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These are the user uploaded subtitles that are being translated: 1 00:00:09,243 --> 00:00:12,380 CAPTIONING MADE POSSIBLE BY VIDMARK ENTERTAINMENT 2 00:00:12,413 --> 00:00:14,682 [WOMAN] THE SYSTEM DICTATES THAT ONE MUST BE A SLAVE 3 00:00:14,715 --> 00:00:16,684 BEFORE YOU CAN BECOME A SUCCESS, 4 00:00:16,717 --> 00:00:18,686 BUT THIS CAN BE A VERY DEMANDING PROCESS. 5 00:00:18,719 --> 00:00:20,654 ONLY A FEW PEOPLE HAVE THE DRIVE 6 00:00:20,688 --> 00:00:23,157 TO ENDURE THE THOUSANDS OF INDIGNITIES AND HARDSHIPS 7 00:00:23,191 --> 00:00:25,359 THAT MAKE UP THE SYSTEM. 8 00:00:25,393 --> 00:00:28,362 NOW, THIS DRIVE IS USUALLY MOTIVATED BY GREED, 9 00:00:28,396 --> 00:00:32,433 SOMETIMES AMBITION, SOMETIMES EVEN LOVE. 10 00:00:34,402 --> 00:00:36,670 THERE ARE STORIES OF LOVE INSPIRING SUCCESS 11 00:00:36,704 --> 00:00:39,140 OVER THE MOST INSURMOUNTABLE OF ODDS. 12 00:00:41,175 --> 00:00:44,178 THIS IS NOT ONE OF THOSE STORIES. 13 00:00:44,212 --> 00:00:45,679 BUDDY'S DOING GREAT. 14 00:00:45,713 --> 00:00:47,181 IT'S GREAT TO SEE YOU, DEREK. 15 00:00:47,215 --> 00:00:49,183 I'LL TELL HIM HE OWES YOU A CALL. 16 00:00:49,217 --> 00:00:50,184 COOL. 17 00:00:50,218 --> 00:00:51,485 THANKS, DEREK. WHERE WAS I? 18 00:00:51,519 --> 00:00:53,387 SHELLEY WINTERS. 19 00:00:53,421 --> 00:00:57,391 BUDDY INVITES HER TO DO A READING FOR A PART. 20 00:00:57,425 --> 00:00:59,193 SHELLEY WINTERS HAS NOT AUDITIONED FOR A PART 21 00:00:59,227 --> 00:01:01,329 IN 15 OR 20 YEARS, 22 00:01:01,362 --> 00:01:03,664 BUT BUDDY COULD CONVINCE A FLEA IT NEEDS TICKS. 23 00:01:03,697 --> 00:01:06,167 THAT'S WHY THE MAN IS MY GOD. 24 00:01:06,200 --> 00:01:07,668 WHO'S SHELLEY WINTERS? 25 00:01:07,701 --> 00:01:09,170 SHE'S THE ACTRESS. 26 00:01:09,203 --> 00:01:11,672 SHELLEY ROLLS INTO THE OFFICE AND PLOPS DOWN. 27 00:01:11,705 --> 00:01:14,375 BUDDY IS WORKING IT, SWEET-TALKING HER. 28 00:01:14,408 --> 00:01:17,178 THE PROJECT, THE PROJECT. SHELLEY'S NOT BUYING IT. 29 00:01:17,211 --> 00:01:18,679 SHE'S JUST SITTING THERE. 30 00:01:18,712 --> 00:01:23,184 FINALLY, SHE REACHES INTO HER BAG AND PULLS OUT AN OSCAR. 31 00:01:23,217 --> 00:01:24,185 NO WAY. 32 00:01:24,218 --> 00:01:26,687 AN HONEST TO GOD ACADEMY AWARD. 33 00:01:26,720 --> 00:01:28,689 BUDDY STILL DOESN'T SHUT UP. 34 00:01:28,722 --> 00:01:31,692 HE'S GOING ON AND ON AND ON. 35 00:01:31,725 --> 00:01:33,394 BUDDY'S SWEET-TALKING. 36 00:01:33,427 --> 00:01:37,198 SHELLEY, NOT PHASED, AGAIN REACHES DOWN INTO HER BAG, 37 00:01:37,231 --> 00:01:41,202 PULLS OUT ANOTHER OSCAR, TWO OSCARS, 38 00:01:41,235 --> 00:01:42,503 AND ANOTHER. 39 00:01:42,536 --> 00:01:44,172 BUDDY, SHELLEY-- 40 00:01:44,205 --> 00:01:48,176 THE WOMAN IS SURROUNDED BY OSCARS. 41 00:01:48,209 --> 00:01:49,677 DEAD SILENCE. 42 00:01:49,710 --> 00:01:52,180 FINALLY, SHE LOOKS HIM RIGHT IN THE EYE, 43 00:01:52,213 --> 00:01:54,682 AND SHE SAYS, 44 00:01:54,715 --> 00:01:58,686 "YOU KNOW, SOME PEOPLE THINK I CAN ACT." 45 00:02:03,424 --> 00:02:07,361 THIS COMING FROM THE FUTURE PRESIDENT OF KEYSTONE PICTURES. 46 00:02:08,729 --> 00:02:10,698 I CAN'T REALLY PICTURE HER. 47 00:02:10,731 --> 00:02:12,200 WHO'S SHELLEY WINTERS? 48 00:02:12,233 --> 00:02:13,701 OH, WAIT, WAIT. I GOT IT. 49 00:02:13,734 --> 00:02:16,404 SHE DOES THE POLYDENTURE COMMERCIALS, RIGHT? 50 00:02:16,437 --> 00:02:18,272 OH, RIGHT, AND SHE'S MARRIED TO THAT GUY 51 00:02:18,306 --> 00:02:20,308 WHO'S LIKE 20 YEARS YOUNGER THAN HER. 52 00:02:20,341 --> 00:02:22,443 RIGHT, RIGHT. 53 00:02:22,476 --> 00:02:26,380 STOP IT. STOP IT. THAT'S MARTHA RAYE, YOU IDIOTS. 54 00:02:26,414 --> 00:02:29,683 SHELLEY WINTERS. 55 00:02:29,717 --> 00:02:33,354 WINCHESTER '73. 56 00:02:33,387 --> 00:02:35,556 A PLACE IN THE SUN. A PATCH OF BLUE. 57 00:02:35,589 --> 00:02:37,258 LOLITA. 58 00:02:40,561 --> 00:02:42,496 THE POSEIDON ADVENTURE. 59 00:02:42,530 --> 00:02:44,665 OH, YEAH, YEAH. 60 00:02:44,698 --> 00:02:46,767 THAT'S SHELLEY WINTERS. 61 00:02:46,800 --> 00:02:48,802 THAT WAS A VERY GOOD FILM. 62 00:02:51,739 --> 00:02:53,574 SORRY I ASKED. I WAS CURIOUS. 63 00:02:53,607 --> 00:02:55,743 I APOLOGIZE. 64 00:02:55,776 --> 00:02:58,312 NEVER APOLOGIZE, MOE. IT'S A SIGN OF WEAKNESS. 65 00:02:58,346 --> 00:02:59,380 GUY, GUY, IT'S FOSTER KANE. 66 00:02:59,413 --> 00:03:01,715 INTRODUCE US. THE MAN IS MY GOD. 67 00:03:01,749 --> 00:03:04,318 GUY, THEY LET YOU OUT OF THE SALT MINE. 68 00:03:04,352 --> 00:03:06,287 TO KEEP AN EYE ON YOU, FOSTER. 69 00:03:06,320 --> 00:03:08,722 SAY HELLO TO THE BOYS. 70 00:03:08,756 --> 00:03:10,791 HEY, HOW ARE YOU DOING, MR. KANE? 71 00:03:10,824 --> 00:03:12,460 IT'S GREAT TO MEET YOU. 72 00:03:12,493 --> 00:03:13,627 YOU'RE THE BEST. 73 00:03:13,661 --> 00:03:15,696 HOW'S BUDDY? 74 00:03:15,729 --> 00:03:16,997 BUDDY'S GREAT. HE'S GREAT. 75 00:03:17,030 --> 00:03:18,732 I CALLED THE OTHER DAY. 76 00:03:18,766 --> 00:03:20,000 I HAVEN'T HEARD BACK, THOUGH. 77 00:03:20,033 --> 00:03:22,703 I'LL TELL HIM HE OWES YOU A CALL. 78 00:03:22,736 --> 00:03:24,705 BE SEEING YOU AGAIN. 79 00:03:24,738 --> 00:03:27,775 VERY NICE TO MEET YOU. 80 00:03:27,808 --> 00:03:30,010 I LOVE THAT GUY. AMAZING... 81 00:03:30,043 --> 00:03:32,012 [BEEPING] 82 00:03:32,045 --> 00:03:34,548 WHO WAS THAT AGAIN? 83 00:03:34,582 --> 00:03:36,850 ONLY THE MOST POWERFUL, SOUGHT-AFTER DIRECTOR IN TOWN. 84 00:03:36,884 --> 00:03:38,352 BUDDY'S PAGING YOU NOW? 85 00:03:38,386 --> 00:03:39,987 EXCUSE ME, GENTLEMEN. 86 00:03:43,557 --> 00:03:44,892 WHAT ARE YOU DOING HERE? 87 00:03:44,925 --> 00:03:46,427 ARE YOU TRYING TO EMBARRASS ME? 88 00:03:46,460 --> 00:03:49,697 HE IS THE PRODIGAL SON OF KEYSTONE PICTURES. 89 00:03:49,730 --> 00:03:51,699 HE IS BUDDY ACKERMAN'S BOY. 90 00:03:51,732 --> 00:03:53,701 HE IS OUR TICKET IN, 91 00:03:53,734 --> 00:03:55,869 SO DON'T BLOW IT WITH YOUR STUPID QUESTIONS. 92 00:03:55,903 --> 00:03:57,605 MOE! 93 00:03:57,638 --> 00:03:59,873 YOU'RE NOT COMING ANYMORE. YOU CAN'T COME ANYMORE. 94 00:04:04,878 --> 00:04:06,013 [TELEPHONE RINGING] 95 00:04:06,046 --> 00:04:07,481 O.K. 96 00:04:09,550 --> 00:04:11,018 YEAH, WHAT? 97 00:04:11,051 --> 00:04:12,520 DAWN? IT'S GUY. 98 00:04:12,553 --> 00:04:14,522 OH, HEY. 99 00:04:14,555 --> 00:04:16,524 HI. 100 00:04:16,557 --> 00:04:19,527 LISTEN, UM... 101 00:04:19,560 --> 00:04:21,028 [PAGER BEEPING] 102 00:04:21,061 --> 00:04:23,564 ABOUT THE OTHER DAY... 103 00:04:23,597 --> 00:04:25,433 SOUNDS LIKE YOU'RE BEING SUMMONED. 104 00:04:25,466 --> 00:04:27,735 THAT'S BUDDY. HE'S BEEN TRYING TO REACH ME ALL NIGHT. 105 00:04:27,768 --> 00:04:30,704 FORGET ABOUT BUDDY. CAN I COME OVER? 106 00:04:30,738 --> 00:04:33,507 I THINK WE REALLY NEED TO TALK. 107 00:04:33,541 --> 00:04:35,008 NOT RIGHT NOW. 108 00:04:35,042 --> 00:04:38,011 I HAVE ALL THESE SCRIPTS TO READ. 109 00:04:38,045 --> 00:04:39,513 I'M REALLY BUSY. 110 00:04:39,547 --> 00:04:40,748 OH. 111 00:04:40,781 --> 00:04:42,483 CAN WE DO THIS TOMORROW? 112 00:04:46,554 --> 00:04:49,089 YEAH. ALL RIGHT. 113 00:04:49,122 --> 00:04:50,524 TALK TO ME. WHAT IS IT? 114 00:04:50,558 --> 00:04:52,726 NOTHING. I... 115 00:04:52,760 --> 00:04:54,027 THERE'S JUST SOMETHING 116 00:04:54,061 --> 00:04:56,029 THAT I WANT TO TELL YOU... 117 00:04:56,063 --> 00:04:58,732 BUT IT CAN WAIT TILL TOMORROW. 118 00:04:58,766 --> 00:05:00,534 CALL ME IN THE MORNING, O.K.? 119 00:05:00,568 --> 00:05:02,035 I WILL. 120 00:05:02,069 --> 00:05:03,537 DAWN? 121 00:05:03,571 --> 00:05:05,506 WHAT? 122 00:05:07,575 --> 00:05:11,512 I REALLY AM SORRY. 123 00:05:13,046 --> 00:05:16,517 O.K. 124 00:05:16,550 --> 00:05:18,018 [DIAL TONE] 125 00:05:18,051 --> 00:05:19,487 [PAGER BEEPING] 126 00:05:29,563 --> 00:05:31,465 [DIALING] 127 00:05:31,499 --> 00:05:32,733 YEAH, WHAT? 128 00:05:32,766 --> 00:05:34,735 IT'S GUY. YOU BEEPED? 129 00:05:34,768 --> 00:05:36,036 WHAT TOOK YOU SO FUCKING LONG? 130 00:05:36,069 --> 00:05:39,039 WELL, I HAD TO GET TO A PHONE-- 131 00:05:39,072 --> 00:05:40,541 WHATEVER. ANYWAY, IS IT DONE? 132 00:05:40,574 --> 00:05:42,042 YES. 133 00:05:42,075 --> 00:05:44,044 I RETURNED EVERY CALL, AND I LEFT WORD. 134 00:05:44,077 --> 00:05:46,046 SOME ASSHOLE COMPLAINED TO CYRUS 135 00:05:46,079 --> 00:05:48,048 THAT I'M NOT RETURNING MY CALLS. 136 00:05:48,081 --> 00:05:49,750 I CAN'T AFFORD THAT, 137 00:05:49,783 --> 00:05:53,053 NOT WHEN I'M ABOUT TO BE PROMOTED. 138 00:05:53,086 --> 00:05:54,722 YES, YOU'RE RIGHT. 139 00:05:54,755 --> 00:05:56,424 IT WON'T HAPPEN AGAIN. 140 00:05:56,457 --> 00:05:59,427 CHRIST, YOU'RE NOT EVEN LISTENING, ARE YOU? 141 00:05:59,460 --> 00:06:01,161 GUY, I DON'T THINK THIS IS WORKING ANYMORE. 142 00:06:01,194 --> 00:06:03,030 MAYBE IT'S TIME WE RECONSIDER OUR RELATIONSHIP. 143 00:06:03,063 --> 00:06:05,032 RECONSIDER? WHAT DO YOU MEAN? 144 00:06:05,065 --> 00:06:07,034 WE'LL TALK ABOUT IT IN THE MORNING. 145 00:06:07,067 --> 00:06:08,736 WAIT A MINUTE! RECONSIDER WHAT, BUDDY? 146 00:06:08,769 --> 00:06:10,037 WHAT ARE YOU GOING TO DO? 147 00:06:10,070 --> 00:06:11,739 YOU GOING TO FIRE ME? 148 00:06:11,772 --> 00:06:14,442 I GOT ANOTHER CALL. HELLO? HELLO? 149 00:06:14,475 --> 00:06:16,744 WE COULDN'T RETURN CALLS. YOU'VE BEEN AWAY. 150 00:06:16,777 --> 00:06:18,546 WHAT DO YOU MEAN RECONSIDER? 151 00:06:18,579 --> 00:06:20,047 HOLD ON. SHUT UP. 152 00:07:01,221 --> 00:07:03,757 [BUDDY] GUY, TOMORROW CALL THE PHONE COMPANY 153 00:07:03,791 --> 00:07:06,460 BECAUSE ALL OF MY PHONES ARE FUCKING SCREWED UP. 154 00:07:06,494 --> 00:07:09,062 CANCEL THE CALL WAITING CRAP AND PUT IN TWO-- 155 00:07:09,096 --> 00:07:12,065 NO, FOUR EXTRA LINES HERE AT THE HOUSE. 156 00:07:12,099 --> 00:07:14,468 AFTER YOU FIX THE PHONES, 157 00:07:14,502 --> 00:07:16,504 RESEARCH WHO DIRECTED THE NEW SLAM AND JAM MUSIC VIDEO. 158 00:07:16,537 --> 00:07:18,238 IT'S GOT THIS BLONDE. 159 00:07:18,271 --> 00:07:20,574 FIND OUT WHO HIS AGENT IS AND WHAT HE'S DOING NEXT 160 00:07:20,608 --> 00:07:23,076 AND THEN TRACK DOWN THE BLONDE. 161 00:07:23,110 --> 00:07:26,146 SHE'S WEARING THIS AMERICAN FLAG KIND OF THING. 162 00:07:26,179 --> 00:07:29,883 IT'S DRAPED ALL OVER HER. 163 00:07:29,917 --> 00:07:33,053 I DON'T KNOW WHAT... SET UP A MEETING. 164 00:07:33,086 --> 00:07:36,056 SHE'S--SHE'S REALLY... 165 00:07:36,089 --> 00:07:39,993 SHE'S PATRIOTIC. 166 00:07:40,027 --> 00:07:41,962 THE VIDEO WAS DIRECTED BY A SHE-- 167 00:07:41,995 --> 00:07:42,963 TRACY JANOWITZ. 168 00:07:42,996 --> 00:07:45,265 AND YOU'RE A LITTLE LATE. 169 00:07:45,298 --> 00:07:47,568 SHE JUST SIGNED A THREE-PICTURE DEAL WITH UNIVERSAL. 170 00:07:47,601 --> 00:07:49,069 WHAT THE HELL? 171 00:07:49,102 --> 00:07:51,905 AND AS FAR AS THE BLONDE... 172 00:07:51,939 --> 00:07:54,041 WHAT ARE YOU DOING? 173 00:07:54,074 --> 00:07:58,546 DON'T YOU THINK SHE'S A LITTLE YOUNG? 174 00:07:58,579 --> 00:08:00,548 EVEN FOR YOU? 175 00:08:00,581 --> 00:08:02,750 WHAT ARE YOU DOING? WHAT ARE YOU DOING HERE? 176 00:08:02,783 --> 00:08:05,052 JESUS CHRIST, YOU SCARED THE LIVING SHIT OUT OF ME. 177 00:08:05,085 --> 00:08:06,554 YOU'RE LUCKY I DIDN'T SHOOT YOU. 178 00:08:06,587 --> 00:08:09,289 WITH WHAT? THIS? 179 00:08:09,322 --> 00:08:13,193 OH, GREAT. MY GUN. HAND IT OVER. 180 00:08:13,226 --> 00:08:14,928 SIT. 181 00:08:14,962 --> 00:08:17,064 HAVE YOU GONE COMPLETELY INSANE? 182 00:08:17,097 --> 00:08:19,266 GIVE ME THE GUN NOW! 183 00:08:19,299 --> 00:08:22,536 SIT THE FUCK DOWN NOW. 184 00:08:30,110 --> 00:08:32,079 O.K., LOOK, I KNOW THINGS HAVE BEEN 185 00:08:32,112 --> 00:08:34,281 A LITTLE CRAZY AT THE OFFICE LATELY, 186 00:08:34,314 --> 00:08:36,850 BUT THERE'S NO NEED FOR THIS. 187 00:08:36,884 --> 00:08:39,086 WHY DON'T YOU PUT DOWN THE GUN AND LET'S TALK? 188 00:08:39,119 --> 00:08:40,921 WE'RE BOTH RATIONAL ADULTS HERE. 189 00:08:40,954 --> 00:08:44,958 BULLSHIT. YOU ARE A FUCKING CHILD. 190 00:08:44,992 --> 00:08:47,260 ALL RIGHT, I GAVE YOU A CHANCE. 191 00:08:47,294 --> 00:08:49,262 IT'S LATE, AND I'M TIRED OF THIS BULLSHIT. 192 00:08:49,296 --> 00:08:51,064 I'M CALLING THE COPS, AND YOU ARE GOING TO JAIL. 193 00:08:51,098 --> 00:08:52,966 END OF STORY. HAVE A NICE LIFE. 194 00:09:00,373 --> 00:09:02,042 WHAT DO YOU WANT? 195 00:09:09,617 --> 00:09:12,786 I WANT YOU... 196 00:09:12,820 --> 00:09:16,590 TO THINK AND REMEMBER 197 00:09:16,624 --> 00:09:23,096 EVERY INSULT, EVERY OFFENSE, 198 00:09:23,130 --> 00:09:27,367 EVERYTHING THAT YOU HAVE EVER TAKEN AWAY 199 00:09:27,400 --> 00:09:29,369 FROM ME. 200 00:09:29,402 --> 00:09:31,338 THINK TO YOURSELF. 201 00:09:35,108 --> 00:09:37,711 IT'S PAYBACK TIME. 202 00:09:42,816 --> 00:09:44,785 [RADIO] CURRENTLY 78 DEGREES IN HOLLYWOOD 203 00:09:44,818 --> 00:09:46,787 AND SHAPING UP TO BE A GREAT WEEKEND, EVERYONE. 204 00:09:46,820 --> 00:09:49,289 OF COURSE, YOU GOT TO MAKE IT THROUGH THE WEEK FIRST, 205 00:09:49,322 --> 00:09:52,793 BUT IF YOU DO, YOU CAN LOOK FORWARD TO 206 00:09:52,826 --> 00:09:54,795 THE THIRD ANNUAL CELEBRITY TRACTOR PULL 207 00:09:54,828 --> 00:09:56,096 AT THE POMONA FAIRGROUNDS THIS WEEKEND. 208 00:09:56,129 --> 00:09:57,364 [TURNS OFF ENGINE] 209 00:10:06,106 --> 00:10:07,340 [HORN HONKING] 210 00:10:13,413 --> 00:10:14,982 [RADIO PLAYING] 211 00:10:17,017 --> 00:10:18,218 HI. HOW ARE YOU? 212 00:10:18,251 --> 00:10:20,087 FUCK YOU. YOU'RE IN MY SPOT. COULD YOU MOVE? 213 00:10:26,426 --> 00:10:28,061 O.K. 214 00:10:30,430 --> 00:10:32,099 SORRY ABOUT THAT. 215 00:10:32,132 --> 00:10:35,302 I DIDN'T REALIZE THAT WAS YOUR SPOT. 216 00:10:35,335 --> 00:10:37,805 I SLAVED THREE MISERABLE YEARS TO GET THAT SPOT. 217 00:10:37,838 --> 00:10:39,306 IT'S MINE. I EARNED IT. 218 00:10:39,339 --> 00:10:42,810 WHEN I PULLED IN, I THOUGHT, "WOW, WHAT A GREAT SPOT." 219 00:10:42,843 --> 00:10:44,778 I'M GUY, BY THE WAY. 220 00:10:44,812 --> 00:10:46,780 WHAT IS THIS? YOUR FIRST DAY ON THE JOB? 221 00:10:46,814 --> 00:10:48,782 YES, YES. AS A MATTER OF FACT, IT IS. 222 00:10:48,816 --> 00:10:50,784 PIECE OF ADVICE-- LOSE THE SMILE. 223 00:10:50,818 --> 00:10:52,352 IT MAKES YOU LOOK LIKE A SCHMUCK. 224 00:10:55,823 --> 00:10:57,057 [TELEPHONE RINGING] 225 00:11:06,834 --> 00:11:08,101 HELLO. BUDDY ACKERMAN'S OFFICE. 226 00:11:08,135 --> 00:11:11,104 OH, HOLD ON ONE SECOND. 227 00:11:11,138 --> 00:11:13,106 READY TO GO TO WORK, I SEE. 228 00:11:13,140 --> 00:11:14,808 BUDDY ACKERMAN'S OFFICE. 229 00:11:14,842 --> 00:11:21,114 NO, DEREK, HE'S NOT HERE RIGHT NOW. 230 00:11:21,148 --> 00:11:23,316 NO, THAT'S NOT WHAT I SAID. 231 00:11:23,350 --> 00:11:26,787 I SAID HE'S NOT HERE RIGHT NOW AT THIS MOMENT IN TIME. 232 00:11:26,820 --> 00:11:30,090 MM-HMM. GOING TO MISS YOU, TOO, DEREK. 233 00:11:30,123 --> 00:11:31,792 BUDDY ACKERMAN'S OFFICE. 234 00:11:31,825 --> 00:11:34,294 YES, I KNOW THE MEETING HAS STARTED. 235 00:11:34,327 --> 00:11:37,097 I'LL SEND HIM DOWN AS SOON AS HE GETS HERE. 236 00:11:37,130 --> 00:11:38,799 BUDDY ACKERMAN'S. 237 00:11:38,832 --> 00:11:43,103 OH, HEY, MONA. HOW ARE YOU, GORGEOUS? 238 00:11:43,136 --> 00:11:46,106 OF COURSE YOU AND BUDDY ARE ON FOR TONIGHT. 239 00:11:46,139 --> 00:11:48,108 JUST GET YOUR CUTE LITTLE BUTT 240 00:11:48,141 --> 00:11:49,409 OVER TO HIS PLACE BY MIDNIGHT. 241 00:11:49,442 --> 00:11:51,478 BYE. 242 00:11:51,511 --> 00:11:54,314 SO, I DON'T KNOW WHAT YOU'VE HEARD ABOUT THIS JOB, 243 00:11:54,347 --> 00:11:57,117 BUT IT'S GOING TO BE A LOT OF WORK FOR SHIT WAGES. 