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Once again, it's that time of year
when ten designers head
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down here to Brighton to see
if they've got what it takes
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to become a master of interiors.
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But to make it to the top,
you need to have a unique vision.
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THEME TUNE FROM THE A-TEAM PLAYS
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BIRD SQUAWKS
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If you really want to stand out
from the crowd, you've got to think
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bigger and better than the rest.
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Welcome to Interior Design Masters!
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THEY CHEER
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Ten aspiring designers looking
for a big career break.
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I am alternative, but not
your average alternative.
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I just think he's just cute.
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Oh! Oh, my God.
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Oh, Lord. People do always say to
me, "What can't you do?"
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It's moving the flowers!
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Every week, they'll be challenged
to transform
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a different commercial space...
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Look at this! ..in the hope of
impressing interiors guru
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Michelle Ogundehin.
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Great interior design is about
dreaming, thinking and inspiring.
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So I'm looking for someone who can
give me that magical combination.
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Oh!
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They'll be stretched
to their limits...
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I am going to come out fighting.
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I can't stand it.
I think it looks like a poo poo.
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I'm so disappointed in myself.
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Done! I wanted to work together,
but...
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Oh!
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..I also want to win.
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..their design scrutinised...
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I think the story is huge!
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..by the biggest names...
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It feels very masculine and rough.
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..in the industry.
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This is amazing.
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It's very frumpy.
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It's big, it's bold, for sure.
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At stake...
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Where is this place?!
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..a career-defining contract
to transform a top cocktail bar.
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Is this the Ibiza room?
I love this. Woo!
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I'm throwing everything
at it, and just pushing myself.
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It's all I can do.
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Spin, spin, spin.
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How much more wild do they want?
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Howdy, boy! Do I look like Beyonce?
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# Last night, I had a dream... #
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We're back in beautiful Brighton...
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..with ten talented interior
designers making a beeline
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to Michelle's design studio.
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Oh, wow. Hi. This is a bit
fancy, isn't it? Yeah.
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What do you do? I'm a furniture
artist.
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My style, in general, is a little
bit dark and moody.
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We couldn't guess that.
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No? You can't tell?
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I am alternative, but not
your average alternative.
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There is a few must-haves for me
in every room.
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A little bit of gold,
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a little bit of texture,
and a little bit of darkness.
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Hi. Hi! Hi, guys.
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So what do you do, Jack?
I'm a furniture dealer.
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So I live in an old chapel.
Oh! That's my dream!
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I delved into interior design
when I bought a derelict church
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with my boyfriend.
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I suppose I am trying to recreate
the Sistine Chapel.
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That would be pretty cool,
and a little bit bonkers in Norfolk.
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HE CHUCKLES
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Hi. Hi.
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What's your name? Carl. I originally
trained as an architect.
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I also trained as an architect.
Oh, did you, actually?
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Joanne, what do you do?
I'm a content creator.
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I do recognise you from social
media. Do you? Yeah.
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LAUGHTER
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My design style, it's maximalist
and it's whimsical.
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I love collecting things.
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And once I start, kind of can't
stop.
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I sound like a weirdo, don't I?
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Is this everyone?
Yeah. I think it is. Hello, guys.
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ALL: Hi!
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Welcome to Interior Design Masters!
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THEY CHEER
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Looking beautiful. Thank you!
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Flattery will get you everywhere.
You've won.
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Yes! But of course, I'm not the one
you need to impress.
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Who's been swatting up on Michelle
Ogundehin? Who's been a bit creepy
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and actually followed her home and
looked at her through the letterbox?
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LAUGHTER
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I can feel my ears burning! Oh!
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Hello. You look gorgeous.
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Look at you in all those sequins.
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Well, someone had to keep
up the style stakes
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on our side. Please!
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Woo! Thanks.
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So, look at you fabulous folk.
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Are you keen to get started?
Yes. Yes.
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This could be the start
of your journey to becoming
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a professional interior designer.
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So I'm going to want to see ideas,
invention, energy, excitement.
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So with that in mind, your first
challenge, I'm sending you to create
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five new show homes in a brand-new
development, where eco-friendly
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features are absolutely
at the heart of its design.
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MUSIC: London Calling
by The Clash
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With stunning views of the iconic
London skyline,
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this brand-new development is part
of Elephant and Castle's exciting
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regeneration. In teams of two,
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the designers will transform an
apartment, one taking on the living
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area, while the other focuses
on the bedrooms.
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Each flat has a unique brief.
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So each team must cater to a
specific client, from a mature
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couple to flat-sharing friends.
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There is one brief per apartment,
so I am going to be judging
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you on how your schemes
work together.
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But also, I want you to put
sustainability right into the core
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of your design.
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And, of course, the two weakest
pairs will end up in front
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of the judges on the dreaded sofa.
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And one of you will be going home.
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Good luck. Good luck.
Thank you. Thank you.
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So excited. I was like, "Let's go!"
Yes.
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Let's see what we've come up with.
Show us what you've got.
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The designers have already
prepared their schemes...
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So a lot of natural materials.
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..and can now share their ideas
with their partner.
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How did you envision this couple?
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A hosting couple who want to
impress their friends.
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Interior shop owner Jack
is working with architect Buse.
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All of my panels are also reclaimed
wood. Amazing.
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Buse, Jack, how are you
getting on?
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I think we've got similar
wavelength, so that's quite
exciting.
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Who's your clientele
that you're designing for?
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A mature couple in their 40s.
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Is that mature now?
Apparently it is.
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So, what are you going to do?
Like, walk-in baths, ramps?
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Yeah. You know, I'm in that bracket.
Mature 40s?
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Yeah, can you say it to this ear?
What? Now, Jack,
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your style is historic opulence.
Yeah!
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And I've been given a flat!
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But I'm hoping this will bring
out another side of me.
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It's definitely different
from my style. I've used lots of raw
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materials, I've zoned things.
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I thought I was a confident person,
but I don't know if I necessarily
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am...right now.
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OK, so our brief was 25 to
35-year-old. Yeah.
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Interiors graduate Ry is working
with furniture artist Monika.
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This brief was just made for me.
I love this brief.
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I am a recent graduate of studying
interior design.
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I live at home with my parents,
which isn't ideal for someone who's
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in their late 20s,
but that's how it is nowadays.
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I have the loft, which is my
little crib.
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Being on Interior Design Masters
will help get me out of living
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in my bedroom alone.
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HE LAUGHS
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This is the main living area here.
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A lot of my materials are as natural
as possible, and then I've created
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this breakfast bar for everyone to
sort of get around and socialise.
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So great for friends. Exactly. Yes.
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I was thinking friends that are
eco-conscious,
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and then they're Londoners.
So, work hard, party hard.
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Yeah. My first bedroom is a master
bedroom, with neutral tones,
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and just a little bit of darkness.
Just a little bit.
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And then my second bedroom,
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this is more like the area
of getting ready to go out.
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So I'm going to have like a dressing
table, and then a day bed that's
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actually extendable into
a double bed.
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It's a versatile space. Yes.
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I am so excited.
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When I first saw Monika's
design, I was like,
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"Yes, I'm feeling this energy."
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I love his design and I think we're
going to work so great together
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and create a beautiful apartment.
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This is my mood board
for the master bedroom.
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Karl and Temi are designing a home
for a couple and young child.
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I took my ideas from my culture
and heritage and the colours
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of the sea and the natural
materials.
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My theme is Bohemian meets elegance
meets London.
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I'm from Kuala Lumpur, Malaysia,
and I have lived in
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Newcastle upon Tyne for the last ten
years.
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When I came to Newcastle, people
are so lovely and warm.
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Everyone's just like, "Y'alreet,
pet?
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"You know, it's amazing. It's just
great."
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I'm an architect designer,
and I run my own practice.
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I definitely bring a bit of an edge
to this competition.
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I don't think you get big rewards
without taking big risks.
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Where does this feature
in your design?
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So that's going to be a self-built
dining table.
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Temi, Karl, what's going on?
I saw you roll your eyes, then.
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That wasn't at me, was it?
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Was it?! That was my eye roll of
happiness,
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because Karl's design is filling me
with joy right now.
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Karl, you're an architect.
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Traditionally, in the competition,
they push boundaries.
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Are you doing that? I certainly hope
so.
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They're going to have a little child
running around,
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so I'm going to build a sofa from
scratch.
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That's going to be integrated as a
divider and have lots of storage
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underneath, because that's
where the toys go.
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And then I've got the child's
bedroom. It's a vintage circus.
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That's probably your wild card.
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The vintage circus is going
to be interesting.
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It's definitely going to be a
challenge.
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Our brief is a young couple,
25 to 35.
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Still young. Still young.
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Waiter Tom has been paired
with lawyer Charlotte.
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My inspiration is sort of India.
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I'm doing a guest bed and office
space in this greeny-grey,
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with like a pop of yellow.
This is like my take on the howdah.
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It's an Indian term. So it's based
on the elephant and castle.
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It's like a little enclosed,
curtained bed space.
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In this turmeric, yellow colour.
Looks good. Thanks.
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I've gone with the botanical,
eco-friendly vibe.
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Yeah. My main feature is this wall
mural.
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And then I've taken all the colours
from that wall mural.
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So we've got greens. And also,
I've got to have a bit
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of pink in there.
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I do lawyering by day, singing
and dancing and acting by night
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and interior design any other time
that I have free.
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My design style
has a theatrical flair.
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People do underestimate me
because I'm quite feminine,
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but I'm not afraid of
getting my hands dirty,
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so, yeah, I'm definitely
bringing the girl power to DIY.
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So, the show apartment's
in Elephant and Castle.
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Who thought this up?
Elephant and Castle.
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All I remember is that
massive roundabout.
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Yes, and now it's undergoing
a huge amount of regeneration,
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which is a real opportunity
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to kind of inject new ideas
from the ground up.
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You mentioned sustainability.
What are you hoping to see?
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It could be recycled materials,
it could be upcycling furniture,
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it could be the materials
themselves,
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but what it can't be is just
some sort of add-on.
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I want it to be core
to their designs.
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That's a lot of hoops
to jump through.
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Well, you know what I'm like. I like
to throw them in at the deep end
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right from the beginning.
We'll see who sinks or swims.
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It is only week one.
You know that, Michelle.
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What are you going to do week ten?
Oh, well... Abattoir week?
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# You should come south of the river
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# This is where it all starts... #
240
00:11:52,400 --> 00:11:55,320
It's the first morning at our
eco-conscious complex.
241
00:11:55,320 --> 00:11:57,440
Let's do this. Let's do this, go on.
242
00:11:57,440 --> 00:12:00,120
This view. This is what it's
all about. Yep.
243
00:12:00,120 --> 00:12:01,840
Is that The Shard,
that pointy thing?
244
00:12:01,840 --> 00:12:05,160
The designers have a budget
of £1,800...
245
00:12:05,160 --> 00:12:09,800
Why don't you go get the stuff?
I'll put the kettle on.
246
00:12:09,800 --> 00:12:11,240
..a team of tradespeople...
247
00:12:11,240 --> 00:12:13,320
Sorry, which one of you's the
carpenter?
248
00:12:13,320 --> 00:12:15,640
I... You need that man. ..need you.
249
00:12:15,640 --> 00:12:19,720
..and just two days to complete
their first designs of the
competition.
250
00:12:19,720 --> 00:12:23,600
It's so bright. I love it!
It's so bright. It's so fresh.
251
00:12:23,600 --> 00:12:27,320
Visual merchandiser Peter
and content creator Joanne
252
00:12:27,320 --> 00:12:29,720
have been tasked with creating
the perfect pad
253
00:12:29,720 --> 00:12:31,520
for a post-grad student.
254
00:12:31,520 --> 00:12:34,440
My theme is London.
Here we've got a bunch of green.
255
00:12:34,440 --> 00:12:36,480
It's quite dark.
It'll look really good.
256
00:12:36,480 --> 00:12:39,240
And then I've got a
shelving unit room divider
257
00:12:39,240 --> 00:12:42,120
that's made out of recycled wood.
And what's happening on this wall?
258
00:12:42,120 --> 00:12:45,040
Oh, that's where the artwork's
going. OK. Everywhere you look,
259
00:12:45,040 --> 00:12:47,360
there's something that's going to
interest you and excite you.
260
00:12:47,360 --> 00:12:49,520
And this is me!
