Original subtitles

(groovy dance music)

J Friday &

J Thank God it's J

J Friday &

J Friday &

J Thank God it's J

J Friday, Friday &

J Friday, Friday &

J Hey, put a smile on your face &

J Things are coming your way J

J Out there somewhere tonight 2

J Itis the right time and place J

J Dodododododododo

J Do do dodo, dodododo J

J Dodododododododo

J Do do dodo, dodododo J

J Hey, see the stars in his eyes J

J And the music in you J»

J Tells you how you can find J;

J Your way to paradise J&

J Dodododododododo

J Do do dodo, dodododo J

J Dodododododododo

J Do do dodo, dodododo J

J Friday &

J Thank God it's J

J Friday &

J Friday &

J Thank God it's J

J Friday, Friday &

J Friday, Friday &

J Hey, put a smile on your face &

J Things are coming your way J

J Out there somewhere tonight 2

J Itis the right time and place J

J Hey, see the stars in his eyes J

J Does he value my love 2»

J Hey, put a smile on your face &

J Put a smile on your face J»

J Things are coming your way J

J Out there somewhere tonight 2

J Itis the right time and place J

J Hey J

(lively dance music)

J Tonight's the night J»

J Everything is gonna go J

- [Sam] Hey, hey, brother man,

I'm a little worried about you.

You're soundin' nervous.

- Who, me, Sam?

Nervous?

Hey, well, this is my first time going on

live on the radio, you know?

- [Sam] Yeah, and it may be your last, sucker.

- Hey, don't say that, man.

- [Sam] Well, if you blow this, baby,

you'd better be gettin' your hat.

- Listen here, man, you know,

after tonight's gig the whole town

is gonna be talkin' about Bobby Speed.

- [Sam] Yeah, man, sure, that's cool.

But what about The Commodores?

We go live at 12:00.

- Hey, listen, man.

When I, Bobby Speed,

promises his audience live music, he delivers.

- [Sam] You'd better, turkey.

Or you'll be back at the supermarket announcin' specials.

Ok, we go in five, four, three, two, one.

Hit it!

- Hey, hey, y'all.

This is Bobby Speed,

the man in the glass booth

comin' to you live for the first time,

definitely not the last

from the Zoo Disco,

over station KDCO,

where you are what you hear.

(funky disco music)

J Who's that dancin' by the mirror &

J She's been dancin' all night long

- [Bobby] Do you love it?

- Oh, we love it, we love it.

Don't we, Frannie?

- The straps are fallin' down.

- Oh, Frannie, don we love it?

Frannie?

- Oh, fabulous. - Yes.

- [Bobby] If y'all are anyplace but right here,

you're in the wrong place, baby.

- I feel like a stilt walker.

No wonder my sister has rotten feet.

I'm takin' them off.

- No, no, I'll fix it, ok?

- [Bobby] Don't forget, y'all,

big dance contest tonight.

The Commodores, live.

$200, first prize.

Be here at the Zoo.

- Ok, how does it feel?

- Fabulous.

- Frannie, it's better than breaking your ankle.

Now, come on, you can't win a dance contest if you--

- Jeannie, there's no guarantee I'll win.

You will.

You will.

You are the best dancer in Taft High.

- Jeannie, that's kids.

This is different.

Oh, why did I let you talk me into this?

- Look, how else are we going to pay for the KISS concert?

We can't miss that.

I mean, do you want to go through life

with this hanging over your head?

- No.

- Ok.

- It's a Chevy.

Beige, 4-door.

- [Valet] Got you.

- This was a perfect anniversary dinner, Dave.

- Oh, I'm glad.

Hey, did you really like the present?

You know, it's hard coming up

with something in wood.

All I could think of

was a pepper mill or a baseball bat.

We'll go home.

Since you're drunk, I'll take advantage of you.

- What do you suppose is going on over there?

- Oh, it's, uh, just one of those discos or something.

- Let's go.

- What?

- Take the car back, please.

- But, but...

Wait a second, hold it.

Susan, it's after 10:00.

I have to go to work tomorrow.

- Dave, tonight's special.

And I don't want to go home yet.

Take it back.

- Ho--

Hey, hold it, hold it.

- Susan, I do not want to stand on line

with a bunch of freaks

and listen to loud music.

All right, take it back.

I'll pick it up later.

- Are you sure?

- Yeah.

- Are you sure?

- Here.

A half hour.

One dance, a slow dance,

and then we go home.

- Jennifer.

- Oh, God, I'll hold them, Maddy,

but how can you eat this?

How can you eat at a time like this?

- I'm sorry, but I just had to eat something.

I can't believe it took so long.

- Don't be sorry.

- The entire world has got

to be goin' tonight, Jennifer.

I mean, do you know what this means?

The odds for meeting guys moves way up.

You want a bite of this?

- No, thanks.

Maddy, do you think what I'm wearin' is ok?

I mean I haven't gotten those clothes from home yet.

And I feel really funny.

Do you think it's okay?

- Yeah, it's great.

Well I mean, it's great.

I mean, it doesn't matter because

the thing about discotheques, Jennifer,

is you can just be anything.

You can just look any way,

you can just be any it fantastic.

I gotta stop eating this crap.

- I really want to thank you for

taking me with you tonight.

I mean, really.

Forget it.

I mean, I know when you come to a new place,

you just can't find people you can relate to.

- Relate to?

I just would like to meet one nice guy.

- I go to the discotheques

to kind of forget, you know?

They're a great place to meet new guys.

- Yeah?

Like, what kind of men go there?

- Live ones.

- Oh, yeah? - Yeah.

(screaming)

- Maddy, I'm sorry.

I knew that was gonna--

I'm really sorry.

- Oh, no, it'll dry.

- I'm sorry.

- I mean, not tonight, you know, but it'll dry.

- Here, I'm sorry, I'll get it out.

- Oh, oh I knew that would come in handy.

- Oh, your bun.

I'm sorry.

(thudding)

- What the hell is this?

- Smog.

Here.

The wheel.

- Whoa!

- Put on your glasses right now.

- I can see.

Don't worry I can see.

- That's it, I'm gettin' out of this--

- No, no, don't!

Hold the wheel.

I'll put them on, I'll put them on.

- [Bobby] Hey, hey!

Don't be afraid of bumpin' and jumpin'.

That's what it's all about.

Let yourself go.

Turn off your mind and boogie.

- I'm with you, baby.

This is guaranteed to paralyze you.

Here.

Hey, would you loosen up, huh?

Huh?

- Would you watch the road, huh?

- Hey, come on, man.

We are out for action tonight.

- You don't understand.

I don't want the action.

I'm not looking for action.

What I want is a nice girl.

- Me, too.

One nice girl.

Nice tits, nice ass.

Nice.

