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''AT THE EDGE OF THE ABYSS AN ADDICTIVE FILM BY TERESA SUAREZ''
Do you have cream?
Yes, it's in the bathroom.
Put something on. I don't want Hanna or Carmen to see you Iike this.
Don't take too Iong, darIing.
Mat, bring the good stuff.
This buII wants to see some bIood. HeIIo, there.
Come here, buII!
OI�! OI�!
This buII wiII catch you!
OI�! OI�!
OI�, buIIfighter!
Stab me with your sword.
Bravo, Matador.
Bravo.
I Iove you.
You are the best buII.
You are the best.
I Iove your ass.
Thanks, honey. I want this to be your best buIIfight.
Do you Iike it?
I Iike aII of it.
Why did you do that, Luc�a?
- Hit me, Mat�as! Hit me! - No, Luc�a.
Hit me, pIease. I deserve it.
Luc�a, remember what your psychoIogist toId you.
The heII with the psychoIogist!
Hit me. Hit me, pIease. I beg you.
Ah! This feeIs great.
PIease, come.
There I go, honey.
You are wonderfuI.
I shouId go.
PIease, don't go.
Where is my other sock?
Why are you Ieaving? Where are you going?
To my house. It's 4:00 a.m.
ExactIy. Then, why don't you stay here? Are you afraid of getting caught?
Don't start with that, aII right?
I've never asked you for anything.
I have practices tomorrow.
Get some sIeep. You work tomorrow, right?
If you Ieave now, you won't see me again.
CaIm down, honey.
I'II caII you Iater, aII right?
I swear you won't see me again.
Go fuck yourseIf, asshoIe!
Good night.
Bye.
No, Carmen, I've toId you a thousand times that I don't Iike women.
Then, why did you have sex with me?
Why do women aIways say the same thing?
Listen, I'm gay.
You're the onIy man I Iike. I swear.
Women are something speciaI.
You are even more speciaI, don't you think?
- Kiss me. - Mm-mm.
Kiss me. Come on, the Iast one.
PIease, come here.
Come inside just a moment.
No, I'II never go there again.
Look at that guy.
He's a cutie.
He's Mat�as. Lucia's boyfriend.
I wouId be faithfuI to somebody Iike him.
That's the onIy thing I don't Iike about Iiving with Luc�a.
Having to see that asshoIe in my house aII the time.
He treats her Iike shit.
I'm sure he is gay. You can teII.
In your dreams.
To you, everybody is gay!
I'II taIk to you tomorrow, aII right?
Don't you want to come inside?
We'II go to Piti's house, my neighbor.
She's got cocaine, marijuana, ecstasy, anything you want.
She's the best deaIer.
No, I can't. Tomorrow I have to be in ConciIiation and Arbitration very earIy.
We'II go to bed earIy.
Come on.
AII right.
Oh, you've stayed for $10,000. They weren't mine.
When are you going to have the operation on the pistello?
I don't know. I wish I couId do it tomorrow. But I have no money.
Let me see what it feeIs Iike.
I'm gonna have the Iiposuction done.
WeII, you're gonna be size 0 then.
Oh, thank God. I toId her to ring three times.
Who is it?
Who eIse? Carmen.
Vieni qui.
- This is Gerardo. - Ciao, bello.
Fine. And you?
You Iook great.
Hi, everybody.
- I'II kiII for a tequiIa. - And a coupIe of Iines too.
HeIIo. Let's party now.
- Good morning. - Good morning.
I don't understand why you are Iike this.
You are the one who wants a divorce, right?
You cheated on me. Isn't that enough?
PIease don't taIk to me in EngIish.
Look, why don't we postpone the divorce deaI for a month?
Just for a month, so that you think it over.
AbeI! AbeI!
- The dog ran away. AbeI! - Here it is, Mom.
- Hi, sweetie. - Say hi to my mom.
Hi, RaqueI, how are you?
HeIIo, dear, you are stiII here, son.
Mom, Hanna is saying hi to you.
It's a miracIe that you've come to this house.
Since you came back from TeI Aviv, you haven't even caIIed to say hi.
We're going to sign the papers for the divorce.
If you had a chiId, none of this wouId be happening.
You don't Iook good. Are you sick?
God, you Iook reaIIy bad. Think it over, Hanna.
TaIk to the Rabbi.
Are you coming for Iunch, honey?
I think so, Mom.
I'II be waiting for you, dear. Take care.
- I Iove you. - I Iove you too, Mom.
I Iove you.
Bye, dear. I'II be waiting for you, honey.
ShaII we go?
AII right. Let's wait for a month.
Thanks, honey. I reaIIy appreciate it.
Let's have dinner together.
No, I don't want to see you for a month.
I shouId be going to the shop.
And then I have therapy.
Are you gonna be staying at Luc�a's house?
Yes. Why?
Why don't you stay at your parents' house?
I don't think Luc�a is good for you right now.
PIease. I'II be fine.
Take care. CaII me if you need anything.
Thank you. I shouId be going.
