All language subtitles for Crossing.The.Bridge.1992

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THIS WAS ME. I GOT
BETTER-LOOKIN' WITH AGE.

THAT'S SOMETHIN' YOU'RE
GONNA HAVE TO TRUST ME ON.

I'M TWENTY-ONE HERE.

JUST SIX MONTHS BEFORE THIS,

I HAD SEX FOR ONLY
THE THIRD TIME IN MY LIFE.

IF YOU LOOK CLOSE,
YOU CAN STILL SEE ME SMILING.

DANNY MORGAN,
THE COOLEST GUY I EVER KNEW.

I IDOLIZED THIS GUY
FOR SO LONG.

EVERY HIGH SCHOOL
IN EVERY CITY HAD ONE,

THE FOOTBALL STAR
THAT GOT ALL THE GIRLS.

DANNY WAS OURS AND MY LIFE
WAS SOMEHOW BETTER OFF

JUST BY BEING HIS FRIEND.

TIM REESE. EVEN LOOKING
AT HIS IMAGE YEARS LATER,

I'M TEMPTED TO WHISPER BECAUSE
I DON'T WANT HIM TO HIT ME.

HE'S THE KIND OF GUY
WHO WOULD OUT OF NOWHERE,

EVEN IF HE JUST
THOUGHT YOU WERE THINKIN'
SOMETHING BAD ABOUT HIM.

OW! WHAT WAS THAT FOR?

I DON'T KNOW.
I'LL THINK OF SOMETHING.

THIS IS THE "WAR WAGON,"

THE BIG BLUE BOMB OF A BUICK

THAT EACH OF US CLAIMED
WAS LEGALLY OURS,

YET NONE OF US EVEN
BOTHERED TO REGISTER.

TO THE GUYS I GREW UP WITH,
THIS WAS AN INFAMOUS PARTY CAR,

A LEGEND IN
ITS OWN NEIGHBORHOOD.

THE AMBASSADOR, THE MAIN LINK
OVER THE DETROIT RIVER

CONNECTING CANADA
AND AMERICA.

WE CROSSED OVER THIS THING
MANY, MANY TIMES,
DANNY, TIM AND I.

IN HIGH SCHOOL, WE WOULD GO
TO CANADIAN STRIP JOINTS

THEIR HOUSE BEER.

BUT THIS WASN'T HIGH SCHOOL.
THIS WAS THREE YEARS LATER.

AND THIS ISN'T ABOUT
JUST ANY NIGHT.

THIS IS ABOUT A NIGHT
WHEN THE AMBASSADOR
BECAME MORE THAN A BORDER,

MORE THAN A MERE HIGHWAY
OVER A RIVER,

A NIGHT THAT I'LL NEVER
FORGET AS LONG AS I LIVE.

THESE ARE THE TALES
OF THE WAR WAGON,

AND THIS IS THE STORY
OF THE BRIDGE.

MORT! WAKE UP!
IT'S ALMOST NOON.

I DON'T WORK
'TIL 4:00, MA.

LET'S GO.
TIME TO GET UP.

SO, WHERE WERE YOU
LAST NIGHT?
JUST HANGIN'.

WITH DANNY AND TIM?

YEAH, MOM.

HOW COME YOU
DON'T TALK TO ME?

YOU USED TO TELL ME
WHAT YOU WERE DOIN'.

I NEVER TOLD YOU
WHAT I WAS DOIN', MOM.

THAT'S RIGHT.
YOU'RE JUST LIKE YOUR FATHER.

THE BASTARD!

SO, HAVE YOU GOTTEN ANY MAIL
AT THE STORE LATELY?

MAIL? NO, WHY?

I APPLIED FOR A SCHOLARSHIP
FOR YOU TO STATE.

I GAVE 'EM YOUR HOME AND
YOUR WORK AND I HAVEN'T HEARD,
SO I THOUGHT MAYBE --

ARE YOU GONNA START
WITH COLLEGE AGAIN, HUH?

I TOLD YOU, I HAVE NO INTEREST
IN GOING TO COLLEGE, NONE.

SO JUST DROP IT,
ALL RIGHT?

YOU'RE SO MUCH
LIKE YOUR FATHER.

YOU SHOULDN'T SMOKE.

AT LEAST
BUY YOUR OWN.

GO!

I'M TELLING YOU,
THEY'RE MIDGETS.

FOR HIGH SCHOOL GUYS,
THEY'RE FAST.

THEY'RE NOT FAST.

THEY'RE TINY.
IT MAKES THEM LOOK FAST.

WE NEVER LOOKED
THAT LITTLE, THAT'S FOR SURE.

THESE GUYS ARE LIKE --

WHAT ARE THOSE LITTLE GUYS
ON "GULLIVER'S TRAVELLING"?

"GULLIVER'S TRAVELS," TIM.

AND THEY'RE CALLED
LILLIPUTIANS.

YEAH, LILLIPUTIANS STUNK.

LILLIPUTIANS!

ANYONE WANT TO HEAD
TO THE CLEARING?

- FUCK THE CLEARING.
- SCREW THE CLEARING, MAN.

I GOT A COUPLE OF SIX-PACKS
IN THE CAR.

- I KINDA MISS THE CLEARING.
- CLEARING SOUNDS GREAT TO ME.

LET'S GO.

SO, WHAT HAPPENED? YOU,
YOU WASH OUT AT EASTERN?

JUST GOT TIRED
OF FOOTBALL.

IT WASN'T FUN ANYMORE,
KNOW WHAT I MEAN?

HE QUIT AFTER TWO DAYS.

EVENTUALLY HE'S GONNA GO BACK
AND FINISH OUT THE WHOLE WEEK.

LET'S HOPE
THAT'S NOT SUPPOSED
TO BE FUNNY, MORT.

YOU GONNA BE A DICK
ALL YOUR LIFE?

WHAT THE HELL? STILL GOT
THE WAR WAGON, RIGHT?

YEAH, STILL GOT THE W.W.

BOY, IF THAT CAR
COULD TALK --

HE-- HEY, YOU GUYS
OUGHTA USE IT
TO MAKE SOME DOUGH.

WHAT DO YOU MEAN?

YOU GUYS GO INTO CANADA
EVERY NOW AND THEN, RIGHT?

TO THE STRIP JOINTS
AND STUFF?

YEAH, SO?

WELL, THE THING IS,

IF ONE OF YOU EVER WANTED
TO DO A RUN UP TO TORONTO
FOR ME

AND BRING BACK SOME HASH
ACROSS THE BRIDGE,

YOU COULD MAKE
SOME NICE CHANGE.

HOW MUCH?

ABOUT NINE GRAND.

IT'S WORTH
NINE GRAND TO YOU?

SUPPLY AND DEMAND.

YEAH, WHAT IF
YOU GET CAUGHT?

YOU WON'T GET CAUGHT.
IT'S EASY.

YOU JUST HIDE IT
IN THE SPARE TIRE.

BESIDES,
IT'S JUST HASH.

WORSE COMES TO WORSE,
THEY TAKE IT AWAY FROM YOU
AND LET YOU GO.

THAT'S GOOD.

IF IT'S SO EASY TO DO,
HOW COME YOU DON'T JUST
DO IT YOURSELF?

THE BORDER GUARDS
KNOW ME BY NOW.

I'VE BEEN BACK AND FORTH
THOUSANDS OF TIMES.

BEATS PUMPIN' GAS!

MULL IT OVER.

BESIDES, NOTHIN' LIKE
A LITTLE BORDER-HOPPIN'

TO GET THE OLD
GAME JUICES FLOWIN'.

JOHN?

I-IS IT A BAD SIGN

WHEN SMOKE'S COMIN'
OUT OF YOUR FINGERNAILS?

HEY, YOU'RE JUST IN TIME.
I NEED TWENTY BUCKS.
WHAT ARE YOU TALKIN' ABOUT?

TWENTY BUCKS!
I BET THESE THREE LITTLE
HIGH SCHOOL PUSSY MIDGETS,

I COULD TAKE THEM
ALL ON AT ONCE.
GIVE ME THE MONEY.

COME ON,
TWENTY BUCKS, MAN.

- ALL RIGHT.
- YEAH!

I WANT YOU FIRST,
SONNY BOY. COME ON.
HO, HO, HEY, HO, HO!

I'M IN
FOR TWENTY BUCKS.

- SMART MOVE.
- ON THEM.

YOU'RE BETTING
ON THEM?
YEAH.

DICK!

HEY, THEY'RE IN GOOD SHAPE.
YOU GET UP AT NOON.

IT'S FOUND MONEY.

THAT'S IT, BET'S OFF.
GIVE 'EM THEIR MONEY BACK.

YOU'VE SEEN ME TAKE
THREE GUYS ON BEFORE.
YOU KNOW I CAN DO IT.

YEAH!
WHEW!
MAYBE.

WANNA GET DRUNK?

COME ON,
LET'S FIGHT HIM, KID.

COME ON, MAN.
GIVE HIM A FIGHT.
THIS ISN'T PERSONAL.

- GET OFF THAT!
- FUCK YOU! FUCK!

YOU'RE GETTIN' HOT!

SHIT! PIECE OF SHIT!
SHIT!

THAT'S ENOUGH!
THAT'S ENOUGH!

SHOULD WE CRUISE WOODWARD?

UNLESS YOU WANNA STOP

AND BEAT SOMEONE UP
ALONG THE WAY, YEAH.

YOU REALLY ARE A VERY
SICK LITTLE PUPPY.

YOU KNOW THAT, TIM?
I KNOW I AM.

YOU KNOW I'M SICK.
SOMEBODY OUGHTA JUST...

TAKE ME OUT BACK, SHOOT ME,
AND DO THE WHOLE COMMUNITY
A BIG FAVOR.

MORT! SOME FRIENDS
OF YOURS ARE HERE.

WAKE UP, MORT.
LET'S GO, PAL.
MUD BOWL TIME.

MUD BOWL?

I'M TIRED, GUYS.
COME ON!

FIRST TIME HE'S BEEN OUT
OF THE HOUSE BEFORE NOON
IN A YEAR.

IT'S MUD BOWL.
I LOVE YOU BOYS.

MUD BOWL! MUD BOWL!
MUD BOWL! MUD BOWL!

MUD BOWL! MUD BOWL!
MUD BOWL! MUD BOWL!

MUD BOWL! MUD BOWL!
MUD BOWL! MUD BOWL!

I'M TOO TIRED
TO PLAY FOOTBALL!

YOU GUYS'LL HURT ME.
I'M A PUSSY, REMEMBER?

MUD BOWL!

