1
00:00:07,355 --> 00:00:09,400
PREVIOUSLY ON
"CRIMINAL MINDS"...

2
00:00:09,444 --> 00:00:11,054
OUR UNSUB
IS EVERETT LYNCH.

3
00:00:11,098 --> 00:00:13,143
HE'S A CONMAN WHO
SLICES OFF THE FACES

4
00:00:13,187 --> 00:00:14,884
OF THE WOMEN HE SEDUCES.

5
00:00:14,927 --> 00:00:16,886
THIS WAS THE FIRST
TIME THAT I WAS BEATEN

6
00:00:16,929 --> 00:00:21,151
BY SOMEONE YOUNGER,
FASTER, STRONGER THAN I AM.

7
00:00:21,195 --> 00:00:24,285
EVERETT LYNCH WAS
THE FBI's MOST WANTED.

8
00:00:24,328 --> 00:00:27,375
HE REMAINED AT LARGE
UNTIL WE CAUGHT UP WITH HIM.

9
00:00:28,550 --> 00:00:30,682
CAPTAIN MONTERO, BREACH.

10
00:00:34,121 --> 00:00:35,731
HE DIED IN
AN EXPLOSION,

11
00:00:35,774 --> 00:00:38,081
ALONG WITH 6
OF OUR AGENTS.

12
00:00:38,125 --> 00:00:40,127
IT DOESN'T
MAKE SENSE TO ME.

13
00:00:40,170 --> 00:00:42,129
I DON'T UNDERSTAND HOW
THAT TYPE OF PERSONALITY

14
00:00:42,172 --> 00:00:44,479
CAN CHOOSE TO BLOW ITSELF UP.

15
00:00:44,522 --> 00:00:46,829
IF HE COULD GET
TO A TUNNEL.

16
00:00:50,398 --> 00:00:54,010
LYNCH IS STILL ALIVE.

17
00:01:07,284 --> 00:01:09,286
WELL, YOU KNOW,
YOU BETTER THANK
YOUR MAN UPSTAIRS

18
00:01:09,330 --> 00:01:11,071
FOR MAKING IT
THE WHOLE TEAM,

19
00:01:11,114 --> 00:01:12,570
OTHERWISE YOU KNOW
THEY'D FIND A REASON TO
BRING US BACK UP IN HERE.

20
00:01:12,594 --> 00:01:14,378
WHY?
THEY GOT OTHER TEAMS.

21
00:01:14,422 --> 00:01:15,747
OK, YOU CAN GO ON BELIEVING
THAT IF YOU WANT TO,

22
00:01:15,771 --> 00:01:18,382
BUT I AM NOT ANSWERING
MY CELLPHONE.
OK.

23
00:01:18,426 --> 00:01:20,689
OH, THERE HE IS.

24
00:01:20,732 --> 00:01:22,604
PRETTY BOY.

25
00:01:22,647 --> 00:01:24,345
LAST CHANCE.

26
00:01:24,388 --> 00:01:26,714
I CAN GET MY MAN TO
SWING YOU A HOTEL ROOM
FOR PRACTICALLY NOTHING.

27
00:01:26,738 --> 00:01:28,827
EVEN YOU MIGHT GET
A LITTLE LOVING OUT THERE.

28
00:01:28,871 --> 00:01:30,264
THANKS ANYWAY.

29
00:01:30,307 --> 00:01:31,627
COME ON, REID.
LIVE A LITTLE, HUH?

30
00:01:31,656 --> 00:01:33,136
I HAVE TO GO...
GOING HOME.

31
00:01:33,180 --> 00:01:34,224
HAVE A GOOD ONE, GUYS.

32
00:01:34,268 --> 00:01:36,183
BYE.

33
00:01:38,402 --> 00:01:40,056
HE LOOK OK TO YOU?

34
00:01:40,100 --> 00:01:41,318
HE LOOKS ABOUT
THE WAY I WOULD

35
00:01:41,362 --> 00:01:43,162
IF I WAS GONNA SPEND
TWO WEEKS WITH MY FAMILY.

36
00:01:43,190 --> 00:01:45,279
HEY, DON'T KNOCK FAMILY.
I'M GONNA GET NOTHING BUT

37
00:01:45,322 --> 00:01:46,671
FOR THE NEXT 336 HOURS.

38
00:01:46,715 --> 00:01:48,195
HEY,
GOOD FOR YOU.

39
00:01:48,238 --> 00:01:50,129
HALEY'S GOT A LIST
OF CHORES A MILE LONG,
AND I CAN'T WAIT.

40
00:01:50,153 --> 00:01:52,131
THE BIGGEST DECISION
I GOT TO MAKE IS WHAT
I'M GONNA DO FIRST.

41
00:01:52,155 --> 00:01:54,418
I BET YOU SHE HAS A THOUGHT
OR TWO ABOUT THAT AS WELL.

42
00:01:54,462 --> 00:01:55,724
BRING IT ON!

43
00:01:55,767 --> 00:01:57,136
I'LL BE LOST
IN A CABIN IN THE WOODS

44
00:01:57,160 --> 00:01:58,616
FOR THE NEXT TWO WEEKS.
DO NOT CALL ME FOR ANYTHING.

45
00:01:58,640 --> 00:02:00,642
HAVE A GREAT TIME.
YOU ALL DESERVE A BREAK.

46
00:02:00,685 --> 00:02:03,384
SERIOUSLY, DON'T CALL.

47
00:02:03,427 --> 00:02:05,386
GIDEON.

48
00:02:06,561 --> 00:02:08,389
GIDEON! HOTCH!

49
00:02:26,233 --> 00:02:29,584
I HIT MY HEAD AND NOW
I'M SEEING THINGS.

50
00:02:32,239 --> 00:02:33,936
SECTION CHIEF STRAUSS?

51
00:02:33,979 --> 00:02:35,546
HELLO, SPENCER.

52
00:02:37,069 --> 00:02:38,549
YOU'RE DEAD.

53
00:02:38,593 --> 00:02:41,378
HA HA HA! I AM.

54
00:02:41,422 --> 00:02:43,293
DOES...

55
00:02:43,337 --> 00:02:44,381
DOES THAT MEAN THAT I'M...

56
00:02:44,425 --> 00:02:46,166
NO. NOT NECESSARILY.

57
00:02:47,776 --> 00:02:49,256
I PASSED OUT IN MY APARTMENT.

58
00:02:49,299 --> 00:02:51,954
YOU HAVE INTRACRANIAL
HEMORRHAGING.

59
00:02:53,129 --> 00:02:54,261
MY BRAIN IS SHUTTING DOWN?

60
00:02:54,304 --> 00:02:55,349
PARTS OF IT ARE.

61
00:02:55,392 --> 00:02:57,351
PARTS OF IT ARE
STRUGGLING TO SURVIVE.

62
00:02:57,394 --> 00:02:59,266
WHICH PART ARE YOU?

63
00:03:00,615 --> 00:03:02,182
YOU NEED HELP.

64
00:03:10,146 --> 00:03:11,843
WHAT IF THIS IS PERMANENT?

65
00:03:11,887 --> 00:03:14,106
MY MOM STARTED OUT
HALLUCINATING.

66
00:03:14,150 --> 00:03:16,500
YOU NEVER DISPLAYED ANY
SIGNS OF SCHIZOPHRENIA.

67
00:03:16,544 --> 00:03:17,806
YOU KNOW THAT.

68
00:03:17,849 --> 00:03:19,460
THIS IS A JOURNEY.

69
00:03:19,503 --> 00:03:21,592
SOME PEOPLE SEE
CORRIDORS OF LIGHT,

70
00:03:21,636 --> 00:03:23,986
SOME PEOPLE SEE
PEOPLE THEY LOVE.

71
00:03:24,029 --> 00:03:27,250
WHAT YOU SEE IS
UP TO YOU.

72
00:03:27,294 --> 00:03:29,034
YOU SYMBOLIZE MY GUILT,

73
00:03:29,078 --> 00:03:31,428
THE... DEAD AGENTS.

74
00:03:31,472 --> 00:03:33,822
YOU HAVE TO MAKE
THAT DECISION YOURSELF.

75
00:03:38,348 --> 00:03:41,177
YOU'LL BE TEMPTED
ABOUT WHICH WAY TO GO.

76
00:03:44,485 --> 00:03:46,182
DON'T BE AFRAID.

77
00:03:53,145 --> 00:03:54,973
6 AGENTS BLOWN TO PIECES.

78
00:03:55,017 --> 00:03:58,673
DAMN. YOU'RE GONNA
NEED A BIGGER BOAT.

79
00:03:58,716 --> 00:04:00,327
I GOTTA ASK,

80
00:04:00,370 --> 00:04:02,416
WHEN THEY GO KABLAM
LIKE THAT,

81
00:04:02,459 --> 00:04:05,288
DO YOU HAVE A GUY THAT
PUTS THEM BACK TOGETHER OR...?

82
00:04:05,332 --> 00:04:07,421
I'M TALKING TO YOU, DOC.

83
00:04:07,464 --> 00:04:09,161
OR IT IS SPECIAL AGENT?

84
00:04:09,205 --> 00:04:10,424
ADDICT?

85
00:04:12,426 --> 00:04:13,470
CONVICT?

86
00:04:13,514 --> 00:04:14,602
SHUT UP.

87
00:04:14,645 --> 00:04:16,343
BUT I HAVE ONE MORE QUESTION.

88
00:04:16,386 --> 00:04:20,216
HOW COME WHEN I KILL PEOPLE,
THEY'RE CALLED VICTIMS,

89
00:04:20,260 --> 00:04:22,479
BUT WHEN YOU DO IT,
THEY'RE CALLED CASUALTIES?

90
00:04:22,523 --> 00:04:25,613
DEAD IS DEAD.
AM I RIGHT?

91
00:04:26,918 --> 00:04:30,313
OOH, BOY.

92
00:04:43,979 --> 00:04:47,330
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.

93
00:05:19,928 --> 00:05:23,366
GEORGE FOYET.
HE LIKES TO ATTACK THEM INSIDE

94
00:05:23,410 --> 00:05:24,628
OR NEAR THEIR CARS

95
00:05:24,672 --> 00:05:27,718
AT NIGHT ON POORLY LIT,
LESS POPULATED ROADS.

96
00:05:27,762 --> 00:05:31,505
GEORGE FOYET.

97
00:05:31,548 --> 00:05:35,291
WHY ARE WE HERE?
YOU THINK THIS IS MY HELL?

98
00:05:35,335 --> 00:05:36,640
DOESN'T MATTER
WHAT I THINK.

99
00:05:36,684 --> 00:05:38,381
I'M NOT IN CONTROL.

100
00:05:38,425 --> 00:05:41,428
THIS IS WHERE YOU
FIRST MET ME.

101
00:05:41,471 --> 00:05:44,039
HA. LOOK AT THAT
HANDSOME DEVIL.

102
00:05:45,997 --> 00:05:47,671
SO STRAUSS WAS THE ANGEL,
AND YOU'RE THE DEVIL.