244 00:11:57,150 --> 00:12:00,253 A LOT OF SHIT WORK FOR SHIT WAGES. 245 00:12:00,287 --> 00:12:03,123 PICKING UP DRY CLEANING, GASSING UP HIS CAR, 246 00:12:03,156 --> 00:12:06,126 GETTING HIM COFFEE, GETTING HIM LUNCH, 247 00:12:06,159 --> 00:12:08,095 AND GETTING HIM LAID, 248 00:12:08,128 --> 00:12:13,100 AND HE CAN BE, WELL, DIFFICULT... 249 00:12:13,133 --> 00:12:15,368 DIFFICULT AT TIMES. 250 00:12:15,402 --> 00:12:19,106 AFTER ALL, BUDDY IS THE SENIOR EXECUTIVE VICE PRESIDENT 251 00:12:19,139 --> 00:12:20,808 OF PRODUCTION FOR KEYSTONE. 252 00:12:20,841 --> 00:12:23,310 ONLY TWO PEOPLE BIGGER THAN THAT. 253 00:12:23,343 --> 00:12:25,412 STELLA SMILEY, PRESIDENT OF WORLD-WIDE PRODUCTION 254 00:12:25,445 --> 00:12:27,114 FOR NOW. 255 00:12:27,147 --> 00:12:28,816 SHE DOESN'T LIKE US. 256 00:12:28,849 --> 00:12:30,117 BUT THAT'S O.K.... 257 00:12:30,150 --> 00:12:32,119 EXCUSE ME. 258 00:12:32,152 --> 00:12:33,821 I'M SORRY. 259 00:12:33,854 --> 00:12:35,823 BECAUSE ABOVE HER IS CYRUS MILES, 260 00:12:35,856 --> 00:12:39,126 STUDIO CHAIRMAN AND GRAND POOH BAH. 261 00:12:39,159 --> 00:12:41,128 WE CALL HIM GOD, 262 00:12:41,161 --> 00:12:42,830 AND HE DOES LIKE US. 263 00:12:42,863 --> 00:12:44,331 THAT THING IS GOING TO BE 264 00:12:44,364 --> 00:12:46,834 THE SECOND MOST IMPORTANT THING IN YOUR LIFE. 265 00:12:46,867 --> 00:12:49,102 PITY THE DAY IT BREAKS DOWN ON YOU. 266 00:12:57,845 --> 00:13:00,547 GUY, IF YOU DO THIS JOB WELL, 267 00:13:00,580 --> 00:13:03,116 WEALTH AND OPPORTUNITY ARE YOURS. 268 00:13:03,150 --> 00:13:04,818 ALL OF BUDDY'S ASSISTANTS 269 00:13:04,852 --> 00:13:06,820 HAVE GONE ON TO BIGGER AND BETTER THINGS. 270 00:13:06,854 --> 00:13:08,822 ONE IS RUNNING THE SONY CHANNEL. 271 00:13:08,856 --> 00:13:10,858 ANOTHER ONE PRODUCED ALL THE MACAULAY CULKIN ACTION PICTURES. 272 00:13:10,891 --> 00:13:13,060 WOW. 273 00:13:13,093 --> 00:13:15,062 IT'S A GOOD LINEAGE, A LEGACY. 274 00:13:15,095 --> 00:13:17,230 IF YOU DON'T MIND ME ASKING-- WHERE ARE YOU GOING? 275 00:13:17,264 --> 00:13:19,466 VICE PRESIDENT OF PRODUCTION AT PARAMOUNT. 276 00:13:19,499 --> 00:13:21,468 LIKE I SAID, IT IS A GOOD LINEAGE. 277 00:13:21,501 --> 00:13:24,137 THIS IS GOING TO BE THE MOST IMPORTANT THING 278 00:13:24,171 --> 00:13:26,273 IN YOUR LIFE. WORKS VERY SIMPLY. 279 00:13:26,306 --> 00:13:28,909 STEADY GREEN LIGHT-- THE LINE IS ACTIVE. 280 00:13:28,942 --> 00:13:30,844 IF IT'S OFF, IT'S DEAD. 281 00:13:30,878 --> 00:13:32,612 FLASHING RED-- SOMEONE'S HOLDING. 282 00:13:32,645 --> 00:13:34,247 FLASHING GREEN-- INCOMING. 283 00:13:34,281 --> 00:13:36,116 FLASHING GREEN-- INCOMING, YES. 284 00:13:36,149 --> 00:13:38,251 DON'T WORRY. 285 00:13:38,285 --> 00:13:40,120 YOU'LL DO ALL RIGHT, FARM BOY. 286 00:13:40,153 --> 00:13:41,955 ACTUALLY... 287 00:13:41,989 --> 00:13:44,992 I'M FROM UPSTATE NEW YORK. 288 00:13:45,025 --> 00:13:48,461 THERE ARE FARMS AROUND IN THE AREA. 289 00:13:48,495 --> 00:13:50,864 [TELEPHONE RINGING] 290 00:13:50,898 --> 00:13:54,001 BUDDY ACKERMAN'S OFFICE. 291 00:13:54,034 --> 00:13:55,135 I'M FROM A MORE URBAN AREA. 292 00:13:55,168 --> 00:13:58,338 GUY, SO GLAD TO SEE YOU HERE. 293 00:13:58,371 --> 00:14:00,573 I CANNOT TELL YOU HOW GRATEFUL I AM 294 00:14:00,607 --> 00:14:02,142 THAT YOU COULD START RIGHT AWAY. 295 00:14:02,175 --> 00:14:04,044 IT WILL BE NICE TO GET SOME REAL HELP 296 00:14:04,077 --> 00:14:06,146 AND GET RID OF THIS MONGOLOID 297 00:14:06,179 --> 00:14:08,648 SO HE'LL STOP SCREWING ME UP 298 00:14:08,681 --> 00:14:10,517 AND FUCK THE COMPETITION FOR A CHANGE. 299 00:14:10,550 --> 00:14:11,919 WHAT? 300 00:14:11,952 --> 00:14:15,222 STELLA'S ON LINE ONE, MOM'S ON TWO. 301 00:14:15,255 --> 00:14:16,957 GET ME ROB ON THE PHONE. 302 00:14:16,990 --> 00:14:18,458 HE'S ON THREE. 303 00:14:18,491 --> 00:14:20,627 TELL STELLA TO HOLD. TAKE MY MOM. 304 00:14:20,660 --> 00:14:22,629 WHEN YOU'RE DONE WITH HER, 305 00:14:22,662 --> 00:14:25,632 WEST LOBBY, TUBE DRESS, STILETTO HEELS. FETCH. 306 00:14:25,665 --> 00:14:28,335 COME ON, GUY, YOU'RE IN FOR A TREAT. 307 00:14:28,368 --> 00:14:30,537 [ASSISTANT] STELLA, HE'LL BE RIGHT DOWN. HE JUST WALKED IN. 308 00:14:30,570 --> 00:14:33,140 ROB, I RAN THE ROUGH CUT LAST NIGHT. 309 00:14:33,173 --> 00:14:35,642 THE MIX IS STILL WAY TOO GODDAMN LOW. 310 00:14:35,675 --> 00:14:37,644 I TOLD YOU YOU GOT TO BRING UP THE EXPLOSIONS. 311 00:14:37,677 --> 00:14:39,146 THEY'VE GOT TO BE LOUD. 312 00:14:39,179 --> 00:14:42,983 THE AUDIENCE SHOULD FEEL THEIR BALLS TREMBLE. 313 00:14:43,016 --> 00:14:46,186 SO I DON'T CARE IF GOD TOLD YOU TO KEEP IT DOWN. 314 00:14:46,219 --> 00:14:48,155 WHAT DO YOU MEAN IT CAN'T BE DONE? 315 00:14:48,188 --> 00:14:50,123 QUE PASA, THIS CAN'T BE DONE? 316 00:14:53,693 --> 00:14:56,363 ALL RIGHT, ROB. SHUT UP FOR A SECOND. 317 00:14:56,396 --> 00:15:01,234 JUST LISTEN. LET'S TRY SOMETHING EASIER. 318 00:15:01,268 --> 00:15:05,939 REPEAT THIS--WOULD YOU LIKE THAT IN A PUMP OR A LOAFER? 319 00:15:05,973 --> 00:15:09,142 NO, ROB, JUST SAY IT WITH ME. 320 00:15:09,176 --> 00:15:11,144 HUMOR ME. JUST SAY IT ONCE. 321 00:15:11,178 --> 00:15:16,283 WOULD YOU LIKE THAT IN A PUMP OR A LOAFER? 322 00:15:19,219 --> 00:15:20,653 GOOD. NOW MEMORIZE IT. BECAUSE AS OF TOMORROW, 323 00:15:20,687 --> 00:15:25,158 THE ONLY JOB YOU'RE GOING TO BE ABLE TO GET 324 00:15:25,192 --> 00:15:26,493 IS SELLING SHOES. 325 00:15:36,469 --> 00:15:38,638 WELL, I, UM... 326 00:15:42,509 --> 00:15:44,611 ROB'S CALLING AGAIN ON LINE ONE. 327 00:15:49,149 --> 00:15:51,151 YO, ROB. LOOK, I'M BUSY NOW. 328 00:15:51,184 --> 00:15:53,120 I CAN'T REALLY... 329 00:15:54,687 --> 00:15:59,159 WELL, I'M GLAD YOU SEE IT MY WAY NOW. 330 00:15:59,192 --> 00:16:01,661 HEY, LOOK, WE ALL HAVE OUR MISUNDERSTANDINGS. 331 00:16:01,694 --> 00:16:04,164 GET IT DONE. WHERE'S STELLA? WHAT'S MY SCHEDULE? 332 00:16:04,197 --> 00:16:06,366 SHE WANTS YOU IN THE STAFF MEETING. 333 00:16:06,399 --> 00:16:08,135 DID THEY START YET? 334 00:16:08,168 --> 00:16:10,670 NO. THEY'VE BEEN WAITING FOR YOU FOR 15 MINUTES. 335 00:16:10,703 --> 00:16:13,206 GOOD. LET ME TELL YOU SOMETHING, GUY. 336 00:16:13,240 --> 00:16:16,509 IF THEY CAN'T START A MEETING WITHOUT YOU, 337 00:16:16,543 --> 00:16:19,146 WELL, THAT'S A MEETING WORTH GOING TO, ISN'T IT? 338 00:16:19,179 --> 00:16:21,148 THAT'S THE ONLY KIND OF MEETING 339 00:16:21,181 --> 00:16:23,416 YOU SHOULD EVER CONCERN YOURSELVES WITH. 340 00:16:23,450 --> 00:16:24,717 FILE THIS. WHAT'S NEXT? 341 00:16:24,751 --> 00:16:26,453 HER NAME IS MITZI. 342 00:16:26,486 --> 00:16:28,421 I LIKE THAT. 343 00:16:31,224 --> 00:16:33,126 O.K. LET'S DO IT. 344 00:16:36,529 --> 00:16:38,365 MITZI! HI! 345 00:16:38,398 --> 00:16:41,434 BUDDY ACKERMAN. SENIOR VICE PRESIDENT OF PRODUCTION. 346 00:16:41,468 --> 00:16:43,670 I SAW YOU IN THE LOBBY ON MY WAY IN. 347 00:16:43,703 --> 00:16:45,172 I'M ON MY WAY TO A VERY IMPORTANT MEETING. 348 00:16:45,205 --> 00:16:46,673 I CAN JUST TELL 349 00:16:46,706 --> 00:16:49,676 THAT THERE ARE ENORMOUS OPPORTUNITIES FOR THE BOTH OF US, 350 00:16:49,709 --> 00:16:52,179 AND I WILL PULL MYSELF OUT OF THIS MEETING 351 00:16:52,212 --> 00:16:54,681 IF YOU CAN BEAR JUST WAITING 10 MINUTES... 352 00:16:54,714 --> 00:16:58,685 BECAUSE I WOULD LOVE IT IF YOU AND I COULD JUST SIT AND CHAT. 353 00:16:58,718 --> 00:17:01,154 WOULD THAT BE POSSIBLE? OH, THAT'S GREAT. 354 00:17:01,188 --> 00:17:02,655 NOW, IF YOU NEED ANYTHING, 355 00:17:02,689 --> 00:17:05,158 YOU JUST ASK THESE TWO BOYS HERE. 356 00:17:05,192 --> 00:17:07,660 KEEP HER HAPPY. JUST GO SIT DOWN. 357 00:17:07,694 --> 00:17:09,162 I'LL BE RIGHT BACK. 358 00:17:09,196 --> 00:17:10,130 WHERE'S MY FUCKING COFFEE? 359 00:17:14,701 --> 00:17:16,169 [TELEPHONE RINGING] 360 00:17:16,203 --> 00:17:17,804 BUDDY ACKERMAN'S OFFICE. 361 00:17:17,837 --> 00:17:19,472 CREAM, SUGAR. 362 00:17:19,506 --> 00:17:21,141 SWEET 'N LOW. 363 00:17:27,314 --> 00:17:30,683 COME ON, PEOPLE. I'M LATE FOR A MEETING HERE. 364 00:17:30,717 --> 00:17:32,219 LET'S GO, GO, GO! 365 00:17:36,489 --> 00:17:37,824 [SNIFFS] 366 00:17:37,857 --> 00:17:39,626 EXCUSE ME. WHAT IS THIS? 367 00:17:39,659 --> 00:17:42,295 SWEET 'N LOW? 368 00:17:45,198 --> 00:17:48,601 NO. THIS IS NOT SWEET 'N LOW. 369 00:17:48,635 --> 00:17:50,670 THIS IS EQUAL. BLUE PACKET. 370 00:17:50,703 --> 00:17:53,440 SWEET 'N LOW IS PINK, SEE. 371 00:17:53,473 --> 00:17:56,276 EQUAL--BLUE. SWEET 'N LOW--PINK. 372 00:17:56,309 --> 00:17:58,178 IT'S NOT THE SAME THING, IS IT? 373 00:17:58,211 --> 00:18:01,681 WELL, I THINK THEY BOTH CONTAIN-- 374 00:18:01,714 --> 00:18:04,384 WHAT EQUAL CONTAINS IS NOT MY CONCERN HERE. 375 00:18:04,417 --> 00:18:06,786 I DON'T CARE IF IT HAS FUCKING FAIRY DUST IN IT. 376 00:18:12,725 --> 00:18:15,195 WHAT I AM CONCERNED WITH IS DETAIL. 377 00:18:15,228 --> 00:18:17,197 I ASKED FOR SWEET 'N LOW. 378 00:18:17,230 --> 00:18:18,698 YOU BRING ME BACK EQUAL. 379 00:18:18,731 --> 00:18:20,700 THAT ISN'T WHAT I ASKED FOR, 380 00:18:20,733 --> 00:18:23,170 AND THAT SHIT ISN'T GOING TO WORK AROUND HERE. 381 00:18:23,203 --> 00:18:24,471 I JUST THOUGHT-- 382 00:18:24,504 --> 00:18:26,673 YOU THOUGHT. 383 00:18:26,706 --> 00:18:29,176 DO ME A FUCKING FAVOR-- 384 00:18:29,209 --> 00:18:31,678 SHUT UP. LISTEN AND LEARN. 385 00:18:31,711 --> 00:18:34,681 LOOK, I KNOW THAT THIS IS YOUR FIRST DAY, 386 00:18:34,714 --> 00:18:37,184 AND YOU DON'T REALLY KNOW HOW THINGS WORK AROUND HERE, 387 00:18:37,217 --> 00:18:38,585 SO I WILL TELL YOU. 388 00:18:41,221 --> 00:18:46,193 YOU HAVE NO BRAIN. 389 00:18:46,226 --> 00:18:48,728 NO JUDGMENT CALLS ARE NECESSARY. 390 00:18:48,761 --> 00:18:51,698 WHAT YOU THINK MEANS NOTHING. 391 00:18:51,731 --> 00:18:55,202 WHAT YOU FEEL MEANS NOTHING. 392 00:18:55,235 --> 00:18:56,703 YOU ARE HERE FOR ME. 393 00:18:56,736 --> 00:18:59,706 YOU ARE HERE TO PROTECT MY INTERESTS 394 00:18:59,739 --> 00:19:01,341 AND TO SERVE MY NEEDS. 395 00:19:01,374 --> 00:19:04,611 WHILE IT MAY LOOK LIKE A LITTLE THING TO YOU, 396 00:19:04,644 --> 00:19:09,682 WHEN I ASK FOR A PACKET OF SWEET 'N LOW... 397 00:19:09,716 --> 00:19:12,485 THAT'S WHAT I WANT, 398 00:19:12,519 --> 00:19:14,954 AND IT IS YOUR RESPONSIBILITY NOW 399 00:19:14,987 --> 00:19:18,491 TO SEE THAT I GET WHAT I WANT. 400 00:19:18,525 --> 00:19:20,327 AM I CLEAR? 401 00:19:20,360 --> 00:19:23,196 YES, SIR. 402 00:19:23,230 --> 00:19:25,298 I'M NOT TRYING TO BE CRUEL. 403 00:19:25,332 --> 00:19:27,200 I'M JUST TRYING TO HELP, 404 00:19:27,234 --> 00:19:29,202 BECAUSE IF YOU DO THIS JOB RIGHT, 405 00:19:29,236 --> 00:19:30,703 IF YOU LISTEN AND LEARN, 406 00:19:30,737 --> 00:19:33,206 YOU CAN DO ANYTHING YOU WANT IN THIS TOWN. 407 00:19:33,240 --> 00:19:36,976 LOOK AT REX HERE-- A V.P. AT PARAMOUNT. 408 00:19:37,009 --> 00:19:39,212 REX. WHAT A NAME. BELONGS TO A MUTT. 409 00:19:39,246 --> 00:19:41,214 IF I CAN GET DOG BOY HERE A JOB, 410 00:19:41,248 --> 00:19:42,349 YOU'RE GOING TO DO JUST FINE. 411 00:19:47,520 --> 00:19:48,988 I FUCKED UP. 412 00:19:49,021 --> 00:19:50,823 IT'S OVER. 413 00:19:50,857 --> 00:19:53,993 RELAX. HE DOES THAT A LOT. 414 00:19:54,026 --> 00:19:56,996 TOMORROW HE'LL ASK YOU FOR AN EQUAL. 415 00:19:57,029 --> 00:19:58,698 IT'S A LOSE-LOSE SITUATION. 416 00:19:58,731 --> 00:20:01,934 WELL, DOES IT STILL HAPPEN TO YOU? 417 00:20:01,968 --> 00:20:06,005 DAILY. ACTUALLY, HOURLY. 418 00:20:06,038 --> 00:20:09,008 LOOK, EVERY DAY IS SOMETHING COMPLETELY DIFFERENT. 419 00:20:09,041 --> 00:20:11,644 NOTHING IS EVER THE SAME. 420 00:20:11,678 --> 00:20:13,012 WHAT HE WANTS, WHAT HE NEEDS 421 00:20:13,045 --> 00:20:14,714 CAN CHANGE IN A SECOND. 422 00:20:14,747 --> 00:20:16,549 THE TRICK IS TO HAVE EVERYTHING READY. 423 00:20:16,583 --> 00:20:17,617 ANTICIPATE. 424 00:20:17,650 --> 00:20:20,720 NEXT TIME BRING BACK AN EQUAL AND A SWEET 'N LOW. 425 00:20:20,753 --> 00:20:22,622 PROTECT HIS INTERESTS 426 00:20:22,655 --> 00:20:24,023 AND SERVE HIS NEEDS. 427 00:20:24,056 --> 00:20:26,025 COME ON, SAY IT WITH ME. 428 00:20:26,058 --> 00:20:28,995 PROTECT HIS INTERESTS AND SERVE HIS NEEDS. 429 00:20:29,028 --> 00:20:30,697 O.K., BUT THAT'S CRAZY. 430 00:20:30,730 --> 00:20:32,999 THAT'S NO WAY TO RUN A BUSINESS. 431 00:20:33,032 --> 00:20:35,001 UH-UH. FIRST MISTAKE. 432 00:20:35,034 --> 00:20:37,704 THIS IS NOT A BUSINESS. 433 00:20:37,737 --> 00:20:39,706 NO RULES HERE. 434 00:20:39,739 --> 00:20:41,708 SAVE THAT CANDY-STRIPED CRAP 435 00:20:41,741 --> 00:20:43,443 FOR THE WALL STREET WIMPS. 436 00:20:43,476 --> 00:20:46,713 THIS IS SHOW BUSINESS. 437 00:20:46,746 --> 00:20:50,983 PUNCHING BELOW THE BELT IS NOT ONLY ALL RIGHT... 438 00:20:52,552 --> 00:20:55,855 IT IS REWARDED. 439 00:20:55,888 --> 00:20:58,725 SO IN THIS, THIS BUSINESS OF SHOW, 440 00:20:58,758 --> 00:21:00,593 YOU GOT TO ASK YOURSELF, 441 00:21:00,627 --> 00:21:03,963 WHAT IS IT THAT IS GOING TO MAKE THEM 442 00:21:03,996 --> 00:21:06,399 SIT UP AND TAKE NOTICE OF YOU? 443 00:21:06,433 --> 00:21:10,603 WORK REALLY, REALLY HARD. 444 00:21:10,637 --> 00:21:15,007 DON'T WORRY, FARM BOY. YOU'LL LEARN. 445 00:21:15,041 --> 00:21:17,677 HAVE A CIGARETTE. 446 00:21:17,710 --> 00:21:19,379 I DON'T SMOKE. 447 00:21:19,412 --> 00:21:21,714 THIS AND THAT POT OF COFFEE 448 00:21:21,748 --> 00:21:24,517 ARE GOING TO BE YOUR BEST FRIENDS FOR THE NEXT YEAR. 449 00:21:24,551 --> 00:21:25,918 GET TO KNOW THEM. 450 00:21:25,952 --> 00:21:28,020 COME ON, ROLL UP YOUR SLEEVES. 451 00:21:28,054 --> 00:21:29,522 WE GOT WORK TO DO. 452 00:21:29,556 --> 00:21:31,023 O.K. 453 00:21:41,568 --> 00:21:43,703 WHAT DO YOU WANT? 454 00:21:46,072 --> 00:21:47,940 YOU ARE IN BIG TROUBLE. 455 00:21:47,974 --> 00:21:49,442 START MAKING FUNERAL ARRANGEMENTS 456 00:21:49,476 --> 00:21:52,379 BECAUSE YOU ARE DEAD IN THIS TOWN. 457 00:21:52,412 --> 00:21:53,380 APOLOGIZE. 458 00:21:53,413 --> 00:21:54,547 EXCUSE ME? WHAT? 459 00:21:54,581 --> 00:21:56,716 OW! OW! OW! MY HAIR! 460 00:21:56,749 --> 00:21:58,851 I WANT YOU TO APOLOGIZE. 461 00:21:58,885 --> 00:22:00,753 FOR WHAT? 462 00:22:03,890 --> 00:22:06,025 APOLOGIZE. 463 00:22:06,058 --> 00:22:07,594 FUCK YOU. 464 00:22:16,068 --> 00:22:18,738 [TELEPHONE RINGING] 465 00:22:18,771 --> 00:22:22,509 BUDDY ACKERMAN'S OFFICE. 466 00:22:22,542 --> 00:22:24,744 UH, I DON'T HAVE THAT INFORMATION. 467 00:22:24,777 --> 00:22:26,746 LET ME ASK HIM, AND I'LL HAVE HIM-- 468 00:22:26,779 --> 00:22:28,080 I'LL CALL YOU BACK. 469 00:22:28,114 --> 00:22:30,750 BUDDY ACKERMAN'S OFFICE. 470 00:22:30,783 --> 00:22:33,420 HANK, LISTEN, IS THERE ANY WAY 471 00:22:33,453 --> 00:22:37,957 THAT YOU CAN HAVE THAT DELIVERED BY THE END OF THE DAY? 472 00:22:37,990 --> 00:22:40,026 GREAT, GREAT, GREAT. I APPRECIATE IT. 473 00:22:40,059 --> 00:22:41,761 THANK YOU. BYE. 474 00:22:41,794 --> 00:22:43,430 BUDDY ACKERMAN'S OFFICE. 475 00:22:43,463 --> 00:22:45,965 [BUDDY] PICK UP THE PHONE, PICK UP THE PHONE. 476 00:22:45,998 --> 00:22:47,734 IT IS IN YOUR JOB DESCRIPTION. 477 00:22:47,767 --> 00:22:49,035 THE PHONES ARE GOING CRAZY. 478 00:22:49,068 --> 00:22:50,537 IF I GET THAT ANSWERING MACHINE AGAIN, 479 00:22:50,570 --> 00:22:52,539 I DRAW BLOOD. 480 00:22:52,572 --> 00:22:54,040 TODAY'S SCHEDULE. DO IT. 481 00:22:54,073 --> 00:22:56,943 YOU HAVE A PITCH AT 10:30. 482 00:22:56,976 --> 00:22:59,045 HOW MANY TIMES HAVE I TOLD YOU? 483 00:22:59,078 --> 00:23:00,680 NO PITCHES BEFORE 11:00. 