Original subtitles

♪ WALKED INTO A STRANGE CAFEÉ ♪

♪ NO ONE THERE HAS EVER HEARD MY NAME ♪

♪ GO TO THE BAR AND HAVE A SEAT ♪

♪ TALKED TO THAT WOMAN SITTIN' NEXT TO ME ♪

♪ SHE ASKED ME IN A VOICE SO LOW ♪

♪ SHE ASKED ME IF I COME IN HERE ALONE ♪

♪ SHE ASKED ME NICELY

WHERE ARE YOU, DAD?

♪ YOU KNOW, I THINK SHE LIKES ME ♪

♪ THAT'S WHAT I THINK

♪ I THINK SHE LIKES ME

♪ THAT'S WHAT I THINK

[MAN COUGHS]

[MAN COUGHS]

[MUFFLED CONVERSATION]

Man: YOU WON'T LOOK BACK, BABY, 'CAUSE I'M THE BEST.

I JUST GOT ME THESE STEEL DRUMS.

Woman: I MEAN, GEEZ, OK?

Man: NOW, MOTHER, I'M TIRED

OF YOU TELLIN' ME HOW TO LIVE MY DAMN LIFE.

♪ SHE LISTENS TO EVERY WORD I SAY ♪

[KNOCK ON DOOR]

Woman: LIDDA! LIDDA, TURN OFF THE MUSIC!

RAYMOND WANTS TO GO TO SLEEP.

HE'S GOTTA BE UP BY 4:30.

[KNOCKING ON DOOR]

LIDDA!

♪ ...IF I'M GONNA PLAY TONIGHT ♪

♪ YEAH

JESUS FUCKIN' CHRIST!

[TURNS OFF MUSIC]

[SIGHS] WHERE YOU GOIN'?

WHY IS RAYMOND BACK?

OH, IT'S NICE TO HAVE A BIG MAN AROUND.

YEAH? I REMEMBER THINGS THAT WEREN'T NICE.

YOU GOTTA GIVE PEOPLE CHANCES, LIDDA.

WHERE YOU GOIN'?

HEY. DON'T LEAVE ME,

BABY. YOU'RE ALL I GOT.

MOM, PLEASE.

OH, MY GOD. I'M SORRY. HEY...

I'M SO SORRY, BABY. I FORGOT ALL ABOUT IT.

OH...HAPPY... HAPPY BIRTHDAY. MMM.

YOU'RE NOT LEAVIN' ME! I'M STILL YOUR MOTHER!

LIDDA. LIDDA, NO. I KNOW WHERE YOU'RE GOIN'.

LISTEN. LISTEN TO ME, PLEASE,

JUST FOR AS MINUTE, BABY.

I WAS THE ONE THAT RAISED YOU, NOT HIM.

I WORKED HARD TO KEEP US TOGETHER.

HE'S NOTHIN'. HE'S NOTHIN'

BUT A NO-GOOD, GAMBLIN', DRUNKEN

SON OF A BITCH, THAT'S WHAT HE IS!

NO! HE ONLY CARES ABOUT HIMSELF!

LIDDA!

LIDDA! LIDDA! LIDDA, DON'T GO!

COME BACK! LIDDA!

[DOG BARKS] LIDDA!

[SOBS] I GOTTA DO THIS, MOM.

[MOM SOBBING]

[DOG BARKING]

[MOTOR STARTS]

[SOBBING] OH, LIDDA, DON'T GO.

[TIRES SCREECHING]

OH...NO...

[SIGHS]

♪ RUN AWAY WITH ME

♪ WON'T YOU?

♪ RUN AWAY WITH ME

♪ WON'T YOU?

♪ RUN AWAY WITH ME

♪ WON'T YOU?

WHAT'S IT LIKE IN HERE WHEN NOBODY'S IN IT?

[SNORTING CHUCKLE]

'BOUT THE SAME AS NOW...

EXCEPT YOU'RE NOT HERE.

WHEN DO YOU GET OFF WORK?

MIDNIGHT.

WHAT'S YOUR NAME?

LIDDA.

IS COLONEL YOUR REAL NAME?

NOBODY ELSE WOULD WANT IT.

HEY, YOU WANT A DRINK?

YEAH. SURE.

AH...

[CHUCKLES]

I'M SO SICK OF THIS TOWN.

YEAH. WHO ISN'T?

YOU KNOW... IN SCHOOL...

I USED TO WATCH YOU PITCH.

OH, YEAH?

HUH.

NEVER SAID BOO TO ME.

BOO.

WAIT. HOLD ON. HEY...

I KNOW WHAT YOU'RE GONNA SAY.

YOU'RE GONNA ASK ME IF I DO THIS A LOT.

I'M GONNA SAY NO. AND YOU'RE GONNA SAY, "REALLY?"

LIKE YOU DON'T BELIEVE ME. AND I'M GONNA SAY,

"IT'S MY DAY, AND I FEEL OLD,

AND I'M GONNA DO WHATEVER I WANNA DO."

MMM...

MMM...

WHAT?

WHAT'S WRONG?

UH...

WHAT?

I'M--I'M GOIN' ON A TRIP.

YEAH?

YEAH. WHAT DO YOU THINK?

YOU WANT TO COME?

WHAT DO YOU MEAN?

CAN'T LIKE THIS JOB TOO MUCH.

I GOT A LOT GOIN' ON. YEAH?

LIKE WHAT?

YOU'RE NOT SUPPOSED TO SMOKE IN HERE.

[EXHALES LOUDLY]

Y-YOU GOT A GIRLFRIEND?

YOU DIDN'T GET THAT?

IF I KNEW A JOKE, I'D TELL IT.

SORRY.

HEY, COLONEL.

GIL. WHAT, YOU GOT A GUN NOW?

YEAH. WHAT'S IT LOOK LIKE, DICKFACE?

TIME'S UP.

WAIT. NO. I STILL GOT TILL TOMORROW.

IT'S 10 MINUTES TILL TOMORROW, COLONEL.

THIS IS ONLY 4 C, GIMPY.

LOOK, THAT'S ALL I GOT. ALL RIGHT, GIL?

COME ON, MAN. YOU ALREADY TOOK MY CAR.

HERE. TAKE THIS.

THIS IS 3 C.

NOPE! IT AIN'T 3 G.

HEY, LOOK. IF YOU WANT, I GOT--

MOVE IT, BABE! UNHH!

UNHH!

Colonel: GO! GO!

RUN! RUN! RUN! RUN! AAH!

LET'S GO! COME ON! COME ON!

[TIRES SCREECHING]

[GUNSHOTS]

GUESS I OWE YOU ONE, HUH?

YEAH. YOU OWE ME ABOUT 300.

HE GONNA CHASE AFTER US?

WHO, GIL? NAH. HE STILL RIDES A BICYCLE.

Colonel: SO, UH, WHERE WE GOIN'?

[SNORING]

[LOUD SNORE]

[SNORING]

Man: IT'S A B-11.

B-11.

HE'S IN 404.

404?

Bingo Caller: ...44.

I-24.

PLAY MY HAND FOR ME.

O-55.

O-55.

I-21.

I-21.

[SNORING]

WHAT THE HELL'S GOIN' ON HERE, HUH?

UHH!

UNHH!

MMHH! MMHHH!

MMHH-- [GUNSHOT]

[BLOWS FEATHERS AWAY]

WHAT A MESS, HUH?

WHAT A MESS.

NICE DOIN' BUSINESS WITH YOU, BUDDY.

ADIOS.

[LOUD ROCK PLAYING, INDISTINCTLY]

♪ WHY DON'T YOU WANT ME?

♪ WHY DON'T YOU NEED ME

♪ THE WAY I NEED YOU?

Man: HUT!

[MAN LAUGHS]

WHOO!

Man: SHAKE IT, BABY!

[MUSIC PLAYING]

Man: ALL RIGHT.

[CLICK]

[CLICK]

Man: GET A LOAD OF THAT.

♪ WHY DON'T YOU WANT ME?

♪ WHY DON'T YOU NEED ME

♪ THE WAY I NEED YOU?

♪ BABY

♪ WHY DON'T YOU WANT ME

♪ WHY DON'T YOU NEED

[KNOCK ON DOOR]

COME ON IN.

TONY.

WELL, WHAT DO YOU KNOW?

THE GREAT CHARLIE "RED" DOYLES IS BACK IN TOWN.

YEAH.

AHHH...

HEARD YOU WENT BACK EAST AFTER I BUSTED YOU UP.

HEARD YOU GOT BACK ON YOUR FEET,

TOOK DOWN A BIG SCORE IN ATLANTIC CITY.

I'M DOIN' ALL RIGHT.

HOW 'BOUT YOURSELF?

NO COMPLAINTS.

BUSINESS IS GREAT. GOT THE BEST GIRLS IN TOWN.

CAN I OFFER YOU ONE?

A DRINK, I MEAN.

NO, THANKS.

SO, WHAT'S ON YOUR MIND, CHARLIE?

YOU COME TO SEE SUGAR?

YOU MISS HER, DON'T YOU?

NO, NOT REALLY.

THEN YOU'RE LOOKIN' FOR ACTION, I HOPE.

YEAH, A LITTLE.

NOW YOU'RE TALKIN'. [CHUCKLES]

YOU READY TO MAKE ANOTHER DONATION?

100,000.

SMALL POTATOES, CHARLIE. LET'S RAISE THE BAR,

MAKE IT WORTH OUR WHILE.

SAY, 2? 2-50?

3 BIG BIG?

YOU KNOW WHERE TO FIND ME.

I ALWAYS DO.

[CLICK]

Lidda: SO, WHAT HAPPENED, COLONEL?

I THOUGHT YOU WERE GONNA BE A PRO BASEBALL PLAYER.

NEXT THING I HEAR, YOU WERE THROWN OUT OF SCHOOL.

NOW PEOPLE WANT TO KILL YOU.

YOU'RE PRETTY POPULAR, HUH?

IT DIDN'T WORK OUT.

FOOTBALL KILLED ME THIS SEASON.

ANYWAY, POKER'S MY REAL GAME.

OH. SO NOW YOU WANT TO BE A POKER PLAYER?

NO. I AMA POKER PLAYER.

OK?

THE BEST.

DON'T YOU DREAM ABOUT OTHER THINGS?

ALL I DREAM ABOUT IS POKER.

