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1
00:00:13,013 --> 00:00:17,017
(HORSE WHINNIES)
2
00:00:17,017 --> 00:00:21,021
(HOOFBEATS)
3
00:01:01,094 --> 00:01:05,131
(ZAPPING SOUND)
4
00:01:05,131 --> 00:01:09,102
>ASHKA? I THINK I'VE GOT
SOMETHING
5
00:01:09,102 --> 00:01:13,139
YOU'LL FIND VERY INTERESTING.
THESE ARE FIREWORKS.
6
00:01:13,139 --> 00:01:17,143
THEY'RE WHAT THE BOY USED TO
DEFEAT THE MARAUDERS.
7
00:01:17,143 --> 00:01:21,147
AFTER CAREFUL STUDY, I'VE BEEN
ABLE TO WORK OUT HOW TO RELEASE
THEIR MAGIC.
8
00:01:21,147 --> 00:01:25,151
WATCH.
9
00:01:25,151 --> 00:01:29,155
STAND BACK. THE GUNPOWDER IS
DANGEROUS. >THAT LITTLE THING?
10
00:01:29,155 --> 00:01:33,159
(BOOM!)
11
00:01:33,159 --> 00:01:37,197
(COUGHING) >I'M SORRY, FORGIVE
ME.
12
00:01:37,197 --> 00:01:41,201
>ENOUGH! GO TO THE BOY. GET HIM
TO TELL YOU
13
00:01:41,201 --> 00:01:45,205
HOW THIS FIREWORKS ARE MADE. I
MUST HAVE THE SECRET
14
00:01:45,205 --> 00:01:49,209
OF THIS GUNPOWDER.
15
00:01:49,209 --> 00:01:53,213
(HORSES SNORTING)
16
00:01:53,213 --> 00:01:57,250
>HEY, MUNNY.
17
00:01:57,250 --> 00:02:01,254
>THE TRIBUTE FROM MY VILLAGE
FOR THE SPELLBINDER.
18
00:02:01,254 --> 00:02:05,258
>EXCUSE ME, SIR. >YOU SHOULDN'T
BE HERE. >PLEASE, I HAVE TO
19
00:02:05,258 --> 00:02:09,262
SEE THE SPELLBINDER ASHKA.
>NOBODY GOES INTO THE CASTLE
BUT THE SPELLBINDERS
20
00:02:09,262 --> 00:02:13,266
AND THE SERVANTS. NOW BE ON
YOUR WAY. >BUT I HAVE TO SHOW
HER THIS.
21
00:02:17,270 --> 00:02:21,307
IT BELONGED TO THE BOY
22
00:02:21,307 --> 00:02:25,311
ASHKA BROUGHT HERE. IT IS
PICTURES OF ANOTHER WORLD.
>HEY, BORIN. >YEAH?
23
00:02:25,311 --> 00:02:29,315
>COME AND HAVE A LOOK AT THIS.
>WHAT IS IT?
24
00:02:29,315 --> 00:02:33,319
>SHE SAYS IT HAS PICTURES IN
IT. >REALLY? >YEAH.
25
00:02:33,319 --> 00:02:37,323
>CAREFUL, YOU COULD BREAK IT.
>GO AWAY, GET BACK TO YOUR
VILLAGE.
26
00:02:37,323 --> 00:02:41,294
>HEY!
27
00:02:41,294 --> 00:02:45,298
OPEN THIS DOOR!
28
00:02:49,302 --> 00:02:53,339
(CRASH!)
29
00:02:53,339 --> 00:02:57,343
>DO YOU SEE HER? >NO. >IF WE
CATCH HER,
30
00:02:57,343 --> 00:03:01,347
SHE'LL BE VERY SORRY. OPEN THE
GATE.
31
00:03:41,421 --> 00:03:45,425
>HELLO PAUL.
32
00:03:45,425 --> 00:03:49,462
ASHKA WAS VERY IMPRESSED BY THE
FIREWORKS. SHE WOULD LIKE TO
KNOW
33
00:03:49,462 --> 00:03:53,466
HOW YOU MAKE THIS GUNPOWDER.
>LISTEN, I'M NOT TELLING ANYONE
ANYTHING
34
00:03:53,466 --> 00:03:57,470
UNTIL SOMEBODY AGREES TO GET ME
HOME. >HOW DARE YOU TALK LIKE
THAT TO AN APPRENTICE?
