Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:04:04,312 --> 00:04:07,448
**
2
00:04:35,409 --> 00:04:38,045
* COME DOWN AND TAKE A LOOK
3
00:04:38,078 --> 00:04:41,715
* AT THE DAMAGE
YOU HAVE DONE *
4
00:04:43,384 --> 00:04:45,653
* AFRAID OF WHAT'S TO COME
5
00:04:45,686 --> 00:04:47,921
IT'S A FIRST EDITION.
6
00:04:51,124 --> 00:04:56,330
* I'D TAKE THE EASY WAY
AND THE WORLD WOULD START
SPINNING ROUND *
7
00:04:56,364 --> 00:04:58,366
MR. NATOLLY.
8
00:05:03,704 --> 00:05:06,474
* UNFORGETTABLE
9
00:05:11,745 --> 00:05:14,515
* UNFORGETTABLE
10
00:05:14,548 --> 00:05:19,086
* O-O-OH
11
00:05:19,119 --> 00:05:21,054
* UNFORGETTABLE
12
00:05:21,088 --> 00:05:23,657
I'VE NEVER--
I'LL BE GENTLE, I PROMISE.
13
00:05:23,691 --> 00:05:25,426
I LOVE YOU, TAMARA.
14
00:05:27,160 --> 00:05:30,063
* UNFORGETTABLE
15
00:05:40,040 --> 00:05:42,109
MR. NATOLLY?
16
00:05:42,142 --> 00:05:43,777
STOP!
17
00:05:43,811 --> 00:05:45,479
STOP!
18
00:05:45,513 --> 00:05:48,582
OH, MY GOD!
19
00:05:51,018 --> 00:05:52,986
WHAT'S HAPPENING?
20
00:05:53,020 --> 00:05:55,523
I COULD NEVER LOVE YOU.
21
00:05:59,693 --> 00:06:01,995
HELP ME.
22
00:06:03,631 --> 00:06:06,934
TELL ME YOU LOVE ME.
MAKE THEM STOP!
23
00:06:06,967 --> 00:06:09,737
TAMARA. TAMARA!
24
00:06:09,770 --> 00:06:12,406
TAMARA! TAMARA!
NO.
25
00:06:12,440 --> 00:06:14,608
TAMARA! TAMARA!
NO.
26
00:06:14,642 --> 00:06:16,510
NO.
27
00:06:17,545 --> 00:06:19,112
YOU OKAY?
28
00:06:25,519 --> 00:06:27,521
THE THEME OF DUALITY.
29
00:06:29,256 --> 00:06:34,595
THE IDEA THAT EACH OF US IS
CAPABLE OF GREAT ACTS OF GOOD OR
EVIL HAS BEEN WITH US FOREVER.
30
00:06:34,628 --> 00:06:38,532
FROM CAIN AND ABEL IN THE BIBLE
ALL THE WAY THROUGH
TO MODERN POP CULTURE.
31
00:06:38,566 --> 00:06:42,169
BUT MANY PEOPLE BELIEVE
THERE IS A DEVIL
OR AN EVIL FORCE OUT THERE
32
00:06:42,202 --> 00:06:45,138
TEMPTING US TO DO BAD THINGS.
33
00:06:45,172 --> 00:06:49,477
OTHERS BELIEVE
THE POTENTIAL LIES SOLELY
WITHIN EACH ONE OF US.
34
00:06:57,518 --> 00:06:59,553
JOURNEY INTO WITCHCRAFT.
35
00:06:59,587 --> 00:07:01,088
I THINK YOU'VE ALREADY
MADE THAT JOURNEY.
36
00:07:01,121 --> 00:07:04,558
I'VE GOT TO SAY, IT LOOKS LIKE
YOU'VE HAD A REALLY ROUGH TRIP.
37
00:07:04,592 --> 00:07:07,027
ENOUGH!
38
00:07:07,060 --> 00:07:11,431
ONE MORE DETENTION AND I'LL HAVE
THE DISPLEASURE OF TEACHING
YOU AGAIN NEXT YEAR.
39
00:07:17,270 --> 00:07:19,540
GRAB A COPY OF THE GAZETTE
ON YOUR WAY OUT!
40
00:07:19,573 --> 00:07:24,011
AND DON'T FORGET,
QUIZ ON MONDAY.
41
00:07:32,786 --> 00:07:34,688
TAMARA?
42
00:07:35,956 --> 00:07:38,492
I'VE GOT SOME GREAT NEWS
FOR MY STAR PUPIL.
43
00:07:40,761 --> 00:07:44,598
WE'RE ASKED TO SUBMIT EDITORIALS
FROM THE CLASS PAPER
AND PICK THE BEST ONE.
44
00:07:44,632 --> 00:07:49,002
ONCE AGAIN, YOU'VE IMPRESSED ME
WITH YOUR INTELLIGENCE
AND PASSION.
45
00:07:50,738 --> 00:07:53,574
CONGRATULATIONS.
46
00:07:56,176 --> 00:08:00,614
HEY, KISHA, THERE'S THE BITCH
THAT WROTE THE ARTICLE.
47
00:08:01,849 --> 00:08:03,884
SOMEBODY CALL ANIMAL CONTROL.
48
00:08:03,917 --> 00:08:07,921
ONE OF THOSE DRUG-SNIFFING DOGS
IS OFF ITS LEASH AGAIN.
49
00:08:07,955 --> 00:08:10,524
BACK OFF.
50
00:08:10,558 --> 00:08:13,026
MIND YOUR OWN BUSINESS.
51
00:08:13,060 --> 00:08:15,763
I'M MAKING THIS MY BUSINESS.
52
00:08:17,965 --> 00:08:21,134
WHAT? YOU GOT SOMETHING
YOU WANT TO SAY?
53
00:08:22,302 --> 00:08:24,905
COME ON, LADIES.
54
00:08:24,938 --> 00:08:27,775
WE DON'T HAVE TIME
FOR THESE LOSERS.
55
00:08:32,846 --> 00:08:34,582
YOU OKAY?
56
00:08:35,949 --> 00:08:38,085
DON'T WORRY ABOUT THEM.
57
00:08:38,118 --> 00:08:41,154
THEY'VE BEEN ASSHOLES
FOREVER.
58
00:08:41,188 --> 00:08:44,291
SERIOUSLY. THEY THINK
THEY'RE HOT SHIT RIGHT NOW.
59
00:08:44,324 --> 00:08:49,597
BUT IN TEN YEARS,
THEY'RE GONNA BE FAT, BITTER,
DIVORCED ALCOHOLICS.
60
00:08:51,999 --> 00:08:53,601
COME ON.
61
00:08:59,673 --> 00:09:01,074
YO, TAMARA!
62
00:09:02,342 --> 00:09:05,312
DON'T MOVE!
63
00:09:05,345 --> 00:09:07,815
TAMARA!
64
00:09:14,187 --> 00:09:16,189
TAMARA, WHAT'S WRONG?
65
00:09:16,223 --> 00:09:18,926
TAMARA! TAMARA,
GET BACK HERE!
SHE WENT IN NATOLLY'S ROOM!
66
00:09:22,062 --> 00:09:25,298
HEY!
OH!
67
00:09:25,332 --> 00:09:28,168
LET ME HAVE A WORD WITH THEM.
NO, PLEASE!
68
00:09:35,242 --> 00:09:39,379
TAMARA, ABOUT THIS DRUG TESTING.
IT'S NOT YOUR FAULT.
69
00:09:39,412 --> 00:09:42,215
THE ADMINISTRATION'S
BEEN PLANNING IT FOR MONTHS.
70
00:09:54,895 --> 00:09:58,766
LOOK, IF ANYONE BOTHERS YOU,
I WANT YOU TO COME TO ME, OKAY?
71
00:10:03,003 --> 00:10:05,939
I'M SORRY ABOUT
THE PAPER. I, UM--
72
00:10:05,973 --> 00:10:08,742
I JUST WANTED
TO ENCOURAGE YOU.
73
00:10:08,776 --> 00:10:12,179
IT'S MADE SO MANY PEOPLE MAD.
74
00:10:12,212 --> 00:10:14,748
NOBODY LIKED ME BEFORE,
AND NOW...
HEY, HEY, HEY!
75
00:10:14,782 --> 00:10:18,185
NOW THAT'S NOT TRUE.
I LIKE YOU.
76
00:10:18,218 --> 00:10:21,088
I'M SURE A LOT OF
OTHER PEOPLE DO TOO.
77
00:10:23,023 --> 00:10:26,660
HIGH SCHOOL CAN BE TOUGH.
JUST BE STRONG.
78
00:10:28,128 --> 00:10:30,330
THIS TOO SHALL PASS.
79
00:10:34,267 --> 00:10:39,673
ARE YOU USING FAMOUS LITERARY
QUOTES TO MAKE ME FEEL BETTER?
80
00:10:41,709 --> 00:10:45,746
I'M AN ENGLISH TEACHER.
FAMOUS QUOTES ARE MY ARSENAL.
81
00:10:47,347 --> 00:10:49,149
IS IT WORKING?
82
00:10:49,182 --> 00:10:53,353
YEAH, I GUESS.
OKAY.
83
00:10:53,386 --> 00:10:56,456
YOU KNOW,
YOU'VE GOT A LOT GOING
FOR YOU, MISS RILEY.
84
00:10:56,489 --> 00:10:59,392
IF YOU JUST LET
PEOPLE SEE IT.
85
00:10:59,426 --> 00:11:01,695
YOU'RE A VERY SPECIAL GIRL.
86
00:11:01,729 --> 00:11:04,898
YOU JUST HAVE TO FIND
YOUR PLACE IN THE WORLD.
87
00:11:16,810 --> 00:11:18,478
OH, GOD.
88
00:11:18,511 --> 00:11:21,181
TAMARA, IT'S FINE.
IT'S FINE.
I'M SO STUPID.
89
00:11:21,214 --> 00:11:23,951
TAMARA! TAMARA! IT'S--
90
00:11:43,871 --> 00:11:45,472
WHAT?
91
00:11:46,506 --> 00:11:48,441
NOW YOU DON'T HAVE
ANYTHING TO SAY?
92
00:11:48,475 --> 00:11:52,479
YOU DIDN'T SEEM TO HAVE
ANY TROUBLE SHOOTING
YOUR MOUTH OFF FOR THE PAPER.
93
00:11:54,815 --> 00:11:57,751
"IT'S NO SECRET THAT SOME
OF OUR STAR ATHLETES
94
00:11:57,785 --> 00:12:00,788
"ARE USING
PERFORMANCE-ENHANCING DRUGS.
95
00:12:02,422 --> 00:12:06,359
BUT DUE TO THE TEAM'S SUCCESS,
THE COACH HAS REMAINED SILENT."
96
00:12:07,861 --> 00:12:10,898
BUSTED!
97
00:12:13,901 --> 00:12:17,971
THANKS TO YOU, COACH TRIED
TO GET ME TO PISS INTO A CUP.
98
00:12:19,873 --> 00:12:21,508
YOU'RE GOING DOWN.
99
00:12:41,294 --> 00:12:44,865
I'LL SEE YOU SOON,
YOU TRAILER TRASH WHORE.
100
00:12:53,073 --> 00:12:57,144
HEY, MAYBE YOU COULD TAKE IT
AND WE COULD SWITCH SAMPLES.
101
00:12:57,978 --> 00:12:59,546
IT'S TOO LATE.
