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My name is Mr Carr, Mr Carr.
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C, A... Ah.
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Who threw that?
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It's schools week.
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Ten aspiring designers
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competing for one life-changing
contract,
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to transform a luxury hotel
apartment in Cornwall.
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Oh, my God.
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Last time...
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Don't drip, don't drip, don't drip.
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..the designers put their signature
stamp...
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The roof's on!
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00:00:29,360 --> 00:00:31,760
..on luxury hotel bedrooms.
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Doesn't this feel opulent?
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It was desperate measures for Abi...
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We've had to rip my bed apart
and attach it to a wall.
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..Rochelle missed the mark...
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I just don't think I'm good enough.
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..but Peter went too far.
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It was too much.
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You will be the person leaving us
this week.
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Week three...
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..and our eight aspiring interior
designers are back
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and the competition is hotting up.
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I think everyone's really
talented.
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Every week, someone's got a new
surprise, a new trick,
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a new detail and I'm like,
"Ooh, that's smart."
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I never want to leave this room. No.
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Stay there, super glue your butt
there.
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Hi. Hey.
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Yeah, the pressure is building
and building and building
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but I'm learning week by week
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and I just really want to keep
going.
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How are you? Yeah, good. Good.
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New week, I'm still here.
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I am so ready to bring it
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and give it my all
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and just fully be me.
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Last week, I got put on a pedestal
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but that only lasts us for one week,
yeah, it's one pass.
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This week is a new challenge
and we start afresh.
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So for me, I just want to keep that
momentum.
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Again, at the 100-meter sprint I got
a good lap time
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but this time, I'm going for
a world record.
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Hello, everyone.
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How we all doing?
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ALL: Hello.
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Raring for a new challenge?
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Yes. Absolutely. Bring it on. Can't
wait.
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So, Rochelle, what was it like on
the sofa last week?
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Um, it was awful.
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Going to be more confident
this week?
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Yeah, I'm going to bring it this
week.
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You're going to bring it,
that's what I like to hear.
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And, Abi, you were told not to bring
it.
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I know, I need to tone it down this
week.
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How can you tone it down?
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That's like telling the tide
to go back.
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I know.
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You're going to have to do
something. Absolutely.
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Hello. Here's Michelle.
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Hi, Michelle. Hello, everybody.
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So, here we go, challenge number
three. I know.
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And I figure you're nicely warmed
up now,
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so I have something a bit different
for you.
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We are going back to school.
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Oh, my God.
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Sitting on the outskirts of Bristol,
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near the coastal town of Portishead
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is Gordano Secondary School.
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Here, pupils are divided into
four houses,
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branded with their own animal
mascot and colour.
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Each house has a common room where
pupils can socialise.
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Working in teams, the designers must
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transform these tired rooms and the
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adjoining Head of House offices,
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creating inviting contemporary
spaces with a strong identity.
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These are large rooms so
collaboration
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and time management are
going to be crucial.
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You're going to need to work
together to be successful.
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00:03:41,560 --> 00:03:45,320
This is not about one person
taking over.
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And we're upping the ante...
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..we're sending one team home.
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Good luck. Game on, babes, game on.
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We will smash it.
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That's going to knock the group,
isn't it? Two going this week.
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Yeah.
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It feels small already and then two
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more people going, it will be
horrible.
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The pressure's on. Yeah.
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00:04:03,560 --> 00:04:07,360
And we do not want to be on that
sofa this week.
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Having spent time together working
on the brief...
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Hi, guys. Hi. Hello.
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..it's time for the teams to meet
their youngest clients yet.
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First into the lion's den...
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Hi. Hello.
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..are Abi and Rochelle.
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It means so much for me to stay in
this competition.
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I need to prove that I can still be
fun, I can still be me.
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So, what's the name of your house?
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So we are called the Lundy Lions
with the purple.
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So we're very sporty, competitive
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so we want something, like, which
fits all those things.
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So we've got competitive, sporty,
fantastic.
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We just wanted to create something
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that kept your house colours,
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that really had a strong identity.
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I was told to bring it up and she
was told to tone it down,
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so this could be a match made in
heaven.
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I think the colours, like,
are great.
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Like, it's not too much purple and
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it's not too much, like, other
colours.
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Me and Rochelle had this idea
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of maybe having
some fake Astroturf.
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Yeah, it would be
something different.
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You don't walk into a class
and just see grass, do you?
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So it's going to be quite cool. OK.
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Hello! Hello, everyone!
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I was thinking,
"Who's trying to sneak in?!"
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Are you a bit worried
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that they've turned up here
dressed in their pyjamas?
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A bit like you. Ooh!
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You're getting a detention.
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THEY LAUGH
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Do you want actually, like,
a physical representation
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of a lion in there
or do you want these?
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No. You know in the American,
like, universities or schools,
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they have a big sticker.
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Some people have eagles, like,
with us we were thinking a lion.
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So, what I was suggesting was
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a big grey and white-striped
diagonal floor,
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and then having your amazing
purple lion logo somewhere.
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Yeah? Yeah. Fab.
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Up the Lions, yeah!
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Up the Lions! Up the Lions!
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Next up, it's Dean and Amy
with the Biscay Bears.
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00:05:55,200 --> 00:05:57,920
So, on this bit here is where
we are going to put your tables.
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These are benches but in cubes,
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so they can all be dispersed
and put together,
140
00:06:01,720 --> 00:06:04,160
so you can break off together
or break off separately.
141
00:06:04,160 --> 00:06:06,840
On this bit here is where
your bench seating is going to be,
142
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so you guys can sit on this table,
have your lunch.
143
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Yeah, I think that would be good.
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So, the main idea would be
that it kind of takes on
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this vintage varsity idea,
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with a lot of, kind of,
artful graffiti,
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colour-blocking ideas to zone
different areas in the room.
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I like that, yeah. That's good.
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I really like that idea
of the graffiti
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and, like,
maybe doing the bear in graffiti
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and add, like,
kind of a cool aspect to it.
152
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The key lesson I learnt
from last time is
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that I need to be more vocal,
which I can definitely do.
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Dean can talk, but so can I.
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Is this the winning team? Yeah! Yes!
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So, for the first time ever,
schools. Yeah.
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And not just schools - common rooms.
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That's going to be tough, isn't it?
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It is tough,
but if you think about it,
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school is supposed to be
this place of creativity
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and inspiration and learning,
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and yet when you look
at most common rooms,
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they're completely bland.
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Kids, they're going to be
the tough critics, aren't they?
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It's not like in our day when we'd
just be outside with a stick.
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They've got rights now,
haven't they?
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And they know what they want.
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I don't think they're going
to hold back
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if they don't like something.
170
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But, I mean, there's so much room
for improvement.
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They need a complete transformation.
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And it's got to be multi-functional
as well.
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This is places
where people are going to be having
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a bit of quiet time,
where they're going to socialise,
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so that's going to be difficult
to get the balance right, isn't it?
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It is, but also practical.
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These rooms need
to be tough and durable.
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They're going to be in daily use
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with a lot of kids
coming through them.
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And as a springboard,
they've got the name of the house,
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which is also an animal.
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And I think
they've got colours as well.
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Clearly, each house is super proud
of its emblem,
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so that's got to be big and loud.
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They need to celebrate their house.
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So they want to feel really proud
of their house colours
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and their house symbol.
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And you're sending two people home,
so it could be a whole team.
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It could be. They could
either win or lose together.
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Oh, dear. It's tough, isn't it?
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I'm just worried about getting nits.
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I'm Banjo.
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Banjo and team-mate Molly
are with the Fitzroy Foxes.
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The house colour is orange,
so, yeah...
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What do we think about orange?
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00:08:03,080 --> 00:08:05,840
We don't want
the whole thing orange... Yeah.
197
00:08:05,840 --> 00:08:08,040
..because it's
quite an out-there colour.
198
00:08:08,040 --> 00:08:10,760
So, more peaceful colours,
a little bit of orange.
199
00:08:10,760 --> 00:08:12,960
There's a lot of things
that space has to do,
200
00:08:12,960 --> 00:08:14,960
and some tough clients as well.
201
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Those kids know what they want.
202
00:08:16,560 --> 00:08:19,320
So, what I was thinking
is having a wave wall
203
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that could kind of,
like a fox's den,
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00:08:21,560 --> 00:08:24,080
could take you through the space
and section it off
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and give you little surprises
and little private areas.
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Do you have faith in us? Yes. Good.
207
00:08:29,880 --> 00:08:31,600
Looking for the inside track...
208
00:08:31,600 --> 00:08:32,800
What's the vibe?
209
00:08:32,800 --> 00:08:34,880
..is Fran and Paul
with the Crocodiles.
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Green, obviously. Green.
211
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I think we want it
kind of modern and clean.
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So, as you can see,
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it's about creating different zones
within the room.
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00:08:44,200 --> 00:08:46,800
Oh, I see. And then you put
the screens on wheels,
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and then you can actually have them
to create definition within spaces
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or you can just push them
to the side.
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I really like
that you can fold it away,
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cos I think that's quite nice
because it's quite a small room.
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00:08:57,360 --> 00:08:59,120
In terms of your crocodile mural,
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00:08:59,120 --> 00:09:01,760
I've just put
that, kind of, motif on cushions.
221
00:09:01,760 --> 00:09:03,960
So we've got the crocodile in,
still... Oh, wow. Yeah.
222
00:09:03,960 --> 00:09:05,520
..but it's just kind of subtle.
223
00:09:05,520 --> 00:09:07,480
I've got kids.
I know what kids are like.
224
00:09:07,480 --> 00:09:09,800
They're basically not kids,
they're mini adults
225
00:09:09,800 --> 00:09:11,400
with loads of opinions.
226
00:09:11,400 --> 00:09:13,000
Maybe that makes me a kid!
227
00:09:13,000 --> 00:09:14,520
How's it going? Hello, Mr Carr.
228
00:09:14,520 --> 00:09:16,240
They want to talk to someone young.
229
00:09:16,240 --> 00:09:17,480
You don't want these old...
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00:09:17,480 --> 00:09:20,120
You don't want these two old fogeys,
do you? No.
231
00:09:20,120 --> 00:09:22,080
They want a room that's peng,
don't you?
232
00:09:22,080 --> 00:09:24,200
Pen? What does that mean?
Peng - great.
233
00:09:24,200 --> 00:09:26,400
Really? Yeah.
I've never heard of that.
234
00:09:26,400 --> 00:09:29,000
See? I've never heard of it.
Am I right or am I right?
235
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Exactly.
236
00:09:30,200 --> 00:09:32,200
What's your biggest rival, then?
237
00:09:32,200 --> 00:09:33,920
Is it the Fox?
What's the other ones?
238
00:09:33,920 --> 00:09:36,160
Oh, definitely, I think the Lions.
239
00:09:36,160 --> 00:09:38,680
So, as long as you beat the Lions,
that's all that matters.
240
00:09:38,680 --> 00:09:40,320
Yes. Yeah, definitely.
241
00:09:40,320 --> 00:09:41,360
Bye!
242
00:09:41,360 --> 00:09:42,960
We're going to go Crocodiles!
243
00:09:42,960 --> 00:09:44,480
THEY LAUGH
244
00:09:49,520 --> 00:09:52,000
It's a big day for the designers.
245
00:09:52,000 --> 00:09:55,880
# Going back, back to school
Back to school! #
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00:09:55,880 --> 00:09:58,560
This is interesting.
Oh, it's quite big!
247
00:09:58,560 --> 00:09:59,880
Working in teams,
248
00:09:59,880 --> 00:10:02,800
they will need to transform
four tired common rooms...
249
00:10:04,480 --> 00:10:05,880
Wa-hey!
250
00:10:05,880 --> 00:10:09,560
..and turn them into practical
and multi-purpose shared spaces.
251
00:10:10,560 --> 00:10:12,040
I hated school.
252
00:10:12,040 --> 00:10:14,760
So, yeah, being back,
I'm like, eurgh!
253
00:10:14,760 --> 00:10:18,880
In addition, they need
to rejuvenate the teacher's office
254
00:10:18,880 --> 00:10:20,440
for each Head of House.
255
00:10:21,880 --> 00:10:23,240
Were you a prefect?
256
00:10:23,240 --> 00:10:25,560
Er, no, I was devastated.
257
00:10:25,560 --> 00:10:29,160
Confidence hadn't, sort of,
approached me by that point.
258
00:10:29,160 --> 00:10:30,800
When your balls dropped?
259
00:10:33,640 --> 00:10:34,840
Oof!
