All language subtitles for Criminal.Minds.S15E10.iNTERNAL.720p.WEB.H264-GHOSTS.www.RapidMovieZ.com_Track03

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German Download
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian Download
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,355 --> 00:00:09,400 PREVIOUSLY ON "CRIMINAL MINDS"... 2 00:00:09,444 --> 00:00:11,054 OUR UNSUB IS EVERETT LYNCH. 3 00:00:11,098 --> 00:00:13,143 HE'S A CONMAN WHO SLICES OFF THE FACES 4 00:00:13,187 --> 00:00:14,884 OF THE WOMEN HE SEDUCES. 5 00:00:14,927 --> 00:00:16,886 THIS WAS THE FIRST TIME THAT I WAS BEATEN 6 00:00:16,929 --> 00:00:21,151 BY SOMEONE YOUNGER, FASTER, STRONGER THAN I AM. 7 00:00:21,195 --> 00:00:24,285 EVERETT LYNCH WAS THE FBI's MOST WANTED. 8 00:00:24,328 --> 00:00:27,375 HE REMAINED AT LARGE UNTIL WE CAUGHT UP WITH HIM. 9 00:00:28,550 --> 00:00:30,682 CAPTAIN MONTERO, BREACH. 10 00:00:34,121 --> 00:00:35,731 HE DIED IN AN EXPLOSION, 11 00:00:35,774 --> 00:00:38,081 ALONG WITH 6 OF OUR AGENTS. 12 00:00:38,125 --> 00:00:40,127 IT DOESN'T MAKE SENSE TO ME. 13 00:00:40,170 --> 00:00:42,129 I DON'T UNDERSTAND HOW THAT TYPE OF PERSONALITY 14 00:00:42,172 --> 00:00:44,479 CAN CHOOSE TO BLOW ITSELF UP. 15 00:00:44,522 --> 00:00:46,829 IF HE COULD GET TO A TUNNEL. 16 00:00:50,398 --> 00:00:54,010 LYNCH IS STILL ALIVE. 17 00:01:07,284 --> 00:01:09,286 WELL, YOU KNOW, YOU BETTER THANK YOUR MAN UPSTAIRS 18 00:01:09,330 --> 00:01:11,071 FOR MAKING IT THE WHOLE TEAM, 19 00:01:11,114 --> 00:01:12,570 OTHERWISE YOU KNOW THEY'D FIND A REASON TO BRING US BACK UP IN HERE. 20 00:01:12,594 --> 00:01:14,378 WHY? THEY GOT OTHER TEAMS. 21 00:01:14,422 --> 00:01:15,747 OK, YOU CAN GO ON BELIEVING THAT IF YOU WANT TO, 22 00:01:15,771 --> 00:01:18,382 BUT I AM NOT ANSWERING MY CELLPHONE. OK. 23 00:01:18,426 --> 00:01:20,689 OH, THERE HE IS. 24 00:01:20,732 --> 00:01:22,604 PRETTY BOY. 25 00:01:22,647 --> 00:01:24,345 LAST CHANCE. 26 00:01:24,388 --> 00:01:26,714 I CAN GET MY MAN TO SWING YOU A HOTEL ROOM FOR PRACTICALLY NOTHING. 27 00:01:26,738 --> 00:01:28,827 EVEN YOU MIGHT GET A LITTLE LOVING OUT THERE. 28 00:01:28,871 --> 00:01:30,264 THANKS ANYWAY. 29 00:01:30,307 --> 00:01:31,627 COME ON, REID. LIVE A LITTLE, HUH? 30 00:01:31,656 --> 00:01:33,136 I HAVE TO GO... GOING HOME. 31 00:01:33,180 --> 00:01:34,224 HAVE A GOOD ONE, GUYS. 32 00:01:34,268 --> 00:01:36,183 BYE. 33 00:01:38,402 --> 00:01:40,056 HE LOOK OK TO YOU? 34 00:01:40,100 --> 00:01:41,318 HE LOOKS ABOUT THE WAY I WOULD 35 00:01:41,362 --> 00:01:43,162 IF I WAS GONNA SPEND TWO WEEKS WITH MY FAMILY. 36 00:01:43,190 --> 00:01:45,279 HEY, DON'T KNOCK FAMILY. I'M GONNA GET NOTHING BUT 37 00:01:45,322 --> 00:01:46,671 FOR THE NEXT 336 HOURS. 38 00:01:46,715 --> 00:01:48,195 HEY, GOOD FOR YOU. 39 00:01:48,238 --> 00:01:50,129 HALEY'S GOT A LIST OF CHORES A MILE LONG, AND I CAN'T WAIT. 40 00:01:50,153 --> 00:01:52,131 THE BIGGEST DECISION I GOT TO MAKE IS WHAT I'M GONNA DO FIRST. 41 00:01:52,155 --> 00:01:54,418 I BET YOU SHE HAS A THOUGHT OR TWO ABOUT THAT AS WELL. 42 00:01:54,462 --> 00:01:55,724 BRING IT ON! 43 00:01:55,767 --> 00:01:57,136 I'LL BE LOST IN A CABIN IN THE WOODS 44 00:01:57,160 --> 00:01:58,616 FOR THE NEXT TWO WEEKS. DO NOT CALL ME FOR ANYTHING. 45 00:01:58,640 --> 00:02:00,642 HAVE A GREAT TIME. YOU ALL DESERVE A BREAK. 46 00:02:00,685 --> 00:02:03,384 SERIOUSLY, DON'T CALL. 47 00:02:03,427 --> 00:02:05,386 GIDEON. 48 00:02:06,561 --> 00:02:08,389 GIDEON! HOTCH! 49 00:02:26,233 --> 00:02:29,584 I HIT MY HEAD AND NOW I'M SEEING THINGS. 50 00:02:32,239 --> 00:02:33,936 SECTION CHIEF STRAUSS? 51 00:02:33,979 --> 00:02:35,546 HELLO, SPENCER. 52 00:02:37,069 --> 00:02:38,549 YOU'RE DEAD. 53 00:02:38,593 --> 00:02:41,378 HA HA HA! I AM. 54 00:02:41,422 --> 00:02:43,293 DOES... 55 00:02:43,337 --> 00:02:44,381 DOES THAT MEAN THAT I'M... 56 00:02:44,425 --> 00:02:46,166 NO. NOT NECESSARILY. 57 00:02:47,776 --> 00:02:49,256 I PASSED OUT IN MY APARTMENT. 58 00:02:49,299 --> 00:02:51,954 YOU HAVE INTRACRANIAL HEMORRHAGING. 59 00:02:53,129 --> 00:02:54,261 MY BRAIN IS SHUTTING DOWN? 60 00:02:54,304 --> 00:02:55,349 PARTS OF IT ARE. 61 00:02:55,392 --> 00:02:57,351 PARTS OF IT ARE STRUGGLING TO SURVIVE. 62 00:02:57,394 --> 00:02:59,266 WHICH PART ARE YOU? 63 00:03:00,615 --> 00:03:02,182 YOU NEED HELP. 64 00:03:10,146 --> 00:03:11,843 WHAT IF THIS IS PERMANENT? 65 00:03:11,887 --> 00:03:14,106 MY MOM STARTED OUT HALLUCINATING. 66 00:03:14,150 --> 00:03:16,500 YOU NEVER DISPLAYED ANY SIGNS OF SCHIZOPHRENIA. 67 00:03:16,544 --> 00:03:17,806 YOU KNOW THAT. 68 00:03:17,849 --> 00:03:19,460 THIS IS A JOURNEY. 69 00:03:19,503 --> 00:03:21,592 SOME PEOPLE SEE CORRIDORS OF LIGHT, 70 00:03:21,636 --> 00:03:23,986 SOME PEOPLE SEE PEOPLE THEY LOVE. 71 00:03:24,029 --> 00:03:27,250 WHAT YOU SEE IS UP TO YOU. 72 00:03:27,294 --> 00:03:29,034 YOU SYMBOLIZE MY GUILT, 73 00:03:29,078 --> 00:03:31,428 THE... DEAD AGENTS. 74 00:03:31,472 --> 00:03:33,822 YOU HAVE TO MAKE THAT DECISION YOURSELF. 75 00:03:38,348 --> 00:03:41,177 YOU'LL BE TEMPTED ABOUT WHICH WAY TO GO. 76 00:03:44,485 --> 00:03:46,182 DON'T BE AFRAID. 77 00:03:53,145 --> 00:03:54,973 6 AGENTS BLOWN TO PIECES. 78 00:03:55,017 --> 00:03:58,673 DAMN. YOU'RE GONNA NEED A BIGGER BOAT. 79 00:03:58,716 --> 00:04:00,327 I GOTTA ASK, 80 00:04:00,370 --> 00:04:02,416 WHEN THEY GO KABLAM LIKE THAT, 81 00:04:02,459 --> 00:04:05,288 DO YOU HAVE A GUY THAT PUTS THEM BACK TOGETHER OR...? 82 00:04:05,332 --> 00:04:07,421 I'M TALKING TO YOU, DOC. 83 00:04:07,464 --> 00:04:09,161 OR IT IS SPECIAL AGENT? 84 00:04:09,205 --> 00:04:10,424 ADDICT? 85 00:04:12,426 --> 00:04:13,470 CONVICT? 86 00:04:13,514 --> 00:04:14,602 SHUT UP. 87 00:04:14,645 --> 00:04:16,343 BUT I HAVE ONE MORE QUESTION. 88 00:04:16,386 --> 00:04:20,216 HOW COME WHEN I KILL PEOPLE, THEY'RE CALLED VICTIMS, 89 00:04:20,260 --> 00:04:22,479 BUT WHEN YOU DO IT, THEY'RE CALLED CASUALTIES? 90 00:04:22,523 --> 00:04:25,613 DEAD IS DEAD. AM I RIGHT? 91 00:04:26,918 --> 00:04:30,313 OOH, BOY. 92 00:04:43,979 --> 00:04:47,330 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 93 00:05:19,928 --> 00:05:23,366 GEORGE FOYET. HE LIKES TO ATTACK THEM INSIDE 94 00:05:23,410 --> 00:05:24,628 OR NEAR THEIR CARS 95 00:05:24,672 --> 00:05:27,718 AT NIGHT ON POORLY LIT, LESS POPULATED ROADS. 96 00:05:27,762 --> 00:05:31,505 GEORGE FOYET. 97 00:05:31,548 --> 00:05:35,291 WHY ARE WE HERE? YOU THINK THIS IS MY HELL? 98 00:05:35,335 --> 00:05:36,640 DOESN'T MATTER WHAT I THINK. 99 00:05:36,684 --> 00:05:38,381 I'M NOT IN CONTROL. 