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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,505 --> 00:00:07,108 * OOH, AH, WHO GOT DA FUNK? * 2 00:00:07,108 --> 00:00:09,510 * FLAV, ORIGINAL MACK, HERE WE COME * 3 00:00:09,510 --> 00:00:11,745 * WE FOUND A STAR WITH VERONICA * 4 00:00:11,745 --> 00:00:13,147 * HERE WE GO * 5 00:00:13,147 --> 00:00:14,482 * A NEW STAR * 6 00:00:14,482 --> 00:00:15,783 * FEEL THE FUNK WITH THE FLAV * 7 00:00:15,783 --> 00:00:17,251 * NONSTOP ROCKING YOU * 8 00:00:17,251 --> 00:00:18,686 * KEEP ME ROCKIN' YOU... * 9 00:00:18,686 --> 00:00:21,555 Radio: ALL RIGHT, Y'ALL, YOU'RE JAMMIN' WITH DR. D 10 00:00:21,555 --> 00:00:24,458 ON THE NUMBER ONE STATION IN DECATUR, GEORGIA. 11 00:00:24,458 --> 00:00:28,262 I WANT TO SEE Y'ALL DOWN AT MY CLUB, THE GOLD TOOTH, 12 00:00:28,262 --> 00:00:31,232 THE PLACE TO BE ON SATURDAY NIGHT WITH DR. D. 13 00:00:31,232 --> 00:00:37,037 COMING UP NEXT, WE'RE GOING TO GIVE YOU THE 411 FROM MTV VJ IDALIS, 14 00:00:37,037 --> 00:00:39,173 SO STAY WHERE YOU'RE AT. 15 00:00:39,173 --> 00:00:40,408 * SO, SIT BACK, RELAX * 16 00:00:40,408 --> 00:00:42,143 * WE'RE MAKING ALL OF THE MONEY-- * 17 00:00:42,143 --> 00:00:44,345 * YEAH * 18 00:00:44,345 --> 00:00:46,880 * NO ONE CAN MAKE ME * 19 00:00:46,880 --> 00:00:49,483 * FEEL THE WAY YOU DO * 20 00:00:49,483 --> 00:00:51,319 * AIN'T NOBODY, AIN'T NOBODY * 21 00:00:51,319 --> 00:00:54,355 * NO ONE BUT YOU * 22 00:00:54,355 --> 00:00:56,590 * NO ONE I'D RATHER * 23 00:00:56,590 --> 00:00:59,193 * BE WITH THAN WITH YOU... * 24 00:00:59,193 --> 00:01:02,796 WHY DID YOU HAVE TO BURN MY TOAST, BABY? 25 00:01:05,699 --> 00:01:09,137 NOW, YOU KNOW YOU SAID YOU WANTED EVERYTHING WELL-DONE. 26 00:01:09,137 --> 00:01:10,804 AND YOU KNOW I DID. 27 00:01:10,804 --> 00:01:12,440 ALL RIGHT THERE, NATE. 28 00:01:13,341 --> 00:01:16,610 CAPTIONING MADE POSSIBLE BY NEW LINE HOME VIDEO 29 00:01:18,078 --> 00:01:19,680 GIRL, DON'T PAY HIM NO MIND. 30 00:01:19,680 --> 00:01:21,081 HE THINK HE DOLOMITE. 31 00:01:21,081 --> 00:01:23,751 * WITH YOU, MY BABY, MAYBE * 32 00:01:23,751 --> 00:01:27,355 * WITH ALL THE PLEASURE AND JOY YOU BRING * 33 00:01:27,355 --> 00:01:30,224 * TO ME, MY LOVE * 34 00:01:30,224 --> 00:01:32,059 * EVERY CHANCE I GET * 35 00:01:32,059 --> 00:01:34,328 * HAPPY * 36 00:01:34,328 --> 00:01:35,963 * I CLOSE MY EYES... * 37 00:01:35,963 --> 00:01:37,798 Woman: WHAT'S GOOD ON THE MENU? 38 00:01:37,798 --> 00:01:38,799 NOTHING. 39 00:01:38,799 --> 00:01:40,268 THERE YOU GO, NATE. 40 00:01:40,268 --> 00:01:42,836 JUST THE WAY YOU LIKE IT. 41 00:01:45,273 --> 00:01:48,209 Radio: HEY, GEORGIA, THIS IS IDALIS FROM MTV 42 00:01:48,209 --> 00:01:50,344 WITH A HOT TIP FOR YOU SOUTHERN GALS. 43 00:01:50,344 --> 00:01:52,813 HEAVY D IS LOOKING FOR ONE SPECIAL GIRL 44 00:01:52,813 --> 00:01:56,184 WHO CAN DANCE, HAS A GREAT SPIRIT, AND LOVES TO TRAVEL, 45 00:01:56,184 --> 00:01:59,987 TO BE THE VIDEO DANCE GIRL OF THE WORLD FOR HIS NEW VIDEO, 46 00:01:59,987 --> 00:02:03,524 AND GET THIS, THE LUCKY WINNER GETS $10,000 IN CASH. 47 00:02:03,524 --> 00:02:06,194 YOU HEARD THAT RIGHT. AUDITIONS ARE THIS WEEK IN L.A., 48 00:02:06,194 --> 00:02:07,761 SO GET A PEN AND PAPER... 49 00:02:07,761 --> 00:02:09,763 NISI? 50 00:02:09,763 --> 00:02:10,764 YOU'RE DAYDREAMING AGAIN. 51 00:02:10,764 --> 00:02:12,466 NO, NO, NO, I WAS TAKING THEIR ORDER. 52 00:02:12,466 --> 00:02:15,135 UH-UH. IT'S MY SECOND TIME I DONE TOLD YOU. 53 00:02:15,135 --> 00:02:17,004 I'M TAKING $10 OUT OF YOUR DOGGONE PAY. 54 00:02:17,004 --> 00:02:19,507 OHH, MR. JOHNSON! 55 00:02:19,507 --> 00:02:22,042 OHH! 56 00:02:22,042 --> 00:02:23,143 $10? 57 00:02:23,143 --> 00:02:24,612 I DON'T WANT TO HEAR NOTHING, NISI. 58 00:02:24,612 --> 00:02:26,146 NOT ANOTHER WORD, ANOTHER PHRASE, ANOTHER SYLLABLE. 59 00:02:26,146 --> 00:02:27,448 HEY! SHUT UP! 60 00:02:27,448 --> 00:02:29,350 I'M THE CAPTAIN OF THIS DOGGONE SHIP. 61 00:02:29,350 --> 00:02:32,286 IF IT'S TOO HOT IN THE KITCHEN, NISI, LEAVE. 62 00:02:32,286 --> 00:02:33,887 IF THE SHOE FIT, WEAR IT. 63 00:02:33,887 --> 00:02:35,223 IF IT TOO TIGHT, TAKE IT OFF! 64 00:02:43,531 --> 00:02:45,266 * OUT WITH THE OLD * 65 00:02:45,266 --> 00:02:46,767 * IN WITH THE NEW... * 66 00:02:46,767 --> 00:02:47,635 I CAN'T BELIEVE 67 00:02:47,635 --> 00:02:49,903 ALI AND JAMES STOOD US UP AGAIN. 68 00:02:49,903 --> 00:02:51,038 I'M THROUGH WITH THEM, GIRL. 69 00:02:51,038 --> 00:02:52,139 NOW, YOU SEE WHAT I MEAN? 70 00:02:52,139 --> 00:02:53,407 I AIN'T GOT NOTHING TO LOSE. 71 00:02:53,407 --> 00:02:55,476 WHAT YOU MEAN YOU AIN'T GOT NOTHING TO LOSE? 72 00:02:55,476 --> 00:02:57,645 YOU TALKING ABOUT USING ALL THE MONEY WE HAVE 73 00:02:57,645 --> 00:03:00,348 TO GO TO SOME AUDITION IN CALIFORNIA. 74 00:03:00,348 --> 00:03:01,715 NISI, YOU AIN'T EVEN A DANCER. 75 00:03:01,715 --> 00:03:04,452 I AM A DANCER, AND I'LL BE DANCIN' MY BUTT OFF 76 00:03:04,452 --> 00:03:06,086 FOR SOME $10,000. 77 00:03:06,086 --> 00:03:07,488 NOW, IF I GET THIS JOB, MICK, 78 00:03:07,488 --> 00:03:09,089 WE'RE GOING TO HAVE MORE THAN ENOUGH MONEY 79 00:03:09,089 --> 00:03:10,224 FOR THE SALON AND THE RESTAURANT. 80 00:03:10,224 --> 00:03:11,625 YOU AIN'T USING OUR LIFE SAVINGS 81 00:03:11,625 --> 00:03:13,227 TO GO TO CALIFORNIA ON SOME MAYBE MISSION. 82 00:03:13,227 --> 00:03:14,928 YOUR LIFE IS RIGHT HERE. 83 00:03:14,928 --> 00:03:16,264 WE DON'T DESERVE THIS. 84 00:03:16,264 --> 00:03:17,598 WE DESERVE THE BEST. 85 00:03:17,598 --> 00:03:19,433 Man: THAT'S WHY YOU GOT ME. 86 00:03:19,433 --> 00:03:22,503 AND YOU... YOU GOT ME. 87 00:03:24,272 --> 00:03:26,507 AW, COME ON, BABY, I'M SORRY I'M LATE, 88 00:03:26,507 --> 00:03:28,476 BUT, YOU KNOW, SOMETIMES BUSINESSMEN STUFF CAN'T WAIT. 89 00:03:28,476 --> 00:03:30,511 WELL, YOU CAN JUST KEEP YOUR "SORRY," 90 00:03:30,511 --> 00:03:33,046 'CAUSE YOU'RE A SORRY EXCUSE FOR A BOYFRIEND. 91 00:03:33,046 --> 00:03:35,082 HOLD ON, HOLD ON, HOLD ON NOW. 92 00:03:35,082 --> 00:03:36,484 YOU AIN'T KNOW WHY WE LATE, GIRL. 93 00:03:36,484 --> 00:03:38,619 I DO KNOW THAT Y'ALL COULDN'T SHOW UP HERE ON TIME 94 00:03:38,619 --> 00:03:39,920 TO WALK US HOME FROM WORK. 95 00:03:39,920 --> 00:03:43,524 WE'VE BEEN CHECKING OUT THIS CLASSIC 1935 FORD 96 00:03:43,524 --> 00:03:45,426 ERIC'S GRANDFATHER'S SELLING. 97 00:03:45,426 --> 00:03:47,027 THAT'S RIGHT, AND HE'S GONNA SELL IT TO US 98 00:03:47,027 --> 00:03:48,429 HALF THE PRICE. 99 00:03:48,429 --> 00:03:50,964 IF HE WAS GIVING IT AWAY, IT STILL WOULDN'T MATTER. 100 00:03:50,964 --> 00:03:52,833 Y'ALL AIN'T GOT NO JOBS. 101 00:03:52,833 --> 00:03:55,303 WE'VE BEEN THINKING ABOUT PUTTING APPLICATIONS IN FOR THE LAST MONTH, BABY, 102 00:03:55,303 --> 00:03:57,338 BUT, YOU KNOW, THE BUSES DON'T RUN EVERYWHERE. 103 00:03:57,338 --> 00:03:58,606 BUT, LOOK HERE, WE'RE GONNA BUY THE CAR, 104 00:03:58,606 --> 00:04:01,575 AND WE'RE GONNA START OUR OWN PAGE-A-CAB 105 00:04:01,575 --> 00:04:03,444 LUXURY CAB COMPANY. 106 00:04:03,444 --> 00:04:06,614 OH, NO. COME ON, MICK. 107 00:04:06,614 --> 00:04:07,581 BYE. 108 00:04:07,581 --> 00:04:09,182 HEY, COME ON, COME ON. 109 00:04:09,182 --> 00:04:11,885 NISI, WHY YOU ACT LIKE THAT? 110 00:04:11,885 --> 00:04:14,221 ALI, I GUESS I'M TIRED 111 00:04:14,221 --> 00:04:17,257 OF HEARING ABOUT ALL YOUR PIPE DREAMS. 112 00:04:17,257 --> 00:04:19,159 IF YOU REALLY CARED ABOUT ME, 113 00:04:19,159 --> 00:04:21,161 YOU'D GET RID OF THAT TIRED PERM 114 00:04:21,161 --> 00:04:23,063 I'VE BEEN TELLING YOU ABOUT FOREVER. 115 00:04:23,063 --> 00:04:24,164 OH, I DON'T CUT MY HAIR! 116 00:04:24,164 --> 00:04:25,466 I AIN'T CUTTING THE HAIR, NO. 117 00:04:25,466 --> 00:04:27,468 IF ANYTHING, I'M GONNA BRING THE PERM BACK. 118 00:04:28,436 --> 00:04:31,004 Woman: I WAS SO MAD, I JUST WALKED OUT. 119 00:04:31,004 --> 00:04:32,940 Second woman: AND HE SAID THAT WAS HIS COUSIN? 120 00:04:32,940 --> 00:04:34,342 THAT'S WHAT HE SAID. 121 00:04:34,342 --> 00:04:37,077 Man: HA HA HA! 122 00:04:37,077 --> 00:04:41,181 Nisi: ...BOPPING AROUND HERE WITH THAT CRACKED-UP PERM HE GOT. 123 00:04:41,181 --> 00:04:42,383 Mickey: YOU KNOW HE'S WRONG. 124 00:04:42,383 --> 00:04:44,885 GIRL, WHY WON'T HE LET YOU CUT HIS HAIR? 125 00:04:44,885 --> 00:04:49,222 I DON'T KNOW. I'VE BEEN TRYING FOREVER. 126 00:04:49,222 --> 00:04:50,624 NOW, I'M A HAIRDRESSER, RIGHT? 127 00:04:50,624 --> 00:04:52,426 AND MY MAN WALKING AROUND HERE 128 00:04:52,426 --> 00:04:55,228 LOOKING LIKE A BROKE-DOWN SUPERFLY. 129 00:04:55,228 --> 00:04:59,099 NO. NO, SUPERFLY'S LITTLE BROTHER. 130 00:04:59,099 --> 00:05:00,133 RIGHT, RIGHT. SUPERFLEA. 131 00:05:00,133 --> 00:05:02,336 HA HA HA! HA HA HA! 132 00:05:02,336 --> 00:05:04,872 OW! PLEASE STAY ON THE HEAD. 133 00:05:04,872 --> 00:05:07,975 SHOOT, YOU SAID YOU WANTED THESE POMPOMS, SO YOU GOT 'EM. 134 00:05:09,410 --> 00:05:11,311 GIRL, WE NEED TO MOVE ON, 135 00:05:11,311 --> 00:05:12,746 AND WE NEED TO GET US SOME NEW JOBS. 136 00:05:12,746 --> 00:05:15,383 TV: HEY, WHAT'S UP, KIDS? IDALIS KICKIN' IT MTV STYLE. 137 00:05:15,383 --> 00:05:17,184 LISTEN, Y'ALL, I GOT THE INSIDE SCOOP 138 00:05:17,184 --> 00:05:19,620 ON THE BIGGEST VIDEO AUDITION TO HIT THE AIRWAVES 139 00:05:19,620 --> 00:05:23,156 SINCE THE ARTIST FORMERLY KNOWN AS PRINCE WAS LOOKING FOR THAT SPECIAL GIRL 140 00:05:23,156 --> 00:05:25,092 FOR HIS VIDEO, THE MOST BEAUTIFUL GIRL IN THE WORLD. 141 00:05:25,092 --> 00:05:26,394 REMEMBER THAT? 142 00:05:26,394 --> 00:05:29,062 WELL, HEAVY D IS DOING A UNIQUE VIDEO HIMSELF. 143 00:05:29,062 --> 00:05:31,098 HE'S GOING TO BE SHOOTING THIS VIDEO ALL OVER THE WORLD 144 00:05:31,098 --> 00:05:35,068 IN BEAUTIFUL, EXOTIC PLACES LIKE BRAZIL AND ITALY. 145 00:05:35,068 --> 00:05:37,471 HE'S LOOKING FOR THAT OH, SO SPECIAL GIRL... 146 00:05:37,471 --> 00:05:39,473 WHOA, WHOA, WHOA. GO BACK. 147 00:05:39,473 --> 00:05:40,674 Idalis: ...A GREAT BODY, A GREAT SMILE, 148 00:05:40,674 --> 00:05:42,610 AND THAT TWINKLE IN HER EYE. 149 00:05:42,610 --> 00:05:44,745 HE'S LOOKING FOR... 150 00:05:44,745 --> 00:05:45,813 Nisi: LOOK! Mickey: HUH? 151 00:05:45,813 --> 00:05:47,981 SO, THAT'S THE SAME AUDITION! 152 00:05:47,981 --> 00:05:48,782 GIRL? 153 00:05:48,782 --> 00:05:50,083 I THINK IT'S A SIGN FROM GOD. 154 00:05:50,083 --> 00:05:54,187 MY MAMA ALWAYS TOLD ME GOOD THINGS COME IN 3. 155 00:05:54,187 --> 00:05:55,222 I HEARD IT ON THE RADIO, 156 00:05:55,222 --> 00:05:57,057 NOW READ IT IN A MAGAZINE, 157 00:05:57,057 --> 00:05:58,158 AND NOW IT'S ON TV! 158 00:05:58,158 --> 00:06:00,260 THIS IS IT, MICK! 159 00:06:00,260 --> 00:06:02,029 NISI, YOU BUGGIN'. 160 00:06:02,029 --> 00:06:03,931 BUT WHAT IF I AIN'T? 161 00:06:05,466 --> 00:06:08,402 COME ON, MICK. LET'S GO TO L.A. 162 00:06:10,904 --> 00:06:12,406 LET'S DO IT. 163 00:06:16,944 --> 00:06:18,378 HELL, YEAH... 164 00:06:18,378 --> 00:06:22,450 'CAUSE THERE AIN'T NOTHING BUT SOME FINE YOUNG RICH MEN IN L.A. 165 00:06:22,450 --> 00:06:25,553 AAH! HA HA HA! 166 00:06:25,553 --> 00:06:28,055 I FEEL LIKE PARTYING RIGHT NOW. COME ON. 167 00:06:28,055 --> 00:06:32,159 PARTYING? WE'VE GOT TO TRY TO SAVE EVERY PENNY NOW. 168 00:06:32,159 --> 00:06:34,161 UH-UH. IT'S TUESDAY NIGHT. 169 00:06:34,161 --> 00:06:35,463 YOU KNOW WHAT THAT MEANS. 170 00:06:35,463 --> 00:06:38,098 LADIES NIGHT AT THE GOLD TOOTH. 171 00:06:38,098 --> 00:06:40,100 WE GET IN FREE! 172 00:06:40,100 --> 00:06:41,268 * GO, GO * 173 00:06:41,268 --> 00:06:42,335 * GIT IT, GIT IT * 174 00:06:42,335 --> 00:06:43,370 * GO, GO * 175 00:06:43,370 --> 00:06:44,805 * GIT IT, GIT IT * 176 00:06:44,805 --> 00:06:47,340 Bouncer: I WANT EVERYONE TO HAVE THEIR I.D.s READY. 177 00:06:47,340 --> 00:06:49,543 [DANCE MUSIC PLAYING] 178 00:06:54,815 --> 00:06:56,316 IT'S JUST SO RIDICULOUS. 179 00:06:56,316 --> 00:07:00,120 EVERYBODY IN HERE WANTS TO BE A PLAYER, PIMP, HUSTLER. 180 00:07:00,120 --> 00:07:01,288 NOT ME. 181 00:07:01,288 --> 00:07:03,891 I JUST WANT A SIMPLE WOMAN. 182 00:07:03,891 --> 00:07:06,059 THAT'S YOU. I'M TELLING YOU IT'S YOU. 183 00:07:06,059 --> 00:07:07,461 OH, REALLY? 184 00:07:07,461 --> 00:07:09,096 YOU'RE VERY SPECIAL TO ME. 185 00:07:09,096 --> 00:07:10,363 MM-HMM? 186 00:07:10,363 --> 00:07:13,400 YOU SEE, I NEVER MET NOBODY LIKE YOU BEFORE IN MY LIFE. 187 00:07:13,400 --> 00:07:16,103 YOUR NAME IS ETCHED IN MY HEART. 188 00:07:16,103 --> 00:07:18,906 SHAKIMA, RIGHT? 189 00:07:18,906 --> 00:07:20,040 KEESHA? 190 00:07:20,040 --> 00:07:22,776 MM-HMM... 191 00:07:22,776 --> 00:07:24,645 I WENT TO SCHOOL WITH HER. 192 00:07:24,645 --> 00:07:26,714 ALL RIGHT, STEP FORWARD. 193 00:07:29,783 --> 00:07:31,585 [METAL DETECTORS SQUEAL] 194 00:07:32,653 --> 00:07:33,921 * HOW YOU GONNA DO IT * 195 00:07:33,921 --> 00:07:35,789 * IF YOU REALLY DON'T WANT TO DANCE? * 196 00:07:35,789 --> 00:07:37,825 * BY STANDING ON THE WALL * 197 00:07:37,825 --> 00:07:39,426 * GET YOUR BACK UP OFF THE WALL * 198 00:07:39,426 --> 00:07:41,294 * 'CAUSE I HEARD ALL THE MUSIC * 199 00:07:41,294 --> 00:07:42,596 * GET DOWN ON IT... 200 00:07:42,596 --> 00:07:44,131 OOH, DAMN! 201 00:07:44,131 --> 00:07:46,266 WHAT--HEY-- HEH HEH. 202 00:07:46,266 --> 00:07:47,400 HEH HEH HEH. 203 00:07:47,400 --> 00:07:49,469 FINE AND VIVACIOUS AND BEAUTIFUL. 204 00:07:49,469 --> 00:07:50,738 LOOK GOOD IN A MUG, 205 00:07:50,738 --> 00:07:51,839 THAT'S WHAT HE'S TRYING TO SAY. 206 00:07:51,839 --> 00:07:54,207 THANK YOU. 207 00:07:54,207 --> 00:07:56,143 NISI, AIN'T YOU THIRSTY? 