All language subtitles for Big.Time.Rush.S03E01.Backstage.Rush.1080p.Amazon.WEB-DL.DD+2.0.x264-QOQ_Subtitles01.ENG

af Afrikaans
sq Albanian
am Amharic
ar Arabic Download
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek Download
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:11,011 --> 00:00:14,582 [all chanting and cheering] BIG TIME RUSH! BIG TIME RUSH! 2 00:00:14,582 --> 00:00:16,184 [high-pitched screaming and clapping] 3 00:00:16,184 --> 00:00:17,618 - ONE MINUTE, EVERYONE, ONE MINUTE. 4 00:00:17,618 --> 00:00:18,652 - [growling] YES. 5 00:00:18,652 --> 00:00:20,121 ONE MORE MINUTE TILL THE LAST CONCERT 6 00:00:20,121 --> 00:00:21,122 OF OUR WORLD TOUR, 7 00:00:21,122 --> 00:00:22,623 WHICH MEANS NO MORE CONTRACTS, 8 00:00:22,623 --> 00:00:24,358 BACKSTAGE PASS REQUESTS, 9 00:00:24,358 --> 00:00:27,628 AND NO MORE OF THAT. 10 00:00:27,628 --> 00:00:30,731 - IT'S ALSO ONE MINUTE TILL OUR FIRST CONCERT 11 00:00:30,731 --> 00:00:31,799 IN CANADA. 12 00:00:31,799 --> 00:00:33,634 SO LET'S GIVE THESE CANUCKS 13 00:00:33,634 --> 00:00:35,703 A BIG-TIME RUSH. 14 00:00:35,703 --> 00:00:37,771 - [groans] FINE. 15 00:00:37,771 --> 00:00:38,772 TAKE MINE. 16 00:00:38,772 --> 00:00:39,773 TOUR'S OVER. 17 00:00:39,773 --> 00:00:41,242 I DON'T NEED IT ANYMORE. 18 00:00:41,242 --> 00:00:43,844 - WHY DO PEOPLE WANT TO COME BACKSTAGE? 19 00:00:43,844 --> 00:00:45,946 WHAT, ARE THEY GOING TO SEE THIS? 20 00:00:45,946 --> 00:00:48,849 OR IS IT THE GRAY HALLWAYS 21 00:00:48,849 --> 00:00:51,519 WITH THE BIG, UGLY MEN ROLLING CRATES? 22 00:00:51,519 --> 00:00:54,622 TONIGHT IS ABOUT WHAT HAPPENS ONSTAGE 23 00:00:54,622 --> 00:00:59,460 WITH FIREWORKS AND TRAMPOLINES AND MY AMAZING MUSIC, 24 00:00:59,460 --> 00:01:01,929 NOT BACKSTAGE, WHICH IS FULL OF CONCRETE, 25 00:01:01,929 --> 00:01:03,497 DUBIOUS STAINS, AND-- 26 00:01:03,497 --> 00:01:05,333 WHY AREN'T YOU DRESSED? 27 00:01:05,333 --> 00:01:08,269 - BECAUSE WE ARE ABOUT TO BREAK 28 00:01:08,269 --> 00:01:11,705 N'SYNC'S 3.9 SECOND BACKSTAGE CHANGE RECORD. 29 00:01:11,705 --> 00:01:15,042 - THEN, BIG TIME RUSH JOINS THE ROCK AND ROLL LEGENDS 30 00:01:15,042 --> 00:01:17,845 ON CANADA'S WALL OF FAME. 31 00:01:21,982 --> 00:01:24,152 [together] GO. 32 00:01:25,586 --> 00:01:26,520 - HIT IT. 33 00:01:28,956 --> 00:01:33,527 [shouts and crash] 34 00:01:33,527 --> 00:01:35,062 - I CAN'T BREATHE. 35 00:01:35,062 --> 00:01:36,930 - SEE, NOW DO OUR FANS 36 00:01:36,930 --> 00:01:39,433 WANT TO WATCH BACKSTAGE DERANGEMENT 37 00:01:39,433 --> 00:01:42,403 OR ONSTAGE AMAZEMENT? 38 00:01:42,403 --> 00:01:44,238 - MAYBE THEY WANT BOTH. 39 00:01:44,238 --> 00:01:48,509 - * AH, AH, AH-AH, OH 40 00:01:48,509 --> 00:01:51,979 * AH, AH, AH-AH, OH 41 00:01:51,979 --> 00:01:53,947 - * MAKE IT COUNT, PLAY IT STRAIGHT * 42 00:01:53,947 --> 00:01:55,783 * DON'T LOOK BACK, DON'T HESITATE * 43 00:01:55,783 --> 00:01:59,920 - * WHEN YOU GO BIG TIME 44 00:01:59,920 --> 00:02:01,855 - * WHAT YOU WANT, WHAT YOU FEEL * 45 00:02:01,855 --> 00:02:03,824 * NEVER QUIT AND MAKE IT REAL * 46 00:02:03,824 --> 00:02:06,994 - * WHEN YOU ROLL BIG TIME 47 00:02:06,994 --> 00:02:08,028 - * OH-OH, OH-OH 48 00:02:08,028 --> 00:02:09,830 - * HEY, HEY 49 00:02:09,830 --> 00:02:11,965 - * LISTEN TO YOUR HEART NOW 50 00:02:11,965 --> 00:02:13,701 - * HEY, HEY 51 00:02:13,701 --> 00:02:15,869 - * DON'T YOU FEEL THE RUSH * 52 00:02:15,869 --> 00:02:17,905 - * HEY, HEY 53 00:02:17,905 --> 00:02:20,341 - * YOU BETTER TAKE A SHOT NOW 54 00:02:20,341 --> 00:02:22,243 - * OH-OH, OH-OH 55 00:02:22,243 --> 00:02:24,545 * OH-OH, OH-OH 56 00:02:24,545 --> 00:02:25,746 - * GO AND SHAKE IT UP 57 00:02:25,746 --> 00:02:28,216 * WHATCHA GOTTA LOSE 58 00:02:28,216 --> 00:02:29,783 * GO AND MAKE YOUR LUCK 59 00:02:29,783 --> 00:02:32,486 * WITH THE LIFE YOU CHOOSE 60 00:02:32,486 --> 00:02:35,823 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 61 00:02:35,823 --> 00:02:40,594 * IT'S THE ONLY LIFE YOU GOT SO YOU GOT TO LIVE IT BIG TIME * 62 00:02:44,598 --> 00:02:46,467 - * BABY BLOW, YOU SPEAK THIS OUT * 63 00:02:46,467 --> 00:02:48,236 - SIGN. 64 00:02:48,236 --> 00:02:50,003 SIGN. 65 00:02:50,003 --> 00:02:52,673 UGH, I STILL SAY THAT TRAMPOLINE IS DANGEROUS. 