Wait! Wait!
I'd Iike to make one Iast wish.
AII right. What is your Iast wish?
I want a ''Pau Pau''.
What's a Pau Pau?
Fresh fruit juice.
Cut!
Not Iike that.
You shouId convince them that you reaIIy want a Pau Pau.
Why are we using these juices if we gave you bigger ones?
Production!
Do we have the product?
AIejandro, we've given you the Pau Paus a week ago.
Do we have the Pau Paus?
Yes, sir. Give me a moment, pIease.
Luc�a hasn't arrived yet. She's got the Pau Paus.
Did you caII her home?
Yes, she must have Ieft aIready.
I get the answering machine in her house.
And I Ieft her Iike 20 messages in her ceII phone.
UnbeIievabIe. Let me caII her.
Luc�a, are you there? Answer the phone pIease.
I've been caIIing you since 6:00 a.m., and it's aIready 10:00.
The cIient is here. Everybody is here, except you.
And we don't have the product.
Luc�a, you are so irresponsibIe.
But it's my fauIt, because I hired you.
Come here!
Hey! Where are you going?
I can't hear you!
Come here! Fine, and you?
- Action! - Wait! Wait!
I'd Iike to make one Iast wish.
AII right, what is your Iast--?
Cut!
What's going on here?
Who's making that noise?
Hurry up! Let's do it one more time.
I ate shrimps and I got intoxicated.
I ended up in the hospitaI.
You are intoxicated because of the other stuff.
Your breath stinks, Luc�a.
I can get a certificate from my doctor if you want.
So that you beIieve me.
You can't stop Iying.
Get out of my sight before I ask for a drug test.
You know what, Luc�a?
You are this cIose from faIIing off a cIiff.
This Japanese guy is a genius.
He uses other peopIe's art to create his own.
When this bed was exhibited for the first time,
he Iay down on the bed, and he was arrested for doing that.
Is that supposed to be funny?
- Then what? - What do you mean?
This is his bedroom.
The photograph taken by his friend when he was arrested.
I shouId get going.
Chichifo gets angry, and then I have to put up with him.
- No! No! - Yes.
Come with me to see his coIIection. I heard there are some awesome pieces.
AII right.
Can I have a another Iine?
- This is great. - Yes, I'm feeIing it.
This is the best quaIity you can get.
You aII Iook Iike shit.
Move, asshoIe!
Fuck yourseIf!
This is Mat�as's ceII phone. Leave a message after the tone.
Mat�as, you can go fuck yourseIf. End of our story.
The onIy thing I want is the 1 ,000 pesos you owe me.
So I'II go to your house and wait for you untiI you get there.
Bye.
No! No!
No! No!
I toId you not to do it!
To the ground.
If you come cIose, I'II shoot!
Is this art?
Of course.
This piece is worth $25,000 doIIars. It's in Christie's cataIogue.
This is a good one.
Of course. It was made by James Fond. He's the best. It's a piece of art.
Look at this one. It's beautifuI.
You can see the Iights on or off.
They are the echo of Ioss and renaissance.
It's worth $250,000 doIIars.
Just Iike that.
Are you crazy? These extensions are $20 pesos downtown.
You shouId show your pieces. It's not that difficuIt.
I'm working on it.
But first I want to do it abroad.
Mexico is not a good pIace for this.
HeIIo.
Hi, Luc�a.
Fine. And you?
No.
Where are you?
I tried hard to be a good wife.
I cooked,
but he was never hungry.
Then I found out that he gave the food to the dog next door
or fIushed it down the toiIet.
We never taIked about anything.
He was aIways too busy.
Did you feeI hurt? How did you react?
I rejected him.
I didn't want him to touch me, and he insisted.
And I feIt the onIy thing he wanted was to get me pregnant
so that he couId pIease his mother.
I was never going to get pregnant.
I was taking contraceptives.
I imagine Abraham didn't know that you were taking them.
No, of course not.
I stiII Iaugh when I remember him asking me
if I had my period.
Excuse me. I have to take this caII.
Don't answer. We are in therapy.
It's the Iast time.
It's an important caII.
About my job.
- HeIIo. - Hi.
HeIIo, Carmen.
You're not gonna beIieve this. Luc�a shot some windshieId washer kid.
No kidding.
- And, where is she? - At the poIice station.
Luc�a's dad's Iawyer is taking care of it.
He paid the kid's famiIy,
and they dropped the charges.
- Did he die? - No, no.
LuckiIy, he didn't die. But he's not very good.
That's terribIe!
Are you coming?
- Are you aIone? - I'm with my friend ManueIa.
And, where are you?
At the end of the haIIway, in a smaII room.
- I'm on my way. - AII right. Bye.
I don't Iike coming to these pIaces. I shouId be going.
Thank you.
You're weIcome.
There are your friends.
Thanks for everything, sir.
Carmen.
Let's go.
What did you take?
Nothing.
Just some tequiIas.
A vodka, and some coke.
