Original subtitles

Are you filming? - Yep.

- Okay.

Okay, right. This is all they've released.

Victim is a young woman called Emily Hartwell

Missing a week ago.

Third victim this year.

Rachel, they're keeping very tight-lipped.

- Okay, so I think they're just over that bridge.

I think we can just cut through.

- Okay, or maybe we could stay here and get a wide shot.

- No, no, no, we've gotta go now.

If we're not the first ones there,

someone else is gonna get this first, okay?

We've gotta go. - Okay.

- Are we ready? Yeah?

Okay, so straight up.

And I think there at the top,

I think I saw a little bit of movement up there, so-

- You want us to go through that?

- Yeah, well, if we go straight up,

then we're gonna get there quicker.

If we go around, it's gonna take us like half an hour, so-

- Rachel, that's quite steep.

What if we drop the camera?

- We're not gonna drop it. We're not gonna drop it.

You're fine, aren't you, right?

Yeah. - Drop the camera.

No, it's not. - Okay.

- I mean, there's a path,

so stay on the path, I guess. - Yeah.

It's a lot steeper the closer you get, isn't it?

It's gonna be fine. - Okay.

- But if you could stand behind me, 'cause if I fall, I-

- Yep, I'll...

Are you all right? - Yes.

- I think you need to like, go for a run or something.

- Okay. Can you slow down maybe?

No. - No? Okay.

- I think it's just up here on the right.

Just on the right. - Okay.

I mean, you said that earlier.

- Well, it's all the same thing, isn't it?

It's all the same thing.

- Okay, can you slow down, Rachel?

Me and Martin are a bit slower.

- Yeah, no, we need to be the first ones there.

First ones, okay? - Okay.

The things we do, Martin, the things we do.

Rachel? - This is it.

This is it. This is it.

We've got it, and we're the first ones.

Come on, come on, come on.

Mark, hurry up.

- Rachel, I think we're too close.

- You can see a camera, come on.

Right here. Right here.

Okay, okay, just there, just there.

Can you see it? Can you see it?

Can you get on the ground?

Oh, this is a good one. - Great.

Yeah, I think that's a really great shot.

- Okay, we've got the shot. Let's go.

- No, no, no, I feel like we can get a little bit closer.

- I don't think we need to.

We've got the wide shot, don't we?

Martin, you've got the shot?

Yep, we got it. - It's the shot.

- No, no, no, we can get a bit closer,

'cause if we go in a bit,

we might even actually be able to get an interview.

I think we can probably get an interview with one of those,

the inspectors, yeah. - Rachel, Rachel,

I told you it might be dodgy.

I do.

- No, I think a little bit closer,

maybe an interview, and then that's it.

I think then we can move to the one.

- I don't think we need an interview, we got enough.

I think we should go.

- Okay, well, I'm gonna give it a try.

- Rachel, be careful.

- No, no, no, that's fine.

We're are just gonna get some shots.

- I don't wanna get arrested.

- We won't. She's selling it well.

- Yeah, no, it's over with my guys.

But we just want some general stuff off to look around,

maybe even a few words of yourself.

That would be really great.

- I'm gonna need to see some ID.

- Yeah, yeah, no, of course, of course.

But it would be good... I don't think you

should be filming.

I don't want them filming... no, no, no, no.

Until I see any ID. - Yeah, no, that's fine.

Well, it's over there. - He's got the ID?

Yeah, yeah, yeah. - Bring the ID and-

- Yeah, so I'll be back in a minute and we'll do some-

And then we do something. - And we'll do our...

No, we've got it, we've got it.

10 minutes, okay?

He said he needs to see ID and stuff,

but that's fine, we can do that.

And then something about permit, but whatever.

We haven't got a permit. - That's fine.

But we're gonna go over

so we can get some shots around the body,

not of the body, around the body.

And he's gonna do an interview.

So, there we go.

This is the story.

Okay, I'm ready, can I have the-

- Yep. Sorry, sorry.

There's your mic. - Great.

Okay. Ah, what was her name?

- Emily Hartwell.

Okay, Emily Hartwell, missing a week ago.

Yeah. - Third victim this year.

Those are the hit points. - Okay.

Okay? All right. - Okay.

You've got this. - Okay. Yeah, all right.

Oh my God, that's bright. - Sorry.