OH, MY GOD!
IT'S SMILIN'
JACK HARPER, MAN.

BACK FROM COLLEGE
FOR MUD BOWL.
UNBELIEVABLE!

HE'S IN A SUIT.
THE POOR FUCKER'S
IN A SUIT.

HEY, NICE SUIT, SMILIN'.
WHAT ARE YOU, A FED NOW?

WHAT'S THE DEAL, HARPS?
YOU'RE NOT PLAYING?

I GOT AN INTERVIEW
OVER AT G.M.,
PRODUCTS FLOW DIVISION.

IF YOU WERE HALF A MAN,
YOU'D PLAY.
YEAH.

LET ME ASK YOU BOYS
A QUESTION.

WHICH DO YOU THINK
IS MORE IMPORTANT?

SMILIN' JACK GETTIN'
THIS JOB AT G.M.?

NO!

OR PLAYIN' IN
THIS HERE MUD BOWL!

- DON'T DO IT, COME ON, MAN.

DON'T DO IT?
COME ON, DANNY.
JESUS, I GOT A MEETIN'.

HARPER HAS THE BALL.
HE'S COMIN' DOWN THE FIELD.
LEAVE ME ALONE.

LEAVE ME ALONE, TIM.
HE'S AT THE TEN!

THEN REESE COMES OUT
OF THE BLUE!

HE'S AT THE FIVE!
THE TWO!

REESE...
STOPS HIM AT THE ONE!

OH! OH,
LOOK AT THIS!
YOU LOOK GREAT, JACK.

I GOT A MEETING.
DIDN'T YOU HEAR ME?
NO, NOT REALLY.

DOESN'T THAT MEAN
ANYTHING TO YOU GUYS?

NO, NOT A THING!

WHAT'S THE MEANING,
JACK?

DANNY.

CATCH.

GET HIM, TIM!
GET HIM!

* EVERY ROAD
CREEKS AND HILLS *

* DIKES AND DAMS
TELL ME WHERE IS SANITY *

* TAX THE RICH
FEED THE POOR *

* 'TIL THERE ARE
NO RICH NO MORE *

LET'S PLAY BALL!

* OH YEAH

* I'D LOVE TO
CHANGE THE WORLD *

YESSIREE! ONE HELL
OF A GOOD MUD BOWL!

* SO I LEAVE IT
UP TO YOU *

SO THEN WHAT'D YOU DO?
DID YOU HIT HIM?

NO, I DIDN'T HIT HIM.
I JUST LET HIM FINISH
YELLIN' AT ME.

POOR,
MISGUIDED FOOL!

YOU'VE BEEN THERE, MORT?
YOU ACTUALLY SEEN HIM
HIT HIS DAD?

DANNY HAS TOO,
RIGHT ON HIS FRONT LAWN.

YOUR DAD, HE LOOKS
LIKE UNCLE FESTER
IN A CERTAIN LIGHT.

HAS ANYONE EVER TOLD YOU
THAT BEFORE?

HEY, TIM, WHAT,
ARE YOU DEAF?

DON'T TOUCH THE TOOLS.
HOW MANY TIMES I GOTTA SAY IT?

EGGHEAD'S TOUCHY
ABOUT THE TOOLS.
SPEAKIN' OF GOOFY, RINNY,

YOUR OLDER SISTER, FERN,
DOES SHE BRUSH HER TEETH?

SHE SMILED AT ME ONCE
AND I SWEAR, I COULDN'T USE
MY DICK FOR LIKE A YEAR.

HEY, TRACE, HOW'S IT GOIN'?

AHH, I'M DOIN' FINE.
HOW'S YOUR MOM?

- SHE'S GETTIN' BY.
- TELL HER, "HI."

SHE WANTS YOU, MARTY.
SHE WANTS YOU.

SHE'S A LITTLE OLDER THAN YOU,
BUT WHAT THE HELL.

IT'S NOT LIKE YOU CAN
AFFORD TO BE PICKY.

WHAT ARE YOU TALKING ABOUT?
MORT LIKES OLDER WOMEN.

MORT LIKES ANYONE
WHO'LL LOOK AT HIM.
IT'S TRUE.

I ONCE HAD SEX WITH
A 75-YEAR-OLD WOMAN.

I FELT LIKE I WAS
ROBBING THE GRAVE.

- NOT FUNNY.
- DEFINITELY NOT FUNNY.

IS THAT A NEW ONE, MORT?
BECAUSE IT SUCKS.

IT'S NOT A BIG DEAL,
TIM, OKAY?

IT WAS AN AD LIB.
IT WAS OFF THE CUFF.

YEAH? WELL HOW MUCH DO YOU
GET FOR A JOKE LIKE THAT?

HEY, NUMB-NUTS,
DON'T TOUCH THE TOOLS!

YOU WANT IT IN ENGLISH?

DON'T...TOUCH...
THE...TOOLS.

A, A BEER?
YOU'RE DRINKING A BEER?

THE PLACE IS STILL OPEN, MAN.

YOU TRYIN' TO GET ME FIRED,
YOU WASTE-OF-A-LIFE?

HEY, RINNY, JUST LET ME
GET THIS STRAIGHT.

TIM SHOULD OR HE SHOULDN'T
TOUCH THE TOOLS, WHICH ONE?

I'M NOT QUITE CLEAR ON THIS.

HE CAN TOUCH THE TOOLS
AND NOT HAVE A BEER,

OR HE CAN HAVE A BEER
BUT NOT TOUCH THE TOOLS?

WHICH ONE? YOU'RE
NOT BEING CLEAR HERE.

YOU GOTTA
MAKE THAT POINT.

DANNY'S MOM,

SHE DIED THREE WEEKS AFTER
WE GRADUATED HIGH SCHOOL.

THE HEAD OF OUR FOOTBALL
TEAM'S BOOSTER CLUB,

SHE HUNG IN
JUST LONG ENOUGH

TO SEE HER SON
TAKE A STATE CHAMPIONSHIP.

DANNY NEVER SAID A WORD TO ME
ABOUT HIS MOTHER.

HE NEVER SAID A WORD
ABOUT HER TO ANYONE.

THESE TRIPS HERE WERE
THE CLOSEST HE EVER CAME
TO LETTING ME IN.

YOU REALLY WANT
TO BE A WRITER?

ARE YOU SERIOUS
ABOUT IT?
YEAH, I'M SERIOUS.

ALL RIGHT.

I'M HAVING DINNER TONIGHT
WITH MY FRIEND MANNY GOLDFARB,

THE OLD GUY
I TOLD YOU ABOUT.

THE ONE THAT GOT HIS THING
STUCK IN A WATERMELON?
NO, NO.

THAT GUY --
FORGET ABOUT HIM ALREADY,
WILL YOU, PLEASE?

MANNY GOLDFARB IS THE WRITER,

THE ONE WHO WROTE
FOR THE "NEW YORK TIMES."

HE'S IN TOWN TONIGHT.
I'M HAVING DINNER WITH HIM.

IF YOUR HIGHNESS
WOULD CARE TO JOIN US,
PERHAPS, YOU KNOW,

YOU COULD
PICK HIS BRAINS.

THANKS, THANKS A LOT,
BUT I CAN'T.

I'M GOING OUT
WITH DANNY AND TIM TONIGHT.

DANNY AND TIM!

DANNY AND TIM!
DANNY AND TIM.

WE'RE GOIN' OVER THE BORDER
TO CANADA TO A, UH,

A, A STRIP JOINT.

EXCUSE ME.
IS THIS IMPORTANT?

YEAH. YEAH, IT IS.

AS A WRITER, YOU KNOW, I FEEL
THAT IT IS IMPORTANT THAT,

YOU KNOW, THAT I LIVE,
YOU KNOW, AS MUCH --

AS MUCH LIFE AS
I POSSIBLY CAN.

YOU KNOW, TO SEIZE
EVERY MOMENT, TO JUST --

DON'T TELL ME.

ALL THE GREAT WRITERS
SPENT HOURS AND HOURS

LOOKING AT FAT,
NAKED CANADIAN WOMEN

BEFORE THEY LEARNED
HOW TO WRITE, IS THAT IT?

I DIDN'T SAY HOURS AND HOURS,
UNCLE ALBY, BUT...

I BET THE REALLY GOOD ONES
DID THEIR SHARE.

RELAX.

WE'RE GOING INTO CANADA
TO CHECK OUT THE BRIDGE.
NO BIG DEAL.

TO SEE IF IT'S COOL TO
SMUGGLE DOPE ACROSS IT.

THAT'S A BIG DEAL, DANNY.

ANYWAYS, EVEN IF WE DO THIS

AND GO
ALL THE WAY TO TORONTO,

I WANT TO STOP AT U. OF T.
AND SEE CAROL, OKAY?

SHE DUMPED YOU
TWO YEARS AGO.
LET IT GO.

I CAN'T LET IT GO,
YOU KNOW THAT.

I'D LOVE TO, OKAY?
I'D LOVE TO BE LIKE YOU.

SNEAK INTO SOME GIRL'S HOUSE
IN THE MIDDLE OF THE NIGHT

AND PULL WILD STUFF
LIKE THAT OFF!

DO YOURSELF A FAVOR AND
FORGET ABOUT CAROL BROCKTON.

WHY, BECAUSE
YOU FUCKED HER?

WHY DON'T YOU DO ME A FAVOR
AND ADMIT IT ALREADY?

I DON'T CARE.
IT'S NOT A BIG DEAL.

I JUST WANT TO HEAR YOU
SAY THE WORDS,

"I FUCKED CAROL BROCKTON."

GOLDEN, GOLDEN!
I DON'T CARE!
"I FUCKED CAROL BROCKTON."

YOU ARE DRIVING ME CRAZY.
WHAT DOES IT MATTER IF I
DID FUCK THIS GIRL ANYWAY?

IT WAS THREE YEARS BEFORE
YOU EVER WENT OUT WITH HER.

OH, YOU'RE AN ASSHOLE!
YOU DID!

WHA--
LOOK AT YOU!
YOU DID!

I'M NOT SAYING I FUCKED HER.

I'M SAYING, IF I DID,
WHAT DOES IT MATTER?

IT MATTERS TO ME.
BECAUSE IT MATTERS.
WHY?

YOU WENT OUT WITH
THIS GIRL FOR A MONTH,

THE MONTH AFTER HIGH SCHOOL.

DO YOU THINK THIS GIRL DID,

SAT AROUND WAITING
FOR THE MONTH

SHE WAS GOING OUT WITH YOU?
I DON'T THINK SO.

