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- GOOD EVENING.
2
00:00:02,336 --> 00:00:03,871
WE'RE COMING TO YOU
FROM THE HISTORIC ELYSIAN PARK
3
00:00:03,904 --> 00:00:05,772
IN LOS ANGELES, CALIFORNIA.
4
00:00:05,806 --> 00:00:07,608
NOW, EVERY WEEK ON MY SHOW,
I CHALLENGE PEOPLE
5
00:00:07,641 --> 00:00:09,209
TO TAKE BIG RISKS.
6
00:00:09,243 --> 00:00:12,346
BUT SOME HAVE BEEN CRITICAL
THAT I NEVER TAKE RISKS MYSELF.
7
00:00:12,379 --> 00:00:14,781
WELL, TONIGHT,
THAT'S ALL GONNA CHANGE.
8
00:00:14,815 --> 00:00:16,383
OVER THE PAST MONTH,
I'VE BEEN LEARNING
9
00:00:16,416 --> 00:00:19,386
HOW TO PICK THE LOCK
ON THESE POLICE-GRADE HANDCUFFS.
10
00:00:19,419 --> 00:00:20,854
"WHY?" YOU ASK.
11
00:00:20,888 --> 00:00:22,789
BECAUSE TONIGHT I'M GONNA TAKE
A BIGGER RISK
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00:00:22,823 --> 00:00:25,893
THAN ANYONE HAS EVER TAKEN
ON TELEVISION BEFORE.
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00:00:25,926 --> 00:00:27,995
IN JUST A FEW MOMENTS,
I'M GOING TO BE HANDCUFFED
14
00:00:28,028 --> 00:00:29,897
TO THIS SOLID STEEL FRAME,
15
00:00:29,930 --> 00:00:32,766
AND I'LL HAVE EXACTLY 90 SECONDS
TO FREE MYSELF
16
00:00:32,799 --> 00:00:35,502
BEFORE THE CLAW
ON THIS ROBOTIC ARM
17
00:00:35,536 --> 00:00:37,304
UNDOES MY PANTS,
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00:00:37,337 --> 00:00:40,974
EXPOSING ME TO AN AUDIENCE
OF CHILDREN.
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00:00:41,008 --> 00:00:43,477
IF THAT HAPPENS,
AN L.A.P.D. OFFICER
20
00:00:43,510 --> 00:00:47,014
IS STANDING BY TO ARREST ME
FOR INDECENT EXPOSURE.
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00:00:47,047 --> 00:00:50,617
WE'VE ALL SEEN ESCAPE ARTISTS
RISK DEATH BEFORE.
22
00:00:50,651 --> 00:00:54,655
BUT TONIGHT, I'M GOING TO RISK
SOMETHING EVEN WORSE:
23
00:00:54,688 --> 00:00:57,691
BECOMING A REGISTERED
SEX OFFENDER FOR LIFE.
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00:00:57,724 --> 00:01:01,128
AND WHAT YOU'RE GOING
TO SEE TONIGHT IS 100% REAL.
25
00:01:01,161 --> 00:01:03,063
WELCOME TO NATHAN FOR YOU.
26
00:01:03,063 --> 00:01:06,066
THIS IS THE CLAW OF SHAME.
27
00:01:08,135 --> 00:01:09,670
- NOW, YOU KNOW
THIS IS CONTROVERSIAL, RIGHT?
28
00:01:09,703 --> 00:01:12,272
- WHAT DO I GAIN BY DOING THIS?
- NOTHING.
29
00:01:12,306 --> 00:01:15,075
- IF HE'S GONNA ESCAPE,
IF HE'S GONNA GO TO JAIL.
30
00:01:15,108 --> 00:01:17,644
- I MIGHT NOT EVEN ATTEMPT IT.
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00:01:17,678 --> 00:01:20,814
HE'S TAKING A BIG RISK.
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00:01:20,848 --> 00:01:22,249
- IF YOU'VE SEEN
MY SHOW BEFORE,
33
00:01:22,282 --> 00:01:25,085
YOU KNOW I USUALLY FOCUS
ON HELPING SMALL BUSINESSES
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00:01:25,118 --> 00:01:27,120
BY BRINGING THEM BIG IDEAS.
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00:01:27,154 --> 00:01:30,090
BUT TONIGHT'S EPISODE IS GOING
TO BE A BIT DIFFERENT.
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00:01:30,123 --> 00:01:33,527
RIGHT NOW, YOU'RE SEEING
MY FINAL PRACTICE RUN,
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00:01:33,560 --> 00:01:35,729
MY LAST CHANCE
TO GET THE ESCAPE RIGHT
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BEFORE RISKING LIFE
AS A SEX OFFENDER.
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00:01:38,799 --> 00:01:40,234
BUT TO GET TO THIS POINT,
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00:01:40,267 --> 00:01:44,838
IT TOOK MONTHS OF PLANNING
AND PREPARATION.
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00:01:44,872 --> 00:01:47,140
FIRSTLY, I AM NOT
AN ESCAPE ARTIST.
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00:01:47,174 --> 00:01:49,109
AND THOUGH I HAVE SOME
EXPERIENCE DOING MAGIC
43
00:01:49,109 --> 00:01:50,444
AS A TEENAGER...
44
00:01:50,477 --> 00:01:52,312
THERE'S NOTHING
IN THE BAG, RIGHT?
45
00:01:52,346 --> 00:01:53,447
- YEAH.
46
00:01:53,480 --> 00:01:54,615
- BAG IS COMPLETELY EMPTY.
47
00:01:54,648 --> 00:01:55,616
YOU CAN SEE
RIGHT THROUGH IT.
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00:01:55,649 --> 00:01:57,484
I QUIT PERFORMING
YEARS AGO
49
00:01:57,518 --> 00:02:00,053
AND HAVE NEVER DONE
AN ESCAPE BEFORE.
50
00:02:00,087 --> 00:02:01,622
SO I BOOKED
A TRAINING SESSION
51
00:02:01,655 --> 00:02:03,357
WITH ESCAPE MASTER
MARK PASKELL
52
00:02:03,390 --> 00:02:08,061
SO I COULD LEARN HOW TO PICK
THE LOCKS ON A PAIR OF CUFFS.
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00:02:08,095 --> 00:02:09,897
HOW DO I ESCAPE
FROM HANDCUFFS?
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00:02:09,930 --> 00:02:11,265
- A SHIM.
- OH.
55
00:02:11,298 --> 00:02:13,467
- IF YOU HAVE A SHIM,
YOU CAN--
56
00:02:13,500 --> 00:02:15,435
- IS THAT A HAIR CLIP?
- THIS IS A HAIR CLIP,
57
00:02:15,469 --> 00:02:17,070
BUT IT'S--
IT'S ADAPTED A LITTLE BIT.
58
00:02:17,070 --> 00:02:19,773
YOU GET IN THERE...
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00:02:19,806 --> 00:02:22,409
AND PUSH.
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00:02:22,442 --> 00:02:23,777
- RIGHT.
- THEN YOU CAN GET OUT.
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00:02:23,810 --> 00:02:25,712
- EVEN AFTER HE TAUGHT ME,
IT TOOK ME
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00:02:25,746 --> 00:02:27,714
OVER 30 MINUTES
TO PICK THE LOCK.
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00:02:27,748 --> 00:02:29,850
I HAD A LOT OF WORK
AHEAD OF ME TO GET MY TIME DOWN
64
00:02:29,883 --> 00:02:31,151
TO 90 SECONDS.
65
00:02:31,185 --> 00:02:33,720
AND AFTER SOME PRACTICING,
I TOLD MARK MY IDEA
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00:02:33,754 --> 00:02:35,322
FOR THE ESCAPE:
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00:02:35,355 --> 00:02:38,859
TO HAVE TWO STAGEHANDS PULLING
DOWN MY PANTS WITH ROPES,
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00:02:38,892 --> 00:02:40,327
EXPOSING ME TO THE PUBLIC.
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00:02:40,360 --> 00:02:43,263
AND SINCE MARK WAS CLEARLY
AN EXPERT ON THIS STUFF,
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00:02:43,297 --> 00:02:45,499
I WAS HOPING TO HAVE HIM
AS AN OFFICIAL ADVISOR
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00:02:45,532 --> 00:02:46,500
ON THE ESCAPE.