YOU KNOW HOW SOME PEOPLE

ARE BETTER BEFORE YOU TALK TO THEM?

WELL...THAT'S HOW IT IS WITH YOU.

YOU WERE GREAT, AND THEN I SAID "HI."

HEY, THANKS. YOU KNOW WHAT?

WHY DON'T YOU TURN AROUND? I'M GOIN' BACK.

YOU KIDDIN' ME? I'M NOT GOIN' BACK THERE.

I'M NEVER GOIN' BACK THERE.

[CRANKING]

OHH! SHUT THE WINDOW. IT'S FREEZING.

ARE YOU GONNA SMOKE ALL THE WAY TO VEGAS?

YOU DON'T LIKE IT?

GET OUT.

[BLOWS SMOKE]

I BET YOU'VE NEVER HAD A BOYFRIEND.

I HAVE.

I'VE HAD 34.

HUH. THAT'S WHY YOU'RE SO BACKWARD.

OH, YEAH?

YEAH.

Colonel: WHOA.

SLOW DOWN.

SLOW DOWN!

[HORN BLARES]

SLOW DOWN! YOU DON'T HAVE TO GO THIS FAST.

IT'S A 2-LANE HIGHWAY!

[TIRES SCREECHING]

[BANG]

STOP! STOP, STOP, STOP!

[TIRES SCREECHING]

WHAT THE FUCK WERE YOU DOING?!

JESUS...

CHRIST!

AW, FUCKING-A!

WHAT WERE YOU THINKING?!

LOOK AT THIS!

WELL, YOUR FUCKIN' TIRE'S BLOWN,

SO GO GET THE SPARE.

[SIGHS]

NO SPARE.

THERE'S NO SPARE?

THERE'S NO SPARE! NOW WE'RE STUCK

IN THE MIDDLE OF FUCKING NOWHERE--

IF IT WASN'T FOR ME, YOU'D BE IN THE MORGUE RIGHT NOW!

OH, YEAH, RIGHT!

YOU KNOW WHAT? OHH! I SHOULD'VE JUST

DRIVEN OFF AND LEFT YOUR SORRY ASS BACK THERE.

I DON'T KNOW WHY I DIDN'T.

I WOULD'VE BEEN FINE. ALL RIGHT?

OH, YEAH.

YEAH! BETTER THAN THIS!

YOU KNOW WHY? 'CAUSE A SMART GAMBLER,

HE NEVER TAPS OUT. EVEN IF IT'S 20 BUCKS,

HE HANGS ON TO IT. SMART!

OH, THAT'S GREAT! WE COULD'VE BEEN SHOT

BACK THERE, AND YOU HELD ON TO ALL YOUR MONEY.

YOU DON'T KNOW WHAT YOU'RE TALKIN' ABOUT AT ALL.

[SOBS] THIS IS THE WORST BIRTHDAY I'VE EVER HAD.

WHY DON'T YOU CRY ABOUT IT,

HUH? OK, CRY! SHUT UP!

SHUT THE FUCK UP AND GIVE ME MY $300!

FINE. HERE IT IS. $300.

I THOUGHT WE HAD SOMETHING IN COMMON,

BUT I GUESS NOT.

I DON'T WANT TO BE AROUND LOSERS.

YEAH! FUCK OFF, HUH?!

[VEHICLE APPROACHING]

[HORN BLARES]

MADOÓNNA MIA.

[ITALIAN ACCENT] AH, LAS VEGAS.

[CHUCKLES]

MAN, 15 HOURS IN THE SKY FROM ROME TO VEGAS. YOU KNOW?

I LIKE FLYING. DO YOU LIKE FLYING?

I DON'T FLY.

NO?

I DRIVE.

[SPEAKING ITALIAN]

WHOA, WHOA, WHOA, WHOA, WHOA, WHOA.

WHOA, WHOA, WHOA. WHAT'S YOUR NAME AGAIN?

I'M FRANK.

FRANK. FRANKIE. I WANT TO EXPLAIN 3 THINGS TO YOU.

OK? NUMBER ONE--WE DON'T SPEAK ITALIAN HERE.

WE SPEAK ENGLISH. ALL RIGHT.

OK? NUMBER 2, LOOK AT ME WHEN I'M TALKIN' TO YOU.

AND THEN NUMBER 3. WHAT WAS NUMBER 3?

YEAH, NUMBER 3. WHAT? WHAT? NUMBER 3?

WHAT?

DON'T QUESTION ANYTHING I SAY.

WE'LL GET ALONG JUST FINE. YOU GOT THAT?

[MUSIC PLAYING]

Announcer: LET'S GO, GENTLEMEN.

PUT YOUR HANDS TOGETHER.

THAT'S TIFFANY AND CHA CHA.

SHOW YOUR APPRECIATION WITH THOSE TIPS.

WHOO!

Man: I LIKE THAT!

YEAH, OVER HERE! HERE!

HA HA HA HA HA!

HE WON'T BE PLAYING CARDS WITH YOU NO MORE, HUH, TONY?

THAT'S TOO BAD.

HEY, TOO BAD.

IS IT CLEAN?

NOT YET.

WHAT ARE YOU WAITIN' FOR?

AND, JIMMY...

CHARLIE DOYLE'S BACK IN TOWN.

HE'S STAYING

AT THE BOURBON STREET HOTEL.

I WANT YOU TO KEEP AN EYE ON SUGAR,

YOU UNDERSTAND?

YEAH, YEAH.

BUY YOURSELF ANOTHER SHIRT.

BRING FRANKIE IN HERE.

YO! FRANKIE! COME HERE!

Tony: FRANKIE!

[SPEAKING ITALIAN]

COME HERE.

GIVE YOUR UNCLE A HUG.

[SPEAKING ITALIAN]

[CHUCKLING]

OH...YOU LOOK GREAT.

IT'S NICE TO SEE YOU AGAIN.

YES. I CAN'T BELIEVE HE'S ALL GROWN UP.

I USED TO CARRY HIM AROUND IN MY ARMS

WHEN HE WAS A BABY. NOW LOOK AT HIM.

YOU GUYS ARE GONNA GET ALONG GREAT.

JIMMY HERE'S GONNA SHOW YOU A THING OR 2 OR 3,

HUH, JIMMY?

HEY, MAN,

WHAT A PLACE YOU GOT HERE.

THIS IS-- THIS IS AMAZING.

A-MAZING.

I NEVER SAW ANYTHING LIKE THIS.

THIS IS MY WORLD, FRANKIE.

OH, I CAN LOOK OUT, BUT NOBODY CAN SEE IN.

RIGHT.

COME ON.

YOU GUYS, GO TAKE CARE OF BUSINESS.

[PATS ON BACK]

LOOK AT HER, JIMMY.

MAMA MIA... [SPEAKING ITALIAN]

YEAH. MADONNA, MY ASS.

THIS IS SIN CITY, JACK.

WHERE YOU GOIN', SUGAR?

HOME. I'M WIPED.

HMM.

MEET FRANKIE, TONY'S NEPHEW.

SAY HELLO.

HI.

HI.

MAN.

[SPEAKING ITALIAN]

YEAH. TONTO, TONTO.

GUESS WHAT? I'M THE LONE RANGER.

LET ME TELL YOU SOMETHING, JACK.

YOU BETTER USE YOUR HEAD AROUND HERE,

OTHERWISE YOU'RE GONNA GET BOTH OF THEM BLOWN OFF.

[FLOP, FLOP, FLOP, FLOP]

[DOOR OPENS]

[BELL RINGS]

YEAH? AHEM!

YEAH.

I NEED A ROOM.

[COUGHING] OK.

[DOOR OPENS]

[COUGHING]

I NEED A ROOM, SINGLE.

YOU GUYS TOGETHER?

NO!

WELL, I AIN'T GOT

BUT ONE ROOM ANYWAY--

CONVENTION, YOU KNOW.

ARE YOU GONNA BRUSH YOUR TEETH?

YOU CAN TALK NOW.

I FORGOT MY TOOTHBRUSH.

USE YOUR FINGER.

I'M NOT STAYING IN THE SAME ROOM

WITH SOMEBODY THAT DOESN'T BRUSH THEIR TEETH.

DIDN'T YOUR PARENTS TEACH YOU ANYTHING?

MY PARENTS ARE DEAD.

I'M SORRY ABOUT THAT.

HERE.

THANKS.

HOW DID THEY DIE?

WHAT DO YOU CARE?

MY MOM DIED IN A CAR ACCIDENT.

MY DAD, A YEAR LATER

FROM DRINKING.

HOW OLD WERE YOU?

7.

WHY ARE YOU GOIN' TO VEGAS?

I HAVE TO SEE SOMEBODY THERE.

A GUY?

YEAH.

[KNOCK AT DOOR]

HEY.

HI.

HI.

MMM...

WHOA.

COME ON IN.

YOU'RE BACK.

YEAH.

REMEMBER THE OLD DAYS?

YOU'D PUT ON MUSIC...

YEAH. WELL...

THE OLD DAYS ARE GONE.

WE'D DANCE SLOW.

REMEMBER?

MM-HMM.

WHEN I SAW YOU TONIGHT, I--

I THOUGHT FOR A MOMENT YOU'D COME BACK FOR ME.

YOU'RE A LITTLE HIGH, BABY, AREN'T YOU?

[CHUCKLES]

YES...

AND YOU'RE DRUNK.

YEAH. HUH?

YOU LEFT WITHOUT SAYING A WORD.

I EXPECTED A PHONE CALL.

I BROUGHT YOU A PRESENT.

WHY DON'T YOU UNWRAP ME?

BECAUSE, LISTEN, I DON'T THINK IT'S A GOOD IDEA.

IF TONY FINDS OUT, HE COULD HURT YOU REAL BAD,

AND, UM, I GOTTA PUT SOME THINGS IN ORDER,

AND, UH...

I REALLY HAVE NO TIME FOR NO TROUBLE.

I'M NO TROUBLE, CHARLIE. YOU KNOW THAT.

SHANGRI-LA IS CLOSED, SWEETIE.

WE COULD REOPEN IT.

WHAT DO YOU WANT TO DO?

YOU WANT TO GO BACK TO THE BEGINNING?

LOOK, IT DIDN'T WORK THEN,

AND IT'S NOT GONNA WORK NOW.

I'LL GIVE YOU WHAT YOU NEED TO START OVER AGAIN.