YOU KNOW, THIS MAY SOUND
VERY HARD TO BELIEVE,

BUT SOME PEOPLE DIDN'T
HAVE SEX DURING HIGH SCHOOL.

I KNOW IT MAY COME
AS A BIG SHOCK TO YOU.
BESIDES YOU, NAME ONE.

AND DON'T SAY
MARY ELLEN CASTILLIANO

BECAUSE THAT WOULD
BE A VERY SICK JOKE.

THAT'S WHAT I THOUGHT.
COULD WE GO IN HERE?

ANYWAY, I HAD SEX
IN HIGH SCHOOL.
WITH WHO? WHERE?

THIS CHICK
AT SUMMER CAMP.
SUMMER CAMP?

OH, THAT'S REAL
TRACEABLE, MORT.

GET OUT!

GET THE HELL
OUTTA HERE!

YOU AND YOUR DAMN FRIENDS,
GO ON, GET OUT!

YOU GET IN BACK.
NO WAY, MAN.
I GOT SHOTGUN.

BULLSHIT! GET IN BACK.
I DON'T WANT TO HAVE
TO HURT YOU, MORT.

NO.

I'M NOT SCREWING AROUND HERE,
MORT.

I'M IN NO MOOD.
NOW HOP IN THE BACK.

WHY SHOULD I, TIM?
WHY SHOULD I?
BECAUSE YOU VALUE YOUR LIFE.

SO HOP YOUR SCRAWNY
LITTLE ASS IN BACK!

GET IN, TIM.

YOU WASTE-OF-A-LIFE!

WHAT'S THE PROBLEM,
TIM?

MY OLD MAN.

HE'S SUCH A JERK.

SO WHAT ARE YOU GONNA DO,
KICK HIS ASS?

LOOK, I DON'T FEEL
LIKE TALKING, OKAY?

I HATE LIFE.
THAT'S HEALTHY.
THAT'S HEALTHY.

I HATE PEOPLE.

I HAVE NO IDEA
WHY I'M GOING TO CANADA.

AS FAR AS I'M CONCERNED,

YOU'RE BOTH JUST A COUPLE
OF SHITHOLES,

SO JUST SHUT UP
AND DRIVE.

* SOME FOLKS ARE BORN
MADE TO WAVE THE FLAG *

* OOH, THEY'RE RED
WHITE AND BLUE *

* AND WHEN THE BAND PLAYS
HAIL TO THE CHIEF *

* OOH, THEY POINT THE CANNON
AT YOU *

* IT AIN'T ME
IT AIN'T ME *

* I AIN'T NO MILLIONAIRE'S SON
NO, NO *

* IT AIN'T ME
IT AIN'T ME *

* I AIN'T NO FORTUNATE ONE
NO *

* SOME FOLKS ARE BORN
SILVER SPOON IN HAND *

* LORD, DON'T THEY
HELP THEMSELVES *

* BUT WHEN THE TAX MAN
COMES TO THE DOOR *

* LORDY, HOW IT DO LOOK
LIKE A RUMMAGE SALE *

* IT AIN'T ME
IT AIN'T ME *

* I AIN'T NO FORTUNATE ONE

* IT AIN'T ME
IT AIN'T ME *

* I AIN'T NO FORTUNATE ONE

YOU GUYS GO AHEAD IN.
I'LL BE BACK IN A WHILE.

WHAT ARE YOU DOING?
PARK THE CAR HERE.

GO HAVE SOME FUN.
I'LL BE BACK IN A WHILE.

WHAT?
HEY, WHERE ARE YOU GOIN'?
WHAT ARE YOU DOIN'?

WE MIGHT AS WELL GO INSIDE
AS LONG AS WE'RE HERE.

WHAT A DICK!

HE LEAVES ME HERE
IN THE MIDDLE OF CANADA...
WITH YOU.

LET'S GO INSIDE, TIM.
HE'LL BE BACK.

WHAT A JERK!

NAKED WOMEN, TIM.

WE'VE GOT NAKED WOMEN
IN THERE.

YOU LOVE NAKED WOMEN.
WE HAVE TO GO IN THERE
TO SEE THEM.

THERE...
COME ON, LET'S GO.

BESIDES, YOU MIGHT
HAVE FORGOTTEN,

I HAPPEN TO BE A LOT OF FUN
AT THESE PLACES.
YEAH, YEAH.

I'M SERIOUS.
GIRLS AT A PLACE LIKE THIS
LOVE A GUY LIKE ME.

IT'S FOUR APIECE.
I KEEP
THE CROWD HAPPY.

STAY OFF THE STAGE.

WHERE THE HELL
DID HE GO?

I'M GONNA
BREAK HIS NECK.
MAYBE HE GOT LUCKY.

WHERE THE FUCK
WERE YOU?

GET IN.
WHERE YOU BEEN?

JUST GET IN.

WE'LL DO A THREE-WAY SPLIT,
THREE GRAND EACH.

WHAT ARE YOU TALKIN' ABOUT?
TIM, WHAT IS HE TALKING ABOUT?

WHERE DO YOU THINK I WENT?
I MADE THE DEAL.

YOU DI-- YOU DID WHAT?

ARE YOU NUTS!
ARE YOU OUTTA YOUR MIND?

YOU MEAN, THERE ARE DRUGS
IN THIS CAR?
YES, MORT,

THERE ARE DRUGS IN THIS CAR,

BUT I THINK YOU NEED TO SAY IT
JUST A LITTLE LOUDER

BECAUSE I DON'T BELIEVE
BORDER GUARD #4 OVER THERE

QUITE HEARD YOU, SHITHEAD!

YOU DICK!
WE'RE DEAD! WE'RE DEAD!

- YOU SHOULD'VE TOLD US, MAN.
- WOULD YOU HAVE DONE IT?

I DON'T KNOW.
THAT'S NOT THE POINT.

LET'S JUST BACK UP.
WE'LL DUMP THE STUFF.

WE CAN'T BACK UP, MORT.
WE'RE BLOCKED IN.

JUST RELAX.
ACT NORMAL.

ACT NORMAL. ACT NOR--
WE'RE GOING TO PRISON!

ACT NORMAL!

IT'S GONNA BE OKAY.

JUST RELAX.

LICENSE, PLEASE,
AND I NEED IDENTIFICATION
FROM YOU TWO.

STAND BY, 130.

...A 1970
CHEVY IMPALA, RED.

ONE MALE, ONE FEMALE,
CAUCASIAN --

YOU BOYS GET OUT
OF THE CAR, PLEASE?

TURN THE ENGINE OFF,
WILL YOU?

CAN YOU OPEN UP
THE TRUNK, PLEASE?

LEAN UP AGAINST
THE HOOD, PLEASE.

PUT YOUR HANDS
UP AGAINST THE HOOD.

WHICH HOOD?
THIS HOOD?
THAT'S THE ONE.

I, UH, JUST, I ASKED,
'CAUSE I'M NERVOUS.

I'M, I'M NERVOUS 'CAUSE
I'VE NEVER BEEN FRISKED BEFORE,

AS OPPOSED TO BEING NERVOUS
FOR SOMETHING I DID WRONG.

SO, WHERE YOU BOYS
COMIN' FROM?

JOLLY JEFF'S.

JOLLY JEFF'S?
DID YOU HAVE A GOOD TIME?

GREAT TIME.

ALL RIGHT, FELLAS.
YOU CAN MOVE OUT.

DICK!
WILL YOU
TAKE IT EASY?

WE WERE THIS CLOSE
TO GOING TO JAIL!

THIS CLOSE!
NO, WE WEREN'T.

SO HOW MUCH MONEY
WE MAKE?

NONE.

THERE WAS NO HASH
IN THE TRUNK, MORT.

I WAS JUST TESTING YOU JERKS

TO SEE IF YOU COULD HANDLE
THE PRESSURE.

AND GUESS WHAT.

MORT, YOU SHOULD HAVE
SEEN YOUR FACE.

YOU LOOKED LIKE
YOU WERE GONNA CRY.

YOU KNOW SOMETHING, MORGAN?

IF YOUR BRAINS WERE DYNAMITE,

YOU WOULDN'T HAVE ENOUGH
TO BLOW YOUR ASS.

NOSE, TIM. THE JOKE IS
"BLOW YOUR NOSE."

HE KNOWS
WHAT I'M TALKIN' ABOUT.

I CAN TAKE YOU HOME,
TIM.

WE WOULDN'T
HAVE MADE IT.

THE SETUP WAS FINE.

THE ONLY PROBLEM
WAS YOU GUYS.
NO.

NO, WE WOULDN'T
HAVE MADE IT.

THESE GUYS HAD
DOGS AND MIRRORS.

THESE BORDER GUYS
ARE SERIOUS.

THEY NEVER TOUCHED THE TIRE.

I THINK
WE COULD HAVE MADE IT.

COME ON, LET'S GO.

I'M GONNA WALK.

I DON'T WANT MY OLD MAN,
IF HE'S UP,

TO HEAR THE W.W.

SEE YA TOMORROW.

TIM.
YEAH.

CAN I GET A HUG?

I'LL BREAK
BOTH YOUR ARMS.

HEY, ARE YOU SURE YOU
DON'T WANNA COME IN,

LAY ON THE FLOOR,
LISTEN TO RECORDS,

TALK ABOUT CHICKS?
I DON'T THINK SO.

SEE YA, MORT.

SEE YA, TIM.

THIS IS DANNY'S DAD, LOU.

HE USED TO BE OUR HIGH SCHOOL'S
FOOTBALL COACH.

A GOOD GUY,
JUST KIND OF OUT OF IT
THESE LAST FEW YEARS.

WE USED TO SAY THAT
LOU SPENT A LOT OF TIME
"FIXING THE PORCH."

APPARENTLY, THAT THIRD STEP
HE'S SITTING ON IS A LITTLE
HIGHER THAN THE OTHERS,

AND LIKE A DELICATE CRAFTSMAN,

LOU IS PATIENTLY WORKING
TO GET IT TO COME DOWN.

HERE COMES LOU'S GIRL FAYE
TO HELP WITH THE PROJECT.

TWO OF THE BEST
PORCH STEP RESETTERS
IN THE BUSINESS.

WATCH THIS, LAST SPRING.

DAY AFTER DAY,
SEASON AFTER SEASON,

LOU AND FAYE
LABORED ON THAT PORCH.

YOU WANT SOMETHING DONE,
YOU DO IT YOURSELF.

FAYE, LOU.
HELLO, SON.

HOW'S THE
PROJECT GOIN'?
COMIN' GREAT.

GLAD TO HEAR IT.