(upbeat disco music)

J Friday &

J Thank God, it's &

J Friday &

J Friday &

J Thank God, it's &

J Friday, Friday &

J Friday, Friday &

- Gorgeous.

J Hey, put a smile on your face &

J Things are coming your way J

J Out there somewhere tonight &

J Itis the right time and place &

J Dodododododododo dS

J Do do do do, dodo dodo &

J Dodododododododo dS

J Do do do do, dodo dodo &

J Baby >»

- Any problems?

- Nothing I can't handle.

They're really coming out of the woodwork

for the dance contest.

- Any VIPs?

- No, not yet.

J Baby >»

- Here comes one.

- Hi.

- Hey, babe, how you doing?

Come onin.

- Thanks.

- Hi.

- Who the hell is she?

- Oh, it's ok.

She's with me.

- Oh, wow!

Nice car.

I told you we'd arrive in style.

- Where you girls headed?

- Right here.

Right here!

Turn right here!

- Where? - Turn!

(tires screeching)

- Thanks.

Thanks.

- In style, huh.

Fabulous.

(honking)

(crashing)

- Hey!

Hey, sweetheart, you want a ride?

- Look where you're goin', schmuck.

The post!

Would you watch where you're goin‘?

- Did you see those two?

- Those two what? - Girls, didn't you see them?

- Am I near the parkin' lot?

- Left, left.

Make a left.

Put on your glasses.

- What are you, my mother?

I had them on.

- Don't push.

- I think this will be exciting.

- Hey, do you really want to go in?

Why don't we go home and watch TV or something?

- Dave, it's good for us to experience new things.

We have to reach out together, be more open to things.

- Oh, God, you've been read Cosmopolitan again.

J From here to eternity &

J She does, she does J

J She does, she does J

J From here to eternity &

J That's where she leads me &

J From here to eternity &

- Mr. Demarco, this thing

is just hot and sweaty.

- I pay you to look like a monkey

and run the elevator.

Not one or the other.

- But this thing is just scratchy and

I'm breakin' out all over.

- Hi Tony, did I leave my green sweater in your apartment?

- Was that yours?

- Yes, and you still owe me a dinner, too.

Well, let's make a date.

Give me a call.

- Hi, Tony. - Hi, hit

- Am I gonna see you later?

- What do you think, sweetheart?

- Well I hope so.

How about Monday?

It's my birthday, did you remember?

- Of course I remembered.

I even got you a lovely green sweater.

- Oh, Tony, you didn't have to.

- I know.

- See you later. - See you later.

- Bye. - Bye.

- Have a nice time, girls.

That'll be $10.

- $107? For what?

For what?

- For a good time.

- What's that?

What was that for?

Look what he did.

- You gotta have it.

You can't get in and out without it.

- He ruined my shirt.

- It'll wash out.

- What if it doesn't?

This is my best shirt.

$40.

Pierre Cardin.

Just wait here.

- Dave.

- I want to try and wash it out.

- Oh, Dave.

J Doth with their death &

J Bury their parents' strife »

J The fearful passage of their death marked love &

J And the continuance of their parents' rage &

J Which, but their children's end &

J Naught could remove &

J' Is now the two hours' traffic &

J Of our stage &

J The which if you

- It won't come off!

- I'll get it out, I promise.

J We both care J

J Nothing is enough for your love J&

J And it's so wonderful

J Being caught up in your love J

J Take my all ‘cause I have so much J

J When you are here with me, love J

J You, you, you started the fire J

J You, you, you lit my desire »

J You, you, you turn me on higher &

J Nothing is enough for your love J&

J Your love »

J Nothing is enough for your love J&

J Ooh, sweet love

J Hey, nothing is enough for your love J»

J You're so wonderful &

J' I thank my lucky stars above &

J Take my all ‘cause I have so much J

J When you are here with me, love J

J Do you paint a picture of me »

J We have a love J

- Yes, you're gonna love this, my man.

Yes.

Toot, toot, toot.

You'll never score with this one, boss.

J We have a love J

- Sic 'em, tiger.

J Take my all ‘cause I have so much J

J When you are here with me, love J

- Hey, it's really crowded here.

Let's go home.

- Oh, come on, Dave.

Give it a chance.

Try to open up.

Excuse me, are these seats taken?

- No, no, please.

- Could you move over one just, uh...

- No.

- Oh, excuse me.

Excuse me.

I'm sorry.

- Right.

- What are you doing?

- Nothing.

How about a drink?

- I don't like that dress.

- You've liked it every other time I've worn it.

- Your breasts!

Every other time you wore it

your breasts weren't making their debut.

- This is the way the designer intended

the dress to be worn.

I'd like a drink.

It's a little warm in here.

- How can you be warm?

You're not wearing anything.

Did the designer also intend

for every other guy here

to look at your tits?

- Dave, they're my tits, not yours.

- You're my wife!

That makes them our tits.

Hello. - Hi.

- And our tits should be home where they belong,

not out on the town.

And I do mean out.

J It's wonderful J

- ID's?

- Are you kidding?

Is he kidding, dear?

- He must be, dear.

- We haven't been carded in years.

- Let's see 'em.

What kind of ID's are these?

- The regular kind.

- They're Idaho driver's licenses.

- You ladies are a long way from home.

- Well, there ain't much dancin' in Idaho.

- According to these, you're 34 and you're 37.

- Isn't that amazing?

- Something about that Idaho water, you know.

- Take a hike.

- Oh, fabulous.

Oh, I knew this wasn't gonna...

Oh, I knew this wasn't gonna work.

Oh, God.

- Game room.

And if anyone's going to the bar

would you get me a banana daiquiri?

- Here, put this on.

- What is this?

- Lip gloss.

It makes you look hot.

- You're sick.

-Try it.

- No, thanks, Carl.

- Suit yourself.

See anything decent?

Ooh!

Would I love to jump on her bones.

- There's a big guy with her

who looks like he'd like to jump on your head.

- Bad news.

- Not really.

She's, uh, far from a winner.

- You know somethin'?

You're starting to depress me, you know that?

You are beginning to depress me.

Why don't you play pinball

and I'll go up to the lounge

and check things out, ok?

- Good idea.

- All right.

I'll meet you in 10 minutes at the bar.

All right? - At the bar?

- Uh-huh. - In 10 minutes?

Uh-huh.

- Good, right. - Ok.

- All right, see that guy?

He is a creep.

How do I know?

- How do you know?

- Heavy polyester.

I mean, polyester on a dance floor?

That is a creep, Jennifer.

- What about like, double knits?

- Oh, yeah.

- Like a really light, kind of summery seersucker.

- Well, um...

Qk, if it's tasteful.

- Ok, tasteful seersucker in, polyester out.

- Oh, oh, zodiac signs.

- Oh, zodiac signs, nil.

- Zodiac signs have always been just nil.

Ok.

All right, now,

the absolute proof of creephood.

Does he come in a friend's car?

