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1
00:02:07,000 --> 00:02:08,234
GOOD AFTERNOON,
GENTLEMEN.
2
00:02:08,301 --> 00:02:09,234
GOOD AFTERNOON.
3
00:02:14,114 --> 00:02:16,119
THIS WAY, PLEASE.
4
00:02:25,501 --> 00:02:27,467
MR. ORMAN
IS JUST GETTING UP.
5
00:02:27,534 --> 00:02:30,334
FAMOUS PEOPLE
GENERALLY SLEEP LATE.
6
00:02:38,534 --> 00:02:40,467
YOU MAY OPEN IT,
MR. MARTELLI.
7
00:02:40,534 --> 00:02:41,833
YES,
MR. LONGHEART.
8
00:03:27,000 --> 00:03:28,200
UH...
9
00:03:29,501 --> 00:03:30,534
NO.
10
00:03:32,000 --> 00:03:33,267
GOOD MORNING,
GENTLEMEN.
11
00:03:33,334 --> 00:03:34,567
GOOD AFTERNOON,
MR. ORMAN.
12
00:03:34,634 --> 00:03:35,634
GOOD AFTERNOON.
13
00:03:39,534 --> 00:03:41,534
HOW DO YOU
LIKE IT?
14
00:03:45,200 --> 00:03:46,167
FAIR.
15
00:03:46,200 --> 00:03:47,467
LOOK AT
THE SHOULDERS.
16
00:03:47,501 --> 00:03:49,467
HOW DO YOU LIKE
THOSE LAPELS?
17
00:03:49,501 --> 00:03:50,467
AUTIFUL.
18
00:03:50,501 --> 00:03:52,467
IT'LL LOOK BETTER
ON YOU, SIR.
19
00:03:52,501 --> 00:03:54,467
NO. ALWAYS LOOKS BETTER
ON HIM.
20
00:03:54,501 --> 00:03:55,867
HE'S MORE RELAXED.
21
00:03:55,900 --> 00:03:56,867
LUTHER?
22
00:03:56,900 --> 00:03:58,367
A FLOWER.
23
00:03:58,401 --> 00:04:00,367
LOOK AT HIM.
NOTHING WORRIES HIM.
24
00:04:00,401 --> 00:04:01,867
HA HA.
25
00:04:01,900 --> 00:04:03,967
I SEE YOU'RE NOT
SUPERSTITIOUS.
26
00:04:04,000 --> 00:04:05,467
NOT IN THE LEAST.
27
00:04:05,501 --> 00:04:06,467
THAT'S FORTUNATE.
28
00:04:06,501 --> 00:04:07,501
WHY?
29
00:04:07,534 --> 00:04:09,000
WELL,
BECAUSE BERTOLDI...
30
00:04:09,034 --> 00:04:10,501
WHAT'S THE MATTER?
31
00:04:10,534 --> 00:04:12,000
OH, NOTHING. NOTHING.
32
00:04:12,034 --> 00:04:14,833
WELL,
IF YOU WANT TO KNOW,
33
00:04:14,867 --> 00:04:16,833
THIS SUIT
HAS BEEN CURSED.
34
00:04:16,867 --> 00:04:17,833
CURSED?
35
00:04:17,867 --> 00:04:20,334
YES. YOU REMEMBER
BERTOLDI, OUR CUTTER?
36
00:04:20,367 --> 00:04:21,833
YES.
WHAT ABOUT HIM?
37
00:04:21,867 --> 00:04:24,334
I HAD TO DISMISS HIM
ON ACCOUNT OF THIS SUIT.
38
00:04:24,367 --> 00:04:25,401
HOW COME?
39
00:04:25,434 --> 00:04:27,334
WE ARGUED ABOUT
THESE LAPELS.
40
00:04:27,367 --> 00:04:28,334
THEY'RE PERFECT.
41
00:04:28,367 --> 00:04:29,833
AREN'T THEY?
WHEN BERTOLDI LEFT,
42
00:04:29,867 --> 00:04:32,167
HE WAS RED IN THE FACE
WITH RAGE.
43
00:04:32,200 --> 00:04:34,501
HE ASSERTED THIS SUIT
WOULD BRING MISFORTUNE
44
00:04:34,534 --> 00:04:36,501
TO ANYBODY
WHO EVER WORE IT.
45
00:04:36,534 --> 00:04:37,833
HE CURSED IT.
46
00:04:37,867 --> 00:04:40,867
THIS IS THE BEST SUIT
THAT I HAVE EVER MADE.
47
00:04:40,900 --> 00:04:43,367
I KNOW IT WILL BRING YOU
GOOD LUCK.
48
00:04:43,401 --> 00:04:45,867
THIS IS A LUCKY SUIT,
MR. ORMAN.
49
00:04:45,900 --> 00:04:48,734
AND I GUARANTEE
YOUR HAPPINESS IN IT.
50
00:04:48,768 --> 00:04:51,867
ANTHONY,
I DEMAND AN ANSWER.
51
00:04:51,900 --> 00:04:53,867
IS IT TRUE?
52
00:04:53,900 --> 00:04:55,867
UNFORTUNATELY...
53
00:04:55,900 --> 00:04:57,134
YES.
54
00:05:07,967 --> 00:05:08,900
NO...
55
00:05:08,967 --> 00:05:10,768
NO. NO.
56
00:05:26,334 --> 00:05:28,534
TERRIFIC, PAUL!
A SMASH HIT!
57
00:05:28,601 --> 00:05:30,034
THEY ATE IT UP!
58
00:05:30,100 --> 00:05:32,434
THE BIGGEST OPENING NIGHT
OF THE SEASON.
59
00:05:32,501 --> 00:05:35,434
YOU HELD THEM IN THE PALM
OF YOUR HAND EVERY SECOND-
60
00:05:35,501 --> 00:05:36,933
JUST LIKE THAT!
61
00:05:37,000 --> 00:05:39,933
WHAT'S THE MATTER?
62
00:05:40,000 --> 00:05:41,434
WHERE YOU GOING?
63
00:05:41,501 --> 00:05:42,434
CHIEF!
64
00:05:42,501 --> 00:05:43,933
WAIT A MINUTE!
65
00:05:44,000 --> 00:05:44,933
CHIEF!
66
00:05:45,000 --> 00:05:46,434
HURRY! THEY'RE WAITING
FOR YOU!
67
00:05:46,501 --> 00:05:49,467
COME ON, PAUL!
THEY'RE YELLING FOR YOU!
68
00:05:49,534 --> 00:05:50,967
WHERE ARE YOU GOING?
69
00:05:51,034 --> 00:05:52,267
ARE YOU MAD?
70
00:05:52,334 --> 00:05:55,267
YOU'VE GOT TO TAKE
10 OR 12 MORE CURTAIN CALLS.
71
00:05:55,334 --> 00:05:57,301
IMPOSSIBLE.
WHERE'S LUTHER?
72
00:05:58,534 --> 00:05:59,467
LUTHER?
73
00:05:59,534 --> 00:06:00,967
YOU CAN'T DO THIS!
74
00:06:01,034 --> 00:06:02,900
WHAT AM I GOING
TO TELL THEM-
75
00:06:02,967 --> 00:06:04,900
THAT YOU'RE CRAZY
OR SOMETHING?
76
00:06:04,967 --> 00:06:07,900
TELL THEM I DON'T CARE
TO STEP OUT OF CHARACTER.
77
00:06:07,967 --> 00:06:09,200
WHAT CHARACTER?
78
00:06:09,267 --> 00:06:10,734
I AM DEAD, REMEMBER?
79
00:06:15,367 --> 00:06:16,800
AW, CHIEF, PLEASE!
80
00:06:16,867 --> 00:06:18,301
NOW, WAIT A MINUTE.
81
00:06:18,367 --> 00:06:21,434
I'M YOUR MANAGER.
I HAVE A RIGHT TO KNOW.
82
00:06:21,501 --> 00:06:22,933
WHAT'S ALL THIS ABOUT?
83
00:06:23,000 --> 00:06:25,234
GO TO MY APARTMENT
AND WAIT THERE.
84
00:06:25,301 --> 00:06:27,534
I'LL CALL
IF I HAVE ANY NEWS.
85
00:06:27,601 --> 00:06:29,000
STEP ON IT, LUTHER.
86
00:06:30,267 --> 00:06:33,701
BOSS, YOU WERE
REALLY HOT TONIGHT.
87
00:06:33,768 --> 00:06:35,701
THAT LAST SCENE
WAS A DILLY.
88
00:06:35,768 --> 00:06:38,034
I'M NOT INTERESTED.
HOW LONG WILL IT TAKE?
89
00:06:38,100 --> 00:06:41,134
WE CAN SHAVE OFF 10 MINUTES
IF WE DON'T GET STOPPED.
90
00:06:41,200 --> 00:06:42,334
GOOD.
91
00:06:45,067 --> 00:06:47,134
WE'LL BE THERE
IN 15 MINUTES.
92
00:06:49,501 --> 00:06:50,434
GO ON.
93
00:06:50,501 --> 00:06:52,668
TELL ME WHAT
EVERYBODY SAYS.
94
00:06:52,734 --> 00:06:54,034
JUST WHAT I TOLD YOU.
95
00:06:54,100 --> 00:06:57,034
YOU WERE LUCKY TO GET RID
OF HER LAST YEAR.
96
00:06:57,100 --> 00:06:58,467
IT WAS MORE THAN LUCK.
97
00:06:58,534 --> 00:06:59,967
IT WAS A BLESSING.
98
00:07:00,034 --> 00:07:02,933
WHY DID I HAVE
THREE FLOPS IN A ROW?
99
00:07:03,000 --> 00:07:04,900
BECAUSE SHE THOUGHT
SHE COULD ACT.
100
00:07:04,967 --> 00:07:07,401
THE MINUTE I COME ON STAGE WITHOUT HER,
101
00:07:07,467 --> 00:07:09,534
LOOK WHAT HAPPENS.
A SMASH HIT.
102
00:07:09,601 --> 00:07:11,034
YOU SAID IT, BOSS.
103
00:07:11,100 --> 00:07:13,034
BUT WHAT BEATS ME IS
104
00:07:13,100 --> 00:07:16,034
WHY YOU WANT TO START
EVERYTHING OVER AGAIN.
105
00:07:16,100 --> 00:07:17,034
NEVER MIND.
106
00:07:17,100 --> 00:07:19,034
WHY ARE YOU
SLOWING DOWN?
107
00:07:19,100 --> 00:07:20,401
GET GOING.
108
00:07:58,501 --> 00:08:00,833
GOOD EVENING, SIR.
I BEG YOUR PARDON.
109
00:08:00,900 --> 00:08:02,334
WERE YOU INVITED?
110
00:08:02,401 --> 00:08:03,900
OH, MR. ORMAN.
111
00:08:05,167 --> 00:08:06,601
HOW SWEET OF YOU.
112
00:08:06,668 --> 00:08:08,100
THAT'S ALL RIGHT.
113
00:08:08,167 --> 00:08:10,401
I'M SO GLAD YOU CAME.
114
00:08:10,467 --> 00:08:11,401
PAUL-
115
00:08:11,467 --> 00:08:12,401
GOOD EVENING.
116
00:08:12,467 --> 00:08:14,401
YOU FOOL.
WHY DID YOU COME?
117
00:08:14,467 --> 00:08:15,900
LOVE. IT SOMETIMES
BLINDS ME.
118
00:08:15,967 --> 00:08:17,900
AFTER WHAT I'VE
BEEN THROUGH TODAY.
119
00:08:17,967 --> 00:08:19,234
HE'LL SEE YOU NOW.
120
00:08:19,301 --> 00:08:21,234
THERE'S NO TELLING
WHAT HE'LL DO.
121
00:08:21,301 --> 00:08:22,567
WHO?
YOUR HUSBAND?
122
00:08:22,634 --> 00:08:23,900
YES.
123
00:08:23,967 --> 00:08:26,200
HOW MANY TIMES
HAVE I TOLD YOU
124
00:08:26,267 --> 00:08:28,501
WHAT I'VE BEEN THROUGH THIS PAST YEAR?
125
00:08:28,567 --> 00:08:29,900
HE SUSPECTS US
CONSTANTLY.
126
00:08:29,967 --> 00:08:31,900
THE MERE MENTION
OF YOUR NAME,
127
00:08:31,967 --> 00:08:33,234
HE RAVES
LIKE A MADMAN.
128
00:08:33,301 --> 00:08:35,601
THE LUNACY MUST BE
A STRAIN ON YOU.
129
00:08:35,668 --> 00:08:36,601
PATHETIC.
130
00:08:36,668 --> 00:08:39,100
THIS IS
NO TIME TO JOKE.
131
00:08:39,167 --> 00:08:41,000
PLEASE, YOU MUST GO.
132
00:08:44,000 --> 00:08:46,434
I'VE ARRANGED EVERYTHING
PERFECTLY FOR US,
133
00:08:46,501 --> 00:08:49,933
AND NOW YOU'RE GOING TO
RUIN EVERYTHING I'VE DONE.
134
00:08:50,000 --> 00:08:51,434
YOU ARE SO
COMPLETELY BEWILDERED
135
00:08:51,501 --> 00:08:54,434
THAT YOU HAVEN'T EVEN ASKED
ME HOW THE OPENING WAS.
136
00:08:54,501 --> 00:08:57,434
I OPENED IN A PLAY TONIGHT,
IF YOU REMEMBER.
137
00:08:57,501 --> 00:08:59,434
OH, FORGIVE ME.
HOW WAS IT?
138
00:08:59,501 --> 00:09:00,434
A SMASH.
139
00:09:00,501 --> 00:09:01,933
WENT LIKE
A HOUSE AFIRE.
140
00:09:02,000 --> 00:09:02,933
AND YOU?
141
00:09:03,000 --> 00:09:04,267
AT MY BEST.
142
00:09:04,334 --> 00:09:05,601
I'M SO GLAD.
143
00:09:05,668 --> 00:09:07,467
THANK YOU.
144
00:09:07,534 --> 00:09:08,967
PLEASE GO, PAUL.
145
00:09:09,034 --> 00:09:11,967
I'LL BE IN TOWN TOMORROW
AT 10:00 TO SEE YOU.
146
00:09:12,034 --> 00:09:13,467
OH, YOU WILL?
147
00:09:13,534 --> 00:09:14,967
CERTAINLY.
AS WE PLANNED.
148
00:09:15,034 --> 00:09:16,967
YOU LITTLE
TWO-FACED LIAR.
149
00:09:17,034 --> 00:09:18,467
PAUL, YOU'RE MAD.
150
00:09:18,534 --> 00:09:19,668
TOMORROW, EH?
151
00:09:19,734 --> 00:09:22,467
NO. YOU WILL NOT SEE ME
TOMORROW OR EVER AGAIN-
152
00:09:22,534 --> 00:09:25,467
UNLESS YOU BUY A TICKET
TO THE BOX OFFICE.
153
00:09:25,534 --> 00:09:27,867
I'M SAYING GOODBYE FOREVER.
154
00:09:27,933 --> 00:09:31,301
YOU CAME OUT HERE
TO SAY GOODBYE TO ME?
155
00:09:31,367 --> 00:09:34,301
NO. I CAME OUT HERE
TO PLEAD WITH YOU,
156
00:09:34,367 --> 00:09:35,734
TO HOLD YOU, KISS YOU,
157
00:09:35,800 --> 00:09:37,234
FALL AT YOUR FEET.
158
00:09:37,301 --> 00:09:39,034
YOU'VE EVIDENTLY
CHANGED YOUR MIND.
159
00:09:39,100 --> 00:09:40,501
YES,
WHEN YOU LIED AGAIN.
160
00:09:40,567 --> 00:09:44,501
DO YOU KNOW WHAT IT IS
TO LOOK INTO A WOMAN'S EYES
161
00:09:44,567 --> 00:09:46,634
WHEN SHE IS LYING?
162
00:09:48,067 --> 00:09:49,034
FORGIVE ME.
163
00:09:49,100 --> 00:09:52,100
I SHOULD BE MORE TOLERANT WITH A LIAR.
164
00:09:52,167 --> 00:09:55,401
I HAVE BEEN
ONE MYSELF SO OFTEN.
165
00:09:59,567 --> 00:10:02,000
WE'LL PART WITHOUT
ANY FURTHER ARGUMENT-
166
00:10:02,067 --> 00:10:03,434
QUIETLY AND CALMLY.
167
00:10:03,501 --> 00:10:04,933
I KNOW EVERYTHING.
168
00:10:05,000 --> 00:10:07,234
YOU'RE GOING WITH HIM
TOMORROW AT 9:00
169
00:10:07,301 --> 00:10:09,933
ON A PLANE TO CANADA...
TO HUNT MOOSE.
170
00:10:10,000 --> 00:10:11,933
OH. SO
THAT'S THE POINT.
171
00:10:12,000 --> 00:10:14,967
YOU DIDN'T TELL HIM
YOU WERE THROUGH WITH HIM.
172
00:10:15,034 --> 00:10:17,267
YOU DIDN'T TELL HIM
YOU LOVE ME.
173
00:10:17,334 --> 00:10:19,634
INSTEAD, YOU HELD
YOUR HUSBAND AND SAID,
174
00:10:19,701 --> 00:10:21,967
"YES, DARLING,
I'LL GO WITH YOU ANYWHERE.
175
00:10:22,034 --> 00:10:24,267
"I AM YOUR GOOD
AND LOYAL WIFE.
176
00:10:24,334 --> 00:10:26,267
I LOVE ONLY YOU.
NOBODY ELSE."
177
00:10:26,334 --> 00:10:27,933
HAH.
178
00:10:30,434 --> 00:10:33,267
PAUL, PLEASE.
YOU MUST GO-
179
00:10:39,034 --> 00:10:39,967
JOHN.
180
00:10:40,034 --> 00:10:41,467
LOOK WHO DROPPED IN.
181
00:10:41,534 --> 00:10:43,967
HELLO, MR. ORMAN.
GLAD TO SEE YOU.
182
00:10:44,034 --> 00:10:45,467
HOW ARE YOU,
SIR?
183
00:10:45,534 --> 00:10:47,501
I DIDN'T KNOW
YOU WERE EXPECTING
184
00:10:47,567 --> 00:10:49,501
THE CELEBRATED
MR. ORMAN TONIGHT.
185
00:10:49,567 --> 00:10:52,000
I DIDN'T TELL YOU,
BUT I WAS.
186
00:10:52,067 --> 00:10:54,334
PAUL OPENED
IN A NEW SHOW TONIGHT.
187
00:10:54,401 --> 00:10:57,334
OH, YES. SO THE NEW SHOW WAS A FLOP, EH?
188
00:10:57,401 --> 00:11:00,501
NO. ON THE CONTRARY, IT
WAS A MAGNIFICENT SUCCESS.
189
00:11:00,567 --> 00:11:03,434
I'M SPENDING THE WEEKEND
A FEW MILES FROM HERE.
190
00:11:03,501 --> 00:11:06,434
I DROPPED IN TO WISH YOU
HAPPY HUNTING...
191
00:11:06,501 --> 00:11:07,933
IN CANADA, ISN'T IT?
192
00:11:08,000 --> 00:11:10,933
YES. I DO ALL
MY HUNTING IN CANADA.
193
00:11:11,000 --> 00:11:12,933
OH, WHOA THERE.
194
00:11:13,000 --> 00:11:14,833
NOT SO FAST.
195
00:11:16,000 --> 00:11:17,401
A DRINK, MR. ORMAN?
196
00:11:17,467 --> 00:11:18,401
NO, THANKS.
197
00:11:18,467 --> 00:11:19,634
ETHEL?
198
00:11:19,701 --> 00:11:24,301
NO. DON'T YOU THINK YOU'RE
HAVING TOO MANY, DEAR?
199
00:11:24,367 --> 00:11:25,301
FRANKLY, NO.
200
00:11:25,367 --> 00:11:26,967
AND YOU'RE
MIXING THEM, TOO.
201
00:11:27,034 --> 00:11:27,967
PLEASE, JOHN.
202
00:11:28,034 --> 00:11:30,800
THAT'S THE WAY I LIKE
MY DRINKS-MIXED.
203
00:11:30,867 --> 00:11:32,967
KEEPS ME INTERESTED
IN DRINKING.
204
00:11:33,034 --> 00:11:34,467
OTHERWISE I GET BORED.
205
00:11:34,534 --> 00:11:36,501
SURE YOU WON'T HAVE ONE?
206
00:11:36,567 --> 00:11:40,467
NO, THANKS. I HAVE OTHER
REMEDIES FOR BOREDOM.
207
00:11:40,534 --> 00:11:41,967
I IMAGINE.
208
00:11:42,034 --> 00:11:44,967
WELL, I'M SORRY I CANNOT
STAY FOR YOUR PARTY,
209
00:11:45,034 --> 00:11:46,467
SO I'LL SAY GOODBYE.
210
00:11:46,534 --> 00:11:49,467
AND A VERY PLEASANT TRIP
TO BOTH OF YOU.
211
00:11:49,534 --> 00:11:52,467
WELL, YOU'RE WASTING
ONE OF YOUR GOODBYES.
212
00:11:52,534 --> 00:11:55,167
MY WIFE
ISN'T GOING WITH ME.
213
00:11:55,234 --> 00:11:57,501
SHE INSISTS
ON STAYING BEHIND.
214
00:12:00,567 --> 00:12:02,000
THAT'S OLD
CHARLIE HENDERSON.
215
00:12:02,067 --> 00:12:05,800
I MUST SPEAK TO HIM
BEFORE HE GETS TOO TIGHT.
216
00:12:08,000 --> 00:12:09,967
WELL, GOODBYE.
217
00:12:10,034 --> 00:12:11,000
GOODBYE.
218
00:12:11,067 --> 00:12:13,933
GO TO THE LODGE
AT THE END OF THE GARDEN.
219
00:12:14,000 --> 00:12:15,234
I'LL BE THERE IMMEDIATELY.
220
00:12:15,301 --> 00:12:16,601
I ADORE YOU.
221
00:13:26,067 --> 00:13:28,434
FORGIVE ME
FOR DOUBTING YOU.
222
00:13:28,501 --> 00:13:29,701
CERTAINLY.
223
00:13:35,534 --> 00:13:36,967
DO YOU LOVE ME?
224
00:13:37,034 --> 00:13:40,467
OH, YES.
OF COURSE I DO.
225
00:13:40,534 --> 00:13:42,467
BUT, DARLING,
WE HAVEN'T MUCH TIME.
226
00:13:42,534 --> 00:13:45,467
WHAT DO YOU MEAN? YOU
HAVE THE REST OF YOUR LIFE.
227
00:13:45,534 --> 00:13:46,467
BUT, PAUL...
228
00:13:46,534 --> 00:13:48,768
OH, COME.
PLEASE, SIT DOWN.
229
00:13:48,833 --> 00:13:50,267
I LEARNED SOMETHING TONIGHT.
230
00:13:50,334 --> 00:13:53,267
I LEARNED
HOW MUCH I LOVE YOU.
231
00:13:53,334 --> 00:13:55,567
YOU TOLD ME THAT
A YEAR AGO,
232
00:13:55,634 --> 00:13:56,967
AND YOU LET ME GO.
233
00:13:57,034 --> 00:13:58,467
YOU LET ME MARRY HIM.
234
00:13:58,534 --> 00:13:59,967
YOU NEVER EVEN PHONED.
235
00:14:00,034 --> 00:14:02,267
IF YOU'D ASKED ME
TO FORGIVE YOU-
236
00:14:02,334 --> 00:14:03,501
I DIDN'T KNOW THEN
237
00:14:03,567 --> 00:14:06,067
THAT LOVE WAS MORE
THAN A GOOD SCENE.
238
00:14:06,134 --> 00:14:09,100
I DIDN'T KNOW
IT WAS SOMETHING THAT...
239
00:14:09,167 --> 00:14:11,601
THAT WOULD TEAR
AT YOUR HEART...
240
00:14:11,668 --> 00:14:13,301
AND BURN THROUGH
THE GREASEPAINT.
241
00:14:13,367 --> 00:14:14,933
YOU FEEL THAT WAY?
242
00:14:15,000 --> 00:14:17,100
I DO.
243
00:14:24,768 --> 00:14:25,701
MY DARLING...
244
00:14:25,768 --> 00:14:28,200
I KNOW WHAT
YOU'VE BEEN DOING.
245
00:14:28,267 --> 00:14:31,701
YOU HAVE BEEN TELLING
ME LIES AND HIM LIES.
246
00:14:31,768 --> 00:14:34,701
I KNOW. I'VE DONE IT
MYSELF TOO OFTEN.
247
00:14:34,768 --> 00:14:37,000
BUT THAT IS OVER...
FOR BOTH OF US.
248
00:14:37,067 --> 00:14:38,501
WHAT DO YOU MEAN?
249
00:14:38,567 --> 00:14:41,467
YOU'RE COMING ALONG
WITH ME. TOMORROW.
250
00:14:41,534 --> 00:14:42,467
BRAZIL.
251
00:14:42,534 --> 00:14:43,800
YOU CAN WIRE HIM.
252
00:14:43,867 --> 00:14:46,967
WE'LL STAY THERE UNTIL
HE GIVES YOU A DIVORCE.
253
00:14:47,034 --> 00:14:49,000
AND THEN...
THEN WE'LL GET MARRIED.
254
00:14:50,067 --> 00:14:51,967
MARRIED?
255
00:14:52,034 --> 00:14:53,267
YOU?
256
00:14:53,334 --> 00:14:54,267
YES, ME.
257
00:14:54,334 --> 00:14:55,567
I NEED YOU.
258
00:14:55,634 --> 00:14:56,967
I REALIZED THAT TODAY.
259
00:14:57,034 --> 00:15:00,034
I NEED YOU, AND
I'VE GOT TO PAY FOR YOU.
260
00:15:04,967 --> 00:15:06,401
YOU FRIGHTEN ME.
261
00:15:06,467 --> 00:15:07,734
BUT YOU...
262
00:15:07,800 --> 00:15:09,401
YOU LOVE ME ENOUGH?
263
00:15:09,467 --> 00:15:10,900
OH, YES, DARLING.
264
00:15:10,967 --> 00:15:13,401
I'LL CALL YOU
IN THE MORNING,
265
00:15:13,467 --> 00:15:14,933
RIGHT AFTER
HE LEAVES.
266
00:15:15,000 --> 00:15:17,234
BUT...
IF YOU LOVE ME SO MUCH,
267
00:15:17,301 --> 00:15:19,701
WHY WERE YOU SO FRIGHTENED
IN THE HOUSE?
268
00:15:19,768 --> 00:15:21,701
HE'S VERY CURIOUS
WHEN HE'S DRINKING.
269
00:15:21,768 --> 00:15:24,434
I DIDN'T WANT ANYTHING
TO HAPPEN TO YOU.
270
00:15:24,501 --> 00:15:25,434
WHY?
271
00:15:25,501 --> 00:15:26,933
I COULDN'T
STAND THAT.
272
00:15:27,000 --> 00:15:28,434
I COULDN'T LIVE
WITHOUT YOU.
273
00:15:28,501 --> 00:15:29,501
I COULDN'T-
274
00:15:37,000 --> 00:15:38,434
MURRAY HILL 7564,
PLEASE.
275
00:15:38,501 --> 00:15:39,933
WHO ARE YOU CALLING?
276
00:15:40,000 --> 00:15:41,434
MR. WEBB. MY MANAGER.
277
00:15:41,501 --> 00:15:42,933
WHY HIM NOW?
278
00:15:43,000 --> 00:15:44,401
GOT SOME NEWS FOR HIM.
279
00:15:44,467 --> 00:15:46,601
HE'S WAITING
AT MY APARTMENT.
280
00:15:46,668 --> 00:15:47,933
WHAT NEWS, PAUL?
281
00:15:48,000 --> 00:15:49,100
KISS ME.
282
00:15:50,401 --> 00:15:51,833
I ADORE YOU.
283
00:15:51,900 --> 00:15:52,833
MADLY.
284
00:15:52,900 --> 00:15:53,833
STUPIDLY.
285
00:15:53,900 --> 00:15:54,833
BLINDLY-
286
00:15:54,900 --> 00:15:55,833
HELLO, OLIVER?
287
00:15:55,900 --> 00:15:58,367
YES, IT'S ME.
288
00:15:58,434 --> 00:16:00,867
PAY ATTENTION, PLEASE,
AND NO ARGUMENTS.
289
00:16:00,933 --> 00:16:02,900
I WANT YOU
TO CLOSE THE PLAY.
290
00:16:02,967 --> 00:16:04,900
I SAID CLOSE THE PLAY.
291
00:16:04,967 --> 00:16:06,900
I'M LEAVING TOMORROW
FOR SIX MONTHS.
292
00:16:06,967 --> 00:16:08,401
PAUL, CLOSE A HIT?
293
00:16:08,467 --> 00:16:10,401
DARLING, YOU'RE WORTH
A THOUSAND HITS.
294
00:16:10,467 --> 00:16:11,401
I HOPE.
295
00:16:11,467 --> 00:16:12,401
OLIVER?
296
00:16:12,467 --> 00:16:15,401
NO. NO.
I'M IN MY RIGHT MIND.
297
00:16:15,467 --> 00:16:18,401
IN FACT, FOR THE FIRST
TIME SINCE I WAS BORN.