484 00:23:00,713 --> 00:23:03,650 WE'VE GOT TOO MUCH TO DO. I'VE GOT CALLS TO RETURN. 485 00:23:03,683 --> 00:23:05,051 CANCEL WHOEVER IT IS. 486 00:23:05,084 --> 00:23:06,653 IT'S WITH DAWN LOCKARD. 487 00:23:06,686 --> 00:23:11,057 OH, WELL, O.K. 488 00:23:11,090 --> 00:23:13,560 UM, TELL HER I'LL BE A LITTLE LATE. 489 00:23:13,593 --> 00:23:15,495 AND GET ME STELLA. 490 00:23:15,528 --> 00:23:17,029 PATCH HER THROUGH TO ME RIGHT AWAY. 491 00:23:17,063 --> 00:23:18,831 ALL RIGHT. 492 00:23:18,865 --> 00:23:20,767 BUDDY ACKERMAN CALLING. 493 00:23:20,800 --> 00:23:22,902 I'M HERE TO SEE BUDDY. I'M DAWN LOCKARD. 494 00:23:22,935 --> 00:23:25,538 I'M A PRODUCER ON THE LOT. 495 00:23:25,572 --> 00:23:27,106 HI. 496 00:23:27,139 --> 00:23:30,076 HI. 497 00:23:30,109 --> 00:23:32,679 BUDDY'S RUNNING A LITTLE LATE SO, UH, 498 00:23:32,712 --> 00:23:34,080 JUST HAVE A SEAT. 499 00:23:36,082 --> 00:23:39,752 UH, YES, FINE, I'LL TELL HIM. 500 00:23:39,786 --> 00:23:42,121 BUDDY ACKERMAN'S OFFICE. 501 00:23:42,154 --> 00:23:44,056 YEAH, WHAT HAPPENED? 502 00:23:44,090 --> 00:23:46,058 STELLA'S OFFICE JUST CALLED. 503 00:23:46,092 --> 00:23:48,728 SHE'S GOING TO BE UNREACHABLE TILL MONDAY. 504 00:23:48,761 --> 00:23:51,197 WHAT DO YOU MEAN UNREACHABLE? 505 00:23:51,230 --> 00:23:54,033 SHE'S WHITE-WATER RAFTING IN COLORADO WITH TOM CRUISE. 506 00:23:54,066 --> 00:23:56,035 YEAH? SO? TRACK HER DOWN. 507 00:23:56,068 --> 00:23:58,738 FIND OUT WHERE SHE'S STAYING. 508 00:23:58,771 --> 00:24:02,041 SHE'S RAFTING. WELL, SHE'S UNREACHABLE. 509 00:24:02,074 --> 00:24:06,613 UH-HUH. I DON'T SEE THE PROBLEM. 510 00:24:06,646 --> 00:24:08,615 SHE'S RAFTING ON THE WATER. 511 00:24:08,648 --> 00:24:12,251 I DON'T IMAGINE THEY HAVE PHONES THERE. 512 00:24:12,284 --> 00:24:15,722 THEY HAVE HELICOPTERS, DON'T THEY? 513 00:24:15,755 --> 00:24:19,892 YES, I SUPPOSE THEY DO. 514 00:24:19,926 --> 00:24:21,060 YOU SUPPOSE? 515 00:24:21,093 --> 00:24:22,762 LISTEN, YOU LITTLE TWERP, 516 00:24:22,795 --> 00:24:24,731 I CAN'T SPEND MY DAY TELLING YOU HOW TO DO YOUR JOB. 517 00:24:24,764 --> 00:24:26,566 WHAT? IS HE IN ONE OF HIS MOODS? 518 00:24:26,599 --> 00:24:28,100 YEAH. 519 00:24:28,134 --> 00:24:30,069 IT'S NOT BRAIN SURGERY, YOU KNOW. 520 00:24:30,102 --> 00:24:32,271 YOU COME BACK WITH "SHE'S UNREACHABLE"? 521 00:24:32,304 --> 00:24:34,106 I DON'T EVER WANT TO HEAR THAT WORD AGAIN. 522 00:24:34,140 --> 00:24:35,808 SHUT UP. LISTEN. LEARN. 523 00:24:35,842 --> 00:24:37,544 THERE IS NO SUCH WORD AS UNREACHABLE 524 00:24:37,577 --> 00:24:39,245 FOR THIS OFFICE. 525 00:24:39,278 --> 00:24:42,048 FIND HER. GET HER. I WANT TO TALK TO HER BY LUNCH. 526 00:24:42,081 --> 00:24:44,050 OUT! OUT! WHO DO YOU WORK FOR? 527 00:24:44,083 --> 00:24:45,885 IF SHE'S NOT ON THE PHONE BY... 528 00:24:45,918 --> 00:24:48,187 LISTEN, ABOUT THAT PARKING SPOT THING. 529 00:24:48,220 --> 00:24:50,623 HAD I KNOWN THAT YOU WORKED FOR BUDDY, 530 00:24:50,657 --> 00:24:51,758 I CERTAINLY WOULD HAVE... 531 00:24:51,791 --> 00:24:53,926 DON'T WORRY ABOUT IT. 532 00:24:53,960 --> 00:24:55,828 YOU GET ENOUGH SHIT FROM HIM, 533 00:24:55,862 --> 00:24:57,063 YOU DON'T NEED IT FROM ME. 534 00:24:57,096 --> 00:24:58,765 I CAN HANDLE BUDDY. 535 00:24:58,798 --> 00:24:59,999 UNREACHABLE MAY WORK FOR OTHER HACKS, 536 00:25:00,032 --> 00:25:01,534 BUT NOT HERE! 537 00:25:03,102 --> 00:25:04,771 DAWN, EXCUSE ME, 538 00:25:04,804 --> 00:25:06,773 I JUST NEED TO YELL AT 539 00:25:06,806 --> 00:25:08,808 MY MONGOLOID BRAIN-DEAD ASSISTANT FOR A SECOND. 540 00:25:08,841 --> 00:25:10,009 GET IN HERE! 541 00:25:19,786 --> 00:25:22,054 IF YOU EVER USE THE FUCKING WORD UNREACHABLE 542 00:25:22,088 --> 00:25:24,090 IN MY OFFICE, 543 00:25:24,123 --> 00:25:26,893 I SWEAR TO GOD I WILL SEND YOU THROUGH THE LOBBY! 544 00:25:26,926 --> 00:25:29,261 DON'T EVER DO IT AGAIN! YOU UNDERSTAND? 545 00:25:29,295 --> 00:25:32,064 IF MY CAR PHONE ISN'T PUT IN MY CAR BY 4:00, 546 00:25:32,098 --> 00:25:33,532 YOU'RE A DEAD PERSON. 547 00:25:37,604 --> 00:25:39,105 DAWN, GORGEOUS. 548 00:25:39,138 --> 00:25:41,073 IT'S BEEN TOO LONG. 549 00:25:41,107 --> 00:25:44,043 GET YOUR CUTE LITTLE BUTT IN HERE. 550 00:25:46,112 --> 00:25:48,547 GUY, HOLD ALL MY CALLS. 551 00:26:01,393 --> 00:26:04,030 O.K., O.K. 552 00:26:07,166 --> 00:26:10,770 DAWN, I DON'T THINK THIS PONY IS GOING TO WIN, PLACE, OR SHOW. 553 00:26:10,803 --> 00:26:14,907 EVEN THE TITLE, REAL LIFE. IT'S A REAL PASS. 554 00:26:14,941 --> 00:26:16,776 YOU NEED THIS FILM, BUDDY. 555 00:26:16,809 --> 00:26:19,779 IT'S AN IMPORTANT FILM FOR THE 18 TO 25ers. 556 00:26:19,812 --> 00:26:22,081 YOU CANNOT KEEP DISSING WHAT THEY WANT TO SEE. 557 00:26:22,114 --> 00:26:23,916 OH, REALLY? HOW ABOUT THAT, GUY? 558 00:26:23,950 --> 00:26:26,352 YOU'RE AT THAT AGE. YOU FEEL DISSED? 559 00:26:26,385 --> 00:26:29,288 WELL, UH, YEAH. 560 00:26:29,321 --> 00:26:34,393 DISILLUSIONED, DISMAYED... 561 00:26:34,426 --> 00:26:37,997 DISPOSABLE. 562 00:26:38,030 --> 00:26:40,833 THANKS, AND THIS IS TOO DARK, DEPRESSING, AND DULL. 563 00:26:40,867 --> 00:26:43,069 IT'S NOT WHAT PEOPLE WANT TO SEE. 564 00:26:43,102 --> 00:26:45,404 I SUPPOSE THAT PUMPED UP, 565 00:26:45,437 --> 00:26:47,073 OVER-ADRENALIZED MALE MACHO BULLSHIT IS? 566 00:26:47,106 --> 00:26:50,076 MY MALE MACHO BULLSHIT JUST BROKE 180 MIL. 567 00:26:50,109 --> 00:26:52,078 THE LAST IMPORTANT FILM THIS STUDIO MADE 568 00:26:52,111 --> 00:26:53,780 PEAKED AT 18. 569 00:26:53,813 --> 00:26:55,748 THE ONE BEFORE THAT DIDN'T EVEN BREAK DOUBLE DIGITS. 570 00:26:55,782 --> 00:27:00,720 DAWN, FORGET ABOUT THIS LOST ARTSY GENERATION CRAP. 571 00:27:00,753 --> 00:27:03,089 YOU'VE BEEN AWAY FROM ME TOO LONG. 572 00:27:03,122 --> 00:27:05,091 COME BACK TO MY TEAM, 573 00:27:05,124 --> 00:27:07,093 AND WE CAN MAKE SOME REAL MOVIES. 574 00:27:07,126 --> 00:27:09,796 OR I COULD JUST GO TO STELLA WITH IT. 575 00:27:09,829 --> 00:27:12,131 SHE IS PRESIDENT OF PRODUCTION, RIGHT? 576 00:27:12,164 --> 00:27:14,233 HM-MMM, FOR NOW. WHO CALLED? 577 00:27:14,266 --> 00:27:16,302 OH, UH... 578 00:27:16,335 --> 00:27:17,670 AHEM. 579 00:27:17,704 --> 00:27:20,807 UH, MITCH AND CYRUS. 580 00:27:20,840 --> 00:27:23,242 CYRUS? AND YOU DIDN'T PUT HIM THROUGH? 581 00:27:23,275 --> 00:27:26,378 YOU SAID HOLD ALL YOUR CALLS. 582 00:27:26,412 --> 00:27:28,781 FINE. WHO ELSE? 583 00:27:28,815 --> 00:27:33,385 DEREK, MITZI, AND STELLA RETURNED. 584 00:27:33,419 --> 00:27:36,789 STELLA? STELLA! 585 00:27:36,823 --> 00:27:38,791 YOU SAID TO HOLD ALL YOUR CALLS. I DIDN'T KNOW. 586 00:27:38,825 --> 00:27:41,127 YOU DIDN'T KNOW? 587 00:27:41,160 --> 00:27:43,796 YOU DIDN'T HEAR ME WHEN I SAID VERY IMPORTANT? 588 00:27:43,830 --> 00:27:45,765 WHAT GOOD ARE YOU? DO YOU HAVE A BRAIN? 589 00:27:45,798 --> 00:27:47,867 DO YOU WANT THIS JOB? 590 00:27:47,900 --> 00:27:50,336 SHUT UP, LISTEN, LEARN! FUCK YOUR DISAPPOINTMENT! 591 00:27:50,369 --> 00:27:53,039 FUCK YOUR DISILLUSIONMENT AND FUCK YOU! 592 00:27:53,072 --> 00:27:54,974 YOU ARE A WORTHLESS FUCKING PRICK! 593 00:27:55,007 --> 00:27:56,275 WELL, ISN'T THIS TURNING INTO 594 00:27:56,308 --> 00:27:57,810 AN INTELLIGENT CONVERSATION. 595 00:27:57,844 --> 00:28:02,181 LOUD AND NASTY. THAT'S THE ONLY WAY IT STICKS, DAWN. 596 00:28:02,214 --> 00:28:05,051 YOU DID SAY, "HOLD ALL MY CALLS," BUDDY. 597 00:28:05,084 --> 00:28:07,319 AND I CERTAINLY HOPE YOU WOULDN'T WANT 598 00:28:07,353 --> 00:28:09,088 ANYONE TO INTRUDE ON OUR TIME TOGETHER. 599 00:28:16,128 --> 00:28:18,798 HM-MMM. 600 00:28:18,831 --> 00:28:20,432 FIND CYRUS. FIND STELLA. GET THEM ON THE PHONE. 601 00:28:20,466 --> 00:28:23,803 IF THEY AREN'T ON THE LINE BY THE TIME I GET BACK, 602 00:28:23,836 --> 00:28:25,437 YOU'D BETTER NOT BE HERE, EITHER. 603 00:28:25,471 --> 00:28:28,407 I'LL GET BACK TO YOU ABOUT THIS. LET ME THINK ABOUT IT, 604 00:28:28,440 --> 00:28:32,979 AND, UM, LET'S GET TOGETHER SOON. 605 00:28:33,012 --> 00:28:36,215 BUDDY ACKERMAN'S OFFICE CALLING. 606 00:28:36,248 --> 00:28:38,818 AS I WAS SAYING ABOUT THAT LITTLE MISUNDERSTANDING, 607 00:28:38,851 --> 00:28:40,953 WHY DON'T YOU LET ME MAKE IT UP TO YOU? 608 00:28:40,987 --> 00:28:42,955 HOW ABOUT LUNCH? 609 00:28:42,989 --> 00:28:45,825 THANK YOU, BUT I REALLY--I CAN'T. 610 00:28:45,858 --> 00:28:47,860 LOOK, I'M GOING TO BE REAL BLUNT HERE. 611 00:28:47,894 --> 00:28:50,797 AS MUCH AS I HATE IT, I NEED BUDDY. 612 00:28:50,830 --> 00:28:53,800 I NEED MY CALLS TO FIND THEIR WAY TO HIS PHONE SHEET. 613 00:28:53,833 --> 00:28:55,167 I NEED MY SCRIPTS TO GO HOME WITH HIM. 614 00:28:55,201 --> 00:28:57,804 IN SHORT, I NEED YOU ON MY SIDE. 615 00:28:57,837 --> 00:28:59,105 SEE WHAT I'M SAYING? 616 00:28:59,138 --> 00:29:01,808 I DON'T WANT TO BE PUT ON HOLD 617 00:29:01,841 --> 00:29:03,810 OVER A PARKING SPOT. 618 00:29:03,843 --> 00:29:06,078 SO WHY DON'T WE JUST TRY THIS AGAIN? 619 00:29:06,112 --> 00:29:09,315 HEY, HOW ABOUT LUNCH? 620 00:29:09,348 --> 00:29:12,451 WELL... 621 00:29:12,484 --> 00:29:15,021 I'M NOT ALLOWED TO TAKE LUNCH. 622 00:29:15,054 --> 00:29:18,490 UM...BUDDY DOESN'T BELIEVE IN IT. 623 00:29:18,524 --> 00:29:22,228 FINE. DRINKS IT IS. HERE'S MY CARD. 624 00:29:22,261 --> 00:29:24,130 CALL ME WHEN YOU'RE DONE TONIGHT, ALL RIGHT? 625 00:29:24,163 --> 00:29:25,297 TONIGHT? 626 00:29:27,366 --> 00:29:29,101 THAT'S ALL RIGHT WITH YOU, ISN'T IT? 627 00:29:29,135 --> 00:29:31,871 OH, YEAH. IT JUST SEEMS... 628 00:29:31,904 --> 00:29:33,472 THAT A WOMAN AS POWERFUL 629 00:29:33,505 --> 00:29:35,507 AND AS ATTRACTIVE 630 00:29:35,541 --> 00:29:39,311 AND AS PLEASANT-NATURED AS YOURSELF 631 00:29:39,345 --> 00:29:42,014 WOULD BE BOOKED UP FOR TONIGHT. 632 00:29:42,048 --> 00:29:44,350 WELL, GUESS WHAT. I AM NOW. 633 00:29:47,019 --> 00:29:48,888 YOU KNOW WHAT? A PIECE OF ADVICE. 634 00:29:48,921 --> 00:29:50,890 YOU SHOULD TALK TO HIM ABOUT THE YELLING. 635 00:29:50,923 --> 00:29:53,059 IT KIND OF MAKES YOU LOOK LIKE A SCHMUCK. 636 00:30:04,871 --> 00:30:06,338 YEAH, SOME TIP. 637 00:30:06,372 --> 00:30:09,608 YOU OUGHT TO BE SHOT FOR SCARING ME THAT EARLY. 638 00:30:09,641 --> 00:30:12,111 THE CHANGE STELLA WANTS? IT'S NOT ME. 639 00:30:12,144 --> 00:30:14,180 I'M SURE SHE WOULD LIKE IT TO BE. 640 00:30:14,213 --> 00:30:16,382 YEAH? WELL, YOUR SOURCES SUCK. 641 00:30:16,415 --> 00:30:19,151 ANYWAY, TURNS OUT THAT CYRUS' GRANDSON WAS WHINING 642 00:30:19,185 --> 00:30:20,619 ABOUT HOW ALL OF TODAY'S FILMS 643 00:30:20,652 --> 00:30:22,121 ARE MADE FOR ADULTS. 644 00:30:22,154 --> 00:30:24,123 THERE'S NOTHING FOR HIM AND HIS FRIENDS. 645 00:30:24,156 --> 00:30:26,125 THE OLD MAN BITCHED AND MOANED TO STELLA, 646 00:30:26,158 --> 00:30:28,627 AND NOW WE GOT TO GO OUT AND FIND 647 00:30:28,660 --> 00:30:30,096 THE NEXT HIPPEST, HOTTEST THING-- 648 00:30:30,129 --> 00:30:31,597 SOMETHING FOR THE KIDS. 649 00:30:31,630 --> 00:30:33,099 ISN'T THAT GREAT? 650 00:30:33,132 --> 00:30:35,134 YOU GOT ANYTHING? 651 00:30:35,167 --> 00:30:37,136 GREAT. SEND IT TO ME. 652 00:30:37,169 --> 00:30:38,404 ALL RIGHT. 653 00:30:38,437 --> 00:30:39,939 BYE-BYE. 654 00:30:39,972 --> 00:30:41,240 YEAH, WHAT? 655 00:30:41,273 --> 00:30:43,275 WELL, I WANTED TO TALK TO YOU 656 00:30:43,309 --> 00:30:44,610 ABOUT THE PHONE CALLS. 657 00:30:44,643 --> 00:30:46,612 NO APOLOGY NECESSARY. 658 00:30:46,645 --> 00:30:49,181 EVERYONE'S ALLOWED AT LEAST ONE MISTAKE. 659 00:30:49,215 --> 00:30:51,617 WELL, THAT'S JUST IT. SEE, I... 660 00:30:51,650 --> 00:30:54,086 I DON'T FEEL THAT I MADE A MISTAKE, 661 00:30:54,120 --> 00:30:57,456 AND, WELL... 662 00:30:57,489 --> 00:30:59,926 I WOULD APPRECIATE IT IF YOU DIDN'T YELL AT ME 663 00:30:59,959 --> 00:31:03,429 IN FRONT OF THE ENTIRE OFFICE. 664 00:31:03,462 --> 00:31:05,631 EXCUSE ME. WHAT? 665 00:31:05,664 --> 00:31:07,433 UH...THE YELLING. 666 00:31:07,466 --> 00:31:09,301 [STAMMERING] 667 00:31:14,173 --> 00:31:16,442 OH. 668 00:31:16,475 --> 00:31:19,378 YOU DISAPPROVE. 669 00:31:22,982 --> 00:31:24,416 I'M SORRY. 670 00:31:26,185 --> 00:31:27,419 DID I... 671 00:31:29,188 --> 00:31:31,090 DID I HURT YOUR FEELINGS? 672 00:31:31,123 --> 00:31:35,127 NO. NO, NO. 673 00:31:37,663 --> 00:31:40,066 I JUST DON'T FEEL THAT IT'S NECESSARY. 674 00:31:40,099 --> 00:31:42,068 IT CERTAINLY DOESN'T HELP ME, AND I THINK-- 675 00:31:42,101 --> 00:31:44,236 WELL, I'M GLAD YOU BROUGHT THIS UP. 676 00:31:44,270 --> 00:31:45,204 GREAT. GREAT. 677 00:31:45,237 --> 00:31:51,443 BECAUSE I'VE FOUND THAT AN OFFICE CAN'T RUN... 678 00:31:51,477 --> 00:31:53,345 PROPERLY... 679 00:31:53,379 --> 00:31:55,647 IF THE LINES OF COMMUNICATION AREN'T OPEN. 680 00:31:55,681 --> 00:31:57,149 RIGHT. RIGHT. YES. 681 00:31:57,183 --> 00:31:59,418 SO, IN THAT CASE... 682 00:32:02,188 --> 00:32:04,023 LET'S MAKE A FEW THINGS CLEAR. 683 00:32:04,056 --> 00:32:06,025 O.K. GREAT. GREAT. 684 00:32:06,058 --> 00:32:07,359 THIS--THIS IS HELPFUL. 685 00:32:07,393 --> 00:32:08,594 I MEAN... 686 00:32:08,627 --> 00:32:10,129 LET'S REVIEW. 687 00:32:11,697 --> 00:32:14,633 WHAT DID I TELL YOU THE FIRST DAY? 688 00:32:14,666 --> 00:32:17,403 YOUR THOUGHTS ARE NOTHING. 689 00:32:17,436 --> 00:32:19,638 YOU ARE NOTHING. 690 00:32:19,671 --> 00:32:22,508 AND YET YOU HAVE THE NERVE TO WALK INTO MY OFFICE 691 00:32:22,541 --> 00:32:24,010 AND TELL ME-- 692 00:32:24,043 --> 00:32:25,644 I-I-I-- 693 00:32:25,677 --> 00:32:27,713 PLEASE, SHUT UP. AT LEAST ALLOW ME 694 00:32:27,746 --> 00:32:29,648 THE COURTESY OF FINISHING. 695 00:32:29,681 --> 00:32:30,983 I'VE ENDURED YOUR INSULTS. 696 00:32:31,017 --> 00:32:32,985 THIS IS A BAD TIME. 697 00:32:33,019 --> 00:32:34,520 WHO DO YOU THINK YOU ARE, 698 00:32:34,553 --> 00:32:36,055 YOU SNOT-FACED LITTLE PUNK? 699 00:32:36,088 --> 00:32:38,157 LET ME MAKE THIS CLEAR FOR YOU, O.K.? 700 00:32:38,190 --> 00:32:39,658 TRY TO FOLLOW ME. 701 00:32:39,691 --> 00:32:42,128 I'M GOING TO BE MOVING IN A CIRCULAR MOTION. 702 00:32:42,161 --> 00:32:43,629 IF YOU PAY ATTENTION, 703 00:32:43,662 --> 00:32:45,597 THERE WILL BE A POINT! 704 00:32:45,631 --> 00:32:47,299 YOU ARE NOTHING! 705 00:32:47,333 --> 00:32:49,768 IF YOU WERE IN MY TOILET BOWL, 706 00:32:49,801 --> 00:32:51,770 I WOULDN'T BOTHER FLUSHING IT. 707 00:32:51,803 --> 00:32:53,305 MY BATH MAT MEANS MORE. 708 00:32:53,339 --> 00:32:55,074 YOU SEE THIS? 709 00:32:55,107 --> 00:32:58,277 THIS MEANS MORE TO THE OFFICE THAN YOU, 710 00:32:58,310 --> 00:32:59,578 YET DO YOU HEAR ANY COMPLAINTS 711 00:32:59,611 --> 00:33:01,647 WHEN I DO THIS? 712 00:33:01,680 --> 00:33:04,150 THESE PENCILS AND PENS, MORE IMPORTANT! 713 00:33:04,183 --> 00:33:06,085 THESE PAPER CLIPS, MORE IMPORTANT! 714 00:33:06,118 --> 00:33:08,120 YOU MISERABLE LITTLE CRYBABY! 715 00:33:08,154 --> 00:33:09,355 YOU DON'T LIKE IT HERE? LEAVE! 716 00:33:09,388 --> 00:33:11,490 THOUSANDS OF PEOPLE WOULD KILL FOR YOUR SPOT 717 00:33:11,523 --> 00:33:13,792 AND THE OPPORTUNITY TO BE HERE. 718 00:33:13,825 --> 00:33:15,494 I COULD SPIT AND HIT SOMEBODY 719 00:33:15,527 --> 00:33:17,529 WHO COULD DO THIS JOB BETTER THAN YOU. 720 00:33:17,563 --> 00:33:19,465 THIS IS THE FAST TRACK TO THE TOP. 721 00:33:19,498 --> 00:33:23,135 WHY CAN'T YOU SHOW A LITTLE BACKBONE, HUH? HUH? 722 00:33:23,169 --> 00:33:26,272 "I DON'T THINK THE YELLING IS NECESSARY." 