I MEAN, YOU'RE...

VERY BEAUTIFUL AND VERY YOUNG.

NAH.

I'M OLD.

I WANT TO BE WITH YOU.

NO. YOU WANT SOMEBODY TO TAKE CARE OF YOU,

AND I CAN'T TAKE CARE OF ANYONE.

YOU CAN UNWRAP ME ANYWAY.

[CHUCKLES]

WHAT IS SHE DOING IN THERE, JIMMY?

HUH? WHAT?

MAKE LOVE TO ME, CHARLIE.

MAKE LOVE TO ME.

IT WOULD BE SO GOOD.

HONEY, LISTEN...

WHOA, WHOA, WHOA.

YOU GOTTA STOP.

YOU GOTTA STOP.

I WON'T BEG.

HEARD YOU'RE GONNA PLAY WITH TONY AGAIN.

IT'S NOT LIKE BEFORE, CHARLIE.

HE PLAYS A MEAN GAME NOW.

EVEN WHEN YOU WIN, YOU LOSE...

KINDA LIKE WITH YOU AND ME.

YOU DIDN'T HAVE TO DO THIS, COLONEL.

DRIVE SAFELY.

WHERE YOU GOIN' ANYWAY?

TRY NOT TO HIT NOTHIN'.

GOIN' TO VEGAS?

NO. FLAGSTAFF, SON.

YOU PAY HALF FOR THE GAS,

AND I'M THE BOSS,

AND YOU'RE NOT ALLOWED TO PISS ME OFF ANYMORE.

I MEAN IT, COLONEL.

I DON'T EVEN THINK WE SHOULD TALK.

ALL RIGHT.

NO MORE DRIVIN' LIKE A MANIAC

OR ACTING' LIKE THE QUEEN OF THE UNIVERSE,

AND NO MORE BLOWIN' SMOKE IN MY EYES, ALL RIGHT?

DID YOU THINK I WAS GONNA COME BACK?

I BET A THOUSAND ON IT.

[FRANKIE SPEAKING ITALIAN]

IT STINKS, MAN.

YEAH? WELL, THEY SHIT THEMSELVES.

NOW, GO AHEAD. GRAB THE HEAD.

LET'S GO. COME ON.

YOU WANT TO SHOOT 'EM WHEN THEIR COCK IS DRIPPIN',

YOU KNOW, WHEN THEY'VE BEEN SATISFIED.

THEY FEEL THEY'RE ON TOP OF THE WORLD.

YOU KNOW WHAT I MEAN?

YOU EVER HEAR THAT SAYING,

"WHATEVER GOES UP MUST COME DOWN"?

THIS IS COMIN' DOWN ON HIM, RIGHT NOW.

IT'S LIKE, YOU KNOW,

WHEN YOU'RE THE GRIM FUCKIN' REAPER,

AND YOU'RE JUST FOLLOWIN'-- RIGHT HERE--

FOLLOWIN' THROUGH ON SOME DIVINE RULE OR WHAT HAVE YOU.

WHO IS HE, MAN?

NOBODY.

A HIT'S ALWAYS A NOBODY,

OTHERWISE YOU GIVE YOURSELF THE HEEBIE-JEEBIES.

GET THE SHOVEL, TONTO.

I THOUGHT SOMEBODY ELSE BURY THEM, JIMMY.

WHO?

I DON'T KNOW.

ME AND YOU, TONTO.

WE BURY HIM LIKE A SACK OF POTATOES.

YOU KNOW, WE DO THE WHOLE SHEBANG.

ALL RIGHT, TONTO, LET'S GO.

HEY, MAN! MY NAME IS FRANKIE!

FRANKIE.

YEAH, ALL RIGHT. COME ON, FRANKIE.

FRANKIE, LET ME ASK YOU SOMETHIN'.

LET ME ASK YOU. YOU EVER SHOT ANYBODY?

SHOT SOME RABBITS.

YOU WHACKED THE EASTER BUNNY?

CRAWL ON OVER HERE, BABY!

COME ON.

WORK FOR IT, HONEY.

OH, YEAH! I LIKE THAT!

WHOO!

WHAT'S UP, TONY?

YOU LOOK TIRED, BABY.

AIN'T YOU SLEEPIN' WELL?

LOOK LIKE SHIT.

I SLEEP OK.

YOU GO OUT LAST NIGHT?

MMM...

NO.

YOU WENT STRAIGHT HOME?

YEAH.

AFTER WORK YOU WENT STRAIGHT HOME?

HONEST.

YOU DIDN'T GO OUT?

HUH.

DID THAT HURT?

IT'S SUPPOSED TO HURT.

AH!

UNH!

WHERE'D YOU GO LAST NIGHT? AND DON'T LIE TO ME!

YOU SAW CHARLIE, DIDN'T YOU?

YES!

YOU FUCKED HIM, DIDN'T YOU?

NO! DIDN'T YA?

NO, BABY.

THE FEELIN'S GONE.

IT'S YOU I LOVE.

I'M WARNIN' YOU, STAY AWAY FROM HIM.

I WOULDN'T WANT TO HURT

THAT PRETTY LITTLE FACE OF YOURS.

WHATEVER YOU WANT, BABY.

WHATEVER YOU WANT.

YEAH.

OH, FUCK ME, BABY.

YOU MESS AROUND ON ME I'LL KILL YA.

FUCK ME.

I SWEAR, I'LL KILL YA.

OH... OH.

EASY, EASY, EASY, EASY. NEVER, TONY.

EASY, EASY.

OH...

COME ON, BABY, FUCK ME.

COME ON!

GET A SNICKERS.

SELFISH SON OF A BITCH BASTARD!

WE DON'T DO IT ENOUGH.

FUCK YOU!

SUGAR, HOW YOU DOIN'?

WHAT'S DOIN', TONY?

THAT GIRL, SHE'S GOT A BOX DOWN THERE.

SHE'S GOT A BOX AND IT TALKS.

ONE OF THOSE TALKIN' BOXES.

AM I WRONG TO WANT TO KNOW WHERE SHE GOES, WHAT SHE DOES?

I WANT SOMEBODY WATCHING HER AROUND THE CLOCK.

NEXT COUPLE OF DAYS.

HEY, I CAN DO IT.

NO PROBLEM. IT WOULD BE MY PLEASURE, UNCLE TONY.

OK, FRANKIE.

KEEP AN EYE ON HER FOR ME.

DONE.

WHY THE FUCK ARE YOU FOLLOWING ME?!

I'M NOT FOLLOWING YOU.

YES, YOU ARE!

I'M NOT FOLLOWING YOU.

YOU'RE FOLLOWING ME ALL AROUND.

I'M NOT GOING ANYWHERE!

I'M STAYING HOME! I TOLD HIM!

IT'S OK. IT'S OK.

IT'S NOT A BIG DEAL, RIGHT? IT'S NOT A BIG DEAL.

HEY, HAVE A SIP.

COME ON.

YOU'RE NOT JUST GONNA SIT IN THE CAR ALL NIGHT,

ARE YOU?

WELL, IT'S A NICE CAR, YOU KNOW?

UNCLE TONY GOT IT FOR ME.

I GOT A CD PLAYER.

I GOT A BEER.

GOT EVERYTHING I NEED.

YOU TALK FUNNY.

WHERE ARE YOU FROM?

ITALY.

ITALY?

YEAH.

WHAT ARE THE GIRLS LIKE IN ITALY?

BEAUTIFUL WOMEN IN ITALY.

YEAH.

YOU GOT PRETTY EYES, YOU KNOW THAT?

I LOVE GREEN EYES.

YEAH?

YEAH.

[CHUCKLES]

WHY DON'T YOU COME UP AND...

I'LL FIX YOU A DRINK.

I DON'T KNOW. I CAN'T. TSK TSK TSK.

[MUSIC PLAYING]

ARE YOU ITALIAN?

OH, I LIKE YOUR PLACE, YOU KNOW?

I LIKE YOUR FACE, TOO.

AH. A BIG RED HEART.

HOW LONG HAVE YOU LIVED HERE?

WHAT'S IT LIKE IN ITALY?

HMM?

♪ I CALL OUT YOUR NAME

♪ ONE MORE TIME...

NO.

NO, NO. NO, NO.

SUGAR, NO.

NO, NO. HEY.

♪ I WONDER WHERE YOU ARE

♪ I WONDER WHERE YOU ARE

♪ I WONDER WHERE YOU ARE

NO. I'LL WAIT IN THE CAR.

WHAT'S THE MATTER, FRANKIE? DON'T YOU LIKE DANCING?

I DON'T WANT TO HAVE ANY TROUBLE, SUGAR.

NO TROUBLE, FRANKIE.

NOTHING'S GONNA HAPPEN.

JUST STAY HERE AND TALK TO ME, FRANKIE.

TALK TO ME IN ITALIAN.

[SPEAKING ITALIAN]

[SONG PLAYING ON CAR RADIO]

Lidda: MY FEELING IS THAT...

LIFE HANDS YOU THINGS.

AND 9 OUT OF 10 TIMES

YOU CAN'T DO ANYTHING WITH THEM.

AND THEN IT HANDS YOU SOMETHING

YOU CAN DO SOMETHING WITH.

AND YOU OUGHT TO JUST GRAB IT...

AND HOLD IT TIGHT...

AND HOPE YOU NEVER LOSE IT.

AND THEN YOU'RE NOT ALONE.

YEAH.

AREN'T YOU HAPPY TO BE HERE?

I TRY HARD NOT TO BE HAPPY,

BECAUSE--AND I REALLY BELIEVE THIS--

THERE'S SOMEBODY WHO KEEPS TRACK OF ALL THAT.

I MEAN, REALLY, SOMEBODY WITH A PEN

AND A PIECE OF PAPER WHO MARKS DOWN

HOW MANY TIMES YOU'VE SMILED,

HOW MANY TIMES YOU'VE FROWNED,

HOW MANY TIMES YOU LAUGH-- AND YOU ONLY GET SO MANY.

NOTHING LASTS, LIDDA.

JUST LIKE THAT SUN.

IT'LL GO DOWN.

YEAH.

BUT THEN IT COMES RIGHT BACK UP.

WHO MADE YOU CRAZY, COLONEL?

OH, MY GOD!

I LOVE THIS SONG! OH!

[TURNS UP VOLUME]

COME ON!