100 00:05:38,425 --> 00:05:41,428 THIS IS WHERE YOU FIRST MET ME. 101 00:05:41,471 --> 00:05:44,039 HA. LOOK AT THAT HANDSOME DEVIL. 102 00:05:45,997 --> 00:05:47,671 SO STRAUSS WAS THE ANGEL, AND YOU'RE THE DEVIL. 103 00:05:47,695 --> 00:05:50,350 I NEVER SAID THAT. JUST THE HANDSOME PART. 104 00:05:50,393 --> 00:05:52,003 WHY WOULD I PICTURE YOU? 105 00:05:52,047 --> 00:05:54,397 HMM? OF ALL THE OFFENDERS THAT... 106 00:05:54,441 --> 00:05:55,790 BECAUSE I KILLED THAT SWEET HALEY 107 00:05:55,833 --> 00:05:58,183 AND OLD AARON HOTCHNER WAS NEVER THE SAME. 108 00:05:58,227 --> 00:06:00,360 YOU GOT ME. 109 00:06:09,499 --> 00:06:11,371 YOU KNOW WHAT THAT MEANS. 110 00:06:13,460 --> 00:06:15,462 NONE OF YOU WERE. 111 00:06:15,505 --> 00:06:18,465 I WAS THE BEGINNING OF YOUR END. 112 00:06:20,380 --> 00:06:23,470 THIS GOOD VS. EVIL GAME IS ALL YOU KNOW. 113 00:06:24,688 --> 00:06:27,691 AND I'M THE BEST YOUR RATTLED BRAIN COULD CONJURE. 114 00:06:31,347 --> 00:06:35,046 WELL, LAST NIGHT WAS THE BEST SLEEP I'VE HAD IN AGES. 115 00:06:35,090 --> 00:06:37,440 TELL ME ABOUT IT. 116 00:06:37,484 --> 00:06:40,095 AND WHAT A WAY TO START THE MORNING. 117 00:06:41,749 --> 00:06:42,793 WHAT? 118 00:06:42,837 --> 00:06:45,448 YOU HAVE A PEACE ABOUT YOU. 119 00:06:45,492 --> 00:06:47,407 I DO, HUH? MM-HMM. 120 00:06:47,450 --> 00:06:50,235 WITH LYNCH DEAD, YOU... 121 00:06:51,976 --> 00:06:53,413 YOU SEEM DIFFERENT. 122 00:06:56,503 --> 00:06:59,244 YOU KNOW, ALL MY TIME AT THE BAU, 123 00:06:59,288 --> 00:07:01,464 THERE WERE A LOT OF WHALES TO CATCH, 124 00:07:01,508 --> 00:07:04,424 AND EVERETT LYNCH WAS ONE OF THE BIGGEST. 125 00:07:04,467 --> 00:07:08,123 AND I NEEDED TO MAKE SURE HE COULDN'T... 126 00:07:08,166 --> 00:07:11,431 HURT ANYONE ELSE. 127 00:07:11,474 --> 00:07:13,258 OTHERWISE I COULDN'T... 128 00:07:16,044 --> 00:07:17,611 YOU COULDN'T WHAT? 129 00:07:18,916 --> 00:07:19,917 SLEEP. 130 00:07:19,961 --> 00:07:21,528 NO, NO, NO. 131 00:07:21,571 --> 00:07:23,399 NO, THAT IS NOT WHAT YOU WERE GONNA SAY. 132 00:07:23,443 --> 00:07:25,923 THAT IS NOT WHAT YOU WERE GONNA SAY. 133 00:07:25,967 --> 00:07:28,099 ARE YOU... 134 00:07:28,143 --> 00:07:30,450 ARE YOU RETIRING? 135 00:07:30,493 --> 00:07:31,799 THAT'S SUCH AN UGLY WORD. 136 00:07:31,842 --> 00:07:32,843 OH, MY GOD! 137 00:07:32,887 --> 00:07:34,497 DAVID, WE HAVE TO DO SOMETHING. 138 00:07:34,541 --> 00:07:35,779 WHAT, NOW YOU'RE PLANNING MY SENDOFF? 139 00:07:35,803 --> 00:07:38,501 YEP, IT IS GONNA BE THE BEST, FASTEST SENDOFF 140 00:07:38,545 --> 00:07:39,676 YOU HAVE EVER SEEN. 141 00:07:39,720 --> 00:07:41,025 WHY FAST? 142 00:07:41,069 --> 00:07:43,288 BECAUSE I DON'T WANT YOU TO CHANGE YOUR MIND. 143 00:07:43,332 --> 00:07:44,986 NOW GET OUT OF HERE. GO. 144 00:07:45,029 --> 00:07:48,555 I DON'T WANT YOU TO BE LATE FOR ONE OF YOUR LAST DAYS AT SCHOOL. 145 00:07:48,598 --> 00:07:50,078 MMM. 146 00:07:50,121 --> 00:07:52,384 GO. 147 00:07:53,516 --> 00:07:55,649 ♪ HEAD DOWN AND MEET YOU OUT BACK ♪ 148 00:07:55,692 --> 00:07:59,304 BECAUSE WE GOT TO DOCUMENT THE LADY BONDING. 149 00:07:59,348 --> 00:08:01,568 THE LADY BONDING. 150 00:08:01,611 --> 00:08:03,526 DO YOU HAVE ANOTHER ONE? 151 00:08:03,570 --> 00:08:09,532 I AM BOTH HORRIFIED AND DELIGHTED THERE'S EVIDENCE OF LAST NIGHT. 152 00:08:09,576 --> 00:08:11,273 WAIT, WHAT IS THIS? 153 00:08:11,316 --> 00:08:12,448 IT HELPS WITH HANGOVERS, 154 00:08:12,492 --> 00:08:13,730 AND THAT IS ALL YOU NEED TO KNOW. 155 00:08:13,754 --> 00:08:15,495 IT TASTES LIKE YOU SCRAPED THE FOREST FLOOR 156 00:08:15,538 --> 00:08:16,496 AND JUICED IT. 157 00:08:16,539 --> 00:08:17,801 HA! 158 00:08:17,845 --> 00:08:19,716 EVEN THAT'S TOO GENEROUS. UGH. 159 00:08:19,760 --> 00:08:21,022 HEY, HEY! 160 00:08:21,065 --> 00:08:23,851 EMILY TOLD ME WHAT YOU GUYS WERE GETTING INTO, 161 00:08:23,894 --> 00:08:27,507 AND I FIGURED YOU COULD USE THESE. 162 00:08:27,550 --> 00:08:29,073 THANK GOD. 163 00:08:29,117 --> 00:08:31,902 GET THIS CAFFEINE INTO MY FACE HOLE. 164 00:08:31,946 --> 00:08:33,425 THIS IS FROM LUNACORN. 165 00:08:33,469 --> 00:08:34,707 LUKE ALVEZ, STOP MAKING ME LIKE YOU. 166 00:08:34,731 --> 00:08:36,864 HA! NEVER. 167 00:08:36,907 --> 00:08:38,387 VISION BOARDING GO WELL? 168 00:08:38,430 --> 00:08:41,129 OH, YOU HAVE NO IDEA HOW MANY STICKERS WERE USED. 169 00:08:41,172 --> 00:08:43,435 WHERE'S REID? I WANT TO TALK TO THE WHOLE TEAM. 170 00:08:43,479 --> 00:08:45,350 OH, SPENCE PROBABLY SLEPT IN. 171 00:08:45,394 --> 00:08:46,961 HE TOOK IT REALLY HARD. 172 00:08:47,004 --> 00:08:49,311 WELL, LET'S START OUR AFTER-ACTION REVIEW NOW, 173 00:08:49,354 --> 00:08:50,767 AND WE'LL FILL HIM IN WHEN HE ARRIVES. 174 00:08:50,791 --> 00:08:53,489 OK, DNA RESULTS COMING AT YA. 175 00:08:53,533 --> 00:08:54,969 CASUALTY COUNT STILL HOLD AT 8, 176 00:08:55,012 --> 00:08:57,232 INCLUDING ROBERTA AND EVERETT LYNCH? 177 00:08:57,275 --> 00:09:00,409 YES. WAIT, NO. 178 00:09:01,323 --> 00:09:02,629 GARCIA? 179 00:09:02,672 --> 00:09:04,413 YES, 8 CASUALTIES... 180 00:09:04,456 --> 00:09:06,241 OUR 6 AGENTS, ROBERTA LYNCH, 181 00:09:06,284 --> 00:09:09,287 AND ORLANDO GAINES, THE PRIVATE INVESTIGATOR. 182 00:09:09,331 --> 00:09:11,028 THAT'S IT. 183 00:09:12,421 --> 00:09:13,944 WAIT. WAIT A MINUTE. THAT MEANS THAT... 184 00:09:13,988 --> 00:09:16,860 EVERETT LYNCH IS STILL ALIVE. 185 00:09:26,130 --> 00:09:27,697 WELL, I HOPE SOMEBODY FINDS YOU. 186 00:09:27,741 --> 00:09:30,308 THAT BIG BRAIN'S GONNA BE A BOWL OF MUSH. 187 00:09:30,352 --> 00:09:32,397 WHAT A WAY TO GO OUT, HUH? 188 00:09:32,441 --> 00:09:34,356 SLOW BRAIN BLEED. 189 00:09:34,399 --> 00:09:36,401 AND NOBODY KNOWS YOU'RE HERE. 190 00:09:36,445 --> 00:09:37,620 IT'S TRAGIC 191 00:09:37,664 --> 00:09:39,579 AND YET... 192 00:09:39,622 --> 00:09:43,452 IRONICALLY FITTING. 193 00:09:45,672 --> 00:09:46,934 AHH. 194 00:09:48,239 --> 00:09:49,937 OF COURSE. 195 00:09:49,980 --> 00:09:53,375 IT WAS GOOD TO SEE YOU AGAIN, DOC. 196 00:09:55,638 --> 00:09:58,336 MAEVE. 197 00:09:58,380 --> 00:10:00,208 IT'S YOU. 198 00:10:00,251 --> 00:10:01,470 IT'S REALLY YOU. 199 00:10:01,513 --> 00:10:03,211 IT'S ME. 200 00:10:03,254 --> 00:10:05,648 LET ME TAKE HER PLACE. 201 00:10:05,692 --> 00:10:07,650 YOU WOULD KILL YOURSELF FOR HER? 202 00:10:07,694 --> 00:10:09,217 YES. 203 00:10:09,260 --> 00:10:10,260 NO. 204 00:10:16,920 --> 00:10:18,443 MAEVE, I'M SO SORRY. 205 00:10:18,487 --> 00:10:20,054 FOR WHAT? 206 00:10:20,097 --> 00:10:23,057 I LET YOU DIE. 207 00:10:23,100 --> 00:10:26,538 I WASN'T SMART ENOUGH OR FAST ENOUGH TO SAVE YOU. 208 00:10:26,582 --> 00:10:27,801 STOP. 209 00:10:29,585 --> 00:10:32,370 DO YOU WANT TO KNOW MY DEEPEST, DARKEST SECRET? 