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1
00:00:11,011 --> 00:00:14,582
[all chanting and cheering]
BIG TIME RUSH! BIG TIME RUSH!
2
00:00:14,582 --> 00:00:16,184
[high-pitched screaming
and clapping]
3
00:00:16,184 --> 00:00:17,618
- ONE MINUTE, EVERYONE,
ONE MINUTE.
4
00:00:17,618 --> 00:00:18,652
- [growling]
YES.
5
00:00:18,652 --> 00:00:20,121
ONE MORE MINUTE
TILL THE LAST CONCERT
6
00:00:20,121 --> 00:00:21,122
OF OUR WORLD TOUR,
7
00:00:21,122 --> 00:00:22,623
WHICH MEANS NO MORE CONTRACTS,
8
00:00:22,623 --> 00:00:24,358
BACKSTAGE PASS REQUESTS,
9
00:00:24,358 --> 00:00:27,628
AND NO MORE OF THAT.
10
00:00:27,628 --> 00:00:30,731
- IT'S ALSO ONE MINUTE
TILL OUR FIRST CONCERT
11
00:00:30,731 --> 00:00:31,799
IN CANADA.
12
00:00:31,799 --> 00:00:33,634
SO LET'S GIVE THESE CANUCKS
13
00:00:33,634 --> 00:00:35,703
A BIG-TIME RUSH.
14
00:00:35,703 --> 00:00:37,771
- [groans]
FINE.
15
00:00:37,771 --> 00:00:38,772
TAKE MINE.
16
00:00:38,772 --> 00:00:39,773
TOUR'S OVER.
17
00:00:39,773 --> 00:00:41,242
I DON'T NEED IT ANYMORE.
18
00:00:41,242 --> 00:00:43,844
- WHY DO PEOPLE WANT
TO COME BACKSTAGE?
19
00:00:43,844 --> 00:00:45,946
WHAT, ARE THEY GOING
TO SEE THIS?
20
00:00:45,946 --> 00:00:48,849
OR IS IT THE GRAY HALLWAYS
21
00:00:48,849 --> 00:00:51,519
WITH THE BIG, UGLY MEN
ROLLING CRATES?
22
00:00:51,519 --> 00:00:54,622
TONIGHT IS ABOUT
WHAT HAPPENS ONSTAGE
23
00:00:54,622 --> 00:00:59,460
WITH FIREWORKS AND TRAMPOLINES
AND MY AMAZING MUSIC,
24
00:00:59,460 --> 00:01:01,929
NOT BACKSTAGE,
WHICH IS FULL OF CONCRETE,
25
00:01:01,929 --> 00:01:03,497
DUBIOUS STAINS, AND--
26
00:01:03,497 --> 00:01:05,333
WHY AREN'T YOU DRESSED?
27
00:01:05,333 --> 00:01:08,269
- BECAUSE WE ARE ABOUT TO BREAK
28
00:01:08,269 --> 00:01:11,705
N'SYNC'S 3.9 SECOND
BACKSTAGE CHANGE RECORD.
29
00:01:11,705 --> 00:01:15,042
- THEN, BIG TIME RUSH
JOINS THE ROCK AND ROLL LEGENDS
30
00:01:15,042 --> 00:01:17,845
ON CANADA'S WALL OF FAME.
31
00:01:21,982 --> 00:01:24,152
[together] GO.
32
00:01:25,586 --> 00:01:26,520
- HIT IT.
33
00:01:28,956 --> 00:01:33,527
[shouts and crash]
34
00:01:33,527 --> 00:01:35,062
- I CAN'T BREATHE.
35
00:01:35,062 --> 00:01:36,930
- SEE, NOW DO OUR FANS
36
00:01:36,930 --> 00:01:39,433
WANT TO WATCH
BACKSTAGE DERANGEMENT
37
00:01:39,433 --> 00:01:42,403
OR ONSTAGE AMAZEMENT?
38
00:01:42,403 --> 00:01:44,238
- MAYBE THEY WANT BOTH.
39
00:01:44,238 --> 00:01:48,509
- * AH, AH, AH-AH, OH
40
00:01:48,509 --> 00:01:51,979
* AH, AH, AH-AH, OH
41
00:01:51,979 --> 00:01:53,947
- * MAKE IT COUNT,
PLAY IT STRAIGHT *
42
00:01:53,947 --> 00:01:55,783
* DON'T LOOK BACK,
DON'T HESITATE *
43
00:01:55,783 --> 00:01:59,920
- * WHEN YOU GO BIG TIME
44
00:01:59,920 --> 00:02:01,855
- * WHAT YOU WANT,
WHAT YOU FEEL *
45
00:02:01,855 --> 00:02:03,824
* NEVER QUIT
AND MAKE IT REAL *
46
00:02:03,824 --> 00:02:06,994
- * WHEN YOU ROLL BIG TIME
47
00:02:06,994 --> 00:02:08,028
- * OH-OH, OH-OH
48
00:02:08,028 --> 00:02:09,830
- * HEY, HEY
49
00:02:09,830 --> 00:02:11,965
- * LISTEN TO YOUR HEART NOW
50
00:02:11,965 --> 00:02:13,701
- * HEY, HEY
51
00:02:13,701 --> 00:02:15,869
- * DON'T YOU FEEL THE RUSH *
52
00:02:15,869 --> 00:02:17,905
- * HEY, HEY
53
00:02:17,905 --> 00:02:20,341
- * YOU BETTER TAKE A SHOT NOW
54
00:02:20,341 --> 00:02:22,243
- * OH-OH, OH-OH
55
00:02:22,243 --> 00:02:24,545
* OH-OH, OH-OH
56
00:02:24,545 --> 00:02:25,746
- * GO AND SHAKE IT UP
57
00:02:25,746 --> 00:02:28,216
* WHATCHA GOTTA LOSE
58
00:02:28,216 --> 00:02:29,783
* GO AND MAKE YOUR LUCK
59
00:02:29,783 --> 00:02:32,486
* WITH THE LIFE YOU CHOOSE
60
00:02:32,486 --> 00:02:35,823
* IF YOU WANT IT ALL,
LAY IT ON THE LINE *
61
00:02:35,823 --> 00:02:40,594
* IT'S THE ONLY LIFE YOU GOT
SO YOU GOT TO LIVE IT BIG TIME *
62
00:02:44,598 --> 00:02:46,467
- * BABY BLOW,
YOU SPEAK THIS OUT *
63
00:02:46,467 --> 00:02:48,236
- SIGN.