- Oh, come on.

Maddy, Maddy,

you came in my car.

- That's different.

- Excuse me.

This is ridiculous.

I hope you're not thirsty.

You could die before you get a drink here.

- Here you are, Mr. Demarco.

How's it going?

- Great, Billy.

Thanks.

- Hey, bartender, what is this,

what am I, a leper?

Hey, come on.

Hey, Billy.

Hey, can I have a beer, please?

Oh, I'm sorry.

- You bet your sweet ass you're sorry.

J Do you, do you, do you J

J Walk around town &

- Shirley?

Are you Shirley?

I'm supposed to meet her here for a blind date.

One of those computer deals.

- You've got to be kidding.

- No.

You're dressed in blue.

That's what she's supposed to be wearing.

- This is not blue.

It's turquoise.

- Hey, I don't give a shit.

You wanna dance?

- Are you, uh, standin' in a hole?

Excuse me.

- Goddamn broads is gone too far.

- Jennifer, Jennifer, just don't turn around,

don't look anxious, but there are two hunks

behind your left shoulder.

Just whatever you do,

just pretend you don't notice.

- Oh, God.

Ok, well, I don't know.

What do we say after hello?

- Jennifer, be like me, casual.

- I can't.

It's hard to be casual.

It's not easy to be casual

I'm sorry.

This is not casual.

I going to fix this for you,

and it going to be--

Here's your drink.

See I sorted it.

I'm fine.

Ignore this.

Here, have a nut.

I'm sorry.

Oh, there's a rag, thank you.

Here, let me just get that.

That's good.

I dropped my--

I'm going to get my purse.

Can we leave?

Oh, I'm sorry.

- You're always sorry.

- I'm not sorry.

I'm not sorry.

- She's sorry.

- We are not giving up.

- I think the big mistake

was bringing the money in that jar.

- Well, how else was I supposed

to carry the change?

- Why didn't your mother just give you bills?

- Come on, my mom would never give me

money to come here.

Would yours?

- Then where did you get it?

- From my brother.

- Your brother?

That cheapskate?

When did he get so generous?

- Well, I borrowed it.

- Oh, fabulous.

Jeannie, if he finds out,

he'll beat the crap out of both of us.

- Don't be such a worrywart.

We'll have it back before he misses it, ok?

We'll replace whatever

we use with what you win.

- We have to get in

before we can win.

- Yeah.

Don't be such a drag.

Come on.

Maybe there's a back door.

- There's no back door.

- There's got to be a back door.

There's got to be something.

How did people get in?

- I wanna go home.

Can we just go home and watch television?

- No, I don't want to watch television.

We wanted to come here, so we are here.

My purse! My purse!

No, no, wait, wait!

No, wait, wait!

- Goodbye.

- Oh, thank you.

- Thank you.

- $51

$2.50 a pop!

$2.50 a pop.

$5 here, $10 there.

This is gettin' to be a very expensive evening.

- Come on, Dave.

We don't go out that often.

- You know, whoever owns this place owns a gold mine.

I mean, if every person here

had a drink-and-a-half at $2.50 a pop...

Stop it.

What are you doing?

- Come on, Dave.

We didn't come here to do their books.

Let's dance.

Wait a minute, wait a minute.

Not this one.

I'll dance, but not this dance.

A slow dance.

And then we go home, ok?

- No.

- What's going to make you happy?

Do you want to go out on the floor

and jump up and down like a lunatic?

- I just want to have a good time.

- Hello, I'm Tony Demarco.

Uh, is everything ok?

You folks comfortable?

- Yes, thank you.

- I noticed you when you first came in.

I haven't seen you here before, have I?

- Do you notice everyone?

Is that your job?

- No, I own the place, so I pretty well know

everybody who's a regular here.

And I especially would have remembered

someone as pretty as you.

- Thank you.

- I have a little hunch about something.

Are you a stewardess for TWA?

- No, she's a wife with the PTA.

You know, uh, supermarkets, church, McDonald's.

You know the type.

- You're a very lucky guy.

Evelyn, Evelyn, bring these folks a drink on me.

- No, really, it's not necessary.

- No, no, no, let him.

- It's my pleasure.

Would you like to dance with me?

- Is it all right, honey?

- Sure, ok.

- It'll never happen, buddy.

- I see you're busy fighting the girls off.

- Hey, what took you so long, huh?

- What?

- There were a couple of winners hangin' around here before.

If you had been here, we could've scored.

- How would you know?

You can't see two feet in front of your face.

- I don't need to see them.

These two were winners.

I'm tellin' you, winners.

- You know somethin'?

You know what this place reminds me of?

Disneyland with tits.

- Yeah.

- Drink?

- Later.

- I'll have a--

Hey, what is this, huh?

- I see something.

- Hey, what's the matter with you?

- You know, life really sucks.

I mean, this place is the pits.

I think everyone in America

is in here looking for cheap thrills.

I can't stand it.

I mean, it is bad news.

It's like a zoo in here.

It's so tacky.

I'm gonna get out of here.

What are you doin' in here?

Oh, it's lousy in here.

- Excuse me, I'm sorry.

- You bet your sweet ass you're sorry.

Shirley!

Shirley!

Shirley!

Shirley!

- Gus! Gus!

- Shirley?

- Gus, is that you?

- Over here, Shirley!

Over here.

- Can you see my card?

- To your left, to your left!

No, no, no, your other left!

This way, over here!

- [Shirley] I can't see you.

- Shirley, I can see you.

Just follow me over here.

Come on, a little closer.

Come on.

- Gus!

- Get around the big guy.

Come on, Shirley.

Come on.

Hey, Shirley?

- Gus?

- Shirley?

- Gus Micola?

Yeah, yeah, yeah.

- Gus? Gus.

(groovy dance music)

- [Bouncer] Have a nice time.

- It'll be $5, please.

Thank you.

- You know what time it is?

- No I don't have a watch.

Sorry.

Right hand, please.

Enjoy yourself.

J The moonlight, the music and you J&

J Love and I'm yearning for you J»

J Won't you give me a sign

J' After dark, will you be mine &

J After dark, the light will shine J

J Love is such a wonderful bind J

J We can tie our hearts and be one of a kind &

J After dark, your love will be mine &

- [Sam] Damn it, Speed, what are you doin' to me, man?

I can't wait any longer for The Commodores.

I'm taking this show back here to the station.

- Man, what are you talkin' about?

The Commodores are here, man.

They've been here for a while.

Hey, fellows, say hello to Sam and calm him down.

What's happenin', Sam, baby?

We're here, Sam,

and we're ready to wail!

(mumbling)

You better thank your lucky stars.

You got somebody of value like Bobby Speed.

You know, Sam, huh?

- [Sam] Out of sight, Speed!

We go on live as planned.

Have them set up and ready to start at 12:00, sharp.

- Oh, we got you, baby.