102
00:12:59,579 --> 00:13:04,517
HEY. WHAT HAPPENED
WITH COACH?
103
00:13:04,551 --> 00:13:06,586
HE BENCHED ME
FOR THE REST OF THE SEASON
104
00:13:06,619 --> 00:13:09,356
'CAUSE I WOULDN'T
TAKE THE STUPID TEST.
105
00:13:09,389 --> 00:13:12,025
DO YOU REALIZE THE SCOUTS
ARE COMING NEXT MONTH
106
00:13:12,059 --> 00:13:14,594
AND I'M NOT GONNA
BE PLAYING?
107
00:13:14,627 --> 00:13:18,331
I'M SORRY.
THAT FREAK HAS
RUINED EVERYTHING!
108
00:13:18,365 --> 00:13:21,401
IT'S OKAY.
BABY, IT'S OKAY.
109
00:13:46,994 --> 00:13:49,629
YOU'RE HOME EARLY.
I DON'T WANNA
TALK ABOUT IT, DAD.
110
00:13:49,662 --> 00:13:52,933
THE STEWARD'S CLOSET
NEEDS CLEANING.
I'LL DO IT LATER.
111
00:13:52,966 --> 00:13:55,202
I'M GOING TO MY ROOM
FOR A WHILE.
I'VE HAD A REALLY BAD DAY.
112
00:13:55,235 --> 00:13:58,939
YEAH, WELL, MY DAY'S BEEN
ONE BIG FUCKING TEA PARTY!
113
00:14:05,678 --> 00:14:08,448
YOU GUYS ARE NOT GONNA
BELIEVE WHAT I SAW.
114
00:14:08,481 --> 00:14:11,451
TAMARA MEETING
WITH ONE MR. NATOLLY.
115
00:14:11,484 --> 00:14:15,088
SHE TRIED TO KISS HIM,
AND HE TOTALLY SHOT HER DOWN.
116
00:14:15,122 --> 00:14:17,958
YOU'VE GOT TO BE KIDDING ME.
117
00:14:17,991 --> 00:14:22,930
HE WAS ALL LIKE, "SOMEDAY,
YOU'LL FIND YOUR PLACE
IN THE WORLD."
118
00:14:27,968 --> 00:14:29,602
YOU KNOW,
119
00:14:29,636 --> 00:14:33,006
I THINK IT'S TIME
WE TEACH THAT LOSER A LESSON.
120
00:14:34,207 --> 00:14:36,043
HEY.
121
00:14:40,713 --> 00:14:42,315
WHAT'S WRONG?
122
00:14:45,485 --> 00:14:47,220
NOTHING.
123
00:14:48,321 --> 00:14:50,657
HONEY, WHAT'S WRONG?
124
00:14:51,624 --> 00:14:53,626
TAMARA'S GOT
A LITTLE CRUSH ON ME.
125
00:14:55,262 --> 00:14:59,199
SHE'LL BE FINE.
I THINK SHE'S MORE EMBARRASSED
THAN ANYTHING.
126
00:14:59,232 --> 00:15:03,003
WHEN ARE THESE SCHOOLGIRLS GONNA
LEARN THAT THEY'RE NO MATCH
FOR A REAL WOMAN?
127
00:15:08,976 --> 00:15:11,644
I THINK I MIGHT HAVE SOME NEWS
THAT WILL CHEER YOU UP.
128
00:15:11,678 --> 00:15:13,313
YEAH?
MM-HMM.
129
00:15:13,346 --> 00:15:16,016
WE MAY HAVE TO START
REDECORATING.
130
00:15:16,049 --> 00:15:17,717
WHAT DO YOU MEAN?
131
00:15:17,750 --> 00:15:20,520
OH, I DON'T KNOW.
132
00:15:20,553 --> 00:15:25,025
I WAS THINKING MAYBE SOME PINK,
OR MAYBE SOME BLUE.
133
00:15:25,058 --> 00:15:26,994
ARE YOU SERIOUS?
MM-HMM.
134
00:15:27,027 --> 00:15:31,031
YEAH. I THINK WE MAY HAVE
ACTUALLY DONE IT THIS TIME.
135
00:15:31,064 --> 00:15:33,700
OH, GOD, THAT'S GREAT!
136
00:15:35,302 --> 00:15:36,736
THAT'S GREAT.
137
00:15:36,769 --> 00:15:38,972
YO, THERE HE IS.
138
00:15:45,712 --> 00:15:50,050
YO, ROGER!
WHAT'S UP?
139
00:15:50,083 --> 00:15:52,986
LISTEN, THERE'S GONNA BE
A PARTY TOMORROW NIGHT.
140
00:15:53,020 --> 00:15:55,522
A PARTY?
THINK YOU CAN MAKE IT?
141
00:15:55,555 --> 00:15:57,490
DO I THINK I CAN MAKE IT?
142
00:15:57,524 --> 00:16:00,127
YEAH, BUT ONLY IF YOU PROMISE TO
STOP REPEATING EVERYTHING I SAY.
143
00:16:00,160 --> 00:16:03,096
LOOK, PARDON
MY SKEPTICISM, BUT...
144
00:16:03,130 --> 00:16:06,433
WE HARDLY HANG OUT
IN THE SAME SOCIAL
CIRCLES, ALL RIGHT?
145
00:16:06,466 --> 00:16:09,336
IT'S SENIOR YEAR, MAN!
146
00:16:09,369 --> 00:16:13,673
TIME TO PUT ASIDE ALL
THIS PETTY HIGH SCHOOL BULLSHIT
AND HAVE SOME FUN.
147
00:16:15,042 --> 00:16:19,012
PLEASE TELL ME
YOU JUST SAID "FUN."
WHO ARE YOU?
148
00:16:19,046 --> 00:16:22,115
JESSE. WHAT'S UP?
149
00:16:22,149 --> 00:16:25,785
I JUST MOVED HERE
THREE MONTHS AGO FROM LA.
THE FRESH AIR IS GREAT.
150
00:16:25,818 --> 00:16:28,055
BUT THE SOCIAL SCENE SUCKS.
151
00:16:28,088 --> 00:16:30,357
NO CLUBS, NO RAVES.
152
00:16:30,390 --> 00:16:32,359
BUT I DO HEAR THEY'RE HAVING
153
00:16:32,392 --> 00:16:36,696
A BARN DANCE NEXT MONTH, SO--
154
00:16:36,729 --> 00:16:38,765
WELL, THERE WON'T BE
ANY FARM ANIMALS,
155
00:16:38,798 --> 00:16:43,770
BUT I'M HAVING A PRETTY
KICK-ASS PARTY TOMORROW NIGHT
IF YOU WANT TO COME.
156
00:16:43,803 --> 00:16:47,374
TOTALLY.
CHLOE TOO?
157
00:16:47,407 --> 00:16:49,509
I DON'T THINK THAT I CAN.
WHAT?
158
00:16:49,542 --> 00:16:52,412
COME ON.
OKAY, I GUESS.
159
00:16:52,445 --> 00:16:56,083
AWESOME. ROGER HERE
WAS JUST BAILING.
160
00:16:56,116 --> 00:16:59,119
NO, NO, I CAN ATTEND.
161
00:16:59,152 --> 00:17:01,088
GREAT!
162
00:17:01,121 --> 00:17:03,556
I'LL CALL YOU
WITH THE ADDRESS.
ALL RIGHT.
163
00:17:03,590 --> 00:17:07,094
IT'S GONNA BE FUN.
YOU REMEMBER WHAT FUN IS,
DON'T YOU?
164
00:17:08,695 --> 00:17:11,564
HEY, HEY, HEY,
ONE MORE THING.
165
00:17:11,598 --> 00:17:15,635
YOU STILL WORK AT
THE A.V. CENTER, RIGHT?
166
00:17:18,538 --> 00:17:21,374
WHAT'S WRONG WITH YOU, GIRL?
167
00:17:24,477 --> 00:17:27,247
YOU'VE BEEN UP HERE
ALL AFTERNOON.
168
00:17:32,619 --> 00:17:36,089
YOU THINK THIS MAGIC SHIT'S
GONNA MAKE YOU FEEL BETTER?
169
00:17:38,558 --> 00:17:42,495
OF ALL THE HABITS TO PICK UP
FROM THAT NO-GOOD MOTHER
OF YOURS.
170
00:17:44,264 --> 00:17:46,366
COULDN'T LEARN TO COOK.
171
00:17:51,738 --> 00:17:53,573
I'M SORRY.
172
00:17:56,209 --> 00:17:58,211
I TRIED TO MAKE THINGS
WORK WITH HER.
173
00:18:03,783 --> 00:18:05,618
SOMETIMES LOVE AIN'T ENOUGH.
174
00:18:21,368 --> 00:18:23,803
NO.
175
00:18:23,836 --> 00:18:26,273
LOVE ISN'T ENOUGH.
176
00:18:44,924 --> 00:18:47,694
I'LL MAKE YOU LOVE ME.
177
00:20:40,973 --> 00:20:43,510
TO THE ANCIENTS
WHO WERE BEFORE TIME,
178
00:20:43,543 --> 00:20:46,279
HEAR MY PRAYERS.
179
00:20:48,047 --> 00:20:50,717
I SUPPLICATE MYSELF
BEFORE YOU,
180
00:20:52,685 --> 00:20:56,323
NOW READY TO MAKE
THE SACRIFICE YOU DESIRE.
181
00:20:57,390 --> 00:21:00,059
TO THE OLD ONES,
ENDOWED WITH THE POWERS
182
00:21:00,092 --> 00:21:02,729
OF LOVE AND ATTRACTION,
183
00:21:02,762 --> 00:21:05,765
BIND MY FATE TO THAT
OF THE ONE I DESIRE.
184
00:21:05,798 --> 00:21:07,667
BILL?
185
00:21:07,700 --> 00:21:11,538
AND LIKE THIS FLAME,
LIKE A PHOENIX FROM THE ASHES,
186
00:21:11,571 --> 00:21:15,942
LET ME RISE ANEW TO CLAIM
ALL THAT SHOULD BE MINE.
187
00:21:15,975 --> 00:21:18,311
HONEY?
188
00:21:18,345 --> 00:21:19,712
WITH A TOUCH,
189
00:21:19,746 --> 00:21:23,583
GRANT ME THE POWER TO SWAY
OTHERS TO DO MY BIDDING.
190
00:21:26,753 --> 00:21:30,723
AND DESTROY THOSE
WHO STAND IN MY PATH.
191
00:21:30,757 --> 00:21:32,091
FOR THIS,
192
00:21:32,124 --> 00:21:36,429
I OFFER UP MY HEART,
193
00:21:36,463 --> 00:21:38,698
MY SOUL,
194
00:21:38,731 --> 00:21:40,533
MY BLOOD.
195
00:21:41,534 --> 00:21:43,636
I SPILL IT YOUR NAME.
196
00:21:57,149 --> 00:21:59,652
YEAH. SOME WITCH.
197
00:22:01,688 --> 00:22:05,124
WHAT ARE YOU DOING?
198
00:22:14,934 --> 00:22:16,569
HELLO?
199
00:22:16,603 --> 00:22:19,372
TAMARA?
200
00:22:19,406 --> 00:22:20,807
WHAT?
I CAN'T HEAR YOU.
201
00:22:20,840 --> 00:22:23,510
IT'S MY CELL.
RECEPTION'S BAD.
202
00:22:23,543 --> 00:22:26,479
IT'S BILL.
