A LOT OF BELT BUCKLES IN THERE. 201 00:07:05,526 --> 00:07:07,227 - REALLY? - OH, YEAH, YOU'LL GROW TIRED. 202 00:07:07,261 --> 00:07:08,662 - THEY ALLOW YOU TO WEAR BELTS IN PRISON? 203 00:07:08,695 --> 00:07:10,664 - NO, IT'S A-- - SO HOW WOULD IT WORK? 204 00:07:10,697 --> 00:07:12,032 THEY JUST GIVE YOU THE BUCKLE? 205 00:07:12,032 --> 00:07:13,834 - WELL, NO, I, UH-- 206 00:07:13,867 --> 00:07:15,636 - SO THERE'S NO BELT BUCKLE. - WELL, NO, NOT REALLY. 207 00:07:15,669 --> 00:07:16,703 I MEANT-- - SO MY HEAD WOULDN'T BE 208 00:07:16,737 --> 00:07:18,839 BOUNCING AROUND ANY BELT BUCKLES. 209 00:07:18,872 --> 00:07:20,641 - SO, IN OTHER WORDS, YOU'D HAVE A [bleep] IN YOUR MOUTH. 210 00:07:20,674 --> 00:07:22,309 - I MEAN, IT PROBABLY WOULDN'T BOUNCE, TOO, 211 00:07:22,342 --> 00:07:25,045 BECAUSE I WOULD STOP WHEN I GOT TO THE BALLS 212 00:07:25,045 --> 00:07:27,047 BEFORE I GOT IN. 213 00:07:27,047 --> 00:07:28,448 - I DON'T KNOW HOW YOU DO IT. 214 00:07:28,482 --> 00:07:30,417 - WELL, THAT'S HOW I WOULD. 215 00:07:30,450 --> 00:07:31,919 I'D NEVER REALLY BEEN FORCED TO PICTURE 216 00:07:31,952 --> 00:07:34,188 HOW I'D GIVE ORAL SEX TO A MAN, 217 00:07:34,221 --> 00:07:36,590 BUT AFTER VISUALIZING IT, I BEGAN TO QUESTION 218 00:07:36,623 --> 00:07:39,593 IF THIS ENTIRE STUNT WAS ACTUALLY WORTH IT. 219 00:07:39,626 --> 00:07:42,362 MY CONCERNS WERE HEIGHTENED WHEN I RETURNED TO REEL EFX 220 00:07:42,396 --> 00:07:44,631 TO FIND THE ROBOT ACTING UNPREDICTABLY. 221 00:07:46,200 --> 00:07:47,868 TO MAKE MATTERS WORSE, I FOUND OUT 222 00:07:47,901 --> 00:07:50,504 THAT THE ROBOT WHOSE PRECISION WOULD DETERMINE MY FATE 223 00:07:50,537 --> 00:07:53,073 RAN ON WINDOWS 95. - IT'S AS GOOD-- 224 00:07:53,073 --> 00:07:54,408 - YOU'VE GOTTA BE KIDDING ME. 225 00:07:54,441 --> 00:07:55,876 MY PARENTS THREW OUT THEIR COMPUTER 226 00:07:55,909 --> 00:07:58,879 THAT RAN WINDOWS 95, LIKE, SEVEN YEARS AGO 227 00:07:58,912 --> 00:08:01,548 BECAUSE MINESWEEPER WASN'T WORKING PROPERLY. 228 00:08:01,582 --> 00:08:03,517 - IT'S OKAY. 'CAUSE WHAT HAPPENS-- 229 00:08:03,550 --> 00:08:04,651 - HONESTLY, LIKE, MY LIFE, LIKE-- 230 00:08:04,685 --> 00:08:07,020 THIS IS MOVING WITHIN AN-- 231 00:08:07,020 --> 00:08:08,388 - RIGHT. - MILLIMETERS OF MY BODY. 232 00:08:08,422 --> 00:08:10,791 I WAS MAINLY CONCERNED BECAUSE ON THE DAY OF THE ESCAPE, 233 00:08:10,824 --> 00:08:13,560 JOHN WOULD HAVE TO STEP AWAY FROM THE CONTROLS 234 00:08:13,594 --> 00:08:16,029 AND LET THE PROGRAM RUN AUTOMATICALLY. 235 00:08:16,029 --> 00:08:18,265 BUT HE ASSURED ME THE SOFTWARE WOULD WORK. 236 00:08:18,298 --> 00:08:21,201 SO THE ROBOT WAS TRANSPORTED TO ELYSIAN PARK, 237 00:08:21,235 --> 00:08:23,871 WHERE A CREW OF OVER 50 PEOPLE WORKED 238 00:08:23,904 --> 00:08:25,239 FOR TWO STRAIGHT DAYS TO PREPARE 239 00:08:25,272 --> 00:08:28,208 FOR TONIGHT'S HISTORIC STUNT. 240 00:08:30,777 --> 00:08:32,012 male announcer: TONIGHT, NATHAN FIELDER 241 00:08:32,045 --> 00:08:33,914 RISKS THE ULTIMATE SHAME, 242 00:08:33,947 --> 00:08:36,850 FACING A HEARTLESS ROBOT THATS ONLY MISSION 243 00:08:36,883 --> 00:08:39,553 IS TO EXPOSE HIS PRIVATE PARTS. 