298
00:16:18,467 --> 00:16:20,401
DO WHAT I TELL YOU!
299
00:16:20,467 --> 00:16:22,933
IT'S MY SHOW, MY MONEY,
MY THEATER!
300
00:16:23,000 --> 00:16:24,933
ALL RIGHT.
PAY EVERYBODY OFF!
301
00:16:25,000 --> 00:16:27,933
AND GET ME TWO TICKETS
TO RIO.
302
00:16:28,000 --> 00:16:29,467
ON THE CLIPPER.
303
00:16:29,534 --> 00:16:30,467
FOR TOMORROW.
304
00:16:30,534 --> 00:16:31,867
THAT'S RIGHT.
305
00:16:33,034 --> 00:16:35,134
I'M A LITTLE AMAZED
AT MYSELF.
306
00:16:35,200 --> 00:16:36,467
DID I SOUND VERY NAIVE?
307
00:16:36,534 --> 00:16:38,434
NO.
308
00:16:38,501 --> 00:16:39,800
THAT'S HOW IT GOES.
309
00:16:39,867 --> 00:16:42,800
ALWAYS ACTING UNTIL YOU FIND
SOMETHING YOU CAN BELIEVE IN.
310
00:16:47,534 --> 00:16:49,401
Put out the light.
311
00:16:58,701 --> 00:17:00,634
THE PARTY'S
BECOMING A BORE.
312
00:17:00,701 --> 00:17:02,134
TOO MANY DRUNKS.
313
00:17:02,200 --> 00:17:03,933
I WAS LOOKING FOR YOU.
314
00:17:04,000 --> 00:17:06,234
WE WERE TALKING OVER
PAUL'S NEW PLAY.
315
00:17:06,301 --> 00:17:08,234
IT WAS SO NOISY
IN THERE.
316
00:17:08,301 --> 00:17:09,534
YES, SO I IMAGINE.
317
00:17:09,601 --> 00:17:12,267
I WONDERED IF YOU HAD
CHANGED YOUR MIND.
318
00:17:12,334 --> 00:17:13,267
ABOUT WHAT?
319
00:17:13,334 --> 00:17:14,601
CANADA.
COMING WITH ME?
320
00:17:14,668 --> 00:17:16,100
NO.
I'M AFRAID NOT.
321
00:17:16,167 --> 00:17:18,401
I DON'T SEE
HOW YOU COULD RESIST
322
00:17:18,467 --> 00:17:20,401
THE BEST SHOOTING
IN THE WORLD...
323
00:17:20,467 --> 00:17:22,434
IF YOU'RE LOOKING
FOR MOOSE.
324
00:17:22,501 --> 00:17:25,267
HAVE YOU
EVER HUNTED MOOSE...
325
00:17:25,334 --> 00:17:26,434
MR. ORMAN?
326
00:17:26,501 --> 00:17:27,434
NO, I HAVEN'T.
327
00:17:27,501 --> 00:17:28,800
MAYBE...
328
00:17:28,867 --> 00:17:30,900
YOU'D LIKE
TO COME WITH ME.
329
00:17:30,967 --> 00:17:33,434
JOHN, YOU'RE DRUNK. PLEASE.
330
00:17:33,501 --> 00:17:36,234
DON'T EXAGGERATE.
I NEVER GET DRUNK.
331
00:17:36,301 --> 00:17:38,734
I GET INVOLVED,
BUT NOT DRUNK.
332
00:17:38,800 --> 00:17:42,234
I'LL LET YOU USE MY
FAVORITE GUN, MR. ORMAN.
333
00:17:42,301 --> 00:17:44,200
LET ME SHOW YOU
MY COLLECTION.
334
00:17:44,267 --> 00:17:46,267
ONE OF THE BEST,
YOU KNOW.
335
00:17:47,267 --> 00:17:48,701
HERE IT IS.
336
00:17:48,768 --> 00:17:51,200
TOOK ME YEARS
TO GATHER THIS.
337
00:17:51,267 --> 00:17:52,200
AND HERE...
338
00:17:52,267 --> 00:17:54,867
HERE...
IS MY FAVORITE.
339
00:17:56,034 --> 00:17:57,800
NEVER FAILED ME.
340
00:18:00,534 --> 00:18:02,000
HERE HE IS.
341
00:18:02,067 --> 00:18:02,933
COLONEL JOHNSON.
342
00:18:03,000 --> 00:18:04,933
COLONEL,
HOW ARE YOU?
343
00:18:05,000 --> 00:18:05,933
OH.
344
00:18:06,000 --> 00:18:06,933
BUT I...
345
00:18:07,000 --> 00:18:08,434
I WAS JUST GOING.
346
00:18:08,501 --> 00:18:10,434
NONSENSE. ALWAYS WANTED TO TALK TO YOU.
347
00:18:10,501 --> 00:18:13,434
DON'T MIND IF I SPRUCE
UP THE COLONEL, DO YOU?
348
00:18:13,501 --> 00:18:15,200
PLEASE DON'T POINT THAT.
349
00:18:15,267 --> 00:18:17,933
DON'T WORRY. THE COLONEL'S NOT LOADED.
350
00:18:18,000 --> 00:18:19,933
I MAY BE A TRIFLE,
351
00:18:20,000 --> 00:18:21,434
BUT NOT THE COLONEL.
352
00:18:21,501 --> 00:18:24,434
THREE YEARS AGO,
I GOT AN ELK.
353
00:18:24,501 --> 00:18:26,100
THERE HE IS.
354
00:18:26,167 --> 00:18:29,100
LAST YEAR, I SHOT
OVER THREE MOOSE.
355
00:18:29,167 --> 00:18:31,401
THE COLONEL WAS ONLY
A CAPTAIN THEN.
356
00:18:31,467 --> 00:18:33,701
I PROMOTED HIM
AFTER THE THIRD MOOSE.
357
00:18:33,768 --> 00:18:35,434
WHAT DID YOU WANT
TO TALK ABOUT?
358
00:18:35,501 --> 00:18:36,933
A LOT OF THINGS.
359
00:18:37,000 --> 00:18:38,933
BUT WE'LL BEGIN
WITH GUNS.
360
00:18:39,000 --> 00:18:40,434
THEY'RE MY HOBBY.
361
00:18:40,501 --> 00:18:43,434
I DON'T THINK PAUL
IS INTERESTED IN GUNS.
362
00:18:43,501 --> 00:18:44,967
GUNS HAVE
A CERTAIN INTEREST...
363
00:18:45,034 --> 00:18:46,501
IN THE HANDS OF EXPERTS.
364
00:18:46,567 --> 00:18:47,501
EXACTLY.
365
00:18:47,567 --> 00:18:49,501
A MAN
WOULD BE A NITWIT
366
00:18:49,567 --> 00:18:51,967
NOT TO BE INTERESTED
IN THIS WEAPON.
367
00:18:52,034 --> 00:18:54,467
A BLIND MAN
COULD HIT A DUCK'S EYE
368
00:18:54,534 --> 00:18:56,467
AT 100 PACES WITH
THE COLONEL.
369
00:18:56,534 --> 00:18:58,467
HA HA.
GOOD OLD COLONEL.
370
00:18:58,534 --> 00:19:00,768
YOU REMEMBER THAT FELLOW UP THERE?
371
00:19:00,833 --> 00:19:03,967
ETHEL, WHERE DID I
PUT THAT OIL CAN?
372
00:19:04,034 --> 00:19:06,267
WE'VE GOT TO GET BACK
TO THE HOUSE.
373
00:19:06,334 --> 00:19:07,567
THEY'LL BE MISSING US.
374
00:19:07,634 --> 00:19:10,267
NOT A CHANCE. THEY'RE
HAVING A WONDERFUL TIME.
375
00:19:10,334 --> 00:19:12,668
WHAT DID YOU WANT
TO SAY ABOUT GUNS?
376
00:19:12,734 --> 00:19:14,867
EVER USE 'EM?
377
00:19:14,933 --> 00:19:17,234
YES. ON THE STAGE.
378
00:19:17,301 --> 00:19:18,234
SHOOT 'EM?
379
00:19:18,301 --> 00:19:19,734
ON A STAGE.
380
00:19:19,800 --> 00:19:20,833
NOT REAL BULLETS.
381
00:19:20,900 --> 00:19:21,833
NO.
382
00:19:21,900 --> 00:19:23,334
JUST BLANKS, EH?
383
00:19:23,401 --> 00:19:24,334
YES.
384
00:19:24,401 --> 00:19:25,334
ONLY BLANKS.
385
00:19:25,401 --> 00:19:26,833
WE ACTORS
PREFER THEM.
386
00:19:26,900 --> 00:19:28,867
THIS IS SILLY, JOHN.
387
00:19:28,933 --> 00:19:30,867
PAUL'S GIVEN
AN OPENING PERFORMANCE,
388
00:19:30,933 --> 00:19:32,234
AND HE'S
PROBABLY EXHAUSTED.
389
00:19:33,501 --> 00:19:36,334
DARLING, YOU HAVEN'T
DANCED WITH ME THIS EVENING.
390
00:19:36,401 --> 00:19:37,833
COME ON, WON'T YOU?
391
00:19:37,900 --> 00:19:39,501
I NOTICED THAT.
392
00:19:39,567 --> 00:19:41,967
IT'S TOO LATE NOW.
393
00:19:42,034 --> 00:19:44,301
WILL YOU STOP PUTTERING
WITH THAT GUN?
394
00:19:44,367 --> 00:19:45,601
I'M GETTING VERY ANGRY!
395
00:19:45,668 --> 00:19:47,034
WHY DON'T YOU GO,
ETHEL?
396
00:19:47,100 --> 00:19:50,334
PERHAPS YOUR HUSBAND WOULD
PREFER TALKING TO ME ALONE.
397
00:19:50,401 --> 00:19:52,634
I HAVE NO SECRETS
FROM MY WIFE.
398
00:19:52,701 --> 00:19:54,634
SHE MAY HAVE FROM ME.
399
00:19:54,701 --> 00:19:56,634
THERE'S ALWAYS
HALF OF WOMEN MISSING.
400
00:19:56,701 --> 00:19:59,034
BUT WITH MEN, THEY'RE
USUALLY IN ONE PIECE,
401
00:19:59,100 --> 00:20:01,067
FULL OF TRUTH
AND HONOR.
402
00:20:01,134 --> 00:20:03,668
YES. THOSE THINGS
COME WITH AGE.
403
00:20:05,100 --> 00:20:06,367
THANK YOU.
WELL PUT.
404
00:20:06,434 --> 00:20:08,668
I SUPPOSE AN ACTOR
CAN GET ALONG
405
00:20:08,734 --> 00:20:10,867
WITHOUT MUCH TRUTH
AND HONOR.
406
00:20:10,933 --> 00:20:14,000
OH, YES. AN ACTOR CAN GET
ALONG WITHOUT ANYTHING...
407
00:20:14,067 --> 00:20:15,434
EXCEPT A GOOD PLAY.
408
00:20:15,501 --> 00:20:17,434
SORRY I MISSED YOUR SHOW.
409
00:20:17,501 --> 00:20:20,334
I UNDERSTAND
YOU GET KILLED IN IT.
410
00:20:20,401 --> 00:20:23,434
YES... AT THE END
OF THE LAST ACT.
411
00:20:23,501 --> 00:20:25,668
COULDN'T MAKE UP
THEIR MINDS, EH?
412
00:20:25,734 --> 00:20:27,167
NO, IT ISN'T THAT.
413
00:20:27,234 --> 00:20:30,167
THEY COULD NOT AFFORD
TO KILL ME EARLIER.
414
00:20:30,234 --> 00:20:32,601
IT WOULD HAVE BEEN BAD
FOR THE PLAY.
415
00:20:32,668 --> 00:20:33,601
I SEE.
416
00:20:33,668 --> 00:20:36,000
I UNDERSTAND
A WOMAN SHOOTS YOU.
417
00:20:36,067 --> 00:20:37,000
YES.
418
00:20:37,067 --> 00:20:38,501
THE WOMAN I LOVE.
419
00:20:38,567 --> 00:20:40,000
SOUNDS
VERY DRAMATIC.
420
00:20:40,067 --> 00:20:41,434
JOHN...
421
00:20:41,501 --> 00:20:45,000
I DON'T WANT
ANY INTERRUPTIONS.
422
00:20:45,067 --> 00:20:48,034
HOW DO YOU ACT WHEN SHE
POINTS THE GUN AT YOU?
423
00:20:48,100 --> 00:20:49,100
AFRAID?
424
00:20:49,167 --> 00:20:50,100
NO.
425
00:20:50,167 --> 00:20:55,034
A LITTLE SAD,
BUT RESIGNED.
426
00:20:55,100 --> 00:20:56,734
I'M DRINKING A HIGHBALL.
427
00:20:56,800 --> 00:20:57,734
HAVE ONE.
428
00:20:57,800 --> 00:20:59,401
NO. THANKS.
429
00:21:02,100 --> 00:21:04,967
I CAN'T BEAR
TO SEE YOU DRUNK LIKE THIS.
430
00:21:05,034 --> 00:21:06,734
I'M NOT BORING YOU,
MR. ORMAN?
431
00:21:06,800 --> 00:21:08,067
NO. NOT AT ALL.
432
00:21:08,134 --> 00:21:10,034
YOU STAND
RIGHT UP TO HER
433
00:21:10,100 --> 00:21:11,634
AND DON'T
ACT AFRAID, EH?
434
00:21:11,701 --> 00:21:14,401
WHY IS THAT? DON'T SOUND REAL TO ME.
435
00:21:14,467 --> 00:21:17,401
WELL, WHAT WOULD YOU
SUGGEST I DO?
436
00:21:17,467 --> 00:21:20,401
A FELLOW ALWAYS ACTS AFRAID
WHEN HE'S FACING A GUN.
437
00:21:20,467 --> 00:21:23,434
OH, BUT AN ACTOR WITHOUT
COURAGE WOULD BE A FRAUD.
438
00:21:23,501 --> 00:21:26,134
THE AUDIENCE
ALWAYS LIKES COURAGE.
439
00:21:26,200 --> 00:21:29,134
SO YOU THINK OF YOUR
AUDIENCE WHEN YOU'RE ACTING?
440
00:21:29,200 --> 00:21:30,401
ALWAYS.
441
00:21:30,467 --> 00:21:31,701
I COULD NEVER UNDERSTAND
ETHEL.
442
00:21:31,768 --> 00:21:34,701
I COULD NEVER FIGURE OUT
WHETHER SHE MEANT SOMETHING
443
00:21:34,768 --> 00:21:36,000
OR WAS JUST ACTING IT.
444
00:21:36,067 --> 00:21:38,000
KEPT ME GUESSING FOR A YEAR.
445
00:21:38,067 --> 00:21:39,334
MARRIAGE IS NO FUN
446
00:21:39,401 --> 00:21:43,000
WHEN IT TURNS INTO
A GUESSING CONTEST.
447
00:21:43,067 --> 00:21:45,601
ALL RIGHT.
448
00:21:45,668 --> 00:21:47,100
THERE YOU ARE,
COLONEL.
449
00:21:47,167 --> 00:21:49,601
ALL SPRUCED UP
NEAT AND CLEAN
450
00:21:49,668 --> 00:21:53,234
AND READY
TO GO HUNTING.
451
00:21:53,301 --> 00:21:54,334
JOHN!
452
00:21:58,867 --> 00:22:00,034
YOU TOOK...
453
00:22:00,100 --> 00:22:04,467
YOU TOOK QUITE A LONG TIME
ABOUT IT, MR. HALLOWAY.
454
00:22:04,534 --> 00:22:07,067
I WAS GETTING
VERY NERVOUS.
455
00:22:16,034 --> 00:22:17,467
IT WAS AN ACCIDENT.
456
00:22:17,534 --> 00:22:18,467
WAS IT?
457
00:22:18,534 --> 00:22:19,967
YOU SAW IT, ETHEL.
458
00:22:20,034 --> 00:22:22,301
I WAS CLEANING THE
GUN. IT WENT OFF.
459
00:22:22,367 --> 00:22:24,301
I DIDN'T THINK
IT WAS LOADED.
460
00:22:24,367 --> 00:22:25,800
YOU'VE KILLED HIM.
461
00:22:30,567 --> 00:22:33,234
WHAT ARE YOU GOING TO DO?
462
00:22:38,367 --> 00:22:40,301
THEY'LL COME HERE.
THE POLICE.
463
00:22:40,367 --> 00:22:41,800
THEY'LL TAKE YOU AWAY.
464
00:22:41,867 --> 00:22:44,800
OH, JOHN,
WHY DID YOU DO IT?
465
00:22:44,867 --> 00:22:47,401
THIS'LL RUIN YOU.
BOTH OF US.
466
00:22:47,467 --> 00:22:49,668
WHY DID YOU DO IT?
467
00:22:49,734 --> 00:22:51,167
IT WAS AN ACCIDENT.
468
00:22:51,234 --> 00:22:53,000
I WAS CLEANING MY GUN.
469
00:22:53,067 --> 00:22:54,401
YOU SAW IT.
470
00:22:56,067 --> 00:22:57,501
OH, YES.
471
00:22:57,567 --> 00:22:59,467
YES, OF COURSE.
472
00:23:01,601 --> 00:23:03,534
IT WAS AN ACCIDENT.
473
00:23:03,601 --> 00:23:06,467
YOU CAN TELL THE POLICE...
474
00:23:06,534 --> 00:23:08,634
THAT IT WAS...
475
00:23:08,701 --> 00:23:10,601
UNINTENTIONAL.
476
00:23:12,534 --> 00:23:14,567
THAT YOUR HUSBAND AND I
477
00:23:14,634 --> 00:23:17,100
WERE THE BEST OF FRIENDS.
478
00:23:17,167 --> 00:23:18,601
YES, OF COURSE.
479
00:23:18,668 --> 00:23:20,967
I'LL TELL THEM THAT.
480
00:23:21,034 --> 00:23:22,534
I'LL SAY THAT.
481
00:23:24,034 --> 00:23:25,967
JOHN, CALL A DOCTOR,
PLEASE.
482
00:23:26,034 --> 00:23:28,967
NO.
483
00:23:29,034 --> 00:23:31,467
IT'S TOO LATE
FOR A DOCTOR.
484
00:23:32,534 --> 00:23:35,000
THE CURTAIN
IS COMING DOWN.
485
00:23:35,067 --> 00:23:40,000
IT'S THE END OF ACT III.
486
00:23:40,067 --> 00:23:41,000
HE SUDDENLY-
487
00:23:41,067 --> 00:23:44,334
NO, NO.
WE'LL CALL A DOCTOR.
488
00:23:46,567 --> 00:23:48,501
OH, DARLING,
I DIDN'T KNOW.
489
00:23:48,567 --> 00:23:50,501
I'VE BEEN STUPID
AND HORRIBLE.
490
00:23:50,567 --> 00:23:52,501
I MADE YOU DO THIS.
491
00:23:52,567 --> 00:23:54,768
HE DID NOTHING.
492
00:23:54,833 --> 00:23:57,000
IT WAS AN ACCIDENT.
493
00:23:57,067 --> 00:23:58,833
IT MIGHT HAPPEN...
494
00:23:58,900 --> 00:24:00,634
TO ANYONE.
495
00:24:03,000 --> 00:24:05,134
I'LL CALL THE SERVANTS.
496
00:24:06,367 --> 00:24:08,967
YOU'LL BE
MY WITNESS?
497
00:24:09,034 --> 00:24:11,200
YES.
498
00:24:13,034 --> 00:24:14,467
TO THE END.
499
00:24:14,534 --> 00:24:16,900
GOOD GIRL.
500
00:24:18,534 --> 00:24:20,067
ALL RIGHT.
501
00:24:21,301 --> 00:24:23,067
I'LL CALL THEM.
502
00:24:27,200 --> 00:24:30,668
HA HA HA HA.
503
00:24:30,734 --> 00:24:32,668
DON'T BOTHER.
I'M ALL RIGHT.
504
00:24:32,734 --> 00:24:35,967
WELL, YOU'RE
- YOU'RE NOT HURT. THANK HEAVEN.
505
00:24:36,034 --> 00:24:37,967
HOW DID I DO,
MR. HALLOWAY?
506
00:24:38,034 --> 00:24:39,200
LIKE WHAT?
507
00:24:39,267 --> 00:24:41,900
MY PERFORMANCE.
COULDN'T RESIST IT. HA HA.
508
00:24:41,967 --> 00:24:45,900
DEATH SCENES HAVE BEEN MY
SPECIALTY SINCE I BECAME FAMOUS.
509
00:24:45,967 --> 00:24:48,734
SO WHEN ANYBODY
SHOOTS ME, I FALL DEAD.
510
00:24:48,800 --> 00:24:50,234
YOU WERE ACTING?
511
00:24:50,301 --> 00:24:54,234
UH-HUH. OH, IT'S
AN OFF NIGHT FOR A COLONEL.
512
00:24:54,301 --> 00:24:58,234
HE IS NOT A WIZARD.
MISSED ME BY A MILE.
513
00:24:58,301 --> 00:25:01,567
I HOPE YOU HAVE BETTER LUCK
IN CANADA, MR. HALLOWAY.
514
00:25:01,634 --> 00:25:05,000
OH, NOW, DON'T
FEEL SO DEPRESSED.
515
00:25:05,067 --> 00:25:08,000
YOU KNOW, I WOULDN'T
LOOK TOO GOOD UP THERE
516
00:25:08,067 --> 00:25:09,501
ON A PLAQUE.
517
00:25:09,567 --> 00:25:11,000
YOU WERE ACTING?
518
00:25:11,067 --> 00:25:13,501
YES. YOUR HUSBAND
PUT IT INTO MY HEAD,
519
00:25:13,567 --> 00:25:15,668
COMPLAINING ABOUT YOU,
520
00:25:15,734 --> 00:25:18,134
BEING UNABLE TO TELL
WHETHER YOU MEANT ANYTHING
521
00:25:18,200 --> 00:25:19,967
OR WERE ONLY ACTING.
522
00:25:20,034 --> 00:25:23,467
I THOUGHT THAT WOULD SHOW
HIM A SAMPLE OF REAL ACTING.
523
00:25:23,534 --> 00:25:26,434
PAUL, HE DIDN'T TRY TO
SHOOT YOU. IT WAS ACCIDENTAL.
524
00:25:26,501 --> 00:25:29,967
THE ONLY THING ACCIDENTAL
ABOUT IT IS THAT HE MISSED ME.
525
00:25:30,034 --> 00:25:31,467
THAT WAS PURE ACCIDENT,
526
00:25:31,534 --> 00:25:34,034
NOT HIS,
THE COLONEL'S.
527
00:25:34,100 --> 00:25:37,034
I'M AFRAID, SIR,
YOU'LL HAVE TO DEMOTE HIM,
528
00:25:37,100 --> 00:25:39,200
MAKE HIM A CAPTAIN AGAIN.
529
00:25:39,267 --> 00:25:40,701
HA HA HA.
530
00:25:40,768 --> 00:25:44,967
OH, YOU SHOULDN'T HAVE WORRIED
ABOUT YOUR WIFE, MR. HALLOWAY.
531
00:25:45,034 --> 00:25:49,000
OH, SHE MAY BECOME INTOXICATED
WITH THE WINE OF ROMANCE,
532
00:25:49,067 --> 00:25:53,634
BUT YOU, YOU WILL ALWAYS
BE THE MORNING AFTER.
533
00:25:53,701 --> 00:25:57,000
YOU SHOULD HAVE
ASKED ME ABOUT HER.
534
00:25:57,067 --> 00:25:59,634
THEN YOU WOULD HAVE BEEN
SAVED THE EMBARRASSMENT
535
00:25:59,701 --> 00:26:01,634
OF TRYING TO MURDER ME.
536
00:26:01,701 --> 00:26:04,067
PAUL, IT'S NOT TRUE.
I SAW IT.
537
00:26:04,134 --> 00:26:07,067
IT WAS AN ACCIDENT.
YOU MUST BELIEVE IT.
538
00:26:07,134 --> 00:26:09,434
YES...
539
00:26:09,501 --> 00:26:11,933
YES, MR. HALLOWAY,
540
00:26:12,000 --> 00:26:16,833
SHE MEANT IT,
THE THINGS YOU DOUBTED.
541
00:26:16,900 --> 00:26:19,734
SHE MEANT
EVERY WORD OF THEM.
542
00:26:19,800 --> 00:26:24,768
SHE LOVES YOUR STRONG, MANLY WAYS
AND YOUR STALWART BANK ACCOUNT.
543
00:26:24,833 --> 00:26:27,768
SHE LOVES YOU
VERY DEVOTEDLY
544
00:26:27,833 --> 00:26:30,200
WITH HER WHOLE,
SIMPLE HEART,
545
00:26:30,267 --> 00:26:32,267
GOD BLESS HER.
546
00:26:41,034 --> 00:26:42,501
GOODBYE, ETHEL.
547
00:26:42,567 --> 00:26:46,501
YOU'RE NOT GOING TO
DO ANYTHING ABOUT THIS?
548
00:26:50,367 --> 00:26:51,800
NOT A THING.
549
00:26:51,867 --> 00:26:54,301
ORMAN, I DON'T
KNOW WHAT TO SAY.
550
00:26:54,367 --> 00:26:58,334
WHEN YOU DO, SAY IT TO HER
IN A CANADIAN MOONLIGHT.
551
00:26:58,401 --> 00:27:00,334
GOOD NIGHT,
MR. HALLOWAY.
552
00:27:00,401 --> 00:27:02,967
GOOD NIGHT, CAPTAIN.
553
00:27:03,034 --> 00:27:04,334
GOOD NIGHT.
554
00:27:13,000 --> 00:27:13,933
ALL OVER?
555
00:27:14,000 --> 00:27:15,434
YES.
556
00:27:15,501 --> 00:27:17,501
WHERE TO NOW?
557
00:27:23,000 --> 00:27:24,668
WHAT'S THE MATTER?
558
00:27:26,167 --> 00:27:27,668
WHAT'S THE MATTER?
559
00:27:30,034 --> 00:27:32,967
WHY, YOU'RE BLEEDING. YOU'VE
BEEN SHOT. WHAT'S HAPPENED?
560
00:27:33,034 --> 00:27:34,967
ARE YOU HURT BAD,
MR. ORMAN?
561
00:27:35,034 --> 00:27:37,467
WHO DID IT?
WHY, YOU'RE SOAKED!
562
00:27:37,534 --> 00:27:39,234
CAN YOU TALK,
MR. ORMAN?
563
00:27:39,301 --> 00:27:41,467
YES, YES.
STOP YELLING.
564
00:27:41,534 --> 00:27:43,134
WHY, THEY SHOT YOU.
565
00:27:43,200 --> 00:27:46,134
YEAH. SPOILED
MY NEW SUIT.
566
00:27:46,200 --> 00:27:48,634
FINEST SUIT
I EVER HAD.
567
00:27:48,701 --> 00:27:50,634
IT'S MY FAULT.
568
00:27:50,701 --> 00:27:53,833
I PUT IT ON
THE WRONG DUMMY.
569
00:27:53,900 --> 00:27:55,434
I'LL GET A DOCTOR.
570
00:27:55,501 --> 00:27:58,467
NO, ST. LUKE'S
HOSPITAL.
571
00:27:58,534 --> 00:28:00,467
STEP ON IT.
572
00:28:00,534 --> 00:28:02,933
REMEMBER,
AN ACCIDENT.
573
00:28:03,000 --> 00:28:05,601
NO PUBLICITY.
574
00:28:05,668 --> 00:28:08,601
I DON'T WANT YOU
TO SPOIL MY SCENE.
575
00:28:08,668 --> 00:28:10,434
HA HA.
576
00:28:10,501 --> 00:28:12,534
I WAS SUPERB.
577
00:28:12,601 --> 00:28:16,534
AND THAT GUY SAID THIS SUIT
WOULD BRING YOU GOOD LUCK.
578
00:28:16,601 --> 00:28:18,034
AHH...
579
00:28:18,100 --> 00:28:20,167
PERHAPS IT HAS.
580
00:28:32,668 --> 00:28:34,434
YES! YES!
581
00:28:43,100 --> 00:28:45,967
WAIT A MINUTE AND
I'LL GET YOU AN ASPIRIN.
582
00:28:46,034 --> 00:28:47,467
GOOD MORNING,
EDGAR.
583
00:28:47,534 --> 00:28:48,967
OH, IT'S YOU,
LUTHER. HELLO.
584
00:28:49,034 --> 00:28:50,467
IS IT, UH...
585
00:28:50,534 --> 00:28:53,467
IT'S ALL RIGHT TO COME IN.
MR. WILSON'S STILL ASLEEP.
586
00:28:53,534 --> 00:28:55,034
LOOK OUT FOR
BROKEN GLASS.
587
00:28:57,034 --> 00:28:58,967
WHAT HAPPENED
AROUND HERE?
588
00:28:59,034 --> 00:29:00,967
MR. WILSON GETS
MARRIED TONIGHT.
589
00:29:02,200 --> 00:29:04,134
OH, OF COURSE
IT'S TONIGHT.
590
00:29:04,200 --> 00:29:06,301
WAS THE BACHELOR
DINNER HERE?
591
00:29:06,367 --> 00:29:08,334
IT JUST AS WELL
HAVE BEEN.
