Original subtitles

Good morning.

an appotitnan with Rita?

I'm sorry, we don

by the name of Rita.

In that case, is Olga free?

This way, please.

Thank you.

Good morning, Miss Carter.

This is Miklos Klaar, the head of Cinefot Studios,

one of the largest behind the Iron Curtain.

Klaar has political ambitions.

to further turned captured newsreel footage

into an atrocity film

portraying our soldiers as wanton murderers.

He's planning to show this to representatives of the world press.

If this film is shown, it will seriously damage

the United

The mission, should it be accepted,

would be to stop Klaar, and in such a way

that he can never repeat this technique.

As always, any of the IM Force

caught or killed,

Secretary will disavow

any knowledge of your actions.

This tape recording will decompose immediately.

Good luck.

Torvald, you are not the man that ! married.

When your fear left you,

you were not afraid for me, but for yourself.

After it was over,

as far as you were concerned, it was...

You were fine.

motion picture studio,

tok Keep out uninvited i tourists.

Klaar's office,

soundstage, and film vault are,

! can't, but 1 won't have to.

I be easy for me to learn how far up

the pipes run vertically,

because the plumber's snake hits the top.

How’ do you measure the

distance to the 5 spain

Cinnamon will get that for me.

Does it come off as easily?

If we destroy Klaar's fi

won't he just make it again?

That's just what we want him to do.

= pave are yeu ready?

Action.

Target six.

What is it, Corporal?

This man has a me 03 at’ for

Iding, but hed 3 pass.

Everyone who works on a motion picture lot

makes a production about everything:

This is not an atomic plant, Corporal. Let the man in!

Clear up your paperwork later in the day.

to see Miklos Klaar.

aptain Petyov to Mr Klaar.

All right.

- Go ahead, sir. - Thank you.

Minors are og going?

All right, but no further. It's off-limits.

Yes, sir?

Wrong size.

Welcome to Cinefot Studios: Come in, come in.

- Thank you. - How was your trip?

Well, it's an old story.

Our plas S are 8 SIO,

I've heard a great deal about you.

You are very kind.

inistry :

for a screen

for the representatives of the world press

day after tomorrow.

. Excellent.

l understand this brilliant project

is entirely your creation.

However, I would be very appreciative

Details, it's what makes an idea work.

looked diet 100,000 feet

of American footage

just to select this small piece.

American film

identifiable as such

shot with an American camera

The photographer is now dead.

Killed in action?

My piece of film

But it was shot here on a jungle set.

Splice the two together,

and the one-minute film will show the world

2 same niece ce of film?

That is what makes detail so important.

aptured newsreel

All documentary film footage, right?

Yes.

Wrong.

You noticed the black frame

where the fifth owe basced very close

From there on is my film.

- That's hard to believe. - Watch.

Watch the terrain, the foliage.

The smallest defects, the graininess of the film.

Detail, detail. Watch, watch.

You see?

You see?

Well, my friend, you think?

- It is brilliant. - Thank you.

Certainly.

Oh, my glasses!

But you have another pair?

would feleo a full d day it6 fave it filled.

I will see that film again tomorrow morning.

if you s stood exits Gloss.

No, no. ! give my approval

to a film only clearly.

- Terrible, terrible. - Of course. I understand.

- Yes? - Sir, the gate called.

An extra named Mikelli hasn't checked off the lot yet.

with a producer or director?

No, no.

Don't.

Who are you? What are you doing here?

What's this?

- What are you doing) here

- Are you Mr Klaar?

ilm you stealing?

- 1am not a thief, Mr Klaar. This is... - Don't move!

That is my film, not your film.

It's film of you.

I was trying to put it on your desk.

You could not have put it in the mail?

Of course I' coul

would have returned it to me unopened.

Or worse, would looked at it

told you it terrible.

A fine producer me.

You have no of ego, Miss Mikeli.

if this film is not as good as ! say it is

l swear, never trou

All right. Come.

Off-limits gate.

ina fs witlo me. It's all right.

Yes, sir, Mr Klaar. Thank you.

- It is the part where she... - ! know the speech.

Yes, yes, of course.

Come.

Torvald, you are not the man that ! married.

When your fear left you,

you were not afraid for me, but for yourself.

After it was over,

as far as you were concerned,

it was exactly as if nothing at all had happened.

Exactly as before, ! was again your little doll.

because I was so delicate and fragile.

Torvald, it was then that it dawned upon me

that ! have been living here in this house

with a stranger for eight years.

You're quite... Quite good.

Thank you so very much, Mr Klaar.

n the 9 forofestion fi

Thank you\ so much, Mr Klaar.

