Original subtitles

( '80s funk playing )

Man: ALL RIGHT, ALL RIGHT, IT'S TIME TO GET SERIOUS, MAN.

WE ARE SERIOUS, MAN. WHAT YOU TALKING ABOUT?

YO, MAN, SQUASH THAT. WHAT Y'ALL GIVING ME OUT THERE?

GIVE US MORE SNARE IN THE SPEAKERS. WE'LL BE ALL RIGHT

READY TO ROLL, KURT.

DO IT RIGHT THIS TIME AND I WANT ROCK 'N' ROLL, BABY.

Men: * I'M THE KING OF ROCK, THERE IS NONE HIGHER *

* SUCKER M.C.s SHOULD CALL ME SIRE *

* TO BURN MY KINGDOM YOU MUST USE FIRE *

* I WON'T STOP ROCKIN' TILL I RETIRE *

* NOW WE ROCK THE PARTIES AND COME CORRECT *

* ALL CUTS ARE ON TIME AND RHYME CONNECT *

* GOT THE RIGHT TO VOTE * AND WE'LL ELECT *

* AND OTHER RAPPERS CAN'T STAND US BUT GIVE US RESPECT... *

NOW, THAT'S MORE LIKE IT... WHAT I'M TALKING ABOUT.

ALL RIGHT, MY BOY!

( music continuing )

KRUSH GROOVE? YEAH, YOU GOT IT.

OKAY.

( music continuing )

* THEY TOLD US IT WOULD GET NILLER *

* THERE'S NO ONE CHILLER IT'S NOT MICHAEL JACKSON *

* AND THIS IS NOT THRILLER IT'S ONE DEF RAPPER *

* I KNOW I CAN HANG I'M RUN FROM RUN-DMC *

* NOT KOOL FROM KOOL & THE GANG *

* ROLL TO THE ROCK, ROCK TO THE ROLL *

* D.M.C. STANDS FOR "DEVASTATING MIKE CONTROL" *

* YOU CAN'T TOUCH ME WITH A TEN-FOOT POLE *

* AND I EVEN MADE THE DEVIL SELL ME HIS SOUL *

( echoing ): * SOUL, SOUL, SOUL, SOUL... *

( cheering )

* NOW WE CRUSH THROUGH WALLS *

* CUT THROUGH FLOORS *

* BUST THROUGH CEILINGS AND KNOCK DOWN DOORS *

* AND WHEN WE'RE ON THE TAPE, WE'RE FRESH OUT THE BOX *

* YOU CAN HEAR OUR SOUND FOR BLOCKS AND BLOCKS *

* FOR EVERY LIVING PERSON, WE'RE A VERBAL TREAT *

* IT'S ME AND D.M.C. *

* Jay, where's the beat, beat, beat... *

( music continuing )

COME ON, HOMEY! MOVE IT.

WE AIN'T GOT ALL DAY, MOVE IT!

* NOW, WE'RE THE BADDEST OF THE BAD, COOLEST OF THE COOL *

* I'M D.M.C., I ROCK 'N' ROLL I'M D.J. RUN, I ROCK 'N' RULE *

* IT'S NOT A TRICK-OR-TREAT AND IT'S NOT A APRIL FOOL *

* IT'S ALL BRAND NEW, NEVER EVER OLD SCHOOL... *

( music continuing )

* YOU GOT THE MUSIC IN YOUR BODY AND YOU CAN'T COMPREHEND *

* WHEN YOUR MIND WON'T WIGGLE AND YOUR KNEES WON'T BEND *

* Music ain't nothin' but a people's jam *

* It's D.J. Run-DMC, rockin' without a band *

( echoing ): * Band, band, band, band, band... *

* I AM FROM AROUND THE WAY *

* AND RUN GOES TO SCHOOL EVERY DAY *

* And Jay plays the records he has to play *

* And we get down with no delay *

* I RUN THE BOX WITH THE WORDS I SPEAK *

* AND RUN SINGS THE RHYMES THAT ARE UNIQUE *

* AND JAY CUTS THE RECORDS EVERY DAY OF THE WEEK *

* AND WE ARE THE CREW THAT CAN NEVER BE BEAT *

* So don't try to dis me, try to be my friend * ( syncopated grunting )

* 'Cause if you do, you'll get yours in the end *

* The rap we say will set a trend * YEAH...

* 'Cause a devastating rap is what we say * THAT'S IT.

( echoing ): * Say, say, say, say...*

STAY OFF THAT CAR!

* EVERY JAM WE PLAY, WE BREAK TWO NEEDLES *

YOU'RE FIRED! I'M FIRED?

All: FIRED? WE QUIT!

WAIT! I'LL TAKE BACK THE MUSIC. WHO'S GOING TO CLEAN THE CARS?!

* "D's" FOR NEVER DIRTY "M.C." FOR MOSTLY CLEAN *

( echoing ): * Clean, clean, clean, clean... *

* Like we said before We rock hard-core *

* I'm D.J. Run, I can scratch I'm D.M.C., I can draw *

* And now we got the knack to attract *

* Our rhyme's an aphrodisiac *

* We'll reign on your brain and rock your knot *

* When it comes to a rhyme, give it all we got *

* To be M.C.s, we got what it takes *

* Let the poppers pop * and the breakers break * ( laughing )

* We're cool, cool cats *

* It's like that * OH, BOY!

* That's the way it is, so stay the hell back *

* WE'RE CAUSING HARD TIMES FOR SUCKER M.C.s *

* 'CAUSE THEY DON'T MAKE NO SONGS LIKE THESE *

* PERIOD. *

* DON'T STOP *

( echoing ): * DON'T STOP... *

* WE'RE CAUSING HARD TIMES FOR SUCKER M.C.s *

* 'CAUSE THEY DON'T MAKE NO SONGS LIKE THESE *

* PERIOD... *

WHOO! OH, YOU SAID IT, BOY.

THOSE BOYS ARE DEF! THEY ARE DEF

* SUCKER M.C.s SHOULD CALL ME SIRE *

* TO BURN MY KINGDOM, YOU MUST USE FIRE... *

WE'LL BE BIG ONCE WE PLAY THE FEVER.

LET ME TELL YOU SOMETHING--

THAT'S HOW HOMEBOYS GOT STARTED, MAN.

KURTIS BLOW, DR. JECKYL, MR. HYDE--

ONCE YOU GET ON THAT MIKE AT THE FEVER

I'M TELLING YOU, BOY, IT'S LIKE MAGIC.

THE FEVER-- THAT'S ALL YOU TALK ABOUT IS THE FEVER, MAN!

WHAT'S THE MATTER? JUST DON'T WANT TO DO.

ALL YOU CARE ABOUT IS STUFFING YOUR FAT FACE, RIGHT?

DON'T YOU WANT TO BE A STAR?

Woman: KRUSH GROOVE. YEAH, HOLD ON A SECOND.

YEAH? OKAY, HOW MANY? OKAY, YOU GOT IT.

YOU'LL GET THEM AS SOON AS I GET THEM, OKAY?

KRUSH GROOVE IS NOW ROLLING!

( laughing ): WHAT'S UP, RICK?

KRUSH GROOVE HERE.

I KNOW YOU WANTED LAST WEEK. I WILL GET THEM TO YOU SOON.

I'M SORRY. HOPEFULLY, BY THE END OF THE WEEK.

YO, I TOOK 100 ORDERS TODAY THEY ALL WANT IT YESTERDAY!

I HAVE 60 MORE OVER HERE.

IT'S HAPPENING JUST LIKE I TOLD YOU, RIGHT?

JUST LIKE YOU TOLD ME? RIGHT.

WE'RE SELLING RECORDS WE DON'T EVEN HAVE.

A HIT RECORD IS THE WORST THING THAT COULD'VE HAPPENED TO US.

I DON'T KNOW WHAT YOU'RE THINKING. THAT'S MINOR.

WE HAVE NO MONEY. WE CAN'T PRESS UP ANY MORE RECORDS!

I WILL GET THE MONEY. JUST CHILL. TRUST ME.

THIS IS RICK. YOU'LL GET YOUR RECORD TOMORROW.

IF YOU'RE SO WORRIED, TELL YOUR OLD MAN TO GET UP HERE.

IF NOT, I'LL TAKE CARE OF IT, ALL RIGHT?

YO, MAN, I'M TIRED OF HEARING YOUR NONSENSE.

YO, WHY DON'T YOU JUST-JUST GET OUT?!

ALL RIGHT, HEY, MAN, LOOK, RELAX.

WE'RE GETTING READY TO GET PAID, CUZ.

( students laughing )

Woman: THAT'S ENOUGH! EVERYONE JUST CALM DOWN AND PAY ATTENTION.

DISSECTING THE FETAL PIG IS VERY IMPORTANT.

IT COUNTS FOR 75% OF YOUR LAB GRADE.

SO, IF YOU THINK YOU'RE GROANING NOW

JUST KEEP CLOWNING AROUND

AND YOU'LL REALLY HAVE SOMETHING TO GROAN ABOUT.

Woman: ONCE YOU HAVE YOUR SPECIMEN OPEN

I WANT YOU TO IDENTIFY THE FOLLOWING MUSCLES:

MANDIBLE...

YO, BUFF...

LET'S STEP, MAN.

THIS IS BORING. THIS IS WEAK.

Teacher: STERNOHYOID...

( Buff grunting with syncopated raspberries )

( students laughing )

Teacher: WHO HAS A RADIO IN THIS CLASS?

SPEAK UP.

( snickering )

( raspberries and grunting )

( students laughing )

( ruckus stops )

BRACHIALIS...

( hollow tonal popping )

Teacher: IT'S YOU, THE FAT ONE! STAND UP!

I SAID, "STAND UP!"

OH... WISE GUYS.

REPORT TO THE PRINCIPAL'S OFFICE.

FOR WHAT?

OUT OF MY CLASS... NOW.

OH, SHE WANT... YOU WANT TO PLAY LIKE THAT.

AND YOU ALL GET "F" FOR FETAL PIG.

YO, FORGET THAT TEACHER, MAN.

COME ON. I GOT AN IDEA. WE AIN'T GOT ALL DAY.

WHAT'S UP, MAN?

COME ON, MAN! ( snickering )

HURRY UP, MAN.

WHAT'S THE RUSH FOR, MAN?

( talking indistinctly )

DISCO THREE!

IT'S ALMOST TIME, MAN, IT'S ALMOST TIME.

( bell ringing )

( rap music playing )

* NOW, BABY, LISTEN TO WHAT I HAVE TO SAY *

* AND IF YOU DON'T WANT TO, I'LL SAY IT ANYWAY *

* NOW, I ONCE HAD A LADY, SHE WAS SO FLY *

* SHE WAS MY GIRL, AND I WAS HER GUY *

* HOW I LOVED THAT GIRL WITH ALL MY HEART *

* BUT LITTLE BY LITTLE, SHE WOULD TEAR IT APART *

* I'M TALKING TEN DOLLARS HERE, A HUNDRED THERE *

* SHE WASN'T ASHAMED, SHE'D ASK ME ANYWHERE *

* SHE WAS ONE OF THOSE GIRLS WHO DIDN'T GIVE A HOOT *

* AND TORE MY HEART FROM THE VINE, STEM AND ROOT *

* THEN, I MET YOU AND YOU MET ME *

* AND YOU'RE THE BRAND NEW MS. MARKIE D *

* AND ALL I ASK IS THAT YOU TREAT ME RIGHT *

* THROUGH EVERY LASTING DAY AND NIGHT *

* AND I'LL GIVE YOU WHAT YOU WANT AND IN THE RIGHT WAY *

* AND THERE'S ONE MORE THING I HAVE TO SAY *

* DON'T YOU DOG ME *

( barking )

* DON'T YOU DOG ME *

( barking )

* DON'T YOU DOG ME *

( barking )

* DON'T YOU DOG ME *

( barking )

* NOW, I'M KOOL ROCK SKI, THE DOMINATING M.C. *

* MASTER OF DISASTER, THE CHIEF OF THE BEATS *

* A LIME TO A LEMON, A LEMON TO A LIME *

* I'M THE M.C. WITH THE FRESH RHYME *

* AND WHEN I WANNA SEE YOU LADIES SCREAM FOR ME *

* 'CAUSE I'M THE CAPITAL "K" KNOWN AS KOOL ROCK SKI *

* BETTER THAN BEST, I'M M.C.'s SUCCESSOR *

* WHEN I'M ON THE MIKE, I CAUSE A DISASTER, SO... *

* DON'T YOU DOG ME *

( human beat box rhythmic panting )

* DON'T YOU DOG ME *

* YOU KNOW I LOVE YOU, OH *

* DON'T YOU DOG ME *

* HEY, GIRL, OH, OUR LOVE IS TRUE *

* DON'T YOU DOG ME *

* HEY, GIRL, DON'T YOU LOVE ME, GIRL? *

* DON'T YOU DOG ME *

* YOU LOOK SO SWEETY *

* DON'T YOU DOG ME *

* HEY, GIRL, I LOVE YOU-YOU *

* DON'T YOU DOG ME *

( human beat box rhythmic panting )

* DON'T YOU DOG ME *

( barking )

* THE HUMAN BEAT BOX *

* DON'T YOU DOG ME... *

Man: * I AM TIRED *

* I AM WEAK *

* I AM ONE *

* THROUGH THE STORM *

( rap music playing ) * THROUGH THE NIGHT... *

JOEY, FOR GOD'S SAKE TURN THE BOX OFF.