- I'm just gonna, okay, it's fine.

Am I framed? - Shift a bit left.

My left or your left? - Your left.

Good? - Yes.

- Police have confirmed today

that a body has been found in the South Downs Forest.

The victim has been identified

as 22-year-old Emily Hartwell,

who has reported missing just over a week ago.

Forensics have been on scene since this morning

and officers say the circumstances surrounding her death

are being treated as suspicious.

Inspector, can you give us any more details at this stage?

- We're treating this as an isolated case,

and as you rightly said,

we are treating this as suspicious and foul play,

I think, has been involved here.

Any information that we find we will release in due course.

But like I said, and like you can clearly see,

forensics are working to try and find any new evidence

that they can find.

In the meantime, I ask that if anyone has any information,

then they kindly come forward.

- Okay. Good.

Just one more thing, just off the record.

Anything else you can give me?

Absolutely not. - Just anything, like-

- No, no, no, no, no.

I think we're done here. - Inspector, just like-

You need to stop filming. - No, no.

Don't touch the camera. - Hey, mate.

Don't touch the camera. - Do you wanna be arrested?

- No, you need to take her away.

- Yeah, Rachel-

This is a crime scene. - No, no, no, no,

just one more minute. - Take her away.

- Just one more question, one more question.

Rachel. Come one, Rachel. - Fuck!

Fucks sake. - Listen, we've got a story.

- He would have given us one more question.

- And he would've put us in cuffs.

- Yeah, I don't really care and I think he's a bit busy.

- Rachel, listen, you've got a story.

You've got an interview.

- Honestly, it would've even worth it.

It would've been worth it for the story.

- It was worth it. We've got it.

We've got a closeup. We've got interviews.

We've got the story. - No.

- We'll take it back... Okay. Whatever, whatever.

Well, we need to get our stupid wide shot or whatever.

- What was that?

Did you hear something? - Yeah, we should go.

- No, no, no.

We need to get go.

No, no, no, down here, down here.

Martin, come on, come on, come on.

Let's go. Get closer.

Get closer.

Martin, get in here. Get in here.

Yeah, yeah, yeah.

- Are you getting this - Oh my God.

- What is he doing?

- Oh my God, go, go, go, go, go.

- Martin, come on.

- Go, go, go, go, go!

Hey, Mark.

- You all right?

Martin, has she said what this is all about?

- She just told me to bring the camera

and film everything.

Are you all right?

- I've barely slept all week.

Sorry. Should we get going, yeah?

Sure. - Yep.

Rachel?

Rachel?

- Mark, she's here.

Rachel, are you okay?

- Rachel, what's going on?

- I came downstairs this morning

and the front door was wide open.

Somebody broke in.

Were you robbed? - No, no, no.

Nothing was taken.

They left this.

I didn't wanna open it alone.

- Yeah.

Martin, you may wanna get this.

I think that's blood.

There's more.

We could just leave it.

Rachel, we don't need to open it.

We can stop it here.

- No, we need to know.

We need to know.

- Okay.

- What is it?

Mark, what is that?

- They're watching us.

All of us.

Rachel, they've got him.

- Maybe this isn't, maybe it's not a threat.

Maybe it's more about them scaring us off.

- How can you be sure?

- We can't be sure, but I mean, they broke in,

they came in through the front door.

They left this here.

They could have just come straight upstairs and, you know,

done whatever they wanted.

- They did do whatever they want.

They gave you an object covered in blood

and they showed they know where you live.

If they've got you, then that means they've got me,

that means they've got Martin.

If they know where you live, they know where I live,

and they know where Martin lives.

- No, no, no, no, no, no, no,

'cause they didn't come to you,

they didn't go to Martin, they came to me.

They came to me because they they know,

they know that I can put this together, I can figure this.

This is a clue. - It's not a clue.

- This is a clue.

This is someone trying to help us.

- Help? What screams help about bloods and stalking?

Rachel, listen to me. Listen to me.

Look at me, Rachel.

Maybe it's a sign, if we stop it, if we leave it,

they'll leave us alone.

No, no, no. - Maybe we drop the story.

- We don't drop this story.

This is our, this is the story,

this is my story. - Your story?

- This is what I've been looking for.

- Your?

Yeah, you're right. It is your story.

No, no, no, it's out story. - No, no, you're right.