244 00:08:39,586 --> 00:08:41,688 - THIS MIGHT BE THE MOST DANGEROUS STUNT 245 00:08:41,722 --> 00:08:42,889 EVER IMAGINED. 246 00:08:42,923 --> 00:08:44,691 CHILDREN WATCHING... 247 00:08:44,725 --> 00:08:46,893 L.A.P.D. PRESENT... 248 00:08:46,927 --> 00:08:48,762 AND ALL IN THE DARK OF NIGHT. 249 00:08:48,795 --> 00:08:50,597 - YOU KNOW, I'VE BEEN PUT ON EARTH FOR A REASON, 250 00:08:50,631 --> 00:08:52,833 AND I BELIEVE THIS IS GOD'S PLAN FOR ME. 251 00:08:52,866 --> 00:08:54,801 announcer: THE WORLD IS WATCHING. 252 00:08:54,835 --> 00:08:57,170 WILL HE INSPIRE MILLIONS 253 00:08:57,204 --> 00:08:59,206 AND HONOR HIS HOME COUNTRY OF CANADA 254 00:08:59,239 --> 00:09:03,277 OR END UP BEHIND BARS AND RISK DEPORTATION? 255 00:09:03,310 --> 00:09:06,580 NEVER BEFORE ATTEMPTED IN THE HISTORY OF TELEVISION... 256 00:09:06,613 --> 00:09:08,482 - I MEAN, THIS IS A COMEDY CENTRAL SHOW. 257 00:09:08,515 --> 00:09:11,385 I MEAN, THIS IS-- IT'S CRAZY WHAT WE'RE DOING. 258 00:09:11,418 --> 00:09:14,554 announcer: WILL HE ESCAPE, OR WON'T HE? 259 00:09:14,588 --> 00:09:18,592 NATHAN FIELDER TAKES ON... 260 00:09:20,594 --> 00:09:22,963 - WE'RE JUST MOMENTS AWAY FROM THE ESCAPE, 261 00:09:22,996 --> 00:09:25,399 AND TONIGHT, I CANNOT RISK FAILURE. 262 00:09:25,432 --> 00:09:27,034 BUT ONE THING I'VE LEARNED OVER THE YEARS IS THAT 263 00:09:27,067 --> 00:09:29,303 YOU CAN'T BE AFRAID OF FAILING. 264 00:09:29,336 --> 00:09:31,571 IN FACT, ON MY SHOW, WHEN I HELP BUSINESSES, 265 00:09:31,605 --> 00:09:33,273 I FAIL ALL THE TIME. 266 00:09:33,307 --> 00:09:35,108 AND I'M NORMALLY SHY TO SHOW THOSE MOMENTS, 267 00:09:35,142 --> 00:09:37,678 BUT TONIGHT, I'M GOING TO MAKE AN EXCEPTION. 268 00:09:37,711 --> 00:09:41,281 SO LET'S TAKE A LOOK NOW AT SOME OF MY GREATEST FAILURES. 269 00:09:41,315 --> 00:09:42,816 ONE OF MY LEAST POPULAR IDEAS 270 00:09:42,816 --> 00:09:45,385 WAS FOR A COMPLETELY GERM-FREE HOT DOG STAND. 271 00:09:45,419 --> 00:09:47,621 AT OUTDOOR FOOD CARTS, IT'S EASY FOR GERMS 272 00:09:47,654 --> 00:09:50,824 TO TRANSFER FROM MONEY TO YOUR FOOD, 273 00:09:50,824 --> 00:09:51,825 SO TO COMPLETELY ELIMINATE THIS, 274 00:09:51,858 --> 00:09:53,560 I DESIGNED A HANDS-FREE METHOD 275 00:09:53,594 --> 00:09:55,963 TO APPLY CONDIMENTS TO THE WIENER. 276 00:09:55,996 --> 00:09:57,831 ALSO, THERE WOULD BE A SECOND EMPLOYEE 277 00:09:57,864 --> 00:09:59,666 WHOSE ONLY JOB IS TO HANDLE THE MONEY. 278 00:09:59,700 --> 00:10:00,834 - WHAT ARE YOU DOING WITH THE WALLET? 279 00:10:00,867 --> 00:10:02,836 - WE'RE DOING A GERM-FREE EXPERIENCE, 280 00:10:02,869 --> 00:10:03,937 SO YOU DON'T HANDLE YOUR OWN MONEY. 281 00:10:03,971 --> 00:10:05,372 - OH, REALLY? 282 00:10:05,405 --> 00:10:07,307 - BUT PEOPLE WERE A BIT ANNOYED WITH THE MONEY HANDLING PART. 283 00:10:07,341 --> 00:10:08,442 - CAN I HAVE MY WALLET BACK? 284 00:10:08,475 --> 00:10:10,010 - AND THE HANDS-FREE ONION DISPENSER 285 00:10:10,043 --> 00:10:11,845 PROVED TO BE PROBLEMATIC AS WELL. 286 00:10:11,845 --> 00:10:13,080 SO YOU HAVE TO UP-- ONE UP, ONE DOWN. 287 00:10:13,113 --> 00:10:14,915 WHEN IT HITS THE TABLE, THE ONIONS WILL FALL. 288 00:10:14,948 --> 00:10:16,216 - AND DROP IT. KEEP DROPPING IT. 289 00:10:16,250 --> 00:10:17,384 UP AND DOWN, DROP IT. 290 00:10:17,417 --> 00:10:19,953 - FAST. 291 00:10:19,987 --> 00:10:20,954 - OOPS. 292 00:10:20,988 --> 00:10:22,322 - OH. - UGH. 293 00:10:22,356 --> 00:10:24,291 - THIS IS NOT GONNA WORK. IT'S NOT GONNA WORK. 294 00:10:24,324 --> 00:10:25,492 - THAT'S NOTHING TO DO WITH THE CONTRAPTION. 