I HAD TO CALL YOU.
203
00:22:26,513 --> 00:22:31,451
I'VE BEEN THINKING ABOUT WHAT
YOU SAID. AND I WANT YOU TO
KNOW THAT I CARE FOR YOU TOO.
204
00:22:31,484 --> 00:22:33,853
THIS ISN'T MR. NATOLLY.
205
00:22:33,886 --> 00:22:37,824
I TOLD YOU YESTERDAY
THAT SOMEDAY YOU'D FIND
YOUR PLACE IN THE WORLD.
206
00:22:37,857 --> 00:22:41,027
I'D LIKE THAT PLACE
TO BE WITH ME.
207
00:22:41,060 --> 00:22:43,530
BUT WHAT ABOUT MRS. NATOLLY?
208
00:22:43,563 --> 00:22:45,665
WE'RE HAVING PROBLEMS.
209
00:22:45,698 --> 00:22:49,035
I DON'T WANT TO TALK
ABOUT IT OVER THE PHONE.
CAN YOU MEET ME TONIGHT?
210
00:22:49,068 --> 00:22:51,471
UM, YES.
211
00:22:51,504 --> 00:22:54,874
GREAT. COME TO
THE CAPRI MOTEL.
ROOM 39.
212
00:22:54,907 --> 00:22:58,144
9:30 OKAY?
OKAY.
213
00:22:58,177 --> 00:23:00,980
TAMARA, I'VE BEEN DREAMING
ABOUT THIS FOR A LONG TIME.
214
00:23:01,013 --> 00:23:03,650
I'D LOVE TO SPEND
THE NIGHT WITH YOU.
215
00:23:03,683 --> 00:23:07,654
I'D LIKE THAT TOO.
GREAT.
I'LL SEE YOU THEN.
216
00:23:07,687 --> 00:23:09,556
I LOVE YOU.
217
00:23:09,589 --> 00:23:12,425
I LOVE YOU.
218
00:23:24,871 --> 00:23:27,540
IT WORKED.
219
00:23:31,678 --> 00:23:34,914
YOU ARE JUST SO CRUEL.
220
00:23:43,055 --> 00:23:46,225
WHAT THE HELL'S
TAKING HIM SO LONG?
221
00:23:46,258 --> 00:23:50,096
YOU'D THINK WITH ALL
THE FRESHMEN HE'S DONE HERE,
HE'D HAVE HIS OWN CHECK-IN LINE.
222
00:23:53,533 --> 00:23:56,736
I GOT BOTH THE ROOMS.
PHASE ONE IS COMPLETE.
223
00:23:56,769 --> 00:23:59,506
WHY ARE WE GETTING
TWO ROOMS?
224
00:24:02,775 --> 00:24:05,612
YOU EVER HEARD
OF EXOTIC DANCERS, ROG?
225
00:24:05,645 --> 00:24:07,046
YEAH.
226
00:24:07,079 --> 00:24:08,981
I MEAN, OF COURSE.
227
00:24:09,015 --> 00:24:11,450
JUST HELP ME UNLOAD
THIS VIDEO GEAR.
228
00:24:28,835 --> 00:24:30,737
HELLO?
229
00:24:30,770 --> 00:24:33,806
**
230
00:24:33,840 --> 00:24:35,742
WE EARLY?
231
00:24:37,176 --> 00:24:39,946
NO. IT'S GONNA BE
A SMALL PARTY.
232
00:24:39,979 --> 00:24:42,281
MY FOLKS ARE GOING
OUT OF TOWN SOON.
233
00:24:42,314 --> 00:24:44,517
THAT'S WHEN WE'RE HAVING
THE BIG BLOWOUT AT MY HOUSE.
234
00:24:44,551 --> 00:24:47,153
PATRICKPALOOZA 5, BABY.
235
00:24:48,855 --> 00:24:50,990
WHAT'S UP, MAN?
HOW YOU DOING?
HOW YOU DOING?
236
00:24:51,023 --> 00:24:53,092
ALL RIGHT, IT'S SHOT TIME!
237
00:24:53,125 --> 00:24:55,094
LET'S MAKE IT HAPPEN.
238
00:24:56,095 --> 00:24:58,831
IT'S OKAY.
I GOT US SOME WINE.
239
00:24:58,865 --> 00:25:00,967
SO, YOU TAPPED THAT YET,
BUDDY, OR WHAT?
240
00:25:03,102 --> 00:25:07,674
SO, ABOUT THE LOCKER ROOM.
I'M SORRY.
241
00:25:09,341 --> 00:25:11,744
I'M GLAD YOU COULD COME.
242
00:25:11,778 --> 00:25:14,280
NO PROBLEM.
243
00:25:14,313 --> 00:25:16,949
YOU GUYS REALLY SHOULD GIVE
TAMARA A BREAK.
244
00:25:16,983 --> 00:25:19,852
SHE'S A REALLY COOL GIRL.
245
00:25:19,886 --> 00:25:21,220
YEAH.
246
00:25:22,288 --> 00:25:23,956
ALL RIGHT, CHEERS.
247
00:25:29,195 --> 00:25:31,964
NOW THAT IS ONE
QUALITY LIBATION.
248
00:25:31,998 --> 00:25:34,867
YOU KNOW WHAT
I'M TALKING ABOUT?
249
00:25:41,207 --> 00:25:43,209
HEY, SEAN. PHASE TWO?
250
00:25:46,378 --> 00:25:50,049
YEAH. I'M JUST GONNA
GO TO THE CAR AND GET
SOME MORE BEER.
251
00:25:52,952 --> 00:25:54,587
DO IT.
252
00:26:38,698 --> 00:26:40,199
BILL?
253
00:26:57,449 --> 00:27:00,653
**
254
00:27:02,254 --> 00:27:05,725
HEY, IS THAT THE DANCER?
IT SURE IS.
255
00:27:07,226 --> 00:27:09,061
WHAT IS THIS?
256
00:27:09,095 --> 00:27:11,964
JUST A LITTLE
LATE-NIGHT ENTERTAINMENT.
257
00:27:33,953 --> 00:27:37,423
YOU GUYS KNOW HOW
TO PARTY, MAN!
258
00:27:56,943 --> 00:27:58,945
TELL ME YOU LOVE ME, TAMARA.
259
00:28:00,279 --> 00:28:02,314
I LOVE YOU.
260
00:28:10,857 --> 00:28:14,460
WELCOME TO REALITY TV, BITCH!
261
00:28:14,493 --> 00:28:16,095
YOU DIDN'T SAY IT WAS HER.
262
00:28:20,066 --> 00:28:21,801
OH, MY GOD.
263
00:28:31,978 --> 00:28:34,881
I CAN'T BELIEVE YOU ACTUALLY
THOUGHT HE WOULD SLEEP WITH YOU.
264
00:28:34,914 --> 00:28:38,084
YOU LOOK LIKE
A CHEAP UGLY WHORE!
265
00:28:39,518 --> 00:28:41,954
OH, WHY, WHY, WHY?
266
00:28:43,155 --> 00:28:44,824
YOU TELL ME
WHERE SHE IS RIGHT NOW!
267
00:28:44,857 --> 00:28:48,895
OH. WHOO!
268
00:28:48,928 --> 00:28:50,797
THAT FUCKING DRESS.
269
00:28:50,830 --> 00:28:53,199
YOU FUCKING LOSER.
270
00:28:59,271 --> 00:29:01,540
TAMARA!
271
00:29:01,573 --> 00:29:04,143
YOU?
272
00:29:04,176 --> 00:29:06,512
IT'S NOT WHAT YOU THINK.
273
00:29:06,545 --> 00:29:08,414
I TRUSTED YOU!
274
00:29:08,447 --> 00:29:09,816
NO, WAIT!
275
00:29:13,552 --> 00:29:15,521
TAMARA!
276
00:29:16,522 --> 00:29:18,157
TAMARA!
277
00:29:22,962 --> 00:29:24,063
TAMARA. TAMARA.
278
00:29:24,096 --> 00:29:28,767
GOD!
SOMEBODY SHUT HER UP!
279
00:29:30,536 --> 00:29:32,839
STOP! STOP!
280
00:29:32,872 --> 00:29:34,807
DON'T HURT HER!
281
00:29:37,376 --> 00:29:39,345
DON'T HURT HER!
282
00:29:39,378 --> 00:29:40,847
TAMARA! PLEASE.
TAMARA!
283
00:29:40,880 --> 00:29:42,915
BITCH!
284
00:29:55,361 --> 00:29:56,963
TAMARA?
285
00:29:59,331 --> 00:30:01,400
IS SHE ALL RIGHT?
286
00:30:03,870 --> 00:30:05,371
I CAN'T FEEL A PULSE.
287
00:30:05,404 --> 00:30:09,275
MOVE! MOVE!
288
00:30:16,648 --> 00:30:19,585
SHE'S DEAD, ISN'T SHE?
289
00:30:19,618 --> 00:30:21,420
ISN'T SHE?
290
00:30:21,453 --> 00:30:23,956
NO. NO.
291
00:30:23,990 --> 00:30:26,926
NO. NO!
292
00:30:28,194 --> 00:30:29,929
WAIT.
LET'S THINK ABOUT THIS.
293
00:30:29,962 --> 00:30:32,631
WHAT'S THERE TO THINK
ABOUT? SHE'S DEAD!
294
00:30:32,664 --> 00:30:35,367
I KNOW.
295
00:30:35,401 --> 00:30:38,137
BUT THERE'S NOTHING
WE CAN DO FOR HER.
296
00:30:41,440 --> 00:30:44,410
WE CAN FIGURE THIS OUT.
297
00:30:45,611 --> 00:30:48,881
JUST CALM DOWN.
298
00:30:48,915 --> 00:30:51,918
WE KILLED HER.
SHUT UP!
299
00:30:53,652 --> 00:30:56,923
NO ONE KILLED HER.
IT WAS AN ACCIDENT.
300
00:31:02,294 --> 00:31:05,864
I AM NOT THROWING MY LIFE AWAY
BECAUSE OF THIS LOSER.
301
00:31:11,170 --> 00:31:13,973
IF WE ALL KEEP
OUR MOUTHS SHUT,
302
00:31:14,006 --> 00:31:16,608
EVERYONE WILL THINK
SHE RAN AWAY.
303
00:31:18,677 --> 00:31:22,048
NO ONE HAS TO KNOW.
304
00:31:24,050 --> 00:31:27,920
ARE YOU OUT OF
YOUR FUCKING MIND?
LISTEN, YOU LITTLE SHITS!
305
00:31:27,954 --> 00:31:31,057
YOU ALL STRUGGLED WITH HER.
306
00:31:32,091 --> 00:31:35,061
CALL THE COPS,
307
00:31:36,963 --> 00:31:40,933
AND I'LL TELL THEM
THAT YOU AND YOUR BOYFRIEND
SET THIS WHOLE THING UP.
308
00:31:42,101 --> 00:31:44,870
THAT YOU WERE FIGHTING
WITH HER WHEN SHE FELL.
309
00:31:48,740 --> 00:31:51,177
IT'LL BE YOUR WORD
AGAINST MINE.
310
00:31:53,012 --> 00:31:55,214
I'VE ALREADY GOT
A FUCKING RECORD.
311
00:31:55,247 --> 00:31:56,983
I'M NOT GOING TO JAIL.
312
00:31:59,251 --> 00:32:01,420
NO WAY.