261
00:12:47,360 --> 00:12:49,520
JOANNE GASPS
262
00:12:49,520 --> 00:12:51,040
This is my white room.
263
00:12:51,040 --> 00:12:54,000
I'm going to be doing my textured
band all the way around
264
00:12:54,000 --> 00:12:56,560
and then I have my big moment
in the bedroom,
265
00:12:56,560 --> 00:12:59,040
which is my living cactus headboard.
Oh, yeah.
266
00:12:59,040 --> 00:13:02,480
What I want people to feel is
Ibizan, kind of chill vibes.
267
00:13:05,480 --> 00:13:07,640
Our home is in a very
normal cul-de-sac,
268
00:13:07,640 --> 00:13:10,520
but when you come inside,
it's a very Mediterranean space.
269
00:13:10,520 --> 00:13:14,360
I love white spaces and the crisp
freshness that they bring.
270
00:13:14,360 --> 00:13:16,920
My aesthetic hasn't always
been calm and neutral.
271
00:13:16,920 --> 00:13:19,600
I had a Britney Spears bedroom
at one point.
272
00:13:19,600 --> 00:13:22,080
It was floor to ceiling
pictures of Britney Spears.
273
00:13:22,080 --> 00:13:24,080
Even the light switch
had pictures of her.
274
00:13:27,200 --> 00:13:30,880
So, this is bedroom two,
which I'm turning into a study,
275
00:13:30,880 --> 00:13:34,960
a kind of a gallery-studio vibe, so
it's going to be a bit more modern.
276
00:13:34,960 --> 00:13:36,880
I'll have a real pops of colour
in this room... Yeah.
277
00:13:36,880 --> 00:13:38,920
..and a big piece of artwork
on the wall as well.
278
00:13:40,400 --> 00:13:43,840
It's a risk that I'm taking us out
of London, but it's my style,
279
00:13:43,840 --> 00:13:46,880
and in this first challenge,
I really want to show my styles.
280
00:13:46,880 --> 00:13:49,640
I love Peter's theme.
A designer wouldn't say,
281
00:13:49,640 --> 00:13:52,040
"I'm going to have a London room
and an Ibiza room,"
282
00:13:52,040 --> 00:13:54,960
but we're going to make it work.
Down the hall...
283
00:13:54,960 --> 00:13:57,800
Morning! Hey.
Morning! Morning, guys.
284
00:13:57,800 --> 00:14:01,400
..Charlotte and Tom are designing
a home for a young couple.
285
00:14:01,400 --> 00:14:04,680
The ceiling's going to be painted
kind of like a mint green colour,
286
00:14:04,680 --> 00:14:08,520
which then comes down 10cm
to look a bit like coving. OK.
287
00:14:08,520 --> 00:14:11,160
My main bedroom is going quite dark
288
00:14:11,160 --> 00:14:15,120
and there's wallpaper and paint
in the second bedroom. Cool.
289
00:14:15,120 --> 00:14:19,320
Tom will combine graphic wallpaper
and a painted border
290
00:14:19,320 --> 00:14:22,800
to create a striking crescent effect
in his guest bedroom.
291
00:14:22,800 --> 00:14:26,520
A draped yellow bed will take
inspiration from the howdah,
292
00:14:26,520 --> 00:14:28,520
and he'll add sustainable style
293
00:14:28,520 --> 00:14:31,760
by reupholstering a reclaimed
headboard and chair.
294
00:14:33,960 --> 00:14:36,400
I'm doing three pieces this morning
of upholstery.
295
00:14:36,400 --> 00:14:39,320
It's in this lovely linen check,
which makes it really easy
296
00:14:39,320 --> 00:14:40,800
because you're just
following the lines
297
00:14:40,800 --> 00:14:44,520
so everything ends up being
really straight and correct.
298
00:14:44,520 --> 00:14:47,440
It's a good place to start cos
I can get a lot done very quickly
299
00:14:47,440 --> 00:14:50,000
and feel like I'm getting
on top of the game,
300
00:14:50,000 --> 00:14:52,760
but I probably will be stuck
in here for quite some time!
301
00:14:52,760 --> 00:14:54,520
HE LAUGHS
302
00:14:54,520 --> 00:14:55,960
It's nice and fresh, isn't it?
303
00:14:55,960 --> 00:14:57,680
And look - it's drying lighter,
as well.
304
00:14:57,680 --> 00:15:00,600
Tom's doing stuff
that's bold and so am I.
305
00:15:00,600 --> 00:15:03,280
I'm just hoping that everything
comes together.
306
00:15:03,280 --> 00:15:05,880
So, this is the ceiling.
You've got stripes here.
307
00:15:05,880 --> 00:15:06,920
Downstairs...
308
00:15:06,920 --> 00:15:09,440
How are we looking?
Yeah, it's good.
309
00:15:09,440 --> 00:15:12,880
..work in the family flat
is also getting started.
310
00:15:12,880 --> 00:15:15,840
I'm attempting to make a headboard.
311
00:15:15,840 --> 00:15:18,480
This is the classic curtain tent.
312
00:15:18,480 --> 00:15:21,000
It's a child's room -
it should be fun.
313
00:15:21,000 --> 00:15:25,240
My style is about second-hand
vintage, antique items.
314
00:15:25,240 --> 00:15:28,000
That's what this brief's about -
is about eco, it's about reusing -
315
00:15:28,000 --> 00:15:31,360
and I just thought, "What a great
combination - vintage circus."
316
00:15:33,080 --> 00:15:35,560
I'm a criminal defence lawyer,
so my day job
317
00:15:35,560 --> 00:15:39,040
couldn't be more far removed
from any form of design,
318
00:15:39,040 --> 00:15:41,120
let alone interior design.
319
00:15:41,120 --> 00:15:43,360
I love multipurpose objects.
320
00:15:43,360 --> 00:15:45,520
Brass because, hello?
321
00:15:45,520 --> 00:15:46,720
Bright colours.
322
00:15:46,720 --> 00:15:48,480
Anything cultural. Art.
323
00:15:48,480 --> 00:15:51,320
Oh, there's just so much!
I don't even know where to go.
324
00:15:51,320 --> 00:15:53,200
TEMI LAUGHS
325
00:15:54,880 --> 00:15:56,720
Elsewhere...
326
00:15:56,720 --> 00:15:59,720
Phil! Help! I'm coming, I'm coming.
327
00:15:59,720 --> 00:16:03,960
Temi's team-mate, Karl, has big
ambitions for his living space.
328
00:16:03,960 --> 00:16:05,480
Nice. Wallop.
329
00:16:05,480 --> 00:16:08,000
I tried to simplify the construction
down as much as I can,
330
00:16:08,000 --> 00:16:09,920
because obviously I know
we're under a lot of pressure.
331
00:16:09,920 --> 00:16:13,840
So this is the big build. This is
the centrepiece of the whole design.
332
00:16:13,840 --> 00:16:18,000
Karl's self-built sofa and divider
will zone his living area,
333
00:16:18,000 --> 00:16:20,520
giving the family space
to enjoy time
334
00:16:20,520 --> 00:16:23,120
both independently and together.
335
00:16:23,120 --> 00:16:26,720
Extra storage will keep toys tidy
under sleek sofa cushions
336
00:16:26,720 --> 00:16:28,640
that he'll upholster himself.
337
00:16:28,640 --> 00:16:31,480
He'll also create a curved table
with tiled legs
338
00:16:31,480 --> 00:16:34,680
for stylish but child-friendly
dining.
339
00:16:34,680 --> 00:16:36,800
We're going to make
a dining table out of this
340
00:16:36,800 --> 00:16:38,920
and the idea is to have
a nice pebbly shape.
341
00:16:40,440 --> 00:16:42,280
Rounds off there.
342
00:16:43,920 --> 00:16:45,760
Right, yep.
I think that's the shape.
343
00:16:45,760 --> 00:16:48,960
I love your enthusiasm,
but what line am I meant to cut to?
344
00:16:48,960 --> 00:16:52,160
Sorry. That's going
to be...this line.
345
00:16:52,160 --> 00:16:53,280
It makes sense, right?
346
00:16:54,800 --> 00:16:55,840
I get the gist.
347
00:16:55,840 --> 00:16:58,640
# Do-do-do-do-do... #
348
00:16:58,640 --> 00:17:01,280
I've definitely got a lot of work
to crack on with.
349
00:17:01,280 --> 00:17:03,200
I'm just all systems go, really.
350
00:17:04,440 --> 00:17:06,280
In the mature couple's flat...
351
00:17:06,280 --> 00:17:09,960
So, with the slats I want to
run them up this wall here
352
00:17:09,960 --> 00:17:12,920
and then across the ceiling
and then down this side, too.
353
00:17:12,920 --> 00:17:16,920
Jack and Buse are also keeping
their carpenter busy.
354
00:17:16,920 --> 00:17:20,200
So, this is the artist's studio?
It is the artist studio, yes.
355
00:17:20,200 --> 00:17:25,040
So, in here, I'm basically thinking
about panelling up to about...
356
00:17:25,040 --> 00:17:28,640
..two-thirds of the wall. OK. It
goes from here all the way around.
357
00:17:28,640 --> 00:17:31,720
The whole room?
The whole room is panelled.
358
00:17:31,720 --> 00:17:35,600
Is that the whole room for
the other one? Yes. OK.
359
00:17:35,600 --> 00:17:40,240
Buse 's ambitious plans include
cladding her entire master bedroom
360
00:17:40,240 --> 00:17:43,640
in reclaimed wooden panels
from floor to ceiling.
361
00:17:43,640 --> 00:17:48,120
She'll also repurpose wood to create
a dramatic banquette window seat
362
00:17:48,120 --> 00:17:49,960
with vibrant upholstery.
363
00:17:50,880 --> 00:17:52,000
I've got a lot to do.
364
00:17:52,000 --> 00:17:54,960
If I can make it work, I will. OK.
I'll do everything I can... Yeah.
365
00:17:54,960 --> 00:17:58,400
..but we might need to be
a bit more realistic. OK.
366
00:17:58,400 --> 00:18:00,600
I think both of us have
been quite ambitious,
367
00:18:00,600 --> 00:18:02,960
but I think that's a great thing.
368
00:18:02,960 --> 00:18:05,720
Maybe I'm a bit too confident
right now. Let's see.
369
00:18:09,280 --> 00:18:13,440
Around the building, blank canvases
are beginning their transformation.
370
00:18:14,520 --> 00:18:17,280
One slat down, 50 more to go.
371
00:18:17,280 --> 00:18:20,560
And the designers are busy
creating sustainable style.
372
00:18:20,560 --> 00:18:21,640
So the breakfast bar,
373
00:18:21,640 --> 00:18:23,920
because it's about sustainability,
I'm making it out of plywood.
374
00:18:23,920 --> 00:18:27,000
This is a blind that I picked
up from a car boot.
375
00:18:27,000 --> 00:18:28,760
I'm going to turn it into
a tapestry.
376
00:18:28,760 --> 00:18:33,240
I found this sofa for £50.
This is a hardy fabric.
377
00:18:33,240 --> 00:18:35,480
Trying to go for, like, a really
high-end look.
378
00:18:35,480 --> 00:18:38,440
I want someone to walk in and go,
"That's really nice."
379
00:18:39,440 --> 00:18:42,160
What's this?
It's, like, an old cast-iron pipe.
380
00:18:42,160 --> 00:18:44,840
It looks a bit grotty.
I think it's time for you to go back
381
00:18:44,840 --> 00:18:47,320
to your room, thank you.
It might... Come on. Thank you!
382
00:18:51,440 --> 00:18:54,600
HORNS HONK
MUSIC: Cars
by Gary Numan
383
00:18:54,600 --> 00:18:56,920
Typical London.
Look, he's not letting me in.
384
00:18:56,920 --> 00:18:58,480
I'm Alan Carr off the telly!
385
00:18:58,480 --> 00:19:03,120
Michelle's brief is all about
eco living and sustainability.
386
00:19:03,120 --> 00:19:06,120
I mean, she should see me
in this electric car.
387
00:19:06,120 --> 00:19:08,200
Let's find out how they put
the music on.
388
00:19:08,200 --> 00:19:11,760
# New York to San Francisco
An inter-city disco... #
389
00:19:11,760 --> 00:19:14,280
Oh, this is just what we need -
The Vengaboys!
