subtitlecat.com

All language subtitles for La.Femme.Nikita.S02E07.Half-Life.720p.10bit.2CH.x265.CiTiZeN

Afrikaans

Akan

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bemba

Bengali

Bihari

Bosnian

Breton

Bulgarian

Cambodian

Catalan

Cebuano

Cherokee

Chichewa

Chinese (Simplified)

Chinese (Traditional)

Corsican

Croatian

Czech

Danish

Dutch

English

Esperanto

Estonian

Ewe

Faroese

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek

Guarani

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Interlingua

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Kinyarwanda

Kirundi

Kongo

Korean

Krio (Sierra Leone)

Kurdish

Kurdish (Soranî)

Kyrgyz

Laothian

Latin

Latvian

Lingala

Lithuanian

Lozi

Luganda

Luo

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mauritian Creole

Moldavian

Mongolian

Myanmar (Burmese)

Montenegrin

Nepali

Nigerian Pidgin

Northern Sotho

Norwegian

Norwegian (Nynorsk)

Occitan

Oriya

Oromo

Pashto

Persian

Polish

Portuguese (Brazil)

Portuguese (Portugal)

Punjabi

Quechua

Romanian

Romansh

Runyakitara

Russian

Samoan

Scots Gaelic

Serbian

Serbo-Croatian

Sesotho

Setswana

Seychellois Creole

Shona

Sindhi

Sinhalese

Slovak

Slovenian

Somali

Spanish

Spanish (Latin American)

