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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,920 --> 00:00:06,020 That's what I'm talking about. 2 00:00:13,220 --> 00:00:16,340 Hey, what's going on, everybody? For First We Feast, I'm Sean Evans. You're 3 00:00:16,340 --> 00:00:20,240 watching Hot Ones. And today we deliver you a very special Hot Ones reunion 4 00:00:20,240 --> 00:00:24,120 brought to you by Jack in the Box, who we partnered with to create a munchie 5 00:00:24,120 --> 00:00:28,180 meal made for a spice lord. And I'm thrilled to welcome back to the studio, 6 00:00:28,180 --> 00:00:29,300 Belvin. Thank you. 7 00:00:29,660 --> 00:00:32,460 He's a Grammy Award -nominated singer -songwriter and one of the most 8 00:00:32,460 --> 00:00:36,280 musicians on the planet, a distinguished former Hot Ones guest, and he also has 9 00:00:36,280 --> 00:00:39,900 a brand -new collaborative album, Omerta, alongside Ryan Castro. 10 00:00:40,220 --> 00:00:43,420 Check it out, but first things first, another go -round with the Wings of 11 00:00:43,660 --> 00:00:46,440 J Balvin, welcome back to the show. Oh, thank you, man. 12 00:00:46,640 --> 00:00:50,540 So we not only have new sauces on the table for you to try, but you'll also be 13 00:00:50,540 --> 00:00:54,440 one of the first to try our brand -new, jack -in -the -box Hot Ones Munchie 14 00:00:54,440 --> 00:00:56,760 Meal. Okay. Are you ready to get started? Absolutely. 15 00:01:20,180 --> 00:01:23,160 Now that we've kicked things off, we're going to try our Hot Ones Buffalo 16 00:01:23,160 --> 00:01:26,920 Chicken Tater Melt, which is made with Hot Ones Buffalo sauce. 17 00:01:28,540 --> 00:01:29,540 This is great. 18 00:01:31,340 --> 00:01:32,340 What? 19 00:01:36,760 --> 00:01:37,760 Oh, my God. 20 00:01:38,540 --> 00:01:39,900 That's how you start it off, baby. 21 00:01:40,180 --> 00:01:41,180 What? 22 00:01:41,380 --> 00:01:42,380 Oh, my God. 23 00:01:42,520 --> 00:01:43,520 Thank you. 24 00:01:43,600 --> 00:01:46,720 Plenty more where that came from. Okay. No, but this is great. This is like a 25 00:01:46,720 --> 00:01:47,840 croissant? Mm -hmm. 26 00:01:48,500 --> 00:01:50,740 Wow. Little kick there at the end? Yeah. 27 00:01:51,000 --> 00:01:52,200 I need to take some of them. 28 00:01:54,560 --> 00:01:58,760 So it's great to see you in the studio. We did that remote episode together some 29 00:01:58,760 --> 00:01:59,760 five years ago. 30 00:01:59,920 --> 00:02:03,820 And, you know, my favorite part was almost when the interview ended. Yes. 31 00:02:03,820 --> 00:02:06,700 gave Da Bomb Beyond Insanity to your friend Andres. 32 00:02:06,940 --> 00:02:07,940 Breathe. 33 00:02:08,220 --> 00:02:09,220 Breathe. 34 00:02:09,639 --> 00:02:11,760 Bro. He almost went to the hospital. 35 00:02:12,260 --> 00:02:16,680 He looked like it. No, no lie, man. He was like, how do you say, 36 00:02:16,760 --> 00:02:18,160 hyperventilating? I don't know how you say it. 37 00:02:19,619 --> 00:02:22,840 But I'm happy that he's back on his feet and made it to the shoot today. We 38 00:02:22,840 --> 00:02:26,860 might bring him again. He's got to do an encore performance. 39 00:02:27,480 --> 00:02:30,740 I'm sure he's watching this in a green room somewhere and starting to sweat 40 00:02:30,740 --> 00:02:33,620 already. Andres, I swear to God, you're going to come here. 41 00:02:35,140 --> 00:02:40,100 And then has the meme of you calling Da Bomb toxic, you know, this is toxic, 42 00:02:40,300 --> 00:02:44,220 bro. Did that ever make it to you? Like, do fans ever bring up your Hot Ones 43 00:02:44,220 --> 00:02:45,220 appearance in the wild? 44 00:02:45,340 --> 00:02:48,530 Yeah. Yes, how you did it, you know. 45 00:02:49,710 --> 00:02:51,450 And I'm just saying I just loved it, man. 46 00:02:51,650 --> 00:02:54,690 But I think the company also helps a lot, man. So thank you, Sean. 47 00:02:55,370 --> 00:02:59,670 All right, so up next, we have a hot bergine here. That'll be the first wing 48 00:02:59,670 --> 00:03:00,670 that you try. 49 00:03:05,750 --> 00:03:06,750 Delicious. 