Original subtitles

My name's Briggs.

I left some negatives here for enlargements.

Let's see.

operand IER?

- Oh,

I just finished them. They're still drying.

I'd like to take a look at them.

- Help yourself. - Thank you.

Good morning, Mr Briggs.

Wesieida of s arrested d and c aheararadl

with the assassination of Senator William Townsend.

Already, Townsend's extremist supporters,

led by his principal backer, R.J. McMillan,

With the end of diplomatic relations,

the Cold War will immediately start to heat up.

Even though Solowiechek won't admit it,

not acting on 5 ai his government.

Your mission, Dan, if you decide to accept,

is to prove it.

As always, should you or any of your IM Force be caught or killed,

Secretary will disavow

any knowledge of your actions.

Please GiSpose efor rt this Te iBEGIOHag

Good luck, Dan.

= Just what'l wanted, “Ther you.

ator Townsend had just finishe

of his inflammatory speeches

at the local armoury.

He shook a few

and by 10:00 p.m., he home.

= Was “anybody inthe house with) him?

- No, he unmarried.

eft by 8:00.

At 10:28,

Byraicamientationlooriby

- When Solowiechek picked) up?

- The same nic

his fingerprints

on of the bomb fragments.

He is. No doubt of it.

How Secretary certain

Also, the police feundlo: ToB 000

The Communists sure don't pay

their people that kind of money.

But R.J. McMillan might.

He kept him in the Senate.

Why would he to him) killed?

and to provoke an in invteccvettorvel al incident.

No problem.

we have to prove some connection

Nat ordhy orar a tel putihes in jail.

There's only way to get him out.

You got company, Solowiechek.

No, no.

, We're not running private cells:

lam political prisoner. ] demand that this man be removed.

- Tell it to the court tomorrow. - Hey,

at's he mean, “Political prisoner?”

SSCAUIss 8 hie I Kiibexed off

Oh, yeah, yeah. I read about that.

Senator Townsend.

Hey, wait a minute, what makes you think

! wanna be in here with him?

0)

! don't mind rooming with any con

but this scum's ng else.

As far as I'm

you're two of a kind.

... treachery so monstrous

A great man.

Senator

United States

Ag

cut down in the prime of life.

aw REMOTE e peddler,

but Knew him for what he was.

A great American patriot.

Now, go be

S AS y fr reagers if America intends to let her enemy

get away with this outrage without reprisal.

Newsworld magazine.

The press conference is over, Miss Carter.

We

on the late Senator Townsend.

You could! be of great help to us.

Miss Carter you think

'd to help Newsworld magazine?

ait etd Bots

at Senator Townsend and me.

We're going to do the story anyway.

as a € as possible.

! should think you'd like that, too.

Besides, it's no longer a political issue.

aged as you are.

Fine. I'll be here.

Go over to the bars.

- Why? - Do as you're told.

Now, look!

You keep your face over here,

if any guards

- What do you want? - I tell you...

Nothing! Nothing at all.

l to be moved from this cell:

This man striking at me.

That's between the two of you.

, ! don't care which one

is boss or how you decide it.

That's up to you, Mac.

One way or the other you guys

have got to to live togethe

Now, that's the way it's gonna be.

Now, ! told you to let me know if anybody along.

Now you do it.

What are you doing?

Mind your own business.

Get to it keep your eyes open.

The guard... The guard's coming.

Gibson, lawyer's here.

- Hello, Eddie. - What's happening?

- Well, ne eS satire reading the writ:

Good! means by night

I'll be a man, huh?

At least until the new trial.

l wouldn't get my hopes up high,

Why do you say a thing like that?

Because as your 3

'm trying to be honest with you.

\ don't think that writ of yours is paper it's on.

! get it.

in the law section of li l have

! tried, Eddie.

you r

- Not legally. - What are you talking about?

It's all in there. It's in there. It's right in there!

HAI we’ rit

ve g

There's not a judge in his right mind

that would give you a new trial under that law.

Maybe I won't get a new trial,

because you stink!

- Good luck. - Thanks a lot.

! ought to break your neck.

The gun.

Guard! Guard!

Guard!

Guard!

- Guard! Guard! - Go to sleep.

Guard!

Remember, one word and you're dead.

- What's matter with him?

- Somethi his head.

Go to bed.

I Iipass\youltoithe

in the morn

And keep it quiet down here.

Go on.

Get it over with.

Right?

Then why do you have gun?

It's none of your business.

Now go to sleep. Go on.

So he came to me and told me

l asked him why.

ator Townsend

working you at t sets

ofmmy Riverside olan

And the best man I ever had in the job.

- And what did you say to him? - Well,

! told him thought he crazy,

but if that's what he'd made up his mind to do,

he could count on me.

