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That's what I'm talking about.

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Hey, what's going on, everybody? For
First We Feast, I'm Sean Evans. You're

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watching Hot Ones. And today we deliver
you a very special Hot Ones reunion

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brought to you by Jack in the Box, who
we partnered with to create a munchie

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meal made for a spice lord. And I'm
thrilled to welcome back to the studio,

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Belvin. Thank you.

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He's a Grammy Award -nominated singer
-songwriter and one of the most

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musicians on the planet, a distinguished
former Hot Ones guest, and he also has

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a brand -new collaborative album,
Omerta, alongside Ryan Castro.

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Check it out, but first things first,
another go -round with the Wings of

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J Balvin, welcome back to the show. Oh,
thank you, man.

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So we not only have new sauces on the
table for you to try, but you'll also be

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one of the first to try our brand -new,
jack -in -the -box Hot Ones Munchie

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Meal. Okay. Are you ready to get
started? Absolutely.

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Now that we've kicked things off, we're
going to try our Hot Ones Buffalo

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Chicken Tater Melt, which is made with
Hot Ones Buffalo sauce.

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This is great.

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What?

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Oh, my God.

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That's how you start it off, baby.

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What?

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Oh, my God.

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Thank you.

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Plenty more where that came from. Okay.
No, but this is great. This is like a

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croissant? Mm -hmm.

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Wow. Little kick there at the end? Yeah.

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I need to take some of them.

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So it's great to see you in the studio.
We did that remote episode together some

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five years ago.

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And, you know, my favorite part was
almost when the interview ended. Yes.

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gave Da Bomb Beyond Insanity to your
friend Andres.

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Breathe.

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Breathe.

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Bro. He almost went to the hospital.

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He looked like it. No, no lie, man. He
was like, how do you say,

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hyperventilating? I don't know how you
say it.

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But I'm happy that he's back on his feet
and made it to the shoot today. We

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might bring him again. He's got to do an
encore performance.

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I'm sure he's watching this in a green
room somewhere and starting to sweat

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already. Andres, I swear to God, you're
going to come here.

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And then has the meme of you calling Da
Bomb toxic, you know, this is toxic,

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bro. Did that ever make it to you? Like,
do fans ever bring up your Hot Ones

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appearance in the wild?

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Yeah. Yes, how you did it, you know.

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And I'm just saying I just loved it,
man.

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But I think the company also helps a
lot, man. So thank you, Sean.

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All right, so up next, we have a hot
bergine here. That'll be the first wing

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that you try.

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Delicious.

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Yeah.

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Do you have a most treasured memory?

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From the seven -hour show that you did
in your hometown of Medellin last

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November, which included more than 80
songs and 40 ,000 flowers handed out to

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fans as they entered the stadium.

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You tell me about seven hours and I just
get tired.

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Jesus Christ, I don't know how I did it.

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Well, the memory is, of course, like, I
just wanted to give back to my people.

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That's the reason why it took, like,
kind of like two marathons and a half.

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And I was ready mentally, but not
physically.

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I didn't know what it's been on the show
seven hours nonstop because it's not

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that I just stay quiet. I'm moving and
I'm singing and I'm jumping and I'm

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performing and I'm sharing with the
people. So, I mean, the memories were

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beautiful, absolutely, but it was one
where I was fainting because I didn't

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have enough sugar in my body, enough
fat.

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So the doctors came to me and they gave
me like a bowl of ice cream.

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That's kind of like what we do on our
show when guests start to fade.

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But mine was just to get my sugar, you
know, back on track.

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The fact that it was home, beautiful.

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But the other one is like how much I
love my people that I'm like, if I have

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die on the stage, which would be
legendary, but I didn't want to.

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A warrior going out on a shield. Yeah, I
was like.

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I was like, man, I have to do it. So for
sauce number three, we have the Hot One

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Sriracha Curly Fry Burger, which is made
with Hot One Sriracha sauce.

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Okay. Let's bring them on out and give
them a try.

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That looks good.