WHAT PROJECT'S
HE ALWAYS TALKIN' ABOUT?

GOT NO IDEA.

THIS IS VERY NICE
OF YOUR UNCLE,
I WANT YOU TO KNOW.

THIS MAN, MANNY GOLDFARB,
IS A VERY IMPORTANT WRITER.

I KNOW, I KNOW, I KNOW.

HEY, MA,
IS THIS GONNA GO LATE?

'CAUSE I GOTTA MEET UP
WITH DANNY AND TIM.

NOT LATE.
HE'S AN OLDER MAN.

JUST BE POLITE,
THAT'S ALL I ASK.

FOR ONCE IN YOUR LIFE,

TRY TO CARE ABOUT
SOMEONE ELSE'S FEELINGS

OTHER THAN
DANNY AND TIM'S.

HERE WE GO.

MR. GOLDFARB!
KATE, HUH?

IT'S NICE
TO MEET YOU.
COME ON IN.

THIS WAS '38,
MAYBE '39.

ALL THE GOOD REPORTERS
WERE OVERSEAS.

WELL, I HAD BALLS
IF NOTHING ELSE.
EXCUSE ME.

SO, I WENT TO SEE
THIS EDITOR

A FRIEND OF MINE
TOLD ME TO LOOK IN ON.

KATE, COULD I BOTHER YOU
FOR MORE GRAVY?

SO I TELL THIS GUY
WHEN I WENT TO SEE HIM

THAT I USED TO BE
A CORRESPONDENT FOR
THIS POLISH NEWSPAPER

THAT WAS NONEXISTENT.
HUH!

WELL, I WENT IN LOOKING
FOR A NICE, CUSHY JOB

WRITING ABOUT SAUSAGE PRICES
IN MANHATTAN, HUH?

SAUSAGE PRICES?

THE NEXT THING I KNOW,
I AM FLYING TO POLAND

TO BE A STRINGER
FOR THIS DAILY.

1939: NOT A VERY GOOD TIME

FOR A JEWISH BOY TO BE
HEADING INTO POLAND.

UH, COULD I HAVE
A LITTLE MORE POTATOES,
KATE?

THE POINT IS,

I WAS A WRITER.
I WAS MAKING MY LIVING

DOING WHAT
I ALWAYS SAID I WANTED
TO DO WHEN I GREW UP.

A LITTLE MORE POTATOES.
THERE'S A LOT OF GRAVY HERE.

LET THE POTATOES
SOAK UP THE GRAVY.
THAT'S NICE.

SO, I DID THIS
RUSSIAN FOLK DANCE
MY FATHER TAUGHT ME.

I DID IT FOR THEM
IN EXCHANGE FOR PRIVILEGES.

IT WENT...
* YA-BA-BA
BA-BUM, HEY *

* DA-BA-BA
BA-BUM, HI *

* DA-BA-BA
BA-TUM, TAP *

* DA-BA-BA
BA-BOOM *
NO, SIR.

NO, NO, NO.
COME ON,
UNCLE ALBY.

IT'S EASY, COME ON.
NOW, HERE.

YOU GUYS LOOK
VERY CUTE.
* YA-BA-BA
BA-BUM, HA *

COME ON.
NO, YOU MAKE
A NICE COUPLE, REALLY.

COME ON, GET YOUR MOTHER
INTO THIS THING.

NOW, YEAH.
OH, WAIT.

* YA-BA-BA
BA-BUM, HEY *
COME ON, MOM.

IF I'M DOIN' IT,
YOU'RE DOIN' IT.

* YA-BA-BA-BA-BUM, HEY
DA-DA-DEE-DUM-DUM, HEY *

* RAISEL-DEEDLE-DUM

AGH!
TOO MUCH FOOD.

SO...

WHY DO YOU
WANT TO BE A WRITER?

I DON'T KNOW.

I JUST, I JUST ALWAYS
WANTED TO WRITE.

COMEDY?
YEAH. I LIKE TO MAKE
PEOPLE LAUGH, I GUESS.

COMEDY'S GOOD.

TO MAKE US LAUGH
IS A WONDERFUL THING.

LET ME ASK YOU AGAIN.

WHY DO YOU THINK THAT
YOU WANT TO BE A WRITER?

YOU GOT SOMETHING
IMPORTANT TO SAY?

YOU WANNA SAVE THE WORLD,
HMM?

NO.
OF COURSE, "NO"!
HUH!

SAVE THE WORLD? BULLSHIT!

YOU WRITE FOR YOU
BECAUSE IT'S WHAT YOU DO,

BECAUSE IT MAKES YOU
FEEL GOOD,

BECAUSE YOU WANNA EAT,

TO BE LOVED,
TO BE HELD IN ESTEEM.

YOU JUST WRITE FOR YOU,
AND EVENTUALLY

YOU'LL FIND OUT
WHAT YOU'RE WRITING FOR.

THEN, MAYBE,
YOU'LL HAVE YOUR REASON,

YOUR, UH, CAUSE.

"I AM NOW READY
TO SAVE THE WORLD!"

WHEN I WROTE THE TRUTH
ABOUT HITLER, I KNEW
I WOULD LOSE MY JOB.

BUT I KEPT WRITING.
YOU KNOW WHY?
BECAUSE NOBODY ELSE WAS!

THERE WERE NO MESSAGES
FROM GOD. NOTHING! ZIP!

I WAS A WRITER,
SO I HAD TO WRITE.
NO TALK! WRITE!

UH, GEE WHIZ, WHAT TH--

HEY, UH, MANNY,
ARE YOU ALL RIGHT?

I DON'T KNOW, I --

ALBY!

ALBY! MOM!
COME IN HERE, QUICK.

NOW!

WHA--

MANNY. MANNY.
MANNY!
WHAT IS IT?

MANNY!
MANNY!

IS HE BREATHING?

IS HE --
IS HE --

WHAT'D YOU DO?

WHA-WHAT ARE YOU GUYS
TALKING ABOUT?

I DIDN'T SAY ANYTHING.
WERE YOU BEING A WISE GUY?

WHAT DID YOU SAY
TO THE MAN?
NO, HE WAS JUST --

HE WAS FINE. WE GO UPSTAIRS,
COME BACK DOWN, HE'S DEAD!

THAT TELLS ME THAT YOU SAID
OR DID SOMETHING!

OOH. OH,
YOU GUYS ARE CRAZY.

I DIDN'T SAY ANYTHING.

HE LIKES ME.
HE DOESN'T LIKE YOU.

HE'S DEAD. HE DOESN'T
LIKE ANYTHING ANYMORE.

HE, HE, HE'S
VOID OF OPINION.

HE'S DEAD?
OH, PLEASE.

HE'S DE--

YES, OPERATOR, GIVE ME
THE, UH, AMBULANCE,

THE POLICE,
WHATEVER.
OH MY --

AMBULANCE!
POLICE!

THAT MAN SURVIVED
THE DEATH CAMPS
OF NAZI GERMANY

ONLY EVENTUALLY TO SUCCUMB
TO AN EVENING... WITH YOU!

YEAH, I'LL HOLD ON.
OH, MORT!

WHAT'D YOU DO
TO HIM, MORT?

DID YOU TELL HIM A JOKE?

THE GUY UP AND DIED
JUST LIKE THAT?

YEAH.

WHAT'D YOU TELL HIM?
DID YOU TELL HIM
ONE OF YOUR IDEAS?

IS THAT IT? DID YOU KILL HIM
WITH ONE OF YOUR STORIES?

DID YOU DO A MONOLOGUE
FOR HIM, GOLDEN?

THAT'S REAL CUTE, GUYS.

YOU SHOULD HAVE SEEN
THE PLACE.

THE COPS, AMBULANCES!
IT WAS A ZOO.

DON'T TELL ME. YOU DID
THE "ROBBING THE GRAVE" JOKE.

IS THAT THE ONE
THAT PUSHED HIM OVER?

SO, WHO WAS
THIS GUY, MORT?

HOW'D YOU KNOW HIM?

I DIDN'T KNOW HIM.

HE WAS NOBODY.

JUST A WRITER.

* WELL
I'VE BEEN OUT WALKIN' *

* I DON'T DO THAT MUCH
TALKIN' THESE DAYS *

* THESE DAYS

* THESE DAYS
I SEEM TO THINK A LOT *

* ABOUT THE THINGS
THAT I FORGOT TO DO *

* AND ALL THE TIMES
I HAD THE CHANCE TO *

ALBY!
ALBY, ALBY, ALBY!

THIS CAME FOR YOU
IN THE MAIL.

I'M SORRY I'M LATE, OKAY?
I OVERSLEPT.

IT'S OKAY. YOU CAN BE LATE

WHEN YOU DON'T WORK
AT A PLACE ANYMORE.

WHAT DO YOU MEAN?
YOU'RE KIDDING, RIGHT?

NO, NO, NO.
I'M NOT KIDDING.

YOU'RE FIRING ME?

I OVERSLEPT!
IT'S 4:30
IN THE AFTERNOON.

WELL, I WAS UP LATE.
SO WAS I...

THINKIN' ABOUT MANNY.

ALBY, LOOK,

I AM SORRY ABOUT
YOUR FRIEND, OKAY?

I REALLY AM.

BUT, HEY, I DIDN'T
KILL THE GUY, ALL RIGHT?

NO ONE SAID YOU KILLED HIM.

THE FACT IS, UH,

YOU'RE NOT INTERESTED IN
THIS TYPEWRITER BUSINESS,
AND UH,

I DON'T WANT YOU
AROUND HERE ANYMORE.

UH, UNCLE ALBY, I --

GO ON, GET OUT OF HERE.
I GOT A BUSINESS TO RUN.

ALBY, COME ON, I --
GET OUT OF HERE.

* WELL
I'LL KEEP ON LOOKIN' *

* AROUND

* THINGS ARE BOUND
TO BE IMPROVIN' THESE DAYS *

* ONE OF THESE DAYS

* THESE DAYS I'LL SIT
ON A CORNERSTONE *

* COUNT THE TIME
IN QUARTER TONES TO TEN *

* MY FRIEND

* DON'T CONFRONT ME
WITH MY FAILURES *

* I HAD NOT
FORGOTTEN THEM *

HI.

YOU MUST BE
JACK'S BUDDIES.

YOU MUST BE MONICA.
THANKS FOR INVITING US.

I'M DANNY.
THIS IS MORT AND TIM.

IT'S A GREAT HOUSE.

THANKS.
IT'S MY PARENTS'.

- BETTER BE.

DANNY MORGAN!

SMILIN' JACK HARPER.
CONGRATULATIONS, PAL.

