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1
00:00:04,171 --> 00:00:05,871
♪♪[music playing]
2
00:00:21,522 --> 00:00:23,889
♪♪[singing in foreign language]
3
00:00:38,639 --> 00:00:39,771
[grunts]
4
00:01:54,748 --> 00:01:56,081
[beeping]
5
00:01:58,085 --> 00:01:59,884
LOOKS LIKE IT'S ALL HERE.
6
00:01:59,886 --> 00:02:01,553
GOOD. DESTROY IT.
7
00:02:05,859 --> 00:02:07,292
[whirring]
8
00:02:11,599 --> 00:02:13,165
DONE.
9
00:02:13,167 --> 00:02:15,033
GET OUT OF THERE.
THEY'LL BE ON TOP
OF YOU ANY SECOND.
10
00:02:21,142 --> 00:02:22,641
BIRKOFF, I CAN'T GET OUT.
11
00:02:23,710 --> 00:02:24,876
WHAT DO YOU MEAN?
12
00:02:24,878 --> 00:02:27,045
(Nikita) THE DOOR'S LOCKED.
13
00:02:28,849 --> 00:02:30,649
THEY KNOW YOU'RE THERE.
14
00:02:30,651 --> 00:02:32,484
MICHAEL, NIKITA'S TRAPPED.
GO IN.
15
00:02:39,293 --> 00:02:40,659
[grunts]
16
00:02:44,231 --> 00:02:46,064
(Michael)
NIKITA, THIS WAY.
17
00:02:51,772 --> 00:02:54,206
(Nikita) BIRKOFF, SOMEONE JUST GRABBED MICHAEL.
18
00:02:54,208 --> 00:02:55,541
(Birkoff) DON'T PURSUE.
19
00:02:55,543 --> 00:02:56,908
THERE ARE TOO MANY SHOOTERS.
20
00:02:56,910 --> 00:02:58,877
I'M SENDING IN BACKUP.
21
00:03:44,991 --> 00:03:46,991
[woman speaking French]
22
00:04:22,662 --> 00:04:24,829
(Perez)
I SEE YOU ARE AWAKE.
23
00:04:32,872 --> 00:04:36,241
WE HAVE SOME QUESTIONS
TO ASK YOU BEFORE
YOU'RE DISPOSED OF.
24
00:04:36,243 --> 00:04:40,812
WE'RE CURIOUS HOW
YOU FOUND OUT ABOUT US.
25
00:04:44,151 --> 00:04:45,850
GET HIM PREPARED.
26
00:04:47,621 --> 00:04:49,087
[whistling]
27
00:05:28,395 --> 00:05:30,595
HOW ARE YOU TODAY,
SUNSHINE?
28
00:05:38,405 --> 00:05:40,372
LAST NIGHT WE ENGAGED
IN AN OPERATION
29
00:05:40,374 --> 00:05:43,908
TO DESTROY CERTAIN RECORDS
BELONGING TO THIS MAN,
30
00:05:43,910 --> 00:05:46,944
ORLANDO PEREZ, A FIRST-TIER
RED CELL TACTICIAN
31
00:05:46,946 --> 00:05:51,949
WHO'S BEEN RESPONSIBLE
FOR THE ABDUCTIONS
OF SEVERAL HIGH-LEVEL PLAYERS,
32
00:05:51,951 --> 00:05:55,953
ALL OF WHOM HAVE ACCESS
TO SENSITIVE INTEL.
33
00:05:55,955 --> 00:05:59,191
THERE HAVE BEEN NO DEMANDS
FOR THEIR RELEASE.
34
00:05:59,193 --> 00:06:02,727
WE BELIEVE HE'S USING THEM
AS INVOLUNTARY SOURCES.
BIRKOFF.
35
00:06:02,729 --> 00:06:04,663
SO WHAT ABOUT MICHAEL?
36
00:06:08,134 --> 00:06:10,034
THE INFORMATION
WE DESTROYED LAST NIGHT
37
00:06:10,036 --> 00:06:11,736
WAS VITAL
TO PEREZ'S OPERATION.
38
00:06:11,738 --> 00:06:14,038
IN ORDER TO RECOVER IT,
HE'LL HAVE TO SUBCONTRACT
39
00:06:14,040 --> 00:06:16,374
ONE OF 3
DATA-RECOVERY EXPERTS.
40
00:06:16,376 --> 00:06:18,009
ALL OF WHOM WE NOW OWN.
41
00:06:18,011 --> 00:06:19,811
I ASKED A QUESTION.
42
00:06:23,083 --> 00:06:26,084
IF MICHAEL'S STILL ALIVE
AND WE'RE ABLE TO RECOVER HIM
43
00:06:26,086 --> 00:06:28,820
WITHOUT INCURRING
FURTHER LOSSES, WE WILL.
44
00:06:28,822 --> 00:06:30,322
HE SHOULD BE A PRIORITY.
45
00:06:30,324 --> 00:06:31,823
I BEG YOUR PARDON?
46
00:06:31,825 --> 00:06:34,326
IF PEREZ IS ABDUCTING AGENTS
TO EXTRACT INTEL,
47
00:06:34,328 --> 00:06:37,229
THEN MICHAEL'S GONNA
BECOME A LIABILITY.
48
00:06:37,231 --> 00:06:38,996
WE NEED TO EXTRACT HIM.
49
00:06:38,998 --> 00:06:40,365
OR KILL HIM.
50
00:06:43,237 --> 00:06:46,571
LET ME BREAK THIS DOWN
FOR EVERYBODY SO WE'RE CLEAR.
51
00:06:47,974 --> 00:06:51,710
WE HAVE A MANDATE
TO STOP PEREZ AND WE WILL.
52
00:06:51,712 --> 00:06:54,613
AS FAR AS MICHAEL
IS CONCERNED,
53
00:06:54,615 --> 00:06:56,881
HE IS A CLASS-5 OPERATIVE
54
00:06:56,883 --> 00:06:59,183
AND I HAVE NO INTENTION
55
00:06:59,185 --> 00:07:01,986
OF SACRIFICING HIM
UNNECESSARILY.
56
00:07:01,988 --> 00:07:05,123
OUR PROFILERS ARE WORKING UP
A STRATEGY AS WE SPEAK.
57
00:07:05,125 --> 00:07:07,925
YOUR PADS WILL BE UPDATED WITH
YOUR RESPECTIVE TACTICALS.
58
00:07:07,927 --> 00:07:09,861
THIS BRIEFING IS OVER.
59
00:07:11,265 --> 00:07:13,498
IN CASE YOU HAVE FORGOTTEN,
60
00:07:14,534 --> 00:07:16,901
THIS IS
A MILITARY ORGANIZATION.
61
00:07:16,903 --> 00:07:21,139
THERE IS A CHAIN OF COMMAND
AND A PROTOCOL
FOR SPEAKING TO SUPERIORS.
62
00:07:21,141 --> 00:07:23,174
I WILL ACCEPT
A CERTAIN LEEWAY
63
00:07:23,176 --> 00:07:26,010
FROM TIME TO TIME
WHEN EMOTIONS RUN HIGH,
64
00:07:26,780 --> 00:07:28,580
BUT NOT ALWAYS.
65
00:07:31,785 --> 00:07:33,151
I'M SORRY.