66 00:02:52,673 --> 00:02:55,042 - AND I SAY IT'S AMAZING, 67 00:02:55,042 --> 00:02:57,378 LIKE MY FIREWORKS. 68 00:02:57,378 --> 00:02:59,513 [fiery explosions and crackles] 69 00:02:59,513 --> 00:03:02,250 [high-pitched cheers] 70 00:03:02,250 --> 00:03:04,051 WHICH YOU PEOPLE JUST MISSED, 71 00:03:04,051 --> 00:03:05,253 BECAUSE NOTHING EXCITING 72 00:03:05,253 --> 00:03:08,789 EVER HAPPENS BACKSTAGE! 73 00:03:08,789 --> 00:03:12,092 - LADIES, NO ACCESS WITHOUT A BACKSTAGE PASS. 74 00:03:12,092 --> 00:03:14,428 - [speaking with French accent] HERE IS MY BACKSTAGE PASS. 75 00:03:14,428 --> 00:03:17,164 [bouncy accordion music] 76 00:03:17,164 --> 00:03:19,967 FRENCH INSPECTOR, HENRI DUCHAMP. 77 00:03:19,967 --> 00:03:23,271 WE ARE INVESTIGATING A VERY SERIOUS CASE 78 00:03:23,271 --> 00:03:28,942 OF SMUGGLING BY CARLOS GARCIA. 79 00:03:28,942 --> 00:03:33,714 - * YOU SPEAK THIS OUT 80 00:03:33,714 --> 00:03:38,786 [wild applause and high-pitched cheering] 81 00:03:38,786 --> 00:03:40,153 - LET'S CHANGE. 82 00:03:40,153 --> 00:03:42,523 - GO, GO, GO. 83 00:03:42,523 --> 00:03:43,924 [excited shouts] 84 00:03:43,924 --> 00:03:44,892 [timer beeps] 85 00:03:44,892 --> 00:03:49,430 [excited shouts] 86 00:03:50,498 --> 00:03:52,633 [timer beeps] 87 00:03:52,633 --> 00:03:54,201 - 5.3 SECONDS. 88 00:03:54,201 --> 00:03:55,669 [together] AW, COME ON! 89 00:03:55,669 --> 00:03:59,106 - OKAY, WE STILL HAVE THREE MORE WARDROBE CHANGES LEFT. 90 00:03:59,106 --> 00:04:02,576 N'SYNC'S RECORD IS GOING DOWN TONIGHT. 91 00:04:02,576 --> 00:04:06,814 - AND YOU'RE BACK ON STAGE IN 90 SECONDS. 92 00:04:06,814 --> 00:04:07,815 - SNACK TIME. 93 00:04:07,815 --> 00:04:09,082 - CASH TIME. 94 00:04:09,082 --> 00:04:10,017 - REALLY? 95 00:04:17,891 --> 00:04:19,993 - I PROMISED MYSELF I'D READ THIS ENTIRE BOOK 96 00:04:19,993 --> 00:04:23,497 BY THE END OF TOUR, AND TOUR ENDS IN AN HOUR. 97 00:04:23,497 --> 00:04:25,098 - WHO READS BACKSTAGE? 98 00:04:25,098 --> 00:04:26,367 - I DO, OKAY? 99 00:04:26,367 --> 00:04:28,569 AND STEPHEN HAWKING'S JOURNEY THROUGH PHYSICS, 100 00:04:28,569 --> 00:04:30,471 BLACK HOLES, AND HIS DAYS AT STUDIO 54 101 00:04:30,471 --> 00:04:31,872 ARE BOTH THRILLING AND INSPIRING. 102 00:04:31,872 --> 00:04:32,873 AND QUIET! 103 00:04:32,873 --> 00:04:34,342 I HAVE 82 PAGES LEFT TO GO. 104 00:04:34,342 --> 00:04:37,878 - NO, YOU SHOULD BE REPLENISHING YOUR FLUIDS. 105 00:04:37,878 --> 00:04:39,012 AH. 106 00:04:39,012 --> 00:04:40,348 AND STAYING LIMBER. 107 00:04:40,348 --> 00:04:41,349 - SHH. 108 00:04:41,349 --> 00:04:42,350 - WHAT WAS THAT? 109 00:04:42,350 --> 00:04:43,351 WAS THAT A BURN? 110 00:04:43,351 --> 00:04:45,218 DID HE JUST BURN ME? 111 00:04:45,218 --> 00:04:47,988 - WE SHOULD BE FIGURING OUT HOW TO CHANGE FASTER. 112 00:04:47,988 --> 00:04:50,257 - WELL, WE'RE NOT GOING TO DO THAT BY READING. 113 00:04:50,257 --> 00:04:52,993 - OH, AND YOUR BACKSTAGE LIMBERING METHODS ARE GENIUS. 114 00:04:52,993 --> 00:04:56,530 - HEY, KEEP THE MUSCLES AND VOCAL CHORDS LOOSE. 115 00:04:56,530 --> 00:04:58,165 SHING. 116 00:04:58,165 --> 00:04:59,633 [together] WAOW, WAOW. 117 00:04:59,633 --> 00:05:00,768 - QUIET. 118 00:05:00,768 --> 00:05:02,770 [together] ZSH, WAOW. 119 00:05:02,770 --> 00:05:04,705 - SERIOUSLY, COME ON. 120 00:05:04,705 --> 00:05:06,807 [excited shouts] 121 00:05:06,807 --> 00:05:11,412 [ominous music] 122 00:05:11,412 --> 00:05:13,981 - CARLOS GARCIA. 123 00:05:13,981 --> 00:05:17,017 OR SHOULD I SAY, SMUGGLER. 