64
00:02:48,236 --> 00:02:50,003
SIGN.
65
00:02:50,003 --> 00:02:52,673
UGH, I STILL SAY
THAT TRAMPOLINE IS DANGEROUS.
66
00:02:52,673 --> 00:02:55,042
- AND I SAY IT'S AMAZING,
67
00:02:55,042 --> 00:02:57,378
LIKE MY FIREWORKS.
68
00:02:57,378 --> 00:02:59,513
[fiery explosions and crackles]
69
00:02:59,513 --> 00:03:02,250
[high-pitched cheers]
70
00:03:02,250 --> 00:03:04,051
WHICH YOU PEOPLE JUST MISSED,
71
00:03:04,051 --> 00:03:05,253
BECAUSE NOTHING EXCITING
72
00:03:05,253 --> 00:03:08,789
EVER HAPPENS BACKSTAGE!
73
00:03:08,789 --> 00:03:12,092
- LADIES, NO ACCESS
WITHOUT A BACKSTAGE PASS.
74
00:03:12,092 --> 00:03:14,428
- [speaking with French accent]
HERE IS MY BACKSTAGE PASS.
75
00:03:14,428 --> 00:03:17,164
[bouncy accordion music]
76
00:03:17,164 --> 00:03:19,967
FRENCH INSPECTOR, HENRI DUCHAMP.
77
00:03:19,967 --> 00:03:23,271
WE ARE INVESTIGATING
A VERY SERIOUS CASE
78
00:03:23,271 --> 00:03:28,942
OF SMUGGLING BY CARLOS GARCIA.
79
00:03:28,942 --> 00:03:33,714
- * YOU SPEAK THIS OUT
80
00:03:33,714 --> 00:03:38,786
[wild applause
and high-pitched cheering]
81
00:03:38,786 --> 00:03:40,153
- LET'S CHANGE.
82
00:03:40,153 --> 00:03:42,523
- GO, GO, GO.
83
00:03:42,523 --> 00:03:43,924
[excited shouts]
84
00:03:43,924 --> 00:03:44,892
[timer beeps]
85
00:03:44,892 --> 00:03:49,430
[excited shouts]
86
00:03:50,498 --> 00:03:52,633
[timer beeps]
87
00:03:52,633 --> 00:03:54,201
- 5.3 SECONDS.
88
00:03:54,201 --> 00:03:55,669
[together] AW, COME ON!
89
00:03:55,669 --> 00:03:59,106
- OKAY, WE STILL HAVE THREE MORE
WARDROBE CHANGES LEFT.
90
00:03:59,106 --> 00:04:02,576
N'SYNC'S RECORD
IS GOING DOWN TONIGHT.
91
00:04:02,576 --> 00:04:06,814
- AND YOU'RE BACK ON STAGE
IN 90 SECONDS.
92
00:04:06,814 --> 00:04:07,815
- SNACK TIME.
93
00:04:07,815 --> 00:04:09,082
- CASH TIME.
94
00:04:09,082 --> 00:04:10,017
- REALLY?
95
00:04:17,891 --> 00:04:19,993
- I PROMISED MYSELF
I'D READ THIS ENTIRE BOOK
96
00:04:19,993 --> 00:04:23,497
BY THE END OF TOUR,
AND TOUR ENDS IN AN HOUR.
97
00:04:23,497 --> 00:04:25,098
- WHO READS BACKSTAGE?
98
00:04:25,098 --> 00:04:26,367
- I DO, OKAY?
99
00:04:26,367 --> 00:04:28,569
AND STEPHEN HAWKING'S
JOURNEY THROUGH PHYSICS,
100
00:04:28,569 --> 00:04:30,471
BLACK HOLES,
AND HIS DAYS AT STUDIO 54
101
00:04:30,471 --> 00:04:31,872
ARE BOTH THRILLING
AND INSPIRING.
102
00:04:31,872 --> 00:04:32,873
AND QUIET!
103
00:04:32,873 --> 00:04:34,342
I HAVE 82 PAGES LEFT TO GO.
104
00:04:34,342 --> 00:04:37,878
- NO, YOU SHOULD BE
REPLENISHING YOUR FLUIDS.
105
00:04:37,878 --> 00:04:39,012
AH.
106
00:04:39,012 --> 00:04:40,348
AND STAYING LIMBER.
107
00:04:40,348 --> 00:04:41,349
- SHH.
108
00:04:41,349 --> 00:04:42,350
- WHAT WAS THAT?
109
00:04:42,350 --> 00:04:43,351
WAS THAT A BURN?
110
00:04:43,351 --> 00:04:45,218
DID HE JUST BURN ME?
111
00:04:45,218 --> 00:04:47,988
- WE SHOULD BE FIGURING OUT
HOW TO CHANGE FASTER.
112
00:04:47,988 --> 00:04:50,257
- WELL, WE'RE NOT GOING TO DO
THAT BY READING.
113
00:04:50,257 --> 00:04:52,993
- OH, AND YOUR BACKSTAGE
LIMBERING METHODS ARE GENIUS.
114
00:04:52,993 --> 00:04:56,530
- HEY, KEEP THE MUSCLES
AND VOCAL CHORDS LOOSE.
115
00:04:56,530 --> 00:04:58,165
SHING.
116
00:04:58,165 --> 00:04:59,633
[together] WAOW, WAOW.
117
00:04:59,633 --> 00:05:00,768
- QUIET.
118
00:05:00,768 --> 00:05:02,770
[together] ZSH, WAOW.
119
00:05:02,770 --> 00:05:04,705
- SERIOUSLY, COME ON.
120
00:05:04,705 --> 00:05:06,807
[excited shouts]
121
00:05:06,807 --> 00:05:11,412
[ominous music]
122
00:05:11,412 --> 00:05:13,981
- CARLOS GARCIA.
123
00:05:13,981 --> 00:05:17,017
OR SHOULD I SAY, SMUGGLER.
124
00:05:17,017 --> 00:05:18,185
- UH...