208 00:07:56,143 --> 00:07:57,811 UH-UH. 209 00:07:57,811 --> 00:08:00,213 MM-HMM. 210 00:08:06,219 --> 00:08:07,287 OH! 211 00:08:07,287 --> 00:08:08,388 OH, UH... 212 00:08:08,388 --> 00:08:11,792 YEAH, LET ME GET 4 HURRICANES, BRO. 213 00:08:11,792 --> 00:08:13,493 OOH, NOW, Y'ALL LOOK GOOD, 214 00:08:13,493 --> 00:08:15,028 NOT LIKE THESE HOOTCHY GIRLS. 215 00:08:15,028 --> 00:08:16,229 Y'ALL GOT CLASS. 216 00:08:16,229 --> 00:08:19,299 LIKE WAITRESSES OR SOMETHING. HEH HEH HEH. 217 00:08:19,299 --> 00:08:21,669 THAT'LL BE $16 EVEN. 218 00:08:33,313 --> 00:08:34,948 HELL, NO. LET'S GO. 219 00:08:34,948 --> 00:08:38,285 I AIN'T THIRSTY. COME ON, LET'S GO TO THE BATHROOM. 220 00:08:38,285 --> 00:08:39,519 HUH! 221 00:08:40,520 --> 00:08:42,322 HEY, HEY, HEY, WAIT A MINUTE. 222 00:08:42,322 --> 00:08:43,791 HOLD IT--HOLD IT, GIRL. 223 00:08:43,791 --> 00:08:45,492 NOW, LOOK, IT WAS LADIES NIGHT, RIGHT? 224 00:08:45,492 --> 00:08:46,794 Y'ALL DIDN'T HAVE TO PAY TO GET IN. 225 00:08:46,794 --> 00:08:48,095 Y'ALL COULD HAVE BOUGHT OUR DRINKS. 226 00:08:48,095 --> 00:08:49,329 UH, NOT IN THIS LIFE. 227 00:08:49,329 --> 00:08:52,299 NOW, HOLD ON. I AIN'T FINISHED TALKING TO YOU. 228 00:08:52,299 --> 00:08:53,701 WILL YOU LET GO OF HER ARM? 229 00:08:53,701 --> 00:08:55,135 YOU AIN'T HER DAMN DADDY. 230 00:08:55,135 --> 00:08:58,238 SHUT YOUR ASS UP, YOU PLAY-HEADED HEIFER. 231 00:08:58,238 --> 00:08:59,940 GET OFF ME. 232 00:08:59,940 --> 00:09:01,909 HEY, WHAT YOU-- WHAT DID I DO? 233 00:09:01,909 --> 00:09:04,411 OH, WHAT YOU GONNA DO, CAPTAIN SAVE-A-HO? HMM? 234 00:09:04,411 --> 00:09:06,046 GOD DAMN! 235 00:09:06,046 --> 00:09:07,615 OH, NO, IT'S ON NOW, BROTHER. 236 00:09:07,615 --> 00:09:08,749 GET ON UP! 237 00:09:08,749 --> 00:09:10,718 I'LL KNOCK YOUR ASS BACK DOWN AGAIN. 238 00:09:12,285 --> 00:09:13,621 Ali: COME ON, HERE. 239 00:09:13,621 --> 00:09:15,388 I SWALLOWED MY GOLD TOOTH! 240 00:09:15,388 --> 00:09:17,691 [WHINING] 241 00:09:17,691 --> 00:09:19,627 COMING THROUGH HERE. 242 00:09:25,633 --> 00:09:27,968 LADIES, LADIES, LADIES. 243 00:09:33,306 --> 00:09:36,944 Ali: HEY, MY MAN, LET ME HEAR 4 OF THEM HURRICANES, PARTNER. 244 00:09:38,712 --> 00:09:41,281 OH, HE GOOD FOR IT. THEY GOOD FOR IT. 245 00:09:48,121 --> 00:09:50,924 Bartender: THAT'LL BE $16 EVEN. 246 00:09:57,430 --> 00:09:59,332 OH, HELL, NO! COME ON, MICK. 247 00:09:59,332 --> 00:10:00,668 COME ON, IT'S LADIES NIGHT! 248 00:10:00,668 --> 00:10:03,036 NISI! Y'ALL GOT IN FREE. 249 00:10:03,036 --> 00:10:03,871 NISI! 250 00:10:03,871 --> 00:10:05,072 WHAT'S YOUR PROBLEM? 251 00:10:05,072 --> 00:10:06,239 WHY YOU TREATING ME LIKE SOME STEPCHILD? 252 00:10:06,239 --> 00:10:08,608 'CAUSE I DESERVE BETTER THAN THIS, ALI. 253 00:10:08,608 --> 00:10:09,643 DON'T YOU THINK I KNOW THAT, BABY? 254 00:10:09,643 --> 00:10:11,044 I'M A BUSINESSMAN. 255 00:10:11,044 --> 00:10:12,512 I'M TRYING TO MAKE THINGS HAPPEN. 256 00:10:12,512 --> 00:10:14,547 YOU'VE BEEN TRYING TO MAKE THINGS HAPPEN FOREVER NOW. 257 00:10:14,547 --> 00:10:16,216 YOU CAN'T EVEN KEEP A JOB. 258 00:10:16,216 --> 00:10:17,550 I WANT A REAL MAN, 259 00:10:17,550 --> 00:10:21,188 A MAN WITH AMBITION, GOALS, REAL DREAMS. 260 00:10:21,188 --> 00:10:22,422 I GOT DREAMS. 261 00:10:22,422 --> 00:10:24,792 WHAT YOU THINK MY PAGE-A-CAB LUXURY CAB SERVICE IS? 262 00:10:24,792 --> 00:10:27,327 YOU AIN'T EVEN GOT A DRIVER'S LICENSE. 263 00:10:27,327 --> 00:10:31,298 * I'LL BE LOVING YOU * 264 00:10:31,298 --> 00:10:34,702 * FOREVER * 265 00:10:34,702 --> 00:10:38,638 * DEEP INSIDE MY HEART YOU'LL LEAVE... * 266 00:10:38,638 --> 00:10:40,640 LIKE YOUR DREAMS ARE JUST WIRED FOR SOUND 267 00:10:40,640 --> 00:10:42,475 AND READY TO ROLL, RIGHT? 268 00:10:42,475 --> 00:10:44,577 OWNING A HAIR SALON. 269 00:10:44,577 --> 00:10:46,880 THAT'S YOU AND MICKEY'S PROBLEM. 270 00:10:46,880 --> 00:10:48,949 YOU NEED TO GET A GRIP ON LIFE. 271 00:10:48,949 --> 00:10:50,550 I AIN'T NEVER HEARD SOMEBODY OWNING A RESTAURANT 272 00:10:50,550 --> 00:10:51,919 WITH A HAIR SALON IN BACK. 273 00:10:51,919 --> 00:10:53,420 WHAT KIND OF BULLSHIT IS THAT? 274 00:10:53,420 --> 00:10:55,956 OH...ALL RIGHT. 275 00:10:57,490 --> 00:10:58,826 WELL, THAT'S GONNA HAPPEN. 276 00:10:58,826 --> 00:10:59,827 YOU'LL SEE. 277 00:10:59,827 --> 00:11:01,228 NISI, NISI, NISI, 278 00:11:01,228 --> 00:11:03,997 I'M SORRY, I'M SORRY, I'M SORRY, I'M SORRY. 279 00:11:03,997 --> 00:11:05,665 COME ON, BABY. THEY'RE PLAYING OUR SONG. 280 00:11:05,665 --> 00:11:06,666 COME ON. 281 00:11:06,666 --> 00:11:07,935 MM-MMM. 282 00:11:07,935 --> 00:11:10,437 USED TO BE OUR SONG. 283 00:11:10,437 --> 00:11:13,807 * YOU'RE ALWAYS MINE * 284 00:11:13,807 --> 00:11:17,677 * WHEN I'M IN NEED * 285 00:11:17,677 --> 00:11:20,547 * WHEN TROUBLE'S ON MY MIND * 286 00:11:20,547 --> 00:11:25,085 * YOU PUT MY SOUL AT EASE * 287 00:11:25,085 --> 00:11:28,455 * THERE IS NO ONE IN THIS WORLD... * 288 00:11:28,455 --> 00:11:30,457 [AIRPLANE ENGINES ROARING] 289 00:11:32,459 --> 00:11:35,695 NISI, DO YOU THINK YOU OVERDID IT WITH OUR HAIR? 290 00:11:35,695 --> 00:11:39,599 MM-MMM. NOPE. 291 00:11:39,599 --> 00:11:41,001 I SURE DON'T, 292 00:11:41,001 --> 00:11:42,736 'CAUSE WE'RE GOING TO BEVERLY HILLS. 293 00:11:42,736 --> 00:11:44,537 NOW, IF I'M GOING TO DO GOOD AT THAT AUDITION, 294 00:11:44,537 --> 00:11:46,740 WE'VE GOT TO LOOK LIKE STARS. 295 00:11:50,343 --> 00:11:51,344 NISI! 296 00:11:51,344 --> 00:11:52,512 NISI! WHAT, GIRL? 297 00:11:52,512 --> 00:11:54,581 CAN'T YOU SEE I'M TRYING TO READ UP ON OUR MANNERS? 298 00:11:54,581 --> 00:11:57,350 I KNOW, BUT WE'RE GOING TO NEED MORE THAN MANNERS 299 00:11:57,350 --> 00:11:58,218 'CAUSE RIGHT HERE IT SAYS 300 00:11:58,218 --> 00:11:59,586 THAT THE RICH AND FAMOUS PEOPLE 301 00:11:59,586 --> 00:12:01,721 HANG OUT AT THE POLO LOUNGE. 302 00:12:01,721 --> 00:12:03,356 SO? 303 00:12:03,356 --> 00:12:04,457 SO?! 304 00:12:04,457 --> 00:12:05,893 Man: OH, SHIT. 305 00:12:05,893 --> 00:12:09,897 WE DON'T KNOW NOTHIN' ABOUT PLAYING NO DAMN POLO. 306 00:12:09,897 --> 00:12:11,231 THEN LOOK UP IN THE BOOK 307 00:12:11,231 --> 00:12:15,668 AND SEE IF YOU CAN FIND A BASKETBALL LOUNGE. 308 00:12:15,668 --> 00:12:16,770 YEAH! YEAH! 309 00:12:16,770 --> 00:12:18,305 [GIGGLING] 310 00:12:18,305 --> 00:12:20,107 Flight Attendant: GOOD AFTERNOON, LADIES AND GENTLEMAN, 311 00:12:20,107 --> 00:12:22,509 OUR IN-FLIGHT MOVIE IS ABOUT TO BEGIN. 312 00:12:22,509 --> 00:12:25,245 PLEASE LOWER YOUR SHADE IF YOU'RE SITTING NEXT TO A WINDOW. 313 00:12:25,245 --> 00:12:26,513 THANK YOU. 314 00:12:29,817 --> 00:12:31,351 Mickey: WHERE MY THING AT? 315 00:12:31,351 --> 00:12:33,053 HEY, I CAN'T SEE. 316 00:12:33,053 --> 00:12:34,554 MISS? 317 00:12:34,554 --> 00:12:36,023 Man: WHAT'S GOING ON? 318 00:12:36,023 --> 00:12:38,025 Man: WHAT'S BLOCKING THE SCREEN? 319 00:12:38,025 --> 00:12:39,726 Man: I PAID GOOD MONEY TO SEE THIS. 320 00:12:39,726 --> 00:12:40,961 Woman: I CAN'T SEE! 321 00:12:40,961 --> 00:12:42,129 PLEASE, CAN I HAVE ANOTHER SEAT? 322 00:12:42,129 --> 00:12:43,330 I'LL PAY YOU ANY AMOUNT OF MONEY. 323 00:12:43,330 --> 00:12:45,532 I'M SORRY. THE FLIGHT IS ALL BOOKED UP. 324 00:12:45,532 --> 00:12:47,534 AW, FUCK! 325 00:12:47,534 --> 00:12:50,270 HELLO? 326 00:12:50,270 --> 00:12:53,974 LADIES, WOULD YOU MIND LOWERING YOUR HAIR? 327 00:12:53,974 --> 00:12:55,408 Man: HEY, YOU WITH THE HAIR! 328 00:12:55,408 --> 00:12:57,210 NO PROBLEM. 329 00:12:57,210 --> 00:12:59,412 Woman: I PAID MONEY TO BE WATCHING THIS. 330 00:12:59,412 --> 00:13:00,447 IT'S BEAUTIFUL. 331 00:13:02,149 --> 00:13:05,352 MAYBE YOU OVERDID IT JUST A LITTLE BIT. 332 00:13:05,352 --> 00:13:07,520 MAYBE I DID, HUH? 333 00:13:07,520 --> 00:13:09,389 Man: CAN I GET MY MONEY BACK FOR THESE HEADPHONES? 334 00:13:09,389 --> 00:13:11,825 Woman: THERE. THAT'S MUCH BETTER. 335 00:13:11,825 --> 00:13:15,295 P.A.: THE WHITE ZONE IS FOR THE IMMEDIATE LOADING AND UNLOADING. 336 00:13:23,971 --> 00:13:25,839 [GASPS] [GASPS] 337 00:13:25,839 --> 00:13:28,976 Mickey: OH, SHIT, LADY, LOOK! 338 00:13:28,976 --> 00:13:30,844 Both: AAAH! 339 00:13:30,844 --> 00:13:32,112 Mickey: NIS, LOOK! 340 00:13:32,112 --> 00:13:34,581 LL! LL! LL! LL! 341 00:13:34,581 --> 00:13:35,849 AAH! AAH! 342 00:13:35,849 --> 00:13:37,851 DAMN! LADY LOVE IN THE FLESH! 343 00:13:37,851 --> 00:13:39,052 AIN'T NOTHING LIKE A BROTHER 344 00:13:39,052 --> 00:13:40,854 WHO PRACTICES WHAT HE PREACHES. 345 00:13:40,854 --> 00:13:43,123 REMEMBER WE READ IN RIGHT ON MAGAZINE, 346 00:13:43,123 --> 00:13:44,657 HE DONE MARRIED HIS BABY'S MAMA! 347 00:13:44,657 --> 00:13:45,658 SURE DID! 348 00:13:45,658 --> 00:13:47,194 YOU'RE A GOOD MAN, TOO. 349 00:13:47,194 --> 00:13:48,695 I KNOW THAT MOOKIE'S BEEN THROWING THAT ASS AT YOU, TOO. 350 00:13:48,695 --> 00:13:50,330 I KNOW! REMEMBER WHEN TIT-TIT SAID SHE SLEPT WITH HIM? 351 00:13:50,330 --> 00:13:52,465 PRECIOUS, TOO! SHE SAID HE GOT IT GOIN' ON! 352 00:13:52,465 --> 00:13:53,566 SHE SURE DID! 353 00:13:53,566 --> 00:13:54,868 LADIES, LADIES, LADIES, 354 00:13:54,868 --> 00:13:55,903 IT'S NICE TO MEET Y'ALL, 355 00:13:55,903 --> 00:13:57,304 BUT I GOT TO GO TO THE STUDIO. 356 00:13:57,304 --> 00:13:58,638 OK. LL! 357 00:13:58,638 --> 00:14:00,607 I'M GONNA BE IN THE HEAVY D VIDEO! I'M ABOUT TO BLOW UP! 358 00:14:00,607 --> 00:14:02,142 BOO YEAH! SHE IS! 359 00:14:02,142 --> 00:14:04,077 WELL, CHECK IT OUT. I DON'T MEAN TO BE RUDE OR ANYTHING, 360 00:14:04,077 --> 00:14:06,013 BUT, UNFORTUNATELY, I GOTTA GO. I'M RUNNING LATE, OK? 361 00:14:06,013 --> 00:14:07,614 OK, UNCLE L. OK. 362 00:14:07,614 --> 00:14:08,648 ALL RIGHT. 363 00:14:08,648 --> 00:14:09,649 OK, BABY. 364 00:14:09,649 --> 00:14:10,984 KEEP LICKING THEM LIPS! 365 00:14:10,984 --> 00:14:13,120 OH, AND I KNOW YOU'RE WITH YOUR BABY'S MAMA, 366 00:14:13,120 --> 00:14:15,923 BUT IF THE SHIT DON'T WORK OUT, YOU KNOW YOU CAN COME-- 367 00:14:15,923 --> 00:14:19,126 GIRL! LET'S GO GET OUR LUGGAGE! GO! 368 00:14:19,126 --> 00:14:20,127 OOH! 369 00:14:23,163 --> 00:14:25,698 GIRL, YOU SAID GOOD THINGS COME IN 3s. 370 00:14:25,698 --> 00:14:27,034 THAT'S SURE WHAT MY MAMA SAID. 371 00:14:27,034 --> 00:14:30,237 OW! IF I SEE LL 2 MORE TIMES, IT'S ON! 372 00:14:30,237 --> 00:14:33,473 COME ON! WE JUST SAW LL! BRING ON THE BAND! 373 00:14:50,323 --> 00:14:51,591 Nisi: WE'RE THE FIRST ONES HERE. 374 00:14:51,591 --> 00:14:54,194 FOR REAL? YOU'RE ABOUT TO GET THIS JOB, GIRL! 375 00:14:54,194 --> 00:14:55,963 YOU'RE GONNA GET THIS! 376 00:14:57,364 --> 00:14:58,665 OOH! 377 00:14:58,665 --> 00:15:00,667 [GIGGLING] 378 00:15:05,405 --> 00:15:09,476 Man on megaphone: WILL NUMBER 865 PLEASE STEP UP? 379 00:15:09,476 --> 00:15:13,546 WILL NUMBER 865 PLEASE JOIN THE GROUP OVER THERE? 380 00:15:16,483 --> 00:15:19,219 Nisi: OH, GIRL, I'M GONNA BLOW THIS AUDITION UP! 381 00:15:19,219 --> 00:15:21,254 YOU GOT TO, 'CAUSE WE ONLY HAVE ENOUGH MONEY 382 00:15:21,254 --> 00:15:23,223 FOR ONE NIGHT IN A MOTEL ROOM. 383 00:15:23,223 --> 00:15:25,792 I'M GONNA GET THIS. GET THIS. 384 00:15:25,792 --> 00:15:29,062 OH, LOOK AT HER TRYING TO SHOW OUT. 385 00:15:29,062 --> 00:15:30,463 COME ON. MM-HMM. 386 00:15:30,463 --> 00:15:32,599 SHE THINKS SHE GOT IT GOING ON. 387 00:15:32,599 --> 00:15:34,234 YOU THE BOMB. 388 00:15:35,835 --> 00:15:37,570 I GOT THIS. OH, YEAH. 389 00:15:37,570 --> 00:15:39,672 NO PROBLEM. 390 00:15:39,672 --> 00:15:41,008 EWW, SHE WRONG FOR THAT. 391 00:15:41,008 --> 00:15:42,509 UH, UH, THAT WAS GOOD, 392 00:15:42,509 --> 00:15:45,878 BUT YOU MIGHT WANT TO GO ON HOME NOW, 'CAUSE I'M HERE. 393 00:15:45,878 --> 00:15:48,681 NO, STAY, 'CAUSE WE'RE GOING TO NEED A FEW EXTRAS IN THE VIDEO. 394 00:15:48,681 --> 00:15:49,949 HEH HEH. 395 00:15:51,551 --> 00:15:53,453 EXCUSE ME. 396 00:15:53,453 --> 00:15:54,687 OOH... 397 00:15:54,687 --> 00:15:56,389 MMM... 398 00:15:56,389 --> 00:15:58,391 [HUMMING] 399 00:16:26,619 --> 00:16:27,854 THAT'S MY GIRL! 400 00:16:27,854 --> 00:16:29,122 THAT'S MY GIRL! 401 00:16:29,122 --> 00:16:30,490 THAT'S MY GIRL! 402 00:16:30,490 --> 00:16:31,524 YEAH! 403 00:16:31,524 --> 00:16:32,825 YEAH! 404 00:16:32,825 --> 00:16:36,029 BABY, WE GOT THIS! 405 00:16:36,029 --> 00:16:37,564 BOO YAH! 406 00:16:38,431 --> 00:16:41,034 GIRL, CAN YOU BELIEVE HE GONNA ACCUSE ME 407 00:16:41,034 --> 00:16:42,835 OF HITTING EVERYBODY WITH MY HAIR? 408 00:16:42,835 --> 00:16:44,071 I DIDN'T HIT NOBODY WITH MY HAIR. 409 00:16:44,071 --> 00:16:45,472 I DID HIT A FEW OF THEM, THOUGH, 410 00:16:45,472 --> 00:16:48,275 'CAUSE I WAS ROOTING FOR YOU. I WANTED YOU TO WIN. 411 00:16:48,275 --> 00:16:51,344 I AIN'T LIKE THAT SONG NO WAY. 412 00:16:51,344 --> 00:16:54,214 COME ON, LET'S JUST FIND A HOTEL 413 00:16:54,214 --> 00:16:56,283 SO WE CAN GET OUT OF HERE IN THE MORNING. 414 00:16:56,283 --> 00:16:59,952 WHERE ARE WE GOING TO FIND A TAXI AROUND HERE ANYWAY? 415 00:16:59,952 --> 00:17:01,288 [ITALIAN ACCENT] EXCUSE ME. 416 00:17:03,022 --> 00:17:04,457 EXCUSE ME. 417 00:17:06,359 --> 00:17:09,096 I COULDN'T HELP TO NOTICE YOU EARLIER. 418 00:17:09,096 --> 00:17:10,497 YOU ARE A VERY GOOD DANCER. 419 00:17:10,497 --> 00:17:13,233 UH-HUH. WELL, THEY AIN'T THINK SO. 420 00:17:13,233 --> 00:17:16,269 MY BOSS IS DOING A MUSIC VIDEO. 421 00:17:16,269 --> 00:17:18,171 I THOUGHT YOU'D BE PERFECT FOR IT. 422 00:17:18,171 --> 00:17:21,074 HOLD UP. HOW MANY C-NOTES WE TALKING HERE? 423 00:17:21,074 --> 00:17:23,576 UH, C-NOTES? 424 00:17:23,576 --> 00:17:25,645 CASH MONEY? 425 00:17:25,645 --> 00:17:29,616 ROOM AND BOARD IN HIS BEVERLY HILLS MANSION 426 00:17:29,616 --> 00:17:31,184 AND $10,000. 427 00:17:31,184 --> 00:17:32,919 A MANSION? 428 00:17:32,919 --> 00:17:34,854 $10,000? 