No, no. - You know what I mean.

- No, I know exactly what you mean.

- Mark, this is... No, look, this is a lot.

This is a lot. - We can put this together.

I'll call you later. - No.

- Right, Martin, just take pictures, videos, whatever.

You know what to do.

Document it. Go for it.

I'll call you later, okay? - Mark, come on.

Mark, Mark, we can put this together.

- We don't need to.

I'll call you later. - Mark?

Show me the footage.

Pause, pause, pause.

God. - Zoom in.

Zoom in.

Behind him.

What is that?

- It looks like a shadow or something.

- Don't tell Mark.

Okay, I know he is around here somewhere.

I think it's good that he's back.

I think it'll be, you know, the whole team together.

I think that's probably what we need.

Oh, here he is.

Right.

See what he has to say.

- Hi.

Thanks for coming back.

Rachel, I'm sorry I got so emotional.

It's just a lot.

You know, it's quite scary seeing what we saw.

But you're right,

we have a job to do and as long as we're careful,

I'm here to do it.

I'm here to do it.

- Good. It's really nice to have you back.

Thank you. - Yeah.

Martin, I've actually been doing quite a lot of work

at the moment.

We've got some really good leads for the case.

I think this is... Nice.

- I think we've got some really good stuff, haven't we?

- Okay.

Good, Martin? - Yeah, I'm good.

- Are they still looking at us?

- They've stopped.

But, Rachel, that was weird, right?

I mean, I know we've got the camera,

but every single person staring us,

not even avoiding it, just directly.

I mean, something is off.

- It's fine.

It's just 'cause we've got a camera and a microphone

and this is a small town,

they've probably never seen something like that before.

- Okay. Oh yeah, yeah, you're right.

Well, we're here now, so what's the plan?

- We ask around.

The Polaroids were left for a reason.

- Yeah, you see, that's what worries me.

Rachel, they had your flat.

They're right on top of us.

- Yeah, which means we are right on top of them too.

I hope you're right. - I am.

We can't involve the police, obviously,

but locals, they remember.

We just need to get them talking.

- And what if things get too much?

- We keep filming.

That's what we're here for.

- You make it all sound so easy.

Yeah, you always are.

- Hey, you guys okay?

Can I get anything else? - Yeah. No, we're fine.

Thank you. - Okay.

- Actually, sorry, can we ask you something?

- Yeah.

- Do you remember Emily,

the girl that they found in the forest?

- No.

No, I'm sorry, I don't know anything about that.

- Are you sure?

It was everywhere, so...

- Look, not here, okay?

I finish work in an hour.

Meet me outside.

- Where is she? She said an hour.

Maybe she's gone.

I mean, she clearly knew something.

She looks scared.

Rachel, we be should be scared.

- She's coming, she's coming.

- Hi. Thank you so much for coming to talk to us.

- Yeah.

- What can you tell us about Emily?

- I remember Emily, everyone does.

She was such a sweet girl.

She used to come in here sometimes.

Look, the night she vanished,

people said they saw her going up past the Downs.

There are old paths there, no one uses them at night.

Some said she wasn't alone.

Who was she with? - I don't know.

I don't know. That's all I know.

But you guys should be careful.

- Okay, so I think library next.

I think we need to find these articles.

You know, we need to get as much information as we can.

And then locals, more locals.

I think the more people we speak to,

the more leads we're gonna get.

And they're gonna talk, they're gonna talk, you know?

People have got stuff to say.

So, I think that's where we start.

- Do you think what Claire said is legit?

- I dunno, but it's a great place to start.

It's a really good place to start

and I think this time we do the research.

We get it from all angles.

We're gonna cover every single base, you know?

We're gonna find the articles,

we're gonna find the stuff,

and we're gonna talk to more than one person,

'cause we're not gonna do what we did last time, okay?

We're gonna...

We went the wrong way last time

and we're not gonna do it again.

I feel like...

Martin, I feel like we're back.

I feel like this is our moment.

This is our shot, you know?

My name is gonna mean something again.

This article, you know, is gonna have us back, everything.

We're gonna be taken seriously again.

I'm really excited. I'm really excited.

Do you think he's all right?

- It's a lot.

- This is exactly what we needed.

It's gonna be so good.

There's gonna be so much in here.

This is what we want. This is what we need.

- You think people come down here?