Yeah, we can dig it.

No sweat, Sam.

Yeah, all right, fellows.

Thanks, man.

Yeah, all right.

Oh, we'll see you in a few minutes.

Yeah, ok.

Hey, Sam, what you worried about?

I told you everything was cool.

- I think somebody made a mistake.

- You bet your sweet ass somebody made a mistake!

You're taller than me!

- You know I filled out my form so carefully.

I asked to be matched with somebody in government.

- That's what you got.

I work for the city.

I'm a garbage collector.

- Garbage?

- Hey, I never touch the shit.

I just drive the truck.

Why?

What do you do?

- Oh, I teach the sixth grade at the Huntley Grammar School.

- Christ, I told 'em no college broads!

You think you know everything.

You know, I'm going to get

those computer bastards for this.

Hey!

You want to speed it up in there, huh?

- We could probably just make the best of it.

- There ain't no best to this.

This is the worst!

Hey!

Will you shake your ass, huh?

- Gus, calm down.

- Calm down, nothin".

Your time is up.

- I got to go.

You know, I work too hard for my money.

I put too much time into this

and they ain't gonna get away with this those, uh--

I got no change.

Give me a dime.

- Well, I'll see if I have one.

I don't know.

- Come on, give me a dime, will you?

- I've only got one dime

and I'm gonna need it to call my therapist.

(grunting)

J Don't let it keep going on &

J You know I'd rather be hurt and cryin' &

J Than sayin' goodbye J

- If she can experience,

I can experience.

J Whatever we feel J

J' Let's make a deal, to be for real &

- Do you always stand like that?

- Only when I feel my energy being drained.

Standing on one leg doesn't allow the energy complete flow.

You can lose it in the floor.

Would you like to dance?

- Well, uh--

- Yes, you would.

- Yeah, ok.

J Whatever's on your mind, let it be revealed

J Oh, that's love for him J

J Let's make a deal to be completely »

J Together, together &

J Let's make a deal to be completely real »

J With each other, each other J

J Let's make a deal J

J Wanna be real with each other J

(funky radio music)

- Hey--

(crashing)

Hey, little ladies, what's happenin'?

What are you doin' out here?

- They won't let us in.

- So you get us in

or we're going to have a little talk

with the owner of that car.

- Hey.

(funky dance music)

J Ow, she's a brick house J

J She's mighty mighty &»

J Just lettin' it all hang out J»

J She's a brick house J

J The lady's stacked ©

J And that's a fact

J Ain't holding nothing back &

J She's a brick house J

J Well we're together &

J Everybody knows J

J This is how the story goes J

J She knows she's got everything J»

J That a woman needs, to get a man J

J How can she lose with such a youth J

J; 36,24,36 7

J Ooh, what a winnin' hand J

J She's a brick house J

J She's mighty mighty &»

J Just lettin' it all hang out J»

J She's a brick house J

- Peace.

J That lady's stacked and that's a fact J»

- We finally made it man.

- Hey, where y'all been, man?

- En route, baby.

En route.

- You know, you had me shaking, you know.

But I never lost faith.

Never lost faith.

I knew you wouldn't let me down.

You see, this is going to be the dance contest, right?

- [All] Right!

- It's going to make my career,

you know what I mean?

Tonight is going to be the hottest night ever.

All right!

- Bobby, baby we're more than glad

to do the favor for you.

- Yeah, yeah.

- But we got one problem.

- Oh, no problems, no problems, fellows.

- No equipment, baby.

- Hey, man, that's all fine.

I'll fix it.

What, no instruments?

You're jiving, man.

Oh, come on, you're kiddin'. - No, not kidding.

- You Commodores are joking, right?

You guys do this in your act, that's funny, man!

- But we got it all solved.

We got our man, Floyd,

bringin' it down from San Francisco.

It's gonna be all right.

- Floyd?

Wrong Way Floyd?

No, man!

You didn't give your instruments to Floyd, man!

Why? Why you do that, man?

- Where am I?

(smooth dance music)

Five.

Route five.

Where the hell is route five?

I'm gettin' sleepy.

(tires screeching)

- Man, you didn't really

give them to Floyd, did you, man?

You're jivin' me, right? Huh?

- Everything's going to be cool.

For sure.

- The instruments are downstairs, right?

Down?

- Don't worry about it, man.

Floyd's on his way.

- Hey, Lionel, thanks, man, yeah.

No instruments?

Jesus Christ, Floyd.

Who are you?

- You mean, you don't know who I am?

- No.

- Why, I'm Nicole Sims.

The hottest thing in all of the New York discos.

I'm surprised that a big DJ like you wouldn't know that.

- You mean, you're not with The Commodores?

- Oh, The Comms?

(record screeching)

I'm sorry.

- Be careful now.

Hey, I know that one.

J I'd love to love you, baby &

- Sweetheart.

Sweetheart.

Hey, hey, hey, look, wait a minute.

Now you've gone too far.

I don't know how you got in here,

but you've got to go. Out.

- Listen, you ain't seen-- - All right?

- You ain't seen the last of me yet.

- Yeah. Thank you.

- Nicole Sims. S-I-M-S.

- Yes, O-U-T, out.

Bye.

- May 1?

J You can always tell a lady &

J By the company she keeps &

J You can always tell a lady &

J From the company she keeps &

- Excuse me, lady.

Could you shave over here?

J You can always tell a lady &

J From the company she keeps &

- Can you hold this, please?

Good luck.

J I've seen you slipamana20 J

J And your friends leave a lot to ask for &

J When you have to pay &

J And you can't introduce them J»

J Ah, can I buy you a drink &

J Can I buy you a drink, baby &

- It smells like my brother's room.

- Excuse me, girls.

J You can always tell a lady &

J By the company she keeps &

J You can always tell a lady &

J From the company she keeps &

- Hey, hold it.

Where are you two going?

You can get locked in there.

The doors don't open from the other side.

Security.

- Oh, thanks.

We'd hate to have to get locked in there.

- Yeah, our husbands would miss us.

(groovy funk music)

J Find my way &

J' I must leave you, try to find my way J

J I can't take it, not another day »

J Please don't stop me, let me go and find my way J

- Hey, you want to dance?

All right.

- I'll catch you later, Jen.

- Maddy.

- Hi, sweetheart.

What do you say?

- Nothing.

- Hey, uh, what a beautiful smile!

Are you alone?

Don't I know you?

I know you.

I know you from somewhere.

- No, you don't know me.

I've never been here.

- That's all right.

You want to dance?

- You're on my purse.

- Huh?

Oh, sorry.

- I don't want to dance.

- What are you afraid of?

- I'm not afraid of anything.

I'm not afraid of anything.

I don't want to dance.

- You want to sit?

You want to just sit and talk?

I'll sit and talk.

I don't want to talk.

- You want to go for a walk?