429 00:17:34,854 --> 00:17:36,055 WHERE HE AT? WHERE HE AT? 430 00:17:37,990 --> 00:17:39,459 FOLLOW ME. 431 00:18:27,640 --> 00:18:30,377 Nisi: COME ON, GIRL. WE GOT TO TAKE CARE OF BUSINESS. 432 00:18:44,991 --> 00:18:46,125 WAIT, WAIT, WAIT! DON'T! 433 00:18:46,125 --> 00:18:47,560 DON'T RING THE DOORBELL YET. 434 00:18:47,560 --> 00:18:50,463 IT SAY RIGHT HERE IN MY ETIQUETTE NOTES 435 00:18:50,463 --> 00:18:53,466 THAT IF THEY SAY, "HOW ARE YOU?" WE SAY... 436 00:18:53,466 --> 00:18:56,469 LIVIN' LARGE AND TAKIN' CHARGE, BIG BOY! 437 00:18:56,469 --> 00:18:58,771 I DON'T WANT YOU DOING THAT KIND OF STUFF. 438 00:18:58,771 --> 00:19:00,507 WE'RE IN BEVERLY HILLS, 439 00:19:00,507 --> 00:19:02,675 SO WHEN THEY SAY, "HOW ARE YOU," 440 00:19:02,675 --> 00:19:04,544 WE SMILE SWEETLY... 441 00:19:06,213 --> 00:19:10,650 AND SAY, "VERY WELL, THANK YOU. AND YOURSELF?" 442 00:19:10,650 --> 00:19:11,718 YOU COOL? 443 00:19:11,718 --> 00:19:13,420 RING THE DOORBELL. 444 00:19:14,421 --> 00:19:16,623 [DOORBELL CHIMES] 445 00:19:27,467 --> 00:19:30,403 HOW DID YOU GET PAST SECURITY AT THE GATE? 446 00:19:30,403 --> 00:19:33,306 BEGGING IS NOT PERMITTED IN BEVERLY HILLS. 447 00:19:33,306 --> 00:19:35,375 OH, WELL, THAT'S COOL, 'CAUSE WHERE WE COME FROM, 448 00:19:35,375 --> 00:19:37,143 CRACKHEADS BE BEGGIN' ALL THE TIME. 449 00:19:37,143 --> 00:19:40,079 SNAP! WE CAN'T EVEN WALK DOWN THE STREET-- 450 00:19:40,079 --> 00:19:42,114 [DOOR CLOSES] 451 00:19:42,114 --> 00:19:43,583 OH, NO, SEE, IT'S ON! 452 00:19:43,583 --> 00:19:44,717 IT'S ON NOW IN BEVERLY HILLS! 453 00:19:44,717 --> 00:19:45,985 MICK, WE'RE NOT DOIN' NO FIGHTING-- 454 00:19:45,985 --> 00:19:48,087 LADIES, WELCOME. 455 00:19:48,087 --> 00:19:50,657 I'M ISAAC BLAKEMORE, AND YOU ARE? 456 00:19:50,657 --> 00:19:53,526 I'M DENISE, AND THIS IS MY FRIEND TAMIKA. 457 00:19:53,526 --> 00:19:57,464 YOU CAN JUST CALL ME NISI AND HER MICKEY. 458 00:20:03,002 --> 00:20:05,204 UH, SORRY. PLEASE, COME ON IN. 459 00:20:05,204 --> 00:20:07,407 I'M SORRY. HOW VERY RUDE OF ME. 460 00:20:08,641 --> 00:20:11,278 I JUST HAVE TO FINISH UP A PHONE CONVERSATION. 461 00:20:11,278 --> 00:20:14,414 YOU KNOW, JUST LOOKING AT YOU, 462 00:20:14,414 --> 00:20:18,351 I CAN TELL YOU'RE EXACTLY WHAT I'VE BEEN LOOKING FOR. 463 00:20:21,020 --> 00:20:22,622 SO, I GOT THE JOB? 464 00:20:22,622 --> 00:20:27,159 WELL, YEAH. IT CERTAINLY SEEMS THAT WAY, DOESN'T IT? 465 00:20:27,159 --> 00:20:30,763 WELL, MANLEY HERE WILL BE HAPPY TO SHOW YOU UP TO YOUR ROOM. 466 00:20:30,763 --> 00:20:33,099 YOU CAN JUST RELAX, YOU KNOW, FRESHEN UP A LITTLE BIT. 467 00:20:33,099 --> 00:20:34,133 JUST MAKE YOURSELF AT HOME, 468 00:20:34,133 --> 00:20:35,702 THEN WE'LL MEET AGAIN SHORTLY 469 00:20:35,702 --> 00:20:38,738 TO GO OVER THE TERMS OF YOUR CONTRACT. 470 00:20:38,738 --> 00:20:40,072 THANK YOU! 471 00:20:40,072 --> 00:20:42,309 OH, GOOD. GOOD, GOOD, GOOD. 472 00:20:42,309 --> 00:20:43,910 I'LL SEE YOU IN A BIT. 473 00:20:44,977 --> 00:20:47,647 Nisi: THANK YOU. THANK YOU. 474 00:20:47,647 --> 00:20:49,148 [GIGGLING] 475 00:20:49,148 --> 00:20:51,351 [CLASSICAL MUSIC PLAYS] 476 00:20:55,054 --> 00:20:56,556 FOLLOW ME. 477 00:21:08,335 --> 00:21:10,069 WOW... 478 00:21:10,069 --> 00:21:12,071 OOH... 479 00:21:12,071 --> 00:21:14,206 MICKEY, LOOK! 480 00:21:14,206 --> 00:21:17,276 OOH, HE GOT A LITTLE ONE! 481 00:21:17,276 --> 00:21:18,911 [CLEARS THROAT] 482 00:21:30,222 --> 00:21:32,459 [CLEARS THROAT] 483 00:21:39,165 --> 00:21:40,633 OOH, LOOK! CHECK THIS OUT! 484 00:21:40,633 --> 00:21:42,802 IT'S A REAL FAMOUS PIECE. 485 00:21:42,802 --> 00:21:44,771 THEY DONE PAY CRAZY CASH FOR THIS. 486 00:21:44,771 --> 00:21:45,772 FOR THAT? 487 00:21:45,772 --> 00:21:48,375 SOME UGLY WOMAN HE TRIED TO HOOK UP? 488 00:21:48,375 --> 00:21:51,911 IF SHE WAS UGLY, HE SHOULD HAVE LEFT HER UGLY. 489 00:21:51,911 --> 00:21:55,014 SHE LOOKS LIKE LOQUISHA JENKINS WITH A BAD HAIR WEAVE. 490 00:21:55,014 --> 00:21:57,750 [CLEARS THROAT] 491 00:21:57,750 --> 00:22:00,553 YOU NEED SOME THROAT LOZENGES OR SOMETHING? 492 00:22:00,553 --> 00:22:01,688 LEAD THE WAY, ALFRED. 493 00:22:01,688 --> 00:22:04,591 THE NAME IS MR. MANLEY. 494 00:22:04,591 --> 00:22:08,928 MANLEY WILL DO VERY NICELY, THANK YOU. 495 00:22:08,928 --> 00:22:10,096 WHO IS ALFRED? 496 00:22:10,096 --> 00:22:12,899 YOU KNOW. BATMAN'S HOMEBOY. 497 00:22:12,899 --> 00:22:15,868 OH, YOU RIGHT, GIRL. I SEE WHAT YOU'RE SAYING. 498 00:22:15,868 --> 00:22:18,605 YOU WOULD BE SO GOOD IN THE SEQUEL! 499 00:22:18,605 --> 00:22:21,040 OH, HE'D BE PHAT! HE WOULD! 500 00:22:22,809 --> 00:22:25,878 ALL YOU'D HAVE TO DO IS SAY, "BATMAN TO THE CAVE!" 501 00:22:25,878 --> 00:22:27,847 AND EVERYBODY WOULD LOSE THEIR JOB THAT DAY. 502 00:22:27,847 --> 00:22:29,916 AND YOU'D GET THAT JOB! HA HA HA! 503 00:22:29,916 --> 00:22:32,585 Both: TO THE BATCAVE! [GIGGLING] 504 00:22:32,585 --> 00:22:33,886 Nisi: ASK HIM TO SAY IT, MICK. 505 00:22:33,886 --> 00:22:35,755 YOU DO IT. I ALREADY CALLED THE MAN ALFRED. 506 00:22:35,755 --> 00:22:37,056 OH, COME ON. 507 00:22:37,056 --> 00:22:39,325 NO. I JUST WANT TO KNOW WHERE WE'RE SLEEPING TONIGHT. 508 00:22:39,325 --> 00:22:40,527 HI. 509 00:22:42,995 --> 00:22:44,497 WAIT IN THERE. 510 00:22:45,632 --> 00:22:47,567 WHAT KIND OF WELCOME IS THAT? 511 00:22:47,567 --> 00:22:48,868 [POMPOUSLY] "WAIT IN THERE." 512 00:22:48,868 --> 00:22:50,570 COME ON. 513 00:22:59,612 --> 00:23:02,415 OHH... AHH.... 514 00:23:06,919 --> 00:23:07,720 MICK! 515 00:23:07,720 --> 00:23:09,656 COME IN HERE. LOOK AT THIS. 516 00:23:11,791 --> 00:23:13,960 OOH, IT'S PRETTY, AIN'T IT? 517 00:23:13,960 --> 00:23:15,928 IT'S BEAUTIFUL. 518 00:23:21,267 --> 00:23:22,602 HEY... 519 00:23:22,602 --> 00:23:24,537 WHY THEY GOT 2 TOILETS? 520 00:23:26,338 --> 00:23:27,940 YOU KNOW HOW RICH FOLKS IS. 521 00:23:27,940 --> 00:23:31,844 THEY GOT TO FEEL LIKE THEY GOT A CHOICE IN EVERYTHING THEY DO. 522 00:23:31,844 --> 00:23:34,914 NOW, THAT ONE RIGHT THERE LOOKS LIKE IT'S FOR NUMBER ONE... 523 00:23:34,914 --> 00:23:37,917 AND THAT ONE LOOKS LIKE IT'S FOR NUMBER 2. 524 00:23:37,917 --> 00:23:40,687 HOW DO YOU FLUSH NUMBER ONE? 525 00:23:42,689 --> 00:23:45,692 YOU JUST TURN THESE 2 HANDLES RIGHT HERE. 526 00:23:48,461 --> 00:23:49,896 WHOA! OH! 527 00:23:49,896 --> 00:23:51,564 OH, NO, GIRL! 528 00:23:51,564 --> 00:23:53,733 WHAT DID YOU DO? 529 00:23:53,733 --> 00:23:55,367 THE WATER'S GETTING ALL OVER THE FLOOR! 530 00:23:55,367 --> 00:23:57,837 DO SOMETHING! HURRY! 531 00:23:57,837 --> 00:23:58,638 I'M TRYING! 532 00:23:58,638 --> 00:24:00,239 TURN IT OFF, NISI! 533 00:24:00,239 --> 00:24:01,874 TURN IT OFF! TURN IT OFF! 534 00:24:03,009 --> 00:24:04,844 NIS, LET ME! 535 00:24:04,844 --> 00:24:05,645 OK! 536 00:24:05,645 --> 00:24:09,048 OOH! OH! WOO-OOH! 537 00:24:10,082 --> 00:24:11,383 I'M GONNA TURN IT OFF! 538 00:24:11,383 --> 00:24:12,652 MICK, SIT ON IT! SIT ON IT, MICK! 539 00:24:12,652 --> 00:24:14,320 THEY'RE GONNA THROW US OUT OF HERE, MICK! 540 00:24:14,320 --> 00:24:16,989 COME ON! OK! OK! 541 00:24:16,989 --> 00:24:17,790 OK! 542 00:24:17,790 --> 00:24:18,791 GIRL, THAT'S MY BACK! 543 00:24:18,791 --> 00:24:20,259 GIRL, THAT'S MY BACK! 544 00:24:20,259 --> 00:24:22,128 GIRL, YOU'RE ON MY BACK! 545 00:24:22,128 --> 00:24:23,630 YOU'RE ON MY BACK, GIRL! 546 00:24:23,630 --> 00:24:25,164 COME ON NOW! 547 00:24:25,164 --> 00:24:27,233 Manley: IS EVERYTHING ALL RIGHT IN THERE? 548 00:24:29,068 --> 00:24:30,670 I SAY, IS EVERYTHING ALL RIGHT IN THERE? 549 00:24:30,670 --> 00:24:32,539 MICK, THE INTERCOM! 550 00:24:32,539 --> 00:24:34,607 HURRY UP, GIRL! 551 00:24:34,607 --> 00:24:37,343 COME ON NOW! 552 00:24:37,343 --> 00:24:39,912 Manley: HELLO? HELLO, LADIES? 553 00:24:39,912 --> 00:24:41,280 OH! 554 00:24:41,280 --> 00:24:43,482 OH, SHIT! 555 00:24:43,482 --> 00:24:46,385 Manley: ARE YOU ALL RIGHT IN THERE? 556 00:24:46,385 --> 00:24:49,455 DAMN! TALK TO THE MAN! 557 00:24:49,455 --> 00:24:51,591 Manley: IS EVERYTHING ALL RIGHT IN THERE? 558 00:24:51,591 --> 00:24:54,160 YES...EVERYTHING IS FINE. 559 00:24:54,160 --> 00:24:55,394 HAVE YOU GOT A MOP? 560 00:24:55,394 --> 00:24:57,564 MR. ISAAC WILL SEE YOU NOW. 561 00:24:57,564 --> 00:25:00,633 MM-HMM. WE'LL BE DOWN IN 5 MINUTES. 562 00:25:00,633 --> 00:25:02,068 Mickey: 5 HOURS! 563 00:25:02,068 --> 00:25:03,202 SHUT UP, MICK! 564 00:25:08,040 --> 00:25:09,776 OOH! OH! 565 00:25:11,578 --> 00:25:13,546 TOGETHER. TOGETHER. 566 00:25:19,051 --> 00:25:20,252 Isaac: OVER HERE. 567 00:25:27,660 --> 00:25:31,463 [LAUGHS] WAIT, WAIT. SLOW DOWN. SLOW DOWN. 568 00:25:31,463 --> 00:25:34,266 I DON'T WANT YOU TO TRIP. 569 00:25:34,266 --> 00:25:37,704 HI. PLEASE HAVE A SEAT. 570 00:25:37,704 --> 00:25:38,905 HOW DO YOU LIKE YOUR ROOM? 571 00:25:38,905 --> 00:25:39,939 OH, SNAP! 572 00:25:39,939 --> 00:25:43,075 THIS WHOLE PLACE IS THE BOMB! 573 00:25:43,075 --> 00:25:44,376 IT'S LOVELY. 574 00:25:44,376 --> 00:25:47,379 NOW, UH, BEFORE WE BEGIN, 575 00:25:47,379 --> 00:25:51,550 WELL, THERE'S JUST ONE LITTLE THING I HAVE TO TELL YOU. 576 00:25:51,550 --> 00:25:54,420 I'M NOT MAKING A MUSIC VIDEO. 577 00:25:54,420 --> 00:25:58,758 I JUST DIDN'T KNOW HOW ELSE I WAS GOING TO FIND... 578 00:25:58,758 --> 00:26:02,929 AN ACTRESS LIKE YOURSELF. 579 00:26:04,496 --> 00:26:06,766 I CAN ACT, TOO! 580 00:26:06,766 --> 00:26:09,636 THIS JOB INVOLVES... 581 00:26:09,636 --> 00:26:12,605 AN OLD MAN WHO IS DYING FROM CANCER. 582 00:26:12,605 --> 00:26:14,807 OH, THAT'S SAD. 583 00:26:14,807 --> 00:26:18,177 KNOW WHAT'S EVEN SADDER? 584 00:26:18,177 --> 00:26:23,382 HE WAS NEVER ABLE TO MARRY THE ONE WOMAN THAT HE TRULY LOVED. 585 00:26:23,382 --> 00:26:26,285 WHY COME? 586 00:26:26,285 --> 00:26:30,356 BECAUSE HE'S WHITE... 587 00:26:30,356 --> 00:26:32,825 AND SHE WAS BLACK. 588 00:26:32,825 --> 00:26:35,394 SHE WAS THE HOUSEKEEPER AT THE FAMILY'S ESTATE. 589 00:26:35,394 --> 00:26:36,663 HER NAME WAS LILY. 590 00:26:36,663 --> 00:26:38,464 OH, THAT'S WHO I'M GOING TO PLAY? 591 00:26:38,464 --> 00:26:40,166 WELL, NOT QUITE. 592 00:26:40,166 --> 00:26:42,168 UM... 593 00:26:43,670 --> 00:26:47,406 WHEN HIS FAMILY DISCOVERED THEIR RELATIONSHIP, 594 00:26:47,406 --> 00:26:49,075 THEY SEPARATED THEM. 595 00:26:49,075 --> 00:26:51,277 THEY IMMEDIATELY MARRIED HIM OFF 596 00:26:51,277 --> 00:26:54,546 TO A WHITE WOMAN. 597 00:26:54,546 --> 00:26:57,183 AND HE NEVER SAW LILY AGAIN. 598 00:26:57,183 --> 00:27:00,319 ANYWAY, HE'S DYING, 599 00:27:00,319 --> 00:27:04,190 AND THE ONLY FAMILY THAT HE HAS LEFT IS HIS NEPHEW. 600 00:27:04,190 --> 00:27:05,424 THAT'S ME. 601 00:27:05,424 --> 00:27:07,293 SORRY. I'M HIS NEPHEW. 602 00:27:07,293 --> 00:27:08,828 UH, AND WHEN I LEARNED 603 00:27:08,828 --> 00:27:11,964 THAT HE HAS LESS THAN 2 WEEKS TO LIVE, 604 00:27:11,964 --> 00:27:14,867 WELL, I DECIDED THAT MAYBE I SHOULD 605 00:27:14,867 --> 00:27:17,837 TRY AND FIND THE LOVE OF HIS LIFE. FIND LILY. 606 00:27:17,837 --> 00:27:20,439 THAT IS SO SWEET OF YOU. 607 00:27:20,439 --> 00:27:22,742 WELL, IT WAS ALSO IMPOSSIBLE. 608 00:27:22,742 --> 00:27:28,214 BUT, SEEMS I HAVE MANAGED TO FIND... 609 00:27:28,214 --> 00:27:30,750 LILY'S GRANDDAUGHTER. 610 00:27:30,750 --> 00:27:33,385 OH, THAT'S WHO I'M GOING TO PLAY. 611 00:27:33,385 --> 00:27:35,554 YES. YES, EXACTLY. 612 00:27:35,554 --> 00:27:37,757 WELL, MY IDEA WAS... 613 00:27:37,757 --> 00:27:40,326 YOU KNOW HOW MUCH YOUR GRANDMOTHER LOVED HIM, 614 00:27:40,326 --> 00:27:43,963 SO, YOU SHOW UP HERE OUT OF THE GOODNESS OF YOUR HEART. 615 00:27:43,963 --> 00:27:46,498 YOU JUST DO ANYTHING AND EVERYTHING THAT YOU CAN 616 00:27:46,498 --> 00:27:48,968 TO MAKE SURE THAT HIS FINAL DAYS 617 00:27:48,968 --> 00:27:52,939 ARE FILLED WITH-- WITH KINDNESS AND LOVE. 618 00:27:55,574 --> 00:27:57,043 BRAVO. 619 00:27:57,043 --> 00:27:57,844 MAN. 620 00:27:57,844 --> 00:27:58,845 THAT'S BEAUTIFUL. 621 00:27:58,845 --> 00:28:00,980 AW, I'M GLAD YOU THINK SO. 622 00:28:00,980 --> 00:28:05,752 SO, IF YOU'D BE SO KIND AS TO FOLLOW ME. 623 00:28:05,752 --> 00:28:07,954 RIGHT THIS WAY. 624 00:28:23,903 --> 00:28:26,906 UNCLE DON, I HAVE A SURPRISE FOR YOU. 625 00:28:26,906 --> 00:28:29,541 I'D LIKE YOU TO MEET DENISE. 626 00:28:29,541 --> 00:28:34,781 DENISE IS LILY'S GRANDDAUGHTER. 627 00:28:41,187 --> 00:28:44,390 WHY DIDN'T YOU TELL ME THEY WERE COMING? 628 00:28:46,926 --> 00:28:48,928 HOW DARE YOU BRING THEM IN LIKE THIS. 629 00:28:48,928 --> 00:28:50,997 HOW DARE YOU! 630 00:28:51,831 --> 00:28:54,200 [COUGHING] 631 00:28:54,200 --> 00:28:55,001 NO. 632 00:28:55,001 --> 00:28:56,668 PUT--GET-- GET OUT. 633 00:28:56,668 --> 00:28:58,004 GET OUT. 634 00:29:03,910 --> 00:29:05,945 Mickey: NISI, LET'S NOT GET SCARED. 635 00:29:05,945 --> 00:29:08,014 WE CAN HANDLE THAT OLD MAN. 636 00:29:08,014 --> 00:29:10,016 WE GOING TO GET THIS $10,000 637 00:29:10,016 --> 00:29:12,284 AND MAKE ALL OUR DREAMS COME TRUE. 638 00:29:12,284 --> 00:29:13,285 [GASPS] 639 00:29:13,285 --> 00:29:14,854 OH, MY GOODNESS. 640 00:29:16,322 --> 00:29:18,490 OH, MY GOD. 641 00:29:18,490 --> 00:29:20,827 THIS IS THE BOMB. 642 00:29:20,827 --> 00:29:23,195 IT'S THE BOMB. 643 00:29:23,195 --> 00:29:25,531 OK. 644 00:29:25,531 --> 00:29:26,833 WE GOING TO GET THIS MONEY. 645 00:29:26,833 --> 00:29:28,434 LET'S GO TO DINNER. 646 00:29:28,434 --> 00:29:29,735 HE SAID IT WAS THIS WAY. 647 00:29:29,735 --> 00:29:30,769 COME ON! 648 00:29:30,769 --> 00:29:32,704 Isaac: I'M SORRY I SCARED YOU. 649 00:29:32,704 --> 00:29:34,173 I MEANT IT AS A SURPRISE. 650 00:29:34,173 --> 00:29:35,307 Mr. Blakemore: IT'S ALL RIGHT, ISAAC. 