103
00:05:47,695 --> 00:05:50,350
I NEVER SAID THAT.
JUST THE HANDSOME PART.

104
00:05:50,393 --> 00:05:52,003
WHY WOULD I PICTURE YOU?

105
00:05:52,047 --> 00:05:54,397
HMM? OF ALL
THE OFFENDERS THAT...

106
00:05:54,441 --> 00:05:55,790
BECAUSE I KILLED
THAT SWEET HALEY

107
00:05:55,833 --> 00:05:58,183
AND OLD AARON HOTCHNER
WAS NEVER THE SAME.

108
00:05:58,227 --> 00:06:00,360
YOU GOT ME.

109
00:06:09,499 --> 00:06:11,371
YOU KNOW WHAT THAT MEANS.

110
00:06:13,460 --> 00:06:15,462
NONE OF YOU WERE.

111
00:06:15,505 --> 00:06:18,465
I WAS THE BEGINNING
OF YOUR END.

112
00:06:20,380 --> 00:06:23,470
THIS GOOD VS. EVIL GAME
IS ALL YOU KNOW.

113
00:06:24,688 --> 00:06:27,691
AND I'M THE BEST YOUR
RATTLED BRAIN COULD CONJURE.

114
00:06:31,347 --> 00:06:35,046
WELL, LAST NIGHT WAS
THE BEST SLEEP I'VE
HAD IN AGES.

115
00:06:35,090 --> 00:06:37,440
TELL ME ABOUT IT.

116
00:06:37,484 --> 00:06:40,095
AND WHAT A WAY
TO START THE MORNING.

117
00:06:41,749 --> 00:06:42,793
WHAT?

118
00:06:42,837 --> 00:06:45,448
YOU HAVE A PEACE
ABOUT YOU.

119
00:06:45,492 --> 00:06:47,407
I DO, HUH?
MM-HMM.

120
00:06:47,450 --> 00:06:50,235
WITH LYNCH DEAD, YOU...

121
00:06:51,976 --> 00:06:53,413
YOU SEEM DIFFERENT.

122
00:06:56,503 --> 00:06:59,244
YOU KNOW, ALL MY TIME
AT THE BAU,

123
00:06:59,288 --> 00:07:01,464
THERE WERE A LOT
OF WHALES TO CATCH,

124
00:07:01,508 --> 00:07:04,424
AND EVERETT LYNCH WAS
ONE OF THE BIGGEST.

125
00:07:04,467 --> 00:07:08,123
AND I NEEDED TO MAKE
SURE HE COULDN'T...

126
00:07:08,166 --> 00:07:11,431
HURT ANYONE ELSE.

127
00:07:11,474 --> 00:07:13,258
OTHERWISE I COULDN'T...

128
00:07:16,044 --> 00:07:17,611
YOU COULDN'T WHAT?

129
00:07:18,916 --> 00:07:19,917
SLEEP.

130
00:07:19,961 --> 00:07:21,528
NO, NO, NO.

131
00:07:21,571 --> 00:07:23,399
NO, THAT IS NOT WHAT
YOU WERE GONNA SAY.

132
00:07:23,443 --> 00:07:25,923
THAT IS NOT WHAT
YOU WERE GONNA SAY.

133
00:07:25,967 --> 00:07:28,099
ARE YOU...

134
00:07:28,143 --> 00:07:30,450
ARE YOU RETIRING?

135
00:07:30,493 --> 00:07:31,799
THAT'S SUCH AN UGLY WORD.

136
00:07:31,842 --> 00:07:32,843
OH, MY GOD!

137
00:07:32,887 --> 00:07:34,497
DAVID, WE HAVE
TO DO SOMETHING.

138
00:07:34,541 --> 00:07:35,779
WHAT, NOW YOU'RE
PLANNING MY SENDOFF?

139
00:07:35,803 --> 00:07:38,501
YEP, IT IS GONNA BE
THE BEST, FASTEST SENDOFF

140
00:07:38,545 --> 00:07:39,676
YOU HAVE EVER SEEN.

141
00:07:39,720 --> 00:07:41,025
WHY FAST?

142
00:07:41,069 --> 00:07:43,288
BECAUSE I DON'T WANT
YOU TO CHANGE YOUR MIND.

143
00:07:43,332 --> 00:07:44,986
NOW GET OUT OF HERE. GO.

144
00:07:45,029 --> 00:07:48,555
I DON'T WANT YOU TO
BE LATE FOR ONE OF YOUR
LAST DAYS AT SCHOOL.

145
00:07:48,598 --> 00:07:50,078
MMM.

146
00:07:50,121 --> 00:07:52,384
GO.

147
00:07:53,516 --> 00:07:55,649
♪ HEAD DOWN AND MEET
YOU OUT BACK ♪

148
00:07:55,692 --> 00:07:59,304
BECAUSE WE GOT TO
DOCUMENT THE LADY BONDING.

149
00:07:59,348 --> 00:08:01,568
THE LADY BONDING.

150
00:08:01,611 --> 00:08:03,526
DO YOU HAVE
ANOTHER ONE?

151
00:08:03,570 --> 00:08:09,532
I AM BOTH HORRIFIED
AND DELIGHTED THERE'S
EVIDENCE OF LAST NIGHT.

152
00:08:09,576 --> 00:08:11,273
WAIT, WHAT IS THIS?

153
00:08:11,316 --> 00:08:12,448
IT HELPS WITH HANGOVERS,

154
00:08:12,492 --> 00:08:13,730
AND THAT IS ALL YOU
NEED TO KNOW.

155
00:08:13,754 --> 00:08:15,495
IT TASTES LIKE YOU
SCRAPED THE FOREST FLOOR

156
00:08:15,538 --> 00:08:16,496
AND JUICED IT.

157
00:08:16,539 --> 00:08:17,801
HA!

158
00:08:17,845 --> 00:08:19,716
EVEN THAT'S
TOO GENEROUS. UGH.

159
00:08:19,760 --> 00:08:21,022
HEY, HEY!

160
00:08:21,065 --> 00:08:23,851
EMILY TOLD ME WHAT YOU GUYS
WERE GETTING INTO,

161
00:08:23,894 --> 00:08:27,507
AND I FIGURED YOU
COULD USE THESE.

162
00:08:27,550 --> 00:08:29,073
THANK GOD.

163
00:08:29,117 --> 00:08:31,902
GET THIS CAFFEINE
INTO MY FACE HOLE.

164
00:08:31,946 --> 00:08:33,425
THIS IS FROM LUNACORN.

165
00:08:33,469 --> 00:08:34,707
LUKE ALVEZ, STOP
MAKING ME LIKE YOU.

166
00:08:34,731 --> 00:08:36,864
HA! NEVER.

167
00:08:36,907 --> 00:08:38,387
VISION BOARDING GO WELL?

168
00:08:38,430 --> 00:08:41,129
OH, YOU HAVE NO IDEA
HOW MANY STICKERS WERE USED.

169
00:08:41,172 --> 00:08:43,435
WHERE'S REID? I WANT TO
TALK TO THE WHOLE TEAM.

170
00:08:43,479 --> 00:08:45,350
OH, SPENCE PROBABLY
SLEPT IN.

171
00:08:45,394 --> 00:08:46,961
HE TOOK IT REALLY HARD.

172
00:08:47,004 --> 00:08:49,311
WELL, LET'S START OUR
AFTER-ACTION REVIEW NOW,

173
00:08:49,354 --> 00:08:50,767
AND WE'LL FILL HIM IN
WHEN HE ARRIVES.

174
00:08:50,791 --> 00:08:53,489
OK, DNA RESULTS
COMING AT YA.

175
00:08:53,533 --> 00:08:54,969
CASUALTY COUNT STILL
HOLD AT 8,

176
00:08:55,012 --> 00:08:57,232
INCLUDING ROBERTA
AND EVERETT LYNCH?

177
00:08:57,275 --> 00:09:00,409
YES. WAIT, NO.

178
00:09:01,323 --> 00:09:02,629
GARCIA?

179
00:09:02,672 --> 00:09:04,413
YES, 8 CASUALTIES...

180
00:09:04,456 --> 00:09:06,241
OUR 6 AGENTS,
ROBERTA LYNCH,

181
00:09:06,284 --> 00:09:09,287
AND ORLANDO GAINES,
THE PRIVATE INVESTIGATOR.

182
00:09:09,331 --> 00:09:11,028
THAT'S IT.

183
00:09:12,421 --> 00:09:13,944
WAIT. WAIT A MINUTE.
THAT MEANS THAT...

184
00:09:13,988 --> 00:09:16,860
EVERETT LYNCH
IS STILL ALIVE.

185
00:09:26,130 --> 00:09:27,697
WELL, I HOPE SOMEBODY
FINDS YOU.

186
00:09:27,741 --> 00:09:30,308
THAT BIG BRAIN'S GONNA
BE A BOWL OF MUSH.

187
00:09:30,352 --> 00:09:32,397
WHAT A WAY TO GO OUT, HUH?

188
00:09:32,441 --> 00:09:34,356
SLOW BRAIN BLEED.

189
00:09:34,399 --> 00:09:36,401
AND NOBODY KNOWS
YOU'RE HERE.

190
00:09:36,445 --> 00:09:37,620
IT'S TRAGIC

191
00:09:37,664 --> 00:09:39,579
AND YET...

192
00:09:39,622 --> 00:09:43,452
IRONICALLY FITTING.

193
00:09:45,672 --> 00:09:46,934
AHH.

194
00:09:48,239 --> 00:09:49,937
OF COURSE.

195
00:09:49,980 --> 00:09:53,375
IT WAS GOOD TO SEE
YOU AGAIN, DOC.

196
00:09:55,638 --> 00:09:58,336
MAEVE.

197
00:09:58,380 --> 00:10:00,208
IT'S YOU.

198
00:10:00,251 --> 00:10:01,470
IT'S REALLY YOU.

199
00:10:01,513 --> 00:10:03,211
IT'S ME.

200
00:10:03,254 --> 00:10:05,648
LET ME TAKE HER PLACE.

201
00:10:05,692 --> 00:10:07,650
YOU WOULD KILL
YOURSELF FOR HER?

202
00:10:07,694 --> 00:10:09,217
YES.

203
00:10:09,260 --> 00:10:10,260
NO.

204
00:10:16,920 --> 00:10:18,443
MAEVE, I'M SO SORRY.

205
00:10:18,487 --> 00:10:20,054
FOR WHAT?

206
00:10:20,097 --> 00:10:23,057
I LET YOU DIE.

207
00:10:23,100 --> 00:10:26,538
I WASN'T SMART ENOUGH
OR FAST ENOUGH TO SAVE YOU.

208
00:10:26,582 --> 00:10:27,801
STOP.

209
00:10:29,585 --> 00:10:32,370
DO YOU WANT TO KNOW
MY DEEPEST, DARKEST SECRET?

210
00:10:32,414 --> 00:10:34,111
MM-HMM.