I'll go for a walk.

We'll walk.

We'll go walk someplace.

- I don't want to walk.

I don't want to talk.

I don't want to dance.

- All right, wait a minute.

Wait a minute. Wait a minute.

Didn't you come here lookin' for some action?

- Yeah.

I'm still looking.

J Got to leave you, try to find my way J

J' I must leave you, try to find my way J

- Bobby Speed, Bobby Speed.

- Hello.

- Hello, this is Sue.

- How do you do?

- This is my star, Bobby Speed.

- What are you doing?

- You've got to loosen up a little.

Let that laugh out.

That's more like it.

You're definitely not a Dave.

Do you mind if I call you Babakazoo?

- What's a Babakazoo?

- Just a name.

Use it like an umbrella.

Now the jacket comes off.

Jackets suppress the main energy.

That's why snakes keep shedding their skins.

- That's amazing.

Who told you that?

- No one.

Do you wear it all the time?

- Well, it's expected in the office.

You see, I'm an accountant, a CPA

with Brody, Forman and Steinberg.

You ever hear of them?

- No, but I know a guy who works at William Morris.

- Listen, what are you doin"?

- You'll be freer.

You're wrapped too tight.

You have to emerge, like a butterfly.

From a caterpillar!

- Listen, I have to tell you something.

Hello, hello, I'm married.

- No, David is married.

Babakazoo belongs to everyone.

- Oh, my God.

I think I'm going to get a headache.

- Oh, you are?

Look what I have.

These will perk you up.

- Arainbow.

- Here, eat these.

- Well, just two, thank you.

- Here.

J Oh J

J The money's in my pocket now

J I'm gonna take it home &

- You're not scorin' with this one, buddy.

- I hope they don't upset my stomach.

Aspirin does that sometimes.

- Oh, they won't.

Don't worry, they're not aspirin.

(shouting)

Me, Jane.

You, Tarzan!

- Hey, sweetheart.

Haven't I seen you here before?

You got a beautiful smile.

What say we go back to my place

and, uh, see God?

- I met him.

He's got a great smile.

- Hi.

- Are you talking to me?

- You come here a lot?

- Yeah, sometimes.

- I'm Kathy.

- I'm, uh, Carl.

Nice to meet you.

Would you like a drink?

- Let me buy you a drink.

Uh, vodka on the rocks and a...

- Beer.

- Beer.

It's gettin' awfully warm in here.

- Yeah.

- Wouldn't you like to leave?

- What?

- I've got this lovely apartment

and it's not crowded.

- Wait a minute, let me get this straight,

are you asking me if I want to go home with you?

- Yeah, I've had enough here.

Haven't you?

- Yeah.

- I took my sweater off

and I left it in the game room.

I'll go get it and I'll meet--

- No.

You wait here.

I'll go get it.

The game room, right?

- Uh-huh.

And it's a shaggy green sweater.

- Shaggy green sweater.

You stay here, I'll be right back.

J And I'm feeling good because of you J!

J You are the reason I feel just like dancing &

J Ooh, baby I am ready J

J lam ready »

- Oh, no.

Oh, no!

No.

Oh, no.

Hey!

Open the door!

Help me!

Open the door.

J I'm trapped in a stairway &

J Can't get out, got to shout

J Got a date, can't be late &

- Excuse me, you mind if I cut in?

- Uh, do you mind if he cuts in?

- No, fine with me.

- Thank you.

- What do I know?

J Can't get out, got to shout

J Got a date, can't be late &

- Ok, ok, don't lose it.

Everything's gonna be all wrong.

I mean, all right.

Everything's going to be fine.

Stay calm, stay calm.

All right, this is Bobby Speed.

Comin' to you from the Zoo over KDCO

with a special dedication to a long lost friend of mine.

And, Floyd, you better be tuned in

or the next song I dedicate

is going to be taps.

(siren wailing)

(radio chatter)

- [Floyd] Uh, what's the problem, captain?

- You look like a man in a hurry to get somewhere.

- Was I speeding?

- You got a bill of sale for this stuff?

(honking)

- Say, brother, you got the wrong idea.

I'm working for The Commodores

- Yeah, brother.

And I'm Baretta.

(lively funk music)

J Hey, hey

- Hey, I was wondering what happened to you.

- Yeah? Yeah, we're still here.

- I'm glad, because you are a woman.

- I'm a woman?

Yes I am.

-And I am a man.

- Yes, you definitely are a man.

- You like me?

- You're very nice.

- I'm here every night.

Dancin' and dancin' and dancin.

- She likes to dance a lot, too.

- I dance every day, all day long.

I never stop.

Nothing else matters.

Everything else is bullshit.

I dance in my job.

They tell me to stop.

Do I stop?

No.

Do they fire me?

Yes.

Do I care?

No.

And why?

Because I am a dancer.

Only when I am dancin',

do I know I'm alive.

Only when I'm dancin',

do I feel free.

Only when I'm dancin',

do I know who I am.

- Who are you?

- I'm Marv Gomez, The Leatherman.

- Oh, he is the one.

He is the one.

- He's got someone.

- Yeah, ok.

- This really is beautiful.

- Yeah, I thought this would be a place

to get a little peace and quiet.

- You really do enjoy all of this, don't you?

- Well, why not?

It's a long way from hustling records

to the AM radio stations.

- Is that what you did?

- In another life, yeah.

Until the disco thing.

I said, "Tony, there's gonna be

"a wave of nightlife in this country

"and you're gonna ride the crest".

I hocked everything I had,

opened up this place.

Now I'm wealthy, I'm happy.

And I'm particularly happy to get the opportunity

to meet a woman like you.

- Uh, you sell jewelry, too?

- Yes I do.

- Let's look.

- Ok.

Pick something out.

- Oh, I couldn't.

- Let me see those rings.

- She's already got a ring.

A wedding ring.

- Better yet, let me see them gold chains.

- You mean one like this?

- Yeah, one just like that.

That's right.

I'd like to take you home now

so we can be alone together.

I know it would be very, very good.

- I don't think Dave would like that.

- Yes, but how would you like it?

- I really think I'd better be going now.

He'll be wondering where I am.

(lively funk music)

- Jeez, what happened?

- Here.

These will wake you up.

Eat these.

- It better be good or your ass is in the slammer.

(smooth saxophone music)

(lively guitar music)

Come on, man, let's go.

- Saving the best for last.

Hold it.

(loud drum music)

- Yeah, all right.

Yeah.

Yeah.

(upbeat dance music)

J Since you came J

J I feel like lovin' again &

J I feel like livin' again &

J And I feel like givin' again &

J Ooh, since you came J

J I feel like lovin' again &

J And I feel like livin' again &

J And I feel like givin' again &

- Excuse me, I was wondering if...

- So was I.

Is this me?

- I don't know.

(speaking foreign language)

- Just one more time we do it.