651 00:29:35,307 --> 00:29:37,109 JUST DON'T EVER DO THAT TO ME AGAIN. 652 00:29:37,109 --> 00:29:38,110 I WON'T. 653 00:29:38,110 --> 00:29:39,812 OH. 654 00:29:39,812 --> 00:29:41,948 OH, WELL. 655 00:29:41,948 --> 00:29:44,650 WELL, HELLO THERE. 656 00:29:44,650 --> 00:29:46,385 HAVE A SEAT. 657 00:29:46,385 --> 00:29:47,453 MM-HMM. 658 00:30:02,001 --> 00:30:04,470 FORGIVE ME FOR MY BEHAVIOR EARLIER. 659 00:30:04,470 --> 00:30:05,804 I'M SORRY IF I WAS RUDE. 660 00:30:05,804 --> 00:30:09,475 I--I DON'T LIKE SURPRISES. 661 00:30:09,475 --> 00:30:11,077 HMM. 662 00:30:11,077 --> 00:30:12,211 SO, 663 00:30:12,211 --> 00:30:14,613 I CAN'T TELL YOU HOW HAPPY I AM 664 00:30:14,613 --> 00:30:16,748 TO HAVE YOU IN MY HOME. 665 00:30:16,748 --> 00:30:18,750 THE FIRST YEARS OF MY LIFE 666 00:30:18,750 --> 00:30:21,020 WERE TOUCHED BY THE MAGIC OF LILY. 667 00:30:21,854 --> 00:30:24,156 I WELCOME YOU. 668 00:30:24,156 --> 00:30:27,526 I SUPPOSE SHE TOLD YOU ALL ABOUT LIFE ON THE ESTATE. 669 00:30:29,896 --> 00:30:31,530 [SLURPS] 670 00:30:31,530 --> 00:30:33,532 MM-HMM. 671 00:30:33,532 --> 00:30:35,134 YEAH, SHE DID. 672 00:30:35,134 --> 00:30:37,269 WHAT EXACTLY DID SHE SAY? 673 00:30:38,905 --> 00:30:40,206 UH... 674 00:30:41,773 --> 00:30:43,509 UH... 675 00:30:43,509 --> 00:30:44,843 [SLURPS] 676 00:30:44,843 --> 00:30:47,513 UH, WELL, SHE... 677 00:30:47,513 --> 00:30:49,548 TOLD ME ABOUT THE TREES. 678 00:30:49,548 --> 00:30:51,317 THERE WERE WONDERFUL TREES. 679 00:30:51,317 --> 00:30:55,787 THERE WAS THIS BEAUTIFUL, MAJESTIC OAK AS YOU DROVE-- 680 00:30:55,787 --> 00:30:57,189 THAT'S THE ONE. THE OAK. 681 00:30:57,189 --> 00:31:00,392 SHE TOLD US ABOUT THE OAK, DIDN'T SHE? 682 00:31:00,392 --> 00:31:02,128 [SLURPS] 683 00:31:02,128 --> 00:31:03,896 AH, HERE'S DINNER. 684 00:31:13,672 --> 00:31:15,374 THANK YOU, MANLEY. 685 00:31:20,646 --> 00:31:21,948 WHAT'S THIS? 686 00:31:21,948 --> 00:31:24,650 I'M ONLY PERMITTED TO EAT CERTAIN FOODS. 687 00:31:24,650 --> 00:31:26,953 NO WONDER WHY YOU SICK. 688 00:31:26,953 --> 00:31:28,955 I DON'T MEAN TO BE RUDE, 689 00:31:28,955 --> 00:31:31,190 BUT YOU AIN'T DEAD YET. 690 00:31:31,190 --> 00:31:33,425 YOU CAN STILL EAT HEARTY. 691 00:31:35,827 --> 00:31:37,163 WHAT SHE MEAN IS 692 00:31:37,163 --> 00:31:39,698 YOU CAN STILL EAT HEARTY AND BE HEALTHY, TOO. 693 00:31:39,698 --> 00:31:42,701 YOU SOUND JUST LIKE LILY. 694 00:31:42,701 --> 00:31:45,104 THERE'S NO FOOD LIKE SOUL FOOD. 695 00:31:45,104 --> 00:31:46,705 YOU RIGHT ABOUT THAT. 696 00:31:46,705 --> 00:31:48,440 AIN'T NO FOOD LIKE SOUL FOOD. 697 00:31:48,440 --> 00:31:49,575 EXCUSE ME. 698 00:31:49,575 --> 00:31:50,676 GIVE ME YOUR PLATE. 699 00:31:50,676 --> 00:31:51,843 WHAT? 700 00:31:51,843 --> 00:31:53,312 GIVE ME YOUR PLATE. 701 00:32:51,470 --> 00:32:52,804 [SNIFFS] 702 00:32:52,804 --> 00:32:55,407 AHH. 703 00:32:55,407 --> 00:32:56,975 YES. 704 00:33:11,057 --> 00:33:13,325 Radio: 92.3 THE BEAT WITH JESSE COLLINS. 705 00:33:13,325 --> 00:33:15,194 OFF THE REQUEST LINES FROM L.A. 706 00:33:15,194 --> 00:33:16,362 * OH, YOU'RE MY KIND OF... * 707 00:33:16,362 --> 00:33:18,597 DO YOU THINK ALI AND JAMES MISS US? 708 00:33:18,597 --> 00:33:21,800 I DON'T KNOW, BUT I KNOW I MISS MY MAN. 709 00:33:21,800 --> 00:33:23,569 YOU NEED TO SCOOT OVER, 710 00:33:23,569 --> 00:33:25,271 'CAUSE I AIN'T GOT NO PROBLEM SLEEPING ON THIS EXPENSIVE WHITE CARPET, 711 00:33:25,271 --> 00:33:27,005 'CAUSE I KNOW IT'S POODLE HAIR. 712 00:33:27,005 --> 00:33:28,807 [KNOCK ON DOOR] 713 00:33:28,807 --> 00:33:30,142 EXCUSE ME. 714 00:33:31,043 --> 00:33:32,778 I MUST TALK TO YOU. 715 00:33:32,778 --> 00:33:34,980 OH, YES, ANTONIO! 716 00:33:34,980 --> 00:33:36,348 I'M COMING! 717 00:33:36,348 --> 00:33:37,416 HOLD ON. 718 00:33:39,551 --> 00:33:40,552 ANTONIO. 719 00:33:40,552 --> 00:33:41,553 MICKEY. 720 00:33:41,553 --> 00:33:42,788 ANTONIO. 721 00:33:42,788 --> 00:33:43,789 MICKEY. 722 00:33:49,395 --> 00:33:52,498 PERHAPS WE CAN GO SOMEPLACE PRIVATE. 723 00:33:52,498 --> 00:33:53,565 MM-HMM. 724 00:33:53,565 --> 00:33:55,634 HOLD ON. 725 00:33:55,634 --> 00:34:00,406 YOU NEED TO GO TAKE A COLD SHOWER LIKE I TOLD YOU TO. 726 00:34:00,406 --> 00:34:03,309 COME WITH ME, BELLISSIMA. 727 00:34:04,876 --> 00:34:07,646 * HEY HEY * 728 00:34:07,646 --> 00:34:08,847 * HEY * 729 00:34:08,847 --> 00:34:10,048 * SHOW ME YOUR LOOK * 730 00:34:10,048 --> 00:34:12,484 * AND YOU GIVE ME SHIVERS * 731 00:34:12,484 --> 00:34:13,385 HEY, HEY! 732 00:34:13,385 --> 00:34:15,254 YOU SAID WE CAME DOWN HERE TO TALK. 733 00:34:15,254 --> 00:34:16,655 NO MORE LIES. 734 00:34:16,655 --> 00:34:18,324 I FELT THAT MAYBE YOU WERE FEELING THE SAME THING 735 00:34:18,324 --> 00:34:19,958 THAT I FEEL FOR YOU. 736 00:34:19,958 --> 00:34:21,260 YOU WERE? 737 00:34:21,260 --> 00:34:23,595 WE ARE DESTINY, I'M CONVINCED. 738 00:34:23,595 --> 00:34:24,596 WE ARE? 739 00:34:24,596 --> 00:34:26,064 SI, BELLISSIMA. 740 00:34:27,266 --> 00:34:29,468 BUT I HAVE A SECRET. 741 00:34:31,870 --> 00:34:33,872 WELL, GO ON AHEAD, ANTONIO. 742 00:34:33,872 --> 00:34:35,874 YOU COULD TELL ME. 743 00:34:35,874 --> 00:34:38,076 MY FAMILY IS VERY WEALTHY. 744 00:34:39,745 --> 00:34:41,079 FOR REAL? 745 00:34:42,281 --> 00:34:43,682 I CAME TO AMERICA 746 00:34:43,682 --> 00:34:46,285 TO FIND SOMEBODY WHO LIKES ME FOR ME. 747 00:34:46,285 --> 00:34:48,154 SOMEBODY LIKE YOU. 748 00:34:48,154 --> 00:34:50,021 YOU GOT SOME MONEY? 749 00:34:50,021 --> 00:34:53,192 MORE MONEY THAN YOU CAN SPEND 750 00:34:53,192 --> 00:34:54,593 IN ONE LIFETIME. 751 00:34:54,593 --> 00:34:57,863 OH, PLEASE LET ME TRY IN THIS LIFETIME, PLEASE. 752 00:34:57,863 --> 00:35:00,065 I WILL. I PROMISE. 753 00:35:00,065 --> 00:35:02,701 I NEED TO GO NOW. 754 00:35:02,701 --> 00:35:04,236 UNTIL WE MEET AGAIN. 755 00:35:04,236 --> 00:35:06,638 [SPEAKING ITALIAN] 756 00:35:10,008 --> 00:35:11,443 ARRIVEDERCI. 757 00:35:14,446 --> 00:35:16,682 ARIA DERCHI TO YOU, TOO. 758 00:35:16,682 --> 00:35:20,652 AND SOME MOZZARELLA AND FETTUCCINI. 759 00:35:20,652 --> 00:35:23,054 HELL, YEAH. 760 00:35:23,054 --> 00:35:24,256 OOH. 761 00:35:27,092 --> 00:35:30,128 Mickey: I SWEAR TO GOD IT AIN'T NO DREAM. 762 00:35:30,128 --> 00:35:31,930 I KNOW YOU THINK HE'S JUST HIRED HELP, 763 00:35:31,930 --> 00:35:33,332 BUT IT'S ALL AN ACT. 764 00:35:33,332 --> 00:35:34,733 WELL, IF HE'S SO RICH, 765 00:35:34,733 --> 00:35:37,936 WHY DID HE HAVE TO COME ALL THE WAY TO AMERICA 766 00:35:37,936 --> 00:35:39,671 TO FIND HIS WIFE? 767 00:35:39,671 --> 00:35:41,039 I DON'T KNOW. 768 00:35:41,039 --> 00:35:42,708 BUT I AIN'T GOT NO ROCK ON MY FINGER, 769 00:35:42,708 --> 00:35:45,244 SO I SAY WE KEEP SHOPPING FOR OUR BABIES' DADDIES. 770 00:35:45,244 --> 00:35:46,745 AND MAY THE FATTEST WALLET WIN. 771 00:35:46,745 --> 00:35:48,547 Manley: I TELL YOU, MASTER ISAAC, 772 00:35:48,547 --> 00:35:50,749 THEY'RE DISRUPTING MR. BLAKEMORE'S DIET. 773 00:35:50,749 --> 00:35:53,352 THEY'RE POISONING HIM WITH THIS SOUL FOOD, 774 00:35:53,352 --> 00:35:54,753 AS HE CALLS IT. 775 00:35:54,753 --> 00:35:56,722 MM-MMM, HE LOVE MICKEY'S SOUL FOOD. 776 00:35:56,722 --> 00:35:58,990 MY SOUL FOOD IS CREATED TO NOURISH THE SOUL, OK? 777 00:35:58,990 --> 00:36:01,360 I AIN'T USED PORK SINCE THELMA WAS ON GOOD TIMES 778 00:36:01,360 --> 00:36:03,362 ABOUT TO MARRY EBAY THE AFRICAN PRINCE, 779 00:36:03,362 --> 00:36:05,331 'CAUSE HE DIDN'T EAT PORK IN HIS FOOD, 780 00:36:05,331 --> 00:36:06,832 AND I SAID NO, NO, NO. 781 00:36:06,832 --> 00:36:08,667 I'M WAITING ON MY AFRICAN PRINCE TO BE MY BABY'S DADDY, 782 00:36:08,667 --> 00:36:10,936 SO I STOPPED USING PORK BECAUSE I STARTED USING CHICKEN BROTH. 783 00:36:10,936 --> 00:36:12,371 I COULD BE DOING THAT. 784 00:36:12,371 --> 00:36:13,872 SO I DON'T KNOW WHAT YOU TALKING ABOUT. 785 00:36:13,872 --> 00:36:16,375 SEE, WHAT I COOK IS MUCH HEALTHIER THAN THAT BIRD STUFF 786 00:36:16,375 --> 00:36:17,976 ALFRED IS COOKING FOR HIM. 787 00:36:17,976 --> 00:36:19,478 THE NAME IS MANLEY, THANK YOU. 788 00:36:19,478 --> 00:36:21,380 I SPOKE WITH THE NUTRITIONIST THIS MORNING. 789 00:36:21,380 --> 00:36:23,081 AND HE WARNED ME 790 00:36:23,081 --> 00:36:26,918 THAT THIS SO-CALLED SOUL FOOD HAS BEEN KNOWN TO CLOG THE ARTERIES, 791 00:36:26,918 --> 00:36:28,254 CRAMP THE COLON, 792 00:36:28,254 --> 00:36:30,121 AND EVENTUALLY STOP THE HEART. 793 00:36:30,121 --> 00:36:31,189 IS THAT TRUE? 794 00:36:31,189 --> 00:36:32,624 MM-MMM, NOT THE WAY SHE DO IT. 795 00:36:32,624 --> 00:36:35,461 GOOD GRIEF, WOULD YOU LOOK AT THAT? 796 00:36:35,461 --> 00:36:36,895 YES. 797 00:36:36,895 --> 00:36:38,997 LET ME HAVE THAT FROM YOU. 798 00:36:38,997 --> 00:36:40,832 YOU'RE ALARMING ME A LITTLE BIT. 799 00:36:40,832 --> 00:36:42,334 I WANT YOU TO RELAX. 800 00:36:42,334 --> 00:36:44,670 [WHISPERING] I think you're overreacting. 801 00:36:44,670 --> 00:36:46,838 LADIES, I WANT YOU TO CONTINUE TO COOK 802 00:36:46,838 --> 00:36:49,040 WHATEVER YOU THINK IS GOING TO MAKE MY UNCLE HAPPY. 803 00:36:49,040 --> 00:36:51,410 AND IF THERE'S ANYTHING ELSE YOU NEED FROM THE STORE, 804 00:36:51,410 --> 00:36:53,345 WELL, I'M SURE THAT MANLEY WILL BE MORE THAN DELIGHTED 805 00:36:53,345 --> 00:36:54,746 TO GO GET IT FOR YOU. 806 00:36:54,746 --> 00:36:57,616 YOU THINK HE COULD GO BY THE RECORD STORE? 807 00:36:57,616 --> 00:36:58,617 OH, SURE. 808 00:36:58,617 --> 00:37:00,118 AND DON'T FORGET MY ICE CUBE CD, MANLEY. 809 00:37:00,118 --> 00:37:01,853 GOOD MORNING, EVERYBODY. HOW ARE YOU? 810 00:37:01,853 --> 00:37:03,154 ISAAC, GOOD TO SEE YOU. 811 00:37:03,154 --> 00:37:07,058 AH, I DON'T KNOW WHAT YOU PUT IN THAT MEAL LAST NIGHT, 812 00:37:07,058 --> 00:37:08,694 BUT I FEEL GREAT. 813 00:37:08,694 --> 00:37:09,828 EXCUSE ME. 814 00:37:10,996 --> 00:37:12,564 MMM. 815 00:37:15,867 --> 00:37:17,469 WHAT'S FOR BREAKFAST? 816 00:37:19,671 --> 00:37:22,874 [I CAN'T WAIT PLAYS] 817 00:37:44,262 --> 00:37:45,497 EXCUSE ME. 818 00:37:48,900 --> 00:37:49,735 EXCUSE ME, PLEASE. 819 00:37:49,735 --> 00:37:51,269 I WONDER IF YOU COULD HELP ME. 820 00:37:51,269 --> 00:37:54,306 OH, YEAH, YEAH. YOU'RE LOOKING FOR THE CLASSICAL SECTION 821 00:37:54,306 --> 00:37:55,441 BACK THERE BY THE JAZZ. 822 00:37:55,441 --> 00:37:56,675 NO, NO, NO, NO. 823 00:37:56,675 --> 00:37:59,445 I AM NOT LOOKING FOR THE CLASSICAL SECTION. 824 00:37:59,445 --> 00:38:02,147 I'M LOOKING FOR THE RAP SECTION AS FOLLOWS: 825 00:38:02,147 --> 00:38:04,416 "2 PAC, TOO SHORT, THE DOGG POUND, 826 00:38:04,416 --> 00:38:07,218 "ICE CUBE, ICE T, BITCH BETTA HAVE MY MONEY, 827 00:38:07,218 --> 00:38:08,987 AND PULL UP TO THE BUMPA, BABY." 828 00:38:08,987 --> 00:38:10,422 ALL RIGHT, RIGHT, RIGHT. 829 00:38:10,422 --> 00:38:12,458 OK, YOU TRYING TO GET YOUR GROOVE ON. 830 00:38:12,458 --> 00:38:14,059 RIGHT THIS WAY, DOG. 831 00:38:14,059 --> 00:38:16,294 GOT THAT TOO SHORT PLAYER'S STYLE RIGHT THERE. 832 00:38:16,294 --> 00:38:17,529 YEAH. 833 00:38:17,529 --> 00:38:19,765 WHAT ELSE? WE GOT THAT MACK 10, BABY, YEAH. 834 00:38:19,765 --> 00:38:21,333 WEST TONI! 835 00:38:21,333 --> 00:38:23,335 YEAH, WHAT YOU KNOW ABOUT THAT? 836 00:38:23,335 --> 00:38:25,404 GOT THAT EAST COAST BUSTA RON'S IN THE HOUSE. 837 00:38:25,404 --> 00:38:26,905 WHAT YOU KNOW, BOY? 838 00:38:26,905 --> 00:38:28,340 HOO-HAA! 839 00:38:28,340 --> 00:38:30,342 YEAH, WHAT ELSE WE GOT HERE? 840 00:38:30,342 --> 00:38:32,544 AH, GOT THAT MIGHTY BIGGS, BABY. 841 00:38:32,544 --> 00:38:34,346 WHAT YOU KNOW ABOUT THAT LUKE SKYWALKER, HUH? 842 00:38:34,346 --> 00:38:36,582 * UHH-UHH, GET IT, GET IT * 843 00:38:36,582 --> 00:38:38,950 * GET IT, GET IT * 844 00:38:38,950 --> 00:38:39,885 CHECK IT OUT. 845 00:38:39,885 --> 00:38:41,753 WE GOT THE BOMB IN THE BACK, THOUGH. 846 00:38:41,753 --> 00:38:43,955 HEY, YOU KNOW DRE LEFT DEATH ROW, RIGHT? 847 00:38:43,955 --> 00:38:44,923 Manley: WHAT? 848 00:38:44,923 --> 00:38:47,559 [LIVE FOR LOVE INTRO PLAYS] 849 00:38:47,559 --> 00:38:50,328 * OH OH OH OH OH OH * 850 00:38:50,328 --> 00:38:53,298 * OH, I LIVE FOR YOUR LOVE * 851 00:38:53,298 --> 00:38:56,201 * OH OH OH OH... * 852 00:38:56,201 --> 00:38:57,836 ALL RIGHT FOR YOU. 853 00:38:59,605 --> 00:39:00,406 OH! 854 00:39:00,406 --> 00:39:01,440 WHOO! 855 00:39:01,440 --> 00:39:03,775 Nisi: NOW WHO'S GOT THE BALL? 856 00:39:03,775 --> 00:39:04,976 Mr. Blakemore: I HEAR YOU. 857 00:39:04,976 --> 00:39:07,212 AH AH, I GOT THE BALL NOW. 858 00:39:07,212 --> 00:39:08,380 YOU CAN'T SHOOT FROM THERE. 859 00:39:08,380 --> 00:39:09,381 WHOA!WHOA! 860 00:39:09,381 --> 00:39:10,382 MY SHOT! 861 00:39:10,382 --> 00:39:11,383 OH! 862 00:39:11,383 --> 00:39:12,384 MR. B SHOOTS. 863 00:39:12,384 --> 00:39:13,719 2, CHALK UP 2! 864 00:39:13,719 --> 00:39:16,422 Nisi: OH! 865 00:39:16,422 --> 00:39:17,423 TIE SCORE. 866 00:39:17,423 --> 00:39:18,557 I SHOT 2. 867 00:39:18,557 --> 00:39:19,858 4 SECONDS, 3 SECONDS. 868 00:39:19,858 --> 00:39:21,860 HERE WE GO AROUND. 869 00:39:21,860 --> 00:39:23,328 WHOA! 870 00:39:23,328 --> 00:39:24,329 WHOA. 871 00:39:24,329 --> 00:39:25,731 WHOA, MICKEY. 872 00:39:26,865 --> 00:39:27,899 YOU ALL RIGHT? 873 00:39:27,899 --> 00:39:30,001 Mickey: MY HAIR. 874 00:39:30,001 --> 00:39:32,404 OHH! 875 00:39:32,404 --> 00:39:34,406 MY HAIR GOT WET! 876 00:39:34,406 --> 00:39:36,608 OH, GOD! 877 00:39:37,909 --> 00:39:39,411 MICKEY! 878 00:39:40,345 --> 00:39:41,747 MICKEY! 879 00:39:41,747 --> 00:39:42,948 MMM. 880 00:39:42,948 --> 00:39:46,217 I TOLD THAT GIRL SHE SHOULD WEAR A SWIMMING CAP! 881 00:39:46,217 --> 00:39:47,352 WHAT'S THE PROBLEM? 882 00:39:47,352 --> 00:39:49,354 NOTHING. 