723 00:33:26,305 --> 00:33:28,574 BE A LITTLE MORE THICKSKINNED, YOU TURD. 724 00:33:28,607 --> 00:33:31,043 YOU GOT TO BE A MAN TO DO THIS JOB! 725 00:33:32,511 --> 00:33:34,446 [CHUCKLING] 726 00:33:37,549 --> 00:33:39,785 TALK TO HIM ABOUT THE YELLING? 727 00:33:39,818 --> 00:33:41,653 THANKS. THAT WAS A GOOD TIP. 728 00:33:41,687 --> 00:33:43,822 YOU GOT TO GIVE ACTION TO GET ACTION. 729 00:33:43,855 --> 00:33:45,157 SO, GUY, WHAT'S YOUR STORY? 730 00:33:45,191 --> 00:33:47,359 IS YOUR UNCLE BOB IN THE BUSINESS, 731 00:33:47,393 --> 00:33:50,129 OR ARE YOU JUST ANOTHER BOY OUT FOR QUICK CASH, 732 00:33:50,162 --> 00:33:51,597 QUICK CARS, AND AN EASY LAY? 733 00:33:51,630 --> 00:33:54,166 YOU HATE ME. IS THAT IT? 734 00:33:54,200 --> 00:33:55,834 YOU REALLY HATE ME. 735 00:33:55,867 --> 00:33:58,170 NO, I'M JUST FEELING EXTRA CHARITABLE. 736 00:33:58,204 --> 00:34:00,839 [CHEWING ON ICE] 737 00:34:00,872 --> 00:34:04,110 SO TALK. AMUSE ME. WHAT'S YOUR STORY? 738 00:34:04,143 --> 00:34:06,412 I'M A RECENT FILM SCHOOL GRADUATE 739 00:34:06,445 --> 00:34:11,683 WITH FAIRLY DISAPPOINTED MIDDLE-CLASS PARENTS 740 00:34:11,717 --> 00:34:13,785 WHO HAD HOPED THEIR SON WOULD HAVE BEEN 741 00:34:13,819 --> 00:34:15,487 ANYTHING BUT A WRITER. 742 00:34:15,521 --> 00:34:17,189 OH, YOU'RE A WRITER? REALLY? 743 00:34:17,223 --> 00:34:18,557 YEAH. 744 00:34:18,590 --> 00:34:20,359 WHY ARE YOU FETCHING COFFEE FOR BUDDY ACKERMAN? 745 00:34:20,392 --> 00:34:22,661 FETCHING? 746 00:34:22,694 --> 00:34:24,663 I'M NOT FETCHING. 747 00:34:24,696 --> 00:34:28,300 HE'S ONE OF THE TOP STUDIO EXECUTIVES IN THE BUSINESS. 748 00:34:28,334 --> 00:34:30,302 I'M HIS ASSISTANT. 749 00:34:30,336 --> 00:34:31,803 BASICALLY, YOU'RE SUBSTITUTING TALENT 750 00:34:31,837 --> 00:34:33,639 WITH LIBERAL AMOUNTS OF ASS-KISSING, RIGHT? 751 00:34:35,207 --> 00:34:37,676 O.K. 752 00:34:37,709 --> 00:34:40,679 I'VE TAKEN JUST ABOUT ENOUGH CHARACTER ASSASSINATION 753 00:34:40,712 --> 00:34:42,481 FOR ONE DAY. THANKS FOR THE DRINK. 754 00:34:42,514 --> 00:34:43,749 PLEASE SIT DOWN. 755 00:34:43,782 --> 00:34:45,083 SIT. 756 00:34:46,718 --> 00:34:48,687 IF THIS TIME CAN BE SPENT 757 00:34:48,720 --> 00:34:51,457 CONVINCING YOU TO DOING ANYTHING ELSE WITH YOUR LIFE, 758 00:34:51,490 --> 00:34:54,460 TO GETTING OUT WHILE YOU ARE STILL WHOLE, 759 00:34:54,493 --> 00:34:56,262 IT IS TIME WELL SPENT. 760 00:34:56,295 --> 00:34:58,697 LET ME ASK YOU A QUESTION. 761 00:34:58,730 --> 00:35:01,567 WHY DO YOU WANT THIS? 762 00:35:01,600 --> 00:35:03,502 I DON'T KNOW. IT'S JUST SOMETHING 763 00:35:03,535 --> 00:35:05,404 THAT I'VE ALWAYS WANTED TO DO. 764 00:35:05,437 --> 00:35:06,905 OH, BULLSHIT. IS IT THE MONEY? 765 00:35:06,938 --> 00:35:08,907 THERE ARE EASIER WAYS TO GET RICH. 766 00:35:08,940 --> 00:35:10,409 GIRLS? I'LL FLOAT YOU A BILL 767 00:35:10,442 --> 00:35:12,578 AND GIVE YOU A NUMBER TO CALL RIGHT NOW. 768 00:35:12,611 --> 00:35:14,780 WHY THE MOVIES? 769 00:35:14,813 --> 00:35:15,847 DO YOU REALLY WANT TO KNOW? 770 00:35:15,881 --> 00:35:17,683 I REALLY WANT TO KNOW. 771 00:35:17,716 --> 00:35:19,651 WILL YOU FORM SOME CONCLUSION? 772 00:35:19,685 --> 00:35:21,220 I REALLY WANT TO KNOW. 773 00:35:21,253 --> 00:35:22,721 YOU REALLY WANT TO KNOW? 774 00:35:22,754 --> 00:35:25,491 WELL, FINE. MEMORIES. 775 00:35:25,524 --> 00:35:27,259 MEMORIES? 776 00:35:27,293 --> 00:35:29,195 YES. 777 00:35:29,228 --> 00:35:31,763 ALL MY FAVORITE MEMORIES HAVE BEEN OF MOVIES. 778 00:35:31,797 --> 00:35:34,400 FOR INSTANCE, MY FIRST JOB. 779 00:35:34,433 --> 00:35:37,369 SUMMER OF '88. INDIANA JONES AND THE LAST CRUSADE. 780 00:35:37,403 --> 00:35:38,870 MY FIRST CAR. 781 00:35:38,904 --> 00:35:40,906 THE SUMMER THAT RANCHO DEL RIO OPENED. 782 00:35:40,939 --> 00:35:42,374 FINE BUDDY ACKERMAN FILM. 783 00:35:42,408 --> 00:35:44,142 WHAT ABOUT YOUR FIRST KISS? 784 00:35:48,214 --> 00:35:51,683 UH...SUMMER OF 1979. 785 00:35:51,717 --> 00:35:53,619 THE FISH THAT SAVED PITTSBURGH. 786 00:35:53,652 --> 00:35:55,721 WHAT WAS HER NAME? 787 00:35:55,754 --> 00:35:57,623 I DON'T REMEMBER, 788 00:35:57,656 --> 00:36:00,326 BUT GABE KAPLAN'S HAIR IN THAT MOVIE WAS AMAZING. 789 00:36:00,359 --> 00:36:02,861 THE ONLY WHITE MAN I'VE EVER SEEN WITH AN AFRO. 790 00:36:06,465 --> 00:36:09,201 WOW! A SMILE. 791 00:36:09,235 --> 00:36:11,703 MAYBE YOU DON'T HATE ME. 792 00:36:11,737 --> 00:36:13,805 WOW! GET OVER YOURSELF. 793 00:36:13,839 --> 00:36:17,209 LET ME GIVE YOU A PIECE OF ADVICE HERE. 794 00:36:17,243 --> 00:36:20,512 IF YOU WANT TO MAKE IT IN THIS BUSINESS, 795 00:36:20,546 --> 00:36:22,814 YOU DON'T HAVE ROOM FOR A PERSONAL LIFE, 796 00:36:22,848 --> 00:36:24,250 MUCH LESS A RELATIONSHIP. 797 00:36:24,283 --> 00:36:26,718 ABSOLUTELY NO RELATIONSHIPS. NO. 798 00:36:26,752 --> 00:36:28,954 ABSOLUTELY NO RELATIONSHIPS. 799 00:36:30,989 --> 00:36:32,691 [TELEPHONE RINGING] 800 00:36:32,724 --> 00:36:34,993 THIS IS GUY. LEAVE ME A MESSAGE. 801 00:36:35,026 --> 00:36:36,695 [BEEP] 802 00:36:36,728 --> 00:36:38,997 [BUDDY] MICHELLE, STOP IT. I'M ON THE PHONE. 803 00:36:39,030 --> 00:36:40,699 I'LL BE RIGHT THERE. 804 00:36:40,732 --> 00:36:44,403 GUY? HEY, I JUST WANTED TO CALL AND SAY 805 00:36:44,436 --> 00:36:47,005 I THINK TODAY'S TALK WAS VERY HELPFUL-- 806 00:36:47,038 --> 00:36:49,007 AT LEAST FOR ME, WHICH IS GREAT, 807 00:36:49,040 --> 00:36:51,009 ESPECIALLY AT THIS CRITICAL JUNCTURE 808 00:36:51,042 --> 00:36:52,711 IN OUR RELATIONSHIP. GOOD THINKING. 809 00:36:52,744 --> 00:36:55,414 TOMORROW MORNING ON YOUR WAY IN, 810 00:36:55,447 --> 00:36:59,418 I NEED YOU TO PICK UP A PRESCRIPTION FOR ME. 811 00:36:59,451 --> 00:37:00,652 IT'S SOME PRETTY SENSITIVE STUFF, 812 00:37:00,686 --> 00:37:02,421 SO KEEP IT QUIET. 813 00:37:02,454 --> 00:37:05,023 TRY NOT TO SCREW UP. IT'S A TOP PRIORITY. 814 00:37:05,056 --> 00:37:06,492 DON'T FAIL ME. 815 00:37:06,525 --> 00:37:07,859 [GUY] OH! 816 00:37:07,893 --> 00:37:09,795 [BEEP] 817 00:37:09,828 --> 00:37:12,798 SORRY, DAWN. I HAD TO TAKE THAT. 818 00:37:12,831 --> 00:37:15,501 SO, DINNER TONIGHT. 819 00:37:15,534 --> 00:37:17,503 O.K. 820 00:37:17,536 --> 00:37:18,837 YOUR PLACE. 821 00:37:20,739 --> 00:37:23,509 YOU'RE HAPPY. I HATE THAT. 822 00:37:23,542 --> 00:37:24,710 GET ME PACKED UP NOW. 823 00:37:24,743 --> 00:37:25,977 I NEED TO GET TO SERVICES. 824 00:37:26,011 --> 00:37:27,479 GOT TO GO. 825 00:37:29,781 --> 00:37:32,551 WHAT SERVICES? WHO DIED? 826 00:37:34,052 --> 00:37:35,721 NO ONE YET. 827 00:37:35,754 --> 00:37:38,490 IT'S YOM KIPPUR, YOU IDIOT. 828 00:37:38,524 --> 00:37:40,025 OH. 829 00:37:40,058 --> 00:37:41,827 I DIDN'T REALIZE ACKERMAN WAS A JEWISH NAME. 830 00:37:41,860 --> 00:37:43,495 IT'S JEWISH ENOUGH, 831 00:37:43,529 --> 00:37:45,063 ESPECIALLY WHEN THE BIG PLAYERS ARE INVOLVED. 832 00:37:45,096 --> 00:37:47,733 BESIDES, I FEEL THE SUDDEN NEED 833 00:37:47,766 --> 00:37:48,967 TO ATONE FOR MY SINS. 834 00:37:50,369 --> 00:37:52,003 MARIE CALL? 835 00:37:52,037 --> 00:37:53,505 MARIE. MARIE. 836 00:37:53,539 --> 00:37:55,006 UH, YES, SHE DID. 837 00:37:55,040 --> 00:37:56,642 SHE'LL BE AT YOUR PLACE AT MIDNIGHT. 838 00:37:56,675 --> 00:37:58,777 GREAT. GREAT. 839 00:38:01,547 --> 00:38:03,014 BUDDY? 840 00:38:03,048 --> 00:38:04,716 YEAH? 841 00:38:04,750 --> 00:38:07,719 I WANTED TO TALK TO YOU ABOUT DAWN'S PROJECT. 842 00:38:07,753 --> 00:38:11,022 OH, YEAH. SHE'S GOT A GREAT ONE, DOESN'T SHE? 843 00:38:11,056 --> 00:38:12,724 YEAH. 844 00:38:12,758 --> 00:38:16,061 NO, ACTUALLY, I WANTED TO TALK TO YOU ABOUT 845 00:38:16,094 --> 00:38:17,329 DAWN'S PROJECT, REAL LIFE. 846 00:38:17,363 --> 00:38:18,730 NOW... 847 00:38:18,764 --> 00:38:21,533 I THINK IT HAS A LOT OF POTENTIAL. 848 00:38:21,567 --> 00:38:23,101 I REALLY DO. 849 00:38:23,134 --> 00:38:24,803 IT'S YOUNG, IT'S HOT, 850 00:38:24,836 --> 00:38:28,039 AND IT COULD BE EXACTLY WHAT CYRUS IS LOOKING FOR. 851 00:38:28,073 --> 00:38:30,709 WE COULD GET SOMEBODY REALLY BIG TO DIRECT-- 852 00:38:30,742 --> 00:38:32,043 MAYBE PENNY MARSHALL. 853 00:38:32,077 --> 00:38:34,413 WHAT? SHUT UP, LISTEN, AND LEARN. 854 00:38:34,446 --> 00:38:35,714 AVOID WOMEN DIRECTORS. 855 00:38:35,747 --> 00:38:37,383 THEY OVULATE. 856 00:38:37,416 --> 00:38:39,585 DO YOU KNOW WHAT THAT DOES TO A THREE-MONTH SHOOT? 857 00:38:39,618 --> 00:38:41,953 DO I NEED TO SAY MORE? NEXT. 858 00:38:41,987 --> 00:38:43,655 O.K. WELL... 859 00:38:43,689 --> 00:38:45,657 WHAT ABOUT ALTMAN? ALTMAN CAN DO IT. 860 00:38:45,691 --> 00:38:47,659 ALTMAN! THAT HACK! 861 00:38:47,693 --> 00:38:50,028 COULDN'T DIRECT HIS WAY OUT OF A PAPER BAG. 862 00:38:50,061 --> 00:38:51,730 YOU WANT TO TALK BIG DIRECTORS? 863 00:38:51,763 --> 00:38:53,765 THINK ATTENBOROUGH, SPIELBERG, LEAN. 864 00:38:56,568 --> 00:38:58,404 LEAN'S DEAD. 865 00:38:58,437 --> 00:39:00,672 NO, HE'S NOT. DON'T YOU EVER SAY THAT. 866 00:39:00,706 --> 00:39:03,642 HE'S JUST UNAVAILABLE. 867 00:39:03,675 --> 00:39:05,644 DID YOU GET THE STUFF? 868 00:39:05,677 --> 00:39:07,746 OH, YES. THE STUFF. 869 00:39:07,779 --> 00:39:10,148 UH, I PUT IT IN THE CABINET UNDER THE SINK. 870 00:39:10,181 --> 00:39:11,717 IT'S IN A BROWN PAPER BAG. 871 00:39:11,750 --> 00:39:12,984 NO. IT DOESN'T BELONG THERE. 872 00:39:13,018 --> 00:39:14,686 NO, NO, NO. 873 00:39:14,720 --> 00:39:16,422 [PAPERS SHUFFLING] 874 00:39:16,455 --> 00:39:18,690 GREAT. GREAT. FILE THIS. 875 00:39:20,058 --> 00:39:21,727 ROGAINE? 876 00:39:21,760 --> 00:39:24,430 YOU'RE NOT LOSING YOUR HAIR. 877 00:39:24,463 --> 00:39:26,632 EXACTLY. ANTICIPATE. 878 00:39:26,665 --> 00:39:28,133 LISTEN, ABOUT DAWN'S PROJECT... 879 00:39:28,166 --> 00:39:30,469 IT'S NOT A MOVIE. IT'S A CAUSE. 880 00:39:30,502 --> 00:39:32,471 EVEN THE TITLE-- REAL LIFE? 881 00:39:32,504 --> 00:39:34,473 ALL THOSE SPEECHES AND PRONOUNCEMENTS. 882 00:39:34,506 --> 00:39:36,975 THAT IS NOT WHAT PEOPLE WANT TO SEE. 883 00:39:37,008 --> 00:39:40,045 WE ARE IN THE BUSINESS OF DEVELOPING PEOPLE'S DREAMS, 884 00:39:40,078 --> 00:39:41,747 NOT DAMNING THEM. 885 00:39:41,780 --> 00:39:43,749 CYRUS HAS ALREADY FOUND THE NEXT NEW THING-- 886 00:39:43,782 --> 00:39:45,751 THIS YOUNG HOT DIRECTOR FUCKING FOSTER KANE. 887 00:39:45,784 --> 00:39:48,754 PICTURE DID VERY WELL AT THE BOX OFFICE LAST WEEKEND, 888 00:39:48,787 --> 00:39:50,055 AND STELLA'S ALREADY WOOED HIM. 889 00:39:50,088 --> 00:39:51,557 SHE'S GOT HIM, NOT US. 890 00:39:51,590 --> 00:39:52,991 WE'RE FUCKED. 891 00:39:53,024 --> 00:39:55,761 WELL, YOU STILL GOT THAT ARTICLE IN TIME. 892 00:39:57,563 --> 00:39:58,697 WHAT ARTICLE? 893 00:40:01,066 --> 00:40:04,035 IT'S THAT ARTICLE ON VIOLENCE IN CINEMA. 894 00:40:04,069 --> 00:40:10,041 CALLS YOU THE KING OF WHAM BAM ACTION. 895 00:40:10,075 --> 00:40:11,743 YEAH, RIGHT HERE. 896 00:40:11,777 --> 00:40:14,045 WHY DOES NOBODY TELL ME THESE THINGS? 897 00:40:14,079 --> 00:40:16,748 I PUT IT ON YOUR DESK THIS MORNING. 898 00:40:16,782 --> 00:40:18,183 WHO GAVE THEM THIS PICTURE? 899 00:40:18,216 --> 00:40:19,751 OH, JESUS CHRIST. 900 00:40:19,785 --> 00:40:21,587 WHERE DO THEY GET THESE LIES? 901 00:40:21,620 --> 00:40:23,054 LISTEN TO THIS CRAP. 902 00:40:23,088 --> 00:40:24,923 I'M A BLIGHT ON SOCIETY? 903 00:40:24,956 --> 00:40:26,592 THIS HAS GOT STELLA WRITTEN ALL OVER IT. 904 00:40:26,625 --> 00:40:28,594 THESE ARE HER FINGERPRINTS. 905 00:40:28,627 --> 00:40:30,696 THAT BITCH WANTS A WAR? SHE'LL GET ONE. 906 00:40:30,729 --> 00:40:31,997 FIRE THE FUCKING PUBLICITY DEPARTMENT. 907 00:40:32,030 --> 00:40:33,465 YOU GOT PLANS TONIGHT? 908 00:40:33,499 --> 00:40:34,232 YEAH-- 909 00:40:34,265 --> 00:40:35,834 CANCEL THEM. 910 00:40:35,867 --> 00:40:37,636 I'M SORRY, BUDDY. I CAN'T. 911 00:40:37,669 --> 00:40:38,970 NOT FOR NOTHING, GUY. 912 00:40:39,004 --> 00:40:41,973 YOU WANT TO MAKE DAWN'S PROJECT FLY? 913 00:40:42,007 --> 00:40:43,742 GO AHEAD. PUT IT TOGETHER. 914 00:40:43,775 --> 00:40:45,110 LET'S SEE WHAT YOU CAN DO. 915 00:40:45,143 --> 00:40:46,812 REALLY? 916 00:40:46,845 --> 00:40:49,247 YEAH, BUT FIRST WE NEED TO BURY THIS ARTICLE. 917 00:40:49,280 --> 00:40:51,049 THIS KID READS I'M A BLIGHT ON SOCIETY, 918 00:40:51,082 --> 00:40:53,018 FORGET YOU, ME, THE EXPENSE ACCOUNT. 919 00:40:53,051 --> 00:40:55,754 WE'RE OUT, OUT, OUT! 920 00:40:55,787 --> 00:40:58,223 YOU NEED TO FIND EVERY COPY IN TOWN 921 00:40:58,256 --> 00:40:59,991 AND DESTROY IT. 922 00:41:00,025 --> 00:41:01,560 EVERY COPY? 923 00:41:01,593 --> 00:41:03,061 YEAH, EVERY COPY. 924 00:41:03,094 --> 00:41:04,530 FIND IT. BURY IT. 925 00:41:06,097 --> 00:41:08,600 BUT IT'S TIME MAGAZINE. 926 00:41:08,634 --> 00:41:10,235 IT WOULD BE HARD TO GET EVERY COPY. 927 00:41:10,268 --> 00:41:11,670 YEAH. SO? 928 00:41:11,703 --> 00:41:14,039 FIND A WAY. DO IT. FIGURE IT OUT. 929 00:41:16,074 --> 00:41:17,543 MY BRIEFCASE, YOU IDIOT! 930 00:41:17,576 --> 00:41:19,177 I'M SORRY. 931 00:41:19,210 --> 00:41:20,679 IT'S ALL IN THERE. 932 00:41:20,712 --> 00:41:22,013 JESUS CHRIST. 933 00:41:24,683 --> 00:41:26,051 DAWN, I'M SORRY. 934 00:41:26,084 --> 00:41:28,754 OF COURSE, I WANT TO BE THERE, 935 00:41:28,787 --> 00:41:31,122 BUT I CAN'T. I HAVE TO WORK. 936 00:41:31,156 --> 00:41:32,624 PLEASE. TRY TO UNDERSTAND. 937 00:41:32,658 --> 00:41:33,925 [TELEPHONE RINGING] 938 00:41:33,959 --> 00:41:35,594 I HAVE TO GO. I HAVE ANOTHER CALL. 939 00:41:35,627 --> 00:41:37,262 BUDDY ACKERMAN'S OFFICE. 940 00:41:37,295 --> 00:41:38,764 [BUDDY] OH, GOOD. YOU'RE STILL THERE. 941 00:41:38,797 --> 00:41:41,066 YOU GOT TO STICK AROUND AND TAPE 942 00:41:41,099 --> 00:41:42,768 THIS INTERVIEW WITH FOSTER KANE TONIGHT. 943 00:41:42,801 --> 00:41:44,069 IT'S ON CNN, 11:00. 944 00:41:44,102 --> 00:41:45,236 IT'S VERY, VERY IMPORTANT. 945 00:41:45,270 --> 00:41:47,138 WE MUST FIND A PROJECT FOR THIS KID. 946 00:41:47,172 --> 00:41:48,540 YOU GOT IT? 947 00:41:54,112 --> 00:41:55,614 HELLO? 948 00:41:55,647 --> 00:41:57,082 I GOT IT. 949 00:41:57,115 --> 00:42:00,686 GREAT. DID YOU GET RID OF ALL THE ARTICLES? 950 00:42:00,719 --> 00:42:02,688 I'M THROWING OUT THE LAST COPIES NOW. 951 00:42:02,721 --> 00:42:04,189 YOU CAN'T JUST THROW THEM OUT. 952 00:42:04,222 --> 00:42:05,724 YOU HAVE TO DESTROY THEM. 953 00:42:05,757 --> 00:42:08,560 RIP THEM UP-- EVERY COPY. 954 00:42:08,594 --> 00:42:10,261 WELL... 955 00:42:10,295 --> 00:42:12,764 IT'S JUST THAT IT'S GETTING KIND OF LATE. 956 00:42:12,798 --> 00:42:14,199 OH, I KNOW. I KNOW. 957 00:42:14,232 --> 00:42:15,934 THINGS ARE ROUGH NOW, 958 00:42:15,967 --> 00:42:17,235 BUT THEY'LL GET BETTER, 959 00:42:17,268 --> 00:42:18,937 I PROMISE, GUY. 960 00:42:18,970 --> 00:42:21,773 IF YOU PROVE YOU CAN MANAGE THESE TASKS, 961 00:42:21,807 --> 00:42:23,074 IF YOU WORK HARD NOW, 962 00:42:23,108 --> 00:42:24,776 THEN YOU'RE REWARDED. 963 00:42:24,810 --> 00:42:26,612 YOU GET TO HAVE SOME FUN. 964 00:42:26,645 --> 00:42:28,614 DON'T EVER FORGET... 965 00:42:28,647 --> 00:42:33,585 THIS JOB IS VERY BIG ON... 966 00:42:33,619 --> 00:42:35,053 PAYBACK. 967 00:42:39,390 --> 00:42:41,059 [CRYING] 968 00:42:41,092 --> 00:42:43,328 WHAT DO YOU WANT? 969 00:42:43,361 --> 00:42:46,064 YOU SICK, TWISTED FUCK! 970 00:42:46,097 --> 00:42:49,334 WHY ARE YOU DOING THIS? 971 00:42:49,367 --> 00:42:51,770 THIS IS SO COOL. 972 00:42:51,803 --> 00:42:54,773 I SAW THIS IN A MOVIE ONCE. 973 00:42:54,806 --> 00:42:58,176 MATTER OF FACT, IT WAS ONE OF YOURS, I THINK. 974 00:42:58,209 --> 00:43:01,079 AAH! 975 00:43:01,112 --> 00:43:03,048 AAH! 976 00:43:18,764 --> 00:43:20,365 WHOO! 977 00:43:22,300 --> 00:43:25,270 THIS ISN'T GOING TO FIX THINGS. 