295 00:10:25,525 --> 00:10:27,327 IF YOU DROP A HOT DOG, YOU DROP A HOT DOG. 296 00:10:27,361 --> 00:10:28,428 THE PUBLIC JUST WASN'T READY 297 00:10:28,462 --> 00:10:30,664 FOR THE GERM-FREE HOT DOG EXPERIENCE, 298 00:10:30,697 --> 00:10:33,267 SO I LAID THE CONCEPT TO REST. 299 00:10:33,300 --> 00:10:35,902 NEXT, I HAD AN IDEA FOR A TEARLESS WAY 300 00:10:35,936 --> 00:10:38,472 TO TELL A CHILD THAT THEIR PET HAS DIED, 301 00:10:38,505 --> 00:10:40,574 TO BE AN UP-SELL SERVICE FOR AN ANIMAL HOSPITAL. 302 00:10:40,607 --> 00:10:42,175 THE CONCEPT WAS TO MAKE A VIDEO 303 00:10:42,209 --> 00:10:43,977 OF THE PET WHILE IT'S STILL ALIVE, 304 00:10:44,011 --> 00:10:46,313 TELLING THE CHILD IT'S IN ANIMAL HEAVEN NOW. 305 00:10:46,346 --> 00:10:48,615 I HIRED THE ONLY VOICE ACTOR THAT RESPONDED 306 00:10:48,649 --> 00:10:50,617 TO MY CRAIGSLIST AD TO BE THE DOG. 307 00:10:50,651 --> 00:10:52,185 BUT WHEN WE SHOWED IT TO THE OWNER'S CHILD... 308 00:10:54,488 --> 00:10:56,290 - OH, IT'S ME, MADI. 309 00:10:56,323 --> 00:10:58,825 I'M IN HEAVEN NOW. 310 00:10:58,825 --> 00:11:00,193 SO SORRY I DIED. 311 00:11:00,227 --> 00:11:01,728 I MISS YOU SO MUCH. 312 00:11:01,828 --> 00:11:04,698 I'M HAPPY HERE, SO I'M NOT COMING HOME. 313 00:11:09,169 --> 00:11:10,737 - NO, SHE DOESN'T. - NO. 314 00:11:10,837 --> 00:11:11,838 - WHAT--AW. 315 00:11:11,872 --> 00:11:13,573 IT'S OKAY. 316 00:11:13,607 --> 00:11:15,142 - HE HATED HIS DOG'S VOICE. 317 00:11:15,175 --> 00:11:17,678 ANOTHER FLUBBED IDEA. 318 00:11:17,711 --> 00:11:19,146 AND LASTLY, MY FAVORITE IDEAS 319 00:11:19,179 --> 00:11:21,048 DON'T JUST HELP WITH BUSINESS. 320 00:11:21,081 --> 00:11:22,749 THEY'RE GOOD FOR THE COMMUNITY AS WELL. 321 00:11:22,849 --> 00:11:24,618 SO I APPROACHED A BAR WITH AN INNOVATIVE WAY 322 00:11:24,651 --> 00:11:26,887 TO STOP DRUNKS FROM GETTING BEHIND THE WHEEL. 323 00:11:26,920 --> 00:11:29,022 THE CONCEPT WAS TO HAVE A STREET MAGICIAN 324 00:11:29,056 --> 00:11:30,657 STATIONED OUTSIDE THE BAR, 325 00:11:30,691 --> 00:11:32,426 PERFORMING A MAGIC TRICK THAT ALLOWS HIM 326 00:11:32,459 --> 00:11:34,528 TO SECRETLY TEST THE BLOOD ALCOHOL LEVELS 327 00:11:34,561 --> 00:11:36,663 OF PATRONS AS THEY LEAVE. 328 00:11:36,697 --> 00:11:39,066 AND WITH MY BACKGROUND IN MAGIC, I OFFERED TO TEST IT OUT. 329 00:11:39,099 --> 00:11:41,902 FOR MY FINAL TRICK, I'M GOING TO NEED YOUR KEYS. 330 00:11:41,935 --> 00:11:44,104 - MY KEYS? - YES. 331 00:11:44,137 --> 00:11:48,108 GREAT. GIVE THE WAND A BLOW. 332 00:11:48,141 --> 00:11:51,144 OKAY, A LITTLE BIT HARDER, RIGHT INTO THE TOP. 333 00:11:54,581 --> 00:11:57,284 OKAY, AND YOU ARE OVER THE LEGAL LIMIT. 334 00:11:57,317 --> 00:11:58,452 - OKAY. - BLOOD ALCOHOL. 335 00:11:58,485 --> 00:12:00,387 SO YOUR KEYS ARE GONE. - OH! 336 00:12:00,420 --> 00:12:01,989 - AND I CANNOT GIVE THEM BACK TO YOU. 337 00:12:02,022 --> 00:12:04,825 - OKAY. - SORRY. 