125
00:05:18,185 --> 00:05:20,621
- YOU DO REALIZE IT IS A CRIME
TO LEAVE FRANCE
126
00:05:20,621 --> 00:05:24,191
WITH ANY OF OUR INDIGENOUS
WILDLIFE, NO MATTER HOW TEENY?
127
00:05:24,191 --> 00:05:26,026
- I DIDN'T SMUGGLE ANYTHING.
128
00:05:26,026 --> 00:05:28,261
- THEN HOW DO YOU EXPLAIN
THIS SCAT-POD,
129
00:05:28,261 --> 00:05:30,197
OF THE ADVENTURES
OF JEAN-PIERRE,
130
00:05:30,197 --> 00:05:32,700
THE FRENCH CRICKET WHO
YOU TAKE ON THE BIG-TIME TOUR
131
00:05:32,700 --> 00:05:33,701
AROUND THE GLOBE?
132
00:05:33,701 --> 00:05:35,803
- WELL, UH, I--
133
00:05:35,803 --> 00:05:37,170
- IT'S A PUBLICITY STUNT.
134
00:05:37,170 --> 00:05:38,872
- HIS PRODUCER THOUGHT
A FICTIONAL CRICKET
135
00:05:38,872 --> 00:05:41,208
WOULD BE A FUN WAY
TO PROMOTE THE WORLD TOUR.
136
00:05:41,208 --> 00:05:42,209
- UH-HUH.
137
00:05:42,209 --> 00:05:47,848
- [speaking French ]
138
00:05:47,848 --> 00:05:49,417
- I GET IT.
139
00:05:49,417 --> 00:05:51,419
IT IS A RUSE.
140
00:05:51,419 --> 00:05:55,155
IN THAT CASE, I APOLOGIZE
FOR THE INCONVENIENCE,
141
00:05:55,155 --> 00:05:59,827
AND I BID YOU ADIEU.
142
00:06:01,895 --> 00:06:03,296
-YOU STOLE A CRICKET?
143
00:06:03,296 --> 00:06:05,298
- I DIDN'T KNOW IT WAS ILLEGAL.
144
00:06:05,298 --> 00:06:07,835
I JUST WANTED MY LITTLE BUDDY
TO SEE THE WHOLE WORLD.
145
00:06:07,835 --> 00:06:08,836
[taps on plastic]
146
00:06:08,836 --> 00:06:11,104
[cricket chirps]
147
00:06:11,104 --> 00:06:12,573
- WE'RE BACK.
148
00:06:12,573 --> 00:06:13,907
- [whispers] PROTECT HIM.
149
00:06:13,907 --> 00:06:17,445
- LET'S GO-O.
150
00:06:17,445 --> 00:06:22,483
OKAY, LOVE ME LOVE ME,
WITH LOTS-O-TRAMPOLINE.
151
00:06:22,483 --> 00:06:24,585
[wild cheers]
152
00:06:24,585 --> 00:06:27,855
AND SUPER AWESOME STEAM,
WHICH YOU CAN'T SEE
153
00:06:27,855 --> 00:06:31,825
'CAUSE YOU'RE BACKSTAGE!
154
00:06:31,825 --> 00:06:35,162
- * LOVE ME, LOVE ME
SAY YOU'RE GONNA LOVE ME *
155
00:06:35,162 --> 00:06:37,030
* I KNOW YOU'RE READY TO GO *
156
00:06:37,030 --> 00:06:38,466
* I'M READY TO GO *
157
00:06:38,466 --> 00:06:41,101
- * JAW DROP, HEART STOP,
THE EYE LOCK *
158
00:06:41,101 --> 00:06:44,938
* I MUST BE DREAMING,
DON'T HIT THE ALARM CLOCK *
159
00:06:44,938 --> 00:06:47,475
- * UNDER THE LIGHTS,
COMING ALIVE *
160
00:06:47,475 --> 00:06:49,109
* SHE "THRILLER" TONIGHT
161
00:06:49,109 --> 00:06:50,778
- * AY, AY, AY
162
00:06:50,778 --> 00:06:52,980
- * ONE DANCE, TWO DANCE
IS NOT ENOUGH *
163
00:06:52,980 --> 00:06:56,817
* YOU GOT THAT GLOW IN THE DARK
SO I'M NOT GIVING UP *
164
00:06:56,817 --> 00:06:59,620
- * I'M READING YOUR MIND,
YOU KNOW I'M A PSYCHIC *
165
00:06:59,620 --> 00:07:02,923
* WHY YOU TRY TO HIDE IT,
HIDE IT *
166
00:07:02,923 --> 00:07:04,057
[explosions]
167
00:07:04,057 --> 00:07:07,060
[fast techno music]
168
00:07:07,060 --> 00:07:10,163
*
169
00:07:10,163 --> 00:07:14,868
- * GO, GO, GO, GO, GO, GO, GO,
GO, GO, GO, GO, GO, GO *
170
00:07:14,868 --> 00:07:18,171
- * LOVE ME, LOVE ME
SAY YOU'RE GONNA LOVE ME *
171
00:07:18,171 --> 00:07:19,640
* I KNOW YOU'RE READY TO GO*
172
00:07:19,640 --> 00:07:21,341
- * I KNOW YOU'RE READY TO GO *
173
00:07:21,341 --> 00:07:24,011
- * LOVE ME, LOVE ME
SAY YOU'RE GONNA LOVE ME *
174
00:07:24,011 --> 00:07:26,179
* DON'T LEAVE ME OUT
ON THE FLOOR *
175
00:07:26,179 --> 00:07:29,182
* I'M SAYING WHOA *
176
00:07:29,182 --> 00:07:32,886
* DON'T TELL ME NO *
177
00:07:32,886 --> 00:07:35,923
* LOVE ME, LOVE ME
SAY YOU'RE GONNA LOVE ME *
178
00:07:35,923 --> 00:07:37,791
* I KNOW YOU'RE READY TO GO *
179
00:07:37,791 --> 00:07:39,026
* I'M READY TO GO *
180
00:07:39,026 --> 00:07:41,361
* OH-OH-OH
181
00:07:41,361 --> 00:07:44,131
* WHOA-OH-OH-OH
182
00:07:44,131 --> 00:07:45,165
* I'M READY TO GO *
183
00:07:45,165 --> 00:07:46,133
* OH-OH-OH
184
00:07:46,133 --> 00:07:47,535
* GO, GO, GO, GO
185
00:07:47,535 --> 00:07:50,070
* OH-OH-OH
186
00:07:50,070 --> 00:07:51,404
* I'M READY TO GO *
187
00:07:51,404 --> 00:07:53,140
[wild cheering and applause]
188
00:07:53,140 --> 00:07:55,943
- WE CAN DO IT.