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A little jalapeno on there.

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Oh, my God.

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Oh, I need this home.

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It hits.

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This is so amazing, bro.

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Another one that I'm taking home.

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Put it in the to -go bag. Yep. We're
stacking them up today.

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So you performed on some of the biggest
stages, from headlining Coachella to the

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Super Bowl halftime show.

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Is there a reaction from the audience
that unlocks another gear in you? Like,

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what's your favorite kind of energy to
see reflected back at you when you're

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on stage?

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You know, I think the first time that we
did the Super Bowl together with Bad

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Bunny, Shakira, and J -Lo, that kind of,
like, made me feel that we were really

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on the right track.

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And now they see, you know, Bad Bunny is
dead here.

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own Super Bowl, it's just like, I'm just
celebrating what's happening with our

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culture in general.

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So I think all the love that we're
getting back is we getting back. It's

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that I'm getting it back.

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The fact that people are more open to
listen to different sounds and engage,

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that our music is just unstoppable.

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It's undeniable that we have one of the
major impact in the world right now in

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the Spanish music, but I said Latino
music.

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This is beautiful.

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You're just enjoying the meal so far.

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It's beautiful.

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It's art. It's like the Mona Lisa right
there. So far. We're going to turn it

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into a Pollock here by the end.

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So far, so good.

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So, your album, Colores, each song was a
different color. When you're making a

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song like Azul, for example, what makes
a song sound blue? Like, how does a blue

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song sound different from like a red
song or a yellow song?

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I mean, that's so subjective. You know,
it's just like... What is blue for you

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might be red for me.

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I just close my eyes and just let it...
It might sound romantic, but I just let

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my soul connect with the color. You
know, I'm just like, this is blue. Don't

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me why.

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It just feels blue.

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And it was such a successful project,
man, because it was kind of random that

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you call every song by color. I'll give
a lot of credit to myself on that one.

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It's different.

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Yeah, and you seem like a vibes person
in the studio, creatively.

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You know, I was reading another
interview where you were talking about

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Bruce Wayne and how, like, you dimmed
the lights in the studio and had the New

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York skyline reflecting in.

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Oh, that was Batman, man.

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Let me think about it. I become Batman
right here.

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We are in New York City. We are in
Ghana. Come on. We can be Spider -Man.

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be Batman. We can be whatever you want.
Ninja Turtle.

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All right, if you're ready, we can move
on to the halfway mark.

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And for sauce number five, we have a
very special guest, Ryan Castro. Come on

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out. We had you eating sauce number
five, which was going to be a pickling

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scorpion, but it seems like J Balvin's
got other ideas. He's opened to bomb

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beyond insanity.

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You're a gangster. You said we just did
an album, by the way.

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He's called the artist from the ghetto.
You know, he comes from the ghettos of

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Colombia. He started, he created a huge
movement.

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I love him as a person, of course.
That's the reason why we're working

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So he's called, you know, like the king
of the ghetto.

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So, you know, if you're acting like
you're the top guy and, you know, you're

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like, you got everything under control,
I just want to see his reaction. So he's

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going to try. You went through the music
industry the hard way and now you're

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doing hot ones the hard way.

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Delicious.

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That's what I'm talking about. Yeah, I
like it.

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Okay. I'm waiting.

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Are you okay?

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I'm good. How's the ghetto?

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I'm good. Good boy.

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Everyone talks about chemistry in music.

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As if it's automatic. But I'm wondering,
what does chemistry actually look like

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in the studio when it really starts
clicking?

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Like, is there a different kind of vibe
in the room?

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It's like this.

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Bro, we're going to the studio to have
fun.

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You know, it's a certain moment.

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Can I talk?

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It's a certain moment in life where you
get so into the game

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that you go to the studio that you're
like.

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oh, I'm going to do this song, and I
think it's going to have so many

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And that's when you get lost in the
game.

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So now we're back as when we started.
Like, we're just doing this for us.

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If you vibe with it, if you love it,
that's great. If you don't, well, we did

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our best.