GENERAL MOTORS JUNIOR
EXECUTIVE. NOT BAD, HARPS.

GUYS, THESE ARE MY OLD BUDDIES
DANNY, TIM, AND MORT.

THIS IS OLLIE, ELAN,
ELLEN AND CHRIS,

PEOPLE YOU'D KNOW IF YOU EVER
CAME TO ANN ARBOR TO VISIT.

AND RANDY
YOU GUYS KNOW, RIGHT?

OH YEAH, RANDALL SUSSMAN.
IT'S BEEN A LONG TIME.

TIM REESE,
WEARING THE SAME CLOTHES
AS WHEN I SAW YOU LAST.

YEAH, Y-YOU WERE
IN TIGHTS AT THE TIME.
WEREN'T YOU IN SOME PLAY?

STILL GETTING DRUNK EVERY NIGHT
AND DRIVING AROUND
IN THE WAR WAGON, I'LL BET.

IT SEEMS TO ME YOU USED
TO JUMP THROUGH HOOPS
TO GET IN THE WAR WAGON.

I REMEMBER YOU BOUGHT US
A CASE OF BEER
JUST TO RIDE WITH US.

THAT'S FUNNY, 'CAUSE I SEEM
TO REMEMBER YOU OFFERING
YOUR SISTER, RANDALL.

HEY, RANDY, YOU'RE STILL
UP IN SCHOOL IN TORONTO, RIGHT?
PRE LAW.

WHAT ARE YOU DOING
NOWADAYS?

DIDN'T I HEAR YOU WERE, UH,
PUMPING GAS OR SOMETHING?

OH, RANDY, ARE YOU STILL UPSET
THAT WE FLUSHED YOUR HEAD
IN THE TOILET...

AND GAVE YOU THAT SWIRLIE
IN THE 10th GRADE?

YOUR HAIR'S DRY NOW.
GIVE US A BREAK.

HEY, R-RANDY,
YOU EVER SEE CAROL BROCKTON
UP THERE ANYMORE?

AS A MATTER OF FACT,
I SEE HER A LOT.
SHE DROVE DOWN WITH ME.

CAROL BROCKTON?
SHE'S, SHE'S IN TOWN?

- SHE'S IN THE KITCHEN.
- SH-SH-SHE'S HERE?

IN THIS KITCHEN?

NOW?

WELL --
OH, SURE.
EXCUSE ME.

MORT. HI.

CAROL!
OH, MY G--

THIS IS SUCH A SURPRISE!
YOU WERE LIKE THE LAST PERSON
I EXPECTED TO SEE HERE.

THIS IS SO FUNNY.
WHAT ARE YOU DOING HERE?
I CAME UP FOR JACK'S PARTY.

HOW ARE YOU?
I'M GOOD.
I'M GOOD.

GREAT!
MORT, YOU LOOK --

YOU LOOK THE SAME.

THE SAME?
IS THE SAME GOOD?

NO, THE SAME'S GREAT.

CAN I HAVE A HUG?

EXCUSE ME, EVERYBODY.
DINNER IS SERVED.

ARE YOU READY
TO SIT DOWN, HONEY?

YEAH, I'LL BE THERE
IN A MINUTE.

IT'S REALLY GOOD
SEEING YOU, MORT.

HEY, MORT!
ZERO IN, BUDDY.

I DON'T KNOW
ABOUT CAMPAIGN WORK.

I SPENT MY SUMMER BUSTING
MY HUMP FOR SOME GUY

AND THEN I DIDN'T
EVEN VOTE FOR HIM.

I DIDN'T REALIZE YOU COULD GET
ALL THAT WITH A GOLD CARD.

I THOUGHT IT WAS
JUST FOR STATUS.

TELL HER TO BEND OVER.
I'LL GIVE HER SOME STATUS.

I THINK THE TWO INDUSTRIES
WILL MERGE,

ESPECIALLY BY THE TIME
IT MAKES A DIFFERENCE
TO ANYONE OUR AGE.

I HOPE IT HAPPENS SOON.

I WANT MY FATHER TO LOSE
HIS SHIRT WHILE I'M YOUNG
ENOUGH TO APPRECIATE IT.

WHAT IF HE IS ELECTED
AND THE STUDENT BODY
GETS BEHIND HIM?

HE COULD AFFECT
THE LAW DEPARTMENT.

WILL YOU LOOK AT THOSE TWO?

I WANT TO BE AROUND HERE
WHEN THEY'RE THIRTY,

DRIVIN' A WAR WAGON!

WE HAVE A CHANCE TO CAPITALIZE
ON THE BABY-BOOMER YEARS.

THAT'S RIGHT!
WHAT DID
YOU DO THERE?

CAN I HAVE
A DRINK, PLEASE?

HOW MANY OF YOU WILL GET TO BE
WHAT YOU WANTED TO BE AS A KID?

WHAT?

HOW MANY OF YOU WILL DO
FOR A LIVING WHAT YOU
WANTED TO DO AS A CHILD?

IT'S A SIMPLE QUESTION.
THERE'S A VERY SIMPLE ANSWER.

WHAT'S THE ANSWER, MORT?

THE ANSWER, RANDALL,
IS PROBABLY NONE OF YOU.

MAYBE ONE OR TWO,
BUT I DOUBT IT.

DON'T GET ME WRONG.
YOU'RE ALL LIKELY
TO BE VERY SUCCESSFUL,

BUT I DON'T THINK ULTIMATELY
ANY OF YOU WILL SEE
YOUR DREAMS COME TRUE.

MONICA, THANK YOU FOR DINNER.
IT WAS GREAT.

WHAT WAS THAT ALL ABOUT?

SEE YOU LATER.
STAY DRY!
DRIVE SAFE.

DANNY, THANKS FOR COMIN'.
I REALLY APPRECIATE IT.

THANKS A LOT.
TIMMY, THANKS, MAN.
TAKE IT EASY.

DON'T BE STRANGERS,
ALL RIGHT?

GLAD THAT'S OVER.

HIGH-TECH BITCH.
WHAT A ZOO.

CAN'T BELIEVE I MADE IT
THROUGH THE NIGHT

WITHOUT
KICKIN' SOMEONE'S ASS.

WHAT ABOUT MORT?

WHAT THE HELL
GOT INTO HIM?

I DON'T KNOW.
I KINDA LIKED IT.

DID YOU NOTICE
THAT WAS THE ONLY THING

THAT SHUT THOSE WINDBAGS UP
THE WHOLE NIGHT?

NO SHIT!
FOR ONCE
IN HIS LIFE,

HE WAS ACTUALLY
PRETTY COOL.

THANKS, TIM.

I WAS PRETTY COOL,
IF I DO SAY SO MYSELF.

WHAT THE HELL
ARE YOU DOING
BACK THERE?

YOU BEEN OUT HERE
ALL NIGHT?
IT WAS THE ONE HITCH.

I FORGOT I DIDN'T
HAVE A RIDE.

WHAT THE HELL
GOT INTO YOU?

I DON'T KNOW.
NOTHING, REALLY.

I THOUGHT THEY WERE ALL
A BIT TOO SMUG, YOU KNOW?

NEEDED TO BE BROUGHT DOWN
A COUPLE PEGS.

NEXT TIME, WAIT 'TIL
THE END OF THE NIGHT, MORON.
I KNOW.

DID YOU SEE ME
KISS HER, THOUGH?

DID YOU?
IT WAS PRETTY NEAT, HUH?

GOD, I LOVE HER.

* THE WORDS
I HAVE TO SAY *

* MAY WELL BE SIMPLE,
BUT THEY'RE TRUE *

* UNTIL YOU
GIVE YOUR LOVE *

* THERE'S NOTHING MORE
THAT WE CAN DO *

* YOU SAY IT'S VERY HARD

* TO LEAVE BEHIND
THE LIFE WE KNEW *

* BUT THERE'S
NO OTHER WAY *

* AND NOW IT'S REALLY
UP TO YOU *

* LOVE IS THE
OPENING DOOR *

* LOVE IS WHAT
WE CAME HERE FOR *

* NO ONE
COULD OFFER YOU MORE *

* YOU KNOW
WHAT I MEAN *

* HAVE YOUR EYES
REALLY SEEN *

* LOVE IS THE KEY
WE MUST TURN *

* TRUTH IS THE FLAME
WE MUST BURN *

* FREEDOM THE LESSON
WE MUST LEARN *

* YOU KNOW
WHAT I MEAN *

* HAVE YOUR EYES
REALLY SEEN *
FOR SALE.

WHAT THE HELL
IS THIS?

HEY, LOU.

REMEMBER THIS?

I TAUGHT YOU AND YOUR MOTHER
TO PITCH ON THIS THING.

HEH! GOT IT AT K-MART.
MUST HAVE COST ALL OF $8.

WHAT'S GOIN' ON?

EH...

FAYE AND I
ARE GETTIN' MARRIED, PAL.

HEY,
HEY, LOOK AT THIS.

YOUR FIRST BICYCLE.

LOU, YOU TWO DON'T
EVEN KNOW EACH OTHER.

ALL YOU DO IS GET DRUNK
EVERY NIGHT AND
SIT ON THE FRONT PORCH.

COME ON, DANNY.
DON'T BE SAYIN' STUFF

THAT YOU'RE JUST GONNA
REGRET UP THE ROAD.

WHAT'S GOING ON
WITH THE HOUSE, LOU?

WHAT'S WITH
THE "FOR SALE" SIGN

AND THE CLEANING-UP CRAP?

WE'RE GONNA
SELL THE HOUSE.

UH, FAYE'S NOT COMFORTABLE
HERE, AND THEN...

WE'RE GONNA GET
AN APARTMENT,

SOMETHIN' WITH
A NICE BALCONY,

MAYBE OVERLOOKIN'
A GOLF COURSE.

YOU DON'T THINK
YOU NEEDED TO TELL ME?

YOU JUST PUT UP
A SIGN?

IT'S MY HOUSE.

THIS IS MY FUCKING HOUSE TOO!

- NOW, SETTLE DOWN.
- NO! YOU SETTLE DOWN!

HEY, DANNY.
SHUT UP, MORT.

DANNY, COME ON, HUH?
I JUST, UH --

STAY AWAY FROM ME, LOU!

THIS IS MY FUCKING HOUSE!

ANYONE WANT A BEER?

FUCK YOU, FAYE.

COME ON, MORT.
LET'S GO.

YOU KNOW,
I'M REALLY SURPRISED

THAT YOU'D
SELL THE HOUSE, LOU...

ESPECIALLY AFTER
ALL THE HARD WORK YOU DID
ON THE FRONT PORCH.