Thank you very much.

- You ok?

- You want a hit?

- Yeah, sure. - Come on.

- I like to smoke to get in

touch with my man, you know.

I got to get things straight with him

before the dance contest

‘cause if he ain't on your side,

you may as well be dancin' on banana peels.

I'm gonna win tonight.

- Yeah? Good luck to you.

- Hey, where you going?

- Ah, home.

- Hey, the night's just beginnin'.

- For you, maybe, but...

- Oh, nothing happening, huh?

Hey.

That used to be my problem

before I started wearing leather.

No kidding.

I was lower than whale shit.

Zip.

And then it happened.

I bought my first leather coat.

Oh, it was smooth, real rugged.

Like me, Marv Gomez, The Leatherman.

Hey.

I'm going to change your life.

Hey. - Oh, no, no, no.

- Aw, come on, put this on.

It was my first one.

Say...

Leather's what you've been waiting for.

- It's not bad.

This is...

This is kind of nice.

- It's beautiful!

Now all you got to do is dance.

- Dance?

That's a joke, man.

Look, I'm not a dancer, you see.

I've got worse than two left feet.

I got no left feet.

You see I don't dance.

- Hey, man, let me tell you somethin'.

You ain't gonna be happy until you're free.

And the only way you're going to be free

is to get loose.

And the only way you're going

to get loose is to dance.

Now, come on,

let me see some of your moves.

Moves.

(upbeat dance music)

Ok, moves.

(whistling)

- Hey, man, you know,

you're in serious trouble.

- Yeah?

- Yeah.

Here, try this.

No, man.

No, no, don't you hear the music?

Here, watch.

You go step, tap, step, tap.

- Step, tap.

- Then you reverse it.

- Reverse that.

- Six beats, seven steps.

Then you step on your left

kick out with your right,

and kick, turn...

(whistling)

And face your partner.

- I can't do that.

- Hey, man, let me tell you somethin'.

Little kids are doin' it.

Old ladies are doin' it.

Everybody's doin' it.

Now, come on, dance.

- Dance, dance...

- Come on, baby.

That's it, you got it.

Come on.

You got it, baby.

You got it, baby.

You got it.

- Dance, dance, let's go.

- Come on, baby you got it, baby.

Come on, come on, you got it.

Yeah!

Dancing!

Everything else is bullshit!

(applause)

J The last time you touched me &

J You filled my heart with song »

- Where you going?

- I'm Diane, the new waitress.

Bobby's hungry.

Knock, knock.

- Yeah, it's open.

Yeah?

Memorial hospital, emergency room?

Y'all by any chance

got a nigga in there named Floyd?

- I brought you a snack.

- Just put it over there, baby.

No, not Fong.

Floyd.

Malcolm Floyd.

Find out what you can do about--

You again?

Hey, look, baby, don't you understand.

The first rule of any disco

is don't bug the DJ.

- I just wanted to help.

I just wanted to tell you you're doin'

a good job tonight.

- You're steppin' all over my records.

Baby I don't need any more hassles.

- Lookit, you got your chance, give me mine.

Let me sing.

- Are you--

- Just listen to my demo.

- What is this?

- Don't you remember when you first started?

Well, everybody got to start somewhere.

Why not here?

- You are nuts.

Lady, don't you understand?

This is going out live.

There are millions of people

listenin' to my golden tones.

I ain't gonna blow it.

This ain't amateur night.

- Listen, Mr. Bigshot DJ,

I ain't no amateur!

I paid my dues.

All I'm askin' for is a chance.

- Lady, please.

Hey, bear!

- All right.

All right.

I'll go.

But my mind's made up.

And when it's made up,

it stays made up!

- Wait a minute, wait a minute.

Look, what's your name?

Nicole, Nicole, you're beautiful,

and I'd really love to talk to you sometime.

But right now, I got my own problems, right?

I got some flake lost in the woods

and I've gotta find him.

All right?

Would you take her away from, please?

Would you take her out?

Hey, we're going all the way tonight, Charlie.

Nobody's gonna stop us.

So I tell you what,

grab your favorite animal and get down,

‘cause we're all gonna boogie.

Which reminds me of my old friend, Floyd

who loves to boogie.

But, Floyd, you can't dance

if your legs is broke.

(siren wailing)

- Oh, no, no.

God be my strength and my deliverance.

I know, I know you think I stole 'em

but I got news for you.

They're not hot, they're not stolen, or nothing.

Come here, let me show you somethin'.

Uh, could you hold these for me?

Thank you.

I'll show you what I can do.

I'll show you who I work for.

I'm gonna show you, oh yeah,

I'm gonna show you.

Oh yeah, I'm gonna show you.

- Hey, sorry.

- You bet your sweet ass you're sorry.

You dip.

Hey.

What are you hangin' around here for?

You think some fairy Godmother is gonna show up at midnight

and turn me into a lawyer?

- I'm not hanging around you.

I just haven't left yet.

What's wrong with you, anyway?

- Hey, don't make fun of my height.

- I'm not talking about your height.

I don't care that you're a shrimp.

I do care that you're an insensitive shrimp.

- Well, let me tell you somethin', lady.

I bust my hump all week workin'.

Come Friday night,

I ain't got time to be Mr. Nice Guy.

- Well, let me tell you something.

I feel sorry for you.

Because you're an unhappy person.

- What the hell I got to be happy about?

I'm out with an old maid.

- Oh?

An old maid with a great right hook, you bastard.

We were two lonely people

and we should have been nice to each other.

But, no, you work too hard.

You creep!

- Anybody else?

Shirley.

- Hey, baby, you wanna dance, huh?

- Losers!

You're all losers!

- A simple no would have sufficed.

- A chick with a big right hook?

We was made for each other.

Shirley!

- Everybody!

J Matilda, Matilda &

J She takes me money and run Venezuela &

J Matilda, Matilda &

J She takes me money and run Venezuela &

- Where've you been, huh?

Remember me?

I've been lookin' for you.

I want to talk to you.

- Let's sit down.

- Wait I don't want to sit down.

I got too much energy or something.

- What's happened to your clothes?

- You like it?

Who do I look like?

I'll give you one guess.

Harry Belafonte.

J Matilda J

- Why are you talking so fast?

- I'm not talking fast.

This is how I always talk,

only you never noticed it before.

But I bet you noticed

how that asshole talked, huh.

- And I also noticed

that hippie freak you've adopted.

I want to know, is one evening with her

worth five years of marriage?

- What are you talking about?

Five years of what?

One evening with who?

- Dave, I want to sit down.

- I don't want to sit.

Who's Dave?

I'm Babakazoo.

- Look, I'm afraid of what's happening here.

To both of us.

Let's go home.

Yeah.

I'm drunk.

You can take advantage of me.

- Advantage?

Advantage.

You are the one who wanted me to be more open.

That's what I'm doing.