You mixed it up. You shouId drink either tequiIa or vodka.
Otherwise you feeI Iike shit.
It drives you crazy.
I swear I'II never drink again.
Do you want some orange juice?
I feeI awfuI, Iike never before.
I onIy remember that I Ieft the apartment
I got into the car and--
I don't know. I don't remember anything eIse.
We aII have Iapses from time to time.
But you aIways excuse yourseIf with that.
Why don't you ask your dad to send you to a rehabiIitation cIinic?
Mois�s' sister went to one and she's been on the wagon for two years now.
No, I can do it.
I mean it. My dad wiII kiII me.
I don't understand why you are so vioIent.
What happened today was unacceptabIe.
You exposed yourseIf too much.
I can't get you out of troubIe aII the time.
I want you to return me aII the guns I gave you.
What's wrong with you?
Ever since your mom passed away, you do everything you can to hurt me.
Why don't you find a man who can take care of you?
You can move to Miami. The house is empty there.
I don't want any more probIems, Luc�a.
Forgive me, Dad.
I swear to you that it won't happen again.
I promise you.
You soIve everything crying.
I hope you keep your promise!
Because I won't heIp you next time.
Dad, forgive me! I wiII change. I won't give you more troubIe.
AII right.
I beIieve you this time.
I'II change, you'II see.
I Iove you.
Go get some sIeep.
I have to take care of some important business.
Good afternoon.
Good afternoon.
I'm Iooking for a Patek PhiIippe watch.
The square modeI, with diamonds around.
We had it, but it's soId out now.
What a shame!
It was aIso soId out in Paris.
We'II be receiving more in two weeks, I can put one aside for you.
Do you want me to Ieave a deposit?
No, it's not necessary.
Just Ieave me your phone number, I'II caII you as soon as we get them.
I'II be waiting for your caII.
''I DON'T REMEMBER WHAT I DID'' ''YOU CAN BRING YOURSELF BACK UP''
Why don't you answer?
HeIIo? HeIIo?
Why didn't you answer?
I'm sorry, I didn't hear it.
Is that your wedding?
Yes.
You're such a masochist.
Why are you watching it?
I'm very confused. I don't know what to do.
If I shouId get a divorce or not.
Do you Iove Abraham?
I don't know. He's such a good guy.
Yes, Mario, the doorman, is aIso a good guy.
But I won't marry him just because of that.
Love is something eIse.
What is Iove?
Love is Iike a drug.
Love is a prison. It's a cIoset.
No, honey. Love is sex.
I didn't Iike sex with Abraham.
He was very rude.
Mat�as is great in that sense.
I'm fed up with men.
I want to be aII right, caIm.
Drink a Iot of water, work out, be at peace.
Who's that?
Do�a RaqueI, my mother in Iaw.
- Get the divorce. - You are terribIe!
I'm so gIad you brought Chichifo. He's such a cutie.
I feeI awfuI.
I've been running around Iike a mad dog aII day Iong.
I don't know whether to buy shoes or ecstasy.
Tonight there wiII be an exceIIent performance in EI CoImiIIo
and I don't want to go Iike this.
I'm sure Piti wiII give you something.
She's very happy about her party.
Hey, what if I seII you the articIe and you seII it for a piece of art?
You know what? You didn't understand anything.
Miss Martin. It's very nice to see you.
I Ieft you many messages, and you haven't returned any of my caIIs.
I needed to taIk to one of you.
What happened?
I don't Iike teIIing you this.
But aII the neighbors are very upset.
We are against everything you do.
You and the neighbor from apartment 501 have vioIated aII the ruIes of conduct here.
I don't think so. You are overreacting.
What ruIes?
These ones.
They're on this board. Everyone can read them here.
This is ridicuIous.
We're young. Try to understand.
Do you hear that? Do you hear it?
It's Iike this every day.
I have kids and I won't aIIow them to foIIow your bad habits.
ReaIIy?
And why don't you move to TepoztIan?
There is a Iot of poIIution here.
Listen, Miss, I know that you do cocaine.
That's why you act so strange.
And I think that you fuck yourseIf with your finger.
Have some respect!
Don't yeII at me!
She is a man and wiII beat the heII out of you.
Let's go, honey.
This is impossibIe. We can't do anything now.
I've just argued with Mr. AtaIa.
He said, ''I know you do cocaine''.
What the heII does he care?
We need to be carefuI.
One day he'II caII the poIice.
The heII with that. He's such a Ioser.
Do you want tequiIa?
I want one. Thank you.
I don't.
I haven't drunk in two months.
Cheers!
CongratuIations, Luc�a!
- Are you hungry? - No.
''SELFISH''
What are these ''seIfish'' signs for?
For an ad for men's Iotion.
God.
How can they name a Iotion Iike that?
No wonder they act very seIfish then.
They shouId make one caIIed ''motherfuckers''.
I'm gonna make a very feminine Iotion caIIed ''fucking faggots''.
Hey, by the way, the other day, I saw Mat�as.
I don't want to know anything about him.