35
00:03:57,470 --> 00:04:01,474
YOU'RE JUST A PRISONER. NO ONE
CAN HELP YOU.
36
00:04:01,474 --> 00:04:05,478
>LET ME GO! >ARE YOU READY TO
TALK? >STOP IT!
37
00:04:05,478 --> 00:04:09,482
THAT'S NO WAY FOR AN APPRENTICE
TO BEHAVE. >BUT HE WAS
INSOLENT, ASHKA.
38
00:04:09,482 --> 00:04:13,486
>PAUL, COME WITH ME.
39
00:04:29,535 --> 00:04:33,506
>HAVE THE REGENTS REACHED
40
00:04:33,506 --> 00:04:37,543
A DECISION ABOUT ME? >NOT YET,
BUT IT'S UNFAIR TO KEEP YOU
WAITING IN A CELL.
41
00:04:37,543 --> 00:04:41,547
AFTER ALL, IT'S NOT EVERY DAY
WE HAVE A VISITOR FROM ANOTHER
WORLD.
42
00:04:41,547 --> 00:04:45,551
>SO YOU DO BELIEVE ME.
43
00:04:45,551 --> 00:04:49,555
>LET'S GET YOU CLEANED UP
FIRST. THEN WE CAN TALK.
44
00:04:57,597 --> 00:05:01,601
>KATRINA, WHAT ARE YOU DOING
HERE?
45
00:05:01,601 --> 00:05:05,605
>I'VE HAD A FANTASTIC IDEA.
WE'LL SHOW PAUL'S DAD MY
RESEARCH.
46
00:05:05,605 --> 00:05:09,609
>I DON'T KNOW, KATRINA. IT
SOUNDS TOO WEIRD. >NOT TO A
SCIENTIST. ONCE DR. REYNOLDS
47
00:05:09,609 --> 00:05:13,613
SEES THIS HE'LL REALIZE I'M
RIGHT, THEN HE'LL HELP RESCUE
PAUL FROM THE PARALLEL WORLD.
48
00:05:13,613 --> 00:05:17,617
>YEAH, SO WHAT DO YOU NEED ME
FOR? >YOU HAVE TO COME. YOU'RE
PAUL'S FRIEND.
49
00:05:17,617 --> 00:05:21,654
HE'LL LISTEN TO YOU. >FORGET
IT, KATRINA. >WELL, IF YOU
DON'T, I'LL HAVE TO TELL
EVERYONE
50
00:05:21,654 --> 00:05:25,658
THAT I REALLY AM YOUR
GIRLFRIEND. >HUH! NO ONE WILL
BELIEVE YOU. >THEY WILL WHEN
51
00:05:25,658 --> 00:05:29,629
THEY SEE THIS.
52
00:05:29,629 --> 00:05:33,633
>DEAREST KATRINA, GODDESS OF MY
HEART,
53
00:05:33,633 --> 00:05:37,704
LOVE OF MY LIFE. >THAT IS NOT
MY SIGNATURE. >WELL, WHO'S
GONNA KNOW THAT?
54
00:05:37,704 --> 00:05:41,708
JUST A PHOTOCOPY.
55
00:05:41,708 --> 00:05:45,712
I'VE GOT PLENTY MORE. DEAL?
56
00:05:49,716 --> 00:05:53,720
>FEELING BETTER?
57
00:05:53,720 --> 00:05:57,724
>YEAH, MUCH. >GRYVON, MORE HOT
WATER.
58
00:06:07,367 --> 00:06:11,371
>THANK YOU, GRYVON. >I'LL CALL
YOU WHEN THE FOOD IS READY.
59
00:06:15,508 --> 00:06:19,545
>I AM AN APPRENTICE, NOT A
SERVANT.
60
00:06:19,545 --> 00:06:23,549
WHY ARE YOU PUNISHING ME? >I'M
NOT PUNISHING YOU.
61
00:06:23,549 --> 00:06:27,520
I JUST WANT PAUL TO THINK I'M
HIS FRIEND. >WHY?
