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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:02:07,000 --> 00:02:08,234 GOOD AFTERNOON, GENTLEMEN. 2 00:02:08,301 --> 00:02:09,234 GOOD AFTERNOON. 3 00:02:14,114 --> 00:02:16,119 THIS WAY, PLEASE. 4 00:02:25,501 --> 00:02:27,467 MR. ORMAN IS JUST GETTING UP. 5 00:02:27,534 --> 00:02:30,334 FAMOUS PEOPLE GENERALLY SLEEP LATE. 6 00:02:38,534 --> 00:02:40,467 YOU MAY OPEN IT, MR. MARTELLI. 7 00:02:40,534 --> 00:02:41,833 YES, MR. LONGHEART. 8 00:03:27,000 --> 00:03:28,200 UH... 9 00:03:29,501 --> 00:03:30,534 NO. 10 00:03:32,000 --> 00:03:33,267 GOOD MORNING, GENTLEMEN. 11 00:03:33,334 --> 00:03:34,567 GOOD AFTERNOON, MR. ORMAN. 12 00:03:34,634 --> 00:03:35,634 GOOD AFTERNOON. 13 00:03:39,534 --> 00:03:41,534 HOW DO YOU LIKE IT? 14 00:03:45,200 --> 00:03:46,167 FAIR. 15 00:03:46,200 --> 00:03:47,467 LOOK AT THE SHOULDERS. 16 00:03:47,501 --> 00:03:49,467 HOW DO YOU LIKE THOSE LAPELS? 17 00:03:49,501 --> 00:03:50,467 AUTIFUL. 18 00:03:50,501 --> 00:03:52,467 IT'LL LOOK BETTER ON YOU, SIR. 19 00:03:52,501 --> 00:03:54,467 NO. ALWAYS LOOKS BETTER ON HIM. 20 00:03:54,501 --> 00:03:55,867 HE'S MORE RELAXED. 21 00:03:55,900 --> 00:03:56,867 LUTHER? 22 00:03:56,900 --> 00:03:58,367 A FLOWER. 23 00:03:58,401 --> 00:04:00,367 LOOK AT HIM. NOTHING WORRIES HIM. 24 00:04:00,401 --> 00:04:01,867 HA HA. 25 00:04:01,900 --> 00:04:03,967 I SEE YOU'RE NOT SUPERSTITIOUS. 26 00:04:04,000 --> 00:04:05,467 NOT IN THE LEAST. 27 00:04:05,501 --> 00:04:06,467 THAT'S FORTUNATE. 28 00:04:06,501 --> 00:04:07,501 WHY? 29 00:04:07,534 --> 00:04:09,000 WELL, BECAUSE BERTOLDI... 30 00:04:09,034 --> 00:04:10,501 WHAT'S THE MATTER? 31 00:04:10,534 --> 00:04:12,000 OH, NOTHING. NOTHING. 32 00:04:12,034 --> 00:04:14,833 WELL, IF YOU WANT TO KNOW, 33 00:04:14,867 --> 00:04:16,833 THIS SUIT HAS BEEN CURSED. 34 00:04:16,867 --> 00:04:17,833 CURSED? 35 00:04:17,867 --> 00:04:20,334 YES. YOU REMEMBER BERTOLDI, OUR CUTTER? 36 00:04:20,367 --> 00:04:21,833 YES. WHAT ABOUT HIM? 37 00:04:21,867 --> 00:04:24,334 I HAD TO DISMISS HIM ON ACCOUNT OF THIS SUIT. 38 00:04:24,367 --> 00:04:25,401 HOW COME? 39 00:04:25,434 --> 00:04:27,334 WE ARGUED ABOUT THESE LAPELS. 40 00:04:27,367 --> 00:04:28,334 THEY'RE PERFECT. 41 00:04:28,367 --> 00:04:29,833 AREN'T THEY? WHEN BERTOLDI LEFT, 42 00:04:29,867 --> 00:04:32,167 HE WAS RED IN THE FACE WITH RAGE. 43 00:04:32,200 --> 00:04:34,501 HE ASSERTED THIS SUIT WOULD BRING MISFORTUNE 44 00:04:34,534 --> 00:04:36,501 TO ANYBODY WHO EVER WORE IT. 45 00:04:36,534 --> 00:04:37,833 HE CURSED IT. 46 00:04:37,867 --> 00:04:40,867 THIS IS THE BEST SUIT THAT I HAVE EVER MADE. 47 00:04:40,900 --> 00:04:43,367 I KNOW IT WILL BRING YOU GOOD LUCK. 48 00:04:43,401 --> 00:04:45,867 THIS IS A LUCKY SUIT, MR. ORMAN. 49 00:04:45,900 --> 00:04:48,734 AND I GUARANTEE YOUR HAPPINESS IN IT. 50 00:04:48,768 --> 00:04:51,867 ANTHONY, I DEMAND AN ANSWER. 51 00:04:51,900 --> 00:04:53,867 IS IT TRUE? 52 00:04:53,900 --> 00:04:55,867 UNFORTUNATELY... 53 00:04:55,900 --> 00:04:57,134 YES. 54 00:05:07,967 --> 00:05:08,900 NO... 55 00:05:08,967 --> 00:05:10,768 NO. NO. 56 00:05:26,334 --> 00:05:28,534 TERRIFIC, PAUL! A SMASH HIT! 57 00:05:28,601 --> 00:05:30,034 THEY ATE IT UP! 58 00:05:30,100 --> 00:05:32,434 THE BIGGEST OPENING NIGHT OF THE SEASON. 59 00:05:32,501 --> 00:05:35,434 YOU HELD THEM IN THE PALM OF YOUR HAND EVERY SECOND- 60 00:05:35,501 --> 00:05:36,933 JUST LIKE THAT! 61 00:05:37,000 --> 00:05:39,933 WHAT'S THE MATTER? 62 00:05:40,000 --> 00:05:41,434 WHERE YOU GOING? 63 00:05:41,501 --> 00:05:42,434 CHIEF! 64 00:05:42,501 --> 00:05:43,933 WAIT A MINUTE! 65 00:05:44,000 --> 00:05:44,933 CHIEF! 66 00:05:45,000 --> 00:05:46,434 HURRY! THEY'RE WAITING FOR YOU! 67 00:05:46,501 --> 00:05:49,467 COME ON, PAUL! THEY'RE YELLING FOR YOU! 68 00:05:49,534 --> 00:05:50,967 WHERE ARE YOU GOING? 69 00:05:51,034 --> 00:05:52,267 ARE YOU MAD? 70 00:05:52,334 --> 00:05:55,267 YOU'VE GOT TO TAKE 10 OR 12 MORE CURTAIN CALLS. 71 00:05:55,334 --> 00:05:57,301 IMPOSSIBLE. WHERE'S LUTHER? 72 00:05:58,534 --> 00:05:59,467 LUTHER? 73 00:05:59,534 --> 00:06:00,967 YOU CAN'T DO THIS! 74 00:06:01,034 --> 00:06:02,900 WHAT AM I GOING TO TELL THEM- 75 00:06:02,967 --> 00:06:04,900 THAT YOU'RE CRAZY OR SOMETHING? 76 00:06:04,967 --> 00:06:07,900 TELL THEM I DON'T CARE TO STEP OUT OF CHARACTER. 77 00:06:07,967 --> 00:06:09,200 WHAT CHARACTER? 78 00:06:09,267 --> 00:06:10,734 I AM DEAD, REMEMBER? 79 00:06:15,367 --> 00:06:16,800 AW, CHIEF, PLEASE! 80 00:06:16,867 --> 00:06:18,301 NOW, WAIT A MINUTE. 81 00:06:18,367 --> 00:06:21,434 I'M YOUR MANAGER. I HAVE A RIGHT TO KNOW. 82 00:06:21,501 --> 00:06:22,933 WHAT'S ALL THIS ABOUT? 83 00:06:23,000 --> 00:06:25,234 GO TO MY APARTMENT AND WAIT THERE. 84 00:06:25,301 --> 00:06:27,534 I'LL CALL IF I HAVE ANY NEWS. 85 00:06:27,601 --> 00:06:29,000 STEP ON IT, LUTHER. 86 00:06:30,267 --> 00:06:33,701 BOSS, YOU WERE REALLY HOT TONIGHT. 87 00:06:33,768 --> 00:06:35,701 THAT LAST SCENE WAS A DILLY. 88 00:06:35,768 --> 00:06:38,034 I'M NOT INTERESTED. HOW LONG WILL IT TAKE? 89 00:06:38,100 --> 00:06:41,134 WE CAN SHAVE OFF 10 MINUTES IF WE DON'T GET STOPPED. 90 00:06:41,200 --> 00:06:42,334 GOOD. 91 00:06:45,067 --> 00:06:47,134 WE'LL BE THERE IN 15 MINUTES. 92 00:06:49,501 --> 00:06:50,434 GO ON. 93 00:06:50,501 --> 00:06:52,668 TELL ME WHAT EVERYBODY SAYS. 94 00:06:52,734 --> 00:06:54,034 JUST WHAT I TOLD YOU. 95 00:06:54,100 --> 00:06:57,034 YOU WERE LUCKY TO GET RID OF HER LAST YEAR. 96 00:06:57,100 --> 00:06:58,467 IT WAS MORE THAN LUCK. 97 00:06:58,534 --> 00:06:59,967 IT WAS A BLESSING. 98 00:07:00,034 --> 00:07:02,933 WHY DID I HAVE THREE FLOPS IN A ROW? 99 00:07:03,000 --> 00:07:04,900 BECAUSE SHE THOUGHT SHE COULD ACT. 100 00:07:04,967 --> 00:07:07,401 THE MINUTE I COME ON STAGE WITHOUT HER, 101 00:07:07,467 --> 00:07:09,534 LOOK WHAT HAPPENS. A SMASH HIT. 102 00:07:09,601 --> 00:07:11,034 YOU SAID IT, BOSS. 103 00:07:11,100 --> 00:07:13,034 BUT WHAT BEATS ME IS 104 00:07:13,100 --> 00:07:16,034 WHY YOU WANT TO START EVERYTHING OVER AGAIN. 105 00:07:16,100 --> 00:07:17,034 NEVER MIND. 106 00:07:17,100 --> 00:07:19,034 WHY ARE YOU SLOWING DOWN? 107 00:07:19,100 --> 00:07:20,401 GET GOING. 108 00:07:58,501 --> 00:08:00,833 GOOD EVENING, SIR. I BEG YOUR PARDON. 109 00:08:00,900 --> 00:08:02,334 WERE YOU INVITED? 110 00:08:02,401 --> 00:08:03,900 OH, MR. ORMAN. 111 00:08:05,167 --> 00:08:06,601 HOW SWEET OF YOU. 112 00:08:06,668 --> 00:08:08,100 THAT'S ALL RIGHT. 113 00:08:08,167 --> 00:08:10,401 I'M SO GLAD YOU CAME. 114 00:08:10,467 --> 00:08:11,401 PAUL- 115 00:08:11,467 --> 00:08:12,401 GOOD EVENING. 116 00:08:12,467 --> 00:08:14,401 YOU FOOL. WHY DID YOU COME? 117 00:08:14,467 --> 00:08:15,900 LOVE. IT SOMETIMES BLINDS ME. 118 00:08:15,967 --> 00:08:17,900 AFTER WHAT I'VE BEEN THROUGH TODAY. 119 00:08:17,967 --> 00:08:19,234 HE'LL SEE YOU NOW. 120 00:08:19,301 --> 00:08:21,234 THERE'S NO TELLING WHAT HE'LL DO. 121 00:08:21,301 --> 00:08:22,567 WHO? YOUR HUSBAND? 122 00:08:22,634 --> 00:08:23,900 YES. 123 00:08:23,967 --> 00:08:26,200 HOW MANY TIMES HAVE I TOLD YOU 124 00:08:26,267 --> 00:08:28,501 WHAT I'VE BEEN THROUGH THIS PAST YEAR? 125 00:08:28,567 --> 00:08:29,900 HE SUSPECTS US CONSTANTLY. 126 00:08:29,967 --> 00:08:31,900 THE MERE MENTION OF YOUR NAME, 127 00:08:31,967 --> 00:08:33,234 HE RAVES LIKE A MADMAN. 128 00:08:33,301 --> 00:08:35,601 THE LUNACY MUST BE A STRAIN ON YOU. 129 00:08:35,668 --> 00:08:36,601 PATHETIC. 130 00:08:36,668 --> 00:08:39,100 THIS IS NO TIME TO JOKE. 131 00:08:39,167 --> 00:08:41,000 PLEASE, YOU MUST GO. 132 00:08:44,000 --> 00:08:46,434 I'VE ARRANGED EVERYTHING PERFECTLY FOR US, 133 00:08:46,501 --> 00:08:49,933 AND NOW YOU'RE GOING TO RUIN EVERYTHING I'VE DONE. 134 00:08:50,000 --> 00:08:51,434 YOU ARE SO COMPLETELY BEWILDERED 135 00:08:51,501 --> 00:08:54,434 THAT YOU HAVEN'T EVEN ASKED ME HOW THE OPENING WAS. 136 00:08:54,501 --> 00:08:57,434 I OPENED IN A PLAY TONIGHT, IF YOU REMEMBER. 137 00:08:57,501 --> 00:08:59,434 OH, FORGIVE ME. HOW WAS IT? 138 00:08:59,501 --> 00:09:00,434 A SMASH. 139 00:09:00,501 --> 00:09:01,933 WENT LIKE A HOUSE AFIRE. 140 00:09:02,000 --> 00:09:02,933 AND YOU? 141 00:09:03,000 --> 00:09:04,267 AT MY BEST. 142 00:09:04,334 --> 00:09:05,601 I'M SO GLAD. 143 00:09:05,668 --> 00:09:07,467 THANK YOU. 144 00:09:07,534 --> 00:09:08,967 PLEASE GO, PAUL. 145 00:09:09,034 --> 00:09:11,967 I'LL BE IN TOWN TOMORROW AT 10:00 TO SEE YOU. 146 00:09:12,034 --> 00:09:13,467 OH, YOU WILL? 147 00:09:13,534 --> 00:09:14,967 CERTAINLY. AS WE PLANNED. 148 00:09:15,034 --> 00:09:16,967 YOU LITTLE TWO-FACED LIAR. 149 00:09:17,034 --> 00:09:18,467 PAUL, YOU'RE MAD. 150 00:09:18,534 --> 00:09:19,668 TOMORROW, EH? 151 00:09:19,734 --> 00:09:22,467 NO. YOU WILL NOT SEE ME TOMORROW OR EVER AGAIN- 152 00:09:22,534 --> 00:09:25,467 UNLESS YOU BUY A TICKET TO THE BOX OFFICE. 153 00:09:25,534 --> 00:09:27,867 I'M SAYING GOODBYE FOREVER. 154 00:09:27,933 --> 00:09:31,301 YOU CAME OUT HERE TO SAY GOODBYE TO ME? 155 00:09:31,367 --> 00:09:34,301 NO. I CAME OUT HERE TO PLEAD WITH YOU, 156 00:09:34,367 --> 00:09:35,734 TO HOLD YOU, KISS YOU, 157 00:09:35,800 --> 00:09:37,234 FALL AT YOUR FEET. 158 00:09:37,301 --> 00:09:39,034 YOU'VE EVIDENTLY CHANGED YOUR MIND. 159 00:09:39,100 --> 00:09:40,501 YES, WHEN YOU LIED AGAIN. 160 00:09:40,567 --> 00:09:44,501 DO YOU KNOW WHAT IT IS TO LOOK INTO A WOMAN'S EYES 161 00:09:44,567 --> 00:09:46,634 WHEN SHE IS LYING? 162 00:09:48,067 --> 00:09:49,034 FORGIVE ME. 163 00:09:49,100 --> 00:09:52,100 I SHOULD BE MORE TOLERANT WITH A LIAR. 164 00:09:52,167 --> 00:09:55,401 I HAVE BEEN ONE MYSELF SO OFTEN. 165 00:09:59,567 --> 00:10:02,000 WE'LL PART WITHOUT ANY FURTHER ARGUMENT- 166 00:10:02,067 --> 00:10:03,434 QUIETLY AND CALMLY. 167 00:10:03,501 --> 00:10:04,933 I KNOW EVERYTHING. 168 00:10:05,000 --> 00:10:07,234 YOU'RE GOING WITH HIM TOMORROW AT 9:00 169 00:10:07,301 --> 00:10:09,933 ON A PLANE TO CANADA... TO HUNT MOOSE. 170 00:10:10,000 --> 00:10:11,933 OH. SO THAT'S THE POINT. 171 00:10:12,000 --> 00:10:14,967 YOU DIDN'T TELL HIM YOU WERE THROUGH WITH HIM. 172 00:10:15,034 --> 00:10:17,267 YOU DIDN'T TELL HIM YOU LOVE ME. 173 00:10:17,334 --> 00:10:19,634 INSTEAD, YOU HELD YOUR HUSBAND AND SAID, 174 00:10:19,701 --> 00:10:21,967 "YES, DARLING, I'LL GO WITH YOU ANYWHERE. 175 00:10:22,034 --> 00:10:24,267 "I AM YOUR GOOD AND LOYAL WIFE. 176 00:10:24,334 --> 00:10:26,267 I LOVE ONLY YOU. NOBODY ELSE." 177 00:10:26,334 --> 00:10:27,933 HAH. 178 00:10:30,434 --> 00:10:33,267 PAUL, PLEASE. YOU MUST GO- 179 00:10:39,034 --> 00:10:39,967 JOHN. 180 00:10:40,034 --> 00:10:41,467 LOOK WHO DROPPED IN. 181 00:10:41,534 --> 00:10:43,967 HELLO, MR. ORMAN. GLAD TO SEE YOU. 182 00:10:44,034 --> 00:10:45,467 HOW ARE YOU, SIR? 183 00:10:45,534 --> 00:10:47,501 I DIDN'T KNOW YOU WERE EXPECTING 184 00:10:47,567 --> 00:10:49,501 THE CELEBRATED MR. ORMAN TONIGHT. 185 00:10:49,567 --> 00:10:52,000 I DIDN'T TELL YOU, BUT I WAS. 186 00:10:52,067 --> 00:10:54,334 PAUL OPENED IN A NEW SHOW TONIGHT. 187 00:10:54,401 --> 00:10:57,334 OH, YES. SO THE NEW SHOW WAS A FLOP, EH? 188 00:10:57,401 --> 00:11:00,501 NO. ON THE CONTRARY, IT WAS A MAGNIFICENT SUCCESS. 189 00:11:00,567 --> 00:11:03,434 I'M SPENDING THE WEEKEND A FEW MILES FROM HERE. 190 00:11:03,501 --> 00:11:06,434 I DROPPED IN TO WISH YOU HAPPY HUNTING... 191 00:11:06,501 --> 00:11:07,933 IN CANADA, ISN'T IT? 192 00:11:08,000 --> 00:11:10,933 YES. I DO ALL MY HUNTING IN CANADA. 193 00:11:11,000 --> 00:11:12,933 OH, WHOA THERE. 194 00:11:13,000 --> 00:11:14,833 NOT SO FAST. 195 00:11:16,000 --> 00:11:17,401 A DRINK, MR. ORMAN? 196 00:11:17,467 --> 00:11:18,401 NO, THANKS. 197 00:11:18,467 --> 00:11:19,634 ETHEL? 198 00:11:19,701 --> 00:11:24,301 NO. DON'T YOU THINK YOU'RE HAVING TOO MANY, DEAR? 199 00:11:24,367 --> 00:11:25,301 FRANKLY, NO. 200 00:11:25,367 --> 00:11:26,967 AND YOU'RE MIXING THEM, TOO. 201 00:11:27,034 --> 00:11:27,967 PLEASE, JOHN. 202 00:11:28,034 --> 00:11:30,800 THAT'S THE WAY I LIKE MY DRINKS-MIXED. 203 00:11:30,867 --> 00:11:32,967 KEEPS ME INTERESTED IN DRINKING. 204 00:11:33,034 --> 00:11:34,467 OTHERWISE I GET BORED. 205 00:11:34,534 --> 00:11:36,501 SURE YOU WON'T HAVE ONE? 206 00:11:36,567 --> 00:11:40,467 NO, THANKS. I HAVE OTHER REMEDIES FOR BOREDOM. 207 00:11:40,534 --> 00:11:41,967 I IMAGINE. 208 00:11:42,034 --> 00:11:44,967 WELL, I'M SORRY I CANNOT STAY FOR YOUR PARTY, 209 00:11:45,034 --> 00:11:46,467 SO I'LL SAY GOODBYE. 210 00:11:46,534 --> 00:11:49,467 AND A VERY PLEASANT TRIP TO BOTH OF YOU. 211 00:11:49,534 --> 00:11:52,467 WELL, YOU'RE WASTING ONE OF YOUR GOODBYES. 212 00:11:52,534 --> 00:11:55,167 MY WIFE ISN'T GOING WITH ME. 213 00:11:55,234 --> 00:11:57,501 SHE INSISTS ON STAYING BEHIND. 214 00:12:00,567 --> 00:12:02,000 THAT'S OLD CHARLIE HENDERSON. 215 00:12:02,067 --> 00:12:05,800 I MUST SPEAK TO HIM BEFORE HE GETS TOO TIGHT. 216 00:12:08,000 --> 00:12:09,967 WELL, GOODBYE. 217 00:12:10,034 --> 00:12:11,000 GOODBYE. 218 00:12:11,067 --> 00:12:13,933 GO TO THE LODGE AT THE END OF THE GARDEN. 219 00:12:14,000 --> 00:12:15,234 I'LL BE THERE IMMEDIATELY. 220 00:12:15,301 --> 00:12:16,601 I ADORE YOU. 221 00:13:26,067 --> 00:13:28,434 FORGIVE ME FOR DOUBTING YOU. 222 00:13:28,501 --> 00:13:29,701 CERTAINLY. 223 00:13:35,534 --> 00:13:36,967 DO YOU LOVE ME? 224 00:13:37,034 --> 00:13:40,467 OH, YES. OF COURSE I DO. 225 00:13:40,534 --> 00:13:42,467 BUT, DARLING, WE HAVEN'T MUCH TIME. 226 00:13:42,534 --> 00:13:45,467 WHAT DO YOU MEAN? YOU HAVE THE REST OF YOUR LIFE. 227 00:13:45,534 --> 00:13:46,467 BUT, PAUL... 228 00:13:46,534 --> 00:13:48,768 OH, COME. PLEASE, SIT DOWN. 229 00:13:48,833 --> 00:13:50,267 I LEARNED SOMETHING TONIGHT. 230 00:13:50,334 --> 00:13:53,267 I LEARNED HOW MUCH I LOVE YOU. 231 00:13:53,334 --> 00:13:55,567 YOU TOLD ME THAT A YEAR AGO, 232 00:13:55,634 --> 00:13:56,967 AND YOU LET ME GO. 233 00:13:57,034 --> 00:13:58,467 YOU LET ME MARRY HIM. 234 00:13:58,534 --> 00:13:59,967 YOU NEVER EVEN PHONED. 235 00:14:00,034 --> 00:14:02,267 IF YOU'D ASKED ME TO FORGIVE YOU- 236 00:14:02,334 --> 00:14:03,501 I DIDN'T KNOW THEN 237 00:14:03,567 --> 00:14:06,067 THAT LOVE WAS MORE THAN A GOOD SCENE. 238 00:14:06,134 --> 00:14:09,100 I DIDN'T KNOW IT WAS SOMETHING THAT... 239 00:14:09,167 --> 00:14:11,601 THAT WOULD TEAR AT YOUR HEART... 240 00:14:11,668 --> 00:14:13,301 AND BURN THROUGH THE GREASEPAINT. 241 00:14:13,367 --> 00:14:14,933 YOU FEEL THAT WAY? 242 00:14:15,000 --> 00:14:17,100 I DO. 243 00:14:24,768 --> 00:14:25,701 MY DARLING... 244 00:14:25,768 --> 00:14:28,200 I KNOW WHAT YOU'VE BEEN DOING. 245 00:14:28,267 --> 00:14:31,701 YOU HAVE BEEN TELLING ME LIES AND HIM LIES. 246 00:14:31,768 --> 00:14:34,701 I KNOW. I'VE DONE IT MYSELF TOO OFTEN. 247 00:14:34,768 --> 00:14:37,000 BUT THAT IS OVER... FOR BOTH OF US. 248 00:14:37,067 --> 00:14:38,501 WHAT DO YOU MEAN? 249 00:14:38,567 --> 00:14:41,467 YOU'RE COMING ALONG WITH ME. TOMORROW. 250 00:14:41,534 --> 00:14:42,467 BRAZIL. 251 00:14:42,534 --> 00:14:43,800 YOU CAN WIRE HIM. 252 00:14:43,867 --> 00:14:46,967 WE'LL STAY THERE UNTIL HE GIVES YOU A DIVORCE. 253 00:14:47,034 --> 00:14:49,000 AND THEN... THEN WE'LL GET MARRIED. 254 00:14:50,067 --> 00:14:51,967 MARRIED? 255 00:14:52,034 --> 00:14:53,267 YOU? 256 00:14:53,334 --> 00:14:54,267 YES, ME. 257 00:14:54,334 --> 00:14:55,567 I NEED YOU. 258 00:14:55,634 --> 00:14:56,967 I REALIZED THAT TODAY. 259 00:14:57,034 --> 00:15:00,034 I NEED YOU, AND I'VE GOT TO PAY FOR YOU. 260 00:15:04,967 --> 00:15:06,401 YOU FRIGHTEN ME. 261 00:15:06,467 --> 00:15:07,734 BUT YOU... 262 00:15:07,800 --> 00:15:09,401 YOU LOVE ME ENOUGH? 263 00:15:09,467 --> 00:15:10,900 OH, YES, DARLING. 264 00:15:10,967 --> 00:15:13,401 I'LL CALL YOU IN THE MORNING, 265 00:15:13,467 --> 00:15:14,933 RIGHT AFTER HE LEAVES. 266 00:15:15,000 --> 00:15:17,234 BUT... IF YOU LOVE ME SO MUCH, 267 00:15:17,301 --> 00:15:19,701 WHY WERE YOU SO FRIGHTENED IN THE HOUSE? 268 00:15:19,768 --> 00:15:21,701 HE'S VERY CURIOUS WHEN HE'S DRINKING. 269 00:15:21,768 --> 00:15:24,434 I DIDN'T WANT ANYTHING TO HAPPEN TO YOU. 270 00:15:24,501 --> 00:15:25,434 WHY? 271 00:15:25,501 --> 00:15:26,933 I COULDN'T STAND THAT. 272 00:15:27,000 --> 00:15:28,434 I COULDN'T LIVE WITHOUT YOU. 273 00:15:28,501 --> 00:15:29,501 I COULDN'T- 274 00:15:37,000 --> 00:15:38,434 MURRAY HILL 7564, PLEASE. 275 00:15:38,501 --> 00:15:39,933 WHO ARE YOU CALLING? 276 00:15:40,000 --> 00:15:41,434 MR. WEBB. MY MANAGER. 277 00:15:41,501 --> 00:15:42,933 WHY HIM NOW? 278 00:15:43,000 --> 00:15:44,401 GOT SOME NEWS FOR HIM. 279 00:15:44,467 --> 00:15:46,601 HE'S WAITING AT MY APARTMENT. 280 00:15:46,668 --> 00:15:47,933 WHAT NEWS, PAUL? 281 00:15:48,000 --> 00:15:49,100 KISS ME. 282 00:15:50,401 --> 00:15:51,833 I ADORE YOU. 283 00:15:51,900 --> 00:15:52,833 MADLY. 284 00:15:52,900 --> 00:15:53,833 STUPIDLY. 285 00:15:53,900 --> 00:15:54,833 BLINDLY- 286 00:15:54,900 --> 00:15:55,833 HELLO, OLIVER? 287 00:15:55,900 --> 00:15:58,367 YES, IT'S ME. 288 00:15:58,434 --> 00:16:00,867 PAY ATTENTION, PLEASE, AND NO ARGUMENTS. 289 00:16:00,933 --> 00:16:02,900 I WANT YOU TO CLOSE THE PLAY. 290 00:16:02,967 --> 00:16:04,900 I SAID CLOSE THE PLAY. 291 00:16:04,967 --> 00:16:06,900 I'M LEAVING TOMORROW FOR SIX MONTHS. 292 00:16:06,967 --> 00:16:08,401 PAUL, CLOSE A HIT? 293 00:16:08,467 --> 00:16:10,401 DARLING, YOU'RE WORTH A THOUSAND HITS. 294 00:16:10,467 --> 00:16:11,401 I HOPE. 295 00:16:11,467 --> 00:16:12,401 OLIVER? 