260
00:10:34,840 --> 00:10:37,720
Each pair has £3,000
261
00:10:37,720 --> 00:10:41,680
and two days to complete
their interior designs.
262
00:10:41,680 --> 00:10:45,040
Backing up the teams
with their skills are the trades.
263
00:10:45,040 --> 00:10:46,480
Hello! Hey!
264
00:10:46,480 --> 00:10:47,720
Welcome.
265
00:10:47,720 --> 00:10:51,000
You go. I'm like
Bob the Builder's girlfriend.
266
00:10:52,640 --> 00:10:54,520
At the Lions...
267
00:10:54,520 --> 00:10:58,080
We need to make sure
that this floor is wow.
268
00:10:58,080 --> 00:11:00,360
..Abi is cracking the whip already.
269
00:11:00,360 --> 00:11:04,120
The thing I want to get done ASAP
is masking-taping the floor.
270
00:11:04,120 --> 00:11:07,800
Me and Rochelle decided
it was going to be every...
271
00:11:07,800 --> 00:11:09,240
..two and a half.
272
00:11:09,240 --> 00:11:11,480
So it's, like,
shoulder-length diagonals.
273
00:11:13,040 --> 00:11:15,520
Inspired by the athletic
Lundy Lions,
274
00:11:15,520 --> 00:11:20,120
Abi and Rochelle have designed
a sports-themed common room.
275
00:11:20,120 --> 00:11:23,680
Upcycled school furniture will
show off go racing stripes
276
00:11:23,680 --> 00:11:25,400
on the floor and wall.
277
00:11:26,600 --> 00:11:31,000
There will be 3D zonal boards
including a hydration station.
278
00:11:31,000 --> 00:11:35,040
And completing the space is
a showpiece vinyl house logo
279
00:11:35,040 --> 00:11:38,480
mounted on a wall of fake grass.
280
00:11:38,480 --> 00:11:40,280
MAN: (ON PHONE)
281
00:11:42,360 --> 00:11:45,480
But the Lions have got a problem
with their grass.
282
00:11:45,480 --> 00:11:47,880
We need it by tomorrow.
283
00:11:50,000 --> 00:11:53,240
This was the showpiece,
this was the show moment.
284
00:11:53,240 --> 00:11:55,320
The grass is really important
to the design,
285
00:11:55,320 --> 00:11:57,480
because we wanted
to give that nod
286
00:11:57,480 --> 00:11:59,800
to the sports element
behind the house.
287
00:11:59,800 --> 00:12:01,640
Things are always going to go wrong.
288
00:12:01,640 --> 00:12:03,680
There's always going to be
a spanner in the works,
289
00:12:03,680 --> 00:12:05,280
and it's just the way
you deal with it.
290
00:12:05,280 --> 00:12:06,840
We're coming up with solutions.
291
00:12:06,840 --> 00:12:08,680
I've been frantically looking
on the phone,
292
00:12:08,680 --> 00:12:11,040
ringing round trying to get hold
of some fake grass,
293
00:12:11,040 --> 00:12:14,360
and I hopefully have got some,
fingers crossed.
294
00:12:14,360 --> 00:12:16,640
Over at Cromarty Crocodiles...
295
00:12:16,640 --> 00:12:18,480
We've got three alcoves... Mm-hm.
296
00:12:18,480 --> 00:12:22,640
..Fran and Paul are getting
into the detail of their design.
297
00:12:22,640 --> 00:12:25,240
So, there's your cutting list. Nice.
298
00:12:25,240 --> 00:12:27,000
So, back spine is 77,
299
00:12:27,000 --> 00:12:29,440
bottom bench is 40 x 175,
300
00:12:29,440 --> 00:12:31,120
top bench is 37,
301
00:12:31,120 --> 00:12:33,080
front bench is 34,
302
00:12:33,080 --> 00:12:35,200
and the back folding bench is 37.
303
00:12:35,200 --> 00:12:38,360
So, the bench will be on wheels,
and it will roll into here.
304
00:12:38,360 --> 00:12:39,720
And then you pick up the table,
305
00:12:39,720 --> 00:12:41,360
and you stack it
on top of the bench.
306
00:12:41,360 --> 00:12:43,880
And it is basically genius.
307
00:12:43,880 --> 00:12:46,680
Paul has ambitious plans
for the main common room.
308
00:12:46,680 --> 00:12:50,240
That communal table essentially goes
where we are over there.
309
00:12:50,240 --> 00:12:52,360
Yeah. Scaffolding pole over the top.
310
00:12:52,360 --> 00:12:55,880
Nice. And then they've got
Tolix stools that go underneath.
311
00:12:55,880 --> 00:12:58,800
The whole point is that
when you enter from the hallway,
312
00:12:58,800 --> 00:13:02,280
you've got this really strong,
kind of, mural, graphic identity,
313
00:13:02,280 --> 00:13:05,240
which is a combination
of Fran and I's initial concepts.
314
00:13:05,240 --> 00:13:08,400
And then we've got
a communal table in the main space,
315
00:13:08,400 --> 00:13:10,240
breakout area.
316
00:13:10,240 --> 00:13:15,080
So, all of those zones
that were about multi-function,
317
00:13:15,080 --> 00:13:17,920
the functionality of the room,
they'll all work really well.
318
00:13:17,920 --> 00:13:19,880
It's a lot to do. Yeah.
319
00:13:19,880 --> 00:13:21,880
But hopefully, fingers crossed...
320
00:13:21,880 --> 00:13:23,040
Great planning!
321
00:13:23,040 --> 00:13:25,680
Great planning! Thank you very much.
322
00:13:30,840 --> 00:13:32,560
I've been designing all my life.
323
00:13:32,560 --> 00:13:34,760
Everything is very considered.
324
00:13:34,760 --> 00:13:38,000
Down to my interiors,
my home, my clothes.
325
00:13:38,000 --> 00:13:40,040
I am a perfectionist.
326
00:13:40,040 --> 00:13:43,400
I've definitely matured,
like a fine wine.
327
00:13:43,400 --> 00:13:45,360
I'm like a good Malbec -
328
00:13:45,360 --> 00:13:49,400
full-bodied, lots of character,
and great taste.
329
00:13:50,560 --> 00:13:52,360
Across the playground...
330
00:13:52,360 --> 00:13:53,840
She's bright.
331
00:13:53,840 --> 00:13:57,320
..Molly is starting
to colour-block the common room.
332
00:13:57,320 --> 00:13:59,280
Please don't drip. Slather it on.
333
00:13:59,280 --> 00:14:00,520
Yay!
334
00:14:00,520 --> 00:14:04,160
The Fitzroy Foxes were
quite against a whole orange wall.
335
00:14:04,160 --> 00:14:05,720
That's why we've done it
in sections.
336
00:14:05,720 --> 00:14:07,880
So this section is going
to be the play area.
337
00:14:07,880 --> 00:14:09,920
In the meeting area,
it's going to be green,
338
00:14:09,920 --> 00:14:11,360
so that's a bit more calming.
339
00:14:11,360 --> 00:14:13,920
In the blue area is going
to be, like, the study area,
340
00:14:13,920 --> 00:14:15,560
that's a bit more calm as well.
341
00:14:15,560 --> 00:14:18,120
And this is going to be
the fun, vibrant play area.
342
00:14:18,120 --> 00:14:19,920
Out-of-the-box thinkers,
343
00:14:19,920 --> 00:14:22,600
Molly and Banjo are
designing their common room
344
00:14:22,600 --> 00:14:23,920
like a fox's den.
345
00:14:24,960 --> 00:14:28,360
Sustainable concertina paper seating
will be laid out
346
00:14:28,360 --> 00:14:30,240
in the middle of the room.
347
00:14:30,240 --> 00:14:32,760
Colour-blocked areas will
be zoned-off
348
00:14:32,760 --> 00:14:34,760
with giant cardboard screens,
349
00:14:34,760 --> 00:14:37,160
inviting students
to make the space their own
350
00:14:37,160 --> 00:14:40,320
with the option of doodling
on the replaceable dividers.
351
00:14:40,320 --> 00:14:43,200
HIP-HOP BEAT PLAYS
352
00:14:40,320 --> 00:14:43,200
Boom box!
353
00:14:43,200 --> 00:14:45,720
We're walking down the street
in the Bronx.
354
00:14:45,720 --> 00:14:48,200
We've got 100 cardboard tubes.
355
00:14:48,200 --> 00:14:51,640
Just 100? Just 100. OK.
356
00:14:51,640 --> 00:14:54,360
We've got all of this
modular kind of furniture
357
00:14:54,360 --> 00:14:56,440
that's kind of made of cardboard
358
00:14:56,440 --> 00:14:58,440
that can be just folded up
and put away.
359
00:14:58,440 --> 00:15:02,480
So if we can kind of go here
to here.
360
00:15:02,480 --> 00:15:04,120
We've got a little story to tell.
361
00:15:04,120 --> 00:15:08,240
We've got a bit of an environmental
sustainable theme going on,
362
00:15:08,240 --> 00:15:10,040
and kids care about that stuff now.
363
00:15:10,040 --> 00:15:13,200
If we have the screen coming out,
full height, for a metre... Yeah.
364
00:15:13,200 --> 00:15:16,200
..and then tiered down,
100 mils each tube.
365
00:15:16,200 --> 00:15:18,880
It's a risk when you're throwing up
lots of big ideas
366
00:15:18,880 --> 00:15:21,200
that, you know,
maybe they won't land,
367
00:15:21,200 --> 00:15:24,840
but I'm pretty confident with them,
and hopefully Michelle likes them.
368
00:15:26,520 --> 00:15:27,800
Over at the Bears...
369
00:15:27,800 --> 00:15:30,280
How wide do you want these tables
to be? I'll let you work it out
370
00:15:30,280 --> 00:15:32,040
on the tape measure
I want you to hold.
371
00:15:32,040 --> 00:15:34,200
..Dean is actioning big plans...
372
00:15:34,200 --> 00:15:35,600
Five foot is nice.
373
00:15:35,600 --> 00:15:38,520
..building bespoke tables
and cube seating.
374
00:15:38,520 --> 00:15:40,720
All of the Bears' furniture
will be made from
375
00:15:40,720 --> 00:15:45,160
a hard-wearing multi-layered
form of plywood called OSB.
376
00:15:45,160 --> 00:15:48,120
I'm trying to create a space
where if I was, like, mini me,
377
00:15:48,120 --> 00:15:50,720
when I was their age... A space
where they can come and relax.
378
00:15:50,720 --> 00:15:53,480
We've got a lot of seating
and a lot of OSB to go in,
379
00:15:53,480 --> 00:15:55,560
so I'll be doing a lot of work
with the carpenters.
380
00:15:55,560 --> 00:15:58,640
Amy? Yeah? When I'm talking about
the stadium seating,
381
00:15:58,640 --> 00:16:00,280
I'm thinking about here.
382
00:16:00,280 --> 00:16:02,520
But the panels, they're 2.4,
aren't they? Yeah.
383
00:16:02,520 --> 00:16:05,080
Should we just go 2.4, and then
you're not cutting any off?
384
00:16:05,080 --> 00:16:08,600
My only concern is, Amy, the bigger
it is, when we have to move it,
385
00:16:08,600 --> 00:16:10,520
it's going to be
a bit more of an issue to move.
386
00:16:10,520 --> 00:16:12,880
If we make the stadium seating
too small,
387
00:16:12,880 --> 00:16:16,520
then I'm just worried it's going to
look tiny in this big space. Yep.
388
00:16:16,520 --> 00:16:18,480
For the first challenge,
I ended up on the couch
389
00:16:18,480 --> 00:16:19,960
and the main reason I was there
390
00:16:19,960 --> 00:16:22,360
was the lack of collaboration
with my partner.
391
00:16:22,360 --> 00:16:24,040
So, this week, I've really made sure
392
00:16:24,040 --> 00:16:25,680
that Dean and I are
on the same page,
393
00:16:25,680 --> 00:16:28,720
that if we're not,
we can get onto a third page.
394
00:16:28,720 --> 00:16:30,800
They're like,
"Oh, this will be 1.4,"
395
00:16:30,800 --> 00:16:33,520
and I'm like, "Isn't it 1.2?"
and Wayne's like, "Yeah."
396
00:16:33,520 --> 00:16:35,880
And I feel like I'm not shy
to say those things now.
397
00:16:35,880 --> 00:16:41,720
MUSIC: Bang A Gong (Get It On)
by T.Rex
398
00:16:41,720 --> 00:16:43,320
INTERCOM BEEPS
399
00:16:44,320 --> 00:16:45,760
Hello, Gordano School.