62
00:06:27,520 --> 00:06:31,557
>GRYVON, WHO KNOWS WHAT OTHER
KNOWLEDGE HE MAY HAVE? IF PAUL
TRUSTS ME,
63
00:06:31,557 --> 00:06:35,528
HE WILL OPEN UP AND TALK. WE
CAN BOTH GAIN
64
00:06:35,528 --> 00:06:39,532
FROM HIM, GRYVON.
65
00:06:43,569 --> 00:06:47,573
>PAUL, CAN I GET YOU SOME MORE
HOT WATER?
66
00:07:19,639 --> 00:07:23,643
(TOOT)
67
00:07:23,643 --> 00:07:27,647
(TOOT)
68
00:07:27,647 --> 00:07:31,651
(TOOT) >PAUL?
69
00:07:31,651 --> 00:07:35,655
(TOOT)
70
00:08:01,848 --> 00:08:05,852
>SO THAT'S WHERE SHE PUT IT.
71
00:08:35,781 --> 00:08:39,785
>PAUL?
72
00:08:47,827 --> 00:08:51,831
(SLIGHT WHISTLING SOUND)
73
00:08:51,831 --> 00:08:55,835
(BOOM!)
74
00:08:55,835 --> 00:08:59,839
>GET OUT FROM THERE!
75
00:08:59,839 --> 00:09:03,843
WHO ARE YOU? HOW DID YOU GET
INSIDE THE CASTLE? >SORRY,
SPELLBINDER.
76
00:09:03,843 --> 00:09:07,847
>SPEAK UP, I CAN'T HEAR YOU.
77
00:09:07,847 --> 00:09:11,884
>OH. >MY NAME IS RIANA,
78
00:09:11,884 --> 00:09:15,888
SPELLBINDER. I CAME HERE TO
HELP PAUL. >PAUL? THE BOY WHO
79
00:09:15,888 --> 00:09:19,892
CLAIMS HE IS FROM ANOTHER
WORLD. >HE IS. I CAN PROVE IT.
80
00:09:19,892 --> 00:09:23,896
THIS IS HIS CAMERA. I BROUGHT
THE PICTURE BOX
81
00:09:23,896 --> 00:09:27,900
THAT MAKES IT WORK. IT'LL SHOW
YOU PAUL'S WORLD. >SHOW ME.
82
00:09:27,900 --> 00:09:31,904
DON'T POINT IT AT ME!
83
00:09:31,904 --> 00:09:35,908
IT MAY BE DANGEROUS. >IT'S NOT.
IT JUST COLLECTS PICTURES,
MOVING PICTURES.
84
00:09:35,908 --> 00:09:39,912
IT'S NOT WORKING.
85
00:09:39,912 --> 00:09:43,916
>GIVE IT TO ME. >WAIT, I KNOW I
CAN DO IT. >DO YOU DARE TO
86
00:09:43,916 --> 00:09:47,920
DENY A SPELLBINDER?
87
00:09:47,920 --> 00:09:51,958
>DON'T POINT IT AT ME. IT MAY
BE DANGEROUS.
88
00:09:51,958 --> 00:09:55,962
>HOW DID IT DO THAT?
89
00:09:55,962 --> 00:09:59,966
>SOME MORE MEAT, PAUL?
90
00:09:59,966 --> 00:10:03,970
ANOTHER VEGETABLE? >SOME SWEET
CAKE, MAYBE. >I COULDN'T,
REALLY.
91
00:10:03,970 --> 00:10:07,974
BOY, I CAN'T WAIT TO GET BACK
HOME
92
00:10:07,974 --> 00:10:11,978
AND TELL DAD ABOUT ALL THIS.
>I'M SURE WE CAN PERSUADE THE
REGENTS TO HELP
93
00:10:11,978 --> 00:10:15,982
YOU GET HOME. IF YOU DO
SOMETHING FOR THEM IN RETURN.
94
00:10:15,982 --> 00:10:19,986
>LIKE WHAT? >COME HERE.
95
00:10:23,990 --> 00:10:28,027
THIS IS A MAP OF
96
00:10:28,027 --> 00:10:32,031
THE SPELLBINDER LAND. HERE IS
THE CASTLE AND THE TOWER
97
00:10:32,031 --> 00:10:36,035
NEAR CLAYHILL WHERE YOU
ARRIVED. >AND ARE ALL THESE
TOWERS LIKE THIS ONE?