296 00:16:12,467 --> 00:16:15,401 NO. NO. I'M IN MY RIGHT MIND. 297 00:16:15,467 --> 00:16:18,401 IN FACT, FOR THE FIRST TIME SINCE I WAS BORN. 298 00:16:18,467 --> 00:16:20,401 DO WHAT I TELL YOU! 299 00:16:20,467 --> 00:16:22,933 IT'S MY SHOW, MY MONEY, MY THEATER! 300 00:16:23,000 --> 00:16:24,933 ALL RIGHT. PAY EVERYBODY OFF! 301 00:16:25,000 --> 00:16:27,933 AND GET ME TWO TICKETS TO RIO. 302 00:16:28,000 --> 00:16:29,467 ON THE CLIPPER. 303 00:16:29,534 --> 00:16:30,467 FOR TOMORROW. 304 00:16:30,534 --> 00:16:31,867 THAT'S RIGHT. 305 00:16:33,034 --> 00:16:35,134 I'M A LITTLE AMAZED AT MYSELF. 306 00:16:35,200 --> 00:16:36,467 DID I SOUND VERY NAIVE? 307 00:16:36,534 --> 00:16:38,434 NO. 308 00:16:38,501 --> 00:16:39,800 THAT'S HOW IT GOES. 309 00:16:39,867 --> 00:16:42,800 ALWAYS ACTING UNTIL YOU FIND SOMETHING YOU CAN BELIEVE IN. 310 00:16:47,534 --> 00:16:49,401 Put out the light. 311 00:16:58,701 --> 00:17:00,634 THE PARTY'S BECOMING A BORE. 312 00:17:00,701 --> 00:17:02,134 TOO MANY DRUNKS. 313 00:17:02,200 --> 00:17:03,933 I WAS LOOKING FOR YOU. 314 00:17:04,000 --> 00:17:06,234 WE WERE TALKING OVER PAUL'S NEW PLAY. 315 00:17:06,301 --> 00:17:08,234 IT WAS SO NOISY IN THERE. 316 00:17:08,301 --> 00:17:09,534 YES, SO I IMAGINE. 317 00:17:09,601 --> 00:17:12,267 I WONDERED IF YOU HAD CHANGED YOUR MIND. 318 00:17:12,334 --> 00:17:13,267 ABOUT WHAT? 319 00:17:13,334 --> 00:17:14,601 CANADA. COMING WITH ME? 320 00:17:14,668 --> 00:17:16,100 NO. I'M AFRAID NOT. 321 00:17:16,167 --> 00:17:18,401 I DON'T SEE HOW YOU COULD RESIST 322 00:17:18,467 --> 00:17:20,401 THE BEST SHOOTING IN THE WORLD... 323 00:17:20,467 --> 00:17:22,434 IF YOU'RE LOOKING FOR MOOSE. 324 00:17:22,501 --> 00:17:25,267 HAVE YOU EVER HUNTED MOOSE... 325 00:17:25,334 --> 00:17:26,434 MR. ORMAN? 326 00:17:26,501 --> 00:17:27,434 NO, I HAVEN'T. 327 00:17:27,501 --> 00:17:28,800 MAYBE... 328 00:17:28,867 --> 00:17:30,900 YOU'D LIKE TO COME WITH ME. 329 00:17:30,967 --> 00:17:33,434 JOHN, YOU'RE DRUNK. PLEASE. 330 00:17:33,501 --> 00:17:36,234 DON'T EXAGGERATE. I NEVER GET DRUNK. 331 00:17:36,301 --> 00:17:38,734 I GET INVOLVED, BUT NOT DRUNK. 332 00:17:38,800 --> 00:17:42,234 I'LL LET YOU USE MY FAVORITE GUN, MR. ORMAN. 333 00:17:42,301 --> 00:17:44,200 LET ME SHOW YOU MY COLLECTION. 334 00:17:44,267 --> 00:17:46,267 ONE OF THE BEST, YOU KNOW. 335 00:17:47,267 --> 00:17:48,701 HERE IT IS. 336 00:17:48,768 --> 00:17:51,200 TOOK ME YEARS TO GATHER THIS. 337 00:17:51,267 --> 00:17:52,200 AND HERE... 338 00:17:52,267 --> 00:17:54,867 HERE... IS MY FAVORITE. 339 00:17:56,034 --> 00:17:57,800 NEVER FAILED ME. 340 00:18:00,534 --> 00:18:02,000 HERE HE IS. 341 00:18:02,067 --> 00:18:02,933 COLONEL JOHNSON. 342 00:18:03,000 --> 00:18:04,933 COLONEL, HOW ARE YOU? 343 00:18:05,000 --> 00:18:05,933 OH. 344 00:18:06,000 --> 00:18:06,933 BUT I... 345 00:18:07,000 --> 00:18:08,434 I WAS JUST GOING. 346 00:18:08,501 --> 00:18:10,434 NONSENSE. ALWAYS WANTED TO TALK TO YOU. 347 00:18:10,501 --> 00:18:13,434 DON'T MIND IF I SPRUCE UP THE COLONEL, DO YOU? 348 00:18:13,501 --> 00:18:15,200 PLEASE DON'T POINT THAT. 349 00:18:15,267 --> 00:18:17,933 DON'T WORRY. THE COLONEL'S NOT LOADED. 350 00:18:18,000 --> 00:18:19,933 I MAY BE A TRIFLE, 351 00:18:20,000 --> 00:18:21,434 BUT NOT THE COLONEL. 352 00:18:21,501 --> 00:18:24,434 THREE YEARS AGO, I GOT AN ELK. 353 00:18:24,501 --> 00:18:26,100 THERE HE IS. 354 00:18:26,167 --> 00:18:29,100 LAST YEAR, I SHOT OVER THREE MOOSE. 355 00:18:29,167 --> 00:18:31,401 THE COLONEL WAS ONLY A CAPTAIN THEN. 356 00:18:31,467 --> 00:18:33,701 I PROMOTED HIM AFTER THE THIRD MOOSE. 357 00:18:33,768 --> 00:18:35,434 WHAT DID YOU WANT TO TALK ABOUT? 358 00:18:35,501 --> 00:18:36,933 A LOT OF THINGS. 359 00:18:37,000 --> 00:18:38,933 BUT WE'LL BEGIN WITH GUNS. 360 00:18:39,000 --> 00:18:40,434 THEY'RE MY HOBBY. 361 00:18:40,501 --> 00:18:43,434 I DON'T THINK PAUL IS INTERESTED IN GUNS. 362 00:18:43,501 --> 00:18:44,967 GUNS HAVE A CERTAIN INTEREST... 363 00:18:45,034 --> 00:18:46,501 IN THE HANDS OF EXPERTS. 364 00:18:46,567 --> 00:18:47,501 EXACTLY. 365 00:18:47,567 --> 00:18:49,501 A MAN WOULD BE A NITWIT 366 00:18:49,567 --> 00:18:51,967 NOT TO BE INTERESTED IN THIS WEAPON. 367 00:18:52,034 --> 00:18:54,467 A BLIND MAN COULD HIT A DUCK'S EYE 368 00:18:54,534 --> 00:18:56,467 AT 100 PACES WITH THE COLONEL. 369 00:18:56,534 --> 00:18:58,467 HA HA. GOOD OLD COLONEL. 370 00:18:58,534 --> 00:19:00,768 YOU REMEMBER THAT FELLOW UP THERE? 371 00:19:00,833 --> 00:19:03,967 ETHEL, WHERE DID I PUT THAT OIL CAN? 372 00:19:04,034 --> 00:19:06,267 WE'VE GOT TO GET BACK TO THE HOUSE. 373 00:19:06,334 --> 00:19:07,567 THEY'LL BE MISSING US. 374 00:19:07,634 --> 00:19:10,267 NOT A CHANCE. THEY'RE HAVING A WONDERFUL TIME. 375 00:19:10,334 --> 00:19:12,668 WHAT DID YOU WANT TO SAY ABOUT GUNS? 376 00:19:12,734 --> 00:19:14,867 EVER USE 'EM? 377 00:19:14,933 --> 00:19:17,234 YES. ON THE STAGE. 378 00:19:17,301 --> 00:19:18,234 SHOOT 'EM? 379 00:19:18,301 --> 00:19:19,734 ON A STAGE. 380 00:19:19,800 --> 00:19:20,833 NOT REAL BULLETS. 381 00:19:20,900 --> 00:19:21,833 NO. 382 00:19:21,900 --> 00:19:23,334 JUST BLANKS, EH? 383 00:19:23,401 --> 00:19:24,334 YES. 384 00:19:24,401 --> 00:19:25,334 ONLY BLANKS. 385 00:19:25,401 --> 00:19:26,833 WE ACTORS PREFER THEM. 386 00:19:26,900 --> 00:19:28,867 THIS IS SILLY, JOHN. 387 00:19:28,933 --> 00:19:30,867 PAUL'S GIVEN AN OPENING PERFORMANCE, 388 00:19:30,933 --> 00:19:32,234 AND HE'S PROBABLY EXHAUSTED. 389 00:19:33,501 --> 00:19:36,334 DARLING, YOU HAVEN'T DANCED WITH ME THIS EVENING. 390 00:19:36,401 --> 00:19:37,833 COME ON, WON'T YOU? 391 00:19:37,900 --> 00:19:39,501 I NOTICED THAT. 392 00:19:39,567 --> 00:19:41,967 IT'S TOO LATE NOW. 393 00:19:42,034 --> 00:19:44,301 WILL YOU STOP PUTTERING WITH THAT GUN? 394 00:19:44,367 --> 00:19:45,601 I'M GETTING VERY ANGRY! 395 00:19:45,668 --> 00:19:47,034 WHY DON'T YOU GO, ETHEL? 396 00:19:47,100 --> 00:19:50,334 PERHAPS YOUR HUSBAND WOULD PREFER TALKING TO ME ALONE. 397 00:19:50,401 --> 00:19:52,634 I HAVE NO SECRETS FROM MY WIFE. 398 00:19:52,701 --> 00:19:54,634 SHE MAY HAVE FROM ME. 399 00:19:54,701 --> 00:19:56,634 THERE'S ALWAYS HALF OF WOMEN MISSING. 400 00:19:56,701 --> 00:19:59,034 BUT WITH MEN, THEY'RE USUALLY IN ONE PIECE, 401 00:19:59,100 --> 00:20:01,067 FULL OF TRUTH AND HONOR. 402 00:20:01,134 --> 00:20:03,668 YES. THOSE THINGS COME WITH AGE. 403 00:20:05,100 --> 00:20:06,367 THANK YOU. WELL PUT. 404 00:20:06,434 --> 00:20:08,668 I SUPPOSE AN ACTOR CAN GET ALONG 405 00:20:08,734 --> 00:20:10,867 WITHOUT MUCH TRUTH AND HONOR. 406 00:20:10,933 --> 00:20:14,000 OH, YES. AN ACTOR CAN GET ALONG WITHOUT ANYTHING... 407 00:20:14,067 --> 00:20:15,434 EXCEPT A GOOD PLAY. 408 00:20:15,501 --> 00:20:17,434 SORRY I MISSED YOUR SHOW. 409 00:20:17,501 --> 00:20:20,334 I UNDERSTAND YOU GET KILLED IN IT. 410 00:20:20,401 --> 00:20:23,434 YES... AT THE END OF THE LAST ACT. 411 00:20:23,501 --> 00:20:25,668 COULDN'T MAKE UP THEIR MINDS, EH? 412 00:20:25,734 --> 00:20:27,167 NO, IT ISN'T THAT. 413 00:20:27,234 --> 00:20:30,167 THEY COULD NOT AFFORD TO KILL ME EARLIER. 414 00:20:30,234 --> 00:20:32,601 IT WOULD HAVE BEEN BAD FOR THE PLAY. 415 00:20:32,668 --> 00:20:33,601 I SEE. 416 00:20:33,668 --> 00:20:36,000 I UNDERSTAND A WOMAN SHOOTS YOU. 417 00:20:36,067 --> 00:20:37,000 YES. 418 00:20:37,067 --> 00:20:38,501 THE WOMAN I LOVE. 419 00:20:38,567 --> 00:20:40,000 SOUNDS VERY DRAMATIC. 420 00:20:40,067 --> 00:20:41,434 JOHN... 421 00:20:41,501 --> 00:20:45,000 I DON'T WANT ANY INTERRUPTIONS. 422 00:20:45,067 --> 00:20:48,034 HOW DO YOU ACT WHEN SHE POINTS THE GUN AT YOU? 423 00:20:48,100 --> 00:20:49,100 AFRAID? 424 00:20:49,167 --> 00:20:50,100 NO. 425 00:20:50,167 --> 00:20:55,034 A LITTLE SAD, BUT RESIGNED. 426 00:20:55,100 --> 00:20:56,734 I'M DRINKING A HIGHBALL. 427 00:20:56,800 --> 00:20:57,734 HAVE ONE. 428 00:20:57,800 --> 00:20:59,401 NO. THANKS. 429 00:21:02,100 --> 00:21:04,967 I CAN'T BEAR TO SEE YOU DRUNK LIKE THIS. 430 00:21:05,034 --> 00:21:06,734 I'M NOT BORING YOU, MR. ORMAN? 431 00:21:06,800 --> 00:21:08,067 NO. NOT AT ALL. 432 00:21:08,134 --> 00:21:10,034 YOU STAND RIGHT UP TO HER 433 00:21:10,100 --> 00:21:11,634 AND DON'T ACT AFRAID, EH? 434 00:21:11,701 --> 00:21:14,401 WHY IS THAT? DON'T SOUND REAL TO ME. 435 00:21:14,467 --> 00:21:17,401 WELL, WHAT WOULD YOU SUGGEST I DO? 436 00:21:17,467 --> 00:21:20,401 A FELLOW ALWAYS ACTS AFRAID WHEN HE'S FACING A GUN. 437 00:21:20,467 --> 00:21:23,434 OH, BUT AN ACTOR WITHOUT COURAGE WOULD BE A FRAUD. 438 00:21:23,501 --> 00:21:26,134 THE AUDIENCE ALWAYS LIKES COURAGE. 439 00:21:26,200 --> 00:21:29,134 SO YOU THINK OF YOUR AUDIENCE WHEN YOU'RE ACTING? 440 00:21:29,200 --> 00:21:30,401 ALWAYS. 441 00:21:30,467 --> 00:21:31,701 I COULD NEVER UNDERSTAND ETHEL. 442 00:21:31,768 --> 00:21:34,701 I COULD NEVER FIGURE OUT WHETHER SHE MEANT SOMETHING 443 00:21:34,768 --> 00:21:36,000 OR WAS JUST ACTING IT. 444 00:21:36,067 --> 00:21:38,000 KEPT ME GUESSING FOR A YEAR. 445 00:21:38,067 --> 00:21:39,334 MARRIAGE IS NO FUN 446 00:21:39,401 --> 00:21:43,000 WHEN IT TURNS INTO A GUESSING CONTEST. 447 00:21:43,067 --> 00:21:45,601 ALL RIGHT. 448 00:21:45,668 --> 00:21:47,100 THERE YOU ARE, COLONEL. 449 00:21:47,167 --> 00:21:49,601 ALL SPRUCED UP NEAT AND CLEAN 450 00:21:49,668 --> 00:21:53,234 AND READY TO GO HUNTING. 451 00:21:53,301 --> 00:21:54,334 JOHN! 452 00:21:58,867 --> 00:22:00,034 YOU TOOK... 453 00:22:00,100 --> 00:22:04,467 YOU TOOK QUITE A LONG TIME ABOUT IT, MR. HALLOWAY. 454 00:22:04,534 --> 00:22:07,067 I WAS GETTING VERY NERVOUS. 455 00:22:16,034 --> 00:22:17,467 IT WAS AN ACCIDENT. 456 00:22:17,534 --> 00:22:18,467 WAS IT? 457 00:22:18,534 --> 00:22:19,967 YOU SAW IT, ETHEL. 458 00:22:20,034 --> 00:22:22,301 I WAS CLEANING THE GUN. IT WENT OFF. 459 00:22:22,367 --> 00:22:24,301 I DIDN'T THINK IT WAS LOADED. 460 00:22:24,367 --> 00:22:25,800 YOU'VE KILLED HIM. 461 00:22:30,567 --> 00:22:33,234 WHAT ARE YOU GOING TO DO? 462 00:22:38,367 --> 00:22:40,301 THEY'LL COME HERE. THE POLICE. 463 00:22:40,367 --> 00:22:41,800 THEY'LL TAKE YOU AWAY. 464 00:22:41,867 --> 00:22:44,800 OH, JOHN, WHY DID YOU DO IT? 465 00:22:44,867 --> 00:22:47,401 THIS'LL RUIN YOU. BOTH OF US. 466 00:22:47,467 --> 00:22:49,668 WHY DID YOU DO IT? 467 00:22:49,734 --> 00:22:51,167 IT WAS AN ACCIDENT. 468 00:22:51,234 --> 00:22:53,000 I WAS CLEANING MY GUN. 469 00:22:53,067 --> 00:22:54,401 YOU SAW IT. 470 00:22:56,067 --> 00:22:57,501 OH, YES. 471 00:22:57,567 --> 00:22:59,467 YES, OF COURSE. 472 00:23:01,601 --> 00:23:03,534 IT WAS AN ACCIDENT. 473 00:23:03,601 --> 00:23:06,467 YOU CAN TELL THE POLICE... 474 00:23:06,534 --> 00:23:08,634 THAT IT WAS... 475 00:23:08,701 --> 00:23:10,601 UNINTENTIONAL. 476 00:23:12,534 --> 00:23:14,567 THAT YOUR HUSBAND AND I 477 00:23:14,634 --> 00:23:17,100 WERE THE BEST OF FRIENDS. 478 00:23:17,167 --> 00:23:18,601 YES, OF COURSE. 479 00:23:18,668 --> 00:23:20,967 I'LL TELL THEM THAT. 480 00:23:21,034 --> 00:23:22,534 I'LL SAY THAT. 481 00:23:24,034 --> 00:23:25,967 JOHN, CALL A DOCTOR, PLEASE. 482 00:23:26,034 --> 00:23:28,967 NO. 483 00:23:29,034 --> 00:23:31,467 IT'S TOO LATE FOR A DOCTOR. 484 00:23:32,534 --> 00:23:35,000 THE CURTAIN IS COMING DOWN. 485 00:23:35,067 --> 00:23:40,000 IT'S THE END OF ACT III. 486 00:23:40,067 --> 00:23:41,000 HE SUDDENLY- 487 00:23:41,067 --> 00:23:44,334 NO, NO. WE'LL CALL A DOCTOR. 488 00:23:46,567 --> 00:23:48,501 OH, DARLING, I DIDN'T KNOW. 489 00:23:48,567 --> 00:23:50,501 I'VE BEEN STUPID AND HORRIBLE. 490 00:23:50,567 --> 00:23:52,501 I MADE YOU DO THIS. 491 00:23:52,567 --> 00:23:54,768 HE DID NOTHING. 492 00:23:54,833 --> 00:23:57,000 IT WAS AN ACCIDENT. 493 00:23:57,067 --> 00:23:58,833 IT MIGHT HAPPEN... 494 00:23:58,900 --> 00:24:00,634 TO ANYONE. 495 00:24:03,000 --> 00:24:05,134 I'LL CALL THE SERVANTS. 496 00:24:06,367 --> 00:24:08,967 YOU'LL BE MY WITNESS? 497 00:24:09,034 --> 00:24:11,200 YES. 498 00:24:13,034 --> 00:24:14,467 TO THE END. 499 00:24:14,534 --> 00:24:16,900 GOOD GIRL. 500 00:24:18,534 --> 00:24:20,067 ALL RIGHT. 501 00:24:21,301 --> 00:24:23,067 I'LL CALL THEM. 502 00:24:27,200 --> 00:24:30,668 HA HA HA HA. 503 00:24:30,734 --> 00:24:32,668 DON'T BOTHER. I'M ALL RIGHT. 504 00:24:32,734 --> 00:24:35,967 WELL, YOU'RE - YOU'RE NOT HURT. THANK HEAVEN. 505 00:24:36,034 --> 00:24:37,967 HOW DID I DO, MR. HALLOWAY? 506 00:24:38,034 --> 00:24:39,200 LIKE WHAT? 507 00:24:39,267 --> 00:24:41,900 MY PERFORMANCE. COULDN'T RESIST IT. HA HA. 508 00:24:41,967 --> 00:24:45,900 DEATH SCENES HAVE BEEN MY SPECIALTY SINCE I BECAME FAMOUS. 509 00:24:45,967 --> 00:24:48,734 SO WHEN ANYBODY SHOOTS ME, I FALL DEAD. 510 00:24:48,800 --> 00:24:50,234 YOU WERE ACTING? 511 00:24:50,301 --> 00:24:54,234 UH-HUH. OH, IT'S AN OFF NIGHT FOR A COLONEL. 512 00:24:54,301 --> 00:24:58,234 HE IS NOT A WIZARD. MISSED ME BY A MILE. 513 00:24:58,301 --> 00:25:01,567 I HOPE YOU HAVE BETTER LUCK IN CANADA, MR. HALLOWAY. 514 00:25:01,634 --> 00:25:05,000 OH, NOW, DON'T FEEL SO DEPRESSED. 515 00:25:05,067 --> 00:25:08,000 YOU KNOW, I WOULDN'T LOOK TOO GOOD UP THERE 516 00:25:08,067 --> 00:25:09,501 ON A PLAQUE. 517 00:25:09,567 --> 00:25:11,000 YOU WERE ACTING? 518 00:25:11,067 --> 00:25:13,501 YES. YOUR HUSBAND PUT IT INTO MY HEAD, 519 00:25:13,567 --> 00:25:15,668 COMPLAINING ABOUT YOU, 520 00:25:15,734 --> 00:25:18,134 BEING UNABLE TO TELL WHETHER YOU MEANT ANYTHING 521 00:25:18,200 --> 00:25:19,967 OR WERE ONLY ACTING. 522 00:25:20,034 --> 00:25:23,467 I THOUGHT THAT WOULD SHOW HIM A SAMPLE OF REAL ACTING. 523 00:25:23,534 --> 00:25:26,434 PAUL, HE DIDN'T TRY TO SHOOT YOU. IT WAS ACCIDENTAL. 524 00:25:26,501 --> 00:25:29,967 THE ONLY THING ACCIDENTAL ABOUT IT IS THAT HE MISSED ME. 525 00:25:30,034 --> 00:25:31,467 THAT WAS PURE ACCIDENT, 526 00:25:31,534 --> 00:25:34,034 NOT HIS, THE COLONEL'S. 527 00:25:34,100 --> 00:25:37,034 I'M AFRAID, SIR, YOU'LL HAVE TO DEMOTE HIM, 528 00:25:37,100 --> 00:25:39,200 MAKE HIM A CAPTAIN AGAIN. 529 00:25:39,267 --> 00:25:40,701 HA HA HA. 530 00:25:40,768 --> 00:25:44,967 OH, YOU SHOULDN'T HAVE WORRIED ABOUT YOUR WIFE, MR. HALLOWAY. 531 00:25:45,034 --> 00:25:49,000 OH, SHE MAY BECOME INTOXICATED WITH THE WINE OF ROMANCE, 532 00:25:49,067 --> 00:25:53,634 BUT YOU, YOU WILL ALWAYS BE THE MORNING AFTER. 533 00:25:53,701 --> 00:25:57,000 YOU SHOULD HAVE ASKED ME ABOUT HER. 534 00:25:57,067 --> 00:25:59,634 THEN YOU WOULD HAVE BEEN SAVED THE EMBARRASSMENT 535 00:25:59,701 --> 00:26:01,634 OF TRYING TO MURDER ME. 536 00:26:01,701 --> 00:26:04,067 PAUL, IT'S NOT TRUE. I SAW IT. 537 00:26:04,134 --> 00:26:07,067 IT WAS AN ACCIDENT. YOU MUST BELIEVE IT. 538 00:26:07,134 --> 00:26:09,434 YES... 539 00:26:09,501 --> 00:26:11,933 YES, MR. HALLOWAY, 540 00:26:12,000 --> 00:26:16,833 SHE MEANT IT, THE THINGS YOU DOUBTED. 541 00:26:16,900 --> 00:26:19,734 SHE MEANT EVERY WORD OF THEM. 542 00:26:19,800 --> 00:26:24,768 SHE LOVES YOUR STRONG, MANLY WAYS AND YOUR STALWART BANK ACCOUNT. 543 00:26:24,833 --> 00:26:27,768 SHE LOVES YOU VERY DEVOTEDLY 544 00:26:27,833 --> 00:26:30,200 WITH HER WHOLE, SIMPLE HEART, 545 00:26:30,267 --> 00:26:32,267 GOD BLESS HER. 546 00:26:41,034 --> 00:26:42,501 GOODBYE, ETHEL. 547 00:26:42,567 --> 00:26:46,501 YOU'RE NOT GOING TO DO ANYTHING ABOUT THIS? 548 00:26:50,367 --> 00:26:51,800 NOT A THING. 549 00:26:51,867 --> 00:26:54,301 ORMAN, I DON'T KNOW WHAT TO SAY. 550 00:26:54,367 --> 00:26:58,334 WHEN YOU DO, SAY IT TO HER IN A CANADIAN MOONLIGHT. 551 00:26:58,401 --> 00:27:00,334 GOOD NIGHT, MR. HALLOWAY. 552 00:27:00,401 --> 00:27:02,967 GOOD NIGHT, CAPTAIN. 553 00:27:03,034 --> 00:27:04,334 GOOD NIGHT. 554 00:27:13,000 --> 00:27:13,933 ALL OVER? 555 00:27:14,000 --> 00:27:15,434 YES. 556 00:27:15,501 --> 00:27:17,501 WHERE TO NOW? 557 00:27:23,000 --> 00:27:24,668 WHAT'S THE MATTER? 558 00:27:26,167 --> 00:27:27,668 WHAT'S THE MATTER? 559 00:27:30,034 --> 00:27:32,967 WHY, YOU'RE BLEEDING. YOU'VE BEEN SHOT. WHAT'S HAPPENED? 560 00:27:33,034 --> 00:27:34,967 ARE YOU HURT BAD, MR. ORMAN? 561 00:27:35,034 --> 00:27:37,467 WHO DID IT? WHY, YOU'RE SOAKED! 562 00:27:37,534 --> 00:27:39,234 CAN YOU TALK, MR. ORMAN? 563 00:27:39,301 --> 00:27:41,467 YES, YES. STOP YELLING. 564 00:27:41,534 --> 00:27:43,134 WHY, THEY SHOT YOU. 565 00:27:43,200 --> 00:27:46,134 YEAH. SPOILED MY NEW SUIT. 566 00:27:46,200 --> 00:27:48,634 FINEST SUIT I EVER HAD. 567 00:27:48,701 --> 00:27:50,634 IT'S MY FAULT. 568 00:27:50,701 --> 00:27:53,833 I PUT IT ON THE WRONG DUMMY. 569 00:27:53,900 --> 00:27:55,434 I'LL GET A DOCTOR. 570 00:27:55,501 --> 00:27:58,467 NO, ST. LUKE'S HOSPITAL. 571 00:27:58,534 --> 00:28:00,467 STEP ON IT. 572 00:28:00,534 --> 00:28:02,933 REMEMBER, AN ACCIDENT. 573 00:28:03,000 --> 00:28:05,601 NO PUBLICITY. 574 00:28:05,668 --> 00:28:08,601 I DON'T WANT YOU TO SPOIL MY SCENE. 575 00:28:08,668 --> 00:28:10,434 HA HA. 576 00:28:10,501 --> 00:28:12,534 I WAS SUPERB. 577 00:28:12,601 --> 00:28:16,534 AND THAT GUY SAID THIS SUIT WOULD BRING YOU GOOD LUCK. 578 00:28:16,601 --> 00:28:18,034 AHH... 579 00:28:18,100 --> 00:28:20,167 PERHAPS IT HAS. 580 00:28:32,668 --> 00:28:34,434 YES! YES! 581 00:28:43,100 --> 00:28:45,967 WAIT A MINUTE AND I'LL GET YOU AN ASPIRIN. 582 00:28:46,034 --> 00:28:47,467 GOOD MORNING, EDGAR. 583 00:28:47,534 --> 00:28:48,967 OH, IT'S YOU, LUTHER. HELLO. 584 00:28:49,034 --> 00:28:50,467 IS IT, UH... 585 00:28:50,534 --> 00:28:53,467 IT'S ALL RIGHT TO COME IN. MR. WILSON'S STILL ASLEEP. 586 00:28:53,534 --> 00:28:55,034 LOOK OUT FOR BROKEN GLASS. 587 00:28:57,034 --> 00:28:58,967 WHAT HAPPENED AROUND HERE? 588 00:28:59,034 --> 00:29:00,967 MR. WILSON GETS MARRIED TONIGHT. 589 00:29:02,200 --> 00:29:04,134 OH, OF COURSE IT'S TONIGHT. 