189
00:07:55,943 --> 00:07:57,678
- STREET LOOK!
190
00:07:57,678 --> 00:08:00,581
- WE'VE GOT TO BEAT
3.9 SECONDS!
191
00:08:00,581 --> 00:08:02,983
OFF WITH MY LEGS.
192
00:08:02,983 --> 00:08:05,653
DID NOT NEED
TO SEE THAT.
193
00:08:05,653 --> 00:08:07,555
[exotic string music]
194
00:08:07,555 --> 00:08:11,592
- YEAH, I SAID STREET LOOK,
NOT SHEIK LOOK.
195
00:08:11,592 --> 00:08:17,364
[together] GO, GO, GO.
196
00:08:17,364 --> 00:08:18,431
[steady beat music]
197
00:08:18,431 --> 00:08:21,602
- YEAH, THAT'S
THE FRESH BEAT LOOK.
198
00:08:21,602 --> 00:08:22,936
- UNBELIEVABLE.
199
00:08:22,936 --> 00:08:24,772
AH.
200
00:08:29,109 --> 00:08:31,612
- YEAH, THAT'S THE FIRST LOOK.
201
00:08:31,612 --> 00:08:34,047
BUT WEAR IT AGAIN BEFORE YOU
KILL YOURSELVES.
202
00:08:38,251 --> 00:08:39,587
- 12.6?
203
00:08:39,587 --> 00:08:40,721
[aggravated shouts]
204
00:08:40,721 --> 00:08:45,793
- OKAY, WE NEED TO WORK
ON GETTING LIMBER-ER.
205
00:08:49,062 --> 00:08:50,063
[claps]
206
00:08:50,063 --> 00:08:51,298
- QUIET, OKAY.
207
00:08:51,298 --> 00:08:53,300
STEPHEN'S JUST ABOUT TO CONFIRM
THE HEAVINESS
208
00:08:53,300 --> 00:08:55,703
OF FUNDAMENTAL PARTICLES.
209
00:08:55,703 --> 00:08:58,706
[sultry accordion music]
210
00:08:58,706 --> 00:09:01,809
*
211
00:09:01,809 --> 00:09:03,010
[wild shout]
212
00:09:03,010 --> 00:09:04,411
- STOP PLEASE.
213
00:09:04,411 --> 00:09:07,715
[loud crash and shouts]
214
00:09:07,715 --> 00:09:10,618
- TRYING TO READ HERE.
215
00:09:10,618 --> 00:09:13,153
TRYING TO READ.
216
00:09:13,153 --> 00:09:15,188
- LET ME WARN YOU
OF THE PENALTIES
217
00:09:15,188 --> 00:09:17,457
OF SMUGGLING WILDLIFE
OUT OF FRANCE.
218
00:09:17,457 --> 00:09:19,860
YOU WILL NOT BE ALLOWED
TO PERFORM IN FRANCE...
219
00:09:19,860 --> 00:09:20,961
- [groans]
220
00:09:20,961 --> 00:09:22,630
- OR TO EAT FRENCH TOAST...
221
00:09:22,630 --> 00:09:24,164
- [whimpers]
- OR FRENCH FRIES.
222
00:09:24,164 --> 00:09:25,432
- [whimpers]
223
00:09:25,432 --> 00:09:27,801
- DUDE, WE DON'T HAVE A CRICKET.
224
00:09:27,801 --> 00:09:31,404
WHAT YOU HEARD WERE SQUEAKY
CRATE WHEELS.
225
00:09:31,404 --> 00:09:35,242
[wheels squeaking]
226
00:09:35,242 --> 00:09:39,279
- THE TONE IS SIMILAR.
227
00:09:39,279 --> 00:09:43,116
SO WE WILL SEARCH
IN EVERY NOOK IN THE VENUE
228
00:09:43,116 --> 00:09:46,253
UNTIL WE HAVE LOOKED
IN EVERY NOOK
229
00:09:46,253 --> 00:09:48,521
IN THE VENUE.
230
00:09:50,658 --> 00:09:53,126
- YOU CAN SPIT IT OUT NOW.
231
00:09:53,126 --> 00:09:55,028
[cricket chirps]
232
00:09:55,028 --> 00:09:56,563
YOU REALLY SHOULDN'T DO THAT.
233
00:09:56,563 --> 00:09:58,165
- LET'S GO-O.
234
00:09:58,165 --> 00:10:02,636
BREAK OVER!
235
00:10:02,636 --> 00:10:07,407
GO, GO, GO, GO, GO.
236
00:10:07,407 --> 00:10:10,343
OH, YOU THOUGHT THE BACK SIDE
OF CURTAINS WAS EXCITING,
237
00:10:10,343 --> 00:10:13,380
YOU SHOULD SEE THE FAX MACHINE
IN THE PRODUCTION OFFICE.
238
00:10:13,380 --> 00:10:18,551
'CAUSE NOTHING HAPPENS THERE
EITHER!
239
00:10:18,551 --> 00:10:22,690
[fax dial tone rings]
240
00:10:22,690 --> 00:10:24,491
- "URGENT FAX.
241
00:10:24,491 --> 00:10:27,027
"PLEASE IMMEDIATELY SUSPEND
THE USE
242
00:10:27,027 --> 00:10:31,631
OF ALL METAL TUFF TRAMPOLINES
DUE TO FAULTY WELDING."
243
00:10:36,469 --> 00:10:38,872
NO, NOTHING EXCITING
EVER HAPPENS BACKSTAGE.
244
00:10:38,872 --> 00:10:41,174
HOW ABOUT STOPPING
THE TRAMPOLINE OF DEATH?
245
00:10:41,174 --> 00:10:42,876
- ALL RIGHT, THAT'S IT, LADIES.
I'M SORRY.
246
00:10:42,876 --> 00:10:44,678
NO ONE GETS BACKSTAGE
WITHOUT A PASS.
247
00:10:44,678 --> 00:10:50,784
[high-pitched shouts]
248
00:10:50,784 --> 00:10:52,052
- I NEED TO GET BACKSTAGE.