It was rude, it was wrong, but I'm sorry.

Forget it. Come now.

nia few days, ikeli. Socially?

—

=

all

Miss

Yes, of course, Mr Klaar.

You will remember at the beginning of the film...

black frame you told me about?

- Certainly

Marvellous, truly Marvellous.

when I give my report to the Ministry.

You're very kind. Thank you.

- What is that? - What?

Should this be happening?

No, no.

Did you do something?

I'm sorry, but the

has splitting as it out.

- Perhaps there is a bug. - Perhaps.

You have print, yes?

le

Look at it! Look at it!

Ruined!

Everything ruined!

Precious film!

Find out what happened! Find out and let me know immediately!

Yes, sir.

- Don't apologize to me. Do something. - / will.

Of course.

What's the matter with me?

I still have the newsreel footage.

I still have the set. I still have a day.

The atrocity part, ! will shoot it again:

- Good morning, Eric. - Good morning, sir.

- This is Captain Petyov. - How do you do, Captain.

Ericlisimy Everyth

Yessk : st ready.

- Good al, wenn to clusels (hho dolar.

Right, sir.

Hit the backing.

Okay, let's test it.

Well, you think, Captain?

It is what you saw.

The viewer will not. It just needs to be dressed.

! understand.

You.

You there, with the cart.

What in the name of heaven is this?

“you a ane Sir.

! ask for dead bodies.

Someone to me money:

Dummies cost nothing.

Extras only practically nothing:

Of course, the picture is ruined

Get these things out of here.

All right.

the s same thine as th they did tha est time.

Yes, sir.

All right, men, as you before.

Put a double on that.

And give me a single up here.

Hugo, this will be

Captain!

Fire on the set!

The bucket.

me. I fascinated

Forgive me.

My Americans, please.

All right, men, over here.

and our film begins, remember?

Very well. One rehearsal,

I would like to try a take.

Yes, sir.

hit your marks ; exactly.

All right, men, into places.

Bring in the wounded.

Special effects gun, please.

Ready, Hugo?

Quiet.

Action!

Cut, cut, cut!

When) youlcomein)

heads lower.

more of a crouch.

=, more, more pleading.

More fear. Thank you.

Then this will be picture.

Places, everyone.

Quiet. Roll it.

- You have speed, Hugo

- Speed.

Then action!

No, no, no, no.

Cut.

- Print it and get me a messenger. - Yes, sir.

Excellent. Excellent.

You dtisd boeutiul. T eae you.

Tihebbestonevet

Beautiful, no?

Listen carefully.

to me and no one else.

Yes, we congratulate

ourselves, Petyov

It will be even better than the first time.

This evening, if 1 may say so,

will be a richly deserved triumph.

Yés) Even more the

To this even

This evening, my friend.

I know.

I know just as sure as ! am sitting here

someone is out to get me.

There is a plot.

What are you talking about?

Such jealousy.

You really think so?

That will be the messenger with the film.

ir, this man in He no pass.

Well, now.

Now you see, Petyov? You see?

Who are you?

More important,

what studio are you working

Who you? Bernardian at Magda?

Chapniss? Va

What were you doing do wn there?

Well, speak.

Miklos, you're being foolish.

Yes, let me take this fellow down

We'll get to the truth. Come.

Im, sir.

. That will be all.

! am taking no chances.

! am putting this film in my pocket,

safely in the legation,

“aathtg ‘taroexded tno tix merentins

SWEe

to Neneh to this film

Nothing.

Fine.

Now, do not touch anything.

No one comes in. No one.

You, outside the door. You, inside.

tain. Our curtain) is going) up:

Welcome, gentlemen. Welcome. Welcome.

Good to see you.

This is my friend Captain Petyov.

- How do you do? - Nice to see you.

- Yes. How good to you.

A pleasure, Mr Bengst.

ansen

for you are going to see

rselves, ge

how the Americans

who profess to

to Geneva Convention,

9 wa, wine larow [aster

have claimed all along.

The film you are about to see

was by an American cameraman

exactl

while he was on a news-gathering assignment

with an American combat patrol in the war zone

near the village of Quon Doc.

uestions.

Whenever you are ready.

No, no, no, no.

1 don't understand it.

It's horrible.

! can't believe it but it's there.

That's terrible.

> thing !

Baie shan arcvmentcenet .

What's that?

Cue my Americans.

Projectionist. Projectionist.

Cut, cut, cut!

When you come in, you must have your heads lower,

more of a crouch.

And more, more, more pleading. More fear.

Well, this was just a hoax.

Then this will be picture. Places, everyone.

Mr Klaar!

You must think we're fools.

Where and when was this shot?