Sundanese

Swahili

Swedish

Tajik

Tamil

Tatar

Telugu

Thai

Tigrinya

Tonga

Tshiluba

Tumbuka

Turkish

Turkmen

Twi

Uighur

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Wolof

Xhosa

Yiddish

Yoruba

Zulu

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,304 --> 00:00:07,105 (teacher) ALL RIGHT, EVERYBODY. QUICKLY, QUICKLY. 2 00:00:07,107 --> 00:00:08,907 NOW, CAN ANYBODY TELL ME WHAT... 3 00:00:08,909 --> 00:00:11,176 [children chattering] 4 00:00:11,178 --> 00:00:12,577 ALL RIGHT. 5 00:00:14,815 --> 00:00:16,648 PLEASE STAY TOGETHER. 6 00:00:20,888 --> 00:00:23,288 DON'T PLAY AROUND. 7 00:00:23,290 --> 00:00:25,190 (teacher) I'VE GOT EVERY SIDE... 8 00:00:25,192 --> 00:00:27,759 (Birkoff) WHAT HAVE YOU GOT, NIKITA? 9 00:00:29,730 --> 00:00:30,962 SO FAR, NOTHING. 10 00:00:30,964 --> 00:00:32,398 WHAT ABOUT YOU, MICHAEL? 11 00:00:35,503 --> 00:00:36,801 HOLD ON. 12 00:00:36,803 --> 00:00:38,870 [alarm beeping] 13 00:00:38,872 --> 00:00:40,772 [children chattering] 14 00:00:42,609 --> 00:00:44,410 (student) HURRY. GO. 15 00:00:44,412 --> 00:00:45,810 [beeping rapidly] 16 00:00:45,812 --> 00:00:47,879 IT'S HERE. GET EVERYBODY OUT. 17 00:00:47,881 --> 00:00:49,681 ALL TEAMS EVACUATE THE COURTYARD. 18 00:00:53,020 --> 00:00:54,719 EXCUSE ME, THERE'S A BOMB IN THE YARD. 19 00:00:54,721 --> 00:00:56,355 COME ON! 20 00:00:56,357 --> 00:00:58,223 (Nikita) PLEASE GET THE CHILDREN INSIDE. COME ON, CHILDREN. 21 00:00:58,225 --> 00:01:00,192 COME ON, QUICKLY INSIDE. COME ON, GO INSIDE. 22 00:01:00,194 --> 00:01:01,393 (teacher) QUICKLY, EVERYONE. 23 00:01:01,395 --> 00:01:03,128 (Nikita) HURRY UP! WHAT'S GOING ON? 24 00:01:03,130 --> 00:01:05,464 GET OUT OF THE PARK! THERE'S A BOMB! 25 00:01:05,466 --> 00:01:06,798 [children screaming] 26 00:01:06,800 --> 00:01:08,133 GET BACK! 27 00:01:10,104 --> 00:01:11,770 PLEASE RUN! 28 00:01:11,772 --> 00:01:16,041 GET OUT OF THE PARK! RUN! 29 00:01:16,043 --> 00:01:18,410 COME ON, SWEETHEART. LET'S GO INSIDE WITH THE OTHER KIDS. 30 00:01:20,381 --> 00:01:22,347 (Nikita) GET HER INSIDE. 31 00:01:29,890 --> 00:01:31,457 THE BOMB'S IN THE BAG. 32 00:01:31,459 --> 00:01:34,193 250 GRAMS OF SEMTEX WRAPPED IN ALUMINUM, 33 00:01:34,195 --> 00:01:36,128 SURROUNDED BY NAILS. 34 00:01:36,130 --> 00:01:38,330 HOW DO YOU KNOW IT'S SEMTEX WRAPPED IN ALUMINUM? 35 00:01:38,332 --> 00:01:39,431 GO. 36 00:01:42,236 --> 00:01:44,203 MICHAEL, JUST WAIT FOR CONTAINMENT. 37 00:01:46,307 --> 00:01:47,739 CONTAINMENT'S ON ITS WAY. 38 00:01:47,741 --> 00:01:49,408 THERE'S NO TIME. 39 00:02:02,789 --> 00:02:04,089 [grunts] 40 00:03:13,360 --> 00:03:15,660 WE RECEIVED AN ANONYMOUS INTERNET TRANSMISSION 41 00:03:15,662 --> 00:03:17,362 2 HOURS BEFORE THE BOMBING. 42 00:03:17,364 --> 00:03:20,098 THE MESSAGE WARNED OF FURTHER ATTACKS, 43 00:03:20,100 --> 00:03:22,500 BUT THERE WERE NO ACCOMPANYING DEMANDS. 44 00:03:22,502 --> 00:03:26,337 WAS THERE ANYTHING ON SITE THAT WOULD HELP IDENTIFY THE GROUP? 45 00:03:26,339 --> 00:03:27,438 NO. 46 00:03:29,042 --> 00:03:30,508 WALTER, WHAT DO WE HAVE? 47 00:03:30,510 --> 00:03:33,044 THE BOMB WAS PUT TOGETHER PIECEMEAL. 48 00:03:33,046 --> 00:03:35,313 JAPANESE TIMER, CZECH PLASTIQUE. 49 00:03:35,315 --> 00:03:37,615 SOME OF THE OTHER PARTS WERE HOMEMADE. 50 00:03:37,617 --> 00:03:39,717 PATCHWORK ACQUISITION. 51 00:03:39,719 --> 00:03:41,753 OBVIOUSLY, THEY HAVE LIMITED RESOURCES. 52 00:03:41,755 --> 00:03:43,588 THEY'RE BUYING OFF THE WORLD MARKET. 53 00:03:43,590 --> 00:03:46,958 THAT MEANS COMMERCE, WHICH CAUSES RIPPLES. FIND THEM. 54 00:03:47,560 --> 00:03:49,060 ANYTHING ELSE? 55 00:03:49,062 --> 00:03:52,430 THIS MIGHT NOT BE ANYTHING, BUT THERE WAS A MAN ON SITE. 56 00:03:52,432 --> 00:03:54,666 THERE WAS SOMETHING NOT QUITE RIGHT ABOUT HIM. 57 00:03:54,668 --> 00:03:55,767 (Operations) MEANING WHAT? 58 00:03:55,769 --> 00:03:57,202 HE SEEMED A LITTLE TOO INTERESTED 59 00:03:57,204 --> 00:03:59,671 AND WASN'T PANICKING WHILE EVERYONE ELSE WAS. 60 00:04:01,275 --> 00:04:03,374 GET WITH BIRKOFF. 61 00:04:03,376 --> 00:04:05,476 HOPEFULLY, HE'S ON FILE SOMEWHERE. 62 00:04:14,054 --> 00:04:16,288 WHY DIDN'T YOU MENTION THIS TO ME EARLIER? 63 00:04:17,958 --> 00:04:19,657 I DON'T KNOW. 64 00:04:19,659 --> 00:04:21,960 WHAT DIFFERENCE DOES IT MAKE? 65 00:04:21,962 --> 00:04:23,628 WHAT DOES HE LOOK LIKE? 66 00:04:23,630 --> 00:04:25,630 LONG HAIR, 30s. WHY? 67 00:04:27,067 --> 00:04:28,466 NO REASON. 68 00:04:31,972 --> 00:04:35,073 MICHAEL, WHAT'S GOING ON? 69 00:04:36,076 --> 00:04:37,809 WHAT DO YOU MEAN? 70 00:04:37,811 --> 00:04:42,080 YOU KNEW EXACTLY WHAT WAS IN THAT BAG BEFORE YOU LOOKED. 71 00:04:42,082 --> 00:04:44,282 IT'S A COMMON CONFIGURATION. 72 00:04:45,986 --> 00:04:47,819 I DON'T BELIEVE THAT. 73 00:04:47,821 --> 00:04:50,521 I THINK YOU KNOW WHO THESE PEOPLE ARE. 74 00:04:51,725 --> 00:04:53,191 WHAT ARE YOU HOLDING BACK? 75 00:04:53,193 --> 00:04:54,492 NOTHING. 76 00:05:02,970 --> 00:05:04,736 (Birkoff) ANY OF THESE HERE? 77 00:05:04,738 --> 00:05:06,004 (Nikita) NO. 78 00:05:06,006 --> 00:05:07,239 THESE? 