400
00:16:45,760 --> 00:16:48,400
I've got double
Interior Design Masters.
401
00:16:48,400 --> 00:16:50,360
I'll let you in the gate. Thanks.
402
00:16:55,200 --> 00:16:59,080
Oh...school! This takes me back.
403
00:16:59,080 --> 00:17:01,720
My first kiss! Ha!
404
00:17:01,720 --> 00:17:03,920
I wonder what that dinner lady's
doing now.
405
00:17:03,920 --> 00:17:07,480
# Bang a gong, get it on... #
406
00:17:07,480 --> 00:17:10,920
First port of call
is the Fitzroy Foxes.
407
00:17:10,920 --> 00:17:13,560
Molly? Hello, lovely Alan.
408
00:17:13,560 --> 00:17:15,200
Oh, hello, lovely Molly.
409
00:17:15,200 --> 00:17:17,960
Now, where can I stand? Is this wet?
Come here. This bit's dry.
410
00:17:17,960 --> 00:17:19,640
Are you sure? You're in, yes.
411
00:17:19,640 --> 00:17:21,080
So...orange.
412
00:17:21,080 --> 00:17:23,040
We're going bold, yes.
413
00:17:23,040 --> 00:17:25,000
And you've gone for bright orange.
414
00:17:25,000 --> 00:17:28,360
Well... You're making me fancy
a packet of Wotsits.
415
00:17:28,360 --> 00:17:30,360
What other colours
are you going for in the room?
416
00:17:30,360 --> 00:17:32,400
We've got a green little section
over there.
417
00:17:32,400 --> 00:17:33,600
Nice calming meeting room.
418
00:17:33,600 --> 00:17:35,360
Then bright blue
in the corner over there.
419
00:17:35,360 --> 00:17:37,320
Then a lot of the walls
we'll just keep white.
420
00:17:37,320 --> 00:17:39,760
Well, that's clever.
You're sort of going on the ceiling.
421
00:17:39,760 --> 00:17:41,920
Yeah, we want it to be like
a little wrap-round zone,
422
00:17:41,920 --> 00:17:45,000
so it feels like you're in your own
proper little area. That's the aim.
423
00:17:45,000 --> 00:17:47,640
And you don't think
the colour's too bright?
424
00:17:47,640 --> 00:17:51,160
I'm here for it. They're kids.
You know, it's fun, it's vibrant.
425
00:17:51,160 --> 00:17:52,520
I'm happy with the colour, yeah.
426
00:17:52,520 --> 00:17:54,640
Right, well, I'll leave you to it.
Thank you, Alan.
427
00:17:54,640 --> 00:17:57,040
See you, love.
See you later, bye. Bye!
428
00:17:57,040 --> 00:17:59,720
Banjo! Alan!
429
00:17:59,720 --> 00:18:02,200
What's this? A giant pan pipe?
430
00:18:02,200 --> 00:18:03,760
It's my screen.
431
00:18:03,760 --> 00:18:07,120
A screen? Yeah. You always come up
with these crazy ideas.
432
00:18:07,120 --> 00:18:08,680
How did you think of this?
433
00:18:08,680 --> 00:18:11,560
I don't know.
This might be my craziest yet.
434
00:18:11,560 --> 00:18:14,640
So what colour are you going to
paint this, then? Au naturale.
435
00:18:16,000 --> 00:18:17,520
Just like that? Yeah!
436
00:18:17,520 --> 00:18:21,000
Cardboard and Wotsit orange.
Yeah! Mmm...lovely.
437
00:18:21,000 --> 00:18:23,240
I bet you was a person
hoarding all those bog rolls
438
00:18:23,240 --> 00:18:25,880
during the pandemic, weren't it?
Guilty. Yeah, got ya!
439
00:18:25,880 --> 00:18:29,720
Well, I'd better let you get on.
Bye, Alan. Good luck, Banjo.
440
00:18:29,720 --> 00:18:32,720
Molly and Banjo have gone for these
really bold primary colours,
441
00:18:32,720 --> 00:18:34,440
which is all well and good,
442
00:18:34,440 --> 00:18:37,080
but does it look more like
a place Mr Tumble would hang out
443
00:18:37,080 --> 00:18:38,920
than a load of teenagers?
444
00:18:45,040 --> 00:18:48,080
With progress being made
on the Bears' common room...
445
00:18:48,080 --> 00:18:50,760
How do you want me to do
the bobbly ears on the bear?
446
00:18:50,760 --> 00:18:53,840
I think we just cut round it.
447
00:18:53,840 --> 00:18:57,400
..print designer Amy
is busy outside.
448
00:18:57,400 --> 00:18:59,920
We were inspired by the logos
to start with,
449
00:18:59,920 --> 00:19:02,000
but we felt like it could really do
with an update.
450
00:19:02,000 --> 00:19:06,400
So we were kind of taking varsity,
but trying to modernise it a bit.
451
00:19:06,400 --> 00:19:08,600
So the idea was to do graffiti,
452
00:19:08,600 --> 00:19:12,560
cos it was like a cool thing
I thought the kids might like.
453
00:19:12,560 --> 00:19:15,600
One says Biscay for one wall,
the other one says bears.
454
00:19:15,600 --> 00:19:17,560
And then we've got
a couple of smaller pieces
455
00:19:17,560 --> 00:19:19,840
that we're going to
put around the place.
456
00:19:19,840 --> 00:19:22,280
Yeah, it looks great.
I'm really pleased.
457
00:19:26,760 --> 00:19:30,040
Amy, this mask doesn't fit.
458
00:19:26,760 --> 00:19:30,040
SHE LAUGHS
459
00:19:30,040 --> 00:19:32,640
I think it's on the wrong way.
You're joking me.
460
00:19:32,640 --> 00:19:35,120
How are you? Oh, great.
461
00:19:35,120 --> 00:19:38,160
How do you feel about
a bit of graffiti? Bring it on.
462
00:19:38,160 --> 00:19:41,480
Do you know what?
I'm actually Banksy.
463
00:19:41,480 --> 00:19:44,120
Well, you should find this easy,
then. Oh, God, yes.
464
00:19:44,120 --> 00:19:46,720
Do you want a go?
Let me do it. Right, OK.
465
00:19:46,720 --> 00:19:48,120
So it's the school name.
466
00:19:48,120 --> 00:19:50,960
You have to finish off
an N and an O. Yep.
467
00:19:50,960 --> 00:19:53,840
Woohoo! Oh... I like it. Good.
468
00:19:53,840 --> 00:19:56,680
It's a bit different from mine,
but I'll take it. Yeah, yeah, yeah.
469
00:19:56,680 --> 00:19:59,160
You're really coming out
of your comfort zone.
470
00:19:59,160 --> 00:20:01,400
I feel completely
out of my comfort zone.
471
00:20:01,400 --> 00:20:03,080
I no longer remember what that is.
472
00:20:03,080 --> 00:20:05,800
Yeah, because you used to do,
like, textiles and prints.
473
00:20:05,800 --> 00:20:08,400
And, like, tiny florals
and now I'm out here.
474
00:20:08,400 --> 00:20:10,760
Well, listen,
I'm so impressed with that.
475
00:20:10,760 --> 00:20:14,080
I'll leave it to the professionals.
Thanks, Alan.
476
00:20:14,080 --> 00:20:16,360
If anyone's seen my jock strap,
let me know.
477
00:20:20,040 --> 00:20:21,280
Lovely.
478
00:20:21,280 --> 00:20:22,920
Halfway through day one...
479
00:20:22,920 --> 00:20:26,160
I'm panicking.
Like, there's a lot to do.
480
00:20:26,160 --> 00:20:29,400
..and the designers
are getting into their stride.
481
00:20:29,400 --> 00:20:31,960
Yeah. There, I think, is good.
Yeah, that's cool.
482
00:20:31,960 --> 00:20:33,600
Wallpaper's going up...
483
00:20:33,600 --> 00:20:34,920
I'm thinking more of the brick.
484
00:20:34,920 --> 00:20:36,720
We're on the same page.
Shaking, shaking.
485
00:20:36,720 --> 00:20:39,480
Great minds think alike. OK.
486
00:20:39,480 --> 00:20:44,240
..and, for some, thoughts turn
to who will be using the space.
487
00:20:44,240 --> 00:20:45,760
I'm thinking about Greta.
488
00:20:45,760 --> 00:20:49,160
She's a sassy little school girl.
She's an environmentalist.
489
00:20:49,160 --> 00:20:51,560
She cares about, like,
sustainable materials.
490
00:20:51,560 --> 00:20:54,920
Loves a bit of colour.
She's playful but serious.
491
00:20:54,920 --> 00:20:58,160
She's academic
but a little bit sporty.
492
00:20:58,160 --> 00:21:01,840
Our clients are, like
13-to-16-year-old kids,
493
00:21:01,840 --> 00:21:04,760
so we need to make it fun.
The kids know what they want,
494
00:21:04,760 --> 00:21:07,560
so we wanted to let the whole space
grow with them.
495
00:21:08,880 --> 00:21:10,560
COWS MOO
496
00:21:10,560 --> 00:21:12,280
My name's actually Brandon,
497
00:21:12,280 --> 00:21:15,800
but my partner nicknamed me Banjo
cos I'm highly-strung.
498
00:21:17,280 --> 00:21:21,200
I'm a big-picture kind of guy.
I'm a dreamer.
499
00:21:21,200 --> 00:21:22,720
Whenever I design a space,
500
00:21:22,720 --> 00:21:25,840
I'm always thinking about the person
who's going to live in there
501
00:21:25,840 --> 00:21:28,200
and if I don't know who they are,
I'll make it up.
502
00:21:29,360 --> 00:21:33,320
If it's an eccentric billionaire
or a little Disney princess,
503
00:21:33,320 --> 00:21:35,240
I give them a backstory
504
00:21:35,240 --> 00:21:37,960
and create this whole story
around who they are
505
00:21:37,960 --> 00:21:40,680
and then I've got little nuggets
to play with.
506
00:21:47,920 --> 00:21:49,320
We have grass!
507
00:21:49,320 --> 00:21:52,560
Over at the Lions,
Abi has a delivery.
508
00:21:54,840 --> 00:21:57,760
Rochelle! Rochelle!
509
00:21:58,840 --> 00:22:03,240
Oh, my God, it's here.
We have grass! Let me feel it.
510
00:22:03,240 --> 00:22:07,640
Oh, that's so good. Yeah.
Let's hope we have enough.
511
00:22:07,640 --> 00:22:10,800
I don't care if we've got enough,
we've got a bit.
512
00:22:10,800 --> 00:22:13,880
A bit is better than nothing.
Amazing.
513
00:22:15,280 --> 00:22:17,600
We're just going to cover
the whole wall in grass
514
00:22:17,600 --> 00:22:19,960
and then bam in the middle
is just going to be
515
00:22:19,960 --> 00:22:24,560
a vinyl cutting, mounted on MDF...
516
00:22:25,560 --> 00:22:29,240
..that's going to have
their house logo in.
517
00:22:29,240 --> 00:22:30,880
I think it'll look good.
518
00:22:30,880 --> 00:22:34,800
See? This morning, it was a problem.
Now it's not a problem...
519
00:22:34,800 --> 00:22:37,920
Let's not say that
till it's up on the wall. Oh, yeah.
520
00:22:37,920 --> 00:22:40,360
Shh! Wait till it's on the wall
and then... Yeah.
521
00:22:42,840 --> 00:22:45,080
At the Cromarty Crocodiles...
522
00:22:45,080 --> 00:22:49,760
I have linked the green... Yeah.
..to our black square.
523
00:22:49,760 --> 00:22:53,080
..Fran is progressing
with their mural collaboration.
524
00:22:53,080 --> 00:22:55,880
Paul came with a geometric
design initially,
525
00:22:55,880 --> 00:22:57,720
and then we've kind of translated it
526
00:22:57,720 --> 00:23:01,200
into this triangular
mural detailing,
527
00:23:01,200 --> 00:23:03,520
which kind of references
the logo of the Crocs,
528
00:23:03,520 --> 00:23:07,720
so, like, crocodile teeth, crocodile
spikey back, crocodile spikey tail.
529
00:23:07,720 --> 00:23:11,680
So subtly we've got, like,
the continuity of the branding.
530
00:23:11,680 --> 00:23:14,040
I don't know if anyone will get it,
but I hope so.