72
00:02:46,533 --> 00:02:47,568
I MEAN, WHAT DO YOU THINK?
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00:02:47,601 --> 00:02:49,603
- MM, I DON'T KNOW.
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00:02:49,636 --> 00:02:51,705
IT'S MOVING A LITTLE BIT
OUT OF MY FIELD.
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00:02:51,738 --> 00:02:52,940
- I GUESS I COULD SAY
76
00:02:52,973 --> 00:02:55,108
YOU'RE A CONSULTANT
ON THE ESCAPE.
77
00:03:01,048 --> 00:03:03,217
MM, I DON'T KNOW.
I'LL HAVE TO GET BACK TO YOU.
78
00:03:03,250 --> 00:03:04,618
- WOULD YOU WANT THAT?
79
00:03:04,651 --> 00:03:06,053
- I'LL HAVE TO GET BACK TO YOU
ON THAT, THINK ON IT.
80
00:03:06,053 --> 00:03:08,455
- WE'LL JUST CREDIT YOU
AS A CONSULTANT ON THE ESCAPE.
81
00:03:08,488 --> 00:03:09,823
- I APPRECIATE THAT.
- IT'S NO BIG DEAL.
82
00:03:09,857 --> 00:03:11,191
WE'LL JUST GIVE IT TO YOU.
- APPRECIATE THAT, BUT--
83
00:03:11,225 --> 00:03:12,359
- IT'S DONE.
IT'S AS GOOD AS DONE.
84
00:03:12,392 --> 00:03:13,560
- I APPRECIATE IT,
BUT WHAT I'M SAYING IS,
85
00:03:13,594 --> 00:03:14,761
I WILL GET BACK TO YOU.
86
00:03:14,795 --> 00:03:15,963
- YOU'LL GET BACK TO ME
ABOUT THE CREDIT?
87
00:03:16,063 --> 00:03:17,130
- YEAH.
88
00:03:17,164 --> 00:03:19,166
- WELL, WE'LL JUST PUT IT
IN ANYWAYS.
89
00:03:19,199 --> 00:03:21,969
JUST, WE'LL PUT IT
IN THE CREDITS OF THE SHOW.
90
00:03:22,069 --> 00:03:23,370
I NEVER HEARD BACK
FROM MARK,
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00:03:23,403 --> 00:03:25,739
BUT AT LEAST I KNEW
HOW TO PICK HANDCUFFS.
92
00:03:25,772 --> 00:03:28,141
WHAT I DIDN'T KNOW
WAS THE LEGAL REQUIREMENT
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00:03:28,175 --> 00:03:29,977
FOR BECOMING A SEX OFFENDER.
94
00:03:30,077 --> 00:03:32,079
SO I FOUND AN ACTUAL
CALIFORNIA JUDGE
95
00:03:32,079 --> 00:03:35,082
THAT WOULD AGREE TO ADVISE ME
ON THE ESCAPE ON CAMERA,
96
00:03:35,082 --> 00:03:37,084
THE HONORABLE ANTHONY FILOSA.
97
00:03:37,084 --> 00:03:39,253
SO IF I DON'T ESCAPE
IN 90 SECONDS,
98
00:03:39,286 --> 00:03:41,555
I'LL BE EXPOSED
TO SOME PEOPLE.
99
00:03:41,588 --> 00:03:42,890
- WHAT ARE "SOME PEOPLE"?
100
00:03:42,923 --> 00:03:44,825
- JUST, LIKE, ADULTS
OR SOMETHING?
101
00:03:44,858 --> 00:03:46,293
I DON'T KNOW.
- CHILDREN? ADULTS?
102
00:03:46,326 --> 00:03:49,329
- IS CHILDREN BETTER?
103
00:03:51,331 --> 00:03:52,533
- INTERESTING QUESTION.
104
00:03:52,566 --> 00:03:54,735
BOTH COULD BE OFFENDED.
105
00:03:54,768 --> 00:03:56,103
MORE LIKELY CHILDREN,
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00:03:56,136 --> 00:03:58,939
INSOFAR AS THAT
IT'S OFFENSIVE, PERIOD.
107
00:03:58,972 --> 00:04:02,209
- SO YOU'RE SAYING
IT'S BETTER TO USE CHILDREN?
108
00:04:02,242 --> 00:04:04,645
- I-I DON'T REALLY THINK
IT'S MY PLACE
109
00:04:04,678 --> 00:04:05,746
TO SUGGEST IT.
110
00:04:05,779 --> 00:04:08,081
- OKAY. SURE.
- ALL RIGHT?
111
00:04:08,115 --> 00:04:09,449
YEAH, I REALLY DON'T.
112
00:04:09,483 --> 00:04:10,651
- I TOOK
THE JUDGE'S SUGGESTION
113
00:04:10,684 --> 00:04:12,619
THAT I SHOULD EXPOSE MYSELF
TO CHILDREN,
114
00:04:12,653 --> 00:04:14,488
AND ON TOP OF THAT,
115
00:04:14,521 --> 00:04:15,822
HE WAS A TREASURE TROVE
OF INFORMATION
116
00:04:15,856 --> 00:04:17,457
ON HOW TO BECOME
A SEX OFFENDER.
117
00:04:17,491 --> 00:04:19,326
- THERE WOULD HAVE TO BE
THE ELEMENT
118
00:04:19,359 --> 00:04:21,695
OF WILLFULNESS PROVEN.
119
00:04:21,728 --> 00:04:23,530
- SO WOULD IT HELP IF,
RIGHT BEFORE I DID IT,
120
00:04:23,564 --> 00:04:27,201
I SAID, "I'M DOING THIS
ON PURPOSE TO EXPOSE MYSELF"?
121
00:04:27,234 --> 00:04:30,404
- WELL, YOU JUST ABANDON
ANY PRECAUTION.
122
00:04:30,437 --> 00:04:31,972
"YOU KNOW, FOLKS,
SOMETHING COULD HAPPEN,
123
00:04:32,072 --> 00:04:34,741
"YOU KNOW,
AND IF IT DOES,
124
00:04:34,775 --> 00:04:36,243
SO WHAT?"
125
00:04:36,276 --> 00:04:37,845
SOMETHING LIKE THAT.
126
00:04:37,878 --> 00:04:39,780
- SO IT'S LIKE, YOU KNOW,
IF THIS GOES WRONG,
127
00:04:39,813 --> 00:04:40,848
I DON'T REALLY CARE.
128
00:04:40,881 --> 00:04:42,115
- TOO BAD, 'CAUSE I--
- TOO BAD.
129
00:04:42,149 --> 00:04:43,483
I'M GONNA--
- TOO BAD, I--
130
00:04:43,517 --> 00:04:44,918
- I'M GONNA GET OFF.
IT'S GONNA MAKE ME HORNY.
131
00:04:44,952 --> 00:04:46,286
- WELL, WHATEVER.
132
00:04:46,320 --> 00:04:47,654
- THE MOST TROUBLING THING
I LEARNED FROM HIM, THOUGH,
133
00:04:47,688 --> 00:04:50,357
WAS THAT IF ANYONE HELPED ME
PULL MY PANTS DOWN,
134
00:04:50,390 --> 00:04:51,725
THEY COULD GO TO JAIL TOO.
135
00:04:51,758 --> 00:04:54,695
- THAT PERSON IS
AS GUILTY AS YOU ARE.
136
00:04:54,728 --> 00:04:55,896
- SO I CAN'T HAVE
ANY HELPERS.
137
00:04:55,929 --> 00:04:57,331
- RIGHT.
- I DIDN'T WANT TO PUT
138
00:04:57,364 --> 00:04:58,999
ANYONE AT RISK
BESIDES MYSELF.
139
00:04:59,099 --> 00:05:00,901
SO IF NO HUMAN
COULD DO IT,
140
00:05:00,934 --> 00:05:03,403
I WAS GONNA HAVE TO USE
A ROBOT.
141
00:05:03,437 --> 00:05:05,405
AND THE SEARCH TOOK MONTHS,
WITH EVERYONE
142
00:05:05,439 --> 00:05:08,075
FROM U.S. DEFENSE COMPANIES
TO NASA TELLING US
143
00:05:08,108 --> 00:05:10,110
THE TECHNOLOGY DIDN'T EXIST
TO HAVE A ROBOT
144
00:05:10,143 --> 00:05:12,379
PULL DOWN SOMEONE'S PANTS.