79 00:05:08,808 --> 00:05:10,075 UH-UH. 80 00:05:11,644 --> 00:05:13,578 HOW MANY MORE ARE THERE? 81 00:05:13,580 --> 00:05:16,848 BASED ON WHAT YOU GAVE ME, I'VE GOT 65 WITH A HIGH CORRELATION. 82 00:05:16,850 --> 00:05:19,885 IF NONE OF THEM WORK OUT, WE'LL HAVE TO LOOSEN IT UP. 83 00:05:22,055 --> 00:05:25,490 THE BOMB IN THE COURTYARD, WAS IT A TYPICAL EXPLOSIVE? 84 00:05:25,492 --> 00:05:27,058 SEMTEX? SORT OF. 85 00:05:27,060 --> 00:05:30,495 THERE'S ABOUT 6 OR 7 PLASTICS THAT ARE IN COMMON USE. 86 00:05:31,564 --> 00:05:33,231 HOW ABOUT THESE? 87 00:05:33,967 --> 00:05:35,066 NO. 88 00:05:46,613 --> 00:05:47,845 HELLO. 89 00:05:51,651 --> 00:05:53,718 IS THERE SOMETHING YOU NEED? 90 00:05:55,655 --> 00:05:56,754 NO. 91 00:05:58,425 --> 00:06:01,793 IF YOU CAME BY TO SEE IF I GOT IT, THE ANSWER IS YES. 92 00:06:05,032 --> 00:06:06,664 DID YOU LIKE IT? 93 00:06:06,666 --> 00:06:08,633 THE NECKLACE IS LOVELY. 94 00:06:11,738 --> 00:06:12,938 HERE. 95 00:06:16,743 --> 00:06:18,476 YOU DON'T WANT IT? 96 00:06:19,679 --> 00:06:21,980 LET'S NOT OPEN THINGS UP AGAIN. 97 00:06:23,216 --> 00:06:25,683 WE'RE BOTH MUCH TOO BUSY. 98 00:06:25,685 --> 00:06:27,552 I WASN'T TRYING TO OPEN ANYTHING UP. 99 00:06:27,921 --> 00:06:29,087 GOOD. 100 00:06:31,291 --> 00:06:34,059 SO HOW ARE THE NUMBERS COMING? 101 00:06:34,061 --> 00:06:36,027 I'LL HAVE THEM ON TIME. 102 00:07:36,656 --> 00:07:38,490 ♪♪[Touch Me With Your Love by Beth Orton] 103 00:07:38,492 --> 00:07:43,395 ♪ LOST MYSELF IN A TANGENT OF WORDS ♪ 104 00:07:43,397 --> 00:07:48,900 ♪ CAN'T DECIDE WHAT I'VE SEEN OR HEARD ♪ 105 00:07:48,902 --> 00:07:54,072 ♪ CAN'T SLEEP FOR COUNTING SHEEP ♪ 106 00:07:54,074 --> 00:07:58,576 ♪ HOW LONG DOES THIS RIVER ♪ 107 00:07:58,578 --> 00:08:01,312 ♪ RUN DEEP? ♪ 108 00:08:04,784 --> 00:08:08,420 ♪ HOW LONG DOES THIS RIVER ♪ 109 00:08:09,189 --> 00:08:11,322 ♪ RUN DEEP? ♪ 110 00:08:15,395 --> 00:08:16,727 [buzzing] 111 00:08:19,099 --> 00:08:20,598 (Michael) HELLO, HARRY. 112 00:08:20,600 --> 00:08:22,500 (Harry) LOOK, I--I--I CHANGED MY MIND. 113 00:08:22,502 --> 00:08:24,669 I CAN'T DO THIS. I GOT A FAMILY NOW. 114 00:08:24,671 --> 00:08:26,837 TAKE THE MONEY, HARRY. 115 00:08:26,839 --> 00:08:28,773 WHERE IS HE? 116 00:08:28,775 --> 00:08:31,509 221 IMPASSE DE L'ARSENAL. 117 00:08:31,511 --> 00:08:33,778 WHAT ARE YOU GOING TO DO WITH HIM? 118 00:08:33,780 --> 00:08:37,215 ♪ IN ORDER TO FIND ♪ 119 00:08:37,217 --> 00:08:38,616 ♪ WHAT'S NOT LOST ♪ 120 00:08:38,618 --> 00:08:41,852 ♪ BUT LEFT BEHIND ♪ 121 00:08:41,854 --> 00:08:43,921 ♪ MY INSTINCT GOT BRUISED ♪ 122 00:08:43,923 --> 00:08:47,758 ♪ BUT I STILL SEE ♪ 123 00:08:47,760 --> 00:08:51,996 ♪ I WAS A VICTIM OF BEING NO CASUALTY ♪ 124 00:08:53,900 --> 00:08:56,534 ♪ JUST LIKE COMING HOME ♪ 125 00:08:56,536 --> 00:08:59,270 ♪ JUST LIKE COMING HOME ♪ 126 00:08:59,272 --> 00:09:01,672 ♪ JUST LIKE COMING HOME ♪ 127 00:09:01,674 --> 00:09:05,009 ♪ FELT JUST LIKE COMING HOME ♪ 128 00:09:07,914 --> 00:09:10,448 ♪ COMING HOME ♪ 129 00:09:10,450 --> 00:09:12,016 I'D LIKE TO SPEAK TO HARRY. 130 00:09:14,087 --> 00:09:16,187 ♪ THEY SAY THAT YOU WEAVE ♪ 131 00:09:16,189 --> 00:09:17,555 [gun firing] 132 00:09:17,557 --> 00:09:19,624 ♪ DEADLY TRICKS ♪ 133 00:09:19,626 --> 00:09:24,629 ♪ CAN TRIP TO THE WORLDLY HICKS ♪ 134 00:09:24,631 --> 00:09:29,367 ♪ STARE COLD WITH DULL SURPRISE ♪♪ 135 00:09:37,544 --> 00:09:38,909 [Michael chattering] 136 00:10:04,737 --> 00:10:06,437 IS IT REALLY YOU? 137 00:10:08,941 --> 00:10:10,175 IT IS. 138 00:10:11,711 --> 00:10:13,178 [panting] 139 00:10:26,893 --> 00:10:28,927 [speaking French] 140 00:10:28,929 --> 00:10:31,296 WHY DIDN'T YOU LET ME KNOW YOU WERE STILL ALIVE? 141 00:10:31,298 --> 00:10:32,363 I COULDN'T. 142 00:10:32,365 --> 00:10:33,531 WHY NOT? 143 00:10:34,200 --> 00:10:36,301 I CAN'T EXPLAIN IT. 144 00:10:36,303 --> 00:10:39,637 AND IF I COULD, I'M AFRAID YOU WOULDN'T UNDERSTAND. 145 00:10:39,639 --> 00:10:41,539 WHY ARE YOU HERE? 146 00:10:41,541 --> 00:10:43,841 THE BOMB AT THE MUSEUM. 147 00:10:43,843 --> 00:10:46,210 I RECOGNIZE YOUR WORK. 148 00:10:46,212 --> 00:10:48,746 HOW DID YOU FIND ME? 149 00:10:48,748 --> 00:10:51,449 THE DETAILS ARE NOT IMPORTANT. I HAVE ACCESS 150 00:10:51,451 --> 00:10:54,518 TO PEOPLE IN THE COMMUNITY. 151 00:10:59,225 --> 00:11:01,292 YOU'RE ON THE OTHER SIDE. 152 00:11:03,663 --> 00:11:04,829 YES. 153 00:11:06,466 --> 00:11:09,334 AND YOU'VE COME HERE TO WHAT, ARREST ME? 154 00:11:10,703 --> 00:11:12,703 NO. I'M NOT HERE TO HURT YOU, RENE. 155 00:11:12,705 --> 00:11:17,241 THEN, PLEASE, TELL ME WHAT IS SO IMPORTANT? 156 00:11:17,243 --> 00:11:20,979 WHY DID YOU HAVE TO KILL 2 OF MY FRIENDS, HUH? 157 00:11:20,981 --> 00:11:23,047 TO TELL ME WHAT? 158 00:11:23,049 --> 00:11:24,449 TO ASK YOU TO STOP. 159 00:11:24,451 --> 00:11:25,583 HUH! 160 00:11:27,687 --> 00:11:28,987 TO STOP. 161 00:11:31,391 --> 00:11:33,491 IT'S IRONIC, ISN'T IT? 162 00:11:33,493 --> 00:11:36,461 WE ALWAYS TALKED ABOUT THEM, THE OPPRESSORS. 