211
00:10:34,155 --> 00:10:37,506
I LOVE NINETIES
ROM-DRAMS AND ROM-COMS.

212
00:10:39,508 --> 00:10:41,684
THE CHEESIER THE BETTER.

213
00:10:41,728 --> 00:10:43,468
AND MY FAVORITE ONE
WAS ABOUT THIS ANGEL

214
00:10:43,512 --> 00:10:45,079
WHO GAVE UP HIS
IMMORTALITY

215
00:10:45,122 --> 00:10:47,472
BECAUSE HE FELL IN LOVE
WITH A HUMAN.

216
00:10:47,516 --> 00:10:51,563
BUT THEY ONLY HAD
ONE DAY TOGETHER BEFORE
SHE WAS KILLED.

217
00:10:51,607 --> 00:10:55,350
I ALWAYS WONDERED WHY
THAT ONE STUCK WITH ME.

218
00:10:57,657 --> 00:10:59,441
AND THEN WE LIVED IT.

219
00:11:02,662 --> 00:11:05,882
DON'T YOU DARE BE SORRY.

220
00:11:05,926 --> 00:11:07,667
I HAVE NO REGRETS.

221
00:11:09,581 --> 00:11:10,713
I MISS YOU.

222
00:11:10,757 --> 00:11:12,672
GAH, I MISS YOU, TOO.

223
00:11:12,715 --> 00:11:15,805
BUT LUCKY FOR US,
WE HAVE SOME TIME
TOGETHER RIGHT NOW.

224
00:11:15,849 --> 00:11:17,720
I NEED THAT.

225
00:11:17,764 --> 00:11:19,548
YOU'VE BEEN HOLDING
ON TO TRAUMA,

226
00:11:19,591 --> 00:11:21,202
A LOT OF IT.

227
00:11:21,245 --> 00:11:24,988
BUT WHAT SENT YOU ON
THIS JOURNEY IS
SOMETHING DIFFERENT.

228
00:11:25,032 --> 00:11:26,903
YOU'RE A CROSSROADS.

229
00:11:26,947 --> 00:11:29,776
CAN YOU HELP ME THROUGH IT?

230
00:11:31,647 --> 00:11:34,215
BUT FIRST,

231
00:11:34,258 --> 00:11:37,740
I NEED TO TELL YOU
SOMETHING YOU DON'T
HEAR ENOUGH OF.

232
00:11:37,784 --> 00:11:41,613
THE WORLD IS
A GOOD PLACE.

233
00:11:41,657 --> 00:11:44,486
AND IT'S EVEN BETTER
WITH YOU IN IT.

234
00:11:47,663 --> 00:11:48,925
YOU READY?

235
00:11:48,969 --> 00:11:50,710
YEAH.

236
00:11:58,805 --> 00:12:01,459
RENO PD JUST CONFIRMED
THEY FOUND SUPPLIES

237
00:12:01,503 --> 00:12:03,113
UNDER LYNCH'S HIDEOUT.

238
00:12:03,157 --> 00:12:06,290
SO HE MUST HAVE BUILT
AN ESCAPE TO THE TUNNELS
UNDER THE HOUSE.

239
00:12:06,334 --> 00:12:07,790
THIS GUY'S A PLANNER.
HE PICKED THAT TARGET

240
00:12:07,814 --> 00:12:09,293
BECAUSE IT GAVE HIM
AN ESCAPE ROUTE.

241
00:12:09,337 --> 00:12:11,208
WE PROFILED ROBERTA
WOULD TAKE THEM BOTH OUT,

242
00:12:11,252 --> 00:12:13,689
BUT BECAUSE OF HER
LOVE FOR HER SON,
SHE HESITATED.

243
00:12:13,733 --> 00:12:15,711
AND THAT HESITATION GAVE
LYNCH THE SECONDS HE NEEDED

244
00:12:15,735 --> 00:12:17,084
TO EXECUTE HIS PLAN.

245
00:12:17,127 --> 00:12:19,303
ALL RIGHT, SO HE ESCAPES
RIGHT BEFORE THE EXPLOSION.

246
00:12:19,347 --> 00:12:21,697
WE GOT TO GET BACK TO RENO
BEFORE SOMEONE ELSE GETS HURT.

247
00:12:21,741 --> 00:12:23,786
GARCIA RUN
A SEARCH ON LYNCH ALIASES,

248
00:12:23,830 --> 00:12:26,093
ANY CREDIT CARD ACTIVITY.

249
00:12:26,136 --> 00:12:27,572
HE'S RADIO SILENT FOR NOW.

250
00:12:27,616 --> 00:12:28,748
IT'S ONLY
A MATTER OF TIME

251
00:12:28,791 --> 00:12:29,855
BEFORE THIS GUY GETS
DESPERATE ENOUGH

252
00:12:29,879 --> 00:12:31,272
TO USE ONE OF HIS
OLD ALIASES,

253
00:12:31,315 --> 00:12:32,510
AND WHEN HE DOES,
WE'VE GOT HIM CORNERED.

254
00:12:32,534 --> 00:12:34,101
STOP. STOP, STOP.

255
00:12:34,144 --> 00:12:37,191
APPLY WHAT WE KNOW
BASED ON OUR EXPERIENCE
WITH LYNCH

256
00:12:37,234 --> 00:12:38,583
AND OTHERS LIKE HIM.

257
00:12:38,627 --> 00:12:42,152
THAT'S ALL PROFILING IS,
THAT'S ALL IT EVER WAS.

258
00:12:42,196 --> 00:12:44,285
NOW, YOU'RE LYNCH.

259
00:12:44,328 --> 00:12:45,982
YOU HAVE THE FULL FORCE
OF UNITED STATES

260
00:12:46,026 --> 00:12:47,810
LAW ENFORCEMENT
ON YOUR HEELS.

261
00:12:47,854 --> 00:12:49,507
WHERE ELSE DO YOU GO?

262
00:12:49,551 --> 00:12:51,771
WHO ELSE DO YOU HURT?

263
00:12:51,814 --> 00:12:52,902
US.

264
00:12:52,946 --> 00:12:54,599
THEY COME AFTER US.

265
00:12:54,643 --> 00:12:56,950
HE'LL GET OFF ON
THE POWER OF ATTACKING

266
00:12:56,993 --> 00:12:58,560
ON OUR HOME TURF.

267
00:12:58,603 --> 00:13:00,301
WE NEED SECURITY
FOR OUR LOVED ONES.

268
00:13:00,344 --> 00:13:03,347
ALVEZ, SIMMONS,
CONTACT TROOPERS
AT ALL STATE LINES.

269
00:13:03,391 --> 00:13:05,915
I'LL NOTIFY THE DIRECTOR
THAT THE LYNCH CASE
REMAINS OPEN.

270
00:13:05,959 --> 00:13:07,961
JJ, GARCIA, CHECK IN
ON REID.

271
00:13:08,004 --> 00:13:10,311
FILL HIM IN ON HIS
WAY BACK HERE.

272
00:13:17,405 --> 00:13:19,799
PERFECT TIMING.
WHAT KIND OF CAKE
DO YOU WANT?

273
00:13:19,842 --> 00:13:21,496
THERE'S A FLAG ON THE PLAY.

274
00:13:21,539 --> 00:13:23,803
I'M DISPATCHING SECURITY
OVER TO THE HOUSE.

275
00:13:25,369 --> 00:13:26,675
IS EVERYTHING OK?

276
00:13:26,718 --> 00:13:30,374
I JUST WANT TO BE EXTRA SURE
THAT YOU'RE PROTECTED.

277
00:13:30,418 --> 00:13:32,159
I'LL TAKE IT.

278
00:13:32,202 --> 00:13:33,813
AND HEY,

279
00:13:33,856 --> 00:13:35,510
DO WHAT YOU
HAVE TO DO, OK?

280
00:13:35,553 --> 00:13:38,121
I'M THE LUCKIEST GUY
IN THE WORLD.

281
00:13:38,165 --> 00:13:40,384
DAMN STRAIGHT YOU ARE.

282
00:13:44,954 --> 00:13:45,999
SPENCE!

283
00:13:47,435 --> 00:13:48,784
SPENCE, IT'S JJ.
CAN YOU HEAR ME?

284
00:13:48,828 --> 00:13:50,264
WE NEED AN AMBULANCE
IMMEDIATELY

285
00:13:50,307 --> 00:13:52,788
AT 937 HOOVER STREET,
APARTMENT 23.

286
00:13:52,832 --> 00:13:54,224
WE HAVE AN AGENT DOWN.

287
00:13:54,268 --> 00:13:55,660
HE'S BREATHING.

288
00:13:55,704 --> 00:13:58,794
YES, WE HAVE AN AGENT DOWN.
THAT'S WHAT I SAID.

289
00:13:58,838 --> 00:13:59,839
NO. NO, NO, NO, NO.

290
00:13:59,882 --> 00:14:01,275
NO, NO.

291
00:14:08,543 --> 00:14:10,414
WHY ARE WE HERE?

292
00:14:10,458 --> 00:14:13,069
I MADE PEACE WITH
GIDEON DYING.

293
00:14:13,113 --> 00:14:15,115
WHEN'S THE LAST TIME
YOU SAW HIM?

294
00:14:15,158 --> 00:14:17,682
12 YEARS, 7 MONTHS,
AND 23 DAYS AGO.

295
00:14:17,726 --> 00:14:19,554
OH.

296
00:14:19,597 --> 00:14:22,383
YOU'RE NOT KEEPING TRACK
OF DISAPPOINTMENTS AT ALL.

297
00:14:24,689 --> 00:14:27,605
MY DAD WROTE ME A NOTE
WHEN HE LEFT.

298
00:14:29,303 --> 00:14:31,261
GIDEON DID THE SAME THING.

299
00:14:31,305 --> 00:14:34,525
HE WAS THE ONE
THAT CONVINCED ME
TO JOIN THE TEAM.

300
00:14:34,569 --> 00:14:36,571
AND THEN HE LEFT.

301
00:14:40,444 --> 00:14:41,924
ALL TO BELIEVE IN
HAPPY ENDINGS,

302
00:14:41,968 --> 00:14:44,231
I JUST... I'M SAD HE
NEVER GOT ONE.

303
00:14:44,274 --> 00:14:46,711
OH, NO, HE GOT ONE.

304
00:14:46,755 --> 00:14:49,584
HE'S OBSESSED WITH THIS
OCTOPUS NAMED MILDRED.

305
00:14:49,627 --> 00:14:51,455
SHE'S A PRANKSTER,

306
00:14:51,499 --> 00:14:53,980
AND HE LOVES HANGING OUT
AN 8-LIMBED MOLLUSK,

307
00:14:54,023 --> 00:14:57,984
TRYING TO FIGURE OUT
HOW SHE BECAME
SO PLAYFUL AND WISE.

308
00:14:59,899 --> 00:15:01,509
SHE EVOLVED.

309
00:15:01,552 --> 00:15:03,772
YEP.

310
00:15:03,815 --> 00:15:05,730
WE ALL HAVE TO.