♪ SOMEBODY COULD LIKE SOME FUN, THEN ♪

♪ PICKIN' UP A LOADED HAND

♪ AT THE SOUTHLAND DOG STAND ♪

♪ THROWIN' DOWN WITH STRANGERS

♪ RIDING WITH GOLD STAR TREASURES ♪

♪ IT COULDN'T GET MUCH BRIGHTER ♪

♪ GOT A REDHEADED DRIVER

♪ THAT'S SO FAR BETTER

♪ COPPERHEAD

♪ GOIN' ROUND THE MISSISSIPPI

♪ SO WE CAN LIVE PRETTY

♪ SOMEBODY THROWIN' OUT THE STREET LAMP ♪

LOOK AT THE EIFFEL TOWER.

IT'S RIGHT THERE. IT'S RIGHT THERE. LOOK.

♪ I DON'T CARE ABOUT THE FUTURE ♪

A WEDDING CHAPEL. PULL OVER. I WANT TO TAKE A PICTURE.

YOU'VE ALREADY TAKEN A MILLION.

DON'T BE SUCH A CYNIC.

Colonel: BE FAST, ALL RIGHT?

ALL RIGHT.

♪ THE REDHEADED DRIVER LIKES SO FAR BETTER ♪

♪ THE REDHEADED DRIVER

♪ LIKES SO FAR BETTER...

GIVE ME YOUR MONEY, YOU FUCKIN' BITCH!

COME ON!

GIVE IT UP!

GIVE IT THE FUCK UP!

UHH!

UHH!

YOU ALL RIGHT?

YEAH. I GOT YOUR POUCH.

SHIT. OH, MY GOD.

COME ON, WE GOTTA GET YOU TO A HOSPITAL.

NO, NO. IT'S NOT THAT BAD.

WELCOME TO VEGAS.

THANKS.

NO ONE'S EVER DONE A THING LIKE THAT

FOR ME BEFORE.

I THOUGHT WE WERE PRETTY GOOD TOGETHER.

KICKED HIS ASS.

YEAH, WE CERTAINLY DID.

[LAUGHS]

OOH.

YEAH.

WILL YOU HOLD ON TO THIS FOR ME?

IT'S...ALL MY MONEY.

I DON'T FEEL SAFE CARRYING IT AROUND.

YEAH.

THANKS.

[TAKES DEEP BREATH]

OHH...

I FEEL LIKE I'VE FINALLY MADE IT SOMEWHERE.

LAS VEGAS.

ISN'T THAT DUMB?

NO.

I MEAN, I DON'T THINK IT'S DUMB.

I FIGURED YOU'D LEAVE ONCE WE GOT HERE.

DO YOU WANT ME TO?

NO.

YOU GONNA CALL THAT GUY?

I DON'T HAVE HIS NUMBER.

ALL I KNOW IS HE'S IN VEGAS.

WHY DON'T YOU HAVE HIS NUMBER?

IT'S NOT WHAT YOU THINK, COLONEL.

IT'S MY DAD.

I HARDLY KNOW HIM.

HIS NAME IS CHARLIE DOYLES.

CHARLIE DOYLES?

YOUR DAD'S CHARLIE DOYLES?

YEAH. DO YOU KNOW HIM?

YEAH. HE'S, LIKE, ONE OF THE ALL-TIME

GREAT POKER PLAYERS.

REALLY?

YEAH. HE'S AMAZING.

DO YOU THINK HE'LL LIKE ME?

YEAH.

I THINK HE'LL LOVE YOU.

PLACE YOUR BETS.

YOU IN OR YOU OUT, CHARLIE?

CHECK.

MIND IF I JOIN YOU?

ALWAYS ROOM FOR ANOTHER, KID.

YOU OLD ENOUGH?

YOU PRETTY GOOD, ARE YOU?

TRY ME.

SO...

WHAT I GOT?

YOU GOT A COUPLE OF QUEENS.

AND HOW DO YOU KNOW THAT?

'CAUSE I'VE BEEN WATCHING YOU.

YOU'VE GOT A TALENT.

YOU'VE HAD TOO MUCH BOOZE...

OLD-TIMER.

I GUESS YOU GOT ME BEAT, THEN.

I GUESS SO.

YOU BETTER TAKE IT EASY, CHARLIE.

OR LET THE KID PLAY DeCARLO TONIGHT.

YEAH.

YOU GOTTA LISTEN TO ME, KID.

YOU GOT A GIRL?

IS SHE IN TOWN?

GOOD.

YOU GET THAT GIRL...

AND YOU GET OUT OF TOWN.

THIS IS WHERE I BELONG.

POKER'S MY GAME.

YOU LOOK AT ME

AND YOU TELL ME

WHAT I GOT.

I GOT NOTHIN'.

NOTHIN'.

NOW YOU GET THE HELL OUT OF HERE.

HERE.

BUY YOURSELF A ONE-WAY TICKET

TO GARY, INDIANA.

Charlie: NOW, YOU WATCH YOURSELF, SON.

DON'T LET YOUR MOUTH OVERLOAD YOUR ASS.

OLIVIA.

HERE, SWEETHEART.

THANKS, CHARLIE.

SURE.

CASH ME OUT, WILL YOU, SARNI?

Sarni: YEAH, SURE, CHARLIE.

YOU KNOW WHO YOU JUST BEAT, KID?

CHARLIE DOYLES.

BEST POKER PLAYER OF ALL TIME.

WHEN HE'S SOBER,

AND NOT IN ONE OF HIS SELF-DESTRUCTIVE MODES.

THAT WAS CHARLIE DOYLES?

I BEAT CHARLIE DOYLES?

CHARLIE BEAT HIMSELF.

BUT YOU GOT A BRIGHT FUTURE.

NOW, YOU SEE ME? YOU KNOW WHAT I DO?

I FINANCE YOUNG PLAYERS LIKE YOURSELF.

AND YOU KNOW WHAT?

WE'RE GONNA JUMP RIGHT INTO BUSINESS.

AND YOU KNOW WHY?

BECAUSE YOU GOT WHAT IT TAKES.

OLIVIA!

BRING THE KID A DRINK.

[WATER RUNNING]

Roulette spinner: 2,000 RIDING ON BLACK.

BLACK.

Roulette spinner: 33. BLACK.

WINNER.

BLACK AGAIN.

Roulette spinner: 11. BLACK.

WINNER.

BLACK.

17. BLACK. WINNER.

LET IT RIDE ON BLACK.

Roulette spinner: 13. BLACK. WINNER.

Colonel: RED.

WINNER. 19. RED. WINNER. 19. RED.

WINNER.

WINNER.

BACK TO BLACK. PUT IT ALL ON BLACK.

20 PLAYS ON BLACK.

Roulette spinner: 40,000 RIDING ON BLACK.

Roulette spinner: 25. RED. RED. 25.

LOSER.

LOSER.

[SPINNER'S VOICE ECHOING] LOSER...LOSER...LOSER.

[KNOCKS]

YOU GENTLEMEN KNOW THE ROUTINE.

[CHAINS CLANK]

Charlie: HEY, TONY.

HOW YOU DOING, CHARLIE? DOMINICK?

Dominick: HOW'S IT GOING, TONY?

GREAT.

Dominick: ALL RIGHT.

IT'S ALL RIGHT, DOMINICK.

ALL RIGHT. GOOD EVENING, GENTLEMEN.

YOU KNOW THE WAY THIS GOES. TEXAS HOLD 'EM.

TABLE STAKES: 300,000.

CHEERS.

JUST LIKE OLD TIMES, HUH, CHARLIE?

LET'S MAKE THIS HAND COUNT.

25.

CALL.

WANT A LITTLE JACK WITH THAT?

GET WHAT YOU WANT, CHARLIE?

NO, BUT YOU DID.

50.

CALL.

YOU GONNA FOLLOW MY 50, CHARLIE?

50 MORE.

50...

AND 50.

YOU KNOW HOW I FEEL ABOUT SUGAR, DON'T YOU?

HERE'S YOUR 50.

AND 100.

YOU'RE FULL, ARE YOU, TONY?

DEÉJA VU. ALL OVER AGAIN.

CALL.

A LOT OF REAL ESTATE, RED.

BUT BEFORE WE PULL THE TRIGGER AND YOU GO HOME

WITH YOUR TAIL BETWEEN YOUR LEGS,

YOU'RE WELCOME TO TRY TO BEAT ME AGAIN ANY TIME.

ALL IN.

ALL IN, TONY.

YOU'RE A WHALE, RED. YOU'RE A BIG BLUE WHALE

AND I GOT YOU. I DO.

LAST CARD.

LAST FUCKING CARD!

[HEAVY EXHALE]

SIT DOWN, RED.

SIT DOWN. YOU'RE NOT GOING ANYWHERE.

GAME'S OVER.

YOU DON'T BUST SOMEBODY AND WALK AWAY.

YOU DON'T KICK SOMEBODY WHEN THEY'RE DOWN.

TONY, YOU GOT NOTHING TO PLAY WITH.

DON'T FUCK WITH ME.

DON'T FUCK WITH ME, CHARLIE!

GIVE ME SOME PAPER.

YOU PUT UP THAT MONEY

AND I'LL GIVE YOU A LITTLE PIECE OF PAPER.

I'LL LAY IT IN THERE. WE CAN PLAY SOME MORE.

LOOK, THIS LITTLE THING HERE IS WORTH SOMETHING.

SIT DOWN, CHARLIE.

SIT THE FUCK DOWN!

TONY, EVERYTHING'S OK. TONY, PLEASE.

STAY OUT OF THIS!

THIS IS BETWEEN ME AND CHARLIE.

WHY DON'T YOU FIND YOURSELF SOME MORE WINNERS, TONY?

PLAYING ME IS NOT GOOD FOR YOUR HEALTH.

DON'T WORRY ABOUT MY HEALTH.

WORRY ABOUT YOUR OWN FUCKING HEALTH.

I'M NOT AFRAID OF YOU, TONY.

NO? NO.

REALLY.

THANKS, DOM.

THANKS, CHARLIE.

VERY REALLY.

WE'LL SEE, RED. WE'LL SEE.

COLONEL?

YOU OK?

COLONEL, WHAT'S WRONG?

I'M OK.

WHAT'S WRONG?

I WAS AT A CASINO.

I WAS APPLYING FOR A JOB,

AND I WENT INTO THE BATHROOM.