390
00:19:14,280 --> 00:19:16,000
# ..traffic lights are burning... #
391
00:19:16,000 --> 00:19:18,520
Just when you think the journey
can't get any worse!
392
00:19:18,520 --> 00:19:20,600
# ..move your body... #
393
00:19:20,600 --> 00:19:23,000
MUSIC CONTINUES
HORNS HONK
394
00:19:23,000 --> 00:19:25,440
Hello, darling. What's happening?
What's happening?
395
00:19:25,440 --> 00:19:27,360
What's this traffic like?
396
00:19:29,440 --> 00:19:30,760
I'm saving the planet.
397
00:19:30,760 --> 00:19:32,680
I might be running over
a few cyclists,
398
00:19:32,680 --> 00:19:34,360
but I'm saving the planet.
399
00:19:34,360 --> 00:19:36,040
# The Vengabus is coming. #
400
00:19:36,040 --> 00:19:38,120
I'm just applying this filler
in a really rough way
401
00:19:38,120 --> 00:19:39,480
to create this textured band.
402
00:19:39,480 --> 00:19:43,000
White spaces are great, but a touch
like this adds a bit more luxe.
403
00:19:43,000 --> 00:19:46,400
# Ooh, ooh, ooh. #
Hi, Alan. How are you, love?
404
00:19:46,400 --> 00:19:50,120
Is this the Ibiza room? I love this.
This is the club room. Woo! Yeah!
405
00:19:50,120 --> 00:19:51,360
Have you done that before? Yeah.
406
00:19:51,360 --> 00:19:54,480
If I'm not going round a pole,
I haven't had a good night.
407
00:19:54,480 --> 00:19:56,640
All I'm worried about
is getting a rusty crotch.
408
00:19:56,640 --> 00:20:01,240
Remind me of your clientele again.
Postgraduates, 21 to 25.
409
00:20:01,240 --> 00:20:03,800
That's why I wanted to do something
youthful and quite modern.
410
00:20:03,800 --> 00:20:07,600
My vibe is escapism, that Ibiza,
Mediterranean kind of thing.
411
00:20:07,600 --> 00:20:10,720
It's giving off really peaceful
vibes. That's exactly it.
412
00:20:10,720 --> 00:20:14,720
No clutter, no stress. Except that
massive, round drainpipe. Yeah.
413
00:20:14,720 --> 00:20:17,240
And, I mean, all I had to do
was pay a fiver for that.
414
00:20:18,200 --> 00:20:20,880
You were robbed!
415
00:20:18,200 --> 00:20:20,880
THEY LAUGH
416
00:20:22,040 --> 00:20:25,440
I know Michelle is after
sustainability and eco living,
417
00:20:25,440 --> 00:20:30,320
but I'm sure she didn't mean reusing
a manky 100-year-old drainpipe.
418
00:20:30,320 --> 00:20:32,680
I hope he's going to
zhoosh it up a bit.
419
00:20:36,440 --> 00:20:41,560
It's mid-morning and blank walls
are getting an injection of colour.
420
00:20:41,560 --> 00:20:43,960
GASPING
421
00:20:41,560 --> 00:20:43,960
Oh, green's on in here.
422
00:20:43,960 --> 00:20:46,440
That is the perfect shade.
423
00:20:46,440 --> 00:20:48,960
But in the young couples'
apartment...
424
00:20:48,960 --> 00:20:50,160
Oh, dear.
425
00:20:50,160 --> 00:20:53,200
..Charlotte is having to
rethink her plans.
426
00:20:53,200 --> 00:20:56,240
It's looking very bright
green at the moment.
427
00:20:56,240 --> 00:20:58,720
Do you think it's too vivid? Yeah.
428
00:20:58,720 --> 00:21:01,360
Like I've got a really deep
browny-black colour.
429
00:21:01,360 --> 00:21:04,320
We could just mix some of that in,
tone it down. Yeah.
430
00:21:04,320 --> 00:21:06,240
You've mixed paint before like this,
haven't you?
431
00:21:06,240 --> 00:21:07,880
I mix it literally all the time.
432
00:21:07,880 --> 00:21:09,640
It's happening. It's happening.
It's happening.
433
00:21:09,640 --> 00:21:11,120
The magic is happening.
434
00:21:13,880 --> 00:21:16,880
I've worked as an actor,
as a waiter.
435
00:21:16,880 --> 00:21:20,400
I did floristry, puppetry
and clowning.
436
00:21:20,400 --> 00:21:22,360
I taught myself to be
an upholsterer, did that.
437
00:21:22,360 --> 00:21:23,560
I painted artwork.
438
00:21:23,560 --> 00:21:26,560
And all the time I dabbled
in interior design.
439
00:21:26,560 --> 00:21:31,040
My design style is earthy
and full of texture.
440
00:21:31,040 --> 00:21:35,200
I've had many different jobs.
Now is the time to concentrate
441
00:21:35,200 --> 00:21:37,240
on the thing that
I'm really passionate about.
442
00:21:38,440 --> 00:21:40,840
Oh, nice! That's now the colour that
443
00:21:40,840 --> 00:21:43,080
I thought it was meant to be,
so that's perfect. Brilliant.
444
00:21:43,080 --> 00:21:44,800
Thank you. You're welcome.
My saviour.
445
00:21:46,000 --> 00:21:48,600
In the older couple's apartment...
446
00:21:48,600 --> 00:21:51,240
Water, cement, gravel.
447
00:21:51,240 --> 00:21:53,800
Buse is also mixing things up.
448
00:21:53,800 --> 00:21:56,200
So that's one kilo.
449
00:21:56,200 --> 00:22:00,680
I'm just starting the cast of my
concrete legs for my office table
450
00:22:00,680 --> 00:22:03,360
for the main part of
the second bedroom.
451
00:22:05,920 --> 00:22:08,640
I studied architecture
at university.
452
00:22:08,640 --> 00:22:10,880
My signature is texture.
453
00:22:10,880 --> 00:22:13,680
I am quite a competitive person.
454
00:22:13,680 --> 00:22:17,600
My drive comes from a need
to go above and beyond.
455
00:22:17,600 --> 00:22:18,800
I want to be the best.
456
00:22:21,280 --> 00:22:24,880
This is the point where
you need to start mixing things.
457
00:22:24,880 --> 00:22:29,640
I've used cement with recycled
plastic flecks going through it.
458
00:22:29,640 --> 00:22:32,120
I just wanted there to be something
a little bit different.
459
00:22:32,120 --> 00:22:34,960
I don't really have a problem
with trying something new, so...
460
00:22:37,560 --> 00:22:39,920
OK. This is going to have
to be done quickly.
461
00:22:41,840 --> 00:22:44,760
It's fine.
462
00:22:41,840 --> 00:22:44,760
SHE GIGGLES
463
00:22:44,760 --> 00:22:47,000
SHE SNORTS
464
00:22:48,440 --> 00:22:50,640
It's like a cake batter gone bad!
465
00:22:50,640 --> 00:22:52,480
Oh, my God.
466
00:22:52,480 --> 00:22:55,400
SHE LAUGHS
467
00:22:52,480 --> 00:22:55,400
What's happened?
468
00:22:55,400 --> 00:23:00,000
It's OK. It's fine. Oh, Lord.
And this is absolutely insane.
469
00:23:00,000 --> 00:23:02,200
Yeah, I'm going to let you carry on.
470
00:23:05,160 --> 00:23:07,600
The cement is very explosive.
471
00:23:07,600 --> 00:23:10,240
As quick as you can cos...
OK. ..this might set.
472
00:23:10,240 --> 00:23:11,960
It's just, like, everywhere.
473
00:23:11,960 --> 00:23:13,600
I just hope that when
the sides come off,
474
00:23:13,600 --> 00:23:15,520
that it just doesn't go like.
475
00:23:13,600 --> 00:23:15,520
WET SPLAT
476
00:23:15,520 --> 00:23:18,200
That was stressful.
477
00:23:18,200 --> 00:23:21,280
There is no way that this is
happening again.
478
00:23:21,280 --> 00:23:23,560
I come bearing gifts!
479
00:23:23,560 --> 00:23:26,480
Oh, you little beauty, you.
480
00:23:26,480 --> 00:23:30,160
In the family flat... She's actually
a little bit sexy, isn't she?
481
00:23:30,160 --> 00:23:31,680
As a pegboard goes.
482
00:23:31,680 --> 00:23:34,320
..Karl has hit an unexpected hurdle.
483
00:23:34,320 --> 00:23:36,640
How are you doing? I'm good.
Good, thanks. How are you?
484
00:23:36,640 --> 00:23:38,080
I'll take a seat for this one.
485
00:23:38,080 --> 00:23:42,600
I've just been looking through the
material for our room divider
486
00:23:42,600 --> 00:23:45,960
slash sofa build... Yeah. Mm.
..and the OSB that we've got
487
00:23:45,960 --> 00:23:48,600
is only 12mm thick.
We need it to be 18.
488
00:23:48,600 --> 00:23:52,440
We will need three sheets of
18mm OSB board? Definitely.
489
00:23:52,440 --> 00:23:54,040
OK.
490
00:23:54,040 --> 00:23:56,000
We've had a bit of
a design oversight,
491
00:23:56,000 --> 00:23:57,240
and that's definitely my fault.
492
00:23:57,240 --> 00:24:02,600
Hello? I'm just checking. Have you
got 18mm thickness on your site?
493
00:24:02,600 --> 00:24:05,040
I'm freaking out a bit, yeah.
494
00:24:05,040 --> 00:24:07,320
If that divider's not ready
for assembly tomorrow,
495
00:24:07,320 --> 00:24:10,600
I would really struggle to see
how we get it done.
496
00:24:12,200 --> 00:24:14,240
Do I look like Beyonce?
497
00:24:14,240 --> 00:24:16,040
Stop making me laugh.
498
00:24:14,240 --> 00:24:16,040
SHE LAUGHS
499
00:24:16,040 --> 00:24:20,080
Halfway through the first day...
Oh, yay! I love it.
500
00:24:20,080 --> 00:24:23,520
..the designers' visions are
starting to come to life.
501
00:24:23,520 --> 00:24:25,000
Oh, that's loads better.
502
00:24:25,000 --> 00:24:27,040
That could have been a bit
of a disaster.
503
00:24:27,040 --> 00:24:29,280
These are the cactuses for my living
headboard.
504
00:24:29,280 --> 00:24:30,320
In terms of the brief,
505
00:24:30,320 --> 00:24:33,520
they are bringing the outdoors in
and living sustainably.
506
00:24:33,520 --> 00:24:35,320
That's going to be
a big old picture.
507
00:24:35,320 --> 00:24:36,800
It's going to be ma-hoossive.
508
00:24:36,800 --> 00:24:38,800
It's a big statement piece.
509
00:24:38,800 --> 00:24:41,800
It's all just test your pots. Slap
it on. Get creative.
510
00:24:45,240 --> 00:24:47,200
Hi, Joanne. Hi!
511
00:24:47,200 --> 00:24:49,160
So, what are you drawing?
Is that me?
512
00:24:49,160 --> 00:24:53,360
No. It's an elephant and a castle.
Oh. Oh! Cos that's up there.
513
00:24:53,360 --> 00:24:56,800
It's there, yeah. You're sort of
known on social media for having
514
00:24:56,800 --> 00:25:00,600
this great eye for furniture and
colours and everything. Yeah.
515
00:25:00,600 --> 00:25:04,280
This is a whole different skill set,
being an interior design master.
516
00:25:04,280 --> 00:25:06,040
I mean, how are you coping?
517
00:25:06,040 --> 00:25:08,080
I've got to show that
I'm not a one-trick pony.
518
00:25:08,080 --> 00:25:10,160
I mean, I'm good at shopping,
but that's just not...
519
00:25:10,160 --> 00:25:12,000
Not just my only skill.
Yeah. So that's why
520
00:25:12,000 --> 00:25:14,920
I'm trying to do some artwork and
I can give a nod to the area.
521
00:25:14,920 --> 00:25:17,320
A good drawer, aren't you?
Thank you, thank you.
522
00:25:17,320 --> 00:25:19,760
Could you paint me like those
French ladies? Go on, then.
523
00:25:19,760 --> 00:25:21,600
Let's see what I can do.
No, don't. Don't.