50 00:03:10,110 --> 00:03:11,110 Yeah. 51 00:03:11,430 --> 00:03:13,030 Do you have a most treasured memory? 52 00:03:13,550 --> 00:03:17,310 From the seven -hour show that you did in your hometown of Medellin last 53 00:03:17,310 --> 00:03:22,170 November, which included more than 80 songs and 40 ,000 flowers handed out to 54 00:03:22,170 --> 00:03:23,570 fans as they entered the stadium. 55 00:03:24,330 --> 00:03:26,390 You tell me about seven hours and I just get tired. 56 00:03:27,510 --> 00:03:29,010 Jesus Christ, I don't know how I did it. 57 00:03:29,510 --> 00:03:33,670 Well, the memory is, of course, like, I just wanted to give back to my people. 58 00:03:34,050 --> 00:03:37,530 That's the reason why it took, like, kind of like two marathons and a half. 59 00:03:38,590 --> 00:03:42,890 And I was ready mentally, but not physically. 60 00:03:43,420 --> 00:03:47,520 I didn't know what it's been on the show seven hours nonstop because it's not 61 00:03:47,520 --> 00:03:52,480 that I just stay quiet. I'm moving and I'm singing and I'm jumping and I'm 62 00:03:52,480 --> 00:03:56,420 performing and I'm sharing with the people. So, I mean, the memories were 63 00:03:56,420 --> 00:04:03,340 beautiful, absolutely, but it was one where I was fainting because I didn't 64 00:04:03,340 --> 00:04:05,500 have enough sugar in my body, enough fat. 65 00:04:06,020 --> 00:04:09,940 So the doctors came to me and they gave me like a bowl of ice cream. 66 00:04:10,420 --> 00:04:13,060 That's kind of like what we do on our show when guests start to fade. 67 00:04:13,580 --> 00:04:17,420 But mine was just to get my sugar, you know, back on track. 68 00:04:17,800 --> 00:04:19,680 The fact that it was home, beautiful. 69 00:04:20,380 --> 00:04:24,860 But the other one is like how much I love my people that I'm like, if I have 70 00:04:24,860 --> 00:04:28,260 die on the stage, which would be legendary, but I didn't want to. 71 00:04:28,740 --> 00:04:31,160 A warrior going out on a shield. Yeah, I was like. 72 00:04:32,040 --> 00:04:36,140 I was like, man, I have to do it. So for sauce number three, we have the Hot One 73 00:04:36,140 --> 00:04:40,440 Sriracha Curly Fry Burger, which is made with Hot One Sriracha sauce. 74 00:04:40,800 --> 00:04:43,180 Okay. Let's bring them on out and give them a try. 75 00:04:43,900 --> 00:04:45,140 That looks good. 76 00:04:45,460 --> 00:04:46,900 A little jalapeno on there. 77 00:04:47,120 --> 00:04:48,120 Oh, my God. 78 00:04:50,320 --> 00:04:51,320 Oh, I need this home. 79 00:04:51,720 --> 00:04:52,720 It hits. 80 00:04:52,840 --> 00:04:54,380 This is so amazing, bro. 81 00:04:56,020 --> 00:04:57,480 Another one that I'm taking home. 82 00:04:57,880 --> 00:05:00,840 Put it in the to -go bag. Yep. We're stacking them up today. 83 00:05:01,720 --> 00:05:05,480 So you performed on some of the biggest stages, from headlining Coachella to the 84 00:05:05,480 --> 00:05:06,760 Super Bowl halftime show. 85 00:05:07,100 --> 00:05:11,900 Is there a reaction from the audience that unlocks another gear in you? Like, 86 00:05:11,940 --> 00:05:16,180 what's your favorite kind of energy to see reflected back at you when you're 87 00:05:16,180 --> 00:05:17,179 on stage? 88 00:05:17,180 --> 00:05:20,100 You know, I think the first time that we did the Super Bowl together with Bad 89 00:05:20,100 --> 00:05:26,020 Bunny, Shakira, and J -Lo, that kind of, like, made me feel that we were really 90 00:05:26,020 --> 00:05:27,780 on the right track. 91 00:05:28,120 --> 00:05:31,300 And now they see, you know, Bad Bunny is dead here. 92 00:05:31,630 --> 00:05:36,010 own Super Bowl, it's just like, I'm just celebrating what's happening with our 93 00:05:36,010 --> 00:05:37,010 culture in general. 