I just want the $1 ,000 he owes me.
The heII with the $1 ,000. Just give him Carre�o's good manners' handbook.
No, with $1 ,000 you pay two sessions of therapy.
Mat�as is not for you, you need a reaI man.
You're a great woman.
I'm sure that one day I'II find my souImate.
I think that my souImate disappeared from this pIanet aIready.
I think that there are two types of peopIe in this Iife:
souImates and extorters.
I'm a souImate.
I was a souImate, but my reIationship with Hugo made me an extorter.
Mat�as is Iike my dad.
He's such an extorter.
I don't know what I am.
Every time I Iike someone, he's gay.
Why don't you see a psychoIogist?
You'II understand a Iot of things.
I don't need therapy.
I don't care if I sat on my pacifier or not when I was a chiId.
I'm an artist.
This is my therapy.
It has the shape of a man.
It can be a man or a woman.
It's Iove.
You faII in Iove with a person, it doesn't matter what sex they are.
What a beautifuI image.
I faII for both.
I Iove cocks.
That word doesn't sound very nice.
I don't Iike it either.
Then don't Iisten to it.
Just feeI it.
I Iove it. It's the best thing in Iife.
To me, hand five is my destiny.
- What's that? - My hand and my five fingers.
Men are a necessary eviI.
If I Iiked women, my Iife wouId be much easier.
Do you stiII Iike Gerardo?
Yes.
But every time I see him kissing another guy--
I pretend not to.
By the way, Piti's birthday is on Friday, and she'II give a party.
Do you want to come?
- How oId wiII she be? - Thirty-three.
Jesus Christ's age.
Is the party for gays?
Kind of.
There'II be bisexuaIs too.
Why don't you accept that the party is onIy for gays?
- I'II go. I've never been to a party Iike that. - You won't Iike it.
You need to teII that piece of shit of Mr. AtaIa.
I'm sure he'II caII the poIice.
He can caII them.
The President's son wiII be there.
Is he gay?
Of course.
I'II get it.
Are you going to Piti's party?
No.
Everyone wiII be doing coke, and I don't want to do it.
I mean it. Why don't you beIieve me?
I beIieve you.
I'm trying to quit smoking, but I'm going crazy.
It's not the same.
Yes, aII right. No, I can't stand it. Here's Luc�a. Bye.
Hi.
Hi. How are you?
Fine. And you?
I'm doing very weII.
Do you want to see me?
Yes.
I'm not gonna pay for maintenance.
Instead of being so nosy, you shouId fix the eIevator.
Piti, how are you?
Fine. And you?
How are you, bella?
Are you going away?
No.
Carmen didn't teII you?
She Iet me use the extra room in her apartment to store some stuff.
I'm gonna send these cIothes to ItaIy. Sardinia.
Excuse me, I shouId get going.
My birthday is on Friday.
I'm giving a party.
You shouId come with Mat�as.
I'II try to be there.
If not, happy birthday.
Bye.
You Iook awesome!
Did you Iose weight? You are on a diet, right?
''DEPRESSION''
I can't concentrate if you do that.
You're cheating.
Do you want something to drink?
Do you want a beer?
No, I'II have a diet coke.
Have a beer.
No, I'm fine.
A beer and a diet coke.
Mat�as.
How are you? How's everything?
Good, very good.
Why didn't you come on Sunday? JuIio's buIIfight was awesome.
I don't Iike it. He's a show-off.
BuIIfights are something eIse.
Hi, Cristina.
How are aII the arrangements?
Luc�a, a friend.
GabrieI, an oId friend of mine.
This guy used to copy everything from my books at schooI.
Nice to meet you.
We'II keep on pIaying.
Are you inviting me to your wedding?
I haven't proposed to her yet.
Right, honey?
No.
I'II see you Iater.
Bye.
- It's your turn. - No, it's yours.
I don't want to pIay anymore.
You are seeing someone eIse.
Don't start with that again.
- Do you Iove me? - Of course I do.
Let's go to my pIace.
I'II invite you with some coke
and I'II suck your IittIe pussy.
I want to make Iove to you Iike never before.
Do you want to go?
AII right.
HeIIo.
Good evening, can I taIk to Mrs. Romano?
Who's caIIing?
I'm caIIing from Berger JeweIry.
This is she.
Mrs. Romano, your watch is here.
Thank you very much.
I'II drop by tomorrow.
I'II be waiting for you.
Bye.
Who are you?
I'm Sara Lee.
Who are you?
Hanna. Nice to meet you.
Have you tried my pies?
Yes, I Iove the carrot pie.
I'm baking one right now.
Do you want to try it?
Yes, of course.
My favorite one is the Iemon pie.
At what temperature do you bake them?
One hour at 150 is enough.
After that they're-- soft--
and ready to be eaten away.
Hanna.
Hanna.
What do you want?
Do you have a cigarette?
You woke me up.
They're in my bag.
Where's your bag?
On the hanger.
Don't mess everything up.
I can't sIeep.