524
00:25:21,600 --> 00:25:23,480
Cos I'll look the same
as that elephant.
525
00:25:23,480 --> 00:25:25,240
I've put on a bit of weight!
526
00:25:28,600 --> 00:25:30,840
That's one dining table
coming through.
527
00:25:30,840 --> 00:25:33,880
In the family flat...
That's perfect.
528
00:25:33,880 --> 00:25:37,200
At least one element of the build
is nailed down right now.
529
00:25:37,200 --> 00:25:38,880
Cheers.
530
00:25:38,880 --> 00:25:42,480
Temi's fixing up furniture
for her master bedroom.
531
00:25:42,480 --> 00:25:45,840
So I'm just priming my chest.
I've sanded it down
532
00:25:45,840 --> 00:25:49,280
so it needs something to help
the paint stick to the wood.
533
00:25:49,280 --> 00:25:51,600
Being a criminal lawyer,
I would like to think
534
00:25:51,600 --> 00:25:55,160
I would be good at explaining
to Michelle my decisions.
535
00:25:55,160 --> 00:25:59,880
Maybe if I wig and gown,
then I'll go into character
536
00:25:59,880 --> 00:26:03,320
and I'll be able to defend
my design decisions then.
537
00:26:03,320 --> 00:26:04,960
In the friend's flat...
538
00:26:04,960 --> 00:26:07,880
How's it going, dream team?
Hello. Hello.
539
00:26:07,880 --> 00:26:10,480
..Monika's painted canopy
is taking shape.
540
00:26:10,480 --> 00:26:13,600
What I wanted to create is
this feeling of cosiness.
541
00:26:13,600 --> 00:26:17,400
..and Ry's statement piece
is ready for decorating.
542
00:26:17,400 --> 00:26:20,160
I apologise in advance
to all tilers out there.
543
00:26:20,160 --> 00:26:21,840
Don't judge me, please.
544
00:26:23,760 --> 00:26:26,440
So we're going to eyeball the joins.
545
00:26:26,440 --> 00:26:28,760
I'm a little concerned
when I grout it,
546
00:26:28,760 --> 00:26:30,720
you'll be able to see
all the imperfections.
547
00:26:30,720 --> 00:26:33,000
Everything's going to be fine.
548
00:26:34,200 --> 00:26:36,520
Everything's going to be fine.
It's going to be good.
549
00:26:36,520 --> 00:26:37,840
It's going to be good.
550
00:26:39,280 --> 00:26:41,800
That actually wheels quite well!
551
00:26:41,800 --> 00:26:42,840
Tea?
552
00:26:47,280 --> 00:26:49,320
Hi, Buse! Hi, Alan!
553
00:26:49,320 --> 00:26:50,520
What is this?
554
00:26:50,520 --> 00:26:53,720
An attempt at concrete casting.
It's going to be a table.
555
00:26:53,720 --> 00:26:56,720
So, what, you're just going to have
this room with a concrete table in?
556
00:26:56,720 --> 00:27:02,080
It's not prison cell week.
No. I've put plastic inside.
557
00:27:02,080 --> 00:27:04,800
The idea is that there is
a bit of a terrazzo effect.
558
00:27:04,800 --> 00:27:10,400
Oh, like in Sicily? Yeah, exactly!
I know about terrazzo tiles, yes!
559
00:27:10,400 --> 00:27:11,960
This is the big reveal.
560
00:27:11,960 --> 00:27:14,920
We are opening these up and
seeing what it looks like. Oh!
561
00:27:14,920 --> 00:27:18,680
Let's have a grand unveiling. Ooh.
DRILL WHIRS
562
00:27:20,160 --> 00:27:21,800
All right. OK.
563
00:27:21,800 --> 00:27:26,960
Oh. The plastic effect does not
seem to have made the cut,
564
00:27:26,960 --> 00:27:29,960
but that's a pretty solid leg.
And do you know what?
565
00:27:29,960 --> 00:27:33,480
I feel like it has a sleek look.
It does have a sleek look. Yeah.
566
00:27:33,480 --> 00:27:36,840
It's not like a concrete in a
prison cell. No, of course not!
567
00:27:36,840 --> 00:27:38,400
Concrete leg, tick.
568
00:27:39,640 --> 00:27:42,880
I love Buse's ingenuity,
but concrete legs aside,
569
00:27:42,880 --> 00:27:44,520
there's nothing else
going on in there.
570
00:27:44,520 --> 00:27:46,440
She hasn't even started
on the walls.
571
00:27:46,440 --> 00:27:49,400
I hope she's left herself enough
time to get it all done.
572
00:27:50,800 --> 00:27:54,960
As day one draws to a close...
This looks great! Thank you.
573
00:27:54,960 --> 00:27:56,240
I am slowly getting there.
574
00:27:56,240 --> 00:27:58,920
..designers' dreams
are being realised.
575
00:28:00,840 --> 00:28:02,360
Oh, my God. I love it.
576
00:28:02,360 --> 00:28:04,440
I actually am, like, beaming.
577
00:28:04,440 --> 00:28:06,840
Good work. I love it.
578
00:28:06,840 --> 00:28:08,760
It actually makes
the space look bigger.
579
00:28:08,760 --> 00:28:11,480
But while some designers are
pleased with their progress...
580
00:28:11,480 --> 00:28:15,160
The zoning's done.
This now makes this a separate area.
581
00:28:15,160 --> 00:28:17,760
..others might be in for
a sleepless night.
582
00:28:17,760 --> 00:28:21,000
The concrete took a lot longer
than I thought it was going to take.
583
00:28:21,000 --> 00:28:23,480
Tomorrow, I need to get
those timber panels up
584
00:28:23,480 --> 00:28:25,880
or come up with some
sort of a Plan B.
585
00:28:25,880 --> 00:28:27,960
That looks about right.
586
00:28:27,960 --> 00:28:30,360
The boards have turned up on site.
587
00:28:30,360 --> 00:28:34,560
I've got to absolutely finish
my divider slash seating area.
588
00:28:34,560 --> 00:28:37,800
It's going to be a tight finish,
but I think we're going to make it.
589
00:28:37,800 --> 00:28:40,040
SEAGULLS CRY
590
00:28:41,920 --> 00:28:45,640
# I wasn't ready
But now I'm ready for you... #
591
00:28:45,640 --> 00:28:49,600
I'm super giddy. Maybe I shouldn't
have had that second espresso.
592
00:28:49,600 --> 00:28:52,640
It's all go today. Go, go, go time.
593
00:28:52,640 --> 00:28:54,920
I had a good night's sleep,
so let's hope for the best.
594
00:28:54,920 --> 00:28:57,400
It's the final day of the build...
595
00:28:57,400 --> 00:28:59,480
This is a workout. Keep going!
596
00:28:59,480 --> 00:29:01,360
Giving myself a pep talk. It's fine.
597
00:29:01,360 --> 00:29:04,720
..and some important decisions
have been made overnight.
598
00:29:04,720 --> 00:29:06,240
# I risk it all. #
599
00:29:06,240 --> 00:29:11,120
I've got a lot to do so I've reduced
the scheme down to just on one wall.
600
00:29:11,120 --> 00:29:13,040
BUSE LAUGHS
601
00:29:13,040 --> 00:29:15,360
So that should make our job
a little bit easier.
602
00:29:15,360 --> 00:29:17,840
RY HISSES
603
00:29:15,360 --> 00:29:17,840
Beautiful.
604
00:29:17,840 --> 00:29:19,840
I'm really happy with my tiling.
605
00:29:19,840 --> 00:29:21,680
It looks pretty good.
606
00:29:21,680 --> 00:29:23,440
Onto the next thing.
607
00:29:25,040 --> 00:29:27,720
Ry, how are you doing? Well, hello!
608
00:29:27,720 --> 00:29:29,880
Look at that view.
It looks good, right?
609
00:29:29,880 --> 00:29:32,960
You've got the breakfast bar
with the best view in London,
610
00:29:32,960 --> 00:29:34,880
but I'm going to be really picky.
Of course.
611
00:29:34,880 --> 00:29:36,920
Say you're sitting down here
having your breakfast.
612
00:29:36,920 --> 00:29:39,800
You're like, "Oh, look -
it's The Shard!" Yeah.
613
00:29:39,800 --> 00:29:43,480
And you sit here and you're like,
"Oh, yeah. The Shard."
614
00:29:43,480 --> 00:29:45,560
I see where we're going.
And then you're like,
615
00:29:45,560 --> 00:29:49,400
"Oh, no, where's the Shard?"
It's gone! "Oh, what's happened?"
616
00:29:49,400 --> 00:29:53,080
What do you say to people who are
down here having their granola?
617
00:29:53,080 --> 00:29:56,480
They want to see the Shard.
I say...set their alarm earlier.
618
00:29:56,480 --> 00:29:58,840
Yes! Get up, you lazy sod.
619
00:29:58,840 --> 00:30:00,200
Exactly!
620
00:30:01,640 --> 00:30:03,720
With teamwork key to the brief...
621
00:30:03,720 --> 00:30:07,760
I've gone with warm tones because
Buse has got oranges in her room.
622
00:30:07,760 --> 00:30:08,840
We're doing this.
623
00:30:08,840 --> 00:30:12,680
..the designers are doing all they
can to create a cohesive space.
624
00:30:12,680 --> 00:30:14,720
I am pinching some of
Joanne's paint.
625
00:30:14,720 --> 00:30:17,920
This is a great way to introduce
some of her colours into my room.
626
00:30:17,920 --> 00:30:20,640
I'm thinking we do probably
need an in-between colour.
627
00:30:20,640 --> 00:30:23,840
Maybe that gold onto this wall here.
I think that's a brilliant idea.
628
00:30:23,840 --> 00:30:25,880
While Karl and Temi are going
for gold...
629
00:30:25,880 --> 00:30:27,720
It's the link. It's the marriage,
isn't it?
630
00:30:27,720 --> 00:30:29,120
Yeah, exactly. Between the two.
631
00:30:29,120 --> 00:30:31,600
..Tom's toning down
his turmeric walls.
632
00:30:32,760 --> 00:30:35,200
Sorry, Megan,
but we're changing the colour.
633
00:30:35,200 --> 00:30:38,400
I was going to do this whole space
this vivid yellow,
634
00:30:38,400 --> 00:30:41,280
but based on what's happening
in Charlotte's space,
635
00:30:41,280 --> 00:30:43,280
this all needs to be
a little bit more neutral.
636
00:30:43,280 --> 00:30:46,480
That is fine, because I love
painting things five times.
637
00:30:46,480 --> 00:30:48,360
In the postgrad flat...
638
00:30:48,360 --> 00:30:52,080
I love it. ..Joanne's artistic
vision is being realised.
639
00:30:52,080 --> 00:30:54,880
I'm really happy with my art.
It's not bad.
640
00:30:54,880 --> 00:30:59,120
I am feeling calm.
Everything feels under control.
641
00:30:59,120 --> 00:31:01,680
Might be my HRT!
642
00:30:59,120 --> 00:31:01,680
SHE CHUCKLES
643
00:31:01,680 --> 00:31:05,880
And team-mate Peter is attempting
something more avant-garde.
644
00:31:05,880 --> 00:31:08,760
This whole room is taking me
completely out of my comfort zone.
645
00:31:08,760 --> 00:31:12,680
I want this space to feel like
a cool, contemporary art gallery.
646
00:31:12,680 --> 00:31:19,800
LOUD SCRAPING
647
00:31:21,280 --> 00:31:23,120
OK.
648
00:31:23,120 --> 00:31:24,360
Yeah.
649
00:31:24,360 --> 00:31:26,880
GASPING
650
00:31:24,360 --> 00:31:26,880
Stop. Midway through day two...
651
00:31:26,880 --> 00:31:29,640
Oh, we do it up.
..and plans are paying off.
652
00:31:29,640 --> 00:31:30,920
This is why you're the pro. Yeah.
653
00:31:30,920 --> 00:31:34,080
Sofa's upholstered.
The island has gone in.
654
00:31:34,080 --> 00:31:35,200
Think I'm on course.
655
00:31:35,200 --> 00:31:38,600
Oh, wow! Looks good, doesn't it?
You just want to touch it.
656
00:31:38,600 --> 00:31:41,120
Banquette seating -
pretty much done it. Great.
657
00:31:41,120 --> 00:31:42,800
Do you want to do another
one of these?