- Yeah, I mean, they've put like articles

and stuff around, don't they?

Newspaper, articles, and clippings,

everything that they've got,

that's where they're gonna be.

So, we're looking for anything like dates,

times, locations, anything.

Right. - Murder.

Murder. - Cults, disappearances.

Anything weird, okay?

Here, here, here, here.

So, those boxes, the red boxes,

that's gonna be where everything is kept.

That's all gonna be dated and everything.

Martin, anything we find, we're gonna record it all,

but if you go down one as well,

we can sort of work together.

- Far Martin, all right?

Say, maybe this row here or just close.

And Rachel, don't go too far as well.

Just shout if you need an in vicinity,

you know, safety, guys.

Yeah, yeah. Whatever. - Okay, right, guys,

see you in a bit.

- Hey, Mark. Can I join?

- All right, hey, Martin.

Okay, I've come through those.

I still gotta do all that,

but she doesn't see it right, mate.

- She's just doing her job.

- Doing her job is gonna get us killed.

Look where we are.

We're in abandoned library, we saw a policeman eat a corpse.

They then followed us and they have our faces.

If we drop the story, so she will as well.

Listen, I know you don't want to, we can get a flight.

We can go to Spain tonight. - I found something.

I found something.

Guys, come on. Come on.

Okay, this is what I've got.

Okay, so, "Cult Fire Wipes Out Farmstead," 1903,

and then "Three Boys Vanished Near the Downs."

That's 1938.

And "Ritual Killings Unsolved," 1974.

It's not random. It's every few decades.

And look, that shadow, always there.

It's darker than I thought. - No, no, no.

It's all connected.

It's the cult and the kids and it's all-

Rachel? Rachel? - What?

Rachel? - What?

- I've just seen someone down the end.

What? - He was watching us.

Are you sure? - I know as I saw.

- We should go.

Guys, we should go.

Down here? - Right at the end.

- Dead end.

Are you sure?

Are you sure you definitely saw somebody?

- Yes, I'm sure

- Mark?

- Mark?

- Sorry.

- Have you got the articles?

Yeah. - Okay, good. Let's go.

- Guys, come on. Come on.

We don't have time for this.

Right, Mark, be on the lookout again.

Just, whoever you see.

This guy, this guy here.

Come on. Come on.

Hi. Excuse me.

Hi, my name's Rachel Moreley.

We're just doing a documentary about the local area.

Would it be okay if we asked you a couple of questions?

Yeah. Yeah, sure. - Okay, great.

- No, not really.

I mean, look, people love a story, don't they?

They love to talk, yeah?

And girl goes missing,

all of a sudden it's witches or it's secret societies,

or, you know, monsters in the woods.

That's rubbish. It's rubbish.

You know, I've lived here 50 plus years, right?

I've seen a lot of strange stuff, but people,

people get lost.

People walk out of their lives or worse.

That's all it is. That's all it is.

- Emily, yes.

I saw her once outside the pub last winter.

She was writing in her little book.

The night she disappeared,

me and my husband heard something,

like a scream carried on the wind.

Even the dog wouldn't go out after.

He still won't.

I shouldn't be saying this.

I've gotta go. Sorry.

Can we have just one more? - No, I'm sorry.

- Excuse me. Hi.

We are just doing a documentary.

Would you mind if we asked you a few questions?

Yeah. What's it about? - Just the local area.

Oh, yeah. - Great. Perfect.

Do you wanna sit, stand?

Yeah, stand. - Is that good, Martin?

- Yeah, Emily and I were close.

She would say that the town felt wrong.

So, when she went missing,

obviously it was a massive, massive shock.

She would go up to the Downs alone at night.

Obviously, I told her not to.

Being up there on your own is, you know,

dangerous during the day, let alone in the evening.

She still went.

She would say that she would hear something calling.

Not voices, not exactly.

I guess some people are just chosen.

Some people never get to leave.

- Helen, are you all right?

I'm out. I'm out. - Mark?

Leave me. Oh my God. - Mark, calm down.

- Don't you tell me to calm down.

Do you even see where we are?

Did you see her eyes?

Did you see that smile?

Rachel, tell me you saw that.

I didn't see anything. - Of course you didn't.

Of course you didn't

because it's all about the story, isn't it?

I can't do this.