66
00:07:43,397 --> 00:07:47,265
(female technician)
HIS BLOOD LEVEL'S AT 88.
SHALL I INCREASE?
67
00:07:48,635 --> 00:07:50,735
NO. THAT SHOULD BE ENOUGH.
68
00:07:51,838 --> 00:07:53,305
LET'S BEGIN.
69
00:07:54,441 --> 00:07:56,207
WHAT IS YOUR NAME?
70
00:07:57,110 --> 00:07:58,443
MICHAEL.
71
00:07:59,212 --> 00:08:00,779
MICHAEL WHAT?
72
00:08:02,882 --> 00:08:04,215
SAMUELLE.
73
00:08:06,052 --> 00:08:08,986
HELLO, MICHAEL SAMUELLE.
74
00:08:11,090 --> 00:08:12,924
WHERE WERE YOU BORN?
75
00:08:13,827 --> 00:08:15,259
MARSEILLES.
76
00:08:16,229 --> 00:08:17,862
IN WHAT YEAR?
77
00:08:18,732 --> 00:08:20,799
(Michael)
1965.
78
00:08:20,801 --> 00:08:23,234
(female technician)
HIS E.E.G. AND IMPEDANCE
ARE STABLE.
79
00:08:23,236 --> 00:08:25,269
HE'S TELLING THE TRUTH.
80
00:08:25,271 --> 00:08:27,305
FOR WHOM DO YOU WORK?
81
00:08:32,412 --> 00:08:35,213
I ASKED YOU A QUESTION,
MICHAEL SAMUELLE.
82
00:08:35,215 --> 00:08:38,015
FOR WHOM DO YOU WORK?
83
00:08:43,824 --> 00:08:46,057
WHAT'S THE PROBLEM?
84
00:08:46,059 --> 00:08:47,892
IT'S LIKELY HE'S
PROGRAMMED TO RESIST
85
00:08:47,894 --> 00:08:49,661
CERTAIN TYPES
OF MEMORY DE-SENSING.
86
00:08:49,663 --> 00:08:51,596
CAN WE WORK AROUND IT?
87
00:08:55,235 --> 00:08:59,637
(female technician)
GIVE HIM ANOTHER 2 HOURS,
AND HE'LL BE AN OPEN BOOK.
88
00:09:08,782 --> 00:09:09,947
YOU GOT SOMETHING?
89
00:09:09,949 --> 00:09:11,816
ONE OF OUR
DATA-RECOVERY INFORMANTS
90
00:09:11,818 --> 00:09:15,019
WAS CONTACTED
BY A WOMAN NAMED YING KAM.
91
00:09:15,021 --> 00:09:16,954
SHE WORKS FOR PEREZ?
92
00:09:16,956 --> 00:09:18,956
SHE'S BEING BROUGHT IN NOW.
93
00:09:18,958 --> 00:09:20,558
HAS SHE OFFERED UP
ANYTHING YET?
94
00:09:20,560 --> 00:09:21,693
NO.
95
00:09:21,695 --> 00:09:23,895
SHE'LL NEED SOME PERSUASION.
96
00:09:34,240 --> 00:09:36,040
[Madeline laughing]
97
00:09:45,485 --> 00:09:47,018
HOW'RE YOU DOIN'?
98
00:09:55,695 --> 00:09:56,828
ARE YOU BUSY?
99
00:09:56,830 --> 00:09:58,696
NO.
100
00:09:58,698 --> 00:10:02,066
RUSSELL WAS JUST TELLING ME
AN AMUSING STORY ABOUT
HIS LAST DELTA PICKUP.
101
00:10:02,068 --> 00:10:03,301
I SEE.
102
00:10:04,304 --> 00:10:05,970
WHAT'S UP?
103
00:10:05,972 --> 00:10:09,507
MOBILE'S BRINGING IN
ONE OF PEREZ'S PEOPLE.
A WOMAN.
104
00:10:09,509 --> 00:10:11,108
SHE'LL NEED YOUR ATTENTION.
105
00:10:11,110 --> 00:10:12,209
HOW SOON?
106
00:10:12,211 --> 00:10:13,711
WITHIN THE HOUR.
107
00:10:13,713 --> 00:10:15,313
I'LL BE THERE.
108
00:10:28,061 --> 00:10:29,527
[typing]
109
00:10:30,764 --> 00:10:32,831
DAMN IT. BIRKOFF!
110
00:10:32,833 --> 00:10:33,932
SIR?
111
00:10:33,934 --> 00:10:35,533
GET OVER HERE.
112
00:10:38,872 --> 00:10:40,972
WHAT THE HELL IS WRONG
WITH THIS THING?
113
00:10:40,974 --> 00:10:42,907
WHAT ARE YOU
TRYING TO ACCESS?
114
00:10:42,909 --> 00:10:45,309
A FILE ON ONE
OF OUR OPERATIVES.
115
00:10:45,311 --> 00:10:46,644
WHO?
116
00:10:46,646 --> 00:10:48,713
RUSSELL BURKE.
WHAT DO YOU KNOW
ABOUT HIM?
117
00:10:50,116 --> 00:10:53,451
(Birkoff)
WE USE HIM FOR
A LOT OF VALENTINE OPS.
118
00:10:53,453 --> 00:10:54,619
REALLY?
119
00:10:54,621 --> 00:10:57,355
YEAH. WOMEN GO CRAZY
FOR THIS GUY.
120
00:10:57,357 --> 00:10:59,223
HE'S BROUGHT IN
A LOT OF HARD INTEL
121
00:10:59,225 --> 00:11:00,725
OVER THE LAST COUPLE OF YEARS.
122
00:11:00,727 --> 00:11:02,627
YOU WANT ME TO PULL
AN EFFICIENCY ON HIM?
123
00:11:02,629 --> 00:11:04,496
NO. THAT'S FINE.
124
00:11:11,270 --> 00:11:13,204
[door opens]
125
00:11:13,206 --> 00:11:15,339
(Madeline)
HELLO, MISS KAM.
126
00:11:15,942 --> 00:11:17,074
[door closes]
127
00:11:17,076 --> 00:11:18,743
CAN I GET YOU ANYTHING?
128
00:11:20,113 --> 00:11:21,546
SOME WATER?
129
00:11:25,619 --> 00:11:27,552
I LOOKED AT YOUR FILE.
130
00:11:28,889 --> 00:11:32,189
YOU PRESENT DIFFERENTLY
THAN MOST OF OUR DETAINEES.
131
00:11:33,426 --> 00:11:36,193
RAISED IN AN UPPER
MIDDLE-CLASS FAMILY.
132
00:11:37,063 --> 00:11:38,329
BRIGHT,
133
00:11:40,233 --> 00:11:42,133
VERY ATTRACTIVE,
134
00:11:42,135 --> 00:11:43,668
BUT RESTLESS.
135
00:11:48,474 --> 00:11:53,011
YOU GOT ENTANGLED
IN A RELATIONSHIP
WITH ORLANDO PEREZ,
136
00:11:53,013 --> 00:11:55,780
A MAN WHO USES YOU
FOR ERRANDS AND SEX.
137
00:12:02,889 --> 00:12:04,288
TRUST ME,
138
00:12:06,359 --> 00:12:09,928
YOU DO NOT HAVE THE STRENGTH
TO WITHSTAND THE PAIN
139
00:12:10,730 --> 00:12:13,164
OUR TECHNOLOGY CAN INFLICT.