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Well, thank you for sharing, and Ryan.

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Great job here coming on to the Hot Ones
set.

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Before you go, do you have any advice
for J Balvin as he takes on the back

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of the Hot Ones?

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I love you, G.

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Stay here. I'm going to wait for you.

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All right, if you're ready, we can move
on here to sauce number six, Tropical

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Amarillo. Oh, that sounds good. Mm -hmm.

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This is so tropical.

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Yeah, I feel like in the Amazonas in
coastal Colombia.

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So you've described Metallica as being
in your life since childhood. You fell

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love when you heard the first guitar
riff. Oh, man. What is it about

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that blew your mind as a kid? Like, why
do they rule?

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That was the first band that I heard,
actually.

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I was just mind -blowing the fact that
they had instrumentals.

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You know, like Orion and all this stuff.
I'm like, it was mind -blowing to me

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that.

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How?

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I was like, who does that now?

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Who takes those risks? And who is so
confident to just do an instrumental?

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So the reason why I'm doing music, why I
started doing music, is because I fell

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in love with Metallica and also with
Nirvana and Kurt Cobain. So I started

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guitar classes and I started a band.

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I wasn't the singer, but I was playing
the guitar.

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So shout out to the whole crew.

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All right. We are six wings down. If
you're ready, we can move on here to

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thought number seven. Of course. This
one is called Eight Dragon.

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Oh, now the names are getting better.

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This is good.

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Like a roller coaster.

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00:11:43,960 --> 00:11:45,300
I like that. This one is fun.

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We're flying now, baby.

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Oh, now I feel the wind.

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00:11:50,680 --> 00:11:53,440
Now I feel a little rush.

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00:11:54,380 --> 00:11:57,400
No water yet. I see that. I see that.

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Holding strong.

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Yeah, of course.

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00:11:59,880 --> 00:12:04,140
So your music is full of aspirational
imagery, but we all know that the

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00:12:04,140 --> 00:12:10,480
foundation was a 1997 Volkswagen Golf
that you nicknamed Ryo. Yeah. What was

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00:12:10,480 --> 00:12:14,880
special about that 90s hatchback that it
later inspired a Grammy -nominated

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00:12:14,880 --> 00:12:16,040
album by the same name?

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00:12:16,260 --> 00:12:17,280
You know, I remember my dad.

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doing all the sacrifice because we don't
come from a wealthy family. And my dad,

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00:12:22,290 --> 00:12:26,810
with all his sacrifice, working and
working just to get me a car because he

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I wanted to be around with my music and
going to different shows in bars or high

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schools or universities and all this
stuff.

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In a poetic way, I think me and Rayo
paved the way in a certain way for

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what's happening with the reggaeton in
Colombia.

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00:12:47,290 --> 00:12:50,190
How would you describe the car culture
in Medellin?

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00:12:50,410 --> 00:12:53,510
Like, how is it different from, say,
Miami or Los Angeles?

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00:12:53,730 --> 00:13:00,650
Yeah, well, you know, Colombia used to
be a third -world country, so there

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00:13:00,650 --> 00:13:04,470
wasn't a lot of money there, you know.
Of course, it was rich people, but in

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00:13:04,470 --> 00:13:10,270
general, it was really weird to see a
Ferrari or a Lamborghini or, you know,

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00:13:10,270 --> 00:13:12,650
whatever type of cars. Cars always were.

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00:13:16,029 --> 00:13:21,890
important in people's dreams you know
it's kind of like a like a little medal

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00:13:21,890 --> 00:13:25,770
that you get when you're working and
it's so beautiful when people buy the

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00:13:25,770 --> 00:13:29,850
car it's like yeah i got my first car
and i never forget when i have the first

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00:13:29,850 --> 00:13:34,150
time you know my my car and radio you
know that's his name so many beautiful

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00:13:34,150 --> 00:13:38,850
memories you know rejections which is
beautiful too because that's what makes

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00:13:38,850 --> 00:13:45,260
you stronger you know and and uh doing
all this A journey with me, it was

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beautiful. And then you've collected
lots of medals along the way. I'm

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00:13:49,080 --> 00:13:54,080
between the LaFerrari, the F40. Oh, you
know your shit.