210 00:10:32,414 --> 00:10:34,111 MM-HMM. 211 00:10:34,155 --> 00:10:37,506 I LOVE NINETIES ROM-DRAMS AND ROM-COMS. 212 00:10:39,508 --> 00:10:41,684 THE CHEESIER THE BETTER. 213 00:10:41,728 --> 00:10:43,468 AND MY FAVORITE ONE WAS ABOUT THIS ANGEL 214 00:10:43,512 --> 00:10:45,079 WHO GAVE UP HIS IMMORTALITY 215 00:10:45,122 --> 00:10:47,472 BECAUSE HE FELL IN LOVE WITH A HUMAN. 216 00:10:47,516 --> 00:10:51,563 BUT THEY ONLY HAD ONE DAY TOGETHER BEFORE SHE WAS KILLED. 217 00:10:51,607 --> 00:10:55,350 I ALWAYS WONDERED WHY THAT ONE STUCK WITH ME. 218 00:10:57,657 --> 00:10:59,441 AND THEN WE LIVED IT. 219 00:11:02,662 --> 00:11:05,882 DON'T YOU DARE BE SORRY. 220 00:11:05,926 --> 00:11:07,667 I HAVE NO REGRETS. 221 00:11:09,581 --> 00:11:10,713 I MISS YOU. 222 00:11:10,757 --> 00:11:12,672 GAH, I MISS YOU, TOO. 223 00:11:12,715 --> 00:11:15,805 BUT LUCKY FOR US, WE HAVE SOME TIME TOGETHER RIGHT NOW. 224 00:11:15,849 --> 00:11:17,720 I NEED THAT. 225 00:11:17,764 --> 00:11:19,548 YOU'VE BEEN HOLDING ON TO TRAUMA, 226 00:11:19,591 --> 00:11:21,202 A LOT OF IT. 227 00:11:21,245 --> 00:11:24,988 BUT WHAT SENT YOU ON THIS JOURNEY IS SOMETHING DIFFERENT. 228 00:11:25,032 --> 00:11:26,903 YOU'RE A CROSSROADS. 229 00:11:26,947 --> 00:11:29,776 CAN YOU HELP ME THROUGH IT? 230 00:11:31,647 --> 00:11:34,215 BUT FIRST, 231 00:11:34,258 --> 00:11:37,740 I NEED TO TELL YOU SOMETHING YOU DON'T HEAR ENOUGH OF. 232 00:11:37,784 --> 00:11:41,613 THE WORLD IS A GOOD PLACE. 233 00:11:41,657 --> 00:11:44,486 AND IT'S EVEN BETTER WITH YOU IN IT. 234 00:11:47,663 --> 00:11:48,925 YOU READY? 235 00:11:48,969 --> 00:11:50,710 YEAH. 236 00:11:58,805 --> 00:12:01,459 RENO PD JUST CONFIRMED THEY FOUND SUPPLIES 237 00:12:01,503 --> 00:12:03,113 UNDER LYNCH'S HIDEOUT. 238 00:12:03,157 --> 00:12:06,290 SO HE MUST HAVE BUILT AN ESCAPE TO THE TUNNELS UNDER THE HOUSE. 239 00:12:06,334 --> 00:12:07,790 THIS GUY'S A PLANNER. HE PICKED THAT TARGET 240 00:12:07,814 --> 00:12:09,293 BECAUSE IT GAVE HIM AN ESCAPE ROUTE. 241 00:12:09,337 --> 00:12:11,208 WE PROFILED ROBERTA WOULD TAKE THEM BOTH OUT, 242 00:12:11,252 --> 00:12:13,689 BUT BECAUSE OF HER LOVE FOR HER SON, SHE HESITATED. 243 00:12:13,733 --> 00:12:15,711 AND THAT HESITATION GAVE LYNCH THE SECONDS HE NEEDED 244 00:12:15,735 --> 00:12:17,084 TO EXECUTE HIS PLAN. 245 00:12:17,127 --> 00:12:19,303 ALL RIGHT, SO HE ESCAPES RIGHT BEFORE THE EXPLOSION. 246 00:12:19,347 --> 00:12:21,697 WE GOT TO GET BACK TO RENO BEFORE SOMEONE ELSE GETS HURT. 247 00:12:21,741 --> 00:12:23,786 GARCIA RUN A SEARCH ON LYNCH ALIASES, 248 00:12:23,830 --> 00:12:26,093 ANY CREDIT CARD ACTIVITY. 249 00:12:26,136 --> 00:12:27,572 HE'S RADIO SILENT FOR NOW. 250 00:12:27,616 --> 00:12:28,748 IT'S ONLY A MATTER OF TIME 251 00:12:28,791 --> 00:12:29,855 BEFORE THIS GUY GETS DESPERATE ENOUGH 252 00:12:29,879 --> 00:12:31,272 TO USE ONE OF HIS OLD ALIASES, 253 00:12:31,315 --> 00:12:32,510 AND WHEN HE DOES, WE'VE GOT HIM CORNERED. 254 00:12:32,534 --> 00:12:34,101 STOP. STOP, STOP. 255 00:12:34,144 --> 00:12:37,191 APPLY WHAT WE KNOW BASED ON OUR EXPERIENCE WITH LYNCH 256 00:12:37,234 --> 00:12:38,583 AND OTHERS LIKE HIM. 257 00:12:38,627 --> 00:12:42,152 THAT'S ALL PROFILING IS, THAT'S ALL IT EVER WAS. 258 00:12:42,196 --> 00:12:44,285 NOW, YOU'RE LYNCH. 259 00:12:44,328 --> 00:12:45,982 YOU HAVE THE FULL FORCE OF UNITED STATES 260 00:12:46,026 --> 00:12:47,810 LAW ENFORCEMENT ON YOUR HEELS. 261 00:12:47,854 --> 00:12:49,507 WHERE ELSE DO YOU GO? 262 00:12:49,551 --> 00:12:51,771 WHO ELSE DO YOU HURT? 263 00:12:51,814 --> 00:12:52,902 US. 264 00:12:52,946 --> 00:12:54,599 THEY COME AFTER US. 265 00:12:54,643 --> 00:12:56,950 HE'LL GET OFF ON THE POWER OF ATTACKING 266 00:12:56,993 --> 00:12:58,560 ON OUR HOME TURF. 267 00:12:58,603 --> 00:13:00,301 WE NEED SECURITY FOR OUR LOVED ONES. 268 00:13:00,344 --> 00:13:03,347 ALVEZ, SIMMONS, CONTACT TROOPERS AT ALL STATE LINES. 269 00:13:03,391 --> 00:13:05,915 I'LL NOTIFY THE DIRECTOR THAT THE LYNCH CASE REMAINS OPEN. 270 00:13:05,959 --> 00:13:07,961 JJ, GARCIA, CHECK IN ON REID. 271 00:13:08,004 --> 00:13:10,311 FILL HIM IN ON HIS WAY BACK HERE. 272 00:13:17,405 --> 00:13:19,799 PERFECT TIMING. WHAT KIND OF CAKE DO YOU WANT? 273 00:13:19,842 --> 00:13:21,496 THERE'S A FLAG ON THE PLAY. 274 00:13:21,539 --> 00:13:23,803 I'M DISPATCHING SECURITY OVER TO THE HOUSE. 275 00:13:25,369 --> 00:13:26,675 IS EVERYTHING OK? 276 00:13:26,718 --> 00:13:30,374 I JUST WANT TO BE EXTRA SURE THAT YOU'RE PROTECTED. 277 00:13:30,418 --> 00:13:32,159 I'LL TAKE IT. 278 00:13:32,202 --> 00:13:33,813 AND HEY, 279 00:13:33,856 --> 00:13:35,510 DO WHAT YOU HAVE TO DO, OK? 280 00:13:35,553 --> 00:13:38,121 I'M THE LUCKIEST GUY IN THE WORLD. 281 00:13:38,165 --> 00:13:40,384 DAMN STRAIGHT YOU ARE. 282 00:13:44,954 --> 00:13:45,999 SPENCE! 283 00:13:47,435 --> 00:13:48,784 SPENCE, IT'S JJ. CAN YOU HEAR ME? 284 00:13:48,828 --> 00:13:50,264 WE NEED AN AMBULANCE IMMEDIATELY 285 00:13:50,307 --> 00:13:52,788 AT 937 HOOVER STREET, APARTMENT 23. 286 00:13:52,832 --> 00:13:54,224 WE HAVE AN AGENT DOWN. 287 00:13:54,268 --> 00:13:55,660 HE'S BREATHING. 288 00:13:55,704 --> 00:13:58,794 YES, WE HAVE AN AGENT DOWN. THAT'S WHAT I SAID. 289 00:13:58,838 --> 00:13:59,839 NO. NO, NO, NO, NO. 290 00:13:59,882 --> 00:14:01,275 NO, NO. 291 00:14:08,543 --> 00:14:10,414 WHY ARE WE HERE? 292 00:14:10,458 --> 00:14:13,069 I MADE PEACE WITH GIDEON DYING. 293 00:14:13,113 --> 00:14:15,115 WHEN'S THE LAST TIME YOU SAW HIM? 294 00:14:15,158 --> 00:14:17,682 12 YEARS, 7 MONTHS, AND 23 DAYS AGO. 295 00:14:17,726 --> 00:14:19,554 OH. 296 00:14:19,597 --> 00:14:22,383 YOU'RE NOT KEEPING TRACK OF DISAPPOINTMENTS AT ALL. 297 00:14:24,689 --> 00:14:27,605 MY DAD WROTE ME A NOTE WHEN HE LEFT. 298 00:14:29,303 --> 00:14:31,261 GIDEON DID THE SAME THING. 299 00:14:31,305 --> 00:14:34,525 HE WAS THE ONE THAT CONVINCED ME TO JOIN THE TEAM. 300 00:14:34,569 --> 00:14:36,571 AND THEN HE LEFT. 301 00:14:40,444 --> 00:14:41,924 ALL TO BELIEVE IN HAPPY ENDINGS, 302 00:14:41,968 --> 00:14:44,231 I JUST... I'M SAD HE NEVER GOT ONE. 303 00:14:44,274 --> 00:14:46,711 OH, NO, HE GOT ONE. 304 00:14:46,755 --> 00:14:49,584 HE'S OBSESSED WITH THIS OCTOPUS NAMED MILDRED. 305 00:14:49,627 --> 00:14:51,455 SHE'S A PRANKSTER, 306 00:14:51,499 --> 00:14:53,980 AND HE LOVES HANGING OUT AN 8-LIMBED MOLLUSK, 307 00:14:54,023 --> 00:14:57,984 TRYING TO FIGURE OUT HOW SHE BECAME SO PLAYFUL AND WISE. 308 00:14:59,899 --> 00:15:01,509 SHE EVOLVED. 