249
00:10:52,052 --> 00:10:53,921
THE TRAMPOLINE IS GONNA BREAK.
250
00:10:53,921 --> 00:10:57,958
[trampoline creaking]
251
00:11:01,094 --> 00:11:02,562
- * GONNA PARTY ALL NIGHT
252
00:11:02,562 --> 00:11:04,397
* IT FEELS RIGHT, GIRL
253
00:11:04,397 --> 00:11:07,735
[cell phone rings]
254
00:11:07,735 --> 00:11:09,269
- WHAT?
255
00:11:09,269 --> 00:11:11,038
- I NEED YOU TO BRING ME
A BACKSTAGE PASS.
256
00:11:11,038 --> 00:11:12,439
I GOT TRAPPED OUTSIDE
OF THE ARENA.
257
00:11:12,439 --> 00:11:14,507
- YOU GOT SLAPPED
AND YOU HAVE AMNESIA?
258
00:11:14,507 --> 00:11:16,243
- DON'T LET THE BOYS JUMP.
259
00:11:16,243 --> 00:11:18,311
THE TRAMPOLINE IS GOING
TO BREAK.
260
00:11:18,311 --> 00:11:20,748
- I KNOW THE TRAMPOLINE
LOOKS GREAT.
261
00:11:20,748 --> 00:11:23,250
IT ACTUALLY LOOKS A LOT BETTER
IF YOU'RE IN YOUR SEAT.
262
00:11:23,250 --> 00:11:24,251
- NO, BREAK.
263
00:11:24,251 --> 00:11:25,786
BREAK.
264
00:11:25,786 --> 00:11:29,289
- YES, WE'RE GONNA TAKE A BREAK
AFTER THIS SONG.
265
00:11:29,289 --> 00:11:33,160
AND REMEMBER, YOU'RE KELLY.
266
00:11:33,160 --> 00:11:36,329
- DON'T!
DON'T THROW YOUR PHONE AWAY.
267
00:11:36,329 --> 00:11:38,065
AH.
268
00:11:38,065 --> 00:11:40,200
- * GONNA PARTY ALL NIGHT
269
00:11:40,200 --> 00:11:42,269
* HAVE THE TIME OF YOUR LIFE
270
00:11:44,104 --> 00:11:45,873
[thunderous cheering
and applause]
271
00:11:47,875 --> 00:11:49,442
- WE CAN DO THIS.
272
00:11:49,442 --> 00:11:52,780
- STREET LOOK.
273
00:11:52,780 --> 00:11:54,047
[timer beeps]
274
00:11:54,047 --> 00:11:55,448
- MY FACE!
- THAT'S YOUR FACE?
275
00:11:58,551 --> 00:11:59,552
[timer beeps]
276
00:11:59,552 --> 00:12:00,553
- 3.8 SECONDS.
277
00:12:00,553 --> 00:12:01,621
[together] WHOO!
278
00:12:01,621 --> 00:12:03,056
- IT'S A NEW RECORD.
279
00:12:03,056 --> 00:12:07,494
- YEAH, YOU FORGOT YOUR PANTS.
280
00:12:07,494 --> 00:12:09,797
- I THOUGHT I FELT A DRAFT.
281
00:12:09,797 --> 00:12:13,000
- GOT TO GO.
282
00:12:13,000 --> 00:12:14,001
[clothes whip]
283
00:12:14,001 --> 00:12:14,935
[cat howls]
284
00:12:18,338 --> 00:12:20,707
[together] GOT TO GO.
285
00:12:20,707 --> 00:12:22,209
- PERHAPS TO BECOME LEGENDS,
286
00:12:22,209 --> 00:12:24,344
WE SHOULD BREAK A DIFFERENT
RECORD ON THE WALL.
287
00:12:24,344 --> 00:12:27,547
COME ON.
288
00:12:27,547 --> 00:12:31,885
- OKAY, UM, HIGH-STAGE DIVE,
RED HOT CHILI PEPPERS, 25 FEET.
289
00:12:31,885 --> 00:12:35,122
- THE STAGE IS ONLY
20 FEET HIGH.
290
00:12:35,122 --> 00:12:38,691
- OH, SNOOP DOGG, LARGEST BEARD
OF BEES.
291
00:12:38,691 --> 00:12:40,560
- CARLOS IS ALLERGIC.
292
00:12:40,560 --> 00:12:43,563
- OKAY, WE CAN BEAT
N'SYNC'S RECORD.
293
00:12:43,563 --> 00:12:47,700
- YES, BUT NOT BY READING
WORD-PAGES.
294
00:12:47,700 --> 00:12:49,469
- THEY'RE CALLED BOOKS, JAMES,
295
00:12:49,469 --> 00:12:51,171
AND THEY HOLD THE ANSWERS
TO EVERYTHING.
296
00:12:51,171 --> 00:12:53,841
- OH, HMM, DO THEY HOLD
THE ANSWER TO THIS?
297
00:12:53,841 --> 00:12:55,142
WAOW.
298
00:12:55,142 --> 00:12:56,509
- DON'T.
299
00:12:56,509 --> 00:12:58,745
WE NEED HIM.
300
00:12:59,947 --> 00:13:01,748
[tense spy music]
301
00:13:01,748 --> 00:13:04,384
- YOU JUST HAD TO FIGHT ME
FOR THE TERRARIUM.
302
00:13:04,384 --> 00:13:06,353
- YOU WANTED TO PUT JEAN-PIERRE
IN A CRATE.
303
00:13:06,353 --> 00:13:07,354
- READING.
304
00:13:07,354 --> 00:13:08,555
- HIDE HIM IN A CRATE,
305
00:13:08,555 --> 00:13:11,324
SO WE COULD GET HIM
ON THE BUS TO AMERICA.
306
00:13:11,324 --> 00:13:16,864
- YOU KNOW WHAT?
HE DOESN'T NEED YOUR HELP.
307
00:13:18,098 --> 00:13:22,635
- YOU KNOW WHAT?
HE'S NOT GETTING IT.
308
00:13:28,408 --> 00:13:30,944
- LOOKING FOR SOMETHING?
309
00:13:30,944 --> 00:13:36,149
LIKE JEAN-PIERRE THE CRICKET
PERHAPS?