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00:13:54,300 --> 00:13:56,060
And the 512 Testarossa. Okay.

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00:13:56,600 --> 00:13:58,980
Which has the best pure driving
experience?

225
00:14:00,020 --> 00:14:02,620
It's hard, man, because honestly,
they're not comfortable.

226
00:14:03,400 --> 00:14:04,400
Right, yeah.

227
00:14:04,800 --> 00:14:08,640
They're not. Like, I remember the first
time I drove LaFerrari, and you have to

228
00:14:08,640 --> 00:14:11,620
be pressing the brake all the time.

229
00:14:12,270 --> 00:14:14,270
If you don't put the brake, the car
starts moving.

230
00:14:14,970 --> 00:14:18,250
So you don't have peace to be with your
wife and talking about life.

231
00:14:19,450 --> 00:14:23,210
And you feel all the rocks because I
have them in Colombia.

232
00:14:23,770 --> 00:14:26,270
But like little rocks because it's too
low.

233
00:14:26,970 --> 00:14:33,490
You're driving and feeling every single
one. But of those, the Ferrari was a

234
00:14:33,490 --> 00:14:34,610
little bit more comfortable.

235
00:14:35,230 --> 00:14:38,470
It had more technology than the F40 and
than the Testarossa.

236
00:14:38,800 --> 00:14:41,780
If you're ready, we can move on to Da
Bomb Beyond Insanity.

237
00:14:42,080 --> 00:14:43,520
Okay. The one.

238
00:14:43,760 --> 00:14:47,740
Yeah, there you go. Now you go. Shout
out Ryan Castro. Look how a ghetto, the

239
00:14:47,740 --> 00:14:49,400
guy who's not from the ghetto handled
this shit.

240
00:14:54,380 --> 00:14:55,380
Yeah, there you go.

241
00:15:04,180 --> 00:15:06,260
That's what I'm talking about. Out of
reach.

242
00:15:12,160 --> 00:15:13,720
Control the breathe. Mm -hmm.

243
00:15:14,100 --> 00:15:17,200
Stay calm. Stay zen. Last one was a
roller coaster.

244
00:15:17,840 --> 00:15:19,220
This one, we're floating.

245
00:15:19,440 --> 00:15:21,500
This one, it's special.

246
00:15:23,020 --> 00:15:25,300
Yeah. It's a good way of putting it.

247
00:15:25,960 --> 00:15:30,360
All right. J Balvin, you once said that
fashion is your biggest passion on the

248
00:15:30,360 --> 00:15:34,240
same level as music. So while you
battled the bomb, what I'm hoping we can

249
00:15:34,240 --> 00:15:37,440
a style retrospective of polls to my
iconic red car.

250
00:15:37,690 --> 00:15:39,930
I've pulled some iconic red carpet. Are
you okay?

251
00:15:40,510 --> 00:15:41,510
Because I'm crying.

252
00:15:43,410 --> 00:15:47,090
We pulled some of your most iconic
looks. We'll pull them up on the

253
00:15:47,470 --> 00:15:50,910
I'm just hoping I can get a backstory,
okay? Okay. Can you tell me about the

254
00:15:50,910 --> 00:15:52,330
look for your Maiden Medellin concert?

255
00:15:52,570 --> 00:15:55,190
Is there anything different about
styling a show for your hometown?

256
00:15:55,450 --> 00:15:56,169
Of course.

257
00:15:56,170 --> 00:16:01,350
Every... Every... Every... What up,
Ryan?

258
00:16:04,390 --> 00:16:05,550
Can you stop laughing?

259
00:16:06,490 --> 00:16:07,490
We got to concentrate.

260
00:16:07,630 --> 00:16:08,630
Yeah.