590 00:29:04,200 --> 00:29:06,301 WAS THE BACHELOR DINNER HERE? 591 00:29:06,367 --> 00:29:08,334 IT JUST AS WELL HAVE BEEN. 592 00:29:08,401 --> 00:29:10,833 MR. WILSON BROUGHT BACK SOME FRIENDS AFTERWARDS 593 00:29:10,900 --> 00:29:12,334 FOR A NIGHTCAP. 594 00:29:12,401 --> 00:29:15,334 HA. THEY SEEMED TO HAVE HAD A LITTLE TROUBLE 595 00:29:15,401 --> 00:29:17,833 GETTING ONE TO FIT. 596 00:29:19,900 --> 00:29:23,167 WHAT'S HAPPENED TO THE LIVING ROOM? 597 00:29:23,234 --> 00:29:25,668 THE GENTLEMEN WERE USING IT AS A STADIUM. 598 00:29:25,734 --> 00:29:27,167 THEY THOUGHT IT BEST 599 00:29:27,234 --> 00:29:30,167 TO PLAY SEVERAL QUARTERS OF A YALE-HARVARD GAME. 600 00:29:30,234 --> 00:29:31,668 HA HA HA HA. 601 00:29:31,734 --> 00:29:33,768 THESE WERE THE GOAL POSTS. 602 00:29:33,833 --> 00:29:36,267 DID ONE OF THEM FALL ON YOU? 603 00:29:36,334 --> 00:29:37,768 OH, THIS? THAT OCCURRED 604 00:29:37,833 --> 00:29:40,267 WHEN THE GENTLEMEN DECIDED TO PUT ME IN 605 00:29:40,334 --> 00:29:42,301 THE LAST FEW MINUTES OF PLAY. 606 00:29:42,367 --> 00:29:43,434 A SCRIMMAGE? 607 00:29:43,501 --> 00:29:45,434 NO, THEY GAVE ME THE BALL 608 00:29:45,501 --> 00:29:48,434 AND I MADE THE MISTAKE OF RUNNING THE WRONG WAY. 609 00:29:48,501 --> 00:29:49,434 THAT'S DANGEROUS. 610 00:29:49,501 --> 00:29:50,434 I KNOW THAT NOW. 611 00:29:50,501 --> 00:29:52,534 MR. WILSON PERSONALLY TACKLED ME. 612 00:29:52,601 --> 00:29:54,534 HE WAS AN ALL-AMERICAN. 613 00:29:54,601 --> 00:29:56,034 A TRIPLE THREAT. 614 00:29:56,100 --> 00:29:58,034 WHERE ARE YOU TAKING THAT? 615 00:29:58,100 --> 00:30:01,534 HERE, TO YOU - THE VERY THING TO WEAR TO THE WEDDING. 616 00:30:01,601 --> 00:30:03,467 MR. WILSON HAS HIS OWN TAIL COAT. 617 00:30:03,534 --> 00:30:05,467 YOU MIGHT LIKE TO WEAR IT 618 00:30:05,534 --> 00:30:07,967 AS A MARK OF RESPECT FOR YOUR EMPLOYER. 619 00:30:08,034 --> 00:30:10,467 ANY RESPECT I HAVE FOR MR. WILSON 620 00:30:10,534 --> 00:30:12,467 CAN BE EXPRESSED BY WEARING SHORTS. 621 00:30:12,534 --> 00:30:15,000 TO TELL YOU THE TRUTH, I NEED $10. 622 00:30:15,067 --> 00:30:17,501 I THOUGHT I COULD LEAVE THIS AS HOSTAGE 623 00:30:17,567 --> 00:30:19,501 UNTIL I GET PAID SATURDAY. 624 00:30:19,567 --> 00:30:22,501 ALL RIGHT, LET'S HAVE A LOOK AT IT. 625 00:30:22,567 --> 00:30:24,501 THIS IS MR. ORMAN'S COAT. 626 00:30:24,567 --> 00:30:27,501 YES, BUT HE DOESN'T NEED IT IN THE HOSPITAL. 627 00:30:27,567 --> 00:30:29,000 WHAT'S WRONG WITH HIM? 628 00:30:29,067 --> 00:30:30,501 SOMETHING OF A PERSONAL NATURE. 629 00:30:30,567 --> 00:30:32,000 ISN'T IT A BEAUTIFUL COAT? 630 00:30:32,067 --> 00:30:33,334 MMM, YES. 631 00:30:33,401 --> 00:30:36,334 DO THEY MAKE ALL THESE COATS WITH HOLES IN THEM? 632 00:30:36,401 --> 00:30:38,334 HOLES? MUST BE A MOTH. 633 00:30:38,401 --> 00:30:39,833 PRETTY BIG MOTH. 634 00:30:39,900 --> 00:30:42,334 MR. ORMAN ALWAYS HAS THE BEST OF EVERYTHING. 635 00:30:42,401 --> 00:30:46,334 YES, INCLUDING .32 CALIBER MOTHS. 636 00:30:46,401 --> 00:30:48,034 NOW, SEE HERE, EDGAR, 637 00:30:48,100 --> 00:30:51,034 EITHER YOU LOAN ME THE $10 AND KEEP THE COAT, 638 00:30:51,100 --> 00:30:53,534 OR YOU DON'T. THERE'S NO NEED TO QUIBBLE. 639 00:30:53,601 --> 00:30:57,034 I'M NOT. I HAVEN'T TIME TO QUIBBLE OR NOT TO QUIBBLE. 640 00:30:58,601 --> 00:31:00,034 ANOTHER INTERRUPTION. 641 00:31:00,100 --> 00:31:03,367 EDGAR, FOR THE SAKE OF OUR LONG FRIENDSHIP... 642 00:31:03,434 --> 00:31:08,467 EDGAR, I SAY FOR THE SAKE OF OUR LONGSTANDING FRIENDSHIP- 643 00:31:08,534 --> 00:31:10,967 ALL RIGHT. BUT OUR LONGSTANDING FRIENDSHIP ENDS 644 00:31:11,034 --> 00:31:13,967 IF YOU'RE NOT HERE ON SATURDAY WITH THOSE 10 BUCKS. 645 00:31:14,034 --> 00:31:16,967 THANK YOU, EDGAR. THANK YOU. GOODBYE. 646 00:31:17,034 --> 00:31:19,467 GOODBYE- OH, I SAID HELLO. 647 00:31:19,534 --> 00:31:22,000 OH, GOOD MORNING, MISS DIANE. 648 00:31:22,067 --> 00:31:27,134 UH, WELL, YES, MR. WILSON IS HERE- 649 00:31:27,200 --> 00:31:29,634 DON'T GO ANY FARTHER. I KNOW THAT TONE. 650 00:31:29,701 --> 00:31:31,933 IT MEANS MR. WILSON IS STILL ASLEEP. 651 00:31:32,000 --> 00:31:33,367 YES, UH... 652 00:31:33,434 --> 00:31:37,501 STOP MUMBLING. JUST REACH OVER AND VERY FIRMLY PRESS THE BUZZER. 653 00:31:37,567 --> 00:31:40,967 WELL, WHO CARES ABOUT HIS HEAD? 654 00:31:47,567 --> 00:31:48,668 OH. 655 00:31:53,234 --> 00:31:55,200 HELLO? 656 00:31:55,267 --> 00:31:58,534 OH, HELLO, BABY. HOW ARE YOU? 657 00:32:00,267 --> 00:32:02,134 AND WHO ARE YOU? 658 00:32:02,200 --> 00:32:05,467 ONLY THE GIRL YOU'RE GOING TO MARRY. 659 00:32:05,534 --> 00:32:07,701 NOW, GET UP, DARLING. 660 00:32:07,768 --> 00:32:10,301 YOU HAVE A LUNCHEON DATE WITH ME, REMEMBER? 661 00:32:10,367 --> 00:32:13,967 I TAKE IT BY THAT GARGLING SOUND YOU DO. 662 00:32:14,034 --> 00:32:15,967 WHAT TIME IS IT? 663 00:32:16,034 --> 00:32:18,967 IT'S 11:25, THE DAY IS TUESDAY, 664 00:32:19,034 --> 00:32:22,467 THE MONTH IS SEPTEMBER, THE LARK'S ON THE WING, 665 00:32:22,534 --> 00:32:25,634 AND I'VE GOT A DATE TO BE MARRIED TONIGHT. 666 00:32:25,701 --> 00:32:29,501 YES, DARLING. WELL, I'LL SEE YOU IN A LITTLE WHILE. 667 00:32:29,567 --> 00:32:30,867 GOODBYE. 668 00:32:30,933 --> 00:32:33,367 ASLEEP AT THIS TIME OF THE DAY. 669 00:32:33,434 --> 00:32:35,867 MARK MY WORDS- A GROOM THAT SLEEPS 670 00:32:35,933 --> 00:32:37,867 MEANS A BRIDE THAT WEEPS. 671 00:32:37,933 --> 00:32:41,000 THAT'S A HAPPY THOUGHT FOR MY WEDDING DAY. 672 00:32:41,067 --> 00:32:42,200 HELLO, ELLEN. 673 00:32:42,267 --> 00:32:43,501 HELLO. 674 00:32:44,601 --> 00:32:48,134 AH, DIANE, MARRIAGE STINKS. 675 00:32:48,200 --> 00:32:50,701 THAT'S ANOTHER HAPPY THOUGHT. 676 00:32:52,301 --> 00:32:53,734 WHAT'S THE MATTER, ELLEN? 677 00:32:53,800 --> 00:32:56,234 OH, EVERYTHING. MY HANDKERCHIEF IS SOAKING WET. 678 00:32:56,301 --> 00:33:00,234 GET ONE OF MINE. A TOWEL WOULD BE MORE PRACTICAL. 679 00:33:00,301 --> 00:33:01,734 HA HA HA HA. 680 00:33:04,067 --> 00:33:06,501 THIS IS NOTHING TO JOKE ABOUT. 681 00:33:06,567 --> 00:33:08,000 I'M MISERABLE. 682 00:33:08,067 --> 00:33:10,000 I'M GOING TO DIVORCE JIM. 683 00:33:10,067 --> 00:33:14,234 HE KNOWS I'VE ALWAYS HATED WOMEN WITH RED HAIR. 684 00:33:14,301 --> 00:33:17,234 OH, THERE'S A WOMAN WITH RED HAIR. 685 00:33:17,301 --> 00:33:20,234 THAT'S A RELIEF FROM THE USUAL MENTAL CRUELTY. 686 00:33:20,301 --> 00:33:22,734 HOW DO YOU KNOW SHE HAS RED HAIR? 687 00:33:22,800 --> 00:33:25,234 I FOUND A COMB STAINED WITH HENNA 688 00:33:25,301 --> 00:33:27,734 IN THE POCKET OF HIS TAIL COAT. 689 00:33:27,800 --> 00:33:30,501 SHE DOESN'T EVEN HAVE REAL RED HAIR. 690 00:33:31,734 --> 00:33:34,668 AND WHAT WERE YOU DOING IN HIS TAIL COAT POCKET? 691 00:33:34,734 --> 00:33:37,200 WHAT WAS I DOING? NOTHING. I- 692 00:33:37,267 --> 00:33:38,701 DID YOU FALL IN? 693 00:33:38,768 --> 00:33:41,534 I HAPPENED TO BE LOOKING FOR SOME STAMPS. 694 00:33:41,601 --> 00:33:44,034 THE POST OFFICE IS TOO FAR AWAY? 695 00:33:44,100 --> 00:33:47,034 DO THEY USUALLY CARRY STAMPS IN THEIR TAIL COAT POCKETS? 696 00:33:47,100 --> 00:33:50,034 YOU'D BE SURPRISED WHAT THEY KEEP THERE. ONCE JIM- 697 00:33:50,100 --> 00:33:53,534 THAT SOUNDS LIKE A LONG STORY. I'VE GOT TO GET DRESSED. 698 00:33:53,601 --> 00:33:55,534 COME TO HARRY'S WITH ME. 699 00:33:55,601 --> 00:33:57,534 I'M TOO GLOOMY TO GO ANYWHERE. 700 00:33:57,601 --> 00:33:59,534 THIS IS MY WEDDING DAY. 701 00:33:59,601 --> 00:34:01,534 YOU'LL BE THE "SOMETHING BLUE" 702 00:34:01,601 --> 00:34:03,967 THAT BRINGS GOOD LUCK TO THE BRIDE. 703 00:34:04,034 --> 00:34:05,967 I'LL TELL MR. WILSON YOU'RE HERE. 704 00:34:06,034 --> 00:34:08,467 DON'T WAKE HIM ALL THE WAY UP. 705 00:34:08,534 --> 00:34:12,000 I JUST WANT HIM TO LOOK AT ME FOR A SECOND. 706 00:34:12,067 --> 00:34:14,501 HE'LL HAVE DOUBLE VISION AFTER HAVING THIS. 707 00:34:14,567 --> 00:34:15,501 WHAT'S THAT? 708 00:34:15,567 --> 00:34:17,000 UM, A HEALTH DRINK. 709 00:34:17,067 --> 00:34:18,501 JUDAS! 710 00:34:18,567 --> 00:34:20,501 WHAT'S IN IT BESIDES EMBALMING FLUID? 711 00:34:20,567 --> 00:34:22,501 TABASCO SAUCE, SPIRITS OF AMMONIA, 712 00:34:22,567 --> 00:34:26,000 RED PEPPER, BRANDY, AND, UH, A JIGGER OF MILK. 713 00:34:26,067 --> 00:34:29,000 I SUPPOSE IT'S THE MILK THAT PACKS THE WALLOP? 714 00:34:29,067 --> 00:34:31,000 I'M SURE IT IS, MISS DIANE. 715 00:34:31,067 --> 00:34:32,501 OH, ELLEN, CHEER UP. 716 00:34:32,567 --> 00:34:34,501 HOW CAN I BE CHEERFUL 717 00:34:34,567 --> 00:34:37,000 WHEN I KNOW WHAT I KNOW ABOUT JIM? 718 00:34:37,067 --> 00:34:38,501 WELL, IN A WAY, 719 00:34:38,567 --> 00:34:40,501 IT DOES SERVE YOU RIGHT. 720 00:34:40,567 --> 00:34:43,034 YOU SHOULDN'T BE LOOKING IN HIS POCKETS. 721 00:34:43,100 --> 00:34:45,034 YOU NEVER LOOK IN HARRY'S POCKETS? 722 00:34:45,100 --> 00:34:47,534 THE SUBJECT HASN'T COME UP YET. 723 00:34:47,601 --> 00:34:49,534 WHEN IT DOES, I ASSURE YOU- 724 00:34:49,601 --> 00:34:50,701 WELL. 725 00:34:50,768 --> 00:34:52,534 WELL, WHAT? 726 00:34:52,601 --> 00:34:55,933 THE SUBJECT'S COME UP, DEAR. 727 00:34:57,100 --> 00:34:59,534 WHAT ARE YOU GOING TO DO ABOUT IT? 728 00:34:59,601 --> 00:35:01,833 I'M NOT GOING TO DO ANYTHING ABOUT IT. 729 00:35:01,900 --> 00:35:04,267 BECAUSE YOU TRUST HARRY IMPLICITLY, I SUPPOSE? 730 00:35:04,334 --> 00:35:05,434 EXACTLY. 731 00:35:05,501 --> 00:35:06,701 MM-HMM. 732 00:35:06,768 --> 00:35:09,701 I WISH I'D HAD THIS CHANCE BEFORE I'D MARRIED JIM. 733 00:35:09,768 --> 00:35:13,200 THINK OF THE TIME IT WOULD HAVE SAVED ME. 734 00:35:13,267 --> 00:35:17,467 THINK OF THE TIME IT MIGHT SAVE YOU, IF YOU LOOK. 735 00:35:17,534 --> 00:35:20,967 WHY, THAT'S A TERRIBLE THING TO SAY ABOUT HARRY. 736 00:35:21,034 --> 00:35:23,467 LISTEN, YOU'D BE LOOKING THIS VERY MINUTE 737 00:35:23,534 --> 00:35:25,967 IF YOU WEREN'T AFRAID I WAS RIGHT. 738 00:35:26,034 --> 00:35:28,967 I DON'T THINK YOU ARE. YOU DON'T BELIEVE ME? 739 00:35:29,034 --> 00:35:30,000 UH-UH. 740 00:35:30,067 --> 00:35:32,067 ALL RIGHT, I'LL SHOW YOU. 741 00:35:38,067 --> 00:35:40,501 STAMPS. UH, WHAT DID I TELL YOU? 742 00:35:40,567 --> 00:35:42,501 I DON'T SEE WHY HARRY 743 00:35:42,567 --> 00:35:46,000 CAN'T KEEP STAMPS IN HIS TAIL COAT IF HE WANTS TO. 744 00:35:46,067 --> 00:35:48,501 THERE'S NO LAW AGAINST MAILING LETTERS AFTER 9:00. 745 00:35:48,567 --> 00:35:49,567 A HATCHECK. 746 00:35:49,634 --> 00:35:51,534 NOTHING INCRIMINATING ABOUT THAT, EITHER. 747 00:35:51,601 --> 00:35:54,534 LOTS OF MEN TAKE THEIR HATS OFF INDOORS. 748 00:35:54,601 --> 00:35:56,034 A HANDKERCHIEF. 749 00:35:56,100 --> 00:35:58,034 STOP TELLING ME WHAT EVERYTHING IS. 750 00:35:58,100 --> 00:36:00,534 I KNOW A HANDKERCHIEF WHEN I SEE ONE. 751 00:36:00,601 --> 00:36:02,034 HOLD IT UP. 752 00:36:02,100 --> 00:36:04,467 NOT EVEN A TRACE OF ANY LIPSTICK. 753 00:36:04,534 --> 00:36:05,867 KEEP ON. 754 00:36:07,534 --> 00:36:08,967 CIGARETTES, 755 00:36:09,034 --> 00:36:10,467 MATCHES, 756 00:36:10,534 --> 00:36:12,467 AND... 757 00:36:12,534 --> 00:36:14,467 13 CENTS. 758 00:36:14,534 --> 00:36:17,467 YOU CAN SEE I'M MARRYING HIM FOR HIS MONEY. 759 00:36:17,534 --> 00:36:18,634 KEEP GOING. 760 00:36:18,701 --> 00:36:20,634 THERE'S NO PLACE ELSE TO GO. 761 00:36:20,701 --> 00:36:24,000 OH, YES, THERE IS. THE MOST CRITICAL POCKET OF ALL. 762 00:36:24,067 --> 00:36:27,000 THIS IS WHERE I FOUND THE COMB. 763 00:36:27,067 --> 00:36:29,234 REALLY, ELLEN, THIS IS GETTING... 764 00:36:31,567 --> 00:36:34,167 LOOK, WHAT DID I TELL YOU? 765 00:36:34,234 --> 00:36:36,668 OH, IT'S JUST A BILL. 766 00:36:36,734 --> 00:36:39,668 HAVE THEY STARTED PUTTING PERFUME ON BILLS? 767 00:36:39,734 --> 00:36:42,167 IF THEY HAVEN'T, IT'S HIGH TIME THEY STARTED. 768 00:36:42,234 --> 00:36:45,734 OH, NO, YOU DON'T. IF YOU WON'T, I WILL. 769 00:36:49,567 --> 00:36:51,501 "MY PASSIONATE LION." 770 00:36:51,567 --> 00:36:53,501 YOU THINK I MADE IT UP? 771 00:36:53,567 --> 00:36:56,034 I COULDN'T MAKE THAT ONE UP. 772 00:36:56,100 --> 00:36:58,100 HERE, LET ME SEE. 773 00:36:59,601 --> 00:37:01,034 YOU'RE RIGHT. 774 00:37:01,100 --> 00:37:03,867 "MY PASSIONATE LION." 775 00:37:03,933 --> 00:37:07,367 SOMEBODY OUGHT TO HAVE A TALK WITH HER ABOUT HER SPELLING. 776 00:37:07,434 --> 00:37:09,867 THEY'RE USING TWO Ss IN PASSIONATE THESE DAYS. 777 00:37:09,933 --> 00:37:11,367 NEVER MIND. GO ON. 778 00:37:11,434 --> 00:37:14,634 "ALL DAY LONG I COULD FEEL YOU STALKING ME AGAIN. 779 00:37:14,701 --> 00:37:17,134 "I COULD ALMOST SEE YOUR GLEAMING EYES 780 00:37:17,200 --> 00:37:20,067 "AND FEEL YOUR HOT BREATH ON MY NECK. 781 00:37:20,134 --> 00:37:24,067 I COULD EVEN HEAR THE SOFT THUD OF YOUR PAWS -" 782 00:37:24,134 --> 00:37:26,067 THE LION'S GOT ON RUBBER HEELS. 783 00:37:26,134 --> 00:37:28,567 WHO'S IT FROM, DIANE? WHO'S IT FROM? 784 00:37:28,634 --> 00:37:30,200 IT'S SIGNED "SQUIRREL." 785 00:37:30,267 --> 00:37:32,701 SO HELP ME, IT'S SIGNED THAT WAY. 786 00:37:32,768 --> 00:37:34,200 OH, YOU POOR DARLING. 787 00:37:34,267 --> 00:37:36,000 "OH, MY LION, MY LION, 788 00:37:36,067 --> 00:37:38,900 EVERY MOMENT THAT YOU'RE AWAY FROM ME IS ETERNITY." 789 00:37:41,567 --> 00:37:44,000 DON'T STAND THERE. GO OUT AND STOP THEM. 790 00:37:44,067 --> 00:37:45,501 STOP THEM FROM WHAT? 791 00:37:45,567 --> 00:37:46,833 FROM READING THAT LETTER. 792 00:37:46,900 --> 00:37:48,000 WELL, HOW? 793 00:37:48,067 --> 00:37:50,000 ANY WAY YOU CAN. INVENT SOMETHING. ANYTHING. 794 00:37:50,067 --> 00:37:53,167 TELL THEM THE HOUSE IS ON FIRE. 795 00:37:53,234 --> 00:37:56,501 HELLO, GEORGE? DROP EVERYTHING AND GET OVER HERE RIGHT AWAY. 796 00:37:56,567 --> 00:37:58,000 EVERYTHING'S THE MATTER. 797 00:37:58,067 --> 00:38:00,867 IF YOU EVER RAN INTERFERENCE FOR ME, RUN IT NOW! 798 00:38:00,933 --> 00:38:04,833 "OH, MY LION, I LOVE YOUR STRENGTH AND YOUR GENTLENESS. 799 00:38:04,900 --> 00:38:09,367 I LOVE THE WAY YOU ROAR WHEN... " 800 00:38:13,467 --> 00:38:17,467 EXCUSE ME, MISS DIANE, I THINK... SOMETHING'S BURNING. 801 00:38:17,534 --> 00:38:20,768 I KNOW, EDGAR. IT'S ME. 802 00:38:25,634 --> 00:38:27,467 YEAH, BUT... WHAT? 803 00:38:27,534 --> 00:38:29,967 WELL, GO TO THE CLEANERS AND GET IT. 804 00:38:30,034 --> 00:38:32,967 YOU'RE NO GOOD TO ME WITHOUT A TAIL COAT. 805 00:38:33,034 --> 00:38:34,467 I HAVE A TAIL COAT. 806 00:38:34,534 --> 00:38:36,000 YES. IN THE KITCHEN. HERE? 807 00:38:36,067 --> 00:38:39,000 EDGAR, YOU'RE A DREAM BOY. GEORGE, FORGET EVERYTHING BUT SPEED. 808 00:38:39,067 --> 00:38:41,401 IT'S THE FOURTH DOWN. WE'VE GOT TO PUNT. 809 00:38:41,467 --> 00:38:42,900 "OH, MY PASSIONATE LION, 810 00:38:42,967 --> 00:38:45,900 "MY ECSTASY IS ALMOST UNBEARABLE. 811 00:38:45,967 --> 00:38:49,501 "THANK YOU, THANK YOU. THE MINK HAS JUST ARRIVED. 812 00:38:49,567 --> 00:38:53,000 "IT IS HERE ON THE BED BESIDE ME, 813 00:38:53,067 --> 00:38:55,867 SLEEK AND WARM LIKE... " 814 00:38:57,933 --> 00:39:00,167 BABY, WHERE ARE YOU? 815 00:39:04,034 --> 00:39:05,467 GOOD MORNING, DARLING. 816 00:39:05,534 --> 00:39:06,967 NO, NO, NO, NO. 817 00:39:07,034 --> 00:39:08,000 WELL, WHAT- 818 00:39:08,067 --> 00:39:10,034 HELLO, ELLEN. HOW ARE YOU? 819 00:39:10,100 --> 00:39:13,034 I'M IN MISERY, AND I THINK I'VE GOT COMPANY. 820 00:39:13,100 --> 00:39:16,034 WHO COULD BE MISERABLE ON A BEAUTIFUL DAY LIKE THIS? 821 00:39:16,100 --> 00:39:18,034 HA HA HA HA. 822 00:39:18,100 --> 00:39:20,534 WELL, ISN'T IT A BEAUTIFUL DAY? 823 00:39:20,601 --> 00:39:22,034 GREAT FOR STALKING. 824 00:39:22,100 --> 00:39:24,034 I THINK I'D BETTER BE GOING. 825 00:39:24,100 --> 00:39:25,534 OH, NO, DON'T GO. 826 00:39:25,601 --> 00:39:27,034 YOU'RE DYING TO BE ALONE. 827 00:39:27,100 --> 00:39:29,534 OH, NO, WE'RE NOT- I MEAN, UH, 828 00:39:29,601 --> 00:39:31,034 WON'T YOU STAY FOR LUNCH? 829 00:39:31,100 --> 00:39:32,701 NO, THANK YOU, HARRY. 830 00:39:32,768 --> 00:39:35,200 AFTER ALL, THIS IS YOUR LAST LUNCH TOGETHER, 831 00:39:35,267 --> 00:39:37,367 BEFORE YOU'RE MARRIED, I MEAN. 832 00:39:37,434 --> 00:39:38,567 GOODBYE, DARLING. 833 00:39:38,634 --> 00:39:39,734 GOODBYE. 834 00:39:39,800 --> 00:39:42,267 GOODBYE, HARRY, YOU BEAST. 835 00:39:42,334 --> 00:39:44,267 KING OF BEASTS. 836 00:39:44,334 --> 00:39:46,267 HMM? HA HA HA HA. 837 00:39:46,334 --> 00:39:49,067 YOU'LL HAVE TO EXPLAIN THAT TO ME. 838 00:39:49,134 --> 00:39:52,067 WHAT'S THE MATTER, LOST IN THE DARKNESS OF THE JUNGLE? 839 00:39:52,134 --> 00:39:53,267 JUNGLE? 840 00:39:53,334 --> 00:39:54,768 * JUNGLE BELLS, JUNGLE BELLS * 841 00:39:54,833 --> 00:39:56,768 * JUNGLE ALL THE WAY * 842 00:39:56,833 --> 00:39:58,701 * LA LA LA LA ** 843 00:39:58,768 --> 00:40:01,701 MAYBE THIS CAN MAKE THINGS A LITTLE CLEARER FOR YOU, 844 00:40:01,768 --> 00:40:03,701 MY PASSIONATE LION. 845 00:40:05,134 --> 00:40:07,067 REMEMBER, THIS IS HIS TAIL COAT. 846 00:40:07,134 --> 00:40:09,067 MY TAIL COAT IS HIS TAIL COAT. 847 00:40:09,134 --> 00:40:10,067 CORRECT. 848 00:40:10,134 --> 00:40:12,067 HIS TAIL COAT IS MY TAIL COAT. 849 00:40:12,134 --> 00:40:13,067 PERFECT. 850 00:40:13,134 --> 00:40:14,567 AND HIS LETTER... 851 00:40:14,634 --> 00:40:16,100 IS MY LETTER. 852 00:40:16,167 --> 00:40:18,634 AND I DON'T UNDERSTAND ANY OF IT. 853 00:40:19,634 --> 00:40:21,034 WELL? 854 00:40:21,100 --> 00:40:23,034 WELL-WELL-WELL- WELL-WHERE DID- 855 00:40:23,100 --> 00:40:26,034 YOU KNOW PERFECTLY WELL WHERE IT CAME FROM- 856 00:40:26,100 --> 00:40:27,534 YOUR TAIL COAT POCKET. 857 00:40:27,601 --> 00:40:29,534 OH, DIANE, I DON'T-I DON'T- 858 00:40:29,601 --> 00:40:32,567 HARRY, STOP NOT FINISHING SENTENCES. LET'S FACE IT. 859 00:40:32,634 --> 00:40:33,567 FACE WHAT? 860 00:40:33,634 --> 00:40:35,034 THE LION IN HIS DEN. 861 00:40:35,100 --> 00:40:36,034 ANYBODY HOME? 862 00:40:36,100 --> 00:40:37,034 GEORGE! 