309 00:15:01,552 --> 00:15:03,772 YEP. 310 00:15:03,815 --> 00:15:05,730 WE ALL HAVE TO. 311 00:15:11,823 --> 00:15:14,652 TURN AROUND. 312 00:15:14,696 --> 00:15:17,786 IT'S DR. K. CAN YOU HEAR ME, SIR? 313 00:15:17,829 --> 00:15:19,483 HOW LONG HAS HE BEEN UNCONSCIOUS? 314 00:15:19,527 --> 00:15:21,833 I DON'T KNOW. THERE WAS AN EXPLOSION 24 HOURS AGO. 315 00:15:21,877 --> 00:15:23,531 COULD IT BE A CONCUSSION? 316 00:15:23,574 --> 00:15:25,141 SO HE'S BEEN UNDER A LOT OF STRESS? 317 00:15:25,185 --> 00:15:26,360 YES, HE'S AN FBI AGENT. 318 00:15:26,403 --> 00:15:28,710 I NEED TO RUN SOME TESTS. ARE YOU FAMILY? 319 00:15:28,753 --> 00:15:32,061 UH, NOT TECHNICALLY. THAT WOULD BE HIS MOM. 320 00:15:32,105 --> 00:15:33,802 GET HIM TO CCU. WAKE UP. 321 00:15:33,845 --> 00:15:35,760 I NEED TO TALK TO HIS MOTHER RIGHT AWAY. 322 00:15:35,804 --> 00:15:36,805 I'LL TRACK DOWN DIANA. 323 00:15:36,848 --> 00:15:39,590 SHE'S AT BROOKFIELD. 324 00:15:39,634 --> 00:15:40,591 IT'S EMILY. 325 00:15:40,635 --> 00:15:42,767 GO. 326 00:15:42,811 --> 00:15:44,378 NO, NO, NO. I'M NOT LEAVING. 327 00:15:44,421 --> 00:15:46,293 SPENCE WILL UNDERSTAND. THE TEAM NEEDS YOU. 328 00:15:46,336 --> 00:15:48,817 I'VE GOT THIS. GO. 329 00:15:50,340 --> 00:15:51,448 THANKS FOR GETTING THERE SO QUICKLY. 330 00:15:51,472 --> 00:15:52,473 WHAT'S THE STATUS? 331 00:15:52,516 --> 00:15:53,822 NOTHING OF INCIDENT, SIR. 332 00:15:53,865 --> 00:15:55,302 GREAT NEWS. SHE'S EXPECTING YOU. 333 00:15:55,345 --> 00:15:57,217 COPY THAT. 334 00:16:06,966 --> 00:16:08,619 COULDN'T BE ANY SAFER, MA'AM. 335 00:16:08,663 --> 00:16:09,838 YOUR HUSBAND MADE SURE OF IT. 336 00:16:09,881 --> 00:16:11,971 COME IN. THANK YOU. 337 00:16:16,671 --> 00:16:19,761 OH, DIANA, HI. HI. IT'S PENELOPE. 338 00:16:19,804 --> 00:16:22,329 I WORK WITH SPENCER. I'VE COME TO SEE YOU BEFORE. 339 00:16:22,372 --> 00:16:24,200 YOU'RE ALMOST AS TALL AS I AM. 340 00:16:24,244 --> 00:16:29,858 DIANA, SPENCER FELL AND HE HIT HIS HEAD REALLY HARD, 341 00:16:29,901 --> 00:16:31,425 AND HE'S NOT CONSCIOUS. 342 00:16:31,468 --> 00:16:32,968 WELL, LET'S WAKE HIM UP. LET'S SEE HIM. 343 00:16:32,992 --> 00:16:34,428 NO, WAIT.HE'LL LISTEN TO ME. 344 00:16:34,471 --> 00:16:36,082 SPENCER. 345 00:16:40,869 --> 00:16:42,653 IT'S NOT HIM. 346 00:16:44,394 --> 00:16:47,441 NO. NO, NO, NO. THIS IS NOT MY SON. 347 00:16:51,314 --> 00:16:53,925 SEE THIS LITTLE STAR RIGHT THERE ON YOUR WRIST? 348 00:16:53,969 --> 00:16:55,710 THAT'S FROM WHEN YOU FEEL WHEN YOU WERE 349 00:16:55,753 --> 00:16:58,800 TRYING TO BALANCE ON OUR BACKYARD FENCE. 350 00:16:58,843 --> 00:17:02,282 OH, YOU WERE SO DETERMINED TO MAKE IT THE WHOLE WAY. 351 00:17:02,325 --> 00:17:04,719 AND I'LL NEVER FORGET LOOKING OUT THE KITCHEN WINDOW, 352 00:17:04,762 --> 00:17:07,243 WATCHING YOU OUT THERE AS YOU WERE TRYING TO MAKE 353 00:17:07,287 --> 00:17:11,160 A BALANCING POLE FROM A BROOMSTICK. 354 00:17:18,428 --> 00:17:19,821 OH, MY BABY. 355 00:17:19,864 --> 00:17:21,692 OH, MY BABY. 356 00:17:21,736 --> 00:17:23,303 OH, PLEASE. 357 00:17:23,346 --> 00:17:24,739 WHY DO YOU FIGHT US? 358 00:17:24,782 --> 00:17:27,785 IF I DIE, I'LL LET DOWN MY MOM... 359 00:17:29,396 --> 00:17:32,703 THE TEAM, EVERYBODY WHO DEPENDS ON ME. 360 00:17:34,444 --> 00:17:35,924 OHH. 361 00:17:37,578 --> 00:17:39,536 FAMILY IS RESILIENT. 362 00:17:39,580 --> 00:17:41,277 AND AS FOR STRANGERS, 363 00:17:41,321 --> 00:17:43,671 PEOPLE WERE HURT BEFORE YOU JOINED THE BAU, 364 00:17:43,714 --> 00:17:45,716 AND THEY'LL GET HURT WHENEVER YOU LEAVE. 365 00:17:45,760 --> 00:17:47,196 I GUESS I'M STUCK. 366 00:17:47,240 --> 00:17:50,286 MORE LIKE FROZEN FROM GRIEF. 367 00:17:52,332 --> 00:17:53,855 YOUR FATHER'S PHYSICAL ABSENCE, 368 00:17:53,898 --> 00:17:55,857 YOUR MOTHER'S PSYCHOLOGICAL ONE, ME. 369 00:17:55,900 --> 00:17:57,772 IT'S PARALYZING. 370 00:17:57,815 --> 00:17:59,774 HOW DO YOU MOVE THROUGH IT WHEN YOU CAN'T MOVE? 371 00:18:03,386 --> 00:18:04,996 YOU GO BACK TO THE BEGINNING. 372 00:18:08,043 --> 00:18:12,352 I GREW UP TELLING STORIES ABOUT WHO I WAS... 373 00:18:12,395 --> 00:18:15,050 SON, FRIEND... 374 00:18:16,660 --> 00:18:18,967 STUDENT, TEACHER, 375 00:18:19,010 --> 00:18:20,186 GENIUS. 376 00:18:20,229 --> 00:18:21,665 HERO. 377 00:18:21,709 --> 00:18:25,060 YOU SEEK AND GAIN APPROVAL BY ANYONE. 378 00:18:25,104 --> 00:18:27,106 IT'S TIME TO STOP. 379 00:18:32,328 --> 00:18:33,808 YOU KEEP A NICE HOUSE. 380 00:18:33,851 --> 00:18:35,157 OH, THANKS. 381 00:18:35,201 --> 00:18:37,333 DAVE DOES HIS FAIR SHARE. 382 00:18:37,377 --> 00:18:39,988 I BET HE DOES. 383 00:18:40,031 --> 00:18:43,905 YOU KNOW, YOU HAVE A MOM ENERGY ABOUT YOU, 384 00:18:43,948 --> 00:18:45,341 CARETAKEY THING. 385 00:18:45,385 --> 00:18:46,951 MY MOM JUST DIED. 386 00:18:46,995 --> 00:18:48,344 I'M SO SORRY. 387 00:18:48,388 --> 00:18:49,780 YOU ARE? 388 00:18:49,824 --> 00:18:51,347 THANKS. 389 00:18:51,391 --> 00:18:52,957 SHE WAS A NIGHTMARE. 390 00:18:54,263 --> 00:18:55,786 BUT I LOVE MOMS. 391 00:18:55,830 --> 00:19:00,922 I HAD A DAUGHTER, AND SHE LOVED HER MOM AND MY MOM. 392 00:19:00,965 --> 00:19:04,839 SO I GET THE WHOLE MOM THING, YOU KNOW. 393 00:19:04,882 --> 00:19:07,189 BEARD, DIFFERENT GLASSES, 394 00:19:07,233 --> 00:19:09,235 DIFFERENT HAIR COLOR, DIFFERENT EYE COLOR, 395 00:19:09,278 --> 00:19:10,777 WHICH MEANS HE'S WEARING COLORED CONTACTS. 396 00:19:10,801 --> 00:19:12,760 CONMEN KNOW HOW TO CHANGE THEIR LOOK. 397 00:19:12,803 --> 00:19:15,850 TAKE A LOOK AT THIS FIRST IDENTITY AGAIN, WHEN HE WAS MACK. 398 00:19:21,203 --> 00:19:22,683 I NEED TO CHECK WITH DAVE. 399 00:19:22,726 --> 00:19:24,728 NAH. 400 00:19:29,255 --> 00:19:31,300 WHAT IF MY BRAIN'S BLEEDING OUT 401 00:19:31,344 --> 00:19:33,563 'CAUSE THERE'S NOTHING LEFT FOR ME TO DO? 402 00:19:33,607 --> 00:19:36,044 THE WORLD NEEDS YOU TO DO WHAT YOU LOVE. 403 00:19:36,087 --> 00:19:37,785 HAVE YOU DONE THAT? 404 00:19:40,091 --> 00:19:41,180 I DON'T KNOW. 405 00:19:41,223 --> 00:19:43,225 SURE YOU DO. WHAT DO YOU LOVE? 406 00:19:43,269 --> 00:19:45,923 I LOVE MAGIC 407 00:19:45,967 --> 00:19:47,403 AND GHOST STORIES. 408 00:19:47,447 --> 00:19:49,884 FIDDLING WITH YOUR PEN LIKE ME. 409 00:19:49,927 --> 00:19:51,886 WHAT ELSE? 410 00:19:53,235 --> 00:19:54,932 JELL-O... 411 00:19:54,976 --> 00:19:56,978 KUMQUATS... 412 00:19:57,021 --> 00:19:59,546 UH... 413 00:19:59,589 --> 00:20:01,243 TEACHING, LEARNING, 414 00:20:01,287 --> 00:20:04,420 BOOKS, HOPE... 415 00:20:07,118 --> 00:20:09,860 MAKING CONNECTIONS... 416 00:20:12,036 --> 00:20:16,432 MAKING... MAKING A DIFFERENCE. 