163 00:11:37,563 --> 00:11:40,931 AND NOW, YOU'RE WHAT I FIGHT AGAINST. 164 00:11:40,933 --> 00:11:43,134 (Rene) THE POLICEMAN. 165 00:11:43,136 --> 00:11:45,003 (Michael) NOT EXACTLY. 166 00:11:45,005 --> 00:11:47,038 I SEE LITTLE DIFFERENCE. 167 00:11:48,508 --> 00:11:50,541 THE POLICEMAN HAS RULES. 168 00:11:55,315 --> 00:11:58,816 SO WHAT NOW, MY OLD FRIEND? 169 00:12:00,186 --> 00:12:01,719 GO BACK HOME. 170 00:12:03,189 --> 00:12:05,990 MY HOME IS WHEREVER PEOPLE ARE OPPRESSED. 171 00:12:11,697 --> 00:12:14,732 THEY DON'T KNOW WHO YOU ARE YET. 172 00:12:14,734 --> 00:12:17,968 I CAN PROTECT YOU, BUT YOU HAVE TO DO EXACTLY AS I SAY. 173 00:12:17,970 --> 00:12:21,105 YOU MEAN, SELL OUT EVERYTHING I BELIEVE IN SO I CAN SAVE MYSELF? 174 00:12:21,107 --> 00:12:25,009 PLEASE, MICHAEL, YOU KNOW ME BETTER THAN THAT. 175 00:12:27,980 --> 00:12:30,481 DON'T MAKE ME COME AFTER YOU, RENE. 176 00:12:32,252 --> 00:12:34,852 IF YOU STRIKE AGAIN, I WILL FIND YOU. 177 00:12:38,191 --> 00:12:40,091 ♪♪[singing in French] 178 00:13:03,616 --> 00:13:07,051 (Rene) GREEDY BOURGEOIS, JUST LIKE PIGS. 179 00:13:07,053 --> 00:13:09,820 THE OLDER THEY ARE, THE DUMBER THEY GET! 180 00:13:20,733 --> 00:13:22,300 [door opening] 181 00:13:23,203 --> 00:13:24,302 [door closing] 182 00:13:59,506 --> 00:14:00,838 HI. 183 00:14:57,263 --> 00:15:00,798 (male announcer) THE PROTEST DIDN'T START UNTIL EVERYONE HAD HAD LUNCH. 184 00:15:00,800 --> 00:15:03,267 BY THEN, THE NICETIES WERE OVER. 185 00:15:03,269 --> 00:15:06,270 THE STUDENTS AND THEIR TEACHERS HIT PARIS IN WAVES. 186 00:15:06,272 --> 00:15:09,773 THE LARGEST IN A MONTH-LONG SERIES OF DEMONSTRATIONS. 187 00:15:09,775 --> 00:15:11,542 [protestors yelling] 188 00:15:11,544 --> 00:15:15,479 OFFICIALLY, NEARLY 3,000 EXTRA RIOT POLICE TURNED OUT TO MEET THEM, 189 00:15:15,481 --> 00:15:17,548 BUT SOME SAID THE NUMBER WAS DOUBLE. 190 00:15:17,550 --> 00:15:21,219 AT ANY RATE, THEY AND THE STUDENTS HAVE PLAYED THIS GAME BEFORE. 191 00:15:21,221 --> 00:15:23,153 THEY BOTH KNEW THE RULES. 192 00:15:23,155 --> 00:15:26,156 IT WAS THE BIGGEST SO FAR OF THE RECENT STUDENT DEMONSTRATIONS. 193 00:15:26,158 --> 00:15:29,126 A NATIONAL ONE CALLED TO PROTEST AGAINST GOVERNMENT PLANS 194 00:15:29,128 --> 00:15:31,061 TO REFORM THE UNIVERSITIES. 195 00:15:31,063 --> 00:15:33,264 BUT THE GOVERNMENT HAS HANDLED IT SO CLUMSILY 196 00:15:33,266 --> 00:15:36,033 THAT ALTHOUGH THE PLANS ARE STILL DELIBERATELY VAGUE, 197 00:15:36,035 --> 00:15:39,737 EVERYONE, LEFT AND RIGHT, FEELS THREATENED. 198 00:15:39,739 --> 00:15:41,839 ♪♪[protestors singing in French] 199 00:15:41,841 --> 00:15:45,276 IT WAS MOSTLY THE RIGHT-WINGERS WHO TURNED OUT TODAY... 200 00:15:45,278 --> 00:15:47,745 JOSEPHSON REQUESTED A BACKUP TEAM. 201 00:15:49,982 --> 00:15:52,383 I THOUGHT IT WAS A COLD OP. 202 00:15:52,385 --> 00:15:54,252 SO DID HE. 203 00:15:54,254 --> 00:15:56,019 THEY FOUND LAND MINES IN THE AREA. 204 00:15:56,021 --> 00:15:58,689 SOMEONE'S BEEN THERE RECENTLY. 205 00:15:58,691 --> 00:16:02,293 WE NEED THAT INTEL. GIVE HIM WHAT HE NEEDS. 206 00:16:02,295 --> 00:16:05,829 I SEE I'M SCHEDULED TO GO ONLINE WITH THE AGENCY THIS AFTERNOON. 207 00:16:05,831 --> 00:16:07,431 THEY WANT TO KNOW ABOUT BRUSSELS. 208 00:16:08,735 --> 00:16:10,768 ANYTHING CHANGED IN THE LAST 24 HOURS? 209 00:16:10,770 --> 00:16:11,835 NO. 210 00:16:11,837 --> 00:16:13,404 SEE IF YOU CAN PUT THEM OFF. 211 00:16:13,406 --> 00:16:16,307 THERE'S NO POINT UNTIL WE KNOW SOMETHING. 212 00:16:16,309 --> 00:16:17,742 I DISAGREE. 213 00:16:18,811 --> 00:16:21,445 YOU NEED TO SHOW YOUR PRESENCE. 214 00:16:21,447 --> 00:16:23,581 THIS THING WILL GET BLOODY, AND WHEN IT DOES, 215 00:16:23,583 --> 00:16:26,450 WHOEVER HAS AN ATTENDANCE PROBLEM WILL PAY. 216 00:16:31,424 --> 00:16:33,791 I WAS A LITTLE DIRECT YESTERDAY. 217 00:16:33,793 --> 00:16:36,360 I HOPE YOU DIDN'T TAKE IT THE WRONG WAY. 218 00:16:36,362 --> 00:16:37,928 OF COURSE NOT. 219 00:16:39,465 --> 00:16:42,232 WHERE ARE WE ON THE MUSEUM BOMBING? 220 00:16:42,234 --> 00:16:43,901 I DON'T HAVE ANYTHING ON MY SCREEN. 221 00:16:43,903 --> 00:16:47,605 IF NOTHING COMES UP IN A COUPLE OF HOURS, CALL DOWN TO COMM. 222 00:16:48,474 --> 00:16:50,274 [keyboard clacking] 223 00:17:04,557 --> 00:17:06,223 WE NEED TO TALK. 224 00:17:06,793 --> 00:17:08,025 I'M BUSY. 225 00:17:08,027 --> 00:17:10,127 I FOLLOWED YOU LAST NIGHT. 226 00:17:18,170 --> 00:17:19,303 YES? 227 00:17:21,641 --> 00:17:23,040 RENE DIAN. 228 00:17:31,784 --> 00:17:34,552 IN 1984, ALONG WITH SOME OTHER 229 00:17:34,554 --> 00:17:37,688 EXTREMIST STUDENTS AT PARIS UNIVERSITY, 230 00:17:37,690 --> 00:17:41,659 HE FORMED A RADICAL ACTIVIST GROUP CALLED L'HEURE SANGUINE. 231 00:17:41,661 --> 00:17:43,661 THE BLOODY HOUR. 232 00:17:43,663 --> 00:17:46,096 THERE WAS A BOMBING. PEOPLE DIED. 233 00:17:48,033 --> 00:17:51,836 EVERYONE ESCAPED, EXCEPT FOR YOU. 234 00:17:53,138 --> 00:17:54,872 YOU WERE ARRESTED. 235 00:17:56,809 --> 00:17:59,877 OF COURSE, YOU DIED IN PRISON, JUST LIKE I DID. 236 00:18:00,847 --> 00:18:04,147 AND NOW, AFTER ALL THIS TIME, 237 00:18:04,950 --> 00:18:06,817 RENE'S RESURFACED. 