863 00:40:37,100 --> 00:40:38,034 HELLO, GEORGE! 864 00:40:38,100 --> 00:40:40,034 HOW IN THE WORLD ARE YOU? 865 00:40:40,100 --> 00:40:43,034 WHAT BRINGS YOU HERE THIS TIME OF THE DAY? 866 00:40:43,100 --> 00:40:44,534 YOU'LL HAVE TO ANSWER THAT. 867 00:40:44,601 --> 00:40:45,634 HELLO, DIANE. 868 00:40:46,634 --> 00:40:47,567 HELLO, GEORGE. 869 00:40:47,634 --> 00:40:49,067 OH, AM I INTERRUPTING ANYTHING? 870 00:40:49,134 --> 00:40:50,567 TO COIN A PHRASE, YES. 871 00:40:50,634 --> 00:40:52,067 WELL, THAT'S A FAIR ANSWER. 872 00:40:52,134 --> 00:40:55,067 AT LEAST YOU'RE ACKNOWLEDGING THAT I'M IN THE ROOM. 873 00:40:55,134 --> 00:40:57,567 THAT'S MORE THAN SHE GENERALLY DOES, HARRY. 874 00:40:57,634 --> 00:41:00,567 BUT YOU WAIT TILL I TAKE THAT PERSONALITY COURSE. 875 00:41:00,634 --> 00:41:02,067 WELL, GOODBYE, KIDS. 876 00:41:02,134 --> 00:41:03,501 HEY, GEORGE, DON'T GO. 877 00:41:03,567 --> 00:41:05,000 I'LL BE BACK LATER. 878 00:41:05,067 --> 00:41:08,401 DON'T BE AN IDIOT. DON'T EVEN THINK OF GOING. 879 00:41:08,467 --> 00:41:11,301 WHY DID YOU COME IN THE FIRST PLACE 880 00:41:11,367 --> 00:41:12,833 IF YOU'RE GOING RIGHT AWAY? 881 00:41:12,900 --> 00:41:14,768 OH, IT'LL KEEP. 882 00:41:14,833 --> 00:41:16,800 WHY KEEP ANYTHING? COME ON, GEORGE. 883 00:41:16,867 --> 00:41:18,800 TELL US WHAT IT'S ALL ABOUT. 884 00:41:18,867 --> 00:41:22,034 WELL, IT'S JUST THAT AFTER THAT FOOTBALL SCRIMMAGE LAST NIGHT, 885 00:41:22,100 --> 00:41:24,734 I PUT ON THE WRONG TAIL COAT. 886 00:41:24,800 --> 00:41:26,034 YOU DID WHAT? 887 00:41:26,100 --> 00:41:28,833 I WORE YOUR TAIL COAT HOME BY MISTAKE 888 00:41:28,900 --> 00:41:30,534 AND CAME TO GET MINE. 889 00:41:30,601 --> 00:41:33,668 BEST MAN'S GOT TO HAVE HIS OWN TAIL COAT, YOU KNOW. 890 00:41:33,734 --> 00:41:35,034 THERE IT IS THERE. 891 00:41:35,100 --> 00:41:36,534 NOW, YOU SEE? 892 00:41:36,601 --> 00:41:38,034 GEORGE, SAY THAT AGAIN. 893 00:41:38,100 --> 00:41:40,534 I WORE HARRY'S TAIL COAT HOME BY MISTAKE. 894 00:41:40,601 --> 00:41:43,034 YOU MEAN-YOU MEAN, UH, UH, 895 00:41:43,100 --> 00:41:44,534 THIS IS YOUR TAIL COAT? 896 00:41:44,601 --> 00:41:47,601 YEAH, LOOKS LIKE IT TO ME. YEAH. IT IS. 897 00:41:47,668 --> 00:41:49,100 CERTAINLY. THAT'S RIGHT. 898 00:41:49,167 --> 00:41:50,334 OHH. 899 00:41:51,434 --> 00:41:53,501 MY CIGARETTES AND MATCHES. 900 00:41:55,601 --> 00:41:57,567 GEORGE! 901 00:41:57,634 --> 00:41:59,567 MY HANDKERCHIEF. 902 00:41:59,634 --> 00:42:01,734 HATCHECK. 903 00:42:03,067 --> 00:42:05,000 GEORGE... 904 00:42:05,067 --> 00:42:07,768 ARE YOU SURE THIS IS YOUR TAIL COAT? 905 00:42:07,833 --> 00:42:11,000 I KNOW MY OWN TAIL COAT WHEN I SEE IT. 906 00:42:11,067 --> 00:42:14,000 WELL, YOU DIDN'T KNOW IT LAST NIGHT. 907 00:42:14,067 --> 00:42:17,000 WELL, I WASN'T EXACTLY SHARP AS A ROWBOAT LAST NIGHT. 908 00:42:17,067 --> 00:42:20,000 BESIDES, HARRY AND I ARE ABOUT THE SAME SIZE... 909 00:42:20,067 --> 00:42:22,501 EXACTLY. WE'RE EXACTLY THE SAME SIZE. 910 00:42:22,567 --> 00:42:25,501 WHY, YES, YOU ARE, AREN'T YOU? 911 00:42:25,567 --> 00:42:26,501 HA. 912 00:42:26,567 --> 00:42:28,501 AND THE SAME BUILD, TOO. 913 00:42:28,567 --> 00:42:31,434 EXCEPT I THINK THAT... 914 00:42:31,501 --> 00:42:34,434 GEORGE'S SHOULDERS ARE JUST A TINY BIT BROADER. 915 00:42:34,501 --> 00:42:35,434 HEH HEH. 916 00:42:35,501 --> 00:42:36,534 HA HA. 917 00:42:36,601 --> 00:42:39,534 HARRY, WHY DON'T YOU RUN AND PUT YOUR PANTS ON? 918 00:42:39,601 --> 00:42:41,034 THAT'S NOT A BAD IDEA. 919 00:42:41,100 --> 00:42:42,534 A SHAVE WOULDN'T HURT, EITHER. 920 00:42:42,601 --> 00:42:44,034 NO, IT CERTAINLY WOULDN'T. 921 00:42:44,100 --> 00:42:46,534 A NICE, CLEAN SHAVE LIKE GEORGE HAS. 922 00:42:46,601 --> 00:42:48,034 WELL, GO ON, GO ON. 923 00:42:48,100 --> 00:42:49,534 ALL RIGHT, I WILL. 924 00:42:49,601 --> 00:42:51,534 KEEP DIANE COMPANY FOR ME, GEORGE. 925 00:42:51,601 --> 00:42:52,534 SURE. 926 00:42:52,601 --> 00:42:54,534 ATTA BOY. THAT'S THE BEST FRIEND 927 00:42:54,601 --> 00:42:56,167 A MAN EVER HAD, DIANE. 928 00:43:23,567 --> 00:43:25,501 WHAT ARE YOU DOING THAT FOR? 929 00:43:25,567 --> 00:43:27,000 JUST THOUGHT IT MIGHT 930 00:43:27,067 --> 00:43:30,000 MAKE YOU FEEL A LITTLE MORE AT HOME. 931 00:43:30,067 --> 00:43:34,000 IT SEEMS TO HAVE THE OPPOSITE EFFECT. 932 00:43:34,067 --> 00:43:37,034 WHAT ARE YOU LOOKING AT ME LIKE THAT FOR? 933 00:43:37,100 --> 00:43:39,034 HAVEN'T YOU EVER SEEN ME BEFORE? 934 00:43:39,100 --> 00:43:41,034 NO, I DON'T THINK I HAVE. 935 00:43:41,100 --> 00:43:44,034 AT LEAST NOT IN THIS PARTICULAR LIGHT. 936 00:43:51,768 --> 00:43:52,933 AAH! HA HA! 937 00:43:55,601 --> 00:43:56,867 AHH. 938 00:43:56,933 --> 00:43:59,933 WHAT ARE YOU LURKING BEHIND THAT TABLE FOR? 939 00:44:00,000 --> 00:44:01,933 WELL, THIS IS THE FIRST TIME 940 00:44:02,000 --> 00:44:04,634 I'VE EVER BEEN ALONE WITH A LION. 941 00:44:04,701 --> 00:44:05,701 LION? 942 00:44:06,701 --> 00:44:07,734 ME? 943 00:44:07,800 --> 00:44:10,501 WELL, THAT'S WHAT THE SQUIRREL CALLS YOU, 944 00:44:10,567 --> 00:44:11,933 ISN'T IT? 945 00:44:12,000 --> 00:44:13,501 SQUIRREL? 946 00:44:13,567 --> 00:44:14,833 YEAH. 947 00:44:14,900 --> 00:44:18,167 DON'T TELL ME YOU'VE FORGOTTEN HER ALREADY! 948 00:44:18,234 --> 00:44:19,167 OH! 949 00:44:19,234 --> 00:44:21,334 SQUIRREL. 950 00:44:24,067 --> 00:44:26,000 YES, OF COURSE. 951 00:44:26,067 --> 00:44:28,000 LITTLE SQUIRREL. 952 00:44:28,067 --> 00:44:31,000 GEORGE, I'M SURPRISED AT YOU. 953 00:44:31,067 --> 00:44:34,000 I'M KIND OF SURPRISED MYSELF. 954 00:44:34,067 --> 00:44:35,501 YOU'RE CERTAINLY DIFFERENT 955 00:44:35,567 --> 00:44:38,000 FROM WHAT I THOUGHT YOU WERE LIKE. 956 00:44:38,067 --> 00:44:41,000 I DIDN'T THINK YOU THOUGHT I WAS LIKE ANYTHING. 957 00:44:41,067 --> 00:44:42,301 YES, I DID. 958 00:44:42,367 --> 00:44:44,334 I THOUGHT YOU WERE DIM. 959 00:44:44,401 --> 00:44:45,933 YES, THAT'S THE WORD. DIM. 960 00:44:46,000 --> 00:44:47,967 I THOUGHT YOU STAYED HOME NIGHTS 961 00:44:48,034 --> 00:44:49,467 AND SOLVED CHESS PROBLEMS, 962 00:44:49,534 --> 00:44:53,034 YOU KNOW, 'MATE IN THREE AND THAT SORT OF THING. 963 00:44:53,100 --> 00:44:54,501 BUT NOW... 964 00:44:54,567 --> 00:44:57,467 NOW YOU DON'T THINK I'M DIM? 965 00:44:57,534 --> 00:44:59,467 I DON'T THINK YOU'RE DIM. 966 00:44:59,534 --> 00:45:03,034 AND THERE ISN'T ANY CHESS. 967 00:45:03,100 --> 00:45:06,567 AND YOU CERTAINLY HAVEN'T ANY PROBLEMS. 968 00:45:06,634 --> 00:45:09,167 OH, YES, I HAVE. 969 00:45:09,234 --> 00:45:10,668 LIONS DON'T HAVE PROBLEMS. 970 00:45:10,734 --> 00:45:12,967 LIONS ARE FREE AND UNINHIBITED. 971 00:45:13,034 --> 00:45:15,467 I CAN SEE YOU NOW 972 00:45:15,534 --> 00:45:18,501 AS EVENING FALLS... 973 00:45:18,567 --> 00:45:21,501 MOVING SILENTLY THROUGH THE JUNGLE 974 00:45:21,567 --> 00:45:24,000 ON YOUR SOFT PAWS. 975 00:45:24,067 --> 00:45:25,501 YOU DO? 976 00:45:25,567 --> 00:45:26,501 SHH. 977 00:45:26,567 --> 00:45:28,000 YOUR EYES ARE GLEAMING. 978 00:45:28,067 --> 00:45:29,501 YOUR MANE IS SHAKING 979 00:45:29,567 --> 00:45:32,000 AS YOU GO STEALTHILY ALONG. 980 00:45:32,067 --> 00:45:34,000 FINALLY, YOU GET THERE. 981 00:45:34,067 --> 00:45:36,000 WHERE? 982 00:45:36,067 --> 00:45:38,000 STOP INTERRUPTING. YOU'LL GET THERE. 983 00:45:38,067 --> 00:45:40,501 I CAN SEE YOU AT THE DOOR. 984 00:45:40,567 --> 00:45:43,501 NO, I CAN'T SEE YOU AT THE DOOR. 985 00:45:43,567 --> 00:45:45,501 DO YOU KNOCK OR RING THE BELL? 986 00:45:45,567 --> 00:45:47,501 JUST SMASH THE DOOR DOWN. 987 00:45:47,567 --> 00:45:49,034 BUT DOESN'T IT HURT? 988 00:45:49,100 --> 00:45:51,167 I BROKE MY SHOULDER ONCE, 989 00:45:51,234 --> 00:45:53,167 BUT IT WAS ONLY A SCRATCH. 990 00:45:53,234 --> 00:45:54,668 TELL ME, GEORGE, 991 00:45:54,734 --> 00:45:57,034 WHAT DO YOU TWO TALK ABOUT? 992 00:45:57,100 --> 00:45:59,534 WE JUST CHAT ABOUT... 993 00:45:59,601 --> 00:46:01,534 CURRENT EVENTS. 994 00:46:01,601 --> 00:46:03,467 DON'T YOU ROAR 995 00:46:03,534 --> 00:46:05,601 LIKE SHE SAYS YOU DO? 996 00:46:05,668 --> 00:46:06,967 OH, THAT. 997 00:46:07,034 --> 00:46:09,768 YES, NATURALLY, A LION ROARS. 998 00:46:09,833 --> 00:46:11,933 GEORGE, WILL YOU ROAR NOW? 999 00:46:12,000 --> 00:46:13,967 NO. 1000 00:46:14,034 --> 00:46:15,967 I'M NOT IN THE MOOD. 1001 00:46:16,034 --> 00:46:17,967 AW, GEORGE, COME ON. PLEASE. 1002 00:46:18,034 --> 00:46:20,034 JUST FOR ME. 1003 00:46:20,100 --> 00:46:21,467 NO. I'D FEEL SILLY. 1004 00:46:21,534 --> 00:46:23,501 AW, GEORGE, PLEASE? 1005 00:46:23,567 --> 00:46:25,134 WELL... 1006 00:46:26,867 --> 00:46:27,933 RROW. 1007 00:46:30,067 --> 00:46:34,034 THAT'S NOT A LION. IT'S A PEKINESE. 1008 00:46:34,100 --> 00:46:35,301 OH. 1009 00:46:35,367 --> 00:46:36,601 RRROW! 1010 00:46:36,668 --> 00:46:38,000 OH... 1011 00:46:38,067 --> 00:46:40,000 YOU'RE SCARED NOW, HUH? 1012 00:46:40,067 --> 00:46:42,501 OH, I'M NOT SCARED. 1013 00:46:42,567 --> 00:46:44,501 DON'T BE SILLY. 1014 00:46:44,567 --> 00:46:46,000 I MEAN... 1015 00:46:46,067 --> 00:46:48,000 THIS IS-THIS- 1016 00:46:48,067 --> 00:46:50,000 AW, NOW WAIT. 1017 00:46:50,067 --> 00:46:51,501 JUST A MINUTE. 1018 00:46:51,567 --> 00:46:53,501 LIONS CAN BE TAMED, TOO. 1019 00:46:53,567 --> 00:46:54,501 HMM. 1020 00:46:54,567 --> 00:46:56,034 GO ON BACK. 1021 00:46:56,100 --> 00:46:58,034 BACK. 1022 00:46:58,100 --> 00:46:59,534 COME ON, BACK. 1023 00:46:59,601 --> 00:47:00,534 BACK. 1024 00:47:00,601 --> 00:47:02,034 HA HA HA. 1025 00:47:02,100 --> 00:47:04,467 BACK. COME ON. BACK, BACK, BACK. 1026 00:47:04,534 --> 00:47:05,467 BACK. 1027 00:47:05,534 --> 00:47:07,833 DOWN. 1028 00:47:07,900 --> 00:47:09,833 THERE. THAT'S A GOOD LION. 1029 00:47:09,900 --> 00:47:12,833 OH, WE LIONS HAVE OUR GENTLE MOMENTS. 1030 00:47:12,900 --> 00:47:13,967 MMM? 1031 00:47:14,034 --> 00:47:16,967 AND THE LION SHALL LIE DOWN WITH THE LAMB 1032 00:47:17,034 --> 00:47:17,967 AND ALL THAT. 1033 00:47:18,034 --> 00:47:18,967 MM-MMM. 1034 00:47:19,034 --> 00:47:20,034 NO? 1035 00:47:20,100 --> 00:47:23,434 THE LION SHALL LIE DOWN WITH THE SQUIRREL 1036 00:47:23,501 --> 00:47:24,967 AND ALL THAT. 1037 00:47:25,034 --> 00:47:26,067 OH. 1038 00:47:26,134 --> 00:47:28,668 THAT'S THE WAY IT GOES, ISN'T IT? 1039 00:47:28,734 --> 00:47:31,434 AND THE SQUIRREL SHALL LIE DOWN WITH THE... MINK. 1040 00:47:31,501 --> 00:47:33,434 IT'S KIND OF A NOAH'S ARK ARRANGEMENT. 1041 00:47:33,501 --> 00:47:35,501 OH, NOAH WAS LATE IN THE RUN. 1042 00:47:35,567 --> 00:47:38,000 THIS GOES ALL THE WAY BACK TO ADAM. 1043 00:47:38,067 --> 00:47:41,000 WERE THERE SQUIRRELS IN THE GARDEN OF EDEN? 1044 00:47:41,067 --> 00:47:42,501 MM-HMM. 1045 00:47:42,567 --> 00:47:44,900 THAT'S PROBABLY WHY EVE LEFT. 1046 00:47:46,301 --> 00:47:48,200 THAT'S A PRETTY CYNICAL THING 1047 00:47:48,267 --> 00:47:50,000 FOR A YOUNG WOMAN TO SAY. 1048 00:47:50,067 --> 00:47:53,000 AND WHAT WOULD YOU LIKE ME TO SAY? 1049 00:47:53,067 --> 00:47:55,501 OH, MY LION, EVERY MOMENT AWAY FROM YOU 1050 00:47:55,567 --> 00:47:57,000 SEEMS LIKE AN ETERNITY. 1051 00:47:57,067 --> 00:47:58,501 IS THAT BETTER? 1052 00:47:58,567 --> 00:47:59,701 SWELL. 1053 00:47:59,768 --> 00:48:02,900 WELL, YOU OUGHT TO LIKE IT. SHE WROTE IT TO YOU. 1054 00:48:02,967 --> 00:48:04,234 OH. 1055 00:48:04,301 --> 00:48:05,967 TELL ME ABOUT HER, GEORGE. 1056 00:48:06,034 --> 00:48:07,467 WHAT'S SHE LIKE? 1057 00:48:07,534 --> 00:48:10,167 WELL, SHE'S... 1058 00:48:11,800 --> 00:48:12,967 SHE'S... 1059 00:48:18,034 --> 00:48:19,467 SHE'S LOVELY. 1060 00:48:19,534 --> 00:48:21,467 YOU KNOW, SITTING THERE LIKE THAT, 1061 00:48:21,534 --> 00:48:23,467 YOU LOOK A LOT LIKE HER. 1062 00:48:23,534 --> 00:48:24,467 I DO? 1063 00:48:24,534 --> 00:48:26,467 YES. SAME LONG LASHES, 1064 00:48:26,534 --> 00:48:28,467 SAME LITTLE NOSE, 1065 00:48:28,534 --> 00:48:30,467 SAME SUNLIT HAIR. 1066 00:48:30,534 --> 00:48:31,967 SAME LAUGHING EYES. 1067 00:48:32,034 --> 00:48:33,967 BUT I DON'T WRITE LETTERS. 1068 00:48:34,034 --> 00:48:35,467 I WISH I DID. 1069 00:48:35,534 --> 00:48:39,501 IT MUST BE FUN TO WRITE THINGS LIKE- 1070 00:48:39,567 --> 00:48:42,000 STRANGE HOW YOU'RE GIVING ME THOUGHTS 1071 00:48:42,067 --> 00:48:44,000 I'VE NEVER HAD BEFORE... 1072 00:48:44,067 --> 00:48:45,501 HOW BEING NEAR YOU 1073 00:48:45,567 --> 00:48:47,900 IS NOT LIKE BEING NEAR ANYONE ELSE. 1074 00:48:47,967 --> 00:48:51,401 THAT'S THE BEST PART OF THE LETTER. 1075 00:48:54,234 --> 00:48:55,301 HUH? 1076 00:49:00,100 --> 00:49:02,034 HOW W KNOWING YOU... 1077 00:49:02,100 --> 00:49:04,534 IS DIFFERENT FROM KNOWING ANYONE ELSE 1078 00:49:04,601 --> 00:49:06,467 IN THE WHOLE WORLD. 1079 00:49:08,100 --> 00:49:10,067 IS THAT RIGHT, GEORGE? 1080 00:49:10,134 --> 00:49:12,067 IT'S PERFECT. 1081 00:49:12,134 --> 00:49:14,601 I'M GLAD YOU LIKE IT. 1082 00:49:16,634 --> 00:49:20,067 WOULD YOU... LIKE TO HEAR WHAT I WROTE HER? 1083 00:49:20,134 --> 00:49:21,768 YES, I'D LOVE TO. 1084 00:49:25,134 --> 00:49:27,067 YOUR VOICE IS LIKE 1085 00:49:27,134 --> 00:49:29,567 A SUNRISE... 1086 00:49:29,634 --> 00:49:31,567 LIKE A GARDEN IN BLOOM... 1087 00:49:32,734 --> 00:49:35,301 LIKE A BIRD AGAINST THE SKY. 1088 00:49:37,867 --> 00:49:39,967 DO MORE, GEORGE. 1089 00:49:40,034 --> 00:49:41,967 WHY DON'T YOU BE KIND 1090 00:49:42,034 --> 00:49:43,501 AND SET ME FREE? 1091 00:49:43,567 --> 00:49:45,601 OR WHY DON'T YOU BE KINDER 1092 00:49:45,668 --> 00:49:47,601 AND HOLD ME FOREVER AND EVER? 1093 00:49:47,668 --> 00:49:50,434 YOU DON'T MIND MY QUOTING THAT, DO YOU? 1094 00:49:50,501 --> 00:49:52,434 OH, NO. OF COURSE NOT. 1095 00:49:52,501 --> 00:49:53,933 IT-IT'S WONDERFUL. 1096 00:49:54,000 --> 00:49:55,434 YOU SEEM TO HAVE 1097 00:49:55,501 --> 00:49:58,534 CAUGHT EACH OTHER'S MOOD... EXACTLY. 1098 00:49:58,601 --> 00:50:00,501 YES. 1099 00:50:00,567 --> 00:50:03,034 YOU KNOW, PEOPLE DO THAT SOMETIMES... 1100 00:50:03,100 --> 00:50:04,768 IN LETTERS, I MEAN. 1101 00:50:07,601 --> 00:50:09,534 BRUSH YOUR LIPS ACROSS MY CHEEK, 1102 00:50:09,601 --> 00:50:11,800 MY DEAR. 1103 00:50:13,100 --> 00:50:14,967 IS THAT FROM THE LETTER? 1104 00:50:15,034 --> 00:50:17,067 OH, NO. OUT OF MY HEAD. 1105 00:50:17,134 --> 00:50:18,567 I JUST WANTED TO HEAR 1106 00:50:18,634 --> 00:50:20,167 WHAT IT WOULD SOUND LIKE. 1107 00:50:20,234 --> 00:50:22,000 SOUNDED WONDERFUL. 1108 00:50:23,401 --> 00:50:26,067 LET'S SEE WHAT THIS SOUNDS LIKE. 1109 00:50:26,134 --> 00:50:29,567 I WANT MORE THAN ANYTHING IN THE WORLD 1110 00:50:29,634 --> 00:50:31,567 TO HOLD YOU IN MY ARMS. 1111 00:50:31,634 --> 00:50:32,567 LETTER? 1112 00:50:32,634 --> 00:50:34,601 NO. HEAD. 1113 00:50:36,634 --> 00:50:39,567 THERE WAS DARKNESS FOR A LONG, LONG TIME, 1114 00:50:39,634 --> 00:50:41,567 AND SUDDENLY THE LIGHT CAME, 1115 00:50:41,634 --> 00:50:44,000 AND THE LIGHT WAS YOU. 1116 00:50:44,067 --> 00:50:45,100 LETTER? 1117 00:50:46,634 --> 00:50:47,734 HEAD. 1118 00:50:49,634 --> 00:50:52,100 DARLING... 1119 00:50:52,167 --> 00:50:55,100 NOW AND FROM THE BEGINNING. 1120 00:50:55,167 --> 00:50:56,734 HEAD, DIANE. 1121 00:50:58,167 --> 00:51:00,100 THESE MOMENTS WE HAVE 1122 00:51:00,167 --> 00:51:02,100 ARE OURS FOREVER. 1123 00:51:02,167 --> 00:51:03,534 LETTER? 1124 00:51:04,534 --> 00:51:05,967 THESE MOMENTS WE HAVE- 1125 00:51:06,034 --> 00:51:06,967 HEAD? 1126 00:51:07,034 --> 00:51:08,100 HEART. 1127 00:51:25,134 --> 00:51:26,833 GEORGE. 1128 00:51:26,900 --> 00:51:31,067 HOW DO PEOPLE KNOW WHEN THEY'RE REALLY IN LOVE? 1129 00:51:31,134 --> 00:51:33,067 WELL... FIRST I GUESS 1130 00:51:33,134 --> 00:51:36,067 THEY FIND OUT THEY LIKE TO BE TOGETHER, 1131 00:51:36,134 --> 00:51:40,067 AND THEN THEY FIND OUT THEY KIND OF THINK THE SAME THINGS. 1132 00:51:40,134 --> 00:51:42,067 THEN I GUESS AFTER A WHILE, 1133 00:51:42,134 --> 00:51:45,067 THEY GET SO THEY EVEN SAY THE SAME THINGS 1134 00:51:45,134 --> 00:51:47,567 AT THE SAME TIME. 1135 00:51:47,634 --> 00:51:50,067 AND THAT'S THE WAY YOU KNOW? 1136 00:51:50,134 --> 00:51:52,067 WELL, I'M JUST GUESSING. 1137 00:51:52,134 --> 00:51:56,100 WELL, YOUR GUESS WOULD BE MY GUESS, TOO. 1138 00:51:56,167 --> 00:51:59,601 IT MUST BE WONDERFUL WHEN- IT MUST BE WONDERFUL WHEN- 1139 00:51:59,668 --> 00:52:01,601 LIKE THAT. LIKE THAT. 1140 00:52:01,668 --> 00:52:02,601 GEORGE. 1141 00:52:02,668 --> 00:52:04,534 I'VE WAITED A LONG TIME. 1142 00:52:04,601 --> 00:52:07,534 BUT NOW... 1143 00:52:07,601 --> 00:52:09,034 NOW... 1144 00:52:09,100 --> 00:52:11,234 YOU'RE GOING TO MARRY HARRY. 1145 00:52:12,867 --> 00:52:14,301 AND, ACCORDING TO CUSTOM, 1146 00:52:14,367 --> 00:52:16,867 MAY THE BEST MAN KISS THE BRIDE. 1147 00:52:18,100 --> 00:52:19,534 THAT'S ALL THERE IS TO IT. 1148 00:52:19,601 --> 00:52:20,900 HE ISN'T HERE. 1149 00:52:20,967 --> 00:52:22,900 THIS IS AN EMPTY APARTMENT. 1150 00:52:22,967 --> 00:52:24,534 THERE'S NOBODY HERE. NOBODY... 1151 00:52:24,601 --> 00:52:26,034 IN-IN-INCLUDING ME. 1152 00:52:26,100 --> 00:52:28,034 THAT'S ALL RIGHT, EDGAR. 1153 00:52:28,100 --> 00:52:29,567 I'LL WAIT. 1154 00:52:29,634 --> 00:52:32,100 HE WON'T BE HERE AT ALL. 1155 00:52:32,167 --> 00:52:34,601 MISS GRAY, HE'S GONE TO CHICAGO- 1156 00:52:34,668 --> 00:52:36,601 UH, F-FOR THE NIGHT. 1157 00:52:36,668 --> 00:52:38,601 I SEE. HE'S IN CHICAGO, 1158 00:52:38,668 --> 00:52:41,067 AND THE WEDDING'S IN NEW YORK! 1159 00:52:41,134 --> 00:52:44,067 WHY ARE MY LETTERS SCATTERED ALL OVER THE PLACE? 1160 00:52:44,134 --> 00:52:46,701 TO MAKE THE ROOM LOOK LIVED IN? 1161 00:52:46,768 --> 00:52:48,800 SHE FOLLOWS ME EVERYWHERE. 