And you stayed with hi

arter, I'd say behind him woul

a more way of putting it.

Nobody mene ay d decisions for him

- Including you? - Including me.

a great number

Senator Townsend's personal souvenirs.

Bill Townsend was a bachelor all his life.

When he wasn't in Washington, this was sort of his home.

- Did he live here?

This painting, I see it's signed "MCM."

Now, that's you, Mr McMillan.

! dabble around a little in oils every now and then.

I'm no Winston Churchill, but! like it:

- It's very nice. - Thank you.

it done? It fairly recent.

] don't remember when I did that.

It was done by memory, though.

Senator Tewnsend

Excuse me, Miss Carter.

Hello.

This is the Governor, R.J. How are you feeling?

Governor. How

yourself?

‘Il be all right if ! answer

I'm looking for from

What can ! do for you, sir?

“to Bill Townsend. RJ.

1 think man should be you.

- Well, I'm honoured, Governor.

- Well, of course, you're honoured.

The question is, will you do it?

Well, I'm delighted and I'm grateful.

One thing more,

for a few days.

Until then, you haven't heard a thing.

- ! understand

Raley Hl boa fin tounely waft syou

Thank you, Sir.

- Did he swallow it? - Power's easy to swallow.

lim Sorry you

I'm not, Senator.

Newsworld can scoop every publicati

in this oo country.

I'm telling you, you can't do that.

Perhaps we can strike a bargain.

and authorise a cover to go with it

I have a artist at work

by late this afternoon.

What choice do I have?

We have a deal?

- You have my word. T Ther work bra

Here.

Court clothes.

What do you mean?

hat do you mean? Both of us?

- He comes up ior atrelgaimentt Seely

- What's the matter with you,

- 1 don't want him with me, that's all!

Well, he's going! So, shut up!

Boy, that's all ] need.

2 What is matter with you?

I've b nailing about?

It's good for one thing.

gets mei

for the ride to court

you follow me?

You don't follow me.

= I get in that wagon,

‘m going to Clear out.

- Now do you understand?

- Yes, ! think so.

Good: Now here's you do.

One thing. That thing is nothing.

You behave yourself

and you're not going to get hurt.

gun you're about?

you

Well, the first bullet is going to be to you.

Now, do you understand?

- ! understand. - Good.

Get your clothes on.

ready for your little ride, boys?

Wait a minute, wait a minute. What are you doing?

If you'll look this way,

One more shot.

All right, that's enough! Come on! - One more shot, please

Look over here.

All right, take it away.

School's over. it up.

Some nice

Don't get smart, Gibson.

You two are really a pair.

- You don't have to like us, Screw. - l don't.

See oulgetinis tall Wrong:

ibs

Ritchie huore in the Lewy boot,

uddenly things § Nok different,

huh, Be

Okay, now.

Ease that shotgun down to the

nice and easy.

You might even live through this.

Broke. Broke off in the lock.

I'm getting out of here and you're coming with me.

- No, ! cannot. - Come on!

- No, I can't! No! - Come on.

- No! No, I can't. - You shut up.

All right, Commie, here's where we get off.

No, no. Do not!

No! No! No!

Come on.

Come on!

My ankle...

l can't stand up.

Let's go. We've got to get out of here. Come on.

No. No, I can't get up.

Let's go, Eddie.

We're stuck with him. Go!

Okay, get out.

Ae ey eee

- This is as far as I go, Eddie.

Our didn't'include him you it.

We'll get rid of him as soon as I get out of these.

Now, get out, Eddie.

So that's the way it is, huh?

Hey, nice place, huh?

Hey, I got an idea.

Remember, Dan, the lens is on this end.

then the body, the desk.

You ca

this ino one « sitting anyway

to come look my shoulder.

Come on, lean in, will you?

Now what?

Now, you put the tyre back on.

Then we go up the road and make a phone call.

Why do you say "we"?

We're going to call your embassy:

They should be nappy enoug

Look, you knocked off

a US Senator for them, right?

They gotta take care of you.

Go on, put the tyre back on.

Just in case you get any ideas.

Good. That's fine.

Now, I've a bit of thinking

on this,

How about this pose?

Not bad.

g ‘remmsemels ina arava

Loosen up a bit. Gate onatfortelala.

! want people to Know where I stand.

not amubberstamp.

! don't think he should be sitting under this portrait.

- Yes, let's try it at the desk. - All right.

Perhaps with your folded. Yeah.

Perfect: Now; let me just find my angle:

Yes, that looks fine.

Now, if you'll just tilt your head a little to the right.

That's it.

Excuse me, Mr Briggs.

Hello.

When?

How?

All right. Keep me informed.

What is it, Senator? happened?

Solowiechek's

es

caped.

- How is possible?