124 00:05:17,017 --> 00:05:18,185 - UH... 125 00:05:18,185 --> 00:05:20,621 - YOU DO REALIZE IT IS A CRIME TO LEAVE FRANCE 126 00:05:20,621 --> 00:05:24,191 WITH ANY OF OUR INDIGENOUS WILDLIFE, NO MATTER HOW TEENY? 127 00:05:24,191 --> 00:05:26,026 - I DIDN'T SMUGGLE ANYTHING. 128 00:05:26,026 --> 00:05:28,261 - THEN HOW DO YOU EXPLAIN THIS SCAT-POD, 129 00:05:28,261 --> 00:05:30,197 OF THE ADVENTURES OF JEAN-PIERRE, 130 00:05:30,197 --> 00:05:32,700 THE FRENCH CRICKET WHO YOU TAKE ON THE BIG-TIME TOUR 131 00:05:32,700 --> 00:05:33,701 AROUND THE GLOBE? 132 00:05:33,701 --> 00:05:35,803 - WELL, UH, I-- 133 00:05:35,803 --> 00:05:37,170 - IT'S A PUBLICITY STUNT. 134 00:05:37,170 --> 00:05:38,872 - HIS PRODUCER THOUGHT A FICTIONAL CRICKET 135 00:05:38,872 --> 00:05:41,208 WOULD BE A FUN WAY TO PROMOTE THE WORLD TOUR. 136 00:05:41,208 --> 00:05:42,209 - UH-HUH. 137 00:05:42,209 --> 00:05:47,848 - [speaking French ] 138 00:05:47,848 --> 00:05:49,417 - I GET IT. 139 00:05:49,417 --> 00:05:51,419 IT IS A RUSE. 140 00:05:51,419 --> 00:05:55,155 IN THAT CASE, I APOLOGIZE FOR THE INCONVENIENCE, 141 00:05:55,155 --> 00:05:59,827 AND I BID YOU ADIEU. 142 00:06:01,895 --> 00:06:03,296 -YOU STOLE A CRICKET? 143 00:06:03,296 --> 00:06:05,298 - I DIDN'T KNOW IT WAS ILLEGAL. 144 00:06:05,298 --> 00:06:07,835 I JUST WANTED MY LITTLE BUDDY TO SEE THE WHOLE WORLD. 145 00:06:07,835 --> 00:06:08,836 [taps on plastic] 146 00:06:08,836 --> 00:06:11,104 [cricket chirps] 147 00:06:11,104 --> 00:06:12,573 - WE'RE BACK. 148 00:06:12,573 --> 00:06:13,907 - [whispers] PROTECT HIM. 149 00:06:13,907 --> 00:06:17,445 - LET'S GO-O. 150 00:06:17,445 --> 00:06:22,483 OKAY, LOVE ME LOVE ME, WITH LOTS-O-TRAMPOLINE. 151 00:06:22,483 --> 00:06:24,585 [wild cheers] 152 00:06:24,585 --> 00:06:27,855 AND SUPER AWESOME STEAM, WHICH YOU CAN'T SEE 153 00:06:27,855 --> 00:06:31,825 'CAUSE YOU'RE BACKSTAGE! 154 00:06:31,825 --> 00:06:35,162 - * LOVE ME, LOVE ME SAY YOU'RE GONNA LOVE ME * 155 00:06:35,162 --> 00:06:37,030 * I KNOW YOU'RE READY TO GO * 156 00:06:37,030 --> 00:06:38,466 * I'M READY TO GO * 157 00:06:38,466 --> 00:06:41,101 - * JAW DROP, HEART STOP, THE EYE LOCK * 158 00:06:41,101 --> 00:06:44,938 * I MUST BE DREAMING, DON'T HIT THE ALARM CLOCK * 159 00:06:44,938 --> 00:06:47,475 - * UNDER THE LIGHTS, COMING ALIVE * 160 00:06:47,475 --> 00:06:49,109 * SHE "THRILLER" TONIGHT 161 00:06:49,109 --> 00:06:50,778 - * AY, AY, AY 162 00:06:50,778 --> 00:06:52,980 - * ONE DANCE, TWO DANCE IS NOT ENOUGH * 163 00:06:52,980 --> 00:06:56,817 * YOU GOT THAT GLOW IN THE DARK SO I'M NOT GIVING UP * 164 00:06:56,817 --> 00:06:59,620 - * I'M READING YOUR MIND, YOU KNOW I'M A PSYCHIC * 165 00:06:59,620 --> 00:07:02,923 * WHY YOU TRY TO HIDE IT, HIDE IT * 166 00:07:02,923 --> 00:07:04,057 [explosions] 167 00:07:04,057 --> 00:07:07,060 [fast techno music] 168 00:07:07,060 --> 00:07:10,163 * 169 00:07:10,163 --> 00:07:14,868 - * GO, GO, GO, GO, GO, GO, GO, GO, GO, GO, GO, GO, GO * 170 00:07:14,868 --> 00:07:18,171 - * LOVE ME, LOVE ME SAY YOU'RE GONNA LOVE ME * 171 00:07:18,171 --> 00:07:19,640 * I KNOW YOU'RE READY TO GO* 172 00:07:19,640 --> 00:07:21,341 - * I KNOW YOU'RE READY TO GO * 173 00:07:21,341 --> 00:07:24,011 - * LOVE ME, LOVE ME SAY YOU'RE GONNA LOVE ME * 174 00:07:24,011 --> 00:07:26,179 * DON'T LEAVE ME OUT ON THE FLOOR * 175 00:07:26,179 --> 00:07:29,182 * I'M SAYING WHOA * 176 00:07:29,182 --> 00:07:32,886 * DON'T TELL ME NO * 177 00:07:32,886 --> 00:07:35,923 * LOVE ME, LOVE ME SAY YOU'RE GONNA LOVE ME * 178 00:07:35,923 --> 00:07:37,791 * I KNOW YOU'RE READY TO GO * 179 00:07:37,791 --> 00:07:39,026 * I'M READY TO GO * 180 00:07:39,026 --> 00:07:41,361 * OH-OH-OH 181 00:07:41,361 --> 00:07:44,131 * WHOA-OH-OH-OH 182 00:07:44,131 --> 00:07:45,165 * I'M READY TO GO * 183 00:07:45,165 --> 00:07:46,133 * OH-OH-OH 184 00:07:46,133 --> 00:07:47,535 * GO, GO, GO, GO 185 00:07:47,535 --> 00:07:50,070 * OH-OH-OH 186 00:07:50,070 --> 00:07:51,404 * I'M READY TO GO * 187 00:07:51,404 --> 00:07:53,140 [wild cheering and applause] 188 00:07:53,140 --> 00:07:55,943 - WE CAN DO IT. 189 00:07:55,943 --> 00:07:57,678 - STREET LOOK! 190 00:07:57,678 --> 00:08:00,581 - WE'VE GOT TO BEAT 3.9 SECONDS! 