1162 00:52:48,867 --> 00:52:51,867 I'LL SHOW HIM HE CAN'T TREAT ME THIS WAY. 1163 00:52:53,734 --> 00:52:55,601 SHE HATES FLOWERS. 1164 00:52:59,034 --> 00:53:00,800 AND FRUIT, TOO. 1165 00:53:02,200 --> 00:53:04,967 GEORGE, STOP HER! SHE DOESN'T LIKE CHAMPAGNE EITHER. 1166 00:53:05,034 --> 00:53:07,301 SQUIRREL! OH, HO HO! 1167 00:53:13,601 --> 00:53:14,534 HAVE WE MET? 1168 00:53:14,601 --> 00:53:15,534 SQUIRREL! 1169 00:53:15,601 --> 00:53:17,534 SHE HAS A VERY BAD MEMORY. 1170 00:53:17,601 --> 00:53:19,200 SO I SEE. 1171 00:53:19,267 --> 00:53:20,200 WHAT THE- 1172 00:53:20,267 --> 00:53:22,200 I'LL SHOW YOU WHAT THE! 1173 00:53:22,267 --> 00:53:24,200 GETTING MARRIED WITHOUT TELLING ME! 1174 00:53:24,267 --> 00:53:26,134 SHALL I THROW A FIT, SIR? 1175 00:53:26,200 --> 00:53:29,100 I CAN EXPLAIN THE WHOLE THING. YOU SEE- 1176 00:53:29,167 --> 00:53:31,301 NEVER MIND, GEORGE. IT'S UP TO ME NOW. 1177 00:53:31,367 --> 00:53:34,367 I'M SORRY, BUT I PUT GEORGE ON THE SPOT. 1178 00:53:34,434 --> 00:53:36,301 HIS TAIL COAT REALLY ISN'T MY TAIL COAT- 1179 00:53:36,367 --> 00:53:38,367 IT'S NOT REALLY MINE. IT'S EDGAR'S. 1180 00:53:38,434 --> 00:53:40,334 IT'S LUTHER'S. NO, NOT LUTHER'S TAIL COAT. 1181 00:53:40,401 --> 00:53:41,833 IT'S MR. ORMAN'S TAIL COAT, 1182 00:53:41,900 --> 00:53:43,833 AND HE'S IN THE HOSPITAL. 1183 00:53:43,900 --> 00:53:47,067 JUST A MINUTE. IT'S BETTER IF NOBODY EXPLAINS ANYTHING 1184 00:53:47,134 --> 00:53:49,234 TO ANYBODY. 1185 00:53:53,134 --> 00:53:55,367 HERE'S YOUR LETTER, SQUIRREL. 1186 00:53:57,634 --> 00:54:00,067 AND HERE'S YOUR RING... 1187 00:54:00,134 --> 00:54:01,467 HARRY. 1188 00:54:03,567 --> 00:54:06,401 AND HERE'S MY LION. 1189 00:54:08,067 --> 00:54:09,567 YE-YE-BUT- 1190 00:54:09,634 --> 00:54:12,534 YOU EVER WANT ME TO HELP YOU OUT AGAIN, HARRY, 1191 00:54:12,601 --> 00:54:13,867 JUST LET ME KNOW. 1192 00:54:13,933 --> 00:54:14,967 RRROW! 1193 00:54:25,601 --> 00:54:27,034 IT'S GOT A HOLE. 1194 00:54:27,100 --> 00:54:28,200 WE KNOW. 1195 00:54:28,267 --> 00:54:29,701 QUESTION IS, HOW MUCH? 1196 00:54:29,768 --> 00:54:31,267 WITH THE HOLE. 1197 00:54:34,768 --> 00:54:36,367 WELL, $7.00. 1198 00:54:36,434 --> 00:54:37,367 $7.00. 1199 00:54:37,434 --> 00:54:38,867 FOR THAT COAT? 1200 00:54:38,933 --> 00:54:40,367 COME ON, EDGAR. 1201 00:54:40,434 --> 00:54:41,867 JUST A SECOND. 1202 00:54:41,933 --> 00:54:44,301 LET ME TAKE IT OVER TO THE LIGHT. 1203 00:54:46,134 --> 00:54:47,567 FIND ANYTHING YOU LIKE? 1204 00:54:47,634 --> 00:54:50,200 THANK YOU. YES. JUST LOOKING. 1205 00:54:50,267 --> 00:54:52,534 $7.00, AND YOU SAID AT LEAST 25. 1206 00:54:52,601 --> 00:54:55,534 I SAID WE'D SPLIT ALL OVER 10, DIDN'T I? 1207 00:54:55,601 --> 00:54:57,034 OVER 10, YES. 1208 00:54:57,100 --> 00:54:59,034 YOU'RE HERE TO ENSURE THAT. 1209 00:54:59,100 --> 00:55:00,534 WELL, HERE YOU ARE. 1210 00:55:00,601 --> 00:55:02,534 $10, TAKE IT OR LEAVE IT. 1211 00:55:02,601 --> 00:55:03,967 WE'LL TAKE IT. 1212 00:55:04,034 --> 00:55:05,467 I'LL TAKE IT. COME ON. 1213 00:55:05,534 --> 00:55:07,067 UH, GOOD DAY, GENTLEMEN. 1214 00:55:08,401 --> 00:55:10,000 MY, WHAT A FINE COAT. 1215 00:55:10,067 --> 00:55:12,267 IT WOULD BE NICE FOR MY HUSBAND. 1216 00:55:12,334 --> 00:55:13,601 YOUR HUSBAND A WAITER? 1217 00:55:13,668 --> 00:55:15,601 OH, NO. HE'S NOT A WAITER. 1218 00:55:15,668 --> 00:55:17,867 HE'S A GREAT MUSICIAN. 1219 00:55:46,768 --> 00:55:49,367 WHAT DO YOU THINK I'M PAYING YOU FOR? 1220 00:55:49,434 --> 00:55:50,900 MUSIC, NOT MURDER. 1221 00:55:50,967 --> 00:55:52,634 GOOD MUSIC, GET IT? 1222 00:56:12,567 --> 00:56:13,501 MR. WALTER, 1223 00:56:13,567 --> 00:56:15,000 I- I-I MUST- 1224 00:56:15,067 --> 00:56:18,000 I DEFINITELY MUST GO OUT FOR HALF AN HOUR. 1225 00:56:18,067 --> 00:56:19,401 KEEP PLAYING. 1226 00:56:33,601 --> 00:56:34,900 I- I-I- 1227 00:57:09,067 --> 00:57:11,000 I CANNOT CONDUCT SLEEPWALKERS. 1228 00:57:11,067 --> 00:57:13,301 I CANNOT RAISE THE DEAD! 1229 00:57:13,367 --> 00:57:14,301 I CANNOT! 1230 00:57:14,367 --> 00:57:16,100 I WILL NOT! 1231 00:57:17,601 --> 00:57:19,534 BACK TO 26, GENTLEMEN. 1232 00:57:24,334 --> 00:57:26,367 YOUR E-FLAT IS FLAT, MISTER. 1233 00:57:29,267 --> 00:57:32,167 WOULD YOU OBLIGE ME BY NOT REWRITING THE SCORE. 1234 00:57:32,234 --> 00:57:33,634 THAT NOTE IS SHARP. 1235 00:57:48,401 --> 00:57:49,833 YES! YES! 1236 00:57:49,900 --> 00:57:52,334 YOU PLAY EVERYTHING AS IT IS WRITTEN! 1237 00:57:52,401 --> 00:57:54,367 EVERY NOTE LIKE ROBOTS- 1238 00:57:54,434 --> 00:57:55,367 WITHOUT LIFE! 1239 00:57:55,434 --> 00:57:56,367 WITHOUT FEELING! 1240 00:57:56,434 --> 00:57:58,367 BUT THEY ARE NOT JUST NOTES! 1241 00:57:58,434 --> 00:58:00,701 THEY ARE NOTES WRITTEN FROM THE BRAIN 1242 00:58:00,768 --> 00:58:02,000 FROM THE HEART! 1243 00:58:02,067 --> 00:58:04,501 MUSIC WITHOUT FEELING IS NOISE! 1244 00:58:04,567 --> 00:58:07,000 DON'T YOU UNDERSTAND? 1245 00:59:12,434 --> 00:59:13,867 CAN'T YOU READ? 1246 00:59:13,933 --> 00:59:15,867 JUST LOOK AT THE FOURTH NOTE 1247 00:59:15,933 --> 00:59:17,367 AFTER NUMBER 35! 1248 00:59:17,434 --> 00:59:18,867 WHAT DO YOU SEE? TRIPLETS! 1249 00:59:18,933 --> 00:59:22,100 AS IN TRIPLETS! 1250 00:59:23,234 --> 00:59:25,367 ALL RIGHT, GENTLEMEN, THIS IS TOO MUCH. 1251 00:59:25,434 --> 00:59:27,367 WE'LL PROCEED IN HALF AN HOUR. 1252 00:59:27,434 --> 00:59:29,768 YOU NEED A REST. SO DO I. 1253 00:59:37,100 --> 00:59:38,034 PHOOEY! 1254 00:59:38,100 --> 00:59:39,768 TOO LATE TO APOLOGIZE. 1255 00:59:47,334 --> 00:59:49,768 COME ON, CHARLIE. LET'S GO. 1256 00:59:49,833 --> 00:59:51,267 COME ON NOW, WILL YOU? 1257 00:59:51,334 --> 00:59:52,401 COME ON. 1258 00:59:59,534 --> 01:00:00,833 Wait. 1259 01:00:07,067 --> 01:00:08,501 WHAT IS IT? 1260 01:00:08,567 --> 01:00:10,967 EXCUSE ME, MAESTRO, BUT SMITH IS HERE. 1261 01:00:11,034 --> 01:00:12,200 WHAT SMITH? 1262 01:00:12,267 --> 01:00:14,701 CHARLES SMITH THE COMPOSER, THE MAN I TOLD YOU ABOUT. 1263 01:00:14,768 --> 01:00:15,701 WHEN? 1264 01:00:15,768 --> 01:00:16,701 FOR THE LAST 10 YEARS. 1265 01:00:16,768 --> 01:00:18,067 YOU PROMISED TO SEE HIM TOMORROW. 1266 01:00:18,134 --> 01:00:19,067 THIS ISN'T TOMORROW. 1267 01:00:19,134 --> 01:00:20,067 BUT THAT WAS YESTERDAY. 1268 01:00:20,134 --> 01:00:22,067 THAT'S WHEN YOU TOLD ME TOMORROW, 1269 01:00:22,134 --> 01:00:23,567 AND THAT IS TODAY. 1270 01:00:23,634 --> 01:00:24,567 SORRY. NO TIME. 1271 01:00:24,634 --> 01:00:28,067 BUT, UH, MAESTRO, THE MAN IS A GENIUS... 1272 01:00:28,134 --> 01:00:29,267 A MASTER. 1273 01:00:30,367 --> 01:00:31,800 OH, NO, MAESTRO. 1274 01:00:31,867 --> 01:00:35,301 I'VE ALWAYS THOUGHT OF STRAVINSKY AS THE MOST, UH... 1275 01:00:35,367 --> 01:00:37,634 NO. 1276 01:00:37,701 --> 01:00:41,100 WORTHY OF YOUR DISTINCT CONSIDERATION. 1277 01:01:02,167 --> 01:01:05,867 GOOD EVENING. 1278 01:01:07,933 --> 01:01:10,200 GOOD EVENING. 1279 01:01:25,833 --> 01:01:26,768 WHAT? 1280 01:01:26,833 --> 01:01:29,567 WHAT ARE YOU WAITING FOR? 1281 01:01:29,634 --> 01:01:30,567 PLAY. 1282 01:01:30,634 --> 01:01:31,701 YEAH. 1283 01:02:00,334 --> 01:02:01,334 MARVELOUS! 1284 01:02:09,768 --> 01:02:11,668 CUBBY, DID YOU DO IT? 1285 01:02:11,734 --> 01:02:13,501 I DID IT! I DID IT! 1286 01:02:13,567 --> 01:02:14,501 OH! 1287 01:02:14,567 --> 01:02:16,601 WHAT DID HE SAY, DARLING? 1288 01:02:16,668 --> 01:02:19,100 HE KISSED ME ON EACH CHEEK. 1289 01:02:19,167 --> 01:02:20,534 OH! DIRTY PIG. 1290 01:02:20,601 --> 01:02:22,800 WHEN IS HE GOING TO PLAY IT? 1291 01:02:22,867 --> 01:02:24,800 I'M GOING TO CONDUCT IT MYSELF. 1292 01:02:24,867 --> 01:02:26,434 WE REHEARSE TWO WEEKS, STARTING TOMORROW. 1293 01:02:26,501 --> 01:02:27,601 THE SCHERZO FLOORED HIM. 1294 01:02:27,668 --> 01:02:28,701 I HARDLY WONDER. 1295 01:02:28,768 --> 01:02:32,567 HE CAME RIGHT OVER TO ME WITH HIS EYES SHINING. 1296 01:02:32,634 --> 01:02:34,501 "SMITH," HE SAID, "YOU'RE A GENIUS." 1297 01:02:34,567 --> 01:02:37,833 HE'S GOING TO PRESENT ME TO THE PUBLIC HIMSELF. 1298 01:02:39,301 --> 01:02:41,734 LADIES AND GENTLEMEN... 1299 01:02:41,800 --> 01:02:45,734 I HAVE THE GREAT HONOR TO PRESENT MR. SMITH 1300 01:02:45,800 --> 01:02:47,234 AT THE CARNEGIE HALL. 1301 01:02:47,301 --> 01:02:48,367 OH. 1302 01:02:58,800 --> 01:03:01,734 GOOD HEAVENS, 8:00! WE'VE GOT TO RUSH. 1303 01:03:01,800 --> 01:03:03,668 MAMA, IT'S CHARLIE'S BIG NIGHT. 1304 01:03:03,734 --> 01:03:04,867 OH, MY BABY. 1305 01:03:04,933 --> 01:03:07,200 CHARLIE, YOU CAN'T CONDUCT THE SYMPHONY IN THAT. 1306 01:03:07,267 --> 01:03:08,701 TAILS AND WHITE TIE. 1307 01:03:08,768 --> 01:03:11,200 BUT HE HASN'T GOT A TAIL COAT. 1308 01:03:11,267 --> 01:03:13,634 YOU SHOULD HAVE THOUGHT OF THAT BEFORE! 1309 01:03:13,701 --> 01:03:14,701 I SHOULD HAVE? 1310 01:03:14,768 --> 01:03:17,200 I'VE GONE CRAZY THINKING OF EVERYTHING- 1311 01:03:17,267 --> 01:03:18,701 OH! WHY, CUBBY, DARLING, 1312 01:03:18,768 --> 01:03:20,701 I CAN GET YOU A TAIL COAT. 1313 01:03:20,768 --> 01:03:22,200 I KNOW JUST WHERE. 1314 01:03:22,267 --> 01:03:24,200 NOW, YOU TWO RUN ALONG. 1315 01:03:24,267 --> 01:03:26,701 I'LL BRING EVERYTHING TO THE DRESSING ROOM. 1316 01:03:26,768 --> 01:03:28,534 ALL RIGHT, DARLING. 1317 01:03:28,601 --> 01:03:31,034 OH, HURRY, PLEASE, IT'S VERY IMPORTANT. 1318 01:03:31,100 --> 01:03:34,534 ALL RIGHT, MADAM, NOW WHAT SIZE IS YOUR HUSBAND? 1319 01:03:34,601 --> 01:03:36,034 HERE. HERE IT IS. 1320 01:03:36,100 --> 01:03:37,567 OH, THAT'S RIGHT. 1321 01:03:37,634 --> 01:03:40,067 YOUR HUSBAND'S A MUSICIAN, ISN'T HE? 1322 01:03:40,134 --> 01:03:41,067 YES. 1323 01:03:41,134 --> 01:03:42,734 OH. 1324 01:03:42,800 --> 01:03:44,301 LET'S SEE NOW. 1325 01:03:46,301 --> 01:03:47,734 THERE YOU ARE. 1326 01:03:47,800 --> 01:03:49,800 THAT'LL FIT LIKE A GLOVE. 1327 01:04:25,768 --> 01:04:26,768 UGH! 1328 01:04:36,200 --> 01:04:38,134 IT'S TOO SMALL. 1329 01:04:38,200 --> 01:04:39,701 OH, DEAR. 1330 01:04:39,768 --> 01:04:42,701 AND THERE'S A HOLE IN IT. LOOK. 1331 01:04:42,768 --> 01:04:44,734 NO ONE WILL SEE IT. 1332 01:04:44,800 --> 01:04:46,234 YOUR CUE, MR. SMITH! 1333 01:04:46,301 --> 01:04:49,067 IT'LL BE ALL RIGHT, DARLING. 1334 01:04:49,134 --> 01:04:50,668 IT'LL BE ALL RIGHT. 1335 01:04:53,301 --> 01:04:55,734 WE'RE DINING OUT TONIGHT, BUBBLES. 1336 01:04:55,800 --> 01:04:57,000 HERE. 1337 01:05:21,634 --> 01:05:23,967 LADIES AND GENTLEMEN... 1338 01:05:24,034 --> 01:05:27,401 MR. CHARLES SMITH. 1339 01:07:20,267 --> 01:07:21,434 SHH! 1340 01:08:32,768 --> 01:08:33,701 WHAT? 1341 01:08:33,768 --> 01:08:36,701 Your sleeve is torn in the back. 1342 01:10:04,668 --> 01:10:06,301 CONTINUE. 1343 01:10:07,634 --> 01:10:08,734 PLEASE. 1344 01:11:56,867 --> 01:11:58,900 HA HA HA! 1345 01:12:03,367 --> 01:12:07,234 I BET YOU KNOW SOMEBODY WHO'S DOWN ON THEIR LUCK. 1346 01:12:07,301 --> 01:12:08,734 INDEED I DO. 1347 01:12:08,800 --> 01:12:10,234 GIVE THEM THAT, WILL YOU? 1348 01:12:10,301 --> 01:12:11,401 OH, THANK YOU, SIR. 1349 01:12:11,467 --> 01:12:12,900 OH, IT'S A TAIL COAT. 1350 01:12:12,967 --> 01:12:15,100 NO, NO, NO. THAT'S A RABBIT'S FOOT. 1351 01:12:15,167 --> 01:12:16,100 GOOD NIGHT! 1352 01:12:16,167 --> 01:12:17,100 BLESS YOU! 1353 01:12:17,167 --> 01:12:19,800 COME ON. COME ON. COME ON. 1354 01:12:21,301 --> 01:12:24,734 DOES THIS LOOK LIKE A RABBIT'S FOOT TO YOU? 1355 01:12:24,800 --> 01:12:26,967 HMM? RABBIT'S FOOT? 1356 01:12:28,800 --> 01:12:32,768 LOOKS MORE LIKE THE REAR END OF A MILLION DOLLARS. 1357 01:12:32,833 --> 01:12:34,267 HA HA HA! 1358 01:12:35,334 --> 01:12:36,768 THERE ARE THE KEYS. 1359 01:12:37,833 --> 01:12:39,267 OH, SHUT UP. 1360 01:12:39,334 --> 01:12:40,267 PLEASE. 1361 01:12:40,334 --> 01:12:42,100 HELLO, FOLKS! 1362 01:12:42,167 --> 01:12:43,768 IF THOSE ARE BILLS, KEEP GOING. 1363 01:12:43,833 --> 01:12:45,267 I'VE GOT TO DELIVER THEM, 1364 01:12:45,334 --> 01:12:47,768 BUT YOU DON'T HAVE TO OPEN THEM. 1365 01:12:47,833 --> 01:12:49,267 ANY MAIL FOR ME, DAD? 1366 01:12:49,334 --> 01:12:50,267 NO VALENTINES. 1367 01:12:51,833 --> 01:12:53,768 WILL YOU SHUT UP? 1368 01:12:53,833 --> 01:12:56,833 MOLLY, WHAT DO YOU MAKE OF THIS? 1369 01:12:58,334 --> 01:12:59,267 GOODBYE. 1370 01:12:59,334 --> 01:13:00,768 HUH? OH, GOODBYE. 1371 01:13:00,833 --> 01:13:02,267 COME AGAIN. 1372 01:13:02,334 --> 01:13:04,567 "AVERY L. BROWNE." 1373 01:13:04,634 --> 01:13:07,434 AVERY L.? 1374 01:13:07,501 --> 01:13:10,434 YOU DON'T SUPPOSE THAT COULD BE LARRY? 1375 01:13:10,501 --> 01:13:12,234 "BLACKSTONE HOTEL, CHICAGO." 1376 01:13:12,301 --> 01:13:13,734 MIGHT BE AT THAT. 1377 01:13:13,800 --> 01:13:15,734 HE SHOW UP LAST NIGHT? 1378 01:13:15,800 --> 01:13:18,734 NO. PROBABLY UP TO HIS OLD TRICKS. 1379 01:13:18,800 --> 01:13:21,234 FANCY WAY TO SPELL "BROWNE," WITH AN "E." 1380 01:13:21,301 --> 01:13:22,234 YES. 1381 01:13:22,301 --> 01:13:24,734 I THINK I'D BETTER GO AND SEE. 1382 01:13:24,800 --> 01:13:26,734 DON'T FORGET TO LOCK UP. 1383 01:13:26,800 --> 01:13:27,734 OH, NO. 1384 01:13:33,301 --> 01:13:34,734 HELLO. 1385 01:13:34,800 --> 01:13:35,867 HELLO, HELLO. 1386 01:14:03,933 --> 01:14:06,200 GO AWAY. 1387 01:14:06,267 --> 01:14:07,200 LARRY. 1388 01:14:07,267 --> 01:14:09,067 IS THIS YOURS? 1389 01:14:13,800 --> 01:14:15,734 NO. 1390 01:14:15,800 --> 01:14:18,734 WELL, IF YOUR STOMACH GETS TO GNAWING, 1391 01:14:18,800 --> 01:14:19,900 DROP AROUND. 1392 01:14:20,967 --> 01:14:22,234 HERE. 1393 01:14:22,301 --> 01:14:23,800 GIVE IT TO ME. 1394 01:14:43,367 --> 01:14:45,833 WHAT ARE YOU STANDING THERE FOR? 1395 01:14:45,900 --> 01:14:47,768 GO ON. READ IT. 1396 01:14:47,833 --> 01:14:51,334 THAT'S WHAT YOU BROUGHT IT HERE FOR, ISN'T IT? 1397 01:14:57,334 --> 01:15:01,167 "CLASS OF 1917, UNIVERSITY... 1398 01:15:02,434 --> 01:15:06,701 "25th ANNIVERSARY DINNER AT THE WALDORF-ASTORIA, 1399 01:15:06,768 --> 01:15:10,134 8:00, OCTOBER 5th. " 1400 01:15:10,200 --> 01:15:11,200 WELL, THAT'S TODAY. 1401 01:15:11,267 --> 01:15:14,200 "URGE YOU IN THE NAME OF THE LOVE 1402 01:15:14,267 --> 01:15:17,034 "WE ALL BEAR FOR OUR ALMA MATER 1403 01:15:17,100 --> 01:15:18,267 "TO BE WITH US, 1404 01:15:18,334 --> 01:15:21,234 H.B. HANK BRONSON." 1405 01:15:21,301 --> 01:15:22,800 HANK. 1406 01:15:23,800 --> 01:15:25,301 "FORMAL DRESS." 1407 01:16:17,301 --> 01:16:18,734 WHISKEY. 1408 01:16:27,668 --> 01:16:29,167 THERE YOU ARE. 1409 01:16:32,334 --> 01:16:36,768 OH. I FIGURE THIS WILL PUT ME ON MY FEET AGAIN. 1410 01:16:36,833 --> 01:16:38,933 SURE. SURE. GO RIGHT AHEAD. 1411 01:16:44,467 --> 01:16:45,900 GOT A CIGARETTE? 1412 01:16:45,967 --> 01:16:47,601 NO. 1413 01:16:47,668 --> 01:16:49,900 HERE. HAVE ONE OF MINE. 1414 01:16:51,000 --> 01:16:52,434 GO AHEAD. 1415 01:16:52,501 --> 01:16:53,434 OH. 1416 01:16:53,501 --> 01:16:54,867 THANK YOU. 1417 01:16:57,334 --> 01:17:00,301 YOU'VE BEEN AROUND HERE ABOUT FIVE YEARS NOW, LARRY. 1418 01:17:00,367 --> 01:17:01,301 SIX. 1419 01:17:01,367 --> 01:17:03,234 AND EVERY DAY FOR SIX YEARS, 1420 01:17:03,301 --> 01:17:05,734 YOU'VE BEEN TALKING ABOUT GOING UPTOWN, 1421 01:17:05,800 --> 01:17:08,234 GETTING ON YOUR FEET AGAIN, AWAY FROM ALL THIS, 1422 01:17:08,301 --> 01:17:11,734 BUT YOU ALWAYS SEEM TO NEED ONE MORE DRINK 1423 01:17:11,800 --> 01:17:13,234 TO GET YOUR NERVE UP. 1424 01:17:13,301 --> 01:17:15,734 MAYBE IF YOU DIDN'T GET IT UP, 1425 01:17:15,800 --> 01:17:17,734 SOMEDAY YOU MIGHT REALLY GO. 1426 01:17:17,800 --> 01:17:20,234 YEAH, WELL, I... I KNOW WHAT I'M DOING. 1427 01:17:20,301 --> 01:17:21,734 OH, SURE, YOU DO. 1428 01:17:21,800 --> 01:17:24,234 AND I DON'T WANT ANYBODY PREACHING AT ME. 1429 01:17:24,301 --> 01:17:26,734 DID I EVER SAY NOT TO TAKE IT? 1430 01:17:26,800 --> 01:17:29,734 IF YOU NEED ANOTHER, HAVE ONE. I'LL BUY. 1431 01:17:29,800 --> 01:17:30,900 HERE. 1432 01:17:35,334 --> 01:17:39,768 LARRY, THEY TELL ME THEY GOT A MIGHTY GOOD COOK AT THE WALDORF. 1433 01:17:39,833 --> 01:17:41,334 WHY DON'T YOU GO? 1434 01:17:43,334 --> 01:17:45,267 OUGHT TO BE A NICE PARTY. 1435 01:17:45,334 --> 01:17:48,267 HERE'S YOUR CHANCE TO GET UPTOWN AGAIN, 1436 01:17:48,334 --> 01:17:52,267 AND I DON'T MEAN NORTH OF 14th STREET. 1437 01:17:52,334 --> 01:17:54,334 I MEAN NORTH OF YOURSELF. 1438 01:17:55,833 --> 01:17:58,768 OH, LARRY, YOU'VE SEEN ENOUGH OF GUTTERS 1439 01:17:58,833 --> 01:18:00,768 AND FLOPHOUSES AND HANGOUTS. 1440 01:18:00,833 --> 01:18:05,234 MAYBE IF YOU GOT YOUR FEET UNDER A TABLE AGAIN FOR A SPELL, 1441 01:18:05,301 --> 01:18:08,234 ORDERED A THICK STEAK, SLEPT IN A CLEAN BED, 1442 01:18:08,301 --> 01:18:09,734 TALKED YOUR OWN LANGUAGE, 1443 01:18:09,800 --> 01:18:12,734 YOU MIGHT BE RIGHT IN THERE PUNCHING AGAIN. 1444 01:18:12,800 --> 01:18:14,234 WHAT DO YOU SAY? 1445 01:18:14,301 --> 01:18:16,734 WHAT IS IT, A COSTUME PARTY? 1446 01:18:16,800 --> 01:18:19,734 YOU WANT ME TO GO AS J.P. MORGAN? 1447 01:18:19,800 --> 01:18:23,734 I WANT YOU TO GO AS AVERY L. BROWNE, 1448 01:18:23,800 --> 01:18:26,234 AVERY L. BROWNE WITH AN "E." 1449 01:18:26,301 --> 01:18:27,234 HEH. 1450 01:18:27,301 --> 01:18:29,034 IF YOU'RE WORRIED ABOUT YOUR LOOKS, 1451 01:18:29,100 --> 01:18:30,234 THAT'S IN MOLLY'S DEPARTMENT. 1452 01:18:30,301 --> 01:18:34,234 WE JUST GOT A DRESS COAT IN THIS MORNING, 1453 01:18:34,301 --> 01:18:36,301 PROBABLY SENT RIGHT FROM HEAVEN. 1454 01:18:49,501 --> 01:18:51,501 PETE, WILL YOU SHUT UP? 1455 01:18:53,334 --> 01:18:55,768 REALLY OUGHT TO HAVE PATENT LEATHERS, BUT- 1456 01:18:55,833 --> 01:18:58,267 I THINK THOSE BRITCHES ARE LONG ENOUGH. 1457 01:18:58,334 --> 01:19:00,267 I DON'T BELIEVE ANYBODY WILL NOTICE. 1458 01:19:00,334 --> 01:19:02,768 YOU SHOULD HAVE GOTTEN HIM A REGULAR SHIRT. 1459 01:19:02,833 --> 01:19:04,267 THEY COST $1.75. 