If you won't drop it for me,

if you aren't dropping in for Martin, for God's sake,

then please drop it for yourself

'cause you are dragging us to hell.

You're not gonna like where this leads.

I can't do this again. - Mark?

No, I'm sorry. I can't. - Mark!

- I'm done, Rachel, okay?

I'm sorry.

- Oh, hi, Mrs. Davies. It's Rachel.

Yeah, yeah, it's going really well.

Sorry, is Mark there?

No, he didn't come back to the hotel.

I'm sure it's fine.

He said that...

No, it doesn't matter.

Yeah. Yeah.

Could you ask him to give me a call when he gets back?

Great, thanks.

Okay. Bye.

- Okay, and now what, Rachel?

Rachel? - I need a drink.

- You know this is classic Mark.

It's always what he does.

The second anything gets just the tiniest bit difficult,

he's just gone.

But he'll be back. You know he'll be back.

He never goes for very long.

I don't really know why he's like this.

I think it's, you know,

I think it's that thing that happened with his brother.

He went, you know, missing or whatever.

- I didn't know that.

- I actually don't think they ever found his body.

I dunno. I don't ask him about it.

It's not really, you know...

I remember he said it was really hard for his parents.

Like, I guess they're close or whatever.

But he's gonna be back.

He's gonna be back.

He just needs to go and grow a fucking spine

and then he's gonna be back.

I know. - Just give him some time.

- But we don't need him.

Martin, We don't need him 'cause we've got this.

Emily lived with her mom.

We'll go there next.

Yeah. No, I think it's this one.

What number was it again?

- I think the guys said number 35.

- Okay.

I think that's a six, so let's try, I reckon this one.

- Yeah, sure.

- Yeah.

Let's go on this way.

Yeah. Yeah, 20 to 59.

Let's go.

Three. Okay.

Come on.

- I hope she speaks to us.

I really hope she speaks to us.

Ready? - Yep.

- Who are you?

- Mrs. Hartwell, my name is Rachel Moreley, I...

We covered Emily on the local news.

We wonder if we could talk, if that's okay?

Thank you.

- Have a seat.

- Could you tell me about Emily?

- She was my only child.

That beautiful Emily.

And the minute I held her in my arms, I loved her so much.

She was always smiling.

She had a natural glow about her.

People noticed.

She was always such fun to be around.

But then I started noticing something changed in her

in the middle of last year.

She started missing meals

and shutting herself in her room for hours on end.

Avoiding eye contact with me.

Making notes in this little book.

I put it down to being a teenager.

When she started going out on her own at night,

across the Downs, across the fields, I was worried.

She said she enjoyed the silence.

The stars helped her to think.

Sometimes I'd catch her leaning against the window

as if she was talking to someone out there.

I thought maybe it was a boy she wasn't ready to talk about,

so I never mentioned it.

I did the same thing myself when I was her age.

If only she talked to me.

Now she's gone.

They keep asking me questions about her.

Who were her friends?

Where did she go? What did she do?

I don't understand.

Emily wasn't like other girls.

She didn't have a phone, no parties, no gossip.

She was a free spirit.

- You okay?

- I found this in her room.

I was too afraid to open it,

but maybe you can make some sense of it, please.

- Let's go.

- We need to find out what happened to her.

Let's go.

I think that's the town.

Are you getting this?

- Yeah, I am.

This is really old.

There's the boys. - Maybe.

- You know, from the article that we found.

- I'm not sure.

- And that, that's the farmhouse,

the one that was burnt down.

- What was Emily doing with all of this?

Who is that?

It's like an old witch's tale.

- Creepy.

Look. - My God.

- These drawings are from Emily.

- It's faces.

Beliath. Beliath.

Do you know what that is?

No. - No. Neither do I.

There again.

- Maybe this is about some demon.

- There's so many faces.

- I think she knew too much.

What is that?

I think it's a poem. - Or a spell.

- Maybe instructions.

- That's a shop.

- It's an address.

- At least we've got something to investigate.

- 29th of November, 1998.

Did you hear that? - Listen.

- Can you hear what they're saying?

- It's too distorted to.

There was screaming. - This is too dark.

Maybe we should start thinking about-

- Oh my god.

- Fuck.

Rachel?

Did you see the date? - What date?

- The one on the tape.

29th of November.

Tomorrow is the 29th of November.