94 00:05:37,110 --> 00:05:42,090 So I think all the love that we're getting back is we getting back. It's 95 00:05:42,090 --> 00:05:43,210 that I'm getting it back. 96 00:05:43,550 --> 00:05:48,750 The fact that people are more open to listen to different sounds and engage, 97 00:05:49,130 --> 00:05:51,370 that our music is just unstoppable. 98 00:05:52,330 --> 00:05:56,850 It's undeniable that we have one of the major impact in the world right now in 99 00:05:56,850 --> 00:06:00,390 the Spanish music, but I said Latino music. 100 00:06:06,830 --> 00:06:07,830 This is beautiful. 101 00:06:08,810 --> 00:06:10,610 You're just enjoying the meal so far. 102 00:06:10,930 --> 00:06:11,849 It's beautiful. 103 00:06:11,850 --> 00:06:16,210 It's art. It's like the Mona Lisa right there. So far. We're going to turn it 104 00:06:16,210 --> 00:06:17,750 into a Pollock here by the end. 105 00:06:18,510 --> 00:06:19,570 So far, so good. 106 00:06:20,390 --> 00:06:25,090 So, your album, Colores, each song was a different color. When you're making a 107 00:06:25,090 --> 00:06:29,950 song like Azul, for example, what makes a song sound blue? Like, how does a blue 108 00:06:29,950 --> 00:06:32,590 song sound different from like a red song or a yellow song? 109 00:06:32,850 --> 00:06:36,950 I mean, that's so subjective. You know, it's just like... What is blue for you 110 00:06:36,950 --> 00:06:37,950 might be red for me. 111 00:06:38,130 --> 00:06:44,010 I just close my eyes and just let it... It might sound romantic, but I just let 112 00:06:44,010 --> 00:06:48,170 my soul connect with the color. You know, I'm just like, this is blue. Don't 113 00:06:48,170 --> 00:06:49,170 me why. 114 00:06:49,650 --> 00:06:51,250 It just feels blue. 115 00:06:51,770 --> 00:06:57,410 And it was such a successful project, man, because it was kind of random that 116 00:06:57,410 --> 00:07:02,050 you call every song by color. I'll give a lot of credit to myself on that one. 117 00:07:02,110 --> 00:07:03,069 It's different. 118 00:07:03,070 --> 00:07:06,430 Yeah, and you seem like a vibes person in the studio, creatively. 119 00:07:06,950 --> 00:07:09,350 You know, I was reading another interview where you were talking about 120 00:07:09,350 --> 00:07:13,430 Bruce Wayne and how, like, you dimmed the lights in the studio and had the New 121 00:07:13,430 --> 00:07:15,210 York skyline reflecting in. 122 00:07:15,410 --> 00:07:16,730 Oh, that was Batman, man. 123 00:07:18,130 --> 00:07:20,230 Let me think about it. I become Batman right here. 124 00:07:21,170 --> 00:07:24,410 We are in New York City. We are in Ghana. Come on. We can be Spider -Man. 125 00:07:24,410 --> 00:07:26,990 be Batman. We can be whatever you want. Ninja Turtle. 126 00:07:28,290 --> 00:07:32,010 All right, if you're ready, we can move on to the halfway mark. 127 00:07:35,630 --> 00:07:41,350 And for sauce number five, we have a very special guest, Ryan Castro. Come on 128 00:07:41,350 --> 00:07:46,430 out. We had you eating sauce number five, which was going to be a pickling 129 00:07:46,430 --> 00:07:51,410 scorpion, but it seems like J Balvin's got other ideas. He's opened to bomb 130 00:07:51,410 --> 00:07:52,450 beyond insanity. 131 00:07:52,930 --> 00:07:55,270 You're a gangster. You said we just did an album, by the way. 132 00:07:56,230 --> 00:08:00,730 He's called the artist from the ghetto. You know, he comes from the ghettos of 133 00:08:00,730 --> 00:08:04,490 Colombia. He started, he created a huge movement. 134 00:08:05,020 --> 00:08:07,760 I love him as a person, of course. That's the reason why we're working 135 00:08:08,300 --> 00:08:10,760 So he's called, you know, like the king of the ghetto. 136 00:08:11,560 --> 00:08:16,600 So, you know, if you're acting like you're the top guy and, you know, you're 137 00:08:16,600 --> 00:08:20,360 like, you got everything under control, I just want to see his reaction. So he's 138 00:08:20,360 --> 00:08:23,240 going to try. You went through the music industry the hard way and now you're 139 00:08:23,240 --> 00:08:24,520 doing hot ones the hard way. 140 00:08:35,300 --> 00:08:36,300 Delicious. 