313
00:32:01,453 --> 00:32:03,322
ROGER?
314
00:32:06,758 --> 00:32:09,095
I DIDN'T KNOW.
315
00:32:09,996 --> 00:32:14,066
GOD!
YOU'RE NOT LIKE THEM.
316
00:32:14,100 --> 00:32:16,202
THIS IS SO WRONG!
317
00:32:20,106 --> 00:32:22,374
BUT I HAVE A SCHOLARSHIP.
318
00:32:22,408 --> 00:32:24,576
THEY'RE JUST--
319
00:32:26,112 --> 00:32:28,580
I CAN'T BELIEVE
I'M HEARING THIS.
320
00:32:30,149 --> 00:32:32,118
CHLOE?
321
00:32:33,085 --> 00:32:35,121
SHE SCRATCHED ME.
322
00:32:37,156 --> 00:32:39,125
YOU TOO.
323
00:32:40,759 --> 00:32:45,497
THEY'RE GONNA FIND
OUR SKIN UNDER HER NAILS.
324
00:32:47,366 --> 00:32:49,401
YOUR HAIR'S IN HER HAND.
325
00:32:58,744 --> 00:33:00,546
IT'S FIVE AGAINST ONE.
326
00:33:00,579 --> 00:33:04,216
AND I GOT VIDEOTAPE
TO BACK UP MY STORY.
327
00:33:05,817 --> 00:33:09,388
WHO DO YOU THINK
THEY'RE GONNA BELIEVE?
328
00:33:17,129 --> 00:33:18,997
ALL RIGHT.
329
00:33:24,670 --> 00:33:27,439
SO, WHAT'S YOUR FUCKING PLAN?
330
00:33:52,864 --> 00:33:55,767
WE NEVER TALK ABOUT THIS.
331
00:33:55,801 --> 00:33:57,669
EVER!
332
00:33:58,870 --> 00:34:01,707
LET'S FINISH IT
AND GET OUT OF HERE.
333
00:34:02,741 --> 00:34:04,110
WAIT.
334
00:34:06,545 --> 00:34:09,615
THIS IS REALLY WRONG,
BURYING HER OUT HERE
LIKE THIS.
335
00:34:11,883 --> 00:34:14,753
WE CAN STILL CALL THE POLICE.
IT'S NOT TOO LATE.
WE'VE ALREADY DECIDED.
336
00:34:14,786 --> 00:34:18,056
NOW LET'S JUST FINISH IT
AND GET OUT OF HERE!
337
00:34:51,190 --> 00:34:53,792
LEAVE HIM ALONE!
338
00:34:55,794 --> 00:34:58,597
I'M AFRAID IT'S TOO LATE.
339
00:36:13,472 --> 00:36:15,574
I'M DONE.
CAN I GO TO THE BATHROOM?
340
00:36:21,613 --> 00:36:24,483
HEY, WATCH IT!
341
00:36:31,823 --> 00:36:35,361
YOU LOOK A LITTLE PALE.
IS SOMETHING WRONG?
342
00:36:37,896 --> 00:36:40,932
SORRY I'M LATE.
343
00:36:40,966 --> 00:36:43,669
ROUGH WEEKEND.
I ALMOST DIED GETTING HERE.
344
00:36:46,372 --> 00:36:50,842
WELL, YOU'LL HAVE
TO TAKE A MAKEUP TEST.
OKAY.
345
00:37:26,945 --> 00:37:29,381
OKAY!
TIME'S UP, PEOPLE.
346
00:37:29,415 --> 00:37:31,583
HAND EVERYTHING IN.
347
00:37:37,088 --> 00:37:39,425
IS SOMETHING WRONG, JESSE?
348
00:37:50,369 --> 00:37:52,404
THANK YOU.
349
00:38:02,381 --> 00:38:05,417
CAN I TALK TO YOU FOR A SEC?
350
00:38:05,451 --> 00:38:06,718
UM, SURE.
351
00:38:13,392 --> 00:38:17,363
ABOUT FRIDAY.
I WAS JUST FEELING
A LITTLE VULNERABLE.
352
00:38:18,364 --> 00:38:21,800
IT'S OKAY.
ARE YOU ALL RIGHT NOW?
353
00:38:21,833 --> 00:38:24,903
AS YOU CAN SEE, MR. NATOLLY,
354
00:38:24,936 --> 00:38:27,339
I'M BETTER THAN ALL RIGHT.
355
00:38:27,373 --> 00:38:29,808
I'M PERFECT.
356
00:38:44,690 --> 00:38:46,558
WHAT'S UP?
357
00:38:46,592 --> 00:38:49,795
IT'S TAMARA.
SHE'S ALIVE.
358
00:38:49,828 --> 00:38:52,364
SHE JUST WALKED INTO CLASS.
359
00:38:52,398 --> 00:38:54,099
BUT...HOW?
360
00:38:54,132 --> 00:38:55,834
SHE MUST HAVE BEEN UNCONSCIOUS.
361
00:38:55,867 --> 00:38:59,037
NO. NO, SHE WAS DEAD.
CHLOE AND ME CHECKED.
362
00:38:59,070 --> 00:39:01,373
OBVIOUSLY, WE WERE WRONG.
363
00:39:01,407 --> 00:39:04,510
DID YOU GUYS TALK TO HER?
HELL, NO,
I DIDN'T TALK TO HER!
364
00:39:04,543 --> 00:39:06,445
I WAS TOO BUSY
SHITTING MY PANTS.
365
00:39:06,478 --> 00:39:09,781
WE'LL GO TO HER AND SAY,
"LOOK. WE DIDN'T MEAN
FOR YOU TO GET HURT."
366
00:39:09,815 --> 00:39:11,983
I'LL MAKE SURE SHE KEEPS
HER MOUTH SHUT.
367
00:39:12,017 --> 00:39:15,120
WE TRIED IT YOUR WAY
AND BURIED HER ALIVE.
368
00:39:15,153 --> 00:39:17,389
I'LL TALK TO HER.
369
00:39:17,423 --> 00:39:19,991
WHAT ABOUT HOW SHE LOOKS NOW?
370
00:39:20,025 --> 00:39:22,994
COME ON. SHE'D GIVE
HALLE BERRY A RUN FOR THE MONEY
IN THE HOTTIE DEPARTMENT.
371
00:39:23,028 --> 00:39:24,463
TAMARA?
372
00:39:28,534 --> 00:39:30,836
SHE WAS INTO
ALL THAT MAGIC SHIT.
373
00:39:32,838 --> 00:39:34,473
WHAT IF SHE REALLY
IS A WITCH?
374
00:39:34,506 --> 00:39:38,610
AND WHAT IF YOU REALLY
ARE A FUCKING MORON?
375
00:39:38,644 --> 00:39:42,581
WE MESSED UP. THAT'S ALL.
SHE WASN'T DEAD.
376
00:39:45,817 --> 00:39:49,555
ALL RIGHT, GUYS.
WE GOTTA GET TO CLASS.
377
00:39:49,588 --> 00:39:53,124
LIKE I SAID,
I'LL TALK TO HER.
378
00:39:53,158 --> 00:39:56,595
GOTTA GET ON THE SCOREBOARD
IN THIS PERIOD.
379
00:39:59,230 --> 00:40:02,434
AND THE PASS IS GOOD,
INTENDED FOR--
380
00:40:02,468 --> 00:40:05,637
TAMARA
SOMEBODY SHUT HER UP!
381
00:40:08,674 --> 00:40:11,510
STOP! STOP!
382
00:40:16,247 --> 00:40:18,917
DON'T HURT HER!
TAMARA, PLEASE!
383
00:40:18,950 --> 00:40:21,687
TAMARA! STOP!
384
00:40:21,720 --> 00:40:24,055
BITCH!
385
00:40:32,564 --> 00:40:34,065
TAMARA?
386
00:40:36,267 --> 00:40:38,837
IS SHE ALL RIGHT?
387
00:40:41,106 --> 00:40:44,209
I CAN'T FEEL A PULSE.
MOVE! MOVE!
388
00:40:48,747 --> 00:40:50,716
SHE'S DEAD, ISN'T SHE?
389
00:40:50,749 --> 00:40:53,785
I DON'T KNOW.
AM I, ROGER?
390
00:40:53,819 --> 00:40:57,188
TAMARA?
IN THE FLESH.
391
00:40:57,222 --> 00:40:59,625
BUT...HOW?
392
00:40:59,658 --> 00:41:02,728
DO YOU REALLY CARE HOW?
AREN'T YOU JUST GLAD TO SEE ME?
393
00:41:02,761 --> 00:41:06,231
OH, GOD, YES.
LOOK, I'M SORRY FOR
WHAT HAPPENED.
394
00:41:06,264 --> 00:41:08,700
I...
YOU DIDN'T MEAN
FOR ME TO GET HURT.
395
00:41:08,734 --> 00:41:11,603
NO, I SWEAR.
THINGS JUST GOT OUT OF HAND.
396
00:41:11,637 --> 00:41:14,005
YES.
397
00:41:14,039 --> 00:41:18,043
BUT YOU'RE OKAY.
AND THAT'S ALL THAT MATTERS.
398
00:41:18,076 --> 00:41:21,547
DO YOU REALLY THINK I'M OKAY?
399
00:41:22,848 --> 00:41:26,952
YOU BURIED ME, ROGER.
I'M SORRY.
400
00:41:26,985 --> 00:41:30,255
WE THOUGHT THAT YOU--
DO YOU HAVE ANY IDEA
WHAT THAT WAS LIKE?
401
00:41:30,288 --> 00:41:33,559
NO. I--
402
00:41:33,592 --> 00:41:35,861
WELL, LET ME SHOW YOU.
403
00:41:39,831 --> 00:41:43,902
BUT I HAVE A SCHOLARSHIP.
BUT I HAVE A SCHOLARSHIP.
404
00:41:43,935 --> 00:41:47,639
IMAGINE WAKING UP
IN THE COLD, WET GROUND.
405
00:41:47,673 --> 00:41:50,609
SCARED, ALONE.
406
00:41:50,642 --> 00:41:52,678
YOU DON'T KNOW
WHERE YOU ARE,
407
00:41:52,711 --> 00:41:55,146
HOW YOU GOT THERE.
408
00:41:55,180 --> 00:41:59,150
YOU CLAW AT THE GROUND UNTIL
YOUR HANDS ARE BLOODY AND RAW.
409
00:42:05,156 --> 00:42:09,194
YOU TRY TO SCREAM,
BUT DIRT FILLS YOUR MOUTH.
410
00:42:19,337 --> 00:42:24,309
AND YOU FEEL THE BUGS AND WORMS
EATING AT YOUR FLESH.
411
00:42:30,048 --> 00:42:32,283
GOD!
412
00:42:34,085 --> 00:42:36,888
OH, GOD.
413
00:42:36,922 --> 00:42:38,624
MAKE IT STOP!
414
00:42:39,691 --> 00:42:43,028
NOW DO YOU UNDERSTAND
WHAT I WENT THROUGH?
415
00:42:43,061 --> 00:42:47,799
ALL BECAUSE YOU WERE
TOO SCARED TO STAND UP.
416
00:42:47,833 --> 00:42:49,701
OH, GOD.
417
00:42:52,237 --> 00:42:55,607
I'M SORRY.
I DIDN'T KNOW.
418
00:42:55,641 --> 00:42:59,845
I GUESS EVERYONE'S RIGHT.