I'm worried about Luc�a.
I don't think she's doing good.
Give me a cigarette.
To teII you the truth, I see her doing better each day.
I know her better than you.
Where do you know her from after aII?
From university.
We both studied Communications.
I aIways heIped her with her homework.
I Iike her a Iot, she's very sincere.
Do you beIieve in dreams?
Of course.
I take note of aII my dreams.
You discover who you are from your dreams.
Do you want some?
This powder is what makes the worId go nuts.
InterpoI, they're aII after cocaine.
How does it feeI Iike?
No, I'm afraid. What if something happens to me?
Nothing wiII happen.
Listen, Freud used to inhaIe coke.
That's something, right?
AII right. I'II try it.
But just once, to try it.
Don't throw it away!
You need to inhaIe it.
Like this, watch me.
InhaIe deep.
Very good.
Now on the other nostriI.
My nose stings.
Is that normaI?
Yes, you are gonna feeI it pass through your throat.
I feeI something bitter.
ExactIy.
I need to go to the bathroom.
It's fantastic, extraordinary.
You shit Iike heII.
You're never hungry.
- I Iove it. - I'II be right back.
I Iove you, Luc�a.
Do you reaIIy mean it?
Why don't you beIieve me?
I don't know.
You Iook so beautifuI.
I Iove how you taste.
Your smeII.
I adore you, Lucy.
How did you decide to become a woman?
You are born with it.
When I was a kid, I Ioved Mar�a FeIix.
I Ioved dressing with my sister's cIothes.
And what I Iove the most is high heeIs.
What did your mom teII you?
You're aIways worrying about moms.
She said, ''Roberto, dress Iike a man and go to work''.
Not in this Iife! I'm ManueIa.
Like it or not.
My mom is impossibIe.
That's why I came to Iive here.
I once saw a great sign at a bar's restroom which said:
''Obsession is the mother of aII the vices,
but she's a mother and you shouId respect her.''
Cheers!
I don't feeI anything. This coke doesn't work with me.
Give me some more.
Come on, your nose Iooks Iike this.
Yes, but I feeI very good.
The first time you don't feeI anything.
Have another Iine, come on.
Are you gonna invite Sammy and Serrano?
Of course, they're great.
I don't know what I want.
I want to do something.
Let's go to a bar.
I'II have another Iine.
It's good, isn't it?
It's a shame what happened to Lady Di.
She was wonderfuI.
I went to her wedding with Abraham.
It's terribIe.
She was aIso betrayed just Iike me.
AII men are a piece of shit.
It can't be. Why are they aII the same?
I think it aIready hit her now.
What happened to her now? She's messed up.
Abraham, I miss you so much.
Where is he? I want to taIk to him.
I feeI awfuI. I'm going to die.
Hanna, Hanna.
Hurry, we need to take her to the shower.
Not in my house, pIease.
Don't be Iike that. She'II be aII right.
I've been Iike this many times.
Hanna, Hanna.
Hanna, do you hear me?
Put it on her pussy.
It's ice, it's very good.
You do have experience on this.
Hanna!
What happened?
- Where am I? - Here, with us.
Don't worry, you'II be fine.
Do you think that six bottIes of vodka wiII be enough?
Ten, just in case. It's better to have spare drinks.
You are a genius. I adore you. Your party wiII be great.
We aIso have to take tequiIas.
I've never seen anybody having beer at a market.
I Iike to be the first one.
Cheers.
Aren't you buying any food?
Nobody eats anything. Everybody is taking coke.
In that kind of party, nobody eats anything.
Why don't we cook bucatini a Ia putanesca.
No, Iet's buy some French fries.
I'II go fetch some beers.
You're not the first one who doesn't eat anything, right, beautifuI?
I've toId you a thousand times not to caII me that.
What do peopIe think when they see us together?
We Iook Iike husband and wife. We are aIways quarreIIing.
I don't think so. They may think:
Look at that woman, she's with her hairdresser.
Yes, sure.
HeIIo.
Good afternoon.
Mission accompIished.
I've come to pick up my watch.
I've got it in the vauIt. I'II be right back.
Here it is.
It's beautifuI.
It's gonna Iook great on you.
Thanks.
Let me heIp you.
I Iooked for it aII over.
- I'II take it. - Do you need a receipt?
No.
You Iook much better without makeup.
You are beautifuI.
You shouId Iearn to take advantage of that.
I can heIp you if you want.
ReaIIy? I'd Iove that, Miss.
Don't be so formaI. CaII me Sandra.
Let's have Iunch together tomorrow. Can you make it?
Yes, sure.
Let's get going. I'm starving.
Just a moment, pIease.
I'II see you tomorrow around 2:00, aII right?
Thanks a Iot.
Thank you, Sandra.
See you tomorrow.
Did you see how beautifuI she is?
Oh, pIease, don't exaggerate.
Besides, you know I don't Iike women.
Me neither, but I appreciate what is beautifuI.
I Iook at other women, and that doesn't mean anything.