140
00:12:13,166 --> 00:12:15,232
THE QUESTION IS SIMPLE:
141
00:12:16,169 --> 00:12:18,770
WILL YOU COOPERATE NOW,
142
00:12:18,772 --> 00:12:21,272
OR WILL YOU FORCE ME
TO MODIFY YOU?
143
00:12:41,294 --> 00:12:43,595
(Madeline) WE JUST GOT LOCATION ON PEREZ.
144
00:12:43,597 --> 00:12:44,696
GOOD.
145
00:12:44,698 --> 00:12:46,163
SEND A TEAM.
146
00:12:48,868 --> 00:12:52,470
(female technician)
I BOOSTED THE DOSAGE.
HE SHOULD BE READY.
147
00:12:52,472 --> 00:12:54,072
GOOD.
148
00:12:54,074 --> 00:12:56,941
BUT I CAN ONLY
KEEP HIM SATURATED
FOR A COUPLE OF MINUTES.
149
00:12:56,943 --> 00:13:00,845
AFTER THAT,
THERE'LL BE TOO MUCH DAMAGE
TO GET ANYTHING USEFUL.
150
00:13:07,954 --> 00:13:10,722
LET'S SEE IF YOU'RE
WORTH KEEPING ALIVE.
151
00:13:12,726 --> 00:13:14,826
EVERYONE TO 2ND MARK.
WE'RE CLOSING IN.
152
00:13:34,347 --> 00:13:36,614
WHO DO YOU WORK FOR, MICHAEL?
153
00:13:40,954 --> 00:13:42,419
SECTION ONE.
154
00:13:44,557 --> 00:13:46,858
WHAT WERE YOU DOING
AT MY CLUB?
155
00:13:52,331 --> 00:13:54,298
YOUR MARKS ARE UP. GO.
156
00:13:58,371 --> 00:14:00,337
[guns firing]
157
00:14:39,879 --> 00:14:41,179
MICHAEL?
158
00:14:51,958 --> 00:14:53,725
[machine beeping]
159
00:14:57,897 --> 00:14:59,296
MICHAEL.
160
00:15:03,436 --> 00:15:04,969
CAN YOU WALK?
161
00:15:05,571 --> 00:15:07,038
I THINK SO.
162
00:15:10,143 --> 00:15:11,743
WHAT'S THIS FOR?
163
00:15:11,745 --> 00:15:13,211
THE AREA'S NOT SECURE YET.
164
00:15:15,648 --> 00:15:16,781
[grunts]
165
00:15:21,154 --> 00:15:22,686
WHERE ARE WE?
166
00:15:26,226 --> 00:15:28,726
MICHAEL, IT'S ME, NIKITA.
COME ON.
167
00:15:33,833 --> 00:15:35,767
MICHAEL, LET'S GO!
168
00:15:36,202 --> 00:15:37,769
WHY...
169
00:15:37,771 --> 00:15:40,271
WHY DO YOU KEEP
CALLING ME MICHAEL?
170
00:15:49,082 --> 00:15:52,149
OK, BIRKOFF, IT'S ME.
I'VE GOT MICHAEL.
HOW DO WE GET OUT OF HERE?
171
00:15:52,151 --> 00:15:55,919
NOTHING'S SECURE YET.
CAN YOU AUGMENT A TACTICAL?
172
00:15:55,921 --> 00:15:57,754
NO. MICHAEL'S BEEN SEDATED.
173
00:15:57,756 --> 00:16:00,024
I'M GONNA HAVE TO
KEEP HIM CLOSE.
174
00:16:00,026 --> 00:16:02,793
(Birkoff) OK, LET ME SEE IF I CAN CREATE SOME SPACE FOR YOU.
175
00:16:04,030 --> 00:16:06,763
TEAM 3, INCREASE YOUR WEDGE
BY A FEW DEGREES.
176
00:16:18,311 --> 00:16:19,510
[screaming]
177
00:16:25,184 --> 00:16:27,951
OK, NIKITA,
THERE'S A DOOR 10 METERS
178
00:16:27,953 --> 00:16:30,454
TO YOUR RIGHT,
DOWN THE HALLWAY.
179
00:16:30,456 --> 00:16:31,922
(Birkoff) IT LEADS OUT.
180
00:16:31,924 --> 00:16:33,724
YOU'LL BE CLEAR FOR THE NEXT 60 SECONDS.
181
00:16:33,726 --> 00:16:36,160
OK. WE'VE GOT TO GO NOW.
182
00:16:36,162 --> 00:16:38,195
I DON'T KNOW WHO YOU ARE.
183
00:16:38,197 --> 00:16:39,596
YOU'VE BEEN DRUGGED.
184
00:16:39,598 --> 00:16:41,565
I DON'T HAVE TIME TO EXPLAIN,
BUT I'M HERE TO HELP.
185
00:16:41,567 --> 00:16:43,867
THESE PEOPLE ARE TRYING
TO KILL YOU.
186
00:16:43,869 --> 00:16:44,968
WHY?
187
00:16:44,970 --> 00:16:46,137
BECAUSE YOU'RE THEIR ENEMY.
188
00:16:46,139 --> 00:16:48,372
YOU'RE AN ANTI-TERRORIST
OPERATIVE.
189
00:16:48,374 --> 00:16:49,573
[chuckles]
190
00:16:49,575 --> 00:16:51,042
NO, I'M NOT.
191
00:16:53,246 --> 00:16:55,312
WHO DO YOU THINK YOU ARE?
192
00:16:56,182 --> 00:16:58,149
I CAN'T REMEMBER.
193
00:16:59,318 --> 00:17:01,452
NIKITA, I CAN'T KEEP
THIS CORRIDOR CLEAR.
194
00:17:01,454 --> 00:17:03,521
YOU'VE GOT TO
GET OUT OF THERE.
195
00:17:03,523 --> 00:17:06,924
IF YOU WANT TO LIVE,
YOU'RE GONNA COME WITH ME.
COME ON.
196
00:17:31,084 --> 00:17:32,983
[guns firing]
197
00:17:35,054 --> 00:17:36,587
ARE YOU READY?
198
00:17:36,589 --> 00:17:38,389
(Nikita) YES, LET'S GO.
199
00:17:48,667 --> 00:17:50,301
MICHAEL!
200
00:17:50,303 --> 00:17:52,269
MICHAEL, GET OVER HERE.
201
00:17:52,271 --> 00:17:53,837
[door opening]
202
00:17:59,878 --> 00:18:01,245
[panting]
203
00:18:05,784 --> 00:18:06,917
[grunts]
204
00:18:06,919 --> 00:18:08,452
STAY WITH ME.
205
00:18:12,758 --> 00:18:13,991
READY?
206
00:18:25,571 --> 00:18:26,803
HOW DID WE DO?
207
00:18:26,805 --> 00:18:28,239
WE LOST 4 OPS.
208
00:18:28,241 --> 00:18:29,473
AND PEREZ?
209
00:18:29,475 --> 00:18:30,707
HE SLIPPED THROUGH.
210
00:18:30,709 --> 00:18:31,842
HOW?
211
00:18:31,844 --> 00:18:33,544
WE'RE STILL NOT SURE.