191 00:08:00,581 --> 00:08:02,983 OFF WITH MY LEGS. 192 00:08:02,983 --> 00:08:05,653 DID NOT NEED TO SEE THAT. 193 00:08:05,653 --> 00:08:07,555 [exotic string music] 194 00:08:07,555 --> 00:08:11,592 - YEAH, I SAID STREET LOOK, NOT SHEIK LOOK. 195 00:08:11,592 --> 00:08:17,364 [together] GO, GO, GO. 196 00:08:17,364 --> 00:08:18,431 [steady beat music] 197 00:08:18,431 --> 00:08:21,602 - YEAH, THAT'S THE FRESH BEAT LOOK. 198 00:08:21,602 --> 00:08:22,936 - UNBELIEVABLE. 199 00:08:22,936 --> 00:08:24,772 AH. 200 00:08:29,109 --> 00:08:31,612 - YEAH, THAT'S THE FIRST LOOK. 201 00:08:31,612 --> 00:08:34,047 BUT WEAR IT AGAIN BEFORE YOU KILL YOURSELVES. 202 00:08:38,251 --> 00:08:39,587 - 12.6? 203 00:08:39,587 --> 00:08:40,721 [aggravated shouts] 204 00:08:40,721 --> 00:08:45,793 - OKAY, WE NEED TO WORK ON GETTING LIMBER-ER. 205 00:08:49,062 --> 00:08:50,063 [claps] 206 00:08:50,063 --> 00:08:51,298 - QUIET, OKAY. 207 00:08:51,298 --> 00:08:53,300 STEPHEN'S JUST ABOUT TO CONFIRM THE HEAVINESS 208 00:08:53,300 --> 00:08:55,703 OF FUNDAMENTAL PARTICLES. 209 00:08:55,703 --> 00:08:58,706 [sultry accordion music] 210 00:08:58,706 --> 00:09:01,809 * 211 00:09:01,809 --> 00:09:03,010 [wild shout] 212 00:09:03,010 --> 00:09:04,411 - STOP PLEASE. 213 00:09:04,411 --> 00:09:07,715 [loud crash and shouts] 214 00:09:07,715 --> 00:09:10,618 - TRYING TO READ HERE. 215 00:09:10,618 --> 00:09:13,153 TRYING TO READ. 216 00:09:13,153 --> 00:09:15,188 - LET ME WARN YOU OF THE PENALTIES 217 00:09:15,188 --> 00:09:17,457 OF SMUGGLING WILDLIFE OUT OF FRANCE. 218 00:09:17,457 --> 00:09:19,860 YOU WILL NOT BE ALLOWED TO PERFORM IN FRANCE... 219 00:09:19,860 --> 00:09:20,961 - [groans] 220 00:09:20,961 --> 00:09:22,630 - OR TO EAT FRENCH TOAST... 221 00:09:22,630 --> 00:09:24,164 - [whimpers] - OR FRENCH FRIES. 222 00:09:24,164 --> 00:09:25,432 - [whimpers] 223 00:09:25,432 --> 00:09:27,801 - DUDE, WE DON'T HAVE A CRICKET. 224 00:09:27,801 --> 00:09:31,404 WHAT YOU HEARD WERE SQUEAKY CRATE WHEELS. 225 00:09:31,404 --> 00:09:35,242 [wheels squeaking] 226 00:09:35,242 --> 00:09:39,279 - THE TONE IS SIMILAR. 227 00:09:39,279 --> 00:09:43,116 SO WE WILL SEARCH IN EVERY NOOK IN THE VENUE 228 00:09:43,116 --> 00:09:46,253 UNTIL WE HAVE LOOKED IN EVERY NOOK 229 00:09:46,253 --> 00:09:48,521 IN THE VENUE. 230 00:09:50,658 --> 00:09:53,126 - YOU CAN SPIT IT OUT NOW. 231 00:09:53,126 --> 00:09:55,028 [cricket chirps] 232 00:09:55,028 --> 00:09:56,563 YOU REALLY SHOULDN'T DO THAT. 233 00:09:56,563 --> 00:09:58,165 - LET'S GO-O. 234 00:09:58,165 --> 00:10:02,636 BREAK OVER! 235 00:10:02,636 --> 00:10:07,407 GO, GO, GO, GO, GO. 236 00:10:07,407 --> 00:10:10,343 OH, YOU THOUGHT THE BACK SIDE OF CURTAINS WAS EXCITING, 237 00:10:10,343 --> 00:10:13,380 YOU SHOULD SEE THE FAX MACHINE IN THE PRODUCTION OFFICE. 238 00:10:13,380 --> 00:10:18,551 'CAUSE NOTHING HAPPENS THERE EITHER! 239 00:10:18,551 --> 00:10:22,690 [fax dial tone rings] 240 00:10:22,690 --> 00:10:24,491 - "URGENT FAX. 241 00:10:24,491 --> 00:10:27,027 "PLEASE IMMEDIATELY SUSPEND THE USE 242 00:10:27,027 --> 00:10:31,631 OF ALL METAL TUFF TRAMPOLINES DUE TO FAULTY WELDING." 243 00:10:36,469 --> 00:10:38,872 NO, NOTHING EXCITING EVER HAPPENS BACKSTAGE. 244 00:10:38,872 --> 00:10:41,174 HOW ABOUT STOPPING THE TRAMPOLINE OF DEATH? 245 00:10:41,174 --> 00:10:42,876 - ALL RIGHT, THAT'S IT, LADIES. I'M SORRY. 