OKAY, THEN GILLIGAN SAYS
TO THE PROFESSOR, RIGHT,

"HEY, PROFESSOR,
HAVE YOU SEEN MRS. HOWELL?"

AND THE PROFESSOR
SAYS TO GILLIGAN --

"SHE'S IN THE HUT
WASHING HER TITS, GILLIGAN.

WHY DON'T YOU BEAT IT?"

THE PROFESSOR
NOW SAYS TO GILLIGAN,

"I'M SORRY TO TELL YOU
THIS, GILLIGAN,

BUT MRS. HOWELL
IS DEAD."

COMMERCIAL, RIGHT?

SO WE COME BACK FROM
THE COMMERCIAL, RIGHT?

GILLIGAN'S STILL STUNNED.

HE DOESN'T KNOW
WHAT'S GOING ON.
MORT, WHOA.

MRS. HOWELL IS DEAD.

I THOUGHT THIS WAS
SUPPOSED TO BE A COMEDY.

IT IS, DANNY. I TOLD YOU,
IT'S A NIGHTMARE SEQUENCE.

GILLIGAN IS HAVING A NIGHTMARE

THAT EVERYONE ON THE ISLAND
DIES BUT HIM.

HEY, MORT, I DON'T WANT
TO RAIN ON YOUR PARADE,

BUT THEY DON'T MAKE
"GILLIGAN'S ISLAND" ANYMORE.

I DON'T WANNA RAIN
ON YOUR PARADE EITHER,

BUT I KNOW THAT, OKAY?

I JUST HAPPEN TO BE WRITING

WHAT IS KNOWN AS
A SAMPLE SCRIPT

TO SEND TO THE TV GUYS
TO SHOW HOW I WRITE.

I HAPPEN TO KNOW
WHAT I'M DOING.
HEY, MORT.

ANYONE EVER TELL YOU
YOU KINDA LOOK LIKE GILLIGAN?

I THINK WE SHOULD MAKE
THE BORDER RUN.

ANDERSON MADE US AN OFFER,
AND I THINK WE SHOULD TAKE IT.

IT'S A GOOD RUN
AND I WANNA MAKE IT.

WHAT'S THE PROBLEM,
TIM?
NOTHIN'.

YOU ALWAYS SAY

THAT YOU WANT TO DO
SOMETHING, TIM, DON'T YOU?

WELL, HERE'S SOMETHING
TO DO,

SOMETHING DIFFERENT.

MORT?

FUCK YOU, MORT.

YOU IN OR NOT, TIM?
YES OR NO.

I WANT AN ANSWER RIGHT NOW.

YEAH.
YEAH, I'M IN.
GOOD.

FINE.
LAST CHANCE, MORT.

GOOD, MORT.

YOU STAY HERE.

MORE MONEY
FOR ME AND TIM.

BESIDES,
MAYBE WHEN I'M UP THERE,

I'LL PAY A LITTLE VISIT
TO YOUR FRIEND CAROL BROCKTON.

GIVE HER A LITTLE HAND
WITH HER HOMEWORK.

GOOD.

WE'LL GO TOMORROW.

A TIE?
YOU'RE WEARING A TIE
TO A BORDER RUN?

I TOLD YOU I'M GONNA STOP
AND SEE CAROL, DANNY.

AND I THOUGHT
I WAS TROUBLED.

COME ON, TIM.
GET IN BACK. I GOT SHOTGUN.

I CALLED IT LAST NIGHT.

GET IN BACK.

COME ON, TIM.
I GOT A TIE ON.
GET IN BACK!

TIM, LOOK.
LOOK AT ME, OKAY?

LOOK AT ME.
NOW LOOK AT YOU.

OKAY, GET IN BACK.

GET IN, MORT.

* BEHIND A GUN

* I'LL MAKE MY FINAL STAND

* HEY-EY

* THAT'S WHY THEY CALL ME

* BAD COMPANY

* AND I CAN'T DENY IT

* BAD COMPANY

* 'TIL THE DAY I DIE

* 'TIL THE DAY I DIE

* 'TIL THE DAY I DIE

* REBEL SOULS

* DESERTERS WE ARE CALLED

* CHOSE A GUN

* AND THREW AWAY
THE SUN *

NOW, MUHAMMAD WAS THE FIRST

HISTORICALLY-EFFECTIVE REFORMER
AMONGST THE ARABS

AND PROCLAIMED
HIS TEACHINGS TO BE

AN INTIMATE CONCERN TO ALL.

REJECTING THE POLYTHEISTIC
NOTION OF RELIGION,

MUHAMMAD WOULD RETIRE
TO THE CAVERNS

IN THE MOUNTAINS NEAR MECCA.

THERE HE FELT
THE CALL OF GOD

BIDDING HIM TO GO
AMONGST HIS PEOPLE.

IT WAS IN THESE VISIONS

THAT HE GAINED THE DRIVE
TO WARN AND EXHORT HIS PEOPLE.

HEY, MORT. THERE SHE IS.

AH! NO SHIT.

WELL, GET HER ATTENTION.
WE DON'T HAVE ALL SEMESTER.

WOULD YOU SHUT UP?
SHUT UP.

MUHAMMAD WAS NOT SOLELY AD--

SHUT UP.

ADHERENCE TO
THE TRADITIONS...

WAS NOT SOLELY --

CAROL BROCKTON.

TURN AROUND.

WAS NOT SOLELY AN ACT OF --

DANNY, WILL YOU
SHUT HIM UP?

YOU, SIR!

ME?
YES, YOU.

WHY DON'T YOU STAND UP
AND TELL EVERYONE

WHAT THE FIVE PILLARS
OF ISLAM ARE?

THERE ARE FIVE PILLARS TO THE
FIVE PILLARS OF ISLAM, MA'AM.

YES, THAT MUCH WE KNOW.

BUT WHAT ARE
THEY EXACTLY?

EXACTLY?

OKAY.

ONE IS THAT THERE
IS NO GOD BUT ALLAH.

GO ON.

THE SECOND ONE
IS THAT THEY PRAY

FIVE TIMES A DAY.

THIRD?

THIRD IS THAT THEY
HAVE TO GIVE

SOME OF THEIR INCOME
TO CHARITY.

I BELIEVE, NOW CORRECT ME
IF I'M WRONG, MA'AM,

THEY CALL IT ALMSGIVING.

FOUR, THE FAST
OF RAMADAN.

AND THE LAST ONE, BUT
CERTAINLY NOT THE LEAST ONE,

IS THAT ONCE
IN A MUSLIM'S LIFE,

HE'S GOT TO MAKE
A PILGRIMAGE TO MECCA.

THANK YOU, SIR.

I SEE SOME OF US
HAVE DONE THE READINGS.

ADHERENCE TO THE TRADITIONS
OF THE PROPHET MUHAMMAD --

HOW THE HELL
DID HE KNOW THAT?

JUST STUFF YOU PICK UP
WATCHING A LOT OF "JEOPARDY."

YOU GUYS JUST HANG ON
A SECOND, OKAY?

WOW, SO THIS IS WHERE
YOU LIVE, HUH?

YEP, THAT'S MY WINDOW RIGHT
THERE NEXT TO THE STATUE.

WOW, IT'S NICE.

SO, NOW, TELL ME
WHAT IT IS YOU GUYS
ARE DOING UP HERE AGAIN?

YOU'RE DELIVERING
SOME ART?

YEAH, WE'RE PICKIN' UP
SOME REAL RARE ART.

LOOK, CAROL,

WHAT I WANTED TO TELL YOU
THE OTHER NIGHT IS, UM,

I'M NOT GONNA BOTHER YOU
ANYMORE.

MORT, YOU DON'T BOTHER ME.
YOU NEVER DID.

WELL, I'M NOT GONNA WRITE YOU
ANY MORE LETTERS EITHER.

WE'LL JUST BE FRIENDS,
OKAY?

I MEAN,
LOOK, YOU GOT A LIFE.

YOU GOT A BOYFRIEND.
I KINDA GOT A LIFE.

LET'S JUST LEAVE IT
AT THAT.

OH, GOD, I JUST WISH
YOU DIDN'T SMELL SO DAMN GOOD.

GOT 'IM!
LET'S GO!

WHAT ARE YOU GUYS DOIN'?

PUT ME DOWN,
YOU FUCKING DICKHEADS!

BYE, CAROL.
GOOD SEEING YOU!

LET'S JUST SEE HOW MUCH
IS IN HERE.

PUT IT BACK, TIM.
WHAT THE HELL.

I JUST WANT TO SEE HOW MUCH
ANDERSON'S RIPPING US OFF.
WHAT DO YOU CARE?

WE MADE A DEAL FOR NINE GRAND.
NOW PUT IT BACK.

I JUST WANT
TO LOOK AT IT.

COME ON, TIM,
THEY'RE GONNA KNOW

IT WAS PICKED OPEN. YOU'RE
JUST LOOKIN' FOR TROUBLE.

TAKE THE CASE, MORT.

PULL OVER, DANNY.
I WANNA KICK MORT'S ASS.

YEAH, RIGHT.

WHAT WOULD YOU DO, MORT,

IF YOU EVER HAD
TO GET IN A FIGHT

WITHOUT ONE OF US
TO BACK YOU UP?

WRITE 'EM AN EPISODE
OF "GILLIGAN'S ISLAND"?

WHY DON'T YOU JUST TURN AROUND
AND LEAVE HIM ALONE, TIM?

JUST LEAVE HIM ALONE.

DICK.

* OH IT'S HAULIN' DOWN
THE CORRIDOR *

FORGET ABOUT HER, MORT.
SHE DUMPED YOU!

COME ON, DANNY.
WE GOT THE TIME TO KILL.

I'M JUST ASKING YOU
FOR A FAVOR.

HE WANTS TO GO SEE
BROCKTON AGAIN.

POOR LITTLE FUCKER.

YOU GUYS, I HAVE TO, OKAY?

I MEAN IT. YOU GUYS MADE
AN ASS OF ME BACK THERE.

I HAVE TO GO BACK, OKAY?
THIS IS A MUST.

I WON'T TAKE NO FOR AN ANSWER.

I CANNOT TAKE NO
FOR AN ANSWER.

THE ANSWER'S NO, MORT.

PLEASE?

THIS IS GREAT.

WE'RE GONNA BE LATE FOR
OUR FIRST BIG DRUG DEAL.

I HOPE HE FALLS
AND BREAKS HIS ASS.

YOU CAN'T BREAK AN ASS, TIM.