THESE GUYS CAME IN AFTER ME, LIDDA,

THEY HAD GUNS AND--

I'M SORRY. THEY TOOK ALL OUR MONEY.

DID THEY HURT YOU?

[SIGH]

THEY GOT ALL OF OUR MONEY, LIDDA.

WE HAVEN'T PAID THE WEEK'S RENT YET.

ALL RIGHT, INVENTORY OF ASSETS.

SHIT-LOW CITY, HUH?

$48 AND 27 CENTS.

JESUS.

IT'S NOT BAD, RIGHT?

HEY, WE'RE BETTER OFF THAN A LOT OF PEOPLE.

IT'S GOOD FOR ANOTHER NIGHT

AND A COUPLE BURGERS AND FRIES.

WHAT'S THIS?

IT'S FROM MY DAD.

I DON'T WANT IT.

YOU DON'T WANT IT?

LIDDA, WHEN MY DAD DIED THEY GAVE ME A CHECK, TOO.

I DIDN'T WANT A CHECK. I WANTED MY DAD BACK.

BUT I DIDN'T WALK AROUND WITH THE CHECK SAYING,

"I'M NOT GONNA CASH IT."

I MEAN, THAT'S SILLY.

I WANT TO SEE HIM.

WHY?

HE WAS NEVER THERE FOR YOU, LIDDA.

I DON'T WANT TO SEE THE GUY.

PISSES ME OFF.

I WANNA TELL HIM HOW I FEEL.

WHEN I LOOK IN THE MIRROR, I SEE NOTHING.

DO YOU KNOW HOW THAT FEELS, COLONEL?

I REMEMBER THE DAY HE LEFT LIKE IT WAS YESTERDAY.

HE LOOKED AT ME WITH BLANK EYES.

HE SAID HE WAS GOING TO BUY CIGARETTES.

I KNEW HE WAS NEVER COMING BACK.

BUT I WAITED... AND WAITED...

AND WAITED FOR HIM TO COME HOME.

AND HOLD ME AND TELL ME HE MISSED ME.

BUT HE NEVER DID.

AND I FELT IT WAS ALL MY FAULT.

[SOFT] LIDDA--

I WANNA KNOW WHY HE DOESN'T LOVE ME.

CAN YOU UNDERSTAND THAT, COLONEL?

YEAH. I UNDERSTAND.

PLEASE HELP ME FIND HIM.

I WILL.

CLOSE YOUR EYES.

WHY?

JUST DO IT.

ALL RIGHT.

WHAT ARE YOU DOING?

JUST CLOSED.

THEY ARE CLOSED.

HAPPY VALENTINE'S DAY.

OH, MY GOD. I FEEL LIKE SUCH AN IDIOT.

UM, WOW.

HEH HEH HEH!

MMM, IT'S GOOD. THANK YOU.

WOW! YOU'RE SO GOOD TO ME.

YOU WANNA BE MY VALENTINE?

YOU WANT ME TO BE?

♪ IN THE LINES OF FATE

♪ YOUR LIFE IS A MIRROR

♪ SHE'S THERE BY YOUR SIDE

♪ SHE TALKS IN CIRCLES

♪ AND SHE DREAMS IN COLOR

♪ I SUPPOSE IT'S HER TIME

♪ FOR HANGING ON WHILE YOU WAIT ♪

♪ SHE DON'T KNOW THE THINGS I KNOW ♪

♪ SHE'S JUST A GIRL

♪ SAVING HER HEART FOR SOMEONE... ♪

I HAVEN'T DONE THIS MUCH.

THAT'S OK.

♪ WHAT KEEPS YOU SATISFIED? ♪

♪ IS IT HARD TO BELIEVE

[SLOT MACHINE PAYING OFF]

YO, YO, YO. LOOK WHO'S HERE?

HI. HOT COFFEE, PLEASE. CAPPUCCINO.

MAN, YOU GOT SOMETHING AGAINST DAYLIGHT? HMM?

YOU KNOW, IN SICILY, ME AND MY FRIENDS

WOULD GO SWIMMING IN THE SEA EVERY DAY.

YOU SWIM AT ALL, JIMMY?

I DON'T SWIM, FRANKIE.

I TAKE A SHOWER.

YOU GOT A GIRLFRIEND, JIMMY?

I DON'T DATE, FRANKIE. UN-UH.

I HAD A GIRLFRIEND ONCE.

MATTER OF FACT, I STILL GOT ALL HER SHOES

ALL OVER MY LIVING ROOM FLOOR.

BITCH.

WHERE IS SHE NOW?

SHE'S DEAD.

HEY, I'M SORRY.

WHAT ARE YOU SORRY ABOUT?

DON'T BE SORRY. I MEAN, SHIT.

I THOUGHT IT WAS TRUE LOVE, YOU KNOW?

SHE TELLS ME ONE DAY

SHE'S GONNA GO SEE HER BROTHER.

SOMETHING TOLD ME, YOU KNOW, FOLLOW HER.

SHE HAD 3 BROTHERS, RIGHT.

UH-HUH.

SO SHE GOES TO THIS PLACE, SHE GETS OUT,

GOES UP TO THIS GUY

THAT I THOUGHT WAS HER BROTHER.

YEAH?

SHE STARTS KISSING THE GUY...

AND KISSING THE GUY, AND KISSING THE GUY

FOR LIKE 3 MINUTES.

YOU EVER KISS YOUR SISTER FOR 3 MINUTES?

NO, MAN. OF COURSE NOT.

WHAT DID YOU DO?

BANG BANG.

SHOT HER, SHOT THE GUY,

ON VALENTINE'S DAY.

THAT'S WHY I DON'T SHOOT NOBODY

ON VALENTINE'S, FRANKIE.

I'M SORRY, MAN.

DON'T BE SORRY, RIGHT. JUST MIND YOUR BUSINESS.

ALL RIGHT, ALL RIGHT.

FRANKIE, YOU MET ELVIS?

ELVIS, FRANKIE. FRANKIE, ELVIS.

I THOUGHT HE WAS DEAD, MAN.

SUGAR, COME ON.

COME ON.

I GOTTA DO THIS, FRANKIE?

JIMMY'S WAITING FOR US. COME ON.

POO POO.

HEY, HEY, HEY. YOU ALL RIGHT?

DO YOU BELIEVE IN LOVE, FRANKIE?

KISS ME, BABY.

YOU GOING TO DO ANYTHING WITH HIM?

HMM?

HEY, I'LL GET BACK TO YOU.

YEAH, OK.

I FIGURE IT'S OUR DAY.

VALENTINE'S.

I THOUGHT MAYBE YOU'D WANT SOMETHING SWEET.

CHARLIE, CHARLIE, CHARLIE.

YOU ALL RIGHT?

YEAH, I JUST...

I JUST THINK TOO MUCH.

I'M, UH, I'M LEAVING AGAIN.

I KNOW YOU ARE.

WHOA, WHOA. WHAT ARE YOU DOING?

LISTEN...

YOU'RE NOT LISTENING.

YOU'RE TOO YOUNG TO LISTEN.

HMM?

I HEARD IT.

YOU KNOW, I FEEL LIKE--

LIKE I SHOULD WHISPER.

I GUESS IT ALL WENT AWAY, DIDN'T IT?

I REALLY DO THINK

WE COULD'VE DONE SOMETHING.

ME AND YOU.

WHAT'S ME PLUS YOU? WHAT NUMBERS ARE WE?

CHARLIE...

DON'T BLAME ME FOR ANYTHING.

OK?

GOOD-BYE, CHARLIE.

HE'S NOT ASLEEP.

WHO'S GONNA WATCH ME?

GOD WILL.

Man on TV: HOLD HER THERE!

HEY, MAN, LET ME GO IN FIRST.

IT'S MY FIRST TIME, MAN.

OK, OK.

GO IN AND YOU YELL, "FREEZE, MOTHER."

"FREEZE, MOTHER."

FRANKIE, FRANKIE, YOU'RE THE SHOOTER.

YOU'RE THE SHOOTER.

I DON'T SHOOT NOBODY. IT'S VALENTINE'S ALREADY.

I DON'T SHOOT NOBODY ON VALENTINE'S.

WHY NOT?

OH, YEAH, YEAH, YEAH.

I REMEMBER, I REMEMBER.

I REMEMBER.

YOU ALL RIGHT? MMHH.

YOU OK WITH THAT?

YEAH.

YOU CAN DO IT.

YEAH, YEAH.

TAKE A DEEP BREATH.

[INHALES DEEPLY]

LET'S GO, GO, GO.

[GUNS FIRING ON TELEVISION]

FREEZE, MOTHER!

DROP IT.

[BOTH DROP GUNS]

ON YOUR KNEES.

NOW WHAT?

TONY WANTS THE DOUGH, CHARLIE.

YOU OWE ME FOR THE TV. THAT'S 300.

I'VE GOT TO EXPLAIN IT, JIMMY.

OH, FUCK YOU. I'LL GIVE YOU 2.

AM I HOLDING A GUN?

MAKE IT 4. 4?!

4. OH, COME ON.

HERE--HERE-- HERE'S THE 3.

ALL RIGHT, 4, YOU SHIT.

NOW WHAT, CHARLIE?

GET OUT.

CAN I TAKE MY GUN?

GET THE FUCK OUT.

COME ON, LET'S GO.

SHIT. GO, GO, GO!

JIMMY.

YEAH?

CLOSE THE DOOR.

[MUTTERING] FUCKER.

I'M SO SORRY, MAN, SORRY, MAN.

SO SORRY, MAN.

HEY, HEY. FORGET ABOUT IT, MAN.

COME ON.

LIDDA?

LIDDA!

HEY.

HEY.

WHAT'S WRONG? CAN'T SLEEP?

NO.

[SIGHS]

WHY NOT?

I DON'T KNOW.

AM I YOUR VALENTINE?

YEAH.

YEAH? FOREVER?

YOU DON'T BELIEVE IN FOREVER.

YEAH, I KNOW, BUT...

FOREVER?

FOREVER.

HEY, LIDDA?

YEAH?

WHAT?

TELL ME. YOU WERE GONNA SAY SOMETHING.

NOTHING.

I JUST LIKE BEING HERE WITH YOU.

CHARLIE DOYLES DON'T LEAVE TOWN WITH MY MONEY,

AND JUST DON'T GET HIM, JIMMY.