311
00:15:11,823 --> 00:15:14,652
TURN AROUND.

312
00:15:14,696 --> 00:15:17,786
IT'S DR. K.
CAN YOU HEAR ME, SIR?

313
00:15:17,829 --> 00:15:19,483
HOW LONG HAS HE
BEEN UNCONSCIOUS?

314
00:15:19,527 --> 00:15:21,833
I DON'T KNOW.
THERE WAS AN EXPLOSION
24 HOURS AGO.

315
00:15:21,877 --> 00:15:23,531
COULD IT BE A CONCUSSION?

316
00:15:23,574 --> 00:15:25,141
SO HE'S BEEN UNDER
A LOT OF STRESS?

317
00:15:25,185 --> 00:15:26,360
YES, HE'S AN FBI AGENT.

318
00:15:26,403 --> 00:15:28,710
I NEED TO
RUN SOME TESTS.
ARE YOU FAMILY?

319
00:15:28,753 --> 00:15:32,061
UH, NOT TECHNICALLY.
THAT WOULD BE HIS MOM.

320
00:15:32,105 --> 00:15:33,802
GET HIM TO CCU.
WAKE UP.

321
00:15:33,845 --> 00:15:35,760
I NEED TO TALK TO
HIS MOTHER RIGHT AWAY.

322
00:15:35,804 --> 00:15:36,805
I'LL TRACK DOWN DIANA.

323
00:15:36,848 --> 00:15:39,590
SHE'S AT BROOKFIELD.

324
00:15:39,634 --> 00:15:40,591
IT'S EMILY.

325
00:15:40,635 --> 00:15:42,767
GO.

326
00:15:42,811 --> 00:15:44,378
NO, NO, NO.
I'M NOT LEAVING.

327
00:15:44,421 --> 00:15:46,293
SPENCE WILL UNDERSTAND.
THE TEAM NEEDS YOU.

328
00:15:46,336 --> 00:15:48,817
I'VE GOT THIS. GO.

329
00:15:50,340 --> 00:15:51,448
THANKS FOR
GETTING THERE SO QUICKLY.

330
00:15:51,472 --> 00:15:52,473
WHAT'S THE STATUS?

331
00:15:52,516 --> 00:15:53,822
NOTHING OF INCIDENT, SIR.

332
00:15:53,865 --> 00:15:55,302
GREAT NEWS.
SHE'S EXPECTING YOU.

333
00:15:55,345 --> 00:15:57,217
COPY THAT.

334
00:16:06,966 --> 00:16:08,619
COULDN'T BE
ANY SAFER, MA'AM.

335
00:16:08,663 --> 00:16:09,838
YOUR HUSBAND MADE
SURE OF IT.

336
00:16:09,881 --> 00:16:11,971
COME IN.
THANK YOU.

337
00:16:16,671 --> 00:16:19,761
OH, DIANA, HI.
HI. IT'S PENELOPE.

338
00:16:19,804 --> 00:16:22,329
I WORK WITH SPENCER.
I'VE COME TO SEE YOU BEFORE.

339
00:16:22,372 --> 00:16:24,200
YOU'RE ALMOST
AS TALL AS I AM.

340
00:16:24,244 --> 00:16:29,858
DIANA, SPENCER FELL
AND HE HIT HIS HEAD REALLY HARD,

341
00:16:29,901 --> 00:16:31,425
AND HE'S NOT CONSCIOUS.

342
00:16:31,468 --> 00:16:32,968
WELL, LET'S WAKE HIM UP.
LET'S SEE HIM.

343
00:16:32,992 --> 00:16:34,428
NO, WAIT.HE'LL LISTEN TO ME.

344
00:16:34,471 --> 00:16:36,082
SPENCER.

345
00:16:40,869 --> 00:16:42,653
IT'S NOT HIM.

346
00:16:44,394 --> 00:16:47,441
NO. NO, NO, NO.
THIS IS NOT MY SON.

347
00:16:51,314 --> 00:16:53,925
SEE THIS LITTLE STAR
RIGHT THERE ON YOUR WRIST?

348
00:16:53,969 --> 00:16:55,710
THAT'S FROM WHEN
YOU FEEL WHEN YOU WERE

349
00:16:55,753 --> 00:16:58,800
TRYING TO BALANCE ON
OUR BACKYARD FENCE.

350
00:16:58,843 --> 00:17:02,282
OH, YOU WERE SO DETERMINED
TO MAKE IT THE WHOLE WAY.

351
00:17:02,325 --> 00:17:04,719
AND I'LL NEVER FORGET
LOOKING OUT THE KITCHEN WINDOW,

352
00:17:04,762 --> 00:17:07,243
WATCHING YOU OUT THERE
AS YOU WERE TRYING TO MAKE

353
00:17:07,287 --> 00:17:11,160
A BALANCING POLE
FROM A BROOMSTICK.

354
00:17:18,428 --> 00:17:19,821
OH, MY BABY.

355
00:17:19,864 --> 00:17:21,692
OH, MY BABY.

356
00:17:21,736 --> 00:17:23,303
OH, PLEASE.

357
00:17:23,346 --> 00:17:24,739
WHY DO YOU FIGHT US?

358
00:17:24,782 --> 00:17:27,785
IF I DIE,
I'LL LET DOWN MY MOM...

359
00:17:29,396 --> 00:17:32,703
THE TEAM, EVERYBODY
WHO DEPENDS ON ME.

360
00:17:34,444 --> 00:17:35,924
OHH.

361
00:17:37,578 --> 00:17:39,536
FAMILY IS RESILIENT.

362
00:17:39,580 --> 00:17:41,277
AND AS FOR STRANGERS,

363
00:17:41,321 --> 00:17:43,671
PEOPLE WERE HURT BEFORE
YOU JOINED THE BAU,

364
00:17:43,714 --> 00:17:45,716
AND THEY'LL GET HURT
WHENEVER YOU LEAVE.

365
00:17:45,760 --> 00:17:47,196
I GUESS I'M STUCK.

366
00:17:47,240 --> 00:17:50,286
MORE LIKE FROZEN
FROM GRIEF.

367
00:17:52,332 --> 00:17:53,855
YOUR FATHER'S
PHYSICAL ABSENCE,

368
00:17:53,898 --> 00:17:55,857
YOUR MOTHER'S
PSYCHOLOGICAL ONE, ME.

369
00:17:55,900 --> 00:17:57,772
IT'S PARALYZING.

370
00:17:57,815 --> 00:17:59,774
HOW DO YOU MOVE THROUGH IT
WHEN YOU CAN'T MOVE?

371
00:18:03,386 --> 00:18:04,996
YOU GO BACK TO
THE BEGINNING.

372
00:18:08,043 --> 00:18:12,352
I GREW UP TELLING STORIES
ABOUT WHO I WAS...

373
00:18:12,395 --> 00:18:15,050
SON, FRIEND...

374
00:18:16,660 --> 00:18:18,967
STUDENT, TEACHER,

375
00:18:19,010 --> 00:18:20,186
GENIUS.

376
00:18:20,229 --> 00:18:21,665
HERO.

377
00:18:21,709 --> 00:18:25,060
YOU SEEK AND GAIN
APPROVAL BY ANYONE.

378
00:18:25,104 --> 00:18:27,106
IT'S TIME TO STOP.

379
00:18:32,328 --> 00:18:33,808
YOU KEEP A NICE HOUSE.

380
00:18:33,851 --> 00:18:35,157
OH, THANKS.

381
00:18:35,201 --> 00:18:37,333
DAVE DOES HIS
FAIR SHARE.

382
00:18:37,377 --> 00:18:39,988
I BET HE DOES.

383
00:18:40,031 --> 00:18:43,905
YOU KNOW, YOU HAVE
A MOM ENERGY ABOUT YOU,

384
00:18:43,948 --> 00:18:45,341
CARETAKEY THING.

385
00:18:45,385 --> 00:18:46,951
MY MOM JUST DIED.

386
00:18:46,995 --> 00:18:48,344
I'M SO SORRY.

387
00:18:48,388 --> 00:18:49,780
YOU ARE?

388
00:18:49,824 --> 00:18:51,347
THANKS.

389
00:18:51,391 --> 00:18:52,957
SHE WAS A NIGHTMARE.

390
00:18:54,263 --> 00:18:55,786
BUT I LOVE MOMS.

391
00:18:55,830 --> 00:19:00,922
I HAD A DAUGHTER,
AND SHE LOVED
HER MOM AND MY MOM.

392
00:19:00,965 --> 00:19:04,839
SO I GET THE WHOLE
MOM THING, YOU KNOW.

393
00:19:04,882 --> 00:19:07,189
BEARD,
DIFFERENT GLASSES,

394
00:19:07,233 --> 00:19:09,235
DIFFERENT HAIR COLOR,
DIFFERENT EYE COLOR,

395
00:19:09,278 --> 00:19:10,777
WHICH MEANS HE'S
WEARING COLORED CONTACTS.

396
00:19:10,801 --> 00:19:12,760
CONMEN KNOW HOW TO
CHANGE THEIR LOOK.

397
00:19:12,803 --> 00:19:15,850
TAKE A LOOK AT THIS
FIRST IDENTITY AGAIN,
WHEN HE WAS MACK.

398
00:19:21,203 --> 00:19:22,683
I NEED TO CHECK WITH DAVE.

399
00:19:22,726 --> 00:19:24,728
NAH.

400
00:19:29,255 --> 00:19:31,300
WHAT IF MY BRAIN'S
BLEEDING OUT

401
00:19:31,344 --> 00:19:33,563
'CAUSE THERE'S NOTHING
LEFT FOR ME TO DO?

402
00:19:33,607 --> 00:19:36,044
THE WORLD NEEDS YOU
TO DO WHAT YOU LOVE.

403
00:19:36,087 --> 00:19:37,785
HAVE YOU DONE THAT?

404
00:19:40,091 --> 00:19:41,180
I DON'T KNOW.

405
00:19:41,223 --> 00:19:43,225
SURE YOU DO.
WHAT DO YOU LOVE?

406
00:19:43,269 --> 00:19:45,923
I LOVE MAGIC

407
00:19:45,967 --> 00:19:47,403
AND GHOST STORIES.

408
00:19:47,447 --> 00:19:49,884
FIDDLING WITH YOUR PEN
LIKE ME.

409
00:19:49,927 --> 00:19:51,886
WHAT ELSE?

410
00:19:53,235 --> 00:19:54,932
JELL-O...

411
00:19:54,976 --> 00:19:56,978
KUMQUATS...

412
00:19:57,021 --> 00:19:59,546
UH...

413
00:19:59,589 --> 00:20:01,243
TEACHING, LEARNING,

414
00:20:01,287 --> 00:20:04,420
BOOKS, HOPE...

415
00:20:07,118 --> 00:20:09,860
MAKING CONNECTIONS...

416
00:20:12,036 --> 00:20:16,432
MAKING...
MAKING A DIFFERENCE.

417
00:20:18,956 --> 00:20:19,957
YOU.