98
00:10:36,035 --> 00:10:38,037
>THEY POWER THE FLYING SHIPS
AND THE EYESTONES.
99
00:10:38,037 --> 00:10:40,039
>WHERE DOES THE POWER COME
FROM? >DON'T WORRY ---
100
00:10:40,039 --> 00:10:44,043
>THAT'S NO CONCERN OF YOURS.
101
00:10:44,043 --> 00:10:48,080
>AND IS THIS THE SEA HERE? >NO.
102
00:10:48,080 --> 00:10:52,084
THE WASTELANDS. WHERE THE
MARAUDERS COME FROM. WHEN THE
DARKNESS CAME,
103
00:10:52,084 --> 00:10:56,088
EVERYTHING BUT OUR LAND WAS
DESTROYED. >ONLY THE POWER OF
SPELLBINDERS SAVED IT.
104
00:10:56,088 --> 00:11:00,059
>BUT WHAT CAUSED THIS DARKNESS?
>THE MARAUDERS.
105
00:11:00,059 --> 00:11:04,063
>AND NOW THEY ARE BACK.
DESTROYING OUR VILLAGES AND
STEALING OUR CROPS.
106
00:11:04,063 --> 00:11:08,100
IF YOU COULD TEACH US HOW TO
MAKE THIS GUNPOWDER,
107
00:11:08,100 --> 00:11:12,104
ALL THESE VILLAGES COULD BE
PROTECTED. >OH. WELL, I MEAN
IT'S EASY.
108
00:11:12,104 --> 00:11:16,108
ALL YOU NEED IS --
109
00:11:16,108 --> 00:11:20,112
>WHAT IS THE BOY DOING HERE?
THE REGENTS ORDERED THAT HE BE
KEPT IN A CELL. >I KNOW, REGENT.
110
00:11:20,112 --> 00:11:24,116
REGENT, CORREON, BUT THE BOY
WAS BADLY IN NEED OF A BATH.
111
00:11:24,116 --> 00:11:28,120
>YOU OFFER BATHS TO ALL THE
PRISONERS?
112
00:11:28,120 --> 00:11:32,124
COME WITH ME, BOY.
113
00:11:36,162 --> 00:11:40,166
(CRASH) >FOLLOW HIM, GRYVON.
FIND OUT WHAT HE'S UP TO.
114
00:11:40,166 --> 00:11:44,170
>ARE YOU TAKING ME BACK TO MY
CELL? >NO, TO MY ROOMS.
115
00:11:44,170 --> 00:11:48,174
I WANT YOU TO EXPLAIN HOW MY
LIKENESS GOT INTO THIS.
116
00:11:48,174 --> 00:11:52,178
>MY TAPE! WHERE DID YOU GET IT?
117
00:11:56,182 --> 00:12:00,186
(DOOR OPENS)
118
00:12:04,190 --> 00:12:08,227
RIANA! I THOUGHT I'D NEVER SEE
YOU AGAIN!
119
00:12:08,227 --> 00:12:12,231
AND YOU BROUGHT THE TAPE. THANK
YOU.
120
00:12:19,505 --> 00:12:22,241
>SHOW ME THE MOVING PICTURES.
>THE REGENTS WILL HAVE
121
00:12:22,241 --> 00:12:24,243
TO BELIEVE I'M FROM ANOTHER
WORLD WHEN THEY SEE THIS.
122
00:12:24,243 --> 00:12:28,247
>DON'T BE TOO SURE. >RIANA.
123
00:12:28,247 --> 00:12:32,251
>SHOW ME YOUR WORLD.
124
00:12:36,255 --> 00:12:40,259
>WHAT ARE THEY?
125
00:12:40,259 --> 00:12:44,296
>THEY'RE CARS. THEY'RE LIKE
CARTS BUT THEY RUN WITHOUT
HORSES.
126
00:12:44,296 --> 00:12:48,300
>THE FAST CHAIRS YOU TOLD ME
ABOUT. >MM-HMM. >AND THOSE?
127
00:12:48,300 --> 00:12:52,304
>FACTORIES. BUILDINGS WHERE WE
MAKE THINGS.
128
00:12:52,304 --> 00:12:56,308
>YOU ARE RIGHT, PAUL. THE
REGENTS
129
00:12:56,308 --> 00:13:00,312
WILL BELIEVE YOU. THERE IS
NOTHING LIKE THE (?) IN THIS
WORLD.