592
00:29:08,401 --> 00:29:10,833
MR. WILSON BROUGHT BACK
SOME FRIENDS AFTERWARDS
593
00:29:10,900 --> 00:29:12,334
FOR A NIGHTCAP.
594
00:29:12,401 --> 00:29:15,334
HA. THEY SEEMED TO HAVE
HAD A LITTLE TROUBLE
595
00:29:15,401 --> 00:29:17,833
GETTING ONE TO FIT.
596
00:29:19,900 --> 00:29:23,167
WHAT'S HAPPENED
TO THE LIVING ROOM?
597
00:29:23,234 --> 00:29:25,668
THE GENTLEMEN WERE
USING IT AS A STADIUM.
598
00:29:25,734 --> 00:29:27,167
THEY THOUGHT IT BEST
599
00:29:27,234 --> 00:29:30,167
TO PLAY SEVERAL QUARTERS
OF A YALE-HARVARD GAME.
600
00:29:30,234 --> 00:29:31,668
HA HA HA HA.
601
00:29:31,734 --> 00:29:33,768
THESE WERE
THE GOAL POSTS.
602
00:29:33,833 --> 00:29:36,267
DID ONE OF THEM
FALL ON YOU?
603
00:29:36,334 --> 00:29:37,768
OH, THIS?
THAT OCCURRED
604
00:29:37,833 --> 00:29:40,267
WHEN THE GENTLEMEN
DECIDED TO PUT ME IN
605
00:29:40,334 --> 00:29:42,301
THE LAST FEW
MINUTES OF PLAY.
606
00:29:42,367 --> 00:29:43,434
A SCRIMMAGE?
607
00:29:43,501 --> 00:29:45,434
NO, THEY
GAVE ME THE BALL
608
00:29:45,501 --> 00:29:48,434
AND I MADE THE MISTAKE
OF RUNNING THE WRONG WAY.
609
00:29:48,501 --> 00:29:49,434
THAT'S DANGEROUS.
610
00:29:49,501 --> 00:29:50,434
I KNOW THAT NOW.
611
00:29:50,501 --> 00:29:52,534
MR. WILSON
PERSONALLY TACKLED ME.
612
00:29:52,601 --> 00:29:54,534
HE WAS AN ALL-AMERICAN.
613
00:29:54,601 --> 00:29:56,034
A TRIPLE THREAT.
614
00:29:56,100 --> 00:29:58,034
WHERE ARE YOU
TAKING THAT?
615
00:29:58,100 --> 00:30:01,534
HERE, TO YOU
- THE VERY THING TO WEAR TO THE WEDDING.
616
00:30:01,601 --> 00:30:03,467
MR. WILSON HAS
HIS OWN TAIL COAT.
617
00:30:03,534 --> 00:30:05,467
YOU MIGHT
LIKE TO WEAR IT
618
00:30:05,534 --> 00:30:07,967
AS A MARK OF RESPECT
FOR YOUR EMPLOYER.
619
00:30:08,034 --> 00:30:10,467
ANY RESPECT
I HAVE FOR MR. WILSON
620
00:30:10,534 --> 00:30:12,467
CAN BE EXPRESSED
BY WEARING SHORTS.
621
00:30:12,534 --> 00:30:15,000
TO TELL YOU THE TRUTH,
I NEED $10.
622
00:30:15,067 --> 00:30:17,501
I THOUGHT I COULD
LEAVE THIS AS HOSTAGE
623
00:30:17,567 --> 00:30:19,501
UNTIL I GET
PAID SATURDAY.
624
00:30:19,567 --> 00:30:22,501
ALL RIGHT, LET'S
HAVE A LOOK AT IT.
625
00:30:22,567 --> 00:30:24,501
THIS IS
MR. ORMAN'S COAT.
626
00:30:24,567 --> 00:30:27,501
YES, BUT HE DOESN'T
NEED IT IN THE HOSPITAL.
627
00:30:27,567 --> 00:30:29,000
WHAT'S WRONG WITH HIM?
628
00:30:29,067 --> 00:30:30,501
SOMETHING OF
A PERSONAL NATURE.
629
00:30:30,567 --> 00:30:32,000
ISN'T IT
A BEAUTIFUL COAT?
630
00:30:32,067 --> 00:30:33,334
MMM, YES.
631
00:30:33,401 --> 00:30:36,334
DO THEY MAKE ALL THESE
COATS WITH HOLES IN THEM?
632
00:30:36,401 --> 00:30:38,334
HOLES?
MUST BE A MOTH.
633
00:30:38,401 --> 00:30:39,833
PRETTY BIG MOTH.
634
00:30:39,900 --> 00:30:42,334
MR. ORMAN ALWAYS HAS
THE BEST OF EVERYTHING.
635
00:30:42,401 --> 00:30:46,334
YES, INCLUDING
.32 CALIBER MOTHS.
636
00:30:46,401 --> 00:30:48,034
NOW, SEE HERE, EDGAR,
637
00:30:48,100 --> 00:30:51,034
EITHER YOU LOAN ME THE
$10 AND KEEP THE COAT,
638
00:30:51,100 --> 00:30:53,534
OR YOU DON'T. THERE'S
NO NEED TO QUIBBLE.
639
00:30:53,601 --> 00:30:57,034
I'M NOT. I HAVEN'T TIME TO
QUIBBLE OR NOT TO QUIBBLE.
640
00:30:58,601 --> 00:31:00,034
ANOTHER INTERRUPTION.
641
00:31:00,100 --> 00:31:03,367
EDGAR, FOR THE SAKE OF
OUR LONG FRIENDSHIP...
642
00:31:03,434 --> 00:31:08,467
EDGAR, I SAY FOR THE SAKE OF
OUR LONGSTANDING FRIENDSHIP-
643
00:31:08,534 --> 00:31:10,967
ALL RIGHT. BUT OUR
LONGSTANDING FRIENDSHIP ENDS
644
00:31:11,034 --> 00:31:13,967
IF YOU'RE NOT HERE ON
SATURDAY WITH THOSE 10 BUCKS.
645
00:31:14,034 --> 00:31:16,967
THANK YOU, EDGAR.
THANK YOU. GOODBYE.
646
00:31:17,034 --> 00:31:19,467
GOODBYE-
OH, I SAID HELLO.
647
00:31:19,534 --> 00:31:22,000
OH, GOOD MORNING,
MISS DIANE.
648
00:31:22,067 --> 00:31:27,134
UH, WELL, YES,
MR. WILSON IS HERE-
649
00:31:27,200 --> 00:31:29,634
DON'T GO ANY FARTHER.
I KNOW THAT TONE.
650
00:31:29,701 --> 00:31:31,933
IT MEANS MR. WILSON
IS STILL ASLEEP.
651
00:31:32,000 --> 00:31:33,367
YES, UH...
652
00:31:33,434 --> 00:31:37,501
STOP MUMBLING. JUST REACH OVER
AND VERY FIRMLY PRESS THE BUZZER.
653
00:31:37,567 --> 00:31:40,967
WELL, WHO CARES
ABOUT HIS HEAD?
654
00:31:47,567 --> 00:31:48,668
OH.
655
00:31:53,234 --> 00:31:55,200
HELLO?
656
00:31:55,267 --> 00:31:58,534
OH, HELLO, BABY.
HOW ARE YOU?
657
00:32:00,267 --> 00:32:02,134
AND WHO ARE YOU?
658
00:32:02,200 --> 00:32:05,467
ONLY THE GIRL
YOU'RE GOING TO MARRY.
659
00:32:05,534 --> 00:32:07,701
NOW, GET UP, DARLING.
660
00:32:07,768 --> 00:32:10,301
YOU HAVE A LUNCHEON DATE
WITH ME, REMEMBER?
661
00:32:10,367 --> 00:32:13,967
I TAKE IT BY THAT
GARGLING SOUND YOU DO.
662
00:32:14,034 --> 00:32:15,967
WHAT TIME IS IT?
663
00:32:16,034 --> 00:32:18,967
IT'S 11:25,
THE DAY IS TUESDAY,
664
00:32:19,034 --> 00:32:22,467
THE MONTH IS SEPTEMBER,
THE LARK'S ON THE WING,
665
00:32:22,534 --> 00:32:25,634
AND I'VE GOT A DATE
TO BE MARRIED TONIGHT.
666
00:32:25,701 --> 00:32:29,501
YES, DARLING. WELL, I'LL
SEE YOU IN A LITTLE WHILE.
667
00:32:29,567 --> 00:32:30,867
GOODBYE.
668
00:32:30,933 --> 00:32:33,367
ASLEEP AT THIS
TIME OF THE DAY.
669
00:32:33,434 --> 00:32:35,867
MARK MY WORDS-
A GROOM THAT SLEEPS
670
00:32:35,933 --> 00:32:37,867
MEANS A BRIDE
THAT WEEPS.
671
00:32:37,933 --> 00:32:41,000
THAT'S A HAPPY THOUGHT
FOR MY WEDDING DAY.
672
00:32:41,067 --> 00:32:42,200
HELLO, ELLEN.
673
00:32:42,267 --> 00:32:43,501
HELLO.
674
00:32:44,601 --> 00:32:48,134
AH, DIANE,
MARRIAGE STINKS.
675
00:32:48,200 --> 00:32:50,701
THAT'S ANOTHER
HAPPY THOUGHT.
676
00:32:52,301 --> 00:32:53,734
WHAT'S THE MATTER,
ELLEN?
677
00:32:53,800 --> 00:32:56,234
OH, EVERYTHING. MY
HANDKERCHIEF IS SOAKING WET.
678
00:32:56,301 --> 00:33:00,234
GET ONE OF MINE. A TOWEL
WOULD BE MORE PRACTICAL.
679
00:33:00,301 --> 00:33:01,734
HA HA HA HA.
680
00:33:04,067 --> 00:33:06,501
THIS IS NOTHING
TO JOKE ABOUT.
681
00:33:06,567 --> 00:33:08,000
I'M MISERABLE.
682
00:33:08,067 --> 00:33:10,000
I'M GOING
TO DIVORCE JIM.
683
00:33:10,067 --> 00:33:14,234
HE KNOWS I'VE ALWAYS HATED
WOMEN WITH RED HAIR.
684
00:33:14,301 --> 00:33:17,234
OH, THERE'S A WOMAN
WITH RED HAIR.
685
00:33:17,301 --> 00:33:20,234
THAT'S A RELIEF FROM
THE USUAL MENTAL CRUELTY.
686
00:33:20,301 --> 00:33:22,734
HOW DO YOU KNOW
SHE HAS RED HAIR?
687
00:33:22,800 --> 00:33:25,234
I FOUND A COMB
STAINED WITH HENNA
688
00:33:25,301 --> 00:33:27,734
IN THE POCKET
OF HIS TAIL COAT.
689
00:33:27,800 --> 00:33:30,501
SHE DOESN'T EVEN
HAVE REAL RED HAIR.
690
00:33:31,734 --> 00:33:34,668
AND WHAT WERE YOU DOING
IN HIS TAIL COAT POCKET?
691
00:33:34,734 --> 00:33:37,200
WHAT WAS I DOING?
NOTHING. I-
692
00:33:37,267 --> 00:33:38,701
DID YOU FALL IN?
693
00:33:38,768 --> 00:33:41,534
I HAPPENED TO BE
LOOKING FOR SOME STAMPS.
694
00:33:41,601 --> 00:33:44,034
THE POST OFFICE
IS TOO FAR AWAY?
695
00:33:44,100 --> 00:33:47,034
DO THEY USUALLY CARRY STAMPS
IN THEIR TAIL COAT POCKETS?
696
00:33:47,100 --> 00:33:50,034
YOU'D BE SURPRISED WHAT
THEY KEEP THERE. ONCE JIM-
697
00:33:50,100 --> 00:33:53,534
THAT SOUNDS LIKE A LONG
STORY. I'VE GOT TO GET DRESSED.
698
00:33:53,601 --> 00:33:55,534
COME TO HARRY'S WITH ME.
699
00:33:55,601 --> 00:33:57,534
I'M TOO GLOOMY
TO GO ANYWHERE.
700
00:33:57,601 --> 00:33:59,534
THIS IS MY WEDDING DAY.
701
00:33:59,601 --> 00:34:01,534
YOU'LL BE
THE "SOMETHING BLUE"
702
00:34:01,601 --> 00:34:03,967
THAT BRINGS GOOD LUCK
TO THE BRIDE.
703
00:34:04,034 --> 00:34:05,967
I'LL TELL MR. WILSON YOU'RE HERE.
704
00:34:06,034 --> 00:34:08,467
DON'T WAKE HIM
ALL THE WAY UP.
705
00:34:08,534 --> 00:34:12,000
I JUST WANT HIM TO LOOK
AT ME FOR A SECOND.
706
00:34:12,067 --> 00:34:14,501
HE'LL HAVE DOUBLE
VISION AFTER HAVING THIS.
707
00:34:14,567 --> 00:34:15,501
WHAT'S THAT?
708
00:34:15,567 --> 00:34:17,000
UM, A HEALTH DRINK.
709
00:34:17,067 --> 00:34:18,501
JUDAS!
710
00:34:18,567 --> 00:34:20,501
WHAT'S IN IT BESIDES
EMBALMING FLUID?
711
00:34:20,567 --> 00:34:22,501
TABASCO SAUCE,
SPIRITS OF AMMONIA,
712
00:34:22,567 --> 00:34:26,000
RED PEPPER, BRANDY, AND,
UH, A JIGGER OF MILK.
713
00:34:26,067 --> 00:34:29,000
I SUPPOSE IT'S THE MILK
THAT PACKS THE WALLOP?
714
00:34:29,067 --> 00:34:31,000
I'M SURE IT IS,
MISS DIANE.
715
00:34:31,067 --> 00:34:32,501
OH, ELLEN, CHEER UP.
716
00:34:32,567 --> 00:34:34,501
HOW CAN I BE CHEERFUL
717
00:34:34,567 --> 00:34:37,000
WHEN I KNOW
WHAT I KNOW ABOUT JIM?
718
00:34:37,067 --> 00:34:38,501
WELL, IN A WAY,
719
00:34:38,567 --> 00:34:40,501
IT DOES
SERVE YOU RIGHT.
720
00:34:40,567 --> 00:34:43,034
YOU SHOULDN'T BE
LOOKING IN HIS POCKETS.
721
00:34:43,100 --> 00:34:45,034
YOU NEVER LOOK
IN HARRY'S POCKETS?
722
00:34:45,100 --> 00:34:47,534
THE SUBJECT
HASN'T COME UP YET.
723
00:34:47,601 --> 00:34:49,534
WHEN IT DOES,
I ASSURE YOU-
724
00:34:49,601 --> 00:34:50,701
WELL.
725
00:34:50,768 --> 00:34:52,534
WELL, WHAT?
726
00:34:52,601 --> 00:34:55,933
THE SUBJECT'S
COME UP, DEAR.
727
00:34:57,100 --> 00:34:59,534
WHAT ARE YOU GOING
TO DO ABOUT IT?
728
00:34:59,601 --> 00:35:01,833
I'M NOT GOING TO
DO ANYTHING ABOUT IT.
729
00:35:01,900 --> 00:35:04,267
BECAUSE YOU TRUST HARRY
IMPLICITLY, I SUPPOSE?
730
00:35:04,334 --> 00:35:05,434
EXACTLY.
731
00:35:05,501 --> 00:35:06,701
MM-HMM.
732
00:35:06,768 --> 00:35:09,701
I WISH I'D HAD THIS CHANCE
BEFORE I'D MARRIED JIM.
733
00:35:09,768 --> 00:35:13,200
THINK OF THE TIME
IT WOULD HAVE SAVED ME.
734
00:35:13,267 --> 00:35:17,467
THINK OF THE TIME IT MIGHT
SAVE YOU, IF YOU LOOK.
735
00:35:17,534 --> 00:35:20,967
WHY, THAT'S A TERRIBLE
THING TO SAY ABOUT HARRY.
736
00:35:21,034 --> 00:35:23,467
LISTEN, YOU'D BE
LOOKING THIS VERY MINUTE
737
00:35:23,534 --> 00:35:25,967
IF YOU WEREN'T
AFRAID I WAS RIGHT.
738
00:35:26,034 --> 00:35:28,967
I DON'T THINK YOU ARE.
YOU DON'T BELIEVE ME?
739
00:35:29,034 --> 00:35:30,000
UH-UH.
740
00:35:30,067 --> 00:35:32,067
ALL RIGHT,
I'LL SHOW YOU.
741
00:35:38,067 --> 00:35:40,501
STAMPS. UH,
WHAT DID I TELL YOU?
742
00:35:40,567 --> 00:35:42,501
I DON'T SEE WHY HARRY
743
00:35:42,567 --> 00:35:46,000
CAN'T KEEP STAMPS IN
HIS TAIL COAT IF HE WANTS TO.
744
00:35:46,067 --> 00:35:48,501
THERE'S NO LAW AGAINST
MAILING LETTERS AFTER 9:00.
745
00:35:48,567 --> 00:35:49,567
A HATCHECK.
746
00:35:49,634 --> 00:35:51,534
NOTHING INCRIMINATING
ABOUT THAT, EITHER.
747
00:35:51,601 --> 00:35:54,534
LOTS OF MEN TAKE
THEIR HATS OFF INDOORS.
748
00:35:54,601 --> 00:35:56,034
A HANDKERCHIEF.
749
00:35:56,100 --> 00:35:58,034
STOP TELLING ME
WHAT EVERYTHING IS.
750
00:35:58,100 --> 00:36:00,534
I KNOW A HANDKERCHIEF
WHEN I SEE ONE.
751
00:36:00,601 --> 00:36:02,034
HOLD IT UP.
752
00:36:02,100 --> 00:36:04,467
NOT EVEN A TRACE
OF ANY LIPSTICK.
753
00:36:04,534 --> 00:36:05,867
KEEP ON.
754
00:36:07,534 --> 00:36:08,967
CIGARETTES,
755
00:36:09,034 --> 00:36:10,467
MATCHES,
756
00:36:10,534 --> 00:36:12,467
AND...
757
00:36:12,534 --> 00:36:14,467
13 CENTS.
758
00:36:14,534 --> 00:36:17,467
YOU CAN SEE I'M MARRYING
HIM FOR HIS MONEY.
759
00:36:17,534 --> 00:36:18,634
KEEP GOING.
760
00:36:18,701 --> 00:36:20,634
THERE'S NO PLACE
ELSE TO GO.
761
00:36:20,701 --> 00:36:24,000
OH, YES, THERE IS. THE
MOST CRITICAL POCKET OF ALL.
762
00:36:24,067 --> 00:36:27,000
THIS IS WHERE
I FOUND THE COMB.
763
00:36:27,067 --> 00:36:29,234
REALLY, ELLEN,
THIS IS GETTING...
764
00:36:31,567 --> 00:36:34,167
LOOK, WHAT
DID I TELL YOU?
765
00:36:34,234 --> 00:36:36,668
OH, IT'S JUST A BILL.
766
00:36:36,734 --> 00:36:39,668
HAVE THEY STARTED
PUTTING PERFUME ON BILLS?
767
00:36:39,734 --> 00:36:42,167
IF THEY HAVEN'T, IT'S
HIGH TIME THEY STARTED.
768
00:36:42,234 --> 00:36:45,734
OH, NO, YOU DON'T.
IF YOU WON'T, I WILL.
769
00:36:49,567 --> 00:36:51,501
"MY PASSIONATE LION."
770
00:36:51,567 --> 00:36:53,501
YOU THINK I MADE IT UP?
771
00:36:53,567 --> 00:36:56,034
I COULDN'T MAKE
THAT ONE UP.
772
00:36:56,100 --> 00:36:58,100
HERE, LET ME SEE.
773
00:36:59,601 --> 00:37:01,034
YOU'RE RIGHT.
774
00:37:01,100 --> 00:37:03,867
"MY PASSIONATE LION."
775
00:37:03,933 --> 00:37:07,367
SOMEBODY OUGHT TO HAVE A TALK
WITH HER ABOUT HER SPELLING.
776
00:37:07,434 --> 00:37:09,867
THEY'RE USING TWO Ss IN
PASSIONATE THESE DAYS.
777
00:37:09,933 --> 00:37:11,367
NEVER MIND. GO ON.
778
00:37:11,434 --> 00:37:14,634
"ALL DAY LONG I COULD
FEEL YOU STALKING ME AGAIN.
779
00:37:14,701 --> 00:37:17,134
"I COULD ALMOST SEE
YOUR GLEAMING EYES
780
00:37:17,200 --> 00:37:20,067
"AND FEEL YOUR
HOT BREATH ON MY NECK.
781
00:37:20,134 --> 00:37:24,067
I COULD EVEN HEAR THE SOFT THUD OF YOUR PAWS
-"
782
00:37:24,134 --> 00:37:26,067
THE LION'S GOT
ON RUBBER HEELS.
783
00:37:26,134 --> 00:37:28,567
WHO'S IT FROM, DIANE?
WHO'S IT FROM?
784
00:37:28,634 --> 00:37:30,200
IT'S SIGNED "SQUIRREL."
785
00:37:30,267 --> 00:37:32,701
SO HELP ME,
IT'S SIGNED THAT WAY.
786
00:37:32,768 --> 00:37:34,200
OH, YOU POOR DARLING.
787
00:37:34,267 --> 00:37:36,000
"OH, MY LION,
MY LION,
788
00:37:36,067 --> 00:37:38,900
EVERY MOMENT THAT YOU'RE
AWAY FROM ME IS ETERNITY."
789
00:37:41,567 --> 00:37:44,000
DON'T STAND THERE.
GO OUT AND STOP THEM.
790
00:37:44,067 --> 00:37:45,501
STOP THEM FROM WHAT?
791
00:37:45,567 --> 00:37:46,833
FROM READING
THAT LETTER.
792
00:37:46,900 --> 00:37:48,000
WELL, HOW?
793
00:37:48,067 --> 00:37:50,000
ANY WAY YOU CAN. INVENT
SOMETHING. ANYTHING.
794
00:37:50,067 --> 00:37:53,167
TELL THEM THE HOUSE
IS ON FIRE.
795
00:37:53,234 --> 00:37:56,501
HELLO, GEORGE? DROP EVERYTHING
AND GET OVER HERE RIGHT AWAY.
796
00:37:56,567 --> 00:37:58,000
EVERYTHING'S THE MATTER.
797
00:37:58,067 --> 00:38:00,867
IF YOU EVER RAN INTERFERENCE
FOR ME, RUN IT NOW!
798
00:38:00,933 --> 00:38:04,833
"OH, MY LION, I LOVE YOUR
STRENGTH AND YOUR GENTLENESS.
799
00:38:04,900 --> 00:38:09,367
I LOVE THE WAY
YOU ROAR WHEN... "
800
00:38:13,467 --> 00:38:17,467
EXCUSE ME, MISS DIANE, I
THINK... SOMETHING'S BURNING.
801
00:38:17,534 --> 00:38:20,768
I KNOW, EDGAR.
IT'S ME.
802
00:38:25,634 --> 00:38:27,467
YEAH, BUT... WHAT?
803
00:38:27,534 --> 00:38:29,967
WELL, GO TO THE CLEANERS
AND GET IT.
804
00:38:30,034 --> 00:38:32,967
YOU'RE NO GOOD TO ME
WITHOUT A TAIL COAT.
805
00:38:33,034 --> 00:38:34,467
I HAVE A TAIL COAT.
806
00:38:34,534 --> 00:38:36,000
YES. IN THE KITCHEN.
HERE?
807
00:38:36,067 --> 00:38:39,000
EDGAR, YOU'RE A DREAM BOY. GEORGE,
FORGET EVERYTHING BUT SPEED.
808
00:38:39,067 --> 00:38:41,401
IT'S THE FOURTH DOWN.
WE'VE GOT TO PUNT.
809
00:38:41,467 --> 00:38:42,900
"OH, MY PASSIONATE LION,
810
00:38:42,967 --> 00:38:45,900
"MY ECSTASY IS
ALMOST UNBEARABLE.
811
00:38:45,967 --> 00:38:49,501
"THANK YOU, THANK YOU.
THE MINK HAS JUST ARRIVED.
812
00:38:49,567 --> 00:38:53,000
"IT IS HERE
ON THE BED BESIDE ME,
813
00:38:53,067 --> 00:38:55,867
SLEEK AND WARM LIKE... "
814
00:38:57,933 --> 00:39:00,167
BABY, WHERE ARE YOU?
815
00:39:04,034 --> 00:39:05,467
GOOD MORNING,
DARLING.
816
00:39:05,534 --> 00:39:06,967
NO, NO, NO, NO.
817
00:39:07,034 --> 00:39:08,000
WELL, WHAT-
818
00:39:08,067 --> 00:39:10,034
HELLO, ELLEN.
HOW ARE YOU?
819
00:39:10,100 --> 00:39:13,034
I'M IN MISERY, AND
I THINK I'VE GOT COMPANY.
820
00:39:13,100 --> 00:39:16,034
WHO COULD BE MISERABLE ON
A BEAUTIFUL DAY LIKE THIS?
821
00:39:16,100 --> 00:39:18,034
HA HA HA HA.
822
00:39:18,100 --> 00:39:20,534
WELL, ISN'T IT
A BEAUTIFUL DAY?
823
00:39:20,601 --> 00:39:22,034
GREAT
FOR STALKING.
824
00:39:22,100 --> 00:39:24,034
I THINK I'D
BETTER BE GOING.
825
00:39:24,100 --> 00:39:25,534
OH, NO, DON'T GO.
826
00:39:25,601 --> 00:39:27,034
YOU'RE DYING
TO BE ALONE.
827
00:39:27,100 --> 00:39:29,534
OH, NO, WE'RE NOT-
I MEAN, UH,
828
00:39:29,601 --> 00:39:31,034
WON'T YOU
STAY FOR LUNCH?
829
00:39:31,100 --> 00:39:32,701
NO, THANK YOU, HARRY.
830
00:39:32,768 --> 00:39:35,200
AFTER ALL, THIS IS YOUR
LAST LUNCH TOGETHER,
831
00:39:35,267 --> 00:39:37,367
BEFORE YOU'RE MARRIED,
I MEAN.
832
00:39:37,434 --> 00:39:38,567
GOODBYE, DARLING.
833
00:39:38,634 --> 00:39:39,734
GOODBYE.
834
00:39:39,800 --> 00:39:42,267
GOODBYE, HARRY,
YOU BEAST.
835
00:39:42,334 --> 00:39:44,267
KING OF BEASTS.
836
00:39:44,334 --> 00:39:46,267
HMM? HA HA HA HA.
837
00:39:46,334 --> 00:39:49,067
YOU'LL HAVE TO
EXPLAIN THAT TO ME.
838
00:39:49,134 --> 00:39:52,067
WHAT'S THE MATTER, LOST IN
THE DARKNESS OF THE JUNGLE?
839
00:39:52,134 --> 00:39:53,267
JUNGLE?
840
00:39:53,334 --> 00:39:54,768
* JUNGLE BELLS,
JUNGLE BELLS *
841
00:39:54,833 --> 00:39:56,768
* JUNGLE ALL THE WAY *
842
00:39:56,833 --> 00:39:58,701
* LA LA LA LA **
843
00:39:58,768 --> 00:40:01,701
MAYBE THIS CAN MAKE THINGS
A LITTLE CLEARER FOR YOU,
844
00:40:01,768 --> 00:40:03,701
MY PASSIONATE LION.
845
00:40:05,134 --> 00:40:07,067
REMEMBER, THIS IS
HIS TAIL COAT.
846
00:40:07,134 --> 00:40:09,067
MY TAIL COAT
IS HIS TAIL COAT.
847
00:40:09,134 --> 00:40:10,067
CORRECT.
848
00:40:10,134 --> 00:40:12,067
HIS TAIL COAT
IS MY TAIL COAT.
849
00:40:12,134 --> 00:40:13,067
PERFECT.
850
00:40:13,134 --> 00:40:14,567
AND HIS LETTER...
851
00:40:14,634 --> 00:40:16,100
IS MY LETTER.
852
00:40:16,167 --> 00:40:18,634
AND I DON'T
UNDERSTAND ANY OF IT.
853
00:40:19,634 --> 00:40:21,034
WELL?
854
00:40:21,100 --> 00:40:23,034
WELL-WELL-WELL-
WELL-WHERE DID-
855
00:40:23,100 --> 00:40:26,034
YOU KNOW PERFECTLY WELL
WHERE IT CAME FROM-
856
00:40:26,100 --> 00:40:27,534
YOUR TAIL COAT POCKET.
857
00:40:27,601 --> 00:40:29,534
OH, DIANE,
I DON'T-I DON'T-
858
00:40:29,601 --> 00:40:32,567
HARRY, STOP NOT FINISHING
SENTENCES. LET'S FACE IT.
859
00:40:32,634 --> 00:40:33,567
FACE WHAT?
860
00:40:33,634 --> 00:40:35,034
THE LION IN HIS DEN.
861
00:40:35,100 --> 00:40:36,034
ANYBODY HOME?
862
00:40:36,100 --> 00:40:37,034
GEORGE!
863
00:40:37,100 --> 00:40:38,034
HELLO, GEORGE!
864
00:40:38,100 --> 00:40:40,034
HOW IN THE WORLD
ARE YOU?