145
00:05:12,412 --> 00:05:13,847
BUT I DIDN'T GIVE UP,
AND EVENTUALLY,
146
00:05:13,881 --> 00:05:15,549
I FOUND A COMPANY
THAT SAID THEY COULD DO IT.
147
00:05:15,582 --> 00:05:17,851
- SO THIS IS IT.
148
00:05:17,885 --> 00:05:21,655
THIS IS A KUKA-ROBOTICS
K.R. 15-2.
149
00:05:21,688 --> 00:05:23,056
- AFTER JOHN SHOWED ME
THE ROBOT,
150
00:05:23,056 --> 00:05:25,926
I EXPLAINED TO HIM SPECIFICALLY
WHAT I NEEDED IT TO DO.
151
00:05:25,959 --> 00:05:27,227
THEN, ONCE THE PANTS
ARE DOWN,
152
00:05:27,261 --> 00:05:29,530
I WANT IT TO COME UP HERE,
153
00:05:29,563 --> 00:05:32,232
HOOK ONTO THE BOXERS,
AND PULL THOSE DOWN.
154
00:05:32,266 --> 00:05:34,101
JOHN SUGGESTED MAKING
CUSTOM-DESIGNED PANTS
155
00:05:34,134 --> 00:05:37,104
WITH LOOPS THAT WOULD MAKE IT
EASIER FOR THE ROBOT
156
00:05:37,137 --> 00:05:38,572
TO REMOVE THEM,
157
00:05:38,605 --> 00:05:39,907
SO I HIRED A TAILOR
TO MAKE THE PANTS
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00:05:39,940 --> 00:05:42,075
TO JOHN'S SPECIFICATIONS.
159
00:05:42,109 --> 00:05:43,577
AND OVER THE WEEK
THEY WERE BEING MADE,
160
00:05:43,610 --> 00:05:45,879
HE INFORMALLY BECAME
MY PRACTICE PARTNER.
161
00:05:45,913 --> 00:05:47,114
I BORROWED A PAIR
OF HIS UNDERWEAR
162
00:05:47,147 --> 00:05:49,650
SO WE COULD PULL DOWN MY PANTS
ALL THE WAY
163
00:05:49,683 --> 00:05:50,851
WITHOUT SEEING MY PENIS.
164
00:05:50,884 --> 00:05:53,887
- 90.
165
00:05:56,523 --> 00:05:58,759
- THE PANTS BEING TAKEN OFF
WAS DEFINITELY DISTRACTING,
166
00:05:58,792 --> 00:06:01,028
BUT I WAS GETTING CLOSER
TO MY 90-SECOND GOAL.
167
00:06:01,028 --> 00:06:03,263
TIME, TIME, STOP IT.
WHAT DO I GOT?
168
00:06:03,297 --> 00:06:04,364
- OKAY, 150.
169
00:06:04,398 --> 00:06:06,166
- AND AFTER GETTING
AN HOUR OR SO
170
00:06:06,200 --> 00:06:07,401
OF TRAINING IN,
THE COMPLETED PANTS
171
00:06:07,434 --> 00:06:10,437
WERE PACKAGED UP AND DELIVERED
TO REEL EFX
172
00:06:10,470 --> 00:06:13,040
SO THE ROBOT COULD BEGIN
BEING PROGRAMMED.
173
00:06:13,073 --> 00:06:14,842
IN THE MEANTIME,
I WANTED TO FIND OUT
174
00:06:14,875 --> 00:06:17,110
THE REAL CONSEQUENCES
OF GOING TO PRISON
175
00:06:17,144 --> 00:06:18,612
AS A SEX OFFENDER,
SO I MET UP
176
00:06:18,645 --> 00:06:21,949
WITH JIMMY MURPHY,
WHO'S SERVED OVER 11 YEARS
177
00:06:22,049 --> 00:06:24,117
FOR A VARIETY
OF VIOLENT CRIMES.
178
00:06:24,151 --> 00:06:25,719
- I'LL TELL YOU THIS.
179
00:06:25,752 --> 00:06:28,288
IN THERE, IT'S THE LAST THING
YOU WANT TO BE.
180
00:06:28,322 --> 00:06:29,456
IT'S THE LOWEST.
181
00:06:29,489 --> 00:06:32,526
- WHAT WOULD HAPPEN TO ME
IN THERE?
182
00:06:32,559 --> 00:06:35,262
- WELL, YOU KNOW,
YOU'D PROBABLY, UH, GO--
183
00:06:35,295 --> 00:06:36,396
GO TO YOUR CELL,
AND YOU'D FIND
184
00:06:36,430 --> 00:06:39,466
A COUPLE OF SNICKERS BARS
ON YOUR PILLOW.
185
00:06:39,499 --> 00:06:40,634
- OH, WOW.
- AND THEN--
186
00:06:40,667 --> 00:06:41,768
- SO THIS DOESN'T SOUND
THAT BAD AT ALL.
187
00:06:41,802 --> 00:06:42,870
- NO, YOU'D GO IN THERE,
188
00:06:42,903 --> 00:06:44,471
AND YOU'D SAY, "OH, WOW,
WHAT A GIFT."
189
00:06:44,505 --> 00:06:46,073
YOU KNOW,
AND YOU'D EAT THE STUFF.
190
00:06:46,106 --> 00:06:49,276
WELL, SOMEONE'S GONNA COME
AND SAY, "HEY.
191
00:06:49,309 --> 00:06:50,944
WHAT HAPPENED
TO MY CHOCOLATE?"
192
00:06:50,978 --> 00:06:53,080
AND YOU'RE GONNA GO,
"OH, I, UH, I ATE THAT."
193
00:06:53,080 --> 00:06:54,081
AND THEN THEY'RE GONNA GO,
194
00:06:54,081 --> 00:06:55,716
"WELL, YOU NEED
TO PAY FOR THAT."
195
00:06:55,749 --> 00:06:57,918
- YEAH, HOW?
I DON'T HAVE ANY MONEY.
196
00:06:57,951 --> 00:06:59,286
- WELL, THEN YOU MIGHT FIND
YOUR HEAD BOUNCING
197
00:06:59,319 --> 00:07:01,221
OFF SOMEBODY'S BELT BUCKLE.
198
00:07:01,255 --> 00:07:02,222
- I DON'T WANT TO DO THAT.
199
00:07:02,256 --> 00:07:03,624
- NO, OF COURSE YOU DON'T.
200
00:07:03,657 --> 00:07:05,492
'CAUSE THERE'S A LOT
OF BELT BUCKLES IN THERE.
201
00:07:05,526 --> 00:07:07,227
- REALLY?
- OH, YEAH, YOU'LL GROW TIRED.
202
00:07:07,261 --> 00:07:08,662
- THEY ALLOW YOU
TO WEAR BELTS IN PRISON?
203
00:07:08,695 --> 00:07:10,664
- NO, IT'S A--
- SO HOW WOULD IT WORK?
204
00:07:10,697 --> 00:07:12,032
THEY JUST GIVE YOU
THE BUCKLE?
205
00:07:12,032 --> 00:07:13,834
- WELL, NO, I, UH--
206
00:07:13,867 --> 00:07:15,636
- SO THERE'S NO BELT BUCKLE.
- WELL, NO, NOT REALLY.
207
00:07:15,669 --> 00:07:16,703
I MEANT--
- SO MY HEAD WOULDN'T BE
208
00:07:16,737 --> 00:07:18,839
BOUNCING AROUND ANY
BELT BUCKLES.
209
00:07:18,872 --> 00:07:20,641
- SO, IN OTHER WORDS, YOU'D HAVE
A [bleep] IN YOUR MOUTH.
210
00:07:20,674 --> 00:07:22,309
- I MEAN, IT PROBABLY WOULDN'T
BOUNCE, TOO,
211
00:07:22,342 --> 00:07:25,045
BECAUSE I WOULD STOP
WHEN I GOT TO THE BALLS
212
00:07:25,045 --> 00:07:27,047
BEFORE I GOT IN.
213
00:07:27,047 --> 00:07:28,448
- I DON'T KNOW
HOW YOU DO IT.