YOU ARE A LOSER.
419
00:42:59,878 --> 00:43:03,615
AND WHAT WOULD THEY THINK
IF THEY KNEW THE WHOLE TRUTH?
420
00:43:03,649 --> 00:43:07,886
THAT YOU'RE SUCH
A SAD LITTLE BOY THAT YOU--
421
00:43:14,960 --> 00:43:17,228
YOU THOUGHT YOU
COULD BLEED THE PAIN AWAY.
422
00:43:17,262 --> 00:43:20,699
NO.
BUT IT'S STILL THERE
EATING AT YOU.
423
00:43:20,732 --> 00:43:23,101
YOU KNOW WHAT
YOUR PROBLEM IS, ROGER?
424
00:43:23,134 --> 00:43:25,971
YOU NEVER FINISH
WHAT YOU START.
425
00:43:36,114 --> 00:43:39,217
GOOD AFTERNOON, HAFTON HIGH.
426
00:43:39,250 --> 00:43:43,722
I KNOW A LOT OF YOU MAY VIEW ME
AS JUST SOME LOSER VIDEO GEEK.
427
00:43:45,123 --> 00:43:48,059
WELL, THIS WEEKEND
I DID SOMETHING HORRIBLE.
428
00:43:48,093 --> 00:43:51,062
AND IT MADE ME REALIZE...
429
00:43:51,096 --> 00:43:53,098
YOU'RE RIGHT.
430
00:43:53,131 --> 00:43:54,933
I AM A LOSER.
431
00:43:54,966 --> 00:43:58,870
BUT EVEN THOUGH
I CAN'T CHANGE THE PAST,
I CAN STILL MAKE THINGS RIGHT.
432
00:44:00,238 --> 00:44:03,208
I CAN ACCEPT MY PUNISHMENT.
433
00:44:03,241 --> 00:44:07,078
BUT FIRST I WANT TO OFFER
YOU ALL A LITTLE ADVICE.
434
00:44:07,112 --> 00:44:09,447
NEVER BE AFRAID TO
STAND UP FOR WHAT'S RIGHT.
435
00:44:09,480 --> 00:44:13,752
DON'T JUST SIT BACK
AND ALLOW YOURSELF TO...
436
00:44:15,420 --> 00:44:17,923
HEAR NO EVIL.
437
00:44:36,842 --> 00:44:38,443
ROGER!
438
00:44:38,476 --> 00:44:41,780
ROGER!
439
00:44:43,181 --> 00:44:47,052
SPEAK NO EVIL.
440
00:44:57,295 --> 00:44:58,930
ROGER!
441
00:45:10,408 --> 00:45:11,442
ROGER!
442
00:45:11,476 --> 00:45:14,412
SEE...NO EVIL.
443
00:45:49,948 --> 00:45:53,118
I CAN'T BELIEVE
HE KILLED HIMSELF.
444
00:45:53,151 --> 00:45:57,422
IF HE WOULD HAVE KNOWN
TAMARA WAS ALIVE,
MAYBE HE WOULDN'T HAVE.
445
00:45:57,455 --> 00:46:00,425
I SHOULD HAVE
TOLD HIM RIGHT AWAY.
IT'S NOT YOUR FAULT.
446
00:46:01,492 --> 00:46:03,528
YEAH, HE TOOK
THE EASY WAY OUT.
447
00:46:05,596 --> 00:46:07,498
WOULD YOU LISTEN
TO YOURSELVES?
448
00:46:07,532 --> 00:46:12,203
YOU ALL ARE SO BUSY TRYING
TO CLEAR YOUR CONSCIENCE,
YOU JUST DON'T GET IT.
449
00:46:13,271 --> 00:46:16,842
THIS IS OUR FAULT.
ALL OF IT.
450
00:46:16,875 --> 00:46:20,946
OH, DON'T BE SO HARD
ON YOURSELVES.
ACCIDENTS HAPPEN.
451
00:46:24,115 --> 00:46:26,251
ACTUALLY, I WANT TO THANK YOU.
452
00:46:26,284 --> 00:46:30,455
BECAUSE OF YOU,
I'M NOT THAT SAME SCARED,
INSECURE GIRL I USED TO BE.
453
00:46:30,488 --> 00:46:32,958
NOW I KNOW WHAT I WANT.
454
00:46:32,991 --> 00:46:38,129
TAMARA, WE NEED TO TALK
ABOUT WHAT HAPPENED.
455
00:46:38,163 --> 00:46:41,833
CHLOE AND I DIDN'T KNOW
WHAT THEY WERE PLANNING.
THEY SAID IT WAS A PARTY.
456
00:46:41,867 --> 00:46:43,468
IT WAS PATRICK'S IDEA.
DICK! IT WAS YOURS.
457
00:46:43,501 --> 00:46:46,171
IT DOESN'T MATTER.
IT HAPPENED.
458
00:46:46,204 --> 00:46:49,007
AND WHAT WE DID AFTER
WAS JUST INEXCUSABLE.
459
00:46:49,040 --> 00:46:51,409
I DON'T WANT EXCUSES.
460
00:46:51,442 --> 00:46:53,211
WHAT DO YOU WANT?
461
00:46:54,312 --> 00:46:56,047
YOU'LL SEE.
462
00:46:59,184 --> 00:47:01,119
YOU GUYS, WHAT DID
SHE MEAN BY THAT?
463
00:47:01,152 --> 00:47:04,322
WHAT WAS THAT SHIT
ABOUT IT BEING MY IDEA?
SHUT UP.
464
00:47:04,355 --> 00:47:08,059
MAYBE SHE JUST WANTS
TO FORGET ALL THIS.
YOU SERIOUSLY BELIEVE THAT?
465
00:47:08,093 --> 00:47:10,495
WHY NOT? YOU AND I
WERE ALWAYS NICE TO HER.
466
00:47:10,528 --> 00:47:13,498
YEAH. UNTIL WE BURIED HER
IN THE WOODS.
467
00:47:15,666 --> 00:47:18,937
HOW DO WE EVEN KNOW
IT WAS REALLY HER?
468
00:47:18,970 --> 00:47:21,539
I MEAN, LOOK AT HER.
WHAT IF THAT MAGIC--
469
00:47:21,572 --> 00:47:25,076
DON'T EVEN START
WITH THAT SHIT AGAIN.
YOU KNOW, ENOUGH!
470
00:47:25,110 --> 00:47:29,414
SOMETHING HAPPENED
IN THOSE WOODS.
I'M GONNA FIND OUT WHAT.
471
00:47:46,164 --> 00:47:48,333
HERE IT IS.
472
00:47:57,242 --> 00:48:00,211
WHAT IF SHE'S STILL HERE?
473
00:48:01,179 --> 00:48:03,048
SHE DUG
HERSELF OUT.
474
00:48:05,683 --> 00:48:08,053
WHY DIDN'T SHE SUFFOCATE?
475
00:48:10,555 --> 00:48:12,657
NO!
476
00:48:12,690 --> 00:48:14,926
NO!
WHAT IS IT?
477
00:48:14,960 --> 00:48:17,662
SHE'S HERE!
478
00:48:19,564 --> 00:48:21,566
CHLOE, IT'S EMPTY.
I SAW HER.
479
00:48:21,599 --> 00:48:26,037
COME ON. IT'S ALL RIGHT.
LOOK. SEE?
480
00:48:39,750 --> 00:48:41,586
WHAT IS IT?
481
00:48:49,660 --> 00:48:53,965
IT'S A SPELL.
BUT THERE'S SO MUCH BLOOD,
I CAN'T MAKE IT OUT.
482
00:48:53,999 --> 00:48:58,103
SEE? I TOLD YOU.
SHE'S A FUCKING WITCH.
483
00:48:58,136 --> 00:49:01,339
DUDE, KEEP IT UP
AND I'M GONNA BURY YOU.
484
00:49:13,584 --> 00:49:15,720
MAYBE HE'S RIGHT.
485
00:49:35,373 --> 00:49:37,742
TAMARA, WHAT ARE
YOU DOING HERE?
486
00:49:37,775 --> 00:49:40,278
THE DOOR WAS UNLOCKED.
I NEEDED TO TALK TO SOMEONE.
487
00:49:40,311 --> 00:49:42,713
WELL, ALISON'S AT SCHOOL.
488
00:49:42,747 --> 00:49:44,149
I CAN WAIT.
489
00:49:44,182 --> 00:49:46,084
I DON'T THINK
THAT'S A GOOD IDEA.
490
00:49:46,117 --> 00:49:49,687
PLEASE, MR. NATOLLY.
491
00:49:49,720 --> 00:49:53,158
I'VE BEEN THROUGH
SO MUCH LATELY.
492
00:49:53,191 --> 00:49:56,027
AND NOW WITH ROGER.
493
00:50:01,099 --> 00:50:03,468
WELL, OKAY.
SHE SHOULD BE HOME SOON.
494
00:50:05,170 --> 00:50:08,439
YOU KNOW, I'VE BEEN THINKING
ABOUT WHAT HAPPENED BETWEEN US.
495
00:50:08,473 --> 00:50:13,111
WELL, NOTHING HAPPENED.
BUT I'M SORRY IF I MISLED YOU.
DID YOU?
496
00:50:15,513 --> 00:50:18,583
I DIDN'T...
LOOK AT ME, MR. NATOLLY.
497
00:50:18,616 --> 00:50:20,618
IT WAS A MISUNDERSTANDING.
LOOK AT ME.
498
00:50:23,488 --> 00:50:26,424
IT'S GETTING WET.
499
00:50:27,858 --> 00:50:29,194
WHAT?
500
00:50:31,562 --> 00:50:33,131
THE TABLE.
501
00:50:35,200 --> 00:50:37,802
ARE YOU GONNA DRINK THAT?
502
00:50:46,711 --> 00:50:50,181
SO, DO YOU LIKE MY NEW LOOK?
503
00:50:50,215 --> 00:50:52,217
I LIKED YOU THE WAY YOU WERE.
504
00:50:55,253 --> 00:50:57,688
THIS IS ME, MR. NATOLLY.
505
00:50:57,722 --> 00:51:00,291
NOT THAT PATHETIC WEAKLING
YOU FELT SORRY FOR.
506
00:51:00,325 --> 00:51:02,493
I'VE NEVER FELT SORRY FOR YOU.
507
00:51:02,527 --> 00:51:06,364
AND YOU SHOULDN'T CHANGE
TO PLEASE PEOPLE.
508
00:51:06,397 --> 00:51:09,600
I'VE CHANGED BECAUSE
I WANNA BE PLEASED.
509
00:51:11,236 --> 00:51:14,172
DO YOU HAVE ANY SUGGESTIONS
ON PLEASING ME, TEACH?
510
00:51:17,875 --> 00:51:21,179
TAMARA, STOP.
DO YOU WANT ME TO?
511
00:51:21,212 --> 00:51:23,548
YOU SHOULD LEAVE.
SHOULD I?
512
00:51:23,581 --> 00:51:25,483
I LOVE MY WIFE.
513
00:51:26,484 --> 00:51:29,220
WELL, AREN'T YOU LOYAL?
514
00:51:29,254 --> 00:51:31,522
BUT IT'S ONLY A MATTER
OF TIME, BILL.
515
00:51:32,523 --> 00:51:34,325
I KNOW YOU WANT ME.
516
00:51:38,163 --> 00:51:40,865
I CAN SEE HOW MUCH.
