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Dr. Tober contrives a clever escape from
Hunter. He then phones Arnold, blames
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him for all his troubles and threatens
his life. To protect himself, Arnold
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summons Hop and Tank to his office and
also calls in Lieutenant Riley, a police
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officer. But in spite of all these
precautions...
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I'm glad you told me about Ballard.
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In spite of what he did, I don't trust
him. I don't either, and I don't know
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why. Yeah, that's it. That's just it.
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He seems perfectly honest, yet under the
surface, there's something sinister and
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forbidding.
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Oh, it worries me.
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Mr. Arnold, look out!
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I'll check on Tobar.
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Are you sure you hit him? Whether I did
or not, he still had a long fall.
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Well, the only way he could fall would
be down, and he ain't here.
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What are you gonna do?
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Well, where'd you find this hat?
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Oh, I just picked it up. Well, that
looked like the one Tobar was wearing.
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Well, it sure does.
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Well, is there any good now?
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Maybe it is, maybe it isn't. I'll just
take it along anyway.
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Well, here comes the ambulance.
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Let's get back to the office.
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Mr. Arnold wasn't seriously hurt, Gwen.
The bullet didn't hit any vital spots.
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It was such a shock.
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It's all so unnecessary.
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So horrible.
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Let me take you home, Gwen.
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I'm going to the hospital to be near
him.
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Ballard, what were you doing out of my
airport this afternoon?
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I assure you, Mr. Harrigan, that my
intentions were entirely above board.
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All right, but what were they?
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Well, it's no secret that I'm interested
in buying Tobor's invention.
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But you can't buy it. Why not?
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Because Arnold financed Tobor, and he
has first claim on it.
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Well, that's a matter of opinion.
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Of course, if I succeed in buying the
invention, I will also purchase Arnold's
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interest. I can speak for Mr. Arnold.
His interest is not for sale.
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If you'll permit me, Gwen, I'll escort
you.
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Yes, of course.
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You come too, Mark.
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Mr. Arnold's office.
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One moment, please.
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For you, Hop.
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Hello?
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Yes, this is Hop.
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Oh, hello.
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No, it's okay. Go ahead.
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Are you sure you wouldn't rather go
home?
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Of course I am. And don't ask me that
again.
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Well, uh, how long has, uh...
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How long have they been there?
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Well, I can't tell you very well now.
We'll be along later.
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Thanks very much. Goodbye.
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I'll join you at the car. I left the
keys in my office.
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Something on your mind, Hop?
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Yes, that phone call was from Gail. She
says that... Hold it.
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Why?
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All those people haven't left yet.
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How do you know?
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I got ears, ain't I?
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There was somebody out there, but he's
gone now.
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You get full easiers, whether it's an
airplane engine or a snooper.
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You were going to tell us about that
telephone call, huh?
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Yes. Dr.
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Tobor is at my place. He's been there
over an hour.
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Oh, he couldn't be. I saw him out there
about a half an hour ago with my own
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eyes. Maybe your eyes are more easily
fooled than your ears.
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Are you sure this information is
correct?
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Oh, yes. Gale always gets things
straight.
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Well, if Tobor didn't shoot Mr.
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Arnold... Who did?
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Whoever was wearing that hat.
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Huh? If somebody was wearing it, we
know. The police laboratories will soon
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find out who he is.
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Well, how are they going to do that?
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That is a professional secret.
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I suggest you two run out and have a
little talk with Tobar. He must know
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where he was and who was holding him.
That information is far more important
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now than ever.
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All right, we'll let you know the minute
we hear anything. Fine. Go ahead, Ty.
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00:06:06,020 --> 00:06:08,600
Doctor? Mmm, that coffee smells good.
Well, have some.
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I thought I'd best keep the doctor here
unless he was followed.
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Yes, he probably will be.
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Where's Jackie? Well, he's over at the
office on guard, as he says.
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He didn't eat everything, did he? No,
there'll be enough for you, Tank.
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Say, Tank, will you go over to the
office and stand by?
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Well, sure, but I'll be back for chow.
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I'll fix you something.
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Where were they holding you prisoner?
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I don't know, Mr. Harrigan. Oh, you must
know. You escaped and you could see.
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Before we got there, they blindfolded
me.
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When I got away, I came out into an
alley lined with warehouses all alike.
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You mean you couldn't see any street
signs or numbers or anything?
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No, I was in too much of a hurry.
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I made a phone call in the booth, then
caught a bus and came right here.
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You called Mr. Arnold and threatened
him.
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Why did you do that?
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To frighten him. To make him suffer the
way he's made me.
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Oh, you're wrong about that.
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Mr. Arnold would have helped you if
you'd let him.
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Shortly after you threatened him, he was
shot and badly wounded.
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I'm sorry to hear that.
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I had nothing to do with it.
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The man who shot him was wearing your
hat, coat, and glasses.
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They must have duplicated them when I
was held prisoner.
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It's just another plot of my enemies to
discredit me.
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Have me thrown into jail so I can't
complete my invention.
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Seems to me your enemies would rather
you completed your invention so they
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could steal it.
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Yes, that's it.
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They want to steal that one, too.
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We agree on that, anyway.
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Well, you can't stay here. This is the
first place they'd look for you.
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I'm chairman of the board.