AT LEAST HAVE SOME RESPECT FOR THE CHURCH OF THE LORD.

THIS IS MY NEW RECORD. WHAT DO YOU THINK ABOUT IT?

IT'S A LOT OF SCREAMING AND NOISE. IT'S NOT MUSIC.

RUSSELL SAYS IT'S THE HOTTEST RECORD.

RUSSELL? THAT BIG DUMMY?

HE DROPPED OUT OF COLLEGE IN HIS SENIOR YEAR

AND YOU'RE RELYING ON HIS JUDGMENT?

FURTHERMORE TAKE YOUR HATS OFF IN HERE.

WHAT'S THIS I HEAR ABOUT YOU QUITTING YOUR CAR WASH JOBS?

YOU DON'T UNDERSTAND. ME AND D ARE STARS NOW.

WE CAN'T BE WORKING AT NO CAR WASH.

YOU WOULDN'T SEE LIONEL RICHIE WORKING AT NO CAR WASH.

NOW YOU ARE LIONEL RICHIE...

AND YOU'RE PRINCE...

AND HERE COMES BERRY GORDY.

RUSSELL, WILL YOU TELL HIM THAT WE ARE STARS?

OH, YEAH, DAD-- MY HOME BOYS ARE SUPERSTARS NOW.

THEY'VE GOT THE HOTTEST RECORD ON THE STREETS.

SOLD OUT IN THREE HOURS. MY BOYS.

SO HOW ARE YOU DOING, POP? LOOKING GOOD.

I'M FINE. GOOD.

BUT WHAT DO YOU WANT?

WHY DO THINK I WANT SOMETHING? I JUST CAME TO SEE YOU.

RUSSELL, YOU NEVER PUT YOUR FOOT IN THIS CHURCH

UNLESS YOU WANT SOMETHING. NOW, WHAT DO YOU WANT?

I NEED MONEY.

THAT'S MORE LIKE YOU. HOW MUCH?

NOT MUCH.

NOT MUCH? HOW MUCH IS NOT MUCH?

$5,000. I KNOW THAT'S A WHOLE LOT...

$5,000?! IT WAS NICE SEEING YOU.

WAIT A MINUTE, DAD, HEAR ME OUT BEFORE YOU SAY NO.

NOTHING IN THE WORLD WILL MAKE ME GIVE YOU $5,000.

JUST LISTEN TO ME, WILL YOU?

EVERY TIME I'VE SOMETHING TO SAY YOU NEVER LISTEN.

I NEED MONEY FAST. REAL FAST.

I GOT AN ORDER FOR 10,000 RECORDS...

IF I DON'T DELIVER THEM, EVERYTHING WE SAVED FOR...

EVERYTHING WE'VE WORKED FOR IS GOING TO BE FLUSHED.

BELIEVE ME, I WOULDN'T ASK IF I DIDN'T REALLY NEED IT.

YOU KNOW HOW I SEE THIS, RUSSELL?

I THINK GOD IS TESTING YOU.

I THINK IF YOU DO THIS ONE THING ON YOUR OWN

IT WILL FINALLY PROVE THAT YOU'RE GROWING UP.

I BELIEVE THIS TO BE GOD'S WILL

AND I'M NOT GOING TO INTERFERE WITH IT.

( disco music playing )

* A *

* B *

* A, B, C, D! *

OKAY, LET'S GO, MAN.

RUSSELL! ALL RIGHT, MAN!

I HEARD YOUR RECORD, MAN. IT WAS BEAUTIFUL.

* THE MOON UP ABOVE *

* IT SHINES DOWN UPON YOUR SKIN *

* WHISPERING WORDS *

* THAT SCREAM OF OUR RAGE AND SIN *

* WE ALL WANT THE STUFF *

* THAT'S FOUND IN OUR WILDEST DREAMS *

* IT GETS KIND OF ROUGH *

* IN THE BACK OF OUR LIMOUSINE *

* AND THAT'S WHAT WE ARE *

* WE ALL WANT A LOVE BIZARRE *

* AND THAT'S WHAT WE ARE *

* WE ALL WANT A LOVE BIZARRE... *

SHE'S REAL DEF. SHE'S BAD.

* THE STRAWBERRY MIND *

* BODY THAT'S BUILT FOR TWO *

* A KISS ON THE SPINE *

* AND DO THINGS WE'D NEVER DO... *

I LIKE THAT. IT'S SWEET.

SHE'S REAL FRESH. YEAH.

* ...AND JOY OF THE EIFFEL TOWER *

* WE DANCE ON THE ROOF *

* MAKE LOVE ON A BED OF FLOWERS *

* THAT'S WHAT WE ARE *

* WE ALL WANT A LOVE BIZARRE *

* AND THAT'S WHAT WE ARE... *

COME ON.

YO!

MY MAN! HOW ARE YOU?

HEY, YOU KNOW IT.

YOU KNOW IT.

KURTIS!

ALL RIGHT! YOU DID IT, MAN.

WE DID IT. WE DID IT. YES, WE DID

HEY, LOOK, WE TALK SOME BUSINESS HERE?

LADIES, TAKE FIVE.

I GOT A SWEET DEAL.

NOW THAT THIS RECORD'S A BIG HIT THERE SHOULDN'T BE NO PROBLEM

GETTING ALL THE TOP RAP GROUPS TOGETHER.

AS LONG AS YOU'RE THE ONE MAKING THE MUSIC.

ALL RIGHT, MAN, I'M WITH IT.

YO, WHAT'S UP, MAN?

DON'T YOU KNOW WE'RE TALKING HERE

YOU DID IT. THE RECORD IS GREAT. I'M REALLY PROUD OF YOU, MAN.

YO, WHAT ABOUT US? WE MADE THE RECORD.

AHH, YOUR GUYS' RECORD, MAN.

BUT NOW YOU CAN START PAYING FOR YOUR DRINKS, OKAY?

LISTEN, LET'S GO IN THE BACK HAVE A LITTLE MOET.

LET'S HAVE SOME FUN, ALL RIGHT? CELEBRATE THE RECORD.

RUSS.

LOOK, I'D LIKE TO ADD MY CONGRATULATIONS ALSO.

I REALLY LIKED THAT RECORD. HEY, THANK YOU.

RUSS... TAKE MY CARD.

I ALWAYS LIKE MEETING ENTERPRISING YOUNG MEN SUCH AS YOURSELF.

"JAY B."

MAYBE I CAN EVEN HELP YOU OUT.

YO, WHAT'S THAT SUCKER WANT? NOTHING.

I DON'T WANT YOU MESSING WITH HIM.

HE' AIN'T NO GOOD AND HE'S OUT OF YOUR LEAGUE.

* DOOBIE DOOBIE DOO *

* OOH-OW-OH... *

YO, SAL, MAN, WHO'S THE GIRL, MAN?

RUN, MAN, THAT'S SHEILA. SHE'S A FOX, HUH?

* DOOBIE DOOBIE DOO *

* THE MOON UP ABOVE *

* IT SHINES DOWN UPON YOUR SKIN *

* WHISPERING WORDS *

* THAT SCREAM OF OUR RAGE AND SIN *

* WE ALL WANT THE STUFF *

* THAT'S FOUND IN OUR WILDEST DREAMS *

* WILDEST DREAMS *

* IT GETS KIND OF ROUGH *

* IN THE BACK OF OUR LIMOUSINE *

* YOW-OW-OW *

* OW-OW... *

* AND THAT'S WHAT WE ARE... *

WHERE YOU DO THINK YOU'RE GOING? WE'RE WITH THEM, MAN.

YEAH, MAN, THAT'S MY HOME BOY, MAN.

LET ME SEE SOME I.D. I.D.?

LET ME SEE SOME IDENTIFICATION. MAN, DON'T GET ALL STRICT.

COME ON, MAN, HURRY UP.

OH, Y'ALL JUST BLEW UP OVERNIGHT, HUH?

MAN, GET OUT OF HERE. STEP OUTSIDE, MAN.

GET OUTSIDE. LET SOME REAL CUSTOMERS IN HERE.

GET OUTSIDE. DAMN.

* WE ALL WANT A LOVE BIZARRE *

* THAT'S WHAT WE ARE *

* WE ALL WANT A LOVE BIZARRE. *

SHEILA, DID YOU HEAR THE AUDIENCE? THEY LOVED YOU.

YOU WERE GREAT.

THEN WHY AM I PLAYING HERE IN THIS DUMP?

YOU GOT TO GET ME BETTER GIGS. I CAN'T TAKE IT NO MORE.

ALL RIGHT. ALL RIGHT, ALREADY.

YOU ALWAYS SAY ALL RIGHT. I HATE IT HERE.

I'M TRYING, BUT IT'S HARD WHEN YOU DON'T HAVE A RECORD.

LISTEN, THE BEST THING YOU CAN DO

IS TO KEEP WORKING SO PEOPLE CAN SEE YOU.

NO ONE'S GONNA SEE ME HERE. I SAW YOU.

I THOUGHT YOU WAS REAL DEF.

THANKS.

YOU WANT SOMETHING?

ME AND MY MAN HAVE CHAMPAGNE AND WE GOT A NEW RECORD OUT

SO WANTED TO KNOW IF YOU WANTED TO CHILL WITH US

WE'D LIKE TO JOIN YOU FOR A DRINK.

SO ANY WAY, WHAT'S THE NAME OF YOUR RECORD?

"KING OF ROCK." THERE IS NONE HIGHER.

"KING OF ROCK." ARE YOU TWO RUN-DMC?

FUNKY FRESH IN THE FLESH.

OH, MAN, THEY'VE BEEN PLAYING YOUR RECORD

ON THE RADIO ALL DAY.

OH, BY THE WAY, MY NAME'S KAREN.

AND THIS IS MY CLIENT, SHEILA.

HOW YOU DOING, SHEILA? HI.

YOU EVER HEARD OUR RECORD BEFORE?

WHO, ME? NO.

YOU HAVEN'T? IT'S BEEN ON THE RADIO ALL DAY.

WHAT, YOU AIN'T GOT NO RADIO?

YOU LIKE RAP?

NO.

IT'S NOT THAT SHE DOESN'T LIKE RAP, SHE HASN'T HEARDGOOD RAP.

WHY DON'T YOU DO ONE FOR HER? SHE'D LIKE IT... GO AHEAD.

* SEE I MET THIS GIRL *

* THE OTHER DAY *

* AND THIS IS WHAT SHE HAD TO SAY *

* SHE SAID SHE DIDN'T HEAR RAP *

* SHE DID NOT KNOW *

* ABOUT THE DEVASTATE-TWO *

* I'M DARYL * * THIS IS JOE. *

OH, YOU LIKE THAT.

IT'S PRETTY FUNNY. WE'RE FUNNY. WE'RE A HIT.

EXCUSE ME, CAN WE HAVE SOME CHAMPAGNE.

WE'RE A HIT WITH THIS LADY. MEN WITH THE BLACK HAT.

LOOK, MAN, WE'RE RAPPERS, THE DISCO THREE.

WE'RE SUPPOSED TO PERFORM HERE TONIGHT.

I AIN'T NEVER HEARD OF YOU ALL.

YOU CRAZY MAN? YOU NEVER HEAR OF THE DISCO THREE? WE'RE KNOWN EVERYWHERE.

YO, BUFF, GIVE HIM A TASTE, MAN.

( rhythmic popping )

MAN, CHECK IT OUT. WHY DON'T YOU JUST GIVE US A BREAK?

WE WON'T DRINK MAN. WE JUST WANT TO GET ON A MIKE.

I TELL Y'ALL WHAT.

I'M GOING TO GIVE YOU A BREAK THIS TIME.

IF I CATCH YOU TRYING TO GET A DRINK,

THE SAME WAY I'M ROLLING YOU IN HERE NOW

I'M GONNA ROLL YOU OUT OF HERE.

$10 APIECE.

WHAT?

$10? $10?

$10 EACH.

YOU GOT TO BE BUGGIN', MAN.

THIS IS WILD, MAN. YOU CRAZY?

CHILL OUT, MAN. BE COOL.

TO NEW FRIENDS, YOU UNDERSTAND? TO YOUR NEW RECORD.

HERE COME MY BROTHER. WHAT'S UP, MAN?

THIS IS RUSSELL. THAT'S KAREN.

HEY, KAREN. THAT'S SHEILA.

HI. I LIKED YOUR SONG.

IT WAS GOOD.

REAL GOOD.

THANK YOU.

Man: AND YOU WANTED A $5,000 LOAN?

RIGHT. YUP.

DO YOU HAVE ANY COLLATERAL?

WE HAVE RECORDING EQUIPMENT. ITS APPROXIMATE WORTH?

WELL, MOST OF IT IS USED, BUT UM...

I SAY IT'S WORTH ABOUT, WHAT? FIVE...

$50,000. IT'S ALL DIGITAL, STATE-OF-THE-ART STUFF

YOU KNOW?

MM-HMM.

$50,000?

MAYBE MORE.

I'D LIKE LOOK AT YOUR BOOKS. DID YOU BRING THEM?

SURE.

IF YOU DON'T UNDERSTAND ANYTHING, I CAN EXPLAIN IT. I WROTE IT MYSELF.