1460 01:19:04,334 --> 01:19:05,768 I DON'T CARE. 1461 01:19:05,833 --> 01:19:07,768 SUPPOSE THAT RIDICULOUS WHATCHAMACALLIT, UH... 1462 01:19:07,833 --> 01:19:08,768 DICKEY, MOTHER. 1463 01:19:08,833 --> 01:19:10,267 SUPPOSE IT POPS OUT? 1464 01:19:10,334 --> 01:19:12,800 IT WON'T IF HE KEEPS HIS VEST BUTTONED. 1465 01:19:12,867 --> 01:19:15,800 THEY CALL THEM WAISTCOATS UP WHERE LARRY'S GOING. 1466 01:19:15,867 --> 01:19:17,634 THERE YOU GO, LARRY. 1467 01:19:17,701 --> 01:19:19,200 PUT THAT ON. 1468 01:19:20,867 --> 01:19:22,800 A NICE PIECE OF GOODS, MOTHER. 1469 01:19:22,867 --> 01:19:25,301 IT MUST HAVE COST A PRETTY PENNY. 1470 01:19:25,367 --> 01:19:26,800 FEEL THAT SILK. 1471 01:19:26,867 --> 01:19:28,301 MMM! 1472 01:19:28,367 --> 01:19:30,800 YOUR WAISTCOAT, MR. BROWNE. 1473 01:19:30,867 --> 01:19:34,800 THERE. THAT OUGHT TO HOLD A MAN OF YOUR SIZE, 1474 01:19:34,867 --> 01:19:36,534 IF YOU DON'T EAT TOO MUCH. 1475 01:19:45,401 --> 01:19:48,833 WHY, YOU'D THINK IT WAS MADE FOR YOU, 1476 01:19:48,900 --> 01:19:50,067 ALMOST. 1477 01:19:51,900 --> 01:19:54,833 ALL RIGHT, LARRY. LET ME SEE IT. 1478 01:19:54,900 --> 01:19:56,334 OH, THAT'S FINE. 1479 01:19:56,401 --> 01:19:58,833 GIVE HIM THE HAT, MARY. 1480 01:19:58,900 --> 01:20:00,401 PUT IT ON. 1481 01:20:04,267 --> 01:20:05,200 ALL RIGHT. 1482 01:20:05,267 --> 01:20:06,200 PERFECT! 1483 01:20:06,267 --> 01:20:08,200 OH, UH... 1484 01:20:08,267 --> 01:20:09,200 HERE, LARRY. 1485 01:20:09,267 --> 01:20:12,200 HERE'S WHAT WAS LEFT IN THE BOX. 1486 01:20:12,267 --> 01:20:15,200 IT'S ENOUGH FOR A COUPLE OF DRINKS, 1487 01:20:15,267 --> 01:20:18,601 OR IT'LL TAKE YOU UPTOWN. 1488 01:20:22,367 --> 01:20:23,800 GOOD NIGHT. 1489 01:20:23,867 --> 01:20:25,467 GOOD NIGHT, MR. BROWNE. 1490 01:20:29,134 --> 01:20:30,200 WAIT. 1491 01:20:36,367 --> 01:20:37,800 THANK YOU, MY DEAR. 1492 01:20:37,867 --> 01:20:39,467 GOOD NIGHT. 1493 01:20:39,534 --> 01:20:43,967 * COME JOIN AND CHEER THE ALMA MATER * 1494 01:20:44,034 --> 01:20:47,367 * OUR GUIDING STAR * 1495 01:20:47,434 --> 01:20:51,367 * TO LIVE THE DAYS OF HOPES AND JOYS AND * 1496 01:20:51,434 --> 01:20:54,933 * SING THE SONGS ONCE MORE * 1497 01:20:55,000 --> 01:21:00,933 * FRIENDSHIP OF COLLEGE DAYS * 1498 01:21:01,000 --> 01:21:06,833 * SHALL NEVER, NEVER PASS * 1499 01:21:06,900 --> 01:21:12,000 * COME JOIN AND CHEER THE ALMA MATER * 1500 01:21:12,067 --> 01:21:15,467 * SING THE SONGS ONCE MORE ** 1501 01:21:15,534 --> 01:21:17,668 HEY, WHO'S THAT? 1502 01:21:19,501 --> 01:21:21,933 WELL, IF IT ISN'T LARRY BROWNE! 1503 01:21:22,000 --> 01:21:25,467 YOU OLD SON OF A- HOW HAVE YOU BEEN? 1504 01:21:25,534 --> 01:21:28,467 WELL, I THOUGHT YOU'D NEVER GET HERE. 1505 01:21:28,534 --> 01:21:29,967 IT'S ABOUT TIME. 1506 01:21:30,034 --> 01:21:32,000 HEY, FELLAS, LOOK WHO'S HERE... 1507 01:21:32,067 --> 01:21:33,501 LARRY Y BROWNE IN PERSON. 1508 01:21:33,567 --> 01:21:34,501 HELLO, BROWNE! 1509 01:21:34,567 --> 01:21:36,134 WELL, YOU JUST MADE IT. 1510 01:21:36,200 --> 01:21:38,134 WHAT KEPT YOU, LARRY? 1511 01:21:38,200 --> 01:21:40,334 WE'RE JUST GETTING STARTED. 1512 01:21:40,401 --> 01:21:41,334 HELLO THERE. 1513 01:21:41,401 --> 01:21:42,833 HOW ARE YOU? 1514 01:21:42,900 --> 01:21:43,833 HI, EBB. 1515 01:21:43,900 --> 01:21:44,833 HA HA! 1516 01:21:44,900 --> 01:21:45,833 SOUPY HALES. 1517 01:21:45,900 --> 01:21:48,334 HA HA! LARRY BROWNE. 1518 01:21:48,401 --> 01:21:50,833 YOU OLD ROOSTER, I COULD KISS YOU. 1519 01:21:50,900 --> 01:21:52,334 HA HA HA! 1520 01:21:52,401 --> 01:21:54,833 SAY, YOU'VE LOST A LITTLE WEIGHT. 1521 01:21:54,900 --> 01:21:56,334 I DIDN'T REALIZE IT MYSELF 1522 01:21:56,401 --> 01:21:58,867 UNTIL I GOT INTO THIS COAT TONIGHT. 1523 01:21:58,933 --> 01:22:01,367 HAVEN'T THEY BEEN FEEDING YOU RIGHT? 1524 01:22:01,434 --> 01:22:04,301 OH, NO. JUST HARD WORK, MY BOY, JUST HARD WORK. 1525 01:22:04,367 --> 01:22:06,301 YOU OUGHT TO TRY IT SOMETIME. 1526 01:22:06,367 --> 01:22:07,301 HELLO, LARRY! 1527 01:22:07,367 --> 01:22:09,301 HELLO, LARRY, HOW ARE YOU? 1528 01:22:09,367 --> 01:22:11,800 HEY, WAITER, HOW'S ABOUT A LITTLE SOMETHING 1529 01:22:11,867 --> 01:22:14,301 FOR BROTHER BROWNE TO WET HIS WHISTLE WITH? 1530 01:22:14,367 --> 01:22:15,467 HE'S WAY BEHIND! 1531 01:22:15,534 --> 01:22:16,467 WHAT'LL IT BE, 1532 01:22:16,534 --> 01:22:18,467 SOME OF MRS. WALDORF'S CHAMPAGNE, 1533 01:22:18,534 --> 01:22:22,467 OR WOULD YOU RATHER HAVE SOMETHING WITH HAIR ON ITS CHEST? 1534 01:22:22,534 --> 01:22:23,800 I NEVER TOUCH IT. 1535 01:22:23,867 --> 01:22:26,800 I ALWAYS SERVE IT, BUT NEVER TOUCH IT MYSELF. 1536 01:22:26,867 --> 01:22:29,800 O.K., PAL, BUT DO ME A FAVOR, WILL YOU? 1537 01:22:29,867 --> 01:22:31,000 JUST HOLD IT. 1538 01:22:31,067 --> 01:22:32,501 NOW, DON'T FORCE YOURSELF! 1539 01:22:32,567 --> 01:22:34,334 JUST HOLD IT. 1540 01:22:34,401 --> 01:22:36,334 HA HA HA! 1541 01:22:36,401 --> 01:22:37,833 WHOA! DON'T WASTE IT. 1542 01:22:37,900 --> 01:22:39,267 THAT'S PRECIOUS STUFF. 1543 01:22:39,334 --> 01:22:40,900 WE'VE GOT TO CONSERVE. 1544 01:22:42,900 --> 01:22:46,334 WELL, IF YOU DON'T DRINK, YOU CAN STILL EAT. 1545 01:22:46,401 --> 01:22:47,501 WAITER, ANOTHER PLATE! 1546 01:22:47,567 --> 01:22:51,000 NO, THANK YOU, BUT I JUST ATE ON THE PLANE. 1547 01:22:51,067 --> 01:22:52,000 WHAT PLANE? 1548 01:22:52,067 --> 01:22:54,501 I JUST FLEW IN FROM THE COAST. 1549 01:22:54,567 --> 01:22:57,000 YOU'VE BEEN IN CALIFORNIA ALL THIS TIME 1550 01:22:57,067 --> 01:22:59,000 AND DIDN'T LOOK ME UP? 1551 01:22:59,067 --> 01:23:02,000 I JUST PASSED THROUGH. UH... I'VE BEEN IN CHINA. 1552 01:23:02,067 --> 01:23:03,933 THAT MUST HAVE BEEN INTERESTING. 1553 01:23:04,000 --> 01:23:05,467 SEE ANYTHING OF THE FIGHTING? 1554 01:23:05,534 --> 01:23:06,467 A LITTLE. 1555 01:23:06,534 --> 01:23:07,501 WHEREABOUTS IN CHINA? 1556 01:23:07,567 --> 01:23:10,467 ALL OVER, FROM CHOP SUEY TO CHOW MEIN. 1557 01:23:10,534 --> 01:23:13,967 SAME OLD LARRY. BOY, AM I GLAD TO SEE YOU. 1558 01:23:14,034 --> 01:23:15,301 LARRY, COME HERE. 1559 01:23:15,367 --> 01:23:17,800 I WANT TO HAVE A TALK WITH YOU. 1560 01:23:17,867 --> 01:23:18,967 WE'LL BE RIGHT BACK. 1561 01:23:19,034 --> 01:23:20,800 GOING TO BE IN TOWN LONG? 1562 01:23:20,867 --> 01:23:22,301 OH, JUST A FEW DAYS 1563 01:23:22,367 --> 01:23:24,800 TILL I SEE HOW THE LAND LIES. 1564 01:23:24,867 --> 01:23:27,234 HAVEN'T GOT YOURSELF TIED UP YET, HAVE YOU? 1565 01:23:27,301 --> 01:23:28,467 NOT EXACTLY, BUT- 1566 01:23:28,534 --> 01:23:31,467 DON'T. I'VE GOT A JOB THAT'S RIGHT DOWN YOUR ALLEY. 1567 01:23:31,534 --> 01:23:33,933 WELL, I NEVER TURNED DOWN A CLIENT YET. 1568 01:23:34,000 --> 01:23:34,933 TAX MATTER. 1569 01:23:35,000 --> 01:23:35,967 JUST MY MEAT. 1570 01:23:36,034 --> 01:23:39,000 CAN YOU BE AT MY OFFICE TOMORROW AT 9:30? 1571 01:23:39,067 --> 01:23:40,501 I PLANNED ON- 1572 01:23:40,567 --> 01:23:41,668 MEET MY PARTNER McREYNOLDS, 1573 01:23:41,734 --> 01:23:43,668 GET AN IDEA OF THE SETUP. 1574 01:23:43,734 --> 01:23:45,668 IF IT'S A QUESTION OF MONEY, 1575 01:23:45,734 --> 01:23:47,167 WE'LL TAKE CARE OF THAT. 1576 01:23:47,234 --> 01:23:48,334 WHERE ARE YOU? 1577 01:23:48,401 --> 01:23:49,334 40 WALL STREET. 1578 01:23:49,401 --> 01:23:50,833 WELL, I'LL BE THERE. 1579 01:23:50,900 --> 01:23:51,833 GOOD. 1580 01:23:51,900 --> 01:23:53,967 I SEE YOU'RE STILL LATE TO CLASSES. 1581 01:23:54,034 --> 01:23:54,967 PROFESSOR LYONS. 1582 01:23:55,034 --> 01:23:56,334 YES? 1583 01:23:56,401 --> 01:23:59,833 THIS ABOVE ALL, TO THINE OWN SELF BE TRUE, 1584 01:23:59,900 --> 01:24:02,167 AND IT MUST FOLLOW, AS THE NIGHT THE DAY, 1585 01:24:02,234 --> 01:24:03,601 THOU CANST NOT BE FALSE- 1586 01:24:03,668 --> 01:24:05,768 NOT THEN BE FALSE! NOT THEN! 1587 01:24:05,833 --> 01:24:07,668 ARE YOU STILL TRYING TO REWRITE MR. SHAKESPEARE? 1588 01:24:07,734 --> 01:24:11,167 WELL, NOT THEN BE FALSE TO ANY MAN. 1589 01:24:11,234 --> 01:24:12,701 RIGHT. HA HA! 1590 01:24:12,768 --> 01:24:14,467 HOW ARE YOU, MY BOY? 1591 01:24:14,534 --> 01:24:15,467 FINE, SIR. 1592 01:24:15,534 --> 01:24:16,601 YOU? 1593 01:24:16,668 --> 01:24:17,900 I'M ALWAYS FINE. 1594 01:24:17,967 --> 01:24:21,067 COMES WITH HAVING A CAST IRON STOMACH AND NO AMBITION. 1595 01:24:21,134 --> 01:24:22,067 OH, YES. 1596 01:24:22,134 --> 01:24:25,800 I JUST GO ON VEGETATING YEAR AFTER YEAR, 1597 01:24:25,867 --> 01:24:28,800 LIKE THE IVY ON THE OLD CHAPEL. 1598 01:24:28,867 --> 01:24:30,301 YOU REMEMBER IT? 1599 01:24:30,367 --> 01:24:32,800 WHILE YOU PROSPEROUS LAWYERS AND DOCTORS 1600 01:24:32,867 --> 01:24:34,301 AND BIG TIME FINANCIERS 1601 01:24:34,367 --> 01:24:37,567 LEAP FROM ONE TRIUMPH TO THE OTHER, 1602 01:24:37,634 --> 01:24:39,967 GETTING RICH... 1603 01:24:40,034 --> 01:24:40,967 AND FAT... 1604 01:24:41,034 --> 01:24:41,967 FAT, ANYHOW. 1605 01:24:42,034 --> 01:24:45,000 SOMETIMES I CONFESS I ENVY YOU BOYS. 1606 01:24:45,067 --> 01:24:47,000 THEN AGAIN, I DON'T KNOW. 1607 01:24:47,067 --> 01:24:51,501 IT'S RATHER FUN TO SIT WITH THE OTHER STICK-IN-THE-MUDS 1608 01:24:51,567 --> 01:24:53,501 AND WATCH THE PARADE GO BY, 1609 01:24:53,567 --> 01:24:55,501 SEE YOU BOYS BEAT THE DRUMS 1610 01:24:55,567 --> 01:24:57,167 AND BLOW THE BIG BASSOONS 1611 01:24:57,234 --> 01:24:59,167 WHILE WE TAKE ALL THE CREDIT. 1612 01:24:59,234 --> 01:25:01,668 IT'S BEEN 25 YEARS NOW, PROFESSOR. 1613 01:25:01,734 --> 01:25:03,167 HERE WE ARE AGAIN. 1614 01:25:03,234 --> 01:25:06,100 MUST SEEM LIKE A LONG TIME TO YOU BOYS. 1615 01:25:06,167 --> 01:25:08,668 I REMEMBER WE WERE GOING TO LICK THE WORLD. 1616 01:25:08,734 --> 01:25:10,401 YEAH. SAVE IT FOR DEMOCRACY. 1617 01:25:10,467 --> 01:25:11,768 SHOW THE OLDER GENERATION 1618 01:25:11,833 --> 01:25:13,768 WHAT WE'D DO WITH THEIR MESS. 1619 01:25:13,833 --> 01:25:15,768 WE WERE YOUNG, FULL OF VINEGAR, REMEMBER? 1620 01:25:15,833 --> 01:25:18,301 I WAS THINKING OF THAT TODAY, 1621 01:25:18,367 --> 01:25:20,800 LOOKING AT MY CLASS IN ENGLISH I. 1622 01:25:20,867 --> 01:25:22,634 THEY'RE KIDS, LIKE YOU WERE. 1623 01:25:22,701 --> 01:25:24,634 OH, A LITTLE BRIGHTER, PERHAPS. 1624 01:25:24,701 --> 01:25:26,301 HA HA HA! HA HA HA! 1625 01:25:26,367 --> 01:25:29,301 THEN I THOUGHT, "WELL, THEY HAVEN'T CHANGED THE WORLD MUCH. 1626 01:25:29,367 --> 01:25:31,301 "COME RIGHT DOWN TO IT, 1627 01:25:31,367 --> 01:25:33,800 THEY HAVEN'T DONE SO BADLY, EITHER." 1628 01:25:33,867 --> 01:25:37,768 TOM, YOU'VE MADE A PRETTY GOOD JUDGE, EVERYTHING BEING EQUAL. 1629 01:25:37,833 --> 01:25:39,034 THANK YOU. 1630 01:25:39,100 --> 01:25:43,301 JOHN, YOU'VE CUT OUT A LOT OF APPENDIXES IN YOUR TIME 1631 01:25:43,367 --> 01:25:45,301 AND BEEN OVERPAID FOR IT, TOO. 1632 01:25:45,367 --> 01:25:47,301 LARRY HERE'S BEEN IN CHINA. 1633 01:25:47,367 --> 01:25:49,800 NOW THAT'S QUITE AN ACHIEVEMENT IN ITSELF. 1634 01:25:49,867 --> 01:25:52,833 FARTHEST I EVER GOT WAS PUGET SOUND ONE SUMMER. 1635 01:25:52,900 --> 01:25:55,833 THAT MUST HAVE BEEN, OH, 40 YEARS AGO. 1636 01:25:55,900 --> 01:26:00,833 I'VE LIVED ON THE MEMORY OF IT EVER SINCE. 1637 01:26:00,900 --> 01:26:02,833 YES, YOU HAVE YOUR FAMILIES. 1638 01:26:02,900 --> 01:26:04,267 YOU'RE DOING YOUR JOBS, 1639 01:26:04,334 --> 01:26:06,768 AND YOU HAVEN'T FORGOTTEN YOUR FRIENDS. 1640 01:26:06,833 --> 01:26:09,267 WHEN YOU GET AS OLD AS I AM, 1641 01:26:09,334 --> 01:26:11,267 YOU'LL DISCOVER THOSE ARE THE THINGS 1642 01:26:11,334 --> 01:26:14,768 THAT REALLY SPELL SUCCESS AND HAPPINESS. 1643 01:26:14,833 --> 01:26:16,467 DING-A-LING A- LING A-LING! 1644 01:26:16,534 --> 01:26:18,967 HEY, PROF, DIDN'T YOU HEAR THE BELL RING? 1645 01:26:19,034 --> 01:26:20,467 THAT MEANS CLASS IS OVER. 1646 01:26:20,534 --> 01:26:23,467 WE HAVE SOME SERIOUS SINGING AND DRINKING TO DO. 1647 01:26:23,534 --> 01:26:25,000 DON'T LET ME STOP YOU. 1648 01:26:25,067 --> 01:26:26,501 I NEVER COULD. 1649 01:26:26,567 --> 01:26:29,000 COME ON, FELLAS. NOW GET READY. 1650 01:26:29,067 --> 01:26:30,501 OH, HEN, MY BOY, 1651 01:26:30,567 --> 01:26:32,000 HOW ABOUT GIVING LARRY 1652 01:26:32,067 --> 01:26:35,000 ONE OF YOUR NICE LITTLE OLD CORONA CORONAS 1653 01:26:35,067 --> 01:26:36,301 BEFORE WE START. 1654 01:26:36,367 --> 01:26:38,800 YOU KNOW, THE GUY MUST HAVE SOME VICES. 1655 01:26:38,867 --> 01:26:41,301 SORRY. I JUST HAD TO ORDER SOME MORE. 1656 01:26:41,367 --> 01:26:43,301 HANK HERE TOOK MY LAST HANDFUL. 1657 01:26:43,367 --> 01:26:45,800 YOU'VE GOT TO HAVE SOMETHING THESE DAYS 1658 01:26:45,867 --> 01:26:48,301 TO SELL INSURANCE WITH, BESIDES PERSONALITY. 1659 01:26:48,367 --> 01:26:49,900 HELLO, BROWNE. 1660 01:26:51,867 --> 01:26:53,167 HELLO, WILLIAMS. 1661 01:26:53,234 --> 01:26:55,900 DID SOMEBODY SAY YOU'D BEEN DOWN IN CHINA? 1662 01:26:55,967 --> 01:26:57,734 THAT'S RIGHT. 1663 01:26:57,833 --> 01:26:59,200 LONG? 1664 01:26:59,267 --> 01:27:01,701 OH, UH, QUITE A WHILE. 1665 01:27:01,768 --> 01:27:03,100 WHERE HAVE YOU BEEN? 1666 01:27:03,167 --> 01:27:05,200 OH, SAME OLD STOMPING GROUNDS, CHICAGO. 1667 01:27:06,668 --> 01:27:09,601 SHALL I PUT IT ON THE BILL, SIR? 1668 01:27:09,668 --> 01:27:11,100 NO, THIS IS MY TREAT. 1669 01:27:11,167 --> 01:27:13,167 THERE YOU ARE, BOYS. HELP YOURSELF. 1670 01:27:15,334 --> 01:27:16,768 THE CHAMPION FUMBLER. 1671 01:27:16,833 --> 01:27:19,768 LET ME GET IT. LET ME GET IT. 1672 01:27:19,833 --> 01:27:21,267 NO, THIS IS ON ME. 1673 01:27:21,334 --> 01:27:24,768 FUNNY. I'M SURE I HAD IT WHEN I CAME IN. 1674 01:27:24,833 --> 01:27:27,267 LOSE YOUR WALLET? LOCK THE DOOR, SOMEBODY! 1675 01:27:27,334 --> 01:27:29,267 DON'T ANYBODY LEAVE THIS ROOM! 1676 01:27:29,334 --> 01:27:30,768 A CRIME'S BEEN COMMITTED. 1677 01:27:30,833 --> 01:27:33,800 WHAT'D YOU HAVE IN IT, ANY GOOD ADDRESSES? 1678 01:27:33,867 --> 01:27:36,234 NO. I HAD CONSIDERABLE MONEY IN IT. 1679 01:27:36,301 --> 01:27:38,234 I'M RUNNING DOWN TO WASHINGTON TOMORROW. 1680 01:27:38,301 --> 01:27:40,534 I CASHED A CHECK BEFORE LEAVING THE OFFICE. 1681 01:27:40,601 --> 01:27:43,534 DON'T WORRY. WE'LL GET TO THE BOTTOM OF THIS. 1682 01:27:43,601 --> 01:27:46,534 I DON'T LISTEN TO FRED ALLEN'S MIGHTY ART PLAYERS 1683 01:27:46,601 --> 01:27:47,701 FOR NOTHING. 1684 01:27:47,768 --> 01:27:49,701 ME ONE LONG PAN DETECTIVE, TOO. 1685 01:27:49,768 --> 01:27:51,200 UH, KEEP YOUR PLACES, EVERYBODY! 1686 01:27:51,267 --> 01:27:53,200 WE'VE GOT TO RECONSTRUCT THE CRIME. 1687 01:27:53,267 --> 01:27:55,701 WHO WAS STANDING NEXT TO YOU, HENDERSON? 1688 01:27:55,768 --> 01:27:57,267 OH, LARRY THERE, I BELIEVE. 1689 01:27:57,334 --> 01:27:59,134 OH, BROWNE, EH? 1690 01:27:59,200 --> 01:28:03,134 SPLIT WITH ME, KID, AND I'LL GET YOU OUT OF IT. 1691 01:28:03,200 --> 01:28:06,100 WAIT. YOU WERE STANDING NEXT TO HENDERSON, TOO. 1692 01:28:06,167 --> 01:28:09,601 THAT'S RIGHT, BUT YOU SAT NEXT TO HIM AT DINNER. 1693 01:28:09,668 --> 01:28:10,768 SURE. 1694 01:28:10,833 --> 01:28:13,267 GENTLEMEN, THERE'S ONLY ONE THING TO DO. 1695 01:28:13,334 --> 01:28:14,434 SEARCH EVERYBODY! 1696 01:28:14,501 --> 01:28:16,034 THANK YOU, MR. DETECTIVE. 1697 01:28:16,100 --> 01:28:18,034 I DON'T THINK THAT'LL BE NECESSARY. 1698 01:28:18,100 --> 01:28:21,234 I THINK IT'S AN EXCELLENT IDEA, ALL IN FUN. 1699 01:28:21,301 --> 01:28:22,734 DON'T YOU, BROWNE? 1700 01:28:24,267 --> 01:28:26,167 I INSIST ON BEING SEARCHED. 1701 01:28:26,234 --> 01:28:29,167 ANYTHING TO GET OUT OF THIS MONKEY SUIT. 1702 01:28:29,234 --> 01:28:32,167 I HAVEN'T WORN THIS SINCE I WAS MARRIED. 1703 01:28:32,234 --> 01:28:35,234 DO WE HAVE TO TAKE OFF OUR PANTS, TOO? 1704 01:28:36,334 --> 01:28:37,668 WHAT'S THE MATTER, BROWNE? 1705 01:28:37,734 --> 01:28:39,534 WHERE'S YOUR SENSE OF HUMOR? 1706 01:28:39,601 --> 01:28:42,534 COME ON, LARRY. LET'S SLIP OUT OF IT. 1707 01:28:42,601 --> 01:28:44,034 TAKE YOUR HANDS OFF ME. 1708 01:28:44,100 --> 01:28:46,034 YOU'RE GOING TO GET TOUGH, EH? 1709 01:28:46,100 --> 01:28:47,768 HERE'S WHERE I'LL TACKLE 1710 01:28:47,833 --> 01:28:50,768 THE BEST TACKLE FOR HIS WEIGHT WE EVER HAD. 1711 01:28:50,833 --> 01:28:53,267 CUT IT OUT! GET AWAY FROM ME! 1712 01:28:53,334 --> 01:28:56,200 COME ON, FELLAS. LET'S GET IT OFF HIM! 1713 01:28:56,267 --> 01:28:57,701 IT'S STILL A FREE COUNTRY. 1714 01:28:57,768 --> 01:29:00,634 YOU CAN'T FORCE A MAN TO TESTIFY AGAINST HIMSELF. 1715 01:29:00,701 --> 01:29:01,634 NOT IN MY COURT. 1716 01:29:01,701 --> 01:29:03,134 COURT! THERE'S AN IDEA! 1717 01:29:03,200 --> 01:29:04,634 WE'LL HOLD COURT. 1718 01:29:04,701 --> 01:29:07,634 WE'LL PUT IT TO THE JURY TO DECIDE. 1719 01:29:07,701 --> 01:29:10,634 YOU GUYS OVER THERE, YOU BE THE JURY. 1720 01:29:10,701 --> 01:29:12,167 12 GOOD MEN AND TRUE. 1721 01:29:12,234 --> 01:29:14,668 GENTLEMEN OF THE JURY, TAKE YOUR PLACES. 1722 01:29:14,734 --> 01:29:16,534 I'M GOING TO SIT RIGHT HERE. 1723 01:29:18,867 --> 01:29:21,900 WILLIAMS, YOU'RE A BIG SHOT AMBULANCE CHASER. BE D.A. 1724 01:29:21,967 --> 01:29:23,401 I SHALL BE DELIGHTED, 1725 01:29:23,467 --> 01:29:26,967 UNLESS BROWNE WOULD PREFER ME AS A CHARACTER WITNESS. 1726 01:29:27,034 --> 01:29:29,301 JUDGE, YOUR HONOR, YOU'RE IN SESSION. 1727 01:29:29,367 --> 01:29:30,467 ALL RIGHT. 1728 01:29:30,534 --> 01:29:33,467 WHAT'LL IT BE WORTH FOR ME TO DEFEND YOU? 1729 01:29:33,534 --> 01:29:34,967 THE JOKE'S GONE FAR ENOUGH. 1730 01:29:35,034 --> 01:29:36,967 LET'S GET BACK TO OUR SINGING. 1731 01:29:37,034 --> 01:29:39,967 THE PRISONER COULD EASILY PUT A STOP TO IT 1732 01:29:40,034 --> 01:29:41,967 BY PERMITTING HIMSELF TO BE SEARCHED. 1733 01:29:42,034 --> 01:29:43,800 CLEAR THE WITNESS BOX. 1734 01:29:43,867 --> 01:29:46,768 GENTLEMEN, I DECLARE THIS COURT TO BE IN SESSION. 1735 01:29:46,833 --> 01:29:49,334 YOU WILL NOW PROCEED, MR. PROSECUTOR. 