531
00:23:15,200 --> 00:23:19,320
It's green, which we've taken from
the logo of, like, the Crocodiles,
532
00:23:19,320 --> 00:23:21,960
and then we've complimented that
with the yellow
533
00:23:21,960 --> 00:23:24,360
just to keep it kind of fresh
and light and airy.
534
00:23:24,360 --> 00:23:29,160
So it's still got that kind
of modern geometric feel.
535
00:23:29,160 --> 00:23:32,080
Don't know, I can't really
put into words what the vibe is.
536
00:23:33,120 --> 00:23:35,600
Back at the Lions...
537
00:23:35,600 --> 00:23:38,040
Doesn't it make
a difference already?
538
00:23:38,040 --> 00:23:40,400
..the grass is going up.
539
00:23:40,400 --> 00:23:42,280
I think it still works.
540
00:23:42,280 --> 00:23:45,200
This grass
isn't how we wanted it to be.
541
00:23:45,200 --> 00:23:49,160
The grass that we ordered,
it was one huge strip,
542
00:23:49,160 --> 00:23:52,840
so it was just really fluffy
and luxury grass.
543
00:23:52,840 --> 00:23:56,160
And obviously we've had to
quickly swap that out.
544
00:23:56,160 --> 00:23:59,440
It will look good when it's all up.
Yeah.
545
00:24:00,520 --> 00:24:01,560
It'll be fine.
546
00:24:04,360 --> 00:24:06,520
Next door, at the Foxes...
547
00:24:06,520 --> 00:24:08,400
Oh, far out! Ugh!
548
00:24:08,400 --> 00:24:11,800
..Banjo has turned his attention to
the sustainable flooring
549
00:24:11,800 --> 00:24:14,280
in the teacher's office.
550
00:24:14,280 --> 00:24:17,920
The kids wanted a space that was
kind of environmentally friendly.
551
00:24:17,920 --> 00:24:19,920
Cork is environmentally friendly -
552
00:24:19,920 --> 00:24:22,240
better than all that
kind of plastic stuff.
553
00:24:22,240 --> 00:24:23,960
So we've gone for the cork.
554
00:24:25,680 --> 00:24:27,000
I'm regretting it now.
555
00:24:29,080 --> 00:24:31,600
I like to get stuff done.
I'm not a faffer.
556
00:24:31,600 --> 00:24:34,520
I don't have patience to make stuff.
557
00:24:34,520 --> 00:24:39,320
It will probably come up like
a dog's breakfast, but I mean...
558
00:24:39,320 --> 00:24:40,800
Pfft! We'll see.
559
00:24:42,680 --> 00:24:44,760
Next door at the Lundy Lions,
560
00:24:44,760 --> 00:24:48,120
Abi is preparing the old
school furniture for upcycling.
561
00:24:48,120 --> 00:24:50,400
Look at the difference already.
562
00:24:50,400 --> 00:24:54,040
And Rochelle is going above
and beyond the call of duty.
563
00:24:55,200 --> 00:24:58,720
I am taking the old chewing gum
564
00:24:58,720 --> 00:25:02,400
off of the bench
that we're going to upcycle.
565
00:25:03,400 --> 00:25:05,680
Abi used to have to do this
in her detention,
566
00:25:05,680 --> 00:25:07,440
so I thought, "I'll be kind."
567
00:25:07,440 --> 00:25:10,120
I didn't have to do this
in my detention.
568
00:25:10,120 --> 00:25:13,480
You better love me forever for this,
yeah? I do love you forever.
569
00:25:13,480 --> 00:25:16,280
This was all in there. Look at it.
570
00:25:16,280 --> 00:25:19,120
I appreciate it, thank you.
Yeah, that's disgusting.
571
00:25:19,120 --> 00:25:20,600
I'm so grateful for Rochelle.
572
00:25:20,600 --> 00:25:24,240
Last week, Michelle said to her, you
know, she needs to be more confident
573
00:25:24,240 --> 00:25:27,200
and this week it's like...
It just completely shows.
574
00:25:27,200 --> 00:25:29,040
And I'm really, really proud of her.
575
00:25:30,560 --> 00:25:32,040
Day one is nearly done.
576
00:25:33,160 --> 00:25:37,120
And, for some, there's plenty
of work still to come.
577
00:25:37,120 --> 00:25:41,160
Tomorrow, my priority is the office.
At the moment, it's a white box.
578
00:25:41,160 --> 00:25:42,760
Yeah, there's a lot to do.
579
00:25:42,760 --> 00:25:44,920
My only worry
is about running out of time
580
00:25:44,920 --> 00:25:48,120
and not being able
to get all of what we want done
581
00:25:48,120 --> 00:25:49,760
to the standard that we want it.
582
00:25:49,760 --> 00:25:54,200
But over at the Foxes,
Banjo's taking a time out.
583
00:25:54,200 --> 00:25:57,400
It was just not going
very well for him, bless him.
584
00:25:57,400 --> 00:25:59,080
But he'll find his mojo.
585
00:25:59,080 --> 00:26:02,400
Cork flooring is my downfall.
586
00:26:02,400 --> 00:26:05,080
I'm crying over cork flooring.
587
00:26:05,080 --> 00:26:07,640
I'm not really a practical person.
588
00:26:07,640 --> 00:26:12,440
My husband does all the work -
like, you know, the handiwork -
589
00:26:12,440 --> 00:26:14,720
and I have the ideas.
590
00:26:14,720 --> 00:26:19,400
And when it looks average
and you have been doing a good job,
591
00:26:19,400 --> 00:26:22,840
it's like...it stings a little.
592
00:26:22,840 --> 00:26:26,440
And I guess two people are going
this week, and that's real.
593
00:26:26,440 --> 00:26:30,320
Like, it doesn't matter that
I've done well the last two weeks.
594
00:26:30,320 --> 00:26:34,000
Like, if this room's not great,
it's like...you're gone.
595
00:26:46,680 --> 00:26:48,000
Day two.
596
00:26:48,000 --> 00:26:49,320
I hope they're ready for us.
597
00:26:49,320 --> 00:26:51,000
The final day of design.
598
00:26:51,000 --> 00:26:52,400
So much to do!
599
00:26:52,400 --> 00:26:54,120
Today's the last day.
600
00:26:54,120 --> 00:26:55,160
ARGH!
601
00:26:58,400 --> 00:27:01,320
I've just had enough of painting.
I've had enough, officially.
602
00:27:01,320 --> 00:27:03,920
I've just... I've actually
got blisters on my hands
603
00:27:03,920 --> 00:27:07,040
from just painting frantically
for two days straight.
604
00:27:08,360 --> 00:27:11,040
Maybe a bit slower. Slower.
605
00:27:11,040 --> 00:27:14,720
Today, Banjo's feeling
more positive.
606
00:27:14,720 --> 00:27:17,320
I'm feeling good. Yeah, I'm back.
607
00:27:17,320 --> 00:27:19,600
Um, a bit of a wobble yesterday,
608
00:27:19,600 --> 00:27:22,680
but I've had a good sleep,
written my to-do list,
609
00:27:22,680 --> 00:27:26,600
and I've just, like, got no choice
but to crack on. Big day.
610
00:27:26,600 --> 00:27:28,000
For most of the teams,
611
00:27:28,000 --> 00:27:30,520
attention has turned
to the teacher's office.
612
00:27:32,120 --> 00:27:33,880
The kids said,
"No, we don't want purple,"
613
00:27:33,880 --> 00:27:37,240
so this is my little bit of purple
going in the teacher's office.
614
00:27:37,240 --> 00:27:39,840
Oh, wow! Look at it. Pretty, right?
615
00:27:39,840 --> 00:27:42,800
Looks so designer, doesn't it?
I love it.
616
00:27:42,800 --> 00:27:45,120
I'm glad we went for purple. Yeah.
617
00:27:49,440 --> 00:27:51,920
Ah, yes! Thank you!
618
00:27:51,920 --> 00:27:53,720
Like that much room.
619
00:27:53,720 --> 00:27:54,960
Over at the Crocs,
620
00:27:54,960 --> 00:27:58,600
Fran is thinking on her feet
with the new office layout.
621
00:27:58,600 --> 00:28:01,840
It just didn't feel right,
and it just makes more sense
622
00:28:01,840 --> 00:28:04,800
when you're working
to have all of this in front of you
623
00:28:04,800 --> 00:28:07,240
and then this
becomes, like, your work zone.
624
00:28:07,240 --> 00:28:08,640
And this is more relaxing.
625
00:28:10,520 --> 00:28:12,400
Back at the Lions...
626
00:28:12,400 --> 00:28:14,920
The wall looks like
it's shedding its second skin.
627
00:28:14,920 --> 00:28:16,280
ROCHELLE LAUGHS
628
00:28:16,280 --> 00:28:18,440
..it's not just problems
in the common room
629
00:28:18,440 --> 00:28:20,560
delaying Abi and Rochelle.
630
00:28:20,560 --> 00:28:24,280
Paint. Yep.
We've got a big problem. Mm-hm.
631
00:28:24,280 --> 00:28:28,200
Our white paint is
a bit too thin and cheap
632
00:28:28,200 --> 00:28:30,840
and then there's a lot
to cover in here.
633
00:28:30,840 --> 00:28:33,240
What are we going to do
on this back wall, then?
634
00:28:33,240 --> 00:28:34,280
Um...
635
00:28:35,840 --> 00:28:36,960
..I don't know.
636
00:28:36,960 --> 00:28:38,920
We can use white...
But it's just going to...
637
00:28:38,920 --> 00:28:41,520
..but we're going to have to do
two or three coats.
638
00:28:41,520 --> 00:28:43,360
Just before judging.
639
00:28:43,360 --> 00:28:47,040
Yeah, we'll try
and not be in that position.
640
00:28:47,040 --> 00:28:48,920
At the Bears...
641
00:28:48,920 --> 00:28:52,080
Hi! I've got the wallpaper.
Can I show you? Great, yeah.
642
00:28:52,080 --> 00:28:54,800
..things are going a lot smoother
for Amy.
643
00:28:56,160 --> 00:28:59,480
So this is the paper
for our teacher's room.
644
00:28:59,480 --> 00:29:01,280
So I designed this wallpaper.
645
00:29:01,280 --> 00:29:04,040
I took the logo that we were sent
in the brief,
646
00:29:04,040 --> 00:29:06,240
reworked it, pulled elements out,
647
00:29:06,240 --> 00:29:10,480
created new kind
of old-school varsity bits to put in
648
00:29:10,480 --> 00:29:12,200
to make it into the repeat.
649
00:29:13,320 --> 00:29:18,360
Outside, team-mate Dean is
working on Amy's vintage finds.
650
00:29:19,760 --> 00:29:22,920
They're kind of old-school,
varsity kind of style chairs,
651
00:29:22,920 --> 00:29:24,840
but we just want to
put a little twist.
652
00:29:24,840 --> 00:29:27,720
The house colours are red and black.
So obviously you know I love black,
653
00:29:27,720 --> 00:29:29,840
but I can't be putting
too much black on everything.
654
00:29:29,840 --> 00:29:32,840
So just to put a bit of popping red,
especially against the black floor,
655
00:29:32,840 --> 00:29:34,760
they're going to really pop off
each other
656
00:29:34,760 --> 00:29:37,520
and I think
it's going to look really nice.
657
00:29:40,400 --> 00:29:44,400
Here she is, doing what
she does best - beautiful murals.
658
00:29:44,400 --> 00:29:46,280
I know. It's a leaf this time.
659
00:29:46,280 --> 00:29:49,640
We thought, you know, crocodiles
live in, I think, jungles.
660
00:29:49,640 --> 00:29:52,080
I still haven't looked on
the internet yet. No, no.
661
00:29:52,080 --> 00:29:55,160
I've been told, like...
Well, definitely Australia
662
00:29:55,160 --> 00:29:57,440
and, you know,
a big leaf sums that up, right?
663
00:29:57,440 --> 00:29:59,800
Yeah, yeah! My God, yes!
Yeah? Yes. Good.
664
00:29:59,800 --> 00:30:02,040
Whenever I think of crocodiles,
I think leaves.
665
00:30:02,040 --> 00:30:04,400
Yeah, and I've got
little crocodiles.
666
00:30:04,400 --> 00:30:06,960
Aw, they are so cute!
667
00:30:06,960 --> 00:30:10,160
So we're going to subtly place
these across our modular furniture
668
00:30:10,160 --> 00:30:12,920
and spray them black.
So you'll just get a little motif.