- How is possible,

that the police are part of this conspiracy?

hey helped Solowiechek escape?

There is no question about that, Miss Carter.

They arranged for a man to ride

to court with him.

a Communi st agian

A man who smuggled a gun into Solowiechek,

hey could overpower the

riding with them.

They even had a car following the van.

Now, who else but the police could have known

Solowiechek

was being taken to

That seems incredible.

To you, to the Uninformed like you.

When will you people wake up

All right.

if you will, please.

Well, you change the tyre?

l asked you to change the tyre.

- Yes. - Good, good.

Hey, how do you like this outfit, huh?

Nojone owl recognise

Eddie Gib: nin this huh?

- Okay, come on, we'd going:

-We call my embassy.

Why not?

They me

as much as your government does.

'm gonna have to dump you.

- No, no.

You... You cannot just kill me.

- Why not? - No, no. Leave me here.

l did not ask you

bring me with you.

leave you here, a8's0on as I leave

screamine

aftakeuyo truck on Route 29.

You got no money, you got no of getting any.

- You're trouble, mister. - Wait! Wait! Wait!

- !can get money. - Yeah?

How?

From a friend.

Who?

! cannot tell you that.

Hey, what makes “yen think this fri

! cannot tell you that, either.

isn't any friend, right?

Yeah?

- What's his name?

- No. I can't say.

- What's his name? - No, I can't.

! can't tell you!

What's his name?

Who is he?

Who?

McMillan.

R.J. McMillan.

McMillan? R.J. McMillan.

Yeah.

He might be willing to 10,

20,000 to keep you quiet.

Maybe more.

Yeah.

Let's go!

Come on.

Get up.

Get in there and lie down.

Yes, there is, } think.

I think that Bill Townsend's murder

have their eyes opened.

> enemy

ng to our way of life.

You don't mind if! finish cee first Sethi n¢

in the morning, do you, S

Why, thank you much, Mr Briggs.

I think you're a little premature.

But no, I don't mind stopping now at all.

lentes Siow you ‘red aatag.

That's good.

Not flattering, but accurate.

I'm something of a painter myself,

Oh, I didn't know.

some ol your w sometime.

Surely. T TNE TesS eipeiittalt

Show him, Miss Carter.

Oh, no, no. Please, please,

‘d like to have your criticism.

As you can\see, I lea to the yellows than

Whatlare you doing) Mn MeMillan?

I'll just accent this side...

I'm using yellow paint,

but it's green.

Why are my brushstrokes g 7)

reen

eae SHOR

My apologies, Mr Briggs.

: asitrouble with artists.

You can imagine the arguing that went on.

His favourite colour was red.

We save some time in the

if we leave eve

- Do you mind? - Not at all.

Oh, let me show you to the door.

Right.

- Rollin's due any minute.

"And I promise

"every citizen of this great state

"that I will devote my life

"and my fortune

"the late Senator William Townsend."

"l pledge..."

Get your hand out of there.

Empty. Get it out!

Now close the drawer. Easy.

Switch it to the network.

What do you want?

What do you think?

! could not help it, Mr McMillan.

What's he talking about?

- If you're lying... - Oh, I'm not lying.

He wants money. He made me bring him here.

What did he tell you about me?

MeMillan, you trying to tell me you don't this man?

him before

Oh, no.

Wait a minute,

now I know who you are.

We know you did it.

That's not true. That man is lying.

- Should I cut us off network? - No.

- You're lying. - No, no, I'm not lying. He is!

Tell him. Give him money.

A man whose entire career I ¢

Now, does that make sense to

you?

No, it doesn't.

- You've had it. - No.

No, I'm telling truth.

- 1 can prove it. - How?

He gave me money from safe

behind picture.

How would he know that that safe was there

unless he's been here before, huh?

- 1 don't know. - Stop your lying.

$100,000?

figured to

grand from

Come on, open up that safe.

This is going to be better than I thought.

- How much do you want? - How much?

Double. Double what he's getting.

$200,000.

You me to call the cops?

Someone's behind Rollin.

Drop your gun. Drop it.

Pick it up, R.J.

I! was praying you'd come down.

- You're dead. - Townsend?

They found a body.

evden bags and parser sey

dy fiftomion anavomn g Ory.

So you see,

will

time is right

- and not before. - And when will that be?

R.J., call the police.

OU Wane faresel 40 [a Il them

when they broke into your house.

Why don't you turn on your television set?

Your own station, McMillan.

million Americans

Do it.

You fool.

- How did this happen? - Then

you are not criminal?

Traitor!

a Armettea n people.

to stand up and fight.

It's the only way America survive.

io ecldiess 3 your conailluants,

You're not a bad actor, Rollin.

SWE rO ne Treating si

Forty or fifty million viewers.

a :