310
00:13:36,149 --> 00:13:37,918
[cricket chirps]
311
00:13:37,918 --> 00:13:39,086
- [harshly whispers]
KATIE.
312
00:13:39,086 --> 00:13:40,520
K.
313
00:13:40,520 --> 00:13:43,556
- OF COURSE WE SAW A CRICKET,
BECAUSE CANADA HAS THEM TOO.
314
00:13:43,556 --> 00:13:47,227
HEY, IS THAT ONE ON THE GROUND?
315
00:13:50,197 --> 00:13:52,065
- THAT IS A DUBIOUS STAIN.
316
00:13:52,065 --> 00:13:55,368
- HUH, THEN I GUESS
WE HAVEN'T SEEN A CRICKET.
317
00:13:55,368 --> 00:13:56,369
SORRY.
318
00:13:56,369 --> 00:14:00,140
- LET'S GO-O.
319
00:14:00,140 --> 00:14:02,509
YOU, BOOK.
320
00:14:02,509 --> 00:14:04,978
YOU, STUPID TOYS.
321
00:14:04,978 --> 00:14:06,914
AND ALL OF YOU, SMILE.
322
00:14:06,914 --> 00:14:11,151
YOUR FANS SHOWED UP TONIGHT
TO SEE THEIR ONSTAGE IDOLS,
323
00:14:11,151 --> 00:14:14,454
NOT BACKSTAGE IDIOTS.
324
00:14:14,454 --> 00:14:16,489
- MAYBE THEY'VE COME
TO SEE BOTH.
325
00:14:18,025 --> 00:14:19,492
[thunderous cheering
and applause]
326
00:14:19,492 --> 00:14:22,429
- * YO, YO, YO, YO, YO,
MAKE SOME NOISE *
327
00:14:22,429 --> 00:14:25,265
* HANDS UP KIDS,
YOU ARE ON CAMERA *
328
00:14:27,734 --> 00:14:30,370
- * HAVE YOU EVER HAD
THE FEELING *
329
00:14:30,370 --> 00:14:32,172
* YOU'RE DRAWN TO SOMEONE *
330
00:14:32,172 --> 00:14:33,941
- * TO SOMEONE
331
00:14:33,941 --> 00:14:37,945
- * AND IT ISN'T ANYTHING
THEY COULD'VE SAID OR DONE *
332
00:14:37,945 --> 00:14:39,746
- * SAID OR DONE
333
00:14:39,746 --> 00:14:42,749
- * AND EVERY DAY
I SEE YOU ON YOUR OWN *
334
00:14:42,749 --> 00:14:45,485
* AND I CAN'T BELIEVE
THAT YOU'RE ALONE *
335
00:14:45,485 --> 00:14:51,191
* BUT I OVERHEARD YOUR GIRLS,
AND THIS IS WHAT THEY SAID *
336
00:14:51,191 --> 00:14:53,026
- * SHE'S LOOKING
FOR A BOYFRIEND *
337
00:14:53,026 --> 00:14:54,361
* I SEE IT
338
00:14:54,361 --> 00:14:57,497
* GIVE ME TIME,
YOU KNOW I'M GONNA BE THERE *
339
00:14:57,497 --> 00:15:00,367
* DON'T CARE OR KNOW
WHAT YOU'VE DONE BEFORE *
340
00:15:00,367 --> 00:15:03,170
* ALL I REALLY WANT IS
TO BE YOUR *
341
00:15:03,170 --> 00:15:08,541
*
342
00:15:08,541 --> 00:15:10,877
* B-B-B-B-
LOOKING FOR A BOYFRIEND *
343
00:15:10,877 --> 00:15:12,212
* I SEE IT
344
00:15:12,212 --> 00:15:14,014
[trampoline creaks]
345
00:15:14,014 --> 00:15:15,482
[metal scraping]
346
00:15:16,549 --> 00:15:17,884
[metal clangs]
347
00:15:17,884 --> 00:15:21,054
* ALL I REALLY WANT
IS TO BE YOUR *
348
00:15:21,054 --> 00:15:22,155
[wild cheering and applause]
349
00:15:23,523 --> 00:15:25,625
- OMG, I HEART B.T.R.,
350
00:15:25,625 --> 00:15:27,694
AND I THINK I CAN GET BACKSTAGE
OVER THIS FENCE.
351
00:15:27,694 --> 00:15:29,029
HELP ME, RUSHERS.
352
00:15:29,029 --> 00:15:31,999
[high-pitched cheering]
353
00:15:38,538 --> 00:15:40,540
OMG, I HEART B.T.R.,
354
00:15:40,540 --> 00:15:42,442
AND I THINK I CAN GET BACK
OVER THIS FENCE.
355
00:15:42,442 --> 00:15:46,413
HELP ME, SECURITY GUARDS.
356
00:15:46,413 --> 00:15:48,015
[high-pitched scream]
357
00:15:48,015 --> 00:15:49,482
thud!
358
00:15:53,686 --> 00:15:57,024
- * I KNOW WE CAN TURN IT UP
ALL THE WAY *
359
00:15:57,024 --> 00:16:02,429
- [muffled] * MY COVER GIRL,
WHOA-OH-OH-OH-OH *
360
00:16:02,429 --> 00:16:04,631
[song grows louder]
* MY COVER GIRL
361
00:16:04,631 --> 00:16:09,202
OH-OH-OH-OH-OH *
362
00:16:12,272 --> 00:16:13,540
[metal bangs]
363
00:16:13,540 --> 00:16:15,042
* HEY-EY, OH-OH
364
00:16:15,042 --> 00:16:18,645
* SO PRETTY IS ALL
365
00:16:19,879 --> 00:16:21,281
- ELEVATE LOOK.
366
00:16:21,281 --> 00:16:22,682
- WAIT.
367
00:16:22,682 --> 00:16:24,851
- THIS IS OUR LAST CHANCE
TO BEAT N'SYNC'S RECORD,
368
00:16:24,851 --> 00:16:27,120
AND WE HAVEN'T FIGURED OUT
THE SECRET OF QUICK-CHANGING.
369
00:16:27,120 --> 00:16:28,321
- RIGHT.
370
00:16:28,321 --> 00:16:30,457
LET'S ALL STAY HERE
AND THINK ABOUT WAYS
371
00:16:30,457 --> 00:16:33,326
WE CAN INCREASE
OUR CLOTHES-CHANGING SPEED.