246 00:10:42,876 --> 00:10:44,678 NO ONE GETS BACKSTAGE WITHOUT A PASS. 247 00:10:44,678 --> 00:10:50,784 [high-pitched shouts] 248 00:10:50,784 --> 00:10:52,052 - I NEED TO GET BACKSTAGE. 249 00:10:52,052 --> 00:10:53,921 THE TRAMPOLINE IS GONNA BREAK. 250 00:10:53,921 --> 00:10:57,958 [trampoline creaking] 251 00:11:01,094 --> 00:11:02,562 - * GONNA PARTY ALL NIGHT 252 00:11:02,562 --> 00:11:04,397 * IT FEELS RIGHT, GIRL 253 00:11:04,397 --> 00:11:07,735 [cell phone rings] 254 00:11:07,735 --> 00:11:09,269 - WHAT? 255 00:11:09,269 --> 00:11:11,038 - I NEED YOU TO BRING ME A BACKSTAGE PASS. 256 00:11:11,038 --> 00:11:12,439 I GOT TRAPPED OUTSIDE OF THE ARENA. 257 00:11:12,439 --> 00:11:14,507 - YOU GOT SLAPPED AND YOU HAVE AMNESIA? 258 00:11:14,507 --> 00:11:16,243 - DON'T LET THE BOYS JUMP. 259 00:11:16,243 --> 00:11:18,311 THE TRAMPOLINE IS GOING TO BREAK. 260 00:11:18,311 --> 00:11:20,748 - I KNOW THE TRAMPOLINE LOOKS GREAT. 261 00:11:20,748 --> 00:11:23,250 IT ACTUALLY LOOKS A LOT BETTER IF YOU'RE IN YOUR SEAT. 262 00:11:23,250 --> 00:11:24,251 - NO, BREAK. 263 00:11:24,251 --> 00:11:25,786 BREAK. 264 00:11:25,786 --> 00:11:29,289 - YES, WE'RE GONNA TAKE A BREAK AFTER THIS SONG. 265 00:11:29,289 --> 00:11:33,160 AND REMEMBER, YOU'RE KELLY. 266 00:11:33,160 --> 00:11:36,329 - DON'T! DON'T THROW YOUR PHONE AWAY. 267 00:11:36,329 --> 00:11:38,065 AH. 268 00:11:38,065 --> 00:11:40,200 - * GONNA PARTY ALL NIGHT 269 00:11:40,200 --> 00:11:42,269 * HAVE THE TIME OF YOUR LIFE 270 00:11:44,104 --> 00:11:45,873 [thunderous cheering and applause] 271 00:11:47,875 --> 00:11:49,442 - WE CAN DO THIS. 272 00:11:49,442 --> 00:11:52,780 - STREET LOOK. 273 00:11:52,780 --> 00:11:54,047 [timer beeps] 274 00:11:54,047 --> 00:11:55,448 - MY FACE! - THAT'S YOUR FACE? 275 00:11:58,551 --> 00:11:59,552 [timer beeps] 276 00:11:59,552 --> 00:12:00,553 - 3.8 SECONDS. 277 00:12:00,553 --> 00:12:01,621 [together] WHOO! 278 00:12:01,621 --> 00:12:03,056 - IT'S A NEW RECORD. 279 00:12:03,056 --> 00:12:07,494 - YEAH, YOU FORGOT YOUR PANTS. 280 00:12:07,494 --> 00:12:09,797 - I THOUGHT I FELT A DRAFT. 281 00:12:09,797 --> 00:12:13,000 - GOT TO GO. 282 00:12:13,000 --> 00:12:14,001 [clothes whip] 283 00:12:14,001 --> 00:12:14,935 [cat howls] 284 00:12:18,338 --> 00:12:20,707 [together] GOT TO GO. 285 00:12:20,707 --> 00:12:22,209 - PERHAPS TO BECOME LEGENDS, 286 00:12:22,209 --> 00:12:24,344 WE SHOULD BREAK A DIFFERENT RECORD ON THE WALL. 287 00:12:24,344 --> 00:12:27,547 COME ON. 288 00:12:27,547 --> 00:12:31,885 - OKAY, UM, HIGH-STAGE DIVE, RED HOT CHILI PEPPERS, 25 FEET. 289 00:12:31,885 --> 00:12:35,122 - THE STAGE IS ONLY 20 FEET HIGH. 290 00:12:35,122 --> 00:12:38,691 - OH, SNOOP DOGG, LARGEST BEARD OF BEES. 291 00:12:38,691 --> 00:12:40,560 - CARLOS IS ALLERGIC. 292 00:12:40,560 --> 00:12:43,563 - OKAY, WE CAN BEAT N'SYNC'S RECORD. 293 00:12:43,563 --> 00:12:47,700 - YES, BUT NOT BY READING WORD-PAGES. 294 00:12:47,700 --> 00:12:49,469 - THEY'RE CALLED BOOKS, JAMES, 295 00:12:49,469 --> 00:12:51,171 AND THEY HOLD THE ANSWERS TO EVERYTHING. 296 00:12:51,171 --> 00:12:53,841 - OH, HMM, DO THEY HOLD THE ANSWER TO THIS? 297 00:12:53,841 --> 00:12:55,142 WAOW. 298 00:12:55,142 --> 00:12:56,509 - DON'T. 299 00:12:56,509 --> 00:12:58,745 WE NEED HIM. 300 00:12:59,947 --> 00:13:01,748 [tense spy music] 301 00:13:01,748 --> 00:13:04,384 - YOU JUST HAD TO FIGHT ME FOR THE TERRARIUM. 302 00:13:04,384 --> 00:13:06,353 - YOU WANTED TO PUT JEAN-PIERRE IN A CRATE. 303 00:13:06,353 --> 00:13:07,354 - READING. 304 00:13:07,354 --> 00:13:08,555 - HIDE HIM IN A CRATE, 305 00:13:08,555 --> 00:13:11,324 SO WE COULD GET HIM ON THE BUS TO AMERICA. 306 00:13:11,324 --> 00:13:16,864 - YOU KNOW WHAT? HE DOESN'T NEED YOUR HELP. 307 00:13:18,098 --> 00:13:22,635 - YOU KNOW WHAT? HE'S NOT GETTING IT. 308 00:13:28,408 --> 00:13:30,944 - LOOKING FOR SOMETHING? 309 00:13:30,944 --> 00:13:36,149 LIKE JEAN-PIERRE THE CRICKET PERHAPS? 