517
00:51:57,282 --> 00:51:59,684
HI, TAMARA.
COME ON IN.
518
00:52:04,622 --> 00:52:06,657
I'M SORRY
I MISSED YOU LAST NIGHT.
519
00:52:06,691 --> 00:52:11,462
OH, DON'T WORRY.
MR. NATOLLY
MADE ME FEEL MUCH BETTER.
520
00:52:11,496 --> 00:52:15,300
I KNOW. UM, BUT...
LET'S TALK ABOUT YOU.
521
00:52:17,802 --> 00:52:20,338
YOU WANT TO ANALYZE ME?
522
00:52:20,371 --> 00:52:23,774
I WANT TO KNOW
HOW YOU'RE DOING.
523
00:52:23,808 --> 00:52:27,745
ROGER'S DEATH CAME
AS A TREMENDOUS SHOCK.
524
00:52:27,778 --> 00:52:31,849
THE WHOLE THING'S
GOT ME THINKING ABOUT
WHAT'S REALLY IMPORTANT.
525
00:52:31,882 --> 00:52:35,386
YOU KNOW, LIKE
FINDING TRUE LOVE,
526
00:52:35,420 --> 00:52:38,456
HAVING A FAMILY.
527
00:52:38,489 --> 00:52:41,692
YOU'RE SO YOUNG.
YOU'VE GOT YOUR
WHOLE LIFE AHEAD OF YOU.
528
00:52:41,726 --> 00:52:44,262
I'M AFRAID I'M GONNA END
UP IN MY THIRTIES
529
00:52:44,295 --> 00:52:48,199
AND FIND MYSELF IN A MARRIAGE
THAT'S NOT AS HAPPY
AS IT USED TO BE,
530
00:52:48,233 --> 00:52:52,537
WORRYING THAT IT'S MY FAULT
BECAUSE I CAN'T GIVE
MY HUSBAND WHAT HE WANTS.
531
00:52:52,570 --> 00:52:55,440
AND EVEN THOUGH
I LIKE TO THINK I'M STRONG,
532
00:52:55,473 --> 00:52:57,975
THERE'S A SMALL PART
OF ME THAT KNOWS
533
00:52:58,008 --> 00:53:02,747
THERE ARE SO MANY HOT,
YOUNG GIRLS
534
00:53:02,780 --> 00:53:04,849
WHO WANT HIM.
535
00:53:09,754 --> 00:53:12,323
IS EVERYTHING ALL RIGHT?
536
00:53:16,827 --> 00:53:19,230
UM--
537
00:53:19,264 --> 00:53:20,665
I AM SO SORRY.
538
00:53:20,698 --> 00:53:24,335
I-- I THINK I HAVE
ANOTHER APPOINTMENT.
539
00:53:24,369 --> 00:53:27,838
CAN WE FINISH THIS LATER?
I'D LOVE THAT.
540
00:53:30,040 --> 00:53:33,578
OH! AND IN CASE YOU DIDN'T
GET THE MORAL OF MY STORY,
541
00:53:33,611 --> 00:53:35,713
LET ME SPELL
IT OUT FOR YOU.
542
00:53:35,746 --> 00:53:38,416
YOU'LL NEVER GIVE BILL CHILDREN.
543
00:53:52,397 --> 00:53:53,998
HEY!
544
00:53:57,034 --> 00:53:59,537
SO, IT LOOKS LIKE THINGS
GOT PRETTY PERSONAL
545
00:53:59,570 --> 00:54:03,608
DURING YOUR PRIVATE
LITTLE CHATS WITH TAMARA.
546
00:54:03,641 --> 00:54:05,876
WHAT ARE YOU
TALKING ABOUT?
547
00:54:05,910 --> 00:54:09,747
SHE KNOWS WE'VE HAD TROUBLE
CONCEIVING AND I SURE
AS HELL DIDN'T TELL HER.
548
00:54:09,780 --> 00:54:12,617
WELL, I CERTAINLY DIDN'T.
549
00:54:14,051 --> 00:54:17,422
THEN HOW DOES SHE KNOW, BILL?
550
00:54:22,627 --> 00:54:26,397
**
551
00:54:48,786 --> 00:54:52,390
HOW YOU DOING, GIRLS?
PARTY OF THE YEAR TOMORROW
NIGHT AT MY HOUSE, OKAY?
552
00:54:52,423 --> 00:54:53,791
DID YOU GET A LOAD
OF THOSE TWO?
553
00:54:53,824 --> 00:54:58,329
A COUPLE OF MY DRINK SPECIALS,
I'M GONNA BE HOT DOGGING THEM
ALL NIGHT.
554
00:54:58,363 --> 00:55:00,064
GOD, YOU'RE SUCH AN ASS.
555
00:55:00,097 --> 00:55:03,000
HEY, AS LONG
AS I'M GETTING ASS.
556
00:55:03,033 --> 00:55:05,903
WHAT ARE YOU, A RABBIT?
557
00:55:05,936 --> 00:55:09,840
WHY DON'T YOU
EAT SOMETHING, GIRL?
AND GET READY TO PARTY.
558
00:55:09,874 --> 00:55:13,310
THANKS. BUT SUDDENLY
I'M NOT FEELING VERY FESTIVE.
559
00:55:14,111 --> 00:55:16,414
YOU'RE LETTING THAT
FREAK GET TO YOU?
560
00:55:16,447 --> 00:55:20,317
I'M NOT LETTING THAT BITCH
RUIN MY SENIOR YEAR.
YOU WITH ME, BRO?
561
00:55:24,088 --> 00:55:25,990
YEAH, FUCK TAMARA.
562
00:55:26,023 --> 00:55:27,558
ALL RIGHT.
WE'LL BE THERE.
563
00:55:42,139 --> 00:55:44,909
TAMARA!
MY CLASSROOM, NOW!
564
00:55:51,949 --> 00:55:53,751
SIT DOWN!
565
00:55:54,919 --> 00:55:57,154
SO FORCEFUL, MR. NATOLLY.
566
00:55:57,187 --> 00:56:00,024
HOW'D YOU KNOW ABOUT MINE
AND ALISON'S PERSONAL PROBLEMS?
567
00:56:00,057 --> 00:56:02,793
YOU TWO ARE HAVING PROBLEMS?
DON'T PLAY GAMES WITH ME.
568
00:56:02,827 --> 00:56:06,497
HOW DID YOU KNOW?
WHAT'S COME OVER YOU?
YOU HAVE.
569
00:56:06,531 --> 00:56:10,134
STOP IT!
WHAT DID YOU SAY TO ALISON?
570
00:56:10,167 --> 00:56:13,037
FORGET ABOUT ALISON.
SHE COULD NEVER GIVE YOU
THE THINGS I CAN!
571
00:56:13,070 --> 00:56:15,506
I HAVE EVERYTHING I WANT.
572
00:56:15,540 --> 00:56:18,476
JUST LEAVE ME ALONE, OKAY?
573
00:56:19,477 --> 00:56:21,011
NOT YET.
574
00:56:36,193 --> 00:56:39,096
HEY.
575
00:56:39,129 --> 00:56:42,867
SOMETHING IS GOING ON
WITH TAMERA
AND MR. NATOLLY.
576
00:57:00,685 --> 00:57:02,987
WHAT?
577
00:57:03,020 --> 00:57:05,422
I'M NOT PREGNANT.
578
00:57:16,667 --> 00:57:19,537
YOU LOOK BEAUTIFUL.
579
00:57:19,570 --> 00:57:22,540
COME ON AND
GIVE ME A HUG.
580
00:57:22,573 --> 00:57:25,175
YOU LIKE TOUCHING ME,
DON'T YOU?
581
00:57:26,577 --> 00:57:30,515
I JUST WANT SOME AFFECTION.
582
00:57:30,548 --> 00:57:33,117
YOU'RE MY GIRL.
583
00:57:33,150 --> 00:57:35,185
WE'RE ALL WE'VE GOT.
584
00:57:46,564 --> 00:57:50,000
I CAN STILL SMELL HER PERFUME.
I CAN STILL SMELL HER PERFUME.
585
00:57:53,804 --> 00:57:56,941
IF YOU LOVED MOM
AS MUCH AS YOU LOVED
THAT BOTTLE,
586
00:57:56,974 --> 00:58:00,945
THEN MAYBE
SHE WOULDN'T HAVE LEFT.
587
00:58:00,978 --> 00:58:04,615
AND YOU WOULDN'T BE CHASING
YOUR OWN DAUGHTER,
YOU BASTARD!
588
00:58:08,553 --> 00:58:10,821
YOU DO LOVE THAT BOTTLE,
DON'T YOU?
589
00:58:13,824 --> 00:58:16,527
THEN FINISH IT, DADDY.
590
00:58:16,561 --> 00:58:18,696
THE WHOLE THING.
591
00:58:27,171 --> 00:58:29,574
THERE'S MORE IN THE FRIDGE.
592
00:58:37,582 --> 00:58:40,785
**
593
00:59:02,973 --> 00:59:05,009
HEY.
594
00:59:05,042 --> 00:59:08,178
**
595
00:59:14,118 --> 00:59:15,720
HEY.
596
00:59:28,899 --> 00:59:30,367
I SHOULD REALLY WAIT.
597
00:59:30,400 --> 00:59:33,303
I'M ALREADY REALLY BUZZED.
598
00:59:33,337 --> 00:59:35,706
YEAH, THESE
ARE SO STRONG.
599
00:59:35,740 --> 00:59:37,808
THEY'RE MY SPECIAL MIX.
600
00:59:37,842 --> 00:59:39,343
DON'T WORRY, GIRLS.
601
00:59:39,376 --> 00:59:42,046
I'M GONNA TAKE
GOOD CARE OF YOU.
602
00:59:46,250 --> 00:59:50,287
YOU KNOW WHAT
I'M TALKING ABOUT!
603
00:59:50,320 --> 00:59:52,189
OH, IT BURNS.
604
01:00:05,670 --> 01:00:10,074
THIS IS A PRIVATE PARTY.
YOU'RE NOT INVITED.
605
01:00:10,107 --> 01:00:11,776
REALLY?
606
01:00:14,244 --> 01:00:17,247
I'M NOT GOING TO JAIL.
I'M NOT GOING TO JAIL.
607
01:00:17,281 --> 01:00:19,750
I'M NOT GOING TO JAIL.
I'M NOT GOING TO JAIL.
608
01:00:26,791 --> 01:00:28,392
NOT YET.
609
01:00:29,393 --> 01:00:32,229
GO GET ME A DRINK.
610
01:00:37,467 --> 01:00:39,804
THIS IS MESSED UP.
611
01:00:41,038 --> 01:00:43,040
SOMETHING'S WRONG
WITH PATRICK.
612
01:00:44,241 --> 01:00:46,844
SHE'S GOTTA BE UP
TO SOMETHING.
613
01:00:49,780 --> 01:00:51,716
WHY THE HELL
DID YOU BRING THAT?
614
01:00:51,749 --> 01:00:56,420
THE SPELL HAS SOMETHING TO DO
WITH HOW SHE'S CHANGED.
615
01:00:56,453 --> 01:01:00,090
I WANT TO CONFRONT HER
WITH IT HERE
616
01:01:00,124 --> 01:01:02,259
WHERE THERE'S
A LOT OF PEOPLE.
617
01:01:03,460 --> 01:01:05,730
I THINK SHE'S MESSING
WITH MR. NATOLLY, TOO.