865
00:40:40,100 --> 00:40:43,034
WHAT BRINGS YOU HERE
THIS TIME OF THE DAY?
866
00:40:43,100 --> 00:40:44,534
YOU'LL HAVE
TO ANSWER THAT.
867
00:40:44,601 --> 00:40:45,634
HELLO, DIANE.
868
00:40:46,634 --> 00:40:47,567
HELLO, GEORGE.
869
00:40:47,634 --> 00:40:49,067
OH, AM I INTERRUPTING
ANYTHING?
870
00:40:49,134 --> 00:40:50,567
TO COIN A PHRASE,
YES.
871
00:40:50,634 --> 00:40:52,067
WELL, THAT'S
A FAIR ANSWER.
872
00:40:52,134 --> 00:40:55,067
AT LEAST YOU'RE ACKNOWLEDGING
THAT I'M IN THE ROOM.
873
00:40:55,134 --> 00:40:57,567
THAT'S MORE THAN SHE
GENERALLY DOES, HARRY.
874
00:40:57,634 --> 00:41:00,567
BUT YOU WAIT TILL I TAKE
THAT PERSONALITY COURSE.
875
00:41:00,634 --> 00:41:02,067
WELL, GOODBYE, KIDS.
876
00:41:02,134 --> 00:41:03,501
HEY, GEORGE,
DON'T GO.
877
00:41:03,567 --> 00:41:05,000
I'LL BE BACK LATER.
878
00:41:05,067 --> 00:41:08,401
DON'T BE AN IDIOT. DON'T
EVEN THINK OF GOING.
879
00:41:08,467 --> 00:41:11,301
WHY DID YOU COME
IN THE FIRST PLACE
880
00:41:11,367 --> 00:41:12,833
IF YOU'RE GOING
RIGHT AWAY?
881
00:41:12,900 --> 00:41:14,768
OH, IT'LL KEEP.
882
00:41:14,833 --> 00:41:16,800
WHY KEEP ANYTHING?
COME ON, GEORGE.
883
00:41:16,867 --> 00:41:18,800
TELL US WHAT
IT'S ALL ABOUT.
884
00:41:18,867 --> 00:41:22,034
WELL, IT'S JUST THAT AFTER THAT
FOOTBALL SCRIMMAGE LAST NIGHT,
885
00:41:22,100 --> 00:41:24,734
I PUT ON THE WRONG
TAIL COAT.
886
00:41:24,800 --> 00:41:26,034
YOU DID WHAT?
887
00:41:26,100 --> 00:41:28,833
I WORE YOUR TAIL COAT
HOME BY MISTAKE
888
00:41:28,900 --> 00:41:30,534
AND CAME TO GET MINE.
889
00:41:30,601 --> 00:41:33,668
BEST MAN'S GOT TO HAVE HIS
OWN TAIL COAT, YOU KNOW.
890
00:41:33,734 --> 00:41:35,034
THERE IT IS THERE.
891
00:41:35,100 --> 00:41:36,534
NOW, YOU SEE?
892
00:41:36,601 --> 00:41:38,034
GEORGE,
SAY THAT AGAIN.
893
00:41:38,100 --> 00:41:40,534
I WORE HARRY'S TAIL
COAT HOME BY MISTAKE.
894
00:41:40,601 --> 00:41:43,034
YOU MEAN-YOU MEAN,
UH, UH,
895
00:41:43,100 --> 00:41:44,534
THIS
IS YOUR TAIL COAT?
896
00:41:44,601 --> 00:41:47,601
YEAH, LOOKS LIKE IT
TO ME. YEAH. IT IS.
897
00:41:47,668 --> 00:41:49,100
CERTAINLY.
THAT'S RIGHT.
898
00:41:49,167 --> 00:41:50,334
OHH.
899
00:41:51,434 --> 00:41:53,501
MY CIGARETTES
AND MATCHES.
900
00:41:55,601 --> 00:41:57,567
GEORGE!
901
00:41:57,634 --> 00:41:59,567
MY HANDKERCHIEF.
902
00:41:59,634 --> 00:42:01,734
HATCHECK.
903
00:42:03,067 --> 00:42:05,000
GEORGE...
904
00:42:05,067 --> 00:42:07,768
ARE YOU SURE THIS IS
YOUR TAIL COAT?
905
00:42:07,833 --> 00:42:11,000
I KNOW MY OWN
TAIL COAT WHEN I SEE IT.
906
00:42:11,067 --> 00:42:14,000
WELL, YOU DIDN'T
KNOW IT LAST NIGHT.
907
00:42:14,067 --> 00:42:17,000
WELL, I WASN'T EXACTLY SHARP
AS A ROWBOAT LAST NIGHT.
908
00:42:17,067 --> 00:42:20,000
BESIDES, HARRY AND I
ARE ABOUT THE SAME SIZE...
909
00:42:20,067 --> 00:42:22,501
EXACTLY. WE'RE EXACTLY THE SAME SIZE.
910
00:42:22,567 --> 00:42:25,501
WHY, YES, YOU
ARE, AREN'T YOU?
911
00:42:25,567 --> 00:42:26,501
HA.
912
00:42:26,567 --> 00:42:28,501
AND THE SAME BUILD,
TOO.
913
00:42:28,567 --> 00:42:31,434
EXCEPT I THINK THAT...
914
00:42:31,501 --> 00:42:34,434
GEORGE'S SHOULDERS ARE
JUST A TINY BIT BROADER.
915
00:42:34,501 --> 00:42:35,434
HEH HEH.
916
00:42:35,501 --> 00:42:36,534
HA HA.
917
00:42:36,601 --> 00:42:39,534
HARRY, WHY DON'T YOU RUN
AND PUT YOUR PANTS ON?
918
00:42:39,601 --> 00:42:41,034
THAT'S NOT
A BAD IDEA.
919
00:42:41,100 --> 00:42:42,534
A SHAVE WOULDN'T
HURT, EITHER.
920
00:42:42,601 --> 00:42:44,034
NO, IT CERTAINLY WOULDN'T.
921
00:42:44,100 --> 00:42:46,534
A NICE, CLEAN SHAVE
LIKE GEORGE HAS.
922
00:42:46,601 --> 00:42:48,034
WELL, GO ON, GO ON.
923
00:42:48,100 --> 00:42:49,534
ALL RIGHT,
I WILL.
924
00:42:49,601 --> 00:42:51,534
KEEP DIANE COMPANY FOR ME, GEORGE.
925
00:42:51,601 --> 00:42:52,534
SURE.
926
00:42:52,601 --> 00:42:54,534
ATTA BOY. THAT'S THE BEST FRIEND
927
00:42:54,601 --> 00:42:56,167
A MAN EVER HAD,
DIANE.
928
00:43:23,567 --> 00:43:25,501
WHAT ARE YOU
DOING THAT FOR?
929
00:43:25,567 --> 00:43:27,000
JUST THOUGHT
IT MIGHT
930
00:43:27,067 --> 00:43:30,000
MAKE YOU FEEL A LITTLE MORE AT HOME.
931
00:43:30,067 --> 00:43:34,000
IT SEEMS TO HAVE
THE OPPOSITE EFFECT.
932
00:43:34,067 --> 00:43:37,034
WHAT ARE YOU LOOKING
AT ME LIKE THAT FOR?
933
00:43:37,100 --> 00:43:39,034
HAVEN'T YOU EVER
SEEN ME BEFORE?
934
00:43:39,100 --> 00:43:41,034
NO, I DON'T THINK
I HAVE.
935
00:43:41,100 --> 00:43:44,034
AT LEAST NOT IN THIS
PARTICULAR LIGHT.
936
00:43:51,768 --> 00:43:52,933
AAH! HA HA!
937
00:43:55,601 --> 00:43:56,867
AHH.
938
00:43:56,933 --> 00:43:59,933
WHAT ARE YOU LURKING
BEHIND THAT TABLE FOR?
939
00:44:00,000 --> 00:44:01,933
WELL, THIS IS
THE FIRST TIME
940
00:44:02,000 --> 00:44:04,634
I'VE EVER BEEN ALONE
WITH A LION.
941
00:44:04,701 --> 00:44:05,701
LION?
942
00:44:06,701 --> 00:44:07,734
ME?
943
00:44:07,800 --> 00:44:10,501
WELL, THAT'S WHAT
THE SQUIRREL CALLS YOU,
944
00:44:10,567 --> 00:44:11,933
ISN'T IT?
945
00:44:12,000 --> 00:44:13,501
SQUIRREL?
946
00:44:13,567 --> 00:44:14,833
YEAH.
947
00:44:14,900 --> 00:44:18,167
DON'T TELL ME YOU'VE
FORGOTTEN HER ALREADY!
948
00:44:18,234 --> 00:44:19,167
OH!
949
00:44:19,234 --> 00:44:21,334
SQUIRREL.
950
00:44:24,067 --> 00:44:26,000
YES, OF COURSE.
951
00:44:26,067 --> 00:44:28,000
LITTLE SQUIRREL.
952
00:44:28,067 --> 00:44:31,000
GEORGE, I'M SURPRISED AT YOU.
953
00:44:31,067 --> 00:44:34,000
I'M KIND OF SURPRISED
MYSELF.
954
00:44:34,067 --> 00:44:35,501
YOU'RE CERTAINLY
DIFFERENT
955
00:44:35,567 --> 00:44:38,000
FROM WHAT I THOUGHT
YOU WERE LIKE.
956
00:44:38,067 --> 00:44:41,000
I DIDN'T THINK YOU THOUGHT
I WAS LIKE ANYTHING.
957
00:44:41,067 --> 00:44:42,301
YES, I DID.
958
00:44:42,367 --> 00:44:44,334
I THOUGHT
YOU WERE DIM.
959
00:44:44,401 --> 00:44:45,933
YES, THAT'S THE WORD.
DIM.
960
00:44:46,000 --> 00:44:47,967
I THOUGHT YOU
STAYED HOME NIGHTS
961
00:44:48,034 --> 00:44:49,467
AND SOLVED
CHESS PROBLEMS,
962
00:44:49,534 --> 00:44:53,034
YOU KNOW, 'MATE IN THREE
AND THAT SORT OF THING.
963
00:44:53,100 --> 00:44:54,501
BUT NOW...
964
00:44:54,567 --> 00:44:57,467
NOW YOU DON'T THINK
I'M DIM?
965
00:44:57,534 --> 00:44:59,467
I DON'T THINK
YOU'RE DIM.
966
00:44:59,534 --> 00:45:03,034
AND THERE ISN'T
ANY CHESS.
967
00:45:03,100 --> 00:45:06,567
AND YOU CERTAINLY
HAVEN'T ANY PROBLEMS.
968
00:45:06,634 --> 00:45:09,167
OH, YES, I HAVE.
969
00:45:09,234 --> 00:45:10,668
LIONS DON'T HAVE
PROBLEMS.
970
00:45:10,734 --> 00:45:12,967
LIONS ARE FREE
AND UNINHIBITED.
971
00:45:13,034 --> 00:45:15,467
I CAN SEE YOU NOW
972
00:45:15,534 --> 00:45:18,501
AS EVENING FALLS...
973
00:45:18,567 --> 00:45:21,501
MOVING SILENTLY
THROUGH THE JUNGLE
974
00:45:21,567 --> 00:45:24,000
ON YOUR SOFT PAWS.
975
00:45:24,067 --> 00:45:25,501
YOU DO?
976
00:45:25,567 --> 00:45:26,501
SHH.
977
00:45:26,567 --> 00:45:28,000
YOUR EYES
ARE GLEAMING.
978
00:45:28,067 --> 00:45:29,501
YOUR MANE IS SHAKING
979
00:45:29,567 --> 00:45:32,000
AS YOU GO
STEALTHILY ALONG.
980
00:45:32,067 --> 00:45:34,000
FINALLY,
YOU GET THERE.
981
00:45:34,067 --> 00:45:36,000
WHERE?
982
00:45:36,067 --> 00:45:38,000
STOP INTERRUPTING.
YOU'LL GET THERE.
983
00:45:38,067 --> 00:45:40,501
I CAN SEE YOU
AT THE DOOR.
984
00:45:40,567 --> 00:45:43,501
NO, I CAN'T
SEE YOU AT THE DOOR.
985
00:45:43,567 --> 00:45:45,501
DO YOU KNOCK
OR RING THE BELL?
986
00:45:45,567 --> 00:45:47,501
JUST SMASH
THE DOOR DOWN.
987
00:45:47,567 --> 00:45:49,034
BUT DOESN'T IT HURT?
988
00:45:49,100 --> 00:45:51,167
I BROKE MY SHOULDER
ONCE,
989
00:45:51,234 --> 00:45:53,167
BUT IT
WAS ONLY A SCRATCH.
990
00:45:53,234 --> 00:45:54,668
TELL ME, GEORGE,
991
00:45:54,734 --> 00:45:57,034
WHAT DO YOU TWO
TALK ABOUT?
992
00:45:57,100 --> 00:45:59,534
WE JUST CHAT ABOUT...
993
00:45:59,601 --> 00:46:01,534
CURRENT EVENTS.
994
00:46:01,601 --> 00:46:03,467
DON'T YOU ROAR
995
00:46:03,534 --> 00:46:05,601
LIKE SHE SAYS
YOU DO?
996
00:46:05,668 --> 00:46:06,967
OH, THAT.
997
00:46:07,034 --> 00:46:09,768
YES, NATURALLY,
A LION ROARS.
998
00:46:09,833 --> 00:46:11,933
GEORGE, WILL YOU
ROAR NOW?
999
00:46:12,000 --> 00:46:13,967
NO.
1000
00:46:14,034 --> 00:46:15,967
I'M NOT IN THE MOOD.
1001
00:46:16,034 --> 00:46:17,967
AW, GEORGE,
COME ON. PLEASE.
1002
00:46:18,034 --> 00:46:20,034
JUST FOR ME.
1003
00:46:20,100 --> 00:46:21,467
NO. I'D FEEL SILLY.
1004
00:46:21,534 --> 00:46:23,501
AW, GEORGE, PLEASE?
1005
00:46:23,567 --> 00:46:25,134
WELL...
1006
00:46:26,867 --> 00:46:27,933
RROW.
1007
00:46:30,067 --> 00:46:34,034
THAT'S NOT A LION.
IT'S A PEKINESE.
1008
00:46:34,100 --> 00:46:35,301
OH.
1009
00:46:35,367 --> 00:46:36,601
RRROW!
1010
00:46:36,668 --> 00:46:38,000
OH...
1011
00:46:38,067 --> 00:46:40,000
YOU'RE SCARED
NOW, HUH?
1012
00:46:40,067 --> 00:46:42,501
OH, I'M NOT SCARED.
1013
00:46:42,567 --> 00:46:44,501
DON'T BE SILLY.
1014
00:46:44,567 --> 00:46:46,000
I MEAN...
1015
00:46:46,067 --> 00:46:48,000
THIS IS-THIS-
1016
00:46:48,067 --> 00:46:50,000
AW, NOW WAIT.
1017
00:46:50,067 --> 00:46:51,501
JUST A MINUTE.
1018
00:46:51,567 --> 00:46:53,501
LIONS CAN BE TAMED,
TOO.
1019
00:46:53,567 --> 00:46:54,501
HMM.
1020
00:46:54,567 --> 00:46:56,034
GO ON BACK.
1021
00:46:56,100 --> 00:46:58,034
BACK.
1022
00:46:58,100 --> 00:46:59,534
COME ON, BACK.
1023
00:46:59,601 --> 00:47:00,534
BACK.
1024
00:47:00,601 --> 00:47:02,034
HA HA HA.
1025
00:47:02,100 --> 00:47:04,467
BACK. COME ON.
BACK, BACK, BACK.
1026
00:47:04,534 --> 00:47:05,467
BACK.
1027
00:47:05,534 --> 00:47:07,833
DOWN.
1028
00:47:07,900 --> 00:47:09,833
THERE. THAT'S
A GOOD LION.
1029
00:47:09,900 --> 00:47:12,833
OH, WE LIONS HAVE OUR GENTLE MOMENTS.
1030
00:47:12,900 --> 00:47:13,967
MMM?
1031
00:47:14,034 --> 00:47:16,967
AND THE LION SHALL
LIE DOWN WITH THE LAMB
1032
00:47:17,034 --> 00:47:17,967
AND ALL THAT.
1033
00:47:18,034 --> 00:47:18,967
MM-MMM.
1034
00:47:19,034 --> 00:47:20,034
NO?
1035
00:47:20,100 --> 00:47:23,434
THE LION SHALL LIE
DOWN WITH THE SQUIRREL
1036
00:47:23,501 --> 00:47:24,967
AND ALL THAT.
1037
00:47:25,034 --> 00:47:26,067
OH.
1038
00:47:26,134 --> 00:47:28,668
THAT'S THE WAY
IT GOES, ISN'T IT?
1039
00:47:28,734 --> 00:47:31,434
AND THE SQUIRREL SHALL
LIE DOWN WITH THE... MINK.
1040
00:47:31,501 --> 00:47:33,434
IT'S KIND OF A NOAH'S ARK ARRANGEMENT.
1041
00:47:33,501 --> 00:47:35,501
OH, NOAH WAS LATE
IN THE RUN.
1042
00:47:35,567 --> 00:47:38,000
THIS GOES ALL THE WAY
BACK TO ADAM.
1043
00:47:38,067 --> 00:47:41,000
WERE THERE SQUIRRELS
IN THE GARDEN OF EDEN?
1044
00:47:41,067 --> 00:47:42,501
MM-HMM.
1045
00:47:42,567 --> 00:47:44,900
THAT'S PROBABLY
WHY EVE LEFT.
1046
00:47:46,301 --> 00:47:48,200
THAT'S A PRETTY
CYNICAL THING
1047
00:47:48,267 --> 00:47:50,000
FOR A YOUNG WOMAN
TO SAY.
1048
00:47:50,067 --> 00:47:53,000
AND WHAT WOULD YOU
LIKE ME TO SAY?
1049
00:47:53,067 --> 00:47:55,501
OH, MY LION, EVERY MOMENT AWAY FROM YOU
1050
00:47:55,567 --> 00:47:57,000
SEEMS LIKE
AN ETERNITY.
1051
00:47:57,067 --> 00:47:58,501
IS THAT BETTER?
1052
00:47:58,567 --> 00:47:59,701
SWELL.
1053
00:47:59,768 --> 00:48:02,900
WELL, YOU OUGHT TO LIKE
IT. SHE WROTE IT TO YOU.
1054
00:48:02,967 --> 00:48:04,234
OH.
1055
00:48:04,301 --> 00:48:05,967
TELL ME ABOUT HER,
GEORGE.
1056
00:48:06,034 --> 00:48:07,467
WHAT'S SHE LIKE?
1057
00:48:07,534 --> 00:48:10,167
WELL, SHE'S...
1058
00:48:11,800 --> 00:48:12,967
SHE'S...
1059
00:48:18,034 --> 00:48:19,467
SHE'S LOVELY.
1060
00:48:19,534 --> 00:48:21,467
YOU KNOW,
SITTING THERE LIKE THAT,
1061
00:48:21,534 --> 00:48:23,467
YOU LOOK A LOT
LIKE HER.
1062
00:48:23,534 --> 00:48:24,467
I DO?
1063
00:48:24,534 --> 00:48:26,467
YES. SAME LONG LASHES,
1064
00:48:26,534 --> 00:48:28,467
SAME LITTLE NOSE,
1065
00:48:28,534 --> 00:48:30,467
SAME SUNLIT HAIR.
1066
00:48:30,534 --> 00:48:31,967
SAME LAUGHING EYES.
1067
00:48:32,034 --> 00:48:33,967
BUT I DON'T WRITE
LETTERS.
1068
00:48:34,034 --> 00:48:35,467
I WISH I DID.
1069
00:48:35,534 --> 00:48:39,501
IT MUST BE FUN TO WRITE THINGS LIKE-
1070
00:48:39,567 --> 00:48:42,000
STRANGE HOW YOU'RE
GIVING ME THOUGHTS
1071
00:48:42,067 --> 00:48:44,000
I'VE NEVER
HAD BEFORE...
1072
00:48:44,067 --> 00:48:45,501
HOW BEING NEAR YOU
1073
00:48:45,567 --> 00:48:47,900
IS NOT LIKE BEING
NEAR ANYONE ELSE.
1074
00:48:47,967 --> 00:48:51,401
THAT'S THE BEST PART
OF THE LETTER.
1075
00:48:54,234 --> 00:48:55,301
HUH?
1076
00:49:00,100 --> 00:49:02,034
HOW W KNOWING YOU...
1077
00:49:02,100 --> 00:49:04,534
IS DIFFERENT FROM KNOWING ANYONE ELSE
1078
00:49:04,601 --> 00:49:06,467
IN THE WHOLE WORLD.
1079
00:49:08,100 --> 00:49:10,067
IS THAT RIGHT,
GEORGE?
1080
00:49:10,134 --> 00:49:12,067
IT'S PERFECT.
1081
00:49:12,134 --> 00:49:14,601
I'M GLAD
YOU LIKE IT.
1082
00:49:16,634 --> 00:49:20,067
WOULD YOU... LIKE TO
HEAR WHAT I WROTE HER?
1083
00:49:20,134 --> 00:49:21,768
YES, I'D LOVE TO.
1084
00:49:25,134 --> 00:49:27,067
YOUR VOICE IS LIKE
1085
00:49:27,134 --> 00:49:29,567
A SUNRISE...
1086
00:49:29,634 --> 00:49:31,567
LIKE A GARDEN IN BLOOM...
1087
00:49:32,734 --> 00:49:35,301
LIKE A BIRD
AGAINST THE SKY.
1088
00:49:37,867 --> 00:49:39,967
DO MORE, GEORGE.
1089
00:49:40,034 --> 00:49:41,967
WHY DON'T YOU
BE KIND
1090
00:49:42,034 --> 00:49:43,501
AND SET ME FREE?
1091
00:49:43,567 --> 00:49:45,601
OR WHY DON'T YOU
BE KINDER
1092
00:49:45,668 --> 00:49:47,601
AND HOLD ME
FOREVER AND EVER?
1093
00:49:47,668 --> 00:49:50,434
YOU DON'T MIND MY QUOTING THAT, DO YOU?
1094
00:49:50,501 --> 00:49:52,434
OH, NO. OF COURSE NOT.
1095
00:49:52,501 --> 00:49:53,933
IT-IT'S WONDERFUL.
1096
00:49:54,000 --> 00:49:55,434
YOU SEEM TO HAVE
1097
00:49:55,501 --> 00:49:58,534
CAUGHT EACH OTHER'S
MOOD... EXACTLY.
1098
00:49:58,601 --> 00:50:00,501
YES.
1099
00:50:00,567 --> 00:50:03,034
YOU KNOW, PEOPLE DO THAT SOMETIMES...
1100
00:50:03,100 --> 00:50:04,768
IN LETTERS, I MEAN.
1101
00:50:07,601 --> 00:50:09,534
BRUSH YOUR LIPS
ACROSS MY CHEEK,
1102
00:50:09,601 --> 00:50:11,800
MY DEAR.
1103
00:50:13,100 --> 00:50:14,967
IS THAT
FROM THE LETTER?
1104
00:50:15,034 --> 00:50:17,067
OH, NO.
OUT OF MY HEAD.
1105
00:50:17,134 --> 00:50:18,567
I JUST WANTED TO HEAR
1106
00:50:18,634 --> 00:50:20,167
WHAT IT WOULD
SOUND LIKE.
1107
00:50:20,234 --> 00:50:22,000
SOUNDED WONDERFUL.
1108
00:50:23,401 --> 00:50:26,067
LET'S SEE WHAT
THIS SOUNDS LIKE.
1109
00:50:26,134 --> 00:50:29,567
I WANT MORE THAN
ANYTHING IN THE WORLD
1110
00:50:29,634 --> 00:50:31,567
TO HOLD YOU
IN MY ARMS.
1111
00:50:31,634 --> 00:50:32,567
LETTER?
1112
00:50:32,634 --> 00:50:34,601
NO. HEAD.
1113
00:50:36,634 --> 00:50:39,567
THERE WAS DARKNESS
FOR A LONG, LONG TIME,
1114
00:50:39,634 --> 00:50:41,567
AND SUDDENLY
THE LIGHT CAME,
1115
00:50:41,634 --> 00:50:44,000
AND THE LIGHT WAS YOU.
1116
00:50:44,067 --> 00:50:45,100
LETTER?
1117
00:50:46,634 --> 00:50:47,734
HEAD.
1118
00:50:49,634 --> 00:50:52,100
DARLING...
1119
00:50:52,167 --> 00:50:55,100
NOW AND FROM
THE BEGINNING.
1120
00:50:55,167 --> 00:50:56,734
HEAD, DIANE.
1121
00:50:58,167 --> 00:51:00,100
THESE MOMENTS WE HAVE
1122
00:51:00,167 --> 00:51:02,100
ARE OURS FOREVER.
1123
00:51:02,167 --> 00:51:03,534
LETTER?
1124
00:51:04,534 --> 00:51:05,967
THESE MOMENTS WE HAVE-
1125
00:51:06,034 --> 00:51:06,967
HEAD?
1126
00:51:07,034 --> 00:51:08,100
HEART.
1127
00:51:25,134 --> 00:51:26,833
GEORGE.
1128
00:51:26,900 --> 00:51:31,067
HOW DO PEOPLE KNOW WHEN
THEY'RE REALLY IN LOVE?
1129
00:51:31,134 --> 00:51:33,067
WELL...
FIRST I GUESS
1130
00:51:33,134 --> 00:51:36,067
THEY FIND OUT
THEY LIKE TO BE TOGETHER,
1131
00:51:36,134 --> 00:51:40,067
AND THEN THEY FIND OUT THEY
KIND OF THINK THE SAME THINGS.
1132
00:51:40,134 --> 00:51:42,067
THEN I GUESS
AFTER A WHILE,
1133
00:51:42,134 --> 00:51:45,067
THEY GET SO THEY EVEN
SAY THE SAME THINGS
1134
00:51:45,134 --> 00:51:47,567
AT THE SAME TIME.
1135
00:51:47,634 --> 00:51:50,067
AND THAT'S THE WAY
YOU KNOW?
1136
00:51:50,134 --> 00:51:52,067
WELL,
I'M JUST GUESSING.
1137
00:51:52,134 --> 00:51:56,100
WELL, YOUR GUESS WOULD BE MY GUESS, TOO.
1138
00:51:56,167 --> 00:51:59,601
IT MUST BE WONDERFUL WHEN-
IT MUST BE WONDERFUL WHEN-
1139
00:51:59,668 --> 00:52:01,601
LIKE THAT.
LIKE THAT.
1140
00:52:01,668 --> 00:52:02,601
GEORGE.
1141
00:52:02,668 --> 00:52:04,534
I'VE WAITED
A LONG TIME.
1142
00:52:04,601 --> 00:52:07,534
BUT NOW...
1143
00:52:07,601 --> 00:52:09,034
NOW...
1144
00:52:09,100 --> 00:52:11,234
YOU'RE GOING
TO MARRY HARRY.
1145
00:52:12,867 --> 00:52:14,301
AND, ACCORDING
TO CUSTOM,
1146
00:52:14,367 --> 00:52:16,867
MAY THE BEST MAN
KISS THE BRIDE.
1147
00:52:18,100 --> 00:52:19,534
THAT'S ALL
THERE IS TO IT.
1148
00:52:19,601 --> 00:52:20,900
HE ISN'T HERE.
1149
00:52:20,967 --> 00:52:22,900
THIS IS AN EMPTY
APARTMENT.
1150
00:52:22,967 --> 00:52:24,534
THERE'S NOBODY
HERE. NOBODY...
1151
00:52:24,601 --> 00:52:26,034
IN-IN-INCLUDING
ME.
1152
00:52:26,100 --> 00:52:28,034
THAT'S ALL RIGHT,
EDGAR.
1153
00:52:28,100 --> 00:52:29,567
I'LL WAIT.
1154
00:52:29,634 --> 00:52:32,100
HE WON'T BE HERE
AT ALL.
1155
00:52:32,167 --> 00:52:34,601
MISS GRAY, HE'S GONE TO CHICAGO-
1156
00:52:34,668 --> 00:52:36,601
UH, F-FOR
THE NIGHT.
1157
00:52:36,668 --> 00:52:38,601
I SEE.
HE'S IN CHICAGO,
1158
00:52:38,668 --> 00:52:41,067
AND THE WEDDING'S
IN NEW YORK!
1159
00:52:41,134 --> 00:52:44,067
WHY ARE MY LETTERS
SCATTERED ALL OVER THE PLACE?
1160
00:52:44,134 --> 00:52:46,701
TO MAKE THE ROOM
LOOK LIVED IN?
1161
00:52:46,768 --> 00:52:48,800
SHE FOLLOWS ME
EVERYWHERE.
1162
00:52:48,867 --> 00:52:51,867
I'LL SHOW HIM HE CAN'T
TREAT ME THIS WAY.
1163
00:52:53,734 --> 00:52:55,601
SHE HATES FLOWERS.
1164
00:52:59,034 --> 00:53:00,800
AND FRUIT, TOO.
1165
00:53:02,200 --> 00:53:04,967
GEORGE, STOP HER! SHE
DOESN'T LIKE CHAMPAGNE EITHER.