261
00:16:09,650 --> 00:16:13,390
This look. Be careful around the eyes.
Be careful. Oh, yeah, you're right. Be

262
00:16:13,390 --> 00:16:14,390
careful.

263
00:16:14,410 --> 00:16:21,270
This look was the intro of the Pima
Vera, of

264
00:16:21,270 --> 00:16:25,170
the tour in Colombia, the stadium tour
that we're doing.

265
00:16:25,470 --> 00:16:31,570
And I love it. It was a beautiful
aesthetic. And I have a lot of coins in

266
00:16:31,570 --> 00:16:34,930
head. If you can see, the thing was kind
of shaky on the top.

267
00:16:35,900 --> 00:16:39,840
All right, up next, you told Louis
Vuitton colors are energy and vibration.

268
00:16:40,160 --> 00:16:41,760
What is maximum vibration?

269
00:16:42,040 --> 00:16:44,640
Like, how would you describe it? Is this
maximum vibration?

270
00:16:44,880 --> 00:16:45,880
Look at me now.

271
00:16:46,540 --> 00:16:49,320
That's like the bomb.

272
00:16:51,140 --> 00:16:57,360
That's a storm and a hurricane and this
sauce that I have right here on me.

273
00:16:57,600 --> 00:16:58,720
All wrapped into one.

274
00:16:59,920 --> 00:17:02,900
I have so much personality to rock that
thing, boy.

275
00:17:03,400 --> 00:17:05,540
How would you describe the aesthetic
appeal of Vetements?

276
00:17:05,780 --> 00:17:08,140
Like, what role did that brand play in
your style evolution?

277
00:17:08,960 --> 00:17:09,960
I love Vetements.

278
00:17:10,099 --> 00:17:15,319
I have a lot of respect for the
designer, for Graham and Kirill, which

279
00:17:15,319 --> 00:17:16,500
of the Vetements brand.

280
00:17:17,260 --> 00:17:20,819
I love the aesthetic. I love the cuts.

281
00:17:21,079 --> 00:17:24,140
I'm kind of a jacket guy. Do you think I
could pull one off? Of course.

282
00:17:24,920 --> 00:17:27,619
Absolutely. I know that you wouldn't say
it if you didn't mean it.

283
00:17:27,940 --> 00:17:31,300
Because you just do an all -black, you
know, biker jacket.

284
00:17:31,600 --> 00:17:32,960
There's no way you go wrong with that.

285
00:17:33,260 --> 00:17:37,380
All right, up next, what can you tell me
about the holographic jumpsuit that was

286
00:17:37,380 --> 00:17:40,080
in your performance for the 2018 Latin
Grammys?

287
00:17:40,500 --> 00:17:44,240
I think that was cool. I forgot about
that one, but I think that's really,

288
00:17:44,240 --> 00:17:49,560
always been so focused on creating and
changing the narrative of how they used

289
00:17:49,560 --> 00:17:55,060
to see us as Latinos when it was on
performing, but not performing because

290
00:17:55,060 --> 00:17:57,400
there's a lot of great performances all
the life.

291
00:17:57,680 --> 00:18:00,520
Way better than me, of course, a hundred
times.

292
00:18:02,010 --> 00:18:07,950
On the fact of like... How kind of like
an Ed Hardy kind of like bedazzled kind

293
00:18:07,950 --> 00:18:10,970
of look and then you're in like St.
Laurent and kind of bringing it like a

294
00:18:10,970 --> 00:18:13,810
designer house kind of vibe. Yeah, I
like that.

295
00:18:14,150 --> 00:18:18,170
We love always to create a world every
time we do a show.

296
00:18:18,790 --> 00:18:21,130
And this is a world. Yeah. All right.

297
00:18:21,770 --> 00:18:25,170
We're on to spot number nine. We passed
the bomb, man. We got past the bomb.

298
00:18:25,550 --> 00:18:29,890
Unfortunately, once one storm clears
out, another one rolls in on this show.

299
00:18:30,879 --> 00:18:33,100
There's life if you're ready. Yeah, of
course I'm ready.

