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HOST: T o night's stars,

Le o nard Nim o y,

L o rraine Gary,

and Kathryn Hays.

Lest you be turned off by the dim light

and the somber mean of this place,

let me reassure you that there is nobody here but us art lovers.

I'm your tour guide

in a place designed to show you the beauty of the unexpected.

Our conception of beauty may be a bit different than the norm.

For example, some might see something attractive in a goldfish.

We, on the other hand, find nothing lovelier than a piranha.

Now, this canvas here,

dark hallway, door slightly ajar.

A rather disquieting red room at the end of the hall

and a very large cat.

We suggest to you that, while felines may look cute and cuddly,

and playfully mischievous,

our suggestion is that you feed them a bit of milk and get rid of them.

Because cats are, and always have been, Satan's familiars.

Our painting title is She'll Be C o mpany F o r Y o u.

And it's hung in this place we call the Night Ga Il ery.

PRIEST: "I am the resurrection and the light," sayeth the Lord.

"He that believeth in me, though he were dead, yet shall he live.

"And who so ever believeth in me shall live..."

MAN: I hear they buried y o ur wife t o day, L o rd B o tt o m I ey.

Had t o, ol d b o y, dead, y o u kn o w.

(PEOPLE LAUGHING)

HENRY: But what d o y o u d o in times I ike this?

I never knew.

D o esn't mean I have n o fee I ings.

Ilo ved y o u, Margaret. Y o u kn o w.

I mean, a ll th o se years, o f c o urse I did,

but what am I supp o sed t o d o t o day?

Break d o wn? S o b?

W o u l d y o u l ike that? What...

A ll th o se years o f wanting... Wanting.

Y o u c o u l dn't p o ssib l y want anything m o re.

I'm s o rry, Margaret. But y o u see, I'm free n o w.

I'm fina ll y free.

(CAR DOORS CLOSlNG)

(ENGlNES STARTlNG)

Let's go.

What?

To your house, Henry. Maggie's room.

l'm so sure she'll be there.

(BELL CHlMlNG)

Sorry, l just had to go up and see the room.

Barbara, would you drink up, please?

l've got to get some rest.

Of course.

You need rest.

l suppose l didn't really expect to see Maggie up there, upstairs. But...

Poor, impatient Henry.

Saddled with his wife's best friend.

Barbara, l do understand.

And l understand you, Henry.

Your impatience...

After all these years, to get on with it.

What?

Of course. Strip the bed, get rid of her books,

her water-color pad, her wheelchair.

Even that little brass bell she'd use to call you to help.

lt's still there. ls it?

You just rang it.

Did l?

(STAMMERS) Why, l may have. l don't think so.

Well, you must have seen it. lt's on that little table beside the bed.

Oh, yes.

l suppose so.

"Get on with it," you said?

With what?

Well, your life.

Why shouldn't you be impatient?

All those young years passing,

spent on someone in her condition.

On an invalid.

She didn't mind the word.

And you don't think about young years passing.

What do you think about?

That she's your wife.

(CHlMlNG)

You never wanted an end to it?

For her sake, finally without pain?

No. When you knew it was hopeless?

Never.

And you never had thoughts of all those young things

that would happen to you if you were ever free again?

Yes.

l had thoughts.

And you did nothing?

That's funny.

l'd do anything for thoughts like those.

To make them happen!

Well...

Maybe you're a more evil person than l am.

Yes.

l can't let you stay all alone in this big house.

l don't mind being alone, Barbara.

l mind your being alone. And what are you going to do about it?

l'll send you my cat.

Cat?

(LAUGHlNG)

She'll be company for you.

BARBARA: Here's everything y o u need. (MEOWS)

Her name's Jennet.

(PURRlNG AUDlBLY)

Miss Morgan, please. This is Henry Auden.

She has? Where? Do you know?

That's kind of unusual, isn't it?

l mean, what kind of a vacation?

The company doesn't know where she's gone or when she's...

No. No, no, no.

Forget it, cat. You're not staying that long.

BARBARA: She'll be c o mpany f o r y o u.

(MEOWlNG)

(BELL CHlMlNG)

BARBARA: A ll th o se y o ung years passing,

spent with s o me o ne in her c o nditi o n.

(BELL CHlMlNG)

(PURRlNG AUDlBLY)

(BlG CAT GROWLlNG)

(BlG CAT ROARlNG)

(BlG CAT ROARlNG)

WOMAN: W o rked ha l f day.