1166
00:53:05,034 --> 00:53:07,301
SQUIRREL! OH, HO HO!
1167
00:53:13,601 --> 00:53:14,534
HAVE WE MET?
1168
00:53:14,601 --> 00:53:15,534
SQUIRREL!
1169
00:53:15,601 --> 00:53:17,534
SHE HAS A VERY
BAD MEMORY.
1170
00:53:17,601 --> 00:53:19,200
SO I SEE.
1171
00:53:19,267 --> 00:53:20,200
WHAT THE-
1172
00:53:20,267 --> 00:53:22,200
I'LL SHOW YOU
WHAT THE!
1173
00:53:22,267 --> 00:53:24,200
GETTING MARRIED WITHOUT TELLING ME!
1174
00:53:24,267 --> 00:53:26,134
SHALL I THROW
A FIT, SIR?
1175
00:53:26,200 --> 00:53:29,100
I CAN EXPLAIN THE WHOLE THING. YOU SEE-
1176
00:53:29,167 --> 00:53:31,301
NEVER MIND, GEORGE.
IT'S UP TO ME NOW.
1177
00:53:31,367 --> 00:53:34,367
I'M SORRY, BUT I PUT GEORGE ON THE SPOT.
1178
00:53:34,434 --> 00:53:36,301
HIS TAIL COAT REALLY
ISN'T MY TAIL COAT-
1179
00:53:36,367 --> 00:53:38,367
IT'S NOT REALLY MINE. IT'S EDGAR'S.
1180
00:53:38,434 --> 00:53:40,334
IT'S LUTHER'S. NO,
NOT LUTHER'S TAIL COAT.
1181
00:53:40,401 --> 00:53:41,833
IT'S MR. ORMAN'S
TAIL COAT,
1182
00:53:41,900 --> 00:53:43,833
AND HE'S IN
THE HOSPITAL.
1183
00:53:43,900 --> 00:53:47,067
JUST A MINUTE. IT'S BETTER
IF NOBODY EXPLAINS ANYTHING
1184
00:53:47,134 --> 00:53:49,234
TO ANYBODY.
1185
00:53:53,134 --> 00:53:55,367
HERE'S YOUR LETTER,
SQUIRREL.
1186
00:53:57,634 --> 00:54:00,067
AND HERE'S YOUR RING...
1187
00:54:00,134 --> 00:54:01,467
HARRY.
1188
00:54:03,567 --> 00:54:06,401
AND HERE'S MY LION.
1189
00:54:08,067 --> 00:54:09,567
YE-YE-BUT-
1190
00:54:09,634 --> 00:54:12,534
YOU EVER WANT ME TO HELP
YOU OUT AGAIN, HARRY,
1191
00:54:12,601 --> 00:54:13,867
JUST LET ME KNOW.
1192
00:54:13,933 --> 00:54:14,967
RRROW!
1193
00:54:25,601 --> 00:54:27,034
IT'S GOT A HOLE.
1194
00:54:27,100 --> 00:54:28,200
WE KNOW.
1195
00:54:28,267 --> 00:54:29,701
QUESTION IS, HOW MUCH?
1196
00:54:29,768 --> 00:54:31,267
WITH THE HOLE.
1197
00:54:34,768 --> 00:54:36,367
WELL, $7.00.
1198
00:54:36,434 --> 00:54:37,367
$7.00.
1199
00:54:37,434 --> 00:54:38,867
FOR THAT COAT?
1200
00:54:38,933 --> 00:54:40,367
COME ON, EDGAR.
1201
00:54:40,434 --> 00:54:41,867
JUST A SECOND.
1202
00:54:41,933 --> 00:54:44,301
LET ME TAKE IT OVER
TO THE LIGHT.
1203
00:54:46,134 --> 00:54:47,567
FIND ANYTHING YOU LIKE?
1204
00:54:47,634 --> 00:54:50,200
THANK YOU. YES.
JUST LOOKING.
1205
00:54:50,267 --> 00:54:52,534
$7.00, AND YOU SAID
AT LEAST 25.
1206
00:54:52,601 --> 00:54:55,534
I SAID WE'D SPLIT
ALL OVER 10, DIDN'T I?
1207
00:54:55,601 --> 00:54:57,034
OVER 10, YES.
1208
00:54:57,100 --> 00:54:59,034
YOU'RE HERE
TO ENSURE THAT.
1209
00:54:59,100 --> 00:55:00,534
WELL, HERE YOU ARE.
1210
00:55:00,601 --> 00:55:02,534
$10, TAKE IT
OR LEAVE IT.
1211
00:55:02,601 --> 00:55:03,967
WE'LL TAKE IT.
1212
00:55:04,034 --> 00:55:05,467
I'LL TAKE IT.
COME ON.
1213
00:55:05,534 --> 00:55:07,067
UH, GOOD DAY,
GENTLEMEN.
1214
00:55:08,401 --> 00:55:10,000
MY, WHAT A FINE COAT.
1215
00:55:10,067 --> 00:55:12,267
IT WOULD BE NICE
FOR MY HUSBAND.
1216
00:55:12,334 --> 00:55:13,601
YOUR HUSBAND A WAITER?
1217
00:55:13,668 --> 00:55:15,601
OH, NO.
HE'S NOT A WAITER.
1218
00:55:15,668 --> 00:55:17,867
HE'S A GREAT MUSICIAN.
1219
00:55:46,768 --> 00:55:49,367
WHAT DO YOU THINK
I'M PAYING YOU FOR?
1220
00:55:49,434 --> 00:55:50,900
MUSIC, NOT MURDER.
1221
00:55:50,967 --> 00:55:52,634
GOOD MUSIC, GET IT?
1222
00:56:12,567 --> 00:56:13,501
MR. WALTER,
1223
00:56:13,567 --> 00:56:15,000
I- I-I MUST-
1224
00:56:15,067 --> 00:56:18,000
I DEFINITELY MUST GO OUT
FOR HALF AN HOUR.
1225
00:56:18,067 --> 00:56:19,401
KEEP PLAYING.
1226
00:56:33,601 --> 00:56:34,900
I- I-I-
1227
00:57:09,067 --> 00:57:11,000
I CANNOT CONDUCT
SLEEPWALKERS.
1228
00:57:11,067 --> 00:57:13,301
I CANNOT RAISE
THE DEAD!
1229
00:57:13,367 --> 00:57:14,301
I CANNOT!
1230
00:57:14,367 --> 00:57:16,100
I WILL NOT!
1231
00:57:17,601 --> 00:57:19,534
BACK TO 26, GENTLEMEN.
1232
00:57:24,334 --> 00:57:26,367
YOUR E-FLAT IS FLAT,
MISTER.
1233
00:57:29,267 --> 00:57:32,167
WOULD YOU OBLIGE ME BY
NOT REWRITING THE SCORE.
1234
00:57:32,234 --> 00:57:33,634
THAT NOTE IS SHARP.
1235
00:57:48,401 --> 00:57:49,833
YES! YES!
1236
00:57:49,900 --> 00:57:52,334
YOU PLAY EVERYTHING
AS IT IS WRITTEN!
1237
00:57:52,401 --> 00:57:54,367
EVERY NOTE LIKE ROBOTS-
1238
00:57:54,434 --> 00:57:55,367
WITHOUT LIFE!
1239
00:57:55,434 --> 00:57:56,367
WITHOUT FEELING!
1240
00:57:56,434 --> 00:57:58,367
BUT THEY ARE NOT
JUST NOTES!
1241
00:57:58,434 --> 00:58:00,701
THEY ARE NOTES WRITTEN
FROM THE BRAIN
1242
00:58:00,768 --> 00:58:02,000
FROM THE HEART!
1243
00:58:02,067 --> 00:58:04,501
MUSIC WITHOUT FEELING
IS NOISE!
1244
00:58:04,567 --> 00:58:07,000
DON'T YOU UNDERSTAND?
1245
00:59:12,434 --> 00:59:13,867
CAN'T YOU READ?
1246
00:59:13,933 --> 00:59:15,867
JUST LOOK
AT THE FOURTH NOTE
1247
00:59:15,933 --> 00:59:17,367
AFTER NUMBER 35!
1248
00:59:17,434 --> 00:59:18,867
WHAT DO YOU SEE?
TRIPLETS!
1249
00:59:18,933 --> 00:59:22,100
AS IN TRIPLETS!
1250
00:59:23,234 --> 00:59:25,367
ALL RIGHT, GENTLEMEN,
THIS IS TOO MUCH.
1251
00:59:25,434 --> 00:59:27,367
WE'LL PROCEED
IN HALF AN HOUR.
1252
00:59:27,434 --> 00:59:29,768
YOU NEED A REST.
SO DO I.
1253
00:59:37,100 --> 00:59:38,034
PHOOEY!
1254
00:59:38,100 --> 00:59:39,768
TOO LATE
TO APOLOGIZE.
1255
00:59:47,334 --> 00:59:49,768
COME ON, CHARLIE.
LET'S GO.
1256
00:59:49,833 --> 00:59:51,267
COME ON NOW,
WILL YOU?
1257
00:59:51,334 --> 00:59:52,401
COME ON.
1258
00:59:59,534 --> 01:00:00,833
Wait.
1259
01:00:07,067 --> 01:00:08,501
WHAT IS IT?
1260
01:00:08,567 --> 01:00:10,967
EXCUSE ME, MAESTRO,
BUT SMITH IS HERE.
1261
01:00:11,034 --> 01:00:12,200
WHAT SMITH?
1262
01:00:12,267 --> 01:00:14,701
CHARLES SMITH THE COMPOSER,
THE MAN I TOLD YOU ABOUT.
1263
01:00:14,768 --> 01:00:15,701
WHEN?
1264
01:00:15,768 --> 01:00:16,701
FOR THE LAST 10 YEARS.
1265
01:00:16,768 --> 01:00:18,067
YOU PROMISED
TO SEE HIM TOMORROW.
1266
01:00:18,134 --> 01:00:19,067
THIS ISN'T TOMORROW.
1267
01:00:19,134 --> 01:00:20,067
BUT THAT WAS YESTERDAY.
1268
01:00:20,134 --> 01:00:22,067
THAT'S WHEN YOU
TOLD ME TOMORROW,
1269
01:00:22,134 --> 01:00:23,567
AND THAT IS TODAY.
1270
01:00:23,634 --> 01:00:24,567
SORRY. NO TIME.
1271
01:00:24,634 --> 01:00:28,067
BUT, UH, MAESTRO,
THE MAN IS A GENIUS...
1272
01:00:28,134 --> 01:00:29,267
A MASTER.
1273
01:00:30,367 --> 01:00:31,800
OH, NO, MAESTRO.
1274
01:00:31,867 --> 01:00:35,301
I'VE ALWAYS THOUGHT OF
STRAVINSKY AS THE MOST, UH...
1275
01:00:35,367 --> 01:00:37,634
NO.
1276
01:00:37,701 --> 01:00:41,100
WORTHY OF YOUR
DISTINCT CONSIDERATION.
1277
01:01:02,167 --> 01:01:05,867
GOOD EVENING.
1278
01:01:07,933 --> 01:01:10,200
GOOD EVENING.
1279
01:01:25,833 --> 01:01:26,768
WHAT?
1280
01:01:26,833 --> 01:01:29,567
WHAT ARE YOU WAITING FOR?
1281
01:01:29,634 --> 01:01:30,567
PLAY.
1282
01:01:30,634 --> 01:01:31,701
YEAH.
1283
01:02:00,334 --> 01:02:01,334
MARVELOUS!
1284
01:02:09,768 --> 01:02:11,668
CUBBY,
DID YOU DO IT?
1285
01:02:11,734 --> 01:02:13,501
I DID IT! I DID IT!
1286
01:02:13,567 --> 01:02:14,501
OH!
1287
01:02:14,567 --> 01:02:16,601
WHAT DID HE SAY,
DARLING?
1288
01:02:16,668 --> 01:02:19,100
HE KISSED ME ON EACH CHEEK.
1289
01:02:19,167 --> 01:02:20,534
OH! DIRTY PIG.
1290
01:02:20,601 --> 01:02:22,800
WHEN IS HE
GOING TO PLAY IT?
1291
01:02:22,867 --> 01:02:24,800
I'M GOING TO
CONDUCT IT MYSELF.
1292
01:02:24,867 --> 01:02:26,434
WE REHEARSE TWO WEEKS,
STARTING TOMORROW.
1293
01:02:26,501 --> 01:02:27,601
THE SCHERZO FLOORED HIM.
1294
01:02:27,668 --> 01:02:28,701
I HARDLY WONDER.
1295
01:02:28,768 --> 01:02:32,567
HE CAME RIGHT OVER TO ME
WITH HIS EYES SHINING.
1296
01:02:32,634 --> 01:02:34,501
"SMITH," HE SAID,
"YOU'RE A GENIUS."
1297
01:02:34,567 --> 01:02:37,833
HE'S GOING TO PRESENT ME
TO THE PUBLIC HIMSELF.
1298
01:02:39,301 --> 01:02:41,734
LADIES AND GENTLEMEN...
1299
01:02:41,800 --> 01:02:45,734
I HAVE THE GREAT HONOR
TO PRESENT MR. SMITH
1300
01:02:45,800 --> 01:02:47,234
AT THE CARNEGIE HALL.
1301
01:02:47,301 --> 01:02:48,367
OH.
1302
01:02:58,800 --> 01:03:01,734
GOOD HEAVENS, 8:00!
WE'VE GOT TO RUSH.
1303
01:03:01,800 --> 01:03:03,668
MAMA, IT'S CHARLIE'S
BIG NIGHT.
1304
01:03:03,734 --> 01:03:04,867
OH, MY BABY.
1305
01:03:04,933 --> 01:03:07,200
CHARLIE, YOU CAN'T CONDUCT
THE SYMPHONY IN THAT.
1306
01:03:07,267 --> 01:03:08,701
TAILS AND WHITE TIE.
1307
01:03:08,768 --> 01:03:11,200
BUT HE HASN'T
GOT A TAIL COAT.
1308
01:03:11,267 --> 01:03:13,634
YOU SHOULD HAVE THOUGHT
OF THAT BEFORE!
1309
01:03:13,701 --> 01:03:14,701
I SHOULD HAVE?
1310
01:03:14,768 --> 01:03:17,200
I'VE GONE CRAZY
THINKING OF EVERYTHING-
1311
01:03:17,267 --> 01:03:18,701
OH! WHY, CUBBY, DARLING,
1312
01:03:18,768 --> 01:03:20,701
I CAN
GET YOU A TAIL COAT.
1313
01:03:20,768 --> 01:03:22,200
I KNOW JUST WHERE.
1314
01:03:22,267 --> 01:03:24,200
NOW, YOU TWO RUN ALONG.
1315
01:03:24,267 --> 01:03:26,701
I'LL BRING EVERYTHING
TO THE DRESSING ROOM.
1316
01:03:26,768 --> 01:03:28,534
ALL RIGHT, DARLING.
1317
01:03:28,601 --> 01:03:31,034
OH, HURRY, PLEASE,
IT'S VERY IMPORTANT.
1318
01:03:31,100 --> 01:03:34,534
ALL RIGHT, MADAM, NOW
WHAT SIZE IS YOUR HUSBAND?
1319
01:03:34,601 --> 01:03:36,034
HERE. HERE IT IS.
1320
01:03:36,100 --> 01:03:37,567
OH, THAT'S RIGHT.
1321
01:03:37,634 --> 01:03:40,067
YOUR HUSBAND'S
A MUSICIAN, ISN'T HE?
1322
01:03:40,134 --> 01:03:41,067
YES.
1323
01:03:41,134 --> 01:03:42,734
OH.
1324
01:03:42,800 --> 01:03:44,301
LET'S SEE NOW.
1325
01:03:46,301 --> 01:03:47,734
THERE YOU ARE.
1326
01:03:47,800 --> 01:03:49,800
THAT'LL FIT LIKE A GLOVE.
1327
01:04:25,768 --> 01:04:26,768
UGH!
1328
01:04:36,200 --> 01:04:38,134
IT'S TOO SMALL.
1329
01:04:38,200 --> 01:04:39,701
OH, DEAR.
1330
01:04:39,768 --> 01:04:42,701
AND THERE'S A HOLE
IN IT. LOOK.
1331
01:04:42,768 --> 01:04:44,734
NO ONE WILL SEE IT.
1332
01:04:44,800 --> 01:04:46,234
YOUR CUE, MR. SMITH!
1333
01:04:46,301 --> 01:04:49,067
IT'LL BE ALL RIGHT,
DARLING.
1334
01:04:49,134 --> 01:04:50,668
IT'LL BE ALL RIGHT.
1335
01:04:53,301 --> 01:04:55,734
WE'RE DINING OUT
TONIGHT, BUBBLES.
1336
01:04:55,800 --> 01:04:57,000
HERE.
1337
01:05:21,634 --> 01:05:23,967
LADIES AND GENTLEMEN...
1338
01:05:24,034 --> 01:05:27,401
MR. CHARLES SMITH.
1339
01:07:20,267 --> 01:07:21,434
SHH!
1340
01:08:32,768 --> 01:08:33,701
WHAT?
1341
01:08:33,768 --> 01:08:36,701
Your sleeve
is torn in the back.
1342
01:10:04,668 --> 01:10:06,301
CONTINUE.
1343
01:10:07,634 --> 01:10:08,734
PLEASE.
1344
01:11:56,867 --> 01:11:58,900
HA HA HA!
1345
01:12:03,367 --> 01:12:07,234
I BET YOU KNOW SOMEBODY
WHO'S DOWN ON THEIR LUCK.
1346
01:12:07,301 --> 01:12:08,734
INDEED I DO.
1347
01:12:08,800 --> 01:12:10,234
GIVE THEM THAT,
WILL YOU?
1348
01:12:10,301 --> 01:12:11,401
OH, THANK YOU, SIR.
1349
01:12:11,467 --> 01:12:12,900
OH, IT'S A TAIL COAT.
1350
01:12:12,967 --> 01:12:15,100
NO, NO, NO.
THAT'S A RABBIT'S FOOT.
1351
01:12:15,167 --> 01:12:16,100
GOOD NIGHT!
1352
01:12:16,167 --> 01:12:17,100
BLESS YOU!
1353
01:12:17,167 --> 01:12:19,800
COME ON.
COME ON. COME ON.
1354
01:12:21,301 --> 01:12:24,734
DOES THIS LOOK LIKE A
RABBIT'S FOOT TO YOU?
1355
01:12:24,800 --> 01:12:26,967
HMM? RABBIT'S FOOT?
1356
01:12:28,800 --> 01:12:32,768
LOOKS MORE LIKE THE REAR END
OF A MILLION DOLLARS.
1357
01:12:32,833 --> 01:12:34,267
HA HA HA!
1358
01:12:35,334 --> 01:12:36,768
THERE ARE THE KEYS.
1359
01:12:37,833 --> 01:12:39,267
OH, SHUT UP.
1360
01:12:39,334 --> 01:12:40,267
PLEASE.
1361
01:12:40,334 --> 01:12:42,100
HELLO, FOLKS!
1362
01:12:42,167 --> 01:12:43,768
IF THOSE ARE BILLS,
KEEP GOING.
1363
01:12:43,833 --> 01:12:45,267
I'VE GOT TO
DELIVER THEM,
1364
01:12:45,334 --> 01:12:47,768
BUT YOU DON'T
HAVE TO OPEN THEM.
1365
01:12:47,833 --> 01:12:49,267
ANY MAIL
FOR ME, DAD?
1366
01:12:49,334 --> 01:12:50,267
NO VALENTINES.
1367
01:12:51,833 --> 01:12:53,768
WILL YOU SHUT UP?
1368
01:12:53,833 --> 01:12:56,833
MOLLY, WHAT
DO YOU MAKE OF THIS?
1369
01:12:58,334 --> 01:12:59,267
GOODBYE.
1370
01:12:59,334 --> 01:13:00,768
HUH? OH, GOODBYE.
1371
01:13:00,833 --> 01:13:02,267
COME AGAIN.
1372
01:13:02,334 --> 01:13:04,567
"AVERY L. BROWNE."
1373
01:13:04,634 --> 01:13:07,434
AVERY L.?
1374
01:13:07,501 --> 01:13:10,434
YOU DON'T SUPPOSE
THAT COULD BE LARRY?
1375
01:13:10,501 --> 01:13:12,234
"BLACKSTONE HOTEL,
CHICAGO."
1376
01:13:12,301 --> 01:13:13,734
MIGHT BE AT THAT.
1377
01:13:13,800 --> 01:13:15,734
HE SHOW UP
LAST NIGHT?
1378
01:13:15,800 --> 01:13:18,734
NO. PROBABLY UP
TO HIS OLD TRICKS.
1379
01:13:18,800 --> 01:13:21,234
FANCY WAY TO SPELL
"BROWNE," WITH AN "E."
1380
01:13:21,301 --> 01:13:22,234
YES.
1381
01:13:22,301 --> 01:13:24,734
I THINK I'D
BETTER GO AND SEE.
1382
01:13:24,800 --> 01:13:26,734
DON'T FORGET
TO LOCK UP.
1383
01:13:26,800 --> 01:13:27,734
OH, NO.
1384
01:13:33,301 --> 01:13:34,734
HELLO.
1385
01:13:34,800 --> 01:13:35,867
HELLO, HELLO.
1386
01:14:03,933 --> 01:14:06,200
GO AWAY.
1387
01:14:06,267 --> 01:14:07,200
LARRY.
1388
01:14:07,267 --> 01:14:09,067
IS THIS YOURS?
1389
01:14:13,800 --> 01:14:15,734
NO.
1390
01:14:15,800 --> 01:14:18,734
WELL, IF YOUR STOMACH
GETS TO GNAWING,
1391
01:14:18,800 --> 01:14:19,900
DROP AROUND.
1392
01:14:20,967 --> 01:14:22,234
HERE.
1393
01:14:22,301 --> 01:14:23,800
GIVE IT TO ME.
1394
01:14:43,367 --> 01:14:45,833
WHAT ARE YOU STANDING
THERE FOR?
1395
01:14:45,900 --> 01:14:47,768
GO ON. READ IT.
1396
01:14:47,833 --> 01:14:51,334
THAT'S WHAT YOU BROUGHT
IT HERE FOR, ISN'T IT?
1397
01:14:57,334 --> 01:15:01,167
"CLASS OF 1917,
UNIVERSITY...
1398
01:15:02,434 --> 01:15:06,701
"25th ANNIVERSARY DINNER
AT THE WALDORF-ASTORIA,
1399
01:15:06,768 --> 01:15:10,134
8:00, OCTOBER 5th. "
1400
01:15:10,200 --> 01:15:11,200
WELL, THAT'S TODAY.
1401
01:15:11,267 --> 01:15:14,200
"URGE YOU IN
THE NAME OF THE LOVE
1402
01:15:14,267 --> 01:15:17,034
"WE ALL BEAR
FOR OUR ALMA MATER
1403
01:15:17,100 --> 01:15:18,267
"TO BE WITH US,
1404
01:15:18,334 --> 01:15:21,234
H.B. HANK BRONSON."
1405
01:15:21,301 --> 01:15:22,800
HANK.
1406
01:15:23,800 --> 01:15:25,301
"FORMAL DRESS."
1407
01:16:17,301 --> 01:16:18,734
WHISKEY.
1408
01:16:27,668 --> 01:16:29,167
THERE YOU ARE.
1409
01:16:32,334 --> 01:16:36,768
OH. I FIGURE THIS WILL
PUT ME ON MY FEET AGAIN.
1410
01:16:36,833 --> 01:16:38,933
SURE. SURE.
GO RIGHT AHEAD.
1411
01:16:44,467 --> 01:16:45,900
GOT A CIGARETTE?
1412
01:16:45,967 --> 01:16:47,601
NO.
1413
01:16:47,668 --> 01:16:49,900
HERE. HAVE ONE OF MINE.
1414
01:16:51,000 --> 01:16:52,434
GO AHEAD.
1415
01:16:52,501 --> 01:16:53,434
OH.
1416
01:16:53,501 --> 01:16:54,867
THANK YOU.
1417
01:16:57,334 --> 01:17:00,301
YOU'VE BEEN AROUND HERE
ABOUT FIVE YEARS NOW, LARRY.
1418
01:17:00,367 --> 01:17:01,301
SIX.
1419
01:17:01,367 --> 01:17:03,234
AND EVERY DAY
FOR SIX YEARS,
1420
01:17:03,301 --> 01:17:05,734
YOU'VE BEEN TALKING
ABOUT GOING UPTOWN,
1421
01:17:05,800 --> 01:17:08,234
GETTING ON YOUR FEET
AGAIN, AWAY FROM ALL THIS,
1422
01:17:08,301 --> 01:17:11,734
BUT YOU ALWAYS SEEM
TO NEED ONE MORE DRINK
1423
01:17:11,800 --> 01:17:13,234
TO GET YOUR NERVE UP.
1424
01:17:13,301 --> 01:17:15,734
MAYBE IF YOU
DIDN'T GET IT UP,
1425
01:17:15,800 --> 01:17:17,734
SOMEDAY YOU
MIGHT REALLY GO.
1426
01:17:17,800 --> 01:17:20,234
YEAH, WELL, I...
I KNOW WHAT I'M DOING.
1427
01:17:20,301 --> 01:17:21,734
OH, SURE, YOU DO.
1428
01:17:21,800 --> 01:17:24,234
AND I DON'T WANT ANYBODY
PREACHING AT ME.
1429
01:17:24,301 --> 01:17:26,734
DID I EVER SAY
NOT TO TAKE IT?
1430
01:17:26,800 --> 01:17:29,734
IF YOU NEED ANOTHER,
HAVE ONE. I'LL BUY.
1431
01:17:29,800 --> 01:17:30,900
HERE.
1432
01:17:35,334 --> 01:17:39,768
LARRY, THEY TELL ME THEY GOT A
MIGHTY GOOD COOK AT THE WALDORF.
1433
01:17:39,833 --> 01:17:41,334
WHY DON'T YOU GO?
1434
01:17:43,334 --> 01:17:45,267
OUGHT TO BE
A NICE PARTY.
1435
01:17:45,334 --> 01:17:48,267
HERE'S YOUR CHANCE
TO GET UPTOWN AGAIN,
1436
01:17:48,334 --> 01:17:52,267
AND I DON'T MEAN NORTH
OF 14th STREET.
1437
01:17:52,334 --> 01:17:54,334
I MEAN
NORTH OF YOURSELF.
1438
01:17:55,833 --> 01:17:58,768
OH, LARRY, YOU'VE
SEEN ENOUGH OF GUTTERS
1439
01:17:58,833 --> 01:18:00,768
AND FLOPHOUSES
AND HANGOUTS.
1440
01:18:00,833 --> 01:18:05,234
MAYBE IF YOU GOT YOUR FEET
UNDER A TABLE AGAIN FOR A SPELL,
1441
01:18:05,301 --> 01:18:08,234
ORDERED A THICK STEAK,
SLEPT IN A CLEAN BED,
1442
01:18:08,301 --> 01:18:09,734
TALKED
YOUR OWN LANGUAGE,
1443
01:18:09,800 --> 01:18:12,734
YOU MIGHT BE RIGHT
IN THERE PUNCHING AGAIN.
1444
01:18:12,800 --> 01:18:14,234
WHAT DO YOU SAY?
1445
01:18:14,301 --> 01:18:16,734
WHAT IS IT,
A COSTUME PARTY?
1446
01:18:16,800 --> 01:18:19,734
YOU WANT ME TO GO
AS J.P. MORGAN?
1447
01:18:19,800 --> 01:18:23,734
I WANT YOU TO GO
AS AVERY L. BROWNE,
1448
01:18:23,800 --> 01:18:26,234
AVERY L. BROWNE
WITH AN "E."
1449
01:18:26,301 --> 01:18:27,234
HEH.
1450
01:18:27,301 --> 01:18:29,034
IF YOU'RE WORRIED
ABOUT YOUR LOOKS,
1451
01:18:29,100 --> 01:18:30,234
THAT'S IN MOLLY'S
DEPARTMENT.
1452
01:18:30,301 --> 01:18:34,234
WE JUST GOT A DRESS
COAT IN THIS MORNING,
1453
01:18:34,301 --> 01:18:36,301
PROBABLY SENT
RIGHT FROM HEAVEN.
1454
01:18:49,501 --> 01:18:51,501
PETE, WILL
YOU SHUT UP?
1455
01:18:53,334 --> 01:18:55,768
REALLY OUGHT TO HAVE
PATENT LEATHERS, BUT-
1456
01:18:55,833 --> 01:18:58,267
I THINK THOSE BRITCHES
ARE LONG ENOUGH.
1457
01:18:58,334 --> 01:19:00,267
I DON'T BELIEVE
ANYBODY WILL NOTICE.
1458
01:19:00,334 --> 01:19:02,768
YOU SHOULD HAVE GOTTEN
HIM A REGULAR SHIRT.
1459
01:19:02,833 --> 01:19:04,267
THEY COST $1.75.
1460
01:19:04,334 --> 01:19:05,768
I DON'T CARE.
1461
01:19:05,833 --> 01:19:07,768
SUPPOSE THAT RIDICULOUS
WHATCHAMACALLIT, UH...
1462
01:19:07,833 --> 01:19:08,768
DICKEY, MOTHER.