THAT WON'T BE NECESSARY.

THANKS. WE GOT IT.

WHAT KIND OF RECORD COMPANY DO YOU HAVE?

WHAT KIND?

YOU KNOW, WHAT TYPE OF MUSIC?

RAP MUSIC. WHAT?

RAP MUSIC.

WHAT IS RAP MUSIC?

LET'S JUST SHOW HIM. RIGHT.

* AN INSURMOUNTABLE BEAT, SUBJECT OF DISCUSSION *

* WE CAN SELL RECORDS *

* WITH THE AID OF PERCUSSION *

* THERE'S NO CATEGORY FOR THIS STORY *

* WE CAN MAKE LOTS OF MONEY IN ANY TERRITORY *

GIVE US THIS LOAN... GENTLEMAN, I GET THE IDEA.

GOOD.

I'M SORRY, I CANNOT OFFER YOU A LOAN AT THIS TIME.

WHAT ARE YOU SAYING?

NO. WHAT DO YOU MEAN BY THAT?

YOUR REQUEST FOR A LOAN IS DENIED.

MAYBE WHEN YOU GET MORE ESTABLISHED...

WAIT A MINUTE. HOW DO WE GET ESTABLISHED

IF YOU DON'T GIVE US MONEY TO GET STARTED?

I'M SORRY, BUT I CANNOT OFFER YOU A LOAN AT THIS TIME.

WAIT. THAT'S BULLSHIT. YOU GOING TO STAND THERE...?

FORGET IT, MAN. WAIT A MINUTE, RICK.

I THINK THIS GUY'S GAY.

( subway rattling )

( playing mid-tempo pop )

Run: YEAH, I NEED SIX PAIR OF WHITE-ON-WHITE ADIDAS

FOUR PAIR OF RED AND WHITE

UM, THREE PAIR BURGUNDY AND WHITE

AND, UM, FIVE PAIR OF BLACK AND WHITE ADIDAS.

YEAH.

I CAN'T WAIT TWO WEEKS. I NEED IT RIGHT NOW.

I DON'T BELIEVE IT. FRONTING ON ME AFTER ALL THE BUSINESS I GAVE THEM.

SNEAKER GENIUS, WE'RE TYING TO REHEARSE.

YES. REHEARSE?

WHY DON'T YOU PUT A LITTLE RAPPIN' IN, YOU'D GET SOMEWHERE.

SO WHAT? BIG DEAL YOU CAN RAP. I BET YOU CAN'T SING AND DANCE.

WHO? YOU.

YO, SHE SAY I CAN'T SING AND DANCE.

YOU WANT TO SEE ME SING AND DANCE? I'LL SHOW YOU.

DON'T FORGET TO SING, MAN.

* YOU SEE, I DO NOT SING, BUT I'LL MAKE A SONG *

* YOU LOVE YOUR WHOLE LIFE AND I HOPE YOU LIVE LONG *

* ON THE GONG SHOW, I WON'T GET GONGED *

* IT'S RUN-DMC, NOT CHEECH AND CHONG. *

KNOW WHAT I'M SAYING?

YEAH. NOW LET'S SEE YOU RAP.

ANYBODY CAN RAP.

GO AHEAD, THEN.

ALL RIGHT. I'LL GIVE YOU SOMETHING.

BENNY, GIVE ME ONE OF THEM SLEAZY SOUNDS, HUH?

ALL RIGHT.

LORD, GOOD GOD. WAIT.

EVERYBODY STOP ON THE ONE, YEAH.

GIVE ME TWO, YEAH.

GOOD GOD. GOOD GOD.

OH, IT'S GREASY. OH. WAIT.

OH, IT'S TOO FUNKY TODAY. I CAN'T TALK.

WAIT.

HERE, MAYBE THIS WILL MAKE YOU FEEL BETTER.

WAIT. I GOT IT. KAREN.

I GOT IT.

* I CAN SING, RAP, DANCE IN A DRESS-UP PANTS *

* I CAN ROCK YOUR WHOLE WORLD IF YOU GIVE ME A CHANCE *

* I'M SHEILA E. AND MY R-A-P IS THE BEST DAMN RAP *

* THERE COULD EVER BE *

* I GOT A MASS APPEAL, A LITTLE GIRL SMILE *

* I'LL MAKE YOU HAPPY, BABY, ALL THE WHILE *

* 'CAUSE I'M BAD, GOOD GOD *

* AND IF YOU GOT A BIG ENOUGH STICK, GOD *

* THEN COME HERE, RUN *

* THIS IS MY HOUSE *

* DON'T YOU WANT TO LEARN A NEW TRICK *

* YOU BIG KOALA BEAN HEAD. *

( laughs )

* YOU GOT ANY LICKS *

ALL RIGHT.

AHH!

YOU REAL DEF. WE'LL PUT YOU ON STAGE.

WHY DON'T YOU DO THIS PART FOR ME ONE MORE TIME?

WHAT PART?

TAKE THE HAT TRY TO ACT LIKE DIGGIDY D.

DO THIS FOR ME ONE MORE TIME.

* I'VE GOT A MASS APPEAL *

NO, NOT LIKE THAT. DO THE RHYME. JUST SAY IT.

* I'VE GOT A MASS APPEAL... * WHO YOU LOOKING AT?

JUST LOOKING AT YOU. WAIT. UGH.

DO THAT? LET'S DO THE RAP.

THAT WAS A SUCKER, MAN.

CARMEN, FILE THIS.

DAMN. TAKE ALL MY MONEY OUT OF THAT BANK.

WE DON'T HAVE AN ACCOUNT.

WE GOT TO THINK ABOUT THIS TOGETHER. TAKE OUR TIME.

COME UP WITH SOMETHING. FIGURE OUT HOW TO GET THIS MONEY.

WE HAVE TO PRESS THESE RECORDS. WE NEED THE MONEY, OKAY?

LET'S THINK. WE'LL WORK AS A TEAM.

AND WE'LL COME UP WITH SOMETHING. ALL RIGHT.

RICK, CARMEN, I GOT AN APPOINTMENT I FORGOT ABOUT.

YOU CAN'T LEAVE. I'LL TALK TO YOU.

( rap playing )

KEEP THE CHANGE.

Russell: JAY B.

Jay B.: I KNEW WE COULD DO BUSINESS, HOW MUCH MONEY DO YOU NEED?

Russell: YEAH, WE'RE IN GOOD SHAPE NOW.

OH, SHIT. YEAH.

DON'T ASK. WHERE...?

YOU'RE ROLLING WITH THE RUSH, THAT'S ALL YOU NEED TO KNOW...

COUSIN. ( laughs )

* IF I RULED THE WORLD, WAS KING OF THE THRONE *

* I'D MAKE PEACE IN EVERY COUNTRY *

* BUILD THE HOMELESS A HOME *

* I'M NOT RUNNIN' FOR CONGRESS OR PRESIDENT *

* JUST HERE TO TELL THE WORLD HOW THE STORY WENT *

* YOU SEE, FIRST IT WAS A DREAM, I WAS LIVING IN ROME *

* THEN I MOVED TO LONDON AND BOUGHT A BRAND-NEW HOME *

* AND EVERYWHERE I WENT I DREW LOTS OF ATTENTION *

* LIKE A STRETCH LIMOUSINE WHEN IT LEAVES THE CONVENTION *

* IT TOOK A FEW YEARS BEFORE THE DAY HAD COME *

* BUT I WAS RULER OF THE WORLD, RANKED NUMBER ONE *

* SO I HEADED FOR THE POLITICS AND CLAIMED THE CROWN *

* AND LET THE WHOLE WORLD KNOW THAT THE KING WAS IN TOWN *

* GOOD-BYE, GOOD-BYE, THE CROWD STARTED TO CHEER *

* THEN SOMEONE YELLED OUT, "THE KING IS HERE!" *

* SO I HEADED FOR THE STAGE TO MAKE A SPEECH *

* ABOUT THE NEW STYLE OF LIVING I WAS GONNA TEACH *

* IF I RULED THE WORLD *

* I WOULD LOVE ALL THE GIRLS *

* I LOVE 'EM, LOVE 'EM, BABY *

* WEAR DIAMONDS AND PEARLS *

* OOH, YEAH, YEAH *

* IF I RULED THE WORLD *

HEY, RUSSELL, WHAT'S UP, MAN?

HOW YA DOING? KURTIS LOOKS HOT OUT THERE.

* TAKE ME TO THE PROMISED LAND *

THIS RAP THING'S REALLY HAPPENING FOR YOU, HUH?

DIDN'T I TELL YOU THAT SIX MONTHS AGO, MAN?

YEAH, YOU DID. I'M A LITTLE SLOW, BUT I'M CATCHING ON.

WHAT KIND OF SHIT IS THIS, MAN? WHERE'S YOUR CREW AT?

CROCKETT, I TOLD YOU THEY'RE GOING TO BE HERE.

YOU BEEN POPPING THAT SHIT FOR THREE HOURS NOW.

LOOK, RUN BETTER BE HERE, MAN.

MAN, SLOW DOWN, MAN.

WHAT'S EATIN' YOU?

WHY YOU PLAYING HARD TO GET, RUSSELL?

YOU KNOW I WANT YOUR BOYS UP AT GALAXY RECORDS.

IN FACT, I'M READY TO MAKE YOU A SERIOUS OFFER RIGHT NOW.

WHAT?

I SAID, I'M READY TO MAKE YOU A SERIOUS OFFER RIGHT NOW.

YEAH?

YEAH, LOOK AT KURTIS GO, MAN. HOW SERIOUS?

HOW SERIOUS, BEIKER?

$20,000 TO SIGN, LET'S SAY. THEN YOU COME TO THE OFFICE

AND WE'LL TALK ABOUT THE REST. COME ON, BEIKER.

WHEN YOU REALLY GET SERIOUS, LET ME KNOW.

I TELL YOU WHAT, RUSSELL. I AM SERIOUS.

THE NUMBER'S STILL ON THE CARD. TAKE IT. GO AHEAD.

GIVE ME A CALL. SEE YOU LATER.

* I RULE THE WORLD AND NOW I'M ON TOP *

* AND I'M ROLLING WITH THE FORCE THAT CAN NEVER BE STOPPED *

* AND I'M HERE TO LET YOU KNOW THIS IS WHERE I BELONG *

* TELL YOU SUCKER M.C.'S TO SING MY SONG *

* AND IT'S A SONG THAT'S STRONG 'BOUT RIGHT AND WRONG *

* AND I'LL ROCK IT TO YOU, BABY, ALL NIGHT LONG *

* AND IT'S ALL ABOUT LOVE AND HAPPINESS *

* IN A WORLD OF PEACE AND YOU KNOW THAT'S FRESH *

* NOW, I'M KING AND I WANT YOU TO KNOW *

* THAT I'M THE MASTER BLASTER RAPPER *

* WHO'S RUNNIN' THE SHOW *

* TO ALL YOU RAPPERS THAT NEVER COME TRUE *

* YOU BETTER STOP WHAT YOU'RE DOING *

* AND LISTEN TO ME *

* 'CAUSE WE GOT TO STOP WAR, USE UNITY *

* FIGHT CRIME AND HUNGER, POVERTY *

* 'CAUSE AFRICAN BABIES DYIN' OVERSEAS *

* WHILE YOU SUPPLEMENT YOUR POLITICIAN BUSTIN' OUR TEETH *

* 20 MILLION PEOPLE ARE UNEMPLOYED *

* WHILE THE RICH MAN TRY TO PLAY PRETTY BOY FLOYD *

* WHILE THE WORKING CLASS JUST STRUGGLES HARD *

* TRYIN' TO MAKE ENDS MEET AGAINST ALL ODDS *

* WHILE THE POOR MAN CAN'T EVEN DEAL WITH LIFE *

* YOU KNOW HE TRY TO ESCAPE BY SMOKIN' COKE IN A PIPE *

* WELL, IT'S TIME FOR A CHANGE TO A BETTER WAY *

* 'CAUSE THE SUN HAS GOTTA SHINE THROUGH THE CLOUDY DAY *

* SO LISTEN UP, WORLD, WHILE THE TEACHER'S IN CLASS *

* TAKE HEED TO THE MESSAGE, OR IT AIN'T GONNA LAST *

'CAUSE I KNOW THE SOLUTION IS THE CONTRIBUTION *

* A WOMAN, A MAN, JUST JOIN THE REVOLUTION *

* AND TAKE YOUR BRAIN TO A HIGHER PLANE *

* HELP DEAL IN A WORLD THAT'S GOIN' INSANE *

* WITH THE PROBLEMS I KNOW WE CAN SOLVE *

* IF I WAS RULER OF THE WORLD AND THE MAN ON TOP *

* THEN YEARS WENT BY AND TIME WAS UP *

* BECAUSE THE RULER OF THE WORLD HAD RAN OUT OF LUCK *

* IF I RULED THE WORLD *

* AND I LOVED ALL THE GIRLS *

* I LOVE 'EM, LOVE 'EM, BABY *

* WEAR DIAMONDS AND PEARLS *

* WEAR THOSE DIAMONDS, WEAR THOSE DIAMONDS *

* IF I RULED THE WORLD *

( laughing )

* IF I RULED THE WORLD *

* I'D LOVE ALL THE GIRLS... *

YO, RUSSELL!