212
00:18:33,546 --> 00:18:36,413
IN OTHER WORDS,
A COMPLETE FAILURE.
213
00:18:36,415 --> 00:18:38,349
WE HAVEN'T FINISHED
COMBING THE SCENE YET.
214
00:18:38,351 --> 00:18:39,883
BUT WE DID PICK UP MICHAEL.
215
00:18:39,885 --> 00:18:42,586
WHEN YOU GET
SOMETHING SUBSTANTIAL,
CALL ME.
216
00:18:55,100 --> 00:18:56,467
(Operations)
MICHAEL.
217
00:19:04,610 --> 00:19:05,976
YES?
218
00:19:05,978 --> 00:19:07,778
WE'RE GLAD YOU'RE BACK.
219
00:19:09,615 --> 00:19:11,649
THANK YOU.
220
00:19:11,651 --> 00:19:14,518
WERE YOU ABLE TO EXTRACT
AN R.P. ON PEREZ?
221
00:19:17,823 --> 00:19:19,756
AN R.P.?
222
00:19:19,758 --> 00:19:23,427
HIS RETREAT POINT
IS STILL UNKNOWN.
223
00:19:23,429 --> 00:19:27,931
(Nikita)
I THINK WE SHOULD TAKE MICHAEL
TO MEDICAL BEFORE HE DEBRIEFS.
224
00:19:27,933 --> 00:19:32,236
THERE WAS QUITE A BIT
OF INTERROGATION EQUIPMENT
AT THE SITE.
225
00:19:32,238 --> 00:19:33,970
ARE YOU ALL RIGHT?
226
00:19:34,373 --> 00:19:36,273
YES.
227
00:19:36,275 --> 00:19:38,642
JUST NEED
A LITTLE BIT OF REST.
228
00:19:40,446 --> 00:19:42,079
I'LL TAKE HIM.
229
00:19:43,148 --> 00:19:44,415
FINE.
230
00:19:57,029 --> 00:19:59,196
HELLO.
231
00:19:59,198 --> 00:20:02,466
I HAVE TO PICK
A DECOY FOR UZBEKISTAN.
232
00:20:02,468 --> 00:20:04,167
THE CHANCES
OF RETURNING ALIVE
233
00:20:04,169 --> 00:20:06,337
ARE LESS THAN 10 PERCENT.
234
00:20:06,339 --> 00:20:08,305
I'M AWARE OF THAT. SO?
235
00:20:09,842 --> 00:20:13,043
I'M THINKING
OF SENDING RUSSELL.
236
00:20:13,045 --> 00:20:17,047
UNLESS YOU THINK
HE'D BE MORE VALUABLE
WHERE HE IS NOW.
237
00:20:17,049 --> 00:20:19,950
I DON'T THINK SO.
RUSSELL'S A GOOD CHOICE.
238
00:20:21,387 --> 00:20:23,887
GOOD. THEN IT'S SETTLED.
239
00:20:49,415 --> 00:20:50,481
[gasps]
240
00:20:58,190 --> 00:20:59,290
HI.
241
00:21:02,628 --> 00:21:04,895
HOW LONG DID I SLEEP?
242
00:21:04,897 --> 00:21:07,097
NOT LONG. A COUPLE OF HOURS.
243
00:21:09,034 --> 00:21:10,901
I HAD STRANGE DREAMS.
244
00:21:12,004 --> 00:21:14,271
DO YOU REMEMBER ANYTHING YET?
245
00:21:19,111 --> 00:21:20,210
NO.
246
00:21:23,482 --> 00:21:24,815
[grunts]
247
00:21:28,120 --> 00:21:30,053
MAYBE WE SHOULD
CONTACT MY FAMILY.
248
00:21:30,055 --> 00:21:31,822
THEY MUST BE WORRIED.
249
00:21:33,426 --> 00:21:35,459
YOU DON'T HAVE A FAMILY.
250
00:21:36,595 --> 00:21:39,296
NOT IN THE ORDINARY
SENSE OF THE WORD.
251
00:21:40,098 --> 00:21:43,801
THE ORGANIZATION WE WORK FOR
252
00:21:43,803 --> 00:21:47,338
IS SO COVERT THAT NONE OF US
HAVE ANY REAL IDENTITIES.
253
00:21:48,874 --> 00:21:52,609
WE'RE ALL DEAD
AS FAR AS THE OUTSIDE WORLD
IS CONCERNED.
254
00:21:55,080 --> 00:21:56,814
DO I HAVE FRIENDS?
255
00:21:57,650 --> 00:21:59,182
I DON'T KNOW.
256
00:22:02,287 --> 00:22:05,088
I DON'T REALLY KNOW
THAT MUCH ABOUT YOU.
257
00:22:06,925 --> 00:22:09,159
HOW LONG HAVE YOU KNOWN ME?
258
00:22:09,161 --> 00:22:10,728
OVER 3 YEARS.
259
00:22:12,297 --> 00:22:13,897
YOU TRAINED ME.
260
00:22:16,268 --> 00:22:18,535
WHY DON'T YOU KNOW ME BETTER?
261
00:22:24,076 --> 00:22:25,942
IT'S HARD TO EXPLAIN.
262
00:22:27,145 --> 00:22:28,746
I MUST BE A REAL JERK.
263
00:22:28,748 --> 00:22:30,080
[laughs]
264
00:22:33,051 --> 00:22:34,418
ACTUALLY,
265
00:22:38,957 --> 00:22:40,824
I'M VERY FOND OF YOU.
266
00:22:44,430 --> 00:22:46,397
I'M HAPPY TO HEAR THAT.
267
00:22:50,770 --> 00:22:54,538
YESTERDAY,
WHEN I KILLED THIS MAN,
268
00:22:56,008 --> 00:22:58,074
I'VE DONE THAT BEFORE,
HAVEN'T I?
269
00:23:07,520 --> 00:23:10,521
WHAT WILL HAPPEN
IF MY MEMORY DOESN'T RETURN?
270
00:23:11,590 --> 00:23:13,290
THEY'LL KILL YOU.
271
00:23:14,593 --> 00:23:16,960
WH-WHY DON'T THEY
JUST LET ME GO?
272
00:23:16,962 --> 00:23:19,463
BECAUSE THEY DON'T
LET ANYBODY GO.
273
00:23:29,141 --> 00:23:30,974
I CAN'T ACCEPT THAT.
274
00:23:33,178 --> 00:23:34,845
BUT YOU HAVE TO.
275
00:23:36,482 --> 00:23:38,649
I MAY NOT KNOW WHO I WAS,
276
00:23:39,318 --> 00:23:41,117
BUT I KNOW WHO I AM.
277
00:23:41,987 --> 00:23:43,554
I CAN FEEL IT.
278
00:23:44,824 --> 00:23:47,991
I'LL NEVER BE TREATED
LIKE--LIKE A CAGED ANIMAL.
279
00:23:58,470 --> 00:24:00,971
[birds chirping]
280
00:24:00,973 --> 00:24:03,874
(Perez)
MINOR SETBACK, THAT'S ALL.
281
00:24:03,876 --> 00:24:06,944
EVERYTHING'S STILL ON
FOR TOMORROW NIGHT.
282
00:24:06,946 --> 00:24:08,913
RIGHT HERE AT THE CLUB.