1463
01:19:08,833 --> 01:19:10,267
SUPPOSE IT POPS OUT?
1464
01:19:10,334 --> 01:19:12,800
IT WON'T IF HE KEEPS
HIS VEST BUTTONED.
1465
01:19:12,867 --> 01:19:15,800
THEY CALL THEM WAISTCOATS
UP WHERE LARRY'S GOING.
1466
01:19:15,867 --> 01:19:17,634
THERE YOU GO, LARRY.
1467
01:19:17,701 --> 01:19:19,200
PUT THAT ON.
1468
01:19:20,867 --> 01:19:22,800
A NICE PIECE
OF GOODS, MOTHER.
1469
01:19:22,867 --> 01:19:25,301
IT MUST HAVE COST
A PRETTY PENNY.
1470
01:19:25,367 --> 01:19:26,800
FEEL THAT SILK.
1471
01:19:26,867 --> 01:19:28,301
MMM!
1472
01:19:28,367 --> 01:19:30,800
YOUR WAISTCOAT,
MR. BROWNE.
1473
01:19:30,867 --> 01:19:34,800
THERE. THAT OUGHT TO
HOLD A MAN OF YOUR SIZE,
1474
01:19:34,867 --> 01:19:36,534
IF YOU DON'T
EAT TOO MUCH.
1475
01:19:45,401 --> 01:19:48,833
WHY, YOU'D THINK
IT WAS MADE FOR YOU,
1476
01:19:48,900 --> 01:19:50,067
ALMOST.
1477
01:19:51,900 --> 01:19:54,833
ALL RIGHT, LARRY.
LET ME SEE IT.
1478
01:19:54,900 --> 01:19:56,334
OH, THAT'S FINE.
1479
01:19:56,401 --> 01:19:58,833
GIVE HIM
THE HAT, MARY.
1480
01:19:58,900 --> 01:20:00,401
PUT IT ON.
1481
01:20:04,267 --> 01:20:05,200
ALL RIGHT.
1482
01:20:05,267 --> 01:20:06,200
PERFECT!
1483
01:20:06,267 --> 01:20:08,200
OH, UH...
1484
01:20:08,267 --> 01:20:09,200
HERE, LARRY.
1485
01:20:09,267 --> 01:20:12,200
HERE'S WHAT WAS LEFT
IN THE BOX.
1486
01:20:12,267 --> 01:20:15,200
IT'S ENOUGH FOR
A COUPLE OF DRINKS,
1487
01:20:15,267 --> 01:20:18,601
OR IT'LL TAKE YOU UPTOWN.
1488
01:20:22,367 --> 01:20:23,800
GOOD NIGHT.
1489
01:20:23,867 --> 01:20:25,467
GOOD NIGHT,
MR. BROWNE.
1490
01:20:29,134 --> 01:20:30,200
WAIT.
1491
01:20:36,367 --> 01:20:37,800
THANK YOU, MY DEAR.
1492
01:20:37,867 --> 01:20:39,467
GOOD NIGHT.
1493
01:20:39,534 --> 01:20:43,967
* COME JOIN AND CHEER
THE ALMA MATER *
1494
01:20:44,034 --> 01:20:47,367
* OUR GUIDING STAR *
1495
01:20:47,434 --> 01:20:51,367
* TO LIVE THE DAYS
OF HOPES AND JOYS AND *
1496
01:20:51,434 --> 01:20:54,933
* SING THE SONGS ONCE MORE *
1497
01:20:55,000 --> 01:21:00,933
* FRIENDSHIP
OF COLLEGE DAYS *
1498
01:21:01,000 --> 01:21:06,833
* SHALL NEVER, NEVER PASS *
1499
01:21:06,900 --> 01:21:12,000
* COME JOIN AND CHEER
THE ALMA MATER *
1500
01:21:12,067 --> 01:21:15,467
* SING THE SONGS
ONCE MORE **
1501
01:21:15,534 --> 01:21:17,668
HEY, WHO'S THAT?
1502
01:21:19,501 --> 01:21:21,933
WELL, IF IT
ISN'T LARRY BROWNE!
1503
01:21:22,000 --> 01:21:25,467
YOU OLD SON OF A-
HOW HAVE YOU BEEN?
1504
01:21:25,534 --> 01:21:28,467
WELL, I THOUGHT
YOU'D NEVER GET HERE.
1505
01:21:28,534 --> 01:21:29,967
IT'S ABOUT TIME.
1506
01:21:30,034 --> 01:21:32,000
HEY, FELLAS,
LOOK WHO'S HERE...
1507
01:21:32,067 --> 01:21:33,501
LARRY Y BROWNE
IN PERSON.
1508
01:21:33,567 --> 01:21:34,501
HELLO, BROWNE!
1509
01:21:34,567 --> 01:21:36,134
WELL, YOU
JUST MADE IT.
1510
01:21:36,200 --> 01:21:38,134
WHAT KEPT YOU,
LARRY?
1511
01:21:38,200 --> 01:21:40,334
WE'RE JUST
GETTING STARTED.
1512
01:21:40,401 --> 01:21:41,334
HELLO THERE.
1513
01:21:41,401 --> 01:21:42,833
HOW ARE YOU?
1514
01:21:42,900 --> 01:21:43,833
HI, EBB.
1515
01:21:43,900 --> 01:21:44,833
HA HA!
1516
01:21:44,900 --> 01:21:45,833
SOUPY HALES.
1517
01:21:45,900 --> 01:21:48,334
HA HA!
LARRY BROWNE.
1518
01:21:48,401 --> 01:21:50,833
YOU OLD ROOSTER, I COULD KISS YOU.
1519
01:21:50,900 --> 01:21:52,334
HA HA HA!
1520
01:21:52,401 --> 01:21:54,833
SAY, YOU'VE LOST
A LITTLE WEIGHT.
1521
01:21:54,900 --> 01:21:56,334
I DIDN'T
REALIZE IT MYSELF
1522
01:21:56,401 --> 01:21:58,867
UNTIL I GOT INTO
THIS COAT TONIGHT.
1523
01:21:58,933 --> 01:22:01,367
HAVEN'T THEY BEEN FEEDING YOU RIGHT?
1524
01:22:01,434 --> 01:22:04,301
OH, NO. JUST HARD WORK,
MY BOY, JUST HARD WORK.
1525
01:22:04,367 --> 01:22:06,301
YOU OUGHT TO
TRY IT SOMETIME.
1526
01:22:06,367 --> 01:22:07,301
HELLO, LARRY!
1527
01:22:07,367 --> 01:22:09,301
HELLO, LARRY,
HOW ARE YOU?
1528
01:22:09,367 --> 01:22:11,800
HEY, WAITER, HOW'S
ABOUT A LITTLE SOMETHING
1529
01:22:11,867 --> 01:22:14,301
FOR BROTHER BROWNE
TO WET HIS WHISTLE WITH?
1530
01:22:14,367 --> 01:22:15,467
HE'S WAY BEHIND!
1531
01:22:15,534 --> 01:22:16,467
WHAT'LL IT BE,
1532
01:22:16,534 --> 01:22:18,467
SOME OF MRS. WALDORF'S
CHAMPAGNE,
1533
01:22:18,534 --> 01:22:22,467
OR WOULD YOU RATHER HAVE
SOMETHING WITH HAIR ON ITS CHEST?
1534
01:22:22,534 --> 01:22:23,800
I NEVER TOUCH IT.
1535
01:22:23,867 --> 01:22:26,800
I ALWAYS SERVE IT,
BUT NEVER TOUCH IT MYSELF.
1536
01:22:26,867 --> 01:22:29,800
O.K., PAL, BUT DO ME
A FAVOR, WILL YOU?
1537
01:22:29,867 --> 01:22:31,000
JUST HOLD IT.
1538
01:22:31,067 --> 01:22:32,501
NOW, DON'T
FORCE YOURSELF!
1539
01:22:32,567 --> 01:22:34,334
JUST HOLD IT.
1540
01:22:34,401 --> 01:22:36,334
HA HA HA!
1541
01:22:36,401 --> 01:22:37,833
WHOA! DON'T WASTE IT.
1542
01:22:37,900 --> 01:22:39,267
THAT'S PRECIOUS STUFF.
1543
01:22:39,334 --> 01:22:40,900
WE'VE GOT TO CONSERVE.
1544
01:22:42,900 --> 01:22:46,334
WELL, IF YOU DON'T DRINK,
YOU CAN STILL EAT.
1545
01:22:46,401 --> 01:22:47,501
WAITER, ANOTHER PLATE!
1546
01:22:47,567 --> 01:22:51,000
NO, THANK YOU, BUT I
JUST ATE ON THE PLANE.
1547
01:22:51,067 --> 01:22:52,000
WHAT PLANE?
1548
01:22:52,067 --> 01:22:54,501
I JUST FLEW IN
FROM THE COAST.
1549
01:22:54,567 --> 01:22:57,000
YOU'VE BEEN IN CALIFORNIA ALL THIS TIME
1550
01:22:57,067 --> 01:22:59,000
AND DIDN'T
LOOK ME UP?
1551
01:22:59,067 --> 01:23:02,000
I JUST PASSED THROUGH.
UH... I'VE BEEN IN CHINA.
1552
01:23:02,067 --> 01:23:03,933
THAT MUST HAVE
BEEN INTERESTING.
1553
01:23:04,000 --> 01:23:05,467
SEE ANYTHING OF THE FIGHTING?
1554
01:23:05,534 --> 01:23:06,467
A LITTLE.
1555
01:23:06,534 --> 01:23:07,501
WHEREABOUTS
IN CHINA?
1556
01:23:07,567 --> 01:23:10,467
ALL OVER, FROM CHOP SUEY TO CHOW MEIN.
1557
01:23:10,534 --> 01:23:13,967
SAME OLD LARRY. BOY,
AM I GLAD TO SEE YOU.
1558
01:23:14,034 --> 01:23:15,301
LARRY, COME HERE.
1559
01:23:15,367 --> 01:23:17,800
I WANT TO HAVE
A TALK WITH YOU.
1560
01:23:17,867 --> 01:23:18,967
WE'LL BE RIGHT BACK.
1561
01:23:19,034 --> 01:23:20,800
GOING TO BE
IN TOWN LONG?
1562
01:23:20,867 --> 01:23:22,301
OH, JUST A FEW DAYS
1563
01:23:22,367 --> 01:23:24,800
TILL I SEE
HOW THE LAND LIES.
1564
01:23:24,867 --> 01:23:27,234
HAVEN'T GOT YOURSELF
TIED UP YET, HAVE YOU?
1565
01:23:27,301 --> 01:23:28,467
NOT EXACTLY, BUT-
1566
01:23:28,534 --> 01:23:31,467
DON'T. I'VE GOT A JOB
THAT'S RIGHT DOWN YOUR ALLEY.
1567
01:23:31,534 --> 01:23:33,933
WELL, I NEVER TURNED
DOWN A CLIENT YET.
1568
01:23:34,000 --> 01:23:34,933
TAX MATTER.
1569
01:23:35,000 --> 01:23:35,967
JUST MY MEAT.
1570
01:23:36,034 --> 01:23:39,000
CAN YOU BE AT MY OFFICE
TOMORROW AT 9:30?
1571
01:23:39,067 --> 01:23:40,501
I PLANNED ON-
1572
01:23:40,567 --> 01:23:41,668
MEET MY PARTNER
McREYNOLDS,
1573
01:23:41,734 --> 01:23:43,668
GET AN IDEA
OF THE SETUP.
1574
01:23:43,734 --> 01:23:45,668
IF IT'S A QUESTION
OF MONEY,
1575
01:23:45,734 --> 01:23:47,167
WE'LL TAKE CARE OF THAT.
1576
01:23:47,234 --> 01:23:48,334
WHERE ARE YOU?
1577
01:23:48,401 --> 01:23:49,334
40 WALL STREET.
1578
01:23:49,401 --> 01:23:50,833
WELL, I'LL BE THERE.
1579
01:23:50,900 --> 01:23:51,833
GOOD.
1580
01:23:51,900 --> 01:23:53,967
I SEE YOU'RE STILL LATE TO CLASSES.
1581
01:23:54,034 --> 01:23:54,967
PROFESSOR LYONS.
1582
01:23:55,034 --> 01:23:56,334
YES?
1583
01:23:56,401 --> 01:23:59,833
THIS ABOVE ALL,
TO THINE OWN SELF BE TRUE,
1584
01:23:59,900 --> 01:24:02,167
AND IT MUST FOLLOW,
AS THE NIGHT THE DAY,
1585
01:24:02,234 --> 01:24:03,601
THOU CANST NOT BE FALSE-
1586
01:24:03,668 --> 01:24:05,768
NOT THEN BE FALSE!
NOT THEN!
1587
01:24:05,833 --> 01:24:07,668
ARE YOU STILL TRYING TO
REWRITE MR. SHAKESPEARE?
1588
01:24:07,734 --> 01:24:11,167
WELL, NOT THEN
BE FALSE TO ANY MAN.
1589
01:24:11,234 --> 01:24:12,701
RIGHT. HA HA!
1590
01:24:12,768 --> 01:24:14,467
HOW ARE YOU, MY BOY?
1591
01:24:14,534 --> 01:24:15,467
FINE, SIR.
1592
01:24:15,534 --> 01:24:16,601
YOU?
1593
01:24:16,668 --> 01:24:17,900
I'M ALWAYS FINE.
1594
01:24:17,967 --> 01:24:21,067
COMES WITH HAVING A CAST
IRON STOMACH AND NO AMBITION.
1595
01:24:21,134 --> 01:24:22,067
OH, YES.
1596
01:24:22,134 --> 01:24:25,800
I JUST GO ON VEGETATING
YEAR AFTER YEAR,
1597
01:24:25,867 --> 01:24:28,800
LIKE THE IVY
ON THE OLD CHAPEL.
1598
01:24:28,867 --> 01:24:30,301
YOU REMEMBER IT?
1599
01:24:30,367 --> 01:24:32,800
WHILE YOU PROSPEROUS
LAWYERS AND DOCTORS
1600
01:24:32,867 --> 01:24:34,301
AND BIG TIME FINANCIERS
1601
01:24:34,367 --> 01:24:37,567
LEAP FROM ONE TRIUMPH
TO THE OTHER,
1602
01:24:37,634 --> 01:24:39,967
GETTING RICH...
1603
01:24:40,034 --> 01:24:40,967
AND FAT...
1604
01:24:41,034 --> 01:24:41,967
FAT, ANYHOW.
1605
01:24:42,034 --> 01:24:45,000
SOMETIMES I CONFESS
I ENVY YOU BOYS.
1606
01:24:45,067 --> 01:24:47,000
THEN AGAIN, I DON'T KNOW.
1607
01:24:47,067 --> 01:24:51,501
IT'S RATHER FUN TO SIT WITH
THE OTHER STICK-IN-THE-MUDS
1608
01:24:51,567 --> 01:24:53,501
AND WATCH
THE PARADE GO BY,
1609
01:24:53,567 --> 01:24:55,501
SEE YOU BOYS
BEAT THE DRUMS
1610
01:24:55,567 --> 01:24:57,167
AND BLOW
THE BIG BASSOONS
1611
01:24:57,234 --> 01:24:59,167
WHILE WE TAKE
ALL THE CREDIT.
1612
01:24:59,234 --> 01:25:01,668
IT'S BEEN 25 YEARS NOW,
PROFESSOR.
1613
01:25:01,734 --> 01:25:03,167
HERE WE ARE AGAIN.
1614
01:25:03,234 --> 01:25:06,100
MUST SEEM LIKE A LONG TIME TO YOU BOYS.
1615
01:25:06,167 --> 01:25:08,668
I REMEMBER WE WERE
GOING TO LICK THE WORLD.
1616
01:25:08,734 --> 01:25:10,401
YEAH. SAVE IT
FOR DEMOCRACY.
1617
01:25:10,467 --> 01:25:11,768
SHOW THE OLDER GENERATION
1618
01:25:11,833 --> 01:25:13,768
WHAT WE'D DO
WITH THEIR MESS.
1619
01:25:13,833 --> 01:25:15,768
WE WERE YOUNG, FULL
OF VINEGAR, REMEMBER?
1620
01:25:15,833 --> 01:25:18,301
I WAS THINKING
OF THAT TODAY,
1621
01:25:18,367 --> 01:25:20,800
LOOKING AT MY CLASS
IN ENGLISH I.
1622
01:25:20,867 --> 01:25:22,634
THEY'RE KIDS,
LIKE YOU WERE.
1623
01:25:22,701 --> 01:25:24,634
OH, A LITTLE
BRIGHTER, PERHAPS.
1624
01:25:24,701 --> 01:25:26,301
HA HA HA!
HA HA HA!
1625
01:25:26,367 --> 01:25:29,301
THEN I THOUGHT, "WELL, THEY
HAVEN'T CHANGED THE WORLD MUCH.
1626
01:25:29,367 --> 01:25:31,301
"COME RIGHT DOWN TO IT,
1627
01:25:31,367 --> 01:25:33,800
THEY HAVEN'T DONE
SO BADLY, EITHER."
1628
01:25:33,867 --> 01:25:37,768
TOM, YOU'VE MADE A PRETTY GOOD
JUDGE, EVERYTHING BEING EQUAL.
1629
01:25:37,833 --> 01:25:39,034
THANK YOU.
1630
01:25:39,100 --> 01:25:43,301
JOHN, YOU'VE CUT OUT A LOT
OF APPENDIXES IN YOUR TIME
1631
01:25:43,367 --> 01:25:45,301
AND BEEN OVERPAID
FOR IT, TOO.
1632
01:25:45,367 --> 01:25:47,301
LARRY HERE'S
BEEN IN CHINA.
1633
01:25:47,367 --> 01:25:49,800
NOW THAT'S QUITE
AN ACHIEVEMENT IN ITSELF.
1634
01:25:49,867 --> 01:25:52,833
FARTHEST I EVER GOT
WAS PUGET SOUND ONE SUMMER.
1635
01:25:52,900 --> 01:25:55,833
THAT MUST HAVE BEEN,
OH, 40 YEARS AGO.
1636
01:25:55,900 --> 01:26:00,833
I'VE LIVED ON THE MEMORY
OF IT EVER SINCE.
1637
01:26:00,900 --> 01:26:02,833
YES, YOU HAVE
YOUR FAMILIES.
1638
01:26:02,900 --> 01:26:04,267
YOU'RE DOING YOUR JOBS,
1639
01:26:04,334 --> 01:26:06,768
AND YOU HAVEN'T
FORGOTTEN YOUR FRIENDS.
1640
01:26:06,833 --> 01:26:09,267
WHEN YOU GET
AS OLD AS I AM,
1641
01:26:09,334 --> 01:26:11,267
YOU'LL DISCOVER
THOSE ARE THE THINGS
1642
01:26:11,334 --> 01:26:14,768
THAT REALLY SPELL SUCCESS
AND HAPPINESS.
1643
01:26:14,833 --> 01:26:16,467
DING-A-LING
A- LING A-LING!
1644
01:26:16,534 --> 01:26:18,967
HEY, PROF, DIDN'T YOU
HEAR THE BELL RING?
1645
01:26:19,034 --> 01:26:20,467
THAT MEANS
CLASS IS OVER.
1646
01:26:20,534 --> 01:26:23,467
WE HAVE SOME SERIOUS
SINGING AND DRINKING TO DO.
1647
01:26:23,534 --> 01:26:25,000
DON'T LET ME STOP YOU.
1648
01:26:25,067 --> 01:26:26,501
I NEVER COULD.
1649
01:26:26,567 --> 01:26:29,000
COME ON, FELLAS.
NOW GET READY.
1650
01:26:29,067 --> 01:26:30,501
OH, HEN, MY BOY,
1651
01:26:30,567 --> 01:26:32,000
HOW ABOUT
GIVING LARRY
1652
01:26:32,067 --> 01:26:35,000
ONE OF YOUR NICE LITTLE
OLD CORONA CORONAS
1653
01:26:35,067 --> 01:26:36,301
BEFORE WE START.
1654
01:26:36,367 --> 01:26:38,800
YOU KNOW, THE GUY
MUST HAVE SOME VICES.
1655
01:26:38,867 --> 01:26:41,301
SORRY. I JUST HAD
TO ORDER SOME MORE.
1656
01:26:41,367 --> 01:26:43,301
HANK HERE TOOK
MY LAST HANDFUL.
1657
01:26:43,367 --> 01:26:45,800
YOU'VE GOT TO HAVE
SOMETHING THESE DAYS
1658
01:26:45,867 --> 01:26:48,301
TO SELL INSURANCE WITH,
BESIDES PERSONALITY.
1659
01:26:48,367 --> 01:26:49,900
HELLO, BROWNE.
1660
01:26:51,867 --> 01:26:53,167
HELLO, WILLIAMS.
1661
01:26:53,234 --> 01:26:55,900
DID SOMEBODY SAY YOU'D
BEEN DOWN IN CHINA?
1662
01:26:55,967 --> 01:26:57,734
THAT'S RIGHT.
1663
01:26:57,833 --> 01:26:59,200
LONG?
1664
01:26:59,267 --> 01:27:01,701
OH, UH, QUITE A WHILE.
1665
01:27:01,768 --> 01:27:03,100
WHERE HAVE YOU BEEN?
1666
01:27:03,167 --> 01:27:05,200
OH, SAME OLD STOMPING GROUNDS, CHICAGO.
1667
01:27:06,668 --> 01:27:09,601
SHALL I PUT IT
ON THE BILL, SIR?
1668
01:27:09,668 --> 01:27:11,100
NO, THIS IS MY TREAT.
1669
01:27:11,167 --> 01:27:13,167
THERE YOU ARE, BOYS.
HELP YOURSELF.
1670
01:27:15,334 --> 01:27:16,768
THE CHAMPION FUMBLER.
1671
01:27:16,833 --> 01:27:19,768
LET ME GET IT.
LET ME GET IT.
1672
01:27:19,833 --> 01:27:21,267
NO, THIS IS ON ME.
1673
01:27:21,334 --> 01:27:24,768
FUNNY. I'M SURE I HAD IT
WHEN I CAME IN.
1674
01:27:24,833 --> 01:27:27,267
LOSE YOUR WALLET?
LOCK THE DOOR, SOMEBODY!
1675
01:27:27,334 --> 01:27:29,267
DON'T ANYBODY
LEAVE THIS ROOM!
1676
01:27:29,334 --> 01:27:30,768
A CRIME'S
BEEN COMMITTED.
1677
01:27:30,833 --> 01:27:33,800
WHAT'D YOU HAVE IN IT,
ANY GOOD ADDRESSES?
1678
01:27:33,867 --> 01:27:36,234
NO. I HAD CONSIDERABLE
MONEY IN IT.
1679
01:27:36,301 --> 01:27:38,234
I'M RUNNING DOWN
TO WASHINGTON TOMORROW.
1680
01:27:38,301 --> 01:27:40,534
I CASHED A CHECK
BEFORE LEAVING THE OFFICE.
1681
01:27:40,601 --> 01:27:43,534
DON'T WORRY. WE'LL GET
TO THE BOTTOM OF THIS.
1682
01:27:43,601 --> 01:27:46,534
I DON'T LISTEN TO FRED
ALLEN'S MIGHTY ART PLAYERS
1683
01:27:46,601 --> 01:27:47,701
FOR NOTHING.
1684
01:27:47,768 --> 01:27:49,701
ME ONE LONG PAN
DETECTIVE, TOO.
1685
01:27:49,768 --> 01:27:51,200
UH, KEEP YOUR PLACES,
EVERYBODY!
1686
01:27:51,267 --> 01:27:53,200
WE'VE GOT
TO RECONSTRUCT THE CRIME.
1687
01:27:53,267 --> 01:27:55,701
WHO WAS STANDING
NEXT TO YOU, HENDERSON?
1688
01:27:55,768 --> 01:27:57,267
OH, LARRY THERE,
I BELIEVE.
1689
01:27:57,334 --> 01:27:59,134
OH, BROWNE, EH?
1690
01:27:59,200 --> 01:28:03,134
SPLIT WITH ME, KID, AND
I'LL GET YOU OUT OF IT.
1691
01:28:03,200 --> 01:28:06,100
WAIT. YOU WERE STANDING
NEXT TO HENDERSON, TOO.
1692
01:28:06,167 --> 01:28:09,601
THAT'S RIGHT, BUT YOU
SAT NEXT TO HIM AT DINNER.
1693
01:28:09,668 --> 01:28:10,768
SURE.
1694
01:28:10,833 --> 01:28:13,267
GENTLEMEN, THERE'S
ONLY ONE THING TO DO.
1695
01:28:13,334 --> 01:28:14,434
SEARCH EVERYBODY!
1696
01:28:14,501 --> 01:28:16,034
THANK YOU,
MR. DETECTIVE.
1697
01:28:16,100 --> 01:28:18,034
I DON'T THINK
THAT'LL BE NECESSARY.
1698
01:28:18,100 --> 01:28:21,234
I THINK IT'S AN EXCELLENT
IDEA, ALL IN FUN.
1699
01:28:21,301 --> 01:28:22,734
DON'T YOU, BROWNE?
1700
01:28:24,267 --> 01:28:26,167
I INSIST
ON BEING SEARCHED.
1701
01:28:26,234 --> 01:28:29,167
ANYTHING TO GET OUT
OF THIS MONKEY SUIT.
1702
01:28:29,234 --> 01:28:32,167
I HAVEN'T WORN THIS
SINCE I WAS MARRIED.
1703
01:28:32,234 --> 01:28:35,234
DO WE HAVE TO TAKE OFF OUR PANTS, TOO?
1704
01:28:36,334 --> 01:28:37,668
WHAT'S THE MATTER,
BROWNE?
1705
01:28:37,734 --> 01:28:39,534
WHERE'S YOUR SENSE
OF HUMOR?
1706
01:28:39,601 --> 01:28:42,534
COME ON, LARRY.
LET'S SLIP OUT OF IT.
1707
01:28:42,601 --> 01:28:44,034
TAKE YOUR HANDS
OFF ME.
1708
01:28:44,100 --> 01:28:46,034
YOU'RE GOING
TO GET TOUGH, EH?
1709
01:28:46,100 --> 01:28:47,768
HERE'S WHERE I'LL TACKLE
1710
01:28:47,833 --> 01:28:50,768
THE BEST TACKLE FOR
HIS WEIGHT WE EVER HAD.
1711
01:28:50,833 --> 01:28:53,267
CUT IT OUT!
GET AWAY FROM ME!
1712
01:28:53,334 --> 01:28:56,200
COME ON, FELLAS.
LET'S GET IT OFF HIM!
1713
01:28:56,267 --> 01:28:57,701
IT'S STILL
A FREE COUNTRY.
1714
01:28:57,768 --> 01:29:00,634
YOU CAN'T FORCE A MAN TO
TESTIFY AGAINST HIMSELF.
1715
01:29:00,701 --> 01:29:01,634
NOT IN MY COURT.
1716
01:29:01,701 --> 01:29:03,134
COURT!
THERE'S AN IDEA!
1717
01:29:03,200 --> 01:29:04,634
WE'LL HOLD COURT.
1718
01:29:04,701 --> 01:29:07,634
WE'LL PUT IT
TO THE JURY TO DECIDE.
1719
01:29:07,701 --> 01:29:10,634
YOU GUYS OVER THERE,
YOU BE THE JURY.
1720
01:29:10,701 --> 01:29:12,167
12 GOOD MEN AND TRUE.
1721
01:29:12,234 --> 01:29:14,668
GENTLEMEN OF THE JURY,
TAKE YOUR PLACES.
1722
01:29:14,734 --> 01:29:16,534
I'M GOING
TO SIT RIGHT HERE.
1723
01:29:18,867 --> 01:29:21,900
WILLIAMS, YOU'RE A BIG SHOT
AMBULANCE CHASER. BE D.A.
1724
01:29:21,967 --> 01:29:23,401
I SHALL BE DELIGHTED,
1725
01:29:23,467 --> 01:29:26,967
UNLESS BROWNE WOULD PREFER
ME AS A CHARACTER WITNESS.
1726
01:29:27,034 --> 01:29:29,301
JUDGE, YOUR HONOR,
YOU'RE IN SESSION.
1727
01:29:29,367 --> 01:29:30,467
ALL RIGHT.
1728
01:29:30,534 --> 01:29:33,467
WHAT'LL IT BE WORTH
FOR ME TO DEFEND YOU?
1729
01:29:33,534 --> 01:29:34,967
THE JOKE'S GONE
FAR ENOUGH.
1730
01:29:35,034 --> 01:29:36,967
LET'S GET BACK
TO OUR SINGING.
1731
01:29:37,034 --> 01:29:39,967
THE PRISONER COULD
EASILY PUT A STOP TO IT
1732
01:29:40,034 --> 01:29:41,967
BY PERMITTING HIMSELF TO BE SEARCHED.
1733
01:29:42,034 --> 01:29:43,800
CLEAR THE WITNESS BOX.
1734
01:29:43,867 --> 01:29:46,768
GENTLEMEN, I DECLARE THIS
COURT TO BE IN SESSION.
1735
01:29:46,833 --> 01:29:49,334
YOU WILL NOW PROCEED, MR. PROSECUTOR.
1736
01:29:51,267 --> 01:29:52,867
YOUR HONOR...