310 00:13:36,149 --> 00:13:37,918 [cricket chirps] 311 00:13:37,918 --> 00:13:39,086 - [harshly whispers] KATIE. 312 00:13:39,086 --> 00:13:40,520 K. 313 00:13:40,520 --> 00:13:43,556 - OF COURSE WE SAW A CRICKET, BECAUSE CANADA HAS THEM TOO. 314 00:13:43,556 --> 00:13:47,227 HEY, IS THAT ONE ON THE GROUND? 315 00:13:50,197 --> 00:13:52,065 - THAT IS A DUBIOUS STAIN. 316 00:13:52,065 --> 00:13:55,368 - HUH, THEN I GUESS WE HAVEN'T SEEN A CRICKET. 317 00:13:55,368 --> 00:13:56,369 SORRY. 318 00:13:56,369 --> 00:14:00,140 - LET'S GO-O. 319 00:14:00,140 --> 00:14:02,509 YOU, BOOK. 320 00:14:02,509 --> 00:14:04,978 YOU, STUPID TOYS. 321 00:14:04,978 --> 00:14:06,914 AND ALL OF YOU, SMILE. 322 00:14:06,914 --> 00:14:11,151 YOUR FANS SHOWED UP TONIGHT TO SEE THEIR ONSTAGE IDOLS, 323 00:14:11,151 --> 00:14:14,454 NOT BACKSTAGE IDIOTS. 324 00:14:14,454 --> 00:14:16,489 - MAYBE THEY'VE COME TO SEE BOTH. 325 00:14:18,025 --> 00:14:19,492 [thunderous cheering and applause] 326 00:14:19,492 --> 00:14:22,429 - * YO, YO, YO, YO, YO, MAKE SOME NOISE * 327 00:14:22,429 --> 00:14:25,265 * HANDS UP KIDS, YOU ARE ON CAMERA * 328 00:14:27,734 --> 00:14:30,370 - * HAVE YOU EVER HAD THE FEELING * 329 00:14:30,370 --> 00:14:32,172 * YOU'RE DRAWN TO SOMEONE * 330 00:14:32,172 --> 00:14:33,941 - * TO SOMEONE 331 00:14:33,941 --> 00:14:37,945 - * AND IT ISN'T ANYTHING THEY COULD'VE SAID OR DONE * 332 00:14:37,945 --> 00:14:39,746 - * SAID OR DONE 333 00:14:39,746 --> 00:14:42,749 - * AND EVERY DAY I SEE YOU ON YOUR OWN * 334 00:14:42,749 --> 00:14:45,485 * AND I CAN'T BELIEVE THAT YOU'RE ALONE * 335 00:14:45,485 --> 00:14:51,191 * BUT I OVERHEARD YOUR GIRLS, AND THIS IS WHAT THEY SAID * 336 00:14:51,191 --> 00:14:53,026 - * SHE'S LOOKING FOR A BOYFRIEND * 337 00:14:53,026 --> 00:14:54,361 * I SEE IT 338 00:14:54,361 --> 00:14:57,497 * GIVE ME TIME, YOU KNOW I'M GONNA BE THERE * 339 00:14:57,497 --> 00:15:00,367 * DON'T CARE OR KNOW WHAT YOU'VE DONE BEFORE * 340 00:15:00,367 --> 00:15:03,170 * ALL I REALLY WANT IS TO BE YOUR * 341 00:15:03,170 --> 00:15:08,541 * 342 00:15:08,541 --> 00:15:10,877 * B-B-B-B- LOOKING FOR A BOYFRIEND * 343 00:15:10,877 --> 00:15:12,212 * I SEE IT 344 00:15:12,212 --> 00:15:14,014 [trampoline creaks] 345 00:15:14,014 --> 00:15:15,482 [metal scraping] 346 00:15:16,549 --> 00:15:17,884 [metal clangs] 347 00:15:17,884 --> 00:15:21,054 * ALL I REALLY WANT IS TO BE YOUR * 348 00:15:21,054 --> 00:15:22,155 [wild cheering and applause] 349 00:15:23,523 --> 00:15:25,625 - OMG, I HEART B.T.R., 350 00:15:25,625 --> 00:15:27,694 AND I THINK I CAN GET BACKSTAGE OVER THIS FENCE. 351 00:15:27,694 --> 00:15:29,029 HELP ME, RUSHERS. 352 00:15:29,029 --> 00:15:31,999 [high-pitched cheering] 353 00:15:38,538 --> 00:15:40,540 OMG, I HEART B.T.R., 354 00:15:40,540 --> 00:15:42,442 AND I THINK I CAN GET BACK OVER THIS FENCE. 355 00:15:42,442 --> 00:15:46,413 HELP ME, SECURITY GUARDS. 356 00:15:46,413 --> 00:15:48,015 [high-pitched scream] 357 00:15:48,015 --> 00:15:49,482 thud! 358 00:15:53,686 --> 00:15:57,024 - * I KNOW WE CAN TURN IT UP ALL THE WAY * 359 00:15:57,024 --> 00:16:02,429 - [muffled] * MY COVER GIRL, WHOA-OH-OH-OH-OH * 360 00:16:02,429 --> 00:16:04,631 [song grows louder] * MY COVER GIRL 361 00:16:04,631 --> 00:16:09,202 OH-OH-OH-OH-OH * 362 00:16:12,272 --> 00:16:13,540 [metal bangs] 363 00:16:13,540 --> 00:16:15,042 * HEY-EY, OH-OH 364 00:16:15,042 --> 00:16:18,645 * SO PRETTY IS ALL 365 00:16:19,879 --> 00:16:21,281 - ELEVATE LOOK. 366 00:16:21,281 --> 00:16:22,682 - WAIT. 367 00:16:22,682 --> 00:16:24,851 - THIS IS OUR LAST CHANCE TO BEAT N'SYNC'S RECORD, 368 00:16:24,851 --> 00:16:27,120 AND WE HAVEN'T FIGURED OUT THE SECRET OF QUICK-CHANGING. 369 00:16:27,120 --> 00:16:28,321 - RIGHT. 