300
00:18:39,180 --> 00:18:40,139
I'm good.

301
00:18:40,140 --> 00:18:41,140
I'm good.

302
00:18:42,040 --> 00:18:46,860
So I was reading a recent Living
interview where you talked about how

303
00:18:46,860 --> 00:18:50,740
movies are like a stress reliever for
you and you watch them to go to sleep.

304
00:18:50,920 --> 00:18:53,160
Yes. Thank God you brought that.

305
00:18:54,200 --> 00:18:55,200
Am I weird?

306
00:18:55,440 --> 00:18:59,520
No, that's not weird at all. I watch
horror movies at night quite a bit, too,

307
00:18:59,520 --> 00:19:03,360
myself. It kind of elevates the whole
experience for me, you know?

308
00:19:03,640 --> 00:19:06,720
The more scary the place feels, the
better.

309
00:19:07,060 --> 00:19:13,160
Because when I was a kid, I was really
scared of the dark. Super scared,

310
00:19:13,160 --> 00:19:15,180
I used to watch scary movies when I was
a kid.

311
00:19:15,720 --> 00:19:19,540
And when I grew up, I was like, you know
what? I got to face my fear. Like, I

312
00:19:19,540 --> 00:19:22,640
love this, but I'm not enjoying the
result after.

313
00:19:23,900 --> 00:19:29,500
And it took me time. And then it's like
the most, it's like my meditation time.

314
00:19:30,180 --> 00:19:33,000
Because all of them are based on true
stories.

315
00:19:33,880 --> 00:19:39,940
So, yeah, I don't see like Hellraiser
and those, not that like fiction.

316
00:19:40,620 --> 00:19:45,740
So I like the things that happen here in
New Jersey, in Newark.

317
00:19:46,040 --> 00:19:50,400
You're like a conjuring. The conjuring,
exactly. Things that you can go and see

318
00:19:50,400 --> 00:19:53,220
the house and be like, this happens a
couple of years ago.

319
00:19:53,610 --> 00:19:54,810
All right. And UFOs, too.

320
00:19:55,010 --> 00:19:56,150
I believe in them.

321
00:19:57,310 --> 00:19:58,310
They're among us.

322
00:19:58,810 --> 00:20:02,570
We might be one of them. But you're not
afraid. You'll face it. I think I know

323
00:20:02,570 --> 00:20:05,850
how to handle them. We're going to send
you first as our ambassador. Exactly.

324
00:20:05,850 --> 00:20:07,190
Should that ever happen, all right?

325
00:20:08,070 --> 00:20:09,230
Representing us humans. You're the
regular ambassador.

326
00:20:10,770 --> 00:20:16,050
All right, J Balvin, for the second
time, you have made it to the last dab,

327
00:20:16,050 --> 00:20:20,390
we have a very special guest to help us
out. Jack, come on in.

328
00:20:20,610 --> 00:20:22,310
Here comes Jack. What's up?

329
00:20:22,880 --> 00:20:26,140
How are you? Oh, great. And you, man?
I'm great, man.

330
00:20:26,680 --> 00:20:28,360
Nice to meet you. You too.

331
00:20:28,740 --> 00:20:32,320
From one celebrity to another, Jay, this
one's the one you want.

332
00:20:33,060 --> 00:20:34,060
Ooh.

333
00:20:34,280 --> 00:20:37,700
Thank you very much. Thank you, man. I
love the hat.

334
00:20:38,080 --> 00:20:39,620
Oh, sashay away.

335
00:20:40,100 --> 00:20:41,100
All right.

336
00:20:41,560 --> 00:20:47,180
Sashay on out. And us, we'll sashay on
in with a little extra on the last wing.

337
00:20:47,420 --> 00:20:48,420
Okay.

338
00:20:48,720 --> 00:20:49,720
All right.

339
00:20:55,310 --> 00:20:56,310
All right, all right.

340
00:20:56,890 --> 00:20:59,510
Cheers. Cheers. Ryan, what's up, man?