883 00:39:49,354 --> 00:39:51,089 SHE DONE GOT HER HAIR WET. 884 00:39:51,089 --> 00:39:54,426 NOW SHE'S MAD 'CAUSE SHE GOING TO BE NAPPY. 885 00:39:54,426 --> 00:39:56,227 I TELL YOU WHAT, SEND FOR THE CAR 886 00:39:56,227 --> 00:39:58,430 AND MAKE AN APPOINTMENT AT A HAIR SALON I KNOW. 887 00:39:58,430 --> 00:39:59,865 HAVE THEM CALL ME 888 00:39:59,865 --> 00:40:01,667 AND CHARGE IT TO MY ACCOUNT. 889 00:40:01,667 --> 00:40:04,135 WAIT, I GOT A BETTER IDEA. 890 00:40:04,135 --> 00:40:05,837 I CAN USE SOME NEW CLOTHES. 891 00:40:05,837 --> 00:40:08,206 WHAT SAY WE-- WE GO ON A SHOPPING SPREE? 892 00:40:08,206 --> 00:40:10,141 A SHOPPING SPREE? 893 00:40:10,141 --> 00:40:11,142 OOH! 894 00:40:11,142 --> 00:40:13,378 TODAY MUST BE MY LUCKY DAY! 895 00:40:13,378 --> 00:40:15,180 [LAUGHS] 896 00:40:15,180 --> 00:40:16,548 I'M GOING ON A SHOPPING SPREE. 897 00:40:16,548 --> 00:40:18,283 I NEVER BEEN ON A SHOPPING SPREE. 898 00:40:18,283 --> 00:40:20,952 I'M GOING ON A SHOPPING SPREE! 899 00:40:22,387 --> 00:40:26,091 * LET ME TAKE YOU TO A PLACE I KNOW YOU WANT TO GO * 900 00:40:26,091 --> 00:40:28,326 * IT'S A GOOD LIFE * 901 00:40:28,326 --> 00:40:30,562 * HEY HEY HEY, YEAH * 902 00:40:30,562 --> 00:40:33,599 * I WANT TO STAND AROUND YOU * 903 00:40:33,599 --> 00:40:36,167 * JUST DON'T SAY NO * 904 00:40:36,167 --> 00:40:38,504 * NO-NO, NO-NO * 905 00:40:38,504 --> 00:40:39,871 * GOOD LIFE, GOOD LIFE * 906 00:40:39,871 --> 00:40:41,540 * GOOD LIFE, GOOD LIFE * 907 00:40:41,540 --> 00:40:43,609 * GOOD LIFE, GOOD LIFE * 908 00:40:43,609 --> 00:40:44,810 * GOOD LIFE * 909 00:40:46,444 --> 00:40:48,179 * GOOD LIFE, GOOD LIFE * 910 00:40:48,179 --> 00:40:49,615 * GOOD LIFE, GOOD LIFE * 911 00:40:49,615 --> 00:40:51,750 * GOOD LIFE, GOOD LIFE * 912 00:40:51,750 --> 00:40:52,951 * GOOD LIFE * 913 00:40:54,185 --> 00:40:55,887 * GOOD LIFE, GOOD LIFE * 914 00:40:55,887 --> 00:40:57,556 * GOOD LIFE, GOOD LIFE * 915 00:40:57,556 --> 00:40:59,224 * GOOD LIFE, GOOD LIFE * 916 00:40:59,224 --> 00:41:01,226 * GOOD LIFE * 917 00:41:07,098 --> 00:41:08,700 [CAMERA CLICKS] 918 00:41:09,701 --> 00:41:11,703 [CAMERA CLICKS] 919 00:41:13,839 --> 00:41:15,106 [CLICKS] 920 00:41:17,342 --> 00:41:19,144 * IT'S A GOOD LIFE * 921 00:41:19,144 --> 00:41:21,580 * HEY HEY HEY, YEAH * 922 00:41:21,580 --> 00:41:24,583 * I WANNA STAND AROUND YOU * 923 00:41:24,583 --> 00:41:26,652 * JUST DON'T SAY NO * 924 00:41:26,652 --> 00:41:29,254 * NO-NO, NO-NO * 925 00:41:29,254 --> 00:41:33,224 * I GOT A FEELIN' THAT YOU'RE GONNA LIKE IT * 926 00:41:33,224 --> 00:41:34,893 * WHAT I'M DOIN' TO YOU * 927 00:41:34,893 --> 00:41:37,462 * OOH OOH OOH OOH * 928 00:41:37,462 --> 00:41:38,764 * WHAT I'M DOIN' * 929 00:41:38,764 --> 00:41:40,065 * WHAT I'M DOIN' * 930 00:41:40,065 --> 00:41:43,334 * I'LL BE DOIN' WHAT YOU WANT ME TO DO * 931 00:41:43,334 --> 00:41:45,537 * HEY HEY HEY * 932 00:41:45,537 --> 00:41:46,872 * LOVE IS SHINING * 933 00:41:46,872 --> 00:41:49,541 * LIFE IS THRIVING... * 934 00:41:52,611 --> 00:41:54,279 Isaac: I--YEAH, YEAH, YEAH. 935 00:41:54,279 --> 00:41:55,647 [LAUGHS] 936 00:41:55,647 --> 00:41:57,148 WOULD YOU RELAX? 937 00:41:57,148 --> 00:41:58,016 RELAX. 938 00:41:58,016 --> 00:42:00,952 STOP WORRYING ABOUT THOSE GIRLS. 939 00:42:02,487 --> 00:42:03,955 BECAUSE THEY'RE IDIOTS. 940 00:42:03,955 --> 00:42:06,692 THEY'RE NOT GOING TO SUSPECT ANYTHING. 941 00:42:06,692 --> 00:42:07,959 NO, THEY WON'T. 942 00:42:07,959 --> 00:42:09,595 LOOK--LOOK, ALL YOU HAVE TO DO-- 943 00:42:09,595 --> 00:42:11,296 JUST BE SET UP ON YOUR END. 944 00:42:11,296 --> 00:42:12,764 EVERYTHING'S GOING TO BE FINE. 945 00:42:12,764 --> 00:42:15,033 BECAUSE I KNOW IT WILL. 946 00:42:15,033 --> 00:42:18,369 I ALREADY HAVE ALL THE PICTURES I'M GOING TO NEED. 947 00:42:18,369 --> 00:42:21,973 JUST GET A GRIP ON YOURSELF. 948 00:42:21,973 --> 00:42:26,177 YOU'RE GOING TO BE VERY WEALTHY VERY, VERY SOON. 949 00:42:27,579 --> 00:42:28,980 YEAH, THAT'S TRUE. 950 00:42:28,980 --> 00:42:31,583 I WON'T BE SO BADLY OFF MYSELF. 951 00:42:31,583 --> 00:42:32,984 MM-HMM. 952 00:42:32,984 --> 00:42:35,587 LOOK, I'LL TALK TO YOU LATER. 953 00:42:35,587 --> 00:42:36,922 OK, BYE. 954 00:42:49,868 --> 00:42:50,802 GOOD. 955 00:42:50,802 --> 00:42:55,240 OHH, YOU TRIPPIN'. 956 00:42:55,240 --> 00:42:58,443 YOU DIGGIN' HARD ON ANTONIO, AIN'T YOU? 957 00:42:58,443 --> 00:42:59,444 YEAH. 958 00:42:59,444 --> 00:43:00,746 [LAUGHS] 959 00:43:00,746 --> 00:43:03,314 I WISH I COULD FIND ME A MAN. 960 00:43:03,314 --> 00:43:04,950 YOU WILL. YOU WILL. 961 00:43:04,950 --> 00:43:06,885 WELL, I AIN'T FOUND ONE YET. 962 00:43:06,885 --> 00:43:08,219 AND WE LEAVING HERE 963 00:43:08,219 --> 00:43:11,022 AS SOON AS MR. B DIE. 964 00:43:11,022 --> 00:43:13,625 I CAN'T BELIEVE WE WAITING AROUND 965 00:43:13,625 --> 00:43:15,627 FOR SOME MAN TO DIE. 966 00:43:15,627 --> 00:43:18,463 IT DON'T FEEL RIGHT. 967 00:43:18,463 --> 00:43:21,232 AND HE'S SUCH GOOD PEOPLE, TOO. 968 00:43:21,232 --> 00:43:22,233 I KNOW. 969 00:43:28,640 --> 00:43:31,442 OOH, WE DONE MISSED OUR STORIES TODAY, GIRL. 970 00:43:31,442 --> 00:43:33,912 OOH, AND TODAY WAS THE DAY WE WAS GOING TO FIND OUT 971 00:43:33,912 --> 00:43:35,180 WHO KILLED ADAM'S WIFE. 972 00:43:35,180 --> 00:43:37,048 I KNOW. IT WAS THE HOUSEKEEPER. 973 00:43:37,048 --> 00:43:39,050 NO, IT WAS THE STEPDAUGHTER 'CAUSE SHE JEALOUS. 974 00:43:39,050 --> 00:43:40,551 NO, NO, SHE AIN'T SMART ENOUGH. 975 00:43:40,551 --> 00:43:42,187 NO, IT WAS THAT HO JILLIAN. 976 00:43:42,187 --> 00:43:44,122 THAT JILLIAN. 977 00:43:44,122 --> 00:43:47,592 SHE IS A NASTY PIECE OF WORK, ISN'T SHE? 978 00:43:47,592 --> 00:43:49,260 YOU WATCH THE STORIES? 979 00:43:49,260 --> 00:43:50,361 OH, YES. 980 00:43:50,361 --> 00:43:52,898 I VIDEOTAPE EVERY EPISODE. 981 00:43:52,898 --> 00:43:55,133 GET THE FUCK OUT OF HERE. 982 00:43:55,133 --> 00:43:57,468 I BEG YOUR PARDON? 983 00:43:57,468 --> 00:43:59,337 WHO KILLED ADAM'S WIFE? 984 00:43:59,337 --> 00:44:02,774 IT WAS THAT DIRTY, ROTTEN SWINE DR. MATTHEW. 985 00:44:02,774 --> 00:44:05,176 I ALWAYS DID SUSPECT HIM. 986 00:44:05,176 --> 00:44:07,212 I KNEW IT. 987 00:44:07,212 --> 00:44:08,579 I KNEW HE DID IT. 988 00:44:08,579 --> 00:44:09,614 DR. MATTHEW. 989 00:44:09,614 --> 00:44:10,682 THANK YOU, ALFRED. 990 00:44:10,682 --> 00:44:13,084 MANLEY. 991 00:44:15,687 --> 00:44:17,756 MANLEY. 992 00:44:17,756 --> 00:44:19,624 Valet: I'LL TAKE YOUR TICKET, SIR. 993 00:44:19,624 --> 00:44:22,293 Woman: NICE TO SEE YOU, MR. BLAKEMORE. 994 00:44:22,293 --> 00:44:23,361 Man: DON BLAKEMORE, 995 00:44:23,361 --> 00:44:25,330 I HAVEN'T SEEN YOU AT THE GOLF COURSE LATELY. 996 00:44:25,330 --> 00:44:26,331 YES. 997 00:44:26,331 --> 00:44:28,266 [SPEAKING GERMAN] 998 00:44:28,266 --> 00:44:29,901 MR. BLAKEMORE, GOOD EVENING! WELCOME! 999 00:44:29,901 --> 00:44:31,636 THANKS FOR COMING. HOW ARE YOU? 1000 00:44:31,636 --> 00:44:33,071 ALEX, ALWAYS GOOD TO SEE YOU. 1001 00:44:33,071 --> 00:44:34,773 NOW, I WANT ONE OF YOUR CHOICE TABLES 1002 00:44:34,773 --> 00:44:36,307 FOR ME AND MY GUESTS. 1003 00:44:36,307 --> 00:44:37,442 THAT'LL BE NO PROBLEM. 1004 00:44:37,442 --> 00:44:38,443 LADIES? 1005 00:44:38,443 --> 00:44:39,577 EXCUSE ME, 1006 00:44:39,577 --> 00:44:40,912 I'M GOING TO WASH MY HANDS, LADIES. 1007 00:44:40,912 --> 00:44:43,381 OK, FOLLOW ME. RIGHT THIS WAY. 1008 00:44:43,381 --> 00:44:44,382 HERE WE GO. 1009 00:44:44,382 --> 00:44:45,984 RIGHT UP HERE. 1010 00:44:47,652 --> 00:44:49,154 Mickey: HOWARD HEWITT! 1011 00:44:49,154 --> 00:44:50,688 OH! OH! 1012 00:44:50,688 --> 00:44:52,958 OH, I BEEN A FAN OF YOURS FOR SO LONG. 1013 00:44:52,958 --> 00:44:54,092 SINCE YOU WAS WITH SHALIMAR 1014 00:44:54,092 --> 00:44:55,560 AND YOU HAD THE BIG AFRO. 1015 00:44:55,560 --> 00:44:56,862 OH, I'M SUCH A BIG FAN OF YOURS. 1016 00:44:56,862 --> 00:44:58,096 YOU GOT TO SING FOR ME. 1017 00:44:58,096 --> 00:44:59,597 YOU GOT TO SING SOMETHING. 1018 00:44:59,597 --> 00:45:00,598 NOT HERE. 1019 00:45:00,598 --> 00:45:01,599 OH, YO, YEAH, HERE. 1020 00:45:01,599 --> 00:45:02,667 I AIN'T LETTING YOU GO 1021 00:45:02,667 --> 00:45:03,701 TILL YOU SING SOMETHING FOR ME. 1022 00:45:03,701 --> 00:45:05,036 OK, OK, OK, LISTEN. 1023 00:45:05,036 --> 00:45:10,441 * YOU KNOW I LOVE YOU, BABY * 1024 00:45:10,441 --> 00:45:11,442 WUNDERBAR. 1025 00:45:11,442 --> 00:45:12,844 THE SHOW IS OVER. 1026 00:45:12,844 --> 00:45:14,445 THANK YOU VERY MUCH. 1027 00:45:14,445 --> 00:45:15,814 I'M SO SORRY, MR. HEWITT. 1028 00:45:15,814 --> 00:45:17,082 IT WAS NICE THAT YOU SANG. 1029 00:45:17,082 --> 00:45:19,150 OH, BLESS YOU FOR THAT. 1030 00:45:19,150 --> 00:45:20,118 LISTEN HERE, 1031 00:45:20,118 --> 00:45:21,953 YOU CAN'T BE ACTING LIKE NO FOOL, OK? 1032 00:45:21,953 --> 00:45:23,421 WE IN A FANCY PLACE. 1033 00:45:23,421 --> 00:45:25,824 WE GOT TO HAVE CLASS. WE IN A CLASSY PLACE. 1034 00:45:26,825 --> 00:45:28,426 OH, LEON! 1035 00:45:28,426 --> 00:45:30,228 OOH, I LOVED YOU IN WAITING TO EXHALE. 1036 00:45:30,228 --> 00:45:32,831 I WANT TO EXHALE. I WANT TO EXHALE. 1037 00:45:32,831 --> 00:45:33,832 PLEASE, PLEASE, 1038 00:45:33,832 --> 00:45:35,967 LET HIM EXHALE. 1039 00:45:35,967 --> 00:45:37,735 OH, MR. LEON, I'M SO SORRY. 1040 00:45:37,735 --> 00:45:40,205 PLEASE-- THANK YOU FOR COMING! 1041 00:45:40,205 --> 00:45:42,307 OOH, GIRL. LEON. 1042 00:45:42,307 --> 00:45:43,842 YOUR TABLE IS READY. 1043 00:45:43,842 --> 00:45:45,110 YOU GOT US IN TROUBLE. 1044 00:45:45,110 --> 00:45:46,577 YOU GETTING US IN TROUBLE. 1045 00:45:46,577 --> 00:45:47,578 I KNOW HOW TO ACT. 1046 00:45:47,578 --> 00:45:49,580 I KNOW HOW TO ACT, TOO. 1047 00:45:49,580 --> 00:45:50,581 LOOK. OH! 1048 00:45:50,581 --> 00:45:51,783 HEAVY D! 1049 00:45:51,783 --> 00:45:52,851 HEAVY D! 1050 00:45:52,851 --> 00:45:54,853 OOH, HEAVY, HEAVY, HEAVY! 1051 00:45:54,853 --> 00:45:56,421 YOU THE MAIN REASON THAT WE HERE IN L.A. 1052 00:45:56,421 --> 00:45:58,857 AT THAT AUDITION, I DIDN'T DO THE BEST I COULD. 1053 00:45:58,857 --> 00:46:00,658 WAIT A MINUTE. 1054 00:46:00,658 --> 00:46:03,528 AIN'T YOU THAT GIRL THAT HIT THE OTHER GIRL IN THE FACE WITH YOUR HAIR? 1055 00:46:03,528 --> 00:46:04,529 UH-HUH. 1056 00:46:05,596 --> 00:46:07,632 OH, I SEEN ALL YOU CAN DO, HON. 1057 00:46:07,632 --> 00:46:09,500 NO, SHE CAN REALLY DANCE. 1058 00:46:09,500 --> 00:46:11,436 NO, I SEEN ALL SHE CAN DO. SHE COULD HURT SOMEBODY. 1059 00:46:11,436 --> 00:46:13,704 NO, SHE CAN DANCE. AND I'M THE NEXT MONIFA. 1060 00:46:13,704 --> 00:46:14,705 SHE IS. 1061 00:46:14,705 --> 00:46:16,241 OH, YOU'RE THE NEXT MONIFA? 1062 00:46:16,241 --> 00:46:18,009 YEAH. LOOK, LET ME GET REMIXED. 1063 00:46:18,009 --> 00:46:19,010 CHECK THIS OUT. 1064 00:46:19,010 --> 00:46:20,345 OH, NO, THIS IS NOT NECESS-- 1065 00:46:20,345 --> 00:46:23,048 * IT'S BEEN TOO LONG SINCE YOU BEEN GONE * 1066 00:46:23,048 --> 00:46:25,450 * FEELS GOOD, I WANT YOU * 1067 00:46:25,450 --> 00:46:26,517 * I MISS YOU * 1068 00:46:26,517 --> 00:46:29,020 PLEASE, NO! MR. BOOTY! 1069 00:46:29,020 --> 00:46:30,655 OH, MR. HEAVY D, 1070 00:46:30,655 --> 00:46:32,057 I'M SO SORRY. 1071 00:46:32,057 --> 00:46:33,892 I DID NOT MEAN FOR THIS TO BE HEAVY, 1072 00:46:33,892 --> 00:46:35,026 YOU KNOW WHAT I MEAN? 1073 00:46:35,026 --> 00:46:36,127 IT'S OK. IT'S ALL RIGHT. 1074 00:46:36,127 --> 00:46:37,028 NO PROBLEM. NO PROBLEM. 1075 00:46:37,028 --> 00:46:40,365 YOUR TABLE IS WAITING! 1076 00:46:41,566 --> 00:46:42,567 I'M SORRY. 1077 00:46:42,567 --> 00:46:44,369 IT'S FINE. IT'S FINE. 1078 00:46:44,369 --> 00:46:45,170 I DIDN'T MEAN IT. 1079 00:46:45,170 --> 00:46:46,471 I JUST WANTED TO SHOW YOU. 1080 00:46:46,471 --> 00:46:47,538 WE'LL CALL THE OFFICE. 1081 00:46:47,538 --> 00:46:48,874 Heavy D: HAVE A GOOD NIGHT. 1082 00:46:48,874 --> 00:46:51,576 DIDDLE-LEE-DEE, DIDDLE LEE-DEE. 1083 00:46:51,576 --> 00:46:53,278 C.E.O.C.E.O. 1084 00:46:53,278 --> 00:46:54,679 C.E.O.C.E.O. 1085 00:46:54,679 --> 00:46:56,281 C.E.O.!C.E.O.! 1086 00:46:56,281 --> 00:46:57,348 AAH!AAH! 1087 00:46:57,348 --> 00:47:00,785 OH, GOOD TO SEE YOU AGAIN, MR. BLAKEMORE. 1088 00:47:00,785 --> 00:47:03,154 WHOA, NO, WHAT A NIGHT. 1089 00:47:04,589 --> 00:47:08,393 WILL THERE BE ANYTHING ELSE FOR YOU, MR. BLAKEMORE? 1090 00:47:08,393 --> 00:47:09,194 NO, THANK YOU, ALBERT. 1091 00:47:09,194 --> 00:47:10,595 I'LL HAVE THE CHECK, THOUGH. 1092 00:47:10,595 --> 00:47:11,796 THANK YOU. 1093 00:47:11,796 --> 00:47:13,031 YOU KNOW WHAT, MR. B? 1094 00:47:13,031 --> 00:47:14,332 THIS FOOD AIN'T ALL THAT. 1095 00:47:14,332 --> 00:47:16,534 THEY SHOULD'VE HAD MICKEY UP IN THE KITCHEN. 1096 00:47:16,534 --> 00:47:17,802 Mickey: AMEN. 1097 00:47:17,802 --> 00:47:19,104 NISI, DO YOU COOK? 1098 00:47:19,104 --> 00:47:20,538 MM-MMM. I DO HAIR. 1099 00:47:20,538 --> 00:47:21,539 THAT'S MY THING. 1100 00:47:21,539 --> 00:47:23,408 REALLY? SO DID LILY. 1101 00:47:23,408 --> 00:47:24,409 WHO? 1102 00:47:24,409 --> 00:47:25,210 AHEM. 1103 00:47:25,210 --> 00:47:26,611 OH, GRANDMA. YEAH, LILY. 1104 00:47:26,611 --> 00:47:29,314 GRANDMA COULD GREASE A SCALP, COULDN'T SHE? 1105 00:47:29,314 --> 00:47:30,115 UH-HUH. 1106 00:47:30,115 --> 00:47:32,417 TELL ME MORE ABOUT HER. 1107 00:47:32,417 --> 00:47:34,285 IT'S BEEN SO LONG. 1108 00:47:34,285 --> 00:47:36,321 UH... 1109 00:47:36,321 --> 00:47:37,522 LET'S SEE. 1110 00:47:37,522 --> 00:47:39,024 UH... 1111 00:47:39,824 --> 00:47:40,825 GRANDMA. 1112 00:47:40,825 --> 00:47:43,628 OH, LILY, SHE HAVE A BIG-- 1113 00:47:43,628 --> 00:47:46,564 [MUMBLING] 1114 00:47:46,564 --> 00:47:47,632 TAKE CARE, MR. BLAKEMORE. 