658
00:31:42,800 --> 00:31:45,360
There's paint on the walls.
I've got a few of the key items in.
659
00:31:45,360 --> 00:31:47,920
I love it. It's vibrant.
It's cultural.
660
00:31:47,920 --> 00:31:49,720
So far, so good.
661
00:31:49,720 --> 00:31:53,480
And Temi's team-mate, Karl,
also has good news.
662
00:31:53,480 --> 00:31:55,240
HAMMER TAPS
663
00:31:55,240 --> 00:31:57,400
My centrepiece is finally here.
664
00:31:57,400 --> 00:32:00,920
Now that I'm actually seeing it, I'm
feeling a lot better, really. Yeah.
665
00:32:02,760 --> 00:32:07,560
In the friends' apartment, Monika's
daybed is causing nightmares.
666
00:32:08,560 --> 00:32:11,640
The problem is that I'm trying to be
sustainable. This is second-hand.
667
00:32:11,640 --> 00:32:15,520
It didn't have instructions
and it has so many parts.
668
00:32:15,520 --> 00:32:20,640
Hi, Monika. Oh, Alan, hi! Sorry,
I didn't see you from my prison.
669
00:32:20,640 --> 00:32:23,880
Looks like you're trapped in a bed.
I know! I am.
670
00:32:23,880 --> 00:32:26,200
Free Monika!
671
00:32:23,880 --> 00:32:26,200
SHE LAUGHS
672
00:32:26,200 --> 00:32:28,320
Your clientele is two friends. Yeah.
673
00:32:28,320 --> 00:32:32,960
But you've got a double bed in there
and you've got a single bed in here.
674
00:32:32,960 --> 00:32:35,560
Now, are you hoping
the ugly one's in here?
675
00:32:35,560 --> 00:32:38,520
"He'll never get lucky -
stick him in the single bed."
676
00:32:38,520 --> 00:32:42,400
Is that your thinking? Oh, no! No.
This looks like a single bed,
677
00:32:42,400 --> 00:32:45,600
but, actually, it has
this cool pull-out area,
678
00:32:45,600 --> 00:32:50,080
so it basically transforms from a
daybed into a full-size double bed.
679
00:32:50,080 --> 00:32:52,240
Oh, I see!
680
00:32:52,240 --> 00:32:54,960
So the ugly person
can get laid, too.
681
00:32:54,960 --> 00:32:58,200
You are amazing, Monika.
Keep up the good work.
682
00:32:58,200 --> 00:32:59,280
Bye!
683
00:32:59,280 --> 00:33:00,640
Yes!
684
00:33:00,640 --> 00:33:02,520
In the postgrad flat...
685
00:33:02,520 --> 00:33:06,640
Ooh-hoo-hoo-hoo! That's really nice.
686
00:33:06,640 --> 00:33:09,280
..Peter's living headboard
is in position.
687
00:33:09,280 --> 00:33:11,440
Shall we be like...
I'll see if I can get down. Aww.
688
00:33:11,440 --> 00:33:14,840
Like, erm, Eric and Ernie. In bed
with a woman. Or Terry and June.
689
00:33:14,840 --> 00:33:17,760
Is it your first time?
First time in bed with a woman. Aww.
690
00:33:19,240 --> 00:33:20,760
Right, let's get this painted.
691
00:33:21,720 --> 00:33:24,240
Brush, brush, brush, brush, brush.
692
00:33:24,240 --> 00:33:26,320
Please, Lord, let this stick.
693
00:33:26,320 --> 00:33:28,480
So this is going on top? It is. Yep.
694
00:33:28,480 --> 00:33:30,400
In the young couple's apartment,
695
00:33:30,400 --> 00:33:33,320
Charlotte's breakfast bar
is almost ready.
696
00:33:33,320 --> 00:33:34,800
Watch your fingers. Yeah.
697
00:33:34,800 --> 00:33:36,920
Just a smidge there.
698
00:33:36,920 --> 00:33:39,240
And former thespian Tom...
699
00:33:39,240 --> 00:33:40,280
OK, cool.
700
00:33:40,280 --> 00:33:43,000
..is getting dramatic
in his spare room.
701
00:33:43,000 --> 00:33:45,720
I've decided to do this
graphic cane wallpaper
702
00:33:45,720 --> 00:33:51,040
because I wanted to add a drama edge
to the neutrality of everything.
703
00:33:51,040 --> 00:33:56,880
I just wanted something dynamic.
Mm. Yeah, I'm happy.
704
00:33:56,880 --> 00:33:59,640
Oh, Temi! Oh.
705
00:33:59,640 --> 00:34:02,400
Hello, Alan. Oh, are you OK?
I'm a bit vertically challenged.
706
00:34:02,400 --> 00:34:05,520
What do I do? Shall I lift this up?
Oh, I've done it. Is this helping?
707
00:34:05,520 --> 00:34:09,320
Oh... I mean, that was a great help.
THEY LAUGH
708
00:34:09,320 --> 00:34:12,480
How cute are those dumbbells? I
know. They're blooming heavy, Alan.
709
00:34:12,480 --> 00:34:17,000
MOCK STRAINING
710
00:34:12,480 --> 00:34:17,000
They're so heavy!
711
00:34:17,000 --> 00:34:19,000
I told you. They're brilliant!
712
00:34:19,000 --> 00:34:21,920
Look at that. I'd go to the gym
more if they were this light.
713
00:34:21,920 --> 00:34:24,160
It's really come together,
hasn't it?
714
00:34:24,160 --> 00:34:25,400
I'm happy, Alan. Yeah.
715
00:34:25,400 --> 00:34:28,160
I'm as happy as I can be
with an hour to go. Yeah.
716
00:34:29,880 --> 00:34:33,400
Right, I've cut the backing boards
for your cushions for your sofa.
717
00:34:33,400 --> 00:34:35,560
But for Temi's team-mate Karl,
718
00:34:35,560 --> 00:34:39,200
time pressures have caused
a last-minute change of plan.
719
00:34:39,200 --> 00:34:42,920
Unfortunately, we've kind of,
um, skipped back a little bit
720
00:34:42,920 --> 00:34:45,000
in a couple of the
additional details.
721
00:34:46,280 --> 00:34:48,800
Because of the delays
with the divider,
722
00:34:48,800 --> 00:34:51,640
I lost the upper top part.
723
00:34:51,640 --> 00:34:55,240
I really hope the judges are able
to see that the intent of the design
724
00:34:55,240 --> 00:34:56,720
was still realised.
725
00:34:56,720 --> 00:34:59,160
I've put all the cladding round
the front of the sofa now,
726
00:34:59,160 --> 00:35:00,840
so once the cushions
are on, that's done.
727
00:35:00,840 --> 00:35:05,360
# 22 grand job
In the city, it's all right... #
728
00:35:05,360 --> 00:35:08,400
With the clock ticking...
Finally done the bed!
729
00:35:08,400 --> 00:35:10,480
..everyone is feeling the heat.
730
00:35:10,480 --> 00:35:11,520
Come on!
731
00:35:11,520 --> 00:35:16,280
I'm disgusting and sweaty but it's
turning out exactly how I wanted.
732
00:35:16,280 --> 00:35:19,440
It's coming together
but it's tight now.
733
00:35:19,440 --> 00:35:21,240
I am damn happy with my table.
734
00:35:21,240 --> 00:35:22,560
This is very cool. Thanks.
735
00:35:22,560 --> 00:35:24,800
Up, up, up, up. Perfect.
736
00:35:24,800 --> 00:35:28,000
DRILL WHIRS
Ooh! Where's the end of this?
737
00:35:28,000 --> 00:35:29,280
# 22 grand job... #
738
00:35:29,280 --> 00:35:31,080
God, who's that old person
looking at me?
739
00:35:31,080 --> 00:35:33,560
# 22 grand job... #
Put myself in the corner here.
740
00:35:33,560 --> 00:35:35,600
HE GRUNTS
741
00:35:33,560 --> 00:35:35,600
All right, cool.
742
00:35:35,600 --> 00:35:40,200
# In the city it sounds nice. #
743
00:35:40,200 --> 00:35:42,920
OK. I'm a bit hot.
744
00:35:42,920 --> 00:35:44,840
I think I need some sugar.
745
00:35:45,800 --> 00:35:50,480
MUSIC: LDN
by Lily Allen
746
00:35:50,480 --> 00:35:54,560
Finishing touches made, the five
apartments are ready for judging.
747
00:35:54,560 --> 00:35:58,320
Joining Michelle this week is
master of luxury home decor,
748
00:35:58,320 --> 00:35:59,800
Jonathan Adler.
749
00:36:01,000 --> 00:36:02,920
Well, here we are in Elephant Park.
750
00:36:02,920 --> 00:36:06,120
A fantastic new development,
but quite far from home for you.
751
00:36:06,120 --> 00:36:09,920
Far from home. Home is New York,
but I am obsessed with England,
752
00:36:09,920 --> 00:36:11,480
especially English design,
753
00:36:11,480 --> 00:36:15,240
so I cannot wait to see
what these Brits have concocted.
754
00:36:15,240 --> 00:36:17,160
These are apartments
that are for rental.
755
00:36:17,160 --> 00:36:19,400
Each pair has been given
a different brief
756
00:36:19,400 --> 00:36:22,400
because I wanted to represent
the broad spectrum of clients
757
00:36:22,400 --> 00:36:24,360
that this development
is going to cater to.
758
00:36:24,360 --> 00:36:28,440
A space has to function and address
the needs of the client,
759
00:36:28,440 --> 00:36:31,760
and only once they achieve that
can they really layer on
760
00:36:31,760 --> 00:36:33,440
personal expression and voice.
761
00:36:33,440 --> 00:36:36,520
Also, I've thrown in sustainability,
762
00:36:36,520 --> 00:36:39,040
but I don't want a portrait
made out of bottle caps.
763
00:36:39,040 --> 00:36:42,200
It's got to be something
really fundamental to the design.
764
00:36:42,200 --> 00:36:45,320
So I'm looking for sustainability
and beauty.
765
00:36:45,320 --> 00:36:48,360
Plus we are judging them on
how the schemes work together.
766
00:36:48,360 --> 00:36:50,200
So we're not looking for much,
then, are we?
767
00:36:50,200 --> 00:36:52,920
Not too much. We're not overly
ambitious or demanding.
768
00:36:52,920 --> 00:36:54,440
Let's go, then. Let's do this.
769
00:37:01,240 --> 00:37:02,680
I'm really chuffed with it.
770
00:37:02,680 --> 00:37:04,880
Me and Monika have really
good schemes.
771
00:37:04,880 --> 00:37:06,520
I'm really proud of my tiles.
772
00:37:06,520 --> 00:37:07,960
That's so sad to say it,
773
00:37:07,960 --> 00:37:10,080
but I've never tiled before
in my life
774
00:37:10,080 --> 00:37:12,880
and I can't wait to tell my dad.
775
00:37:12,880 --> 00:37:16,800
So this is Ry's design,
and he is a fresh new graduate
776
00:37:16,800 --> 00:37:18,400
from an interior design school.
777
00:37:18,400 --> 00:37:21,520
I feel like I'm in the space
of a very thoughtful designer.
778
00:37:21,520 --> 00:37:23,600
I like the kind of mid line thing.
779
00:37:23,600 --> 00:37:26,280
I love the way that it interconnects
with the pictures.
780
00:37:26,280 --> 00:37:28,680
We've got a really generous
breakfast bar
781
00:37:28,680 --> 00:37:31,800
and I guess that's his nod to
sustainability as well. I mean,
782
00:37:31,800 --> 00:37:35,360
this is all made of untreated ply,
which is always a lovely material.
783
00:37:35,360 --> 00:37:39,040
This tiled grid is very much
on trend.
784
00:37:39,040 --> 00:37:42,400
There's a sense of polish
that I'm totally digging.
785
00:37:42,400 --> 00:37:46,880
There's just something extra
that I'm going to want to see.
786
00:37:46,880 --> 00:37:49,360
I think mad props
for the foundation.
787
00:37:49,360 --> 00:37:52,160
It's the playful punctuation
I am missing.
788
00:37:52,160 --> 00:37:54,880
You have so eloquently put
your finger on it.
789
00:37:54,880 --> 00:37:56,480
That's what's missing.
790
00:38:01,040 --> 00:38:03,320
I am super exhausted.