130
00:13:08,320 --> 00:13:12,358
>I DON'T KNOW ABOUT THIS.
PAUL'S DAD
131
00:13:12,358 --> 00:13:16,328
IS PROBABLY STILL UPSET. WE
DON'T WANT TO AGGRAVATE HIM.
>DON'T WORRY. PAUL'S FATHER
132
00:13:16,328 --> 00:13:20,366
IS A SCIENTIST. HE'LL LOOK AT
MY RESEARCH CALMLY AND
RATIONALLY.
133
00:13:20,366 --> 00:13:24,370
>THIS IS NONSENSE! THERE'S NO
SCIENTIFIC BASIS TO ANY OF IT!
134
00:13:24,370 --> 00:13:28,374
>BUT THE GEOLOGICAL SURVEY
SHOWS THIS MAGNETIC ROCK ALL
AROUND THE CAVE
135
00:13:28,374 --> 00:13:30,376
WHERE PAUL DISAPPEARED. >SO?
>SO THE MAGNETIC
136
00:13:30,376 --> 00:13:32,378
ROCKS AND THE POWER SURGE DOWN
THE CABLE
137
00:13:32,378 --> 00:13:36,382
CREATED AN ELECTROMAGNETIC
DOORWAY. >YOU DON'T KNOW
138
00:13:36,382 --> 00:13:40,419
WHAT YOU'RE TALKING ABOUT. >BUT
I SAW PAUL! >WHERE IS HE?
139
00:13:40,419 --> 00:13:44,390
>NOW DON'T GET EXCITED,
SWEETHEART. I'M AFRAID KATRINA
HAS MADE A MISTAKE.
140
00:13:44,390 --> 00:13:48,394
>NO, I HAVEN'T! LOOK AT THIS. A
WORKER AT A
141
00:13:48,394 --> 00:13:52,431
POWER STATION WAS HIT BY AN
ELECTRICAL DISCHARGE. ALL THAT
WAS LEFT WAS HIS SHOES.
142
00:13:52,431 --> 00:13:56,402
>IS PAUL DEAD? >NO, NO, NO.
PAUL'S FINE. WE'LL FIND HIM
SOON.
143
00:13:56,402 --> 00:14:00,439
NOW LOOK, YOU GO UPSTAIRS. I'LL
BE UP IN A SECOND, ALL RIGHT?
144
00:14:00,439 --> 00:14:04,443
I THINK YOU'D BETTER LEAVE.
>BUT WE'VE GOT TO GET SOME SORT
OF
145
00:14:04,443 --> 00:14:08,447
ELECTROMAGNETIC GENERATOR UP TO
THE CAVE. IF WE CAN RECREATE
THE EFFECT,
146
00:14:08,447 --> 00:14:12,451
MAYBE WE CAN GET PAUL BACK.
>KATRINA, I KNOW YOU'RE TRYING
TO HELP,
147
00:14:12,451 --> 00:14:16,455
BUT THERE IS A MUCH SIMPLER
EXPLANATION. A BOY ANSWERING
PAUL'S DESCRIPTION
148
00:14:16,455 --> 00:14:20,492
HAS BEEN SEEN IN THE BUSH NEAR
GIJIWARRUP. THAT IS ONLY 30
KILOMETERS FROM THE CAVE.
149
00:14:20,492 --> 00:14:24,496
NOW THE POLICE ARE UP THERE NOW
LOOKING FOR HIM AND I'M GOING
TO JOIN THEM. >THAT'S GREAT.
150
00:14:24,496 --> 00:14:28,500
SORRY FOR BOTHERING YOU, MR.
REYNOLDS.
151
00:14:28,500 --> 00:14:32,504
>KATRINA.
152
00:14:32,504 --> 00:14:36,508
WAIT, MAYBE THE KID IN THE BUSH
IS PAUL. >HE CAN'T BE! PAUL'S IN
153
00:14:36,508 --> 00:14:40,512
A PARALLEL WORLD. WHAT'S THE
POINT.
154
00:14:40,512 --> 00:14:44,550
NO ONE WILL BELIEVE ME.