214
00:07:28,482 --> 00:07:30,417
- WELL, THAT'S HOW I WOULD.
215
00:07:30,450 --> 00:07:31,919
I'D NEVER REALLY BEEN FORCED
TO PICTURE
216
00:07:31,952 --> 00:07:34,188
HOW I'D GIVE ORAL SEX
TO A MAN,
217
00:07:34,221 --> 00:07:36,590
BUT AFTER VISUALIZING IT,
I BEGAN TO QUESTION
218
00:07:36,623 --> 00:07:39,593
IF THIS ENTIRE STUNT
WAS ACTUALLY WORTH IT.
219
00:07:39,626 --> 00:07:42,362
MY CONCERNS WERE HEIGHTENED
WHEN I RETURNED TO REEL EFX
220
00:07:42,396 --> 00:07:44,631
TO FIND THE ROBOT
ACTING UNPREDICTABLY.
221
00:07:46,200 --> 00:07:47,868
TO MAKE MATTERS WORSE,
I FOUND OUT
222
00:07:47,901 --> 00:07:50,504
THAT THE ROBOT WHOSE PRECISION
WOULD DETERMINE MY FATE
223
00:07:50,537 --> 00:07:53,073
RAN ON WINDOWS 95.
- IT'S AS GOOD--
224
00:07:53,073 --> 00:07:54,408
- YOU'VE GOTTA BE KIDDING ME.
225
00:07:54,441 --> 00:07:55,876
MY PARENTS THREW OUT
THEIR COMPUTER
226
00:07:55,909 --> 00:07:58,879
THAT RAN WINDOWS 95,
LIKE, SEVEN YEARS AGO
227
00:07:58,912 --> 00:08:01,548
BECAUSE MINESWEEPER
WASN'T WORKING PROPERLY.
228
00:08:01,582 --> 00:08:03,517
- IT'S OKAY.
'CAUSE WHAT HAPPENS--
229
00:08:03,550 --> 00:08:04,651
- HONESTLY, LIKE,
MY LIFE, LIKE--
230
00:08:04,685 --> 00:08:07,020
THIS IS MOVING
WITHIN AN--
231
00:08:07,020 --> 00:08:08,388
- RIGHT.
- MILLIMETERS OF MY BODY.
232
00:08:08,422 --> 00:08:10,791
I WAS MAINLY CONCERNED BECAUSE
ON THE DAY OF THE ESCAPE,
233
00:08:10,824 --> 00:08:13,560
JOHN WOULD HAVE TO
STEP AWAY FROM THE CONTROLS
234
00:08:13,594 --> 00:08:16,029
AND LET THE PROGRAM RUN
AUTOMATICALLY.
235
00:08:16,029 --> 00:08:18,265
BUT HE ASSURED ME
THE SOFTWARE WOULD WORK.
236
00:08:18,298 --> 00:08:21,201
SO THE ROBOT WAS TRANSPORTED
TO ELYSIAN PARK,
237
00:08:21,235 --> 00:08:23,871
WHERE A CREW
OF OVER 50 PEOPLE WORKED
238
00:08:23,904 --> 00:08:25,239
FOR TWO STRAIGHT DAYS
TO PREPARE
239
00:08:25,272 --> 00:08:28,208
FOR TONIGHT'S HISTORIC STUNT.
240
00:08:30,777 --> 00:08:32,012
male announcer:
TONIGHT, NATHAN FIELDER
241
00:08:32,045 --> 00:08:33,914
RISKS THE ULTIMATE SHAME,
242
00:08:33,947 --> 00:08:36,850
FACING A HEARTLESS ROBOT
THATS ONLY MISSION
243
00:08:36,883 --> 00:08:39,553
IS TO EXPOSE
HIS PRIVATE PARTS.
244
00:08:39,586 --> 00:08:41,688
- THIS MIGHT BE
THE MOST DANGEROUS STUNT
245
00:08:41,722 --> 00:08:42,889
EVER IMAGINED.
246
00:08:42,923 --> 00:08:44,691
CHILDREN WATCHING...
247
00:08:44,725 --> 00:08:46,893
L.A.P.D. PRESENT...
248
00:08:46,927 --> 00:08:48,762
AND ALL IN THE DARK OF NIGHT.
249
00:08:48,795 --> 00:08:50,597
- YOU KNOW, I'VE BEEN PUT
ON EARTH FOR A REASON,
250
00:08:50,631 --> 00:08:52,833
AND I BELIEVE
THIS IS GOD'S PLAN FOR ME.
251
00:08:52,866 --> 00:08:54,801
announcer:
THE WORLD IS WATCHING.
252
00:08:54,835 --> 00:08:57,170
WILL HE INSPIRE MILLIONS
253
00:08:57,204 --> 00:08:59,206
AND HONOR HIS HOME COUNTRY
OF CANADA
254
00:08:59,239 --> 00:09:03,277
OR END UP BEHIND BARS
AND RISK DEPORTATION?
255
00:09:03,310 --> 00:09:06,580
NEVER BEFORE ATTEMPTED
IN THE HISTORY OF TELEVISION...
256
00:09:06,613 --> 00:09:08,482
- I MEAN, THIS IS
A COMEDY CENTRAL SHOW.
257
00:09:08,515 --> 00:09:11,385
I MEAN, THIS IS--
IT'S CRAZY WHAT WE'RE DOING.
258
00:09:11,418 --> 00:09:14,554
announcer: WILL HE ESCAPE,
OR WON'T HE?
259
00:09:14,588 --> 00:09:18,592
NATHAN FIELDER TAKES ON...
260
00:09:20,594 --> 00:09:22,963
- WE'RE JUST MOMENTS
AWAY FROM THE ESCAPE,
261
00:09:22,996 --> 00:09:25,399
AND TONIGHT,
I CANNOT RISK FAILURE.
262
00:09:25,432 --> 00:09:27,034
BUT ONE THING I'VE LEARNED
OVER THE YEARS IS THAT
263
00:09:27,067 --> 00:09:29,303
YOU CAN'T BE AFRAID
OF FAILING.
264
00:09:29,336 --> 00:09:31,571
IN FACT, ON MY SHOW,
WHEN I HELP BUSINESSES,
265
00:09:31,605 --> 00:09:33,273
I FAIL ALL THE TIME.
266
00:09:33,307 --> 00:09:35,108
AND I'M NORMALLY SHY
TO SHOW THOSE MOMENTS,
267
00:09:35,142 --> 00:09:37,678
BUT TONIGHT, I'M GOING TO MAKE
AN EXCEPTION.
268
00:09:37,711 --> 00:09:41,281
SO LET'S TAKE A LOOK NOW
AT SOME OF MY GREATEST FAILURES.
269
00:09:41,315 --> 00:09:42,816
ONE OF MY LEAST POPULAR IDEAS
270
00:09:42,816 --> 00:09:45,385
WAS FOR A COMPLETELY
GERM-FREE HOT DOG STAND.
271
00:09:45,419 --> 00:09:47,621
AT OUTDOOR FOOD CARTS,
IT'S EASY FOR GERMS
272
00:09:47,654 --> 00:09:50,824
TO TRANSFER FROM MONEY
TO YOUR FOOD,
273
00:09:50,824 --> 00:09:51,825
SO TO COMPLETELY
ELIMINATE THIS,
274
00:09:51,858 --> 00:09:53,560
I DESIGNED
A HANDS-FREE METHOD
275
00:09:53,594 --> 00:09:55,963
TO APPLY CONDIMENTS
TO THE WIENER.
276
00:09:55,996 --> 00:09:57,831
ALSO, THERE WOULD BE
A SECOND EMPLOYEE
277
00:09:57,864 --> 00:09:59,666
WHOSE ONLY JOB
IS TO HANDLE THE MONEY.
278
00:09:59,700 --> 00:10:00,834
- WHAT ARE YOU DOING
WITH THE WALLET?
279
00:10:00,867 --> 00:10:02,836
- WE'RE DOING
A GERM-FREE EXPERIENCE,
280
00:10:02,869 --> 00:10:03,937
SO YOU DON'T HANDLE
YOUR OWN MONEY.
281
00:10:03,971 --> 00:10:05,372
- OH, REALLY?
282
00:10:05,405 --> 00:10:07,307
- BUT PEOPLE WERE A BIT ANNOYED
WITH THE MONEY HANDLING PART.