WHAT'S UP?

I GOT THEM. WHERE?

WE HAVE 60 SECONDS TO GET THESE KIDS ON STAGE, ALL RIGHT, MAN?

WH-WHERE YOU BEEN? I GOT NEW SURPRISES.

WHAT KIND OF SURPRISES? YOU WANT TO SEE IT OR WHAT, MAN.

Crockett: LET'S HEAR IT FOR THE KING OF RAP, MR. KURTIS BLOW!

COME ON, EVERYBODY! YOU READY TO ROLL

WITH THE KING OF ROCK?! LADIES AND GENTLEMEN, RUN-DMC.

COME ON, LET'S HEAR IT!

READY TO ROCK?!

Audience: YEAH!

Y'ALL READY TO ROCK?! YEAH!

Y'ALL CHILLING? YEAH!

BEFORE ME AND MY MEN, D AND J, GET STARTED

I WANT TO KNOW CAN Y'ALL DO ME A FAVOR?

Audience: WHAT?!

CAN Y'ALL MEET SOMEBODY FOR ME?! YEAH!

PUT YOUR HANDS TOGETHER FOR A GOOD FRIEND OF MINE--

MISS SHEILA E!

( pop-funk beat )

* ROCK, ROCK, HOLLY ROCK *

* EVERYBODY WANT TO HOLLY ROCK *

* ROCK, ROCK, HOLLY ROCK *

* EVERYBODY WANT TO HOLLY ROCK SAY IT! *

* ROCK, ROCK, HOLLY ROCK *

* EVERYBODY WANT TO HOLLY ROCK *

* ROCK, ROCK, HOLLY ROCK *

* EVERYBODY WANT TO HOLLY ROCK *

* SOMEBODY! *

* THERE'S A WAY TO SAY... *

* HORNS *

* UH! *

* COME ON OVER, BABY, AND DIG THE POP *

* A FUNKY LITTLE THING CALLED HOLLY ROCK *

* IT MIGHT BE A DANCE, IT MIGHT BE A SONG *

* IT MIGHT HAVE YOU ROCKIN', BABY, ALL NIGHT LONG *

* ANYBODY WANT TO HOLLY ROCK? *

* AH, TAKE A LITTLE BIT YOU JUST CAN'T STOP *

* IT'S BAD. GOOD GOD! *

* GUARANTEED TO TURN YOU OUT-AH! *

* OH, ALL THE LITTLE FELLAS, GATHER 'ROUND *

* I'M GONNA SHOW YOU WHAT THE HOLLY ROCK'S ABOUT *

* HOLLY ROCK *

* HOLLY ROCK *

* YOU GOTTA, GOTTA TO GET UP *

* HOLLY ROCK *

* HOLLY ROCK *

* UH-HUH *

* SHEILA E'S MY NAME, AND HOLLY ROCK'S MY GAME *

* I'M FUNKY AS I WANT TO BE *

* LINE UP A HUNDRED, SWEAR TO GOD *

* I'LL ROCK THEM TILL THEY JUST CAN'T SEE *

* 'CAUSE I'M BAD, GOOD GOD! *

* I'M BADDER THAN THE WICKED WITCH *

* I'LL BET YOU KICK YOUR LITTLE DOG, TOO *

* DON'T YOU WANT TO BE MY BITCH? *

* OH! *

* HOLLY ROCK *

* GOOD GOD! *

* HOLLY ROCK *

WE GOT A DEAL FOR ONE ACT, I'M GOING TO PAY YOU FOR ONE ACT.

I HEAR YOU.

* HOLLY ROCK *

* SOMEBODY SAY ROCK, ROCK, HOLLY ROCK *

* EVERYBODY WANT TO HOLLY ROCK... WHAT?! *

* ROCK, ROCK, HOLLY ROCK... EVERYBODY WANT... *

* I CAN'T HEAR YOU! SAY IT! *

* ROCK, ROCK, HOLLY ROCK *

* EVERYBODY WANT TO HOLLY ROCK * * GO! COME ON! *

* ROCK, ROCK, HOLLY ROCK * * EVERYBODY STOP ON THE ONE *

* HOLLY ROCK *

* HOLLY ROCK *

All: * ROCK, ROCK, HOLLY ROCK *

* EVERYBODY WANT TO HOLLY ROCK *

* HOLLY ROCK * * EDDIE *

* EDDIE, WHAT WE GONNA DO? WE'RE GONNA... *

* ROCK, ROCK, HOLLY ROCK *

* ROCK, ROCK, HOLLY ROCK * * HUH? *

* ROCK, ROCK, HOLLY ROCK * * YES *

* ROCK, ROCK, HOLLY ROCK * * 'CAUSE I'M BAD, GOOD GOD *

* I'M BADDER THAN THE WICKED WITCH *

* I'LL BET YOU KICK YOUR LITTLE DOG, TOO *

* DON'T YOU WANT TO BE MY... WHOO! *

* HOLLY ROCK * * HA! *

* KISS MY EVER-LOVIN' *

H-O-H-E-M... * HOLLY ROCK *

* HORNS! *

* UH! *

* HOLLY ROCK * * GOOD GOD! *

* FELLAS, GIVE ME THE THANG! *

* UH! *

( shrieks )

* HOLLY ROCK, YEAH *

All: * ROCK, ROCK, HOLLY ROCK *

* EVERYBODY WANT TO HOLLY ROCK *

* ROCK, ROCK, HOLLY ROCK *

* EVERYBODY WANT TO HOLLY ROCK *

HOLLY ROCK!

Woman: OH, SHELIA, YOU WERE GOOD.

WHOO! ALL RIGHT, YEAH!

WHOA. THANKS!

THAT WAS REAL DEF.

Y'LL SHOULD HAVE ROCKED THOSE ADIDAS SUITS I HAD PICKED OUT.

I'M NOT GONNA WEAR THAT STUFF. WHAT YOU THINK?

WHAT DO YOU THINK THIS IS?! DON'T THROW STUFF ON THE STAGE

WITHOUT CLEARING WITH ME FIRST. THIS IS MY SHOW, RUN.

I RUN THIS OPERATION! I DECIDE WHO GOES ON THIS STAGE.

DO YOU UNDERSTAND?!

YEAH, I UNDERSTAND. I'M BREAKING OUT.

Crockett: WH-WHERE YOU GOING? I NEED YOU ON THE STAGE.

YO, COUSIN, ME AND YOU IS ALL RIGHT, MAN.

THEY'RE GOING TO TEAR MY PLACE UP.

START THE SHOW. I'LL TAKE CARE OF IT.

GET YOUR ASS ON STAGE.

YOU CAN'T BE DISSIN' ME IN FRONT OF PEOPLE.

WHAT YOU'RE GOING TO DO IS GET ON STAGE.

RIGHT NOW.

Jam Master Jay: JUST CLAP YOUR HANDS!

TO THE PEOPLE IN THE BACK, CLAP YOUR HANDS!

COME ON, IN FRONT! CLAP YOUR HANDS!

LET ME HEAR.

( scratching record playing )

RUN

RUN, RUN, RUN, RUN!

RUN!

RUN, RUN, RUN, RUN!

RUN.

RUN, RUN, RUN, RUN!

RUN.

RUN, RUN, RUN, RUN, RUN!

RUN!

RUN!

RUN, RUN, RUN!

RUN, RUN!

RUN, RUN, RUN, RUN!

NOW IT'S ABOUT THAT TIME FOR US TO SAY THAT WE'RE...

* RUN DMC AND JAM MASTER JAY *

WE HAD A WHOLE LOT OF SUPERSTARS ON THIS STAGE HERE TONIGHT

BUT I WANT Y'ALL TO KNOW ONE THING.

Audience: WHAT?!

THIS IS MY MOTHERFUCKING HOUSE!

( audience cheering )

AND...

WHEN I SAY, "WHOSE HOUSE?"

I WANT YOU ALL TO SAY, "RUN'S HOUSE."

WHOSE HOUSE?!

Audience: RUN'S HOUSE!

HOLD UP.

WHOSE HOUSE?!

Audience: RUN'S HOUSE!

NOW DJ RUN'S MY NAME.

JAM MASTER JAY IS HIS.

HE'S DMC.

IT'S LIKE...

Both: * AND THAT'S THE WAY IT IS *

* UNEMPLOYMENT'S AT A RECORD HIGH *

HUH! * PEOPLE COMING, PEOPLE GOING *

* YOU'RE BORN TO DIE * * HA-HA *

* DON'T ASK ME *

* BECAUSE I DON'T KNOW WHY *

* BUT IT'S LIKE THAT! *

* HEY, THAT'S THE WAY IT IS *

UH! * PARTY PEOPLE IN THE WORLD *

* TRYING TO MAKE ENDS MEET *

* YOU TRAVEL BY CAR, TRAIN, BUS OR FEET *

* I SAID, YOU GOT TO WORK HARD *

* IF YOU WANT TO COMPETE *

* IT'S LIKE THAT *

* AND THAT'S THE WAY IT IS * HUH-HUH-HUH-HUH!

* GET UP OUT YOUR SEAT *

* GO DO THINGS RIGHT *

* AND HELP US KEEP THIS PARTY GOIN' TILL THE BREAK DAYLIGHT *

* UNTIL THE BREAK DAYLIGHT *

* YOU GONNA BE ROCKIN' WITH RUN *

* YOU SEE? * * YOU JUST SEEN THE MOON *

* NOW YOU'RE SEEIN' THE SUN * * BU-BU-BU-BU-BU-BU-BU *

* MONEY IS YOUR KEY *

* TO END ALL YOUR WOES *

* YOUR UPS, YOUR DOWNS *

* YOUR HIGHS AND YOUR LOWS *

* WON'T YOU TELL ME LAST TIME *

* THAT LOVE BOUGHT YOUR CLOTHES? *

* IT'S LIKE THAT *

* HEY, THAT'S THE WAY IT IS... *

( Deborah Harry singing ): * UNO, DOS, TRES, QUATRO *

( Latin pop beat )

* HEY, NOW, HONEY, I'M ABOUT TO BEGIN *

* HEAR THE INTENTION *

* HEAR ME AGAIN *

* INTO INTENTION AND I'M READY TO SELL *

* SO TIRED OF WAITIN'... *

HEY, YO, MAN... WHAT'S YOUR PROBLEM?

YOU THE PROBLEM, MAN.

ME?!

YOU DON'T UNDERSTAND.

THE PEOPLE AIN'T SCREAMING, "RUSSELL DMC."

THEY'RE SCREAMING "RUN-DMC."

OH, I HEAR YOU. YEAH, I KNOW.

HEY, MAN, WHY DON'T YOU SLOW DOWN?

RUN... HE'S RIGHT. YOU'VE HAD ENOUGH.

THIS IS SOME TYPE OF HOLIDAY I DON'T KNOW ABOUT--

EVERYBODY-TELL-RUN WHAT-THE-FUCK-TO-DO DAY

THAT'S WHAT THIS IS, RIGHT?

COME ON, RUN.

GOOD NIGHT, RUSSELL. I'LL TALK TO YOU LATER.

GOOD NIGHT.

WHY YOU FRONTING ON YOUR BROTHER?

HE FELT WHAT HE DID WITH SHEILA TONIGHT WAS GREAT.

HE WANTED YOU TO LIKE IT MORE THAN ANYBODY ELSE.

BUT YOU HAD TO DIS HIM. NOW EVERYTHING'S FUCKED UP.

AND RUN, YOU HURT HIM, MAN. YOU HURT HIM BAD.

YOU FINISHED? YEAH, I'M FINISHED.

IF YOU WANT TO GO TO MY PLACE

EXPECTING SOMETHING TO HAPPEN, I CAN'T DO IT.

I EXPECT SOMETHING OR I WOULDN'T SAY WHAT I DID.

YOU'RE LIKE MY LITTLE BROTHER.

WHAT DO YOU MEAN, "LITTLE BROTHER?"

EARLIER YOU GIVE ME A KISS AND NOW YOU FRONTING ME?

I'M NOT FRONTING YOU. I LIKE YOU, BUT JUST AS A FRIEND.

OH, LIKE A FRIEND, HUH? YOU SEE ALL THESE GIRLS?

YOU THINK I'LL STAND AND LISTEN TO THIS SHIT.

WAIT, RUN.

LOOK, SHEILA I'M SORRY ABOUT ALL THIS.

IT'S JUST RIGHT NOW, RUN'S GOT ME A LITTLE NERVOUS.

I JUST HOPE I DIDN'T CAUSE ANY PROBLEMS BETWEEN YOU TWO.

LOOK, RUN AND I ARE JUST FRIENDS AND THERE'S NO NEED TO APOLOGIZE

AND WHATEVER IS BETWEEN YOU TWO IS NONE OF MY BUSINESS.

I THOUGHT YOU TWO... YOU THOUGHT WRONG, RUSSELL.

WELL, I'VE HAD ENOUGH FUN TONIGHT.

LOOK, LET ME SEE YOU HOME. IT'S THE LEAST I CAN DO.

WHATEVER.

Terri: WISH YOU'D COME OVER TO GALAXY. I'LL REALLY GET YOU OUT THERE.

YEAH?

HELL, YEAH. YOU LIKE THIS?

LIMOUSINE, CHAMPAGNE, THE WORKS.