238 00:18:08,855 --> 00:18:11,188 AND YOU TWO HAVE CROSSED PATHS. 239 00:18:13,926 --> 00:18:15,626 YES, I KNEW HIM. 240 00:18:17,096 --> 00:18:19,096 AND YOU'RE PROTECTING HIM. 241 00:18:19,799 --> 00:18:21,766 UP TO A CERTAIN POINT. 242 00:18:25,004 --> 00:18:27,405 WHY WOULD YOU PROTECT HIM AT ALL? 243 00:18:30,309 --> 00:18:32,643 AFTER ALL THE LECTURES TO ME 244 00:18:34,046 --> 00:18:38,015 ABOUT SACRIFICING FEELINGS FOR GREATER GOOD. HMM? 245 00:18:39,952 --> 00:18:42,219 I'LL TAKE CARE OF IT, NIKITA. 246 00:18:46,225 --> 00:18:48,992 THERE'S SOMETHING YOU'RE NOT TELLING ME. 247 00:18:52,565 --> 00:18:54,432 JUST STAY OUT OF IT. 248 00:19:12,017 --> 00:19:13,116 [door closing] 249 00:19:19,191 --> 00:19:21,325 HEY, BIRKOFF, I JUST REMEMBERED SOMETHING. 250 00:19:21,327 --> 00:19:22,960 WHAT? 251 00:19:22,962 --> 00:19:25,629 THIS GUY FROM THE MUSEUM MIGHT HAVE HAD A MOLE ON HIS NECK. 252 00:19:25,631 --> 00:19:27,898 AND HE COULD HAVE BEEN FRENCH. 253 00:19:29,502 --> 00:19:31,401 WHAT DO YOU MEAN, COULD HAVE BEEN FRENCH? 254 00:19:31,403 --> 00:19:32,803 JUST CHECK IT. 255 00:19:32,805 --> 00:19:35,473 ALL RIGHT. I'LL ADD THE 2 CONSTRAINTS. 256 00:19:36,642 --> 00:19:38,476 ADD MOLE, 257 00:19:39,512 --> 00:19:41,812 AND FRENCH. 258 00:19:49,088 --> 00:19:51,288 THAT'S HIM. 259 00:19:51,290 --> 00:19:53,958 (Birkoff) "RENE DIAN. L'HEURE SANGUINE. 260 00:19:53,960 --> 00:19:57,595 A SMALL STUDENT RADICAL GROUP FROM THE '80s. INACTIVE." 261 00:19:57,597 --> 00:20:00,063 NO WONDER IT DIDN'T SHOW UP. 262 00:20:00,065 --> 00:20:01,966 DO YOU KNOW WHERE TO FIND HIM? 263 00:20:01,968 --> 00:20:03,367 I CAN TRY. 264 00:20:19,485 --> 00:20:22,052 HE'S HERE. THERE'S A TRACKER ON HIM. 265 00:20:23,589 --> 00:20:24,788 (Birkoff) WHAT ARE YOU-- 266 00:20:24,790 --> 00:20:27,090 DON'T ASK QUESTIONS. JUST TAKE THE CREDIT. 267 00:20:39,572 --> 00:20:40,704 YES? 268 00:20:42,708 --> 00:20:46,443 RENE DIAN. YOU WERE CLOSE WITH HIM. 269 00:20:47,112 --> 00:20:48,712 YES. WHY? 270 00:20:48,714 --> 00:20:51,782 HE'S RESPONSIBLE FOR THE MUSEUM BOMBING. 271 00:20:51,784 --> 00:20:52,950 HOW DO WE KNOW? 272 00:20:52,952 --> 00:20:55,052 NIKITA REMEMBERED A FEW DETAILS 273 00:20:55,054 --> 00:20:58,388 WHICH POINTED MR. BIRKOFF IN THE RIGHT DIRECTION. 274 00:20:58,390 --> 00:20:59,623 I SEE. 275 00:21:01,260 --> 00:21:02,893 WE'D LIKE YOU TO BRING HIM IN. 276 00:21:02,895 --> 00:21:04,461 IS THAT A PROBLEM? 277 00:21:04,463 --> 00:21:05,996 OF COURSE NOT. 278 00:21:07,033 --> 00:21:08,198 GOOD. 279 00:21:30,355 --> 00:21:31,789 [door creaking] 280 00:21:42,935 --> 00:21:44,435 I ASKED YOU TO STAY OUT OF IT. 281 00:21:44,437 --> 00:21:45,902 YES, YOU DID. 282 00:21:45,904 --> 00:21:48,005 YOU SHOULD TRY TALKING TO ME NEXT TIME, MICHAEL. 283 00:21:48,007 --> 00:21:50,174 MAYBE YOU'LL GET BETTER RESULTS. 284 00:21:51,277 --> 00:21:53,510 (Michael) HE'S MOVING POSITION. 285 00:22:01,187 --> 00:22:04,488 ALL TEAMS, CONVERGE TO THE SOUTH EXIT. 286 00:22:04,490 --> 00:22:06,590 HE'S LEAVING THE BUILDING. 287 00:22:19,405 --> 00:22:20,404 [grunts] 288 00:22:20,406 --> 00:22:22,072 [groaning] 289 00:22:22,074 --> 00:22:23,607 [panting] 290 00:22:25,544 --> 00:22:26,810 GET UP! 291 00:22:26,812 --> 00:22:28,112 [groans] 292 00:22:32,818 --> 00:22:35,185 SHAME ON YOU! 293 00:22:35,187 --> 00:22:37,321 AFTER WHAT I'VE DONE FOR YOU... 294 00:22:37,323 --> 00:22:39,789 I WAS MISTAKEN WHEN I SAID YOU WERE STILL ALIVE. 295 00:22:41,360 --> 00:22:43,193 GET HIM OUT OF HERE. 296 00:22:58,277 --> 00:23:00,944 MICHAEL'S TEAM JUST PICKED UP RENE DIAN. 297 00:23:00,946 --> 00:23:02,413 THEY'RE ON THEIR WAY. 298 00:23:02,415 --> 00:23:03,880 IT WAS ONLY A MATTER OF TIME 299 00:23:03,882 --> 00:23:06,616 BEFORE MICHAEL CROSSED PATHS WITH SOMEONE FROM HIS PAST. 300 00:23:06,618 --> 00:23:10,287 CAN WE USE THEIR RELATIONSHIP TO OUR ADVANTAGE? 301 00:23:10,289 --> 00:23:11,755 WE'RE EXPLORING THAT NOW. 302 00:23:11,757 --> 00:23:13,290 GOOD. 303 00:23:13,292 --> 00:23:15,659 YOU NEED TO FIND OUT IF THE BOMBINGS ARE THE WORK 304 00:23:15,661 --> 00:23:18,128 OF A RESURRECTED L'HEURE SANGUINE, 305 00:23:18,130 --> 00:23:21,731 OR IF THEY REPRESENT A NEW ASSOCIATION OF DIAN. 306 00:23:24,070 --> 00:23:26,270 ARE YOU GOING TO BE HERE LATE? 307 00:23:26,272 --> 00:23:27,904 MOST LIKELY. WHY? 308 00:23:27,906 --> 00:23:30,441 I'LL HAVE CHRISTOPHER BRING UP SOME DINNER FOR YOU. 309 00:23:31,510 --> 00:23:33,310 WELL, THAT WOULD BE NICE. 310 00:23:52,098 --> 00:23:53,697 [door closing] 311 00:23:56,368 --> 00:23:58,168 THE MIND IS AN AMAZING THING. 312 00:23:58,170 --> 00:23:59,669 SOMETIMES. 313 00:23:59,671 --> 00:24:03,440 WHILE I SAT HERE WAITING, KNOWING WHAT'S TO COME, 314 00:24:03,442 --> 00:24:06,310 THE STRANGEST THOUGHTS CAME TO ME. 315 00:24:06,312 --> 00:24:09,279 "DID IT RAIN LAST THURSDAY?" 316 00:24:09,281 --> 00:24:12,082 SUDDENLY, KNOWING THAT WAS CRITICAL. 