283
00:24:09,682 --> 00:24:11,949
NO, IT'LL BE FINE.
284
00:24:13,085 --> 00:24:15,252
THE WEAPONS ARE SECURE.
285
00:24:15,254 --> 00:24:18,055
I'LL SEE YOU IN TANGIERS
BY THE WEEKEND.
286
00:24:25,264 --> 00:24:26,496
IDIOT.
287
00:24:27,934 --> 00:24:29,366
BE CAREFUL.
288
00:24:31,270 --> 00:24:32,836
YES, BIRKOFF?
289
00:24:32,838 --> 00:24:35,706
WE JUST RECEIVED
SOMETHING ABOUT PEREZ
FROM SECTION 7.
290
00:24:35,708 --> 00:24:37,074
WHAT?
291
00:24:37,076 --> 00:24:39,142
SOMEONE'S BROKERING
A SHORT-RANGE TACTICAL SYSTEM
292
00:24:39,144 --> 00:24:40,410
ON THE BLACK MARKET.
293
00:24:40,412 --> 00:24:42,580
INDICTORS SUGGEST PEREZ
MIGHT BE THE BUYER.
294
00:24:42,582 --> 00:24:45,148
CALL MICHAEL IN,
INITIATE A PROFILE.
295
00:24:47,019 --> 00:24:49,787
♪♪[Fire and Roses
by Mimi Goese playing]
296
00:24:49,789 --> 00:24:51,989
(Michael)
WHY DO YOU NEED MY BLOOD?
297
00:24:56,161 --> 00:24:59,897
UH, IF THERE ARE ANY DRUGS
LEFT IN YOUR SYSTEM,
298
00:24:59,899 --> 00:25:03,634
MAYBE THEY'LL BE
ABLE TO TELL US SOMETHING.
299
00:25:03,636 --> 00:25:05,970
YOU'RE A GOOD FRIEND, NIKITA.
300
00:25:05,972 --> 00:25:07,671
♪ IT COULD RAIN ♪
301
00:25:09,108 --> 00:25:10,574
♪ INSIDE ♪
302
00:25:10,576 --> 00:25:12,676
DID I SAY SOMETHING WRONG?
303
00:25:13,980 --> 00:25:15,412
NO. IT'S...
304
00:25:15,881 --> 00:25:18,015
[sighs]
305
00:25:18,017 --> 00:25:20,084
IT'S JUST HARD
TO GET USED TO.
306
00:25:20,086 --> 00:25:21,284
WHAT?
307
00:25:21,854 --> 00:25:23,020
YOU.
308
00:25:24,256 --> 00:25:26,356
DIDN'T I EVER
TELL YOU THINGS LIKE THAT?
309
00:25:26,358 --> 00:25:27,958
NO.
310
00:25:27,960 --> 00:25:29,392
♪ KEEL OVER ♪
311
00:25:29,394 --> 00:25:31,428
I CAN'T BELIEVE IT.
312
00:25:31,430 --> 00:25:34,231
♪ TAKE A STAND TRYING TO ♪
313
00:25:34,233 --> 00:25:36,266
DID WE EVER DANCE?
314
00:25:37,536 --> 00:25:39,536
ONLY UNDER ORDERS.
315
00:25:42,074 --> 00:25:43,941
♪ OVERFLOW ♪
316
00:25:45,511 --> 00:25:47,310
♪ UNDERTOW ♪
317
00:25:47,312 --> 00:25:49,613
OH, MICHAEL,
I DON'T THINK SO.
318
00:25:50,082 --> 00:25:51,348
PLEASE?
319
00:25:56,689 --> 00:25:58,421
♪ BELIEVE ME ♪
320
00:25:58,423 --> 00:25:59,523
JUST A LITTLE BIT.
321
00:25:59,525 --> 00:26:01,491
♪ I'M A FIGHTER 'TIL THE END ♪
322
00:26:01,493 --> 00:26:02,926
OK.
323
00:26:08,901 --> 00:26:10,400
THANK YOU.
324
00:26:10,402 --> 00:26:12,636
♪ IT'S ALL ON FIRE ♪
325
00:26:12,638 --> 00:26:16,674
♪ MY LIFE NEEDS FIRE ♪
326
00:26:16,676 --> 00:26:19,209
♪ I WANT ROSES ♪
327
00:26:20,312 --> 00:26:22,946
♪ STREWN AT MY FEET ♪
328
00:26:23,783 --> 00:26:25,315
PLEASE DON'T.
329
00:26:27,519 --> 00:26:28,819
WHY NOT?
330
00:26:30,890 --> 00:26:32,255
♪ MOVING IN ♪
331
00:26:32,257 --> 00:26:34,591
BECAUSE THIS IS NOT
WHO YOU ARE.
332
00:26:34,593 --> 00:26:36,060
♪ MOVING OUT ♪
333
00:26:36,062 --> 00:26:38,595
♪ THE CURRENT PULLS ME ♪
334
00:26:38,597 --> 00:26:41,131
♪ STAY BUOYANT ♪
335
00:26:42,034 --> 00:26:43,567
[sighs]
336
00:26:43,569 --> 00:26:47,637
♪ I TUMBLE DOING DEEP-SEA CARTWHEELS ♪♪
337
00:26:47,639 --> 00:26:49,606
[cell phone ringing]
338
00:26:50,776 --> 00:26:52,209
IT'S YOURS.
339
00:26:54,213 --> 00:26:55,478
WHAT DO I SAY?
340
00:26:55,480 --> 00:26:56,914
JUST AGREE.
341
00:26:58,283 --> 00:26:59,449
YEAH.
342
00:27:01,120 --> 00:27:02,452
UH-HUH.
343
00:27:06,692 --> 00:27:08,926
THEY WANT ME TO COME IN.
344
00:27:08,928 --> 00:27:10,794
WELL, WE'VE GOT WORK TO DO.
345
00:27:21,874 --> 00:27:23,741
YOU WANTED TO SEE ME?
346
00:27:27,747 --> 00:27:30,147
WE'RE CONVERGING ON PEREZ,
347
00:27:30,149 --> 00:27:32,549
BUT WE HAVE
A COUPLE OF OPTIONS.
348
00:27:33,853 --> 00:27:35,685
I'D LIKE YOUR INPUT.
349
00:27:38,423 --> 00:27:40,224
OF COURSE.
350
00:27:40,226 --> 00:27:42,492
I'LL BE RIGHT
WITH YOU, SUGAR.
351
00:27:53,739 --> 00:27:55,139
OK, WHAT'S UP?
352
00:27:55,141 --> 00:27:57,641
I NEED YOU TO RUN
SOMETHING FOR ME.
353
00:27:59,311 --> 00:28:00,644
YEAH. WHAT FOR?
354
00:28:00,646 --> 00:28:02,512
I'M NOT SURE.
355
00:28:02,514 --> 00:28:04,648
MAYBE A PSYCHOTROPIC
AGENT OF SOME SORT.
356
00:28:04,650 --> 00:28:06,683
SOMETHING THAT COULD
INTERFERE WITH MEMORY.
357
00:28:06,685 --> 00:28:08,752
WHOSE BLOOD IS IT?
358
00:28:08,754 --> 00:28:10,453
DOES IT MATTER?