669
00:30:12,920 --> 00:30:14,720
We don't need to go
big cuddly toys -
670
00:30:14,720 --> 00:30:16,440
these aren't kids,
they're young adults.
671
00:30:16,440 --> 00:30:18,760
Yes. Oh, that's right, young adults.
Yeah.
672
00:30:18,760 --> 00:30:20,920
Give them little crocodiles.
Little cr...
673
00:30:20,920 --> 00:30:23,440
Oh, don't say that. I'm joking!
You think it's really naff!
674
00:30:23,440 --> 00:30:26,200
I love your little crocodiles!
I love your crocodiles!
675
00:30:26,200 --> 00:30:29,280
Maybe I'll just stick them up there
and it will be a bit more subtle.
676
00:30:29,280 --> 00:30:31,680
Maybe really subtle.
What about putting them in the bin?
677
00:30:31,680 --> 00:30:33,960
LAUGHTER
678
00:30:31,680 --> 00:30:33,960
Cheers, Alan. It's a joke!
679
00:30:33,960 --> 00:30:36,280
It's a joke! Do you not have to
go talk to someone else now?
680
00:30:36,280 --> 00:30:38,440
Yeah, I've got to go now.
Cheers, mate. See you later.
681
00:30:38,440 --> 00:30:40,400
Full of positive vibes.
See you later.
682
00:30:42,440 --> 00:30:44,720
At the Fitzroy Foxes...
683
00:30:44,720 --> 00:30:50,400
So I've designed my own little boy
and girl fox toilet signs
684
00:30:50,400 --> 00:30:52,000
for the bathroom.
685
00:30:52,000 --> 00:30:56,000
..Molly is hoping her small details
will have a big impact.
686
00:30:57,160 --> 00:31:00,040
The Fitzroy Foxes have got
their original kind of...
687
00:31:00,040 --> 00:31:01,840
..emblem/mascot/logo,
688
00:31:01,840 --> 00:31:03,920
but we just wanted
to add to it a bit,
689
00:31:03,920 --> 00:31:06,040
and the foxes are wearing
little outfits,
690
00:31:06,040 --> 00:31:08,000
dressed up as kind of,
like, school kids.
691
00:31:08,000 --> 00:31:11,880
I want the kids to feel like
they're kind of part of them.
692
00:31:13,080 --> 00:31:15,160
I just really hope they get noticed.
693
00:31:15,160 --> 00:31:17,200
# Ta-da! #
694
00:31:17,200 --> 00:31:18,320
Foxy!
695
00:31:20,040 --> 00:31:22,400
It's the point of no return
for the teams.
696
00:31:22,400 --> 00:31:23,600
Have you got it? Yep.
697
00:31:23,600 --> 00:31:27,320
MUSIC: Heart Skips A Beat
by Olly Murs ft Rizzle Kicks
698
00:31:27,320 --> 00:31:29,360
The designers have only hours left
699
00:31:29,360 --> 00:31:32,720
to realise their vision
for their common rooms.
700
00:31:32,720 --> 00:31:35,680
Doesn't that look fantastic?
It's going to look good.
701
00:31:35,680 --> 00:31:38,640
Ah, the size is perfect.
702
00:31:38,640 --> 00:31:41,120
And there's a big reveal
for the Bears.
703
00:31:41,120 --> 00:31:43,760
Check out our stadium seating.
That looks amazing!
704
00:31:43,760 --> 00:31:46,640
Oh, cool. Wow.
That's what I'm talking about.
705
00:31:46,640 --> 00:31:49,240
That looks ace. That looks lovely.
And then such great storage.
706
00:31:49,240 --> 00:31:51,560
I reckon I could get in there,
you know. Yeah, easily.
707
00:31:51,560 --> 00:31:53,960
Check it out. I'll put you in there
at the end of the night.
708
00:31:53,960 --> 00:31:56,000
It's comfy to sit down.
Take a seat, take a seat.
709
00:31:56,000 --> 00:31:58,960
It's exactly what my sketch was.
Mm. Exactly.
710
00:31:58,960 --> 00:32:01,720
Well, the size is right.
The call was right on the size.
711
00:32:01,720 --> 00:32:04,800
What? Don't push us in there.
Push me in. Like, back to work Dean.
712
00:32:04,800 --> 00:32:06,040
To land!
713
00:32:07,760 --> 00:32:10,320
After all their meticulous
cutting lists...
714
00:32:10,320 --> 00:32:12,840
Where's the big stuff?
When's it coming? Yeah, yeah.
715
00:32:12,840 --> 00:32:16,480
..Fran and Paul are still waiting
on the main feature of their design,
716
00:32:16,480 --> 00:32:17,920
the modular furniture.
717
00:32:17,920 --> 00:32:20,280
So what time
will the dividers be done?
718
00:32:20,280 --> 00:32:22,680
Er, don't know -
I'm just doing it right now. OK.
719
00:32:22,680 --> 00:32:25,440
Half an hour? 40 minutes? Yeah,
I'm just really conscious of time
720
00:32:25,440 --> 00:32:28,440
because everything you're building
is, like, the key structures in here
721
00:32:28,440 --> 00:32:30,880
and if they're not finished...
Yeah. ..we're on the sofa.
722
00:32:30,880 --> 00:32:32,880
PHONE RINGS
723
00:32:32,880 --> 00:32:34,440
Hello, Paul speaking.
724
00:32:34,440 --> 00:32:37,640
And things are about
to go from bad to worse.
725
00:32:41,840 --> 00:32:42,880
Yeah?
726
00:32:50,280 --> 00:32:52,000
CREW: What's going on?
727
00:32:52,000 --> 00:32:54,680
I'm having a BLEEP drama,
that's what's going on!
728
00:32:56,240 --> 00:33:01,560
So we now have less than three hours
to get the washers,
729
00:33:01,560 --> 00:33:04,720
so that Tom can put
the wheels on the furniture
730
00:33:04,720 --> 00:33:07,360
because it's too heavy to lift.
731
00:33:07,360 --> 00:33:11,480
And if we can't lift it,
it's not a multi-functional space.
732
00:33:11,480 --> 00:33:13,920
And if it's not
a multi-functional space,
733
00:33:13,920 --> 00:33:15,720
I haven't fulfilled the brief.
734
00:33:15,720 --> 00:33:18,160
And if I haven't
fulfilled the brief,
735
00:33:18,160 --> 00:33:20,440
I will go mental.
736
00:33:21,520 --> 00:33:23,680
THAT is the drama.
737
00:33:23,680 --> 00:33:26,000
I've heard on the grapevine
summat's gone wrong
738
00:33:26,000 --> 00:33:27,520
with your modular furniture.
739
00:33:27,520 --> 00:33:29,440
Oh, it's my rings, Alan.
740
00:33:29,440 --> 00:33:32,080
Oh, no! No! So what's happened?
741
00:33:32,080 --> 00:33:34,920
Your modular you can't move around,
is that right?
742
00:33:34,920 --> 00:33:37,560
No, no, no, no, no.
I need some washers. Oh, right.
743
00:33:37,560 --> 00:33:40,600
So, basically,
it's the most uninteresting detail,
744
00:33:40,600 --> 00:33:42,000
but let's talk about it.
745
00:33:42,000 --> 00:33:43,800
If I fall asleep, wake me up.
746
00:33:42,000 --> 00:33:43,800
PAUL LAUGHS
747
00:33:43,800 --> 00:33:46,640
My carpenter needs washers to
basically put on the wheels
748
00:33:46,640 --> 00:33:48,960
to attach to the furniture.
That simple. That's it.
749
00:33:48,960 --> 00:33:51,480
Cos you know you've only got
a few hours left? Do you know that?
750
00:33:51,480 --> 00:33:52,600
Thanks! Yeah.
751
00:33:52,600 --> 00:33:54,080
I know! I've got to let you go.
752
00:33:54,080 --> 00:33:58,000
It'd be such a shame if this
modular furniture didn't move.
753
00:33:59,640 --> 00:34:02,520
With all the problem solving
and time running out...
754
00:34:02,520 --> 00:34:05,760
Then we need to get
these doors painted.
755
00:34:05,760 --> 00:34:08,960
..Team Lundy Lions
are on the final push.
756
00:34:08,960 --> 00:34:13,240
Megan, join it up more.
Just join it up, be free.
757
00:34:15,880 --> 00:34:17,640
I hope we finish the room.
758
00:34:17,640 --> 00:34:18,800
Yeah, we are.
759
00:34:19,920 --> 00:34:22,880
To be a designer,
you've got to be adaptable.
760
00:34:22,880 --> 00:34:25,840
You're fighting
for your place in the competition
761
00:34:25,840 --> 00:34:28,000
and it feels like more pressure
cos you're like,
762
00:34:28,000 --> 00:34:31,440
"Have I done enough?
Have I pushed it far enough?"
763
00:34:31,440 --> 00:34:33,160
Actually, like,
I'm looking around now
764
00:34:33,160 --> 00:34:35,280
and I'm like,
"Those boards look sick,"
765
00:34:35,280 --> 00:34:37,440
apart from the fact the S is...
766
00:34:37,440 --> 00:34:40,080
SHE LAUGHS
767
00:34:37,440 --> 00:34:40,080
Sorry!
768
00:34:40,080 --> 00:34:42,200
The S on "legends"
is, like, up there.
769
00:34:44,640 --> 00:34:46,920
And just in the nick of time...
770
00:34:46,920 --> 00:34:49,520
Paul? Yeah? I've got those washers
you asked for.
771
00:34:49,520 --> 00:34:52,120
Oh, I love you forever.
50 in there.
772
00:34:52,120 --> 00:34:54,800
Oh, that's amazing. All right,
no worries. Thank you so much.
773
00:34:54,800 --> 00:34:56,440
You're a life-saver.
See you in a bit.
774
00:34:56,440 --> 00:34:59,600
Yeah, drink tonight in the bar?
100%. Yeah, thank you. Bye!
775
00:35:01,200 --> 00:35:02,840
Ah! Mwah!
776
00:35:04,520 --> 00:35:08,400
# Joy! Joy! Joy to the world! #
777
00:35:10,600 --> 00:35:12,040
Only minutes remaining,
778
00:35:12,040 --> 00:35:15,120
it's a race to the finish line
for our designers.
779
00:35:15,120 --> 00:35:16,640
Get in, get in, get in.
780
00:35:17,720 --> 00:35:20,400
Make sure it's in the centre, guys.
It looks amazing.
781
00:35:20,400 --> 00:35:23,920
One breakout bench. Woohoo!
782
00:35:23,920 --> 00:35:26,040
Like an accordion!
783
00:35:26,040 --> 00:35:28,080
I'm stoked with the paper benches.
784
00:35:28,080 --> 00:35:30,760
Honestly, like,
the space now comes together.
785
00:35:30,760 --> 00:35:33,240
CLANGING
786
00:35:30,760 --> 00:35:33,240
Ooh! One up here.
787
00:35:33,240 --> 00:35:34,960
30 seconds, Rochelle!
788
00:35:41,960 --> 00:35:43,760
SHE EXHALES
789
00:35:41,960 --> 00:35:43,760
And breathe.
790
00:35:47,920 --> 00:35:50,400
It's judgement time.
791
00:35:50,400 --> 00:35:52,240
This week, Michelle will be judging
792
00:35:52,240 --> 00:35:56,440
alongside the queen of colour,
Sophie Robinson.
793
00:35:56,440 --> 00:36:00,120
So here we are, four common rooms,
four pairs of designers,
794
00:36:00,120 --> 00:36:02,240
rooms to completely transform.
795
00:36:02,240 --> 00:36:03,920
This is about pride -
796
00:36:03,920 --> 00:36:06,560
pride in their house,
pride in their emblem,
797
00:36:06,560 --> 00:36:09,880
the symbol that each one
of them has, pride in their school.
798
00:36:09,880 --> 00:36:12,520
And I love the fact that
these are the children's spaces.
799
00:36:12,520 --> 00:36:16,080
So where other parts of the school,
let's say, might be a little boring,
800
00:36:16,080 --> 00:36:18,120
these children,
they probably like to think
801
00:36:18,120 --> 00:36:20,160
they're, you know,
older than they are,
802
00:36:20,160 --> 00:36:21,600
so keep it looking cool.
803
00:36:24,240 --> 00:36:27,360
I love it. It looks good, I think.
804
00:36:27,360 --> 00:36:29,600
We've absolutely smashed it.
805
00:36:29,600 --> 00:36:31,240
Is this really it?
806
00:36:31,240 --> 00:36:32,280
This is it.