317 00:24:12,084 --> 00:24:13,584 [laughs] 318 00:24:13,586 --> 00:24:15,919 WHY WOULD THAT CONCERN ME? 319 00:24:15,921 --> 00:24:17,787 HERE? NOW? 320 00:24:19,725 --> 00:24:21,891 IT'S STRANGE. 321 00:24:21,893 --> 00:24:25,362 PERHAPS IT'S YOUR FEAR LOOKING FOR A PLACE TO HIDE. 322 00:24:25,364 --> 00:24:26,663 HMM. 323 00:24:28,767 --> 00:24:30,066 PERHAPS. 324 00:24:33,372 --> 00:24:38,242 WHAT GROUP HAS CONTRACTED YOU TO DO THESE BOMBINGS? 325 00:24:38,244 --> 00:24:41,411 HMM, I SEE MY CHARM IS INSUFFICIENT 326 00:24:41,413 --> 00:24:44,181 TO DISTRACT YOU FROM THE BUSINESS AT HAND. 327 00:24:45,184 --> 00:24:46,750 I'M AFRAID SO. 328 00:24:48,487 --> 00:24:50,420 TOO BAD. 329 00:24:50,422 --> 00:24:52,489 WHAT WAS YOUR QUESTION? 330 00:24:52,491 --> 00:24:54,558 (Madeline) THE GROUP YOU'RE WORKING FOR. 331 00:24:54,560 --> 00:24:56,160 RED CELL. 332 00:24:56,728 --> 00:24:57,961 RED CELL? 333 00:24:57,963 --> 00:24:59,363 YOU DON'T BELIEVE ME? 334 00:25:00,666 --> 00:25:02,132 WELL, 335 00:25:02,134 --> 00:25:06,803 RED CELL IS SOPHISTICATED, GLOBAL. 336 00:25:09,041 --> 00:25:13,644 AND YOUR RECORD SUGGESTS MORE PROVINCIAL ACTIVITY. 337 00:25:15,814 --> 00:25:19,416 ONE MUST FACE THE REALITIES OF A MODERN WORLD. 338 00:25:19,418 --> 00:25:21,318 MERGERS, TAKEOVERS. 339 00:25:21,320 --> 00:25:23,487 EVEN IN THE RESISTANCE MOVEMENT. 340 00:25:24,623 --> 00:25:27,224 WHAT ARE THEIR TARGETS? 341 00:25:27,226 --> 00:25:31,261 WE'VE PLANTED DEVICES IN EVERY MAJOR CITY IN THE WORLD. 342 00:25:32,898 --> 00:25:36,032 WE'LL BEGIN DETONATING THEM ONE AT A TIME. 343 00:25:37,536 --> 00:25:38,768 I SEE. 344 00:25:48,514 --> 00:25:49,746 [door creaking] 345 00:25:49,748 --> 00:25:51,348 [door closing] 346 00:25:51,350 --> 00:25:52,616 [sighs] 347 00:26:05,698 --> 00:26:09,766 HE CLAIMS HE'S NO LONGER AFFILIATED WITH L'HEURE SANGUINE. 348 00:26:09,768 --> 00:26:11,901 BUT HE'S BEEN COMMISSIONED TO SET OFF 349 00:26:11,903 --> 00:26:14,838 THESE BOMBS ON BEHALF OF RED CELL. 350 00:26:14,840 --> 00:26:15,972 IS THAT LIKELY? 351 00:26:15,974 --> 00:26:17,241 NO. 352 00:26:17,243 --> 00:26:18,542 I AGREE. 353 00:26:20,512 --> 00:26:22,512 WHAT'S HE DOING, MICHAEL? 354 00:26:24,216 --> 00:26:26,617 TRYING TO REGAIN HIS IMPORTANCE. 355 00:26:28,554 --> 00:26:31,321 RENE IS LIVING IN ANOTHER TIME. 356 00:26:31,323 --> 00:26:34,858 HIS CAUSES ARE OBSOLETE, MOST OF HIS COMRADES ARE DEAD. 357 00:26:37,963 --> 00:26:40,497 SO YOU THINK HE'S ON HIS OWN? 358 00:26:40,499 --> 00:26:42,299 PERHAPS. 359 00:26:42,301 --> 00:26:45,935 BUT RENE IS A LEADER. HIS STRENGTH IS RECRUITMENT. 360 00:26:45,937 --> 00:26:48,405 THERE MAY BE A FEW OTHERS. NOT MANY. 361 00:26:50,776 --> 00:26:52,842 WE HAVE TO CLEAN THIS UP. 362 00:26:53,945 --> 00:26:56,546 WOULD YOU LIKE ME TO TAKE CARE OF IT? 363 00:26:57,182 --> 00:26:58,749 NO, I'LL DO IT. 364 00:27:29,114 --> 00:27:30,847 [knocking on door] 365 00:27:43,629 --> 00:27:44,928 COME IN. 366 00:27:56,174 --> 00:27:58,442 I WAS SURPRISED TO GET YOUR CALL. 367 00:27:58,444 --> 00:28:00,310 DID YOU FINISH THE DEBRIEF? 368 00:28:00,312 --> 00:28:01,478 YES. 369 00:28:02,180 --> 00:28:03,313 WHY? 370 00:28:07,152 --> 00:28:09,553 YOU DID THE RIGHT THING, NIKITA. 371 00:28:12,157 --> 00:28:14,691 THAT'S HOW YOU TRAINED ME, MICHAEL. 372 00:28:40,218 --> 00:28:43,587 RENE AND I WERE STUDENTS TOGETHER AT THE UNIVERSITY. 373 00:28:44,890 --> 00:28:46,990 WE SHARED SIMILAR BELIEFS. 374 00:28:48,727 --> 00:28:51,094 MOSTLY THAT A CHANGE WAS NEEDED. 375 00:28:53,064 --> 00:28:55,665 WE ORGANIZED DEMONSTRATIONS. 376 00:28:55,667 --> 00:28:58,034 SHOUTED SLOGANS, MADE SPEECHES. 377 00:28:58,036 --> 00:28:59,369 MADE BOMBS? 378 00:28:59,371 --> 00:29:00,570 YES. 379 00:29:04,376 --> 00:29:07,010 I DON'T EVEN REMEMBER HOW IT STARTED. 380 00:29:08,914 --> 00:29:11,014 I WAS ANGRY AT EVERYTHING. 381 00:29:13,118 --> 00:29:14,951 THE WORLD AROUND ME. 382 00:29:18,356 --> 00:29:21,625 WHEN I MET RENE, EVERYTHING HE SAID SEEMED SO TRUE. 383 00:29:26,031 --> 00:29:28,064 WHY ARE YOU IN HIS DEBT? 384 00:29:35,140 --> 00:29:36,540 MY SISTER. 385 00:29:38,209 --> 00:29:39,676 YOUR SISTER? 386 00:29:44,950 --> 00:29:48,985 AFTER MY PARENTS DIED, I TOOK CARE OF HER. 387 00:29:50,088 --> 00:29:53,056 SHE WAS STILL VERY YOUNG. 388 00:29:53,058 --> 00:29:55,992 WHEN I WAS ARRESTED, THERE WAS NO ONE TO HELP HER. 389 00:29:55,994 --> 00:29:57,694 RENE TOOK HER IN. 390 00:30:00,799 --> 00:30:04,568 EVEN AFTER HE THOUGHT I WAS DEAD, HE KEPT PROVIDING FOR HER. 391 00:30:09,441 --> 00:30:12,709 HE HAD NO REASONS TO DO IT EXCEPT OUT OF KINDNESS. 392 00:30:16,147 --> 00:30:18,114 DIDN'T YOU TELL ME ONCE 393 00:30:20,018 --> 00:30:23,252 THAT YOU CAN'T SEPARATE THE MAN FROM HIS ACTIONS? 394 00:30:31,964 --> 00:30:33,930 HE'S STILL A TERRORIST. 395 00:30:35,934 --> 00:30:38,735 TO ME, HIS ACTIONS ARE THAT OF A FRIEND. 396 00:30:45,110 --> 00:30:47,978 MICHAEL, DISENGAGE. 