283
00:10:07,341 --> 00:10:08,442
- CAN I HAVE MY WALLET BACK?
284
00:10:08,475 --> 00:10:10,010
- AND THE HANDS-FREE
ONION DISPENSER
285
00:10:10,043 --> 00:10:11,845
PROVED TO BE PROBLEMATIC
AS WELL.
286
00:10:11,845 --> 00:10:13,080
SO YOU HAVE TO UP--
ONE UP, ONE DOWN.
287
00:10:13,113 --> 00:10:14,915
WHEN IT HITS THE TABLE,
THE ONIONS WILL FALL.
288
00:10:14,948 --> 00:10:16,216
- AND DROP IT.
KEEP DROPPING IT.
289
00:10:16,250 --> 00:10:17,384
UP AND DOWN, DROP IT.
290
00:10:17,417 --> 00:10:19,953
- FAST.
291
00:10:19,987 --> 00:10:20,954
- OOPS.
292
00:10:20,988 --> 00:10:22,322
- OH.
- UGH.
293
00:10:22,356 --> 00:10:24,291
- THIS IS NOT GONNA WORK.
IT'S NOT GONNA WORK.
294
00:10:24,324 --> 00:10:25,492
- THAT'S NOTHING TO DO
WITH THE CONTRAPTION.
295
00:10:25,525 --> 00:10:27,327
IF YOU DROP A HOT DOG,
YOU DROP A HOT DOG.
296
00:10:27,361 --> 00:10:28,428
THE PUBLIC JUST WASN'T READY
297
00:10:28,462 --> 00:10:30,664
FOR THE GERM-FREE
HOT DOG EXPERIENCE,
298
00:10:30,697 --> 00:10:33,267
SO I LAID THE CONCEPT
TO REST.
299
00:10:33,300 --> 00:10:35,902
NEXT, I HAD AN IDEA
FOR A TEARLESS WAY
300
00:10:35,936 --> 00:10:38,472
TO TELL A CHILD
THAT THEIR PET HAS DIED,
301
00:10:38,505 --> 00:10:40,574
TO BE AN UP-SELL SERVICE
FOR AN ANIMAL HOSPITAL.
302
00:10:40,607 --> 00:10:42,175
THE CONCEPT WAS
TO MAKE A VIDEO
303
00:10:42,209 --> 00:10:43,977
OF THE PET
WHILE IT'S STILL ALIVE,
304
00:10:44,011 --> 00:10:46,313
TELLING THE CHILD
IT'S IN ANIMAL HEAVEN NOW.
305
00:10:46,346 --> 00:10:48,615
I HIRED THE ONLY VOICE ACTOR
THAT RESPONDED
306
00:10:48,649 --> 00:10:50,617
TO MY CRAIGSLIST AD
TO BE THE DOG.
307
00:10:50,651 --> 00:10:52,185
BUT WHEN WE SHOWED IT
TO THE OWNER'S CHILD...
308
00:10:54,488 --> 00:10:56,290
- OH, IT'S ME, MADI.
309
00:10:56,323 --> 00:10:58,825
I'M IN HEAVEN NOW.
310
00:10:58,825 --> 00:11:00,193
SO SORRY I DIED.
311
00:11:00,227 --> 00:11:01,728
I MISS YOU SO MUCH.
312
00:11:01,828 --> 00:11:04,698
I'M HAPPY HERE,
SO I'M NOT COMING HOME.
313
00:11:09,169 --> 00:11:10,737
- NO, SHE DOESN'T.
- NO.
314
00:11:10,837 --> 00:11:11,838
- WHAT--AW.
315
00:11:11,872 --> 00:11:13,573
IT'S OKAY.
316
00:11:13,607 --> 00:11:15,142
- HE HATED HIS DOG'S VOICE.
317
00:11:15,175 --> 00:11:17,678
ANOTHER FLUBBED IDEA.
318
00:11:17,711 --> 00:11:19,146
AND LASTLY,
MY FAVORITE IDEAS
319
00:11:19,179 --> 00:11:21,048
DON'T JUST HELP
WITH BUSINESS.
320
00:11:21,081 --> 00:11:22,749
THEY'RE GOOD FOR THE COMMUNITY
AS WELL.
321
00:11:22,849 --> 00:11:24,618
SO I APPROACHED A BAR
WITH AN INNOVATIVE WAY
322
00:11:24,651 --> 00:11:26,887
TO STOP DRUNKS FROM GETTING
BEHIND THE WHEEL.
323
00:11:26,920 --> 00:11:29,022
THE CONCEPT WAS TO HAVE
A STREET MAGICIAN
324
00:11:29,056 --> 00:11:30,657
STATIONED OUTSIDE THE BAR,
325
00:11:30,691 --> 00:11:32,426
PERFORMING A MAGIC TRICK
THAT ALLOWS HIM
326
00:11:32,459 --> 00:11:34,528
TO SECRETLY TEST
THE BLOOD ALCOHOL LEVELS
327
00:11:34,561 --> 00:11:36,663
OF PATRONS AS THEY LEAVE.
328
00:11:36,697 --> 00:11:39,066
AND WITH MY BACKGROUND IN MAGIC,
I OFFERED TO TEST IT OUT.
329
00:11:39,099 --> 00:11:41,902
FOR MY FINAL TRICK,
I'M GOING TO NEED YOUR KEYS.
330
00:11:41,935 --> 00:11:44,104
- MY KEYS?
- YES.
331
00:11:44,137 --> 00:11:48,108
GREAT.
GIVE THE WAND A BLOW.
332
00:11:48,141 --> 00:11:51,144
OKAY, A LITTLE BIT HARDER,
RIGHT INTO THE TOP.
333
00:11:54,581 --> 00:11:57,284
OKAY, AND YOU ARE OVER
THE LEGAL LIMIT.
334
00:11:57,317 --> 00:11:58,452
- OKAY.
- BLOOD ALCOHOL.
335
00:11:58,485 --> 00:12:00,387
SO YOUR KEYS ARE GONE.
- OH!
336
00:12:00,420 --> 00:12:01,989
- AND I CANNOT GIVE THEM
BACK TO YOU.
337
00:12:02,022 --> 00:12:04,825
- OKAY.
- SORRY.
338
00:12:04,825 --> 00:12:07,261
BUT THAT'S WHEN I REALIZED
THE FLAW IN MY IDEA.
339
00:12:07,294 --> 00:12:09,396
IF I HELD ON TO HIS KEYS
AND HE TOOK A CAB,
340
00:12:09,429 --> 00:12:11,531
THE GUY COULDN'T GET
INTO HIS APARTMENT.
341
00:12:11,565 --> 00:12:12,699
- COULD I GET MY KEYS,
PLEASE?
342
00:12:12,733 --> 00:12:14,234
- I CAN'T,
BECAUSE YOU'RE DRUNK.
343
00:12:14,268 --> 00:12:15,402
- PLEASE GIVE ME MY KEYS.
344
00:12:15,435 --> 00:12:17,404
- AND THE ONLY SOLUTION
AT THAT POINT
345
00:12:17,437 --> 00:12:18,572
WAS TO DRIVE HIM HOME.
346
00:12:18,605 --> 00:12:19,973
YOU LIVE FAR.
347
00:12:20,007 --> 00:12:21,875
- I KNOW I DO.
348
00:12:21,908 --> 00:12:23,377
- ALSO, ONCE I GOT HIM HOME,
349
00:12:23,410 --> 00:12:25,412
I REALIZED I COULDN'T JUST
GIVE HIM HIS KEYS
350
00:12:25,445 --> 00:12:27,180
UNTIL HE WAS ASLEEP,
OR ELSE HE MIGHT GO OUT
351
00:12:27,214 --> 00:12:28,248
AND DRIVE AGAIN.
352
00:12:28,282 --> 00:12:29,783
- YOU NEED
TO SEE ME SLEEPING?
353
00:12:29,816 --> 00:12:32,219
- I NEED TO SEE YOU FALL ASLEEP
BEFORE I LEAVE YOUR KEYS,
354
00:12:32,252 --> 00:12:36,123
OR ELSE YOU MIGHT TAKE THEM
AND GO OUT AGAIN.
355
00:12:36,156 --> 00:12:37,891
YOU DON'T BRUSH YOUR TEETH
BEFORE BED?