I feel happy.
791
00:38:03,320 --> 00:38:06,080
I feel anxious, stressed, nervous.
792
00:38:06,080 --> 00:38:09,560
A lot of... It is a mix of
feelings, yeah.
793
00:38:09,560 --> 00:38:12,880
Oh. Well, she's dialled back
the Gothic glamour,
794
00:38:12,880 --> 00:38:17,840
but I'm loving a little nod to the
sort of the dark side over there.
795
00:38:17,840 --> 00:38:20,640
Do we feel this is the bedroom
of that living room?
796
00:38:20,640 --> 00:38:23,040
There's a unified palette.
797
00:38:23,040 --> 00:38:26,600
This mauve has a similar milkiness,
798
00:38:26,600 --> 00:38:28,920
and so there's a harmony of colours.
799
00:38:28,920 --> 00:38:30,240
I'm loving the canopy.
800
00:38:30,240 --> 00:38:32,600
It's a really clever way
to denote bed.
801
00:38:32,600 --> 00:38:35,440
And I love the kind of window
enclave.
802
00:38:35,440 --> 00:38:37,360
It's a very considered design.
803
00:38:37,360 --> 00:38:40,720
It perfectly frames
what is a spectacular view.
804
00:38:41,960 --> 00:38:44,360
Ooh, this is different. I don't know
about you, but I'm getting
805
00:38:44,360 --> 00:38:46,200
immediate nursery vibes...
806
00:38:46,200 --> 00:38:48,280
Right? ..which is strange
because this is supposed
807
00:38:48,280 --> 00:38:49,920
to be two flatmates sharing.
808
00:38:49,920 --> 00:38:52,880
It's the cabinet in the corner
that's throwing me off
809
00:38:52,880 --> 00:38:55,160
and making it feel very junior.
810
00:38:55,160 --> 00:38:56,680
The whole day bed thing,
811
00:38:56,680 --> 00:38:59,280
I don't think is quite appropriate
for a flatshare.
812
00:38:59,280 --> 00:39:02,000
Every time I'm pulling my bed out,
I've got to move my chair.
813
00:39:02,000 --> 00:39:03,680
I'm not quite sure
where my chair is going.
814
00:39:03,680 --> 00:39:07,200
Yeah. I'm seeing my nods
to sustainability with the older
815
00:39:07,200 --> 00:39:09,560
furniture and the natural fibres.
816
00:39:09,560 --> 00:39:12,200
Ry and Monika clearly worked
together.
817
00:39:12,200 --> 00:39:14,400
It's not like, "Oh, we've got
exactly the same colours."
818
00:39:14,400 --> 00:39:16,520
They've done their own thing,
but it works together.
819
00:39:16,520 --> 00:39:21,000
I like how each room is a different
chapter in the same story.
820
00:39:24,240 --> 00:39:25,920
I'm proud of both me and Tom
because we've
821
00:39:25,920 --> 00:39:27,520
done our own rooms and we've also
822
00:39:27,520 --> 00:39:29,680
tried to have some synergy
between the two.
823
00:39:29,680 --> 00:39:33,160
So, I think we've really succeeded
with that.
824
00:39:33,160 --> 00:39:35,080
Ooh. Wow.
825
00:39:35,080 --> 00:39:36,600
Well, this is a good first
impression.
826
00:39:36,600 --> 00:39:39,840
You know what I've seen immediately
that I love is the pale green
827
00:39:39,840 --> 00:39:42,520
ceiling and the little bit of, like,
architrave. Isn't that clever?
828
00:39:42,520 --> 00:39:45,160
It's the first
thing that drew me in,
829
00:39:45,160 --> 00:39:47,280
and it completely creates the mood.
830
00:39:47,280 --> 00:39:49,680
And to have painted the skirting
board as well.
831
00:39:49,680 --> 00:39:52,360
It kind of creates architecture
where there is none,
832
00:39:52,360 --> 00:39:54,920
and I think that's very clever.
833
00:39:54,920 --> 00:39:56,720
Oh, and look at this wallpaper.
834
00:39:56,720 --> 00:39:58,760
That's a great, big gesture.
835
00:39:58,760 --> 00:40:01,200
I love this island. You know, you
can move it around,
836
00:40:01,200 --> 00:40:04,720
have dance parties. They're young,
they're going to have dance parties.
837
00:40:04,720 --> 00:40:06,000
Duh!
838
00:40:06,000 --> 00:40:09,600
But sustainability. Got a lot of
natural materials, which is great.
839
00:40:09,600 --> 00:40:12,160
I could see sort of adulting
in this space.
840
00:40:12,160 --> 00:40:15,840
I think it's a really
great statement of home.
841
00:40:21,600 --> 00:40:25,280
I'm stoked with how
the main bedroom turned out.
842
00:40:25,280 --> 00:40:29,760
And then the second bedroom
was a bit of a curveball for me.
843
00:40:29,760 --> 00:40:31,320
It's memorable in a good way,
844
00:40:31,320 --> 00:40:34,280
like, it makes you go
in and go, "Oh, wow!"
845
00:40:34,280 --> 00:40:36,600
Definite first impressions -
teamwork.
846
00:40:36,600 --> 00:40:39,560
The colours are different,
but they're working together.
847
00:40:39,560 --> 00:40:43,440
I feel very calm. I feel like
I'm in contemporary London.
848
00:40:43,440 --> 00:40:46,280
Tom is on trend with
this arched headboard
849
00:40:46,280 --> 00:40:48,200
and it all feels very today.
850
00:40:48,200 --> 00:40:51,000
I'm imagining this is one
of his own artworks as well.
851
00:40:51,000 --> 00:40:52,320
It's fantastic.
852
00:40:52,320 --> 00:40:55,680
It's as if he did take all the
colours and worked them into this.
853
00:40:55,680 --> 00:40:58,000
That's giving me sophistication.
854
00:40:59,040 --> 00:41:00,520
Oh! Interesting.
855
00:41:00,520 --> 00:41:01,920
We've got some of the same ideas,
856
00:41:01,920 --> 00:41:04,360
but then a very different
vibe happening here.
857
00:41:04,360 --> 00:41:07,400
I am loving this room.
858
00:41:07,400 --> 00:41:08,960
There's just some master strokes.
859
00:41:08,960 --> 00:41:10,920
And really, for me, it's the bed.
860
00:41:10,920 --> 00:41:14,120
It is wonderful making a cocoon
space out of that bed.
861
00:41:14,120 --> 00:41:18,200
But I'm loving how he's used
the walls. It's kind of fun.
862
00:41:18,200 --> 00:41:21,520
There's something very bold
and confident about that gesture.
863
00:41:21,520 --> 00:41:24,000
Sustainability, nod to it
over in the shelving.
864
00:41:24,000 --> 00:41:27,400
And I think I'm seeing some of his
skill set with upholstery, which is
865
00:41:27,400 --> 00:41:30,680
always a brilliant way to update
an existing piece of furniture.
866
00:41:30,680 --> 00:41:33,760
And it shows mad skills,
like, that ain't easy.
867
00:41:33,760 --> 00:41:37,360
Overall, Charlotte and Tom,
they've worked together.
868
00:41:37,360 --> 00:41:42,000
I think it's really cohesive
and I would happily move in here
869
00:41:42,000 --> 00:41:45,160
if I were to turn back time
and be 25 again.
870
00:41:49,960 --> 00:41:52,280
I think any post-grad would be
delighted to live there.
871
00:41:52,280 --> 00:41:54,840
The green colour on the walls
is beautiful.
872
00:41:54,840 --> 00:41:57,200
It's a lovely place to socialise.
873
00:41:57,200 --> 00:42:00,000
It's young and it's funky
and it's fun.
874
00:42:01,960 --> 00:42:03,200
Oh, gosh!
875
00:42:03,200 --> 00:42:06,120
It's a very different approach
to the space.
876
00:42:06,120 --> 00:42:09,280
I like this reused wood
little divider.
877
00:42:09,280 --> 00:42:12,000
It zones the space. We've got
living area here and I've got
878
00:42:12,000 --> 00:42:13,600
this little dining space.
879
00:42:13,600 --> 00:42:17,320
For me, this green gets
a little bit too dark.
880
00:42:17,320 --> 00:42:19,200
Roll on our English winters,
881
00:42:19,200 --> 00:42:21,520
I think I might be feeling
a little bit hemmed in.
882
00:42:21,520 --> 00:42:22,960
I'm getting post-grad.
883
00:42:22,960 --> 00:42:25,560
However, it's like a lot of
little bits and bobs.
884
00:42:25,560 --> 00:42:28,600
Those little bitty things
are very popular online,
885
00:42:28,600 --> 00:42:32,000
but in a real space,
things need to be grander.
886
00:42:37,080 --> 00:42:39,920
I showed myself. But then I also
really pushed myself. I made things.
887
00:42:39,920 --> 00:42:42,040
We worked on our cohesion as a team.
888
00:42:42,040 --> 00:42:44,400
I think I have nailed the brief.
889
00:42:44,400 --> 00:42:47,040
I wouldn't change a thing.
890
00:42:47,040 --> 00:42:49,160
Oh, my word. A white room.
891
00:42:49,160 --> 00:42:52,240
Got some textural effects going on,
which I kind of like.
892
00:42:52,240 --> 00:42:54,480
Kind of feels like Ibiza themed.
893
00:42:54,480 --> 00:42:57,680
Good read, because that is
entirely Peter's thing.
894
00:42:57,680 --> 00:43:00,360
He has just transported us
to his home.
895
00:43:00,360 --> 00:43:02,720
If the entire flat were like this,
I'd be like,
896
00:43:02,720 --> 00:43:04,080
"Oh, this is fantastic."
897
00:43:04,080 --> 00:43:08,720
It's the disjointed-ness
that is harshing my mellow.
898
00:43:08,720 --> 00:43:11,480
I do kind of love this whole
bed construct thing,
899
00:43:11,480 --> 00:43:13,760
but we're in Elephant and Castle.
900
00:43:13,760 --> 00:43:17,480
Why, if I've chosen this deluxe
apartment that I want to transport
901
00:43:17,480 --> 00:43:19,840
myself to a Spanish island?
902
00:43:20,960 --> 00:43:25,280
Oh, we've gone into a different
vibe again, haven't we?
903
00:43:25,280 --> 00:43:27,200
He's not even collaborating
with himself.
904
00:43:27,200 --> 00:43:30,560
The first base was
very natural Ibiza.
905
00:43:30,560 --> 00:43:33,200
This is more like foam party
Ibiza, and they're
906
00:43:33,200 --> 00:43:34,800
two very different voices.
907
00:43:34,800 --> 00:43:37,880
Also, I'm very distracted
by these sort of bits of reclaimed
908
00:43:37,880 --> 00:43:41,680
stuff, because if that's the nod
to sustainability - that's not it.
909
00:43:41,680 --> 00:43:44,960
Overall, I just don't see
that sense of teamwork.
910
00:43:44,960 --> 00:43:47,600
Um, at least Joanne,
I know who she is, with Peter,
911
00:43:47,600 --> 00:43:48,880
now I'm very confused.
912
00:43:53,480 --> 00:43:55,240
I've never done anything
like this before.
913
00:43:55,240 --> 00:43:57,080
I think me and Buse
have pulled it off.
914
00:43:57,080 --> 00:43:59,960
There's the cohesion.
It feels like a lovely space.
915
00:43:59,960 --> 00:44:02,840
I'd love to sit in the space
and enjoy it.
916
00:44:02,840 --> 00:44:04,640
Ooh. First impressions -
917
00:44:04,640 --> 00:44:06,320
I love this.
918
00:44:06,320 --> 00:44:10,080
It's really a very open,
welcoming space.
919
00:44:10,080 --> 00:44:13,720
The thing that hits me straight away
is there's a generosity here.
920
00:44:13,720 --> 00:44:16,280
The width of this,
it's not just a little slither -
921
00:44:16,280 --> 00:44:18,280
it's zoned the whole kitchen.
922
00:44:18,280 --> 00:44:22,640
It's the graciousness of scale
that makes it so inviting.
923
00:44:22,640 --> 00:44:26,800
And boucle is the fabric du jour.
924
00:44:26,800 --> 00:44:30,680
It's very flumpy and delicious.
925
00:44:30,680 --> 00:44:34,320
I'm impressed because Jack is one
of our youngest designers as well.