397 00:30:47,980 --> 00:30:50,279 LET THE SECTION SORT THIS OUT. 398 00:30:50,983 --> 00:30:52,549 IT'S TOO LATE. 399 00:30:53,385 --> 00:30:55,919 A PROFILE'S BEEN SET. 400 00:30:55,921 --> 00:30:57,988 I'M NOT SURE I CAN DO IT. 401 00:30:59,124 --> 00:31:01,324 WHY ARE YOU TELLING ME THIS? 402 00:31:05,296 --> 00:31:07,263 I WANTED YOU TO KNOW 403 00:31:09,635 --> 00:31:12,002 IN CASE SOMETHING HAPPENS TO ME. 404 00:31:28,587 --> 00:31:29,819 (Operations) WHAT'S GOING ON? 405 00:31:29,821 --> 00:31:31,220 WE'RE GETTING A DELTA ALARM. 406 00:31:31,222 --> 00:31:32,622 NUCLEAR DETONATION? 407 00:31:32,624 --> 00:31:34,758 2 OF THEM. 30 SECONDS APART. 408 00:31:34,760 --> 00:31:36,593 ONE IN THE UKRAINE, ONE IN THE ATLANTIC. 409 00:31:36,595 --> 00:31:38,194 IT DOESN'T MAKE SENSE. HOW LONG AGO? 410 00:31:38,196 --> 00:31:40,030 2 MINUTES. HAVE YOU CONFIRMED? 411 00:31:40,032 --> 00:31:42,498 NO. ALL OUR INTERNAL SYSTEMS ARE CONSISTENT. 412 00:31:45,170 --> 00:31:46,836 ALL RIGHT. 413 00:31:46,838 --> 00:31:50,073 INITIATE A LOCKUP, THEN GO TO LEVEL 4 AND BRING EVERYBODY IN. 414 00:31:54,980 --> 00:31:57,814 LINK UP WITH THE D.O.D. SATELLITE, SEE WHAT DATA IT HAS. 415 00:32:00,986 --> 00:32:02,819 MICHAEL? 416 00:32:02,821 --> 00:32:05,655 DO EXACTLY AS I SAY. 417 00:32:05,657 --> 00:32:07,891 WHERE ARE WE GOING? WHAT'S HAPPENING? 418 00:32:07,893 --> 00:32:10,093 I'M GETTING YOU OUT OF HERE. 419 00:32:13,799 --> 00:32:16,165 ARE YOU SURE? NOTHING? 420 00:32:17,469 --> 00:32:20,269 WHAT ABOUT SEISMIC? 421 00:32:20,271 --> 00:32:23,372 ALL RIGHT, THANKS. THERE WAS NO EVENT. 422 00:32:23,374 --> 00:32:24,941 WHATEVER WE'RE SEEING IS INTERNAL. 423 00:32:24,943 --> 00:32:26,542 HOW COULD THAT BE? 424 00:32:26,544 --> 00:32:28,745 I DON'T KNOW YET. 425 00:32:45,463 --> 00:32:46,596 ARE WE SAFE? 426 00:32:46,598 --> 00:32:48,131 NOT YET. 427 00:32:48,133 --> 00:32:50,600 WE HAVE TO GET OUT OF LOCAL RADIUS. 428 00:32:51,403 --> 00:32:53,236 HOW DID YOU DO THIS? 429 00:32:54,239 --> 00:32:56,306 I UPLOADED A PSEUDO ALARM. 430 00:32:56,308 --> 00:32:57,674 THEY'VE DISCOVERED IT BY NOW, 431 00:32:57,676 --> 00:33:00,476 BUT IT'LL GIVE US TIME TO REACH A BLIND SPOT. 432 00:33:00,478 --> 00:33:03,680 FROM THERE, WE CAN GET OUT OF THE COUNTRY. 433 00:33:03,682 --> 00:33:05,682 THEY'LL TRACK YOU DOWN. 434 00:33:06,752 --> 00:33:07,951 IT DOESN'T MATTER. 435 00:33:07,953 --> 00:33:09,285 [snickers] 436 00:33:09,287 --> 00:33:10,987 THEY'LL KILL YOU. 437 00:33:12,490 --> 00:33:13,757 [sighs] 438 00:33:14,492 --> 00:33:16,526 JOIN US, MICHAEL. 439 00:33:16,528 --> 00:33:20,163 GIVE YOUR LIFE SOME MEANING AGAIN, OR DEATH SOME PURPOSE. 440 00:33:21,266 --> 00:33:22,532 IT'S NOT POSSIBLE. 441 00:33:22,534 --> 00:33:24,300 WHY NOT? 442 00:33:24,302 --> 00:33:26,970 IT'LL BE WHAT WE ALWAYS WANTED. 443 00:33:26,972 --> 00:33:28,905 WE'RE OLDER, SMARTER. 444 00:33:28,907 --> 00:33:32,042 WE CAN DO IT RIGHT THIS TIME. 445 00:33:32,044 --> 00:33:36,079 ONCE WE'RE OUT OF THE COUNTRY, I'LL TAKE YOU SOMEWHERE SAFE. 446 00:33:36,081 --> 00:33:37,914 DO YOU KNOW A PLACE? 447 00:33:37,916 --> 00:33:39,116 I DO. 448 00:33:40,152 --> 00:33:43,319 I'LL HAVE THE OTHERS JOIN US THERE. 449 00:33:43,321 --> 00:33:45,655 MEET THEM. LISTEN TO THEM. 450 00:33:46,491 --> 00:33:48,558 THEN IF YOU'RE NOT CONVINCED, 451 00:33:48,560 --> 00:33:52,062 I'LL HELP YOU DISAPPEAR WHERE NO ONE CAN EVER FIND YOU. 452 00:33:52,430 --> 00:33:53,596 HUH? 453 00:34:05,010 --> 00:34:07,077 ARE WE FULLY OPERATIONAL? 454 00:34:07,079 --> 00:34:10,380 (Birkoff) I DELETED THE VIRUS MICHAEL PLANTED IN THE SYSTEM. 455 00:34:10,382 --> 00:34:11,648 ARE WE TRACKING? 456 00:34:11,650 --> 00:34:12,849 YEAH, I'VE GOT THEM. 457 00:34:12,851 --> 00:34:15,152 ALL RIGHT, MOBILIZE THE TEAM. 458 00:34:15,154 --> 00:34:16,386 EVERYONE'S ON THEIR WAY IN. 459 00:34:16,388 --> 00:34:18,121 GOOD. 460 00:34:18,123 --> 00:34:20,023 I JUST GOT THE CALL. WHERE'S MICHAEL? 461 00:34:20,025 --> 00:34:22,092 BIRKOFF WILL FILL YOU IN. 462 00:34:23,662 --> 00:34:26,062 (Birkoff) THE PROFILE'S BEING DOWNLOADED NOW. 463 00:34:42,915 --> 00:34:44,181 [sighs] 464 00:34:45,884 --> 00:34:47,050 [chuckles] 465 00:34:48,353 --> 00:34:50,020 WHAT? 466 00:34:50,022 --> 00:34:51,855 I WAS REMEMBERING '84. 467 00:34:51,857 --> 00:34:54,590 THE TRANSPORTATION STRIKE. 468 00:34:54,592 --> 00:34:56,827 YOU GROW UP DREAMING OF THE GREAT CAUSE. 469 00:34:56,829 --> 00:34:59,229 AND THE ROLE YOU MIGHT PLAY. 470 00:34:59,231 --> 00:35:01,898 WE SPENT MOST OF OUR TIME DELIVERING FRESH UNDERWEAR 471 00:35:01,900 --> 00:35:04,134 AND TOILET PAPER TO THE STRIKERS. 472 00:35:04,136 --> 00:35:05,235 [chuckles] 473 00:35:05,237 --> 00:35:07,871 WE RODE THOSE BEAT-UP LAMBRETTAS. 474 00:35:09,774 --> 00:35:11,607 THOSE WERE THE GOOD TIMES. 475 00:35:11,609 --> 00:35:13,210 YOU MUST AGREE ON THAT, NO? 476 00:35:16,414 --> 00:35:18,414 WE WERE YOUNG. 477 00:35:18,416 --> 00:35:20,650 EVERYTHING SEEMED GOOD THEN. 478 00:35:30,329 --> 00:35:31,627 [sighs] 479 00:35:34,632 --> 00:35:36,499 HEY-HEY. IT'S GOOD TO SEE YOU. 480 00:35:36,501 --> 00:35:37,600 SALUT. 481 00:35:37,602 --> 00:35:38,668 (woman) SALUT. 482 00:35:38,670 --> 00:35:39,903 GOOD TO SEE YOU. 483 00:35:39,905 --> 00:35:41,104 OH... 484 00:35:44,076 --> 00:35:45,876 COME ON. COME. 485 00:36:03,262 --> 00:36:04,460 MICHAEL. 