I'm staying and I'm opening.

J Matilda, Matilda &

J Matilda J

J She take my money and run Venezuela J

- Dear God.

I have somethin'l want to share with you.

I am trying to take responsibility

for everything that is going on here.

But there's somethin' that I want you to get.

I want you to get me out of here!

- Honey, honey.

From now on, it's you and me

for the rest of the evening.

To us.

(loud drum music)

(applauding)

- Jennifer, I was looking for you.

- I just had the most awful experience.

- I want to split.

- Oh, good.

- See I met these really hot guys,

and they're going to a really hot party.

A boogie party.

- Wait a minute.

What about the dance contest?

You want to stay for the dance contest?

- Uh, no.

There's this jacuzzi party,

and they're gonna get really down.

I mean, you'd be kind of uncomfortable there.

It's not your kind of party--

- Why not change your mind and come with us?

- No I don't wanna come with you.

I'll see you at work on Monday.

- You don't mind stayin' here?

- No I don't mind.

You can go.

- Oh, thanks.

Well, oh, you'll have a great time.

- No, you'll have a really great time.

Have a really good time, Maddy.

- Bye, Jennifer.

- Mad.

I'm sure that was polyester.

- All my plans went wrong.

Everything.

I lost all my brother's money.

And our friends will laugh us out of school.

And worst of all, I dragged you into this mess.

You were right.

I just should have kept my mouth shut.

- You told me that I was the greatest dancer at Taft High.

You told me I could do anything

if I set my mind to it.

We came here to do something

and I'm not quitting now.

I'm gonna enter that dance contest

if I have to go out on that floor

and dance all alone.

- Maybe you won't have to dance alone.

Miss?

- Yes?

- Do you know Marv Gomez?

- Yes.

- Well, uh, he's down in the game room and--

- He's doubled over with pain.

He says you should meet him down there right away.

I think it's his appendix.

- Yeah.

- Oh, no.

I told him not to dance so much.

- Yeah.

This will be faster.

Here.

- Gee, thanks.

- Yeah.

- Hey, hold that door!

- Is something wrong?

- Malcolm Floyd.

I'm looking, I'm trying to find Malcolm Floyd.

You know he's this ugly-looking dude--

- [Sam] Hey, hey, what's happening, Bobby Speed?

It's almost 12:00.

Everything ready back there?

- Hey, Sam, get off my case, huh?

Floyd.

F-O-L-I-D.

Malcolm Floyd!

- [Sam] Hey, don't give me that monkey jive, man.

We got a live show to do.

Where are The Commodores?

- Baby, what are you doing?

- [Sam] Ok, Bobby.

I tried everything, man.

I have threatened you.

I've tried to be a nice guy with you.

- Look, look, sweetheart, get off the stage.

- [Sam] Who you calling sweetheart, turkey?

We're going on live now.

Do you understand? Live.

J Last chance J

- [Bobby] What are you doing?

J' Last chance for love J

- Hey, will you please get off the stage?

J Yes, it's my last chance for love &

- Honey, put the microphone down, all right?

Just put it down and get off the stage!

- [Sam] You could deliver The Commodores...

- [Bobby] Hey sweetheart, get off the stage!

- [Sam] 'Cause you ain't gave me

nothing but promises.

- [Bobby] Sam I can't do anything.

Just give me a few minutes.

- [Sam] Otherwise I'm gonna break every bone

in your goddamn ass.

- Get off the stage!

- [Sam] Get me The Commodores.

- Sam, you want to go live?

Is live what you want?

You want me to go live?

We go live right now, ok,

we're going live right now.

You ask for live?

- [Sam] Time is up.

That's it, man.

We got to go live.

- All right, Sam, here it comes.

J Let's dance the last dance &

J Let's dance the last dance &

J Let's dance the last dance tonight &

J' Last dance, last chance for love

J Yes, it's my last chance for romance tonight &

J I need you by me »

J' Beside me, to guide me &

J To hold me, to scold me J

J 'Cause when I'm bad, J

J I'm so, so bad &

J So let's dance the last dance »

J Let's dance the last dance &

J Let's dance the last dance tonight &

J Will you be my Mr. Right J»

J Can you fill my appetite &

J' I can't be sure that you're the one for me J»

J& Well, well, well, well &

J All that I ask is that you dance with me J

J Dance with me J

J' Dance with me, yeah, yeah &

J All right »

J I need you by me »

J' Beside me, to guide me &

J To hold me, to scold me J

J 'Cause when I'm bad I'm so, so bad J

J So, come on, baby, dance that dance J

J Come on, baby

J Dance that dance &

J Come on, baby

J Let's dance tonight »

J Yeah J

(applauding)

- All right, baby!

Yeah, right!

All right, all right.

Let's hear it, everybody!

Let's hear everybody!

Nicole Sims.

That's S-I-M-S.

Yes, woo!

- I'm sorry, I'm sorry.

I'm sorry, I'm sorry.

I'm really sorry.

I'm--

I'm sorry.

I mean I could have maimed you for life.

- It's ok.

- It's ok?

It's ok.

- It's ok.

- It's ok.

Is that shirt cotton?

- Yes.

- A 100 percent?

- Yes.

(tires screeching)

- What do you mean, you haven't seen her?

She was just up here

singing her heart out for me.

Look she couldn't have gone up in smoke.

Just look, just keep looking for the best thing

that's walked into this disco

in the last four months, and it's mine.

(knocking)

Yeah, what is it?

- Yeah, Bobby, Floyd's here.

- You're kiddin'.

All right!

Hey, all right, all right, now we're on a hot roll.

Whatever you've been holdin' back, let it go.

Whatever you've been savin' up, spend it.

‘Cause we're hummin'

and the big dance contest is comin'.

- No, I couldn't do that.

No.

Hey, hey, where are you going?

Where are you going?

Wait a minute. Wait a minute.

- I've got to get out of here.

This place is driving me crazy.

You've been very nice and all of that

but this is really all so bad.

- No, no, no, wait a minute.

I know exactly what you're going through.

Believe me I do.

With your husband in there like that and everything.

I know how that feels.

- Do you?

- Yes I do.

That's why I don't want you to go.

You shouldn't be alone right now, especially now.

Susan, I'm gonna be very straight with you.

For whatever it's worth,

I can't play any games anymore,

not the way I feel about you.

- Oh, please, no more--

- No, no, wait a minute.

You know, before when you walked away from me

I found myself missing you.

I realized I'd lost something

very important I'd just now found.

I care for you.

- See you later, Tony.

- I don't know, something's happening.

I care for you very deeply.

I mean it.

And I can't explain it in any rational way.

This sort of thing doesn't usually happen to me.

I'm just as confused about it as you are.

And I'm not used to being confused, either.

- Tony, we'd better talk now.

- No, we'd better not.

Can we make this--

- I have to talk to you.