START THINKING ABOUT SOME OF
THE THINGS YOU SAY, PLEASE.

I THINK ABOUT THINGS.
YOU CAN BREAK AN ASS.

MORT?

WHAT'S GOING ON?
CAROL!

I WAS JUST GONNA COME UP --
GET OUT, MORT.

CAROL, IT'S NOT
WHAT YOU THINK, REALLY --

I DON'T CARE. GET OUT, MORT.

I JUST HAVE SOMETHING TO SAY
AND THEN I'LL LEAVE.

LOOK, THAT THING THAT WE
HAD TWO SUMMERS AGO...

I NEVER REALLY
GOT OVER YOU.

THAT'S WHY I WROTE YOU
ALL THOSE STUPID LETTERS.

AND THEN SEEING YOU AGAIN
LAST WEEK,

BE SOMETHING BETWEEN US AGAIN.

I'VE FOUGHT IT, CAROL,
BELIEVE ME, I REALLY HAVE.

BUT I'M REALLY
STILL IN LOVE WITH YOU.

I'M SCARED
I'M ALWAYS GONNA BE TOO.

* ONE DAY WE WALKED
ALONG THE SAND *

* ONE DAY IN EARLY SPRING

* YOU HELD A PIPER
IN YOUR HAND *

* TO MEND
ITS BROKEN WING *

* NOW I'LL REMEMBER
OTHER THAN ME,

YOU'RE THE ONLY OTHER
PERSON I KNOW OUR AGE
WHO LIKES TONY BENNETT.

TONY BENNETT'S KIDS DON'T
EVEN LIKE TONY BENNETT.

* THE ECHO OF
I DO.

* THE PIPER'S SONG

* THE SHADOW OF

* HER SMILE

* THE SHADOW
OF YOUR SMILE *

* WHEN YOU ARE GONE
BUT...

DON'T YOU HAVE TO GO SOMEWHERE
TO BE A WRITER, THOUGH?

I MEAN LIKE, THESE GUYS,

THEY LIVE IN...
CALIFORNIA.

LIKE THE GUYS WHO WRITE
"RHODA," FOR INSTANCE --

WHERE DO THEY LIVE?
"RHODA"?

YEAH.

"RHODA" I DON'T KNOW
ABOUT, CAROL.

OTHER SHOWS
I KNOW A LOT ABOUT.

BUT, "RHODA,"

I'M DRAWING BLANKS.
I DON'T KNOW.

MORT, I'M SERIOUS.
I DON'T KNOW.

MAYBE CALIFORNIA,
MAYBE NEW YORK.

I GUESS MOST OF THE STUFF'S
PROBABLY WRITTEN IN L.A.

NOT WRITTEN IN MICHIGAN,
THAT'S FOR SURE.

* ALL THE LOVELY THINGS

* YOU ARE

* TO ME

MMM, GOD.
YOU SMELL SO GOOD.

* HOW A WISTFUL
LITTLE STAR *

* WAS FAR TO HIDE

IT'S OKAY.

* A TEARDROP

* KISSED YOUR LIPS

* AND SO DID I

THANK YOU.

GO BE A WRITER.

* NOW WHEN
I REMEMBER SPRING *

* ALL THE JOY
THAT LOVE CAN BRING *

* I WILL BE
REMEMBERING *

* THE SHADOW

* OF YOUR SMILE

OKAY, TIM,
YOU TAKE IN THE CASE.

MORT, JUST KEEP YOUR EYES
OPEN AND LOOK LIKE YOU KNOW
WHAT YOU'RE DOING, OKAY?

LET'S GO.

* WILD THING

* WILD THING
I THINK I LOVE YOU *

WELL, WHAT DO WE HAVE HERE?

- NICE LITTLE COLLEGE BOYS.
- YOU WISH.

OH, BIG TOUGH COLLEGE BOY WITH
HIS BIG TOUGH COLLEGE JACKET.

YEAH, LOOK. ONE OF 'EM
EVEN WORE A TIE.

GO GET SOMETHIN' ON.
LOOK AT YOU.

WE HAVE COMPANY HERE.

WHICH ONE'S,
UH, DANNY?

THAT'S ME.

PUT IT HERE.

HEY, FREE, UH,
WASN'T THIS FUCK-UP
SUPPOSED TO COME ALONE?

- HE WAS.
- THE HELL HE WAS.

OUR LITTLE BOY, JOHN, CAME
THROUGH, DIDN'T HE, CARLYLE?
RIGHT ON!

YOU SEE, YOU GIVE
SOMEONE THE OPPORTUNITY
TO STEP UP TO THE PLATE,

HE HITS A HOME RUN.

MUST BE A LOT
OF HASH IN THAT TIRE.

HELL OF A LOT OF HASH.

IT IS HASH, RIGHT?

THE STUFF IS OVER THERE.
PUT IT IN YOUR TRUNK

AND TAKE OFF.

WE'RE NOT TAKING ANYTHING
UNTIL YOU TELL US WHAT IT IS.

WHAT DID HE TELL YA?
DID HE TELL YA IT WAS HASH?

IF HE TOLD YOU IT WAS HASH,
IT WAS HASH.

NICE TIE.
THANK YOU.

IT'S HEROIN, ISN'T IT?

IT'S HEROIN?

YOU FREAKS OF NATURE ARE
OUTTA YOUR MINDS IF YOU THINK
WE'RE DEALING HEROIN FOR YA.

THAT IS NOT THE DEAL
THAT WE MADE.

WHAT WAS THE DEAL?

LET'S CUT
THE BULLSHIT, OKAY?

I'M JUST SAYING THAT IS NOT
THE DEAL WE MADE WITH JOHN.

THAT IS BETWEEN YOU...
AND JOHN.

LET'S GET OUTTA HERE.

HEY, THAT'S MY MONEY
YOU'RE PLAYING WITH, MAN.
SET IT DOWN!

I'M NOT PLAYING WITH IT.
WE'RE LEAVING.

- YOU HEARD HIM, ASSHOLE!
- GET OFF ME, MAN!

- YO!
- THAT'S IT! PARTY'S OVER.

I'LL BLOW
YOUR FUCKIN' HEAD OFF.

WHAT THE FUCK
IS THE MATTER WITH YOU?

YOU THINK
THIS IS A FUCKIN' GAME?

IS THAT WHAT YOU THINK?
IS THAT WHAT YOU THINK!

I THINK YOU NEED
TO GO BRUSH YOUR TEETH.

OH! STUPID MAN!

PUT THE TIRE IN THEIR CAR.

THE REST OF YOU, BRING
THESE PUNKS AND FOLLOW ME.

THIS IS GREAT, TIM.
I'M GLAD YOU KNOW
WHEN TO PLAY IT COOL.

MOVE IT!

FUCKIN' MIDGET.

YOU STUPID-ASS LITTLE KID, MAN.
WHAT THE HELL ARE YOU THINKIN'?

NO ONE HEARD THAT, MAN.
THERE'S NO ONE AROUND FOR MILES.

AND WHEN IT GOES IN THE BACK
OF YOUR HEAD, IT'S EVEN QUIETER.

YOU GET MY POINT?
YEAH, YEAH, YEAH.

HEY, LOOK, WE ALL KNOW
HE'S A HOTHEAD, OKAY?

YOU LOOKIN' FOR
TROUBLE TOO?

NO.

TAKE OFF YOUR SHOE.

WHAT?
TAKE OFF YOUR SHOE, MAN.
I DON'T GOT ALL NIGHT.

YOU'RE REALLY FUCKIN'
OUTTA YOUR MIND.

WHAT ARE YOU DOIN'?

TAKE OFF YOUR SHOE
WHILE YOU STILL GOT
A RIGHT HAND TO DO IT WITH.

TAKE YOUR SHOE OFF.

I'M GONNA TEACH YOU A LESSON.
NOW THE SOCK.

SOCK?
YEAH.

YOU'RE LEAVING A TOE OUT HERE
TONIGHT, MY FRIEND.

MY TOE?
TAKE IT OFF!
TAKE IT OFF!

YOU GOT IT, MAN.

- YOU WANNA
LOSE A TOE TOO?
- NO!

SHUT YOUR MOUTH
AND STEP BACK.

I AGREE THAT HE NEEDS
TO BE TAUGHT A LESSON.

BUT THIS ISN'T IT.

I KNOW THIS GUY
A LONG TIME.

YOU SHOOT HIS TOE OFF?
HE'LL HEAL AND
USE IT AS A TROPHY.

YOU'RE AIMIN' TOO HIGH.
WHAT HE NEEDS...
IS A GOOD ASS KICKIN'.

HEY, I'LL DECIDE
WHAT HE NEEDS, OKAY?

I'M JUST TRYING TO HELP.

YOU JUST BEAT HIS ASS...
REAL GOOD.

THAT'S WHAT HE'LL UNDERSTAND.
THAT'S WHAT HE NEEDS.

OKAY.
I'LL KICK HIS ASS.

HEY! COME ON!
THAT'S ENOUGH!

HOW'S THAT, COLLEGE BOY?

-GODDAMN PIECE OF SHIT.
-I THINK HE NEEDS A LITTLE MORE.

MORT, WHAT THE FUCK?
JUST SHUT UP!

YEAH, I THINK
YOU'RE RIGHT.

HEY, MAN, ENOUGH.

IS THEIR CAR LOADED UP?
YEAH.

GET HIS ASS UP
AND GET IN THE CAR...

AND DON'T EVER,
EVER COME BACK.

TIM!

TIM!
SHIT!

COME ON, HEY!
COME ON, TIM, COME ON.

LET'S GET THE FUCK
OUTTA HERE.

YOU'RE GONNA BE OKAY.

NO, JOHN!
THAT WASN'T THE DEAL!

MAYBE IF YOU DIDN'T TOKE
SO MUCH DOPE YOU'D REMEMBER.

YOU NEVER SAID A GODDAMN
THING ABOUT HEROIN!

AAAH!

MY FACE IS KILLIN' ME.

I CAN'T BELIEVE
A HIPPIE DID THIS TO ME.
NO WAY! NO WAY!

YOU SAVED MY ASS.

NO, ACTUALLY
I SAVED YOUR TOE.

FIGURED AT LEAST
A BEATING WASN'T PERMANENT.

WHAT'D ANDERSON SAY?

HE SAYS HE'S SORRY
ABOUT THE MIX-UP.

DICK.

HE ALSO SAYS THAT HE'LL
GIVE US TEN GRAND APIECE
IF WE BRING THAT TIRE BACK.

DANNY, YOU'RE TALKING
ABOUT SMUGGLING HEROIN
ACROSS THE U.S. BORDER.