978 00:43:25,303 --> 00:43:28,740 THIS ISN'T GOING TO HELP ANY OF YOUR PROBLEMS. 979 00:43:28,774 --> 00:43:31,777 YOU'RE RIGHT... 980 00:43:31,810 --> 00:43:34,345 BUT IT MAKES ME FEEL SO MUCH BETTER. 981 00:43:36,114 --> 00:43:38,049 [MOANING] 982 00:43:39,384 --> 00:43:41,352 [THUNDER] 983 00:43:51,396 --> 00:43:53,098 THIS IS GOOD. 984 00:43:53,131 --> 00:43:55,801 THIS OUGHT TO LOOSEN UP THE CHICKS, RIGHT? 985 00:43:55,834 --> 00:43:57,803 LET ME ASK YOUR OPINION. 986 00:43:57,836 --> 00:44:00,038 WHAT'S THE BEST GETTING-LAID MUSIC? 987 00:44:00,071 --> 00:44:02,708 I'M FINDING THAT THE CARPENTERS 988 00:44:02,741 --> 00:44:04,710 AND THAT KIND OF STUFF 989 00:44:04,743 --> 00:44:07,012 JUST PUTS THEM RIGHT TO SLEEP. 990 00:44:07,045 --> 00:44:08,714 LET'S JUST SUPPOSE-- 991 00:44:08,747 --> 00:44:12,383 LET'S SUPPOSE SOMEBODY WERE TO COME OVER HERE TONIGHT. 992 00:44:12,417 --> 00:44:14,352 JUST SUPPOSE. 993 00:44:16,254 --> 00:44:19,090 AM I BORING YOU? 994 00:44:19,124 --> 00:44:20,792 I'M SORRY. 995 00:44:20,826 --> 00:44:23,795 WHAT WAS IT YOU SAID ABOUT ME ONCE? 996 00:44:23,829 --> 00:44:26,097 THE PERSONALITY OF A ROOF SHINGLE. 997 00:44:26,131 --> 00:44:27,799 HA HA HA! 998 00:44:27,833 --> 00:44:29,100 NOW, THAT WAS GOOD. 999 00:44:29,134 --> 00:44:30,401 THAT WAS FUNNY. 1000 00:44:30,435 --> 00:44:32,103 EVERYBODY LAUGHED. 1001 00:44:35,841 --> 00:44:38,810 I DON'T WANT TO BORE YOU, 1002 00:44:38,844 --> 00:44:41,079 SO LET'S GET BACK TO WORK. 1003 00:44:43,314 --> 00:44:45,083 COME ON. 1004 00:44:45,116 --> 00:44:47,485 THERE'S GOT TO BE ONE IN HERE SOMEWHERE. 1005 00:44:47,518 --> 00:44:49,287 EVERY KITCHEN DRAWER HAS ONE. 1006 00:44:49,320 --> 00:44:52,390 [BANGING] 1007 00:44:52,423 --> 00:44:54,092 IT'S FUNNY. 1008 00:44:54,125 --> 00:44:57,095 I ONLY DREAMT ABOUT DOING THESE THINGS. 1009 00:44:57,128 --> 00:45:00,732 ALL THOSE LONELY NIGHTS IN THE OFFICE, 1010 00:45:00,766 --> 00:45:02,801 THOSE WEEKENDS, 1011 00:45:02,834 --> 00:45:05,103 PLAYING OUT ALL THESE TORTURE SCENARIOS 1012 00:45:05,136 --> 00:45:07,806 IN MY HEAD, 1013 00:45:07,839 --> 00:45:11,076 THINKING ABOUT IT AGAIN AND AGAIN. 1014 00:45:17,849 --> 00:45:21,787 YOU CAN'T IMAGINE WHAT I'VE COME UP WITH. 1015 00:45:23,154 --> 00:45:27,092 WHATEVER YOU'RE THINKING OF DOING, 1016 00:45:27,125 --> 00:45:29,427 PLEASE DON'T. 1017 00:45:29,460 --> 00:45:31,062 SHH. 1018 00:45:38,436 --> 00:45:40,806 PAPER CUTS. 1019 00:45:40,839 --> 00:45:43,809 NOW, THEY CAN BE A BITCH. 1020 00:45:43,842 --> 00:45:46,077 OCCUPATIONAL HAZARD, I GUESS. 1021 00:45:46,111 --> 00:45:48,814 BUT I'LL BET IT'S BEEN A WHILE 1022 00:45:48,847 --> 00:45:50,115 SINCE YOU HAD ONE, HUH? 1023 00:45:50,148 --> 00:45:52,818 ME? 1024 00:45:52,851 --> 00:45:55,086 I'M STARTING TO GET USED TO THEM. 1025 00:46:04,462 --> 00:46:08,399 OH, GOD! 1026 00:46:12,137 --> 00:46:13,972 STINGS, DOESN'T IT? 1027 00:46:14,005 --> 00:46:17,809 WELL, LIKE I SAID, YOU'LL GET USED TO THEM. 1028 00:46:17,843 --> 00:46:21,079 NOW, THE ONES THAT I COULD NEVER HANDLE... 1029 00:46:23,148 --> 00:46:24,816 SAY AHH. 1030 00:46:24,850 --> 00:46:26,317 COME ON. DON'T! 1031 00:46:26,351 --> 00:46:28,820 YOU'RE ONLY GOING TO MAKE IT HARDER ON YOURSELF. 1032 00:46:28,854 --> 00:46:33,124 FORGET ABOUT THE SHITTY MINT FLAVOR ON THESE THINGS. 1033 00:46:33,158 --> 00:46:35,827 THE REAL PAIN IN THE ASS 1034 00:46:35,861 --> 00:46:40,431 IS WHEN YOU GET A PAPER CUT ON YOUR TONGUE. 1035 00:46:40,465 --> 00:46:43,134 [MOANING] 1036 00:46:43,168 --> 00:46:45,170 AAH! 1037 00:46:48,139 --> 00:46:50,608 [TELEPHONE RINGING] 1038 00:46:50,641 --> 00:46:52,110 BUDDY ACKERMAN'S OFFICE. 1039 00:46:52,143 --> 00:46:54,612 HELLO, MISHKA. 1040 00:46:54,645 --> 00:46:57,615 NO, HE'S NOT IN. 1041 00:46:57,648 --> 00:47:01,920 MISHKA, BUDDY IS DEVOTED TO ONLY YOU. 1042 00:47:01,953 --> 00:47:03,621 I'LL TELL YOU WHAT YOU DO. 1043 00:47:03,654 --> 00:47:07,125 GET YOUR CUTE LITTLE BUTT OVER TO HIS HOUSE BY MIDNIGHT. 1044 00:47:07,158 --> 00:47:10,128 O.K. BYE-BYE. 1045 00:47:10,161 --> 00:47:12,397 [WHISTLING] 1046 00:47:15,666 --> 00:47:18,636 THIS COULD BE THE BIGGEST PICTURE OF THE YEAR. 1047 00:47:18,669 --> 00:47:20,071 REAL LIFE DIRECTED BY FOSTER KANE. 1048 00:47:20,105 --> 00:47:21,873 I LIKE IT. IT SMELLS OF MONEY. 1049 00:47:21,907 --> 00:47:23,141 IT WAS A GREAT IDEA 1050 00:47:23,174 --> 00:47:24,642 BRINGING DAWN AND FOSTER TOGETHER. 1051 00:47:24,675 --> 00:47:26,644 I WOULD HAVE NEVER THOUGHT OF THAT. 1052 00:47:26,677 --> 00:47:29,147 YOU MAY NOT BE A COMPLETE IDIOT AFTER ALL. 1053 00:47:29,180 --> 00:47:30,615 YOUR IDEAS HERE AREN'T HALF BAD, 1054 00:47:30,648 --> 00:47:32,617 BUT I HATE THE TITLE AND THE ENDING. 1055 00:47:32,650 --> 00:47:34,119 IT'S TOO DEPRESSING. 1056 00:47:34,152 --> 00:47:36,121 COME OUT TO THE HOUSE THIS WEEKEND, 1057 00:47:36,154 --> 00:47:37,923 AND WE'LL FIGURE SOMETHING OUT. 1058 00:47:37,956 --> 00:47:40,525 WILL WE BE READY FOR CYRUS BY NEXT WEEK? 1059 00:47:40,558 --> 00:47:42,627 CYRUS? UH, WELL... 1060 00:47:42,660 --> 00:47:45,130 DON'T YOU THINK WE OUGHT TO WAIT 1061 00:47:45,163 --> 00:47:46,431 FOR STELLA TO GET BACK? 1062 00:47:46,464 --> 00:47:48,133 STELLA! FUCK HER! 1063 00:47:48,166 --> 00:47:49,634 WE TAKE THIS TO STELLA, 1064 00:47:49,667 --> 00:47:52,437 SHE'S JUST GOING TO TAKE CREDIT FOR ALL YOUR WORK. 1065 00:47:52,470 --> 00:47:54,339 NO. FUCK HER. 1066 00:47:54,372 --> 00:47:56,641 IT'S KILL OR HAVE YOUR CONTRACT TERMINATED EARLY. 1067 00:47:56,674 --> 00:47:59,644 WE NEED TO GO DIRECTLY TO THE TOP. 1068 00:47:59,677 --> 00:48:01,446 WE NEED TO GO TO CYRUS. 1069 00:48:01,479 --> 00:48:03,148 HOLD ON A SECOND. 1070 00:48:03,181 --> 00:48:05,650 DAWN'S BRINGING THE PROJECT TO STELLA. 1071 00:48:05,683 --> 00:48:08,153 REMEMBER? YOU PASSED. 1072 00:48:08,186 --> 00:48:10,655 YOU LIKE DAWN, DON'T YOU? 1073 00:48:10,688 --> 00:48:12,423 YOU CONSUMMATE THE RELATIONSHIP YET? 1074 00:48:12,457 --> 00:48:14,492 DAWN? DAWN AND I-- 1075 00:48:14,525 --> 00:48:16,627 I DON'T GIVE A FUCK. 1076 00:48:16,661 --> 00:48:18,129 SHUT UP AND LISTEN. 1077 00:48:18,163 --> 00:48:20,031 WOMEN... 1078 00:48:20,065 --> 00:48:22,433 THEY RESPOND TO ONE THING AND ONE THING ONLY-- 1079 00:48:22,467 --> 00:48:24,135 SUCCESS. 1080 00:48:24,169 --> 00:48:26,137 THIS ISN'T JUST ME TALKING. 1081 00:48:26,171 --> 00:48:27,438 SIT DOWN. 1082 00:48:27,472 --> 00:48:29,140 THIS IS SCIENTIFIC FACT. 1083 00:48:29,174 --> 00:48:31,342 IT IS PRIMITIVE INSTINCT FOR A WOMAN LIKE DAWN 1084 00:48:31,376 --> 00:48:35,013 TO CHOOSE A MATE WHO CAN BEST PROVIDE FOR HER NEEDS AND WANTS. 1085 00:48:35,046 --> 00:48:37,983 IT'S NO OFFENSE TO YOU, 1086 00:48:38,016 --> 00:48:42,487 BUT...YOU ARE ONLY AN ASSISTANT. 1087 00:48:42,520 --> 00:48:44,622 SURE, YOU'RE MY ASSISTANT, 1088 00:48:44,655 --> 00:48:46,324 BUT YOU KNOW, NONETHELESS. 1089 00:48:46,357 --> 00:48:47,692 AN ASSISTANT. 1090 00:48:47,725 --> 00:48:49,294 DAWN, ON THE OTHER HAND, 1091 00:48:49,327 --> 00:48:50,195 IS A... 1092 00:48:51,529 --> 00:48:53,431 IS A PRODUCER. 1093 00:48:57,168 --> 00:48:59,337 HER CAR PHONE BILLS ARE MORE THAN YOUR RENT. 1094 00:48:59,370 --> 00:49:02,507 JUST HOW LONG DO YOU THINK YOU'RE GOING TO LAST? 1095 00:49:02,540 --> 00:49:04,475 DAWN AND I... 1096 00:49:04,509 --> 00:49:06,177 WE, WE, WE-- 1097 00:49:06,211 --> 00:49:08,179 I WANT TO HELP OUT, 1098 00:49:08,213 --> 00:49:11,182 BECAUSE IF YOU PUT THIS PROJECT TOGETHER, 1099 00:49:11,216 --> 00:49:13,184 YOU'RE NOT GOING TO BE 1100 00:49:13,218 --> 00:49:15,653 JUST THE ASSISTANT ANY LONGER. 1101 00:49:15,686 --> 00:49:19,157 SO I'M GOING TO GIVE YOU THE CHANCE 1102 00:49:19,190 --> 00:49:21,659 TO PLAY HERO. 1103 00:49:21,692 --> 00:49:29,467 YOU GET TO BE DAWN'S WHITE KNIGHT IN SHINING ARMOR. 1104 00:49:31,502 --> 00:49:33,138 YOU. 1105 00:49:34,739 --> 00:49:37,142 YOU HAVE TO CONVINCE DAWN 1106 00:49:37,175 --> 00:49:40,445 TO BRING THE PROJECT BACK TO ME. 1107 00:49:40,478 --> 00:49:42,447 NOT TO STELLA. 1108 00:49:42,480 --> 00:49:44,149 TO ME. 1109 00:49:44,182 --> 00:49:46,084 NOW, I COULD DO IT, 1110 00:49:46,117 --> 00:49:48,153 BUT THERE'D BE NO PAYOFF FOR YOU. 1111 00:49:48,186 --> 00:49:49,987 I JUST DON'T KNOW HOW I WOULD-- 1112 00:49:54,192 --> 00:49:57,162 YOU DO THIS THING... 1113 00:49:57,195 --> 00:50:00,431 YOU CONVINCE DAWN TO GO THIS WAY... 1114 00:50:02,700 --> 00:50:05,136 AND THEN YOU AND I... 1115 00:50:07,205 --> 00:50:10,441 ARE GOING TO RUN THIS PLACE. 1116 00:50:12,243 --> 00:50:14,445 THE BOTH OF US. 1117 00:50:17,182 --> 00:50:19,117 ALL RIGHT. 1118 00:50:21,186 --> 00:50:23,288 I'LL DO IT. 1119 00:50:23,321 --> 00:50:25,656 HE SAID I WAS INDISPENSABLE. 1120 00:50:25,690 --> 00:50:27,658 LOOK. HE GAVE ME A BEEPER. 1121 00:50:27,692 --> 00:50:30,161 I THINK HE'S BEGINNING TO RESPECT ME. 1122 00:50:30,195 --> 00:50:32,163 HE'S REALLY BEGINNING TO RESPECT ME. 1123 00:50:32,197 --> 00:50:33,664 OH, GUY, PLEASE WAKE UP. 1124 00:50:33,698 --> 00:50:37,668 HE'S JUST GOT YOU ON A SHORTER LEASH, THAT'S ALL. 1125 00:50:37,702 --> 00:50:40,171 OH, YOU'RE DOING IT ALL WRONG. MOVE. 1126 00:50:40,205 --> 00:50:41,506 [SIGHS] 1127 00:50:41,539 --> 00:50:45,176 SO, LET ME GUESS. 1128 00:50:45,210 --> 00:50:48,179 HE GAVE YOU THAT TEAM HORSESHIT, RIGHT? 1129 00:50:48,213 --> 00:50:51,382 WIN ONE FOR US-- YOU AND ME. 1130 00:50:51,416 --> 00:50:54,385 EXACTLY WHAT IS IT THAT WE ARE SUPPOSED TO DO? 1131 00:50:54,419 --> 00:50:55,820 NOT MUCH. 1132 00:50:55,853 --> 00:50:57,655 FIND A NEW TITLE, NEW ENDING, 1133 00:50:57,688 --> 00:51:00,558 AND YOU HAVE TO CANCEL YOUR MEETING WITH STELLA. 1134 00:51:00,591 --> 00:51:03,661 UNBELIEVABLE! UN-FUCKING-BELIEVABLE! 1135 00:51:03,694 --> 00:51:05,530 ALL STELLA WANTS TO DO 1136 00:51:05,563 --> 00:51:07,365 IS TAKE CREDIT FOR YOUR WORK. 1137 00:51:07,398 --> 00:51:09,667 I ALREADY CONVINCED BUDDY TO GO DIRECTLY TO CYRUS. 1138 00:51:09,700 --> 00:51:12,670 HE CAN'T DO THAT IF YOU PITCH IT TO STELLA. 1139 00:51:12,703 --> 00:51:14,172 I DON'T WANT TO JEOPARDIZE 1140 00:51:14,205 --> 00:51:15,540 YOUR RELATIONSHIP WITH STELLA. 1141 00:51:15,573 --> 00:51:16,707 I'M SORRY, BUT-- 1142 00:51:16,741 --> 00:51:18,209 STOP. 1143 00:51:18,243 --> 00:51:19,710 DO NOT APOLOGIZE. 1144 00:51:19,744 --> 00:51:22,480 IT'S A SIGN OF WEAKNESS. 1145 00:51:22,513 --> 00:51:24,449 MOVE. 1146 00:51:26,417 --> 00:51:29,187 DON'T TELL ME WHAT NEEDS TO BE DONE, GUY. 1147 00:51:29,220 --> 00:51:31,689 I KNOW THE DRILL. 1148 00:51:31,722 --> 00:51:34,192 THE POLITICKING, THE COMPROMISES... 1149 00:51:34,225 --> 00:51:36,694 THE SPILLING OF COFFEE ON OURSELVES 1150 00:51:36,727 --> 00:51:39,297 IN THE RACE TO KISS ASS. 1151 00:51:39,330 --> 00:51:41,166 ACTUALLY, BUDDY DID THAT. 1152 00:51:41,199 --> 00:51:43,168 I LET HIS COFFEE GET COLD, 1153 00:51:43,201 --> 00:51:45,170 AND HE THREW IT AT ME. 1154 00:51:45,203 --> 00:51:47,572 BUT I LEARNED A VALUABLE LESSON-- 1155 00:51:47,605 --> 00:51:49,840 NEVER LET BUDDY'S COFFEE GET COLD. 1156 00:51:49,874 --> 00:51:53,178 AND THIS? 1157 00:51:53,211 --> 00:51:54,479 IT'S A BAGEL STAIN. 1158 00:51:54,512 --> 00:51:56,181 BAGEL STAIN. 1159 00:51:56,214 --> 00:51:58,816 I PUT TOO MUCH CREAM CHEESE ON HIS BAGEL, 1160 00:51:58,849 --> 00:52:00,618 SO HE THREW IT AT ME. 1161 00:52:00,651 --> 00:52:03,388 AGAIN, I LEARNED A VERY VALUABLE LESSON-- 1162 00:52:03,421 --> 00:52:06,191 NEVER PUT TOO MUCH CREAM CHEESE ON BUDDY'S BAGELS. 1163 00:52:06,224 --> 00:52:08,426 YEAH. HE REALLY RESPECTS YOU. 1164 00:52:08,459 --> 00:52:11,396 I THINK WE SHOULD WAIT. 1165 00:52:11,429 --> 00:52:13,631 I WILL WAIT AND GO TO STELLA. 1166 00:52:13,664 --> 00:52:17,202 NO. BUDDY WANTS TO DO THIS NOW. 1167 00:52:17,235 --> 00:52:19,204 IF THIS PICTURE IS BIG, 1168 00:52:19,237 --> 00:52:21,406 WE'LL GO MAKE OUR OWN MOVIES. 1169 00:52:21,439 --> 00:52:25,243 WE JUST HAVE TO DEAL WITH BUDDY ON THIS ONE. 1170 00:52:25,276 --> 00:52:27,378 DO YOU HATE ME? 1171 00:52:27,412 --> 00:52:28,879 IS THAT IT? 1172 00:52:28,913 --> 00:52:31,849 YOU DO. YOU DO. YOU HATE ME. 1173 00:52:31,882 --> 00:52:35,152 OH, GOD. I DON'T HATE YOU. 1174 00:52:37,722 --> 00:52:42,427 I JUST WANT YOU TO MAKE THE RIGHT CHOICE. 1175 00:52:44,229 --> 00:52:46,464 I SAY WE GO WITH BUDDY. 1176 00:52:48,233 --> 00:52:50,568 [SIGHS] 1177 00:52:50,601 --> 00:52:53,204 O.K. BUT KNOW THIS-- 1178 00:52:53,238 --> 00:52:55,706 I HAVE SEEN WHAT HE CAN DO. 1179 00:52:55,740 --> 00:52:58,209 YOU CANNOT GET INTO BED WITH HIM 1180 00:52:58,243 --> 00:52:59,710 WITHOUT GETTING FUCKED. 1181 00:52:59,744 --> 00:53:01,212 HE PLAYS A ZERO SUM GAME. 1182 00:53:01,246 --> 00:53:02,680 THAT'S HIS DRILL. 1183 00:53:02,713 --> 00:53:05,483 NOBODY WINS UNLESS SOMEBODY LOSES. 1184 00:53:05,516 --> 00:53:07,918 YEAH, WELL... 1185 00:53:07,952 --> 00:53:10,455 AS LONG AS I DON'T LOSE YOU. 1186 00:53:16,327 --> 00:53:17,995 LOSS. 1187 00:53:18,028 --> 00:53:23,000 THEY SAY THAT REAL PAIN, REAL SUFFERING 1188 00:53:23,033 --> 00:53:27,305 IS CAUSED FROM LOSS. 1189 00:53:27,338 --> 00:53:29,507 LOSS OF FAMILY. 1190 00:53:29,540 --> 00:53:31,476 LOSS OF LOVE. 1191 00:53:33,043 --> 00:53:36,481 LOSS OF THE THINGS THAT MATTER MOST. 1192 00:53:41,051 --> 00:53:43,721 I LIKE IT. 1193 00:53:43,754 --> 00:53:46,491 IT'S A LITTLE DIFFERENT LOOK FOR YOU, 1194 00:53:46,524 --> 00:53:47,992 BUT I LIKE IT. 1195 00:53:48,025 --> 00:53:49,494 O.K. 1196 00:53:49,527 --> 00:53:50,995 NOW... 1197 00:53:51,028 --> 00:53:53,698 LET'S FORGET ALL THE OTHER SHIT 1198 00:53:53,731 --> 00:53:55,700 WE'VE BEEN DOING HERE TONIGHT. 1199 00:53:55,733 --> 00:53:57,001 LET'S START THINKING BIG. 1200 00:53:57,034 --> 00:53:58,703 GRAND. 1201 00:53:58,736 --> 00:54:00,471 ABBONDANTE, IF YOU WILL. 1202 00:54:02,740 --> 00:54:04,008 I'LL BE RIGHT BACK. 1203 00:54:04,041 --> 00:54:05,976 DON'T GO ANYWHERE. 1204 00:54:20,057 --> 00:54:21,992 TA DA! 1205 00:54:25,062 --> 00:54:28,999 SO, WHAT DO YOU THINK? 1206 00:54:31,536 --> 00:54:34,004 THAT'S IT? 1207 00:54:34,038 --> 00:54:37,508 THAT'S ALL? COME ON. 1208 00:54:37,542 --> 00:54:40,511 LOOK AT YOURSELF. 1209 00:54:40,545 --> 00:54:42,012 LOOK AT YOUR FACE. 1210 00:54:42,046 --> 00:54:44,014 LOOK AT YOUR PRECIOUS HAIR. 1211 00:54:44,048 --> 00:54:46,417 [CHUCKLING] 1212 00:54:46,451 --> 00:54:48,719 THERE'S NO WAY THAT ROGAINE'S GOING TO HELP YOU 1213 00:54:48,753 --> 00:54:50,020 OUT OF THIS ONE, MY FRIEND. 1214 00:54:50,054 --> 00:54:51,522 I'M TELLING YOU. HA HA HA! 1215 00:54:51,556 --> 00:54:53,023 YOU ARE FUCKED UP. 1216 00:54:53,057 --> 00:54:54,492 [CHUCKLING] 1217 00:54:58,763 --> 00:55:02,733 FINE. YOU WANT TO GO BACK TO THE HOT SAUCE? 1218 00:55:02,767 --> 00:55:04,034 THAT'S FINE BY ME. 1219 00:55:04,068 --> 00:55:06,504 [GLASS BREAKS] 1220 00:55:09,039 --> 00:55:10,975 SEVEN YEARS. 1221 00:55:12,510 --> 00:55:13,644 WHAT? 1222 00:55:13,678 --> 00:55:16,013 [CHUCKLING] 1223 00:55:16,046 --> 00:55:18,716 THE MIRROR. 1224 00:55:18,749 --> 00:55:20,518 SEVEN YEARS' BAD LUCK. 1225 00:55:20,551 --> 00:55:23,721 HA HA HA! 1226 00:55:23,754 --> 00:55:25,523 HA HA HA! 1227 00:55:25,556 --> 00:55:27,592 SHUT UP. 1228 00:55:27,625 --> 00:55:30,027 HA HA HA! 1229 00:55:30,060 --> 00:55:31,529 SHUT UP! 1230 00:55:31,562 --> 00:55:32,997 HA HA HA! 1231 00:55:34,865 --> 00:55:36,033 [COCKS GUN] 1232 00:55:36,066 --> 00:55:38,002 I SAID SHUT UP! 1233 00:55:38,035 --> 00:55:39,537 HA HA HA! 1234 00:55:39,570 --> 00:55:42,039 HA HA HA! 1235 00:55:42,072 --> 00:55:44,041 THAT'S BRILLIANT. 