141 00:08:36,620 --> 00:08:38,860 That's what I'm talking about. Yeah, I like it. 142 00:08:41,220 --> 00:08:42,860 Okay. I'm waiting. 143 00:08:43,200 --> 00:08:44,300 Are you okay? 144 00:08:48,340 --> 00:08:49,680 I'm good. How's the ghetto? 145 00:08:49,920 --> 00:08:51,600 I'm good. Good boy. 146 00:08:51,980 --> 00:08:54,620 Everyone talks about chemistry in music. 147 00:08:56,660 --> 00:09:01,160 As if it's automatic. But I'm wondering, what does chemistry actually look like 148 00:09:01,160 --> 00:09:03,240 in the studio when it really starts clicking? 149 00:09:03,460 --> 00:09:05,520 Like, is there a different kind of vibe in the room? 150 00:09:05,740 --> 00:09:06,740 It's like this. 151 00:09:07,100 --> 00:09:10,160 Bro, we're going to the studio to have fun. 152 00:09:10,520 --> 00:09:12,620 You know, it's a certain moment. 153 00:09:13,360 --> 00:09:14,360 Can I talk? 154 00:09:14,540 --> 00:09:20,560 It's a certain moment in life where you get so into the game 155 00:09:20,560 --> 00:09:23,760 that you go to the studio that you're like. 156 00:09:24,240 --> 00:09:27,060 oh, I'm going to do this song, and I think it's going to have so many 157 00:09:28,500 --> 00:09:31,640 And that's when you get lost in the game. 158 00:09:31,980 --> 00:09:36,420 So now we're back as when we started. Like, we're just doing this for us. 159 00:09:36,980 --> 00:09:41,900 If you vibe with it, if you love it, that's great. If you don't, well, we did 160 00:09:41,900 --> 00:09:42,819 our best. 161 00:09:42,820 --> 00:09:44,540 Well, thank you for sharing, and Ryan. 162 00:09:45,120 --> 00:09:47,880 Great job here coming on to the Hot Ones set. 163 00:09:48,260 --> 00:09:53,260 Before you go, do you have any advice for J Balvin as he takes on the back 164 00:09:53,260 --> 00:09:54,260 of the Hot Ones? 165 00:09:57,920 --> 00:10:04,700 I love you, G. 166 00:10:05,100 --> 00:10:07,160 Stay here. I'm going to wait for you. 167 00:10:07,360 --> 00:10:11,020 All right, if you're ready, we can move on here to sauce number six, Tropical 168 00:10:11,020 --> 00:10:12,980 Amarillo. Oh, that sounds good. Mm -hmm. 169 00:10:19,560 --> 00:10:20,660 This is so tropical. 170 00:10:21,620 --> 00:10:24,700 Yeah, I feel like in the Amazonas in coastal Colombia. 171 00:10:25,780 --> 00:10:30,580 So you've described Metallica as being in your life since childhood. You fell 172 00:10:30,580 --> 00:10:34,320 love when you heard the first guitar riff. Oh, man. What is it about 173 00:10:34,320 --> 00:10:37,160 that blew your mind as a kid? Like, why do they rule? 174 00:10:37,820 --> 00:10:43,980 That was the first band that I heard, actually. 175 00:10:44,500 --> 00:10:48,340 I was just mind -blowing the fact that they had instrumentals. 176 00:10:49,390 --> 00:10:52,890 You know, like Orion and all this stuff. I'm like, it was mind -blowing to me 177 00:10:52,890 --> 00:10:53,890 that. 178 00:10:53,910 --> 00:10:54,910 How? 179 00:10:55,110 --> 00:10:56,790 I was like, who does that now? 180 00:10:57,710 --> 00:11:03,870 Who takes those risks? And who is so confident to just do an instrumental? 181 00:11:04,490 --> 00:11:08,730 So the reason why I'm doing music, why I started doing music, is because I fell 182 00:11:08,730 --> 00:11:12,390 in love with Metallica and also with Nirvana and Kurt Cobain. So I started 183 00:11:12,390 --> 00:11:16,130 guitar classes and I started a band. 184 00:11:16,390 --> 00:11:18,770 I wasn't the singer, but I was playing the guitar. 185 00:11:19,260 --> 00:11:22,880 So shout out to the whole crew. 186 00:11:23,180 --> 00:11:26,880 All right. We are six wings down. If you're ready, we can move on here to 187 00:11:26,880 --> 00:11:30,080 thought number seven. Of course. This one is called Eight Dragon. 188 00:11:30,320 --> 00:11:32,740 Oh, now the names are getting better. 189 00:11:40,780 --> 00:11:41,780 This is good. 190 00:11:41,840 --> 00:11:42,880 Like a roller coaster. 