YOU GET 50 YEARS
FOR THAT!

I REALIZE THAT, MORT, BUT
I'M ALSO TALKIN' ABOUT...

$10,000 APIECE.

DO YOU UNDERSTAND?
THAT'S A LOT OF MONEY.

YOU BACKIN' OUT ON ME?

GOOD.

LET'S GO.

MORT, YOU WANT
THE FRONT?

NO, YOU GO ON.

NO, GO AHEAD.
YOU TAKE THE FRONT.

TIM, I DON'T WANT
THE FRONT, OKAY?
YOU TAKE IT.

GO AHEAD, MORT.
I'M GIVIN' IT TO YOU.
TAKE THE FRONT.

WILL YOU TWO
JUST GET IN?

* THERE MIGHT HAVE BEEN
THINGS I MISSED *

* BUT DON'T BE UNKIND

DANNY, STOP THE CAR.

GOTTA GET OUT.

* THE HEART SAYS
A THING OR TWO *

* I THINK OF LYING
IN BED *

* I SHOULDN'T HAVE SAID

WHAT'S WRONG?

IT'S THIS JACKET.

I DON'T WANT IT ANYMORE.

FEELS LIKE
I CAN HARDLY BREATH.

I JUST DON'T WANT THIS
ANYMORE.

FEEL BETTER?

YEAH.

CAN WE GO?

LET'S GO.

HEY! YOU JERK!

THIS IS YOUR JACKET.
THAT WAS MY JACKET
YOU JUST THREW AWAY.

* YA SEE
IT'S ALL CLEAR *

* YOU WERE MEANT
TO BE HERE *

* FROM THE BEGINNING

* MAYBE I MIGHT
HAVE CHANGED *

* AND NOT BEEN SO CRUEL

* NOT BEEN SUCH A FOOL

* WHATEVER WAS DONE
IS DONE *

* I JUST CAN'T RECALL

* IT DOESN'T MATTER AT ALL

* YOU SEE
IT'S ALL CLEAR *

* YOU WERE MEANT
TO BE HERE *

* FROM THE BEGINNING

OKAY.

DANNY, I'M NOT DOIN' IT.

WHAT?

I'M NOT DOIN' IT.
NOT DOIN' IT.

YOU'RE JUST
GETTIN' COLD FEET.
YOU'RE FINE.

I'M WALKIN' ACROSS.

YOU'RE NOT GOIN' ANYWHERE,
REESE.

LET GO.

JUST RELAX.

DANNY!

LET GO.

I CAN'T DO THIS.

DAMN IT!

I'M NOT AFRAID
OF GETTIN' CAUGHT.

I'M AFRAID
OF GETTIN' THROUGH.

I'M GONNA GET KILLED.
CAN'T YOU SEE THAT?

I'LL COME BACK
AND DO IT AGAIN.

YOU AND MORT'LL GO
LAUGH IT OFF.

AND I'LL END UP LIKE
THOSE SICK FUCKERS BACK
THERE IN THAT FARMHOUSE.

I'M SORRY, MORT.

DANNY,
LET'S NOT DO THIS.

COME ON, LET'S
JUST GET OUT TOO.

YOU WANT OUT,
YOU GO.

I'M DOIN' IT.

HEY, IT'S JUST NOT WORTH IT.
LET'S JUST LEAVE THE CAR.

IT'S NOT REGISTERED
TO ANY OF US.
WE COULD JUST WALK AWAY.

SHUT UP, MORT.

YOU KNOW WHAT
YOUR PROBLEM IS?

WHY ARE YOU SO GOOD
AT TELLING PEOPLE
WHAT THEIR PROBLEMS ARE, HUH?

GET OUT.

BEFORE YOU GET ME BUSTED.

OKAY, I'LL GET OUT.

REGISTRATION NUMBER
ONE, SEVEN --

I DON'T KNOW
WHY YOU CAME BACK.
JUST GET OUT.

LOOK, MAN,

I MEAN, AS FAR
AS I'M CONCERNED,

YOU'RE A FUCKIN' LEGEND.

I MEAN, YOU HAVE BEEN
A LEGEND FOR AS LONG AS
I CAN REMEMBER.

EVER SINCE WE WERE KIDS,
EVERYBODY WANTED TO BE YOU.

I WANTED TO BE YOU.

JUST DON'T DO THIS, DANNY.
PLEASE, DON'T DO THIS.

GET THE FUCK OUT.

FINE.

GIVE ME A BREAK.

WILL YOU MAKE UP
YOUR GODDAMN MIND?

IF YOU INSIST ON
GOIN' THROUGH, THEN
I HAVE TO GO THROUGH WITH YOU.

I DON'T HAVE A CHOICE.
YES, YOU DO.

NO, I DON'T.

IF YOU DO IT, I DO IT.
AND IT PISSES ME OFF.

...FOUR-DOOR --

CITIZENSHIP?

AMERICAN.

SEARCH OF VEHICLE IN PROGRESS.

LET ME SEE YOUR LICENSE.

HOW LONG HAVE YOU BEEN
IN CANADA?

JUST OVERNIGHT.

REPORT, ONE-ELEVEN.

OKAY, YOU CAN GO THROUGH.

I THINK THIS
BELONGS TO YOU.

I GOT NO USE FOR IT.

LET'S GO.

HEY, TIM.

YEAH?

CAN I GET A HUG?

HEY, WHAT,
WHAT ARE YOU DOIN'?

I'M KIDDING.

IT'S A JOKE, MORON.

I'LL BREAK
BOTH YOUR ARMS.

NO ONE KNOWS FOR SURE WHATEVER
HAPPENED TO THE WAR WAGON.

SOMEONE SOMEWHERE SAID IT WAS

I HAVE NO WAY OF KNOWING
IF IT'S TRUE.

I JUST KNOW IT HAS
A NICE RING TO IT

AS IF THIS HERE
WERE ITS FINAL RIDE.

YOU GETTIN' IN?

NO, I'M GONNA CATCH UP
WITH YOU GUYS LATER.

YOU DID REAL GOOD, MORT.

YEAH?
YEAH.

YOU DID REALLY GOOD.

THANKS.

SEE YA LATER.

DANNY AND TIM
ARE BOTH DOING FINE.

I DON'T SEE THEM MUCH ANYMORE.

ONCE IN A WHILE
WE'LL TALK ON THE PHONE.

ONCE IN A BLUE MOON I'LL
MAKE IT HOME FOR A MUD BOWL,

BUT NOT OFTEN.

IT'S KINDA SAD,
BUT IT'S THE WAY THINGS ARE.

FRIENDSHIP HAS A WAY
OF SLOWLY FADING.

NO MATTER HOW GOOD IT IS,

IT ALWAYS JUST SEEMS
TO HAVE ITS TIME.

AT THE CRACK OF DAWN
I WAS BY MYSELF,

MY MIND CLEARER
THAN IT HAD EVER BEEN BEFORE.

THE ONE GOOD THING
ABOUT ALMOST COMMITTING
A MAJOR FELONY

IS THAT IT ALLOWS YOU
TO COME FACE-TO-FACE

WITH WHO IT IS
YOU REALLY ARE.

SIX MONTHS LATER, I WAS
A FULL-TIME COLLEGE STUDENT.

IT HAD BEEN A LONG NIGHT.

I WAS TIRED, I WAS COLD,
AND I WAS SPENT.

I DID WHAT ANYONE
WOULD HAVE DONE IN MY SHOES.

I HEADED STRAIGHT HOME,

AND I HAD MY MOTHER
MAKE ME BREAKFAST.

* TAKE AWAY MY INHIBITIONS

* TAKE AWAY MY SOLITUDE

* FIRE ME UP
WITH YOUR RESISTANCE *

* MMM, PUT ME IN THE MOOD

* STORM THE WALLS
AROUND THIS PRISON *

* LEAVE THE INMATES
FREE THE GUARDS *

SOME BRAND-NEW DECK OF CARDS *

* TAKE THE CHIP OFF
OF MY SHOULDER *

* SMOOTH OUT ALL THE LINES

* TAKE ME OUT
AMONG THE RUSTLIN' PINES *

* 'TIL IT SHINES

* MMM, 'TIL IT SHINES

* SEE THE RICH MAN
LOST AND LONELY *

* WATCH HIM AS HE DINES

* SITTING THERE JUST TESTING
ALL THE WINES *

* 'TIL IT SHINES

* MMM, 'TIL IT SHINES

* 'TIL IT SHINES

* OH, 'TIL IT SHINES

* 'TIL IT SHINES

* MMM-MMM

* ALL THESE
IMPERMANENT THINGS *

* OH HOW THEY FOOL ME
DOMINATE AND RULE ME *

* THEY KEEP ME
WAITING HERE FOREVER *

* ALL THESE
IMPERMANENT THINGS *

* WELL, THEIR BEAUTY'S
NEVER AGING *

* BUT THEIR WORTHLESSNESS'S
ENRAGING *

WHEN WE'RE TOGETHER *

* SO WHY KEEP HANGIN' ON

* TO THINGS THAT NEVER STAY

* THINGS THAT JUST KEEP
STRINGIN' US ALONG *

* FROM DAY TO DAY

* ALL THESE
IMPERMANENT THINGS *

* PRESENT YET ILLUSIVE

* PASSIVE YET ABUSIVE

* AND TEARING OUT THE HEART
IN UTTER SILENCE *

* ALL THESE
IMPERMANENT THINGS *

* WELL, THEY POINT
IN ALL DIRECTIONS *

* LIKE SECONDHAND
REFLECTIONS *

* AND THEY'RE LEADING US TO
SUBTLE SHADES OF VIOLENCE *

* AND WHY KEEP HANGIN' ON

* TO THINGS
THAT NEVER STAY *

* THINGS THAT JUST KEEP
STRINGIN' US ALONG *

* FROM DAY TO DAY

* ALL THESE
IMPERMANENT THINGS *

* WELL, THEY'RE TRYING
TO CONVINCE ME *

* BAPTIZE MY SOUL
AND RINSE ME *

* PURGE MY MIND OF HONESTY
AND FIRE *

* ALL THESE
IMPERMANENT THINGS *

* WELL, THEY ALL ADD UP
TO ZERO *

* MAKE-BELIEVE
THAT THEY'RE MY HEROES *

* THEN THEY FILL MY MIND WITH
DOUBT AND FALSE DESIRES *

* SO WHY KEEP HANGING ON

* TO THINGS THAT NEVER STAY

* THINGS THAT JUST KEEP
STRINGIN' US ALONG *

* FROM DAY TO DAY

* YEAH