359
00:28:10,455 --> 00:28:13,791
WELL, I GOTTA KNOW
WHOSE BASELINE TO PULL
SO I CAN GET A DELTA.
360
00:28:15,961 --> 00:28:17,360
M-MICHAEL'S.
361
00:28:29,141 --> 00:28:31,108
(Birkoff)
WE DON'T HAVE CONFIRMATION,
362
00:28:31,110 --> 00:28:33,243
BUT THERE'S A GOOD CHANCE
PEREZ IS HIDING OUT
363
00:28:33,245 --> 00:28:36,346
IN A PRIVATE CLUB
IN LUCKENWALDE, GERMANY.
364
00:28:36,348 --> 00:28:37,514
HOW GOOD?
365
00:28:37,516 --> 00:28:38,949
0.75.
366
00:28:38,951 --> 00:28:40,984
THE PROBLEM IS
IF HE ISN'T THERE
AND WE GO IN,
367
00:28:40,986 --> 00:28:42,886
WE LOSE OUR ADVANTAGE.
368
00:28:44,423 --> 00:28:46,290
WHAT'S OUR ADVANTAGE?
369
00:28:47,526 --> 00:28:51,195
THE DEAL. THEY'LL KNOW
WE'RE ONTO THE DEAL.
370
00:28:51,197 --> 00:28:53,530
ON THE OTHER HAND,
IF WE DON'T PICK UP
PEREZ SOON,
371
00:28:53,532 --> 00:28:55,232
WE'LL HAVE TO RELY
ON OUR FIELD OPS
372
00:28:55,234 --> 00:28:57,301
WHO ARE ALREADY ON THE SEAMS
OF THEIR COVERS.
373
00:28:57,303 --> 00:28:59,336
(Operations)
THOSE SYSTEMS
WILL BE UNTRACKABLE
374
00:28:59,338 --> 00:29:01,738
IF WE DON'T FIND PEREZ
IN THE NEXT 18 HOURS.
375
00:29:01,740 --> 00:29:04,274
WE'VE GOT TO MAKE A CHOICE.
376
00:29:04,276 --> 00:29:05,608
MICHAEL?
377
00:29:08,580 --> 00:29:10,848
WHAT DO YOU THINK
WE SHOULD DO?
378
00:29:11,951 --> 00:29:14,017
WHAT DO YOU MEAN?
379
00:29:14,019 --> 00:29:15,352
MICHAEL,
380
00:29:17,589 --> 00:29:19,389
ARE YOU ALL RIGHT?
381
00:29:19,391 --> 00:29:20,757
I'M FINE.
382
00:29:22,061 --> 00:29:26,964
I'M JUST SAYING
THIS IS NOT A SUBJECTIVE CALL.
383
00:29:26,966 --> 00:29:29,366
WE SHOULD LET THE COMPUTER
DO AN ANALYSIS.
384
00:29:29,368 --> 00:29:30,868
ANALYSIS? YOU MEAN A SIM?
385
00:29:30,870 --> 00:29:32,336
YEAH, A SIM.
386
00:29:32,338 --> 00:29:33,503
I DID.
387
00:29:33,505 --> 00:29:35,305
AND?
388
00:29:35,307 --> 00:29:38,441
ACCORDING TO THE NUMBERS,
THERE'S A 3 PERCENT ADVANTAGE
TO GOING IN.
389
00:29:39,879 --> 00:29:41,278
3 PERCENT.
390
00:29:43,448 --> 00:29:45,015
THEN WE GO IN.
391
00:29:46,651 --> 00:29:49,552
OK. PUT TOGETHER YOUR TEAM.
392
00:30:27,592 --> 00:30:29,426
[whispering]
MICHAEL.
393
00:30:41,006 --> 00:30:42,605
[door closes]
394
00:30:47,313 --> 00:30:49,112
WHAT ARE YOU DOING?
395
00:30:50,515 --> 00:30:52,249
SECURING THE ROOM.
396
00:30:53,986 --> 00:30:55,852
OK. NOW WE CAN TALK.
397
00:30:56,721 --> 00:30:58,755
WHAT DID OPERATIONS SAY?
398
00:31:00,492 --> 00:31:02,525
I CAN'T DO THIS, NIKITA.
399
00:31:03,829 --> 00:31:05,662
THEY'RE GOING TO FIND OUT.
400
00:31:05,664 --> 00:31:07,630
I DON'T KNOW WHAT I'M DOING.
401
00:31:07,632 --> 00:31:09,666
JUST DO WHAT I TELL YOU.
402
00:31:12,004 --> 00:31:13,803
BUT FOR HOW MUCH LONGER?
403
00:31:13,805 --> 00:31:17,441
WALTER'S GONNA KNOW SOMETHING
WHEN HE ANALYZES THE BLOOD.
404
00:31:19,611 --> 00:31:21,945
AND IF IT'S NOT THE BLOOD?
405
00:31:24,450 --> 00:31:26,249
I CAN'T--
I CAN'T GO THROUGH WITH THIS.
406
00:31:26,251 --> 00:31:27,317
YES, YOU CAN.
407
00:31:27,319 --> 00:31:28,785
NO, I CAN'T.
408
00:31:29,989 --> 00:31:31,421
I'VE GOT TO GET OUT OF HERE.
409
00:31:31,423 --> 00:31:34,157
YOU'LL NEVER MAKE IT.
THEY'LL FIND YOU.
410
00:31:36,295 --> 00:31:37,461
HOW DO YOU KNOW?
411
00:31:37,463 --> 00:31:39,296
TAKE A LOOK AROUND.
412
00:31:43,469 --> 00:31:46,336
YOU TOLD ME
THEY WERE GONNA
KILL ME ANYWAY.
413
00:31:48,307 --> 00:31:50,273
I GOT NOTHING TO LOSE.
414
00:31:54,980 --> 00:31:56,146
I DO.
415
00:31:57,749 --> 00:32:00,950
(man) THE MISSION IS LOADING, MICHAEL.
416
00:32:11,430 --> 00:32:12,729
MICHAEL?
417
00:32:13,465 --> 00:32:15,032
[whispering]
OK.
418
00:32:18,770 --> 00:32:19,936
OK.
419
00:32:21,473 --> 00:32:23,673
LET'S JUST GET THROUGH THIS.
420
00:32:24,743 --> 00:32:26,910
WE'LL FIGURE SOMETHING OUT.
421
00:32:32,351 --> 00:32:33,950
[door opening]
422
00:32:57,643 --> 00:32:59,242
[birds chirping]
423
00:33:01,547 --> 00:33:03,112
[brakes squeal]
424
00:33:05,651 --> 00:33:08,585
USE THIS TO COMMUNICATE
WITH ME.
425
00:33:08,587 --> 00:33:11,555
STAY ON CHANNEL "C,"
I'LL BE THE ONLY ONE ON IT.
426
00:33:11,557 --> 00:33:13,056
JUST MAKE SURE
YOU REMEMBER
427
00:33:13,058 --> 00:33:16,326
TO TURN OFF YOUR MAIN UNIT
WHEN YOU'RE TALKING TO ME.
428
00:33:17,262 --> 00:33:19,162
TRUST YOUR INSTINCTS.
429
00:33:22,835 --> 00:33:24,167
MICHAEL.
430
00:33:28,807 --> 00:33:30,039
RIGHT.