MAKE HIM CRY.

PEOPLE KEEP THINKING I'M A PUNCHING BAG.

THEY PUNCH ME AND PUNCH ME AND PUNCH ME AND PUNCH ME!

THEN THEY REALIZE I'M NOT A PUNCHING BAG AT ALL,

YOU KNOW WHAT I MEAN?

SUGAR TOLD CHARLIE WE WERE COMING IN.

HOW THE FUCK ELSE DOES HE KNOW TO BE WAITING FOR YOU?!

NO SHIT.

WHERE'S FRANKIE?

WITH SUGAR.

I GOTTA DO SOMETHING ABOUT THIS SITUATION.

TONY. TONY.

COME ON. TAKE IT EASY, HUH?

I WANT HIM DEAD, JIMMY.

TONY. TONY, WE'RE TALKING ABOUT

YOUR OWN FLESH AND BLOOD HERE, RIGHT?

WHAT ARE YOU TALKING ABOUT?

FRANKIE. FRANKIE'S YOUR NEPHEW, ISN'T HE?

WHAT ARE YOU TALKING ABOUT?

WHAT ARE YOU FUCKING TALKING ABOUT?!

FRANKIE?

SON OF A BITCH!

OK, OK, WAIT. WAIT A MINUTE.

TH-THAT'S NOT--THAT'S NOT WHAT I MEANT, TONY.

I MEAN, SEE, I WAS JUST ASSUMING--

GET RID OF HIM, JIMMY.

I DON'T CARE HOW YOU DO IT.

JUST GET RID OF HIM.

TONY, TONY, TONY, NOTHING'S GOING ON.

REMEMBER THAT RANCH I WANT TO BUILD OUTSIDE OF TOWN?

YEAH. YEAH.

YOU WHACK THE FUCKING BACKSTABBERS,

WE BREAK GROUND NEXT WEEK.

THERE ARE SO MANY

FUCKING DEAD BODIES OUT THERE

I DON'T WANT TO BUILD A HOUSE OUT THERE.

I HAVE FUCKING NIGHTMARES.

I'M NOT PLAYING LET'S MAKE A DEAL.

I TELL YOU SOMETHING, IT GOES DOWN.

END OF FUCKING STORY.

TONY, TONY, TODAY'S VALENTINE'S.

YOU KNOW WHAT I MEAN?

I DON'T GIVE A FUCK WHAT DAY IT IS!

I LIKE THE KID.

I DON'T KNOW WHY, BUT I LIKE THE KID.

LISTEN TO ME. I WANT HIM DEAD.

FRANKIE, SUGAR, CHARLIE-- I WANT 'EM DEAD,

OR I SWEAR, JIMMY, I'M GONNA FUCK YOU UP SO BAD

YOU'LL WISH YOU WERE DEAD.

UNDERSTAND?!

I UNDERSTAND.

I UNDERSTAND.

OH, JIMMY!

JIMMY! HI.

JIMMY, HOW DID YOU-- HOW DID YOU GET IN HERE?

UH, DON'T WORRY ABOUT IT. LISTEN, FRANKIE,

WE GOT SOME TROUBLE DOWN AT THE CLUB, YOU KNOW?

SO WE NEED TO TALK.

COME ON, MAN. TODAY IS YOUR DAY, JIMMY.

YEAH.

HAPPY VALENTINE'S.

YEAH, TODAY IS MY DAY.

AND I GOT TO TELL YOU SOMETHING.

ME AND SUGAR ARE GONNA GO AWAY, ALL RIGHT?

YEAH? MM-HMM.

WE'RE GONNA GET MARRIED.

I WANT TO TAKE HER TO SICILY, MAN.

Sugar: AND WE'RE GONNA HAVE A BUNCH OF KIDS.

OH, AND JIMMY?

I WANT YOU TO BE MY BEST MAN.

I WANT YOU TO KNOW ONE THING.

WE HAVEN'T DONE NOTHING YET,

I MEAN NOTHING.

NO, WE HAVEN'T DONE NOTHING BUT DANCE, JIMMY.

YEAH, WELL, YOU KNOW, THAT'S GREAT.

CAN I HAVE A DRINK?

YEAH. RUM AND COKE.

RUM AND COKE? DONE.

RUM AND COKE. RUM AND COKE.

SUGAR, SUGAR, SUGAR, SUGAR.

YOU KNOW, YOU SHOULDN'T HAVE TOLD CHARLIE

WE WAS COMING IN LIKE THAT.

YOU KNOW, HE COULD HAVE SHOT US BOTH,

FRANKIE AND ME.

NO, JIMMY, I DIDN'T TELL CHARLIE ANYTHING.

YOU KNOW, TONY'S REALLY REALLY PISSED OFF ABOUT IT.

[GUNSHOT]

SUGAR?

SUGAR, BABY. SUGAR?

WHAT HAVE YOU DONE, MAN?

YOU SHOT HER, MAN!

FRANKIE-- OH, MY GOD, MAN.

YOU SHOT HER, MAN! WHAT THE FUCK HAVE YOU DONE?!

HEY, IT'S NOT SUPPOSED TO BE PERSONAL.

IT'S NEVER GONNA WORK OUT. FRANKIE, LET'S GO.

[SPEAKING ITALIAN]

I THOUGHT YOU WERE MY FRIEND, MAN.

COME ON, FRANKIE, LET'S GET THE FUCK OUTTA HERE.

STAY, MAN.

GET DOWN ON YOUR FUCKING KNEES, MAN.

GET DOWN ON YOUR FUCKING KNEES. I'M TELLING YOU.

OK.

GET DOWN ON YOUR FUCKING KNEES.

IF YOU'RE GONNA PULL IT, PULL IT.

YOU'RE DEAD, MAN!

PULL IT! I LOVED HER!

PULL IT.

YOU'RE DEAD!

PULL THE FUCKING TRIGGER!

I LOVED HER, JIMMY, ALL RIGHT?! I LOVED HER!

OK.

I GUESS WE'LL BOTH MARRY THE CORPSE NOW, HUH?

FRANKIE...

HERE'S $5,000.

GET AS FAR AWAY AS YOU CAN.

GET AS FAR AWAY AS YOU CAN FROM HERE, OK?

TONY'S GONNA KILL YOU, MAN.

NO, IF YOU'RE HONEST AND GOT A PULSE,

YOU GOT THE JOB.

THANK YOU SO MUCH.

Man: TOMORROW, 7 A.M.

Lidda: ALL RIGHT. OH, BY THE WAY,

DO YOU HAPPEN TO KNOW A CHARLIE DOYLES?

DOYLES? YEAH.

DOYLES.

JIMMY.

YO.

MAYBE JIMMY HERE CAN HELP YOU.

HE KNOWS JUST ABOUT EVERYBODY.

AND I'LL SEE YOU TOMORROW AT 7 A.M.

GREAT.

YOU ASKING FOR, UH--

YOU ASKING FOR WHO? FOR CHARLIE?

YEAH. DO YOU KNOW HIM?

YOU A FRIEND OF HIS?

I'M HIS DAUGHTER.

[SLOT MACHINES JANGLING]

Man: AND A CHERRY SODA, TOO!

Second Man: BECKY, YOU WANT TO GET THIS ORDER OUT?

GUESS WHAT?!

I'M GONNA GET TO SEE MY DAD!

HUH. REALLY.

I MET THIS REALLY SWEET GUY JIMMY WHO KNOWS HIM,

AND HIS BEST FRIEND IS MY DAD'S OLDEST GAMBLING GUY.

THAT'S SO GREAT, HON.

YEAH. HE MIGHT HAVE A JOB FOR ME

THAT PAYS UP TO $500 A NIGHT.

I CAN'T BELIEVE I'M GONNA SEE MY DAD, COLONEL.

WOW. 500 BUCKS A NIGHT, HUH?

WHERE IS THIS? A STRIP CLUB?

YEAH.

TONY'S DOLLHOUSE.

WHAT?!

COLLEGE GIRLS DO IT ALL THE TIME

TO FINISH SCHOOL. LIDDA,

NO, YOU DON'T HAVE TO DO THAT, OK?

I GOT A JOB.

WHAT JOB?

I MET THIS GUY--SARNI.

HE SAYS HE'S GONNA BACK ME IN CARDS.

I GET TO KEEP 50% OF MY WINNINGS.

YEAH.

YEAH. WHERE'D YOU MEET HIM?

AT A CASINO.

WANTS TO TAKE ME TO RENO TONIGHT...

GET ME SOME NEW THREADS.

HE SAID YOU CAN COME WITH.

WHAT DO YOU SAY?

TO RENO?

MM-HMM.

COME ON. IT'D BE FUN. YOU AND ME, RENO.

I DON'T WANT YOU TO BE A GAMBLER, COLONEL. I--

WELL, WHAT ELSE AM I GONNA DO?

I DON'T KNOW.

I DON'T WANT TO BE WITH SOMEONE

WIRED ON WINNING OR LOSING.

I HATE IT. WELL, I--

Waitress: CAN I GET YOU ANYTHING ELSE?

THANKS.

I JUST HOPE WE HAVE ENOUGH.

WE GOT ENOUGH. IT'S ONLY 2.35.

[CHANGE CLATTERS]

WHAT'S THIS?

IT'S A $25 CHIP.

DID YOU WIN IT?

NO, UM, SARNI GAVE IT TO ME FOR GOOD LUCK.

SO YOU DIDN'T GAMBLE?

NO.

YOU'RE TELLING ME YOU DIDN'T GAMBLE AT ALL?

NO. I HAVEN'T GAMBLED AT ALL.

YOU SWEAR IT?

YEAH, I SWEAR IT.

JUST TELL ME THE TRUTH.

I AM TELLING YOU THE TRUTH.

NO, YOU'RE NOT.

WHY ARE YOU GETTING ALL NUTS ON ME?

YOU'RE TRYING TO TURN THIS AROUND.

THERE'S NOTHING TO EVEN TURN AROUND.

DID YOU GET ROBBED THE OTHER DAY, COLONEL?

YEAH.

I GOT ROBBED. YEAH. I GOT ROBBED.

YOU DIDN'T LOSE THE MONEY GAMBLING?

NO.

YOU CAN TELL ME IF YOU DID.

DID YOU BET ALL OUR MONEY, COLONEL?