I GET YOU ON MTV, NATIONAL TOUR

SPONSORSHIP, YOU NAME IT.

YOU COULD DO THAT? HELL, YEAH.

STRAIGHT. BUT IT'S YOUR BROTHER.

TONIGHT, I OFFERED HIM SERIOUS MONEY TO BRING

YOU, DR. JECKYL AND MR. HYDE AND KURTIS BLOW

OVER TO GALAXY RECORDS; YOU KNOW WHAT HE DID?

WHAT? TURNED ME DOWN COLD.

HE'S REAL ILL.

I'M NOT TRYING TO GO BEHIND YOUR BROTHER'S BACK

BUT A MAJOR RECORD COMPANY DEAL DOESN'T HAPPEN EVERY DAY

AND IT'S YOUR CAREER HE'S PLAYING WITH.

IF I WERE YOU I'D JUST BE A LITTLE BIT CONCERNED ABOUT IT

BECAUSE I MIGHT NOT BE ABLE TO MAKE THAT SAME OFFER TOMORROW.

THINK ABOUT IT. CHEERS, RUN. ALL RIGHT.

LOVE TO HAVE YOU, MAN.

Kool Rock Ski: NO FUCK, BABY. YOU GOTTA STOP FOOLING WITH AISHA, MAN. WORD.

Buffy: WORD, MAN. LET THAT BOYFRIEND GONNA DO MORE

THAN TEAR THEM PANTS OFF.

( laughing )

HE'S A HOMO, MAN.

SHUT UP, MAN. LEAVE ME ALONE.

YO, HOLD IT MAN.

WHAT YOU DOING, MAN?

( laughing )

YO! STOP PLAYING, MAN! YO, GIMME.

YO, GIVE ME THE PAPER. MAN, JUST CHECK IT OUT.

I WANT TO SHOW YOU SOMETHING.

CHECK IT OUT. WHAT, MAN?

IT SAYS HERE THERE'S A TALENT CONTEST HELD AT THE DISCO FEVER.

WORD? YEAH, CHECK IT OUT.

IT SAYS FIRST PRIZE IS A RECORDING CONTRACT.

Markie D: SECOND PRIZE IS...

Both: $5,000 WORTH OF STEREO EQUIPMENT.

PSST MAN. I'D SURE LIKE TO WIN THAT STEREO EQUIPMENT.

WHAT'S WRONG WITH YOU? WHAT HAVE WE BEEN TRYING TO DO FOR THE LONGEST, HUH?

GET IN THE FEVER, RIGHT? YEAH, I KNOW, BUT...

IT SAYS ALL WE HAVE TO DO IS SHOW UP AND WE'RE IN, RIGHT?

RIGHT? RIGHT?

WRONG. I AIN'T DOING NOTHING. JACK BONE, DOING NOTHING.

I JUST GOT TO BE A SUCKER, THAT'S ALL.

( "Please Don't Go" playing )

* PLEASE DON'T GO *

* PLEASE DON'T GO *

* NO, NO, NO, NO, NO *

* NO, NO, NO *

* NO, NO, NO *

* NO, NO, DON'T GO *

* PLEASE DON'T GO. *

REAL GOOD, BABY. WHAT'S YOUR NAME? NAYOBE.

YOU WAS REAL GOOD. WHAT Y'ALL THINK?

YO, SHE'S WORKIN'. WORKIN'?

ALL RIGHT, FELLAS.

NO MORE AUDITIONS TODAY, FELLAS.

NEXT WEEK.

YO, WHAT'S UP, MAN? I SAID NO MORE AUDITIONS!

YOU STUPID OR SOMETHING?

AUDITIONS ARE OVER.

COME BACK NEXT WEEK; MAYBE WE CAN WORK SOMETHING OUT.

BOX!

( rap beat playing )

WE'RE THROUGH.

WHO ARE YOU, MAN?

Dr. Jeckyl: WHAT'S UP WITH THIS?

* MY RADIO, BELIEVE ME, I LIKE IT LOUD *

* I'M THE MAN WITH THE BOX *

* THAT CAN ROCK THE CROWD *

* WALKIN' DOWN THE STREET TO THE HARDCORE BEAT *

* WHILE MY J.V.C. VIBRATES THE CONCRETE *

* I'M SORRY IF YOU CAN'T UNDERSTAND *

* BUT I NEED A RADIO INSIDE MY HAND *

* DON'T MEAN TO OFFEND OTHER CITIZENS *

* BUT I KICK MY VOLUME WAY PAST TEN *

* MY STORY IS ROUGH *

* MY NEIGHBORHOOD IS TOUGH *

* BUT I STILL SPORT GOLD, AND I'M OUT TO KRUSH *

* MY NAME IS COOL J, I DEVASTATE THE SHOW *

* BUT I COULDN'T SURVIVE WITHOUT MY RADIO. *

THIS KID IS DEF.

( talking indistinctly )

Y'ALL REAL GOOD. WE GONNA SIGN YOU UP RIGHT NOW.

ALL RIGHT-- YOU CALL ME, LET'S GO.

YOU WAS GONNA SHOOT 'EM, JAKE.

HE ALL RIGHT, MAN. HE ALL RIGHT.

YO, WHAT'S UP?

I HEARD YOU WAS WITH SOME SKEEZERS LAST NIGHT AND GOT SKEEZED.

YO, MAN, WHERE'S RUSSELL AT, MAN?

HE'S OVER AT THE FEVER JUDGING THAT CONTEST, YOU KNOW.

DID YOU KNOW HE TURNED DOWN A BIG CONTRACT FROM GALAXY RECORDS?

WHAT? GALAXY RECORDS? WHAT?

I WAS WITH BEIKER LAST NIGHT, HE TOLD ME THAT HE OFFERED HIM

LOT OF MONEY FOR OUR GROUPS AND HE TURNED IT DOWN

WITHOUT ASKING ANY OF US. GET OUT OF HERE.

I DON'T BELIEVE THAT, THAT'S BULLSHIT.

ME, D AND J, WE GOT TO THINK FOR OURSELF.

AND IF SOMEBODY GONNA OFFER ME SOMETHING LIKE THIS

I'LL TAKE IT 'CAUSE YOU DON'T KNOW THIS COULD END TOMORROW.

YO, WHAT'S UP WITH THAT?

WHAT'S UP WITH YOUR MAN?

( "My Secret" music )

* WHOA-HO-HO-HO-HO *

( crowd cheering )

* GIRL, I'VE GOT A SECRET *

* SEE IF YOU CAN GUESS *

* PUT YOUR HEART INTO THE PROBLEM *

* AND YOU'LL PASS THE TEST *

* CAN YOU SEE IT? *

* IT'S A NATURAL OCCURRENCE *

* THAT ONE AND ONE MAKES TWO *

* AND IF I'VE BEEN ACTING CRAZY *

* THAT'S JUST ONE MORE CLUE *

* I SEE YOU *

* OH, THE FEELING STARTS TO SHAKE *

* I DO A DOUBLE TAKE *

* DID YOU GET IT YET, GET IT YET, GET IT YET? *

* OOH, MY SECRET *

* OOH, SPARKS BEGIN TO FLY *

* LIGHTNING IN THE SKY *

* DID YOU GET IT YET, GET IT YET, GET IT YET? *

* MY SECRET *

* DID YA GET IT YET? *

* DID YA GET IT YET? *

* DID YA GET IT YET? *

* DID YA GET IT YET? *

* DID YA GET IT YET? *

* GET IT, GET IT * * GET IT, GET IT YET *

* OH, THE FEELING STARTS TO SHAKE *

* I DO A DOUBLE TAKE *

* DID YOU GET IT YET, GET IT YET, GET IT YET? *

* OOH, MY SECRET *

* OOH, SPARKS BEGIN TO FLY *

* LIGHTNING IN THE SKY *

* DID YA GET IT YET? * * DID YA GET IT YET? *

* DID YA GET IT YET? * * MY SECRET *

* OH, THE FEELING STARTS TO SHAKE *

* I DO A DOUBLE TAKE *

* DID YA GET IT YET? *

* OOH, MY SECRET *

* OOH, SPARKS BEGIN TO FLY *

* LIGHTNING IN THE SKY *

* DID YA GET IT YET? * * DID YA GET IT YET? *

* GET IT YET? * * MY SECRET *

* OH! *

( musical interlude )

RUSS. RUSS.

HOW'S OUR RECORD COMPANY DOING? WHAT?

OUR RECORD COMPANY. THAT'S WHAT IT'S GONNA BE

IF YOU DON'T GET ME MY MONEY.

D.J.: YO, LET'S HEAR IT FOR NEW EDITION!

THAT'S A LITTLE SHORT, I'M GONNA GET THE REST IN A COUPLE WEEKS.

YOU DON'T HAVE WEEKS. YOU HAVE DAYS. SEVEN.

THIS LITTLE CHANGE I'M GONNA KEEP AS INTEREST.

GET ME MY MONEY, ALL OF IT OR I'M GONNA HAVE TO DROP YOU

TO YOUR KNEES, RUSS.

D.J.: FROM MONEY-MAKING MANHATTAN

PUT YOUR HANDS TOGETHER AND WELCOME THE BEASTIE BOYS!

( driving rock intro )

( cheering and booing )

* THERE'S NO CONFUSION IN HER CONCLUSION *

* SHE WANTS TO WASTE MY TIME, AND THAT'S NO DELUSION *

* HER FINAL DECISION IS PERFECTION AND PRECISION *

* SHE'S GRADE "A" CLASS, NUMBER ONE IN HER DIVISION *

* 'CAUSE SHE'S ON IT! *

COME ON, MAN.

LET GO, MAN. LET GO OF ME.

COME ON. STOP ACTING LIKE A LITTLE GIRL.

YOU'LL MISS OUR BIG CHANCE. SO WHAT, MAN?

WHAT'S WRONG WITH YOU? WHAT'S YOUR BEEF?

NOTHIN' MY BEEF; I JUST DON'T WANT TO DO IT.

YOU KNOW WE CAN'T DO THE CONTEST WITHOUT YOU, RIGHT?

WHY NOT? BECAUSE WE'RE CALLED THE DISCO THREE, MAN.

SO CHANGE YOUR NAME TO DISCO TWO.

I DON'T BELIEVE HIM. YOU KNOW WHY I AIN'T DOIN' IT?

WE GET ON STAGE, PEOPLE WILL LAUGH AT US. NOBODY WILL LAUGH AT US.

YES, THEY ARE. THEY LAUGH AT FAT PEOPLE.

WHO YOU CALLIN' FAT? YOU, MAN.

BUFF. CHILL, CHILL.

ALL RIGHT, FORGET IT. WE COOL. COME ON, BUFF. LET'S GO.

WHERE Y'ALL GOIN'?

YOU SAID YOU DIDN'T WANT TO DO IT.

I AIN'T STOPPING Y'ALL; THIS IS Y'ALL BIG CHANCE.

WE CAN'T DO IT WITHOUT YOU. WHY NOT?

'CAUSE IT'S ALL OF US OR NOTHING, MAN.

SO IT'S ALL ON YOU, HOMEBOY.

TELL ME SOMETHING, MAN. WHAT'S UP?

ALL RIGHT, MAN. I'LL DO IT, MAN.

ROCK! ROCK!

WEP-A-WAY.

ROCK, SUCKER.

WE GONNA ROCK.

COME ON, LET'S GO ROCK THE HOUSE.

Magic: NOW, LADIES AND GENTLEMEN, THE DISCO THREE!

( crowd cheering )

( disco beat playing )

* LET'S GET FUNKY *

* GET ON DOWN *

* LET'S GET FUNKY *

* GET ON DOWN *

* NOW STOP, LOOK AND LISTEN AND CHECK US OUT *

* 'CAUSE WE'RE THE FAT BOYS *

* AND WE'RE GONNA SHOUT AND TOP IT OFF *

* TO REACH OUR PEAK 'CAUSE OUR CHANCE ARE STRONG *

* MANY ARE WEAK WELL, IT'S TIME TO PARTY *

* IT'S TIME TO BREAK, IT'S TIME TO GET DOWN *

* AND IT'S TIME TO SHAKE *

* IT'S TIME TO SHOW YOU WHILE WE ROCK SO WELL *

* 'CAUSE THE JAMS WE MAKE ARE GUARANTEED TO SELL *

* THERE ARE MANY OTHER CREWS THAT ROCK YOUR SOUL *

* LIKE GRAND MASTER FLASH AND KURTIS BLOW *

* WHODINI AND THE FORCE M.D.s *

* GRAND MASTER MELLE MELL AND RUN-DMC *

* BUT IT'S TIME TO SHOW YOU THAT WE ALSO ROCK *

* TO FEEL A FUNKY RHYTHM ALL AROUND THE BLOCK *

* SO JUST START TO ROCKIN', EVERYBODY GUESS WHAT? *

* HOME BOY AND GIRLS, WE'RE GONNA PUMP IT UP *

* HA! * * LET'S GET FUNKY *

* GET ON DOWN *

* LET'S GET FUNKY *

* GET ON DOWN *

* NOW, WE WALK INTO THE PARTY, THE PLACE IS JUMPING *

* EVERYONE IS ROCKIN' THE BODIES ARE PUMPIN' *

* YOU FEEL A CERTAIN SOMETHIN' TO MOVE YOUR BUTT *

* FROM SIDE TO SIDE WITH THE CUT *

* YOU FEEL A RELIEF OF SO MUCH GRIEF *

* YOU DON'T HAVE TO SIT AROUND, BABY, HERE'S THE BEAT *

* 'CAUSE I'M-A GET ON THE FLOOR *

* AND DO MY THING... *

YEAH... YEAH, LISTEN, THIS IS RUSSELL.