338 00:12:04,825 --> 00:12:07,261 BUT THAT'S WHEN I REALIZED THE FLAW IN MY IDEA. 339 00:12:07,294 --> 00:12:09,396 IF I HELD ON TO HIS KEYS AND HE TOOK A CAB, 340 00:12:09,429 --> 00:12:11,531 THE GUY COULDN'T GET INTO HIS APARTMENT. 341 00:12:11,565 --> 00:12:12,699 - COULD I GET MY KEYS, PLEASE? 342 00:12:12,733 --> 00:12:14,234 - I CAN'T, BECAUSE YOU'RE DRUNK. 343 00:12:14,268 --> 00:12:15,402 - PLEASE GIVE ME MY KEYS. 344 00:12:15,435 --> 00:12:17,404 - AND THE ONLY SOLUTION AT THAT POINT 345 00:12:17,437 --> 00:12:18,572 WAS TO DRIVE HIM HOME. 346 00:12:18,605 --> 00:12:19,973 YOU LIVE FAR. 347 00:12:20,007 --> 00:12:21,875 - I KNOW I DO. 348 00:12:21,908 --> 00:12:23,377 - ALSO, ONCE I GOT HIM HOME, 349 00:12:23,410 --> 00:12:25,412 I REALIZED I COULDN'T JUST GIVE HIM HIS KEYS 350 00:12:25,445 --> 00:12:27,180 UNTIL HE WAS ASLEEP, OR ELSE HE MIGHT GO OUT 351 00:12:27,214 --> 00:12:28,248 AND DRIVE AGAIN. 352 00:12:28,282 --> 00:12:29,783 - YOU NEED TO SEE ME SLEEPING? 353 00:12:29,816 --> 00:12:32,219 - I NEED TO SEE YOU FALL ASLEEP BEFORE I LEAVE YOUR KEYS, 354 00:12:32,252 --> 00:12:36,123 OR ELSE YOU MIGHT TAKE THEM AND GO OUT AGAIN. 355 00:12:36,156 --> 00:12:37,891 YOU DON'T BRUSH YOUR TEETH BEFORE BED? 356 00:12:37,925 --> 00:12:38,892 - USUALLY NOT. 357 00:12:38,926 --> 00:12:40,060 I USUALLY BRUSH MY TEETH IN THE MORNING. 358 00:12:40,093 --> 00:12:41,795 - REALLY? - YEP. 359 00:12:41,795 --> 00:12:43,330 I KNOW IT'S KIND OF GROSS, 360 00:12:43,363 --> 00:12:45,299 BUT NOBODY ELSE IS REALLY PAYING ATTENTION 361 00:12:45,332 --> 00:12:46,800 TO THE WAY MY BREATH SMELLS. 362 00:12:46,833 --> 00:12:48,568 - SO I HAD TO PUT HIM TO BED AND MAKE SURE 363 00:12:48,602 --> 00:12:49,803 HE WENT TO SLEEP... 364 00:12:49,836 --> 00:12:53,707 ♪ AND IF THAT LOOKING GLASS GETS BROKE ♪ 365 00:12:53,807 --> 00:12:57,010 ♪ MAMA'S GONNA GET YOU A BILLY GOAT ♪ 366 00:12:57,044 --> 00:12:59,580 BEFORE I LEFT HIS KEYS. 367 00:12:59,613 --> 00:13:00,948 SO, AS YOU CAN SEE, 368 00:13:00,981 --> 00:13:03,317 EVEN THE GREATEST MINDS FAIL SOMETIMES. 369 00:13:03,350 --> 00:13:04,651 - OHH! 370 00:13:04,685 --> 00:13:07,955 - BUT FAILING TONIGHT IS NOT AN OPTION. 371 00:13:07,988 --> 00:13:09,356 BESIDES THE RISK TO ME, 372 00:13:09,389 --> 00:13:10,958 THERE ARE TEN INNOCENT CHILDREN 373 00:13:10,991 --> 00:13:12,826 PARTICIPATING IN TONIGHT'S EVENT, 374 00:13:12,826 --> 00:13:14,828 AND I DON'T TAKE THAT LIGHTLY. 375 00:13:14,828 --> 00:13:16,630 SO EARLIER TODAY, I SPOKE WITH THEIR PARENTS 376 00:13:16,663 --> 00:13:18,865 TO ASSURE THEM THEY HAD NOTHING TO WORRY ABOUT. 377 00:13:18,899 --> 00:13:20,601 HEY, GUYS. HOW'S EVERYONE DOING? 378 00:13:20,634 --> 00:13:22,002 - GREAT, THANK YOU. - GREAT. 379 00:13:22,035 --> 00:13:23,370 - GOOD. 380 00:13:23,403 --> 00:13:25,072 SO, BEFORE WE BEGIN, I JUST WANTED TO GIVE YOU 381 00:13:25,105 --> 00:13:26,340 SOME ASSURANCE. 382 00:13:26,373 --> 00:13:28,508 UH, WE'RE GONNA BE BLURRING ALL YOUR FACES, 383 00:13:28,542 --> 00:13:29,776 SO YOU DON'T HAVE TO WORRY 384 00:13:29,776 --> 00:13:32,613 ABOUT, YOU KNOW, COWORKERS BEING LIKE, 385 00:13:32,646 --> 00:13:35,315 "WHY DID YOU LET YOUR KID DO THAT FOR $100?" 