926
00:44:34,320 --> 00:44:36,200
Really? I would not have thought
927
00:44:36,200 --> 00:44:39,680
this was done by a very young
designer. It's very confident.
928
00:44:43,920 --> 00:44:45,960
It was touch-and-go there.
929
00:44:45,960 --> 00:44:48,680
I don't know what it would
have looked like if I did everything
930
00:44:48,680 --> 00:44:52,600
I wanted, but when you walk in,
it does feel like a show home
931
00:44:52,600 --> 00:44:56,720
and at the same time it
really represents sustainability.
932
00:44:57,960 --> 00:45:00,000
I like that. Mm.
933
00:45:00,000 --> 00:45:03,120
Yeah, it's quite beautiful
and I actually really like the tone.
934
00:45:03,120 --> 00:45:05,200
It kind of feels like well-worn
leather.
935
00:45:05,200 --> 00:45:07,680
I think it's really a nice gesture.
I love it.
936
00:45:07,680 --> 00:45:10,920
The built-in bench, that's giving me
hints of her architectural
937
00:45:10,920 --> 00:45:14,160
sensibility, which I like. That has
that generosity to it as well.
938
00:45:14,160 --> 00:45:16,360
Love it. And saffron!
939
00:45:16,360 --> 00:45:21,040
She had me at saffron, but this wall
is a bit of a disappointment to me.
940
00:45:21,040 --> 00:45:25,160
We turn around and go, "Oh,
you obviously ran out of time."
941
00:45:26,520 --> 00:45:28,920
Oh, gosh, Buse's done the same
thing again.
942
00:45:28,920 --> 00:45:30,840
I've got, like, half of a room.
943
00:45:30,840 --> 00:45:32,600
Yeah. It seems like Buse isn't
944
00:45:32,600 --> 00:45:35,600
so great at planning her time
or her resources.
945
00:45:35,600 --> 00:45:37,160
I do feel potential.
946
00:45:37,160 --> 00:45:40,240
She's obviously re-crafting
this room as a studio.
947
00:45:40,240 --> 00:45:43,600
And the one thing I really
like about this whole apartment
948
00:45:43,600 --> 00:45:46,640
is I'm feeling the re-use
of materials. I'm going to give them
949
00:45:46,640 --> 00:45:49,120
a big yes for
the sustainability aspect,
950
00:45:49,120 --> 00:45:52,880
but clearly there is quite
a lot to be learnt here.
951
00:45:52,880 --> 00:45:54,520
Agreed.
952
00:45:59,360 --> 00:46:02,160
I definitely feel a bit gutted
about having to change my design,
953
00:46:02,160 --> 00:46:05,720
but most of the elements were there,
and I still feel that the design
954
00:46:05,720 --> 00:46:07,040
stands on its own.
955
00:46:09,160 --> 00:46:11,160
OK. Huh.
956
00:46:11,160 --> 00:46:15,400
I'm feeling a lot of very
un-child-friendly features here.
957
00:46:15,400 --> 00:46:18,720
Yeah, I'm seeing lots of corners
and pointy bits.
958
00:46:18,720 --> 00:46:21,240
I'm happy to see a rounded edge
on the table,
959
00:46:21,240 --> 00:46:24,400
but in general it doesn't
feel super childy.
960
00:46:24,400 --> 00:46:27,320
There's just a big sense
of unfinished-ness here.
961
00:46:27,320 --> 00:46:30,560
I mean, I see the sides
of this table are tiled.
962
00:46:30,560 --> 00:46:33,600
Obviously, this has been built
and yet I'm not seeing that big
963
00:46:33,600 --> 00:46:35,840
signature thing that clearly
took all the time.
964
00:46:35,840 --> 00:46:39,680
I mean, this is a seriously
uncomfortable looking sofa.
965
00:46:39,680 --> 00:46:43,440
Funny, when you think about
this versus Jack's built-in sofa -
966
00:46:43,440 --> 00:46:45,200
the power of upholstery.
967
00:46:45,200 --> 00:46:48,560
It changes everything about
the feel of a room.
968
00:46:53,280 --> 00:46:56,200
I genuinely think my rooms are
gorgeous. That main bedroom,
969
00:46:56,200 --> 00:46:59,200
you walk in and you feel
that ocean breeze on your face.
970
00:46:59,200 --> 00:47:00,440
It reminds you of the sea.
971
00:47:00,440 --> 00:47:03,520
I think the child's room
is fun, playful.
972
00:47:03,520 --> 00:47:05,680
It's exactly what I envisaged.
973
00:47:06,800 --> 00:47:09,640
Oh, I like the colours in here!
Mm-hm!
974
00:47:09,640 --> 00:47:11,120
It's got that freshness.
975
00:47:11,120 --> 00:47:13,920
There's something about coming
into this colour
976
00:47:13,920 --> 00:47:17,080
that makes you feel good.
And I like the bed.
977
00:47:17,080 --> 00:47:20,000
It kind of has a nice
caszh, natural feel.
978
00:47:20,000 --> 00:47:22,960
It's got that sense of being
handmade, which is what I love,
979
00:47:22,960 --> 00:47:26,480
but then also reflected with this
rather fabulous whatever-it-is.
980
00:47:26,480 --> 00:47:29,360
If we delve in deeper, I would
have liked to have seen
981
00:47:29,360 --> 00:47:31,560
slightly bigger pots for the plants.
982
00:47:31,560 --> 00:47:33,640
Not quite sure what's going
on with the side tables
983
00:47:33,640 --> 00:47:35,920
because I can't use those.
That's not functional.
984
00:47:35,920 --> 00:47:37,120
Yeah, I agree.
985
00:47:38,320 --> 00:47:39,560
Ah...
986
00:47:39,560 --> 00:47:42,320
We've got such a strong statement
here with the sort of circus
987
00:47:42,320 --> 00:47:43,600
and the stripes.
988
00:47:43,600 --> 00:47:45,480
I'm mad for the circus tent ceiling,
989
00:47:45,480 --> 00:47:47,560
and I'm just now getting
a little angry
990
00:47:47,560 --> 00:47:50,440
at my own parents for not giving me
a circus tent ceiling.
991
00:47:50,440 --> 00:47:53,880
Kids' rooms are an incredible chance
to go over the top
992
00:47:53,880 --> 00:47:57,040
and make them fun and playful
and I think Temi did that.
993
00:47:57,040 --> 00:47:59,720
But one of the key things to me
is that everything needs
994
00:47:59,720 --> 00:48:01,760
to be at child level.
995
00:48:01,760 --> 00:48:05,200
And so we've kind of win, win, win,
win, win until we get here.
996
00:48:05,200 --> 00:48:07,480
And I've got a trapeze hanging
from the ceiling
997
00:48:07,480 --> 00:48:10,120
and a very high level
pegboard shelf thing.
998
00:48:10,120 --> 00:48:13,400
So many designers forget about the
needs of the client.
999
00:48:13,400 --> 00:48:15,320
It's a scale issue.
1000
00:48:15,320 --> 00:48:19,160
As a duo, I do feel that
there's a sense of collaboration.
1001
00:48:19,160 --> 00:48:22,040
There's a kind of attention
to colour that has continued
1002
00:48:22,040 --> 00:48:24,280
from room to room. I agree.
1003
00:48:24,280 --> 00:48:27,120
So we've seen five identical
apartments,
1004
00:48:27,120 --> 00:48:29,680
but each treated
in such a different way.
1005
00:48:29,680 --> 00:48:32,280
I think we're going to have to have
quite a bit of discussion
1006
00:48:32,280 --> 00:48:34,360
to decide who is going
to be on my sofa.
1007
00:48:36,160 --> 00:48:38,560
Look at this. Wow.
1008
00:48:38,560 --> 00:48:41,600
Before they head back to Brighton
to find out their fate...
1009
00:48:41,600 --> 00:48:45,040
This is lovely. Smile!
1010
00:48:41,600 --> 00:48:45,040
SHE LAUGHS
1011
00:48:45,040 --> 00:48:48,680
..the designers have a chance
to snoop on their rivals.
1012
00:48:48,680 --> 00:48:52,080
This is absolutely amazing.
Look at these tiles! Yeah.
1013
00:48:52,080 --> 00:48:55,840
So it's, like, changeable storage.
Very clever. I would've lowered it
1014
00:48:55,840 --> 00:48:58,760
about a metre. This is a
five-year-old's room. Yeah,
five-year-old.
1015
00:48:58,760 --> 00:49:02,480
Oh, my God. There's so
much handmade stuff.
1016
00:49:02,480 --> 00:49:04,320
Has he made all this himself? Yes.
1017
00:49:04,320 --> 00:49:06,760
That does make me a little bit
worried, actually.
1018
00:49:06,760 --> 00:49:09,920
OK. Ooh... So this is not the
bedroom.
1019
00:49:09,920 --> 00:49:12,560
I would be a little nervous
just with this space.
1020
00:49:12,560 --> 00:49:14,800
You're not pulling that out
to make a double bed.
1021
00:49:14,800 --> 00:49:17,000
You're pulling out
for someone to come over.
1022
00:49:17,000 --> 00:49:19,240
But you're having nobody over.
Not in that!
1023
00:49:19,240 --> 00:49:20,840
All right, you might not!
1024
00:49:20,840 --> 00:49:22,480
THEY LAUGH
1025
00:49:27,160 --> 00:49:30,800
The ten designers are back
in Michelle's design studio...
1026
00:49:32,320 --> 00:49:33,880
SINGSONG: Nervous!
1027
00:49:33,880 --> 00:49:36,760
..to discover whose chance
at a professional contract
1028
00:49:36,760 --> 00:49:38,440
may be in jeopardy.
1029
00:49:41,680 --> 00:49:43,080
Hi, everyone.
1030
00:49:43,080 --> 00:49:44,360
ALL: Hi, Alan.
1031
00:49:44,360 --> 00:49:47,200
I'm sure you're dying to know
what Michelle and Jonathan thought
1032
00:49:47,200 --> 00:49:51,160
of your apartments, so I won't keep
you in the dark any further.
1033
00:49:53,960 --> 00:49:56,960
The judges were impressed
with some of your designs.
1034
00:49:56,960 --> 00:50:00,720
They felt some of you could have
pushed yourselves further
1035
00:50:00,720 --> 00:50:02,320
and delivered more.
1036
00:50:03,400 --> 00:50:07,400
However, there was one team
that showed strong teamwork
1037
00:50:07,400 --> 00:50:11,160
and delivered a brief
with ambitious designs.
1038
00:50:12,760 --> 00:50:14,680
Well done...
1039
00:50:14,680 --> 00:50:16,040
..Tom and Charlotte.
1040
00:50:16,040 --> 00:50:17,240
SHE GASPS
1041
00:50:17,240 --> 00:50:21,400
Congratulations, you're through to
next week. Oh, my God!
1042
00:50:24,520 --> 00:50:27,240
The other teams going through are...
1043
00:50:28,640 --> 00:50:30,960
..Monika and Ry, well done.
1044
00:50:32,960 --> 00:50:34,280
And also...
1045
00:50:37,920 --> 00:50:40,240
..Buse and Jack. Well done.
1046
00:50:44,320 --> 00:50:47,800
That, of course, leaves
Karl and Temi,
1047
00:50:47,800 --> 00:50:49,520
and Joanne and Peter.
1048
00:50:50,840 --> 00:50:53,960
Michelle will see all of you on her
sofa, and sadly,
1049
00:50:53,960 --> 00:50:56,480
one of you will be going home.
1050
00:50:56,480 --> 00:50:58,280
Good luck. Thank you.
1051
00:51:01,480 --> 00:51:06,080
So, some wonderful designs
and some not so wonderful designs.
1052
00:51:06,080 --> 00:51:09,960
This challenge was really about
bringing together collaboration.
1053
00:51:09,960 --> 00:51:13,920
It was about sustainability, and the
four coming through are on the sofa
1054
00:51:13,920 --> 00:51:17,320
because they just didn't get that
juggle well enough at all. Yeah...
1055
00:51:17,320 --> 00:51:21,040
Let's start with Peter.
Did you enjoy visiting Ibiza?
1056
00:51:21,040 --> 00:51:25,440
I came away from it, only knowing
that Peter loves Ibiza.
1057
00:51:25,440 --> 00:51:27,760
This wasn't the moment
for signature style.