1737
01:29:52,933 --> 01:29:55,367
GENTLEMEN
OF THE JURY,
1738
01:29:55,434 --> 01:29:57,867
IN VIEW OF
THE CIRCUMSTANTIAL NATURE
1739
01:29:57,933 --> 01:30:00,367
OF THE EVIDENCE
IN THIS CASE,
1740
01:30:00,434 --> 01:30:03,301
THE STATE WILL BE COMPELLED
TO CALL INTO QUESTION
1741
01:30:03,367 --> 01:30:06,501
THE CHARACTER OF THE PRISONER AT THE BAR
1742
01:30:06,567 --> 01:30:09,000
AND WILL ENDEAVOR TO PROVE
1743
01:30:09,067 --> 01:30:11,000
BY THE TESTIMONY
OF EYEWITNESSES
1744
01:30:11,067 --> 01:30:14,301
THAT THE CULPRIT,
BY HIS PAST CONDUCT,
1745
01:30:14,367 --> 01:30:19,501
HAS PLACED HIMSELF BEYOND
THE PALE OF DECENT SOCIETY.
1746
01:30:19,567 --> 01:30:22,034
IS HE ON THE LEVEL?
1747
01:30:23,234 --> 01:30:25,167
ORDER!
ORDER IN THE COURT!
1748
01:30:25,234 --> 01:30:26,668
SIT DOWN, EVERYBODY,
1749
01:30:26,734 --> 01:30:28,668
OR I'LL HAVE YOU
THROWN OUT!
1750
01:30:28,734 --> 01:30:30,800
YOUR WITNESS,
MR. BROWNE.
1751
01:30:37,900 --> 01:30:40,833
IT'S UH... IT'S QUITE
ALL RIGHT, YOUR HONOR.
1752
01:30:40,900 --> 01:30:42,334
MY LEARNED
COLLEAGUE AND I
1753
01:30:42,401 --> 01:30:44,833
WERE JUST GIVING YOU
A LITTLE IDEA
1754
01:30:44,900 --> 01:30:47,900
OF HOW WE CONDUCTED
OUR CASES IN CHICAGO.
1755
01:30:47,967 --> 01:30:49,067
EH, WILLIAMS?
1756
01:30:54,434 --> 01:30:55,867
GENTLEMEN OF THE JURY,
1757
01:30:55,933 --> 01:30:58,867
YOU DON'T KNOW
WHAT IT MEANS TO ME
1758
01:30:58,933 --> 01:31:00,367
TO BE HERE TONIGHT
1759
01:31:00,434 --> 01:31:02,967
WITH MY OLD FRIENDS
OF THE CLASS OF 1917.
1760
01:31:03,034 --> 01:31:04,467
I DON'T MIND TELLING YOU
1761
01:31:04,534 --> 01:31:06,467
I THOUGHT OF YOU MANY TIMES.
1762
01:31:06,534 --> 01:31:08,967
OH, BOY. I SURE WISH
I'D KNOWN THAT.
1763
01:31:09,034 --> 01:31:12,334
I GOT A LITTLE POLICY
MADE TO ORDER FOR YOU.
1764
01:31:12,401 --> 01:31:15,000
HOWEVER, THAT'S
BESIDE THE POINT.
1765
01:31:15,067 --> 01:31:18,501
WHAT YOU'RE INTERESTED IN
IS TO HEAR MY ANSWER
1766
01:31:18,567 --> 01:31:21,501
TO THIS CHARGE THAT'S
BEEN BROUGHT AGAINST ME.
1767
01:31:21,567 --> 01:31:23,501
FRANKLY, I WISH
I'D COME PREPARED
1768
01:31:23,567 --> 01:31:25,034
TO MAKE
A BETTER DEFENSE.
1769
01:31:25,100 --> 01:31:26,534
BUT, BELIEVE IT OR NOT,
1770
01:31:26,601 --> 01:31:28,534
SPEECHMAKING
WAS THE LAST THING
1771
01:31:28,601 --> 01:31:30,034
IN MY MIND TONIGHT.
1772
01:31:30,100 --> 01:31:33,034
WHAT I REALLY CAME FOR
WAS TO, UH...
1773
01:31:33,100 --> 01:31:34,534
WELL, YOU MIGHT SAY
1774
01:31:34,601 --> 01:31:37,534
I WAS CHASING
A WILL-O'- THE-WISP.
1775
01:31:37,601 --> 01:31:39,034
AND FOR A WHILE THERE,
1776
01:31:39,100 --> 01:31:41,534
I THOUGHT
PERHAPS I'D FOUND IT.
1777
01:31:41,601 --> 01:31:44,534
ESPECIALLY WHEN I WAS
TALKING TO MY OLD ROOMMATE
1778
01:31:44,601 --> 01:31:46,833
SOUPY DAVIS
AND PROFESSOR LYONS.
1779
01:31:46,900 --> 01:31:49,467
BUT I EXPECT I DIDN'T.
1780
01:31:49,534 --> 01:31:51,467
KNOW WHY?
YOU'RE TOO SOBER.
1781
01:31:51,534 --> 01:31:52,967
LIKE ME.
1782
01:31:54,200 --> 01:31:57,634
MY DEFENSE,
SUCH AS IT IS,
1783
01:31:57,701 --> 01:32:00,167
BEGINS ON THE DAY
WE GRADUATED,
1784
01:32:00,234 --> 01:32:03,167
A DAY IN JUNE 1917.
1785
01:32:03,234 --> 01:32:06,100
IT LEADS FIRST
TO AN ARMY TRAINING CAMP,
1786
01:32:06,167 --> 01:32:07,267
THEN OVERSEAS.
1787
01:32:07,334 --> 01:32:09,267
THE ARMISTICE,
HOME AGAIN, CHICAGO.
1788
01:32:09,334 --> 01:32:10,434
THE LAW.
1789
01:32:10,501 --> 01:32:13,334
NOTHING VERY UNUSUAL
ABOUT THAT.
1790
01:32:14,401 --> 01:32:16,800
NOR I'M AFRAID
ABOUT THE NEXT CHAPTER
1791
01:32:16,867 --> 01:32:19,800
IN THE LIFE OF ONE
WHO, AS YOU RECALL,
1792
01:32:19,867 --> 01:32:21,301
JUST BARELY NOSED
WILLIAMS OUT
1793
01:32:21,367 --> 01:32:24,800
AS THE MAN YOU VOTED
MOST LIKELY TO SUCCEED.
1794
01:32:24,867 --> 01:32:26,800
A GIRL, MARRIAGE,
A HOME,
1795
01:32:26,867 --> 01:32:29,301
AND A SUCCESSION
OF THREADBARE CLIENTS
1796
01:32:29,367 --> 01:32:31,833
WHO ALWAYS SEEMED
TO BE GUILTY,
1797
01:32:31,900 --> 01:32:34,833
BUT WHO NEVER SEEMED
TO HAVE THE FORESIGHT
1798
01:32:34,900 --> 01:32:37,334
TO STEAL ENOUGH
TO DISPROVE IT.
1799
01:32:39,900 --> 01:32:41,200
MY WIFE...
1800
01:32:43,200 --> 01:32:45,367
YOU-YOU-YOU REMEMBER HER,
WILLIAMS.
1801
01:32:45,434 --> 01:32:46,833
I OUGHT TO.
1802
01:32:46,900 --> 01:32:50,668
I INTRODUCED HER TO YOU
AT THE SENIOR PROM.
1803
01:32:50,734 --> 01:32:54,200
PROBABLY ONE OF THE FEW
MISTAKES YOU EVER MADE.
1804
01:32:54,267 --> 01:32:56,567
A BEAUTIFUL WOMAN.
1805
01:32:56,634 --> 01:32:58,067
OH, MAGNIFICENT WOMAN,
1806
01:32:58,134 --> 01:32:59,567
WHO HAD EVERY REASON
1807
01:32:59,634 --> 01:33:02,567
TO EXPECT ALL THE THINGS
SHE MIGHT HAVE HAD
1808
01:33:02,634 --> 01:33:04,267
IF SHE'D MARRIED...
1809
01:33:04,334 --> 01:33:05,634
SOMEONE ELSE.
1810
01:33:05,701 --> 01:33:09,134
OH, SO THAT'S WHAT STARTED
YOU PICKING POCKETS, HUH?
1811
01:33:09,200 --> 01:33:11,900
CHERCHEZ LA FEMME.
1812
01:33:11,967 --> 01:33:13,900
THE JURY WILL
DISREGARD THAT REMARK,
1813
01:33:13,967 --> 01:33:16,601
AND I FINE YOU
ONE HIGHBALL.
1814
01:33:18,367 --> 01:33:21,301
THEN A WONDERFUL AND
BEAUTIFUL THING HAPPENED.
1815
01:33:21,367 --> 01:33:22,800
PROHIBITION.
1816
01:33:22,867 --> 01:33:24,800
THAT NOBLE EXPERIMENT
OF BLESSED MEMORY
1817
01:33:24,867 --> 01:33:26,800
CAME TO DWELL AMONG US.
1818
01:33:26,867 --> 01:33:28,301
NOWHERE, I ASSURE YOU,
1819
01:33:28,367 --> 01:33:31,301
WAS IT GREETED WITH SUCH
OPEN ARMS AS CHICAGO.
1820
01:33:31,367 --> 01:33:33,634
ALMOST OVERNIGHT,
BUSINESS BEGAN TO PICK UP.
1821
01:33:33,701 --> 01:33:35,000
MY CLIENTS-
1822
01:33:35,067 --> 01:33:38,900
YOU REFERRED ONE OF THE FIRST
TO ME, YOUR HONOR. THANK YOU.
1823
01:33:38,967 --> 01:33:41,401
MY CLIENTS, WHILE NO LESS
LIKELY CANDIDATES
1824
01:33:41,467 --> 01:33:42,900
FOR THE JUG THAN FORMERLY,
1825
01:33:42,967 --> 01:33:44,900
WERE SUFFICIENTLY
WELL-HEELED BY NOW
1826
01:33:44,967 --> 01:33:48,900
TO BE REGARDED AS THE VERY
PILLARS OF OUR COMMUNITY.
1827
01:33:48,967 --> 01:33:50,401
FORTUNATELY FOR ME,
1828
01:33:50,467 --> 01:33:52,401
THEY WERE BOTH GENEROUS
AND GRATEFUL.
1829
01:33:52,467 --> 01:33:54,401
I CONFESS,
FOR A LITTLE WHILE,
1830
01:33:54,467 --> 01:33:56,401
I SAW MYSELF
GETTING STINKING RICH.
1831
01:33:57,634 --> 01:34:01,067
BUT THE CATCH IS,
YOUR HONOR, IT DIDN'T LAST.
1832
01:34:01,134 --> 01:34:02,967
WHAT DOES, LARRY?
1833
01:34:04,067 --> 01:34:05,933
OH, I DON'T KNOW.
1834
01:34:07,167 --> 01:34:08,601
A GOOD MANY THINGS.
1835
01:34:08,668 --> 01:34:10,601
FRIENDSHIP...
1836
01:34:11,668 --> 01:34:12,800
GOOD FELLOWSHIP...
1837
01:34:12,867 --> 01:34:15,134
ISN'T THAT WHY
WE'RE HERE TONIGHT?
1838
01:34:15,200 --> 01:34:18,601
ALL THE THINGS PROFESSOR
LYONS WAS TALKING ABOUT.
1839
01:34:18,668 --> 01:34:20,301
YOU, UH...
1840
01:34:20,367 --> 01:34:23,800
YOU BELIEVE THAT,
DON'T YOU, WILLIAMS?
1841
01:34:23,867 --> 01:34:25,800
OH, WITH ALL MY HEART.
1842
01:34:25,867 --> 01:34:27,301
BUT AS I WAS SAYING,
1843
01:34:27,367 --> 01:34:28,800
WITH THE ADVENT
OF PROHIBITION,
1844
01:34:28,867 --> 01:34:32,134
TOO MANY OF MY CLIENTS BEGAN
TO FILL UNTIMELY GRAVES.
1845
01:34:33,200 --> 01:34:35,634
WHILE MORE AND MORE
OF THE OTHERS
1846
01:34:35,701 --> 01:34:37,634
BEGAN TO DISPLAY
A PRISON PALLOR.
1847
01:34:37,701 --> 01:34:41,134
IF IT HADN'T BEEN FOR A PRETTY
FANCY TIGHTROPE PERFORMANCE,
1848
01:34:41,200 --> 01:34:44,134
I MIGHT NOT HAVE
BEEN HERE MYSELF TONIGHT.
1849
01:34:44,200 --> 01:34:45,634
THERE'S NO DOUBT
ABOUT THAT.
1850
01:34:45,701 --> 01:34:49,534
AS IT TURNED OUT IT WAS A
SIMPLE CASE OF DISBARMENT,
1851
01:34:49,601 --> 01:34:51,367
HARDLY WORTH A MENTION,
1852
01:34:51,434 --> 01:34:53,367
NOT EVEN IN
THE CHICAGO TRIBUNE.
1853
01:34:53,434 --> 01:34:55,867
YOU GOT THE BENEFIT
OF EVERY DOUBT.
1854
01:34:55,933 --> 01:34:59,833
YES. THANKS TO YOU, THE GRIEVANCE
COMMITTEE OF THE BAR ASSOCIATION
1855
01:34:59,900 --> 01:35:01,067
WAS VERY GENEROUS.
1856
01:35:01,134 --> 01:35:04,734
WE WANTED TO SPARE
YOUR WIFE AND FAMILY.
1857
01:35:04,800 --> 01:35:06,734
UNFORTUNATELY MY WIFE
DIDN'T SEE
1858
01:35:06,800 --> 01:35:09,234
THE FULL HUMOR
OF MY PREDICAMENT-
1859
01:35:09,301 --> 01:35:13,501
A LOSS OF IDEALS, PROFESSOR
LYONS WOULD CALL IT-
1860
01:35:13,567 --> 01:35:15,334
AND ON ADVICE OF COUNSEL,
1861
01:35:15,401 --> 01:35:18,867
QUITE RIGHTLY DECIDED IT HAD
ALL BEEN A GHASTLY MISTAKE
1862
01:35:18,933 --> 01:35:21,367
ABOUT WHICH
THE LESS SAID THE BETTER.
1863
01:35:21,434 --> 01:35:23,867
AFTER ALL,
WHO WAS TO BLAME HER?
1864
01:35:23,933 --> 01:35:25,867
SHE WAS STILL YOUNG,
BEAUTIFUL.
1865
01:35:25,933 --> 01:35:30,933
I REALIZED I HAD BEEN FORTUNATE
TO HAVE KNOWN HER AT ALL.
1866
01:35:32,100 --> 01:35:33,833
AS FOR ME,
1867
01:35:33,900 --> 01:35:36,833
THERE WAS REALLY
NOTHING LEFT TO HOLD ME,
1868
01:35:36,900 --> 01:35:39,301
SO I JUST
DRIFTED AROUND.
1869
01:35:39,367 --> 01:35:42,301
FIRST ONE PLACE,
THEN ANOTHER,
1870
01:35:42,367 --> 01:35:46,301
UNTIL FINALLY I HAD
THE VERY GOOD FORTUNE
1871
01:35:46,367 --> 01:35:48,367
TO SETTLE DOWN IN CHINA...
1872
01:35:49,867 --> 01:35:51,167
CHINATOWN.
1873
01:35:52,534 --> 01:35:53,967
LARRY.
1874
01:35:54,034 --> 01:35:55,768
HA HA HA!
1875
01:35:55,833 --> 01:35:58,267
PUT ONE OVER ON YOU,
DIDN'T I,
1876
01:35:58,334 --> 01:36:00,701
ABOUT COMING IN
ON A PLANE TONIGHT?
1877
01:36:00,768 --> 01:36:04,134
HAD YOU GOING, TOO, SOUPY,
ABOUT TAKING THAT TAX JOB.
1878
01:36:04,200 --> 01:36:05,634
OH, WELL, WHY NOT?
1879
01:36:05,701 --> 01:36:07,134
THE WHOLE THING'S A JOKE.
1880
01:36:07,200 --> 01:36:09,634
I MEAN MY BEING HERE
AT ALL.
1881
01:36:09,701 --> 01:36:12,634
I HADN'T GIVEN IT A THOUGHT
UNTIL THIS MORNING
1882
01:36:12,701 --> 01:36:14,134
WHEN A FRIEND OF MINE,
1883
01:36:14,200 --> 01:36:15,634
A NICE FELLOW...
1884
01:36:15,701 --> 01:36:18,134
RUNS A MISSION
DOWN ON DEWEY STREET-
1885
01:36:18,200 --> 01:36:19,634
YOU OUGHT TO DROP AROUND,
1886
01:36:19,701 --> 01:36:21,134
HOLD SERVICES
WITH US SOMETIME.
1887
01:36:21,200 --> 01:36:22,634
ALL OF YOU.
1888
01:36:22,701 --> 01:36:24,134
HEAR SOME REAL
TESTIMONIES-
1889
01:36:24,200 --> 01:36:25,634
MADE ME A LITTLE BET
1890
01:36:25,701 --> 01:36:27,167
I COULDN'T COME
HERE TONIGHT
1891
01:36:27,234 --> 01:36:29,668
AND PULL THE WOOL
OVER YOUR EYES.
1892
01:36:29,734 --> 01:36:31,167
I'D HAVE TAKEN HIS MONEY,
1893
01:36:31,234 --> 01:36:34,167
IF HENDERSON HADN'T BEEN
CARELESS WITH HIS POCKETBOOK,
1894
01:36:34,234 --> 01:36:36,434
OR IF HANK HADN'T SUGGESTED
OUR BEING SEARCHED.
1895
01:36:36,501 --> 01:36:39,434
I'D HAVE WALKED OUT
OF THIS ROOM TONIGHT
1896
01:36:39,501 --> 01:36:41,434
AVERY L. BROWNE,
CLASS OF 1917,
1897
01:36:41,501 --> 01:36:44,701
BEST TACKLE FOR HIS WEIGHT
THE SCHOOL EVER HAD.
1898
01:36:44,768 --> 01:36:47,701
NOT ONE OF YOU
WOULD'VE BEEN THE WISER,
1899
01:36:47,768 --> 01:36:49,200
EXCEPT WILLIAMS, OF COURSE,
1900
01:36:49,267 --> 01:36:52,200
AND HE NEVER WOULD'VE
LET AN OLD CLASSMATE DOWN,
1901
01:36:52,267 --> 01:36:53,768
WOULD YOU, WILLIAMS?
1902
01:36:55,367 --> 01:36:56,800
SORRY, JUDGE,
BUT I'M AFRAID
1903
01:36:56,867 --> 01:36:59,833
I HAVEN'T GOT ANY DEFENSE
AFTER ALL.
1904
01:36:59,900 --> 01:37:02,334
I'M JUST THE KIND OF GUY
1905
01:37:02,401 --> 01:37:05,768
WHO WOULD STEAL
HENDERSON'S POCKETBOOK.
1906
01:37:05,833 --> 01:37:08,301
SO I PLEAD GUILTY.
1907
01:37:08,367 --> 01:37:12,067
OF COURSE, YOU HAVEN'T
ANYTHING AGAINST ME
1908
01:37:12,134 --> 01:37:13,567
BUT CIRCUMSTANTIAL
EVIDENCE,
1909
01:37:13,634 --> 01:37:16,567
BUT I KNOW TOO MUCH
ABOUT THE LAW
1910
01:37:16,634 --> 01:37:19,567
TO THINK I'D GET A CLIENT
WITH MY RECORD
1911
01:37:19,634 --> 01:37:21,067
OFF THAT EASILY.
1912
01:37:21,134 --> 01:37:23,567
IT LOOKS AS IF
MY ONLY CHANCE
1913
01:37:23,634 --> 01:37:25,567
IS TO FOLLOW
WILLIAMS' ADVICE,
1914
01:37:25,634 --> 01:37:28,567
TAKE OFF MY COAT,
LET YOU SEARCH ME,
1915
01:37:28,634 --> 01:37:32,134
AND THROW MYSELF
ON THE MERCY OF THE COURT.
1916
01:38:11,867 --> 01:38:14,800
I FOUND YOUR WALLET
IN THE CAR, SIR.
1917
01:38:14,867 --> 01:38:16,800
I THOUGHT
YOU MIGHT NEED IT.
1918
01:38:16,867 --> 01:38:18,367
OH, THANK YOU.
1919
01:38:29,867 --> 01:38:31,800
WILL YOU SHUT UP,
PLEASE?
1920
01:38:37,867 --> 01:38:39,701
JOE, LOOK WHO'S HERE.
1921
01:38:48,401 --> 01:38:51,833
LARRY, HOW WAS IT?
DID YOU HAVE A GOOD TIME?
1922
01:38:51,900 --> 01:38:53,334
MUST'VE BEEN SOME PARTY
1923
01:38:53,401 --> 01:38:55,334
TO KEEP YOU OUT
TILL MORNING.
1924
01:38:55,401 --> 01:38:56,900
THE PARTY'S OVER.
1925
01:38:58,401 --> 01:39:00,334
HERE'S YOUR
J.P. MORGAN OUTFIT.
1926
01:39:00,401 --> 01:39:02,334
LARRY!
1927
01:39:14,933 --> 01:39:16,867
HERE, MOTHER. HERE'S
YOUR RABBIT'S FOOT.
1928
01:39:16,933 --> 01:39:19,867
TAKE IT ACROSS THE
STREET TO SANTELLI BROS.
1929
01:39:19,933 --> 01:39:23,867
MAYBE YOU CAN GET ENOUGH
ON IT TO BUY RABBIT STEW.
1930
01:39:23,933 --> 01:39:26,367
EXCUSE ME. DOES
LARRY BROWNE LIVE HERE?
1931
01:39:26,434 --> 01:39:27,867
YES. WON'T
YOU COME IN?
1932
01:39:27,933 --> 01:39:29,867
MY NAME'S BRONSON.
HANK BRONSON.
1933
01:39:29,933 --> 01:39:31,367
HOW DO YOU DO?
1934
01:39:31,434 --> 01:39:33,867
THIS IS JUDGE BARNES
AND MR. DAVIS.
1935
01:39:33,933 --> 01:39:36,867
LARRY HAD AN ENGAGEMENT
WITH ME FOR 9:30.
1936
01:39:36,933 --> 01:39:38,367
I'M PICKING HIM UP.
1937
01:39:38,434 --> 01:39:42,534
SO HE WOULDN'T BE LATE
FIRST DAY ON THE JOB.
1938
01:39:42,601 --> 01:39:43,701
JOB?
1939
01:39:43,768 --> 01:39:46,734
SURE. HE'S GOING
TO WORK FOR ME NOW.
1940
01:39:46,800 --> 01:39:50,234
WELL, UH, YOU BOYS HAD
SUCH A PARTY LAST NIGHT,
1941
01:39:50,301 --> 01:39:53,234
I SUPPOSE HE'S DUE
TO OVERSLEEP A LITTLE.
1942
01:39:53,301 --> 01:39:54,734
WELL, COULD WE, UH...
1943
01:39:54,800 --> 01:39:56,301
DON'T WORRY.
1944
01:39:56,367 --> 01:39:58,800
I'LL HAVE HIM
THERE ON TIME.
1945
01:39:58,867 --> 01:40:00,301
THANK YOU VERY MUCH.
1946
01:40:00,367 --> 01:40:02,134
THANK YOU.
1947
01:40:02,200 --> 01:40:03,567
HE KNOWS
THE ADDRESS?
1948
01:40:03,634 --> 01:40:05,067
YES, 40 WALL.
1949
01:40:05,134 --> 01:40:06,067
THANK YOU.
1950
01:40:06,134 --> 01:40:07,701
GOODBYE.
1951
01:40:07,768 --> 01:40:10,701
WHAT AM I GOING
TO DO WITH THIS NOW?
1952
01:40:10,768 --> 01:40:12,200
TAKE IT
TO SANTELLI BROS.
1953
01:40:12,267 --> 01:40:13,701
IT'S DONE ITS JOB HERE.
1954
01:40:13,768 --> 01:40:15,701
NOW MAYBE IT'LL HELP
SOMEBODY ELSE.
1955
01:40:30,900 --> 01:40:33,867
"SANTELLI BROTHERS-
SECONDHAND CLOTHING."
1956
01:41:07,084 --> 01:41:10,517
THEY WON'T EVEN TAKE
THE TIME TO LOOK AT ME.
1957
01:41:10,584 --> 01:41:12,017
QUIET.
I'LL HANDLE THE JOB.
1958
01:41:12,084 --> 01:41:13,451
YOU STICK IN THE CAR.
1959
01:41:13,517 --> 01:41:16,451
I'LL SLIP IN
WHEN THEY OPEN THE DOOR.
1960
01:41:16,517 --> 01:41:19,451
YOU GOT TO WEAR
MONKEY TAILS TO GET IN.
1961
01:41:19,517 --> 01:41:22,017
IT'S STRICTLY
A PARK AVENUE LAYOUT.
1962
01:41:24,017 --> 01:41:25,684
COME ON. HURRY UP.
1963
01:41:41,050 --> 01:41:43,484
TAKE IT EASY.
WE GOT TILL 10:00.
1964
01:41:43,551 --> 01:41:44,983
WE GOT A HOT CAR.
1965
01:41:45,050 --> 01:41:47,484
THE GUY WILL FIND
IT'S BEEN SNATCHED
1966
01:41:47,551 --> 01:41:48,983
AND START SQUAWKING.
1967
01:41:49,050 --> 01:41:50,050
SHUT UP.
1968
01:42:01,551 --> 01:42:04,718
OH, I'M A FRIEND
OF MR. REED PATTON'S.
1969
01:42:07,084 --> 01:42:08,517
GOOD EVENING, SIR.
1970
01:42:08,584 --> 01:42:09,684
EVENING.
1971
01:42:09,751 --> 01:42:11,184
GOOD PLAY TONIGHT?
1972
01:42:11,250 --> 01:42:12,384
YES, SIR.
1973
01:42:19,017 --> 01:42:21,484
PLACE YOUR BETS,
LADIES AND GENTLEMEN.
1974
01:42:23,017 --> 01:42:24,451
STICK 'EM UP!
1975
01:42:24,517 --> 01:42:25,684
AAH!
1976
01:42:37,050 --> 01:42:39,983
NOT A BAD TAKE,
ABOUT 50 Gs.
1977
01:42:40,050 --> 01:42:41,484
WHAT ABOUT THE PLANE?
1978
01:42:41,551 --> 01:42:44,484
IT'S WAITING.
SLIP THE PILOT 2 GRAND
1979
01:42:44,551 --> 01:42:45,983
AND NO QUESTIONS ASKED.
1980
01:42:46,050 --> 01:42:48,150
YOU'LL BE IN MEXICO CITY
TOMORROW.
1981
01:42:48,217 --> 01:42:50,150
MEET ME THERE
NEXT WEEK.
1982
01:42:50,217 --> 01:42:53,217
DITCH THE CAR, NOT TOO
CLOSE TO THE AIRPORT.
1983
01:43:59,451 --> 01:44:01,983
WHERE'D THAT COME FROM?
1984
01:44:02,050 --> 01:44:03,150
HEAVEN.
1985
01:44:03,217 --> 01:44:04,651
HA HA HA!
1986
01:44:04,718 --> 01:44:06,150
SHUT YOUR MOUTH.
1987
01:44:06,217 --> 01:44:07,651
CAN'T YOU SEE
THE LIGHTNING
1988
01:44:07,718 --> 01:44:10,651
PUT THE MARK OF THE LORD ON THIS THING?
1989
01:44:10,718 --> 01:44:14,084
I AIN'T ASKING WHERE
IT COME FROM OR WHY,
1990
01:44:14,150 --> 01:44:16,584
BUT IT COME
AT THE RIGHT TIME-
1991
01:44:16,651 --> 01:44:17,950
THE DAY
BEFORE CHRISTMAS.
1992
01:44:18,017 --> 01:44:19,084
HALLELUJAH.
1993
01:44:19,150 --> 01:44:20,584
PRAISE THE LORD!
1994
01:44:20,651 --> 01:44:23,084
I BEEN PRAYING
FOR THAT BRINDLE COW
1995
01:44:23,150 --> 01:44:24,584
EVER SINCE
I BEEN MARRIED.
1996
01:44:24,651 --> 01:44:26,150
GLORY!
PRAISE THE LORD!
1997
01:44:31,551 --> 01:44:34,417
THE LORD'S DONE
BEEN HERE AND GONE.
1998
01:44:35,517 --> 01:44:37,451
I'M GONNA BUY ME
A TRACTOR,
1999
01:44:37,517 --> 01:44:38,950
ONE OF THEM RED ONES,
2000
01:44:39,017 --> 01:44:40,451
WITH A BRAND-NEW ENGINE
2001
01:44:40,517 --> 01:44:43,451
A- HUMMIN' AND A-SHININ'
IN THE SUN.
2002
01:44:43,517 --> 01:44:45,451
I'M GONNA BUY ME
TWO TRACTORS.
2003
01:44:45,517 --> 01:44:46,617
THREE TRACTORS.
2004
01:44:46,684 --> 01:44:49,117
A BIG PIECE
OF BOTTOM LAND, SEEDS,
2005
01:44:49,184 --> 01:44:51,150
AND A GREAT BIG HOUSE.