1236 00:55:44,074 --> 00:55:46,043 THAT'S FUCKING BRILLIANT. 1237 00:55:46,076 --> 00:55:47,978 HA HA HA! 1238 00:55:48,012 --> 00:55:49,714 THIS IS GENIUS. SHEER FUCKING GENIUS. 1239 00:55:49,747 --> 00:55:51,416 THIS IS GREAT WORK, GUY! 1240 00:55:51,449 --> 00:55:53,484 THANKS. YOU SAID YOU NEEDED AN ENDING, SO... 1241 00:55:53,518 --> 00:55:55,720 AND TO SET IT IN A LAUNDROMAT. 1242 00:55:55,753 --> 00:55:57,021 IT'S PERFECT. IT'S REAL. 1243 00:55:57,054 --> 00:55:58,523 IT'S BELIEVABLE. 1244 00:55:58,556 --> 00:56:00,157 RIGHT, AND WHAT'S MORE ROMANTIC 1245 00:56:00,190 --> 00:56:02,993 THAN A WOMAN SCRUBBING YOUR SHORTS, RIGHT? 1246 00:56:03,027 --> 00:56:04,695 HA HA HA! 1247 00:56:04,729 --> 00:56:06,731 THAT'S GREAT. GOOD WORK. 1248 00:56:06,764 --> 00:56:08,799 REALLY? THANK YOU VERY MUCH. 1249 00:56:08,833 --> 00:56:11,736 WE HAVE A GO MOVIE. 1250 00:56:11,769 --> 00:56:14,038 CYRUS IS GOING TO GREEN-LIGHT THIS RIGHT AWAY. 1251 00:56:14,071 --> 00:56:16,441 I'M GOING TO SHOW HIM THESE NOTES. 1252 00:56:16,474 --> 00:56:18,576 IT'S GOOD-BYE, STELLA. HELLO, BUDDY AND GUY. 1253 00:56:18,609 --> 00:56:21,446 THERE'S SOME SPELLING ERRORS I NEED TO CLEAN UP. 1254 00:56:21,479 --> 00:56:23,548 TO HELL WITH THAT. DON'T WORRY ABOUT THAT. 1255 00:56:23,581 --> 00:56:25,750 HE'S GOING TO BE TOO EXCITED ABOUT CONTENT 1256 00:56:25,783 --> 00:56:27,051 TO WORRY ABOUT SPELLING. CONGRATULATIONS. 1257 00:56:27,084 --> 00:56:28,753 YOU DID IT. 1258 00:56:28,786 --> 00:56:30,721 I AM NOT GOING TO FORGET THIS. 1259 00:56:30,755 --> 00:56:33,023 GET READY TO MEET THE CHAIRMAN OF THE BOARD. 1260 00:56:33,057 --> 00:56:35,726 I'M GOING TO TELL CYRUS ABOUT YOU. 1261 00:56:35,760 --> 00:56:37,528 YOU EARNED IT. YOU DESERVE IT. 1262 00:56:37,562 --> 00:56:39,029 OH, SHIT. 1263 00:56:39,063 --> 00:56:42,032 I LEFT MY BELT AT MARNIE'S LAST NIGHT. 1264 00:56:42,066 --> 00:56:44,001 I CAN'T SEE CYRUS LIKE THIS. 1265 00:56:47,071 --> 00:56:48,506 OH! 1266 00:56:56,781 --> 00:56:58,816 [TELEPHONE RINGING] 1267 00:56:58,849 --> 00:57:01,051 BUDDY ACKERMAN'S OFFICE. 1268 00:57:01,085 --> 00:57:04,755 DAWN, BUDDY LOVED THE NOTES. 1269 00:57:04,789 --> 00:57:08,058 YEAH. HE'S IN A MEETING WITH CYRUS RIGHT NOW. 1270 00:57:08,092 --> 00:57:09,226 YEAH. CYRUS. 1271 00:57:09,259 --> 00:57:10,761 CYRUS. 1272 00:57:10,795 --> 00:57:12,162 THEY'RE COMING DOWN THE HALL NOW. 1273 00:57:12,196 --> 00:57:13,731 LET ME CALL YOU BACK. 1274 00:57:13,764 --> 00:57:15,232 I'LL CALL YOU BACK. 1275 00:57:15,265 --> 00:57:17,034 [BUDDY] THERE'S NOTHING MORE ROMANTIC 1276 00:57:17,067 --> 00:57:21,238 THAN A GIRL SCRUBBING A GUY'S UNDERWEAR. 1277 00:57:21,271 --> 00:57:25,242 YOU THINK THE KIDS ARE GOING TO RESPOND TO THIS? 1278 00:57:25,275 --> 00:57:28,045 ABSOLUTELY. CYRUS, IT SPEAKS TO THEIR GENERATION, 1279 00:57:28,078 --> 00:57:30,247 A GENERATION THAT'S BEEN DISSED-- 1280 00:57:30,280 --> 00:57:32,116 DISILLUSIONED, DISAPPOINTED, DISMAYED. RIGHT, FOSTER? 1281 00:57:32,149 --> 00:57:33,618 [FOSTER] THAT SUMS IT UP PERFECTLY. 1282 00:57:33,651 --> 00:57:35,019 WELL, GOOD. 1283 00:57:35,052 --> 00:57:37,522 YOU CAN NEVER TELL WITH YOU KIDS THESE DAYS. 1284 00:57:37,555 --> 00:57:41,526 LET ME JUST GRAB THIS, AND THEN WE'LL GO EAT. 1285 00:57:41,559 --> 00:57:44,629 YOU'VE JUST GOT TO FIX THESE SPELLING ERRORS. 1286 00:57:44,662 --> 00:57:46,030 IT'S UNPROFESSIONAL. 1287 00:57:46,063 --> 00:57:47,698 I'M SORRY. I SHOULD HAVE CHECKED IT FIRST. 1288 00:57:47,732 --> 00:57:49,767 I JUST HAD GUY TYPE IT UP FOR ME. 1289 00:57:49,800 --> 00:57:51,068 I WAS JUST TOO DAMNED EXCITED. 1290 00:57:51,101 --> 00:57:52,537 CAN YOU BLAME ME? 1291 00:57:52,570 --> 00:57:54,739 OH, NO. I ADMIRE THAT KIND OF ENTHUSIASM. 1292 00:57:54,772 --> 00:57:57,141 IT'S A GREAT PROJECT, BUDDY. 1293 00:57:57,174 --> 00:57:59,977 I'M NOT GOING TO FORGET WHO BROUGHT IT TO ME. 1294 00:58:00,010 --> 00:58:02,012 KEEP THIS UP, I'LL HAVE TO 1295 00:58:02,046 --> 00:58:03,514 MAKE YOU PRESIDENT OF PRODUCTION. 1296 00:58:03,548 --> 00:58:06,050 I JUST WANT A HOME RUN FOR THE TEAM. 1297 00:58:06,083 --> 00:58:07,151 YOU ALL RIGHT, MAN. 1298 00:58:29,106 --> 00:58:30,775 BUDDY ACKERMAN'S OFFICE CALLING. 1299 00:58:30,808 --> 00:58:32,076 NO, MAN. LISTEN TO ME. 1300 00:58:32,109 --> 00:58:35,012 I'M NOT GOING TO LET THAT ONE ISSUE 1301 00:58:35,045 --> 00:58:37,047 BE A FUCKING DEAL BREAKER ON THIS. 1302 00:58:37,081 --> 00:58:38,549 I-IT'S IMPOSSIBLE, SO-- 1303 00:58:38,583 --> 00:58:40,250 NO WAY. 1304 00:58:40,284 --> 00:58:44,221 WELL, YOU GO BACK, AND YOU MAKE A COUNTEROFF-- 1305 00:58:44,254 --> 00:58:47,091 WHERE THE FUCK ARE YOU GOING? 1306 00:58:47,124 --> 00:58:49,560 I WAS GOING TO THE BATHROOM. 1307 00:58:49,594 --> 00:58:51,295 I--I NEED TO GO. 1308 00:58:51,328 --> 00:58:54,599 FORGET WHAT YOU NEED AND CONCENTRATE ON WHAT I NEED. 1309 00:58:54,632 --> 00:58:56,100 GET ME ON ANOTHER FUCKING CALL. 1310 00:58:56,133 --> 00:58:58,769 SHUT UP FOR A SECOND. LISTEN TO ME. 1311 00:58:58,803 --> 00:59:01,071 I DON'T CARE WHAT STELLA SAID. 1312 00:59:01,105 --> 00:59:02,640 YOU CLOSE THE DEAL. 1313 00:59:02,673 --> 00:59:05,309 WE'RE GOING TO LOSE THE KID. 1314 00:59:05,342 --> 00:59:07,778 ALL RIGHT? GET BACK TO ME. 1315 00:59:07,812 --> 00:59:10,214 THIS IS BUDDY ACKERMAN'S OFFICE CALLING. 1316 00:59:10,247 --> 00:59:12,549 FINE. I'LL HAVE HIM GET BACK TO YOU. 1317 00:59:19,189 --> 00:59:21,158 BUDDY ACKERMAN'S OFFICE CALLING. 1318 00:59:24,194 --> 00:59:26,697 FINE. YES, WE'LL HOLD, 1319 00:59:26,731 --> 00:59:28,999 BUT PLEASE GET HIM. 1320 00:59:29,033 --> 00:59:31,001 WATER? 1321 00:59:35,239 --> 00:59:38,008 UH, THIS IS BUDDY ACKERMAN'S OFFICE CALLING. 1322 00:59:38,042 --> 00:59:40,244 OH, I DON'T WANT THAT MUCH. 1323 00:59:43,147 --> 00:59:45,249 BUDDY ACKERMAN'S OFFICE CALLING. 1324 00:59:47,652 --> 00:59:48,385 THANK YOU. 1325 00:59:48,418 --> 00:59:50,187 LEAVE WORD. 1326 00:59:55,125 --> 00:59:56,961 BUDDY ACKERMAN'S OFFICE CALLING. 1327 00:59:56,994 --> 01:00:00,698 FINE. PLEASE LEAVE WORD WITH HIM. 1328 01:00:00,731 --> 01:00:01,999 YES. WE'LL CALL BACK. 1329 01:00:03,834 --> 01:00:05,369 [RUNNING] 1330 01:00:05,402 --> 01:00:07,037 [DOOR SLAMS] 1331 01:00:13,110 --> 01:00:15,079 WYOMING. 1332 01:00:15,112 --> 01:00:18,082 WHAT? YOU HAVE A WESTERN THERE? 1333 01:00:18,115 --> 01:00:20,350 FORGET ABOUT MONTANA. 1334 01:00:20,384 --> 01:00:22,787 WYOMING IS...IS... 1335 01:00:22,820 --> 01:00:25,289 IT'S CLEAN. IT'S PURE. 1336 01:00:25,322 --> 01:00:28,292 WE'LL NEVER LEAVE EXCEPT IF WE NEED SOMETHING. 1337 01:00:28,325 --> 01:00:31,095 WE'LL ONLY GO INTO TOWN IF WE NEED SOMETHING. 1338 01:00:31,128 --> 01:00:32,797 WE? OHH. 1339 01:00:32,830 --> 01:00:35,399 YEAH. YOU'RE GOING TO WANT TO COME, AREN'T YOU? 1340 01:00:35,432 --> 01:00:37,101 MM-HMM. 1341 01:00:37,134 --> 01:00:38,368 I COULD WRITE. 1342 01:00:40,304 --> 01:00:44,341 NO MORE SUCKING UP TO THESE EGOTISTICAL IDIOTS. 1343 01:00:46,110 --> 01:00:48,078 NO MORE POLITICKING. 1344 01:00:48,112 --> 01:00:50,347 NO MORE BAD SCRIPTS. 1345 01:00:53,818 --> 01:00:57,354 AND MOST OF ALL, NO MORE BUDDY ACKERMAN. 1346 01:01:00,157 --> 01:01:02,760 * SCEE BEE DEE BEE DOO BOP... * 1347 01:01:02,793 --> 01:01:04,094 [DIALING CAR PHONE] 1348 01:01:04,128 --> 01:01:05,796 [RING] 1349 01:01:05,830 --> 01:01:08,098 HI. THIS IS GUY. LEAVE ME A MESSAGE. 1350 01:01:08,132 --> 01:01:09,767 * SHIT, FUCK, OH, PISS ** 1351 01:01:09,800 --> 01:01:13,103 GUY? PICK UP THE PHONE. I KNOW YOU'RE THERE. 1352 01:01:13,137 --> 01:01:15,405 COME ON. PICK UP, PICK UP, PICK UP, 1353 01:01:15,439 --> 01:01:17,107 PICK UP, PICK UP. 1354 01:01:17,141 --> 01:01:18,275 HELLO? 1355 01:01:18,308 --> 01:01:20,177 HEY. HOW YOU DOING? 1356 01:01:20,210 --> 01:01:22,847 UH, I'M FINE. I'M HERE WITH-- 1357 01:01:22,880 --> 01:01:23,914 GREAT. THAT'S GREAT. 1358 01:01:23,948 --> 01:01:25,249 LET'S DO IT. SCRIPT STATUS? 1359 01:01:25,282 --> 01:01:28,085 THE NEW DRAFT'S IN, NOTES BY MONDAY. 1360 01:01:28,118 --> 01:01:29,319 THAT'S GREAT. AND THE DEAL? 1361 01:01:29,353 --> 01:01:31,255 SIGNED AND DELIVERED FRIDAY NIGHT. 1362 01:01:31,288 --> 01:01:33,090 HA HA! ANY NEW, UH-- 1363 01:01:33,123 --> 01:01:35,392 NO, NO. NO NEW HAIR PRODUCTS THIS WEEK. 1364 01:01:35,425 --> 01:01:37,094 ALL RIGHT. O.K. 1365 01:01:37,127 --> 01:01:39,797 NO, THAT'S GREAT. NO, NO, GREAT. 1366 01:01:39,830 --> 01:01:42,299 GIVE ME MINDY'S NUMBER. 1367 01:01:42,332 --> 01:01:44,168 [RADIO] WEEKEND'S ALMOST OVER, EVERYONE, 1368 01:01:44,201 --> 01:01:46,804 SO ENJOY IT WHILE YOU CAN. 1369 01:01:46,837 --> 01:01:49,807 TO HELP YOU OUT, WE'RE GOING TO CONTINUE ON 1370 01:01:49,840 --> 01:01:51,909 WITH A MARATHON OF NONSTOP... 1371 01:01:55,345 --> 01:01:58,348 I DON'T HAVE IT WITH ME. IT'S AT THE OFFICE. 1372 01:01:58,382 --> 01:02:00,751 JESUS CHRIST, YOU CAN'T DO ANYTHING RIGHT. 1373 01:02:00,785 --> 01:02:03,120 YOU KNOW I WAS SEEING HER TONIGHT. 1374 01:02:03,153 --> 01:02:05,790 YOUR HEAD'S GOT TO BE A ROLODEX, 1375 01:02:05,823 --> 01:02:07,825 OR YOUR ASS IS ON THE LINE. 1376 01:02:07,858 --> 01:02:09,093 NO, NO. YOU'RE RIGHT. 1377 01:02:09,126 --> 01:02:13,297 GET DOWN TO THE OFFICE AND GET ME HER NUMBER. 1378 01:02:13,330 --> 01:02:15,099 [DIAL TONE] 1379 01:02:15,132 --> 01:02:16,433 COME HERE. 1380 01:02:16,466 --> 01:02:18,936 I HAVE TO GO TO THE OFFICE. 1381 01:02:18,969 --> 01:02:20,170 YOU WERE JUST THERE. 1382 01:02:20,204 --> 01:02:22,239 I GOT TO GET A PHONE NUMBER. 1383 01:02:22,272 --> 01:02:24,108 FOR WHAT? ONE OF BUDDY'S BIMS? 1384 01:02:24,141 --> 01:02:25,810 JUST TRY TO UNDERSTAND, O.K.? 1385 01:02:25,843 --> 01:02:27,111 I--I HAVE TO DO THIS. 1386 01:02:27,144 --> 01:02:28,813 NO, YOU DON'T. 1387 01:02:28,846 --> 01:02:31,181 YOU'VE PLAYED THE DODDERING HOUSEBOY LONG ENOUGH. 1388 01:02:31,215 --> 01:02:32,950 I KNOW, BUT I'VE MADE A COMMITMENT. 1389 01:02:32,983 --> 01:02:35,519 AND YOU THINK THAT MEANS SOMETHING TO HIM? 1390 01:02:35,552 --> 01:02:37,822 DON'T LEAVE. I'M COMING RIGHT BACK. 1391 01:02:37,855 --> 01:02:39,323 LOOK, DO ME A FAVOR. 1392 01:02:39,356 --> 01:02:41,859 THE NEXT TIME BUDDY CALLS, SAY, "I DON'T CARE." 1393 01:02:41,892 --> 01:02:43,127 NO, REALLY. TRY IT. 1394 01:02:43,160 --> 01:02:44,428 SAY, "I DON'T CARE, BUDDY." 1395 01:02:44,461 --> 01:02:46,096 COME ON. 1396 01:02:48,498 --> 01:02:51,368 YOU REALLY CAN'T DO IT, CAN YOU? 1397 01:02:53,103 --> 01:02:54,805 WYOMING, MY ASS. 1398 01:02:54,839 --> 01:02:58,442 YOU KNOW, WHEN YOU FIGURE OUT WHAT IT IS YOU REALLY WANT, 1399 01:02:58,475 --> 01:03:00,377 WHY DON'T YOU GIVE ME A CALL? 1400 01:03:00,410 --> 01:03:01,378 YOU. 1401 01:03:01,411 --> 01:03:02,579 WHAT? 1402 01:03:02,612 --> 01:03:04,815 YOU ARE THE ONLY THING 1403 01:03:04,849 --> 01:03:06,817 IN MY MISERABLE, SHITTY LITTLE EXISTENCE 1404 01:03:06,851 --> 01:03:09,186 THAT I HAVE TO LOOK FORWARD TO. 1405 01:03:09,219 --> 01:03:12,122 YOU'RE THE ONLY REAL THING THAT I HAVE LEFT. 1406 01:03:12,156 --> 01:03:13,824 THEN SAY IT. 1407 01:03:13,858 --> 01:03:16,393 SAY YOU DON'T CARE. COME ON. SAY IT. 1408 01:03:24,468 --> 01:03:25,602 FINE. LEAVE. 1409 01:03:25,635 --> 01:03:27,537 YOUR PROJECT IS SET UP. 1410 01:03:27,571 --> 01:03:30,307 YOU GOT WHAT YOU WANTED, AND I GOT LAID. 1411 01:03:30,340 --> 01:03:34,078 GOT TO GIVE ACTION TO GET ACTION. 1412 01:03:38,148 --> 01:03:39,884 YEAH, THAT'S IT. 1413 01:03:39,917 --> 01:03:41,618 THAT'S IT EXACTLY. 1414 01:03:41,651 --> 01:03:43,988 CONGRATULATIONS, GUY. 1415 01:03:44,021 --> 01:03:45,622 YOU JUST GRADUATED. 1416 01:03:45,655 --> 01:03:49,059 YOU'RE GOING TO MAKE A KILLING IN THIS BUSINESS. 1417 01:03:58,235 --> 01:04:00,570 [GUY] PROTECT MY INTERESTS, SERVE MY NEEDS. 1418 01:04:00,604 --> 01:04:02,139 CHRIST, YOU'RE DENSE. 1419 01:04:02,172 --> 01:04:04,408 NO WONDER YOUR WIFE LEFT YOU. 1420 01:04:04,441 --> 01:04:06,176 THAT'S ANOTHER THING. 1421 01:04:06,210 --> 01:04:08,278 ALL THIS TIME THAT I'VE WORKED FOR YOU, 1422 01:04:08,312 --> 01:04:11,281 I STILL DON'T KNOW A THING ABOUT YOUR EX-WIFE. 1423 01:04:11,315 --> 01:04:12,582 THERE'S NOT A TRACE, 1424 01:04:12,616 --> 01:04:15,119 NOT A PICTURE IN THE WHOLE HOUSE. 1425 01:04:15,152 --> 01:04:17,121 W-WAS SHE BEAUTIFUL? 1426 01:04:17,154 --> 01:04:18,923 YES. 1427 01:04:18,956 --> 01:04:20,424 DID YOU LOVE HER? 1428 01:04:20,457 --> 01:04:21,425 YES. 1429 01:04:21,458 --> 01:04:23,127 OH. 1430 01:04:23,160 --> 01:04:25,395 OH, HOW NICE. 1431 01:04:29,166 --> 01:04:31,435 WHEN'S SHE COMING HOME? 1432 01:04:31,468 --> 01:04:33,103 OH, I FORGOT. 1433 01:04:34,471 --> 01:04:36,140 SHE LEFT YOU. 1434 01:04:36,173 --> 01:04:38,442 [CHUCKLING] 1435 01:04:38,475 --> 01:04:40,444 WHAT DO YOU WANT? 1436 01:04:40,477 --> 01:04:42,112 WHAT DO I WANT? 1437 01:04:42,146 --> 01:04:44,648 WHAT DO I WANT? WHAT DO I WANT? 1438 01:04:44,681 --> 01:04:46,650 WELL, TELL ME A STORY. 1439 01:04:46,683 --> 01:04:49,419 TELL ME ABOUT A YOUNG BUDDY IN LOVE 1440 01:04:49,453 --> 01:04:52,422 WITH A WOMAN WHO JUST DIDN'T WANT HIM. 1441 01:04:54,158 --> 01:04:57,094 WAS IT A PAINFUL SEPARATION? 1442 01:04:58,662 --> 01:05:01,631 DID YOU FIND HER IN THE PASSIONATE THROES 1443 01:05:01,665 --> 01:05:03,633 OF A SECRET LOVER? HMM? 1444 01:05:03,667 --> 01:05:06,570 DID SHE TAKE YOU FOR EVERYTHING YOU HAD, 1445 01:05:06,603 --> 01:05:09,139 OR DID THE BITCH ONLY GET HALF? 1446 01:05:09,173 --> 01:05:10,440 SHE DIED. 1447 01:05:10,474 --> 01:05:12,442 OH. IS THAT ALL? 1448 01:05:12,476 --> 01:05:15,145 WELL, BOOHOO. 1449 01:05:15,179 --> 01:05:18,148 WHAT A LINE. 1450 01:05:18,182 --> 01:05:23,153 "MY WIFE DIED. CAN YOU COME HOME WITH ME? 1451 01:05:23,187 --> 01:05:26,323 HOLD ME. LOVE ME. FUCK ME." CHRIST. 1452 01:05:26,356 --> 01:05:29,159 OH, GOD, YOU ARE SUCH AN ASSHOLE. 1453 01:05:29,193 --> 01:05:31,161 CHRISTMAS EVE, 12 YEARS AGO. 1454 01:05:31,195 --> 01:05:34,131 SHE WAS ON HER WAY TO THE MALL. 1455 01:05:34,164 --> 01:05:37,334 I WAS SUPPOSED TO HAVE GONE WITH HER. 1456 01:05:37,367 --> 01:05:39,736 WE HADN'T STARTED OUR CHRISTMAS SHOPPING YET, 1457 01:05:39,769 --> 01:05:42,639 BUT IT WAS GOING TO BE SIMPLE, 1458 01:05:42,672 --> 01:05:44,474 JUST SOME STUFF FOR OUR PARENTS. 1459 01:05:44,508 --> 01:05:45,976 MONEY WAS TIGHT, 1460 01:05:46,010 --> 01:05:47,978 AND SHOPPING WAS A HASSLE ANYWAY. 1461 01:05:48,012 --> 01:05:51,348 WE EVEN PROMISED NOT TO GIVE EACH OTHER GIFTS. 1462 01:05:51,381 --> 01:05:54,651 ON THE WAY, THERE WAS A CAR THAT HAD BROKEN DOWN. 1463 01:05:54,684 --> 01:05:56,153 MALLORY PULLED OVER TO HELP. 1464 01:05:56,186 --> 01:05:59,156 I ALWAYS TOLD HER SHE WAS SUCH A BUSYBODY, 1465 01:05:59,189 --> 01:06:01,058 BUT SHE CALLED IT BEING NICE. 1466 01:06:01,091 --> 01:06:05,162 SHE GOT OUT AND ASKED IF EVERYTHING WAS ALL RIGHT 1467 01:06:05,195 --> 01:06:07,297 OR SOMETHING STUPID. 1468 01:06:07,331 --> 01:06:09,166 ANYWAY, IT WAS A SCAM, 1469 01:06:09,199 --> 01:06:11,501 BUNCH OF PUNK KIDS STEALING CARS. 1470 01:06:11,535 --> 01:06:12,969 THEY SHOT HER. 1471 01:06:14,671 --> 01:06:16,640 I WAS STUCK AT THE OFFICE 1472 01:06:16,673 --> 01:06:19,043 WRAPPING CHRISTMAS GIFTS FOR MY BOSS. 1473 01:06:19,076 --> 01:06:22,012 A LOT OF GIFTS. WE'D HAD A GOOD YEAR. 1474 01:06:22,046 --> 01:06:24,148 I WAS THERE TILL 3:00 A.M. 1475 01:06:24,181 --> 01:06:25,649 THE WHOLE TIME, I'M THINKING, 1476 01:06:25,682 --> 01:06:28,152 "OH, BOY, SHE IS GOING TO BE PISSED. 