155
00:14:44,550 --> 00:14:48,554
>I DO. >YOU'RE JUST SAYING
THAT. YOU DIDN'T SEE ANYTHING
UP AT THE CAVE.
156
00:14:48,554 --> 00:14:52,558
>WELL, ACTUALLY, I --
157
00:14:52,558 --> 00:14:56,562
>YOU DID SEE SOMETHING! >BEFORE
THE CABLE CAME DOWN, I THINK
158
00:14:56,562 --> 00:15:00,532
I SAW SOMETHING. COULD'VE BEEN
PAUL. >WHY DIDN'T YOU SAY
ANYTHING?
159
00:15:00,532 --> 00:15:04,570
>I DON'T KNOW WHAT I SAW. I
DIDN'T WANT EVERYBODY TO THINK
I WAS CRAZY.
160
00:15:04,570 --> 00:15:08,574
SO WHAT DO WE DO NOW? >WE GET
BACK UP TO THE CAVE AND TRY
161
00:15:08,574 --> 00:15:12,578
AND FIND A WAY INTO THE OTHER
WORLD. >HOW? >I DON'T KNOW.
WE'LL FIGURE IT OUT WHEN WE GET
THERE.
162
00:15:12,578 --> 00:15:16,582
>WE'RE THE ONLY ONES
163
00:15:16,582 --> 00:15:20,586
KNOW THE TRUTH, ALEX. WE'RE THE
ONLY HOPE PAUL'S GOT.
164
00:15:20,586 --> 00:15:24,590
>WHY ARE THERE SO MANY
165
00:15:24,590 --> 00:15:28,594
OF THESE FACTORIES? >THERE ARE
A LOT OF PEOPLE IN MY WORLD.
166
00:15:28,594 --> 00:15:32,631
AND THEY ALL WANT STUFF. CARS,
WASHING MACHINES, TVs,
167
00:15:32,631 --> 00:15:36,635
>WHAT IS TVs? >THEY'RE LIKE
THIS CAMERA,
168
00:15:36,635 --> 00:15:40,639
BUT WITHOUT THE TAPE, AND
EVERYONE HAS ONE IN THEIR
HOUSE. >WHY?
169
00:15:40,639 --> 00:15:44,643
>SO THEY CAN WATCH WHATEVER IS
HAPPENING IN THE WORLD. >SO
EVERYBODY IN YOUR WORLD
170
00:15:44,643 --> 00:15:48,647
KNOWS WHAT IS HAPPENING
EVERYWHERE ELSE? >YES.
171
00:15:48,647 --> 00:15:52,685
>DO YOU HAVE POWER SUITS AND
EYESTONES IN YOUR WORLD?
172
00:15:52,685 --> 00:15:56,689
>NO, BUT WE HAVE LASERS AND
MISSILES AND COMPUTERS.
173
00:15:56,689 --> 00:16:00,693
THEY'RE MACHINES THAT THINK A
BILLION TIMES FASTER THAN A
PERSON.
174
00:16:00,693 --> 00:16:04,697
>WE HAVE FLYING SHIPS. >AND WE
HAVE ROCKETS THAT HAVE FLOWN
MEN TO THE MOON.
175
00:16:04,697 --> 00:16:08,701
>THAT'S IMPOSSIBLE. THE MOON IS
TOO SMALL TO STAND ON.
176
00:16:08,701 --> 00:16:12,705
IT'S ONLY AS BIG AS AN APPLE.
>DON'T GIVE ME THAT. CORREON
HAD A MODEL
177
00:16:12,705 --> 00:16:16,709
OF THE SOLAR SYSTEM IN HIS
ROOM. YOU GUYS KNOW A LOT ABOUT
THE MOON AND THE PLANETS.
178
00:16:16,709 --> 00:16:20,713
>WHY DID YOU LET HIM SEE IT?
>WHY IS IT SUCH A SECRET?
179
00:16:20,713 --> 00:16:24,717
EVERYONE IN MY WORLD KNOWS THAT
STUFF FROM PRIMARY SCHOOL.
180
00:16:24,717 --> 00:16:28,721
>THE SPELLBINDERS DECIDE WHAT
PEOPLE SHOULD KNOW.