- No, no, please.

- It's about last weekend.

- Can we make it later, sweetheart, please?

Please. Thank you.

Susan, all my life, all my life

I've been fighting to keep free from these feelings

but you've done it to me.

Your vitality, your commitment to life

everything about you excites me

in a brand new way that I've never felt before.

You know for me, it feels like the first time.

It's as if, uh,

I've been waiting here for you.

What do you want?

- Jesus, Tony.

You said, later.

I figured this was later.

- No, this isn't later.

This is now.

Later means much later, ok?

- Ok.

- Ok.

I don't know.

I can't say it any other way.

- I know what you're trying to say.

I know what you're about.

I have eyes and a brain.

- And I don't want you to go.

- Why?

You seem to have an abundance of friends.

- That's right, that's right.

I could be with any one of them tonight.

You know I wouldn't have to go home alone.

But I would rather be here with you.

With you, Susan.

Than with any other woman in the place.

And that comes from my heart.

- Mmm-hmm. - Mmm-hmm.

- Come on.

I wanna go back in, ok?

- Ok, the rules are simple.

When the red light hits you, you're out!

And now, the best thing that's happened

to dancing since feet.

Ladies and gentlemen,

let's hear it for the fabulous Commodores!

(applauding)

There's Walter, there's William,

there's Thomas,

there's Lionel, there's Milan,

and there's Ronald.

Yeah.

My men, The Commodores!

All right!

Yeah, hey, hey.

(funky dance music)

J Too hot to trot &

J Say, what

J You're too hot to trot

J Well you're too hot to trot now, baby &

J Well you're too hot ta stop &»

-l was never in a dance contest before.

What do you got to do?

- Simple.

You just get out on the floor

and shake your ass like it was on fire.

- Got you.

- Here.

This will help.

Take a whiff.

(giggling)

- [Bobby] When the red light hits you, you're out!

J What you're doin to me, girl &

J' I can see you right now

J That you're the best thing around &

J'I wanna know now, is there a place for me J

(speaking foreign language)

- How could she do this to me?

The Leatherman has got to have a partner.

- Hey.

So does Frannie.

Oh, what luck!

Frannie, this is Marv.

- Ok.

J Well, you're too hot ta trot now, baby J»

J Well you're too hot ta stop &»

J Well, you're too hot ta trot now, baby J»

J Well, you're too hot ta stop J

J I think you're getting in it »

J With what you're doin' to me &

J You make me squeal &

J You make me feel &

J So good inside J

J Sweet pretty woman J»

J I just want you to know »

J That I love you J

J Oh I love, love you, baby

J My head is spinning &

J With what you're doing to me »

J Girl, I want you, girl I love you J»

J Oh, I love what you're doin' to me, sweet thing J

J Oh I love you, little sweet thing »

J Well, you're too hot ta trot now, baby J»

J Well, you're too hot ta stop J

J Well, you're too hot ta trot now, baby J»

J Well, you're too hot ta stop J

J To hot ta trot, baby J

J Yeah, baby &

J Too hot ta trot, baby J

J Come on, come on J

J Come on, come on J

- You, out!

And you, bye.

Bye.

J Well you're too hot ta trot now baby I

J Well, you're to hot ta stop J

J» Well, you're too hot ta trot now baby J&

J You're too hot to stop &

J Too hot to trot, baby J

J Too hot ta stop &

J Sweet thing, sweet thing &

J Too hot ta trot baby &

J Too hot ta stop &

(whistling)

- All right, we have a winner,

ladies and gentlemen.

It wasn't easy, but there he is.

All right!

The man in leather and his partner.

First prize winner, $200, and a trophy

presented to them by The Commodores.

Let's hear it, everybody!

Hey, hey.

Congratulations to our winners.

Yeah, woo!

(cheering)

(speaking foreign language)

- Thank you very much.

(speaking foreign language)

- What time is it?

- Hey.

It's 12:15.

- Fabulous.

We're gonna get killed.

We were supposed to be home at 11:00.

- $50, Frannie.

We pay back my brother.

We got enough for the concert!

- Who cares about that dumb old concert?

That's for kids.

We're disco queens now.

- It's too bad you disco queens

got to be home so early.

If we hurry we can make it to Big Mamas

for the 1:00 dance contest.

- Our parents will kill us.

- You're right.

- [Both] Let's go!

- Babakazoo.

Who's Babakazoo?

- You stay here with me.

I'll take care of you.

- What are you talking about?

Where's my wife?

Where's Sue?

My wife.

Sue?

My wife.

- What we'll do is take a long ride up the coast.

I have some tapes of Frank we'll listen to.

I know this little place in Santa Barbara

right on the water.

It's gonna be real nice.

- It sounds nice.

- Sue! Sue!

- What do you want?

- What do I want? - Dave...

- I'll tell you what I want. - Dave!

- You put a ding in it.

- Dave, don't.

- I'll put a ding in your dong,

That's what I'll put a ding in!

What do I want?

- There, there's your wife.

I didn't even touch her.

- You didn't--

You didn't touch her?

- Until next time,

this is your zookeeper, Bobby Speed,

reminding you, keep them feet movin'

or somebody will steal your shoes.

Nicole Sims.

J' Last dance for love &

J It's my last chance &

J For romance tonight &

J I need you by me »

J' Beside me, to guide me &

J To hold me, to scold me J

J 'Cause when I'm bad, I'm so, so bad J

- Oh, yeah.

Hold it.

Let me set the mood for this.

J So let's dance the last dance »

J Let's dance, the last dance &

J Let's dance, the last dance &

J Tonight »

J Last dance J

J' Let's dance for love J

J Yes, it's my last chance &

J' For romance, tonight &

J Oh, I need you by me J

J' Beside me, to guide me &

J To hold me, to scold me J!

J 'Cause when I'm bad I'm so, so bad J

J So let's dance the last dance »

J Let's dance, the last dance &

J' Lets dance, the last dance J

J Tonight &

J» When will you be my Mr. Right »

J Yeah J

J You fill my appetite &

J' I can't be sure that you're the one for me J»

J, Oh, all that I ask is that you dance with me J

J' Dance with me, dance with me J

J Yeah, yeah &

J I need you J

J Byme?J

J Beside me, to guide me 2»

J To hold me, to scold me J!

J 'Cause when I'm bad I'm so, so bad J

J So let's dance the last dance »

J Let's dance, the last dance &

J Let's dance, the last dance &

J Tonight &

J Well, well, well »

J All that I is ask &

J Is that you dance with me J»

J Dance with me J

J Dance with me J

J I need you by me J

J Beside me, to guide me 2»

J When I'm bad J

J Hold me J

J And when I'm sad »

J Baby, scold me 2»

J Oh, come on, baby J

J' Dance that dance

J Come on, baby J

J' Dance that dance

J Come on, baby J

J Last dance tonight &