YOU COULD HAVE JUST TOLD ME.

YOU COULD HAVE.

FIRST DAY WE GOT HERE, I...

PLAYED SOME CARDS, BUT I WAS WINNING, OK?

I MEAN, WINNING BIG,

AND THEN, I WENT OVER TO THE ROULETTE TABLE, AND...

I WON AGAIN, I MEAN, I BET IT ALL, LIDDA.

I MEAN, EVERY TIME-- 10,000, 20,000, 40,000.

THERE WERE PEOPLE ALL AROUND. EVERYBODY'S CHEERING.

I WAS ON A ROLL. I GOT, LIKE, 5 IN A ROW.

HOW COULD I JUST STOP?

YEAH, AND YOU LOST IT ALL.

I'LL WIN IT BACK.

I WILL.

LOOK, I AM THE BEST AT THIS GAME.

YOU SHOULD HAVE SEEN ME OUT THERE.

STOP IT. DON'T TALK ANYMORE.

YOU'RE JUST GONNA SPEND YOUR WHOLE LIFE

TALKING AND PROMISING AND PROMISING.

NO, I PROMISE YOU. I'LL MAKE THIS UP TO YOU.

LIDDA! LIDDA!

LIDDA!

LIDDA! LIDDA!

LIDDA, THE GUY I PLAYED IN CARDS--

IT WAS YOUR DAD!

MY DAD?!

YEAH. HE'S STAYING AT THE BOURBON STREET HOTEL.

WHAT'S WRONG WITH YOU?

I'M LOOKING ALL OVER AND YOU KNOW THAT,

AND THEN YOU KNOW WHERE HE IS

AND YOU KNOW I'M LOOKING.

WHAT DID YOU THINK? THAT I'D NEVER FIND HIM?

IT'S SO EASY, COLONEL.

YOU SAY, "BABY, I LOST YOUR MONEY.

"I WAS PLAYING YOUR DAD AT CARDS.

"HE WANTS TO SEE YOU.

I'M SORRY."

I DON'T KNOW. I GUESS I WANTED--

YOU'RE A LIAR.

I JUST--I DON'T WANT ANYTHING TO GET IN THE WAY.

SHUT UP! YOU LIED TO ME.

YOU DON'T CARE ABOUT ME AT ALL.

NO! I ONLY LIED TO YOU BECAUSE I DIDN'T WANT TO BE--

JUST SAVE IT!

LIDDA, LOOK--

DON'T TOUCH ME.

Charlie: JOEY, GIVE ME A C.C. ON THE ROCKS, PLEASE.

Joey: RIGHT AWAY, MR. DOYLES.

THANKS.

HI.

HI.

WANT A DRINK.

NO. I'LL BUY YOU A DRINK.

I'M UNDERAGE.

I JUST TURNED 18 3 DAYS AGO.

WHAT DO YOU DO FOR A LIVING?

I, UH...

I DON'T WANT A DATE.

I DON'T, UH--I DON'T WANT TO WASTE YOUR TIME.

I'M NOT A HOOKER.

I'M SORRY.

YOU DON'T KNOW WHO I AM?

NO. ARE YOU FAMOUS?

I DON'T LOOK FAMILIAR TO YOU?

SORRY, NO.

DO YOU HAVE A FAMILY?

NO.

WHY NOT?

I, UH, I WAS PRETTY SCREWED UP, AND, UM,

I RAN OFF.

DO YOU MISS THEM?

I MISS THEM A LOT.

LIDDA.

I'M LIDDA.

LIDDA?

DO YOU KNOW WHO I AM NOW?

YOU'RE A VERY BEAUTIFUL GIRL. YOU KNOW THAT?

I DON'T KNOW ANYTHING.

HOW'S YOUR MOM?

SAME.

HERE.

HA. I REMEMBER THE DAY WE TOOK THIS PICTURE.

YOU'D ALWAYS WEAR THESE PINK PAJAMAS.

AND I'D TUCK YOU IN AND I'D TELL YOU A STORY

ABOUT A BEAR AND A MOUSE

AND HOW THEY BECAME BEST FRIENDS.

YOU HAD THIS LITTLE LAUGH, LIDDA.

AND BEFORE I KNEW IT, YOU'D, UH...

YOU'D BE FAST ASLEEP.

AND YOU'D BREATHE SO SOFT.

TO ME, IT WAS THE SOFTEST THING

IN THE WHOLE WORLD.

WHENEVER I THINK OF YOU...

YOU'RE SMILING.

I WASN'T VERY GOOD, WAS I?

I'M SO SORRY. I MEAN,

I JUST NEVER MEANT TO HURT YOU.

I'M LEAVING TONIGHT. I'M GOING AWAY TONIGHT.

WHERE YOU GOING?

TO BUY CIGARETTES?

CAN I COME?

BABY, THAT'S NOT WHAT YOU WANT.

YOU DON'T KNOW WHAT I WANT.

YOU DON'T KNOW ANYTHING ABOUT ME.

I KNOW I WAS NO GOOD THEN.

I STILL AIN'T NO GOOD. I WAS A BUM.

I WOULD HAVE SCREWED YOU UP.

YOU'D HAVE BEEN CRAZY.

ALL MY SCREWING AROUND AND DRINKING...

I WOULD HAVE HURT YOUR MOTHER REAL BAD, TOO.

SO, I, UH...

SO I LEFT KNOWING WHAT I KNEW,

AND, UH...

YOU KNOW, I KEPT RUNNING 'CAUSE I REALLY THOUGHT

THAT WAS THE RIGHT THING TO DO.

AND THE MORE TIME THAT WENT BY...

THE MORE RIGHT I THOUGHT I WAS.

AND, UH, YOU KNOW,

MAYBE IT'S A LIE. MAYBE IT'S ALL A LIE.

I JUST DON'T KNOW.

I DON'T KNOW, HONEY. I...

I SWEAR TO GOD I'D DO ANYTHING

TO MAKE IT UP TO YOU. I MEAN, SWEAR TO GOD.

I DON'T WANT ANYTHING FROM YOU.

ALL YOU CARE ABOUT IS YOURSELF.

HERE'S YOUR CHECK.

[KNOCK ON DOOR] LIDDA?

Lidda, VO: ALL DREAMS CAN'T COME TRUE, COLONEL.

I LOVED YOU.

I THOUGHT IT FROM THE FIRST TIME I SAW YOU

AND EVERY TIME AFTER.

I JUST WANTED TO BE WITH YOU AND ONLY YOU.

YOU GET WHAT YOU WANT,

AND THEN IT'S NOT WHAT YOU WANT AT ALL.

GOOD-BYE, COLONEL.

I GOT SOME STEEL ON YOU.

I BEEN WAITIN' FOR YOU, JIMMY.

YEAH?

OH, YEAH.

HMM.

KEEP YOUR HANDS OUT.

WE'RE GONNA GO UP TO THE ELEVATOR.

YOU'RE GONNA PRESS THE UP BUTTON

AND YOU'RE GONNA MOVE REAL SLOW.

I'M THE BEST BUDDY YOU EVER HAD.

YOU WOULDN'T SHOOT ME

IN FRONT OF ALL THESE PEOPLE, WOULD YA?

IT'S NOT MY FAVORITE.

OK. GIMME WHAT I CAME FOR.

AIN'T HERE.

YEAH, IT IS. COME ON.

WE HAVE SOMETHING OF YOURS, TOO.

SHE'LL BE DANCING AT TONY'S TONIGHT.

WHAT'S THAT?

WELL, THEY SAY SHE HAS A NICE SHAKE,

A BEAUTIFUL SMILE, GREAT EYES,

AND YOUR LAST NAME.

EASY. COME ON, CHARLIE.

ALL I WANT IS THE MONEY.

GIMME THE MONEY, OR YOU'RE GONNA FIND HER

OUT THERE IN THE DESERT PUSHING UP SOME CACTUS.

COME ON.

IT'S IN THE OLD TV.

NO SHIT.

I LIKE MINE UNDER THE MATTRESS.

BUT, HEY, YOU KNOW, THAT'S ME, RIGHT?

COME ON. LET'S GO.

OK. PUT IT DOWN.

WHERE'S YOUR PARTNER?

HE'S ON PERMANENT LEAVE.

OK, NOW LET'S PUT THE DOUGH OVER HERE

ON THE TABLE.

I WANT YOU TO KEEP

A COUPLE OF BUNDLES FOR YOURSELF.

MY ODDS JUST WENT TO 50-50.

NO WINNERS TONIGHT, JIMMY.

WE BREAK EVEN.

WE BOTH LOSE.

AW, SHIT, JIMMY.

SHIT, JIMMY, WHY'D IT GO THAT WAY?

I DIDN'T WANT THAT.

BAD LUCK, CHARLIE.

ALWAYS HAS BEEN.

VALENTINE'S.

HEY, MAN, YOU WERE JUST BLUFFIN'

ABOUT MY DAUGHTER, RIGHT?

HEY, JIMMY.

[RING]

LIDDA!

MR. SARNI.

YEAH, I'M READY. I WAS BORN READY.

YEAH, I'LL BE RIGHT OUT. BYE.

♪ ...OUT THROUGH THE AIR

♪ FEELS LIKE DON'T KNOW, JUST DON'T CARE ♪

♪ YOU GO, SO YO

♪ THIS I'LL KEEP HERE, SHE JUST MUST GO ♪

♪ SO WHAT YA GOTTA DO IS LOSE THE ATTITUDE ♪

♪ WE'RE EQUAL, NOW COME HERE AND WORK ♪

♪ NOW THAT YOU DRIVE, LOST TO MY EYES ♪

♪ TRYING TO DECIDE WHO GETS TO RIDE ♪

♪ TOO SCARED TO CATCH YA ♪

Men: YEAH!

WHOO!

I LIKE THAT.

♪ BUT ONLY ONE SHOUTS STICK OUT YOUR ASS ♪

♪ STICK OUT YOUR ASS

♪ STICK OUT YOUR ASS LIKE A FUNKY DOG ♪

♪ STICK OUT YOUR ASS, STICK IT OUT ♪

♪ STICK OUT YOUR ASS LIKE A FUNKY DOG ♪

♪ STICK OUT YOUR ASS, STICK OUT YOUR ASS ♪

♪ STICK OUT YOUR ASS LIKE A FUNKY DOG ♪

Man: OH, YEAH!