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I'll take charge in Arnold's absence.
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But there's certain things only Mr.
Arnold and I know about. That's a fine
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way to run a business, keeping things
from the directors.
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Did you arrest Dr. Tober yet?
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No, I haven't. Well, then what are you
hanging around here for? Because I think
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this is the most likely place to find
the one who did the shooting. What do
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you mean by that?
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I wish I could answer that question
myself.
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Let me radio Retna. He'll come for me.
No, don't do that. It's not safe.
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Isn't Jackie back yet?
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Not yet.
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We'd better go outside and keep our eyes
open.
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You've been outside as long as I have.
You wouldn't be able to keep your eyes
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open. Just the same, I'm going out and
look around.
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Jackie, you better go home to Gail and
get some sleep or else she'll be mad at
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you. Oh, no, she won't. She's glad I'm
on the job.
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Well, good night, Jackie.
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Night.
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Now take it easy, kid, and you won't get
hurt.
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There's a car parked in front of the
girl's house. Maybe that's where they
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are. Let's find out.
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I'll go get Jackie for you.
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And I'm going to take Dr. Tobor to a
safer place.
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Even if we have to lock him in jail.
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You two get away in my car and call in
on the radio.
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We don't know who it is. I'll give you
one guess.
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You want them to catch you again?
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I think it was Tobar and that girl who
lives here. Who fired the shot?
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Somebody with a gun. Don't be funny. Who
was it? You guess.
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Take a look around for Harrigan and his
pal.
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Gail and Tober. They got away, but
she'll call in on the radio, so we'll
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just have to wait till we hear from her.
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00:13:18,140 --> 00:13:20,300
Well, where'd those guys go? They went
to their car.
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Don't look now, but we've got company.
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Where have your friends gone?
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All right, sit down and put your back up
against the desk.
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00:14:11,880 --> 00:14:12,880
It must be the ignition.
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00:14:13,040 --> 00:14:16,340
Maybe somebody pulled a wire. Probably
the same guy that fired that shot.
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00:14:27,220 --> 00:14:28,660
Hey, lay off that radio.
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00:14:30,120 --> 00:14:31,960
What's the matter? You afraid I'll hear
something?
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You'd do better to keep going. I don't
want those men to catch me again.
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00:14:47,390 --> 00:14:48,930
Well, Pop told me to call in.
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00:14:49,290 --> 00:14:50,470
We'll be safe enough out here.
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do you suppose Carter and Edwards have
gone?
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They're okay. We'd hear about it.
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00:15:17,120 --> 00:15:20,500
Now hold the light right there so I can
get these wires connected again.
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G.N. calling W.H.H. 6.
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00:15:38,900 --> 00:15:40,700
G.N. calling W.H.H. 6.
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Hop, it's Gail. Come in.
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00:15:44,090 --> 00:15:48,310
Go ahead, Gail. Where are you? Well, we
drove out in the country. We're at...
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Gail, don't talk. They're listening.
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All right, over here, you two.
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Over here.
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Hop, just do more of them.
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00:16:05,550 --> 00:16:07,130
You stay here if you know what's good
for you.
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00:16:07,330 --> 00:16:08,330
Out to the hangar.
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Head and through the hangar.
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Where's your gun? I lost it. Get another
one from the car.
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I guess I got the guy up
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front.
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00:16:42,420 --> 00:16:44,360
I guess I can't.
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Save your shots. We haven't many.
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Boy, we're on a spot.
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00:16:55,030 --> 00:16:57,110
Maybe I can make it to the office and
phone for help.
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00:16:57,610 --> 00:16:58,630
Those men are in there.
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00:16:58,870 --> 00:17:00,310
Maybe they're not. Let me try.
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00:17:00,550 --> 00:17:01,550
Wait a minute.
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00:17:01,870 --> 00:17:03,750
Gail's in for help. You know we're in
trouble.
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00:17:04,930 --> 00:17:06,430
I'm in trouble. We've got to help him.
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00:17:07,490 --> 00:17:09,010
We must help ourselves first.
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00:17:48,430 --> 00:17:50,270
We've got cover. We haven't. So what?
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00:17:52,510 --> 00:17:54,530
You keep them pinned down. I've got an
idea.
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00:17:58,390 --> 00:18:01,010
I'm either going back there or I'm going
to radio the sheriff for help. You'll do
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00:18:01,010 --> 00:18:07,750
neither. I'll use the radio to call
retina. And then I... Dr. Tober?
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00:18:08,110 --> 00:18:09,110
Yes?
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00:18:09,510 --> 00:18:10,510
Get out.
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00:18:10,650 --> 00:18:11,650
But why?
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00:18:12,010 --> 00:18:13,490
I want you to come with me.
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00:18:26,830 --> 00:18:27,910
Sounds like we're scaring them off.
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00:18:35,570 --> 00:18:36,810
They're going to smash us!
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00:18:41,170 --> 00:18:46,270
What deep game is Ballard playing with
Dr. Tober and Gale? Will Ballard be able
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00:18:46,270 --> 00:18:48,490
to force Tober to take him to his secret
laboratory?
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See the thrilling answers in Flying to
Oblivion, Chapter 11 of Hop Harrigan, at
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00:18:54,910 --> 00:18:56,190
this theater next week.
15338
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