356
00:12:37,925 --> 00:12:38,892
- USUALLY NOT.
357
00:12:38,926 --> 00:12:40,060
I USUALLY BRUSH MY TEETH
IN THE MORNING.
358
00:12:40,093 --> 00:12:41,795
- REALLY?
- YEP.
359
00:12:41,795 --> 00:12:43,330
I KNOW IT'S KIND OF GROSS,
360
00:12:43,363 --> 00:12:45,299
BUT NOBODY ELSE
IS REALLY PAYING ATTENTION
361
00:12:45,332 --> 00:12:46,800
TO THE WAY MY BREATH SMELLS.
362
00:12:46,833 --> 00:12:48,568
- SO I HAD TO PUT HIM TO BED
AND MAKE SURE
363
00:12:48,602 --> 00:12:49,803
HE WENT TO SLEEP...
364
00:12:49,836 --> 00:12:53,707
♪ AND IF THAT LOOKING GLASS
GETS BROKE ♪
365
00:12:53,807 --> 00:12:57,010
♪ MAMA'S GONNA GET YOU
A BILLY GOAT ♪
366
00:12:57,044 --> 00:12:59,580
BEFORE I LEFT HIS KEYS.
367
00:12:59,613 --> 00:13:00,948
SO, AS YOU CAN SEE,
368
00:13:00,981 --> 00:13:03,317
EVEN THE GREATEST MINDS
FAIL SOMETIMES.
369
00:13:03,350 --> 00:13:04,651
- OHH!
370
00:13:04,685 --> 00:13:07,955
- BUT FAILING TONIGHT
IS NOT AN OPTION.
371
00:13:07,988 --> 00:13:09,356
BESIDES THE RISK TO ME,
372
00:13:09,389 --> 00:13:10,958
THERE ARE
TEN INNOCENT CHILDREN
373
00:13:10,991 --> 00:13:12,826
PARTICIPATING
IN TONIGHT'S EVENT,
374
00:13:12,826 --> 00:13:14,828
AND I DON'T TAKE THAT LIGHTLY.
375
00:13:14,828 --> 00:13:16,630
SO EARLIER TODAY,
I SPOKE WITH THEIR PARENTS
376
00:13:16,663 --> 00:13:18,865
TO ASSURE THEM THEY HAD
NOTHING TO WORRY ABOUT.
377
00:13:18,899 --> 00:13:20,601
HEY, GUYS.
HOW'S EVERYONE DOING?
378
00:13:20,634 --> 00:13:22,002
- GREAT, THANK YOU.
- GREAT.
379
00:13:22,035 --> 00:13:23,370
- GOOD.
380
00:13:23,403 --> 00:13:25,072
SO, BEFORE WE BEGIN,
I JUST WANTED TO GIVE YOU
381
00:13:25,105 --> 00:13:26,340
SOME ASSURANCE.
382
00:13:26,373 --> 00:13:28,508
UH, WE'RE GONNA BE BLURRING
ALL YOUR FACES,
383
00:13:28,542 --> 00:13:29,776
SO YOU DON'T HAVE TO WORRY
384
00:13:29,776 --> 00:13:32,613
ABOUT, YOU KNOW,
COWORKERS BEING LIKE,
385
00:13:32,646 --> 00:13:35,315
"WHY DID YOU LET YOUR KID
DO THAT FOR $100?"
386
00:13:35,349 --> 00:13:37,618
YOU KNOW,
OR QUESTIONS LIKE THAT
387
00:13:37,651 --> 00:13:39,386
FROM, YOU KNOW,
THE COMMUNITY OR ANYTHING.
388
00:13:39,419 --> 00:13:41,788
YOU DON'T HAVE TO WORRY
ABOUT THAT.
389
00:13:41,822 --> 00:13:45,225
OKAY, GREAT.
WISH ME LUCK.
390
00:13:45,259 --> 00:13:46,960
OKAY.
391
00:13:46,994 --> 00:13:50,130
SO I NOW HAVE ON
THE CUSTOM-MADE PANTS
392
00:13:50,163 --> 00:13:52,199
THAT THE ROBOT
WILL BE REMOVING.
393
00:13:52,232 --> 00:13:54,801
UM, YOU KNOW,
WE'RE GONNA GIVE THESE KIDS
394
00:13:54,801 --> 00:13:56,670
A BIT OF A BATHROOM BREAK
BEFORE I BEGIN,
395
00:13:56,703 --> 00:14:00,307
BUT WHEN WE RETURN,
IT WILL BE THE ESCAPE.
396
00:14:05,370 --> 00:14:07,740
- ALL RIGHT,
SO WE'RE ABOUT READY TO BEGIN.
397
00:14:07,780 --> 00:14:10,210
EVERYONE HAS BEEN CLEARED
OUT OF THE ESCAPE AREA
398
00:14:10,240 --> 00:14:11,980
BESIDES THE NECESSARY PEOPLE.
399
00:14:12,010 --> 00:14:14,750
OFFICER BILLY SMALLING
IS HERE,
400
00:14:14,780 --> 00:14:15,850
OBVIOUSLY THE CHILDREN,
401
00:14:15,880 --> 00:14:18,020
AND JUDGE ANTHONY FILOSA
402
00:14:18,050 --> 00:14:21,260
TO DO SOME FINAL CHECKS.
403
00:14:21,290 --> 00:14:23,020
I'M NOW GOING TO HAND OVER
THE REINS
404
00:14:23,060 --> 00:14:25,790
TO MATT "MONEY" SMITH,
NATIONAL SPORTSCASTER,
405
00:14:25,830 --> 00:14:26,930
WHO'LL BE CALLING
THE EVENT.
406
00:14:26,960 --> 00:14:28,460
MATT, THANKS FOR DOING THIS.
407
00:14:28,500 --> 00:14:30,530
- WELL, THANKS FOR HAVING ME,
NATHAN.
408
00:14:30,560 --> 00:14:31,700
- AND DO YOU HAVE ANY QUESTIONS
FOR ME?
409
00:14:31,730 --> 00:14:32,700
- WELL, I THINK
THE OBVIOUS ONE IS,
410
00:14:32,730 --> 00:14:35,270
WHY ARE YOU DOING THIS?
411
00:14:35,300 --> 00:14:37,610
- YOU KNOW, FOR--
FOR THE SHOW AND STUFF.
412
00:14:37,640 --> 00:14:38,810
- YEAH.
413
00:14:38,840 --> 00:14:40,640
WELL, I-I JUST GET THE SENSE
THAT PERHAPS--
414
00:14:40,670 --> 00:14:42,640
I MEAN, YOU KNOW
THIS IS CONTROVERSIAL, RIGHT?
415
00:14:42,680 --> 00:14:44,980
- YEAH, YEAH.
YEAH.
416
00:14:45,010 --> 00:14:46,150
- OKAY. GOOD LUCK.
- ALL RIGHT.
417
00:14:46,180 --> 00:14:47,620
- ALL RIGHT.
- THANKS, MATT.
418
00:14:47,650 --> 00:14:50,180
- AND WITH THAT, THE ESCAPE
IS JUST MOMENTS AWAY,
419
00:14:50,220 --> 00:14:53,550
SO LET'S LEARN A LITTLE MORE
ABOUT NATHAN FIELDER.
420
00:14:53,590 --> 00:14:55,620
NATHAN WAS BORN IN 1983,
421
00:14:55,660 --> 00:14:57,830
THE ONLY SON OF TWO
CANADIAN CIVIL SERVANTS,
422
00:14:57,860 --> 00:14:59,730
ERIC AND DEBORAH.
423
00:15:01,660 --> 00:15:03,400
WHICH BRINGS US TO TONIGHT.
424
00:15:03,430 --> 00:15:05,500
AND WE ARE MINUTES AWAY
FROM THE BIG ESCAPE,
425
00:15:05,530 --> 00:15:07,640
AND RIGHT NOW, IT LOOKS LIKE
NATHAN IS HAVING
426
00:15:07,670 --> 00:15:11,470
SOME FINAL WORDS
WITH THE HONORABLE JUDGE FILOSA,
427
00:15:11,510 --> 00:15:12,810
SO LET'S LISTEN IN.