Yeah, this is the place.

- There we go.

- Hello?

- Hello?

It's like a ghost shop.

Hello? Where is everyone?

This is creepy. - Maybe down there.

- Come on, Martin.

Hello?

No one here.

- Ah, let me guess.

You're the people making the documentary film

around the town.

How'd you know that? - For a start,

your companion's holding a camera

and your antics have been causing quite the buzz

on the streets, so I hear.

- Sorry, we didn't want to disturb anybody.

- Not at all.

So just a duo then?

A crew of two? - Yeah, just the two of us.

- Ah. How cozy.

How can I help you today?

- We found this.

I'm wondering if you can give me any information about it.

Well, I'm no expert, but I mean,

surely this looks like ritualistic work.

- Do you know anything about a cult in the area?

- Old stories never die.

Certainly there was talk about a cult in the town years ago.

Nowadays, I don't think so.

May I ask why you're asking me about this?

- We found this in the album.

- Did you?

All right. We'll do this.

As a matter of fact,

I do know someone who was once involved

in certain gatherings many years ago.

I always thought it was more play acting

than anything serious.

But I think she just might talk to you, if I ask her nicely.

She'll certainly be interested in seeing your album.

Just a tick. I'll give her a call.

I shan't keep you waiting long.

- Yes, this is it, Martin.

This is what we've been waiting for.

I'm not sure. - No, no, no. Trust me.

This interview, this is what we need.

- It seems it's your lucky day.

Here is her address.

Her name is Marion,

and she said she'll be more than happy

to talk to you about certain practices

for your little documentary.

- That's great.

Thank you so much. - You're welcome.

Martin, come. - Thanks.

- Well, now you go.

- I think it's around here somewhere.

You know, this isn't actually that far

from where they found Emily's body.

I think it was...

The woods are just through there.

Martin, I actually have a really good feeling about tonight.

I think...

I dunno, I just think we're gonna find out what happened.

Finally everything's gonna come together and I dunno.

I feel like we're gonna solve this.

And then we're back, Martin.

This is our story.

You know, this is what we keep saying.

It's our story, this is our moment.

Okay, perfect. Cool.

This is it, Martin. You ready?

Yeah, I'm ready. - Let's go.

- It's that one at the end.

Martin, come on. - Yeah, I'm coming.

- I can't hear anyone.

Should we go around, do you reckon?

- Yep, let's try that way.

- Yeah. Yeah, come on.

Some stuff on the floor, so just, you know, be careful.

Hello?

- Hi. Come in.

- Marion? Yeah, I'm Rachel.

Martin. - Hi.

- Hi. You must be the ones making a documentary.

- Yeah. Yeah, that's us.

- That's fantastic.

Edward said you were interested in old things.

- Yeah.

- You see, nothing grows in the winter.

I'm sure you're cold. Let's go inside.

Yeah. - Please.

After you. - Thank you.

- This way, please.

Please, come this way.

Just in here.

Can I get you a cup of tea?

- Oh, no, we're good. Thank you.

- Please sit, make yourselves at home.

I've just gotta make a quick call,

so I'll be back in just a minute.

- Okay, great. Thanks.

All right. Martin, film everything, okay?

I need to be able to watch all of this back later.

Just start over there. - Okay.

- It's a pleasure having visitors.

Not many people come here.

So, you're making some kind of documentary.

- Yeah, we're covering the girl in the woods.

- Oh, the girl found dead.

A tragedy.

Such a young soul.

- Edward said that you might recognize something

from in there.

- This old album, where did you find it?

Emily's mom gave it to us. - Interesting.

This isn't just an album.

This is a record.

I was younger than you when I first saw them,

gatherings in the wood.

It wasn't about gods at first.

It was about power, belonging,

feeling part of something bigger.

12 of us, always 12.

The land was angry.

If we gave it something, it gave back.

- And you just went along with that?

- You'll believe anything if you're young

and you want to make the night less empty.

Costumes, chants, fires,

then things started happening.

Animals gutted on doorsteps.

And then the children.

Emily wasn't the first.

- Not the first? Who else?

- The land keeps count.

Every few decades, it calls someone.

- Those kids, the kids from the fire.

And what about the passages and the symbols?

Do you know what any of that means?

- Some are prayers. Some are warnings.

Emily must have been close. Very close.