2006
01:44:51,217 --> 01:44:53,651
YOU GOT TO PRAY
FOR THINGS LIKE THAT.
2007
01:44:53,718 --> 01:44:56,417
YOU AIN'T NEVER PRAYED
FOR NOTHIN' IN YOUR LIFE.
2008
01:44:56,484 --> 01:45:00,417
I WISHED FOR PLENTY, 'CEPT
MAYBE I DIDN'T BEND MY KNEES.
2009
01:45:00,484 --> 01:45:03,584
WISHIN' AIN'T PRAYIN'.
IT AIN'T OURN TO KEEP.
2010
01:45:03,651 --> 01:45:06,084
IT'S SINFUL TO HAVE
SO MUCH MONEY.
2011
01:45:06,150 --> 01:45:09,584
REVEREND LAZARUS
- HE'S THE MAN OF GOD ON THIS PLACE.
2012
01:45:09,651 --> 01:45:11,818
HE'LL KNOW WHAT'S
ON THE LORD'S MIND.
2013
01:45:11,883 --> 01:45:14,250
LET'S TAKE
ALL THAT MONEY TO HIM.
2014
01:45:14,317 --> 01:45:16,284
HE'LL TELL US
WHAT TO DO.
2015
01:45:16,351 --> 01:45:18,284
IF YOU PRAYEYED
FOR A TRACTOR,
2016
01:45:18,351 --> 01:45:21,017
AIN'T IT UNDERSTOOD
YOU PRAYED FOR LAND, TOO?
2017
01:45:41,551 --> 01:45:46,484
WELL, LUKE, HAVE YOU BEEN SINNIN'
AGAINST THE LORD AND THE LAW?
2018
01:45:46,551 --> 01:45:49,484
LOOK MIGHTY LIKE SIN
FROM UP HERE.
2019
01:45:49,551 --> 01:45:51,417
DOES THE SHERIFF
KNOW ABOUT THIS?
2020
01:45:51,484 --> 01:45:53,917
THIS AIN'T NO SIN,
REVEREND LAZARUS.
2021
01:45:53,983 --> 01:45:56,084
THERE'S TOO MUCH
GOODNESS IN IT.
2022
01:45:56,150 --> 01:45:57,617
HAVE YOU BEEN DRINKIN'?
2023
01:45:57,684 --> 01:46:00,117
ESTHER SAYS THE LORD
SENT THIS MIRACLE
2024
01:46:00,184 --> 01:46:01,617
FROM HEAVEN ITSELF,
2025
01:46:01,684 --> 01:46:03,617
RIDIN' ON THE WINDS
OF LIGHTNIN'.
2026
01:46:03,684 --> 01:46:06,617
I AIN'T THE ONE
TO ARGUE WITH HER.
2027
01:46:06,684 --> 01:46:08,718
THAT SURE IS
A POWERFUL MIRACLE.
2028
01:46:08,784 --> 01:46:10,718
I HEARED A HEAP
OF PRAYIN'
2029
01:46:10,784 --> 01:46:13,651
BUT NEVER SEEN THE LORD
PASS NO MIRACLE.
2030
01:46:13,718 --> 01:46:15,351
THAT'S BLASPHEMIN',
REVEREND.
2031
01:46:15,417 --> 01:46:16,850
SHUT YOUR MOUTH,
NICODEMUS!
2032
01:46:16,917 --> 01:46:18,351
WHO'S THE PREACHER
'ROUND HERE?
2033
01:46:18,417 --> 01:46:19,850
OR IS YOU?
2034
01:46:19,917 --> 01:46:23,451
I AIN'T SAYIN' THE LORD
DIDN'T PASS THIS HERE MIRACLE.
2035
01:46:26,517 --> 01:46:27,950
HEY!
2036
01:46:29,983 --> 01:46:32,917
YOU CERTAIN THIS COAT
COME FROM UP THERE
2037
01:46:32,983 --> 01:46:34,917
AND NOT FROM
DOWN THERE?
2038
01:46:34,983 --> 01:46:37,917
SMELL MORE LIKE
THE DEVIL THAN THE LORD.
2039
01:46:37,983 --> 01:46:40,917
I RECKON MOSES DIDN'T STOP
TO FIGURE HOW THE DEVIL
2040
01:46:40,983 --> 01:46:43,050
SENT THE MANNA
TO THE CHILDREN OF ISRAEL.
2041
01:46:43,117 --> 01:46:45,250
HE KNOWED THE LORD SENT IT
2042
01:46:45,317 --> 01:46:47,250
'CAUSE HE BELIEVED
IN THE LORD!
2043
01:46:47,317 --> 01:46:49,751
THAT'S WHAT THIS IS-
MANNA FROM HEAVEN.
2044
01:46:49,818 --> 01:46:52,217
LORD DONE GONE
AND DONE IT AGAIN.
2045
01:46:52,284 --> 01:46:53,718
PRAISE THE LORD!
2046
01:46:53,784 --> 01:46:55,351
HALLELUJAH!
2047
01:47:06,084 --> 01:47:09,017
WHAT YOU AIMIN' TO DO
WITH THAT MONEY?
2048
01:47:09,084 --> 01:47:11,017
THIS HERE'S A MIRACLE,
AIN'T IT?
2049
01:47:11,084 --> 01:47:14,950
I GOT TO PUT IT AWAY
UNTIL I FIGURE IT OUT.
2050
01:47:15,017 --> 01:47:16,950
I ALREADY GOT IT
FIGURED OUT.
2051
01:47:17,017 --> 01:47:19,950
IT'S AN ANSWER
TO ALL THEM THAT'S PRAYED,
2052
01:47:20,017 --> 01:47:22,451
ADDED UP
TO THE LAST PENNY.
2053
01:47:22,517 --> 01:47:23,950
WELL, HALLELUJAH!
2054
01:47:24,017 --> 01:47:26,950
I PRAYED FOR
A HORSE AND BUGGY
2055
01:47:27,017 --> 01:47:29,451
AND LAST NIGHT
WHEN THE STORM BLEW,
2056
01:47:29,517 --> 01:47:31,451
I PRAYED FOR A NEW ROOF.
2057
01:47:31,517 --> 01:47:33,950
I RECKON I PRAYED
ABOUT $100 WORTH.
2058
01:47:34,017 --> 01:47:35,451
WATCH OUT.
DON'T FORGET, REV,
2059
01:47:35,517 --> 01:47:38,484
THE LORD IS COUNTING
RIGHT ALONG WITH YOU.
2060
01:47:38,551 --> 01:47:40,651
YOU MEAN HERE
IN THIS ROOM?
2061
01:47:45,050 --> 01:47:48,484
I RECKON I JUST WISHED
FOR THAT HORSE AND BUGGY
2062
01:47:48,551 --> 01:47:51,983
AND DIDN'T GET AROUND
TO PRAYIN' FOR IT.
2063
01:47:52,050 --> 01:47:56,117
THIS IS THE MOST UPSETTIN'EST
MIRACLE I EVER HEARD OF.
2064
01:47:56,184 --> 01:47:59,117
THE LORD'S DONE SENT THIS
AS A CHRISTMAS PRESENT
2065
01:47:59,184 --> 01:48:01,617
TO ALL FOLKS
IN THIS HERE PLACE!
2066
01:48:01,684 --> 01:48:03,617
EVERYBODY CALL OUT TO
WHAT THEY PRAYIN' FOR!
2067
01:48:03,684 --> 01:48:05,117
I'LL SURE WELCOME
THAT TRACTOR.
2068
01:48:05,184 --> 01:48:07,983
WHAT YOU PRAYS FOR AND
BELIEVES IN YOU GETS!
2069
01:48:08,050 --> 01:48:09,117
MATTHEW 21:22.
2070
01:48:09,184 --> 01:48:11,983
BLESSED AM THE POOR,
FOR THAT'S ALL THEY GET.
2071
01:48:12,050 --> 01:48:13,617
HEY, REVEREND,
DON'T THAT SAY,
2072
01:48:13,684 --> 01:48:15,883
"BLESSED AM THE POOR...
IN SPIRIT"?
2073
01:48:15,950 --> 01:48:17,883
COMES TO
THE SAME THING.
2074
01:48:17,950 --> 01:48:20,451
WHEN YOU'S POOR,
YOU'S POOR ALL OVER.
2075
01:48:20,517 --> 01:48:22,217
THAT SURE ME,
ALL OVER.
2076
01:48:22,284 --> 01:48:25,217
OUR PRESENTS!
DEFINITE!
2077
01:48:25,284 --> 01:48:26,718
YOU RIGHT,
SISTER ESTHER,
2078
01:48:26,784 --> 01:48:28,718
CHRISTMAS PRESENTS,
THAT'S WHAT IT IS.
2079
01:48:28,784 --> 01:48:30,718
EVERYBODY ACCORDING
TO HIS PRAYING,
2080
01:48:30,784 --> 01:48:33,284
AND WE'S
THE DEPUTIES OF THE LORD.
2081
01:48:34,384 --> 01:48:36,217
HEY, AIN'T THAT SOMETHING?
HALLELUJAH.
2082
01:48:36,284 --> 01:48:39,217
WHAT DID YOU PRAY FOR,
SISTER ESTHER?
2083
01:48:39,284 --> 01:48:42,217
OH, I PRAYED FOR
THAT BRINDLE COW.
2084
01:48:42,284 --> 01:48:45,751
WELL, THE LORD'S ALLOWING YOU
ABOUT $60 FOR THAT.
2085
01:48:45,818 --> 01:48:47,250
THANK YOU, LORD.
2086
01:48:47,317 --> 01:48:50,250
WHAT DID YOU PRAY FOR,
OLD BROTHER LUKE?
2087
01:48:50,317 --> 01:48:52,751
I WANTS A TRACTOR,
A RED ONE,
2088
01:48:52,818 --> 01:48:55,250
SO MIGHTY BAD
I KNOWS THE LORD
2089
01:48:55,317 --> 01:48:57,751
AIN'T LETTING NO PRAYERS
STAND BETWEEN US.
2090
01:48:57,818 --> 01:48:59,983
MAYBE LUKE DON'T PRAY
OFFICIAL-LIKE,
2091
01:49:00,050 --> 01:49:03,983
BUT THE LORD KNOWS THERE'S
A LOT OF GOODNESS IN HIM.
2092
01:49:04,050 --> 01:49:07,484
I AGREES. I BEEN WISHING
FOR A TRACTOR MY-
2093
01:49:07,551 --> 01:49:10,484
I SAID WISHING, NOT
PRAYING, SISTER ESTHER.
2094
01:49:10,551 --> 01:49:13,417
WELL, LOOKED IT UP
IN A CATALOG,
2095
01:49:13,484 --> 01:49:16,417
AND THE PRICE REVEALED
IS $798.
2096
01:49:16,484 --> 01:49:17,950
HERE YOU ARE, LUKE.
2097
01:49:18,017 --> 01:49:19,451
I PRAYED FOR
A SLINGSHOT.
2098
01:49:19,517 --> 01:49:21,451
THAT'S A WEAPON
OF THE DEVIL.
2099
01:49:21,517 --> 01:49:23,950
HE PRAYED FOR IT,
HE GETS IT.
2100
01:49:24,017 --> 01:49:26,451
WELL... HERE'S $1.00 FOR A SLINGSHOT.
2101
01:49:26,517 --> 01:49:28,451
MAY THE LORD
GUIDE YOUR HAND.
2102
01:49:28,517 --> 01:49:29,950
I PRAYED
FOR NEW SHOES.
2103
01:49:30,017 --> 01:49:31,950
HERE'S $2.00 FOR SHOES. MERRY CHRISTMAS.
2104
01:49:32,017 --> 01:49:34,284
I PRAYED FOR A BLANKET WITH NO HOLES.
2105
01:49:34,351 --> 01:49:36,284
$3.00 FOR A BLANKET
FOR CHRISTMAS.
2106
01:49:36,351 --> 01:49:38,284
I PRAYED FOR SHOES AND STOCKINGS.
2107
01:49:38,351 --> 01:49:40,284
HERE'S $4.00 FOR
SHOES AND STOCKINGS.
2108
01:49:40,351 --> 01:49:42,284
I PRAYED FOR
A NEW WAGON.
2109
01:49:42,351 --> 01:49:43,784
$2.00 FOR THE WAGON.
2110
01:49:43,850 --> 01:49:46,284
WE PRAYED FOR
GOOD VITTLES.
2111
01:49:46,351 --> 01:49:48,284
HERE'S $2.00 APIECE
FOR GOOD VITTLES.
2112
01:49:48,351 --> 01:49:50,718
THIS IS THE BUSIEST DAY
BEFORE CHRISTMAS.
2113
01:49:50,784 --> 01:49:53,217
MY PAPPY PRAYED
FOR A NEW PLOW.
2114
01:49:53,284 --> 01:49:55,983
TELL YOUR PAPPY THE LORD'S
GOT HIS PLOW READY.
2115
01:49:56,050 --> 01:49:58,484
MY PAPPY NEED
A NEW PAIR OF PANTS.
2116
01:49:58,551 --> 01:50:00,484
HE DONE PRAYED
AND HOLLERED.
2117
01:50:00,551 --> 01:50:02,484
TELL YOUR PAPPY
THE LORD'S WAITING
2118
01:50:02,551 --> 01:50:04,484
TO FIT
THE PANTS ON HIM.
2119
01:50:06,050 --> 01:50:07,484
SHH! SHH! SHH!
2120
01:50:07,551 --> 01:50:10,484
CHILDREN, HEARKEN TO ME!
RUN AND SHOUT THE WORD
2121
01:50:10,551 --> 01:50:14,150
THAT LORD HAS SENT DOWN A MIGHTY
FINE CHRISTMAS FOR EVERYBODY.
2122
01:50:14,217 --> 01:50:16,317
TELL PEOPLE
TO COME A-RUNNIN'.
2123
01:50:16,384 --> 01:50:17,484
PRAISE THE LORD!
2124
01:50:17,551 --> 01:50:19,950
* I GOT SHOES,
YOU GOT SHOES *
2125
01:50:20,017 --> 01:50:22,284
* ALL GOD'S CHILDREN
GOT SHOES *
2126
01:50:22,351 --> 01:50:23,718
* WHEN YOU GET TO HEAVEN *
2127
01:50:23,784 --> 01:50:25,184
* GONNA PUT ON
YOUR SHOES... **
2128
01:50:27,084 --> 01:50:28,684
PA, LOOK!
2129
01:50:28,751 --> 01:50:30,184
MA, LOOK!
EVERYBODY, LOOK!
2130
01:50:30,250 --> 01:50:32,517
THE LORD SENT DOWN
MORE MONEY
2131
01:50:32,584 --> 01:50:34,217
THAN YOU EVER SEEN
BEFORE.
2132
01:50:34,284 --> 01:50:36,084
PA! MA!
2133
01:50:42,184 --> 01:50:44,284
GRANDPA! YOU KNOW
THAT FINE COFFIN
2134
01:50:44,351 --> 01:50:47,117
YOU WAS WANTING
TO BE BURIED IN?
2135
01:50:47,184 --> 01:50:48,617
YOU CAN HAVE IT!
2136
01:50:48,684 --> 01:50:51,617
WHAT Y'ALL MEAN?
I AIN'T DEAD YET.
2137
01:50:51,684 --> 01:50:53,117
I CAN SEE THAT,
2138
01:50:53,184 --> 01:50:56,451
BUT THAT COFFIN'S WAITING
FOR YOU DOWN AT THE CHURCH.
2139
01:50:56,517 --> 01:50:59,551
TRYING TO MAKE
A FOOL OUT OF ME.
2140
01:50:59,617 --> 01:51:01,317
* I'M GONNA PRAY MY SOUL
IN JUDGMENT *
2141
01:51:01,384 --> 01:51:02,784
* FARE THEE WELL,
FARE THEE WELL *
2142
01:51:02,850 --> 01:51:04,551
* I'M GONNA PRAY MY SOUL
IN JUDGMENT *
2143
01:51:04,617 --> 01:51:06,050
* FARE THEE WELL,
FARE THEE WELL *
2144
01:51:06,117 --> 01:51:07,551
* THERE'S A GREAT DAY
A- COMIN' *
2145
01:51:07,617 --> 01:51:09,050
* FARE THEE WELL,
FARE THEE WELL *
2146
01:51:09,117 --> 01:51:10,551
IF YOU LYIN' ABOUT THIS,
2147
01:51:10,617 --> 01:51:13,983
THE FIRE IN HELL WILL GET YOU
BEFORE YOU'S DEAD.
2148
01:51:14,050 --> 01:51:15,317
* FARE THEE WELL,
FARE THEE WELL *
2149
01:51:15,384 --> 01:51:17,317
* IN THAT GREAT
GETTIN'- UP MORNIN' *
2150
01:51:17,384 --> 01:51:19,250
* FARE THEE WELL,
FARE THEE WELL *
2151
01:51:19,317 --> 01:51:20,484
* IN THAT GREAT
GETTIN'- UP MORNIN' *
2152
01:51:20,551 --> 01:51:21,983
* FARE THEE WELL,
FARE THEE WELL *
2153
01:51:22,050 --> 01:51:23,651
* IN THAT GREAT
GETTIN'- UP MORNIN' *
2154
01:51:23,718 --> 01:51:25,150
* FARE THEE WELL,
FARE THEE WELL *
2155
01:51:25,217 --> 01:51:26,651
* OH, THE PREACHER
HOLD THAT BIBLE *
2156
01:51:26,718 --> 01:51:28,317
* FARE THEE WELL,
FARE THEE WELL... *
2157
01:51:28,384 --> 01:51:30,351
WHAT FOR?
I NTNTS $32.
2158
01:51:30,417 --> 01:51:32,351
I DONE PRAYED FOR
CARPENTER TOOLS.
2159
01:51:32,417 --> 01:51:33,584
YOU GETS 'EM.
2160
01:51:35,784 --> 01:51:37,217
THANK YOU,
REVEREND.
2161
01:51:37,284 --> 01:51:40,517
WHAT FOR?
I WANTS $9.75.
2162
01:51:40,584 --> 01:51:43,484
I DONE PRAYED FOR
A BARREL OF FLOUR.
2163
01:51:43,551 --> 01:51:44,850
WELL, HERE'S $10.
2164
01:51:44,917 --> 01:51:46,850
BAKE YOURSELF SOME BISCUITS
FOR CHRISTMAS
2165
01:51:46,917 --> 01:51:48,584
AND DON'T FORGET
REVEREND LAZARUS.
2166
01:51:50,084 --> 01:51:51,517
I WANTS $25, SIR.
2167
01:51:51,584 --> 01:51:52,651
WHAT FOR?
2168
01:51:52,718 --> 01:51:53,651
MY COFFIN.
2169
01:51:53,718 --> 01:51:56,651
A MAHOGANY ONE,
WITH WHEELS ON IT
2170
01:51:56,718 --> 01:52:00,484
SO I CAN ROLL RIGHT
THROUGH THE PEARLY GATES.
2171
01:52:03,584 --> 01:52:07,584
PRAISE THE LORD I DONE
LIVED TO SEE THIS DAY!
2172
01:52:07,651 --> 01:52:09,084
I CAN GIVE YOU
2173
01:52:09,150 --> 01:52:12,184
A POWERFUL GOOD SERVICE
FOR $5.00 EXTRA
2174
01:52:12,250 --> 01:52:13,617
WHEN THE TIME COMES.
2175
01:52:13,684 --> 01:52:15,117
MAYBE WHEN
THAT TIME COMES,
2176
01:52:15,184 --> 01:52:17,217
YOU WON'T BE HERE.
HEH HEH HEH!
2177
01:52:17,284 --> 01:52:18,651
* FARE THEE WELL,
FARE THEE WELL *
2178
01:52:18,718 --> 01:52:20,684
* IN THAT GREAT
GETTIN'- UP MORNIN' *
2179
01:52:20,751 --> 01:52:21,850
* FARE THEE WELL,
FARE THEE WELL *
2180
01:52:21,917 --> 01:52:23,384
* IN THAT GREAT
GETTIN'- UP MORNIN' *
2181
01:52:23,451 --> 01:52:24,917
* FARE THEE WELL,
FARE THEE WELL *
2182
01:52:24,983 --> 01:52:26,517
* IN THAT GREAT
GETTIN'- UP MORNIN' *
2183
01:52:26,584 --> 01:52:28,317
* FARE THEE WELL,
FARE THEE WELL... *
2184
01:52:35,551 --> 01:52:38,883
BROTHERS AND SISTERS!
2185
01:52:38,950 --> 01:52:39,883
BROTHERS...
2186
01:52:39,950 --> 01:52:41,384
BROTHERS AND SISTERS!
2187
01:52:41,451 --> 01:52:42,883
BROTHERS
AND SISTERS...
2188
01:52:42,950 --> 01:52:44,384
THIS HERE PAPER
2189
01:52:44,451 --> 01:52:47,651
HAS ALL THE FIGURES TAKEN
ON THIS HERE MIRACLE.
2190
01:52:47,718 --> 01:52:50,351
SISTER ESTHER DONE
WORKED IT OUT HERSELF.
2191
01:52:50,417 --> 01:52:53,617
ACCORDING TO THE FIGURES,
THE LORD SENT US $43,000.
2192
01:52:53,684 --> 01:52:57,451
NOW, THAT'S MORE MONEY THAN
THERE IS IN THE WHOLE WORLD.
2193
01:52:57,517 --> 01:52:58,950
FURTHERMORE AND WHEREAS,
2194
01:52:59,017 --> 01:53:01,751
WE HAVE PAID OUT
TO TRUE BELIEVERS-
2195
01:53:01,818 --> 01:53:03,250
WHO PRAYED FOR IT-
2196
01:53:03,317 --> 01:53:05,850
THE SUM OF $1,454
2197
01:53:05,917 --> 01:53:07,351
AND 50 CENTS,
2198
01:53:07,417 --> 01:53:09,883
LEAVING A TOTAL OF...
2199
01:53:09,950 --> 01:53:14,217
$41,545
2200
01:53:14,284 --> 01:53:15,718
AND 50 CENTS,
2201
01:53:15,784 --> 01:53:18,784
BELONGING TO ALL OF US
IN THIS HERE PLACE.
2202
01:53:19,818 --> 01:53:21,751
HALLELUJAH!
2203
01:53:21,818 --> 01:53:23,317
WELL, PASS OUT
THE MONEY!
2204
01:53:23,384 --> 01:53:25,150
A MIGHTY AMOUNT
OF MONEY, FOLKS,
2205
01:53:25,217 --> 01:53:26,983
AND IT AIN'T
GOING TO WASTE.
2206
01:53:27,050 --> 01:53:28,983
I SEE
THE NEW CHURCH NOW-
2207
01:53:29,050 --> 01:53:31,484
STANDING ON THE HILL,
SHINING IN THE SUN.
2208
01:53:31,551 --> 01:53:32,484
AND A HOSPITAL!
2209
01:53:32,551 --> 01:53:33,983
WE'RE BUYING THE LAND,
YOU HEAR?
2210
01:53:34,050 --> 01:53:35,983
AND TOOLS
WITH EDGES SO SHARP,
2211
01:53:36,050 --> 01:53:38,384
THE EARTH WILL JUMP UP
TO MEET THEM.
2212
01:53:38,451 --> 01:53:42,250
WE'LL WORK THAT GROUND SIDE BY
SIDE, RAISING CORN AND COTTON.
2213
01:53:42,317 --> 01:53:44,284
AND WHAT WE GETS,
WE SHARES.
2214
01:53:44,351 --> 01:53:46,784
WON'T BE NO RICH
AND NO MORE POOR.
2215
01:53:46,850 --> 01:53:49,351
YES, FOLKS,
A NEW DAY IS DAWNING.
2216
01:53:59,351 --> 01:54:00,284
STOP!
2217
01:54:00,351 --> 01:54:01,584
STOP, Y'ALL!
2218
01:54:02,883 --> 01:54:05,317
WE DONE FORGOT
POOR OLD CHRISTOPHER.
2219
01:54:05,384 --> 01:54:08,351
BUT HE AIN'T
THE PRAYING KIND.
2220
01:54:08,417 --> 01:54:09,850
HOW COME YOU KNOW THAT?
2221
01:54:09,917 --> 01:54:11,351
THAT'S SOMETHING
NOBODY KNOWS
2222
01:54:11,417 --> 01:54:13,784
BUT THE LORD
AND POOR OLD CHRISTOPHER.
2223
01:54:13,850 --> 01:54:15,784
HE'S THE POOREST
OF US ALL.
2224
01:54:15,850 --> 01:54:18,484
HE AIN'T GOT NOTHIN',
NEVER HAD NOTHIN'.
2225
01:54:18,551 --> 01:54:20,317
MAYBE HE PRAYED
FOR EVERYTHING.
2226
01:54:20,384 --> 01:54:22,818
YOU MEAN HE PRAYED
FOR ALL THIS MONEY?
2227
01:54:22,883 --> 01:54:24,317
WE GOES AND FINDS OUT.
2228
01:54:24,384 --> 01:54:26,818
IF CHRISTOPHER DONE PRAYED
FOR ALL THIS MONEY,
2229
01:54:26,883 --> 01:54:28,818
THEN HE GETS
ALL THIS MONEY.
2230
01:54:28,883 --> 01:54:31,818
WE PRAISES THE LORD
FOR WHAT HE GIVE US...
2231
01:54:31,883 --> 01:54:34,317
AND FOR WHAT HE GIVES
POOR OLD CHRISTOPHER.
2232
01:54:34,384 --> 01:54:36,784
COME ON, LUKE,
WE'RE GONNA FIND OUT.
2233
01:54:56,584 --> 01:54:58,517
GOOD MORNING,
BROTHER CHRISTOPHER.
2234
01:54:58,584 --> 01:55:00,517
GOOD MORNING,
BROTHER LUKE.
2235
01:55:00,584 --> 01:55:02,584
UH, BROTHER
CHRISTOPHER...
2236
01:55:04,250 --> 01:55:06,950
HAS YOU BEEN PRAYING FOR
SOMETHING FOR CHRISTMAS?
2237
01:55:10,084 --> 01:55:12,917
I'S GOT ALL I NEEDS.
2238
01:55:16,017 --> 01:55:17,451
WELL, BROTHER CHRISTOPHER,
2239
01:55:17,517 --> 01:55:19,983
IF YOU AIN'T PRAYED
FOR NOTHIN'...
2240
01:55:20,050 --> 01:55:21,484
I GUESS I CAN-
2241
01:55:21,551 --> 01:55:24,017
IT DONE COME
TO ME NOW.
2242
01:55:24,084 --> 01:55:25,651
I'S PRAYED
FOR SOMETHING.
2243
01:55:28,883 --> 01:55:30,317
IS YOU SURE?
2244
01:55:30,384 --> 01:55:31,983
I SURE IS.
2245
01:55:32,050 --> 01:55:34,651
BUT YOU SAID YOU AIN'T.
2246
01:55:34,718 --> 01:55:37,084
THAT'S 'CAUSE
I DISRECOLLECT.
2247
01:55:38,084 --> 01:55:40,017
WHAT YOU ALL PRAY FOR?
2248
01:55:40,084 --> 01:55:42,584
I DONE PRAYED FOR...
2249
01:55:45,684 --> 01:55:49,617
I SAID, WHAT YOU PRAYED FOR,
BROTHER CHRISTOPHER?
2250
01:55:49,684 --> 01:55:53,117
WELL, BROTHER LUKE,
TO TELL THE TRUTH...
2251
01:55:54,684 --> 01:55:56,117
LOOK.
2252
01:56:03,584 --> 01:56:04,751
SEE?
2253
01:56:09,784 --> 01:56:13,217
I DONE PRAYED
FOR A SCARECROW.
2254
01:56:16,517 --> 01:56:18,017
SAY THAT AGAIN.
2255
01:56:19,017 --> 01:56:20,184
SCARECROW.
2256
01:56:27,517 --> 01:56:30,617
SO THAT'S WHAT THEY MEAN
WHEN THEY SAYS,
2257
01:56:30,684 --> 01:56:33,883
"THE LORD MOVES
IN MYSTERIOUS WAYS."
2258
01:56:42,217 --> 01:56:47,317
* MAKE WAY FOR
THE GLORY DAY *
2259
01:56:47,384 --> 01:56:50,818
* NO MORE TROUBLE
AND WOE *
2260
01:56:50,883 --> 01:56:56,484
* THERE'S ANGELS FLYIN'
FROM THE SKY TO THE JUBILEE *
2261
01:56:56,551 --> 01:56:59,484
* IN OUR HEAVENLY HOME *
2262
01:56:59,551 --> 01:57:01,983
* HALLELUJAH,
WON'T YOU *
2263
01:57:02,050 --> 01:57:05,517
* MAKE WAY
FOR THE GLORY DAY *
2264
01:57:05,584 --> 01:57:10,017
* GOOD TIMES
COMIN' TO STAY *
2265
01:57:10,084 --> 01:57:17,950
* BROTHER, START JUBILEE,
AND YOU AND ME IS GONNA BE *
2266
01:57:18,017 --> 01:57:22,284
* HIS GLORY *
2267
01:57:22,351 --> 01:57:26,150
* GLORY *
2268
01:57:26,217 --> 01:57:28,150
* DAY **
154004
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