417 00:20:18,956 --> 00:20:19,957 YOU. 418 00:20:20,001 --> 00:20:22,003 I LOVE YOU. 419 00:20:24,135 --> 00:20:26,442 THAT'S A LOT TO LOVE. 420 00:20:28,052 --> 00:20:29,445 MRS. REID? 421 00:20:29,489 --> 00:20:32,448 THE CONSERVATIVE APPROACH WOULD BE SURGERY. 422 00:20:32,492 --> 00:20:35,016 IT MAY REDUCE THE SWELLING AROUND SPENCER'S BRAIN FASTER. 423 00:20:35,059 --> 00:20:39,673 THERE IS RISK. IT COULD CAUSE SEIZURES AND EVEN MORE BLEEDING. 424 00:20:42,328 --> 00:20:45,331 I THOUGHT IT WAS TUESDAY, AND IT'S NOT TUESDAY. 425 00:20:45,374 --> 00:20:46,897 AND SO I CAN'T TELL YOU. 426 00:20:46,941 --> 00:20:48,029 COULD WE HAVE A MINUTE? 427 00:20:48,072 --> 00:20:49,639 SURE. 428 00:20:49,683 --> 00:20:50,988 WHAT WOULD HE WANT? 429 00:20:51,032 --> 00:20:53,469 I DON'T WANT TO MAKE THE DECISION. 430 00:20:53,513 --> 00:20:57,952 DIANA, YOU KNOW, ONE TIME SPENCER TOLD ME 431 00:20:57,995 --> 00:21:00,389 THAT YOU AND I ARE TWO OF THE SMARTEST PEOPLE HE KNOWS. 432 00:21:00,433 --> 00:21:02,086 I GUESS THERE'S SOME STUDY THAT SHOWS 433 00:21:02,130 --> 00:21:05,307 THAT THE HEART AND THE STOMACH HAVE LIKE CELLS OF CONSCIOUSNESS, 434 00:21:05,351 --> 00:21:06,700 LIKE A SECOND BRAIN. 435 00:21:06,743 --> 00:21:08,876 AND I GET IT THAT YOUR BRAIN HAS DONE THINGS 436 00:21:08,919 --> 00:21:10,443 TO ATTACK SPENCER SOMETIMES, 437 00:21:10,486 --> 00:21:13,881 BUT YOUR HEART AND YOUR GUTS HAVE ALWAYS KNOWN 438 00:21:13,924 --> 00:21:15,075 WHAT'S BEST FOR HIM. AM I RIGHT? 439 00:21:15,099 --> 00:21:16,318 YES. 440 00:21:16,362 --> 00:21:17,817 SO WE'RE JUST GONNA USE OUR BRILLIANT INSIDES 441 00:21:17,841 --> 00:21:20,540 TO MAKE A BRILLIANT CHOICE FOR SPENCER RIGHT NOW, OK? 442 00:21:25,196 --> 00:21:26,328 OHH! 443 00:21:26,372 --> 00:21:27,808 WHAT'S HAPPENING TO MY BOY? 444 00:21:30,027 --> 00:21:31,899 WHAT IS HAPPENING TO HIM? 445 00:21:31,942 --> 00:21:34,380 LOOK, THERE'S NO WRONG CHOICE, 446 00:21:34,423 --> 00:21:36,904 BUT YOU HAVE TO DECIDE. 447 00:21:36,947 --> 00:21:39,210 YOU CAN STICK AROUND ON THE BLUE MARBLE 448 00:21:39,254 --> 00:21:42,388 OR TRAVEL OUT INTO THE GREAT UNKNOWN. 449 00:21:43,171 --> 00:21:44,912 IT'S TIME. 450 00:21:46,043 --> 00:21:48,350 WHAT ARE YOU GONNA DO? 451 00:21:59,100 --> 00:22:01,624 YOU REMEMBER OUR ONE AND ONLY FIGHT? 452 00:22:01,668 --> 00:22:03,539 ABOUT THE WORLD'S GREATEST POET? 453 00:22:03,583 --> 00:22:05,802 WE WERE ON THE PHONE FOR, I THINK, 4 HOURS. 454 00:22:10,894 --> 00:22:13,854 YOU NEED TO FIND THAT KIND OF PASSION WITH SOMEONE AGAIN. 455 00:22:16,291 --> 00:22:17,727 FIRST I NEED TO KNOW 456 00:22:17,771 --> 00:22:20,382 IF YOUR FAVORITE IS STILL... 457 00:22:20,426 --> 00:22:22,297 E.E. CUMMINGS. 458 00:22:22,341 --> 00:22:25,344 "WHENEVER YOU THINK OR YOU BELIEVE OR YOU KNOW, 459 00:22:25,387 --> 00:22:26,997 "YOU'RE A LOT OF OTHER PEOPLE, 460 00:22:27,041 --> 00:22:31,698 BUT THE MOMENT YOU FEEL, YOU'RE NOBODY BUT YOURSELF." 461 00:22:31,741 --> 00:22:34,265 "TO BE NOBODY BUT YOURSELF... 462 00:22:34,309 --> 00:22:36,659 "IN A WORLD WHICH IS DOING ITS BEST NIGHT AND DAY 463 00:22:36,703 --> 00:22:38,400 "TO MAKE YOU EVERYBODY ELSE 464 00:22:38,444 --> 00:22:42,404 "MEANS TO FIGHT... THE HARDEST BATTLE 465 00:22:42,448 --> 00:22:44,493 "WHICH ANY HUMAN BEING CAN FIGHT; 466 00:22:44,537 --> 00:22:46,800 AND NEVER STOP FIGHTING." 467 00:22:54,764 --> 00:22:56,636 SPENCER. 468 00:23:08,125 --> 00:23:09,692 SPENCER. 469 00:23:10,867 --> 00:23:12,695 CAN YOU HEAR ME? 470 00:23:14,915 --> 00:23:16,525 HI. 471 00:23:16,569 --> 00:23:18,135 THAT'S A GOOD SIGN. 472 00:23:18,179 --> 00:23:19,485 IS HE GONNA BE OK? 473 00:23:19,528 --> 00:23:21,791 HE'S PUTTING UP ONE HELL OF A FIGHT. 474 00:23:21,835 --> 00:23:23,465 BUT IT'S STILL TOO EARLY TO KNOW FOR SURE. 475 00:23:23,489 --> 00:23:25,404 I NEED TO KEEP HIM HERE FOR TESTS. 476 00:23:25,447 --> 00:23:27,797 EXCUSE ME. 477 00:23:31,497 --> 00:23:32,672 HEY.HOW IS HE? 478 00:23:32,715 --> 00:23:34,761 THANK GOD. 479 00:23:34,804 --> 00:23:35,805 IS HE AWAKE? 480 00:23:35,849 --> 00:23:37,328 HE OPENED HIS EYES FOR A SECOND. 481 00:23:37,372 --> 00:23:38,634 IT'S PROGRESS. 482 00:23:38,678 --> 00:23:40,307 PLEASE TELL HIM I WILL BE THERE AS SOON AS I CAN. 483 00:23:40,331 --> 00:23:41,657 YOU BET I WILL. WHAT'S GOING ON WITH LYNCH? 484 00:23:41,681 --> 00:23:43,683 WE'RE THINKING GRACE'S MOM MIGHT BE A CLUE 485 00:23:43,726 --> 00:23:44,858 TO WHERE HE'S GOING. 486 00:23:44,901 --> 00:23:47,687 I REMEMBER WE DIDN'T HAVE A LOT ON HER. 487 00:23:47,730 --> 00:23:52,169 LIZ COSTER. SHE GAVE BIRTH TO GRACE WHEN SHE WAS 22. 488 00:23:52,213 --> 00:23:55,390 AND SHE OD'd ON OXY 5 YEARS AGO. 489 00:23:55,434 --> 00:23:56,565 UHH. 490 00:23:56,609 --> 00:23:58,480 WHAT'S UP, DAVE? 491 00:23:58,524 --> 00:24:00,482 LYNCH WROTE ME INTO HIS STORY. 492 00:24:00,526 --> 00:24:02,049 I'VE GOT TO BE PART OF HIS END GAME. 493 00:24:02,092 --> 00:24:05,008 I NEED MORE SECURITY FOR KRYSTALL. 494 00:24:06,967 --> 00:24:09,012 I SAW HIS BADGE, I JUST OPENED THE DOOR. 495 00:24:09,056 --> 00:24:10,840 I'M SO SORRY. 496 00:24:12,538 --> 00:24:14,235 YOU FIGURE IT OUT YET, DAVID? 497 00:24:14,278 --> 00:24:16,518 I'VE GOT SOMETHING YOU NEED, AND YOU'RE HOLDING MY WIFE HOSTAGE 498 00:24:16,542 --> 00:24:17,717 UNTIL YOU GET IT? 499 00:24:17,760 --> 00:24:20,546 CALL IN ALL YOUR FAVORS. IT'S GONNA BE A DOOZY. 500 00:24:22,809 --> 00:24:24,767 THEY'RE NEAR CENTERPORT. 501 00:24:24,811 --> 00:24:25,725 WE NEED A PLAN. 502 00:24:25,768 --> 00:24:27,553 WHAT KIND OF PLAN? A GREAT PLAN. 503 00:24:27,596 --> 00:24:30,991 I KNOW WHAT HE WANTS. CALL THE DIRECTOR, NO ONE ELSE. 504 00:24:31,034 --> 00:24:32,862 THIS ONLY WORKS IF IT'S NEED TO KNOW. 505 00:24:32,906 --> 00:24:33,863 WHAT IS IT? 506 00:24:33,907 --> 00:24:35,952 WE'RE GONNA HAVE TO MAKE A TRADE. 507 00:24:37,519 --> 00:24:39,782 HAS HE BEEN HERE BEFORE? 508 00:24:39,826 --> 00:24:42,176 IN THE HOSPITAL, LIKE THIS? 509 00:24:42,219 --> 00:24:43,482 YES. 510 00:24:43,525 --> 00:24:46,136 WERE YOU HERE FOR HIM? 511 00:24:46,180 --> 00:24:47,137 YES. 512 00:24:47,181 --> 00:24:48,574 AW, HOW AWFUL. 513 00:24:48,617 --> 00:24:50,880 IT WAS, ACTUALLY. 514 00:24:50,924 --> 00:24:54,797 AND THEN THERE WAS THE TIME AGENT HOTCHNER WAS IN THE HOSPITAL. 515 00:24:54,841 --> 00:24:56,843 AND MORGAN'S WIFE. 516 00:24:58,018 --> 00:24:59,846 AND JJ EARLIER THIS YEAR 517 00:24:59,889 --> 00:25:01,500 AND... ME. 518 00:25:04,807 --> 00:25:06,219 LET THEM KNOW WE'RE COMING IN. CODE 3. 