386 00:13:35,349 --> 00:13:37,618 YOU KNOW, OR QUESTIONS LIKE THAT 387 00:13:37,651 --> 00:13:39,386 FROM, YOU KNOW, THE COMMUNITY OR ANYTHING. 388 00:13:39,419 --> 00:13:41,788 YOU DON'T HAVE TO WORRY ABOUT THAT. 389 00:13:41,822 --> 00:13:45,225 OKAY, GREAT. WISH ME LUCK. 390 00:13:45,259 --> 00:13:46,960 OKAY. 391 00:13:46,994 --> 00:13:50,130 SO I NOW HAVE ON THE CUSTOM-MADE PANTS 392 00:13:50,163 --> 00:13:52,199 THAT THE ROBOT WILL BE REMOVING. 393 00:13:52,232 --> 00:13:54,801 UM, YOU KNOW, WE'RE GONNA GIVE THESE KIDS 394 00:13:54,801 --> 00:13:56,670 A BIT OF A BATHROOM BREAK BEFORE I BEGIN, 395 00:13:56,703 --> 00:14:00,307 BUT WHEN WE RETURN, IT WILL BE THE ESCAPE. 396 00:14:05,370 --> 00:14:07,740 - ALL RIGHT, SO WE'RE ABOUT READY TO BEGIN. 397 00:14:07,780 --> 00:14:10,210 EVERYONE HAS BEEN CLEARED OUT OF THE ESCAPE AREA 398 00:14:10,240 --> 00:14:11,980 BESIDES THE NECESSARY PEOPLE. 399 00:14:12,010 --> 00:14:14,750 OFFICER BILLY SMALLING IS HERE, 400 00:14:14,780 --> 00:14:15,850 OBVIOUSLY THE CHILDREN, 401 00:14:15,880 --> 00:14:18,020 AND JUDGE ANTHONY FILOSA 402 00:14:18,050 --> 00:14:21,260 TO DO SOME FINAL CHECKS. 403 00:14:21,290 --> 00:14:23,020 I'M NOW GOING TO HAND OVER THE REINS 404 00:14:23,060 --> 00:14:25,790 TO MATT "MONEY" SMITH, NATIONAL SPORTSCASTER, 405 00:14:25,830 --> 00:14:26,930 WHO'LL BE CALLING THE EVENT. 406 00:14:26,960 --> 00:14:28,460 MATT, THANKS FOR DOING THIS. 407 00:14:28,500 --> 00:14:30,530 - WELL, THANKS FOR HAVING ME, NATHAN. 408 00:14:30,560 --> 00:14:31,700 - AND DO YOU HAVE ANY QUESTIONS FOR ME? 409 00:14:31,730 --> 00:14:32,700 - WELL, I THINK THE OBVIOUS ONE IS, 410 00:14:32,730 --> 00:14:35,270 WHY ARE YOU DOING THIS? 411 00:14:35,300 --> 00:14:37,610 - YOU KNOW, FOR-- FOR THE SHOW AND STUFF. 412 00:14:37,640 --> 00:14:38,810 - YEAH. 413 00:14:38,840 --> 00:14:40,640 WELL, I-I JUST GET THE SENSE THAT PERHAPS-- 414 00:14:40,670 --> 00:14:42,640 I MEAN, YOU KNOW THIS IS CONTROVERSIAL, RIGHT? 415 00:14:42,680 --> 00:14:44,980 - YEAH, YEAH. YEAH. 416 00:14:45,010 --> 00:14:46,150 - OKAY. GOOD LUCK. - ALL RIGHT. 417 00:14:46,180 --> 00:14:47,620 - ALL RIGHT. - THANKS, MATT. 418 00:14:47,650 --> 00:14:50,180 - AND WITH THAT, THE ESCAPE IS JUST MOMENTS AWAY, 419 00:14:50,220 --> 00:14:53,550 SO LET'S LEARN A LITTLE MORE ABOUT NATHAN FIELDER. 420 00:14:53,590 --> 00:14:55,620 NATHAN WAS BORN IN 1983, 421 00:14:55,660 --> 00:14:57,830 THE ONLY SON OF TWO CANADIAN CIVIL SERVANTS, 422 00:14:57,860 --> 00:14:59,730 ERIC AND DEBORAH. 423 00:15:01,660 --> 00:15:03,400 WHICH BRINGS US TO TONIGHT. 424 00:15:03,430 --> 00:15:05,500 AND WE ARE MINUTES AWAY FROM THE BIG ESCAPE, 425 00:15:05,530 --> 00:15:07,640 AND RIGHT NOW, IT LOOKS LIKE NATHAN IS HAVING 426 00:15:07,670 --> 00:15:11,470 SOME FINAL WORDS WITH THE HONORABLE JUDGE FILOSA, 427 00:15:11,510 --> 00:15:12,810 SO LET'S LISTEN IN. 428 00:15:12,840 --> 00:15:15,310 - SO DOES EVERYTHING LOOK GOOD IN TERMS OF THE SETUP 429 00:15:15,410 --> 00:15:19,050 FOR AN INDECENT EXPOSURE CONVICTION IF I-- 430 00:15:19,080 --> 00:15:22,520 IF I FAIL TONIGHT TO ESCAPE? 