428
00:15:12,840 --> 00:15:15,310
- SO DOES EVERYTHING LOOK GOOD
IN TERMS OF THE SETUP
429
00:15:15,410 --> 00:15:19,050
FOR AN INDECENT EXPOSURE
CONVICTION IF I--
430
00:15:19,080 --> 00:15:22,520
IF I FAIL TONIGHT
TO ESCAPE?
431
00:15:22,550 --> 00:15:24,790
- UH, APPARENTLY IT DOES.
432
00:15:24,820 --> 00:15:25,920
UM--
433
00:15:25,950 --> 00:15:27,190
- GOOD.
THAT'S ALL I NEEDED TO KNOW.
434
00:15:27,220 --> 00:15:29,160
THANK YOU.
AND, OFFICER SMALLING...
435
00:15:29,190 --> 00:15:32,090
- AND NOW NATHAN'S STEPPING OVER
TO OFFICER SMALLING,
436
00:15:32,130 --> 00:15:35,330
AND HE IS GOING TO GO AHEAD
AND INSPECT THOSE HANDCUFFS
437
00:15:35,430 --> 00:15:37,630
AND MAKE SURE
THEY ARE UP TO STANDARD.
438
00:15:37,670 --> 00:15:39,430
- DOUBLE-LOCKED...
439
00:15:39,470 --> 00:15:40,800
SMITH & WESSON
POLICE HANDCUFFS,
440
00:15:40,830 --> 00:15:42,970
JUST LIKE WE WERE ISSUED
IN THE POLICE ACADEMY.
441
00:15:43,000 --> 00:15:45,440
- OKAY, GREAT,
AND HERE IS THE KEY.
442
00:15:45,440 --> 00:15:46,570
- WELL, EVERYTHING SEEMS
TO BE IN ORDER,
443
00:15:46,610 --> 00:15:49,540
AND NOW NATHAN IS STEPPING OVER
TO A LAPTOP,
444
00:15:49,580 --> 00:15:52,450
WHERE HIS MOM AND DAD
ARE STANDING BY VIA SKYPE.
445
00:15:52,450 --> 00:15:54,550
AND THEY DON'T KNOW
WHAT NATHAN HAS PLANNED TONIGHT.
446
00:15:54,580 --> 00:15:56,050
- HI, GUYS.
- BUT HE WANTED
447
00:15:56,080 --> 00:15:58,320
TO HEAR THEIR VOICES
BEFORE STEPPING TO THE STAGE.
448
00:15:58,350 --> 00:15:59,820
- I DON'T KNOW
IF YOU CAN HEAR ME,
449
00:15:59,850 --> 00:16:03,460
BUT, UH, I'M ABOUT TO DO
SOMETHING VERY RISKY,
450
00:16:03,490 --> 00:16:07,230
UM, SO THE NEXT TIME
I TALK TO YOU
451
00:16:07,260 --> 00:16:10,430
MIGHT BE BEHIND
BULLETPROOF GLASS.
452
00:16:12,430 --> 00:16:15,240
- OH, WOW.
- WHY?
453
00:16:15,270 --> 00:16:16,740
- I CAN'T REALLY GET
INTO IT RIGHT NOW.
454
00:16:16,770 --> 00:16:18,210
I DON'T HAVE TIME.
BUT I JUST WANT TO SAY
455
00:16:18,240 --> 00:16:20,840
THAT I LOVE YOU GUYS.
456
00:16:20,880 --> 00:16:23,840
AND, YOU KNOW,
WISH ME LUCK, OKAY?
457
00:16:23,880 --> 00:16:25,580
- WELL, NATHAN, WHAT ARE YOU--
WHAT ARE YOU--
458
00:16:25,610 --> 00:16:26,980
- WHAT'S GOING ON?
459
00:16:27,010 --> 00:16:30,080
- YOU GUYS?
CAN YOU HEAR ME?
460
00:16:30,120 --> 00:16:31,550
HELLO?
461
00:16:31,590 --> 00:16:32,850
- WELL, APPARENTLY A LACK
462
00:16:32,890 --> 00:16:34,150
OF AN INTERNET CONNECTION
UP HERE.
463
00:16:34,190 --> 00:16:36,190
DON'T KNOW WHETHER OR NOT
THEY HEARD THAT MESSAGE.
464
00:16:36,220 --> 00:16:38,090
BUT HEARTFELT, NONETHELESS.
465
00:16:40,330 --> 00:16:42,460
AND IT'S TIME NOW
FOR NATHAN
466
00:16:42,500 --> 00:16:44,700
TO MAKE HIS WAY
TO THE STAGE.
467
00:16:44,730 --> 00:16:46,130
YOU KNOW, YOU WONDER
WHAT'S GOING ON
468
00:16:46,170 --> 00:16:48,570
IN NATHAN'S MIND RIGHT NOW
AND IF ANY AMOUNT
469
00:16:48,600 --> 00:16:49,900
OF PREPARATION IS ENOUGH...
470
00:16:49,940 --> 00:16:51,110
- ALL RIGHT.
- FOR THE PRESSURE
471
00:16:51,140 --> 00:16:53,070
THAT HE'S FACING
HERE TONIGHT.
472
00:16:53,110 --> 00:16:54,910
NATHAN NOW MAKING HIS WAY
INTO POSITION.
473
00:16:54,940 --> 00:16:57,310
YOU CAN SEE OFFICER SMALLING
LOCKING HIM
474
00:16:57,340 --> 00:17:01,020
INTO THAT LOOP,
AND THAT IS A SOLID STEEL FRAME.
475
00:17:01,050 --> 00:17:02,050
- PUT THIS AROUND MY WRIST.
476
00:17:02,080 --> 00:17:04,390
- CERTAINLY AN ADORABLE
GROUP OF KIDS
477
00:17:04,420 --> 00:17:05,920
BROUGHT IN TONIGHT.
478
00:17:05,950 --> 00:17:07,150
CERTAINLY HOPE THE NIGHT
DOESN'T END
479
00:17:07,190 --> 00:17:11,030
WITH THEM SEEING A MAN
EXPOSE HIMSELF TO THEM.
480
00:17:11,060 --> 00:17:12,290
WELL, NOW THAT NATHAN'S
LOCKED IN,
481
00:17:12,390 --> 00:17:14,400
THE CREW GONNA DO
ONE LAST LOOK-OVER,
482
00:17:14,400 --> 00:17:16,100
SO WE'LL STEP AWAY
FOR A COMMERCIAL,
483
00:17:16,130 --> 00:17:19,030
AND WHEN WE RETURN,
THE ESCAPE.
484
00:17:26,270 --> 00:17:27,510
- ALL RIGHT, WE'RE BACK,
AND THIS IS IT.
485
00:17:27,540 --> 00:17:28,880
THE STAGE IS SET.
486
00:17:28,910 --> 00:17:31,180
NATHAN HAS 90 SECONDS
TO FREE HIMSELF
487
00:17:31,210 --> 00:17:32,650
FROM THOSE CUFFS
AND HIT THAT RED BUTTON
488
00:17:32,680 --> 00:17:34,080
TO HIS RIGHT.
489
00:17:34,110 --> 00:17:35,280
THE BUTTON IS A KILL SWITCH.
490
00:17:35,320 --> 00:17:37,180
IT IS THE ONLY THING
THAT CAN STOP
491
00:17:37,220 --> 00:17:38,950
THE PROGRAMMED MOTION
OF THE ROBOT
492
00:17:38,990 --> 00:17:42,760
FROM TAKING OFF NATHAN'S PANTS
IN FRONT OF THESE KIDS.
493
00:17:42,790 --> 00:17:44,690
AND NOW HE WILL
DELIVER THE LINE
494
00:17:44,720 --> 00:17:48,130
GIVEN TO HIM
BY JUDGE FILOSA.
495
00:17:48,160 --> 00:17:50,160
- SOMETHING MIGHT HAPPEN HERE,
496
00:17:50,200 --> 00:17:53,000
AND IF IT DOES,
SO WHAT?
497
00:17:53,030 --> 00:17:54,000
- AND WITH THAT,
498
00:17:54,030 --> 00:17:55,440
HE HAS ESTABLISHED
WILLFUL INTENT.