181
00:16:28,721 --> 00:16:32,758
IT'S FOR THEIR OWN GOOD. >IT'S
FOR YOUR OWN GOOD! YOU GET
182
00:16:32,758 --> 00:16:36,762
ALL THE POWER AND THE KNOWLEDGE
AND THEY GET TREATED LIKE
SLAVES! >I'VE HEARD ENOUGH.
183
00:16:36,762 --> 00:16:40,733
NO MATTER WHERE THAT BOY COMES
FROM, HE HAS BROKEN THE LAW.
184
00:16:40,733 --> 00:16:44,770
>BUT HIS KNOWLEDGE COULD BE
VALUABLE.
185
00:16:44,770 --> 00:16:48,774
PERHAPS HE CAN HELP US REPAIR
OUR FLYING SHIPS. >NO.
186
00:16:48,774 --> 00:16:52,778
HE ALREADY KNOWS TOO MUCH ABOUT
US. (?)
187
00:16:52,778 --> 00:16:56,782
>I THINK WE SHOULD QUESTION HIM
FURTHER.
188
00:16:56,782 --> 00:17:00,786
>VERY WELL.
189
00:17:00,786 --> 00:17:04,790
TAKE HIM BACK TO HIS CELL.
190
00:17:04,790 --> 00:17:08,794
>THEY'RE NOT GONNA LET ME GO,
ARE THEY? >YOU SHOULD NOT HAVE
ARGUED WITH LUKAN.
191
00:17:08,794 --> 00:17:12,831
TOMORROW YOU MUST APOLOGIZE TO
HIM.
192
00:17:12,831 --> 00:17:16,835
>WHAT DID MARNA MEAN ABOUT
REPAIRING THE FLYING SHIPS?
193
00:17:18,203 --> 00:17:22,207
>THEY WERE BUILT BEFORE THE
DARKNESS WHEN THE SPELLBINDERS
194
00:17:22,207 --> 00:17:26,211
HAD GREAT KNOWLEDGE. NOW WE
DON'T EVEN UNDERSTAND HOW WE
FLY.
195
00:17:26,211 --> 00:17:30,215
IF ONE BREAKS, WE CAN'T REPAIR
IT.
196
00:17:30,215 --> 00:17:34,253
WE ONLY HAVE SIX LEFT THAT
WORK. WE HAVE THE SAME PROBLEM
197
00:17:34,253 --> 00:17:38,257
WITH OUR POWER SUITS. ALL MY
STUDIES ARE AN ATTEMPT TO REGAIN
198
00:17:38,257 --> 00:17:42,261
OUR LOST KNOWLEDGE.
199
00:17:42,261 --> 00:17:46,265
PERHAPS YOU CAN HELP.
200
00:17:46,265 --> 00:17:50,269
>WELL, I DON'T KNOW MUCH ABOUT
PHYSICS. BUT I COULD TRY. >GOOD.
201
00:17:50,269 --> 00:17:54,273
>WHAT WILL HAPPEN TO RIANA?
202
00:17:54,273 --> 00:17:58,277
>SHE WILL BE TAKEN CARE OF.
203
00:17:58,277 --> 00:18:02,281
>THEY'VE GOT BRAINS IN BOXES
CALLED COMPUTERS AND THEY'VE
SENT A MAN ON THE MOON.
204
00:18:02,281 --> 00:18:06,285
>THE BOY WILL BE OF NO USE TO
ME IF HE TELLS THE REGENTS ALL
OUR SECRETS.
205
00:18:06,285 --> 00:18:10,289
>WHAT IF THE REGENTS CAN'T FIND
HIM TOMORROW?
206
00:18:18,330 --> 00:18:22,334
>GET UP. THOSE ARE FOR READING,
NOT FOR SLEEPING ON.
207
00:18:22,334 --> 00:18:26,338
>SPELLBINDER,
208
00:18:26,338 --> 00:18:30,342
DID THE REGENTS BELIEVE PAUL'S
STORY? >THEY WERE VERY
IMPRESSED.
209
00:18:30,342 --> 00:18:34,346
>WHEN CAN I GO HOME? >I'M
SORRY, RIANA.
210
00:18:34,346 --> 00:18:38,350
BUT YOU HAVE SEEN TOO MUCH OF
THE SPELLBINDERS' WORLD.
211
00:18:38,350 --> 00:18:42,387
YOU CAN NEVER LEAVE THE CASTLE
AND MUST STAY HERE AS A SERVANT.