618
01:01:09,767 --> 01:01:12,269
I'M GLAD YOU ALL
DECIDED TO STOP BY.
619
01:01:12,302 --> 01:01:14,805
THIS PARTY SHOULD BE KILLER.
620
01:01:24,514 --> 01:01:26,984
**
621
01:01:27,017 --> 01:01:29,419
I GOTTA GO TO THE BATHROOM.
622
01:01:29,453 --> 01:01:30,988
COME WITH?
623
01:01:31,021 --> 01:01:32,790
SURE.
624
01:01:35,425 --> 01:01:38,462
** [SONG CHANGES,
TECHNO ROCK]
625
01:01:59,549 --> 01:02:02,252
I DON'T BELIEVE THIS SHIT!
626
01:02:07,357 --> 01:02:10,127
WHAT THE HELL ARE YOU DOING?
627
01:02:10,160 --> 01:02:13,030
WHAT DID YOU DO TO HIM?
628
01:02:13,063 --> 01:02:15,866
THIS.
629
01:02:18,435 --> 01:02:22,739
IT'S FIVE AGAINST ONE.
IT'S FIVE AGAINST ONE.
630
01:03:26,270 --> 01:03:28,238
YOU WANT ME, DON'T YOU?
631
01:03:28,272 --> 01:03:30,807
YEAH.
632
01:03:32,142 --> 01:03:36,380
MORE THAN ALL THOSE
OTHER GIRLS YOU TOOK
TO THAT CHEAP HOTEL ROOM,
633
01:03:36,413 --> 01:03:38,582
DRUGGED, AND FUCKED?
634
01:03:42,186 --> 01:03:45,856
YOU KNOW WHAT
WOULD REALLY TURN ME ON?
635
01:03:45,890 --> 01:03:49,593
I WANT YOU TO KNOW
WHAT IT'S LIKE
636
01:03:49,626 --> 01:03:52,162
TO FEEL HELPLESS,
637
01:03:52,196 --> 01:03:54,398
TO BE TAKEN ADVANTAGE OF.
638
01:03:59,003 --> 01:04:02,606
SO, WHO'S GONNA PITCH
AND WHO'S GONNA CATCH?
639
01:04:05,109 --> 01:04:07,477
EENIE, MEENIE, MINIE, MOE.
640
01:04:07,511 --> 01:04:10,080
WELL, PATRICK, IT LOOKS
LIKE YOU'RE THE BOTTOM.
641
01:04:11,648 --> 01:04:14,651
SO, GO AHEAD, SEAN.
642
01:04:14,684 --> 01:04:16,987
GIVE ME A SHOW.
643
01:04:36,974 --> 01:04:41,311
HE WENT TOWARDS THE BEDROOMS
WITH TAMARA AND PATRICK.
644
01:04:42,412 --> 01:04:44,114
WHAT?
645
01:04:44,148 --> 01:04:48,018
HE FOLLOWED HER.
HE WAS ACTING ALL...WEIRD.
646
01:04:48,052 --> 01:04:50,054
LIKE PATRICK.
647
01:04:51,455 --> 01:04:53,890
KISHA, WAIT!
NO!
648
01:05:03,533 --> 01:05:05,402
KISHA?
649
01:05:05,435 --> 01:05:06,937
SEAN?
650
01:05:06,971 --> 01:05:09,906
SEAN, STOP IT!
STOP!
651
01:05:18,648 --> 01:05:21,385
LEAVE HIM ALONE.
652
01:05:33,030 --> 01:05:35,165
YOU ARE SO BEAUTIFUL.
653
01:05:38,268 --> 01:05:40,470
I USED TO ENVY YOU.
654
01:05:46,543 --> 01:05:48,312
YOUR PERFECT BODY.
655
01:05:49,379 --> 01:05:51,548
FLAWLESS SKIN.
656
01:05:53,550 --> 01:05:58,355
BUT DEEP DOWN WHEN YOU LOOK
AT YOURSELF, WHAT DO YOU SEE?
657
01:06:03,327 --> 01:06:06,163
A GIRL SO VAIN,
658
01:06:06,196 --> 01:06:09,666
SO DESPERATE TO KEEP HER MAN,
SHE'LL DO ANYTHING.
659
01:06:13,770 --> 01:06:18,175
DOES LOVERBOY KNOW WHAT
YOU DID TO MAKE YOURSELF
BEAUTIFUL FOR HIM?
660
01:06:20,244 --> 01:06:22,079
DOES HE?
661
01:07:06,823 --> 01:07:10,260
ACTUALLY, YOU'RE SKIN
AND BONES, KISHA.
662
01:07:10,294 --> 01:07:12,596
YOU REALLY
SHOULD EAT MORE.
663
01:07:34,884 --> 01:07:38,555
WHAT HAPPENED IN THERE?
ARE YOU OKAY?
WE HEARD YOU SCREAM.
664
01:07:38,588 --> 01:07:40,757
I'M STARVING.
665
01:07:41,791 --> 01:07:44,494
**
666
01:08:07,251 --> 01:08:09,153
WHAT HAPPENED UP THERE?
667
01:08:13,857 --> 01:08:16,326
COME ON, LET'S GO.
COME ON.
668
01:08:27,771 --> 01:08:30,140
I'M CALLING MR. NATOLLY.
669
01:08:38,282 --> 01:08:40,317
WHY'D YOU WANT
TO MEET HIM HERE?
670
01:08:41,718 --> 01:08:45,655
YOU'RE NOT GONNA TELL HIM,
ARE YOU? CHLOE!
671
01:08:47,291 --> 01:08:49,426
I'M DONE LYING.
WE COULD GO TO JAIL.
672
01:08:49,459 --> 01:08:51,228
AND THE ALTERNATIVE
IS BETTER?
673
01:08:59,636 --> 01:09:03,807
I'M SORRY, SEAN CAN'T
COME TO THE PHONE RIGHT NOW.
HE'S FUCKING PATRICK.
674
01:09:03,840 --> 01:09:07,877
WE'RE MEETING MR. NATOLLY.
WE'RE GONNA TELL HIM EVERYTHING.
675
01:09:07,911 --> 01:09:09,879
WHAT ARE YOU DOING?
676
01:09:09,913 --> 01:09:12,916
WHERE ARE YOU MEETING HIM?
KISHA?
677
01:09:12,949 --> 01:09:17,821
YOU STUPID--
WE'RE NOT TRYING
TO HURT ANYONE, OKAY?
678
01:09:17,854 --> 01:09:20,557
COME HERE, I HAVE A PLAN.
679
01:09:32,336 --> 01:09:34,238
OH, FUCK!
680
01:09:42,312 --> 01:09:45,582
GET DRESSED.
THERE'S BEEN A CHANGE OF PLANS.
681
01:09:50,354 --> 01:09:51,855
SHE CHEWED THEM.
682
01:09:51,888 --> 01:09:55,292
WE NEED TO GET HER
TO A HOSPITAL.
683
01:09:55,325 --> 01:09:57,227
THE BLEEDING STOPPED.
684
01:09:58,495 --> 01:10:00,897
WE NEED TO FIND TAMARA
BEFORE SHE COMES FOR US.
685
01:10:00,930 --> 01:10:04,301
CHLOE! THIS WHOLE WITCHCRAFT
THING IS JUST NOT POSSIBLE.
686
01:10:04,334 --> 01:10:06,503
THERE'S NO OTHER EXPLANATION.
687
01:10:06,536 --> 01:10:09,973
TAMARA DIED.
AND NOW LOOK AT HER.
688
01:10:10,006 --> 01:10:13,477
PATRICK AND SEAN.
AND NOW KISHA.
689
01:10:13,510 --> 01:10:17,281
ROGER KILLED HIMSELF.
SHE'S DOING SOMETHING TO THEM.
690
01:10:19,316 --> 01:10:22,352
OKAY.
LET'S GO TAKE A LOOK.
691
01:10:30,760 --> 01:10:33,363
SO, WHAT DO WE DO?
KNOCK ON THE DOOR
AND SAY, "UH, MR. RILEY?
692
01:10:33,397 --> 01:10:35,999
WE THINK YOUR DAUGHTER'S
SOME KIND OF ZOMBIE WITCH.
CAN WE COME IN?"
693
01:10:36,032 --> 01:10:38,535
"GREAT!
LET'S HAVE TEA."
694
01:10:38,568 --> 01:10:40,304
YEAH.
695
01:10:47,076 --> 01:10:48,778
MR. RILEY?
696
01:11:03,960 --> 01:11:07,431
MR. RILEY,
IT'S BILL NATOLLY.
TAMARA'S ENGLISH TEACHER.
697
01:11:13,837 --> 01:11:15,772
MR. RILEY?
698
01:11:19,443 --> 01:11:20,710
HELLO?
699
01:11:32,422 --> 01:11:34,391
HELLO?
700
01:11:36,393 --> 01:11:38,428
MR. RILEY?
701
01:11:43,733 --> 01:11:45,402
HELLO?
702
01:11:58,848 --> 01:12:00,784
OH, MY GOD.
703
01:13:24,501 --> 01:13:26,402
IT'S MINE.
704
01:13:35,011 --> 01:13:36,813
HANG ON.
705
01:13:36,846 --> 01:13:38,815
HERE IT IS.
706
01:13:41,551 --> 01:13:43,553
OH, SHIT.
707
01:13:48,057 --> 01:13:50,026
IT'S A LOVE SPELL.
708
01:13:50,059 --> 01:13:54,430
IT GIVES YOU THE POWER
TO CONTROL PEOPLE BY TOUCH.
709
01:13:57,133 --> 01:14:00,937
IT SAYS THAT THE BLOOD
OF THE PERSON CASTING THE SPELL
710
01:14:00,970 --> 01:14:04,173
MUST BE SPILLED
FOR IT TO WORK.
711
01:14:06,075 --> 01:14:10,614
WE DID IT.
WE SPILLED HER BLOOD.
712
01:14:13,917 --> 01:14:18,087
HER FATE IS BOUND
TO THE ONE SHE LOVES.
713
01:14:18,121 --> 01:14:19,889
"LIKE A PHOENIX
FROM THE ASHES,
714
01:14:19,923 --> 01:14:23,727
LET ME RISE ANEW
TO CLAIM ALL THAT
SHOULD BE MINE."
715
01:14:26,730 --> 01:14:28,965
THE SPELL BROUGHT HER BACK.
716
01:14:31,701 --> 01:14:33,837
IT BINDS HER FATE
TO THE ONE SHE LOVES.
717
01:14:33,870 --> 01:14:37,006
SHE THOUGHT SHE WAS MEETING YOU
AT THAT MOTEL.
718
01:14:37,040 --> 01:14:39,108
YOU'RE THE ONE SHE WANTS.
719
01:14:39,142 --> 01:14:42,979
SHE'S BOUND HER FATE
TO YOU.
720
01:14:43,012 --> 01:14:45,214
WELL, SHE KNOWS I LOVE--
721
01:14:46,249 --> 01:14:48,618
OH, MY GOD.
722
01:14:48,652 --> 01:14:50,119
ALISON.
723
01:15:08,672 --> 01:15:10,874
OH, FUCK!
THE LINE'S DEAD.
724
01:15:15,178 --> 01:15:17,113
BILL?
725
01:16:50,406 --> 01:16:52,676
WE DID SOME RENOVATIONS.
726
01:17:01,951 --> 01:17:04,120
WHAT THE FUCK
DO YOU GUYS WANT?