519 00:25:06,243 --> 00:25:08,637 YEAH, I'VE... 520 00:25:08,681 --> 00:25:12,162 I'VE ACTUALLY BEEN IN HOSPITALS MORE TIMES 521 00:25:12,206 --> 00:25:14,208 THAN I AM CARING TO ADMIT. 522 00:25:14,251 --> 00:25:19,474 SOMETIMES I THINK THERE'S GOT TO BE A BETTER WAY, YOU KNOW. 523 00:25:23,522 --> 00:25:25,219 THERE'S GOT TO BE A BETTER PLACE. 524 00:25:25,262 --> 00:25:28,309 THERE IS. THERE IS FOR ALL OF US. 525 00:25:30,311 --> 00:25:34,533 SPENCER, I SAW SOME CUMULIFORM HEAPS TODAY. 526 00:25:34,576 --> 00:25:36,883 HIS FAVORITE CLOUDS. 527 00:25:36,926 --> 00:25:38,449 I PLUCKED THAT FOR HIM. 528 00:25:38,493 --> 00:25:41,278 EVERYTHING IS UP THERE. 529 00:25:41,322 --> 00:25:44,586 AND WE PLUCK WHAT WE WANT WHEN WE WANT 530 00:25:44,630 --> 00:25:46,849 AND WE LET GO WHAT WE DON'T. 531 00:25:46,893 --> 00:25:48,851 THAT SOUNDS VERY GOOD. 532 00:25:48,895 --> 00:25:54,030 OK, I AM PLUCKING A MEMORY ABOUT... 533 00:25:54,074 --> 00:25:58,861 SPENCER'S EYES, AND THEY ARE BROWN WITH GOLD ON THE OUTSIDE. 534 00:25:58,905 --> 00:26:01,864 I THINK THEY'RE GOLD ON THE INSIDE. 535 00:26:04,780 --> 00:26:06,869 GOLD ON THE INSIDE. 536 00:26:06,913 --> 00:26:08,131 GOLD ON THE INSIDE. 537 00:26:08,175 --> 00:26:10,438 HEY, WE WERE JUST PLUCKING EYE MEMORIES OF YOU. 538 00:26:10,481 --> 00:26:11,613 I HEARD YOU. 539 00:26:11,657 --> 00:26:14,747 FORGOT HOW MUCH I LOVED THOSE CLOUDS, MOM. 540 00:26:14,790 --> 00:26:16,183 YOU HELPED ME REMEMBER. 541 00:26:16,226 --> 00:26:18,098 I DID, HUH? 542 00:26:18,141 --> 00:26:20,448 WELL, MAYBE I CAN COME BACK TOMORROW 543 00:26:20,491 --> 00:26:22,842 AND WE CAN WATCH CLOUDS TOGETHER. 544 00:26:22,885 --> 00:26:24,800 AM I ALIVE, OR IS THIS HEAVEN? 545 00:26:24,844 --> 00:26:27,194 SWEETIE, YOU ARE VERY MUCH ALIVE. 546 00:26:31,502 --> 00:26:34,157 THERE'S GONNA BE TWO SUVs PULLING IN. 547 00:26:34,201 --> 00:26:35,463 I'M IN THE FIRST ONE. 548 00:26:35,506 --> 00:26:36,551 OK. 549 00:26:36,595 --> 00:26:37,770 FALL IN BEHIND ME. 550 00:27:01,837 --> 00:27:02,795 NO, NO, NO, NO. NOPE, NOPE, NOPE. 551 00:27:02,838 --> 00:27:03,839 AHH! NO. 552 00:27:03,883 --> 00:27:04,840 PUT THEM AWAY. 553 00:27:04,884 --> 00:27:06,146 YOU OK? 554 00:27:06,189 --> 00:27:07,582 HE DIDN'T HURT ME. 555 00:27:07,626 --> 00:27:08,670 LYNCH, WE NEED MORE TIME. 556 00:27:08,714 --> 00:27:11,847 OUR PILOTS REFUSE TO LEAVE U.S. AIRSPACE. 557 00:27:11,891 --> 00:27:13,370 YOU DIDN'T PROFILE THAT ABOUT ME? 558 00:27:13,414 --> 00:27:16,025 YOU SEE, THE WEALTHY LADIES THAT I SEDUCE, 559 00:27:16,069 --> 00:27:17,723 THEY ARE SUCKERS FOR A REAL-LIFE PILOT. 560 00:27:17,766 --> 00:27:19,594 HA HA! 561 00:27:19,638 --> 00:27:21,552 SO YOU GOT THE KEYS? YOU FUELED UP, READY TO GO? 562 00:27:21,596 --> 00:27:23,380 ONE CONDITION. TAKE ME. 563 00:27:23,424 --> 00:27:25,078 SHE'S GOT NOTHING TO DO WITH THIS. 564 00:27:25,121 --> 00:27:27,167 I NEED A HOSTAGE, DAVE, NOT A MARTYR. 565 00:27:27,210 --> 00:27:28,603 NO! 566 00:27:28,647 --> 00:27:30,387 YOU PUT ME ON THAT PLANE WITH YOU 567 00:27:30,431 --> 00:27:32,738 WITH YOU AND NOBODY'S GONNA SHOOT YOU OUT OF THE SKY. 568 00:27:32,781 --> 00:27:36,263 THEY'LL LET YOU LAND, YOU'LL DISAPPEAR, 569 00:27:36,306 --> 00:27:38,047 AND YOU'LL NEVER HEAR FROM ME AGAIN. 570 00:27:38,091 --> 00:27:40,615 HOW DO YOU KNOW YOU'D LIVE TO TELL ABOUT IT? 571 00:27:40,659 --> 00:27:43,487 I'M WILLING TO TAKE THAT RISK. 572 00:27:45,751 --> 00:27:47,448 YEAH? 573 00:27:53,541 --> 00:27:54,629 ALL RIGHT, LET'S GO. 574 00:27:56,109 --> 00:27:58,328 PAT YOUR HUSBAND DOWN FOR ME, WILL YOU, DOLL? 575 00:27:58,372 --> 00:27:59,721 AND LOSE THE VEST. 576 00:28:01,027 --> 00:28:03,159 LET'S GO. WE'RE WASTING TIME. 577 00:28:03,203 --> 00:28:04,508 MY GUN'S IN THE CAR. 578 00:28:04,552 --> 00:28:07,642 THIS CAN'T BE HOW IT ENDS. 579 00:28:08,643 --> 00:28:09,557 I LOVE YOU. 580 00:28:09,600 --> 00:28:11,167 I LOVE YOU. 581 00:28:12,473 --> 00:28:15,128 ALL RIGHT, PUT THESE ON, OLD MAN. 582 00:28:17,652 --> 00:28:18,958 COME ON. 583 00:28:19,001 --> 00:28:20,611 I LOVE YOU. 584 00:28:23,005 --> 00:28:24,311 THERE'S NO SHOT. 585 00:28:24,354 --> 00:28:25,965 LYNCH WON'T GIVE US A LINE OF SIGHT. 586 00:28:42,416 --> 00:28:43,765 SIT DOWN. 587 00:28:50,467 --> 00:28:55,646 GROUND, THIS IS GULF NOVEMBER 3-4 JULIET ECHO 1-1 588 00:28:55,690 --> 00:28:57,736 REQUESTING PERMISSION TO TAXI FOR DEPARTURE. 589 00:28:57,779 --> 00:29:00,782 GROUND TO GULF NOVEMBER 3-4 JULIET ECHO 1-1. 590 00:29:00,826 --> 00:29:02,978 WE ARE CURRENTLY CLEARING THE JETWAY FOR YOUR DEPARTURE 591 00:29:03,002 --> 00:29:04,307 ON RUNWAY 2-5. 592 00:29:04,351 --> 00:29:05,569 PLEASE STAND BY. 593 00:29:05,613 --> 00:29:06,962 ROGER THAT. 594 00:29:07,006 --> 00:29:10,226 YOU KNOW, THERE'S SO MANY BRIGHT SIDES TO WHAT I DO. 595 00:29:10,270 --> 00:29:12,925 I GUESS YOU CAN CALL ME A LIFELONG LEARNER. 596 00:29:12,968 --> 00:29:15,362 WHEN I WAS 19, I TAUGHT MYSELF SPANISH. 597 00:29:15,405 --> 00:29:17,862 I ALWAYS FIGURED THE BEACHES OF MEXICO WOULD BE A BEAUTIFUL PLACE 598 00:29:17,886 --> 00:29:19,322 TO SPEND THE REST OF MY DAYS. 599 00:29:19,366 --> 00:29:21,300 PRENTISS, COME ON, YOU SAID WE NEEDED A GREAT PLAN. 600 00:29:21,324 --> 00:29:22,630 AND WE HAVE ONE. 601 00:29:22,673 --> 00:29:24,937 IT STARTED 20 YEARS AGO WHEN DAVID ROSSI 602 00:29:24,980 --> 00:29:27,591 AND JASON GIDEON SUBMITTED THEIR FIRST REQUISITION 603 00:29:27,635 --> 00:29:28,984 FOR A PRIVATE JET. 604 00:29:29,028 --> 00:29:31,552 THERE ARE THINGS NONE OF YOU KNOW ABOUT THAT JET. 605 00:29:33,119 --> 00:29:34,860 THINK YOU'LL BE SATISFIED? 606 00:29:34,903 --> 00:29:37,427 LAYING LOW IN MEXICO? 607 00:29:37,471 --> 00:29:38,602 YEAH, YEAH. 608 00:29:38,646 --> 00:29:39,995 I'LL KEEP MYSELF BUSY. 609 00:29:40,039 --> 00:29:43,259 GROUND TO GULF NOVEMBER 3-4 JULIET ECHO 1-1. 610 00:29:43,303 --> 00:29:44,783 TAXI TO RUNWAY 2-5. 611 00:29:44,826 --> 00:29:46,697 HOLD SHORT OF DELTA.ROGER THAT. 612 00:29:46,741 --> 00:29:49,396 I MEAN, JUST THINK ABOUT ALL THOSE LONELY BEAUTIES DOWN THERE. 613 00:29:49,439 --> 00:29:50,895 NO, NO, NO, IT'S DEFINITELY THE PERFECT PLACE 614 00:29:50,919 --> 00:29:52,965 FOR A GUY LIKE ME TO DISAPPEAR, 615 00:29:53,008 --> 00:29:55,010 GET ON WITH THE REST OF MY LIFE. 616 00:29:59,841 --> 00:30:01,625 AHH! 617 00:30:05,020 --> 00:30:07,675 HA HA HA! 618 00:30:09,808 --> 00:30:10,852 OK. 619 00:30:20,340 --> 00:30:21,863 AH, THANK GOODNESS. 620 00:30:21,907 --> 00:30:23,909 ROSSI. ROSSI, COME ON. 621 00:30:31,307 --> 00:30:33,005 FIRE AT THE FUEL TANK. 622 00:30:34,745 --> 00:30:36,051 UHH. 623 00:30:43,406 --> 00:30:45,060 GET BACK! TAKE COVER. 