1736 01:29:51,267 --> 01:29:52,867 YOUR HONOR... 1737 01:29:52,933 --> 01:29:55,367 GENTLEMEN OF THE JURY, 1738 01:29:55,434 --> 01:29:57,867 IN VIEW OF THE CIRCUMSTANTIAL NATURE 1739 01:29:57,933 --> 01:30:00,367 OF THE EVIDENCE IN THIS CASE, 1740 01:30:00,434 --> 01:30:03,301 THE STATE WILL BE COMPELLED TO CALL INTO QUESTION 1741 01:30:03,367 --> 01:30:06,501 THE CHARACTER OF THE PRISONER AT THE BAR 1742 01:30:06,567 --> 01:30:09,000 AND WILL ENDEAVOR TO PROVE 1743 01:30:09,067 --> 01:30:11,000 BY THE TESTIMONY OF EYEWITNESSES 1744 01:30:11,067 --> 01:30:14,301 THAT THE CULPRIT, BY HIS PAST CONDUCT, 1745 01:30:14,367 --> 01:30:19,501 HAS PLACED HIMSELF BEYOND THE PALE OF DECENT SOCIETY. 1746 01:30:19,567 --> 01:30:22,034 IS HE ON THE LEVEL? 1747 01:30:23,234 --> 01:30:25,167 ORDER! ORDER IN THE COURT! 1748 01:30:25,234 --> 01:30:26,668 SIT DOWN, EVERYBODY, 1749 01:30:26,734 --> 01:30:28,668 OR I'LL HAVE YOU THROWN OUT! 1750 01:30:28,734 --> 01:30:30,800 YOUR WITNESS, MR. BROWNE. 1751 01:30:37,900 --> 01:30:40,833 IT'S UH... IT'S QUITE ALL RIGHT, YOUR HONOR. 1752 01:30:40,900 --> 01:30:42,334 MY LEARNED COLLEAGUE AND I 1753 01:30:42,401 --> 01:30:44,833 WERE JUST GIVING YOU A LITTLE IDEA 1754 01:30:44,900 --> 01:30:47,900 OF HOW WE CONDUCTED OUR CASES IN CHICAGO. 1755 01:30:47,967 --> 01:30:49,067 EH, WILLIAMS? 1756 01:30:54,434 --> 01:30:55,867 GENTLEMEN OF THE JURY, 1757 01:30:55,933 --> 01:30:58,867 YOU DON'T KNOW WHAT IT MEANS TO ME 1758 01:30:58,933 --> 01:31:00,367 TO BE HERE TONIGHT 1759 01:31:00,434 --> 01:31:02,967 WITH MY OLD FRIENDS OF THE CLASS OF 1917. 1760 01:31:03,034 --> 01:31:04,467 I DON'T MIND TELLING YOU 1761 01:31:04,534 --> 01:31:06,467 I THOUGHT OF YOU MANY TIMES. 1762 01:31:06,534 --> 01:31:08,967 OH, BOY. I SURE WISH I'D KNOWN THAT. 1763 01:31:09,034 --> 01:31:12,334 I GOT A LITTLE POLICY MADE TO ORDER FOR YOU. 1764 01:31:12,401 --> 01:31:15,000 HOWEVER, THAT'S BESIDE THE POINT. 1765 01:31:15,067 --> 01:31:18,501 WHAT YOU'RE INTERESTED IN IS TO HEAR MY ANSWER 1766 01:31:18,567 --> 01:31:21,501 TO THIS CHARGE THAT'S BEEN BROUGHT AGAINST ME. 1767 01:31:21,567 --> 01:31:23,501 FRANKLY, I WISH I'D COME PREPARED 1768 01:31:23,567 --> 01:31:25,034 TO MAKE A BETTER DEFENSE. 1769 01:31:25,100 --> 01:31:26,534 BUT, BELIEVE IT OR NOT, 1770 01:31:26,601 --> 01:31:28,534 SPEECHMAKING WAS THE LAST THING 1771 01:31:28,601 --> 01:31:30,034 IN MY MIND TONIGHT. 1772 01:31:30,100 --> 01:31:33,034 WHAT I REALLY CAME FOR WAS TO, UH... 1773 01:31:33,100 --> 01:31:34,534 WELL, YOU MIGHT SAY 1774 01:31:34,601 --> 01:31:37,534 I WAS CHASING A WILL-O'- THE-WISP. 1775 01:31:37,601 --> 01:31:39,034 AND FOR A WHILE THERE, 1776 01:31:39,100 --> 01:31:41,534 I THOUGHT PERHAPS I'D FOUND IT. 1777 01:31:41,601 --> 01:31:44,534 ESPECIALLY WHEN I WAS TALKING TO MY OLD ROOMMATE 1778 01:31:44,601 --> 01:31:46,833 SOUPY DAVIS AND PROFESSOR LYONS. 1779 01:31:46,900 --> 01:31:49,467 BUT I EXPECT I DIDN'T. 1780 01:31:49,534 --> 01:31:51,467 KNOW WHY? YOU'RE TOO SOBER. 1781 01:31:51,534 --> 01:31:52,967 LIKE ME. 1782 01:31:54,200 --> 01:31:57,634 MY DEFENSE, SUCH AS IT IS, 1783 01:31:57,701 --> 01:32:00,167 BEGINS ON THE DAY WE GRADUATED, 1784 01:32:00,234 --> 01:32:03,167 A DAY IN JUNE 1917. 1785 01:32:03,234 --> 01:32:06,100 IT LEADS FIRST TO AN ARMY TRAINING CAMP, 1786 01:32:06,167 --> 01:32:07,267 THEN OVERSEAS. 1787 01:32:07,334 --> 01:32:09,267 THE ARMISTICE, HOME AGAIN, CHICAGO. 1788 01:32:09,334 --> 01:32:10,434 THE LAW. 1789 01:32:10,501 --> 01:32:13,334 NOTHING VERY UNUSUAL ABOUT THAT. 1790 01:32:14,401 --> 01:32:16,800 NOR I'M AFRAID ABOUT THE NEXT CHAPTER 1791 01:32:16,867 --> 01:32:19,800 IN THE LIFE OF ONE WHO, AS YOU RECALL, 1792 01:32:19,867 --> 01:32:21,301 JUST BARELY NOSED WILLIAMS OUT 1793 01:32:21,367 --> 01:32:24,800 AS THE MAN YOU VOTED MOST LIKELY TO SUCCEED. 1794 01:32:24,867 --> 01:32:26,800 A GIRL, MARRIAGE, A HOME, 1795 01:32:26,867 --> 01:32:29,301 AND A SUCCESSION OF THREADBARE CLIENTS 1796 01:32:29,367 --> 01:32:31,833 WHO ALWAYS SEEMED TO BE GUILTY, 1797 01:32:31,900 --> 01:32:34,833 BUT WHO NEVER SEEMED TO HAVE THE FORESIGHT 1798 01:32:34,900 --> 01:32:37,334 TO STEAL ENOUGH TO DISPROVE IT. 1799 01:32:39,900 --> 01:32:41,200 MY WIFE... 1800 01:32:43,200 --> 01:32:45,367 YOU-YOU-YOU REMEMBER HER, WILLIAMS. 1801 01:32:45,434 --> 01:32:46,833 I OUGHT TO. 1802 01:32:46,900 --> 01:32:50,668 I INTRODUCED HER TO YOU AT THE SENIOR PROM. 1803 01:32:50,734 --> 01:32:54,200 PROBABLY ONE OF THE FEW MISTAKES YOU EVER MADE. 1804 01:32:54,267 --> 01:32:56,567 A BEAUTIFUL WOMAN. 1805 01:32:56,634 --> 01:32:58,067 OH, MAGNIFICENT WOMAN, 1806 01:32:58,134 --> 01:32:59,567 WHO HAD EVERY REASON 1807 01:32:59,634 --> 01:33:02,567 TO EXPECT ALL THE THINGS SHE MIGHT HAVE HAD 1808 01:33:02,634 --> 01:33:04,267 IF SHE'D MARRIED... 1809 01:33:04,334 --> 01:33:05,634 SOMEONE ELSE. 1810 01:33:05,701 --> 01:33:09,134 OH, SO THAT'S WHAT STARTED YOU PICKING POCKETS, HUH? 1811 01:33:09,200 --> 01:33:11,900 CHERCHEZ LA FEMME. 1812 01:33:11,967 --> 01:33:13,900 THE JURY WILL DISREGARD THAT REMARK, 1813 01:33:13,967 --> 01:33:16,601 AND I FINE YOU ONE HIGHBALL. 1814 01:33:18,367 --> 01:33:21,301 THEN A WONDERFUL AND BEAUTIFUL THING HAPPENED. 1815 01:33:21,367 --> 01:33:22,800 PROHIBITION. 1816 01:33:22,867 --> 01:33:24,800 THAT NOBLE EXPERIMENT OF BLESSED MEMORY 1817 01:33:24,867 --> 01:33:26,800 CAME TO DWELL AMONG US. 1818 01:33:26,867 --> 01:33:28,301 NOWHERE, I ASSURE YOU, 1819 01:33:28,367 --> 01:33:31,301 WAS IT GREETED WITH SUCH OPEN ARMS AS CHICAGO. 1820 01:33:31,367 --> 01:33:33,634 ALMOST OVERNIGHT, BUSINESS BEGAN TO PICK UP. 1821 01:33:33,701 --> 01:33:35,000 MY CLIENTS- 1822 01:33:35,067 --> 01:33:38,900 YOU REFERRED ONE OF THE FIRST TO ME, YOUR HONOR. THANK YOU. 1823 01:33:38,967 --> 01:33:41,401 MY CLIENTS, WHILE NO LESS LIKELY CANDIDATES 1824 01:33:41,467 --> 01:33:42,900 FOR THE JUG THAN FORMERLY, 1825 01:33:42,967 --> 01:33:44,900 WERE SUFFICIENTLY WELL-HEELED BY NOW 1826 01:33:44,967 --> 01:33:48,900 TO BE REGARDED AS THE VERY PILLARS OF OUR COMMUNITY. 1827 01:33:48,967 --> 01:33:50,401 FORTUNATELY FOR ME, 1828 01:33:50,467 --> 01:33:52,401 THEY WERE BOTH GENEROUS AND GRATEFUL. 1829 01:33:52,467 --> 01:33:54,401 I CONFESS, FOR A LITTLE WHILE, 1830 01:33:54,467 --> 01:33:56,401 I SAW MYSELF GETTING STINKING RICH. 1831 01:33:57,634 --> 01:34:01,067 BUT THE CATCH IS, YOUR HONOR, IT DIDN'T LAST. 1832 01:34:01,134 --> 01:34:02,967 WHAT DOES, LARRY? 1833 01:34:04,067 --> 01:34:05,933 OH, I DON'T KNOW. 1834 01:34:07,167 --> 01:34:08,601 A GOOD MANY THINGS. 1835 01:34:08,668 --> 01:34:10,601 FRIENDSHIP... 1836 01:34:11,668 --> 01:34:12,800 GOOD FELLOWSHIP... 1837 01:34:12,867 --> 01:34:15,134 ISN'T THAT WHY WE'RE HERE TONIGHT? 1838 01:34:15,200 --> 01:34:18,601 ALL THE THINGS PROFESSOR LYONS WAS TALKING ABOUT. 1839 01:34:18,668 --> 01:34:20,301 YOU, UH... 1840 01:34:20,367 --> 01:34:23,800 YOU BELIEVE THAT, DON'T YOU, WILLIAMS? 1841 01:34:23,867 --> 01:34:25,800 OH, WITH ALL MY HEART. 1842 01:34:25,867 --> 01:34:27,301 BUT AS I WAS SAYING, 1843 01:34:27,367 --> 01:34:28,800 WITH THE ADVENT OF PROHIBITION, 1844 01:34:28,867 --> 01:34:32,134 TOO MANY OF MY CLIENTS BEGAN TO FILL UNTIMELY GRAVES. 1845 01:34:33,200 --> 01:34:35,634 WHILE MORE AND MORE OF THE OTHERS 1846 01:34:35,701 --> 01:34:37,634 BEGAN TO DISPLAY A PRISON PALLOR. 1847 01:34:37,701 --> 01:34:41,134 IF IT HADN'T BEEN FOR A PRETTY FANCY TIGHTROPE PERFORMANCE, 1848 01:34:41,200 --> 01:34:44,134 I MIGHT NOT HAVE BEEN HERE MYSELF TONIGHT. 1849 01:34:44,200 --> 01:34:45,634 THERE'S NO DOUBT ABOUT THAT. 1850 01:34:45,701 --> 01:34:49,534 AS IT TURNED OUT IT WAS A SIMPLE CASE OF DISBARMENT, 1851 01:34:49,601 --> 01:34:51,367 HARDLY WORTH A MENTION, 1852 01:34:51,434 --> 01:34:53,367 NOT EVEN IN THE CHICAGO TRIBUNE. 1853 01:34:53,434 --> 01:34:55,867 YOU GOT THE BENEFIT OF EVERY DOUBT. 1854 01:34:55,933 --> 01:34:59,833 YES. THANKS TO YOU, THE GRIEVANCE COMMITTEE OF THE BAR ASSOCIATION 1855 01:34:59,900 --> 01:35:01,067 WAS VERY GENEROUS. 1856 01:35:01,134 --> 01:35:04,734 WE WANTED TO SPARE YOUR WIFE AND FAMILY. 1857 01:35:04,800 --> 01:35:06,734 UNFORTUNATELY MY WIFE DIDN'T SEE 1858 01:35:06,800 --> 01:35:09,234 THE FULL HUMOR OF MY PREDICAMENT- 1859 01:35:09,301 --> 01:35:13,501 A LOSS OF IDEALS, PROFESSOR LYONS WOULD CALL IT- 1860 01:35:13,567 --> 01:35:15,334 AND ON ADVICE OF COUNSEL, 1861 01:35:15,401 --> 01:35:18,867 QUITE RIGHTLY DECIDED IT HAD ALL BEEN A GHASTLY MISTAKE 1862 01:35:18,933 --> 01:35:21,367 ABOUT WHICH THE LESS SAID THE BETTER. 1863 01:35:21,434 --> 01:35:23,867 AFTER ALL, WHO WAS TO BLAME HER? 1864 01:35:23,933 --> 01:35:25,867 SHE WAS STILL YOUNG, BEAUTIFUL. 1865 01:35:25,933 --> 01:35:30,933 I REALIZED I HAD BEEN FORTUNATE TO HAVE KNOWN HER AT ALL. 1866 01:35:32,100 --> 01:35:33,833 AS FOR ME, 1867 01:35:33,900 --> 01:35:36,833 THERE WAS REALLY NOTHING LEFT TO HOLD ME, 1868 01:35:36,900 --> 01:35:39,301 SO I JUST DRIFTED AROUND. 1869 01:35:39,367 --> 01:35:42,301 FIRST ONE PLACE, THEN ANOTHER, 1870 01:35:42,367 --> 01:35:46,301 UNTIL FINALLY I HAD THE VERY GOOD FORTUNE 1871 01:35:46,367 --> 01:35:48,367 TO SETTLE DOWN IN CHINA... 1872 01:35:49,867 --> 01:35:51,167 CHINATOWN. 1873 01:35:52,534 --> 01:35:53,967 LARRY. 1874 01:35:54,034 --> 01:35:55,768 HA HA HA! 1875 01:35:55,833 --> 01:35:58,267 PUT ONE OVER ON YOU, DIDN'T I, 1876 01:35:58,334 --> 01:36:00,701 ABOUT COMING IN ON A PLANE TONIGHT? 1877 01:36:00,768 --> 01:36:04,134 HAD YOU GOING, TOO, SOUPY, ABOUT TAKING THAT TAX JOB. 1878 01:36:04,200 --> 01:36:05,634 OH, WELL, WHY NOT? 1879 01:36:05,701 --> 01:36:07,134 THE WHOLE THING'S A JOKE. 1880 01:36:07,200 --> 01:36:09,634 I MEAN MY BEING HERE AT ALL. 1881 01:36:09,701 --> 01:36:12,634 I HADN'T GIVEN IT A THOUGHT UNTIL THIS MORNING 1882 01:36:12,701 --> 01:36:14,134 WHEN A FRIEND OF MINE, 1883 01:36:14,200 --> 01:36:15,634 A NICE FELLOW... 1884 01:36:15,701 --> 01:36:18,134 RUNS A MISSION DOWN ON DEWEY STREET- 1885 01:36:18,200 --> 01:36:19,634 YOU OUGHT TO DROP AROUND, 1886 01:36:19,701 --> 01:36:21,134 HOLD SERVICES WITH US SOMETIME. 1887 01:36:21,200 --> 01:36:22,634 ALL OF YOU. 1888 01:36:22,701 --> 01:36:24,134 HEAR SOME REAL TESTIMONIES- 1889 01:36:24,200 --> 01:36:25,634 MADE ME A LITTLE BET 1890 01:36:25,701 --> 01:36:27,167 I COULDN'T COME HERE TONIGHT 1891 01:36:27,234 --> 01:36:29,668 AND PULL THE WOOL OVER YOUR EYES. 1892 01:36:29,734 --> 01:36:31,167 I'D HAVE TAKEN HIS MONEY, 1893 01:36:31,234 --> 01:36:34,167 IF HENDERSON HADN'T BEEN CARELESS WITH HIS POCKETBOOK, 1894 01:36:34,234 --> 01:36:36,434 OR IF HANK HADN'T SUGGESTED OUR BEING SEARCHED. 1895 01:36:36,501 --> 01:36:39,434 I'D HAVE WALKED OUT OF THIS ROOM TONIGHT 1896 01:36:39,501 --> 01:36:41,434 AVERY L. BROWNE, CLASS OF 1917, 1897 01:36:41,501 --> 01:36:44,701 BEST TACKLE FOR HIS WEIGHT THE SCHOOL EVER HAD. 1898 01:36:44,768 --> 01:36:47,701 NOT ONE OF YOU WOULD'VE BEEN THE WISER, 1899 01:36:47,768 --> 01:36:49,200 EXCEPT WILLIAMS, OF COURSE, 1900 01:36:49,267 --> 01:36:52,200 AND HE NEVER WOULD'VE LET AN OLD CLASSMATE DOWN, 1901 01:36:52,267 --> 01:36:53,768 WOULD YOU, WILLIAMS? 1902 01:36:55,367 --> 01:36:56,800 SORRY, JUDGE, BUT I'M AFRAID 1903 01:36:56,867 --> 01:36:59,833 I HAVEN'T GOT ANY DEFENSE AFTER ALL. 1904 01:36:59,900 --> 01:37:02,334 I'M JUST THE KIND OF GUY 1905 01:37:02,401 --> 01:37:05,768 WHO WOULD STEAL HENDERSON'S POCKETBOOK. 1906 01:37:05,833 --> 01:37:08,301 SO I PLEAD GUILTY. 1907 01:37:08,367 --> 01:37:12,067 OF COURSE, YOU HAVEN'T ANYTHING AGAINST ME 1908 01:37:12,134 --> 01:37:13,567 BUT CIRCUMSTANTIAL EVIDENCE, 1909 01:37:13,634 --> 01:37:16,567 BUT I KNOW TOO MUCH ABOUT THE LAW 1910 01:37:16,634 --> 01:37:19,567 TO THINK I'D GET A CLIENT WITH MY RECORD 1911 01:37:19,634 --> 01:37:21,067 OFF THAT EASILY. 1912 01:37:21,134 --> 01:37:23,567 IT LOOKS AS IF MY ONLY CHANCE 1913 01:37:23,634 --> 01:37:25,567 IS TO FOLLOW WILLIAMS' ADVICE, 1914 01:37:25,634 --> 01:37:28,567 TAKE OFF MY COAT, LET YOU SEARCH ME, 1915 01:37:28,634 --> 01:37:32,134 AND THROW MYSELF ON THE MERCY OF THE COURT. 1916 01:38:11,867 --> 01:38:14,800 I FOUND YOUR WALLET IN THE CAR, SIR. 1917 01:38:14,867 --> 01:38:16,800 I THOUGHT YOU MIGHT NEED IT. 1918 01:38:16,867 --> 01:38:18,367 OH, THANK YOU. 1919 01:38:29,867 --> 01:38:31,800 WILL YOU SHUT UP, PLEASE? 1920 01:38:37,867 --> 01:38:39,701 JOE, LOOK WHO'S HERE. 1921 01:38:48,401 --> 01:38:51,833 LARRY, HOW WAS IT? DID YOU HAVE A GOOD TIME? 1922 01:38:51,900 --> 01:38:53,334 MUST'VE BEEN SOME PARTY 1923 01:38:53,401 --> 01:38:55,334 TO KEEP YOU OUT TILL MORNING. 1924 01:38:55,401 --> 01:38:56,900 THE PARTY'S OVER. 1925 01:38:58,401 --> 01:39:00,334 HERE'S YOUR J.P. MORGAN OUTFIT. 1926 01:39:00,401 --> 01:39:02,334 LARRY! 1927 01:39:14,933 --> 01:39:16,867 HERE, MOTHER. HERE'S YOUR RABBIT'S FOOT. 1928 01:39:16,933 --> 01:39:19,867 TAKE IT ACROSS THE STREET TO SANTELLI BROS. 1929 01:39:19,933 --> 01:39:23,867 MAYBE YOU CAN GET ENOUGH ON IT TO BUY RABBIT STEW. 1930 01:39:23,933 --> 01:39:26,367 EXCUSE ME. DOES LARRY BROWNE LIVE HERE? 1931 01:39:26,434 --> 01:39:27,867 YES. WON'T YOU COME IN? 1932 01:39:27,933 --> 01:39:29,867 MY NAME'S BRONSON. HANK BRONSON. 1933 01:39:29,933 --> 01:39:31,367 HOW DO YOU DO? 1934 01:39:31,434 --> 01:39:33,867 THIS IS JUDGE BARNES AND MR. DAVIS. 1935 01:39:33,933 --> 01:39:36,867 LARRY HAD AN ENGAGEMENT WITH ME FOR 9:30. 1936 01:39:36,933 --> 01:39:38,367 I'M PICKING HIM UP. 1937 01:39:38,434 --> 01:39:42,534 SO HE WOULDN'T BE LATE FIRST DAY ON THE JOB. 1938 01:39:42,601 --> 01:39:43,701 JOB? 1939 01:39:43,768 --> 01:39:46,734 SURE. HE'S GOING TO WORK FOR ME NOW. 1940 01:39:46,800 --> 01:39:50,234 WELL, UH, YOU BOYS HAD SUCH A PARTY LAST NIGHT, 1941 01:39:50,301 --> 01:39:53,234 I SUPPOSE HE'S DUE TO OVERSLEEP A LITTLE. 1942 01:39:53,301 --> 01:39:54,734 WELL, COULD WE, UH... 1943 01:39:54,800 --> 01:39:56,301 DON'T WORRY. 1944 01:39:56,367 --> 01:39:58,800 I'LL HAVE HIM THERE ON TIME. 1945 01:39:58,867 --> 01:40:00,301 THANK YOU VERY MUCH. 1946 01:40:00,367 --> 01:40:02,134 THANK YOU. 1947 01:40:02,200 --> 01:40:03,567 HE KNOWS THE ADDRESS? 1948 01:40:03,634 --> 01:40:05,067 YES, 40 WALL. 1949 01:40:05,134 --> 01:40:06,067 THANK YOU. 1950 01:40:06,134 --> 01:40:07,701 GOODBYE. 1951 01:40:07,768 --> 01:40:10,701 WHAT AM I GOING TO DO WITH THIS NOW? 1952 01:40:10,768 --> 01:40:12,200 TAKE IT TO SANTELLI BROS. 1953 01:40:12,267 --> 01:40:13,701 IT'S DONE ITS JOB HERE. 1954 01:40:13,768 --> 01:40:15,701 NOW MAYBE IT'LL HELP SOMEBODY ELSE. 1955 01:40:30,900 --> 01:40:33,867 "SANTELLI BROTHERS- SECONDHAND CLOTHING." 1956 01:41:07,084 --> 01:41:10,517 THEY WON'T EVEN TAKE THE TIME TO LOOK AT ME. 1957 01:41:10,584 --> 01:41:12,017 QUIET. I'LL HANDLE THE JOB. 1958 01:41:12,084 --> 01:41:13,451 YOU STICK IN THE CAR. 1959 01:41:13,517 --> 01:41:16,451 I'LL SLIP IN WHEN THEY OPEN THE DOOR. 1960 01:41:16,517 --> 01:41:19,451 YOU GOT TO WEAR MONKEY TAILS TO GET IN. 1961 01:41:19,517 --> 01:41:22,017 IT'S STRICTLY A PARK AVENUE LAYOUT. 1962 01:41:24,017 --> 01:41:25,684 COME ON. HURRY UP. 1963 01:41:41,050 --> 01:41:43,484 TAKE IT EASY. WE GOT TILL 10:00. 1964 01:41:43,551 --> 01:41:44,983 WE GOT A HOT CAR. 1965 01:41:45,050 --> 01:41:47,484 THE GUY WILL FIND IT'S BEEN SNATCHED 1966 01:41:47,551 --> 01:41:48,983 AND START SQUAWKING. 1967 01:41:49,050 --> 01:41:50,050 SHUT UP. 1968 01:42:01,551 --> 01:42:04,718 OH, I'M A FRIEND OF MR. REED PATTON'S. 1969 01:42:07,084 --> 01:42:08,517 GOOD EVENING, SIR. 1970 01:42:08,584 --> 01:42:09,684 EVENING. 1971 01:42:09,751 --> 01:42:11,184 GOOD PLAY TONIGHT? 1972 01:42:11,250 --> 01:42:12,384 YES, SIR. 1973 01:42:19,017 --> 01:42:21,484 PLACE YOUR BETS, LADIES AND GENTLEMEN. 1974 01:42:23,017 --> 01:42:24,451 STICK 'EM UP! 1975 01:42:24,517 --> 01:42:25,684 AAH! 1976 01:42:37,050 --> 01:42:39,983 NOT A BAD TAKE, ABOUT 50 Gs. 1977 01:42:40,050 --> 01:42:41,484 WHAT ABOUT THE PLANE? 1978 01:42:41,551 --> 01:42:44,484 IT'S WAITING. SLIP THE PILOT 2 GRAND 1979 01:42:44,551 --> 01:42:45,983 AND NO QUESTIONS ASKED. 1980 01:42:46,050 --> 01:42:48,150 YOU'LL BE IN MEXICO CITY TOMORROW. 1981 01:42:48,217 --> 01:42:50,150 MEET ME THERE NEXT WEEK. 1982 01:42:50,217 --> 01:42:53,217 DITCH THE CAR, NOT TOO CLOSE TO THE AIRPORT. 1983 01:43:59,451 --> 01:44:01,983 WHERE'D THAT COME FROM? 1984 01:44:02,050 --> 01:44:03,150 HEAVEN. 1985 01:44:03,217 --> 01:44:04,651 HA HA HA! 1986 01:44:04,718 --> 01:44:06,150 SHUT YOUR MOUTH. 1987 01:44:06,217 --> 01:44:07,651 CAN'T YOU SEE THE LIGHTNING 1988 01:44:07,718 --> 01:44:10,651 PUT THE MARK OF THE LORD ON THIS THING? 1989 01:44:10,718 --> 01:44:14,084 I AIN'T ASKING WHERE IT COME FROM OR WHY, 1990 01:44:14,150 --> 01:44:16,584 BUT IT COME AT THE RIGHT TIME- 1991 01:44:16,651 --> 01:44:17,950 THE DAY BEFORE CHRISTMAS. 1992 01:44:18,017 --> 01:44:19,084 HALLELUJAH. 1993 01:44:19,150 --> 01:44:20,584 PRAISE THE LORD! 1994 01:44:20,651 --> 01:44:23,084 I BEEN PRAYING FOR THAT BRINDLE COW 1995 01:44:23,150 --> 01:44:24,584 EVER SINCE I BEEN MARRIED. 1996 01:44:24,651 --> 01:44:26,150 GLORY! PRAISE THE LORD! 1997 01:44:31,551 --> 01:44:34,417 THE LORD'S DONE BEEN HERE AND GONE. 1998 01:44:35,517 --> 01:44:37,451 I'M GONNA BUY ME A TRACTOR, 1999 01:44:37,517 --> 01:44:38,950 ONE OF THEM RED ONES, 2000 01:44:39,017 --> 01:44:40,451 WITH A BRAND-NEW ENGINE 2001 01:44:40,517 --> 01:44:43,451 A- HUMMIN' AND A-SHININ' IN THE SUN. 2002 01:44:43,517 --> 01:44:45,451 I'M GONNA BUY ME TWO TRACTORS. 2003 01:44:45,517 --> 01:44:46,617 THREE TRACTORS. 2004 01:44:46,684 --> 01:44:49,117 A BIG PIECE OF BOTTOM LAND, SEEDS, 2005 01:44:49,184 --> 01:44:51,150 AND A GREAT BIG HOUSE. 