727
01:17:08,725 --> 01:17:12,729
SORRY, MRS. NATOLLY.
BUT TAMARA WANTS YOU DEAD.
728
01:19:44,147 --> 01:19:47,150
OH, GOD.
729
01:20:41,437 --> 01:20:43,406
MRS. NATOLLY?
730
01:20:45,641 --> 01:20:48,077
YOUR HUSBAND CALLED US.
731
01:21:00,389 --> 01:21:02,625
I'LL GET A DOCTOR.
732
01:21:17,673 --> 01:21:19,008
WHAT HAPPENED?
WE DON'T KNOW.
733
01:21:19,042 --> 01:21:20,643
TAKE HER TO EXAMINE ROOM 3.
734
01:21:20,676 --> 01:21:23,279
CROSS AND TYPE HER,
2 UNITS OF PAXILS.
I'LL BE THERE IN A MINUTE.
735
01:21:23,312 --> 01:21:24,480
LET'S ROLL.
736
01:21:24,513 --> 01:21:26,649
HI. MY WIFE'S HERE.
ALISON NATOLLY.
737
01:21:26,682 --> 01:21:28,651
SHE'S UPSTAIRS.
ROOM 509.
738
01:21:28,684 --> 01:21:30,586
THANK YOU.
739
01:21:32,521 --> 01:21:34,057
FAMILY ONLY.
740
01:21:34,090 --> 01:21:37,360
YOU'LL HAVE TO WAIT HERE
OR IN THE CAFETERIA.
741
01:21:43,066 --> 01:21:46,202
[MAN OVER POLICE RADIO,
INDISTINCT]
742
01:21:50,974 --> 01:21:52,641
WHERE IS SHE?
743
01:21:56,145 --> 01:21:59,115
I'M SORRY, SIR.
BUT YOU CAN'T GO IN THERE.
I'M HER HUSBAND.
744
01:21:59,148 --> 01:22:02,285
I NEED TO SEE SOME I.D.
ALL RIGHT.
745
01:22:04,720 --> 01:22:07,190
OKAY.
THANK YOU.
746
01:22:07,223 --> 01:22:09,625
ALISON.
747
01:22:09,658 --> 01:22:12,328
OH, BABY. OH.
748
01:22:14,597 --> 01:22:17,500
THEY SAID THAT
TAMARA WANTED ME DEAD.
749
01:22:21,737 --> 01:22:24,273
I KILLED THEM BOTH.
750
01:22:24,307 --> 01:22:28,111
OH, I'M SORRY.
I'M SO SORRY.
751
01:22:31,747 --> 01:22:35,051
THEY HAD THIS--
THIS LOOK IN THEIR EYES.
752
01:22:36,352 --> 01:22:40,023
IT WAS A COLD,
SOULLESS LOOK.
753
01:22:43,126 --> 01:22:47,263
WHAT'S HAPPENING, BILL?
754
01:22:49,098 --> 01:22:52,101
SHE'S SEDATED.
SHE'LL BE OUT ALL NIGHT.
755
01:23:07,683 --> 01:23:11,054
MAGIC?
I KNOW IT SOUNDS CRAZY--
756
01:23:11,087 --> 01:23:13,556
CAN I HELP YOU, MISS?
757
01:23:30,173 --> 01:23:33,109
WHAT IS IT?
TAMARA'S HERE. COME ON.
758
01:23:43,552 --> 01:23:47,123
WHAT ARE YOU DOING?
WE'RE FINDING MR. NATOLLY.
759
01:23:54,197 --> 01:23:55,798
KISHA?
760
01:24:02,171 --> 01:24:04,673
COME ON. LET'S GO!
761
01:24:21,490 --> 01:24:23,826
JESSE, TAMARA'S
CONTROLLING HER!
I KNOW.
762
01:24:23,859 --> 01:24:25,728
SO WE DON'T
WANT TO KILL HER.
763
01:24:25,761 --> 01:24:29,698
I DON'T THINK THAT SHE FEELS
THE SAME WAY ABOUT US.
764
01:24:32,201 --> 01:24:34,537
HERE.
USE THIS INSTEAD.
765
01:24:37,140 --> 01:24:39,808
ALL RIGHT, GO HIDE.
I'LL GET HER.
766
01:26:10,833 --> 01:26:12,935
HEY, KISHA!
COME ON.
767
01:26:12,968 --> 01:26:16,839
THAT'S RIGHT.
COME ON.
768
01:26:16,872 --> 01:26:18,507
COME ON.
769
01:26:54,009 --> 01:26:57,380
KISHA!
770
01:26:57,413 --> 01:27:01,484
JESSE?
771
01:27:17,800 --> 01:27:21,570
OH, GOD. I'M ALL RIGHT.
I'M OKAY. I'M OKAY.
772
01:27:24,473 --> 01:27:27,276
OH, GOD.
773
01:27:32,315 --> 01:27:33,749
JESSE?
774
01:27:35,784 --> 01:27:39,288
I'M GONNA GO
GET YOU HELP, OKAY?
STAY WITH ME, PLEASE.
775
01:27:39,322 --> 01:27:41,056
NO, JESSE!
YOU NEED A DOCTOR!
776
01:27:41,089 --> 01:27:45,361
CHLOE. CHLOE, LISTEN.
YOU-- YOU--
777
01:27:45,394 --> 01:27:47,496
YOU GOTTA STOP HER, OKAY?
778
01:27:47,530 --> 01:27:49,332
NO.
MM-HMM.
779
01:27:49,365 --> 01:27:54,603
NO, JESSE. JESSE,
WE'RE GONNA STOP HER,
OKAY? WE ARE.
780
01:27:54,637 --> 01:27:58,407
YOU'RE-- YOU'RE--
YOU'RE A GOOD GIRL, CHLOE.
781
01:27:58,441 --> 01:28:00,409
JESSE!
782
01:28:00,443 --> 01:28:03,646
I WISH I TOLD YOU SOONER.
783
01:28:08,817 --> 01:28:11,320
JESSE, NO!
784
01:28:14,357 --> 01:28:17,526
NO. NO!
785
01:28:40,383 --> 01:28:42,485
DAMN IT!
786
01:29:38,206 --> 01:29:40,743
I WON'T LET HER HURT YOU.
I PROMISE.
787
01:29:42,545 --> 01:29:43,846
STAY BACK!
788
01:29:43,879 --> 01:29:47,149
YOU'LL NEVER HAVE HIM!
HE LOVES ME!
789
01:29:47,182 --> 01:29:50,553
SHUT UP, YOU BARREN BITCH!
790
01:29:50,586 --> 01:29:54,457
DO YOU KNOW THE SACRIFICE
I MADE TO BE WITH YOU?
I DIED FOR YOU!
791
01:29:54,490 --> 01:29:56,158
I'D DIE FOR HIM TOO.
792
01:29:56,191 --> 01:29:58,627
YOU CAN BE SURE OF THAT.
793
01:30:01,497 --> 01:30:03,532
SAY GOOD-BYE.
794
01:30:09,538 --> 01:30:11,440
IT'S OVER.
795
01:30:11,474 --> 01:30:13,676
TAMARA REALLY DID DIE
IN THAT HOTEL.
796
01:30:13,709 --> 01:30:16,144
YOU'RE A MONSTER.
797
01:30:26,655 --> 01:30:28,991
NICE TRY.
798
01:30:29,024 --> 01:30:33,161
DIDN'T YOU LEARN THE LAST TIME?
YOU CAN'T KILL ME.
799
01:30:33,195 --> 01:30:35,430
SWEET CHLOE.
800
01:30:38,634 --> 01:30:40,903
I'M MAKING THIS MY BUSINESS.
801
01:30:40,936 --> 01:30:43,005
YOU GUYS REALLY SHOULD GIVE
TAMARA A BREAK.
802
01:30:43,038 --> 01:30:45,808
THIS IS REALLY WRONG,
BURYING HER OUT HERE LIKE THIS.
803
01:30:52,147 --> 01:30:54,683
NO.
804
01:30:54,717 --> 01:30:58,053
TAMARA!
TAMARA, STOP!
805
01:30:58,086 --> 01:31:02,057
THIS ISN'T YOU.
IT'S THE MAGIC.
806
01:31:02,090 --> 01:31:06,529
TRY AND REMEMBER WHO YOU WERE.
YOU CAN END THIS.
807
01:31:06,562 --> 01:31:09,865
DON'T LET IT CONTROL YOU.
808
01:31:09,898 --> 01:31:11,700
OH, GOD.
809
01:31:12,701 --> 01:31:14,803
WHAT HAVE I DONE?
810
01:31:16,104 --> 01:31:18,507
I'VE TURNED INTO THEM.
811
01:31:25,981 --> 01:31:28,150
WITH A TOUCH I COULD
HAVE MADE YOU MINE.
812
01:31:28,183 --> 01:31:30,619
BUT I DIDN'T WANT YOU
LIKE THAT.
813
01:31:30,653 --> 01:31:33,522
LIKE SOME MINDLESS SLAVE.
814
01:31:33,556 --> 01:31:35,591
WE CAN STOP THIS.
815
01:31:40,863 --> 01:31:43,165
THERE'S NOTHING LEFT.
816
01:31:47,903 --> 01:31:51,907
NO. IT CAN'T END LIKE THIS!
I WON'T LET IT!
817
01:31:51,940 --> 01:31:54,743
TAMARA, STOP!
TAMARA'S DEAD!
818
01:31:54,777 --> 01:31:57,279
NO! NO, NO.
YOU CAME BACK FOR ME.
819
01:31:57,312 --> 01:32:00,749
UNLESS WE'RE TOGETHER,
THIS WILL NEVER END.
820
01:32:01,984 --> 01:32:05,921
OUR FATES ARE BOUND TOGETHER
FOR AS LONG AS YOU LIVE.
821
01:32:17,299 --> 01:32:19,001
WELL, THEN WE'LL BE TOGETHER.
822
01:32:21,069 --> 01:32:22,771
FOREVER.
823
01:32:30,345 --> 01:32:33,849
NO!
824
01:32:57,272 --> 01:33:00,108
THEIR FATES
WERE BOUND TOGETHER.
825
01:33:00,142 --> 01:33:04,379
HE WAS THE ONLY ONE
THAT COULD STOP HER.
826
01:33:09,017 --> 01:33:13,321
YOU'RE GOING TO NEED STITCHES.
BUT YOU'RE A VERY LUCKY GIRL.
827
01:33:14,757 --> 01:33:17,626
IT WASN'T LUCK
THAT SAVED US.
828
01:33:45,353 --> 01:33:48,657
PUSH EVERYBODY BACK.
GET EVERYBODY OUT.
829
01:34:30,899 --> 01:34:34,402
**
830
01:34:55,157 --> 01:34:58,727
**
831
01:35:49,177 --> 01:35:52,781
**
832
01:36:43,598 --> 01:36:46,801
**
833
01:37:31,013 --> 01:37:33,615
**
834
01:37:51,166 --> 01:37:54,569
CLOSED-CAPTIONED BY
JR MEDIA SERVICES, INC.
BURBANK, CA
55253
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Czech
Danish
Esperanto
Estonian
Finnish
Frisian
Galician
Georgian
German
Gujarati
Haitian Creole
Hawaiian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Russian
Samoan
Serbian
Sesotho
Shona
Slovak
Slovenian
Somali
Swahili
Swedish
Tajik
Tamil
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