418
00:20:20,001 --> 00:20:22,003
I LOVE YOU.

419
00:20:24,135 --> 00:20:26,442
THAT'S A LOT TO LOVE.

420
00:20:28,052 --> 00:20:29,445
MRS. REID?

421
00:20:29,489 --> 00:20:32,448
THE CONSERVATIVE APPROACH
WOULD BE SURGERY.

422
00:20:32,492 --> 00:20:35,016
IT MAY REDUCE
THE SWELLING AROUND
SPENCER'S BRAIN FASTER.

423
00:20:35,059 --> 00:20:39,673
THERE IS RISK.
IT COULD CAUSE SEIZURES
AND EVEN MORE BLEEDING.

424
00:20:42,328 --> 00:20:45,331
I THOUGHT IT WAS TUESDAY,
AND IT'S NOT TUESDAY.

425
00:20:45,374 --> 00:20:46,897
AND SO I CAN'T TELL YOU.

426
00:20:46,941 --> 00:20:48,029
COULD WE HAVE A MINUTE?

427
00:20:48,072 --> 00:20:49,639
SURE.

428
00:20:49,683 --> 00:20:50,988
WHAT WOULD HE WANT?

429
00:20:51,032 --> 00:20:53,469
I DON'T WANT TO
MAKE THE DECISION.

430
00:20:53,513 --> 00:20:57,952
DIANA, YOU KNOW,
ONE TIME SPENCER TOLD ME

431
00:20:57,995 --> 00:21:00,389
THAT YOU AND I ARE TWO OF
THE SMARTEST PEOPLE HE KNOWS.

432
00:21:00,433 --> 00:21:02,086
I GUESS THERE'S
SOME STUDY THAT SHOWS

433
00:21:02,130 --> 00:21:05,307
THAT THE HEART AND
THE STOMACH HAVE LIKE
CELLS OF CONSCIOUSNESS,

434
00:21:05,351 --> 00:21:06,700
LIKE A SECOND BRAIN.

435
00:21:06,743 --> 00:21:08,876
AND I GET IT THAT YOUR
BRAIN HAS DONE THINGS

436
00:21:08,919 --> 00:21:10,443
TO ATTACK SPENCER
SOMETIMES,

437
00:21:10,486 --> 00:21:13,881
BUT YOUR HEART AND YOUR GUTS
HAVE ALWAYS KNOWN

438
00:21:13,924 --> 00:21:15,075
WHAT'S BEST FOR HIM.
AM I RIGHT?

439
00:21:15,099 --> 00:21:16,318
YES.

440
00:21:16,362 --> 00:21:17,817
SO WE'RE JUST GONNA
USE OUR BRILLIANT INSIDES

441
00:21:17,841 --> 00:21:20,540
TO MAKE A BRILLIANT CHOICE
FOR SPENCER RIGHT NOW, OK?

442
00:21:25,196 --> 00:21:26,328
OHH!

443
00:21:26,372 --> 00:21:27,808
WHAT'S HAPPENING
TO MY BOY?

444
00:21:30,027 --> 00:21:31,899
WHAT IS HAPPENING
TO HIM?

445
00:21:31,942 --> 00:21:34,380
LOOK, THERE'S
NO WRONG CHOICE,

446
00:21:34,423 --> 00:21:36,904
BUT YOU HAVE TO DECIDE.

447
00:21:36,947 --> 00:21:39,210
YOU CAN STICK AROUND
ON THE BLUE MARBLE

448
00:21:39,254 --> 00:21:42,388
OR TRAVEL OUT INTO
THE GREAT UNKNOWN.

449
00:21:43,171 --> 00:21:44,912
IT'S TIME.

450
00:21:46,043 --> 00:21:48,350
WHAT ARE YOU GONNA DO?

451
00:21:59,100 --> 00:22:01,624
YOU REMEMBER OUR
ONE AND ONLY FIGHT?

452
00:22:01,668 --> 00:22:03,539
ABOUT THE WORLD'S
GREATEST POET?

453
00:22:03,583 --> 00:22:05,802
WE WERE ON THE PHONE
FOR, I THINK, 4 HOURS.

454
00:22:10,894 --> 00:22:13,854
YOU NEED TO FIND THAT
KIND OF PASSION
WITH SOMEONE AGAIN.

455
00:22:16,291 --> 00:22:17,727
FIRST I NEED TO KNOW

456
00:22:17,771 --> 00:22:20,382
IF YOUR FAVORITE
IS STILL...

457
00:22:20,426 --> 00:22:22,297
E.E. CUMMINGS.

458
00:22:22,341 --> 00:22:25,344
"WHENEVER YOU THINK
OR YOU BELIEVE OR YOU KNOW,

459
00:22:25,387 --> 00:22:26,997
"YOU'RE A LOT OF
OTHER PEOPLE,

460
00:22:27,041 --> 00:22:31,698
BUT THE MOMENT YOU FEEL,
YOU'RE NOBODY BUT YOURSELF."

461
00:22:31,741 --> 00:22:34,265
"TO BE NOBODY
BUT YOURSELF...

462
00:22:34,309 --> 00:22:36,659
"IN A WORLD WHICH
IS DOING ITS BEST
NIGHT AND DAY

463
00:22:36,703 --> 00:22:38,400
"TO MAKE YOU
EVERYBODY ELSE

464
00:22:38,444 --> 00:22:42,404
"MEANS TO FIGHT...
THE HARDEST BATTLE

465
00:22:42,448 --> 00:22:44,493
"WHICH ANY HUMAN
BEING CAN FIGHT;

466
00:22:44,537 --> 00:22:46,800
AND NEVER
STOP FIGHTING."

467
00:22:54,764 --> 00:22:56,636
SPENCER.

468
00:23:08,125 --> 00:23:09,692
SPENCER.

469
00:23:10,867 --> 00:23:12,695
CAN YOU HEAR ME?

470
00:23:14,915 --> 00:23:16,525
HI.

471
00:23:16,569 --> 00:23:18,135
THAT'S A GOOD SIGN.

472
00:23:18,179 --> 00:23:19,485
IS HE GONNA BE OK?

473
00:23:19,528 --> 00:23:21,791
HE'S PUTTING UP
ONE HELL OF A FIGHT.

474
00:23:21,835 --> 00:23:23,465
BUT IT'S STILL TOO EARLY
TO KNOW FOR SURE.

475
00:23:23,489 --> 00:23:25,404
I NEED TO KEEP HIM
HERE FOR TESTS.

476
00:23:25,447 --> 00:23:27,797
EXCUSE ME.

477
00:23:31,497 --> 00:23:32,672
HEY.HOW IS HE?

478
00:23:32,715 --> 00:23:34,761
THANK GOD.

479
00:23:34,804 --> 00:23:35,805
IS HE AWAKE?

480
00:23:35,849 --> 00:23:37,328
HE OPENED HIS EYES
FOR A SECOND.

481
00:23:37,372 --> 00:23:38,634
IT'S PROGRESS.

482
00:23:38,678 --> 00:23:40,307
PLEASE TELL HIM I WILL
BE THERE AS SOON AS I CAN.

483
00:23:40,331 --> 00:23:41,657
YOU BET I WILL.
WHAT'S GOING ON
WITH LYNCH?

484
00:23:41,681 --> 00:23:43,683
WE'RE THINKING GRACE'S
MOM MIGHT BE A CLUE

485
00:23:43,726 --> 00:23:44,858
TO WHERE HE'S GOING.

486
00:23:44,901 --> 00:23:47,687
I REMEMBER WE DIDN'T
HAVE A LOT ON HER.

487
00:23:47,730 --> 00:23:52,169
LIZ COSTER. SHE GAVE
BIRTH TO GRACE WHEN
SHE WAS 22.

488
00:23:52,213 --> 00:23:55,390
AND SHE OD'd ON OXY 5 YEARS AGO.

489
00:23:55,434 --> 00:23:56,565
UHH.

490
00:23:56,609 --> 00:23:58,480
WHAT'S UP, DAVE?

491
00:23:58,524 --> 00:24:00,482
LYNCH WROTE ME
INTO HIS STORY.

492
00:24:00,526 --> 00:24:02,049
I'VE GOT TO BE PART
OF HIS END GAME.

493
00:24:02,092 --> 00:24:05,008
I NEED MORE SECURITY
FOR KRYSTALL.

494
00:24:06,967 --> 00:24:09,012
I SAW HIS BADGE,
I JUST OPENED THE DOOR.

495
00:24:09,056 --> 00:24:10,840
I'M SO SORRY.

496
00:24:12,538 --> 00:24:14,235
YOU FIGURE IT OUT
YET, DAVID?

497
00:24:14,278 --> 00:24:16,518
I'VE GOT SOMETHING
YOU NEED, AND YOU'RE
HOLDING MY WIFE HOSTAGE

498
00:24:16,542 --> 00:24:17,717
UNTIL YOU GET IT?

499
00:24:17,760 --> 00:24:20,546
CALL IN ALL YOUR FAVORS.
IT'S GONNA BE A DOOZY.

500
00:24:22,809 --> 00:24:24,767
THEY'RE NEAR CENTERPORT.

501
00:24:24,811 --> 00:24:25,725
WE NEED A PLAN.

502
00:24:25,768 --> 00:24:27,553
WHAT KIND OF PLAN? A GREAT PLAN.

503
00:24:27,596 --> 00:24:30,991
I KNOW WHAT HE WANTS.
CALL THE DIRECTOR,
NO ONE ELSE.

504
00:24:31,034 --> 00:24:32,862
THIS ONLY WORKS
IF IT'S NEED TO KNOW.

505
00:24:32,906 --> 00:24:33,863
WHAT IS IT?

506
00:24:33,907 --> 00:24:35,952
WE'RE GONNA HAVE TO
MAKE A TRADE.

507
00:24:37,519 --> 00:24:39,782
HAS HE BEEN HERE BEFORE?

508
00:24:39,826 --> 00:24:42,176
IN THE HOSPITAL,
LIKE THIS?

509
00:24:42,219 --> 00:24:43,482
YES.

510
00:24:43,525 --> 00:24:46,136
WERE YOU HERE FOR HIM?

511
00:24:46,180 --> 00:24:47,137
YES.

512
00:24:47,181 --> 00:24:48,574
AW, HOW AWFUL.

513
00:24:48,617 --> 00:24:50,880
IT WAS, ACTUALLY.

514
00:24:50,924 --> 00:24:54,797
AND THEN THERE WAS
THE TIME AGENT HOTCHNER
WAS IN THE HOSPITAL.

515
00:24:54,841 --> 00:24:56,843
AND MORGAN'S WIFE.

516
00:24:58,018 --> 00:24:59,846
AND JJ EARLIER THIS YEAR

517
00:24:59,889 --> 00:25:01,500
AND... ME.

518
00:25:04,807 --> 00:25:06,219
LET THEM KNOW
WE'RE COMING IN. CODE 3.

519
00:25:06,243 --> 00:25:08,637
YEAH, I'VE...