2006 01:44:51,217 --> 01:44:53,651 YOU GOT TO PRAY FOR THINGS LIKE THAT. 2007 01:44:53,718 --> 01:44:56,417 YOU AIN'T NEVER PRAYED FOR NOTHIN' IN YOUR LIFE. 2008 01:44:56,484 --> 01:45:00,417 I WISHED FOR PLENTY, 'CEPT MAYBE I DIDN'T BEND MY KNEES. 2009 01:45:00,484 --> 01:45:03,584 WISHIN' AIN'T PRAYIN'. IT AIN'T OURN TO KEEP. 2010 01:45:03,651 --> 01:45:06,084 IT'S SINFUL TO HAVE SO MUCH MONEY. 2011 01:45:06,150 --> 01:45:09,584 REVEREND LAZARUS - HE'S THE MAN OF GOD ON THIS PLACE. 2012 01:45:09,651 --> 01:45:11,818 HE'LL KNOW WHAT'S ON THE LORD'S MIND. 2013 01:45:11,883 --> 01:45:14,250 LET'S TAKE ALL THAT MONEY TO HIM. 2014 01:45:14,317 --> 01:45:16,284 HE'LL TELL US WHAT TO DO. 2015 01:45:16,351 --> 01:45:18,284 IF YOU PRAYEYED FOR A TRACTOR, 2016 01:45:18,351 --> 01:45:21,017 AIN'T IT UNDERSTOOD YOU PRAYED FOR LAND, TOO? 2017 01:45:41,551 --> 01:45:46,484 WELL, LUKE, HAVE YOU BEEN SINNIN' AGAINST THE LORD AND THE LAW? 2018 01:45:46,551 --> 01:45:49,484 LOOK MIGHTY LIKE SIN FROM UP HERE. 2019 01:45:49,551 --> 01:45:51,417 DOES THE SHERIFF KNOW ABOUT THIS? 2020 01:45:51,484 --> 01:45:53,917 THIS AIN'T NO SIN, REVEREND LAZARUS. 2021 01:45:53,983 --> 01:45:56,084 THERE'S TOO MUCH GOODNESS IN IT. 2022 01:45:56,150 --> 01:45:57,617 HAVE YOU BEEN DRINKIN'? 2023 01:45:57,684 --> 01:46:00,117 ESTHER SAYS THE LORD SENT THIS MIRACLE 2024 01:46:00,184 --> 01:46:01,617 FROM HEAVEN ITSELF, 2025 01:46:01,684 --> 01:46:03,617 RIDIN' ON THE WINDS OF LIGHTNIN'. 2026 01:46:03,684 --> 01:46:06,617 I AIN'T THE ONE TO ARGUE WITH HER. 2027 01:46:06,684 --> 01:46:08,718 THAT SURE IS A POWERFUL MIRACLE. 2028 01:46:08,784 --> 01:46:10,718 I HEARED A HEAP OF PRAYIN' 2029 01:46:10,784 --> 01:46:13,651 BUT NEVER SEEN THE LORD PASS NO MIRACLE. 2030 01:46:13,718 --> 01:46:15,351 THAT'S BLASPHEMIN', REVEREND. 2031 01:46:15,417 --> 01:46:16,850 SHUT YOUR MOUTH, NICODEMUS! 2032 01:46:16,917 --> 01:46:18,351 WHO'S THE PREACHER 'ROUND HERE? 2033 01:46:18,417 --> 01:46:19,850 OR IS YOU? 2034 01:46:19,917 --> 01:46:23,451 I AIN'T SAYIN' THE LORD DIDN'T PASS THIS HERE MIRACLE. 2035 01:46:26,517 --> 01:46:27,950 HEY! 2036 01:46:29,983 --> 01:46:32,917 YOU CERTAIN THIS COAT COME FROM UP THERE 2037 01:46:32,983 --> 01:46:34,917 AND NOT FROM DOWN THERE? 2038 01:46:34,983 --> 01:46:37,917 SMELL MORE LIKE THE DEVIL THAN THE LORD. 2039 01:46:37,983 --> 01:46:40,917 I RECKON MOSES DIDN'T STOP TO FIGURE HOW THE DEVIL 2040 01:46:40,983 --> 01:46:43,050 SENT THE MANNA TO THE CHILDREN OF ISRAEL. 2041 01:46:43,117 --> 01:46:45,250 HE KNOWED THE LORD SENT IT 2042 01:46:45,317 --> 01:46:47,250 'CAUSE HE BELIEVED IN THE LORD! 2043 01:46:47,317 --> 01:46:49,751 THAT'S WHAT THIS IS- MANNA FROM HEAVEN. 2044 01:46:49,818 --> 01:46:52,217 LORD DONE GONE AND DONE IT AGAIN. 2045 01:46:52,284 --> 01:46:53,718 PRAISE THE LORD! 2046 01:46:53,784 --> 01:46:55,351 HALLELUJAH! 2047 01:47:06,084 --> 01:47:09,017 WHAT YOU AIMIN' TO DO WITH THAT MONEY? 2048 01:47:09,084 --> 01:47:11,017 THIS HERE'S A MIRACLE, AIN'T IT? 2049 01:47:11,084 --> 01:47:14,950 I GOT TO PUT IT AWAY UNTIL I FIGURE IT OUT. 2050 01:47:15,017 --> 01:47:16,950 I ALREADY GOT IT FIGURED OUT. 2051 01:47:17,017 --> 01:47:19,950 IT'S AN ANSWER TO ALL THEM THAT'S PRAYED, 2052 01:47:20,017 --> 01:47:22,451 ADDED UP TO THE LAST PENNY. 2053 01:47:22,517 --> 01:47:23,950 WELL, HALLELUJAH! 2054 01:47:24,017 --> 01:47:26,950 I PRAYED FOR A HORSE AND BUGGY 2055 01:47:27,017 --> 01:47:29,451 AND LAST NIGHT WHEN THE STORM BLEW, 2056 01:47:29,517 --> 01:47:31,451 I PRAYED FOR A NEW ROOF. 2057 01:47:31,517 --> 01:47:33,950 I RECKON I PRAYED ABOUT $100 WORTH. 2058 01:47:34,017 --> 01:47:35,451 WATCH OUT. DON'T FORGET, REV, 2059 01:47:35,517 --> 01:47:38,484 THE LORD IS COUNTING RIGHT ALONG WITH YOU. 2060 01:47:38,551 --> 01:47:40,651 YOU MEAN HERE IN THIS ROOM? 2061 01:47:45,050 --> 01:47:48,484 I RECKON I JUST WISHED FOR THAT HORSE AND BUGGY 2062 01:47:48,551 --> 01:47:51,983 AND DIDN'T GET AROUND TO PRAYIN' FOR IT. 2063 01:47:52,050 --> 01:47:56,117 THIS IS THE MOST UPSETTIN'EST MIRACLE I EVER HEARD OF. 2064 01:47:56,184 --> 01:47:59,117 THE LORD'S DONE SENT THIS AS A CHRISTMAS PRESENT 2065 01:47:59,184 --> 01:48:01,617 TO ALL FOLKS IN THIS HERE PLACE! 2066 01:48:01,684 --> 01:48:03,617 EVERYBODY CALL OUT TO WHAT THEY PRAYIN' FOR! 2067 01:48:03,684 --> 01:48:05,117 I'LL SURE WELCOME THAT TRACTOR. 2068 01:48:05,184 --> 01:48:07,983 WHAT YOU PRAYS FOR AND BELIEVES IN YOU GETS! 2069 01:48:08,050 --> 01:48:09,117 MATTHEW 21:22. 2070 01:48:09,184 --> 01:48:11,983 BLESSED AM THE POOR, FOR THAT'S ALL THEY GET. 2071 01:48:12,050 --> 01:48:13,617 HEY, REVEREND, DON'T THAT SAY, 2072 01:48:13,684 --> 01:48:15,883 "BLESSED AM THE POOR... IN SPIRIT"? 2073 01:48:15,950 --> 01:48:17,883 COMES TO THE SAME THING. 2074 01:48:17,950 --> 01:48:20,451 WHEN YOU'S POOR, YOU'S POOR ALL OVER. 2075 01:48:20,517 --> 01:48:22,217 THAT SURE ME, ALL OVER. 2076 01:48:22,284 --> 01:48:25,217 OUR PRESENTS! DEFINITE! 2077 01:48:25,284 --> 01:48:26,718 YOU RIGHT, SISTER ESTHER, 2078 01:48:26,784 --> 01:48:28,718 CHRISTMAS PRESENTS, THAT'S WHAT IT IS. 2079 01:48:28,784 --> 01:48:30,718 EVERYBODY ACCORDING TO HIS PRAYING, 2080 01:48:30,784 --> 01:48:33,284 AND WE'S THE DEPUTIES OF THE LORD. 2081 01:48:34,384 --> 01:48:36,217 HEY, AIN'T THAT SOMETHING? HALLELUJAH. 2082 01:48:36,284 --> 01:48:39,217 WHAT DID YOU PRAY FOR, SISTER ESTHER? 2083 01:48:39,284 --> 01:48:42,217 OH, I PRAYED FOR THAT BRINDLE COW. 2084 01:48:42,284 --> 01:48:45,751 WELL, THE LORD'S ALLOWING YOU ABOUT $60 FOR THAT. 2085 01:48:45,818 --> 01:48:47,250 THANK YOU, LORD. 2086 01:48:47,317 --> 01:48:50,250 WHAT DID YOU PRAY FOR, OLD BROTHER LUKE? 2087 01:48:50,317 --> 01:48:52,751 I WANTS A TRACTOR, A RED ONE, 2088 01:48:52,818 --> 01:48:55,250 SO MIGHTY BAD I KNOWS THE LORD 2089 01:48:55,317 --> 01:48:57,751 AIN'T LETTING NO PRAYERS STAND BETWEEN US. 2090 01:48:57,818 --> 01:48:59,983 MAYBE LUKE DON'T PRAY OFFICIAL-LIKE, 2091 01:49:00,050 --> 01:49:03,983 BUT THE LORD KNOWS THERE'S A LOT OF GOODNESS IN HIM. 2092 01:49:04,050 --> 01:49:07,484 I AGREES. I BEEN WISHING FOR A TRACTOR MY- 2093 01:49:07,551 --> 01:49:10,484 I SAID WISHING, NOT PRAYING, SISTER ESTHER. 2094 01:49:10,551 --> 01:49:13,417 WELL, LOOKED IT UP IN A CATALOG, 2095 01:49:13,484 --> 01:49:16,417 AND THE PRICE REVEALED IS $798. 2096 01:49:16,484 --> 01:49:17,950 HERE YOU ARE, LUKE. 2097 01:49:18,017 --> 01:49:19,451 I PRAYED FOR A SLINGSHOT. 2098 01:49:19,517 --> 01:49:21,451 THAT'S A WEAPON OF THE DEVIL. 2099 01:49:21,517 --> 01:49:23,950 HE PRAYED FOR IT, HE GETS IT. 2100 01:49:24,017 --> 01:49:26,451 WELL... HERE'S $1.00 FOR A SLINGSHOT. 2101 01:49:26,517 --> 01:49:28,451 MAY THE LORD GUIDE YOUR HAND. 2102 01:49:28,517 --> 01:49:29,950 I PRAYED FOR NEW SHOES. 2103 01:49:30,017 --> 01:49:31,950 HERE'S $2.00 FOR SHOES. MERRY CHRISTMAS. 2104 01:49:32,017 --> 01:49:34,284 I PRAYED FOR A BLANKET WITH NO HOLES. 2105 01:49:34,351 --> 01:49:36,284 $3.00 FOR A BLANKET FOR CHRISTMAS. 2106 01:49:36,351 --> 01:49:38,284 I PRAYED FOR SHOES AND STOCKINGS. 2107 01:49:38,351 --> 01:49:40,284 HERE'S $4.00 FOR SHOES AND STOCKINGS. 2108 01:49:40,351 --> 01:49:42,284 I PRAYED FOR A NEW WAGON. 2109 01:49:42,351 --> 01:49:43,784 $2.00 FOR THE WAGON. 2110 01:49:43,850 --> 01:49:46,284 WE PRAYED FOR GOOD VITTLES. 2111 01:49:46,351 --> 01:49:48,284 HERE'S $2.00 APIECE FOR GOOD VITTLES. 2112 01:49:48,351 --> 01:49:50,718 THIS IS THE BUSIEST DAY BEFORE CHRISTMAS. 2113 01:49:50,784 --> 01:49:53,217 MY PAPPY PRAYED FOR A NEW PLOW. 2114 01:49:53,284 --> 01:49:55,983 TELL YOUR PAPPY THE LORD'S GOT HIS PLOW READY. 2115 01:49:56,050 --> 01:49:58,484 MY PAPPY NEED A NEW PAIR OF PANTS. 2116 01:49:58,551 --> 01:50:00,484 HE DONE PRAYED AND HOLLERED. 2117 01:50:00,551 --> 01:50:02,484 TELL YOUR PAPPY THE LORD'S WAITING 2118 01:50:02,551 --> 01:50:04,484 TO FIT THE PANTS ON HIM. 2119 01:50:06,050 --> 01:50:07,484 SHH! SHH! SHH! 2120 01:50:07,551 --> 01:50:10,484 CHILDREN, HEARKEN TO ME! RUN AND SHOUT THE WORD 2121 01:50:10,551 --> 01:50:14,150 THAT LORD HAS SENT DOWN A MIGHTY FINE CHRISTMAS FOR EVERYBODY. 2122 01:50:14,217 --> 01:50:16,317 TELL PEOPLE TO COME A-RUNNIN'. 2123 01:50:16,384 --> 01:50:17,484 PRAISE THE LORD! 2124 01:50:17,551 --> 01:50:19,950 * I GOT SHOES, YOU GOT SHOES * 2125 01:50:20,017 --> 01:50:22,284 * ALL GOD'S CHILDREN GOT SHOES * 2126 01:50:22,351 --> 01:50:23,718 * WHEN YOU GET TO HEAVEN * 2127 01:50:23,784 --> 01:50:25,184 * GONNA PUT ON YOUR SHOES... ** 2128 01:50:27,084 --> 01:50:28,684 PA, LOOK! 2129 01:50:28,751 --> 01:50:30,184 MA, LOOK! EVERYBODY, LOOK! 2130 01:50:30,250 --> 01:50:32,517 THE LORD SENT DOWN MORE MONEY 2131 01:50:32,584 --> 01:50:34,217 THAN YOU EVER SEEN BEFORE. 2132 01:50:34,284 --> 01:50:36,084 PA! MA! 2133 01:50:42,184 --> 01:50:44,284 GRANDPA! YOU KNOW THAT FINE COFFIN 2134 01:50:44,351 --> 01:50:47,117 YOU WAS WANTING TO BE BURIED IN? 2135 01:50:47,184 --> 01:50:48,617 YOU CAN HAVE IT! 2136 01:50:48,684 --> 01:50:51,617 WHAT Y'ALL MEAN? I AIN'T DEAD YET. 2137 01:50:51,684 --> 01:50:53,117 I CAN SEE THAT, 2138 01:50:53,184 --> 01:50:56,451 BUT THAT COFFIN'S WAITING FOR YOU DOWN AT THE CHURCH. 2139 01:50:56,517 --> 01:50:59,551 TRYING TO MAKE A FOOL OUT OF ME. 2140 01:50:59,617 --> 01:51:01,317 * I'M GONNA PRAY MY SOUL IN JUDGMENT * 2141 01:51:01,384 --> 01:51:02,784 * FARE THEE WELL, FARE THEE WELL * 2142 01:51:02,850 --> 01:51:04,551 * I'M GONNA PRAY MY SOUL IN JUDGMENT * 2143 01:51:04,617 --> 01:51:06,050 * FARE THEE WELL, FARE THEE WELL * 2144 01:51:06,117 --> 01:51:07,551 * THERE'S A GREAT DAY A- COMIN' * 2145 01:51:07,617 --> 01:51:09,050 * FARE THEE WELL, FARE THEE WELL * 2146 01:51:09,117 --> 01:51:10,551 IF YOU LYIN' ABOUT THIS, 2147 01:51:10,617 --> 01:51:13,983 THE FIRE IN HELL WILL GET YOU BEFORE YOU'S DEAD. 2148 01:51:14,050 --> 01:51:15,317 * FARE THEE WELL, FARE THEE WELL * 2149 01:51:15,384 --> 01:51:17,317 * IN THAT GREAT GETTIN'- UP MORNIN' * 2150 01:51:17,384 --> 01:51:19,250 * FARE THEE WELL, FARE THEE WELL * 2151 01:51:19,317 --> 01:51:20,484 * IN THAT GREAT GETTIN'- UP MORNIN' * 2152 01:51:20,551 --> 01:51:21,983 * FARE THEE WELL, FARE THEE WELL * 2153 01:51:22,050 --> 01:51:23,651 * IN THAT GREAT GETTIN'- UP MORNIN' * 2154 01:51:23,718 --> 01:51:25,150 * FARE THEE WELL, FARE THEE WELL * 2155 01:51:25,217 --> 01:51:26,651 * OH, THE PREACHER HOLD THAT BIBLE * 2156 01:51:26,718 --> 01:51:28,317 * FARE THEE WELL, FARE THEE WELL... * 2157 01:51:28,384 --> 01:51:30,351 WHAT FOR? I NTNTS $32. 2158 01:51:30,417 --> 01:51:32,351 I DONE PRAYED FOR CARPENTER TOOLS. 2159 01:51:32,417 --> 01:51:33,584 YOU GETS 'EM. 2160 01:51:35,784 --> 01:51:37,217 THANK YOU, REVEREND. 2161 01:51:37,284 --> 01:51:40,517 WHAT FOR? I WANTS $9.75. 2162 01:51:40,584 --> 01:51:43,484 I DONE PRAYED FOR A BARREL OF FLOUR. 2163 01:51:43,551 --> 01:51:44,850 WELL, HERE'S $10. 2164 01:51:44,917 --> 01:51:46,850 BAKE YOURSELF SOME BISCUITS FOR CHRISTMAS 2165 01:51:46,917 --> 01:51:48,584 AND DON'T FORGET REVEREND LAZARUS. 2166 01:51:50,084 --> 01:51:51,517 I WANTS $25, SIR. 2167 01:51:51,584 --> 01:51:52,651 WHAT FOR? 2168 01:51:52,718 --> 01:51:53,651 MY COFFIN. 2169 01:51:53,718 --> 01:51:56,651 A MAHOGANY ONE, WITH WHEELS ON IT 2170 01:51:56,718 --> 01:52:00,484 SO I CAN ROLL RIGHT THROUGH THE PEARLY GATES. 2171 01:52:03,584 --> 01:52:07,584 PRAISE THE LORD I DONE LIVED TO SEE THIS DAY! 2172 01:52:07,651 --> 01:52:09,084 I CAN GIVE YOU 2173 01:52:09,150 --> 01:52:12,184 A POWERFUL GOOD SERVICE FOR $5.00 EXTRA 2174 01:52:12,250 --> 01:52:13,617 WHEN THE TIME COMES. 2175 01:52:13,684 --> 01:52:15,117 MAYBE WHEN THAT TIME COMES, 2176 01:52:15,184 --> 01:52:17,217 YOU WON'T BE HERE. HEH HEH HEH! 2177 01:52:17,284 --> 01:52:18,651 * FARE THEE WELL, FARE THEE WELL * 2178 01:52:18,718 --> 01:52:20,684 * IN THAT GREAT GETTIN'- UP MORNIN' * 2179 01:52:20,751 --> 01:52:21,850 * FARE THEE WELL, FARE THEE WELL * 2180 01:52:21,917 --> 01:52:23,384 * IN THAT GREAT GETTIN'- UP MORNIN' * 2181 01:52:23,451 --> 01:52:24,917 * FARE THEE WELL, FARE THEE WELL * 2182 01:52:24,983 --> 01:52:26,517 * IN THAT GREAT GETTIN'- UP MORNIN' * 2183 01:52:26,584 --> 01:52:28,317 * FARE THEE WELL, FARE THEE WELL... * 2184 01:52:35,551 --> 01:52:38,883 BROTHERS AND SISTERS! 2185 01:52:38,950 --> 01:52:39,883 BROTHERS... 2186 01:52:39,950 --> 01:52:41,384 BROTHERS AND SISTERS! 2187 01:52:41,451 --> 01:52:42,883 BROTHERS AND SISTERS... 2188 01:52:42,950 --> 01:52:44,384 THIS HERE PAPER 2189 01:52:44,451 --> 01:52:47,651 HAS ALL THE FIGURES TAKEN ON THIS HERE MIRACLE. 2190 01:52:47,718 --> 01:52:50,351 SISTER ESTHER DONE WORKED IT OUT HERSELF. 2191 01:52:50,417 --> 01:52:53,617 ACCORDING TO THE FIGURES, THE LORD SENT US $43,000. 2192 01:52:53,684 --> 01:52:57,451 NOW, THAT'S MORE MONEY THAN THERE IS IN THE WHOLE WORLD. 2193 01:52:57,517 --> 01:52:58,950 FURTHERMORE AND WHEREAS, 2194 01:52:59,017 --> 01:53:01,751 WE HAVE PAID OUT TO TRUE BELIEVERS- 2195 01:53:01,818 --> 01:53:03,250 WHO PRAYED FOR IT- 2196 01:53:03,317 --> 01:53:05,850 THE SUM OF $1,454 2197 01:53:05,917 --> 01:53:07,351 AND 50 CENTS, 2198 01:53:07,417 --> 01:53:09,883 LEAVING A TOTAL OF... 2199 01:53:09,950 --> 01:53:14,217 $41,545 2200 01:53:14,284 --> 01:53:15,718 AND 50 CENTS, 2201 01:53:15,784 --> 01:53:18,784 BELONGING TO ALL OF US IN THIS HERE PLACE. 2202 01:53:19,818 --> 01:53:21,751 HALLELUJAH! 2203 01:53:21,818 --> 01:53:23,317 WELL, PASS OUT THE MONEY! 2204 01:53:23,384 --> 01:53:25,150 A MIGHTY AMOUNT OF MONEY, FOLKS, 2205 01:53:25,217 --> 01:53:26,983 AND IT AIN'T GOING TO WASTE. 2206 01:53:27,050 --> 01:53:28,983 I SEE THE NEW CHURCH NOW- 2207 01:53:29,050 --> 01:53:31,484 STANDING ON THE HILL, SHINING IN THE SUN. 2208 01:53:31,551 --> 01:53:32,484 AND A HOSPITAL! 2209 01:53:32,551 --> 01:53:33,983 WE'RE BUYING THE LAND, YOU HEAR? 2210 01:53:34,050 --> 01:53:35,983 AND TOOLS WITH EDGES SO SHARP, 2211 01:53:36,050 --> 01:53:38,384 THE EARTH WILL JUMP UP TO MEET THEM. 2212 01:53:38,451 --> 01:53:42,250 WE'LL WORK THAT GROUND SIDE BY SIDE, RAISING CORN AND COTTON. 2213 01:53:42,317 --> 01:53:44,284 AND WHAT WE GETS, WE SHARES. 2214 01:53:44,351 --> 01:53:46,784 WON'T BE NO RICH AND NO MORE POOR. 2215 01:53:46,850 --> 01:53:49,351 YES, FOLKS, A NEW DAY IS DAWNING. 2216 01:53:59,351 --> 01:54:00,284 STOP! 2217 01:54:00,351 --> 01:54:01,584 STOP, Y'ALL! 2218 01:54:02,883 --> 01:54:05,317 WE DONE FORGOT POOR OLD CHRISTOPHER. 2219 01:54:05,384 --> 01:54:08,351 BUT HE AIN'T THE PRAYING KIND. 2220 01:54:08,417 --> 01:54:09,850 HOW COME YOU KNOW THAT? 2221 01:54:09,917 --> 01:54:11,351 THAT'S SOMETHING NOBODY KNOWS 2222 01:54:11,417 --> 01:54:13,784 BUT THE LORD AND POOR OLD CHRISTOPHER. 2223 01:54:13,850 --> 01:54:15,784 HE'S THE POOREST OF US ALL. 2224 01:54:15,850 --> 01:54:18,484 HE AIN'T GOT NOTHIN', NEVER HAD NOTHIN'. 2225 01:54:18,551 --> 01:54:20,317 MAYBE HE PRAYED FOR EVERYTHING. 2226 01:54:20,384 --> 01:54:22,818 YOU MEAN HE PRAYED FOR ALL THIS MONEY? 2227 01:54:22,883 --> 01:54:24,317 WE GOES AND FINDS OUT. 2228 01:54:24,384 --> 01:54:26,818 IF CHRISTOPHER DONE PRAYED FOR ALL THIS MONEY, 2229 01:54:26,883 --> 01:54:28,818 THEN HE GETS ALL THIS MONEY. 2230 01:54:28,883 --> 01:54:31,818 WE PRAISES THE LORD FOR WHAT HE GIVE US... 2231 01:54:31,883 --> 01:54:34,317 AND FOR WHAT HE GIVES POOR OLD CHRISTOPHER. 2232 01:54:34,384 --> 01:54:36,784 COME ON, LUKE, WE'RE GONNA FIND OUT. 2233 01:54:56,584 --> 01:54:58,517 GOOD MORNING, BROTHER CHRISTOPHER. 2234 01:54:58,584 --> 01:55:00,517 GOOD MORNING, BROTHER LUKE. 2235 01:55:00,584 --> 01:55:02,584 UH, BROTHER CHRISTOPHER... 2236 01:55:04,250 --> 01:55:06,950 HAS YOU BEEN PRAYING FOR SOMETHING FOR CHRISTMAS? 2237 01:55:10,084 --> 01:55:12,917 I'S GOT ALL I NEEDS. 2238 01:55:16,017 --> 01:55:17,451 WELL, BROTHER CHRISTOPHER, 2239 01:55:17,517 --> 01:55:19,983 IF YOU AIN'T PRAYED FOR NOTHIN'... 2240 01:55:20,050 --> 01:55:21,484 I GUESS I CAN- 2241 01:55:21,551 --> 01:55:24,017 IT DONE COME TO ME NOW. 2242 01:55:24,084 --> 01:55:25,651 I'S PRAYED FOR SOMETHING. 2243 01:55:28,883 --> 01:55:30,317 IS YOU SURE? 2244 01:55:30,384 --> 01:55:31,983 I SURE IS. 2245 01:55:32,050 --> 01:55:34,651 BUT YOU SAID YOU AIN'T. 2246 01:55:34,718 --> 01:55:37,084 THAT'S 'CAUSE I DISRECOLLECT. 2247 01:55:38,084 --> 01:55:40,017 WHAT YOU ALL PRAY FOR? 2248 01:55:40,084 --> 01:55:42,584 I DONE PRAYED FOR... 2249 01:55:45,684 --> 01:55:49,617 I SAID, WHAT YOU PRAYED FOR, BROTHER CHRISTOPHER? 2250 01:55:49,684 --> 01:55:53,117 WELL, BROTHER LUKE, TO TELL THE TRUTH... 2251 01:55:54,684 --> 01:55:56,117 LOOK. 2252 01:56:03,584 --> 01:56:04,751 SEE? 2253 01:56:09,784 --> 01:56:13,217 I DONE PRAYED FOR A SCARECROW. 2254 01:56:16,517 --> 01:56:18,017 SAY THAT AGAIN. 2255 01:56:19,017 --> 01:56:20,184 SCARECROW. 2256 01:56:27,517 --> 01:56:30,617 SO THAT'S WHAT THEY MEAN WHEN THEY SAYS, 2257 01:56:30,684 --> 01:56:33,883 "THE LORD MOVES IN MYSTERIOUS WAYS." 2258 01:56:42,217 --> 01:56:47,317 * MAKE WAY FOR THE GLORY DAY * 2259 01:56:47,384 --> 01:56:50,818 * NO MORE TROUBLE AND WOE * 2260 01:56:50,883 --> 01:56:56,484 * THERE'S ANGELS FLYIN' FROM THE SKY TO THE JUBILEE * 2261 01:56:56,551 --> 01:56:59,484 * IN OUR HEAVENLY HOME * 2262 01:56:59,551 --> 01:57:01,983 * HALLELUJAH, WON'T YOU * 2263 01:57:02,050 --> 01:57:05,517 * MAKE WAY FOR THE GLORY DAY * 2264 01:57:05,584 --> 01:57:10,017 * GOOD TIMES COMIN' TO STAY * 2265 01:57:10,084 --> 01:57:17,950 * BROTHER, START JUBILEE, AND YOU AND ME IS GONNA BE * 2266 01:57:18,017 --> 01:57:22,284 * HIS GLORY * 2267 01:57:22,351 --> 01:57:26,150 * GLORY * 2268 01:57:26,217 --> 01:57:28,150 * DAY ** 154004

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