370 00:16:28,321 --> 00:16:30,457 LET'S ALL STAY HERE AND THINK ABOUT WAYS 371 00:16:30,457 --> 00:16:33,326 WE CAN INCREASE OUR CLOTHES-CHANGING SPEED. 372 00:16:33,326 --> 00:16:35,328 - TOTALLY AGREE, HA HA HA, SEE YA! 373 00:16:35,328 --> 00:16:36,763 - GOT TO GO. 374 00:16:38,098 --> 00:16:39,066 - I HATE THEM. 375 00:16:41,901 --> 00:16:43,603 - WHERE'S MY BOOK? 376 00:16:43,603 --> 00:16:44,771 AND THE COUCH? 377 00:16:44,771 --> 00:16:47,540 - WE WERE TOLD TO START LOADING THE TRUCK. 378 00:16:47,540 --> 00:16:52,079 - I ONLY HAD ONE PAGE LEFT TO GO. 379 00:16:52,079 --> 00:16:53,280 WHOA, WHOA, WAIT, WAIT. 380 00:16:53,280 --> 00:16:55,315 I GOT TO FIND MY BOOK. 381 00:16:55,315 --> 00:16:57,317 NO BOOK. 382 00:16:57,317 --> 00:16:59,519 NO BOOK. 383 00:16:59,519 --> 00:17:04,891 - BUT A CRICKET IN A WORLD-TOUR TERRARIUM. 384 00:17:04,891 --> 00:17:10,597 ARREST HIM FOR ILLEGAL SMUGGLING. 385 00:17:10,597 --> 00:17:12,199 UGH. 386 00:17:12,199 --> 00:17:15,102 I CANNOT ARREST BECAUSE WE ARE "IN CANADA." 387 00:17:15,102 --> 00:17:17,737 BUT BIG TIME RUSH WILL NEVER BE ALLOWED 388 00:17:17,737 --> 00:17:19,206 TO PERFORM AGAIN IN FRANCE. 389 00:17:19,206 --> 00:17:20,207 - WHAT? 390 00:17:20,207 --> 00:17:22,742 WHAT IS GOING ON HERE? 391 00:17:22,742 --> 00:17:24,611 - CARLOS SMUGGLED A CRICKET OUT OF FRANCE, 392 00:17:24,611 --> 00:17:25,778 AND WE JUST GOT BUSTED. 393 00:17:25,778 --> 00:17:28,248 - OKAY, HOW DID WE MISS THAT? 394 00:17:28,248 --> 00:17:34,187 - WELL, AT LEAST LET HIM SAY GOOD-BYE. 395 00:17:34,187 --> 00:17:36,456 [gentle guitar music] 396 00:17:36,456 --> 00:17:38,158 - OH, BYE-BYE, LITTLE BUDDY. 397 00:17:38,158 --> 00:17:40,993 YOU ALMOST MADE IT TO L.A. 398 00:17:40,993 --> 00:17:43,130 BUT WE'LL ALWAYS HAVE PARIS, 399 00:17:43,130 --> 00:17:45,132 BARCELONA 400 00:17:45,132 --> 00:17:46,499 AND BERLIN 401 00:17:46,499 --> 00:17:48,368 AND NOW CANADA. 402 00:17:48,368 --> 00:17:50,637 [cricket chirps] 403 00:17:50,637 --> 00:17:52,605 NO OTHER CRICKET HAS EVER SEEN SO MUCH. 404 00:17:52,605 --> 00:17:55,375 I'M SO SORRY THAT I'LL NEVER SEE YOU AGAIN. 405 00:17:59,279 --> 00:18:03,450 - YOU KNOW, WE FRENCH DON'T UNDERSTAND MANY THINGS-- 406 00:18:03,450 --> 00:18:05,485 SPACE TRAVEL, 407 00:18:05,485 --> 00:18:07,920 BIKINI TOPS, 408 00:18:07,920 --> 00:18:09,556 SOAP-- 409 00:18:09,556 --> 00:18:14,227 BUT THERE'S ONE THING WE DO UNDERSTAND... 410 00:18:14,227 --> 00:18:16,263 LOVE. 411 00:18:20,400 --> 00:18:23,903 BE GOOD TO HIM. 412 00:18:23,903 --> 00:18:26,706 - YES. 413 00:18:26,706 --> 00:18:28,541 MY CRICKET IS STAYING. 414 00:18:28,541 --> 00:18:30,177 - MY BOOK IS GONE. 415 00:18:30,177 --> 00:18:31,844 I HAD ONE PAGE LEFT TO GO, MAN. 416 00:18:31,844 --> 00:18:35,682 WHY, WHY, WHY? 417 00:18:38,485 --> 00:18:40,887 MY BOOK--I CAN FINISH. 418 00:18:40,887 --> 00:18:43,523 QUIET, READING. 419 00:18:43,523 --> 00:18:46,859 - OKAY, WHY DID THEY GET HAPPY ENDINGS, BUT WE DON'T? 420 00:18:46,859 --> 00:18:49,296 - BECAUSE WE STILL HAVEN'T FIGURED OUT 421 00:18:49,296 --> 00:18:51,198 HOW TO BEAT N'SYNC'S QUICK-CHANGE TIME. 422 00:18:51,198 --> 00:18:53,900 - HOW TO SLOW DOWN TIME BY CREATING A RIP 423 00:18:53,900 --> 00:18:55,568 IN THE FABRIC OF TIME. 424 00:18:55,568 --> 00:18:57,204 HA, DONE. 425 00:18:57,204 --> 00:19:01,274 - WAIT, SLOWING DOWN TIME? 426 00:19:01,274 --> 00:19:04,411 RIPPING. 427 00:19:04,411 --> 00:19:08,648 FABRIC. 428 00:19:08,648 --> 00:19:12,519 - WE'RE BACK. 429 00:19:12,519 --> 00:19:13,853 - LET HER RIP. 430 00:19:13,853 --> 00:19:16,856 [dramatic orchestra music] 431 00:19:16,856 --> 00:19:23,496 * 432 00:19:23,496 --> 00:19:27,967 [clothes ripping and tearing] 433 00:19:42,148 --> 00:19:43,683 [timer beeps] 434 00:19:43,683 --> 00:19:45,252 - 3.7 SECONDS. 