IS TERRI BEIKER IN?

OH, HE'S NOT. ALL RIGHT, WHEN HE...

BEIKER! HEY!

GOOD TO SEE YOU. LOOKIN' GOOD.

WAIT, HOLD ON, HOLD ON. YEAH, WHAT?

THAT DEAL YOU OFFERED ME LAST NIGHT--

I CAN'T DO IT FOR $20,000.

UP IT TO $100,000, YOU GOT 'EM ALL--

KURTIS, JECKYL AND HYDE, RUN, ALL OF 'EM.

YOU CRAZY? YOU BEEN SMOKING PARSLEY OR SOMETHING? NAH.

I SIGNED RUN AND D YESTERDAY. WAIT A MINUTE, RUN, D...

COME OVER HERE. WHAT'S UP?

YOU DIDN'T TELL YOUR BROTHER WHAT WE DID YESTERDAY?

NO, UM... ME AND D, WE, UM... WE SIGNED WITH BEIKER.

BEIKER, YOU CAN'T DO THAT. THESE ARE MY ARTISTS.

UNLESS YOU GOT A SIGNED CONTRACT YOU AIN'T GOT NOTHING, RUSS.

WAIT A MINUTE. YOU DID THAT?

YO, YO... YO, YO!

GET OFF OF HIM.

YO, MAN, YOU HIT ME AGAIN, I'M GONNA KILL YOUR ASS.

I'M GONNA FLY THAT HEAD, ALL RIGHT?

GET OFF ME!

YOU CRAZY, MAN!

MAN, JUST RELAX.

STUPID, MAN!

ALL RIGHT, THE DISCO THREE!

LEAVE ME ALONE.

( crowd cheering )

ARE YOU READY?

THE WINNER IS NEW EDITION!

DAMN, MAN. I KNEW IT.

OH, NO, MAN.

OH, MY GOD.

Kool Rock Ski: I TOLD YOU WE SHOULDN'T HAVE CAME HERE, MAN.

HEY, MAN WE GOT... J-JERKED, MAN. WE GOT JERKED!

HEY, FELLAS, I WAS CHECKING Y'ALL OUT, MAN. I THOUGHT...

NAH, MAN.

CHILL MAN, COME ON. CHILL, MAN.

WHAT, MAN? HERE.

LOOK, Y'ALL WERE GOOD. WHAT ARE Y'ALL FEELING BAD ABOUT?

( sniffing )

IT'LL BE ALL RIGHT. LOOK, I KNOW FOR A FACT THAT THEY'RE GONNA NEED

AN ALTERNATE GROUP THIS WEEKEND TO FILL IN JUST IN CASE SOMEBODY

DOESN'T SHOW UP AT THE FINALS. YEAH, RIGHT.

IF Y'ALL MEET ME BACKSTAGE, I'LL MAKE SURE YOU GET THAT SHOT.

OKAY?

MM-HMM.

( grunting )

HEY, RUSS MAN.

WHAT'S UP?

I KNOW; BEIKER GOT TO YOU, TOO. DON'T EXPLAIN NOTHING TO ME.

DON'T EXPLAIN! HE OFFERED ME A HALF A MILLION...

YO, MAN, LOOK WE GO TOO FAR BACK TO BE ARGUING LIKE THIS, MAN.

WE SHOOK HANDS. WE'RE FRIENDS. IT MEANS MORE TO ME THAN MONEY.

I CAME UP HERE JUST TO ASK YOUR OPINION, MAN, YOUR ADVICE.

YOU WANT TO TAKE MY ADVICE? DON'T BE STUPID. TAKE THE MONEY.

OH, SO I GUESS I WAS STUPID. LOOK, IT'S FINISHED!

IT'S THROUGH!

I'M TIRED OF IT.

YOU WANT MY ADVICE? GO TO GALAXY. THEY GOT ALL THE CARDS.

I GUESS YOU'RE SERIOUS, HUH.

YEAH.

THEN I'LL SEE YOU AROUND, MAN.

( Russ grunting )

( Buffy crying )

CALM DOWN, BUFFY. IT AIN'T THAT BAD. ALL RIGHT.

( rap music )

( sniffling )

( echoing ): * ALL YOU CAN EAT *

* ALL YOU CAN EAT *

* ALL YOU CAN EAT *

* ALL YOU CAN EAT *

* ALL YOU CAN EAT *

* ALL YOU CAN EAT *

* $3.99 FOR ALL YOU CAN EAT *

* WELL, I'LL BE STUFFIN' MY FACE TO A FUNKY BEAT *

* WE'RE GONNA WALK INSIDE AND GUESS WHAT'S UP *

* PUT THE FOOD ON MY PLATE AND SOME COKE IN MY CUP *

* GIVE ME SOME CHICKEN, FRANKS AND FRIES *

* LET THEM PASS ME A LETTUCE I'M GONNA PASS IT BY *

* SO KEEP SHOVELING ONTO MY PLATE *

* GIVE SOME SWEETS AND LOTS OF CAKE *

* GIVE ME SOME HOT MACARONI AND CHEESE *

* GIVE ME SOME MO' FOOD, PLEASE *

* GIVE ME SOME BOLOGNA, SALAMI AND HAM *

* TOAST WITH BUTTER AND STRAWBERRY JAM *

* I DON'T CARE WHETHER THE FOOD IS COLD OR HOT *

* PUT A BURGER ON MY PLATE AND IT'LL HIT THE SPOT *

* WE'LL EAT EVERYTHING, AN INCREDIBLE FEAT *

* $3.99 FOR ALL YOU CAN EAT *

( echoing ): * ALL YOU CAN EAT *

* ALL YOU CAN EAT *

* ALL YOU CAN EAT *

* ALL YOU CAN EAT *

* ALL YOU CAN EAT *

* ALL YOU CAN EAT *

* ALL YOU CAN EAT *

* ALL YOU CAN EAT *

* HOORAY! *

* ALL YOU CAN EAT *

* YO, BUFF, MAN, WE AIN'T GOT ALL NIGHT *

* SO, HOME BOY, SHOW 'EM WHAT YOU LIKE *

* GIVE ME A... * ( beat box )

* AND SOME... * ( beat box )

* I WANT A... *

( rhythmic grunting )

* AND GIVE ME... *

( rhythmic popping )

* AND ON THE SIDE... * ( rhythmic sputtering )

* I WANT A... * ( rhythmic grunting )

* I'D LIKE A FOOT * ( rhythmic wheezing )

* AND IN THE BACK... * ( rhythmic grunting )

* I WANT A... * ( rhythmic braying )

* I WANT A... * ( rhythmic growling )

* AND TO TOP IT OFF, I WANT... *

( rhythmic drumming )

* I'M HUNGRY *

* I'M HUNGRY *

( echoing ): * I'M HUNGRY *

* ALL YOU CAN EAT *

* ALL YOU CAN EAT *

* ALL YOU CAN EAT *

* ALL YOU CAN EAT *

( rhythmic grunting )

* ALL YOU CAN EAT *

* ALL YOU CAN EAT *

HEY, GUYS, WHERE ARE YOU GOING?

YOU HAVE TO PAY MORE MONEY.

HOLD IT!

* I GOT TO HAVE IT *

* ALL YOU CAN EAT. *

( laughing )

Kool: YO!

THAT SHIT IS FUNNY, BOY!

( laughter continues )

OH, MAN THAT SHIT IS WILD.

( all panting )

CHILL, CHILL, CHILL, CHILL.

( laughing )

WHAT'S SO FUNNY, MAN? YOU, FAT MAN!

GET OFF ME, MAN. GET OUTTA HERE, MAN.

DON'T GET MAD, MAN. YOU'RE FAT. WE'RE ALL FAT.

I AIN'T FAT, MAN.

SO WHAT'S THIS, BUFF? STEP OFF. I'M TELLING YOU, STEP OFF.

THAT'S WHY WE GOT CHEATED OUT THAT CONTEST TODAY.

'CAUSE WHEN WE'RE ON STAGE WE'RE SCARED TO BE WHO WE ARE.

WE SHOULD RAP ABOUT THINGS THAT WE LIKE, LIKE...

LIKE FOOD.

THAT'S WHACK. YOU BUGGIN'. THAT'S DEF. YOU LIKE FOOD, DON'T YOU?

YEAH, BUT... YEAH, BUT NOTHING.

WE'RE FAT BOYS WHO LIKE FOOD.

FAT BOYS? YEAH, FAT BOYS. THAT'S DEF.

FAT BOYS-- THAT IS KIND OF DEF, MAN.

NOBODY CALLS THEMSELVES FAT.

YO, THAT'S WHAT IT IS; WE'RE THE FAT BOYS.

YOU WITH IT? I'M WITH IT.

DEF!

WORD, I'LL BE WITH IT. WORD.

HEY... FAT BOYS!

* IF I EAT, A LITTLE KID STICKS HIS FINGER IN MY PLATE *

* I'LL BE SIGNING AUTOGRAPHS FOR THREE MONTHS STRAIGHT *

* I GOT JET SET WOMEN WHO OFFER ME FAVORS *

* MY FACE IS A THOUSAND LIPSTICK FLAVORS *

* NEED A SIP OF LEMONADE, I'M A SLAVE... *

UNLESS YOU GOT A SIGNED CONTRACT

YOU AIN'T GOT NOTHIN', RUSS.

* ...SECRETARY OVERWORKED BY A MONEY... *

GET ME MY MONEY, ALL OF IT

OR I'M GONNA HAVE TO DROP YOU TO YOUR KNEES, RUSS.

* ...CAN YOU ROCK IT LIKE THIS, * I COULD ROCK IT LIKE THAT *

I THINK GOD IS TESTING YOU.

* I CAN ROCK IT LIKE THAT *

( cheering )

RICK, MAN. GET UP, GET UP, MAN. GET... WAKE UP.

WAKE UP, RICK. LISTEN TO ME.

IT CAME TO ME LAST NIGHT. WE RECORD SHEILA. WHO?

AND PAY JAY B. BACK. GET UP! COME ON! GET YOUR PANTS ON.

PUT YOUR SHOES ON. WE'RE GOING TO MAKE SOME MONEY.

COME ON, MAN, GET UP. SHE'S GOT THE SOUNDS. SHE'S GOT THE LOOK.

WE GOTTA GO, RICK. WE GOTTA GO. GO... WALK... GET UP.

TAKE YOUR PANTS. I'M RIGHT BEHIND YOU; I GOT YOUR SHOES.

MY SHADES... YEAH, I GOT YOUR SHADES.

MOVE. COME ON.

* ROCK, ROCK, HOLLY ROCK *

* EVERYBODY WANT TO HOLLY ROCK *

* ROCK, ROCK, HOLLY ROCK *

* EVERYBODY WANT TO HOLLY ROCK SAY IT! *

* ROCK, ROCK, HOLLY ROCK *

* EVERYBODY WANT TO HOLLY ROCK *

* ROCK, ROCK, HOLLY ROCK *

* EVERYBODY WANT TO HOLLY ROCK * * SOMEBODY! *

* YOUR EARS ARE CLOGGED, YOUR HEAD IS HARD AS A LOG *

MY FATHER SAYS, "ROB, LET ME DO MY JOB."

* THE FUNNY-LOOKING SLOB EATING SHISH KEBAB *

* THAT'S THE REASON WHY MY EYES ARE ON THE DOORKNOB *

* CAN YOU ROCK IT LIKE THIS *

* I THINK I'LL ROCK IT LIKE THAT *

* BUT CAN YOU ROCK IT LIKE THIS *

* HOMEBOY, I'LL ROCK IT LIKE THAT *

* SHEILA E.'S MY NAME, HOLLY ROCK'S MY GAME *

* I'M FUNKY AS I WANT TO BE *

* LINE UP 100, I SWEAR TO GOD *

* I'LL ROCK YOU UNTIL YOU JUST CAN'T SEE *

* MASS APPEAL, A LITTLE GIRL'S SMILE *

* I'LL MAKE YOU HAPPY, BABY, ALL THE WHILE *

* 'CAUSE I'M BAD, GOOD GOD *

* AND IF GOT A BIG ENOUGH STICK *

* COME ON OVER, BABY TO HOLLY ROCK *

* DON'T YOU WANT TO LEARN A NEW TRICK? *

HEY, SAL. I GOT THE LATEST FROM KRUSH GROOVE.

MAN, I JUST RECORDED THIS TUNE LAST WEEK WITH SHEILA AND IT'S A MONSTER.

I'M SORRY, RUSSELL, BUT, UH... I CAN'T DO THAT, MAN.

I CAN'T PLAY THE RECORD.

HEY, WHAT ARE YOU SAYING? YOU ALWAYS PLAY MY RECORDS. I GOT TWO, GUARANTEED DEF.

I TOLD YOU, DON'T MESS WITH THAT GUY

BUT YOU DIDN'T LISTEN TO ME, RIGHT?