372
00:16:33,326 --> 00:16:35,328
- TOTALLY AGREE, HA HA HA,
SEE YA!
373
00:16:35,328 --> 00:16:36,763
- GOT TO GO.
374
00:16:38,098 --> 00:16:39,066
- I HATE THEM.
375
00:16:41,901 --> 00:16:43,603
- WHERE'S MY BOOK?
376
00:16:43,603 --> 00:16:44,771
AND THE COUCH?
377
00:16:44,771 --> 00:16:47,540
- WE WERE TOLD TO START
LOADING THE TRUCK.
378
00:16:47,540 --> 00:16:52,079
- I ONLY HAD ONE PAGE
LEFT TO GO.
379
00:16:52,079 --> 00:16:53,280
WHOA, WHOA, WAIT, WAIT.
380
00:16:53,280 --> 00:16:55,315
I GOT TO FIND MY BOOK.
381
00:16:55,315 --> 00:16:57,317
NO BOOK.
382
00:16:57,317 --> 00:16:59,519
NO BOOK.
383
00:16:59,519 --> 00:17:04,891
- BUT A CRICKET
IN A WORLD-TOUR TERRARIUM.
384
00:17:04,891 --> 00:17:10,597
ARREST HIM
FOR ILLEGAL SMUGGLING.
385
00:17:10,597 --> 00:17:12,199
UGH.
386
00:17:12,199 --> 00:17:15,102
I CANNOT ARREST BECAUSE
WE ARE "IN CANADA."
387
00:17:15,102 --> 00:17:17,737
BUT BIG TIME RUSH
WILL NEVER BE ALLOWED
388
00:17:17,737 --> 00:17:19,206
TO PERFORM AGAIN IN FRANCE.
389
00:17:19,206 --> 00:17:20,207
- WHAT?
390
00:17:20,207 --> 00:17:22,742
WHAT IS GOING ON HERE?
391
00:17:22,742 --> 00:17:24,611
- CARLOS SMUGGLED
A CRICKET OUT OF FRANCE,
392
00:17:24,611 --> 00:17:25,778
AND WE JUST GOT BUSTED.
393
00:17:25,778 --> 00:17:28,248
- OKAY, HOW DID WE MISS THAT?
394
00:17:28,248 --> 00:17:34,187
- WELL, AT LEAST LET HIM
SAY GOOD-BYE.
395
00:17:34,187 --> 00:17:36,456
[gentle guitar music]
396
00:17:36,456 --> 00:17:38,158
- OH, BYE-BYE, LITTLE BUDDY.
397
00:17:38,158 --> 00:17:40,993
YOU ALMOST MADE IT TO L.A.
398
00:17:40,993 --> 00:17:43,130
BUT WE'LL ALWAYS HAVE PARIS,
399
00:17:43,130 --> 00:17:45,132
BARCELONA
400
00:17:45,132 --> 00:17:46,499
AND BERLIN
401
00:17:46,499 --> 00:17:48,368
AND NOW CANADA.
402
00:17:48,368 --> 00:17:50,637
[cricket chirps]
403
00:17:50,637 --> 00:17:52,605
NO OTHER CRICKET HAS
EVER SEEN SO MUCH.
404
00:17:52,605 --> 00:17:55,375
I'M SO SORRY THAT
I'LL NEVER SEE YOU AGAIN.
405
00:17:59,279 --> 00:18:03,450
- YOU KNOW, WE FRENCH
DON'T UNDERSTAND MANY THINGS--
406
00:18:03,450 --> 00:18:05,485
SPACE TRAVEL,
407
00:18:05,485 --> 00:18:07,920
BIKINI TOPS,
408
00:18:07,920 --> 00:18:09,556
SOAP--
409
00:18:09,556 --> 00:18:14,227
BUT THERE'S ONE THING
WE DO UNDERSTAND...
410
00:18:14,227 --> 00:18:16,263
LOVE.
411
00:18:20,400 --> 00:18:23,903
BE GOOD TO HIM.
412
00:18:23,903 --> 00:18:26,706
- YES.
413
00:18:26,706 --> 00:18:28,541
MY CRICKET IS STAYING.
414
00:18:28,541 --> 00:18:30,177
- MY BOOK IS GONE.
415
00:18:30,177 --> 00:18:31,844
I HAD ONE PAGE LEFT TO GO, MAN.
416
00:18:31,844 --> 00:18:35,682
WHY, WHY, WHY?
417
00:18:38,485 --> 00:18:40,887
MY BOOK--I CAN FINISH.
418
00:18:40,887 --> 00:18:43,523
QUIET, READING.
419
00:18:43,523 --> 00:18:46,859
- OKAY, WHY DID THEY GET
HAPPY ENDINGS, BUT WE DON'T?
420
00:18:46,859 --> 00:18:49,296
- BECAUSE WE STILL HAVEN'T
FIGURED OUT
421
00:18:49,296 --> 00:18:51,198
HOW TO BEAT
N'SYNC'S QUICK-CHANGE TIME.
422
00:18:51,198 --> 00:18:53,900
- HOW TO SLOW DOWN TIME
BY CREATING A RIP
423
00:18:53,900 --> 00:18:55,568
IN THE FABRIC OF TIME.
424
00:18:55,568 --> 00:18:57,204
HA, DONE.
425
00:18:57,204 --> 00:19:01,274
- WAIT, SLOWING DOWN TIME?
426
00:19:01,274 --> 00:19:04,411
RIPPING.
427
00:19:04,411 --> 00:19:08,648
FABRIC.
428
00:19:08,648 --> 00:19:12,519
- WE'RE BACK.
429
00:19:12,519 --> 00:19:13,853
- LET HER RIP.
430
00:19:13,853 --> 00:19:16,856
[dramatic orchestra music]
431
00:19:16,856 --> 00:19:23,496
*
432
00:19:23,496 --> 00:19:27,967
[clothes ripping and tearing]
433
00:19:42,148 --> 00:19:43,683
[timer beeps]
434
00:19:43,683 --> 00:19:45,252
- 3.7 SECONDS.
435
00:19:45,252 --> 00:19:47,254
[together] WE'RE ON
THE WALL OF FAME!