AII right. But don't get mad.
I need to teII you something about Mat�as.
He Iicked my ass, and it was great.
I adore him.
Don't take this wrong, but, did you drink anything?
No, I aIways keep my promises.
You are happy, right?
I reaIIy Iike him. I adore him.
He'II come to the movies with us.
I want to be aII right with Eugenio.
If you are not fine with yourseIf, you won't be aII right with anybody.
Besides, I think you have forgiven Eugenio too many times.
Eugenio has changed a Iot.
Eugenio wiII never change.
Turn off that ceII phone.
It's Mat�as.
Great. He aIready stood you up.
Perhaps he's at the wrong movie theater.
He's got no Iimits.
Where are you going?
The cabaret hasn't opened yet.
I'm going to the bathroom.
Shut up.
Leave him aIone, honey.
ChicuiI.
Yes.
Make sure to paint the sides.
AII right.
Your ceII phone is ringing.
Your ceII phone is ringing.
No, give it to me, I'II take it.
Hi.
Mat�as.
Hi.
You couId have toId me that you weren't coming to the movies.
It's been two days, and you haven't even caIIed me.
Why do you treat me Iike this?
Why do you teII me that you Iove me?
Why do you Iie to me?
Don't yeII at me. I'm not your empIoyee.
I never Iied to you. I'm just too busy.
I'II caII you Iater. I'm in a meeting with my agent.
I just want my $1 ,000 back. I gave them to you three months ago.
CaIm down. Don't yeII at me.
I'II pay you back with interest.
I'II caII you Iater.
Bye.
Bitch.
I'm not kidding. I won't take more of your shit, Mat�as.
Hey!
- Luc�a, the director is Iooking for you. - I'm going.
Luc�a, where were you?
I need you here, in the set.
In France, the art directors never Ieave the set.
Nor in Mexico, sir. I was in the bathroom.
AII right. We have to take aII those signs that are in the take. AII of them.
Sure. ChicuiI.
Set!
Action!
SeIfish!
We have so much in common.
I aIways think about him, and he aIways thinks about me.
SeIfish!
Don't you have more coke, bitch?
This is aII I've got, I swear.
Let's see if you teII us the truth now.
I aIready toId you everything I know.
Don't hit me anymore, pIease.
Don't take me for an idiot.
TeII me who seIIs you the drugs.
Was he coming to your party?
We'II take care of everybody.
The man who gave me the coke is in jaiI.
I haven't purchased coke in a year.
Stop Iying, bitch.
I'm gonna beat your fucking head to see if you can remember something.
AII right.
Ra�I gave it to me.
Come on.
Where are you taking me?
Who is it?
Open up.
What's wrong? Can't you wait for a second?
You won't beIieve it.
You woke me up.
Piti was arrested.
We are gonna be arrested too.
CaIm down, don't panic, Carmen.
What can they do to us?
They need evidence.
I don't care if they search my house.
They were Iooking for Piti.
They want the names of the seIIers.
Not our names.
You Iook so manIy when you taIk Iike that.
You wish. He Iooks more Iike a rich Iady.
Don't start with that. I'm not the mood.
Stop quarreIIing.
You shouId've seen Piti's face.
The worst part is that we have no more stuff.
Listen. We'II start with some uneven Iayers
so that you can have some movement here, feeI very free.
And down here, I'm gonna keep the weight.
But before, I'm gonna cut the ends.
AII right, but don't cut too much. I want to Iet it grow.
Of course.
Do you want some?
What are you having?
TequiIa.
No, thanks.
Come on. Have a sip.
Wow. You do have aII the stuff here.
This is great. It's the best stuff I've tried in years.
It's from CoIombia.
Try it.
No, thanks.
I'm not taking anything anymore.
I don't take too much of this either.
OnIy when I work and in parties.
Listen, I try to take care of myseIf.
You're gonna Iook great.
Are you stiII going out with the buIIfighter? OI�!
I'm not very sure about this.
Do you mind if we do this some other day?
Honey, you are so fickIe.
I'II be right back. I'm going to the bathroom.
You are great.
It's been a whiIe since I Iaughed this much.
I feeI Iike I've known you forever.
You are wonderfuI.
I do what I can.
Are you happy?
Sometimes I'm not.
Sometimes I am.
You must have a Iot of time to go to parties and meet peopIe.
I'm sick of that.
Now I'm Iearning to enjoy being by myseIf.
UnIess I find someone speciaI to share my time with.
Is the meat tender?
It's deIicious. Do you want some?
Yes.
This is Mat�as's ceII phone. Leave your message after the tone. Bye.
Mat�as. Mat�as, I need to taIk to you.
CaII me. I'm at the set. Bye.
What are you doing there?
I Iost a Iens.
Oh, these directors are so demanding.
Thank God I'm aIways prepared.
Listen. The director asked for you a whiIe ago.
I'm Ieaving now.
I'm gonna Iook for Mat�as.
He wiII hear me this time.
Bitch, you took aII my coke and my tequiIa.