520
00:25:08,681 --> 00:25:12,162
I'VE ACTUALLY BEEN IN
HOSPITALS MORE TIMES

521
00:25:12,206 --> 00:25:14,208
THAN I AM CARING TO ADMIT.

522
00:25:14,251 --> 00:25:19,474
SOMETIMES I THINK
THERE'S GOT TO BE
A BETTER WAY, YOU KNOW.

523
00:25:23,522 --> 00:25:25,219
THERE'S GOT TO BE
A BETTER PLACE.

524
00:25:25,262 --> 00:25:28,309
THERE IS.
THERE IS FOR ALL OF US.

525
00:25:30,311 --> 00:25:34,533
SPENCER, I SAW SOME
CUMULIFORM HEAPS TODAY.

526
00:25:34,576 --> 00:25:36,883
HIS FAVORITE CLOUDS.

527
00:25:36,926 --> 00:25:38,449
I PLUCKED THAT FOR HIM.

528
00:25:38,493 --> 00:25:41,278
EVERYTHING IS UP THERE.

529
00:25:41,322 --> 00:25:44,586
AND WE PLUCK WHAT WE
WANT WHEN WE WANT

530
00:25:44,630 --> 00:25:46,849
AND WE LET GO
WHAT WE DON'T.

531
00:25:46,893 --> 00:25:48,851
THAT SOUNDS VERY GOOD.

532
00:25:48,895 --> 00:25:54,030
OK, I AM PLUCKING
A MEMORY ABOUT...

533
00:25:54,074 --> 00:25:58,861
SPENCER'S EYES, AND THEY
ARE BROWN WITH GOLD
ON THE OUTSIDE.

534
00:25:58,905 --> 00:26:01,864
I THINK THEY'RE GOLD
ON THE INSIDE.

535
00:26:04,780 --> 00:26:06,869
GOLD ON THE INSIDE.

536
00:26:06,913 --> 00:26:08,131
GOLD ON THE INSIDE.

537
00:26:08,175 --> 00:26:10,438
HEY, WE WERE JUST PLUCKING
EYE MEMORIES OF YOU.

538
00:26:10,481 --> 00:26:11,613
I HEARD YOU.

539
00:26:11,657 --> 00:26:14,747
FORGOT HOW MUCH I LOVED
THOSE CLOUDS, MOM.

540
00:26:14,790 --> 00:26:16,183
YOU HELPED ME REMEMBER.

541
00:26:16,226 --> 00:26:18,098
I DID, HUH?

542
00:26:18,141 --> 00:26:20,448
WELL, MAYBE I CAN
COME BACK TOMORROW

543
00:26:20,491 --> 00:26:22,842
AND WE CAN WATCH
CLOUDS TOGETHER.

544
00:26:22,885 --> 00:26:24,800
AM I ALIVE,
OR IS THIS HEAVEN?

545
00:26:24,844 --> 00:26:27,194
SWEETIE, YOU ARE
VERY MUCH ALIVE.

546
00:26:31,502 --> 00:26:34,157
THERE'S GONNA BE
TWO SUVs PULLING IN.

547
00:26:34,201 --> 00:26:35,463
I'M IN THE FIRST ONE.

548
00:26:35,506 --> 00:26:36,551
OK.

549
00:26:36,595 --> 00:26:37,770
FALL IN BEHIND ME.

550
00:27:01,837 --> 00:27:02,795
NO, NO, NO, NO.
NOPE, NOPE, NOPE.

551
00:27:02,838 --> 00:27:03,839
AHH!
NO.

552
00:27:03,883 --> 00:27:04,840
PUT THEM AWAY.

553
00:27:04,884 --> 00:27:06,146
YOU OK?

554
00:27:06,189 --> 00:27:07,582
HE DIDN'T HURT ME.

555
00:27:07,626 --> 00:27:08,670
LYNCH,
WE NEED MORE TIME.

556
00:27:08,714 --> 00:27:11,847
OUR PILOTS REFUSE TO
LEAVE U.S. AIRSPACE.

557
00:27:11,891 --> 00:27:13,370
YOU DIDN'T PROFILE
THAT ABOUT ME?

558
00:27:13,414 --> 00:27:16,025
YOU SEE, THE WEALTHY
LADIES THAT I SEDUCE,

559
00:27:16,069 --> 00:27:17,723
THEY ARE SUCKERS
FOR A REAL-LIFE PILOT.

560
00:27:17,766 --> 00:27:19,594
HA HA!

561
00:27:19,638 --> 00:27:21,552
SO YOU GOT THE KEYS?
YOU FUELED UP,
READY TO GO?

562
00:27:21,596 --> 00:27:23,380
ONE CONDITION.
TAKE ME.

563
00:27:23,424 --> 00:27:25,078
SHE'S GOT NOTHING
TO DO WITH THIS.

564
00:27:25,121 --> 00:27:27,167
I NEED A HOSTAGE, DAVE,
NOT A MARTYR.

565
00:27:27,210 --> 00:27:28,603
NO!

566
00:27:28,647 --> 00:27:30,387
YOU PUT ME ON
THAT PLANE WITH YOU

567
00:27:30,431 --> 00:27:32,738
WITH YOU AND NOBODY'S
GONNA SHOOT YOU OUT
OF THE SKY.

568
00:27:32,781 --> 00:27:36,263
THEY'LL LET YOU LAND,
YOU'LL DISAPPEAR,

569
00:27:36,306 --> 00:27:38,047
AND YOU'LL NEVER
HEAR FROM ME AGAIN.

570
00:27:38,091 --> 00:27:40,615
HOW DO YOU KNOW YOU'D
LIVE TO TELL ABOUT IT?

571
00:27:40,659 --> 00:27:43,487
I'M WILLING TO TAKE
THAT RISK.

572
00:27:45,751 --> 00:27:47,448
YEAH?

573
00:27:53,541 --> 00:27:54,629
ALL RIGHT, LET'S GO.

574
00:27:56,109 --> 00:27:58,328
PAT YOUR HUSBAND DOWN
FOR ME, WILL YOU, DOLL?

575
00:27:58,372 --> 00:27:59,721
AND LOSE THE VEST.

576
00:28:01,027 --> 00:28:03,159
LET'S GO.
WE'RE WASTING TIME.

577
00:28:03,203 --> 00:28:04,508
MY GUN'S IN THE CAR.

578
00:28:04,552 --> 00:28:07,642
THIS CAN'T BE
HOW IT ENDS.

579
00:28:08,643 --> 00:28:09,557
I LOVE YOU.

580
00:28:09,600 --> 00:28:11,167
I LOVE YOU.

581
00:28:12,473 --> 00:28:15,128
ALL RIGHT, PUT
THESE ON, OLD MAN.

582
00:28:17,652 --> 00:28:18,958
COME ON.

583
00:28:19,001 --> 00:28:20,611
I LOVE YOU.

584
00:28:23,005 --> 00:28:24,311
THERE'S NO SHOT.

585
00:28:24,354 --> 00:28:25,965
LYNCH WON'T GIVE US
A LINE OF SIGHT.

586
00:28:42,416 --> 00:28:43,765
SIT DOWN.

587
00:28:50,467 --> 00:28:55,646
GROUND, THIS IS
GULF NOVEMBER 3-4
JULIET ECHO 1-1

588
00:28:55,690 --> 00:28:57,736
REQUESTING PERMISSION
TO TAXI FOR DEPARTURE.

589
00:28:57,779 --> 00:29:00,782
GROUND TO GULF
NOVEMBER 3-4 JULIET ECHO 1-1.

590
00:29:00,826 --> 00:29:02,978
WE ARE CURRENTLY CLEARING
THE JETWAY FOR YOUR DEPARTURE

591
00:29:03,002 --> 00:29:04,307
ON RUNWAY 2-5.

592
00:29:04,351 --> 00:29:05,569
PLEASE STAND BY.

593
00:29:05,613 --> 00:29:06,962
ROGER THAT.

594
00:29:07,006 --> 00:29:10,226
YOU KNOW, THERE'S SO MANY
BRIGHT SIDES TO WHAT I DO.

595
00:29:10,270 --> 00:29:12,925
I GUESS YOU CAN CALL ME
A LIFELONG LEARNER.

596
00:29:12,968 --> 00:29:15,362
WHEN I WAS 19,
I TAUGHT MYSELF SPANISH.

597
00:29:15,405 --> 00:29:17,862
I ALWAYS FIGURED
THE BEACHES OF MEXICO
WOULD BE A BEAUTIFUL PLACE

598
00:29:17,886 --> 00:29:19,322
TO SPEND THE REST
OF MY DAYS.

599
00:29:19,366 --> 00:29:21,300
PRENTISS, COME ON, YOU
SAID WE NEEDED A GREAT PLAN.

600
00:29:21,324 --> 00:29:22,630
AND WE HAVE ONE.

601
00:29:22,673 --> 00:29:24,937
IT STARTED 20 YEARS
AGO WHEN DAVID ROSSI

602
00:29:24,980 --> 00:29:27,591
AND JASON GIDEON SUBMITTED
THEIR FIRST REQUISITION

603
00:29:27,635 --> 00:29:28,984
FOR A PRIVATE JET.

604
00:29:29,028 --> 00:29:31,552
THERE ARE THINGS NONE OF
YOU KNOW ABOUT THAT JET.

605
00:29:33,119 --> 00:29:34,860
THINK YOU'LL BE
SATISFIED?

606
00:29:34,903 --> 00:29:37,427
LAYING LOW IN MEXICO?

607
00:29:37,471 --> 00:29:38,602
YEAH, YEAH.

608
00:29:38,646 --> 00:29:39,995
I'LL KEEP MYSELF BUSY.

609
00:29:40,039 --> 00:29:43,259
GROUND TO GULF
NOVEMBER 3-4 JULIET ECHO 1-1.

610
00:29:43,303 --> 00:29:44,783
TAXI TO RUNWAY 2-5.

611
00:29:44,826 --> 00:29:46,697
HOLD SHORT OF DELTA.ROGER THAT.

612
00:29:46,741 --> 00:29:49,396
I MEAN, JUST THINK ABOUT
ALL THOSE LONELY BEAUTIES
DOWN THERE.

613
00:29:49,439 --> 00:29:50,895
NO, NO, NO, IT'S DEFINITELY
THE PERFECT PLACE

614
00:29:50,919 --> 00:29:52,965
FOR A GUY LIKE ME
TO DISAPPEAR,

615
00:29:53,008 --> 00:29:55,010
GET ON WITH THE REST
OF MY LIFE.

616
00:29:59,841 --> 00:30:01,625
AHH!

617
00:30:05,020 --> 00:30:07,675
HA HA HA!

618
00:30:09,808 --> 00:30:10,852
OK.

619
00:30:20,340 --> 00:30:21,863
AH, THANK GOODNESS.

620
00:30:21,907 --> 00:30:23,909
ROSSI. ROSSI, COME ON.

621
00:30:31,307 --> 00:30:33,005
FIRE AT
THE FUEL TANK.

622
00:30:34,745 --> 00:30:36,051
UHH.