436
00:19:47,254 --> 00:19:48,455
- WOO-HOO-HOO.
437
00:19:48,455 --> 00:19:51,157
- NOW GET OUT THERE,
HIT THAT TRAMPOLINE,
438
00:19:51,157 --> 00:19:56,162
AND LET'S ELEVATE!
439
00:19:56,162 --> 00:20:00,433
- * GO GET A LITTLE HIGHER
440
00:20:00,433 --> 00:20:03,202
* MO-MOVE YOUR FEET
UNTIL YOU LEVITATE *
441
00:20:03,202 --> 00:20:05,572
* COME ON, LET'S CELEBRATE *
442
00:20:05,572 --> 00:20:07,707
- * FORGET ABOUT YOUR DAY
443
00:20:07,707 --> 00:20:09,509
* UNDER THE MILKY WAY
444
00:20:09,509 --> 00:20:13,346
* I KNOW A PLACE
WHERE WE CAN GO-O-O *
445
00:20:13,346 --> 00:20:15,248
- * NO NEED TO BE AFRAID
446
00:20:15,248 --> 00:20:16,983
* COME ON, I'LL DEMONSTRATE *
447
00:20:16,983 --> 00:20:18,818
* TAKE YOU TO OUTER SPACE
448
00:20:18,818 --> 00:20:21,120
- * HERE WE GO,
HERE WE GO-O *
449
00:20:21,120 --> 00:20:22,822
[trampoline creaks]
450
00:20:22,822 --> 00:20:25,925
[metal scraping]
451
00:20:25,925 --> 00:20:27,193
- NO ONE BACKSTAGE.
452
00:20:27,193 --> 00:20:30,263
AND BESIDES, NOTHING EXCITING
HAPPENS BACKSTAGE.
453
00:20:31,931 --> 00:20:34,801
- THAT'S WHAT YOU THINK.
454
00:20:34,801 --> 00:20:36,002
SORRY, BOYS.
455
00:20:36,002 --> 00:20:38,104
I GOT TO SAVE THE DAY.
456
00:20:38,104 --> 00:20:39,806
[yelling and pounding]
457
00:20:39,806 --> 00:20:41,941
THE TRAMPOLINE'S GONNA BREAK!
458
00:20:41,941 --> 00:20:43,042
HEY, JEAN-PIERRE.
459
00:20:43,042 --> 00:20:45,144
YOU, YOU GET OUT.
460
00:20:45,144 --> 00:20:49,181
- * LEVITATE,
COME ON, LET'S CELEBRATE *
461
00:20:49,181 --> 00:20:51,384
- THANK YOU
FOR AN AMAZING NIGHT.
462
00:20:51,384 --> 00:20:53,052
- LOVE YOU, GUYS.
WE'VE HAD A BLAST.
463
00:20:53,052 --> 00:20:54,521
WE'LL SEE YOU SOON.
464
00:20:54,521 --> 00:20:59,025
- * ELEVATE
465
00:20:59,025 --> 00:21:03,496
- HOLD IT, BOYS.
466
00:21:04,631 --> 00:21:06,466
KENDALL.
467
00:21:06,466 --> 00:21:07,634
[huge explosion]
468
00:21:11,438 --> 00:21:12,439
LOGAN.
469
00:21:12,439 --> 00:21:15,375
[huge explosion]
470
00:21:15,375 --> 00:21:17,176
JAMES.
471
00:21:17,176 --> 00:21:19,512
[huge explosion]
472
00:21:19,512 --> 00:21:21,981
CARLO-O-O-S.
473
00:21:21,981 --> 00:21:23,850
[huge explosion]
474
00:21:23,850 --> 00:21:26,252
- THANK YOU.
475
00:21:27,354 --> 00:21:31,791
[drumroll and cheering]
476
00:21:31,791 --> 00:21:33,493
- WHEW.
477
00:21:33,493 --> 00:21:34,627
AH.
478
00:21:34,627 --> 00:21:37,564
[applause and cheers]
479
00:21:42,602 --> 00:21:46,873
- YOU KNOW, THIS BACKSTAGE
CAN BE VERY EXCITING.
480
00:21:46,873 --> 00:21:49,008
- YEAH, I GUESS SO.
481
00:21:49,008 --> 00:21:53,079
- * AH, AH, AH-AH, OH
482
00:21:53,079 --> 00:21:56,048
- * AH, AH, AH-AH, OH
483
00:21:59,285 --> 00:22:00,286
- * STEP IT UP,
GET IN GEAR *
484
00:22:00,286 --> 00:22:02,021
* GO FOR BROKE,
MAKE IT CLEAR *
485
00:22:02,021 --> 00:22:04,524
- * GOT TO GO BIG TIME
486
00:22:04,524 --> 00:22:06,025
- * HEY, HEY
487
00:22:06,025 --> 00:22:08,094
- * MAKE IT WORK,
GET IT RIGHT *
488
00:22:08,094 --> 00:22:10,162
* CHANGE THE WORLD OVERNIGHT
489
00:22:10,162 --> 00:22:12,832
- * GOT TO DREAM BIG TIME
490
00:22:12,832 --> 00:22:14,300
- * OH-OH, OH-OH
491
00:22:14,300 --> 00:22:16,235
- * HEY, HEY
492
00:22:16,235 --> 00:22:18,270
- * GIVE IT ALL YOU GOT NOW
493
00:22:18,270 --> 00:22:20,272
- * HEY, HEY
494
00:22:20,272 --> 00:22:22,108
- * ISN'T IT A RUSH *
495
00:22:22,108 --> 00:22:24,176
- * OH-OH, OH-OH
496
00:22:24,176 --> 00:22:26,413
* OH-OH, OH-OH
497
00:22:26,413 --> 00:22:27,714
- * GO AND SHAKE IT UP
498
00:22:27,714 --> 00:22:29,849
* WHATCHA GOTTA LOSE
499
00:22:29,849 --> 00:22:34,421
* GO AND MAKE YOUR LUCK
WITH THE LIFE YOU CHOOSE *
500
00:22:34,421 --> 00:22:37,957
* IF YOU WANT IT ALL,
LAY IT ON THE LINE *
501
00:22:37,957 --> 00:22:42,629
* IT'S THE ONLY LIFE YOU GOT
SO YOU GOT TO LIVE IT BIG TIME *
33138
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