341
00:21:00,050 --> 00:21:01,090
The guy from the ghetto.

342
00:21:03,770 --> 00:21:09,150
And with that, J Balvin, you have now
conquered the wings of death for a

343
00:21:09,150 --> 00:21:14,010
time. And last time you were on the
show, you taught me hasta la chimba. You

344
00:21:14,010 --> 00:21:16,050
described the experience of eating the
bomb.

345
00:21:16,310 --> 00:21:21,240
Yeah. I'm wondering, is there another
Spanish phrase or piece of Colombian

346
00:21:21,240 --> 00:21:25,520
you could teach me that best describes
what the experience of eating hot ones

347
00:21:25,520 --> 00:21:26,520
like?

348
00:21:44,200 --> 00:21:45,680
That's the perfect combo right there.

349
00:21:47,160 --> 00:21:53,000
And look at you, J Balvin, taking on the
wings of death, living to tell the

350
00:21:53,000 --> 00:21:55,900
tale. And now there's nothing left to do
but roll out the red carpet for you.

351
00:21:56,060 --> 00:21:58,840
This camera, this camera, this camera.
Let the people know what you have going

352
00:21:58,840 --> 00:21:59,840
on in your life.

353
00:21:59,860 --> 00:22:02,600
Thank you guys for everything. I'm
grateful for you guys.

354
00:22:02,840 --> 00:22:04,300
Thank you, Sean, for having me here on
the show.

355
00:22:04,820 --> 00:22:06,740
We just dropped a new album with Ryan
Castro.

356
00:22:07,760 --> 00:22:09,120
Omerta, go check it out.

357
00:22:09,900 --> 00:22:11,220
If you don't know me, I'm J Balvin.

358
00:22:11,440 --> 00:22:12,440
Get to know me a little bit.

359
00:22:12,800 --> 00:22:16,840
And much love. Straight up from my head
in Colombia to the whole world, Latino

360
00:22:16,840 --> 00:22:17,860
gang. J -Bob and me.

361
00:22:27,020 --> 00:22:28,980
Is Andres here? I'd like to meet him.

362
00:22:29,340 --> 00:22:32,300
Welcome to Hot Ones.

363
00:22:33,180 --> 00:22:35,200
Welcome to Hot Ones. This is our show.

364
00:22:35,840 --> 00:22:40,200
So I'm thrilled to be joined in the
studio with Andres.

365
00:22:40,750 --> 00:22:45,450
When you were on the show last time as
your cameo, you were hiccuping, sweating

366
00:22:45,450 --> 00:22:46,169
through it.

367
00:22:46,170 --> 00:22:48,510
Yeah, yeah, yeah. But you're a showman,
and you're back.

368
00:22:51,230 --> 00:22:52,770
Okay. We're going back in.

369
00:22:52,990 --> 00:22:54,210
No water.

370
00:22:55,730 --> 00:22:57,150
I remember that eye pop.

371
00:22:59,030 --> 00:23:01,010
Okay. The hiccups again.

372
00:23:01,250 --> 00:23:02,250
Why? Why?

373
00:23:02,350 --> 00:23:03,350
I don't know.

374
00:23:04,630 --> 00:23:05,630
Why?

375
00:23:06,170 --> 00:23:07,170
Oh, my God.

376
00:23:07,970 --> 00:23:09,790
Stay here. The camera. You've got to be
on camera.

377
00:23:12,690 --> 00:23:13,690
Wait.

378
00:23:14,970 --> 00:23:17,610
Is it worse the second time? Is it worse
than you remember?

379
00:23:18,150 --> 00:23:19,170
It's kind of the same.

380
00:23:21,670 --> 00:23:27,510
How come you can do an interview on this
situation? I can't even think.

381
00:23:27,790 --> 00:23:29,170
Man, I do seven -hour shows.

382
00:23:29,650 --> 00:23:30,770
That's mind control.

383
00:23:31,690 --> 00:23:33,110
That's definitely mind control.