499
00:17:55,470 --> 00:17:58,100
SO IF HE
EXPOSES HIMSELF TONIGHT,
500
00:17:58,140 --> 00:17:59,640
IN THE EYES OF THE LAW,
501
00:17:59,670 --> 00:18:01,270
IT WILL NOT BE CONSIDERED
AN ACCIDENT.
502
00:18:01,310 --> 00:18:02,680
- READY!
503
00:18:02,710 --> 00:18:04,780
- GO!
504
00:18:04,810 --> 00:18:06,250
- AND WE
ARE UNDERWAY NOW.
505
00:18:06,280 --> 00:18:07,810
HMM, STRUGGLING.
LOOKED AS THOUGH HE--
506
00:18:07,850 --> 00:18:10,720
HE PULLED A PICK
STRAIGHT FROM HIS HAIR.
507
00:18:10,750 --> 00:18:13,720
NATHAN WORKING
ON THOSE HANDCUFFS.
508
00:18:13,750 --> 00:18:15,720
WE ARE
80 SECONDS AWAY
509
00:18:15,760 --> 00:18:17,960
FROM A LIFETIME
OF SCORN
510
00:18:17,990 --> 00:18:18,960
FOR NATHAN.
511
00:18:20,830 --> 00:18:22,430
NOW THE ROBOT
GOING TO THAT--
512
00:18:22,460 --> 00:18:23,630
THAT FLY.
THE FLY IS DOWN.
513
00:18:23,730 --> 00:18:25,300
AND WHILE
HE'S WORKING
514
00:18:25,330 --> 00:18:27,130
ON THE HANDCUFFS,
THE ROBOT
515
00:18:27,170 --> 00:18:28,970
CONTINUES TO WORK
ON THE PANTS.
516
00:18:30,900 --> 00:18:32,040
APPEARS AS THOUGH
HE'S TAUNTING.
517
00:18:32,070 --> 00:18:33,270
NO, HE'S GOING
FOR THAT LOOP.
518
00:18:33,310 --> 00:18:35,280
NOW HAS
THE BUTTON UNDONE.
519
00:18:37,080 --> 00:18:38,510
AND THE KIDS
LAUGHING ALONG
520
00:18:38,550 --> 00:18:39,780
WITH THE ROBOT'S ANTICS.
521
00:18:41,650 --> 00:18:45,290
NATHAN STRUGGLING
WITH THAT PICK.
522
00:18:45,320 --> 00:18:46,350
HE DROPPED THE PICK.
523
00:18:49,290 --> 00:18:50,590
IT LOOKS LIKE IT'S CAUGHT
ON HIS CLOTHING,
524
00:18:50,620 --> 00:18:52,830
AND NOW HE'S TRYING
TO RETRIEVE IT,
525
00:18:52,860 --> 00:18:54,030
AND HE'S GOT IT.
526
00:18:54,060 --> 00:18:55,960
GOT IT WITH HIS--
WHAT A CLOSE CALL,
527
00:18:56,000 --> 00:18:57,760
AS HE RETRIEVES THE PICK
WITH HIS TONGUE.
528
00:18:57,760 --> 00:18:59,270
HAD THAT FALLEN
TO THE GROUND,
529
00:18:59,300 --> 00:19:01,870
IT WOULD HAVE BEEN
ALL OVER.
530
00:19:01,900 --> 00:19:03,640
NEXT IS GOING TO BE
THOSE LOOPS
531
00:19:03,670 --> 00:19:05,570
ON THE HIP.
532
00:19:05,610 --> 00:19:07,110
THIS IS GETTING
TIGHT HERE.
533
00:19:07,140 --> 00:19:09,210
THE ROBOT NOW HAS
BOTH PANT LEGS DOWN,
534
00:19:09,240 --> 00:19:10,580
IS ABOUT TO SECURE
535
00:19:10,610 --> 00:19:12,050
THE LOOP
ON THE UNDERPANTS,
536
00:19:12,080 --> 00:19:13,850
AND NATHAN'S STILL WORKING
ON THOSE CUFFS.
537
00:19:13,880 --> 00:19:15,020
WE ARE JUST
20 SECONDS AWAY.
538
00:19:15,050 --> 00:19:18,350
NATHAN WORKING
THOSE HANDCUFFS.
539
00:19:18,390 --> 00:19:20,250
AND NOW IT LOOKS AS THOUGH,
WITH THE PANTS DOWN,
540
00:19:20,290 --> 00:19:23,320
THE ROBOT GOING
FOR THAT UNDERWEAR LOOP.
541
00:19:23,360 --> 00:19:25,430
WE ARE NOW AT TEN SECONDS
AND COUNTING.
542
00:19:27,460 --> 00:19:29,200
WE HAVE JUST
A COUPLE SECONDS LEFT.
543
00:19:29,230 --> 00:19:30,430
OH, NO, WE ARE SEEING
PUBIC HAIR.
544
00:19:30,460 --> 00:19:32,830
BUT HE HAS ESCAPED.
545
00:19:32,870 --> 00:19:36,500
NATHAN FIELDER
HAS MANAGED TO ESCAPE
546
00:19:36,540 --> 00:19:39,370
AND SAVE HIMSELF
FROM A LIFETIME OF SHAME.
547
00:19:39,410 --> 00:19:41,310
THERE'S THE REPLAY.
548
00:19:41,340 --> 00:19:43,410
THE MOMENT WHERE HE WAS ABLE
TO PICK THE CUFFS,
549
00:19:43,440 --> 00:19:46,110
HIT THE BUTTON
JUST IN TIME.
550
00:19:46,150 --> 00:19:48,110
AND YOU CAN SEE THE RELIEF
ON HIS FACE.
551
00:19:50,580 --> 00:19:51,590
WELL, THERE YOU SEE IT.
552
00:19:51,620 --> 00:19:52,850
HE TOOK ON GREAT RISK,
553
00:19:52,890 --> 00:19:55,620
AND NOW THIS,
HIS REWARD.
554
00:19:55,660 --> 00:19:57,560
CONGRATULATIONS
FROM THE JUDGE AND OFFICER.
555
00:19:57,590 --> 00:19:59,390
- GOOD JOB.
- THANK YOU.
556
00:19:59,430 --> 00:20:02,660
- UM, SO THE ROBOT
557
00:20:02,760 --> 00:20:05,100
PULLED HIS PANTS DOWN.
558
00:20:05,130 --> 00:20:06,300
BUT HE WON.
559
00:20:06,330 --> 00:20:07,430
SO--
560
00:20:07,470 --> 00:20:08,600
- IT WAS REALLY FUNNY.
561
00:20:08,640 --> 00:20:10,340
I REALLY WANTED HIS PANTS
TO FALL DOWN
562
00:20:10,370 --> 00:20:12,110
'CAUSE IT'S HILARIOUS.
563
00:20:12,140 --> 00:20:14,370
- I WOULD HAVE BEEN
SORT OF OFFENDED
564
00:20:14,410 --> 00:20:18,010
IF IT--IF HIS UNDERWEAR
FELL DOWN,
565
00:20:18,040 --> 00:20:19,780
BUT NOT THAT MUCH.
566
00:20:19,810 --> 00:20:22,520
- HE PRESSED THE BUTTON,
AND THEN IT DIDN'T FALL DOWN.
567
00:20:22,550 --> 00:20:24,720
I WAS LIKE, "YES!"
568
00:20:24,720 --> 00:20:25,950
I WAS LIKE, "HALLELUJAH."
569
00:20:30,360 --> 00:20:33,230
- OKAY, BEFORE YOU GUYS--
BEFORE YOU GUYS LEAVE,
570
00:20:33,260 --> 00:20:36,960
REMEMBER TO ALWAYS TAKE
BIG RISKS
571
00:20:37,000 --> 00:20:38,600
AND BELIEVE IN YOURSELF
572
00:20:38,630 --> 00:20:43,240
AND FOLLOW YOUR DREAMS,
JUST LIKE I DID.
573
00:20:43,270 --> 00:20:44,740
I DRE--WELL, YEAH, I DID.
574
00:20:44,740 --> 00:20:45,910
IT WAS--
IT WAS A DREAM OF--
575
00:20:50,580 --> 00:20:52,610
YOU KIND OF TALKED
OVER MY SPEECH.
576
00:20:52,650 --> 00:20:54,180
OKAY. FINE.
- LET'S GO. LET'S GO.42640
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