YOU GUYS ALWAYS THINK YOU KNOW IT ALL. THAT GUY'S A BAD DUDE

AND I CAN'T GET INVOLVED WITH IT, RUSSELL.

YOU'RE REALLY IN BIG TROUBLE, MAN.

AND I'M SORRY-- I CAN'T HELP YOU NOT ON THIS ONE.

* ...YOU MAY BE BIG, BUT OUR BODYGUARD'S BIGGER *

( echoing ): * BIGGER, BIGGER, BIGGER... *

* ...MY GIRL *

* I LOVE YOU, BABY, AND I WANT YOU TO BE MY GIRL *

* NOW, COME ON, GIRL *

* I LOVE YOU SO *

* I'LL NEVER EVER LET YOU GO *

* COME ON, BABY, AND TREAT ME NICE *

* PLEASE DON'T PUT MY LOVE ON ICE *

* I LOVE YOU, BABY, AND I WANT YOU TO BE MY GIRL... *

KURTIS, I'M SORRY, BUT THAT'S HOW IT IS AND WHAT'S DONE IS DONE.

SAL, WE GOT BIG TROUBLE, MAN.

NEW EDITION JUST CALLED. THEY AREN'T GONNA BE HERE.

THEY'VE A CONTRACT WITH A COMPANY IN L.A. THEY CANCELED.

WELL, THAT'S JUST ONE LESS GROUP. YO, SAL. COME ON.

LET THEM GO ON, MAN; DO THIS FOR ME, MAN. DO IT FOR ME.

YEAH, YEAH, THAT SOUNDS REAL DEF.

KURT, ONE MORE FAVOR, BUT THEY BETTER BE GOOD.

LET'S GO. HURRY UP, ALL RIGHT? ALL RIGHT. THANKS.

WAIT, WAIT, WAIT. YOU BOYS GET READY TO GO ONSTAGE.

I JUST HOOKED EVERYTHING UP. WORD, KURT?

YEAH.

SO, LET'S DO IT, LET'S, LET'S...

YOU GOT TO GO NOW. COME ON, LET'S GO.

WATCH OUT, MAN.

LET'S GIVE A BIG WELCOME--

A BIG TIN PAN APPLE WELCOME TO THE FAT BOYS.

YO, YO, HOLD IT HOLD.

ONE-TWO, ONE-TWO.

AND WE SAID ONE-TWO

IS THE PLACE TO BE, MOST DEFINITELY

RIGHT ABOUT THIS TIME ON THE M-I-C.

WE ARE THE FAT BOYS.

LET ME HEAR YOU SAY * FAT BOYS *

COME ON...

* FAT BOYS *

* LET ME HEAR YOU SAY FAT BOYS *

* FAT BOYS *

* LET ME HEAR YOU SAY FAT BOYS *

* FAT BOYS *

* NOW WE MAY BE A LITTLE CHUBBY, BUT DON'T FEEL SORRY *

* WE GUARANTEE YOU ONE THING, WE CAN SURELY COME *

* TO PARTY AND ROCK THE HOUSE *

* GONNA TURN IT OUT *

* NO BOOKS FOR SCHOOL *

* AND TAKE IT FROM ME *

* AND LISTEN TO THE FRESH SOUNDS *

* OF THE DISCO THREE, M.C. *

* FAT BOYS *

* YOU KNOW THEY'RE DOWN BY LAW *

* FAT BOYS *

* THEY'RE GIVING YOU MUCH, MUCH MORE *

* FAT BOYS *

* YOU KNOW THEY'RE DOWN BY LAW *

* FAT BOYS *

* NOW MY NAME IS KOOL ROCK, THE LAST PART IS SKI *

* AND I'M THE CAPTAIN ROCKER OF THE DISCO THREE *

* YOU SEE, I GOT PIZZAZZ STYLE AND GRACE *

* JUST ONE SLIGHT PROBLEM HE'S A LITTLE OVERWEIGHT *

* BUT MY WALK IS FUNKY, MY CLOTHES HIP HOP *

* EVERY TIME I GET A GIRL, THEY ALWAYS YELL STOP *

* 'CAUSE AROUND MY BLOCK, I'M THE KING OF THE SLOP *

* BUT I KNOW ONE THING, MY HEART KEEPS IN STOCK *

* IT SAYS, DO THE RIGHT THING, YOU WILL SURVIVE *

* PEOPLE STILL PUT HIM DOWN 'CAUSE HE'S MESS OF THE TOWN *

* WHAT I'M SAYIN' IT'S HARD TO BE FOUND *

* HE GOT CLASS. * THAT'S RIGHT, LADIES *

* I'M A LITTLE OVERWEIGHT, BUT I'LL PASS, WATCH THE ASS *

* YOU LIKE GLASS, YES, I'M EASY TO BREAK *

* AND, IF YOU GET ME WRONG, THAT'S THE CHANCE YOU TAKE *

* WORD IS WAR, THAT'S NO MISTAKE *

* FAT BOYS *

WE NEED TO BRING THE LADIES UP HERE.

LADIES... WHAT ABOUT AISHA? AISHA!

* NOW SING, FAT BOYS *

* LET ME HEAR YOU SAY FAT BOYS *

ALL THE LADIES!

* NOW, LET HEAR YOU SAY, FAT, FAT, FAT BOYS *

* LET ME HEAR YOU SAY FAT BOYS *

Audience: * FAT BOYS *

* LET ME HEAR YOU SAY *

* HO-OH! * * FAT BOYS *

* SAY, HO-OH *

* SAY, OH, OH, OH *

* NOW SCREAM! *

M.C.: OUR THIRD PRIZE TONIGHT GOES TO...

POET KID JAZZ.

I THOUGH YOU WERE GREAT, MARKIE. YOU DID?

YEAH.

DO IT AGAIN.

SECOND PRIZE GOES TO... CHAD.

( applause and cheering )

YOU KNOW WHAT I COULD DO WITH THIS, MAN?

CHAD HAS A $5,000 STEREO SYSTEM.

SAVE YOUR APPLAUSE FOR THIS GUY--

THE GUY WHO GAVE IT TO US WAS CRAZY EDDIE.

...MAKE ME A FAST BLAST.

AND NOW, LET'S GET TO OUR FIRST PRIZE WHICH IS BEAUTIFUL INDEED.

THIS ALSO INCLUDES A RECORDING CONTRACT.

FIRST PRIZE... THE FAT BOYS.

COME ON, WHERE ARE YOU? FAT BOYS!

COME ON, BUDDY. IT'S OURS, MAN. WHAT YOU DOING?

IT IS MINE, MAN.

OH-OH-OH-OH-OH!

WHAT'S GOING ON HERE? WHAT'S GOING ON?

HE'S CRAZY MAN! TAKE IT EASY.

HE TRIED TO STEAL MY STEREO EQUIPMENT, MAN.

NO, NO, THIS AIN'T YOURS. IT'S HIS-- HE WON SECOND PRIZE.

WHERE'S THE FIRST-PLACE STEREO AT?

YOU WON A RECORDING CONTRACT. LET'S GET YOUR BUTTS ON STAGE.

THAT'S RIGHT. YOU SHOULD BE HAPPY YOU WON. COME ON, LET'S GO

YO, YOU... LET'S GO, LIP LOCK.

COME ON.

HERE THEY ARE, THE FAT BOYS.

( up-tempo music playing )

EVERYTHING'S COOL, ALL RIGHT? NO, EVERYTHING'S NOT COOL.

YOU GOT TO PLAY MY JAM. I CAN'T PLAY THAT NOW.

THAT'S THE WAY IT IS RIGHT NOW. THEY WANT TECHNO-ROCK.

FINE, FINE.

* BUT DON'T PLAY THE FOOL *

* YOU GOT COMMON SENSE *

* DON'T COME AROUND *

( music continues )

HEY, WAIT A MINUTE; I ALREADY TALKED TO JAY.

WE JUST WANT TO MAKE SURE YOU UNDERSTOOD.

YEAH, I UNDERSTOOD. I SAID I UNDERSTOOD.

( grunts )

NO, YOU DON'T, MOTHERFUCKER. YOU DON'T UNDERSTAND NOTHIN'.

HE WANTS ALL THE MONEY TONIGHT.

OR WE'RE GOING TO RIP YOUR SHIT OFF ALL THE WAY.

YOU GOT IT?

GOOD.

( knock at door )

WHO IS IT?

( knock at door )

RUSSELL.

RUSSELL, WHAT'S WRONG? IT'S 3:00 IN THE MORNING.

LOOK, SHEILA, I'M SORRY I WOKE YOU UP.

I'M IN A TIGHT SPOT. I NEED A PLACE TO STAY TONIGHT.

CAN YOU HELP ME OUT?

YEAH, COME ON IN. THANKS.

Jay: THAT'S THE BEST THING WE DID YET, MAN.

I'M REALLY EXCITED ABOUT THIS HERE, MAN.

* IF YOU CAN'T SEE YOU NEED TO WEAR SOME GLASSES LIKE D.M.C. *

WHAT'S UP?

PAID CRAZY DOUGH. WHAT'S UP? WHAT'S UP?

WE DEF, RIGHT? THE RECORD'S ALL RIGHT, MAN

BUT THINGS DON'T SEEM RIGHT TO ME, MAN.

WHAT? YOU KNOW WHAT I'M TALKING ABOUT--

US BEING HERE WITHOUT YOUR BROTHER.

YO, MAN, WE ALWAYS BEEN DOWN, MAN RIGHT FROM THE START.

YOU WERE THE SON OF KURTIS BLOW AND YOUR BROTHER WAS THE D.J.

IT JUST DON'T SEEM RIGHT TO ME, MAN, THAT HE AIN'T DOWN NO MORE.

IS THAT HOW YOU WANT TO LIVE YOUR LIFE?

THIS IS HOW I WANNA LIVE. SEE WHAT I'M SAYING? PAID. MONEY.

I PRODUCED THE RECORD, MAN, AND I AIN'T WITH IT NO MORE.

LATER.

* If you can't see, you need to wear some glasses... *

SO WHAT'S UP? WE DEF, RIGHT? WE GONNA BE DEF. WHAT'S UP?

YOU KNOW WHAT I THINK, MAN? WHAT?

I THINK KURTIS IS RIGHT. YOU BEEN ILLIN' LATELY, MAN.

AIN'T NOBODY ILLIN'-- CHILLIN'. KNOW WHAT I'M SAYING? CHILLIN'.

IF YOU COULD ILL OUT ON YOUR FAMILY

NO TELLIN' WHAT YOU DO WITH US, MAN.

NOBODY ILLIN' ON NO FAMILY. DON'T KNOW WHAT Y'ALL TALKIN'.

I'M BREAKIN' OUT. I AIN'T ILLIN' ON NOBODY, MAN.

COMING, DARYLL? YOU ALL JUST BE FRONTIN'.

CHILL, MAN. CHILL.

* You're blind and you can't see *

* You need to wear some glasses like D.M.C. *

* You're blind. *

* HERE I LAY ALL ALONE *

* TOSSIN', TURNIN' *

* LONGING FOR SOME OF YOUR *

* TENDER LOVE *

* I'M WAITING FOR THE RIGHT *

* MOMENT TO COME *

* SO I CAN THANK YOU FOR *

* ALL THE TENDER LOVE YOU'VE GIVEN TO ME *

* TENDER LOVE *

* TENDER LOVE *

* LOVE SO TENDER *

* HOLDING ME CLOSE TO YOU *

* BABY, I SURRENDER *

* CANDLES, THEY LIGHT THE DARK *

* NOW I SEE HOW LOVELY THE FEELINGS ARE *

* ALL THE TENDER LOVE YOU'VE GIVEN TO ME. *

( funk pop music playing )

* IT'S A LOVE TRIANGLE *

* IT'S A LOVE TRIANGLE *

* IT'S A LOVE TRIANGLE *

* IT'S A LOVE TRIANGLE *

* NOW TELL ME, GIRL *

* WHO IS HE? *

* IS HE THE ONE? *

* WHAT IS IT GONNA BE? *

* IT'S A LOVE TRIANGLE *

* IT'S A LOVE TRIANGLE *

* LOOK AT ME LOOK AT YOU *

* HAVE YOU LOOKED AT ME? *

* TELL ME GIRL... *

RUSSELL?

IT AIN'T RUSSELL.

RUN... I THOUGHT YOU WERE RUSSELL.

NAH, THIS AIN'T RUSSELL.

I'M GLAD YOU'RE HERE ANYWAY.

I DON'T EVEN KNOW WHY I CAME BY HERE.

RUN, WAIT. RUSSELL'S IN TROUBLE. JAY B. IS AFTER HIM.

HE MIGHT HURT HIM. YOU GOT TO HELP HIM; I'M WORRIED.

LOOK, RUSSELL'S OLD ENOUGH TO TAKE CARE OF HISSELF. HE'S A GROWN MAN.

RUN, HE'S IN TROUBLE. HE NEEDS YOU.

YOU FUCKED HIM. YOU HELP HIM.

WHAT ARE YOU TALKING ABOUT? I CAN'T BELIEVE IT.

ALL YOU DO IS THINK ABOUT YOURSELF.

EVERYTHING IS RUN. AFTER EVERYTHING RUSSELL DID FOR YOU.