191 00:11:43,960 --> 00:11:45,300 I like that. This one is fun. 192 00:11:46,840 --> 00:11:48,140 We're flying now, baby. 193 00:11:48,620 --> 00:11:50,440 Oh, now I feel the wind. 194 00:11:50,680 --> 00:11:53,440 Now I feel a little rush. 195 00:11:54,380 --> 00:11:57,400 No water yet. I see that. I see that. 196 00:11:57,720 --> 00:11:58,720 Holding strong. 197 00:11:58,820 --> 00:11:59,820 Yeah, of course. 198 00:11:59,880 --> 00:12:04,140 So your music is full of aspirational imagery, but we all know that the 199 00:12:04,140 --> 00:12:10,480 foundation was a 1997 Volkswagen Golf that you nicknamed Ryo. Yeah. What was 200 00:12:10,480 --> 00:12:14,880 special about that 90s hatchback that it later inspired a Grammy -nominated 201 00:12:14,880 --> 00:12:16,040 album by the same name? 202 00:12:16,260 --> 00:12:17,280 You know, I remember my dad. 203 00:12:17,630 --> 00:12:22,250 doing all the sacrifice because we don't come from a wealthy family. And my dad, 204 00:12:22,290 --> 00:12:26,810 with all his sacrifice, working and working just to get me a car because he 205 00:12:26,810 --> 00:12:33,430 I wanted to be around with my music and going to different shows in bars or high 206 00:12:33,430 --> 00:12:35,910 schools or universities and all this stuff. 207 00:12:36,150 --> 00:12:42,630 In a poetic way, I think me and Rayo paved the way in a certain way for 208 00:12:42,630 --> 00:12:46,270 what's happening with the reggaeton in Colombia. 209 00:12:47,290 --> 00:12:50,190 How would you describe the car culture in Medellin? 210 00:12:50,410 --> 00:12:53,510 Like, how is it different from, say, Miami or Los Angeles? 211 00:12:53,730 --> 00:13:00,650 Yeah, well, you know, Colombia used to be a third -world country, so there 212 00:13:00,650 --> 00:13:04,470 wasn't a lot of money there, you know. Of course, it was rich people, but in 213 00:13:04,470 --> 00:13:10,270 general, it was really weird to see a Ferrari or a Lamborghini or, you know, 214 00:13:10,270 --> 00:13:12,650 whatever type of cars. Cars always were. 215 00:13:16,029 --> 00:13:21,890 important in people's dreams you know it's kind of like a like a little medal 216 00:13:21,890 --> 00:13:25,770 that you get when you're working and it's so beautiful when people buy the 217 00:13:25,770 --> 00:13:29,850 car it's like yeah i got my first car and i never forget when i have the first 218 00:13:29,850 --> 00:13:34,150 time you know my my car and radio you know that's his name so many beautiful 219 00:13:34,150 --> 00:13:38,850 memories you know rejections which is beautiful too because that's what makes 220 00:13:38,850 --> 00:13:45,260 you stronger you know and and uh doing all this A journey with me, it was 221 00:13:45,260 --> 00:13:49,000 beautiful. And then you've collected lots of medals along the way. I'm 222 00:13:49,080 --> 00:13:54,080 between the LaFerrari, the F40. Oh, you know your shit. 223 00:13:54,300 --> 00:13:56,060 And the 512 Testarossa. Okay. 224 00:13:56,600 --> 00:13:58,980 Which has the best pure driving experience? 225 00:14:00,020 --> 00:14:02,620 It's hard, man, because honestly, they're not comfortable. 226 00:14:03,400 --> 00:14:04,400 Right, yeah. 227 00:14:04,800 --> 00:14:08,640 They're not. Like, I remember the first time I drove LaFerrari, and you have to 228 00:14:08,640 --> 00:14:11,620 be pressing the brake all the time. 229 00:14:12,270 --> 00:14:14,270 If you don't put the brake, the car starts moving. 230 00:14:14,970 --> 00:14:18,250 So you don't have peace to be with your wife and talking about life. 231 00:14:19,450 --> 00:14:23,210 And you feel all the rocks because I have them in Colombia. 232 00:14:23,770 --> 00:14:26,270 But like little rocks because it's too low. 233 00:14:26,970 --> 00:14:33,490 You're driving and feeling every single one. But of those, the Ferrari was a 234 00:14:33,490 --> 00:14:34,610 little bit more comfortable. 235 00:14:35,230 --> 00:14:38,470 It had more technology than the F40 and than the Testarossa. 