624 00:30:55,723 --> 00:30:57,203 OK. 625 00:31:34,327 --> 00:31:37,243 IT'S GONNA BE A HELL OF A PARTY. 626 00:31:37,286 --> 00:31:38,940 YEP. 627 00:31:38,984 --> 00:31:41,290 YOU OK? 628 00:31:41,334 --> 00:31:43,814 I WILL BE. IT'S JUST... 629 00:31:43,858 --> 00:31:45,512 HARD TO BELIEVE, YOU KNOW. 630 00:31:54,738 --> 00:31:58,307 HEY, SOMEONE KNOWS HOW TO THROW A PARTY. 631 00:31:58,351 --> 00:32:01,876 ♪ I SAW YOU STANDING 632 00:32:01,920 --> 00:32:06,315 ♪ BEHIND THE LOOKING GLASS... 633 00:32:06,359 --> 00:32:09,318 THEY SAY THAT GOOD THINGS HAPPEN TO GOOD PEOPLE. 634 00:32:09,362 --> 00:32:10,319 CHEERS. 635 00:32:10,363 --> 00:32:14,976 ♪ TAKE WHAT YOU WANT 636 00:32:15,020 --> 00:32:18,327 ♪ BUT TAKE IT FAST 637 00:32:20,460 --> 00:32:23,550 ♪ OH 638 00:32:27,946 --> 00:32:31,166 ♪ I FEEL LIKE DANCING 639 00:32:36,519 --> 00:32:39,958 ♪ IT WON'T BE LONG 640 00:32:40,001 --> 00:32:46,399 ♪ TILL I'M BACK 641 00:32:50,185 --> 00:32:51,534 WOW. 642 00:32:51,578 --> 00:32:54,668 HOW MANY PARTIES HAVE YOU THROWN? 643 00:32:54,711 --> 00:32:55,974 NOT NEAR ENOUGH. 644 00:32:56,017 --> 00:32:57,410 HA HA HA. 645 00:32:57,453 --> 00:33:00,804 NOW THIS IS A PERFECT BACKYARD. 646 00:33:00,848 --> 00:33:02,502 YOU TWO HOUSE HUNTING? 647 00:33:02,545 --> 00:33:04,765 IN DENVER. 648 00:33:04,808 --> 00:33:06,375 DON'T WORRY, I'M NOT LEAVING. 649 00:33:06,419 --> 00:33:09,552 I'M KEEPING MY PLACE HERE, BUT WE ARE LOOKING AT LAND OUT THERE. 650 00:33:09,596 --> 00:33:11,337 IT'S A GOOD TIME TO INVEST. 651 00:33:11,380 --> 00:33:12,642 ABSOLUTELY. 652 00:33:12,686 --> 00:33:16,777 HEY, LOOKING GOOD, DAVE. HOW'S THE LEG? 653 00:33:16,820 --> 00:33:18,300 WELL, IT'S BEEN A LONG MONTH, 654 00:33:18,344 --> 00:33:20,259 BUT I'M BACK IN BUSINESS. 655 00:33:20,302 --> 00:33:21,869 BUT HOW'S THAT LITTLE ROSE DOING? 656 00:33:21,912 --> 00:33:23,566 SHE'S THE BEST BABY EVER. 657 00:33:23,610 --> 00:33:27,222 MAYBE BECAUSE IT'S NUMBER 5 AND NOT MUCH CAN SURPRISE US ANYMORE. 658 00:33:27,266 --> 00:33:28,983 MAYBE IT'S BECAUSE WE'RE ACTUALLY GETTING SLEEP. 659 00:33:29,007 --> 00:33:31,183 OH, NOT TONIGHT YOU'RE NOT, MY FRIEND. 660 00:33:31,226 --> 00:33:34,186 THIS IS GONNA BE THE CELEBRATION TO END ALL CELEBRATIONS. 661 00:33:34,229 --> 00:33:35,709 FULL COMMITMENT FROM EVERYONE. 662 00:33:35,752 --> 00:33:37,145 YOU GOT IT. 663 00:33:37,189 --> 00:33:39,539 CAN'T BELIEVE IT. THE BAND IS BREAKING UP. 664 00:33:39,582 --> 00:33:40,583 HOW YOU FEELING, KID? 665 00:33:40,627 --> 00:33:41,584 I'M FEELING GREAT, 666 00:33:41,628 --> 00:33:42,735 AND I'M STARTING BACK NEXT WEEK. 667 00:33:42,759 --> 00:33:44,085 CAN'T LET THE TEAM BE DOWN TWO MEMBERS. 668 00:33:44,109 --> 00:33:46,328 OH, COME ON, TEACHING AND CONSULTING? 669 00:33:46,372 --> 00:33:47,416 YOU'RE MAKING ME LOOK BAD. 670 00:33:47,460 --> 00:33:49,027 JUST DOING WHAT I LOVE. 671 00:33:49,070 --> 00:33:51,507 HEY, I WILL DRINK TO THAT. 672 00:33:51,551 --> 00:33:54,597 UH, YOU'RE NOT SUPPOSED TO START THE FESTIVITIES 673 00:33:54,641 --> 00:33:57,383 UNTIL THE BELLE OF BALL HAS ARRIVED. 674 00:33:57,426 --> 00:33:58,906 DON'T WORRY, OK, 675 00:33:58,949 --> 00:34:01,082 'CAUSE THIS IS GONNA BE THE FIRST OF MANY. 676 00:34:01,126 --> 00:34:02,823 PENELOPE, CONGRATULATIONS. 677 00:34:02,866 --> 00:34:05,260 HERE I THOUGHT WE WERE COMING TO CELEBRATE DAVE'S RETIREMENT, 678 00:34:05,304 --> 00:34:07,306 BUT MATT SAID IT IS YOUR FAREWELL PARTY. 679 00:34:07,349 --> 00:34:09,134 AND YOU HAD LIKE A HUNDRED OFFERS. 680 00:34:09,177 --> 00:34:11,614 OH, THAT'S ONLY IF YOU ROUND UP, BUT YES. 681 00:34:11,658 --> 00:34:13,834 ANYWAY, IT'S NONPROFIT, IT'S CLOSE TO HERE, 682 00:34:13,877 --> 00:34:17,098 AND THE DRESS CODE ISN'T ALL FBI CONSERVATIVE LIKE I'VE BEEN HAVING TO DO. 683 00:34:17,142 --> 00:34:20,319 I'M STILL IN DENIAL THAT YOU'RE LEAVING. 684 00:34:20,362 --> 00:34:21,885 IT WON'T BE THE SAME WITHOUT YOU. 685 00:34:21,929 --> 00:34:23,191 BETTER NOT BE. 686 00:34:23,235 --> 00:34:25,889 DAVE DECIDED HE WASN'T GOING TO RETIRE. 687 00:34:25,933 --> 00:34:27,302 HE DIDN'T WANT THE TEAM TO GO THROUGH TOO MUCH 688 00:34:27,326 --> 00:34:29,284 OF A TRANSITION ALL AT ONCE. 689 00:34:29,328 --> 00:34:31,417 THAT'S 'CAUSE DAVE'S NEVER GONNA ACTUALLY DO IT. 690 00:34:32,722 --> 00:34:34,463 HEY, LOOK, BEING WITH YOU ALL, 691 00:34:34,507 --> 00:34:38,119 DOING WHAT FEW OTHERS CAN, 692 00:34:38,163 --> 00:34:39,947 THAT'S WHERE I BELONG. 693 00:34:41,296 --> 00:34:43,951 BUT THIS NIGHT IS NOT ABOUT ME. 694 00:34:43,994 --> 00:34:46,345 TO OUR BELOVED PENELOPE. 695 00:34:46,388 --> 00:34:47,346 OHH! 696 00:34:47,389 --> 00:34:49,435 - A SALUT. - A SALUT. 697 00:34:51,785 --> 00:34:58,270 ♪ AND YOU, YOU WILL BE QUEEN ♪ 698 00:35:00,794 --> 00:35:04,145 ♪ THOUGH NOTHING 699 00:35:04,189 --> 00:35:06,408 ♪ WILL DRIVE US AWAY 700 00:35:08,280 --> 00:35:12,849 ♪ WE CAN BE HEROES 701 00:35:12,893 --> 00:35:14,329 ♪ JUST FOR ONE DAY 702 00:35:14,373 --> 00:35:15,722 JUST FOR ONE DAY, BABY. 703 00:35:15,765 --> 00:35:17,506 JUST FOR ONE DAY. 704 00:35:17,550 --> 00:35:19,595 ♪ WE CAN BE US 705 00:35:21,641 --> 00:35:23,599 ♪ JUST FOR ONE DAY 706 00:35:26,907 --> 00:35:30,258 ♪ I 707 00:35:30,302 --> 00:35:32,391 ♪ I CAN REMEMBER 708 00:35:32,434 --> 00:35:35,307 ♪ I CAN REMEMBER 709 00:35:35,350 --> 00:35:38,266 ♪ STANDING 710 00:35:38,310 --> 00:35:40,486 ♪ BY THE WALL 711 00:35:40,529 --> 00:35:44,359 ♪ BY THE WALL, BY THE WALL ♪ 712 00:35:44,403 --> 00:35:45,926 AND AGAIN! 713 00:35:47,449 --> 00:35:49,538 ♪ SHOT ABOVE OUR HEADS 714 00:35:49,582 --> 00:35:51,714 ♪ ABOVE OUR HEADS 715 00:35:51,758 --> 00:35:52,889 ♪ AND WE KISSED 716 00:35:52,933 --> 00:35:54,326 KISS! 717 00:35:54,369 --> 00:35:57,546 ♪ AS THOUGH NOTHING COULD FALL ♪ 718 00:35:57,590 --> 00:36:00,114 ♪ NOTHING COULD FALL 719 00:36:00,158 --> 00:36:01,985 ♪ AND THE SHAME 720 00:36:02,029 --> 00:36:03,378 THE SHAME! 721 00:36:03,422 --> 00:36:04,510 SHAME! 722 00:36:04,553 --> 00:36:08,383 ♪ WAS ON THE OTHER SIDE 723 00:36:08,427 --> 00:36:12,213 ♪ OH, WE CAN BEAT THEM 724 00:36:12,257 --> 00:36:14,955 ♪ FOREVER AND EVER 725 00:36:17,131 --> 00:36:21,353 ♪ THEN WE COULD BE HEROES 726 00:36:21,396 --> 00:36:23,703 ♪ JUST FOR ONE DAY 727 00:36:29,491 --> 00:36:32,712 ♪ WE COULD BE HEROES 728 00:36:38,065 --> 00:36:41,416 ♪ WE COULD BE HEROES 729 00:36:45,072 --> 00:36:47,422 ♪ WE DON'T NEED NO... 730 00:36:51,513 --> 00:36:53,559 THANK YOU. 731 00:36:56,736 --> 00:36:58,607 SO, UH... 732 00:37:02,089 --> 00:37:06,093 I WAS THINKING SINCE WE'RE NOT GONNA WORK TOGETHER ANYMORE, 733 00:37:06,136 --> 00:37:08,617 THAT, UH, 734 00:37:08,661 --> 00:37:10,576 MAYBE I COULD TAKE YOU TO DINNER. 