1115 00:47:47,632 --> 00:47:49,700 I HOPE EVERYTHING WAS TO YOUR SATISFACTION. 1116 00:47:49,700 --> 00:47:51,702 THANK YOU. 1117 00:47:51,702 --> 00:47:53,905 [MUMBLING] 1118 00:47:58,776 --> 00:48:01,346 Nisi: OH, ALI, STOP. 1119 00:48:01,346 --> 00:48:04,615 [GIGGLING] 1120 00:48:04,615 --> 00:48:07,252 MM-HMM, I MISS YOU, TOO. 1121 00:48:07,252 --> 00:48:09,620 YOU KNOW, I'M SORRY THINGS GOT KIND OF CRAZY 1122 00:48:09,620 --> 00:48:11,022 BEFORE I LEFT, YOU KNOW? 1123 00:48:11,022 --> 00:48:13,458 BUT THAT'S HOW THAT GO. 1124 00:48:16,261 --> 00:48:17,462 WHAT? 1125 00:48:18,663 --> 00:48:23,068 OH, SO YOU THINK I'M GOING TO COME CRAWLING BACK? 1126 00:48:24,469 --> 00:48:25,503 OH, UH-UH. 1127 00:48:25,503 --> 00:48:27,738 I HOPE THEM NEGATIVE WORDS TASTE REAL GOOD 1128 00:48:27,738 --> 00:48:29,074 ROLLING OFF YOUR LIPS, 1129 00:48:29,074 --> 00:48:31,342 'CAUSE ONE DAY YOU'RE GOING TO HAVE TO EAT THEM. 1130 00:48:33,278 --> 00:48:35,480 IS EVERYTHING ALL RIGHT, MISS? 1131 00:48:36,781 --> 00:48:38,249 [RING] 1132 00:48:38,249 --> 00:48:41,486 NOW, THEN, WHO COULD BE CALLING AT THIS TIME OF NIGHT? 1133 00:48:41,486 --> 00:48:42,753 IT'S MY BOYFRIEND. 1134 00:48:42,753 --> 00:48:44,889 [RING] 1135 00:48:44,889 --> 00:48:46,891 SHALL I ANSWER? 1136 00:48:46,891 --> 00:48:49,260 [RING] 1137 00:48:50,861 --> 00:48:53,498 THIS IS THE BLAKEMORE RESIDENCE. 1138 00:48:53,498 --> 00:48:55,433 ONE MOMENT, PLEASE. 1139 00:48:55,433 --> 00:48:56,901 IT'S FOR YOU. 1140 00:48:58,003 --> 00:49:02,507 [WHISPERING] You tell him I'm through with his sorry ass. 1141 00:49:03,641 --> 00:49:05,510 Go on, tell him. 1142 00:49:07,912 --> 00:49:09,547 HELLO, SIR. 1143 00:49:09,547 --> 00:49:12,517 SHE'S THROUGH WITH YOUR SORRY ASS. 1144 00:49:14,719 --> 00:49:18,323 I WONDER, WOULD YOU MIND REPEATING THAT, SIR? 1145 00:49:19,657 --> 00:49:20,858 THANK YOU. 1146 00:49:20,858 --> 00:49:23,794 HE SAYS YOU'RE TRIPPING 'CAUSE YOU'RE IN HOLLYWOOD, 1147 00:49:23,794 --> 00:49:27,132 AND HE HOPES YOU DON'T GET PLAYED. 1148 00:49:28,199 --> 00:49:29,934 OH, I'M TRIPPING, 1149 00:49:29,934 --> 00:49:32,070 AND HE HOPE I DON'T GET PLAYED? 1150 00:49:32,070 --> 00:49:35,073 TELL HIM HE BETTER HOPE HIS MAMA DON'T GET PLAYED. 1151 00:49:35,073 --> 00:49:36,241 HELLO, SIR. 1152 00:49:36,241 --> 00:49:39,277 SHE HOPES YOUR MAMA DON'T GET PLAYED. 1153 00:49:40,545 --> 00:49:42,780 WAIT A MOMENT, SIR. 1154 00:49:42,780 --> 00:49:45,683 YES, SHE IS, AS A MATTER OF FACT. 1155 00:49:45,683 --> 00:49:46,617 What? 1156 00:49:46,617 --> 00:49:49,787 HE ASKED IF YOU WERE BITING YOUR LIP. 1157 00:49:49,787 --> 00:49:51,489 YES, YES. 1158 00:49:51,489 --> 00:49:54,692 BUT THAT'S TRULY EXTRAORDINARY, ISN'T IT? 1159 00:49:55,960 --> 00:49:57,162 ALL RIGHT, SIR, I WILL. 1160 00:49:57,162 --> 00:49:58,796 GOOD NIGHT NOW. 1161 00:49:58,796 --> 00:49:59,797 WHAT HE SAY? 1162 00:49:59,797 --> 00:50:01,966 WELL, HE SAID HE'S SORRY, 1163 00:50:01,966 --> 00:50:03,468 MAYBE HE'S TRIPPING, 1164 00:50:03,468 --> 00:50:08,173 BUT HE MISSES YOU VERY MUCH ON THE REAL. 1165 00:50:10,175 --> 00:50:12,177 GOOD NIGHT, MISS. 1166 00:50:15,080 --> 00:50:16,514 REAL. 1167 00:50:16,514 --> 00:50:18,783 [LAUGHTER] 1168 00:50:18,783 --> 00:50:19,817 Mickey: MMM. 1169 00:50:19,817 --> 00:50:20,818 Antonio: OHH. 1170 00:50:20,818 --> 00:50:24,189 OOH--AAH! 1171 00:50:25,990 --> 00:50:29,594 THIS LITTLE PIGGY ATE THE RAVIOLI. 1172 00:50:29,594 --> 00:50:31,028 WHOO! 1173 00:50:31,028 --> 00:50:32,497 AAH! 1174 00:50:33,698 --> 00:50:34,732 HEY. 1175 00:50:34,732 --> 00:50:37,802 WHY YOU WEARING THEM GLOVES IN THE HOUSE? 1176 00:50:39,270 --> 00:50:41,139 BECAUSE, MY LOVE, 1177 00:50:41,139 --> 00:50:42,940 YOUR SKIN IS TOO SOFT 1178 00:50:42,940 --> 00:50:47,545 TO SUFFER THE ROUGHNESS OF MY HARD-WORKING HANDS. 1179 00:50:47,545 --> 00:50:49,614 YOU ARE SO SWEET. 1180 00:50:53,851 --> 00:50:56,854 [SPEAKING ITALIAN] 1181 00:50:56,854 --> 00:50:58,389 WAIT, WAIT, WAIT, WHOA. 1182 00:50:58,389 --> 00:50:59,357 WAIT. 1183 00:50:59,357 --> 00:51:01,659 I AIN'T DOING THAT TILL I GET MARRIED. 1184 00:51:01,659 --> 00:51:04,395 YOU PUTTING A RING ON THIS FINGER? 1185 00:51:04,395 --> 00:51:05,396 A RING? 1186 00:51:05,396 --> 00:51:06,331 MM-HMM. 1187 00:51:06,331 --> 00:51:08,666 I ALREADY HAVE A RING. 1188 00:51:08,666 --> 00:51:10,768 YOU DO? 1189 00:51:10,768 --> 00:51:12,137 COME WITH ME. 1190 00:51:15,173 --> 00:51:17,175 MR. BLAKEMORE WAS KIND ENOUGH 1191 00:51:17,175 --> 00:51:20,278 TO LET ME KEEP THE RING SAFE IN HERE. 1192 00:51:28,819 --> 00:51:29,820 READY? 1193 00:51:29,820 --> 00:51:30,821 YES. 1194 00:51:45,836 --> 00:51:47,238 I CAN'T OPEN IT. 1195 00:51:47,238 --> 00:51:49,607 OH, OK. WELL, LET ME TRY. LET ME TRY. 1196 00:51:49,607 --> 00:51:51,142 WHAT'S THE COMBO? 1197 00:51:51,142 --> 00:51:52,710 5 LEFT. 1198 00:51:52,710 --> 00:51:54,179 5 LEFT. 1199 00:51:54,179 --> 00:51:56,247 ZERO RIGHT. 1200 00:51:56,247 --> 00:51:57,848 ZERO RIGHT. 1201 00:51:57,848 --> 00:51:59,450 AND 10 LEFT. 1202 00:52:00,851 --> 00:52:02,387 10 LEFT. 1203 00:52:06,257 --> 00:52:08,259 IT'S NOT OPENING, IS IT? 1204 00:52:08,259 --> 00:52:10,094 THAT'S NOT IT. 1205 00:52:10,094 --> 00:52:11,229 OHH! 1206 00:52:11,229 --> 00:52:12,930 IT'S ALL RIGHT, BELLISSIMA. 1207 00:52:12,930 --> 00:52:16,734 I WILL VERIFY THE CODE WITH MR. BLAKEMORE IN THE MORNING. 1208 00:52:16,734 --> 00:52:18,203 PROMISE? 1209 00:52:19,737 --> 00:52:20,805 PROMISE. 1210 00:52:22,507 --> 00:52:23,641 OK. 1211 00:52:32,883 --> 00:52:34,485 HAVE A GOOD NIGHT. 1212 00:52:36,654 --> 00:52:37,888 SLEEP TIGHT. 1213 00:52:48,699 --> 00:52:51,736 Radio: WELCOME TO THE BRITISH OVERSEAS NETWORK. 1214 00:52:51,736 --> 00:52:54,171 THE FOLLOWING BBC PROGRAM CAN BE HEARD AGAIN 1215 00:52:54,171 --> 00:52:55,172 ON THURSDAY AT-- 1216 00:52:55,172 --> 00:52:56,741 [CRASH] 1217 00:53:25,936 --> 00:53:26,937 [THUD] 1218 00:53:26,937 --> 00:53:27,938 Manley: AAH! 1219 00:53:27,938 --> 00:53:29,540 [CRASH] 1220 00:53:49,560 --> 00:53:52,763 OH, SO YOU STEALING, HUH? 1221 00:53:52,763 --> 00:53:54,565 UH-HUH. 1222 00:53:54,565 --> 00:53:58,235 I'M GOING TO HAVE TO BEAT YOU LIKE YOU STOLE SOMETHING THEN. 1223 00:54:11,582 --> 00:54:15,453 OH, I'M GOING TO HAVE TO HIT YOU HARD, LIKE TYSON. 1224 00:54:19,657 --> 00:54:20,825 NISI? 1225 00:54:20,825 --> 00:54:22,827 OOH, WHAT? 1226 00:54:22,827 --> 00:54:23,628 NISI? 1227 00:54:23,628 --> 00:54:26,297 OOH! HA HA HA. WHAT? 1228 00:54:26,297 --> 00:54:28,032 TYSON WOULDN'T HIT HIM LIKE THAT. 1229 00:54:28,032 --> 00:54:29,567 HE WOULDN'T? 1230 00:54:29,567 --> 00:54:31,936 NO. HE'D HIT HIM LIKE THIS. 1231 00:54:31,936 --> 00:54:33,404 OHH! 1232 00:54:34,271 --> 00:54:35,473 OH, NO, NO, NO. 1233 00:54:35,473 --> 00:54:37,342 YOU AIN'T SEEN HIS LAST FIGHT, 1234 00:54:37,342 --> 00:54:39,710 'CAUSE YOU WAS IN THE KITCHEN GETTING POPCORN. 1235 00:54:39,710 --> 00:54:42,347 TYSON... WOULD DO IT LIKE-- 1236 00:54:42,347 --> 00:54:43,348 OHH! THIS! 1237 00:54:43,348 --> 00:54:45,182 NO, TYSON... 1238 00:54:45,182 --> 00:54:46,951 WOULD REALLY HIT HIM LIKE-- 1239 00:54:46,951 --> 00:54:48,085 THIS! THIS! 1240 00:54:48,085 --> 00:54:49,587 OHH! 1241 00:54:49,587 --> 00:54:50,988 OHH. 1242 00:54:50,988 --> 00:54:52,457 WHOO! HA HA! 1243 00:54:52,457 --> 00:54:54,359 YEAH, COME ON. 1244 00:54:56,126 --> 00:54:57,462 OHH. 1245 00:55:07,372 --> 00:55:10,007 ANTONIO. 1246 00:55:11,241 --> 00:55:13,077 [FOOTSTEPS] 1247 00:55:13,077 --> 00:55:14,845 Isaac: WHAT'S GOING ON HERE? 1248 00:55:14,845 --> 00:55:16,847 WHAT IS THIS? 1249 00:55:16,847 --> 00:55:18,349 HELP ME OUT. 1250 00:55:18,349 --> 00:55:20,751 HELP YOU OUT? 1251 00:55:20,751 --> 00:55:23,654 I'M CALLING THE POLICE. 1252 00:55:23,654 --> 00:55:25,923 THE THREE OF YOU ARE STEALING FROM MY UNCLE. 1253 00:55:25,923 --> 00:55:28,526 Manley: NO, THE GIRLS HAD NOTHING TO DO WITH IT. 1254 00:55:30,995 --> 00:55:32,863 IT WAS ANTONIO. 1255 00:55:32,863 --> 00:55:34,532 ANTONIO. 1256 00:55:34,532 --> 00:55:37,535 ISAAC, OUR PLAN CAN STILL WORK. 1257 00:55:37,535 --> 00:55:39,870 IT WILL BE OUR WORDS AGAINST THEIRS. 1258 00:55:39,870 --> 00:55:43,207 HER FINGERPRINTS ARE STILL ON THE SAFE, MAN. 1259 00:55:43,207 --> 00:55:44,642 I BEG YOUR PARDON? 1260 00:55:44,642 --> 00:55:47,378 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. WHAT PLAN? 1261 00:55:47,378 --> 00:55:49,614 I'M CALLING THE POLICE. 1262 00:55:50,681 --> 00:55:53,484 OH, MY DEAR, I'M SO SORRY. 1263 00:56:00,290 --> 00:56:02,292 LOOK WHAT YOU'VE DONE, 1264 00:56:02,292 --> 00:56:04,762 YOU LITTLE SKEEZERS! 1265 00:56:04,762 --> 00:56:06,163 SKEEZERS? 1266 00:56:06,163 --> 00:56:08,966 UH-HUH. 1267 00:56:08,966 --> 00:56:10,134 OHH! 1268 00:56:10,134 --> 00:56:11,602 [THUD] 1269 00:56:11,602 --> 00:56:14,905 NOW, I'M GOING TO HAVE TO SPANK THAT ASS LIKE TYSON. 1270 00:56:18,676 --> 00:56:21,278 Police officer: I SAID COME ON! 1271 00:56:21,278 --> 00:56:23,113 STAY ON YOUR FEET! 1272 00:56:29,820 --> 00:56:31,722 [GROANS] 1273 00:56:31,722 --> 00:56:35,392 Manley: AND HE WAS THERE, AND HE HIT ME FROM BEHIND. 1274 00:56:35,392 --> 00:56:36,927 WELL, THAT WAS THAT. 1275 00:56:36,927 --> 00:56:38,996 I'LL REPORT MORE FULLY TO YOU IN THE MORNING, 1276 00:56:38,996 --> 00:56:42,132 AND, UH, I PROMISE I'LL BE THERE AS EARLY AS I CAN. 1277 00:56:42,132 --> 00:56:43,934 THANK YOU SO MUCH, OFFICER. 1278 00:56:43,934 --> 00:56:46,537 OH, FOR GOODNESS SAKE, LET'S GO. 1279 00:56:46,537 --> 00:56:48,539 Officer: I'LL READ YOU YOUR RIGHTS. 1280 00:56:48,539 --> 00:56:50,541 YOU HAVE THE RIGHT TO REMAIN SILENT. 1281 00:56:50,541 --> 00:56:52,142 HELLO? YOU THERE? 1282 00:56:52,142 --> 00:56:53,544 COME ON, LOOK AT ME. 1283 00:56:53,544 --> 00:56:54,679 [ANTONIO GROANING] 1284 00:56:54,679 --> 00:56:56,280 Officer: LOOK AT ME! 1285 00:56:56,280 --> 00:56:58,683 Antonio: DID YOU SAY RIGHT OR FIGHT? 1286 00:56:58,683 --> 00:57:01,151 Officer: RIGHT. YOU HAVE THE RIGHT TO REMAIN SILENT. 1287 00:57:01,151 --> 00:57:03,353 ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU 1288 00:57:03,353 --> 00:57:05,422 IN A COURT OF LAW. 1289 00:57:41,125 --> 00:57:42,960 GOOD NIGHT. 1290 00:57:49,199 --> 00:57:51,636 Nisi: I DON'T KNOW HOW HE SLEPT THROUGH ALL THAT. 1291 00:57:51,636 --> 00:57:54,338 YOU THINK HE'S STILL ALIVE? 1292 00:57:54,338 --> 00:57:56,273 I DON'T KNOW. 1293 00:57:56,273 --> 00:57:58,342 MAYBE WE SHOULD CHECK HIS PULSE. 1294 00:57:58,342 --> 00:58:01,546 WAIT A MINUTE, YOU TOOK A CPR CLASS, DIDN'T YOU? 1295 00:58:01,546 --> 00:58:05,149 YEAH. 'CAUSE ALL THE CUTE GUYS WAS IN THERE. 1296 00:58:05,149 --> 00:58:06,250 NO! 1297 00:58:06,250 --> 00:58:08,252 DIDN'T YOU LEARN ANYTHING? 1298 00:58:08,252 --> 00:58:11,155 NO. BUT I DID MEET JAMES. 1299 00:58:12,957 --> 00:58:17,161 WE'RE GOING TO CHECK HIS HEART TO SEE IF IT'S STILL BEATING. 1300 00:58:17,161 --> 00:58:19,029 GO ON, YOU CHECK IT. 1301 00:58:19,029 --> 00:58:19,964 YOU CHECK IT. 1302 00:58:19,964 --> 00:58:21,431 YOU CHECK IT. YOU CHECK IT. 1303 00:58:21,431 --> 00:58:22,867 YOU CHECK IT. 1304 00:58:22,867 --> 00:58:24,434 [SIGHS] 1305 00:58:24,434 --> 00:58:25,903 IT'S ON YOUR SIDE. 1306 00:58:37,582 --> 00:58:39,516 HE'S ALIVE. 1307 00:58:39,516 --> 00:58:40,951 I'M GOING TO BED. 1308 00:58:40,951 --> 00:58:42,787 NISI? 1309 00:58:44,454 --> 00:58:46,056 NISI? 1310 00:58:59,937 --> 00:59:01,071 WHOA! 1311 00:59:01,071 --> 00:59:02,206 [THUD] 1312 00:59:09,079 --> 00:59:10,247 NISI? 1313 00:59:13,083 --> 00:59:17,321 [DOORBELL CHIMES] 1314 00:59:18,656 --> 00:59:20,858 THAT'S OK. WE GOT IT. 1315 00:59:27,397 --> 00:59:28,532 HELLO. 1316 00:59:28,532 --> 00:59:30,835 GOOD MORNING. 1317 00:59:30,835 --> 00:59:33,904 I'M TRACY SHAW, MR. BLAKEMORE'S ATTORNEY. 1318 00:59:33,904 --> 00:59:35,906 LOOK, HERE, WE AIN'T HAD NOTHING TO DO 1319 00:59:35,906 --> 00:59:37,608 WITH WHAT HAPPENED LAST NIGHT. I SWEAR TO GOD. 1320 00:59:37,608 --> 00:59:39,009 OH, I KNOW. 1321 00:59:39,009 --> 00:59:41,011 AND IF ANYBODY SAYS DIFFERENTLY, 1322 00:59:41,011 --> 00:59:43,848 YOU MAKE SURE YOU HAVE THEM CALL ME. 1323 00:59:46,483 --> 00:59:48,152 Tracy: EVERYTHING IS OK NOW. 1324 00:59:48,152 --> 00:59:52,122 THANK GOD WE CAUGHT THIS BEFORE ISAAC WENT TOO FAR. 1325 00:59:53,190 --> 00:59:56,994 I RECEIVED THIS PACKAGE FROM HIS ATTORNEY THIS MORNING. 1326 01:00:02,432 --> 01:00:04,134 MR. BLAKEMORE, 1327 01:00:04,134 --> 01:00:07,604 ISAAC HAS FILED DOCUMENTS OF INCOMPETENCY AGAINST YOU. 1328 01:00:07,604 --> 01:00:10,007 I GUESS ONCE HE GOT THE PHOTOS HE NEEDED, 1329 01:00:10,007 --> 01:00:12,743 THE GIRLS WERE NO LONGER OF ANY VALUE TO HIM. 1330 01:00:15,345 --> 01:00:17,948 HE CLAIMS YOU BEFRIENDED 2 GIRLS FROM THE GHETTO 1331 01:00:17,948 --> 01:00:20,951 AFTER YOU CAUGHT THEM TRYING TO BREAK INTO YOUR HOME. 1332 01:00:20,951 --> 01:00:23,921 YOU THEN MOVED THE GIRLS INTO YOUR HOME 1333 01:00:23,921 --> 01:00:26,991 AND, FOR A LACK OF A BETTER PHRASE, 1334 01:00:26,991 --> 01:00:30,560 YOU'VE BEEN ALLOWING THEM TO ROB YOU BLIND. 1335 01:00:30,560 --> 01:00:33,530 HOW DARE HE! 1336 01:00:33,530 --> 01:00:37,267 Nisi: GIRL, I CAN'T BELIEVE ISAAC WOULD DO THIS TO MR. BLAKEMORE. 1337 01:00:37,267 --> 01:00:41,271 Mickey: YEAH, THAT IS KIND OF MESSED UP. 1338 01:00:41,271 --> 01:00:44,875 MICKEY, NISI, IT WAS A PLEASURE MEETING THE BOTH OF YOU. 1339 01:00:44,875 --> 01:00:46,877 HOW'S HE DOING? DOES HE WANT SOMETHING TO EAT? 1340 01:00:46,877 --> 01:00:50,480 I THINK HE JUST NEEDS TO REST RIGHT NOW. 1341 01:00:50,480 --> 01:00:51,682 [SIGHS] 1342 01:00:51,682 --> 01:00:54,351 HE'LL BE FINE. GOOD-BYE. 1343 01:00:56,586 --> 01:00:59,123 ALL HE NEEDS IS ENERGY. 