236 00:14:38,800 --> 00:14:41,780 If you're ready, we can move on to Da Bomb Beyond Insanity. 237 00:14:42,080 --> 00:14:43,520 Okay. The one. 238 00:14:43,760 --> 00:14:47,740 Yeah, there you go. Now you go. Shout out Ryan Castro. Look how a ghetto, the 239 00:14:47,740 --> 00:14:49,400 guy who's not from the ghetto handled this shit. 240 00:14:54,380 --> 00:14:55,380 Yeah, there you go. 241 00:15:04,180 --> 00:15:06,260 That's what I'm talking about. Out of reach. 242 00:15:12,160 --> 00:15:13,720 Control the breathe. Mm -hmm. 243 00:15:14,100 --> 00:15:17,200 Stay calm. Stay zen. Last one was a roller coaster. 244 00:15:17,840 --> 00:15:19,220 This one, we're floating. 245 00:15:19,440 --> 00:15:21,500 This one, it's special. 246 00:15:23,020 --> 00:15:25,300 Yeah. It's a good way of putting it. 247 00:15:25,960 --> 00:15:30,360 All right. J Balvin, you once said that fashion is your biggest passion on the 248 00:15:30,360 --> 00:15:34,240 same level as music. So while you battled the bomb, what I'm hoping we can 249 00:15:34,240 --> 00:15:37,440 a style retrospective of polls to my iconic red car. 250 00:15:37,690 --> 00:15:39,930 I've pulled some iconic red carpet. Are you okay? 251 00:15:40,510 --> 00:15:41,510 Because I'm crying. 252 00:15:43,410 --> 00:15:47,090 We pulled some of your most iconic looks. We'll pull them up on the 253 00:15:47,470 --> 00:15:50,910 I'm just hoping I can get a backstory, okay? Okay. Can you tell me about the 254 00:15:50,910 --> 00:15:52,330 look for your Maiden Medellin concert? 255 00:15:52,570 --> 00:15:55,190 Is there anything different about styling a show for your hometown? 256 00:15:55,450 --> 00:15:56,169 Of course. 257 00:15:56,170 --> 00:16:01,350 Every... Every... Every... What up, Ryan? 258 00:16:04,390 --> 00:16:05,550 Can you stop laughing? 259 00:16:06,490 --> 00:16:07,490 We got to concentrate. 260 00:16:07,630 --> 00:16:08,630 Yeah. 261 00:16:09,650 --> 00:16:13,390 This look. Be careful around the eyes. Be careful. Oh, yeah, you're right. Be 262 00:16:13,390 --> 00:16:14,390 careful. 263 00:16:14,410 --> 00:16:21,270 This look was the intro of the Pima Vera, of 264 00:16:21,270 --> 00:16:25,170 the tour in Colombia, the stadium tour that we're doing. 265 00:16:25,470 --> 00:16:31,570 And I love it. It was a beautiful aesthetic. And I have a lot of coins in 266 00:16:31,570 --> 00:16:34,930 head. If you can see, the thing was kind of shaky on the top. 267 00:16:35,900 --> 00:16:39,840 All right, up next, you told Louis Vuitton colors are energy and vibration. 268 00:16:40,160 --> 00:16:41,760 What is maximum vibration? 269 00:16:42,040 --> 00:16:44,640 Like, how would you describe it? Is this maximum vibration? 270 00:16:44,880 --> 00:16:45,880 Look at me now. 271 00:16:46,540 --> 00:16:49,320 That's like the bomb. 272 00:16:51,140 --> 00:16:57,360 That's a storm and a hurricane and this sauce that I have right here on me. 273 00:16:57,600 --> 00:16:58,720 All wrapped into one. 274 00:16:59,920 --> 00:17:02,900 I have so much personality to rock that thing, boy. 275 00:17:03,400 --> 00:17:05,540 How would you describe the aesthetic appeal of Vetements? 276 00:17:05,780 --> 00:17:08,140 Like, what role did that brand play in your style evolution? 277 00:17:08,960 --> 00:17:09,960 I love Vetements. 278 00:17:10,099 --> 00:17:15,319 I have a lot of respect for the designer, for Graham and Kirill, which 279 00:17:15,319 --> 00:17:16,500 of the Vetements brand. 280 00:17:17,260 --> 00:17:20,819 I love the aesthetic. I love the cuts. 281 00:17:21,079 --> 00:17:24,140 I'm kind of a jacket guy. Do you think I could pull one off? Of course. 282 00:17:24,920 --> 00:17:27,619 Absolutely. I know that you wouldn't say it if you didn't mean it. 283 00:17:27,940 --> 00:17:31,300 Because you just do an all -black, you know, biker jacket. 