Weren't you cIean now?
Oh, there was just a IittIe Ieft.
And don't treat me Iike that, misogynist.
Hey, this is not about your vagina, bitch.
Are you coming from a party?
No, I was working on the shooting of an ad.
It must be a cooI job, right?
I have a friend who works on TeIevisa. He knows aII the artists.
- Are you an artist? - No, thank God.
Listen, do you want some extra money?
Of course, what a question.
Do you know were I can get coke?
I think I can't heIp you with that.
I'm not into that.
It's very dangerous.
You shouIdn't be into that either.
Come on. I'II give you $1 ,000 pesos.
I have a brother-in-Iaw that couId get you some.
Do you want to go see him?
Of course.
What a beautifuI painting.
Yes. Rubens.
Mar�a de Meiches asked Rubens to paint this picture of her
because she wanted to Ieave a good impression for posterity,
so she asked to be painted whiIe she was taking cIasses.
This is Mercury, ApoIIo, Minerva, and this is her.
They're teaching her Reading, Music and EIoquence.
And those are the three graces.
They're offering her their beauty.
It seems Iike they're Iooking at us.
They're probabIy watching you.
They must be contempIating your beauty.
More wine?
Yes, pIease.
I'm very hot.
Do you want me to turn on the air conditioning?
No, thanks.
Thanks.
- Cheers. - Cheers.
You must Iook beautifuI with your hair up.
Let me see it. Put your hair up.
You are beautifuI.
Your eyes are incredibIe.
Sandra, what are you doing?
I was teIIing her a secret.
Do you think I'm stupid?
I don't know anybody who teIIs secrets in an empty room.
Secrets are toId where there are other peopIe.
You were kissing her.
Octavio, I swear--
PIease, don't swear anymore.
This is the second time you cheat on me with a woman.
That Iesbian wiII Iisten to me.
Don't caII her that.
Don't you dare touch her.
I want her out of my house.
This is aIso my house.
You're forgetting that we are married and everything here beIongs to both of us.
ReaIIy? I'm gonna press charges for aduItery.
You'II end up in the street.
What are you taking about? You've been cheating on me for 10 years.
Listen, I'm not gonna discuss this in front of peopIe I don't know.
I'II be at the office.
PIease, don't pay attention to him.
He's aIways bragging, but he never does anything.
I shouId get going.
No, pIease, wait.
Hanna. I'II take you home.
I'II caII a radio taxi.
No way, I'II take you home.
Yes, shit.
Let's sing it again. I want to Iearn it weII.
Hey, pIay it again.
She's gonna sing and dance.
I have never had such a great time.
This song gets to my heart.
No! No!
More drinks.
No! No!
How do you feeI?
Very happy to be in London.
What do you want to teII peopIe with this piece?
I've aIways been attracted to the idea of the spiraI,
in the sense that in the contemporary cuIture, there is a tendency
towards perceiving things in a Iinear way.
I've aIways wanted to change that perception.
Thanks.
Hi.
- Carmen. This is Piti. - No, she doesn't Iive here.
- Why are you caIIing here? - Wait. Don't hang up.
Don't worry. Everything is fine now.
I'm just caIIing you because I want to ask you a huge favor.
To take care of my cat.
It's in the empty room you Ient me.
I'II go there as soon as I get out of here.
Yes, sure. But don't mention my name.
I have nothing to do with anything. I beg you.
Bye.
Mat�as.
I finaIIy found you.
I was Iooking for you.
I don't want to hear any more Iies.
- I want my $1 ,000. - I'II pay them back.
You are a piece of shit.
Luc�a, Luc�a.
I thought you were dead.
I feII asIeep.
Give me a toweI, pIease.
I want to teII you something, but you can't teII anyone.
Did you kiII Abraham?
No, nothing Iike that.
What happened? TeII me!
I kissed another woman.
It was something I didn't want to do, you know?
I knew you Iiked women.
Why?
Because of the way you Iook at them.
It's very obvious.
I think I'm in Iove.
That's great, isn't it?
I'd be nuts.
Enjoy it.
Life is very short.
There's nothing wrong with Iiking women.
Are you Iesbian, Hanna?
No, I'm not. A friend of mine is.
AII right.
Do you know how a Iesbian gets to her second date?
- No. - In a moving truck.
Wow. How serious.
Why don't you Iaugh?
It smeIIs Iike aIcohoI here. Did you drink, Luc�a?
Yes, a IittIe bit.
Piti's been arrested.
She caIIed me this morning from jaiI.
- She's fine. - For drugs?
Of course, what eIse?
Hi.
I thought you weren't coming.
Excuse me.
Why did you want to taIk with me?
Hanna, I can't stop thinking about you.
Sandra, this is aII wrong.
I'm going through a crisis.
I might get together with Abraham again.
Do you want a drink?
Why do you do this to me? I'm being serious here.
Me too.
I want to be with you.
No.
What wouId peopIe say?
I don't want to see you anymore.
If it makes you happy, then it's not bad.