1344 01:01:00,024 --> 01:01:01,558 REMEMBER WHEN I TOLD YOU 1345 01:01:01,558 --> 01:01:04,028 MY GRANDMAMA USED TO MAKE MY GRANDDADDY A SPECIAL DRINK 1346 01:01:04,028 --> 01:01:06,596 THAT WOULD GET HIM GOING? 1347 01:01:06,596 --> 01:01:08,398 YEAH? 1348 01:01:08,398 --> 01:01:11,001 BUT DIDN'T YOU TELL ME THAT IT NOT ONLY GOT HIM UP 1349 01:01:11,001 --> 01:01:13,203 BUT THAT IT GOT HIM...UP? 1350 01:01:13,203 --> 01:01:15,072 UP IS UP. 1351 01:01:15,072 --> 01:01:16,073 [SIGHS] 1352 01:01:16,073 --> 01:01:18,075 I DON'T KNOW HOW WE'RE GOING TO GET HIM 1353 01:01:18,075 --> 01:01:20,845 TO DRINK ALL THEM EGG YOLKS. 1354 01:01:20,845 --> 01:01:24,081 THE SAME WAY MY GRANDMAMA DID. 1355 01:01:30,620 --> 01:01:33,623 LADIES, I DIDN'T HEAR YOU COME IN. 1356 01:01:33,623 --> 01:01:34,759 HI. HI. 1357 01:01:34,759 --> 01:01:35,960 HELLO. 1358 01:01:35,960 --> 01:01:38,062 WE DECIDED TO MAKE YOU A BREAKFAST DRINK. 1359 01:01:39,629 --> 01:01:41,665 YOU DIDN'T HAVE TO DO THAT. 1360 01:01:41,665 --> 01:01:43,033 BUT WE WANTED TO. 1361 01:01:43,033 --> 01:01:45,235 WE'RE SORRY ABOUT WHAT HAPPENED LAST NIGHT. 1362 01:01:45,235 --> 01:01:46,303 YEAH. 1363 01:01:46,303 --> 01:01:48,705 YEAH, SO AM I. 1364 01:01:48,705 --> 01:01:51,041 PLEASE HAVE A SEAT. 1365 01:01:55,412 --> 01:01:57,147 AHH. 1366 01:01:58,248 --> 01:01:59,449 MONEY. 1367 01:01:59,449 --> 01:02:01,618 MONEY. 1368 01:02:02,552 --> 01:02:06,623 MONEY MAKES PEOPLE DO THE STRANGEST THINGS. 1369 01:02:06,623 --> 01:02:10,227 ISAAC BROUGHT YOU HERE FOR HIS OWN SELFISH REASONS, 1370 01:02:10,227 --> 01:02:13,730 BUT DID HE PROMISE YOU ANYTHING? 1371 01:02:17,267 --> 01:02:18,402 LIKE A FEE? 1372 01:02:18,402 --> 01:02:21,338 MM-MMM. WASN'T NO FEE INVOLVED, WAS THERE? 1373 01:02:21,338 --> 01:02:22,672 NO. 1374 01:02:22,672 --> 01:02:25,275 WE HERE BECAUSE WE WANT TO BE. 1375 01:02:26,143 --> 01:02:29,746 WHICH IS ALL THE MORE REASON 1376 01:02:29,746 --> 01:02:33,150 WHY YOU SHOULD HAVE THESE. 1377 01:02:38,288 --> 01:02:39,423 $50,000? 1378 01:02:39,423 --> 01:02:41,058 HOLY SHIT! 1379 01:02:42,659 --> 01:02:44,394 I MEAN SHOOT. 1380 01:02:44,394 --> 01:02:46,196 UH-UH, MR. B. 1381 01:02:46,196 --> 01:02:50,200 AIN'T NO WAY WE COULD TAKE THIS. 1382 01:02:50,200 --> 01:02:52,937 WE'RE HERE BECAUSE WE WANT TO BE. 1383 01:02:59,243 --> 01:03:03,247 YOU KNOW, UNTIL THIS VERY SECOND, 1384 01:03:03,247 --> 01:03:06,783 THE ONLY PERSON I EVER TOTALLY TRUSTED 1385 01:03:06,783 --> 01:03:08,853 IN MY ENTIRE LIFE WAS LILY. 1386 01:03:08,853 --> 01:03:11,588 HA HA HA HA HA. 1387 01:03:11,588 --> 01:03:15,325 I FEEL LIKE DANCING. 1388 01:03:16,726 --> 01:03:20,931 [MUSIC PLAYS] 1389 01:03:36,513 --> 01:03:38,582 GO, GO! GET IT! GET IT! 1390 01:03:38,582 --> 01:03:40,885 * SHOUT IT FROM THE HIGHEST MOUNTAIN * 1391 01:03:40,885 --> 01:03:44,554 * OPEN MY HEART FOR ALL THE WORLD TO SEE * 1392 01:03:44,554 --> 01:03:48,558 * GONNA RAISE MY HEAD AND THANK THE HEAVENS * 1393 01:03:48,558 --> 01:03:51,761 * 'CAUSE YOUR LOVE IS SHINING DOWN ON ME * 1394 01:03:51,761 --> 01:03:54,031 LET'S GET THIS PARTY JUMPIN'! 1395 01:03:54,031 --> 01:03:55,299 [DIFFERENT SONG PLAYS] 1396 01:03:55,299 --> 01:03:56,500 * GIDDYUP, GIDDYUP, GIDDYUP * 1397 01:03:56,500 --> 01:03:58,068 * WHOA * 1398 01:03:58,068 --> 01:03:59,603 * LET'S MAKE THAT BOOTY BOUNCE * 1399 01:03:59,603 --> 01:04:01,071 [YELLING] 1400 01:04:01,071 --> 01:04:02,639 * COME ON, COME ON, COME ON, COME ON * 1401 01:04:02,639 --> 01:04:03,840 * GO LEFT, GO RIGHT * 1402 01:04:03,840 --> 01:04:05,575 * GO LEFT, RIGHT, LEFT, RIGHT * 1403 01:04:05,575 --> 01:04:07,177 * MY BABY SAYS MY BELT'S TOO TIGHT * 1404 01:04:07,177 --> 01:04:08,913 * MY BOOTY SHAKES FROM LEFT TO RIGHT * 1405 01:04:08,913 --> 01:04:10,780 * GO LEFT, GO RIGHT * 1406 01:04:10,780 --> 01:04:12,182 * GO LEFT, RIGHT, LEFT, RIGHT * 1407 01:04:12,182 --> 01:04:13,583 * MY BABY SAYS MY BELT'S TOO TIGHT * 1408 01:04:13,583 --> 01:04:15,219 * MY BOOTY SHAKES FROM LEFT TO RIGHT * 1409 01:04:15,219 --> 01:04:16,820 * GO LEFT, GO RIGHT * 1410 01:04:16,820 --> 01:04:18,588 * GO LEFT, RIGHT, LEFT, RIGHT * 1411 01:04:18,588 --> 01:04:20,190 * MY BABY SAYS MY BELT'S TOO TIGHT * 1412 01:04:20,190 --> 01:04:21,892 * MY BOOTY SHAKES FROM LEFT TO RIGHT * 1413 01:04:21,892 --> 01:04:24,294 * GO, GO, GO, GO, GO * 1414 01:04:24,294 --> 01:04:26,530 * GO, GO, GO, GO, GO * 1415 01:04:26,530 --> 01:04:28,832 * GO, GO, GO, GO, GO * 1416 01:04:28,832 --> 01:04:30,334 * GIDDYUP, GIDDYUP, LET'S FLY * 1417 01:04:30,334 --> 01:04:31,801 * GIDDYUP, GIDDYUP, LET'S FLY * 1418 01:04:31,801 --> 01:04:33,303 * GIDDYUP, GIDDYUP, LET'S FLY * 1419 01:04:33,303 --> 01:04:34,704 THE ROOF! 1420 01:04:34,704 --> 01:04:36,106 THE ROOF! 1421 01:04:36,106 --> 01:04:39,209 THE ROOF IS ON FIRE! 1422 01:04:39,209 --> 01:04:41,611 * GIDDYUP, GIDDYUP, LET'S FLY * 1423 01:04:41,611 --> 01:04:43,113 * BRING IT LIKE THIS, BRING IT LIKE THAT * 1424 01:04:43,113 --> 01:04:44,614 * BREAK DOWN, DON'T BREAK YOUR BACK * 1425 01:04:44,614 --> 01:04:46,216 * MOVIN' THEM HIPS FROM LEFT TO RIGHT * 1426 01:04:46,216 --> 01:04:47,817 * CAN YOU GET HIGH, Y'ALL? * 1427 01:04:47,817 --> 01:04:49,219 * WORK THAT BODY ALL NIGHT LONG * 1428 01:04:49,219 --> 01:04:50,921 * DO THAT DANCE WHILE I SING THIS SONG * 1429 01:04:50,921 --> 01:04:52,822 * GO BANG, BANG, CHOO-CHOO TRAIN * 1430 01:04:52,822 --> 01:04:54,424 * LET ME SEE YOU DO YOUR THING * 1431 01:04:54,424 --> 01:04:56,226 * WHOA * 1432 01:04:56,226 --> 01:04:58,528 * LET'S GET THIS PARTY JUMPIN' * 1433 01:04:58,528 --> 01:05:00,965 * WHOA * 1434 01:05:00,965 --> 01:05:03,433 MR. B, YOU OK? 1435 01:05:03,433 --> 01:05:04,634 UH-UH. UH-UH. 1436 01:05:04,634 --> 01:05:07,237 LET'S GO SIT DOWN. YOU DON'T LOOK SO GOOD. 1437 01:05:07,237 --> 01:05:09,839 YOU FEELING KIND OF DIZZY? 1438 01:05:09,839 --> 01:05:11,708 LET'S SIT HIM DOWN RIGHT HERE. 1439 01:05:11,708 --> 01:05:12,842 RIGHT HERE. 1440 01:05:12,842 --> 01:05:14,711 OK, I'M FINE, REALLY. 1441 01:05:14,711 --> 01:05:16,280 YOU SURE? 1442 01:05:16,280 --> 01:05:18,382 I JUST GOT A LITTLE SHORT OF BREATH FOR A SECOND. I'M OK. 1443 01:05:18,382 --> 01:05:21,251 YOU WAS GETTING DOWN OUT THERE, MR. B. 1444 01:05:21,251 --> 01:05:23,253 I THINK IT'S TIME FOR US TO GO HOME. 1445 01:05:23,253 --> 01:05:25,255 YEAH, 'CAUSE MANLEY'S EMBARRASSING US. 1446 01:05:25,255 --> 01:05:28,858 SO THAT'S WHY WE MADE YOU FALL OUT. LET'S GO. 1447 01:05:28,858 --> 01:05:30,927 COME ON. 1448 01:05:31,895 --> 01:05:34,531 [LAUGHTER] 1449 01:05:35,732 --> 01:05:37,934 Mickey: WE HAD NO IDEA YOU COULD DANCE LIKE THAT, MR. B. 1450 01:05:37,934 --> 01:05:40,804 I HAVEN'T HAD THIS MUCH FUN SINCE I USED TO DANCE WITH LILY. 1451 01:05:40,804 --> 01:05:43,540 YOU GIRLS ARE TRULY AMAZING. 1452 01:05:43,540 --> 01:05:45,475 AH, LILY. 1453 01:05:45,475 --> 01:05:46,943 LILY, WHAT A LADY. 1454 01:05:46,943 --> 01:05:48,578 Nisi: WHAT A LADY. 1455 01:05:48,578 --> 01:05:51,781 OH, I'M SORRY YOU DIDN'T MEET THE MAN OF YOUR DREAMS TONIGHT, 1456 01:05:51,781 --> 01:05:53,550 BUT MAYBE NEXT TIME. 1457 01:05:54,551 --> 01:05:58,922 THAT'S OK. I'VE KNOWN HIM SINCE HIGH SCHOOL ANYWAY. 1458 01:05:58,922 --> 01:06:00,657 OH? 1459 01:06:00,657 --> 01:06:03,360 HIS NAME IS ALI. 1460 01:06:03,360 --> 01:06:05,695 HE'S BACK IN GEORGIA. 1461 01:06:06,963 --> 01:06:09,766 I REALLY LOVE HIM, TOO. 1462 01:06:09,766 --> 01:06:12,236 WHAT'S THE PROBLEM, THEN? 1463 01:06:12,236 --> 01:06:15,239 ALI DON'T HAVE NO DREAMS, 1464 01:06:15,239 --> 01:06:17,841 NO DRIVE, NO AMBITION. 1465 01:06:17,841 --> 01:06:20,277 NOTHING. 1466 01:06:21,978 --> 01:06:24,181 JUST LIKE ME. 1467 01:06:27,617 --> 01:06:30,020 NO, IT'S TRUE. 1468 01:06:30,020 --> 01:06:32,022 I ALMOST LOST ALL OF MY DREAMS 1469 01:06:32,022 --> 01:06:35,392 WHEN I WAS A VERY YOUNG MAN. 1470 01:06:35,392 --> 01:06:38,395 FORTUNATELY, THERE WAS A--HA HA-- 1471 01:06:38,395 --> 01:06:42,999 A SKINNY, BOWLEGGED GIRL WHO WAS FILLED WITH DREAMS. 1472 01:06:42,999 --> 01:06:46,736 EVERYTHING I HAVE TODAY IS BECAUSE OF HER. 1473 01:06:46,736 --> 01:06:48,538 I MEAN, I HAD NO AMBITION. 1474 01:06:48,538 --> 01:06:51,208 BUT SHE HAD ENOUGH FOR THE BOTH OF US. 1475 01:06:51,208 --> 01:06:53,543 WHAT DO YOU MEAN BY THAT? 1476 01:06:53,543 --> 01:06:58,148 WELL, SHE ALWAYS DREAMT ABOUT BECOMING A CLOTHING DESIGNER, 1477 01:06:58,148 --> 01:07:01,085 AND I LOVED HER SO MUCH THAT-- 1478 01:07:01,085 --> 01:07:07,023 OH, SO THAT'S HOW YOU GOT INTERESTED IN THE FABRIC BUSINESS. 1479 01:07:07,023 --> 01:07:09,226 YEAH. 1480 01:07:12,762 --> 01:07:14,764 WELL, WHO WAS SHE? 1481 01:07:16,633 --> 01:07:18,435 YOUR GRANDMOTHER. 1482 01:07:25,041 --> 01:07:26,643 OH. 1483 01:07:28,745 --> 01:07:31,047 SEE, THAT'S WHAT I'M... 1484 01:07:31,047 --> 01:07:32,649 TAKING ABOUT. 1485 01:07:32,649 --> 01:07:35,385 ALI IS DIFFERENT. 1486 01:07:35,385 --> 01:07:36,920 NISI... 1487 01:07:36,920 --> 01:07:42,192 THERE IS NO FORTUNE WORTH THE LOSS OF A TRUE LOVE. 1488 01:07:44,461 --> 01:07:47,131 SOME THINGS ARE PRICELESS. 1489 01:07:52,669 --> 01:07:54,571 [SNORING] 1490 01:08:21,698 --> 01:08:23,500 WHERE HAVE YOU BEEN? 1491 01:08:23,500 --> 01:08:25,502 YOU KNOW, YOU'VE BEEN ACTING STRANGE 1492 01:08:25,502 --> 01:08:27,504 EVER SINCE WE GOT HOME. 1493 01:08:27,504 --> 01:08:29,706 WHAT'S UP WITH YOU, NISI? 1494 01:08:29,706 --> 01:08:30,874 NISI?! 1495 01:08:30,874 --> 01:08:33,377 WHAT? I'VE BEEN THINKING, OK, 1496 01:08:33,377 --> 01:08:35,745 ABOUT HOW WE GOING TO GET UP OUT OF HERE. 1497 01:08:35,745 --> 01:08:36,713 WHAT? 1498 01:08:36,713 --> 01:08:39,115 DON'T ACT LIKE YOU DON'T KNOW, MICKEY. 1499 01:08:39,115 --> 01:08:40,517 THE GUILT, 1500 01:08:40,517 --> 01:08:43,153 THE GUILT OF WHAT WE DOING. 1501 01:08:43,153 --> 01:08:45,955 NOW, THAT OLD MAN DOWN THERE IS A NICE OLD MAN. 1502 01:08:45,955 --> 01:08:49,759 AND HE AIN'T GOT NOTHING AROUND HIM BUT PEOPLE TRYING TO USE HIM, 1503 01:08:49,759 --> 01:08:51,261 LIKE YOU AND ME. 1504 01:08:51,261 --> 01:08:54,130 I KNOW. WHY DO YOU THINK I GOT UP AND LEFT. 1505 01:08:54,130 --> 01:08:56,866 WE SHOULD'VE BEEN DONE GOT UP AND LEFT. 1506 01:09:10,947 --> 01:09:15,885 D, DON'T YOU THINK THAT WE COULD AT LEAST SAY GOOD-BYE? 1507 01:09:18,154 --> 01:09:19,523 WE CAN'T. 1508 01:09:19,523 --> 01:09:20,890 WHY? 1509 01:09:24,561 --> 01:09:28,765 'CAUSE IF I GO TO HIM AND I SAY WE LEAVING, 1510 01:09:28,765 --> 01:09:31,235 HE GOING TO SAY, "WHY?" 1511 01:09:32,302 --> 01:09:34,971 AND I'M GOING TO HAVE TO TELL HIM 1512 01:09:34,971 --> 01:09:40,377 THAT YOU AND ME BEEN A PART OF THIS WHOLE BIG LIE. 1513 01:09:41,778 --> 01:09:43,613 I CAN'T DO IT. 1514 01:09:45,181 --> 01:09:46,983 SO WE'RE GOING TO WRITE HIM A LETTER, 1515 01:09:46,983 --> 01:09:49,786 AND WE'RE GOING TO TELL HIM THE TRUTH... EVERYTHING. 1516 01:09:49,786 --> 01:09:51,020 EVERYTHING? 1517 01:09:51,020 --> 01:09:52,922 EVERYTHING! 1518 01:10:30,226 --> 01:10:32,596 WHAT TIME IS IT? 1519 01:10:34,831 --> 01:10:36,700 12:15. 1520 01:10:38,368 --> 01:10:40,504 WHY ARE YOU STILL UP? 1521 01:10:40,504 --> 01:10:43,873 I GUESS I CAN'T SLEEP. 1522 01:10:46,510 --> 01:10:48,645 YOU GO ON, GO BACK TO BED. 1523 01:10:48,645 --> 01:10:51,615 FLIGHT DON'T LEAVE FOR ANOTHER 7 HOURS. 1524 01:10:51,615 --> 01:10:53,650 I'M GOING TO BE DOWNSTAIRS. 1525 01:10:56,252 --> 01:10:57,587 HEY, D, 1526 01:10:57,587 --> 01:11:01,024 WHAT WE GOING TO DO WHEN WE GET OFF THAT PLANE? 1527 01:11:01,024 --> 01:11:05,362 WE AIN'T GOT NO MONEY, NO APARTMENT, NOTHING. 1528 01:11:06,496 --> 01:11:09,265 WE WORSE THAN WHEN WE STARTED OUT. 1529 01:11:15,405 --> 01:11:18,908 MAYBE, BUT MAYBE NOT. 1530 01:11:19,809 --> 01:11:24,013 SOME THINGS IS PRICELESS, YOU KNOW, MICK? 1531 01:11:41,030 --> 01:11:42,532 [DOOR OPENS] 1532 01:11:45,034 --> 01:11:46,536 [DOOR CLOSES] 1533 01:12:33,483 --> 01:12:35,952 [DOOR OPENS] 1534 01:12:35,952 --> 01:12:37,821 [DOOR CLOSES] 1535 01:12:39,088 --> 01:12:42,492 * I'LL BE LOVING YOU * 1536 01:12:42,492 --> 01:12:45,529 * FOREVER * 1537 01:12:45,529 --> 01:12:51,234 * DEEP INSIDE MY HEART YOU'LL LEAVE ME NEVER * 1538 01:12:51,234 --> 01:12:53,036 EXCUSE ME, MISS. 1539 01:12:53,036 --> 01:12:57,641 IT WAS NEVER MY INTENTION TO INVOLVE MYSELF IN YOUR PRIVATE AFFAIRS 1540 01:12:57,641 --> 01:13:00,944 OR TO COME OFF LIKE A PLAYER-HATER, 1541 01:13:00,944 --> 01:13:03,547 BUT I HAVE BECOME A KIND OF A MIDDLEMAN, 1542 01:13:03,547 --> 01:13:05,549 AND I THINK IT'S HIGH TIME 1543 01:13:05,549 --> 01:13:09,586 THAT YOU TWO TALKED WITH EACH OTHER, FACE TO FACE. 1544 01:13:10,386 --> 01:13:13,690 * YOU ARE MY LIFE * 1545 01:13:13,690 --> 01:13:17,461 * AND YOU'RE THE LAST THING ON MY MIND * 1546 01:13:17,461 --> 01:13:21,397 * BEFORE I GO TO SLEEP AT NIGHT * 1547 01:13:21,397 --> 01:13:24,534 * YOU'RE ALWAYS AROUND * 1548 01:13:24,534 --> 01:13:26,636 * WHEN I'M IN... * 1549 01:13:26,636 --> 01:13:28,404 I TOOK YOUR ADVICE 1550 01:13:28,404 --> 01:13:30,406 AND DECIDED TO HELP MYSELF. 1551 01:13:30,406 --> 01:13:31,575 * ...ON MY MIND * 1552 01:13:31,575 --> 01:13:34,377 * YOU WERE MY SOUL AND YOU... * 1553 01:13:34,377 --> 01:13:37,213 HOW'D YOU GET HERE, ALI? 1554 01:13:37,213 --> 01:13:39,549 YOUR BOY ALFRED HOOKED ME UP. 1555 01:13:39,549 --> 01:13:41,084 HE CALLED ME LATE LAST NIGHT 1556 01:13:41,084 --> 01:13:42,686 AND INSISTED THAT WE COME OUT RIGHT AWAY. 1557 01:13:42,686 --> 01:13:45,889 WE? JAMES HERE, TOO? 1558 01:13:45,889 --> 01:13:47,991 YEAH. 1559 01:13:47,991 --> 01:13:50,960 NISI, I DON'T KNOW IF YOU WANT TO STAY HERE, 1560 01:13:50,960 --> 01:13:54,564 IF YOU WANT TO GO HOME, OR WHAT YOU WANT TO DO. 1561 01:13:54,564 --> 01:13:56,966 ALL I KNOW IS I'VE HAD ONE DREAM 1562 01:13:56,966 --> 01:13:59,769 AND ONE DREAM ONLY SINCE HIGH SCHOOL... 