431 00:15:22,550 --> 00:15:24,790 - UH, APPARENTLY IT DOES. 432 00:15:24,820 --> 00:15:25,920 UM-- 433 00:15:25,950 --> 00:15:27,190 - GOOD. THAT'S ALL I NEEDED TO KNOW. 434 00:15:27,220 --> 00:15:29,160 THANK YOU. AND, OFFICER SMALLING... 435 00:15:29,190 --> 00:15:32,090 - AND NOW NATHAN'S STEPPING OVER TO OFFICER SMALLING, 436 00:15:32,130 --> 00:15:35,330 AND HE IS GOING TO GO AHEAD AND INSPECT THOSE HANDCUFFS 437 00:15:35,430 --> 00:15:37,630 AND MAKE SURE THEY ARE UP TO STANDARD. 438 00:15:37,670 --> 00:15:39,430 - DOUBLE-LOCKED... 439 00:15:39,470 --> 00:15:40,800 SMITH & WESSON POLICE HANDCUFFS, 440 00:15:40,830 --> 00:15:42,970 JUST LIKE WE WERE ISSUED IN THE POLICE ACADEMY. 441 00:15:43,000 --> 00:15:45,440 - OKAY, GREAT, AND HERE IS THE KEY. 442 00:15:45,440 --> 00:15:46,570 - WELL, EVERYTHING SEEMS TO BE IN ORDER, 443 00:15:46,610 --> 00:15:49,540 AND NOW NATHAN IS STEPPING OVER TO A LAPTOP, 444 00:15:49,580 --> 00:15:52,450 WHERE HIS MOM AND DAD ARE STANDING BY VIA SKYPE. 445 00:15:52,450 --> 00:15:54,550 AND THEY DON'T KNOW WHAT NATHAN HAS PLANNED TONIGHT. 446 00:15:54,580 --> 00:15:56,050 - HI, GUYS. - BUT HE WANTED 447 00:15:56,080 --> 00:15:58,320 TO HEAR THEIR VOICES BEFORE STEPPING TO THE STAGE. 448 00:15:58,350 --> 00:15:59,820 - I DON'T KNOW IF YOU CAN HEAR ME, 449 00:15:59,850 --> 00:16:03,460 BUT, UH, I'M ABOUT TO DO SOMETHING VERY RISKY, 450 00:16:03,490 --> 00:16:07,230 UM, SO THE NEXT TIME I TALK TO YOU 451 00:16:07,260 --> 00:16:10,430 MIGHT BE BEHIND BULLETPROOF GLASS. 452 00:16:12,430 --> 00:16:15,240 - OH, WOW. - WHY? 453 00:16:15,270 --> 00:16:16,740 - I CAN'T REALLY GET INTO IT RIGHT NOW. 454 00:16:16,770 --> 00:16:18,210 I DON'T HAVE TIME. BUT I JUST WANT TO SAY 455 00:16:18,240 --> 00:16:20,840 THAT I LOVE YOU GUYS. 456 00:16:20,880 --> 00:16:23,840 AND, YOU KNOW, WISH ME LUCK, OKAY? 457 00:16:23,880 --> 00:16:25,580 - WELL, NATHAN, WHAT ARE YOU-- WHAT ARE YOU-- 458 00:16:25,610 --> 00:16:26,980 - WHAT'S GOING ON? 459 00:16:27,010 --> 00:16:30,080 - YOU GUYS? CAN YOU HEAR ME? 460 00:16:30,120 --> 00:16:31,550 HELLO? 461 00:16:31,590 --> 00:16:32,850 - WELL, APPARENTLY A LACK 462 00:16:32,890 --> 00:16:34,150 OF AN INTERNET CONNECTION UP HERE. 463 00:16:34,190 --> 00:16:36,190 DON'T KNOW WHETHER OR NOT THEY HEARD THAT MESSAGE. 464 00:16:36,220 --> 00:16:38,090 BUT HEARTFELT, NONETHELESS. 465 00:16:40,330 --> 00:16:42,460 AND IT'S TIME NOW FOR NATHAN 466 00:16:42,500 --> 00:16:44,700 TO MAKE HIS WAY TO THE STAGE. 467 00:16:44,730 --> 00:16:46,130 YOU KNOW, YOU WONDER WHAT'S GOING ON 468 00:16:46,170 --> 00:16:48,570 IN NATHAN'S MIND RIGHT NOW AND IF ANY AMOUNT 469 00:16:48,600 --> 00:16:49,900 OF PREPARATION IS ENOUGH... 470 00:16:49,940 --> 00:16:51,110 - ALL RIGHT. - FOR THE PRESSURE 471 00:16:51,140 --> 00:16:53,070 THAT HE'S FACING HERE TONIGHT. 472 00:16:53,110 --> 00:16:54,910 NATHAN NOW MAKING HIS WAY INTO POSITION. 473 00:16:54,940 --> 00:16:57,310 YOU CAN SEE OFFICER SMALLING LOCKING HIM 474 00:16:57,340 --> 00:17:01,020 INTO THAT LOOP, AND THAT IS A SOLID STEEL FRAME. 475 00:17:01,050 --> 00:17:02,050 - PUT THIS AROUND MY WRIST. 476 00:17:02,080 --> 00:17:04,390 - CERTAINLY AN ADORABLE GROUP OF KIDS 477 00:17:04,420 --> 00:17:05,920 BROUGHT IN TONIGHT. 