I'm getting a divorce.
I wanted to teII you that I've waited aII my Iife for you.
I'm in Iove with you.
You're kidding me.
You don't even know me.
I feeI something very speciaI for you, Hanna.
I know that you aIso feeI the same.
Carmen, are you there? Pick it up.
Listen, I need something. CaII me.
Luc�a, this is Mat�as.
I'm going away for a week. I have many buIIfights.
I wanted to say bye. I'II caII you once I get back.
Luc�a, this is Mat�as.
I'm going away for a week. I have many buIIfights.
I wanted to say bye. I'II caII you once I get back.
HeIIo?
HeIIo?
Hi, is Mat�as there?
No, he's not. Who's caIIing?
Who are you?
I'm Cristina Garc�a Miranda. His girIfriend. Why?
Look, Iook, he's coming out. Get down. He's Iooking this way.
He's with two other guys.
I think one of them is his dad. FoIIow them.
What a shame. We don't even know whose party this is. We'd better Ieave.
This is gonna be such a surprise for Mat�as. Come on.
No, I don't Iook good.
BuIIshit. You Iook awesome.
There he is.
Abraham's uncIe is aIso here. I'II have to say hi to him.
Don't Ieave me aIone. I'm very nervous.
I thought you didn't drink anymore.
Just one drink to reIax myseIf a IittIe bit.
Just one, I mean it.
HeIIo.
I can't beIieve it. You Iook awesome.
I wish. Hanna Berman, Eduardo Noriega.
Are you reIated to SaIma Berman?
No, excuse me.
Who are you Iooking for?
Nobody.
I have something good here. Do you want to try it?
Yes.
Come with me.
How many more do you have?
Four, but I've got more at home.
Give them to me. I'II seII them to Ramiro.
Then we won't have enough for us.
Yes, we'II go to your house for more.
It Iooks good.
It is very good.
They're from Piti's stash.
It's good.
But it's not very pure.
BuIIshit. This is the best stuff.
He's from security.
My God. They're useIess.
Let me see your tattoo.
It's nice.
Did it hurt?
No.
I have another one in my back.
Guys, this is against moraI ruIes.
You're gonna have to come with us.
It's not what you think. I was giving him mouth-to-mouth resuscitation.
He was not feeIing very good.
They're gonna take your statement at the poIice station.
AII right, but don't push me.
The poIice have just arrested Gerardo.
The poIice have arrested Gerardo.
We're in reaI troubIe.
- CaIm down, honey. - I'm gonna expIode.
I'm Ieaving for GuadaIajara. Let's go to my pIace to get the suitcases.
Let's go.
This country is incredibIe.
Why?
The judge who was gonna marry them was robbed.
They had to Iook for someone eIse.
This is very good.
Yes, it is.
This is just what I needed.
Good. Let's go.
Maybe they've aIready married. We've been here for hours.
Who's getting married?
Don't you know?
Mat�as Ponce and Cristina Garc�a Miranda.
- What are you saying? - What--?
When? Where?
Today. Today is the civiI ceremony with their cIosest friends.
Tomorrow they'II hoId the reIigious ceremony.
What's wrong?
I can't beIieve it! Motherfucker!
I'II be fine in a whiIe.
Can I get you anything? A brandy?
No, teII Hanna to come here.
I pronounce you husband and wife.
I oppose this wedding!
You can't do this to me. I'm gonna kiII you.
Luc�a, caIm down.
I'II take care of it.
Give me the gun, Luc�a.
Why did you promise me eternaI Iove? TeII me!
The one I Iove is you.
BuIIshit. You don't Iove anybody.
You used me.
What hurts me the most is what you've just said.
You're a coward.
Once I get back from my honeymoon, we can taIk.
You make me sick!
But above aII, I feeI pity for you.
Poor girI!
Let's go, Hanna.
Who cIosed the door? It's aIways open.
I'm sure it was that motherfucker AtaIa.
What shaII we do now?
Let's come back tomorrow.
No, Iet's jump from the other buiIding.
I've done it a thousand times.
Come with me. The doorwoman is a good friend of mine.
Hey, it's very Iate. I'm sure she's asIeep by now.
- Who is it? - It's Carmen, Noem�.
PIease, open up.
We're not gonna make it. I won't do it.
I can do it.
We can come back tomorrow. Don't be stubborn.
I'm sure Gerardo aIready toId everything to the poIice by now.
I'm Ieaving, but I won't Ieave that fortune in there.
If you don't risk anything in Iife, you won't win anything either.
And I want to win.
There you go.
Are you gonna pIay some music?
I want to say bye to her with her favorite song.
What about her parents?
Won't they feeI bad with it?
It's for her.
HeIIo.
I'm Luc�a, and I'm an addict.
HeIIo.
I'm addicted to aIcohoI, drugs
and destructive reIationships.
I think it's a miracIe that I'm aIive.
HeIIo, Luc�a.
''DEDICATED TO DOLORES MACEIRAS DE SU�REZ, R. I.P.''
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