284 00:17:31,600 --> 00:17:32,960 There's no way you go wrong with that. 285 00:17:33,260 --> 00:17:37,380 All right, up next, what can you tell me about the holographic jumpsuit that was 286 00:17:37,380 --> 00:17:40,080 in your performance for the 2018 Latin Grammys? 287 00:17:40,500 --> 00:17:44,240 I think that was cool. I forgot about that one, but I think that's really, 288 00:17:44,240 --> 00:17:49,560 always been so focused on creating and changing the narrative of how they used 289 00:17:49,560 --> 00:17:55,060 to see us as Latinos when it was on performing, but not performing because 290 00:17:55,060 --> 00:17:57,400 there's a lot of great performances all the life. 291 00:17:57,680 --> 00:18:00,520 Way better than me, of course, a hundred times. 292 00:18:02,010 --> 00:18:07,950 On the fact of like... How kind of like an Ed Hardy kind of like bedazzled kind 293 00:18:07,950 --> 00:18:10,970 of look and then you're in like St. Laurent and kind of bringing it like a 294 00:18:10,970 --> 00:18:13,810 designer house kind of vibe. Yeah, I like that. 295 00:18:14,150 --> 00:18:18,170 We love always to create a world every time we do a show. 296 00:18:18,790 --> 00:18:21,130 And this is a world. Yeah. All right. 297 00:18:21,770 --> 00:18:25,170 We're on to spot number nine. We passed the bomb, man. We got past the bomb. 298 00:18:25,550 --> 00:18:29,890 Unfortunately, once one storm clears out, another one rolls in on this show. 299 00:18:30,879 --> 00:18:33,100 There's life if you're ready. Yeah, of course I'm ready. 300 00:18:39,180 --> 00:18:40,139 I'm good. 301 00:18:40,140 --> 00:18:41,140 I'm good. 302 00:18:42,040 --> 00:18:46,860 So I was reading a recent Living interview where you talked about how 303 00:18:46,860 --> 00:18:50,740 movies are like a stress reliever for you and you watch them to go to sleep. 304 00:18:50,920 --> 00:18:53,160 Yes. Thank God you brought that. 305 00:18:54,200 --> 00:18:55,200 Am I weird? 306 00:18:55,440 --> 00:18:59,520 No, that's not weird at all. I watch horror movies at night quite a bit, too, 307 00:18:59,520 --> 00:19:03,360 myself. It kind of elevates the whole experience for me, you know? 308 00:19:03,640 --> 00:19:06,720 The more scary the place feels, the better. 309 00:19:07,060 --> 00:19:13,160 Because when I was a kid, I was really scared of the dark. Super scared, 310 00:19:13,160 --> 00:19:15,180 I used to watch scary movies when I was a kid. 311 00:19:15,720 --> 00:19:19,540 And when I grew up, I was like, you know what? I got to face my fear. Like, I 312 00:19:19,540 --> 00:19:22,640 love this, but I'm not enjoying the result after. 313 00:19:23,900 --> 00:19:29,500 And it took me time. And then it's like the most, it's like my meditation time. 314 00:19:30,180 --> 00:19:33,000 Because all of them are based on true stories. 315 00:19:33,880 --> 00:19:39,940 So, yeah, I don't see like Hellraiser and those, not that like fiction. 316 00:19:40,620 --> 00:19:45,740 So I like the things that happen here in New Jersey, in Newark. 317 00:19:46,040 --> 00:19:50,400 You're like a conjuring. The conjuring, exactly. Things that you can go and see 318 00:19:50,400 --> 00:19:53,220 the house and be like, this happens a couple of years ago. 319 00:19:53,610 --> 00:19:54,810 All right. And UFOs, too. 320 00:19:55,010 --> 00:19:56,150 I believe in them. 321 00:19:57,310 --> 00:19:58,310 They're among us. 322 00:19:58,810 --> 00:20:02,570 We might be one of them. But you're not afraid. You'll face it. I think I know 323 00:20:02,570 --> 00:20:05,850 how to handle them. We're going to send you first as our ambassador. Exactly. 324 00:20:05,850 --> 00:20:07,190 Should that ever happen, all right? 325 00:20:08,070 --> 00:20:09,230 Representing us humans. You're the regular ambassador. 