There's c ol d supper, y o u kn o w where. Mrs. L.

PS: Have y o u b o ught a cat o r what's a ll the kitty f oo d f o r?

I put o ut s o me, but she never ate n o ne.

Must be shy.

Y o u'll want a scratching p o st

o r we can say g oo dbye t o chair l egs and hass o ck in sunr oo m.

I kn o w cats. Tear things t o pieces.

Tuesday, then.

(BELL CHlMlNG)

(ROARlNG)

(BlG CAT GROWLlNG)

(BlRDS CHlRPlNG FRANTlCALLY)

(BELL CHlMlNG)

(BlG CAT ROARlNG)

(CACOPHONY ERUPTS)

(SCREAMlNG)

What do you want?

What did you always want?

(SOBBlNG)

(ROARlNG CEASES)

(CHlMlNG CEASES)

(SlGHlNG)

(BlG CAT GROWLlNG)

(BELL CHlMlNG)

l locked that door.

She can't tell you anything!

Shut that.

(TYPEWRlTER CLACKlNG)

What time is it?

Almost 9:00.

l'm sorry, June.

Mr. Greenberg wants to see you.

He refused to countersign yesterday's work.

What happened?

l don't know. He just said he wouldn't countersign yesterday's work.

No, June, l mean, between us. Ever since Margaret died.

Well, Mr. Auden, there was never anything between us.

Coffee?

Yeah.

Of course there was.

Did Mrs. Auden know about me?

Then there was nothing.

June!

June, l can't go back there!

So l notice.

(SlGHS) What am l supposed to do about it?

Please.

There's no one there?

No.

And the house is what? Full of ghosts?

Yes, that's it.

And you need me? Yes.

How much? What'll you give me?

June, what's happened to you? You used to be so sweet!

Oh, no, l was never sweet.

But you didn't notice it because you don't give, you just want.

For now, something, somebody.

And then when the taste is all chewed out like gum,

what do you do?

What did you do with your wife when you were through with her?

Everybody wants to know.

Barbara wants to know.

Barbara?

You remember Barbara,

Maggie's friend?

BARBARA: Dear Henry, Maggi o re's lo ve l y,

but n o t as b l ue as Lake C o m o.

What was that p l an Maggie had?

T o swim in every o ne o f the I ta l ian l akes!

Whatever happened t o it? T o a ll o ur p l ans!

Whatever happened t o us?

As y o u can see, Maggie's with me in spirit.

S o it c o mf o rts me t o kn o w that...

T o kn o w that Jennet is there, with y o u, Henry.

I s she eating y o u o ut o f h o use and h o me? I'll bet.

But be carefu l, d o n't ki ll her with kindness.

I kn o w y o u, Henry.

I'd stay lo nger, it is beautifu l here,

but s o mething ca ll s me back.

O r... (BELL CHlMlNG)

S o me o ne.

(BELL CHlMES)

(BELL CHlMlNG)

(CHlMlNG CEASES)

(LAUGHlNG)

(NO CHlMlNG)

(BlG CAT ROARS)

No.

(BlG CAT GROWLlNG)

(BlG CAT GROWLlNG)

BARBARA: Dearest Henry, by the time y o u...

(BlG CAT CONTlNUES GROWLlNG)

(BELL CHlMlNG CONTlNUOUSLY)

(CHlMlNG CEASES)

(SOBBlNG) Why me?

Why me, Margaret?

(CHlMlNG)

Yes.

All right.

HENRY: I t's c o ming. My watch has st o pped.

I c o u l d bar the d oo r with furniture,

but that w o u l d o n l y de l ay it.

My hand hurts, Margaret.

O h, G o d, I'm a lo ne.

I s this what y o u wanted?

(BlG CAT GROWLS)

I can hear it.

Steady. Stea l thy.

I t kn o ws where t o c o me.

I o n l y h o pe it w o n't hurt t oo much.

(DOORBELL RlNGlNG)

(KNOCKlNG AT DOOR)

Hello?

Henry?

Henry?

Yoo-hoo! Henry?

l phoned your office. l know you left early.

Oh, you didn't eat your supper.

Bad cat.

Are you home, Henry?

Now, please, don't play any tricks.

You know l don't like tricks.

(MEOWS) Subtitles OCR by : Tommy0412

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