623
00:30:43,406 --> 00:30:45,060
GET BACK!
TAKE COVER.

624
00:30:55,723 --> 00:30:57,203
OK.

625
00:31:34,327 --> 00:31:37,243
IT'S GONNA BE
A HELL OF A PARTY.

626
00:31:37,286 --> 00:31:38,940
YEP.

627
00:31:38,984 --> 00:31:41,290
YOU OK?

628
00:31:41,334 --> 00:31:43,814
I WILL BE.
IT'S JUST...

629
00:31:43,858 --> 00:31:45,512
HARD TO BELIEVE,
YOU KNOW.

630
00:31:54,738 --> 00:31:58,307
HEY, SOMEONE KNOWS
HOW TO THROW A PARTY.

631
00:31:58,351 --> 00:32:01,876
♪ I SAW YOU STANDING

632
00:32:01,920 --> 00:32:06,315
♪ BEHIND THE LOOKING GLASS...

633
00:32:06,359 --> 00:32:09,318
THEY SAY THAT GOOD THINGS
HAPPEN TO GOOD PEOPLE.

634
00:32:09,362 --> 00:32:10,319
CHEERS.

635
00:32:10,363 --> 00:32:14,976
♪ TAKE WHAT YOU WANT

636
00:32:15,020 --> 00:32:18,327
♪ BUT TAKE IT FAST

637
00:32:20,460 --> 00:32:23,550
♪ OH

638
00:32:27,946 --> 00:32:31,166
♪ I FEEL LIKE DANCING

639
00:32:36,519 --> 00:32:39,958
♪ IT WON'T BE LONG

640
00:32:40,001 --> 00:32:46,399
♪ TILL I'M BACK

641
00:32:50,185 --> 00:32:51,534
WOW.

642
00:32:51,578 --> 00:32:54,668
HOW MANY PARTIES
HAVE YOU THROWN?

643
00:32:54,711 --> 00:32:55,974
NOT NEAR ENOUGH.

644
00:32:56,017 --> 00:32:57,410
HA HA HA.

645
00:32:57,453 --> 00:33:00,804
NOW THIS IS
A PERFECT BACKYARD.

646
00:33:00,848 --> 00:33:02,502
YOU TWO HOUSE HUNTING?

647
00:33:02,545 --> 00:33:04,765
IN DENVER.

648
00:33:04,808 --> 00:33:06,375
DON'T WORRY,
I'M NOT LEAVING.

649
00:33:06,419 --> 00:33:09,552
I'M KEEPING MY PLACE
HERE, BUT WE ARE LOOKING
AT LAND OUT THERE.

650
00:33:09,596 --> 00:33:11,337
IT'S A GOOD TIME
TO INVEST.

651
00:33:11,380 --> 00:33:12,642
ABSOLUTELY.

652
00:33:12,686 --> 00:33:16,777
HEY, LOOKING GOOD, DAVE.
HOW'S THE LEG?

653
00:33:16,820 --> 00:33:18,300
WELL, IT'S BEEN
A LONG MONTH,

654
00:33:18,344 --> 00:33:20,259
BUT I'M BACK
IN BUSINESS.

655
00:33:20,302 --> 00:33:21,869
BUT HOW'S THAT
LITTLE ROSE DOING?

656
00:33:21,912 --> 00:33:23,566
SHE'S THE BEST
BABY EVER.

657
00:33:23,610 --> 00:33:27,222
MAYBE BECAUSE IT'S
NUMBER 5 AND NOT MUCH
CAN SURPRISE US ANYMORE.

658
00:33:27,266 --> 00:33:28,983
MAYBE IT'S BECAUSE WE'RE
ACTUALLY GETTING SLEEP.

659
00:33:29,007 --> 00:33:31,183
OH, NOT TONIGHT
YOU'RE NOT, MY FRIEND.

660
00:33:31,226 --> 00:33:34,186
THIS IS GONNA BE
THE CELEBRATION TO
END ALL CELEBRATIONS.

661
00:33:34,229 --> 00:33:35,709
FULL COMMITMENT
FROM EVERYONE.

662
00:33:35,752 --> 00:33:37,145
YOU GOT IT.

663
00:33:37,189 --> 00:33:39,539
CAN'T BELIEVE IT.
THE BAND IS BREAKING UP.

664
00:33:39,582 --> 00:33:40,583
HOW YOU
FEELING, KID?

665
00:33:40,627 --> 00:33:41,584
I'M FEELING GREAT,

666
00:33:41,628 --> 00:33:42,735
AND I'M STARTING
BACK NEXT WEEK.

667
00:33:42,759 --> 00:33:44,085
CAN'T LET THE TEAM
BE DOWN TWO MEMBERS.

668
00:33:44,109 --> 00:33:46,328
OH, COME ON, TEACHING
AND CONSULTING?

669
00:33:46,372 --> 00:33:47,416
YOU'RE MAKING ME
LOOK BAD.

670
00:33:47,460 --> 00:33:49,027
JUST DOING WHAT I LOVE.

671
00:33:49,070 --> 00:33:51,507
HEY, I WILL
DRINK TO THAT.

672
00:33:51,551 --> 00:33:54,597
UH, YOU'RE NOT SUPPOSED
TO START THE FESTIVITIES

673
00:33:54,641 --> 00:33:57,383
UNTIL THE BELLE OF
BALL HAS ARRIVED.

674
00:33:57,426 --> 00:33:58,906
DON'T WORRY, OK,

675
00:33:58,949 --> 00:34:01,082
'CAUSE THIS IS GONNA
BE THE FIRST OF MANY.

676
00:34:01,126 --> 00:34:02,823
PENELOPE,
CONGRATULATIONS.

677
00:34:02,866 --> 00:34:05,260
HERE I THOUGHT WE WERE
COMING TO CELEBRATE
DAVE'S RETIREMENT,

678
00:34:05,304 --> 00:34:07,306
BUT MATT SAID IT IS
YOUR FAREWELL PARTY.

679
00:34:07,349 --> 00:34:09,134
AND YOU HAD LIKE
A HUNDRED OFFERS.

680
00:34:09,177 --> 00:34:11,614
OH, THAT'S ONLY IF
YOU ROUND UP, BUT YES.

681
00:34:11,658 --> 00:34:13,834
ANYWAY, IT'S NONPROFIT,
IT'S CLOSE TO HERE,

682
00:34:13,877 --> 00:34:17,098
AND THE DRESS CODE ISN'T
ALL FBI CONSERVATIVE LIKE
I'VE BEEN HAVING TO DO.

683
00:34:17,142 --> 00:34:20,319
I'M STILL IN DENIAL
THAT YOU'RE LEAVING.

684
00:34:20,362 --> 00:34:21,885
IT WON'T BE THE SAME
WITHOUT YOU.

685
00:34:21,929 --> 00:34:23,191
BETTER NOT BE.

686
00:34:23,235 --> 00:34:25,889
DAVE DECIDED HE WASN'T
GOING TO RETIRE.

687
00:34:25,933 --> 00:34:27,302
HE DIDN'T WANT THE TEAM
TO GO THROUGH TOO MUCH

688
00:34:27,326 --> 00:34:29,284
OF A TRANSITION
ALL AT ONCE.

689
00:34:29,328 --> 00:34:31,417
THAT'S 'CAUSE
DAVE'S NEVER GONNA
ACTUALLY DO IT.

690
00:34:32,722 --> 00:34:34,463
HEY, LOOK, BEING
WITH YOU ALL,

691
00:34:34,507 --> 00:34:38,119
DOING WHAT FEW OTHERS CAN,

692
00:34:38,163 --> 00:34:39,947
THAT'S WHERE I BELONG.

693
00:34:41,296 --> 00:34:43,951
BUT THIS NIGHT IS
NOT ABOUT ME.

694
00:34:43,994 --> 00:34:46,345
TO OUR BELOVED PENELOPE.

695
00:34:46,388 --> 00:34:47,346
OHH!

696
00:34:47,389 --> 00:34:49,435
- A SALUT.
- A SALUT.

697
00:34:51,785 --> 00:34:58,270
♪ AND YOU,
YOU WILL BE QUEEN ♪

698
00:35:00,794 --> 00:35:04,145
♪ THOUGH NOTHING

699
00:35:04,189 --> 00:35:06,408
♪ WILL DRIVE US AWAY

700
00:35:08,280 --> 00:35:12,849
♪ WE CAN BE HEROES

701
00:35:12,893 --> 00:35:14,329
♪ JUST FOR ONE DAY

702
00:35:14,373 --> 00:35:15,722
JUST FOR ONE DAY,
BABY.

703
00:35:15,765 --> 00:35:17,506
JUST FOR ONE DAY.

704
00:35:17,550 --> 00:35:19,595
♪ WE CAN BE US

705
00:35:21,641 --> 00:35:23,599
♪ JUST FOR ONE DAY

706
00:35:26,907 --> 00:35:30,258
♪ I

707
00:35:30,302 --> 00:35:32,391
♪ I CAN REMEMBER

708
00:35:32,434 --> 00:35:35,307
♪ I CAN REMEMBER

709
00:35:35,350 --> 00:35:38,266
♪ STANDING

710
00:35:38,310 --> 00:35:40,486
♪ BY THE WALL

711
00:35:40,529 --> 00:35:44,359
♪ BY THE WALL,
BY THE WALL ♪

712
00:35:44,403 --> 00:35:45,926
AND AGAIN!

713
00:35:47,449 --> 00:35:49,538
♪ SHOT ABOVE OUR HEADS

714
00:35:49,582 --> 00:35:51,714
♪ ABOVE OUR HEADS

715
00:35:51,758 --> 00:35:52,889
♪ AND WE KISSED

716
00:35:52,933 --> 00:35:54,326
KISS!

717
00:35:54,369 --> 00:35:57,546
♪ AS THOUGH NOTHING
COULD FALL ♪

718
00:35:57,590 --> 00:36:00,114
♪ NOTHING COULD FALL

719
00:36:00,158 --> 00:36:01,985
♪ AND THE SHAME

720
00:36:02,029 --> 00:36:03,378
THE SHAME!

721
00:36:03,422 --> 00:36:04,510
SHAME!

722
00:36:04,553 --> 00:36:08,383
♪ WAS ON THE OTHER SIDE

723
00:36:08,427 --> 00:36:12,213
♪ OH, WE CAN BEAT THEM

724
00:36:12,257 --> 00:36:14,955
♪ FOREVER AND EVER

725
00:36:17,131 --> 00:36:21,353
♪ THEN WE COULD BE HEROES

726
00:36:21,396 --> 00:36:23,703
♪ JUST FOR ONE DAY

727
00:36:29,491 --> 00:36:32,712
♪ WE COULD BE HEROES

728
00:36:38,065 --> 00:36:41,416
♪ WE COULD BE HEROES

729
00:36:45,072 --> 00:36:47,422
♪ WE DON'T NEED NO...

730
00:36:51,513 --> 00:36:53,559
THANK YOU.