735 00:37:13,231 --> 00:37:14,449 YEAH. 736 00:37:15,624 --> 00:37:17,060 YEAH? 737 00:37:17,104 --> 00:37:18,279 YEAH. 738 00:37:18,323 --> 00:37:19,367 WE'LL EAT. 739 00:37:19,411 --> 00:37:20,890 I... YEAH. 740 00:37:21,978 --> 00:37:23,589 COOL. MM-HMM. 741 00:37:24,807 --> 00:37:27,114 PENELOPE REMINDS ALL OF US 742 00:37:27,157 --> 00:37:28,855 THAT CHANGE IS GOOD... 743 00:37:28,898 --> 00:37:30,552 PAINFUL, BUT GOOD. 744 00:37:30,596 --> 00:37:35,035 AND AS MUCH PAIN AS LYNDA BARNES CAUSED ALL OF US, 745 00:37:35,078 --> 00:37:37,733 SHE HAS INSPIRED ME TO CHANGE. 746 00:37:37,777 --> 00:37:39,909 SO I'M CUTTING ALL MY HAIR OFF. GET READY. 747 00:37:42,869 --> 00:37:46,481 SO, UM, I'VE GROWN UP WITH PENELOPE, 748 00:37:46,525 --> 00:37:49,789 NOT AS KIDS, BUT AS ADULTS. 749 00:37:49,832 --> 00:37:53,401 AND SHE HAS BECOME MY SISTER... 750 00:37:53,445 --> 00:37:57,797 THERE FOR ME WHEREVER I'VE FOUND MYSELF. 751 00:37:57,840 --> 00:38:00,452 ONCE SHE SAID THAT I WAS 752 00:38:00,495 --> 00:38:03,455 THE GLUE THAT KEPT THIS TEAM TOGETHER. 753 00:38:03,498 --> 00:38:06,066 BUT WE ALL KNOW 754 00:38:06,109 --> 00:38:07,763 THAT THAT WAS REALLY YOU. 755 00:38:13,378 --> 00:38:17,730 SO WE'RE AT THE BEGINNING OF THE END. 756 00:38:17,773 --> 00:38:21,473 AND THIS TIME NEXT WEEK, WE'RE NOT GONNA BE TOGETHER 757 00:38:21,516 --> 00:38:23,910 LIKE WE HAVE BEEN FOR AS LONG AS I CAN REMEMBER. 758 00:38:23,953 --> 00:38:29,394 I NEED YOU EACH TO KNOW THAT YOU HOLD A REALLY SPECIAL PLACE IN MY HEART. 759 00:38:29,437 --> 00:38:30,612 AND... 760 00:38:30,656 --> 00:38:34,050 I WANT TO FREEZE RIGHT NOW. 761 00:38:34,094 --> 00:38:37,532 I WANT TO SOAK THIS IN. 762 00:38:48,369 --> 00:38:51,764 THERE, I DID. 763 00:38:53,940 --> 00:38:58,379 THANK YOU FOR LETTING ME BE A PART OF THIS FOR SO LONG. 764 00:38:58,423 --> 00:39:01,034 AND THANK YOU FOR REMINDING ME 765 00:39:01,077 --> 00:39:04,298 THAT THERE IS AN INFINITE AMOUNT OF HEROISM 766 00:39:04,342 --> 00:39:06,213 AND KINDNESS IN THE WORLD, 767 00:39:06,256 --> 00:39:08,998 NO MATTER HOW BLEAK IT SEEMS. 768 00:39:10,435 --> 00:39:13,394 MY FAVORITE BAND SAYS THE LOVE YOU TAKE 769 00:39:13,438 --> 00:39:14,700 IS EQUAL TO THE LOVE YOU MAKE. 770 00:39:14,743 --> 00:39:17,485 SO INSTEAD OF A TOAST, 771 00:39:17,529 --> 00:39:19,487 I WANT TO MAKE A PROMISE. 772 00:39:19,531 --> 00:39:23,273 CAN WE PLEASE PROMISE THAT NO MATTER WHERE WE GO AFTER THIS 773 00:39:23,317 --> 00:39:28,627 THAT WE KEEP THIS FEELING IN OUR HEARTS? 774 00:39:28,670 --> 00:39:29,715 CHEERS. 775 00:39:29,758 --> 00:39:31,194 SALUT! 776 00:39:32,587 --> 00:39:34,459 SALUT! 777 00:39:48,255 --> 00:39:50,736 OK, LADY AND GENT, I KNOW THEY JUST LOOK LIKE BOXES, 778 00:39:50,779 --> 00:39:52,999 BUT ONE OF THOSE IS A VINTAGE STAPLER COLLECTION, 779 00:39:53,042 --> 00:39:54,435 SO BE CAREFUL. 780 00:39:54,479 --> 00:39:55,436 THANK YOU SO MUCH. 781 00:39:55,480 --> 00:39:57,090 WHAT'S WITH THE BOX BRIGADE? 782 00:39:57,133 --> 00:39:59,242 I THOUGHT YOU WEREN'T LEAVING TILL THE END OF THE WEEK. 783 00:39:59,266 --> 00:40:02,835 WAIT, MOVING OUT OF HERE LIKE THE COLTS DID BALTIMORE? 784 00:40:02,878 --> 00:40:04,576 OK, NO ONE KNOWS WHAT THAT MEANS. 785 00:40:04,619 --> 00:40:06,795 SO YOU WEREN'T GONNA TELL US? 786 00:40:09,102 --> 00:40:11,626 IT'S JUST THAT LAST NIGHT WAS SUCH A PERFECT GOOD-BYE, 787 00:40:11,670 --> 00:40:13,715 RIGHT, AND I THOUGHT WHY NOT END ON A HIGH? 788 00:40:13,759 --> 00:40:15,238 PENELOPE. 789 00:40:15,282 --> 00:40:17,632 I CAN SEE I WAS WRONG. 790 00:40:17,676 --> 00:40:19,895 LOOK, I GOT SOME TREATS FOR THE MOVERS. 791 00:40:19,939 --> 00:40:22,463 AND I COULD PUT THE KETTLE ON AND WE COULD HAVE TEA 792 00:40:22,507 --> 00:40:23,769 LIKE CIVILIZED PEOPLE. 793 00:40:23,812 --> 00:40:24,987 YEAH? 794 00:40:25,031 --> 00:40:26,815 WE CAN TRY. 795 00:40:26,859 --> 00:40:28,817 DON'T BALEFULLY LOOK AT ME. I'M REALLY SORRY. 796 00:40:31,211 --> 00:40:33,779 SO YOU EXPECTING THE QUEEN? 797 00:40:33,822 --> 00:40:35,433 ALWAYS. 798 00:40:35,476 --> 00:40:38,697 I BEQUEATH THIS... 799 00:40:38,740 --> 00:40:40,307 TO YOU. 800 00:40:40,350 --> 00:40:41,700 PLEASE TAKE CARE OF HER. 801 00:40:41,743 --> 00:40:48,489 AHH. AND HERE I THOUGHT I WAS OUT OF TEARS. 802 00:40:50,186 --> 00:40:51,579 OH, AND, UM, 803 00:40:51,623 --> 00:40:55,235 I KNOW THAT THERE'S NOT 8 OF US ANYMORE, BUT. 804 00:40:57,237 --> 00:40:59,631 I'M GONNA NAME HER MILDRED. 805 00:41:00,675 --> 00:41:02,721 OH. 806 00:41:02,764 --> 00:41:05,637 WE WILL DEBRIEF ON THE JET. WHEELS UP. 807 00:41:05,680 --> 00:41:07,726 WE GOT A NEW ONE? 808 00:41:07,769 --> 00:41:10,642 YES, AND THIS WILL BE HER MAIDEN VOYAGE. 809 00:41:10,685 --> 00:41:13,688 I LOVE THE SMELL OF A NEW JET IN THE MORNING. 810 00:41:16,299 --> 00:41:18,693 ♪ GOOD NIGHT 811 00:41:18,737 --> 00:41:20,826 ♪ GOOD-BYE 812 00:41:20,869 --> 00:41:22,871 ♪ GOOD LUCK 813 00:41:22,915 --> 00:41:25,352 ♪ DON'T CRY 814 00:41:25,395 --> 00:41:27,746 ♪ IT'S THE EDGE 815 00:41:27,789 --> 00:41:30,488 ♪ OF IT ALL 816 00:41:30,531 --> 00:41:32,620 ♪ IT'S THE EDGE 817 00:41:32,664 --> 00:41:34,970 ♪ OF IT ALL 818 00:41:35,014 --> 00:41:36,929 ♪ ALL MY FRIENDS 819 00:41:36,972 --> 00:41:39,758 ♪ AT THE END 820 00:41:39,801 --> 00:41:41,150 ♪ OF THE WORLD 821 00:41:41,194 --> 00:41:44,240 ♪ I HOPE TO SEE YOU AGAIN 822 00:41:44,284 --> 00:41:46,852 ♪ IT'S THE END 823 00:41:46,895 --> 00:41:48,941 ♪ OF THIS TIME 824 00:41:48,984 --> 00:41:51,639 ♪ IT'S THE END 825 00:41:51,683 --> 00:41:55,295 ♪ OF OUR TIME 826 00:41:55,338 --> 00:41:59,342 ♪ OOH 827 00:41:59,386 --> 00:42:03,042 ♪ OH, HOW LITTLE DO WE KNOW? 828 00:42:03,085 --> 00:42:07,786 ♪ OOH 829 00:42:07,829 --> 00:42:10,919 ♪ WE HAD SUCH A LONG WAY TO GO ♪ 830 00:42:10,963 --> 00:42:14,009 ♪ WHEN YOU SLEEP TONIGHT 831 00:42:14,053 --> 00:42:18,231 ♪ YOU'LL BE IN MY DREAMS 832 00:42:18,274 --> 00:42:21,800 ♪ IT'S A KIND OF LOVE 833 00:42:21,843 --> 00:42:23,671 ♪ IT'S ALL DARK 834 00:42:23,715 --> 00:42:28,937 ♪ NOTHING COMFORTING ME 835 00:42:28,981 --> 00:42:31,679 ♪ THE EARTH WENT QUIET 836 00:42:31,723 --> 00:42:34,639 ♪ AND THE AIR WENT STILL 837 00:42:34,682 --> 00:42:37,380 ♪ I FEEL YOU NOW 838 00:42:37,424 --> 00:42:41,689 ♪ MORE THAN I EVER WILL 839 00:43:04,146 --> 00:43:07,280 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 840 00:43:07,323 --> 00:43:10,326 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE www.ncicap.org... 57360

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.