1058
00:51:27,760 --> 00:51:29,640
And then what about Joanne?
1059
00:51:29,640 --> 00:51:32,440
I thought it was all a
little...small.
1060
00:51:32,440 --> 00:51:35,120
Yeah, and with Peter and Joanne,
I really felt like every room
1061
00:51:35,120 --> 00:51:37,680
was totally different,
completely unrelated.
1062
00:51:37,680 --> 00:51:40,560
I think Temi and Karl had a bit
more cohesion, didn't they,
1063
00:51:40,560 --> 00:51:43,200
with their designs? You could feel
it slightly more, yes.
1064
00:51:43,200 --> 00:51:44,840
They had the family home.
1065
00:51:44,840 --> 00:51:48,200
Temi did embrace that, but
there was a question of scale.
1066
00:51:48,200 --> 00:51:51,240
The child is five, so things
need to be slightly a lower level.
1067
00:51:51,240 --> 00:51:52,920
Yeah. That wasn't working for me.
1068
00:51:52,920 --> 00:51:55,360
Karl's room is slightly
less family friendly.
1069
00:51:55,360 --> 00:51:57,600
And Karl really
didn't juggle his time.
1070
00:51:57,600 --> 00:52:00,000
Was it a case of him
being overambitious?
1071
00:52:00,000 --> 00:52:02,680
I think we really need to ask him
the questions on that.
1072
00:52:03,840 --> 00:52:07,720
This is going to be so tough. No-one
wants to go home week one, do they?
1073
00:52:07,720 --> 00:52:10,160
No, they don't, but they have
everything to play for
1074
00:52:10,160 --> 00:52:12,880
and I'm really interested
to see what they have to say.
1075
00:52:15,920 --> 00:52:17,280
Hello! Hello.
1076
00:52:18,440 --> 00:52:20,000
Hi. Hi.
1077
00:52:21,400 --> 00:52:24,120
So, challenge one,
you're on the sofa, I get it.
1078
00:52:24,120 --> 00:52:27,840
It is not where you want to be,
but I would really encourage you
1079
00:52:27,840 --> 00:52:30,600
to see this as a
valuable opportunity for feedback.
1080
00:52:31,600 --> 00:52:34,880
A really big part of this challenge
was about collaboration.
1081
00:52:34,880 --> 00:52:37,840
Joanne and Peter, let me
just dive straight in.
1082
00:52:37,840 --> 00:52:41,040
I didn't see visual evidence
of collaboration
1083
00:52:41,040 --> 00:52:44,000
in the way that I understand it.
Do you think that's fair?
1084
00:52:44,000 --> 00:52:48,160
We both felt that we had a neutral
base, but with pops of colour. Yeah.
1085
00:52:48,160 --> 00:52:50,880
That's where I tried to bring
in some of her pops of colour.
1086
00:52:50,880 --> 00:52:53,760
But it isn't about, "I'm doing this,
you're doing this," and
1087
00:52:53,760 --> 00:52:56,520
"Oh, OK, you've used that colour,
I'm going to use that colour too."
1088
00:52:56,520 --> 00:52:59,480
That isn't it. You had one client
1089
00:52:59,480 --> 00:53:02,600
and I just felt you did your style
and you did your style.
1090
00:53:02,600 --> 00:53:05,160
Does that make sense to you?
Yeah, it makes sense. Yeah.
1091
00:53:05,160 --> 00:53:08,200
But we thought because there were
locations, that was a collaboration
1092
00:53:08,200 --> 00:53:11,560
as well, a well-travelled person,
these are the places
1093
00:53:11,560 --> 00:53:13,200
where they've been and this is home.
1094
00:53:13,200 --> 00:53:16,280
I think you guys are trying
to stand out in a competition,
1095
00:53:16,280 --> 00:53:19,280
but I shouldn't have even known
there were two separate designers.
1096
00:53:19,280 --> 00:53:22,080
I never felt a vibe
that was consistent,
1097
00:53:22,080 --> 00:53:24,720
so I think you need to think
beyond just colour.
1098
00:53:24,720 --> 00:53:27,480
But if we now go
into your individual design.
1099
00:53:27,480 --> 00:53:30,680
Peter, I'll start with you.
I get it - you like Ibiza.
1100
00:53:30,680 --> 00:53:34,080
But if I was going to spend
that much money renting an apartment
1101
00:53:34,080 --> 00:53:38,240
in this gorgeous block, why are you
taking me totally away from that?
1102
00:53:38,240 --> 00:53:41,000
Most people in this day and age
look forward to an escape.
1103
00:53:41,000 --> 00:53:44,760
My way of designing is bringing
that escape home. For my bedroom,
1104
00:53:44,760 --> 00:53:47,800
I wanted to create that oasis
that we all look forward to.
1105
00:53:47,800 --> 00:53:49,320
And I get that, it's a nice idea.
1106
00:53:49,320 --> 00:53:52,080
But then I'm "party central"
over on the other side.
1107
00:53:52,080 --> 00:53:55,440
I wanted to show you my two polar
opposites to kind of surprise you.
1108
00:53:55,440 --> 00:53:57,560
But there you go,
you see, that's all about you.
1109
00:53:57,560 --> 00:54:01,320
What about your post-graduate
student? Has he got both those
sides?
1110
00:54:01,320 --> 00:54:03,240
Yeah, I understand.
1111
00:54:03,240 --> 00:54:06,680
Joanne, we talked a lot about scale
in your space... Yeah.
1112
00:54:06,680 --> 00:54:10,120
..that some of the pieces you chose
would've had so much more impact
1113
00:54:10,120 --> 00:54:11,560
if they were bigger. Yeah.
1114
00:54:11,560 --> 00:54:15,640
Your space was styled... Uh-huh.
..it was decorated.
1115
00:54:15,640 --> 00:54:18,640
Yeah. What didn't work was an
overall design.
1116
00:54:18,640 --> 00:54:20,840
I am good at styling.
That's my talent,
1117
00:54:20,840 --> 00:54:23,760
and if I was to come back again,
I need to push myself further
1118
00:54:23,760 --> 00:54:26,200
with the design element
and show you what I can do.
1119
00:54:26,200 --> 00:54:29,480
Karl, what does "family friendly"
mean to you?
1120
00:54:29,480 --> 00:54:32,040
I thought about the kind of people
who would be raising a child
1121
00:54:32,040 --> 00:54:34,960
in the city, so I was thinking
that I'd have a divider
1122
00:54:34,960 --> 00:54:38,920
for decorative purposes, but also
for storage, which is ultimately key
1123
00:54:38,920 --> 00:54:40,360
when you're thinking of a child.
1124
00:54:40,360 --> 00:54:43,120
And my immediate klaxon
is like, "What about safety?"
1125
00:54:43,120 --> 00:54:45,320
You had a lot of pointy corners.
Mm-hm.
1126
00:54:45,320 --> 00:54:47,320
I admit that that was a design flaw.
1127
00:54:47,320 --> 00:54:49,280
Your space did feel very unfinished.
1128
00:54:49,280 --> 00:54:52,720
It was the room divider that I
definitely put all my effort into.
1129
00:54:52,720 --> 00:54:55,800
It was going to have shelving on the
other side facing the dining,
1130
00:54:55,800 --> 00:54:58,240
and it was going to be sort of
an aesthetic divided top.
1131
00:54:58,240 --> 00:55:01,040
So what happened?
I was overly ambitious.
1132
00:55:01,040 --> 00:55:03,560
My job, day-to-day, is sat
behind a computer.
1133
00:55:03,560 --> 00:55:06,160
Now I've seen how it actually
gets made in a workshop,
1134
00:55:06,160 --> 00:55:09,160
I now know how long that's actually
going to take in the future.
1135
00:55:09,160 --> 00:55:12,640
Design is so tactile,
it's like a 3D experience.
1136
00:55:12,640 --> 00:55:16,360
Everything in your space
was very 2D. It was very hard.
1137
00:55:17,560 --> 00:55:21,520
So Temi, your rooms did appear
to be dressed in a very nice way.
1138
00:55:21,520 --> 00:55:25,520
Jonathan loved your circus room.
Yeah. When design is really good,
it's memorable.
1139
00:55:25,520 --> 00:55:28,560
But children are quite small,
they roam around a lot on the floor.
1140
00:55:28,560 --> 00:55:30,840
There was a lot of things that
seemed at the right scale,
1141
00:55:30,840 --> 00:55:33,440
but then there was suddenly
something quite high up on the wall.
1142
00:55:33,440 --> 00:55:36,440
It's quite hard brief because it was
five plus. I put the pegboard there,
1143
00:55:36,440 --> 00:55:39,000
so as a child grew,
they could go up the pegboard.
1144
00:55:39,000 --> 00:55:42,200
That's overcomplicated. Yeah.
Keep it simple. Your kid is
five years old,
1145
00:55:42,200 --> 00:55:44,920
they're this high and because you've
designed for them all the way
1146
00:55:44,920 --> 00:55:48,000
for the next, like, five
years of their life. Yeah, yeah.
1147
00:55:49,520 --> 00:55:52,200
You four are all here
because you dropped the ball
1148
00:55:52,200 --> 00:55:55,320
on a fundamental aspect
of this challenge.
1149
00:55:55,320 --> 00:55:57,880
Temi, we really appreciated a lot
that was going on
1150
00:55:57,880 --> 00:55:59,240
in both of your rooms.
1151
00:55:59,240 --> 00:56:02,280
But if you're going to continue,
I'm going to need to see you
1152
00:56:02,280 --> 00:56:05,160
really understanding -
client is king or queen. Yeah.
1153
00:56:06,160 --> 00:56:08,640
Joanne, it was a promising
start,
1154
00:56:08,640 --> 00:56:10,840
but you've got
to give me more confidence.
1155
00:56:10,840 --> 00:56:12,360
It's go big or go home.
1156
00:56:13,480 --> 00:56:17,440
Peter, there is a time and a place
for signature style.
1157
00:56:17,440 --> 00:56:18,840
This wasn't it.
1158
00:56:20,000 --> 00:56:22,600
Karl, you didn't finish.
1159
00:56:22,600 --> 00:56:26,080
And I really didn't feel that you
met the "family friendly" brief.
1160
00:56:26,080 --> 00:56:28,240
So, I'm afraid, for that reason,
1161
00:56:28,240 --> 00:56:31,120
you will be the person leaving
us this week.
1162
00:56:31,120 --> 00:56:33,240
Thank you so much
for this opportunity.
1163
00:56:33,240 --> 00:56:36,520
It's been such a great honour,
really, just to be here.
1164
00:56:36,520 --> 00:56:39,520
Thank you. See you later. Bye, Karl!
1165
00:56:45,000 --> 00:56:47,080
It's been a blow to go out in the
first round.
1166
00:56:47,080 --> 00:56:49,520
You know, it's the first time
I'd ever worked practically
1167
00:56:49,520 --> 00:56:51,880
in that way, and I fell short.
1168
00:56:51,880 --> 00:56:55,120
Now, I'm going to keep trying
and doing more adventurous builds.
1169
00:56:55,120 --> 00:56:58,320
I'm just going to pray that I
don't have to do it in two days!
1170
00:56:59,400 --> 00:57:01,160
Karl had ambitious ideas,
1171
00:57:01,160 --> 00:57:04,200
but in trying to do too much,
he didn't finish.
1172
00:57:04,200 --> 00:57:06,640
And I felt he missed the mark
on the brief.
1173
00:57:07,880 --> 00:57:08,920
Next time...
1174
00:57:08,920 --> 00:57:10,840
Wow! It's like a castle.
1175
00:57:10,840 --> 00:57:12,680
Not everything is child's play...
1176
00:57:12,680 --> 00:57:16,280
I don't know what babies do!
..when the designers team up...
1177
00:57:16,280 --> 00:57:19,840
You want to paint the walls beige?
Yeah. I don't think it works.
1178
00:57:19,840 --> 00:57:22,200
..to turn nurseries...
1179
00:57:19,840 --> 00:57:22,200
SHE LAUGHS
1180
00:57:22,200 --> 00:57:25,000
..into worlds of wonder.
Here's one I made earlier.
1181
00:57:25,000 --> 00:57:26,960
Why have you gone with brown?
1182
00:57:26,960 --> 00:57:29,280
It's looking like a massive mess!
98961
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