Why are you eating people? - Rachel.

- They require a sacrifice

and we are happy to provide them with what they need.

- Who are they?

- Look to the place in the pages.

That's where you'll find the answers.

Be careful.

If you look too closely, it starts looking back.

My dear husband Edward.

On time, as always.

- Well, well, well, you got here on time too.

- Rachel, let's go.

- I think that we should probably be going actually

- Leaving already?

That would be rude.

- Oh, we don't mean disrespect or anything.

It's just that... Oh, perfect.

You'll stay for dinner. That's settled.

- So, now we have guests.

Besides, you've already brought us something.

It's only fair that we give you something in return.

- We'll keep it simple, bread and stew.

The least we can do for guests.

- I think that's a very good idea.

- Hmm. Make yourself at home.

We'll be back soon.

- For God's sake.

Rachel, we have to leave now.

One minute, okay? - Are you crazy?

We have enough proof.

- No, no, no, we are so close.

Please, Martin, we are so close.

This is it. This is it.

This is the only chance we get to do this.

For Emily. - Just one minute, okay?

- Okay. Thank you.

Come on. One minute.

Let's go all the way up.

Come on.

Anything? - Nothing.

- Le's go back. Let's go back.

Martin!

There's more pictures, more pictures of people.

- What?

Shit. Shit.

Shit.

Under the bed. Under the bed.

- Marion!

They've gone.

- Come on, come on, come on.

Okay, come on.

Marion, we were just...

- Go, go, go, go, go!

- Martin, get the light.

Get the light. Get the light.

- I'm trying.

- What just happened?

What the fuck just happened?

- She's locked the door.

- Oh my god. Oh my god.

Fucking bitch.

Okay, Martin, we have to go.

Oh my God, this place is fucking disgusting.

We have to go.

Okay. Okay, come on.

Martin, come on!

Ugh. Come on, we have to get out.

We have to get out.

Okay. Okay.

Martin, Martin, come here.

You have to look. You have to look.

Is there anything there? Is there anything there?

Is anyone there? - Stay behind me.

- Go, go, go.

- It's clear. Let's move.

- Okay, okay, okay, okay, okay.

- Come On. Come on.

Martin, come on.

Oh my God. Oh my God.

Martin!

- Come on, come on, come on.

Okay, okay, we're gonna make a run for it, okay.

Are you ready? - Yeah, I'm ready.

- Okay. Three, two, one.

Go, go, go!

Oh my God. - What is this?

- Where the fuck are we?

Okay.

Martin, we need to find a door.

We need to get out here.

We need to get out here.

We need to go, okay?

- There must be way out somewhere.

- Here, here, here, here.

- Come on, come on.

Okay, get the camera down there first.

Go, go, go, go, go.

- I don't like this.

- Oh my God. Oh my God.

I'm gonna go first.

Keep the light on me, okay?

Keep the light on me. - Be careful.

What is that? - I don't know.

- Come on, Martin.

- What, Rachel?

Oh, this is blood.

We have to get out. - We need to go.

We need to go.

No, no, no, no, no, no.

Martin, the light. Martin's, the fucking light.

Put the light on.

Oh my God. Oh my God.

Martin, I can't see anything.

- I can barely see.

Wait, wait.

- Did you hear that?

Did you hear?

Martin, did you hear that? - Yes.

- We have to go. We have to go down there, okay?

- Okay, let's move slowly.

- Come on, come on, come on.

There's steps, there's steps. - No worries.

It really is damp down here. - Shh! Shh! Shh!

Can you see anyone? Can you see anyone?

- This is weird.

All these chairs and tables.

- Okay, come on.

There's the door. There's the door, Martin.

There's the door.

- What, Rachel? What?

Oh my God. Oh my God.

Go back, go back, go back, go back.

What do we do?

- I need you to stay focused.

We've got enough evidence.

This is our story, remember?

I need you to be strong for a little while, okay?

- Okay.

We can make it. - Okay.

You ready? - Okay. I'm ready.

Okay, Martin, let's go.

Wait, wait, wait, wait.

- God.

It's that girl from the interview.

Let's find another way, Rachel.

- Stay.

I'm gonna go talk to her. - Rachel, don't go.

- This might be our only chance to get out.

Please don't go. - Stay.

Hello.

It's Rachel.

- Rachel!