326 00:20:10,770 --> 00:20:16,050 All right, J Balvin, for the second time, you have made it to the last dab, 327 00:20:16,050 --> 00:20:20,390 we have a very special guest to help us out. Jack, come on in. 328 00:20:20,610 --> 00:20:22,310 Here comes Jack. What's up? 329 00:20:22,880 --> 00:20:26,140 How are you? Oh, great. And you, man? I'm great, man. 330 00:20:26,680 --> 00:20:28,360 Nice to meet you. You too. 331 00:20:28,740 --> 00:20:32,320 From one celebrity to another, Jay, this one's the one you want. 332 00:20:33,060 --> 00:20:34,060 Ooh. 333 00:20:34,280 --> 00:20:37,700 Thank you very much. Thank you, man. I love the hat. 334 00:20:38,080 --> 00:20:39,620 Oh, sashay away. 335 00:20:40,100 --> 00:20:41,100 All right. 336 00:20:41,560 --> 00:20:47,180 Sashay on out. And us, we'll sashay on in with a little extra on the last wing. 337 00:20:47,420 --> 00:20:48,420 Okay. 338 00:20:48,720 --> 00:20:49,720 All right. 339 00:20:55,310 --> 00:20:56,310 All right, all right. 340 00:20:56,890 --> 00:20:59,510 Cheers. Cheers. Ryan, what's up, man? 341 00:21:00,050 --> 00:21:01,090 The guy from the ghetto. 342 00:21:03,770 --> 00:21:09,150 And with that, J Balvin, you have now conquered the wings of death for a 343 00:21:09,150 --> 00:21:14,010 time. And last time you were on the show, you taught me hasta la chimba. You 344 00:21:14,010 --> 00:21:16,050 described the experience of eating the bomb. 345 00:21:16,310 --> 00:21:21,240 Yeah. I'm wondering, is there another Spanish phrase or piece of Colombian 346 00:21:21,240 --> 00:21:25,520 you could teach me that best describes what the experience of eating hot ones 347 00:21:25,520 --> 00:21:26,520 like? 348 00:21:44,200 --> 00:21:45,680 That's the perfect combo right there. 349 00:21:47,160 --> 00:21:53,000 And look at you, J Balvin, taking on the wings of death, living to tell the 350 00:21:53,000 --> 00:21:55,900 tale. And now there's nothing left to do but roll out the red carpet for you. 351 00:21:56,060 --> 00:21:58,840 This camera, this camera, this camera. Let the people know what you have going 352 00:21:58,840 --> 00:21:59,840 on in your life. 353 00:21:59,860 --> 00:22:02,600 Thank you guys for everything. I'm grateful for you guys. 354 00:22:02,840 --> 00:22:04,300 Thank you, Sean, for having me here on the show. 355 00:22:04,820 --> 00:22:06,740 We just dropped a new album with Ryan Castro. 356 00:22:07,760 --> 00:22:09,120 Omerta, go check it out. 357 00:22:09,900 --> 00:22:11,220 If you don't know me, I'm J Balvin. 358 00:22:11,440 --> 00:22:12,440 Get to know me a little bit. 359 00:22:12,800 --> 00:22:16,840 And much love. Straight up from my head in Colombia to the whole world, Latino 360 00:22:16,840 --> 00:22:17,860 gang. J -Bob and me. 361 00:22:27,020 --> 00:22:28,980 Is Andres here? I'd like to meet him. 362 00:22:29,340 --> 00:22:32,300 Welcome to Hot Ones. 363 00:22:33,180 --> 00:22:35,200 Welcome to Hot Ones. This is our show. 364 00:22:35,840 --> 00:22:40,200 So I'm thrilled to be joined in the studio with Andres. 365 00:22:40,750 --> 00:22:45,450 When you were on the show last time as your cameo, you were hiccuping, sweating 366 00:22:45,450 --> 00:22:46,169 through it. 367 00:22:46,170 --> 00:22:48,510 Yeah, yeah, yeah. But you're a showman, and you're back. 368 00:22:51,230 --> 00:22:52,770 Okay. We're going back in. 369 00:22:52,990 --> 00:22:54,210 No water. 370 00:22:55,730 --> 00:22:57,150 I remember that eye pop. 371 00:22:59,030 --> 00:23:01,010 Okay. The hiccups again. 372 00:23:01,250 --> 00:23:02,250 Why? Why? 373 00:23:02,350 --> 00:23:03,350 I don't know. 374 00:23:04,630 --> 00:23:05,630 Why? 375 00:23:06,170 --> 00:23:07,170 Oh, my God. 376 00:23:07,970 --> 00:23:09,790 Stay here. The camera. You've got to be on camera. 377 00:23:12,690 --> 00:23:13,690 Wait. 378 00:23:14,970 --> 00:23:17,610 Is it worse the second time? Is it worse than you remember? 379 00:23:18,150 --> 00:23:19,170 It's kind of the same. 380 00:23:21,670 --> 00:23:27,510 How come you can do an interview on this situation? I can't even think. 381 00:23:27,790 --> 00:23:29,170 Man, I do seven -hour shows. 382 00:23:29,650 --> 00:23:30,770 That's mind control. 383 00:23:31,690 --> 00:23:33,110 That's definitely mind control. 32177

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