731
00:36:56,736 --> 00:36:58,607
SO, UH...

732
00:37:02,089 --> 00:37:06,093
I WAS THINKING SINCE
WE'RE NOT GONNA WORK
TOGETHER ANYMORE,

733
00:37:06,136 --> 00:37:08,617
THAT, UH,

734
00:37:08,661 --> 00:37:10,576
MAYBE I COULD
TAKE YOU TO DINNER.

735
00:37:13,231 --> 00:37:14,449
YEAH.

736
00:37:15,624 --> 00:37:17,060
YEAH?

737
00:37:17,104 --> 00:37:18,279
YEAH.

738
00:37:18,323 --> 00:37:19,367
WE'LL EAT.

739
00:37:19,411 --> 00:37:20,890
I... YEAH.

740
00:37:21,978 --> 00:37:23,589
COOL.
MM-HMM.

741
00:37:24,807 --> 00:37:27,114
PENELOPE REMINDS
ALL OF US

742
00:37:27,157 --> 00:37:28,855
THAT CHANGE IS GOOD...

743
00:37:28,898 --> 00:37:30,552
PAINFUL, BUT GOOD.

744
00:37:30,596 --> 00:37:35,035
AND AS MUCH PAIN AS
LYNDA BARNES CAUSED
ALL OF US,

745
00:37:35,078 --> 00:37:37,733
SHE HAS INSPIRED ME
TO CHANGE.

746
00:37:37,777 --> 00:37:39,909
SO I'M CUTTING ALL
MY HAIR OFF. GET READY.

747
00:37:42,869 --> 00:37:46,481
SO, UM, I'VE GROWN
UP WITH PENELOPE,

748
00:37:46,525 --> 00:37:49,789
NOT AS KIDS, BUT AS ADULTS.

749
00:37:49,832 --> 00:37:53,401
AND SHE HAS BECOME
MY SISTER...

750
00:37:53,445 --> 00:37:57,797
THERE FOR ME WHEREVER
I'VE FOUND MYSELF.

751
00:37:57,840 --> 00:38:00,452
ONCE SHE SAID THAT I WAS

752
00:38:00,495 --> 00:38:03,455
THE GLUE THAT KEPT
THIS TEAM TOGETHER.

753
00:38:03,498 --> 00:38:06,066
BUT WE ALL KNOW

754
00:38:06,109 --> 00:38:07,763
THAT THAT WAS REALLY YOU.

755
00:38:13,378 --> 00:38:17,730
SO WE'RE AT THE BEGINNING
OF THE END.

756
00:38:17,773 --> 00:38:21,473
AND THIS TIME NEXT WEEK,
WE'RE NOT GONNA BE TOGETHER

757
00:38:21,516 --> 00:38:23,910
LIKE WE HAVE BEEN FOR
AS LONG AS I CAN REMEMBER.

758
00:38:23,953 --> 00:38:29,394
I NEED YOU EACH TO KNOW
THAT YOU HOLD A REALLY
SPECIAL PLACE IN MY HEART.

759
00:38:29,437 --> 00:38:30,612
AND...

760
00:38:30,656 --> 00:38:34,050
I WANT TO FREEZE
RIGHT NOW.

761
00:38:34,094 --> 00:38:37,532
I WANT TO SOAK THIS IN.

762
00:38:48,369 --> 00:38:51,764
THERE, I DID.

763
00:38:53,940 --> 00:38:58,379
THANK YOU FOR LETTING ME
BE A PART OF THIS FOR SO LONG.

764
00:38:58,423 --> 00:39:01,034
AND THANK YOU FOR
REMINDING ME

765
00:39:01,077 --> 00:39:04,298
THAT THERE IS AN INFINITE
AMOUNT OF HEROISM

766
00:39:04,342 --> 00:39:06,213
AND KINDNESS IN THE WORLD,

767
00:39:06,256 --> 00:39:08,998
NO MATTER HOW BLEAK
IT SEEMS.

768
00:39:10,435 --> 00:39:13,394
MY FAVORITE BAND SAYS
THE LOVE YOU TAKE

769
00:39:13,438 --> 00:39:14,700
IS EQUAL TO
THE LOVE YOU MAKE.

770
00:39:14,743 --> 00:39:17,485
SO INSTEAD OF A TOAST,

771
00:39:17,529 --> 00:39:19,487
I WANT TO MAKE A PROMISE.

772
00:39:19,531 --> 00:39:23,273
CAN WE PLEASE PROMISE THAT
NO MATTER WHERE WE GO AFTER THIS

773
00:39:23,317 --> 00:39:28,627
THAT WE KEEP THIS
FEELING IN OUR HEARTS?

774
00:39:28,670 --> 00:39:29,715
CHEERS.

775
00:39:29,758 --> 00:39:31,194
SALUT!

776
00:39:32,587 --> 00:39:34,459
SALUT!

777
00:39:48,255 --> 00:39:50,736
OK, LADY AND GENT,
I KNOW THEY JUST LOOK
LIKE BOXES,

778
00:39:50,779 --> 00:39:52,999
BUT ONE OF THOSE IS
A VINTAGE STAPLER COLLECTION,

779
00:39:53,042 --> 00:39:54,435
SO BE CAREFUL.

780
00:39:54,479 --> 00:39:55,436
THANK YOU SO MUCH.

781
00:39:55,480 --> 00:39:57,090
WHAT'S WITH
THE BOX BRIGADE?

782
00:39:57,133 --> 00:39:59,242
I THOUGHT YOU WEREN'T LEAVING
TILL THE END OF THE WEEK.

783
00:39:59,266 --> 00:40:02,835
WAIT, MOVING OUT OF
HERE LIKE THE COLTS
DID BALTIMORE?

784
00:40:02,878 --> 00:40:04,576
OK, NO ONE KNOWS
WHAT THAT MEANS.

785
00:40:04,619 --> 00:40:06,795
SO YOU WEREN'T GONNA
TELL US?

786
00:40:09,102 --> 00:40:11,626
IT'S JUST THAT LAST NIGHT
WAS SUCH A PERFECT GOOD-BYE,

787
00:40:11,670 --> 00:40:13,715
RIGHT, AND I THOUGHT
WHY NOT END ON A HIGH?

788
00:40:13,759 --> 00:40:15,238
PENELOPE.

789
00:40:15,282 --> 00:40:17,632
I CAN SEE I WAS WRONG.

790
00:40:17,676 --> 00:40:19,895
LOOK, I GOT SOME
TREATS FOR THE MOVERS.

791
00:40:19,939 --> 00:40:22,463
AND I COULD PUT THE KETTLE
ON AND WE COULD HAVE TEA

792
00:40:22,507 --> 00:40:23,769
LIKE CIVILIZED PEOPLE.

793
00:40:23,812 --> 00:40:24,987
YEAH?

794
00:40:25,031 --> 00:40:26,815
WE CAN TRY.

795
00:40:26,859 --> 00:40:28,817
DON'T BALEFULLY LOOK AT ME.
I'M REALLY SORRY.

796
00:40:31,211 --> 00:40:33,779
SO YOU EXPECTING
THE QUEEN?

797
00:40:33,822 --> 00:40:35,433
ALWAYS.

798
00:40:35,476 --> 00:40:38,697
I BEQUEATH THIS...

799
00:40:38,740 --> 00:40:40,307
TO YOU.

800
00:40:40,350 --> 00:40:41,700
PLEASE TAKE CARE OF HER.

801
00:40:41,743 --> 00:40:48,489
AHH. AND HERE I THOUGHT
I WAS OUT OF TEARS.

802
00:40:50,186 --> 00:40:51,579
OH, AND, UM,

803
00:40:51,623 --> 00:40:55,235
I KNOW THAT THERE'S NOT
8 OF US ANYMORE, BUT.

804
00:40:57,237 --> 00:40:59,631
I'M GONNA NAME HER MILDRED.

805
00:41:00,675 --> 00:41:02,721
OH.

806
00:41:02,764 --> 00:41:05,637
WE WILL DEBRIEF
ON THE JET.
WHEELS UP.

807
00:41:05,680 --> 00:41:07,726
WE GOT A NEW ONE?

808
00:41:07,769 --> 00:41:10,642
YES, AND THIS WILL BE
HER MAIDEN VOYAGE.

809
00:41:10,685 --> 00:41:13,688
I LOVE THE SMELL OF
A NEW JET IN THE MORNING.

810
00:41:16,299 --> 00:41:18,693
♪ GOOD NIGHT

811
00:41:18,737 --> 00:41:20,826
♪ GOOD-BYE

812
00:41:20,869 --> 00:41:22,871
♪ GOOD LUCK

813
00:41:22,915 --> 00:41:25,352
♪ DON'T CRY

814
00:41:25,395 --> 00:41:27,746
♪ IT'S THE EDGE

815
00:41:27,789 --> 00:41:30,488
♪ OF IT ALL

816
00:41:30,531 --> 00:41:32,620
♪ IT'S THE EDGE

817
00:41:32,664 --> 00:41:34,970
♪ OF IT ALL

818
00:41:35,014 --> 00:41:36,929
♪ ALL MY FRIENDS

819
00:41:36,972 --> 00:41:39,758
♪ AT THE END

820
00:41:39,801 --> 00:41:41,150
♪ OF THE WORLD

821
00:41:41,194 --> 00:41:44,240
♪ I HOPE TO SEE YOU AGAIN

822
00:41:44,284 --> 00:41:46,852
♪ IT'S THE END

823
00:41:46,895 --> 00:41:48,941
♪ OF THIS TIME

824
00:41:48,984 --> 00:41:51,639
♪ IT'S THE END

825
00:41:51,683 --> 00:41:55,295
♪ OF OUR TIME

826
00:41:55,338 --> 00:41:59,342
♪ OOH

827
00:41:59,386 --> 00:42:03,042
♪ OH, HOW LITTLE DO WE KNOW?

828
00:42:03,085 --> 00:42:07,786
♪ OOH

829
00:42:07,829 --> 00:42:10,919
♪ WE HAD SUCH A LONG WAY
TO GO ♪

830
00:42:10,963 --> 00:42:14,009
♪ WHEN YOU SLEEP TONIGHT

831
00:42:14,053 --> 00:42:18,231
♪ YOU'LL BE IN MY DREAMS

832
00:42:18,274 --> 00:42:21,800
♪ IT'S A KIND OF LOVE

833
00:42:21,843 --> 00:42:23,671
♪ IT'S ALL DARK

834
00:42:23,715 --> 00:42:28,937
♪ NOTHING COMFORTING ME

835
00:42:28,981 --> 00:42:31,679
♪ THE EARTH WENT QUIET

836
00:42:31,723 --> 00:42:34,639
♪ AND THE AIR WENT STILL

837
00:42:34,682 --> 00:42:37,380
♪ I FEEL YOU NOW

838
00:42:37,424 --> 00:42:41,689
♪ MORE THAN I EVER WILL

839
00:43:04,146 --> 00:43:07,280
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.

840
00:43:07,323 --> 00:43:10,326
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
www.ncicap.org...