807
00:36:35,080 --> 00:36:38,240
First up to face the judges
is Fran and Paul,
808
00:36:38,240 --> 00:36:42,680
with their modular furniture-filled
Crocodile common room.
809
00:36:42,680 --> 00:36:45,720
Do I think that space
is for 11-16-year-olds?
810
00:36:45,720 --> 00:36:49,160
Well, not me when I was 11 to 16.
But now? Hell, yeah.
811
00:36:49,160 --> 00:36:52,560
Our approach,
how we've articulated the vision,
812
00:36:52,560 --> 00:36:55,080
how we've sort of
joined our designs,
813
00:36:55,080 --> 00:36:58,080
that is an articulation
of both our minds.
814
00:36:58,080 --> 00:37:01,240
Well, I mean, it's a massive
transformation already.
815
00:37:01,240 --> 00:37:03,920
I mean, it feels clean and bright.
816
00:37:03,920 --> 00:37:06,000
I'm really loving the initial impact
817
00:37:06,000 --> 00:37:08,360
of, obviously, the green
for the Cromarty Crocodiles,
818
00:37:08,360 --> 00:37:13,920
but also mixing it with this sort
of, like, banana yellow. It's lush.
819
00:37:13,920 --> 00:37:17,080
You know what, though -
where's my crocodile?
820
00:37:17,080 --> 00:37:20,120
Cos, for me, the house symbol
was this thing
821
00:37:20,120 --> 00:37:22,200
that the children were
really, really proud of.
822
00:37:22,200 --> 00:37:24,720
They had been kind of graphically
designed, they were huge,
823
00:37:24,720 --> 00:37:27,080
and all I'm seeing
out of the corner of my eye
824
00:37:27,080 --> 00:37:30,360
is little black plastic crocodiles
crawling across the wall.
825
00:37:30,360 --> 00:37:31,960
And I just think that's...
826
00:37:31,960 --> 00:37:34,320
Immediately, it's a kind of
grown-up way to do it.
827
00:37:34,320 --> 00:37:37,480
I want to see the symbol -
big, loud, proud.
828
00:37:37,480 --> 00:37:40,880
I kind of think maybe
they were concerned about the...
829
00:37:40,880 --> 00:37:42,920
If they overegged the crocodile,
830
00:37:42,920 --> 00:37:45,480
does that then make it
a bit young and a bit kiddie?
831
00:37:45,480 --> 00:37:47,880
This is a super clever
piece of furniture.
832
00:37:47,880 --> 00:37:51,240
It's been mounted
on these big industrial casters,
833
00:37:51,240 --> 00:37:54,920
which means you can flip off
the brakes and swoosh this.
834
00:37:54,920 --> 00:37:56,840
The thing you've got to
hand it to them
835
00:37:56,840 --> 00:37:59,480
is that, from those bland,
beige, boring boxes,
836
00:37:59,480 --> 00:38:00,920
this is bright, fresh.
837
00:38:00,920 --> 00:38:06,240
This, at least, is a space to
kind of be proud of and to inspire.
838
00:38:06,240 --> 00:38:08,080
Well, this definitely
continues the theme.
839
00:38:08,080 --> 00:38:11,000
It feels fresh, it's bright.
Definitely a massive improvement.
840
00:38:11,000 --> 00:38:12,360
This, to me, is more successful,
841
00:38:12,360 --> 00:38:14,760
but maybe that's because
it's the grown-up's room.
842
00:38:14,760 --> 00:38:16,760
And it's doing everything
that the brief asked -
843
00:38:16,760 --> 00:38:19,440
there's a nice soft area here
where students can come in
844
00:38:19,440 --> 00:38:21,480
or parents can visit, have a chat.
845
00:38:21,480 --> 00:38:22,800
Desk for two people,
846
00:38:22,800 --> 00:38:26,240
plenty of wall space
used for pinboards,
847
00:38:26,240 --> 00:38:27,960
and obviously oodles of storage.
848
00:38:31,120 --> 00:38:34,200
Next under the spotlight
is Amy and Dean's
849
00:38:34,200 --> 00:38:37,160
vintage varsity-inspired
Bears' space.
850
00:38:37,160 --> 00:38:39,600
I mean, I'm old but you know what?
I'm still cool.
851
00:38:39,600 --> 00:38:42,720
So as far as I'm concerned,
as young kids will say, it's sick.
852
00:38:44,040 --> 00:38:45,480
I think, on a personal level,
853
00:38:45,480 --> 00:38:47,960
I'm really pleased
with what's in that room,
854
00:38:47,960 --> 00:38:50,720
cos I feel like both spaces
have lots of me in them.
855
00:38:50,720 --> 00:38:52,600
It's just...
It's given me confidence
856
00:38:52,600 --> 00:38:55,400
that I can do the big pieces,
I can do the builds,
857
00:38:55,400 --> 00:38:57,160
and that I've pushed myself.
858
00:38:57,160 --> 00:38:59,200
This is what I'm talking about,
Sophie!
859
00:38:59,200 --> 00:39:01,560
I mean, this is
Biscay Bear territory.
860
00:39:01,560 --> 00:39:04,920
You know you're a Bear
and you're proud of it. I love it!
861
00:39:04,920 --> 00:39:08,520
They've taken the name and the logo
and kind of writ large.
862
00:39:08,520 --> 00:39:11,760
We've got some fantastic
graffiti art going on.
863
00:39:11,760 --> 00:39:13,000
I love this material.
864
00:39:13,000 --> 00:39:15,200
I mean, I think it's robust,
it's practical,
865
00:39:15,200 --> 00:39:18,480
it's got that kind of edgy, urban
kind of thing going on again.
866
00:39:18,480 --> 00:39:21,840
And it's also supremely textural,
which I kind of love.
867
00:39:21,840 --> 00:39:23,360
Yeah, and again it's the language
868
00:39:23,360 --> 00:39:26,160
that's been carried
all the way down the corridor,
869
00:39:26,160 --> 00:39:28,720
and then they've used all
the bits of footed furniture in it.
870
00:39:28,720 --> 00:39:33,400
Here, I feel, they've got under
the skin of what the kids want.
871
00:39:33,400 --> 00:39:36,680
Ooh-hoo-hoo! Look at this wallpaper!
872
00:39:36,680 --> 00:39:38,800
Now, Amy is a print designer,
873
00:39:38,800 --> 00:39:41,960
so this is where her skillset
has clearly come to the fore,
874
00:39:41,960 --> 00:39:44,800
but this is what I mean.
That's super cool.
875
00:39:44,800 --> 00:39:46,720
I mean, that's branding, isn't it?
876
00:39:46,720 --> 00:39:48,880
When you talk about
having a pride in your house,
877
00:39:48,880 --> 00:39:50,440
literally taking the logo
878
00:39:50,440 --> 00:39:53,680
and wallpapering it on this
wonderful feature wall, that is...
879
00:39:53,680 --> 00:39:55,160
I love that. It's brilliant.
880
00:39:58,000 --> 00:40:02,360
The third space is Banjo and Molly's
sustainable Fox's den.
881
00:40:04,560 --> 00:40:06,680
I'm really happy with the result.
882
00:40:06,680 --> 00:40:11,520
It's better than I imagined,
and I'm, like, proud as punch.
883
00:40:11,520 --> 00:40:14,480
It's really rare for me
to feel confident about my design,
884
00:40:14,480 --> 00:40:16,680
but I do feel like,
if I was on the sofa,
885
00:40:16,680 --> 00:40:18,880
everything that we've done,
I would own it.
886
00:40:20,000 --> 00:40:25,240
Oh, yes,
I am digging this colour palette!
887
00:40:25,240 --> 00:40:27,440
And I love the fact, as well,
that it's been used
888
00:40:27,440 --> 00:40:29,560
in these really dramatic blocks.
889
00:40:29,560 --> 00:40:32,080
We've got this juicy tangerine,
890
00:40:32,080 --> 00:40:34,000
a lovely, deep forest green,
891
00:40:34,000 --> 00:40:36,120
and I'm really enjoying
the azure blue.
892
00:40:36,120 --> 00:40:39,480
This has completely sucked me
into the space already.
893
00:40:39,480 --> 00:40:41,520
Well, these are very your colours,
aren't they?
894
00:40:41,520 --> 00:40:46,160
But I find it's quite fighty,
because they are all so vivid.
895
00:40:46,160 --> 00:40:47,800
The thing I love, though,
896
00:40:47,800 --> 00:40:50,480
is that they didn't just echo
the zones on the floor,
897
00:40:50,480 --> 00:40:52,320
but they took it up
onto the ceiling.
898
00:40:52,320 --> 00:40:55,640
So at least when I walk in,
I can see the zones.
899
00:40:55,640 --> 00:40:58,960
This is, again,
a fantastic transformation.
900
00:40:58,960 --> 00:41:01,920
I mean it is -
it's uplifting, it's jolly.
901
00:41:01,920 --> 00:41:04,880
You'd feel kind of happy
to be in this space.
902
00:41:04,880 --> 00:41:07,760
But I think the thing for me
that was so strong
903
00:41:07,760 --> 00:41:11,200
is there are four common rooms,
each belonging to a separate house,
904
00:41:11,200 --> 00:41:13,120
and it's that house identity.
905
00:41:13,120 --> 00:41:14,760
And I don't feel it here,
906
00:41:14,760 --> 00:41:18,720
or the way they've interpreted it,
again, I'm a little confused by.
907
00:41:18,720 --> 00:41:21,280
I have to agree with you.
While I love this space,
908
00:41:21,280 --> 00:41:25,720
I'm not getting a very clear message
that this is a common room
909
00:41:25,720 --> 00:41:28,840
that celebrates
being in the Fitzroy Foxes.
910
00:41:28,840 --> 00:41:31,200
This is super intriguing.
911
00:41:31,200 --> 00:41:32,800
Made of paper.
912
00:41:32,800 --> 00:41:34,040
And you know it just... Zhoop!
913
00:41:34,040 --> 00:41:36,400
You can shut the whole thing up
like an accordion.
914
00:41:36,400 --> 00:41:39,680
The furniture needed to be
multi-functional, practical, robust.
915
00:41:39,680 --> 00:41:41,880
I think, you know,
while it looks cool,
916
00:41:41,880 --> 00:41:43,640
I think from
a practical point of view,
917
00:41:43,640 --> 00:41:46,040
that's going to look really tired,
really quickly.
918
00:41:46,040 --> 00:41:48,760
So here I've got a Fitzroy flag -
that's making me happy.
919
00:41:48,760 --> 00:41:49,840
SOPHIE LAUGHS
920
00:41:49,840 --> 00:41:52,120
I guess it's just
these kind of little corners
921
00:41:52,120 --> 00:41:54,120
that I'm less enthused about.
922
00:41:54,120 --> 00:41:56,160
I'm just wondering
what sort of happens in there.
923
00:41:56,160 --> 00:41:59,080
I guess I like a space
to be a bit more sort of open,
924
00:41:59,080 --> 00:42:01,320
just so everyone can see
what's going on.
925
00:42:02,400 --> 00:42:05,280
Now this is successful to me,
Sophie,
926
00:42:05,280 --> 00:42:06,760
because here we've got those tubes,
927
00:42:06,760 --> 00:42:09,080
but by painting them,
it just elevates them.
928
00:42:09,080 --> 00:42:12,440
Also forms a wonderful little screen
to hide all the storage behind.
929
00:42:12,440 --> 00:42:15,120
There is obviously also
quite a strong eco story
930
00:42:15,120 --> 00:42:17,960
I'm sensing in here as well,
in connection to the environment.
931
00:42:17,960 --> 00:42:20,880
So there are plenty of plants
throughout the whole space.
932
00:42:20,880 --> 00:42:25,680
Use of the sustainable, natural
materials like cardboard and ply,
933
00:42:25,680 --> 00:42:27,720
so I think that should be commended
as well.
934
00:42:27,720 --> 00:42:30,760
That it doesn't just look great,
but actually it feels quite nice.
935
00:42:30,760 --> 00:42:32,680
It has that connection to nature.
936
00:42:32,680 --> 00:42:35,120
Right, then,
shall we check out the final house?
937
00:42:37,640 --> 00:42:39,480
The final room is Abi and Rochelle's
938
00:42:39,480 --> 00:42:42,040
sports-themed
Lundy Lions common room.
939
00:42:43,040 --> 00:42:47,080
I'm so proud
of those panelled pieces.
940
00:42:47,080 --> 00:42:48,440
I love all that zoning.