♪ STICK OUT YOUR ASS LIKE A FUNKY DOG ♪

Man: YEAH. HEY.

[WOMEN TALKING]

OH, THAT'S MINE. THAT'S MINE OVER THERE.

HEY, SINCE WHEN DO MEN COME IN HERE?

WHEN AM I UP?

YOU'RE UP NOW.

HEY, YOU BETTER GO. HE'S ASKING FOR YOU.

CAN I TALK?

SURE. GO AHEAD.

I MEANT ALONE.

NO.

RIGHT HERE.

I KNOW YOU THINK I'M A REAL SON OF A BITCH.

I LIED TO YOU.

YOU HAD EVERY RIGHT TO THINK THAT WAY.

I'M NOT GONNA LIE TO YOU AGAIN.

I MEAN IT. I REALLY DO.

HEY...

WE MADE A MISTAKE.

I GOTTA GET READY.

WILL YOU COME WITH ME?

NO.

I'M GOING TO RENO TONIGHT.

COME WITH ME.

LIDDA.

IS THIS WHAT YOU WANT?

HEY, MAN, GET THE FUCK OUT OF HERE.

SHE DOESN'T WANT TO TALK TO YOU.

WHAT'S UP WITH THIS? GO GET TONY.

GET OUTTA HERE!

THIS WHAT YOU WANT?

YES.

OH, IT IS?

YES.

BYE.

Woman: YEAH. DON'T COME BACK.

HE'S A REAL PIECE OF SHIT, HUH?

Woman: WHAT AN ASSHOLE.

JERK!

Sarni: IT'S PERUVIAN FLAKE. IT'S GREAT SHIT.

COLONEL, TAKE A BLAST.

STOP THE CAR.

COME ON, KID.

SHE'S GONNA BE THERE WHEN YOU GET BACK.

IN THE MEANTIME... ENJOY THE SCENERY.

TELL THE DRIVER TO PULL OVER.

HEY, DAVE. PULL OVER.

LOOK, THIS IS YOUR DREAM.

GRAB IT, KID.

WHAT DO YOU KNOW ABOUT MY DREAM?

FUCKIN' LOSER.

Announcer: AH, CHRISTINA.

LOVES TO DRIVE FAST CONVERTIBLE CARS WITH THE TOP DOWN.

GOOD THING FOR US THE FAVORITE TOP

SHE LIKES TO HAVE DOWN IS HERS.

THAT'S RIGHT, GUYS. WHERE THE SHOW GOES NON-TOP

ALL NIGHT LONG.

Tony: AND NOW, LADIES AND GENTLEMEN,

IT GIVES ME GREAT PLEASURE

TO INTRODUCE OUR NEWEST SENSATION...

THIS IS HER FIRST TIME EVER, FOLKS...

SO PLEASE BE GENTLE.

I GIVE YOU THE LOVELY, THE LUSCIOUS,

THE LICENTIOUS

SHERRY FULLOFLOVE!

♪ REAL

♪ IT'S JUST

♪ ILLUSION

♪ COME

♪ TASTE MY CONFUSION

♪ IT'S OUT THERE

♪ OUT THERE

♪ OF THIS WORLD

♪ I GAZE

♪ OUT THERE

♪ REALITY IS JUST AN ILLUSION ♪

♪ COME ON, COME ON AND TASTE MY ♪

♪ CONFUSION

♪ REALITY IS JUST AN ILLUSION ♪

♪ SO COME ON, COME ON

♪ TASTE MY CONFUSION

Man: COME ON!

HEY.

SPIN AROUND OR SOMETHING.

♪ OF THIS WORLD

HOLD ON! HOLD ON!

♪ OF THIS WORLD

♪ OF THIS WORLD

SHOW 'EM WHAT YOU GOT, BABY.

COME ON DOWN HERE!

CHARLIE.

HECTOR.

I'M GONNA HAVE TO ASK TONY.

SHIT.

♪ AND TASTE MY CONFUSION

♪ OF THIS WORLD

♪ OF THIS WORLD

OH!

OH! BOO!

BOO!

[MEN JEERING]

[MEN BOOING]

BOO!

HEY, GET OVER HERE!

COME ON. LET'S GET OUTTA HERE.

COME ON!

IT'S OK, LIDDA.

Tony: THROW THAT BUM OUTTA HERE!

I DON'T WANNA SEE HIM IN HERE AGAIN.

TAKE A COLD SHOWER.

COME ON. GET HIM OUTTA HERE!

Announcer: LADIES AND GENTLEMEN,

THAT WAS SHERRY...

YOU'RE 86'd, PAL.

I DON'T WANNA SEE YOUR FACE BACK IN HERE!

...SHE'S GOT SCHOOL TOMORROW.

AND NOW, LADIES AND GENTLEMEN,

2 FOR 1 OF THOSE LAP DANCES STARTING NOW!

OH! OH!

[SCREAMING]

COLONEL!

AAH!

TONY. LET HER GO.

IT'S BETWEEN YOU AND ME.

[LIDDA SOBS]

I'LL GIVE YOU WHATEVER YOU WANT.

YOU JUST NAME IT. I SWEAR TO GOD.

PUT YOUR GUN DOWN. COME OUT WHERE I CAN SEE YOU.

OK.

KICK IT AWAY.

[THUNK]

I--I'LL GIVE YOU YOUR MONEY BACK.

YOU HEAR ME?

IT'S NOT ABOUT THE MONEY, CHARLIE.

AAH!

WHAT'S THIS ABOUT? SUGAR?

I LOVED HER, CHARLIE.

I'M STILL BEGGING YOU.

JUST LET MY DAUGHTER GO.

SHE'S JUST A LITTLE GIRL.

Lidda: NO!

NOW I'M GONNA MAKE YOU CRY.

'CAUSE I'M GONNA TAKE SOMETHING FROM YOU

THAT YOU LOVE.

THEN...I'M GONNA WATCH YOU DIE.

DO IT. SHOOT ME.

Frankie: MY CARONIA.

[GUN CLICKS]

YOU SCUMBAG.

[GROANS]

YOU SHOULDN'T HAVE TO SEE ANYTHING LIKE THIS.

I'M GONNA GET YOU TO A HOSPITAL, OK?

WHAT CAN I DO?

YOU'RE MY BABY.

YOU KNOW THAT? YOU'RE MY BABY.

[CRYING] I KNOW THAT.

YOU KNOW HOW MUCH I, UH...

I ALWAYS CARED.

I ALWAYS...

I ALWAYS CARED, HONEY.

I THINK...I THINK...

I'M SO TIRED.

MAKE SURE YOU TAKE THE OLD TV.

DADDY?

BYE, DADDY.

DADDY.

Reporter: I'M STANDING HERE IN FRONT OF TONY'S DOLLHOUSE

OFF THE STRIP OF LAS VEGAS

WHERE A MAJOR SHOOT OUT HAS JUST TAKEN PLACE.

INVOLVED IN THE SHOOTING

WAS THE STRIP CLUB OWNER TONY DeCARLO

AND HIS NEMESIS CHARLIE DOYLES.

I SEE CHARLIE DOYLES' DAUGHTER, LIDDA, IS WALKING BY...

THE TV DOESN'T WORK, LID.

YEAH, I KNOW. BUT MY DAD WANTED ME TO HAVE IT.

COULD YOU ROLL DOWN A WINDOW OR SOMETHING?

♪ YOUR LOVE'S A SPINNIN' WHIRL ♪

♪ ONTO THE ROOF OF A HURRICANE ♪

I CAN DO YOU ONE BETTER.

OH, YEAH? WATCH THIS.

♪ THE ANGELS IN THE SKY ARE MYSTIFIED ♪

♪ THAT YOU WOULD OFTEN FLY LIKE A SAINT ♪

♪ SHE SPINS AROUND

♪ SEE THE WAY SHE MOVES ALL THROUGH THESE DREAMS ♪

♪ SHE SPINS AROUND

♪ SEE THE WAY SHE TRIPS THAT LEVER IN MY BRAIN ♪

♪ SEE MY LOVE FADE AWAY

♪ SEE MY BLOOD RUN DRY

♪ SOLD MY SOUL FOR A BEGGAR'S TOLL ♪

♪ NOW I'M OUT HERE BUYING TIME ♪

♪ OH, SHE SPINS AROUND

CAPTIONING MADE POSSIBLE BY TRIMARK HOME VIDEO

CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--

♪ LOCKED OUTTA YOUR LOVE LIKE THE TRAMPS OUT ON THE STREET ♪

♪ KNOCKED OUT BY YOUR RADIANT BEAMS ♪

♪ YOUR BEAUTY IS A SIN, SEE IT ALL BEGIN ♪

♪ WHEN YOU'RE OUT ON THE WAVES OF THE NIGHT ♪

♪ SHE SPINS AROUND

♪ SEE THE WAY SHE MOVES ALL THROUGH THESE DREAMS ♪

♪ SHE SPINS AROUND

♪ SEE THE WAY SHE TRIPS THAT LEVER IN MY BRAIN ♪

♪ SEE MY LOVE FADE AWAY

♪ NOW I SEE MY BLOOD RUN DRY ♪

♪ SOLD MY SOUL FOR A BEGGAR'S TOLL ♪

♪ NOW I'M OUT HERE BUYING TIME ♪

♪ SHE SPINS AROUND

♪ SHE SPINS

♪ ALL THAT'S BRIGHT AND LIGHT, LOVE ♪

♪ LIVES DEEP IN YOU

♪ SO RUN AWAY WITH ME, WON'T YOU? ♪

♪ RUN AWAY WITH ME, WON'T YOU? ♪

♪ RUN AWAY WITH ME, WON'T YOU? ♪

♪ IT DON'T MATTER WHERE WE GO ♪

♪ WE CAN LIVE IN THE MOUNTAINS ♪

♪ OR WE CAN LIVE ON THE PLAINS ♪

♪ OR IN A PLACE FAR TOO BEAUTIFUL ♪

♪ TOO BEAUTIFUL TO NAME

♪ SO RUN AWAY WITH ME, WON'T YOU? ♪

♪ RUN AWAY WITH ME, WON'T YOU? ♪

♪ RUN AWAY WITH ME, WON'T YOU? ♪

♪ IT DON'T MATTER WHERE WE GO ♪

♪ NO, IT DON'T MATTER WHERE WE GO ♪