486 00:36:06,798 --> 00:36:08,464 [speaking French] 487 00:36:12,271 --> 00:36:14,604 (Rene) ARE WE STILL ON SCHEDULE FOR TUESDAY? 488 00:36:14,606 --> 00:36:17,740 WE JUST GOT THE DETONATORS LAST NIGHT. 489 00:36:17,742 --> 00:36:19,910 CLAUDE IS PREPARING THEM. 490 00:36:19,912 --> 00:36:22,478 WE'RE STUDYING THE LAYOUT OF THE CLINIC NOW. 491 00:36:22,480 --> 00:36:24,347 (Rene) OUR MATERIAL IS LIMITED. 492 00:36:24,349 --> 00:36:26,549 WE CAN'T LEVEL THE BUILDING. 493 00:36:26,551 --> 00:36:30,153 PLANT THE CHARGES WHERE THEY'LL KILL THE MOST PEOPLE. 494 00:36:30,155 --> 00:36:32,222 I HAVE SOMETHING FOR YOU. 495 00:36:41,666 --> 00:36:43,599 (Michael) WHAT DID YOU TELL HER ABOUT ME? 496 00:36:43,601 --> 00:36:47,003 THE TRUTH. THAT YOU WERE A GREAT HERO. 497 00:36:47,005 --> 00:36:48,238 SHE MARRIED A CHEF. 498 00:36:48,240 --> 00:36:51,774 THEY LIVE IN THE COUNTRY WITH THEIR YOUNG SON. 499 00:36:51,776 --> 00:36:55,045 YES, I KNOW. I CHECK ON THEM. 500 00:36:56,148 --> 00:36:57,981 SO YOU'VE SEEN THEM. 501 00:36:59,952 --> 00:37:01,517 NOT IN PERSON. 502 00:37:02,821 --> 00:37:05,322 I MONITOR THEM THROUGH OUR SYSTEM. 503 00:37:05,991 --> 00:37:07,757 IT'S NOT THE SAME. 504 00:37:07,759 --> 00:37:09,625 YOU HAVE TO SEE THEM. 505 00:37:11,663 --> 00:37:14,831 (Birkoff) PERIMETER TEAM "A" STAY ON MARK. 506 00:37:14,833 --> 00:37:17,133 HE'S A BEAUTIFUL BOY, MICHAEL. 507 00:37:21,373 --> 00:37:23,239 LET'S HAVE SOME WINE. 508 00:37:25,110 --> 00:37:26,276 HERE. 509 00:37:30,615 --> 00:37:32,148 NOT YET. 510 00:37:32,150 --> 00:37:33,516 [chuckles] 511 00:37:33,518 --> 00:37:36,919 NOT YET MEANS YOU WILL SOON? 512 00:37:38,156 --> 00:37:39,990 (Birkoff) KEEP THEM IN VISUAL. 513 00:37:41,526 --> 00:37:43,360 AND WITH MICHAEL ABOARD, 514 00:37:43,362 --> 00:37:47,563 YOU WILL UNDERSTAND THE MEANING OF THE WORD "COMMITMENT." 515 00:37:47,565 --> 00:37:50,433 THERE'S NO ONE LIKE HIM. THERE NEVER WAS. 516 00:37:54,572 --> 00:37:56,072 [speaking French] 517 00:37:59,044 --> 00:38:00,443 (Birkoff) NOW. 518 00:38:02,180 --> 00:38:03,579 [explosion] 519 00:38:03,581 --> 00:38:05,115 [guns firing] 520 00:38:11,490 --> 00:38:14,157 EVERYONE'S BEEN HIT. CEASE FIRE. 521 00:38:14,159 --> 00:38:16,493 OUTSIDE TEAMS, HOLD YOUR POSITION. 522 00:38:16,495 --> 00:38:17,793 [gasping] 523 00:38:18,663 --> 00:38:20,196 HOW COULD YOU? 524 00:38:22,267 --> 00:38:23,933 I'M SORRY. 525 00:38:23,935 --> 00:38:26,302 YOU HAVE NO SOUL, NO HONOR. 526 00:38:32,177 --> 00:38:34,377 DEFEND YOURSELF! 527 00:38:34,379 --> 00:38:36,413 I SAID, DEFEND YOURSELF! 528 00:38:39,551 --> 00:38:41,851 YOU ONCE SAID A PERSON DEFINES THEMSELVES 529 00:38:41,853 --> 00:38:44,454 BY WHAT THEY ARE WILLING TO DIE FOR. 530 00:38:45,390 --> 00:38:47,457 I WILL DIE FOR A BELIEF. 531 00:38:49,461 --> 00:38:52,162 AND YOU WILL DIE BECAUSE YOU HAVE NONE. 532 00:38:53,065 --> 00:38:54,030 [gun fires] 533 00:38:54,032 --> 00:38:55,165 [groans] 534 00:39:20,392 --> 00:39:22,692 YOU SHOULD HAVE LET HIM DO IT. 535 00:40:29,494 --> 00:40:31,394 YOU WANTED TO SEE ME? 536 00:40:34,032 --> 00:40:37,033 I KNOW SOMETIMES THE LINE CAN BLUR, NIKITA. 537 00:40:39,137 --> 00:40:41,637 THE ONE BETWEEN LOYALTY TO A FRIEND 538 00:40:41,639 --> 00:40:44,507 AND DUTY TO THE SECTION. 539 00:40:44,509 --> 00:40:47,510 IT'S A COMMON MISTAKE FOR AN OPERATIVE TO BELIEVE 540 00:40:47,512 --> 00:40:51,614 THAT HE OR SHE CAN ELUDE THE EYES OF THE SECTION. 541 00:40:52,583 --> 00:40:54,017 THEY CAN'T. 542 00:40:57,855 --> 00:40:59,588 I NEVER THOUGHT I COULD. 543 00:40:59,590 --> 00:41:02,358 THEN WHY DIDN'T YOU TELL US ABOUT RENE DIAN FROM THE BEGINNING? 544 00:41:02,360 --> 00:41:04,460 BECAUSE I HAD NOTHING TO... 545 00:41:17,608 --> 00:41:19,475 I WAS PROTECTING HIM. 546 00:41:20,278 --> 00:41:22,245 THAT'S INTERESTING. 547 00:41:25,683 --> 00:41:29,185 YOU TRYING TO PROTECT HIM. 548 00:41:33,992 --> 00:41:36,826 IF MICHAEL WAS HIDING SOMETHING, 549 00:41:38,296 --> 00:41:41,164 THERE HAD TO HAVE BEEN A POWERFUL REASON. 550 00:41:42,733 --> 00:41:45,068 I RESPECTED THAT. 551 00:41:45,070 --> 00:41:47,971 MICHAEL WAS THROWN OFF BALANCE BY RENE. 552 00:41:47,973 --> 00:41:51,740 BUT HE WAS QUICK TO ADJUST, 553 00:41:51,742 --> 00:41:53,576 AS WE KNEW HE WOULD. 554 00:41:55,347 --> 00:41:58,448 THERE'S NOTHING YOU KNOW THAT WE DON'T KNOW FIRST. 555 00:41:58,450 --> 00:42:01,750 NO MOVE YOU'LL MAKE WE DON'T ANTICIPATE. 556 00:42:04,622 --> 00:42:07,490 I THINK YOU FUNDAMENTALLY UNDERSTAND THIS. 557 00:42:11,062 --> 00:42:14,763 BUT EVERY ONCE IN A WHILE, YOU NEED TO BE REMINDED. 558 00:42:14,765 --> 00:42:17,000 OR WARNED. 559 00:42:17,002 --> 00:42:19,469 IT MIGHT SEEM FAR-FETCHED, NIKITA. 560 00:42:20,938 --> 00:42:23,639 BUT YOU HAVE A FUTURE WITH SECTION ONE. 561 00:42:28,113 --> 00:42:29,778 JUST A REMINDER. 562 00:42:59,377 --> 00:43:00,643 [speaking French] 563 00:43:02,947 --> 00:43:04,580 [man chattering in French] 564 00:43:28,106 --> 00:43:30,206 ♪♪[Rene singing in French] 48626