941
00:42:48,440 --> 00:42:53,640
That was me putting in a bit of me
in there and trying to be more bold.
942
00:42:53,640 --> 00:42:55,680
I'm... Yeah, I'm covered head-to-toe
943
00:42:55,680 --> 00:42:58,200
in paint, spray paint
and chewing gum.
944
00:42:58,200 --> 00:43:01,080
A lot of... Yeah, a lot of graft
has gone into that work.
945
00:43:03,040 --> 00:43:05,040
Well, this is open plan.
946
00:43:05,040 --> 00:43:07,160
This room feels massive,
doesn't it?
947
00:43:07,160 --> 00:43:08,480
It certainly does.
948
00:43:08,480 --> 00:43:13,800
Curious use of faux foliage
for the other finish, though.
949
00:43:13,800 --> 00:43:17,280
I think it's quite a cool idea
to add some texture and softness.
950
00:43:17,280 --> 00:43:20,440
However,
execution isn't really good.
951
00:43:20,440 --> 00:43:22,320
It looks a bit...
looks a bit shabby.
952
00:43:22,320 --> 00:43:25,960
But I think in terms of an idea,
it could be quite nice,
953
00:43:25,960 --> 00:43:29,760
cos also again the green contrasting
with the...!
954
00:43:29,760 --> 00:43:32,160
# Dun-dun-dun! #
The logo!
955
00:43:32,160 --> 00:43:35,280
Finally loud and proud
and centre stage.
956
00:43:35,280 --> 00:43:38,120
Look at that.
A nice huge, oversized logo.
957
00:43:38,120 --> 00:43:40,640
Interesting, as well,
that obviously the house colour
958
00:43:40,640 --> 00:43:43,800
for the Lundy Lions is purple -
959
00:43:43,800 --> 00:43:45,280
not an awful lot of that.
960
00:43:45,280 --> 00:43:48,760
We've got a purple yoga mat,
painted purple table,
961
00:43:48,760 --> 00:43:51,000
and that's kind of it.
962
00:43:51,000 --> 00:43:54,000
Doing these dynamic stripes,
which I kind of love,
963
00:43:54,000 --> 00:43:55,600
I do, because it's very energetic.
964
00:43:55,600 --> 00:43:57,440
I just think if you're
going to do it, though,
965
00:43:57,440 --> 00:44:00,640
let's do it all the way.
So I would have loved to have seen
966
00:44:00,640 --> 00:44:03,200
this grass
follow the same diagonals.
967
00:44:03,200 --> 00:44:06,760
Tricky to do, but it would have made
sense of the fact it's in strips.
968
00:44:06,760 --> 00:44:09,080
I can see they've tried
to make these kind of, sort of...
969
00:44:09,080 --> 00:44:12,040
The idea of the big screens,
which I kind of quite like,
970
00:44:12,040 --> 00:44:14,040
but then again
it's that attention to detail
971
00:44:14,040 --> 00:44:17,160
that all those lovely letters -
they're all a bit wonky and wobbly
972
00:44:17,160 --> 00:44:19,200
and the cork has not been cut
very straight,
973
00:44:19,200 --> 00:44:21,480
so that's kind of intimating to me
974
00:44:21,480 --> 00:44:24,120
time management
was perhaps an issue.
975
00:44:25,480 --> 00:44:27,680
Do you know what my favourite thing
in this room is?
976
00:44:27,680 --> 00:44:30,680
It's that gorgeous purple
filing cabinet.
977
00:44:30,680 --> 00:44:31,760
I absolutely love it.
978
00:44:31,760 --> 00:44:33,840
And I know purple's
a real Marmite colour,
979
00:44:33,840 --> 00:44:35,080
and not everyone loves it,
980
00:44:35,080 --> 00:44:37,320
but look - there was
an opportunity here, wasn't there,
981
00:44:37,320 --> 00:44:40,960
for the designers to show you
how glorious purple can look.
982
00:44:40,960 --> 00:44:43,000
And it's been really
well finished,
983
00:44:43,000 --> 00:44:44,600
which makes all the difference,
984
00:44:44,600 --> 00:44:47,080
because I did notice the other
pieces of furniture out there,
985
00:44:47,080 --> 00:44:48,760
they've also been
really well painted,
986
00:44:48,760 --> 00:44:51,680
and that just elevates them a lot.
987
00:44:51,680 --> 00:44:54,440
Well, Sophie,
four very different rooms.
988
00:44:54,440 --> 00:44:56,440
I think we've got
quite a lot to discuss.
989
00:44:58,120 --> 00:44:59,160
Wow!
990
00:44:59,160 --> 00:45:00,400
Judging complete...
991
00:45:00,400 --> 00:45:01,720
That is amazing.
992
00:45:01,720 --> 00:45:04,400
..it's time for the kids to
cast a critical eye on the spaces.
993
00:45:04,400 --> 00:45:05,720
I like the Astroturf wall.
994
00:45:05,720 --> 00:45:08,120
Can you see the big sticker? Yeah.
That's nice.
995
00:45:08,120 --> 00:45:10,760
Oh, that's really cool.
Look at that. That's awesome.
996
00:45:10,760 --> 00:45:13,000
They've got the bench
like they said.
997
00:45:13,000 --> 00:45:16,800
And they've got the little crocodile
on the pillow - look at that! Yeah.
998
00:45:16,800 --> 00:45:18,200
I like the hydration station.
999
00:45:18,200 --> 00:45:20,720
It's like the bottles - maybe
they could have been purple.
1000
00:45:20,720 --> 00:45:23,600
But, yeah, it's a nice...
overall, nice contrast in colour.
1001
00:45:23,600 --> 00:45:25,000
Not too much of one colour.
1002
00:45:25,000 --> 00:45:28,280
Maybe if they took down a bit
on the grey. But I like it.
1003
00:45:28,280 --> 00:45:31,040
I like how it's not just orange.
Yeah.
1004
00:45:31,040 --> 00:45:33,320
Look at the wallpaper.
Oh, it's awesome.
1005
00:45:35,160 --> 00:45:39,480
Give me a B, give me an E,
give me an A, give me an R.
1006
00:45:39,480 --> 00:45:42,880
Before the designers are summoned
back to Michelle's hub,
1007
00:45:42,880 --> 00:45:45,800
they get a chance to
take a look at the competition.
1008
00:45:45,800 --> 00:45:49,040
It's a vibe.
Listen, the kids did well.
1009
00:45:49,040 --> 00:45:51,320
Love the colours,
love the vibrancy. Yeah.
1010
00:45:51,320 --> 00:45:53,800
Love the jacket.
This can come home with me.
1011
00:45:57,360 --> 00:46:01,000
Have you seen this bad boy
behind us? Pretty amazing. Wow.
1012
00:46:01,000 --> 00:46:04,440
I love that it's tall, actually.
It's big, isn't it? Yeah, it's huge.
1013
00:46:04,440 --> 00:46:07,240
Do you think it's better than
your stadium seating? No.
1014
00:46:07,240 --> 00:46:10,280
The lettering really works,
the vinyl lettering. Yes.
1015
00:46:10,280 --> 00:46:12,840
They've really gone to town on that
and it really pops.
1016
00:46:12,840 --> 00:46:15,040
This is so clever.
1017
00:46:15,040 --> 00:46:18,080
I love the blue, the orange.
1018
00:46:18,080 --> 00:46:19,640
I love these seats.
1019
00:46:19,640 --> 00:46:22,040
Looks like they'll be getting
a special shout-out again.
1020
00:46:22,040 --> 00:46:24,240
Oh, 100%. Yeah.
1021
00:46:28,680 --> 00:46:32,720
It's elimination day,
and a double one at that.
1022
00:46:32,720 --> 00:46:35,120
With two designers' dreams
on the line,
1023
00:46:35,120 --> 00:46:39,000
it's time for them
to find out who's time is up.
1024
00:46:39,000 --> 00:46:42,040
No-one is ever ready
to go home in this competition.
1025
00:46:42,040 --> 00:46:45,720
I feel like I've got so much more
to prove and so much to show.
1026
00:46:47,160 --> 00:46:48,480
It's been the best week ever.
1027
00:46:48,480 --> 00:46:50,920
It's been the best week ever.
I don't want to go home.
1028
00:46:50,920 --> 00:46:52,960
I think the week's
gone really, really well.
1029
00:46:52,960 --> 00:46:54,920
We've done something magical
in that room.
1030
00:46:54,920 --> 00:46:58,000
It was a bull's-eye, I've got 100,
cos I hit it on the brief - bam!
1031
00:46:58,000 --> 00:46:59,800
Excellent outfit.
1032
00:46:59,800 --> 00:47:02,480
It's very stressful.
It's a double elimination today.
1033
00:47:02,480 --> 00:47:03,960
Two of us are going home.
1034
00:47:05,600 --> 00:47:07,920
Hello.
ALL: Hi!
1035
00:47:07,920 --> 00:47:09,280
How are you all feeling?
1036
00:47:09,280 --> 00:47:10,480
All right, yeah.
1037
00:47:10,480 --> 00:47:12,080
Well, I won't talk too long,
1038
00:47:12,080 --> 00:47:14,440
cos I know Molly wants
to head off to a disco.
1039
00:47:14,440 --> 00:47:17,120
THEY LAUGH
1040
00:47:14,440 --> 00:47:17,120
Get on down!
1041
00:47:17,120 --> 00:47:19,280
So, listen, how did you all feel
about the schools?
1042
00:47:19,280 --> 00:47:20,960
Yeah. Brings back
old school memories.
1043
00:47:20,960 --> 00:47:23,640
Oh, I had a few flashbacks,
I can tell you.
1044
00:47:23,640 --> 00:47:27,400
Well, listen, I'm sure you're eager
to know what the judges felt.
1045
00:47:27,400 --> 00:47:29,800
There was one team, they felt,
1046
00:47:29,800 --> 00:47:33,160
really smashed
every aspect of the brief.
1047
00:47:33,160 --> 00:47:36,720
The common room space was fun,
well-designed
1048
00:47:36,720 --> 00:47:38,320
and had a clear identity.
1049
00:47:43,200 --> 00:47:44,400
Well done...
1050
00:47:47,040 --> 00:47:50,480
..Amy and Dean, you're safe and
through to next week. Well done.
1051
00:47:50,480 --> 00:47:52,440
Woo!
1052
00:47:50,480 --> 00:47:52,440
THE OTHERS CHEER
1053
00:47:54,360 --> 00:47:56,080
I literally cannot believe it.
1054
00:47:56,080 --> 00:47:59,040
Not only am I not on the couch,
but I'm top team.
1055
00:47:59,040 --> 00:48:01,120
And I put my heart and soul
in that week,
1056
00:48:01,120 --> 00:48:03,200
so I'm so pleased
the judges saw it.
1057
00:48:03,200 --> 00:48:04,480
Of the remaining teams,
1058
00:48:04,480 --> 00:48:08,000
the judges felt you failed to
capture enough of the house spirit
1059
00:48:08,000 --> 00:48:09,720
that was key to the design.
1060
00:48:11,040 --> 00:48:14,760
So it was a tough decision,
but by a whisker...
1061
00:48:19,880 --> 00:48:22,520
..Fran and Paul,
you're also safe for another week.
1062
00:48:25,880 --> 00:48:29,120
I'm through. I cannot believe it.
1063
00:48:29,120 --> 00:48:31,480
The whisker -
I wonder what that whisker was.
1064
00:48:31,480 --> 00:48:33,280
Is there any more left in the tank?
1065
00:48:33,280 --> 00:48:37,680
I mean, I'm a parent of two kids -
I've got plenty left in the tank!
1066
00:48:37,680 --> 00:48:40,160
Unfortunately,
that leaves the rest of you
1067
00:48:40,160 --> 00:48:42,200
on the sofa in front of the judges,
1068
00:48:42,200 --> 00:48:44,480
and you'll have to fight
for your space,
1069
00:48:44,480 --> 00:48:46,960
because two of you are going home.
1070
00:48:48,120 --> 00:48:49,240
Best of luck.
1071
00:48:49,240 --> 00:48:51,240
Thank you. Thank you.
1072
00:48:51,240 --> 00:48:53,400
Whoa. I'm surprised. Yeah.
1073
00:48:53,400 --> 00:48:54,560
We were happy with it,
1074
00:48:54,560 --> 00:48:57,080
but everyone's are so strong,
aren't they?
1075
00:48:57,080 --> 00:48:59,040
All right, game on.
1076
00:48:59,040 --> 00:49:00,760
Let's go!