478 00:17:05,950 --> 00:17:07,150 CERTAINLY HOPE THE NIGHT DOESN'T END 479 00:17:07,190 --> 00:17:11,030 WITH THEM SEEING A MAN EXPOSE HIMSELF TO THEM. 480 00:17:11,060 --> 00:17:12,290 WELL, NOW THAT NATHAN'S LOCKED IN, 481 00:17:12,390 --> 00:17:14,400 THE CREW GONNA DO ONE LAST LOOK-OVER, 482 00:17:14,400 --> 00:17:16,100 SO WE'LL STEP AWAY FOR A COMMERCIAL, 483 00:17:16,130 --> 00:17:19,030 AND WHEN WE RETURN, THE ESCAPE. 484 00:17:26,270 --> 00:17:27,510 - ALL RIGHT, WE'RE BACK, AND THIS IS IT. 485 00:17:27,540 --> 00:17:28,880 THE STAGE IS SET. 486 00:17:28,910 --> 00:17:31,180 NATHAN HAS 90 SECONDS TO FREE HIMSELF 487 00:17:31,210 --> 00:17:32,650 FROM THOSE CUFFS AND HIT THAT RED BUTTON 488 00:17:32,680 --> 00:17:34,080 TO HIS RIGHT. 489 00:17:34,110 --> 00:17:35,280 THE BUTTON IS A KILL SWITCH. 490 00:17:35,320 --> 00:17:37,180 IT IS THE ONLY THING THAT CAN STOP 491 00:17:37,220 --> 00:17:38,950 THE PROGRAMMED MOTION OF THE ROBOT 492 00:17:38,990 --> 00:17:42,760 FROM TAKING OFF NATHAN'S PANTS IN FRONT OF THESE KIDS. 493 00:17:42,790 --> 00:17:44,690 AND NOW HE WILL DELIVER THE LINE 494 00:17:44,720 --> 00:17:48,130 GIVEN TO HIM BY JUDGE FILOSA. 495 00:17:48,160 --> 00:17:50,160 - SOMETHING MIGHT HAPPEN HERE, 496 00:17:50,200 --> 00:17:53,000 AND IF IT DOES, SO WHAT? 497 00:17:53,030 --> 00:17:54,000 - AND WITH THAT, 498 00:17:54,030 --> 00:17:55,440 HE HAS ESTABLISHED WILLFUL INTENT. 499 00:17:55,470 --> 00:17:58,100 SO IF HE EXPOSES HIMSELF TONIGHT, 500 00:17:58,140 --> 00:17:59,640 IN THE EYES OF THE LAW, 501 00:17:59,670 --> 00:18:01,270 IT WILL NOT BE CONSIDERED AN ACCIDENT. 502 00:18:01,310 --> 00:18:02,680 - READY! 503 00:18:02,710 --> 00:18:04,780 - GO! 504 00:18:04,810 --> 00:18:06,250 - AND WE ARE UNDERWAY NOW. 505 00:18:06,280 --> 00:18:07,810 HMM, STRUGGLING. LOOKED AS THOUGH HE-- 506 00:18:07,850 --> 00:18:10,720 HE PULLED A PICK STRAIGHT FROM HIS HAIR. 507 00:18:10,750 --> 00:18:13,720 NATHAN WORKING ON THOSE HANDCUFFS. 508 00:18:13,750 --> 00:18:15,720 WE ARE 80 SECONDS AWAY 509 00:18:15,760 --> 00:18:17,960 FROM A LIFETIME OF SCORN 510 00:18:17,990 --> 00:18:18,960 FOR NATHAN. 511 00:18:20,830 --> 00:18:22,430 NOW THE ROBOT GOING TO THAT-- 512 00:18:22,460 --> 00:18:23,630 THAT FLY. THE FLY IS DOWN. 513 00:18:23,730 --> 00:18:25,300 AND WHILE HE'S WORKING 514 00:18:25,330 --> 00:18:27,130 ON THE HANDCUFFS, THE ROBOT 515 00:18:27,170 --> 00:18:28,970 CONTINUES TO WORK ON THE PANTS. 516 00:18:30,900 --> 00:18:32,040 APPEARS AS THOUGH HE'S TAUNTING. 517 00:18:32,070 --> 00:18:33,270 NO, HE'S GOING FOR THAT LOOP. 518 00:18:33,310 --> 00:18:35,280 NOW HAS THE BUTTON UNDONE. 519 00:18:37,080 --> 00:18:38,510 AND THE KIDS LAUGHING ALONG 520 00:18:38,550 --> 00:18:39,780 WITH THE ROBOT'S ANTICS. 521 00:18:41,650 --> 00:18:45,290 NATHAN STRUGGLING WITH THAT PICK. 522 00:18:45,320 --> 00:18:46,350 HE DROPPED THE PICK. 523 00:18:49,290 --> 00:18:50,590 IT LOOKS LIKE IT'S CAUGHT ON HIS CLOTHING, 524 00:18:50,620 --> 00:18:52,830 AND NOW HE'S TRYING TO RETRIEVE IT, 525 00:18:52,860 --> 00:18:54,030 AND HE'S GOT IT. 526 00:18:54,060 --> 00:18:55,960 GOT IT WITH HIS-- WHAT A CLOSE CALL, 527 00:18:56,000 --> 00:18:57,760 AS HE RETRIEVES THE PICK WITH HIS TONGUE. 