1477 01:06:28,185 --> 01:06:30,654 WHEN I GET HOME, I'M A DEAD MAN." 1478 01:06:30,687 --> 01:06:32,289 ANYWAY, I GOT HOME, 1479 01:06:32,322 --> 01:06:33,657 GOT THE MESSAGE, 1480 01:06:33,690 --> 01:06:36,160 WENT DOWN TO THE HOSPITAL TO IDENTIFY HER. 1481 01:06:36,193 --> 01:06:39,163 IT WAS A WHOLE WEEK INTO THE NEW YEAR 1482 01:06:39,196 --> 01:06:40,664 BEFORE I FOUND THEM-- 1483 01:06:40,697 --> 01:06:43,167 THESE STUPID WIND-UP TOYS AND A NOTE-- 1484 01:06:43,200 --> 01:06:45,669 "IN THE CONSTANT RAT RACE OF LIFE, 1485 01:06:45,702 --> 01:06:47,671 DON'T EVER FORGET TO UNWIND." 1486 01:06:47,704 --> 01:06:51,675 SHE WAS NEVER REALLY ANY GOOD AT WRITING NOTES. 1487 01:06:51,708 --> 01:06:53,177 LOOK, I DIDN'T KNOW ANYTHING-- 1488 01:06:53,210 --> 01:06:55,145 OH, GUY DIDN'T KNOW. IMAGINE THAT. 1489 01:06:55,179 --> 01:06:57,647 BOY GENIUS HERE DIDN'T KNOW SOMETHING. 1490 01:06:57,681 --> 01:07:00,084 THAT IS NO EXCUSE FOR YOUR BEHAVIOR. 1491 01:07:00,117 --> 01:07:02,652 YOU THINK YOU KNOW IT ALL, DON'T YOU? 1492 01:07:02,686 --> 01:07:04,154 YOU'RE 25. YOU'RE A BABY. 1493 01:07:04,188 --> 01:07:05,655 YOU DON'T KNOW SHIT. 1494 01:07:05,689 --> 01:07:08,225 LOOK, I KNOW WHAT'S FAIR, O.K.? 1495 01:07:08,258 --> 01:07:10,160 LOOK, I CAN APPRECIATE THIS. 1496 01:07:10,194 --> 01:07:13,163 I WAS YOUNG, TOO. I FELT JUST LIKE YOU. 1497 01:07:13,197 --> 01:07:15,099 HATED AUTHORITY, HATED ALL MY BOSSES, 1498 01:07:15,132 --> 01:07:17,167 THOUGHT THEY WERE FULL OF SHIT. 1499 01:07:17,201 --> 01:07:19,669 IF YOU'RE NOT A REBEL BY 20, 1500 01:07:19,703 --> 01:07:21,205 YOU GOT NO HEART. 1501 01:07:21,238 --> 01:07:22,806 IF YOU HAVEN'T TURNED ESTABLISHMENT BY 30, 1502 01:07:22,839 --> 01:07:23,840 YOU GOT NO BRAINS. 1503 01:07:23,873 --> 01:07:26,176 THERE ARE NO STORYBOOK ROMANCES, 1504 01:07:26,210 --> 01:07:27,811 NO FAIRY-TALE ENDINGS, 1505 01:07:27,844 --> 01:07:31,515 SO BEFORE YOU RUN OUT AND CHANGE THE WORLD, 1506 01:07:31,548 --> 01:07:34,284 ASK YOURSELF WHAT DO YOU REALLY WANT? 1507 01:07:43,627 --> 01:07:46,163 * WHEN THE PLANE LANDS 1508 01:07:49,366 --> 01:07:54,471 * WHEN THE CRACKS APPEAR IN THE LAND * 1509 01:07:54,504 --> 01:07:58,642 * AND THE ROCKS TURN INTO SAND... ** 1510 01:08:01,211 --> 01:08:04,481 [TELEPHONE RINGS] 1511 01:08:04,514 --> 01:08:07,184 [RING] 1512 01:08:07,217 --> 01:08:10,287 HANK, WHAT HAPPENED TO THAT DELIVERY? 1513 01:08:11,855 --> 01:08:13,490 UH-HUH. 1514 01:08:13,523 --> 01:08:15,459 UH-HUH. 1515 01:08:17,227 --> 01:08:18,128 OOH. 1516 01:08:19,663 --> 01:08:21,665 STOP IT, HANK. 1517 01:08:21,698 --> 01:08:24,368 THAT'S NOT WHAT I ASKED FOR. 1518 01:08:24,401 --> 01:08:28,172 MM-HMM. LOOK, I DON'T CARE IF GOD HIMSELF CAME DOWN 1519 01:08:28,205 --> 01:08:29,673 AND DESTROYED THE MESSENGER VAN. 1520 01:08:29,706 --> 01:08:31,675 WHAT I CARE ABOUT IS DETAIL. 1521 01:08:31,708 --> 01:08:34,478 8:30 IS NOT THE SAME AS 8:00. 1522 01:08:34,511 --> 01:08:36,480 HANK, SHUT UP. 1523 01:08:36,513 --> 01:08:38,682 LISTEN AND LEARN. 1524 01:08:38,715 --> 01:08:43,187 WHEN I ASK FOR SOMETHING TO BE DELIVERED AT 8:00, 1525 01:08:43,220 --> 01:08:45,189 I EXPECT IT AT 8:00. 1526 01:08:45,222 --> 01:08:48,192 I WANT IT AT 8:00, NOT 8:30. 1527 01:08:48,225 --> 01:08:50,194 SO THE NEXT TIME I ASK 1528 01:08:50,227 --> 01:08:52,496 FOR SOMETHING TO BE DELIVERED AT 8:00, 1529 01:08:52,529 --> 01:08:54,164 GET IT THERE. 1530 01:08:56,233 --> 01:08:57,201 GOOD MORNING. 1531 01:08:57,234 --> 01:08:58,702 WHAT'S GOING ON? 1532 01:08:58,735 --> 01:09:02,172 WELL, THERE WAS JUST A LITTLE MIX-UP IN THE MAILROOM. 1533 01:09:02,206 --> 01:09:04,474 CYRUS' BIRTHDAY GIFT IS ON ITS WAY. 1534 01:09:04,508 --> 01:09:06,676 [RING] 1535 01:09:06,710 --> 01:09:08,178 THE PHONE IS RINGING. 1536 01:09:08,212 --> 01:09:09,179 [RING] 1537 01:09:09,213 --> 01:09:10,680 BUDDY ACKERMAN'S OFFICE. 1538 01:09:10,714 --> 01:09:12,182 YES, SHEILA, HE'S RIGHT HERE. 1539 01:09:12,216 --> 01:09:14,184 HOLD ON ONE MOMENT, PLEASE. 1540 01:09:14,218 --> 01:09:14,918 CYRUS. 1541 01:09:17,387 --> 01:09:19,423 UH, UH, UH, UH. 1542 01:09:23,693 --> 01:09:25,195 CYRUS. 1543 01:09:25,229 --> 01:09:27,297 HEY. 1544 01:09:27,331 --> 01:09:30,200 * HAPPY BIRTHDAY TO YOU * 1545 01:09:30,234 --> 01:09:33,203 WHAT? ARE YOU KIDDING? HOW COULD I FORGET? 1546 01:09:33,237 --> 01:09:35,439 THE PROJECT? 1547 01:09:35,472 --> 01:09:38,675 LOOKS GREAT. 1548 01:09:38,708 --> 01:09:40,444 HOW GREAT? 1549 01:09:40,477 --> 01:09:41,811 ABOUT $100 MILLION GREAT. 1550 01:09:41,845 --> 01:09:43,513 HOW'S THAT SOUND? 1551 01:09:43,547 --> 01:09:44,881 [TELEPHONE RINGS] 1552 01:09:44,914 --> 01:09:46,350 YEAH? HA HA! REALLY? 1553 01:09:46,383 --> 01:09:47,751 [RING] 1554 01:09:47,784 --> 01:09:49,986 WELL, TELL ME ABOUT IT. 1555 01:09:50,019 --> 01:09:51,688 BUDDY ACKERMAN'S OFFICE. 1556 01:09:51,721 --> 01:09:54,591 NO, FOSTER, HE'S ON WITH CYRUS. 1557 01:09:54,624 --> 01:09:57,327 WELL, YOU ASKED FOR IT, YOU GOT IT. 1558 01:09:57,361 --> 01:09:59,696 I'LL HAVE HIM CALL YOU RIGHT BACK, FOSTER. 1559 01:09:59,729 --> 01:10:01,998 AS SOON AS HE'S OFF. BYE. 1560 01:10:02,031 --> 01:10:03,700 OH, THAT'S GREAT. 1561 01:10:03,733 --> 01:10:05,669 ME? OH, ARE YOU KIDDING? I GOT NO TIME. 1562 01:10:05,702 --> 01:10:07,604 I'M TOO BUSY WORKING FOR YOU. 1563 01:10:07,637 --> 01:10:09,673 YEAH? WELL, O.K. 1564 01:10:09,706 --> 01:10:11,375 ALL RIGHT. 1565 01:10:11,408 --> 01:10:12,909 WELL, ANYTHING YOU SAY. 1566 01:10:12,942 --> 01:10:14,611 I'LL TAKE CARE OF IT. 1567 01:10:14,644 --> 01:10:16,280 UH, FOSTER KANE-- 1568 01:10:16,313 --> 01:10:17,381 THE NOTES? 1569 01:10:17,414 --> 01:10:19,883 YEAH, YOU'LL GET THEM BY 6:00 TONIGHT. 1570 01:10:19,916 --> 01:10:22,386 GUY'S WORKING ON THEM RIGHT NOW. 1571 01:10:22,419 --> 01:10:25,322 GUY? OH, HE IS FAN-FUCKING-TASTIC. 1572 01:10:25,355 --> 01:10:26,990 HE'S THE BEST I'VE EVER HAD. 1573 01:10:27,023 --> 01:10:29,293 I'LL HAVE TO START LOOKING AFTER MY BACK. 1574 01:10:29,326 --> 01:10:30,794 HE'S COMING UP. 1575 01:10:30,827 --> 01:10:31,961 HE'S THE ONE TO WATCH, 1576 01:10:31,995 --> 01:10:34,498 THE ONE MOVING UP. UH-HUH. 1577 01:10:34,531 --> 01:10:36,366 O.K. YEAH. 1578 01:10:36,400 --> 01:10:38,234 BYE-BYE. 1579 01:10:40,036 --> 01:10:44,508 YOU SEE? I'M LOOKING OUT FOR YOU. 1580 01:10:44,541 --> 01:10:46,510 LISTEN TO ME. 1581 01:10:46,543 --> 01:10:48,712 NOBODY ELSE. 1582 01:10:48,745 --> 01:10:52,749 BECAUSE I HAVE YOUR BEST INTERESTS AT HEART. 1583 01:10:56,019 --> 01:10:59,022 DO I LOOK THAT STUPID? DO I LOOK THAT DUMB? 1584 01:10:59,055 --> 01:11:00,557 UNBELIEVABLE. 1585 01:11:00,590 --> 01:11:03,760 DID YOU REALLY THINK YOU COULD PULL THAT ON ME? 1586 01:11:03,793 --> 01:11:05,662 HEY, I TOLD CYRUS ABOUT YOU. 1587 01:11:05,695 --> 01:11:06,963 BULLSHIT! 1588 01:11:06,996 --> 01:11:09,966 YOU TOOK CREDIT FOR EVERYTHING THAT I DID. 1589 01:11:09,999 --> 01:11:12,001 BULLSHIT. HE KNOWS WHO YOU ARE. 1590 01:11:12,035 --> 01:11:13,870 YOU LIED! YOU LIED TO ME! 1591 01:11:13,903 --> 01:11:16,606 I TOLD YOU WHAT YOU WANTED TO HEAR, 1592 01:11:16,640 --> 01:11:17,841 WHAT YOU NEEDED TO HEAR. 1593 01:11:17,874 --> 01:11:19,008 BULLSHIT. 1594 01:11:19,042 --> 01:11:20,844 YOU WERE GETTING COMPLACENT, UNGRATEFUL, 1595 01:11:20,877 --> 01:11:23,012 COMPLETE AND TOTAL JOB BURNOUT. 1596 01:11:23,046 --> 01:11:25,782 YOU JUST DIDN'T GIVE A SHIT ANYMORE, 1597 01:11:25,815 --> 01:11:27,016 DRAGGING YOUR FEET EVERYWHERE, 1598 01:11:27,050 --> 01:11:29,919 TELLING EVERYBODY YOU WERE DOING MY JOB, 1599 01:11:29,953 --> 01:11:31,888 THAT YOU WERE RUNNING THE SHOW, 1600 01:11:31,921 --> 01:11:33,823 THAT WITHOUT YOU, I WAS NOTHING. 1601 01:11:33,857 --> 01:11:37,093 YEAH. PEOPLE TELL ME THINGS. 1602 01:11:37,126 --> 01:11:39,028 DON'T COME PREACHING TO ME 1603 01:11:39,062 --> 01:11:40,830 ABOUT YOUR IDEAS OF WHAT'S FAIR. 1604 01:11:40,864 --> 01:11:43,032 YOU'RE NO MARTYR HERE. YOU'RE NO HERO. 1605 01:11:43,066 --> 01:11:44,801 YOU'RE JUST A FUCKING HYPOCRITE. 1606 01:11:44,834 --> 01:11:47,871 YOU'RE JUST LIKE ANY OTHER PUNK KID OUT THERE 1607 01:11:47,904 --> 01:11:50,574 LOOKING FOR A WAY IN, ANY WAY IN, 1608 01:11:50,607 --> 01:11:52,842 AND YOU NEED ME. 1609 01:11:52,876 --> 01:11:55,812 DOES THAT GIVE YOU THE RIGHT TO ABUSE PEOPLE? 1610 01:11:55,845 --> 01:11:58,582 WHAT GIVES YOU THE RIGHT TO TREAT PEOPLE LIKE-- 1611 01:11:58,615 --> 01:12:00,350 BECAUSE I EARNED IT. 1612 01:12:00,384 --> 01:12:02,719 YOU THINK SOMEONE JUST HANDED ME THIS JOB? 1613 01:12:02,752 --> 01:12:05,489 I'VE HANDLED THE PHONES. I'VE JUGGLED THE BIMBOS. 1614 01:12:05,522 --> 01:12:08,024 I'VE PUT UP WITH THE TYRANTS, YELLERS, SCREAMERS. 1615 01:12:08,057 --> 01:12:10,727 I'VE DONE MORE THAN YOU CAN IMAGINE 1616 01:12:10,760 --> 01:12:12,696 IN THAT SMALL MIND OF YOURS. 1617 01:12:12,729 --> 01:12:14,464 I PAID MY DUES. 1618 01:12:14,498 --> 01:12:17,066 I DIDN'T SPEND ONE YEAR-- 1619 01:12:17,100 --> 01:12:18,735 AND I SPENT 10! 1620 01:12:18,768 --> 01:12:21,405 DAMN IT, IT'S MY TURN TO BE SELFISH. 1621 01:12:21,438 --> 01:12:22,906 IT'S MY TURN. 1622 01:12:22,939 --> 01:12:24,941 YOU SEE, THAT'S THE TROUBLE 1623 01:12:24,974 --> 01:12:27,043 WITH YOUR FUCKING MTV-MICROWAVE-DINNER GENERATION. 1624 01:12:27,076 --> 01:12:29,679 YOU ALL WANT IT NOW. 1625 01:12:29,713 --> 01:12:31,014 YOU THINK YOU DESERVE IT 1626 01:12:31,047 --> 01:12:32,716 JUST BECAUSE YOU WANT IT? 1627 01:12:32,749 --> 01:12:34,017 IT DOESN'T WORK LIKE THAT. 1628 01:12:34,050 --> 01:12:36,653 YOU HAVE TO EARN IT, TAKE IT. 1629 01:12:36,686 --> 01:12:39,022 YOU HAVE TO MAKE IT YOURS, 1630 01:12:39,055 --> 01:12:42,726 BUT FIRST, GUY, YOU NEED TO DECIDE 1631 01:12:42,759 --> 01:12:45,495 WHAT IT IS YOU REALLY WANT. 1632 01:12:51,768 --> 01:12:56,039 I WANT YOU TO STOP CALLING ME 1633 01:12:56,072 --> 01:12:58,742 IN THE MIDDLE OF THE NIGHT. 1634 01:12:58,775 --> 01:13:03,046 I WANT YOU TO STOP SENDING ME TO THE FUCKING OFFICE 1635 01:13:03,079 --> 01:13:04,881 FOR YOUR GODDAMN PHONE NUMBERS, 1636 01:13:04,914 --> 01:13:06,483 FOR YOUR FUCKING SUNGLASSES. 1637 01:13:06,516 --> 01:13:09,018 I WANT MY LIFE BACK! 1638 01:13:12,055 --> 01:13:14,724 WHAT LIFE? WHAT LIFE? I GAVE YOU LIFE. 1639 01:13:14,758 --> 01:13:16,726 BEFORE ME, YOU WERE NOTHING. 1640 01:13:16,760 --> 01:13:18,928 BEFORE ME, YOU WERE AN INK SPOT, 1641 01:13:18,962 --> 01:13:21,531 AND NOW YOU'RE PLAYING IN THE MAJORS. 1642 01:13:21,565 --> 01:13:23,433 I MADE YOU. 1643 01:13:23,467 --> 01:13:26,436 YOU WILL ALWAYS BE GUY FROM BUDDY ACKERMAN'S OFFICE. 1644 01:13:26,470 --> 01:13:29,038 YOU WANT TO GO BACK TO YOUR SHITTY LITTLE EXISTENCE? 1645 01:13:29,072 --> 01:13:31,741 GO AHEAD. LEAVE. THERE'S THE DOOR. 1646 01:13:31,775 --> 01:13:33,042 NO ONE'S STOPPING YOU. 1647 01:13:33,076 --> 01:13:35,545 YOU COULD HAVE LEFT ANY DAY, 1648 01:13:35,579 --> 01:13:37,514 BUT YOU STAYED. 1649 01:13:37,547 --> 01:13:40,049 LET'S FORGET THE DUDLEY- DAMNED-DO-RIGHT CRAP, 1650 01:13:40,083 --> 01:13:41,751 BECAUSE OUT HERE, 1651 01:13:41,785 --> 01:13:44,053 IT'S KILL YOUR PARENTS, FUCK YOUR FRIENDS, 1652 01:13:44,087 --> 01:13:45,989 AND HAVE A NICE DAY. 1653 01:13:46,022 --> 01:13:48,758 AND THAT MAKES IT ALL RIGHT, HUH? 1654 01:13:48,792 --> 01:13:50,059 THAT'S A LOAD OF SHIT. 1655 01:13:50,093 --> 01:13:53,162 I DON'T MAKE THE RULES. I PLAY BY THEM. 1656 01:13:53,196 --> 01:13:55,031 YOUR JOB IS UNFAIR TO YOU? 1657 01:13:55,064 --> 01:13:56,633 GROW UP. WAY IT GOES. 1658 01:13:56,666 --> 01:13:58,735 PEOPLE USE YOU? LIFE'S UNFAIR? 1659 01:13:58,768 --> 01:14:01,004 GROW UP. WAY IT GOES. 1660 01:14:01,037 --> 01:14:02,739 YOUR GIRLFRIEND DOESN'T LOVE YOU? 1661 01:14:02,772 --> 01:14:04,207 TOUGH SHIT. WAY IT GOES. 1662 01:14:04,240 --> 01:14:07,477 YOUR WIFE GETS RAPED AND SHOT 1663 01:14:07,511 --> 01:14:09,846 AND THEY LEAVE THEIR UNFINISHED BEERS? 1664 01:14:21,090 --> 01:14:22,158 THEIR... 1665 01:14:27,096 --> 01:14:29,533 THEIR STINKING LONGNECKS... 1666 01:14:31,801 --> 01:14:34,170 JUST LYING THERE ON THE... 1667 01:14:42,579 --> 01:14:44,147 SO BE IT. 1668 01:14:46,082 --> 01:14:48,017 WAY IT GOES. 1669 01:14:55,291 --> 01:14:59,028 SO, NOW YOU WANT TO TELL ME WHAT YOU REALLY WANT? 1670 01:15:01,097 --> 01:15:03,533 WHAT THIS IS REALLY ALL ABOUT? 1671 01:15:05,769 --> 01:15:08,037 WHAT HAPPENED TO YOU THIS EVENING? 1672 01:15:16,580 --> 01:15:18,014 [BEEPING] 1673 01:15:23,252 --> 01:15:25,021 [TELEPHONE RINGS] 1674 01:15:27,090 --> 01:15:28,992 [RING] 1675 01:15:31,094 --> 01:15:32,228 HELLO? 1676 01:15:32,261 --> 01:15:34,030 HI, DAWN. IT'S, UH, BUDDY. 1677 01:15:34,063 --> 01:15:36,766 I'M LOOKING FOR GUY. HAVE YOU SEEN HIM? 1678 01:15:36,800 --> 01:15:38,968 NO. I HAVEN'T SEEN HIM IN A WHILE. 1679 01:15:39,002 --> 01:15:40,269 OH, THAT'S TOO BAD. 1680 01:15:40,303 --> 01:15:43,072 YOU WANT TO COME OVER AND DISCUSS THE PROJECT? 1681 01:15:43,106 --> 01:15:45,074 YOU'RE NOT REALLY LOOKING FOR GUY, 1682 01:15:45,108 --> 01:15:46,776 ARE YOU, BUDDY? 1683 01:15:46,810 --> 01:15:48,077 OOPS. YOU CAUGHT ME. 1684 01:15:48,111 --> 01:15:50,079 SO, WHAT DO YOU SAY? 1685 01:15:50,113 --> 01:15:52,782 I'D SAY I'M REALLY BUSY. SORRY. 1686 01:15:52,816 --> 01:15:55,084 YOU'RE FORGETTING WHAT I TAUGHT YOU. 1687 01:15:55,118 --> 01:15:56,052 NEVER APOLOGIZE... 1688 01:15:56,085 --> 01:15:58,054 IT'S A SIGN OF WEAKNESS. 1689 01:15:58,087 --> 01:15:59,756 NEVER FORGOT IT. 1690 01:15:59,789 --> 01:16:02,258 YOU KNOW, I CAN REMEMBER THE DAYS 1691 01:16:02,291 --> 01:16:06,763 WHEN YOU WOULD HAVE SCURRIED OVER HERE LIKE AN EAGER BEAVER. 1692 01:16:06,796 --> 01:16:08,264 THOSE DAYS ARE LONG GONE. 1693 01:16:08,297 --> 01:16:10,767 THAT'S WHY YOUR CAREER HAS BEEN ON HOLD. 1694 01:16:10,800 --> 01:16:13,069 YOU GOT TO GIVE ACTION TO GET ACTION. 1695 01:16:13,102 --> 01:16:15,772 NEVER FORGOT THAT. I GOT TO GO. 1696 01:16:15,805 --> 01:16:17,273 IT'S GUY, ISN'T IT? 1697 01:16:17,306 --> 01:16:20,276 YOU CAN'T SEE THE BOSS BECAUSE YOU'RE SCREWING THE ASSISTANT? 1698 01:16:20,309 --> 01:16:22,078 YEAH. THAT'S IT. THAT'S IT EXACTLY. 1699 01:16:22,111 --> 01:16:24,380 FINE. HE'S NO LONGER THE ASSISTANT. 1700 01:16:24,413 --> 01:16:25,782 EXCUSE ME? 1701 01:16:25,815 --> 01:16:27,083 YOU HEARD ME. HE'S HISTORY. 1702 01:16:27,116 --> 01:16:29,085 THERE. ANY PROBLEMS COMING OVER NOW? 1703 01:16:29,118 --> 01:16:31,788 I AM WARNING YOU, LEAVE GUY OUT OF THIS. 1704 01:16:31,821 --> 01:16:33,790 HE IS NOT THE PROBLEM, BUDDY. 1705 01:16:33,823 --> 01:16:36,292 WELL, MAYBE HE IS, AND MAYBE HE ISN'T. 1706 01:16:36,325 --> 01:16:38,194 THERE'S REALLY ONLY ONE WAY TO FIND OUT-- 1707 01:16:38,227 --> 01:16:40,029 [DIAL TONE] 1708 01:16:41,397 --> 01:16:43,867 FUCK. 1709 01:16:43,900 --> 01:16:46,069 FUCKING MEN. FUCKING CRAZY. 1710 01:16:46,102 --> 01:16:48,071 [TELEPHONE RINGS] 1711 01:16:48,104 --> 01:16:49,773 WHAT? 1712 01:16:49,806 --> 01:16:51,374 DAWN? IT'S GUY. 1713 01:16:51,407 --> 01:16:54,644 OH, HI. HEY. 1714 01:16:54,678 --> 01:16:56,079 CAN I COME OVER? 1715 01:16:56,112 --> 01:16:59,082 I--I THINK WE NEED TO TALK. 1716 01:16:59,115 --> 01:17:02,285 UM, LOOK, NOT--NOT TONIGHT, O.K.? 1717 01:17:02,318 --> 01:17:06,790 I'VE GOT A LOT OF SCRIPTS TO READ AND STUFF, 1718 01:17:06,823 --> 01:17:10,093 SO, UH, CAN WE DO THIS TOMORROW? 