1563 01:14:01,571 --> 01:14:05,742 AND THAT'S--AND THAT'S TO BE WITH YOU. 1564 01:14:05,742 --> 01:14:09,345 * EVEN IF YOU TOOK MY HEART * 1565 01:14:09,345 --> 01:14:11,648 * AND TORE IT APART * 1566 01:14:11,648 --> 01:14:14,283 COME ON, THEY'RE PLAYING OUR SONG. 1567 01:14:14,283 --> 01:14:16,586 * I WOULD LOVE YOU STILL * 1568 01:14:16,586 --> 01:14:19,489 * FOREVER * 1569 01:14:26,395 --> 01:14:29,933 * WE'VE HAD OUR FUN * 1570 01:14:29,933 --> 01:14:33,202 * AND WE'VE MADE MISTAKES * 1571 01:14:34,604 --> 01:14:38,608 * BUT WHO'D HAVE GUESSED ALONG THAT ROAD * 1572 01:14:38,608 --> 01:14:41,110 * WE'D LEARN TO GIVE AND TAKE? * 1573 01:14:41,110 --> 01:14:46,182 * GIVE SO MUCH MORE THAN I COULD EVER... * 1574 01:14:46,182 --> 01:14:47,150 James: YOU KNOW WHAT? 1575 01:14:47,150 --> 01:14:49,653 EVERYTHING YOU SAID ABOUT ME WAS TRUE. 1576 01:14:52,789 --> 01:14:54,991 I DO NEED TO CHANGE. 1577 01:14:57,226 --> 01:14:58,628 SO FROM NOW ON, 1578 01:14:58,628 --> 01:15:00,363 I PROMISE YOU, I'M GOING TO CHANGE. 1579 01:15:00,363 --> 01:15:03,366 FOR REAL? 1580 01:15:03,366 --> 01:15:05,935 FOR REAL. 1581 01:15:05,935 --> 01:15:07,737 [SIGHS] 1582 01:15:07,737 --> 01:15:12,108 THIS--THIS IS THE KIND OF STUFF YOU DESERVE. 1583 01:15:16,646 --> 01:15:18,815 [SOBBING] 1584 01:15:19,749 --> 01:15:22,952 BUT I JUST-- I JUST CAN'T GIVE IT TO YOU. 1585 01:15:25,054 --> 01:15:27,791 I MEAN, YOU--YOU DESERVE NICE STUFF. 1586 01:15:27,791 --> 01:15:31,394 YOU DESERVE A BIG OLD HOUSE, 1587 01:15:31,394 --> 01:15:33,196 AND--AND--YOU--YOU-- 1588 01:15:33,196 --> 01:15:37,801 YOU--YOU--DESERVE YOUR--YOUR OWN BACKYARD. 1589 01:15:37,801 --> 01:15:42,538 AND--EVERY-- EVERYBODY ELSE GOT A LITTLE WHITE DOG. 1590 01:15:42,538 --> 01:15:45,141 WHY--WHY YOU CAN'T HAVE ONE? 1591 01:15:45,141 --> 01:15:47,777 [SOBBING] 1592 01:15:47,777 --> 01:15:49,946 I WANT TO TAKE YOU OUT TO DINNER, 1593 01:15:49,946 --> 01:15:52,548 AND--AND EVERY TIME WE GO OUT, WE GOT TO WATCH... 1594 01:15:52,548 --> 01:15:54,283 OTHER PEOPLE EAT. 1595 01:15:54,283 --> 01:15:56,753 HELL, I WANT TO EAT, TOO. 1596 01:16:00,189 --> 01:16:03,126 AND YOU NEED--YOU NEED SOME CLOTHES. 1597 01:16:03,126 --> 01:16:05,294 WHY--WHY SHOULD YOU HAVE TO WEAR YOUR SUNDAY CLOTHES 1598 01:16:05,294 --> 01:16:07,631 ON--ON WEDNESDAY? 1599 01:16:09,699 --> 01:16:11,835 NOW, LOOK, GIRL, 1600 01:16:11,835 --> 01:16:13,837 DON'T THINK-- DON'T THINK THE BROTHER A PUNK 1601 01:16:13,837 --> 01:16:16,706 BECAUSE HE CRYING LIKE A LITTLE GIRL, BUT... 1602 01:16:16,706 --> 01:16:18,908 YOU'RE MY QUEEN. 1603 01:16:18,908 --> 01:16:20,576 AND... 1604 01:16:20,576 --> 01:16:23,312 I...LOVE--LOVE YOU! 1605 01:16:25,214 --> 01:16:29,418 JAMES, YOU AIN'T NEVER SAID NOTHING LIKE THIS. 1606 01:16:29,418 --> 01:16:32,221 DON'T SAY IT IF YOU DON'T MEAN IT. 1607 01:16:32,221 --> 01:16:34,057 I MEAN IT! 1608 01:16:34,057 --> 01:16:35,625 OHH! 1609 01:16:40,329 --> 01:16:41,865 GIRL, WHAT'S WRONG WITH YOU? 1610 01:16:41,865 --> 01:16:43,599 I'M SORRY, JAMES! 1611 01:16:43,599 --> 01:16:45,134 I SAID I MEAN IT! 1612 01:16:45,134 --> 01:16:46,636 * I WANT YOU TO KNOW THAT * 1613 01:16:46,636 --> 01:16:48,638 * I CAN'T EAT * 1614 01:16:48,638 --> 01:16:50,039 * I CAN'T SLEEP * 1615 01:16:50,039 --> 01:16:51,440 HA HA HA HA. 1616 01:16:51,440 --> 01:16:53,877 [SIRENS] 1617 01:16:56,345 --> 01:16:57,747 COME ON! 1618 01:16:58,547 --> 01:17:01,818 OH, DEAR. HURRY, HURRY. OH, OH! 1619 01:17:02,752 --> 01:17:04,353 THANK YOU! THANK YOU! 1620 01:17:05,454 --> 01:17:07,456 SIR, PLEASE, CAN I GET IN THERE? 1621 01:17:07,456 --> 01:17:09,458 IT'S ALL RIGHT. IT'S ALL RIGHT. 1622 01:17:09,458 --> 01:17:10,994 DON'T PANIC. MANLEY'S HERE. 1623 01:17:10,994 --> 01:17:15,164 NISI, HURRY UP. THEY JUST TOOK MR. B TO THE HOSPITAL. 1624 01:17:15,164 --> 01:17:17,366 COME ON, HURRY! 1625 01:17:49,398 --> 01:17:52,001 I'M GLAD YOU CAME. 1626 01:17:52,001 --> 01:17:53,602 UM... 1627 01:17:53,602 --> 01:17:56,940 I--I WANT TO THANK YOU FOR EVERYTHING THAT YOU'VE DONE. 1628 01:17:58,674 --> 01:18:00,143 I, UH... 1629 01:18:06,282 --> 01:18:07,817 UH-UH. 1630 01:18:07,817 --> 01:18:10,954 YOU WAS THE ONE WHO WAS ABOUT THE MONEY, NOT US. 1631 01:18:10,954 --> 01:18:13,823 I CAN'T BELIEVE THAT MR. B IS RELATED-- 1632 01:18:13,823 --> 01:18:17,293 SPEAKING OF RELATIVES, HOW'S LILY? 1633 01:18:38,848 --> 01:18:41,317 OH, MICKEY, NISI, COME, PLEASE. 1634 01:19:05,341 --> 01:19:08,077 YOU'RE GOING TO BE OK. 1635 01:19:13,082 --> 01:19:15,218 MR. B... 1636 01:19:19,555 --> 01:19:21,858 I, UH, UM... 1637 01:19:21,858 --> 01:19:24,493 [STAMMERING] 1638 01:19:27,496 --> 01:19:29,365 UH, I-- 1639 01:19:29,365 --> 01:19:31,500 I AIN'T LILY'S... 1640 01:19:58,127 --> 01:20:00,263 MR. B? 1641 01:20:06,502 --> 01:20:07,904 Tracy: WE'RE LOSING HIM. 1642 01:20:07,904 --> 01:20:10,706 GET DR. RUSSELL IN HERE NOW. 1643 01:20:10,706 --> 01:20:12,942 Doctor: GET ME DR. JENNINGS DOWN HERE IMMEDIATELY. 1644 01:20:12,942 --> 01:20:14,143 GIVE ME A HAND, WILL YOU, DOCTOR? 1645 01:20:14,143 --> 01:20:16,179 UH, NURSE, GET A RESPIRATOR OVER HERE. 1646 01:20:16,179 --> 01:20:17,914 Doctor: MR. BLAKEMORE, CAN YOU HEAR ME? 1647 01:20:17,914 --> 01:20:19,315 Nurse: OXYGEN, OXYGEN. MR. BLAKEMORE? 1648 01:20:19,315 --> 01:20:21,650 Nisi: I DIDN'T GET A CHANCE TO TELL HIM. 1649 01:20:21,650 --> 01:20:23,552 ABOUT LILY? 1650 01:20:28,524 --> 01:20:30,860 YOU DIDN'T HAVE TO. 1651 01:20:32,929 --> 01:20:34,864 HE ALREADY KNEW. 1652 01:20:38,201 --> 01:20:42,071 YOU SEE, LILY NEVER HAD ANY CHILDREN. 1653 01:20:57,520 --> 01:20:59,956 [VACUUM CLEANER RUNNING] 1654 01:20:59,956 --> 01:21:01,757 GO UP THERE AND LOOK AT THE PICTURE. 1655 01:21:01,757 --> 01:21:05,294 LOOK AT THE PICTURE. NOW, WHO THE PICTURE REMIND YOU OF? 1656 01:21:05,294 --> 01:21:06,562 UH... 1657 01:21:06,562 --> 01:21:08,564 Both: LOQUISHA JENKINS! 1658 01:21:08,564 --> 01:21:10,433 YECCH, THAT'S SO UGLY. 1659 01:21:11,968 --> 01:21:14,103 THERE SHE GO, RIGHT THERE. 1660 01:21:14,103 --> 01:21:16,572 THIS ALL YOUR STUFF HERE? 1661 01:21:16,572 --> 01:21:17,573 DON'T DRAG IT. 1662 01:21:17,573 --> 01:21:19,842 I'M NOT GONNA DRAG IT. 1663 01:21:19,842 --> 01:21:21,978 YOU READY TO GO? 1664 01:21:21,978 --> 01:21:23,579 WAIT A MINUTE. 1665 01:21:36,192 --> 01:21:36,993 I... 1666 01:21:36,993 --> 01:21:38,995 [CLEARING THROAT] 1667 01:21:38,995 --> 01:21:42,198 I WISH YOU A VERY PLEASANT JOURNEY. 1668 01:21:47,470 --> 01:21:49,005 FLYING FIRST CLASS 1669 01:21:49,005 --> 01:21:51,074 IS EXTREMELY COMFORTABLE. 1670 01:21:53,009 --> 01:21:55,211 SO I'VE BEEN TOLD. 1671 01:22:01,617 --> 01:22:03,219 WE SHALL MISS YOU. 1672 01:22:08,024 --> 01:22:10,393 WE'RE GONNA MISS YOU, TOO. 1673 01:22:14,763 --> 01:22:17,466 THANK YOU FOR EVERYTHING. 1674 01:22:21,037 --> 01:22:23,039 MANLEY. 1675 01:22:29,045 --> 01:22:33,249 ALFRED WILL DO VERY NICELY, THANK YOU. 1676 01:22:41,057 --> 01:22:42,658 WE SHOULD GET GOING. 1677 01:22:42,658 --> 01:22:44,060 Tracy: NOT YET. 1678 01:22:44,060 --> 01:22:47,063 I'M GLAD I CAUGHT YOU. 1679 01:22:47,063 --> 01:22:49,065 THIS WILL ONLY TAKE A SECOND. 1680 01:22:49,065 --> 01:22:50,766 PLEASE, COME WITH ME. 1681 01:22:52,001 --> 01:22:55,471 I JUST HAVE A DOCUMENT I'D LIKE TO REVIEW WITH YOU ALL. 1682 01:22:57,540 --> 01:22:58,941 GOOD MORNING TO YOU. 1683 01:22:58,941 --> 01:23:00,209 OH, YOU'RE STILL HERE. 1684 01:23:00,209 --> 01:23:02,145 GOOD MORNING, ISAAC. 1685 01:23:04,480 --> 01:23:09,585 THIS IS MR. BLAKEMORE'S LAST WILL AND TESTAMENT. 1686 01:23:09,585 --> 01:23:11,820 "FIRST..." 1687 01:23:11,820 --> 01:23:14,490 MR. BLAKEMORE STATES... 1688 01:23:14,490 --> 01:23:18,494 "I'D LIKE TO THANK MY B.A.P.s NISI AND MICKEY 1689 01:23:18,494 --> 01:23:23,132 FOR MAKING THE LAST DAYS OF MY LIFE AS PLEASANT AS MY FIRST YEARS." 1690 01:23:23,132 --> 01:23:25,501 OH, THAT'S SWEET. 1691 01:23:26,702 --> 01:23:28,304 B.A.P.s? 1692 01:23:29,372 --> 01:23:32,408 BLACK AMERICAN PRINCESSES. 1693 01:23:35,878 --> 01:23:38,947 UH, YEAH. PLEASE CONTINUE. THEY HAVE A PLANE TO CATCH. 1694 01:23:38,947 --> 01:23:40,449 OF COURSE. 1695 01:23:41,517 --> 01:23:45,521 "SECOND, I, DONALD WILLIAM BLAKEMORE... 1696 01:23:45,521 --> 01:23:47,690 "BEING OF SOUND HEART AND MIND, 1697 01:23:47,690 --> 01:23:51,127 "HEREBY REQUEST THE AFFAIRS OF MY ESTATE 1698 01:23:51,127 --> 01:23:54,997 "TO BE INCONTESTABLY IMPLEMENTED AS FOLLOWS: 1699 01:23:54,997 --> 01:23:57,733 TO MY B.A.P.s I LEAVE..." 1700 01:23:57,733 --> 01:24:00,736 [ORCHESTRAL MUSIC SWELLS] 1701 01:25:20,749 --> 01:25:23,219 LADIES AND GENTLEMEN, I'M JESSE COLLINS, 1702 01:25:23,219 --> 01:25:24,753 AND WE ARE BROADCASTING LIVE 1703 01:25:24,753 --> 01:25:28,591 AT THE ONLY SALON-RESTAURANT IN BEVERLY HILLS. 1704 01:25:28,591 --> 01:25:31,960 THERE ARE THE OWNERS. LET'S GIVE 'EM A BIG ROUND OF APPLAUSE. 1705 01:25:31,960 --> 01:25:33,796 [APPLAUSE AND CHEERS] 1706 01:25:39,368 --> 01:25:41,437 Ali: I AM THIS IMPRESSED! James: ROGER THAT. 1707 01:25:41,437 --> 01:25:43,406 BROTHER, CHECK OUT THE NAME. WHAT THE NAME SAY, HUH? 1708 01:25:43,406 --> 01:25:45,140 [BOTH READING SIGN] 1709 01:25:46,242 --> 01:25:47,910 AND WE GOT NUMEROUS SLOGANS LIKE... 1710 01:25:47,910 --> 01:25:50,213 NOW, IF YOU REALLY MUST BE THERE, BUT YOU FEEL YOU'RE UNDERAGE... 1711 01:25:50,213 --> 01:25:51,880 DON'T HESITATE TO GIVE ONE OF US A PAGE. 1712 01:25:51,880 --> 01:25:54,350 AND IF YOU'RE TIRED OF RIDING THAT RAGGEDY-ASS BUS, 1713 01:25:54,350 --> 01:25:56,619 I AIN'T GOT A PROBLEM WITH YOU PAGIN' US. 1714 01:25:56,619 --> 01:25:57,886 NOW STEP TO THE SIDE WHILE WE HIT THE STREET, 1715 01:25:57,886 --> 01:26:00,223 THEN TURN TO YOUR LEFT AND CHECK THE FLEET. 1716 01:26:00,223 --> 01:26:02,225 [CHEERS AND APPLAUSE] 1717 01:26:02,225 --> 01:26:04,693 * WHOA-OH-OH-OH * 1718 01:26:04,693 --> 01:26:07,530 * HEY-EY-EY * 1719 01:26:07,530 --> 01:26:11,534 * OH-OH-OH-OH-OHHH * 1720 01:26:11,534 --> 01:26:14,270 Jessie Collins: THIS IS THE GRAND OPENING OF LILY'Z, 1721 01:26:14,270 --> 01:26:16,772 THE ONLY SPOT IN BEVERLY HILLS WHERE YOU CAN GET 1722 01:26:16,772 --> 01:26:18,974 BANGS 'N' BACON, WEAVES 'N' WAFFLES... 1723 01:26:18,974 --> 01:26:20,576 AND EGGS AND EXTENSIONS. 1724 01:26:22,177 --> 01:26:23,579 * OH, YEAH * 1725 01:26:23,579 --> 01:26:24,947 LOOK. 1726 01:26:26,982 --> 01:26:29,385 WHOA! ROD-MAN! 1727 01:26:29,385 --> 01:26:32,388 YOU KNOW, I'M GONNA HAVE TO TAKE YOU CLOSE. 1728 01:26:32,388 --> 01:26:33,989 YOU EVER GET TIRED OF THAT GUY 1729 01:26:33,989 --> 01:26:35,057 WHO HAS THE BEEPER COMPANY, 1730 01:26:35,057 --> 01:26:36,859 BEEP ME. I'LL TAKE CARE OF YOU. 1731 01:26:36,859 --> 01:26:38,727 I'M TIRED. ALREADY. 1732 01:26:41,664 --> 01:26:43,666 Downtown Julie Brown: CAN WE TALK ABOUT THE GIRLS? 1733 01:26:43,666 --> 01:26:45,268 Manley: OH, THE GIRLS ARE ENCHANTING! 1734 01:26:45,268 --> 01:26:46,402 YES, THEY ARE. 1735 01:26:46,402 --> 01:26:49,405 AHH! THERE YOU ARE! 1736 01:26:49,405 --> 01:26:51,106 THE TELEPHONES HAVEN'T STOPPED RINGING. 1737 01:26:51,106 --> 01:26:54,610 THEY WANT AN EXCLUSIVE ON THE GRAND OPENING IN NEW YORK NEXT MONTH. 1738 01:26:54,610 --> 01:26:58,281 WELL, TELL E.T. THEY CAN HAVE THE PARIS OPENING. 1739 01:26:58,281 --> 01:27:00,883 ABSOLUTELY. AND GIVE MTV NEW YORK. 1740 01:27:00,883 --> 01:27:02,184 YES. 1741 01:27:02,184 --> 01:27:04,287 AND PLEASE MAKE SURE THAT EVERYBODY COMES 1742 01:27:04,287 --> 01:27:06,689 TO THE GRAND OPENING IN DECATUR, GEORGIA. 1743 01:27:06,689 --> 01:27:08,691 AHH, OF COURSE. 1744 01:27:08,691 --> 01:27:10,693 Collins: WELCOME AGAIN, LADIES AND GENTLEMEN, 1745 01:27:10,693 --> 01:27:13,762 THE OWNERS OF THE PLACE TO BE IN BEVERLY HILLS, 1746 01:27:13,762 --> 01:27:14,863 LILY'Z! 1747 01:27:14,863 --> 01:27:17,433 NOW THAT THE OWNERS ARE HERE, NISI AND MICKEY, 1748 01:27:17,433 --> 01:27:19,302 IT'S TIME TO KICK OFF THE GRAND OPENING! 1749 01:27:19,302 --> 01:27:20,436 LADIES, COME ON UP HERE. 1750 01:27:20,436 --> 01:27:21,770 COME AND GET IN YOUR PARTY! 1751 01:27:21,770 --> 01:27:24,039 HA HA HA HA! 1752 01:27:24,039 --> 01:27:28,311 * 'CAUSE YOUR LOVE IS SHININ' DOWN ON ME * 1753 01:27:28,311 --> 01:27:30,446 * OOOOOH * 1754 01:27:30,446 --> 01:27:31,447 * SHINE ON! * 1755 01:27:31,447 --> 01:27:34,583 * WHOO-HOO-HOO-OOH * 1756 01:27:34,583 --> 01:27:38,053 * OH-OH-OH-OH-OHH * 1757 01:27:38,053 --> 01:27:39,622 * SHINE ON * 1758 01:27:42,458 --> 01:27:43,826 * OH-OH-OH-OH-OHH * 1759 01:27:43,826 --> 01:27:47,463 * WANNA SHOUT IT FROM THE HIGHEST MOUNTAIN * 1760 01:27:47,463 --> 01:27:50,999 * AND FROM MY HEART FOR ALL THE WORLD TO SEE * 1761 01:27:50,999 --> 01:27:54,870 * WANNA RAISE MY HANDS AND THANK THE HEAVENS * 1762 01:27:54,870 --> 01:27:58,741 * 'CAUSE YOUR LOVE IS SHININ' DOWN ON ME * 1763 01:27:58,741 --> 01:28:02,611 * WANNA SHOUT IT FROM THE HIGHEST MOUNTAIN * 1764 01:28:02,611 --> 01:28:06,148 * AND FROM MY HEART FOR ALL THE WORLD TO SEE * 1765 01:28:06,148 --> 01:28:10,486 * WANNA RAISE MY HANDS AND THANK THE HEAVENS * 1766 01:28:10,486 --> 01:28:12,888 * 'CAUSE YOUR LOVE IS SHININ' DOWN ON ME * 1767 01:28:12,888 --> 01:28:15,891 CAPTIONING MADE POSSIBLE BY NEW LINE HOME VIDEO 1768 01:28:15,891 --> 01:28:18,694 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1769 01:28:18,694 --> 01:28:22,297 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 111821

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