431
00:33:39,250 --> 00:33:40,650
THANK YOU.
432
00:33:44,890 --> 00:33:47,223
(host)
MR. BONNIERE,
WELCOME TO THE CLUB.
433
00:33:47,225 --> 00:33:49,459
MR. MARQUEZ SPEAKS
HIGHLY OF YOU.
434
00:33:49,461 --> 00:33:52,629
IF THERE'S ANYTHING
YOU WANT AT ALL, PLEASE ASK.
435
00:33:53,365 --> 00:33:54,564
THANK YOU.
436
00:33:54,566 --> 00:33:56,633
WOULD YOU LIKE ANYTHING
BEFORE YOU DINE?
437
00:33:56,635 --> 00:33:59,736
A MASSAGE?
A--A GAME OF BRIDGE, PERHAPS?
438
00:33:59,738 --> 00:34:01,204
UH...
439
00:34:03,308 --> 00:34:05,141
WHAT ARE YOU
WAITING FOR, MICHAEL?
440
00:34:06,444 --> 00:34:08,545
(Nikita) MICHAEL, START IN THE LIBRARY.
441
00:34:08,547 --> 00:34:10,013
UH, THE LIBRARY.
442
00:34:10,015 --> 00:34:11,715
SIR?
443
00:34:11,717 --> 00:34:13,817
(Michael) I WOULD LIKE TO REST A WHILE...
444
00:34:13,819 --> 00:34:15,585
WHAT'S HE DOING?
445
00:34:15,587 --> 00:34:17,420
...WITH AN AFTERNOON PAPER.
446
00:34:17,422 --> 00:34:18,889
RIGHT THIS WAY, MR. BONNIERE.
447
00:34:18,891 --> 00:34:20,289
CERTAINLY.
448
00:34:29,735 --> 00:34:31,668
MICHAEL, WHY AREN'T
YOU ISOLATED?
449
00:34:31,670 --> 00:34:33,102
[whispering]
WHAT?
450
00:34:33,104 --> 00:34:34,638
(Nikita) GET RID OF THE HOST.
451
00:34:34,640 --> 00:34:36,673
YOU'RE GONNA HAVE TO GO ALONE.
452
00:34:36,675 --> 00:34:38,808
WHY DIDN'T YOU
TELL ME THAT EARLIER?
453
00:34:39,444 --> 00:34:41,344
TELL YOU WHAT EARLIER?
454
00:34:41,346 --> 00:34:43,346
(Nikita) MICHAEL, CUT YOUR MAIN TRANSMITTER.
455
00:34:43,348 --> 00:34:45,381
THE STEM OF YOUR GLASSES, NOW.
456
00:34:45,383 --> 00:34:46,683
YEAH.
457
00:34:46,685 --> 00:34:48,117
I'M SORRY, SIR?
458
00:34:48,119 --> 00:34:49,853
TELL HIM YOU'D LIKE SOME PRIVACY.
459
00:34:49,855 --> 00:34:51,855
JUST ASK WHERE THE LIBRARY IS.
460
00:34:52,424 --> 00:34:54,057
NO, I'M SORRY.
461
00:34:54,059 --> 00:34:56,259
IT'S--IT'S BEEN A BUSY DAY.
462
00:34:57,629 --> 00:35:00,329
JUST--JUST TELL ME
WHERE IT IS.
463
00:35:00,331 --> 00:35:02,699
JUST UP THE STAIRS
TO THE LEFT.
464
00:35:07,072 --> 00:35:09,773
OK, AT THE END
OF THE HALL, TURN RIGHT.
465
00:35:12,644 --> 00:35:16,279
(Nikita) MICHAEL, TURN YOUR MAIN UNIT BACK ON.
466
00:35:16,281 --> 00:35:17,380
(Birkoff) MICHAEL.
467
00:35:17,382 --> 00:35:18,615
WHAT? I'M HERE.
468
00:35:18,617 --> 00:35:21,651
WHAT ARE YOU DOING?
I SAID, "TURN RIGHT."
469
00:35:22,921 --> 00:35:26,022
BUT HE-- BUT HE SAID
THE LIBRARY WAS ON THE LEFT.
470
00:35:26,024 --> 00:35:27,924
(Birkoff) YOU'RE NOT GOING TO THE LIBRARY.
471
00:35:27,926 --> 00:35:30,760
PEREZ WOULD BE IN
ONE OF THE BACK ROOMS
TO THE RIGHT.
472
00:35:37,402 --> 00:35:39,435
EVERYONE TO 2ND MARK,
WE'RE CLOSING IN.
473
00:36:07,699 --> 00:36:09,833
IT'S--IT'S LOCKED.
WHAT SHOULD I DO?
474
00:36:10,235 --> 00:36:11,534
OPEN IT.
475
00:36:12,871 --> 00:36:15,238
MICHAEL, THE "U" KEY,
IT'S IN YOUR JACKET.
476
00:36:27,119 --> 00:36:28,718
[lock rattling]
477
00:36:39,164 --> 00:36:40,563
HOW DID YOU GET IN?
478
00:36:40,565 --> 00:36:42,365
IT WAS OPEN.
479
00:36:42,367 --> 00:36:44,100
(bodyguard) THIS ROOM IS OCCUPIED.
480
00:36:44,102 --> 00:36:46,136
THOSE ARE HIS MEN, MICHAEL.
PROCEED.
481
00:36:47,873 --> 00:36:49,973
I'M LOOKING FOR THE LIBRARY.
482
00:36:49,975 --> 00:36:51,541
I DON'T KNOW
WHERE THE LIBRARY IS.
483
00:36:51,543 --> 00:36:53,076
ASK SOMEONE OUT THERE.
484
00:36:53,078 --> 00:36:55,278
WHAT'S HE WAITING FOR?
485
00:36:55,280 --> 00:36:57,113
JUST SHOOT THE DAMN GUARDS,
MICHAEL.
486
00:36:59,651 --> 00:37:01,317
WHAT'S GOING ON?
487
00:37:02,688 --> 00:37:04,487
IT'S HIM. SHOOT HIM!
488
00:37:12,363 --> 00:37:13,830
ABORT SURGICAL. EVERYONE IN.
489
00:37:17,235 --> 00:37:18,601
[panting]
490
00:37:34,652 --> 00:37:35,985
TAKE HIM.
491
00:37:40,792 --> 00:37:42,125
MICHAEL.
492
00:37:42,127 --> 00:37:44,728
MICHAEL, IT'S ME.
STAY WITH ME.
493
00:37:46,664 --> 00:37:48,098
STAY WITH ME.
494
00:37:48,100 --> 00:37:49,465
(bodyguard) HOW DID YOU GET IN?
495
00:37:49,467 --> 00:37:50,867
(Michael) IT WAS OPEN.
496
00:37:50,869 --> 00:37:52,602
IT'S ALMOST
AS IF HE DIDN'T
KNOW WHAT TO DO.
497
00:37:52,604 --> 00:37:54,503
OR FORGOT.
498
00:37:54,505 --> 00:37:57,741
AFTER PEREZ GAVE US
THE COORDINATES ON
THE DELIVERY-SYSTEM DEAL,
499
00:37:57,743 --> 00:37:59,008
I PRESSED HIM ABOUT MICHAEL.