528 00:18:57,760 --> 00:18:59,270 HAD THAT FALLEN TO THE GROUND, 529 00:18:59,300 --> 00:19:01,870 IT WOULD HAVE BEEN ALL OVER. 530 00:19:01,900 --> 00:19:03,640 NEXT IS GOING TO BE THOSE LOOPS 531 00:19:03,670 --> 00:19:05,570 ON THE HIP. 532 00:19:05,610 --> 00:19:07,110 THIS IS GETTING TIGHT HERE. 533 00:19:07,140 --> 00:19:09,210 THE ROBOT NOW HAS BOTH PANT LEGS DOWN, 534 00:19:09,240 --> 00:19:10,580 IS ABOUT TO SECURE 535 00:19:10,610 --> 00:19:12,050 THE LOOP ON THE UNDERPANTS, 536 00:19:12,080 --> 00:19:13,850 AND NATHAN'S STILL WORKING ON THOSE CUFFS. 537 00:19:13,880 --> 00:19:15,020 WE ARE JUST 20 SECONDS AWAY. 538 00:19:15,050 --> 00:19:18,350 NATHAN WORKING THOSE HANDCUFFS. 539 00:19:18,390 --> 00:19:20,250 AND NOW IT LOOKS AS THOUGH, WITH THE PANTS DOWN, 540 00:19:20,290 --> 00:19:23,320 THE ROBOT GOING FOR THAT UNDERWEAR LOOP. 541 00:19:23,360 --> 00:19:25,430 WE ARE NOW AT TEN SECONDS AND COUNTING. 542 00:19:27,460 --> 00:19:29,200 WE HAVE JUST A COUPLE SECONDS LEFT. 543 00:19:29,230 --> 00:19:30,430 OH, NO, WE ARE SEEING PUBIC HAIR. 544 00:19:30,460 --> 00:19:32,830 BUT HE HAS ESCAPED. 545 00:19:32,870 --> 00:19:36,500 NATHAN FIELDER HAS MANAGED TO ESCAPE 546 00:19:36,540 --> 00:19:39,370 AND SAVE HIMSELF FROM A LIFETIME OF SHAME. 547 00:19:39,410 --> 00:19:41,310 THERE'S THE REPLAY. 548 00:19:41,340 --> 00:19:43,410 THE MOMENT WHERE HE WAS ABLE TO PICK THE CUFFS, 549 00:19:43,440 --> 00:19:46,110 HIT THE BUTTON JUST IN TIME. 550 00:19:46,150 --> 00:19:48,110 AND YOU CAN SEE THE RELIEF ON HIS FACE. 551 00:19:50,580 --> 00:19:51,590 WELL, THERE YOU SEE IT. 552 00:19:51,620 --> 00:19:52,850 HE TOOK ON GREAT RISK, 553 00:19:52,890 --> 00:19:55,620 AND NOW THIS, HIS REWARD. 554 00:19:55,660 --> 00:19:57,560 CONGRATULATIONS FROM THE JUDGE AND OFFICER. 555 00:19:57,590 --> 00:19:59,390 - GOOD JOB. - THANK YOU. 556 00:19:59,430 --> 00:20:02,660 - UM, SO THE ROBOT 557 00:20:02,760 --> 00:20:05,100 PULLED HIS PANTS DOWN. 558 00:20:05,130 --> 00:20:06,300 BUT HE WON. 559 00:20:06,330 --> 00:20:07,430 SO-- 560 00:20:07,470 --> 00:20:08,600 - IT WAS REALLY FUNNY. 561 00:20:08,640 --> 00:20:10,340 I REALLY WANTED HIS PANTS TO FALL DOWN 562 00:20:10,370 --> 00:20:12,110 'CAUSE IT'S HILARIOUS. 563 00:20:12,140 --> 00:20:14,370 - I WOULD HAVE BEEN SORT OF OFFENDED 564 00:20:14,410 --> 00:20:18,010 IF IT--IF HIS UNDERWEAR FELL DOWN, 565 00:20:18,040 --> 00:20:19,780 BUT NOT THAT MUCH. 566 00:20:19,810 --> 00:20:22,520 - HE PRESSED THE BUTTON, AND THEN IT DIDN'T FALL DOWN. 567 00:20:22,550 --> 00:20:24,720 I WAS LIKE, "YES!" 568 00:20:24,720 --> 00:20:25,950 I WAS LIKE, "HALLELUJAH." 569 00:20:30,360 --> 00:20:33,230 - OKAY, BEFORE YOU GUYS-- BEFORE YOU GUYS LEAVE, 570 00:20:33,260 --> 00:20:36,960 REMEMBER TO ALWAYS TAKE BIG RISKS 571 00:20:37,000 --> 00:20:38,600 AND BELIEVE IN YOURSELF 572 00:20:38,630 --> 00:20:43,240 AND FOLLOW YOUR DREAMS, JUST LIKE I DID. 573 00:20:43,270 --> 00:20:44,740 I DRE--WELL, YEAH, I DID. 574 00:20:44,740 --> 00:20:45,910 IT WAS-- IT WAS A DREAM OF-- 575 00:20:50,580 --> 00:20:52,610 YOU KIND OF TALKED OVER MY SPEECH. 576 00:20:52,650 --> 00:20:54,180 OKAY. FINE. - LET'S GO. LET'S GO.42640

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