YOU DON'T GIVE A SHIT ABOUT NOBODY. FUCK IT. I'LL GO.

I'LL GO. I SAID FORGET IT.

JUST TELL ME WHERE HE'S AT. I'LL GO SEE WHAT'S UP WITH HIM.

HE'S AT RICK'S.

I'M BREAKING OUT.

( bell dings )

( murmuring )

( fighting sounds )

( groaning )

WHAT THE FUCK ARE YOU DOING?!

( grunts )

( moaning )

AND THIS IS GOING TO HAPPEN EVERY DAY TILL JAY GETS HIS MONEY.

( groaning )

RUSSELL.

OW! OW! OH, RUN.

JUST CHILL. YO, MAN, WHAT'D YOU THINK YOU WERE DOING

COMING IN HERE WITH YOUR LITTLE FLY BEHIND?

I WAS TRYING TO SAVE YOURS. ( chuckles )

YEAH, WELL, I WAS DOING OKAY WITHOUT YOUR HELP.

THEY WERE STARTING TO GET TIRED.

TIRED OF KICKING YOUR BUTT.

ARE YOU ALL RIGHT? YEAH.

YEAH, I'M FINE.

YOU?

YEAH, I'M CHILL. LISTEN... I'M SORRY.

( sighs )

YOU'VE DONE A LOT FOR ME.

THAT'S REALLY ALL I CAN SAY.

THAT'S ALL YOU NEED TO SAY.

I'M SORRY.

I SHOULDN'T ALWAYS BE TREATING YOU LIKE A LITTLE BROTHER.

COME ON. OW.

HOLD UP.

LET ME TELL YOU SOMETHING.

I AM YOUR LITTLE BROTHER.

( chuckling )

Man: THEY'RE ALL RIGHT?

DAMN.

HEY, LISTEN, LITTLE BROTHER, UM... I HATE TO BRING THIS UP RIGHT NOW

BUT SINCE YOU GOT THIS BIG CONTRACT WITH GALAXY

THINK YOU CAN LOAN ME A FEW BUCKS?

YOU GOT IT; HERE, TAKE IT ALL. HOW ABOUT SOME REAL CASH?

I DON'T WANT TO BE KEEPING APPOINTMENT WITH JAY B's BOYS.

HOW MUCH? NOT MUCH.

HOW MUCH IS "NOT MUCH"? $5,000.

YOU GOT IT.

( chuckling )

YOU'RE ALL RIGHT.

YO, MAN, WHAT MADE YOU STOP BY HERE ANYWAY?

MAN, I WENT TO SHEILA'S HOUSE. SHE'S REALLY IN YOUR CORNER.

YEAH, I KNOW. LOOK, RUN, ABOUT THAT WHOLE SITUATION--

ME AND SHEILA, I... LISTEN, MAN...

SHEILA LIKES ME, MAN, BUT SHE...

LIKES YOU.

YOU KNOW WHAT I'M SAYING? YEAH.

YO, WHAT DO YOU THINK ABOUT BEING ME AND D AND JAY'S MANAGER?

WHO, ME?

YOU. YOU GOT GALAXY. YOU DON'T NEED ME.

HOLD UP, THIS IS WHAT I'M SAYING, MAN. NOW THAT I GOT GALAXY,

WE GOT GALAXY. YOU KNOW WHAT I'M SAYING? LOOK AT THIS.

RUSSELL, ARE YOU OKAY?

YEAH, I'M FINE. WHAT HAPPENED?

GOT A LITTLE SCUFF. A LITTLE SCUFF.

ARE YOU OKAY, RUN? I'M ALL RIGHT.

I'M SORRY I HIT YOU. THAT'S ALL RIGHT.

COME ON, LET'S GO HOME. LET'S GET OUT OF HERE.

( up-tempo music playing )

JASON, DARYLL, AND MYSELF IS GOING WITH RUSSELL

'CAUSE WE THINK HE'S THE BEST MAN FOR THE JOB.

AND, FURTHERMORE, I THINK WE OWE IT TO HIM.

AIN'T GONNA BE NO MORE HANDSHAKING AROUND HERE.

FROM NOW ON, WE GONNA SIGN

ON THE DOTTED LINE, YOU KNOW WHAT I'M SAYING?

HOLD UP. DID I COVER EVERYTHING? YOU COVERED EVERYTHING.

WELCOME TO THE WORLD-FAMOUS DISCO FEVER.

WHAT'S UP, MANDINGO?

WHAT'S UP, DINGO? ALL RIGHT.

LET ME GET THROUGH HERE, BABY.

AH!

RIGHT ON! ( laughing )

ALL RIGHT!

IT'S ALL THERE--

EVERY DIME, EVERY NICKEL AND EVERY PENNY.

I GUESS THIS CONCLUDES OUR LITTLE BUSINESS ARRANGEMENT.

HOPE YOU UNDERSTAND IT WAS JUST THAT. NOTHING PERSONAL.

( glass clinking )

HOLD UP, EVERYBODY. LISTEN UP, LISTEN UP, EVERYBODY.

SINCE WE'RE HERE CELEBRATING THE SUCCESS OF THE CONTEST

AND OUR BROTHERS GETTING BACK TOGETHER BEFORE THEY BECOME BIG

LET'S SEE IF WE COULD DO IT LIKE IN THE OLD DAYS HERE ON THE D.J?

NO STAGE NO LIGHTS AND NO BAND, RIGHT?

LIVE AT THE FEVER, THE ONLY GUY I THINK

THAT COULD GET IT DONE IS MY MAN KURTIS BLOW

THE KING OF RAP; LET'S GET HIM UP HERE!

( cheering )

COME ON.

COME ON, BROTHER, LET'S GO. GO FOR IT.

LET'S SEE IF WE CAN START FIRST WITH THE FAT BOYS

BECAUSE THEY WON THE CONTEST. I WANT TO SEE HOW BAD THEY ARE.

COME ON UP HERE, FAT BOYS. COME ON, Y'ALL, CHECK OUT THIS.

* WE CAME A LONG WAY, AND, NOW, WE'RE HERE *

* THE HOT HOUSE ROCKERS, CRUSHERS OF FEAR *

* THREE BAD ROCKERS WHO GAINED RECOGNITION *

* AND WE ARE THE ONES THAT ARE IN POSITION *

* TO HANG WITH THE BEST, AND, IF YOU DON'T BELIEVE *

* CHECK OUT THE WORDS THAT WE CONCEIVE *

* LET IT BE KNOWN THAT THERE IS NO OTHER *

* THAT CAN ROCK THE HOUSE LIKE THESE THREE BROTHERS *

* WE'RE PRINCE MARKIE D. WITH KOOL ROCK SKI *

* AND THE HUMAN BEAT BOX COMPLETES THE THREE *

* WE DEATH DEFY, AND WE'LL LAST FOREVER *

* PUMPIN' AND JUMPIN' TO STAND TOGETHER *

* JAMMIN' AND BREAKIN' PLAYIN' AND SWAYIN' *

* ALL YOU SUCKER M.C.s BETTER START PRAYIN' *

* 'CAUSE RUN-DMC, KURT, SHEILA AND US *

* WE'LL KEEP MOVIN' AND GROOVI'' LIKE THE NUMBER TEN BUS *

* KRUSH GROOVIN' *

* BODIES MOVIN' * * BODIES MOVIN' *

* KRUSH GROOVIN' *

* BODIES MOVIN' *

* KRUSH GROOVE, Y'ALL * * GROOVE, Y'ALL *

* GOTTA MOVE, Y'ALL * * MOVE, Y'ALL *

* APPROVE OF THIS GROOVE THAT WE USE, Y'ALL * * USE, Y'ALL *

* THIS IS SOMETHIN' THAT WE DON'T REHEARSE *

* D.M.C. IS SECOND AND I RHYME FIRST * * HEY *

* NOW, THIS IS HOW WE RUN IT DOWN THE LINE *

* I'M D.M.C. * * HE'S SECOND, I'M FIRST TO RHYME *

* SO, WHY DON'T YOU CALL ME UNO * * AND D's FOR DOS *

* BECAUSE I ROCK PARTIES FROM COAST TO COAST *

* I'M KNOWN TO THE WORLD AS CHILLY MOST *

* M.C. OF THE PARTY, AND I'M THE HOST *

* AND I'M THE ONE AND ONLY, THE ONLY ONE *

* AND HE GOES BY THE NAME OF D.J. RUN *

* YOU CAN CALL ME RUN, BUT I AIN'T NEVER RAN *

* IN A BEE-BOY STANCE IS HOW I STAND *

* AND DARYLL MAC IS COLD, GOT MY BACK *

* THIS IS FUNKY FRESH STUFF, IT'S NOT AN ACT *

* I'LL PASS IT TO D *

* I'LL PASS IT BACK *

* YO, THAT'S THE WAY IT IS *

* 'CAUSE IT'S LIKE THAT... *

( cheering )

Run: LET'S GET SHEILA E. UP HERE. YEAH, LET'S GET SHEILA E.

COME ON, RUSSELL, DUDE, COME ON.

* KRUSH GROOVIN' *

* BODIES MOVIN' * * BODIES MOVIN' *

* I'M SHEILA E. AND I WANT TO SAY *

* THAT I'M A SUPER HIGH-POWERED, COLD-CRUSHIN' LADY *

* AND I'M HERE TO TALK ABOUT THIS THING CALLED RAP *

* TO ALL THE PARTY PEOPLE AT THE PARTY THAT'S PACKED *

* AND YOU KNOW I'M FRESHER, THERE'LL NEVER BE LESSER *

* SHEILA E. ROCKS THE BEST UNDER PRESSURE *

* SO, ALL OF YOU HIP-HOP BEBOP FANS *

* GET OUT OF YOUR SEAT, AND JUST CLAP YOUR HANDS *

* GET DOWN GET DOWN TO THE FUNKY SOUND *

* THE BEAT IS JUMPIN' ALL OVER THE TOWN *

* KURTIS BLOW, YOU CAN NEVER BE WEAK *

* GET ON THE MIKE AND LET ME HEAR YOU SPEAK *

* KI-SHI-SHO, A-KI-SHI-SHO *

* I'M KURTIS BLOW AND I'M THE KING AND I'M THE BEST, Y'ALL *

* AND, NOW, I'LL TELL YOU WHY 'CAUSE I'M FRESH, Y'ALL *

* FROM THE NORTH TO SOUTH, EAST TO WEST, Y'ALL *

* AND I'LL ROCK THOSE PARTIES AND THE BEE-BOYS DANCE *

* AND NEVER, EVER GAVE A SUCKER M.C. A CHANCE *

* 'CAUSE I'M A RHYME CREATOR, CROWD MOTIVATOR *

* I'M CHILLIN' ON YOU NOW, BUT I CAN SERVE YOU LATER *

* CHECK OUT MY CREW THAT CAN NEVER BE BEAT *

* I'M KURTIS BLOW, SHEILA E. AND RUN-DMC *

* AND TO THE FAT BOYS, AND, NOW, YOU'RE DOWN BY LAW *

* DOWN WITH THE BEST, NOW, LET'S EVEN THE SCORE *

* NOW, JUST THROW YOUR HANDS IN THE AIR * * IN THE AIR *

* AND WAVE 'EM LIKE YOU JUST DON'T CARE * * DON'T CARE *

* AND IF YOU WANT TO BUST A MOVE *

* OF A KRUSH GROOVE, SOMEBODY SAY *

* OH, YEAH! *

* OH, YEAH! *

* AND YOU DON'T STOP *

* THAT KRUSH GROOVE ROCK *

* TILL YOU HIT THE TOP *

* SOMEBODY SCREAM *

( crowd screaming )

* KRUSH GROOVIN' *

* BODIES MOVIN' * * BODIES MOVIN' *

* KRUSH GROOVIN' *

* BODIES MOVIN' * * BODIES MOVIN' *

* KRUSH GROOVIN' *

* BODIES MOVIN' * * BODIES MOVIN' *

* KRUSH GROOVIN' *

* BODIES MOVIN' * * BODIES MOVIN' *

* KRUSH GROOVIN' *

* BODIES MOVIN' * * BODIES MOVIN' *

* KRUSH GROOVIN' *

* BODIES MOVIN' * * BODIES MOVIN' *

* KRUSH GROOVIN' *

* BODIES MOVIN' * * BODIES MOVIN' *

* KRUSH GROOVIN' *

* BODIES MOVIN' * * BODIES MOVIN' *

* KRUSH GROOVIN' *

* BODIES MOVIN' * * BODIES MOVIN' *

* KRUSH GROOVIN' *

* BODIES MOVIN' * * BODIES MOVIN' *

* YES, YES, Y'ALL * * YES, Y'ALL *

* YES, Y'ALL * * YES, Y'ALL *

* YES, YES, YES, YES, YES, Y'ALL * * YES, Y'ALL *

* BEAT, Y'ALL * * BEAT, Y'ALL *

* BEAT, Y'ALL * * BEAT, Y'ALL *

* KURTIS BLOW, RUN-DMC, Y'ALL *

* SEE Y'ALL *

* BODIES MOVIN' *

* BODIES MOVIN' *

* BODIES MOVIN' *

* BODIES MOVIN' *

* KRUSH GROOVIN' *

* BODIES MOVIN' *

* KRUSH GROOVIN' *

* BODIES MOVIN' *

( cheering )