500
00:37:59,010 --> 00:38:00,309
WHY?
501
00:38:00,311 --> 00:38:03,446
WALTER FOUND TRACES
OF SOME CURIOUS SUBSTANCES
502
00:38:03,448 --> 00:38:05,815
AT THE SITE
OF MICHAEL'S DETAINMENT.
503
00:38:05,817 --> 00:38:07,217
WHAT SORT?
504
00:38:07,219 --> 00:38:08,517
LIMBIC SUPPRESSORS.
505
00:38:08,519 --> 00:38:09,619
MEMORY?
506
00:38:09,621 --> 00:38:11,487
IT'S POSSIBLE.
507
00:38:11,489 --> 00:38:13,923
IT WOULD EXPLAIN
THE RECENT BEHAVIORAL PATTERN
THAT YOU'VE BEEN NOTICING.
508
00:38:13,925 --> 00:38:17,160
IF MICHAEL'S MIND
HAS BEEN TAMPERED WITH,
509
00:38:17,162 --> 00:38:19,395
HOW COULD THAT
HAVE ESCAPED US?
510
00:38:19,397 --> 00:38:21,097
HE HAD SOME HELP.
511
00:38:32,644 --> 00:38:33,743
HOW'S HE DOING?
512
00:38:33,745 --> 00:38:37,113
HE'LL BE OK.
WHAT DID YOU FIND OUT?
513
00:38:37,115 --> 00:38:39,983
GET THIS INTO HIS I.V. BAG
AS SOON AS POSSIBLE.
514
00:38:39,985 --> 00:38:41,384
DOES IT WORK?
515
00:38:41,386 --> 00:38:43,486
I DON'T KNOW,
BUT WE'RE RUNNING
OUT OF TIME.
516
00:38:43,488 --> 00:38:46,122
MADELINE KNOWS
SOMETHING'S GOING ON.
517
00:38:46,124 --> 00:38:47,423
HOW LONG DOES IT TAKE?
518
00:38:47,425 --> 00:38:50,193
AT LEAST 8 HOURS.
IT HAS TO SATURATE.
519
00:38:50,195 --> 00:38:51,795
THANKS, WALTER.
520
00:38:52,697 --> 00:38:54,164
LET ME KNOW.
521
00:38:59,537 --> 00:39:01,637
COULD YOU GIVE US
A MINUTE?
522
00:39:11,082 --> 00:39:12,816
[machine beeping]
523
00:39:26,932 --> 00:39:28,497
HOW DID WE DO?
524
00:39:30,268 --> 00:39:32,768
WE DID GREAT.
HOW ARE YOU FEELING?
525
00:39:34,005 --> 00:39:35,538
OK, I GUESS.
526
00:39:35,974 --> 00:39:37,173
GOOD.
527
00:39:39,777 --> 00:39:41,911
AND THEY STILL DON'T KNOW?
528
00:39:42,680 --> 00:39:44,380
NO.
529
00:39:44,382 --> 00:39:48,251
BUT THEY WILL IF WE DON'T
DO SOMETHING SOON.
530
00:39:51,356 --> 00:39:53,089
IS IT GONNA WORK?
531
00:39:54,392 --> 00:39:55,925
I DON'T KNOW.
532
00:40:10,608 --> 00:40:13,209
HAVE I EVER TOLD YOU
THAT I LOVE YOU?
533
00:40:26,824 --> 00:40:28,358
ACTUALLY, NO.
534
00:40:29,961 --> 00:40:31,127
I DO.
535
00:40:46,077 --> 00:40:47,977
[footsteps pattering]
536
00:40:52,083 --> 00:40:53,949
DID YOU FOLLOW UP
ON MICHAEL?
537
00:40:53,951 --> 00:40:56,252
NOT YET.
HE'S STILL TOO GROGGY.
538
00:40:56,254 --> 00:40:57,887
WHAT'S THE PLAN?
539
00:40:57,889 --> 00:41:00,423
WHEN HE'S STRONG ENOUGH,
WE'LL TEST HIM THOROUGHLY.
540
00:41:00,425 --> 00:41:03,159
LET THEM REMAIN CONVINCED
THAT THEY FOOLED US.
541
00:41:03,161 --> 00:41:04,260
HI.
542
00:41:05,663 --> 00:41:07,863
I THOUGHT YOU SENT HIM
TO UZBEKISTAN.
543
00:41:07,865 --> 00:41:08,998
I CHANGED MY MIND.
544
00:41:09,000 --> 00:41:10,066
WHY?
545
00:41:10,068 --> 00:41:11,534
I TOOK ANOTHER LOOK
AT HIS PANEL.
546
00:41:11,536 --> 00:41:13,769
HE'S STILL SINGLE SOURCE
IN SOME AREAS.
547
00:41:14,572 --> 00:41:17,373
GOOD FOR HIM.
548
00:41:17,375 --> 00:41:19,909
I'M HAVING CHRISTOPHER
PREPARE COQ AU VIN
A LITTLE LATER.
549
00:41:19,911 --> 00:41:22,345
WOULD YOU LIKE TO JOIN ME?
550
00:41:22,347 --> 00:41:24,313
NOT TONIGHT, THANK YOU.
551
00:41:44,469 --> 00:41:45,968
[both chattering]
552
00:41:56,814 --> 00:41:58,548
[machine beeping]
553
00:42:12,597 --> 00:42:13,796
[grunts]
554
00:42:15,700 --> 00:42:17,533
HOW ARE YOU FEELING?
555
00:42:18,736 --> 00:42:20,369
I'VE BEEN SHOT?
556
00:42:21,272 --> 00:42:23,772
YEAH.
557
00:42:23,774 --> 00:42:27,410
YOU WERE SHOT
ON A MISSION YESTERDAY
IN LUCKENWALDE, GERMANY.
558
00:42:27,412 --> 00:42:28,711
GERMANY?
559
00:42:31,149 --> 00:42:33,216
NO, WE WERE IN AMSTERDAM.
560
00:42:36,387 --> 00:42:38,721
IN A DANCE CLUB.
561
00:42:38,723 --> 00:42:40,889
YOU WERE TRAPPED
IN A ROOM.
562
00:42:43,794 --> 00:42:46,061
I BROKE POSITION. THEN...
563
00:42:46,063 --> 00:42:47,363
[sighs]
564
00:42:50,635 --> 00:42:53,302
WHERE'S OPERATIONS?
I NEED TO DEBRIEF.
565
00:42:57,142 --> 00:42:59,609
SOMETHING HAPPENED,
MICHAEL. UM...
566
00:43:02,780 --> 00:43:05,648
YOU WERE GRABBED IN AMSTERDAM
AND TAKEN TO PEREZ.
567
00:43:07,051 --> 00:43:09,084
HE DID SOMETHING
TO YOUR MEMORY.
568
00:43:09,086 --> 00:43:13,489
YOU HAVEN'T BEEN ABLE
TO REMEMBER WHO YOU WERE
FOR THE LAST 3 DAYS.
569
00:43:13,491 --> 00:43:15,024
DO THEY KNOW?
570
00:43:16,861 --> 00:43:18,694
NO. I PROTECTED YOU.
571
00:43:22,667 --> 00:43:24,066
THANK YOU.
572
00:44:38,142 --> 00:44:40,109
[woman speaking French]
46519
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