435 00:19:45,252 --> 00:19:47,254 [together] WE'RE ON THE WALL OF FAME! 436 00:19:47,254 --> 00:19:48,455 - WOO-HOO-HOO. 437 00:19:48,455 --> 00:19:51,157 - NOW GET OUT THERE, HIT THAT TRAMPOLINE, 438 00:19:51,157 --> 00:19:56,162 AND LET'S ELEVATE! 439 00:19:56,162 --> 00:20:00,433 - * GO GET A LITTLE HIGHER 440 00:20:00,433 --> 00:20:03,202 * MO-MOVE YOUR FEET UNTIL YOU LEVITATE * 441 00:20:03,202 --> 00:20:05,572 * COME ON, LET'S CELEBRATE * 442 00:20:05,572 --> 00:20:07,707 - * FORGET ABOUT YOUR DAY 443 00:20:07,707 --> 00:20:09,509 * UNDER THE MILKY WAY 444 00:20:09,509 --> 00:20:13,346 * I KNOW A PLACE WHERE WE CAN GO-O-O * 445 00:20:13,346 --> 00:20:15,248 - * NO NEED TO BE AFRAID 446 00:20:15,248 --> 00:20:16,983 * COME ON, I'LL DEMONSTRATE * 447 00:20:16,983 --> 00:20:18,818 * TAKE YOU TO OUTER SPACE 448 00:20:18,818 --> 00:20:21,120 - * HERE WE GO, HERE WE GO-O * 449 00:20:21,120 --> 00:20:22,822 [trampoline creaks] 450 00:20:22,822 --> 00:20:25,925 [metal scraping] 451 00:20:25,925 --> 00:20:27,193 - NO ONE BACKSTAGE. 452 00:20:27,193 --> 00:20:30,263 AND BESIDES, NOTHING EXCITING HAPPENS BACKSTAGE. 453 00:20:31,931 --> 00:20:34,801 - THAT'S WHAT YOU THINK. 454 00:20:34,801 --> 00:20:36,002 SORRY, BOYS. 455 00:20:36,002 --> 00:20:38,104 I GOT TO SAVE THE DAY. 456 00:20:38,104 --> 00:20:39,806 [yelling and pounding] 457 00:20:39,806 --> 00:20:41,941 THE TRAMPOLINE'S GONNA BREAK! 458 00:20:41,941 --> 00:20:43,042 HEY, JEAN-PIERRE. 459 00:20:43,042 --> 00:20:45,144 YOU, YOU GET OUT. 460 00:20:45,144 --> 00:20:49,181 - * LEVITATE, COME ON, LET'S CELEBRATE * 461 00:20:49,181 --> 00:20:51,384 - THANK YOU FOR AN AMAZING NIGHT. 462 00:20:51,384 --> 00:20:53,052 - LOVE YOU, GUYS. WE'VE HAD A BLAST. 463 00:20:53,052 --> 00:20:54,521 WE'LL SEE YOU SOON. 464 00:20:54,521 --> 00:20:59,025 - * ELEVATE 465 00:20:59,025 --> 00:21:03,496 - HOLD IT, BOYS. 466 00:21:04,631 --> 00:21:06,466 KENDALL. 467 00:21:06,466 --> 00:21:07,634 [huge explosion] 468 00:21:11,438 --> 00:21:12,439 LOGAN. 469 00:21:12,439 --> 00:21:15,375 [huge explosion] 470 00:21:15,375 --> 00:21:17,176 JAMES. 471 00:21:17,176 --> 00:21:19,512 [huge explosion] 472 00:21:19,512 --> 00:21:21,981 CARLO-O-O-S. 473 00:21:21,981 --> 00:21:23,850 [huge explosion] 474 00:21:23,850 --> 00:21:26,252 - THANK YOU. 475 00:21:27,354 --> 00:21:31,791 [drumroll and cheering] 476 00:21:31,791 --> 00:21:33,493 - WHEW. 477 00:21:33,493 --> 00:21:34,627 AH. 478 00:21:34,627 --> 00:21:37,564 [applause and cheers] 479 00:21:42,602 --> 00:21:46,873 - YOU KNOW, THIS BACKSTAGE CAN BE VERY EXCITING. 480 00:21:46,873 --> 00:21:49,008 - YEAH, I GUESS SO. 481 00:21:49,008 --> 00:21:53,079 - * AH, AH, AH-AH, OH 482 00:21:53,079 --> 00:21:56,048 - * AH, AH, AH-AH, OH 483 00:21:59,285 --> 00:22:00,286 - * STEP IT UP, GET IN GEAR * 484 00:22:00,286 --> 00:22:02,021 * GO FOR BROKE, MAKE IT CLEAR * 485 00:22:02,021 --> 00:22:04,524 - * GOT TO GO BIG TIME 486 00:22:04,524 --> 00:22:06,025 - * HEY, HEY 487 00:22:06,025 --> 00:22:08,094 - * MAKE IT WORK, GET IT RIGHT * 488 00:22:08,094 --> 00:22:10,162 * CHANGE THE WORLD OVERNIGHT 489 00:22:10,162 --> 00:22:12,832 - * GOT TO DREAM BIG TIME 490 00:22:12,832 --> 00:22:14,300 - * OH-OH, OH-OH 491 00:22:14,300 --> 00:22:16,235 - * HEY, HEY 492 00:22:16,235 --> 00:22:18,270 - * GIVE IT ALL YOU GOT NOW 493 00:22:18,270 --> 00:22:20,272 - * HEY, HEY 494 00:22:20,272 --> 00:22:22,108 - * ISN'T IT A RUSH * 495 00:22:22,108 --> 00:22:24,176 - * OH-OH, OH-OH 496 00:22:24,176 --> 00:22:26,413 * OH-OH, OH-OH 497 00:22:26,413 --> 00:22:27,714 - * GO AND SHAKE IT UP 498 00:22:27,714 --> 00:22:29,849 * WHATCHA GOTTA LOSE 499 00:22:29,849 --> 00:22:34,421 * GO AND MAKE YOUR LUCK WITH THE LIFE YOU CHOOSE * 500 00:22:34,421 --> 00:22:37,957 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 501 00:22:37,957 --> 00:22:42,629 * IT'S THE ONLY LIFE YOU GOT SO YOU GOT TO LIVE IT BIG TIME * 33138

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.