1719 01:17:10,126 --> 01:17:12,061 OH, UH... 1720 01:17:13,830 --> 01:17:15,098 TOMORROW? YEAH. YEAH. O.K. 1721 01:17:15,131 --> 01:17:17,400 TALK TO ME. WHAT IS IT? 1722 01:17:17,433 --> 01:17:19,068 OH, NOTHING. 1723 01:17:19,102 --> 01:17:22,071 I--I JUST WANTED TO TELL YOU SOMETHING, 1724 01:17:22,105 --> 01:17:25,041 BUT I GUESS IT CAN WAIT TILL TOMORROW. 1725 01:17:26,810 --> 01:17:29,078 O.K. CALL ME IN THE MORNING, O.K.? 1726 01:17:29,112 --> 01:17:30,379 I WILL. 1727 01:17:30,413 --> 01:17:32,882 DAWN, UM... 1728 01:17:35,418 --> 01:17:37,086 WHAT? 1729 01:17:37,120 --> 01:17:39,088 I REALLY... 1730 01:17:39,122 --> 01:17:42,191 I'M REALLY SORRY. 1731 01:17:43,960 --> 01:17:45,061 O.K. 1732 01:17:47,463 --> 01:17:49,365 [DIAL TONE] 1733 01:17:50,967 --> 01:17:53,102 I LOVE YOU. 1734 01:17:53,136 --> 01:17:54,370 I LOVE YOU. 1735 01:17:56,139 --> 01:17:58,074 [BEEPING] 1736 01:18:02,846 --> 01:18:09,018 * JUST LET ME TRY, AND I WILL BE THERE FOR YOU * 1737 01:18:09,052 --> 01:18:11,454 * I'LL SHOW YOU WHY 1738 01:18:11,487 --> 01:18:14,891 * IT'S MUCH MORE THAN GOOD ENOUGH... ** 1739 01:18:14,924 --> 01:18:17,794 NO. WAIT A MINUTE. RECONSIDER WHAT, BUDDY? 1740 01:18:17,827 --> 01:18:21,965 WHAT ARE YOU GOING TO DO? ARE YOU GOING TO FIRE ME? 1741 01:18:21,998 --> 01:18:23,800 I GOT ANOTHER CALL. HELLO? HELLO? 1742 01:18:23,833 --> 01:18:25,101 IT'S STILL ME. 1743 01:18:25,134 --> 01:18:27,804 WE COULDN'T RETURN A LOT OF CALLS 1744 01:18:27,837 --> 01:18:29,105 BECAUSE YOU'VE BEEN AWAY. 1745 01:18:29,138 --> 01:18:30,807 WHAT DO YOU MEAN, RECONSIDER? 1746 01:18:30,840 --> 01:18:32,308 CALL WAITING, CALL CONFERENCING-- 1747 01:18:32,341 --> 01:18:35,411 GOT TO BE A FUCKING ROCKET SCIENTIST TO MAKE THIS WORK. 1748 01:18:35,444 --> 01:18:36,412 HELLO? HELLO? 1749 01:18:36,445 --> 01:18:37,413 [DAWN] BUDDY. 1750 01:18:37,446 --> 01:18:38,414 WELL, HI. 1751 01:18:38,447 --> 01:18:40,416 DAWN. YOU WIN. 1752 01:18:40,449 --> 01:18:42,385 REALLY? 1753 01:18:42,418 --> 01:18:44,087 MIDNIGHT, RIGHT? 1754 01:18:44,120 --> 01:18:46,089 YEAH, JUST LIKE OLD TIMES. 1755 01:18:46,122 --> 01:18:47,791 YEAH? NOT EVEN CLOSE. 1756 01:18:47,824 --> 01:18:49,092 SHALL I BRING ANYTHING? 1757 01:18:49,125 --> 01:18:50,794 NO, NOT A THING. 1758 01:18:50,827 --> 01:18:52,796 JUST GET YOUR CUTE LITTLE BUTT OVER HERE. 1759 01:18:52,829 --> 01:18:53,797 I'LL LEAVE THE KEY OUT. 1760 01:19:04,473 --> 01:19:06,209 BUDDY? DAWN. 1761 01:19:06,242 --> 01:19:07,811 WELL, HI. 1762 01:19:07,844 --> 01:19:08,945 SHALL I BRING ANYTHING? 1763 01:19:08,978 --> 01:19:10,279 I'LL LEAVE THE KEY OUT. 1764 01:19:10,313 --> 01:19:11,948 MIDNIGHT, RIGHT? 1765 01:19:11,981 --> 01:19:13,817 YEAH, JUST LIKE OLD TIMES. 1766 01:19:13,850 --> 01:19:15,952 JUST GET YOUR CUTE LITTLE BUTT OVER HERE. 1767 01:19:15,985 --> 01:19:17,086 I'LL LEAVE THE KEY OUT. 1768 01:19:32,836 --> 01:19:34,804 SO WE'RE LEFT WITH JUST ONE THING, 1769 01:19:34,838 --> 01:19:36,806 THE ONLY THING I KNOW 1770 01:19:36,840 --> 01:19:39,809 THAT DRIVES MEN TO HURT, TO WANT. 1771 01:19:39,843 --> 01:19:43,112 IT'S ABOUT A GIRL, ISN'T IT, GUY? 1772 01:19:43,146 --> 01:19:46,549 THIS IS ABOUT DAWN. 1773 01:19:46,582 --> 01:19:49,819 ALL THIS OVER A CHICK? YOU FOOL. 1774 01:19:49,853 --> 01:19:51,821 PLEASE, JUST SHUT UP. 1775 01:19:51,855 --> 01:19:53,322 GUY, YOU DISAPPOINT ME. 1776 01:19:53,356 --> 01:19:55,825 START THINKING WITH YOUR HEAD AND NOT YOUR HIPS. 1777 01:19:55,859 --> 01:19:57,093 I GAVE YOU EVERYTHING... 1778 01:19:59,863 --> 01:20:02,832 BUT YOU WEREN'T SATISFIED. 1779 01:20:02,866 --> 01:20:05,334 YOU HAD TO HAVE HER, TOO. 1780 01:20:05,368 --> 01:20:06,936 OH, SOME GIFT. 1781 01:20:06,970 --> 01:20:08,938 SHE'S NOT WHAT YOU THINK. 1782 01:20:08,972 --> 01:20:10,106 COME ON. GROW UP. 1783 01:20:10,139 --> 01:20:12,608 YOU KNOW A BED IS THE BEST FRIEND 1784 01:20:12,641 --> 01:20:14,610 A GIRL LIKE DAWN CAN HAVE. 1785 01:20:14,643 --> 01:20:16,612 IF YOU'RE GOING TO LOSE IT 1786 01:20:16,645 --> 01:20:19,115 EVERY TIME SOME BIM CLIMBS THE SOCIAL LADDER, 1787 01:20:19,148 --> 01:20:21,117 YOU'RE NEVER GOING TO MAKE IT. 1788 01:20:21,150 --> 01:20:22,618 ISN'T THAT RIGHT, DAWN? 1789 01:20:22,651 --> 01:20:26,322 DAWN, HONEY, SO GLAD YOU MADE IT ON TIME, DARLING, BECAUSE... 1790 01:20:26,355 --> 01:20:30,026 [LIKE RICKY RICARDO] YOU GOT SOME SPLAININ' TO DO. 1791 01:20:30,059 --> 01:20:32,128 BUDDY, WHAT HAPPENED TO YOU? 1792 01:20:32,161 --> 01:20:34,964 GUY, WHAT ARE YOU DOING HERE? 1793 01:20:34,998 --> 01:20:37,533 DON'T YOU THINK THAT'S A QUESTION YOU SHOULD BE ANSWERING? 1794 01:20:37,566 --> 01:20:38,567 WHAT? 1795 01:20:40,336 --> 01:20:41,637 OH, CHRIST. 1796 01:20:41,670 --> 01:20:44,340 NO, GUY, THIS IS NOT WHAT YOU THINK. 1797 01:20:44,373 --> 01:20:46,609 REALLY? TELL US, WHAT ARE WE SUPPOSED TO THINK? 1798 01:20:46,642 --> 01:20:48,077 A YOUNG, EAGER PRODUCER 1799 01:20:48,111 --> 01:20:50,113 COMES TO THE HOUSE OF A TOP EXECUTIVE 1800 01:20:50,146 --> 01:20:52,215 FOR A MIDNIGHT RENDEZVOUS. 1801 01:20:52,248 --> 01:20:54,617 RIGHT, GUY. IT'S NOT WHAT YOU THINK. 1802 01:20:54,650 --> 01:20:56,619 SHE'S DEFINITELY NOT SELLING GIRL SCOUT COOKIES. 1803 01:20:56,652 --> 01:20:58,121 WHAT HAS HAPPENED HERE? 1804 01:20:58,154 --> 01:20:59,889 STOP WITH THE FUCKING STUPID QUESTIONS. 1805 01:20:59,923 --> 01:21:01,124 HE'S TAKEN ME HOSTAGE. 1806 01:21:01,157 --> 01:21:03,126 HE'S BEATEN ME, TORTURED ME, 1807 01:21:03,159 --> 01:21:05,061 AND I THINK YOU'RE NEXT, DEAR. 1808 01:21:05,094 --> 01:21:07,130 GUY, THIS IS COMPLETELY INSANE. 1809 01:21:07,163 --> 01:21:09,132 JUST PUT THE GUN DOWN, 1810 01:21:09,165 --> 01:21:11,434 AND WHY DON'T WE TALK ABOUT THIS? 1811 01:21:11,467 --> 01:21:13,069 TALK? TALK? 1812 01:21:13,102 --> 01:21:16,339 WHAT THE FUCK YOU THINK WE'VE BEEN DOING ALL NIGHT? 1813 01:21:16,372 --> 01:21:18,074 YOU DON'T FULLY APPRECIATE THE SITUATION. 1814 01:21:18,107 --> 01:21:21,477 AFTER YOU GET PAST THE "OOPS, HE CAUGHT US" STAGE 1815 01:21:21,510 --> 01:21:23,512 AND REALIZE WE'RE BOTH FUCKED, LET ME KNOW. 1816 01:21:23,546 --> 01:21:25,648 I'VE GOT NOTHING TO DO WITH YOU. 1817 01:21:25,681 --> 01:21:28,417 WHAT HAPPENED TO STANDING BY YOUR MAN, DAWN? 1818 01:21:28,451 --> 01:21:30,553 YOU DON'T STAND BY THEM. 1819 01:21:30,586 --> 01:21:34,123 YOU STAND ON THEM AS YOU CLIMB TO THE NEXT ONE'S BED. 1820 01:21:34,157 --> 01:21:37,026 DAWN USED TO BE QUITE THE FUCK TOWEL-- 1821 01:21:37,060 --> 01:21:38,461 FRESH FILM-SCHOOL GRAD 1822 01:21:38,494 --> 01:21:41,130 WHO FUCKED HER WAY TO TOP ASSISTANT DESK, 1823 01:21:41,164 --> 01:21:43,666 JUNIOR EXECUTIVE, AND THEN TO V.P. 1824 01:21:43,699 --> 01:21:46,169 IT WAS QUITE A RISE. 1825 01:21:46,202 --> 01:21:49,372 SHE STOPPED THE DAY SHE GOT HER PRODUCER DEAL. 1826 01:21:49,405 --> 01:21:52,942 BEEN THREE YEARS NOW TRYING TO MAKE "IMPORTANT" FILMS. 1827 01:21:52,976 --> 01:21:57,213 SHE STARTED TO WORRY ABOUT WORDS LIKE HONOR, DIGNITY, AND RESPECT-- 1828 01:21:57,246 --> 01:21:59,983 WORDS THAT A TWO-BIT TRAMP COULD NEVER AFFORD. 1829 01:22:00,016 --> 01:22:01,317 HOW DARE YOU JUDGE ME? 1830 01:22:01,350 --> 01:22:03,286 WHO THE HELL DO YOU THINK YOU ARE? 1831 01:22:03,319 --> 01:22:05,021 O.K. YOU TELL HIM, THEN. 1832 01:22:05,054 --> 01:22:07,223 WHAT ARE YOU DOING HERE? WHAT ARE YOU DOING HERE? 1833 01:22:07,256 --> 01:22:09,158 WHY DON'T YOU TELL HIM? 1834 01:22:09,192 --> 01:22:11,027 IT'S BETTER HE HEARS FROM YOU. 1835 01:22:11,060 --> 01:22:12,428 YOU SET THIS UP! 1836 01:22:12,461 --> 01:22:13,496 [GUNSHOT] 1837 01:22:13,529 --> 01:22:14,563 SHUT UP! 1838 01:22:18,167 --> 01:22:21,637 BOTH OF YOU, SHUT UP. 1839 01:22:21,670 --> 01:22:24,640 GUY, YOU'RE ACTING LIKE A CHILD. 1840 01:22:24,673 --> 01:22:27,143 YOU'RE NO BETTER THAN HE IS RIGHT NOW. 1841 01:22:27,176 --> 01:22:28,511 ME? WHAT ABOUT YOU? 1842 01:22:28,544 --> 01:22:31,080 TELL ME SOMETHING. 1843 01:22:31,114 --> 01:22:33,649 H-HOW LONG HAVE YOU BEEN FUCKING HIM? 1844 01:22:33,682 --> 01:22:35,451 A COUPLE OF GOOD YEARS. 1845 01:22:35,484 --> 01:22:37,553 SHUT UP! 1846 01:22:37,586 --> 01:22:40,656 GUY, I KNOW WHAT THIS LOOKS LIKE. 1847 01:22:40,689 --> 01:22:43,159 IT IS NOT WHAT YOU THINK. 1848 01:22:43,192 --> 01:22:47,163 I CAME HERE FOR YOU. I CAME HERE FOR US. 1849 01:22:47,196 --> 01:22:50,433 YOU CAME HERE FOR US? 1850 01:22:53,369 --> 01:22:57,340 I TOLD HIM TO PROMOTE YOU. THE FILM WAS GETTING MADE. 1851 01:22:57,373 --> 01:23:00,043 IT'S EVERYTHING YOU WANTED, EVERYTHING YOU HOPED FOR. 1852 01:23:00,076 --> 01:23:02,111 NO. 1853 01:23:04,180 --> 01:23:05,681 NO, IT ISN'T. 1854 01:23:05,714 --> 01:23:07,650 IT'S NOT WHAT I WANTED. 1855 01:23:07,683 --> 01:23:09,585 IT'S NOT THE WAY IT WAS SUPPOSED TO BE. 1856 01:23:09,618 --> 01:23:12,155 I WANTED THIS FOR US. 1857 01:23:12,188 --> 01:23:15,424 I--I WANTED THIS FOR YOU. 1858 01:23:19,162 --> 01:23:21,164 EXCUSE ME. WAIT A MINUTE. 1859 01:23:21,197 --> 01:23:23,666 YOU TWO THINK YOU LOVE EACH OTHER, 1860 01:23:23,699 --> 01:23:27,403 AND THAT'S THE REASON YOU PUT UP WITH MY SHIT? 1861 01:23:27,436 --> 01:23:29,705 THAT'S THE MOST PATHETIC THING I'VE EVER HEARD. 1862 01:23:29,738 --> 01:23:32,475 I TOLD YOU TO SHUT UP! 1863 01:23:32,508 --> 01:23:34,477 GUY, THIS IS WHAT HE WANTS. 1864 01:23:34,510 --> 01:23:35,611 PUT THE GUN DOWN. 1865 01:23:35,644 --> 01:23:38,481 HE HAS GOT TO PAY. 1866 01:23:38,514 --> 01:23:41,050 HE IS NOT WORTH IT. 1867 01:23:41,084 --> 01:23:42,718 YOU KNOW WHAT YOU HAVE TO DO. 1868 01:23:42,751 --> 01:23:44,687 DON'T GIVE UP EVERYTHING YOU'VE WORKED FOR. 1869 01:23:44,720 --> 01:23:46,289 COME ON, BOY. 1870 01:23:46,322 --> 01:23:49,392 WE CAN FIX THIS IF YOU PUT THE GUN DOWN. 1871 01:23:49,425 --> 01:23:51,794 IT'S YOURS, AND YOU KNOW YOU WANT IT. 1872 01:23:51,827 --> 01:23:53,596 IF YOU DON'T TAKE IT, I GOT NO SYMPATHY. 1873 01:23:53,629 --> 01:23:56,599 IT IS ALL FOR NOTHING. 1874 01:23:56,632 --> 01:23:59,235 WILL YOU STAY THE FUCK OUT OF THIS? 1875 01:23:59,268 --> 01:24:01,804 I--I AM TRYING TO SAVE YOUR LIFE HERE. 1876 01:24:01,837 --> 01:24:04,673 AND I'M TRYING TO GIVE GUY HIS. 1877 01:24:04,707 --> 01:24:07,643 BABY, HE CAN'T FUCK HIS WAY THROUGH THE RANKS 1878 01:24:07,676 --> 01:24:09,378 AS WELL AS YOU CAN. 1879 01:24:09,412 --> 01:24:12,081 HE'S GOT TO FIGHT AND SCRATCH HIS WAY THERE. 1880 01:24:12,115 --> 01:24:14,183 YOU HAVE NOTHING TO CONTRIBUTE TO THIS, 1881 01:24:14,217 --> 01:24:15,551 SO STAY THE FUCK OUT. 1882 01:24:21,724 --> 01:24:23,459 HA! 1883 01:24:23,492 --> 01:24:25,594 GO AHEAD. SHOOT. 1884 01:24:25,628 --> 01:24:27,163 I DON'T CARE. 1885 01:24:27,196 --> 01:24:28,664 YABBA-DABBA-DOO. 1886 01:24:28,697 --> 01:24:30,166 ALL RIGHT, GUY, COME ON. 1887 01:24:30,199 --> 01:24:31,534 LET'S FINISH THIS. 1888 01:24:31,567 --> 01:24:33,669 SHOW ME WHAT YOU'RE MADE OF. 1889 01:24:33,702 --> 01:24:35,338 DON'T LET ME DOWN, SON. 1890 01:24:35,371 --> 01:24:38,407 EVERYTHING I'VE TAUGHT YOU COMES DOWN TO THIS. 1891 01:24:38,441 --> 01:24:42,178 THIS IS THE ONLY WAY YOU CAN HOPE TO SURVIVE 1892 01:24:42,211 --> 01:24:47,216 BECAUSE LIFE IS NOT A MOVIE. 1893 01:24:48,851 --> 01:24:51,587 EVERYONE LIES. 1894 01:24:51,620 --> 01:24:52,788 GOOD GUYS LOSE. 1895 01:24:54,490 --> 01:24:55,624 AND LOVE... 1896 01:24:59,195 --> 01:25:01,664 DOES NOT CONQUER ALL. 1897 01:25:01,697 --> 01:25:05,168 SO LET'S DO THIS THING. 1898 01:25:05,201 --> 01:25:06,435 LET'S FINISH IT. 1899 01:25:10,206 --> 01:25:12,841 I'M SORRY. 1900 01:25:12,875 --> 01:25:15,611 DO IT! COME ON, DO IT NOW! 1901 01:25:15,644 --> 01:25:17,280 [BULLET CASING DROPS ONTO FLOOR] 1902 01:25:21,417 --> 01:25:24,453 [RADIO PLAYING ANGELS WE HAVE HEARD ON HIGH] 1903 01:25:29,725 --> 01:25:31,694 CURRENTLY 78 DEGREES IN HOLLYWOOD 1904 01:25:31,727 --> 01:25:34,363 AND BEGINNING TO LOOK A LOT LIKE CHRISTMAS. 1905 01:26:02,558 --> 01:26:05,928 HEY, HEY, LOOK WHO'S THE NEW BIG MAN ON CAMPUS. 1906 01:26:05,961 --> 01:26:09,432 COME ON IN AND SIT DOWN, JACK. 1907 01:26:09,465 --> 01:26:12,401 WHAT? THIS IS UNBELIEVABLE. UNBELIEVABLE. 1908 01:26:12,435 --> 01:26:17,506 YOU HAVE GOT TO BE THE YOUNGEST EXECUTIVE THEY'VE EVER HAD HERE. 1909 01:26:17,540 --> 01:26:19,742 YEAH, WELL... 1910 01:26:19,775 --> 01:26:21,677 WELL, NOTHING. YOU DESERVE IT, 1911 01:26:21,710 --> 01:26:23,479 AFTER YOU SAVED BUDDY FROM THAT CRAZY CHICK. 1912 01:26:23,512 --> 01:26:24,713 UNBELIEVABLE. 1913 01:26:24,747 --> 01:26:26,982 THAT'S NOT QUITE HOW IT HAPPENED, JACK. 1914 01:26:27,015 --> 01:26:29,318 THAT'S NOT QUITE THE WAY IT HAPPENED? 1915 01:26:29,352 --> 01:26:30,553 SHIT. 1916 01:26:30,586 --> 01:26:32,688 THIS JILTED LOVER HOLDS BUDDY HOSTAGE, 1917 01:26:32,721 --> 01:26:33,989 BEATS HIM, TORTURES HIM, 1918 01:26:34,022 --> 01:26:36,692 AND YOU RIDE IN AND SAVE THE DAY. 1919 01:26:36,725 --> 01:26:38,694 ABOVE AND BEYOND THE CALL OF DUTY, GUY. 1920 01:26:38,727 --> 01:26:39,662 I WAS DELIVERING SCRIPTS 1921 01:26:39,695 --> 01:26:40,929 AND HAPPENED TO BE THERE. 1922 01:26:40,963 --> 01:26:43,499 YOU PULLED THE TRIGGER ON HER, MAN. 1923 01:26:43,532 --> 01:26:45,401 YOU WERE A HERO. 1924 01:26:45,434 --> 01:26:47,503 YOU DESERVE THIS. 1925 01:26:47,536 --> 01:26:49,772 SO, YOU KNOW, 1926 01:26:49,805 --> 01:26:54,009 DO YOU THINK YOU COULD POP A GOOD WORD IN FOR ME? 1927 01:26:54,042 --> 01:26:55,944 I MEAN, MY YEAR'S ALMOST DONE HERE. 1928 01:27:03,719 --> 01:27:06,389 LET ME TELL YOU SOMETHING, JACK. 1929 01:27:06,422 --> 01:27:10,693 EVERYONE IS GOING TO WANT TO GIVE YOU THE SAME ADVICE, 1930 01:27:10,726 --> 01:27:14,697 TELL YOU THAT YOU HAVE TO PAY YOUR DUES, 1931 01:27:14,730 --> 01:27:17,500 ASK YOU TO DO THEM A FAVOR, 1932 01:27:17,533 --> 01:27:19,702 "DO THIS FOR US." 1933 01:27:19,735 --> 01:27:23,506 THEY ALL WANT YOU TO PLAY BY THE RULES, JACK-- 1934 01:27:23,539 --> 01:27:25,007 THEIR RULES. 1935 01:27:25,040 --> 01:27:27,710 WELL, SAVE THAT CANDY-STRIPE SHIT 1936 01:27:27,743 --> 01:27:30,012 FOR THE WALL STREET WIMPS, 1937 01:27:30,045 --> 01:27:33,015 BECAUSE THIS TOWN IS A JUNGLE. 1938 01:27:33,048 --> 01:27:35,718 THIS IS YOUR INNER CITY. 1939 01:27:35,751 --> 01:27:38,421 THESE ARE YOUR MEAN STREETS, 1940 01:27:38,454 --> 01:27:43,492 AND THE ONLY INTERESTS THAT YOU NEED TO PROTECT... 1941 01:27:43,526 --> 01:27:45,694 ARE YOURS, 1942 01:27:45,728 --> 01:27:51,500 AND THE ONLY NEEDS THAT YOU HAVE TO SERVE... 1943 01:27:51,534 --> 01:27:54,503 ARE YOURS. 1944 01:27:54,537 --> 01:27:59,708 SO, THE ONLY QUESTION THAT YOU NEED TO ANSWER IS THIS, 1945 01:27:59,742 --> 01:28:01,977 AND THINK ABOUT THIS, JACK... 1946 01:28:04,980 --> 01:28:09,618 WHAT DO YOU REALLY WANT? 1947 01:28:25,434 --> 01:28:26,935 WELL... 1948 01:28:29,037 --> 01:28:31,507 I HAVE TO GO TO A MEETING, JACK, SO... 1949 01:28:31,540 --> 01:28:32,475 O.K. 1950 01:28:34,410 --> 01:28:35,978 YOU'RE MY GOD. 1951 01:28:37,546 --> 01:28:41,684 HEY, GUY, WHAT DO YOU SAY WE GRAB SOME DINNER TONIGHT? 1952 01:28:41,717 --> 01:28:44,720 I'D LIKE TO, JACK, 1953 01:28:44,753 --> 01:28:47,656 BUT I HAVE TO WRAP SOME CHRISTMAS GIFTS. 1954 01:29:04,573 --> 01:29:07,676 [TELEPHONE RINGS] 1955 01:29:11,046 --> 01:29:13,649 [RING] 1956 01:29:17,052 --> 01:29:19,655 [RING] 1957 01:29:23,058 --> 01:29:25,661 [RING] 1958 01:32:51,800 --> 01:32:54,770 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1959 01:32:54,803 --> 01:32:57,339 CAPTIONS COPYRIGHT 1995 KEYSTONE PARTNERS II LP. 126779