212
00:18:42,387 --> 00:18:46,358
>I WANT TO GO BACK TO MY
VILLAGE! >IT IS A GREAT HONOR
213
00:18:46,358 --> 00:18:48,393
TO SERVE THE SPELLBINDERS. >I
DON'T WANT
214
00:18:48,393 --> 00:18:50,395
TO BE A SERVANT! I WANT TO BE
HOME WITH MY FAMILY!
215
00:18:50,395 --> 00:18:54,399
>THE ALTERNATIVE IS BANISHMENT.
216
00:18:54,399 --> 00:18:58,403
SOMEONE WILL COME TO FETCH YOU.
217
00:19:02,407 --> 00:19:06,411
>CHRISTINE?
218
00:19:06,411 --> 00:19:10,415
CHRISTINE?
219
00:19:14,419 --> 00:19:18,423
WHAT ARE YOU DOING IN THERE?
220
00:19:18,423 --> 00:19:22,461
>PAUL'S NOT COMING BACK, IS HE?
221
00:19:22,461 --> 00:19:26,465
>OF COURSE HE IS. PAUL'S JUST
GOT
222
00:19:26,465 --> 00:19:30,469
HIMSELF LOST IN THE BUSH. HE'D
FEEL AWFUL IF HE THOUGHT WE'D
GIVEN UP ON HIM.
223
00:19:30,469 --> 00:19:34,473
(SHE SOBS) >I ONLY WANT HIM
BACK.
224
00:19:34,473 --> 00:19:38,477
>SO DO I, SWEETHEART.
225
00:19:38,477 --> 00:19:42,481
SO DO I.
226
00:19:51,590 --> 00:19:55,594
>GET UP, PAUL. YOU MUST GO WITH
GRYVON. >WHY? WHAT'S HAPPENING?
227
00:19:55,594 --> 00:19:59,565
>THE REGENTS HAVE DECIDED TO
BANISH YOU.
228
00:19:59,565 --> 00:20:03,602
>BUT CORREON SAID THAT I --
>CORREON IS AN OLD FOOL. >I
PROMISED
229
00:20:03,602 --> 00:20:07,606
TO HELP YOU GET HOME. DO YOU
WANT TO GO OR NOT?
230
00:20:15,614 --> 00:20:19,618
>DON'T WORRY ABOUT RIANA. ASHKA
WILL LOOK AFTER HER.
231
00:20:23,655 --> 00:20:27,626
>HELP! GUARD, HELP ME!
232
00:20:27,626 --> 00:20:31,663
HELP! (BANG!)
233
00:20:35,667 --> 00:20:39,671
(LOUD KNOCK)
234
00:20:39,671 --> 00:20:43,675
>REGENT?
235
00:20:47,679 --> 00:20:51,717
YOU STUPID GIRL, I'M HERE TO
HELP YOU. I'VE BEEN TRYING
236
00:20:51,717 --> 00:20:55,721
TO GET PAUL OUT OF THE CASTLE
BUT HE SAYS HE WON'T GO WITHOUT
YOU.
237
00:20:55,721 --> 00:20:59,725
BUT IF YOU WANT TO STAY HERE
AND BE A SERVANT FOR THE REST
OF YOUR DAYS --
238
00:21:01,893 --> 00:21:03,562
>WAIT.
239
00:21:07,733 --> 00:21:11,737
>WHERE ARE YOU TAKING ME?
>SOMEWHERE THE REGENTS WON'T
FIND YOU.
240
00:21:18,910 --> 00:21:22,914
(DOOR SLAMS)
241
00:21:23,015 --> 00:21:27,019
WELCOME TO YOUR NEW HOME.
242
00:21:35,794 --> 00:21:39,798
>HOW LONG WILL I HAVE TO STAY
HERE?
243
00:21:39,798 --> 00:21:43,802
>HOW LONG WILL IT TAKE YOU TO
MAKE THE GUNPOWDER?
244
00:21:47,806 --> 00:21:51,810
>PAUL! >GUARD!
245
00:21:51,810 --> 00:21:55,814
GUARD! SHE HELPED THE BOY
ESCAPE!
246
00:21:55,814 --> 00:21:59,885
SEIZE HER!!
20914
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