1077
00:48:59,040 --> 00:49:00,760
THEY LAUGH
1078
00:49:00,760 --> 00:49:05,560
So Banjo on the sofa -
shut the front door!
1079
00:49:05,560 --> 00:49:08,400
I never saw that coming. Why?
1080
00:49:08,400 --> 00:49:11,440
You know what? I was so wowed
by his first two schemes,
1081
00:49:11,440 --> 00:49:13,640
I had high expectations
for this one.
1082
00:49:13,640 --> 00:49:17,240
And I walked in there and I just...
I just didn't feel it.
1083
00:49:17,240 --> 00:49:19,040
I loved it. You loved it?
1084
00:49:19,040 --> 00:49:21,200
Well, it's bright colours,
of course!
1085
00:49:21,200 --> 00:49:24,240
I bet you're in heaven in there.
It's not just the bright colours.
1086
00:49:24,240 --> 00:49:26,480
It's the really clever use of colour
1087
00:49:26,480 --> 00:49:30,000
and it was strong colour,
which really communicated...
1088
00:49:30,000 --> 00:49:32,200
You know, it had energy,
it had uplift,
1089
00:49:32,200 --> 00:49:35,040
but it also created different moods
in different zones,
1090
00:49:35,040 --> 00:49:36,520
which I thought was really clever.
1091
00:49:36,520 --> 00:49:39,200
You got the impression that
Molly and Banjo worked really well,
1092
00:49:39,200 --> 00:49:40,800
cos you couldn't tell who did what.
1093
00:49:40,800 --> 00:49:43,360
They seemed like they had the same
vision, would you agree?
1094
00:49:43,360 --> 00:49:46,880
Definitely, and the same with
Abi and Rochelle as well, actually.
1095
00:49:46,880 --> 00:49:49,440
That they both felt kind
of very coherent
1096
00:49:49,440 --> 00:49:52,600
in terms of what they were
trying to do in both rooms.
1097
00:49:52,600 --> 00:49:55,720
So are you a huge fan
of fake grass?
1098
00:49:55,720 --> 00:49:58,040
If you'd kind of just really
leaned into the fact
1099
00:49:58,040 --> 00:50:01,360
that it comes on rolls, followed
that kind of diagonal stripe
1100
00:50:01,360 --> 00:50:02,680
and just sort of gone with it,
1101
00:50:02,680 --> 00:50:04,920
but then contained it
just on that one wall,
1102
00:50:04,920 --> 00:50:06,600
it could have been quite impactful.
1103
00:50:06,600 --> 00:50:08,560
The execution really let them down,
1104
00:50:08,560 --> 00:50:10,960
and things not being cut
on a straight line,
1105
00:50:10,960 --> 00:50:13,280
and letters hung
that are all a bit on the wonk,
1106
00:50:13,280 --> 00:50:17,160
which actually really effects the...
your overall feeling in a space. Mm.
1107
00:50:17,160 --> 00:50:20,960
I mean, how? What's the excuse
for putting the letters all wonky?
1108
00:50:20,960 --> 00:50:22,400
Well, we're going to find out.
1109
00:50:22,400 --> 00:50:23,480
Hopefully.
1110
00:50:26,440 --> 00:50:30,000
Hello. Hello. Hello, hello.
1111
00:50:30,000 --> 00:50:31,240
Hiya.
1112
00:50:32,640 --> 00:50:35,680
Banjo, first time on the sofa
for you. I know.
1113
00:50:35,680 --> 00:50:38,240
How does it feel? Rough.
1114
00:50:35,680 --> 00:50:38,240
THEY LAUGH
1115
00:50:38,240 --> 00:50:40,120
Well, I want you
to get the full experience,
1116
00:50:40,120 --> 00:50:42,720
so I'm going to start
with Abi and Rochelle, OK? OK.
1117
00:50:42,720 --> 00:50:45,040
THEY LAUGH
1118
00:50:42,720 --> 00:50:45,040
Thanks!
1119
00:50:45,040 --> 00:50:48,960
So, guys, I loved, like, the
dynamism of the diagonal stripes.
1120
00:50:48,960 --> 00:50:51,240
This was exactly
the sort of big statement
1121
00:50:51,240 --> 00:50:54,200
that we talked about last week.
Brilliant.
1122
00:50:54,200 --> 00:50:56,880
Little bit more confused
by the kind of fake turf.
1123
00:50:56,880 --> 00:50:59,520
Cos our house, Lundy Lions,
they were quite a sporty house,
1124
00:50:59,520 --> 00:51:01,880
just wanted to incorporate something
a little bit fun,
1125
00:51:01,880 --> 00:51:03,880
give a little nod
to the sports element.
1126
00:51:03,880 --> 00:51:06,000
I thought it could have been
really impactful,
1127
00:51:06,000 --> 00:51:08,200
just, like, on that main wall
when you walked in.
1128
00:51:08,200 --> 00:51:10,920
But cos you had this,
like, brilliant diagonals,
1129
00:51:10,920 --> 00:51:13,680
I wondered, why didn't you take that
on the diagonals as well?
1130
00:51:13,680 --> 00:51:15,760
So you just carried
that big idea on.
1131
00:51:15,760 --> 00:51:18,560
Yeah, as soon as we'd finished,
we stepped back and said,
1132
00:51:18,560 --> 00:51:20,560
"Right, we know exactly
where we've gone wrong,
1133
00:51:20,560 --> 00:51:22,680
"and we should have made sure
that that back wall
1134
00:51:22,680 --> 00:51:26,240
"was the diagonals
and just maybe two panels of grass."
1135
00:51:26,240 --> 00:51:28,360
Cos I did love, though,
your great big emblem.
1136
00:51:28,360 --> 00:51:31,360
You were one of the only two teams
that really kind of went for it
1137
00:51:31,360 --> 00:51:33,400
with the mascots. I loved that.
1138
00:51:33,400 --> 00:51:37,080
But again it's like,
the house colour was purple... Yeah.
1139
00:51:37,080 --> 00:51:39,920
..and it was on a big green wall.
Where was more purple?
1140
00:51:39,920 --> 00:51:44,040
Yeah, both our visuals
that we shared with the school,
1141
00:51:44,040 --> 00:51:47,960
we had a lot of purple and they were
like, "We don't want that."
1142
00:51:47,960 --> 00:51:50,360
I think purple is a bit of
a Marmite colour, isn't it?
1143
00:51:50,360 --> 00:51:53,040
And I think a lot of people
have negative connotations,
1144
00:51:53,040 --> 00:51:55,560
and yet it's the perfect partner
to green, isn't it?
1145
00:51:55,560 --> 00:51:59,120
I mean they do look great together
and I suppose in a way
1146
00:51:59,120 --> 00:52:01,400
as designers you could have
shown how
1147
00:52:01,400 --> 00:52:03,600
to make purple look quite cool.
1148
00:52:03,600 --> 00:52:06,640
I think out of all the teams,
for me I felt
1149
00:52:06,640 --> 00:52:08,680
a real sense of a communal space.
1150
00:52:08,680 --> 00:52:12,480
Like, this is where we come together
and celebrate our achievements.
1151
00:52:12,480 --> 00:52:15,600
I think you really captured
that feel.
1152
00:52:15,600 --> 00:52:19,720
We really hope that the general
space is somewhere that does feel
1153
00:52:19,720 --> 00:52:21,120
fun and they come together.
1154
00:52:21,120 --> 00:52:23,680
There was a sort of air
of unfinishedness to it.
1155
00:52:23,680 --> 00:52:24,880
Oh, 100%.
1156
00:52:24,880 --> 00:52:26,840
But I'm kind of wondering,
1157
00:52:26,840 --> 00:52:29,720
what did you spend all
the time on, then?
1158
00:52:29,720 --> 00:52:31,360
So I think it was...
Painting the floor.
1159
00:52:31,360 --> 00:52:35,680
Yeah, painting the floor.
I think that was a big decision.
1160
00:52:35,680 --> 00:52:38,760
I have to point out
you used wall paint on the floor.
1161
00:52:38,760 --> 00:52:42,000
I mean, were you aware this is the
wrong type of paint cos even by
1162
00:52:42,000 --> 00:52:45,000
the time we walked in it was already
looking a bit shabby.
1163
00:52:45,000 --> 00:52:48,160
It was all scuffed. Again, we just
had a lot of problem with the paint.
1164
00:52:48,160 --> 00:52:49,320
We were just panicking
1165
00:52:49,320 --> 00:52:52,200
and we were like, we just
need to get it down, basically.
1166
00:52:52,200 --> 00:52:54,240
So, Banjo, if I start with you.
1167
00:52:54,240 --> 00:52:57,440
Cos, like, you totally wowed me
with your last two challenges.
1168
00:52:57,440 --> 00:53:00,800
Mostly because I really got this
sense of a story behind
1169
00:53:00,800 --> 00:53:03,160
your designs and when
I walked into that room,
1170
00:53:03,160 --> 00:53:05,640
we had very different reactions
to it.
1171
00:53:05,640 --> 00:53:08,160
The layout really didn't work to me.
1172
00:53:08,160 --> 00:53:11,720
Whereas confident Sophie over here
was straight through... Loved it!
1173
00:53:11,720 --> 00:53:13,920
She wanted to explore everywhere.
1174
00:53:13,920 --> 00:53:15,920
The curves gave
the whole space, to me,
1175
00:53:15,920 --> 00:53:19,360
a real energy and flow
and made me feel excited
1176
00:53:19,360 --> 00:53:21,280
and want to explore the space.
Yeah, yeah.
1177
00:53:21,280 --> 00:53:23,360
But it's interesting as well that
you were leaving
1178
00:53:23,360 --> 00:53:25,480
the cardboard tubes, so for them
1179
00:53:25,480 --> 00:53:27,720
to scribble on cos I have
to say I was thinking
1180
00:53:27,720 --> 00:53:30,200
the low ones, they're going to end
up like dustbins. Yeah.
1181
00:53:30,200 --> 00:53:32,680
People are just going to drop all
their stuff in there
1182
00:53:32,680 --> 00:53:34,080
and it felt unfinished to me.
1183
00:53:34,080 --> 00:53:36,000
With all the really vibrant colours
we did
1184
00:53:36,000 --> 00:53:38,240
want to introduce our sort
of eco element,
1185
00:53:38,240 --> 00:53:39,760
a little bit more natural,
1186
00:53:39,760 --> 00:53:42,680
and a little bit more sort
of den, fox-like feeling
1187
00:53:42,680 --> 00:53:45,080
to try and get the identity
of their mascot over in the room.
1188
00:53:45,080 --> 00:53:46,520
So that's why we left them, sort of,
1189
00:53:46,520 --> 00:53:48,240
as the exposed cardboard
as well.
1190
00:53:48,240 --> 00:53:50,840
Equally, like, I had a bit of an
issue with the colours cos,
1191
00:53:50,840 --> 00:53:53,680
for me, it's like orange maybe isn't
my favourite colour,
1192
00:53:53,680 --> 00:53:55,560
but it was their house colour.
1193
00:53:55,560 --> 00:53:57,280
And in that main room
I came in first
1194
00:53:57,280 --> 00:53:59,480
and I saw brilliant blue
and I saw green,
1195
00:53:59,480 --> 00:54:02,120
and if I didn't know orange
was the house colour
1196
00:54:02,120 --> 00:54:03,760
I wouldn't have known it.
Mm. Yeah.
1197
00:54:03,760 --> 00:54:07,680
And so I just think that
the importance of that emblem,
1198
00:54:07,680 --> 00:54:09,000
the symbol, the house,
1199
00:54:09,000 --> 00:54:11,760
that tribal feeling that those
kids want... Mm. Yeah.
1200
00:54:11,760 --> 00:54:16,000
..I really think, really got missed
by nearly all of you, frankly.
1201
00:54:16,000 --> 00:54:17,960
Mm. I absolutely agree.
1202
00:54:17,960 --> 00:54:21,320
We should have really thought more
about, like, that -
1203
00:54:21,320 --> 00:54:23,480
that was the brief with the mascot.
1204
00:54:23,480 --> 00:54:26,080
Well, you were both kind
of cowed by your kids,
1205
00:54:26,080 --> 00:54:28,200
weren't you?
If they didn't like purple,
1206
00:54:28,200 --> 00:54:30,920
they didn't like orange, but it's
like, that's just a few kids,
1207
00:54:30,920 --> 00:54:34,560
this is the house colour
for the whole school. Yeah.
1208
00:54:34,560 --> 00:54:37,280
Maybe these kids have been your
toughest customers
1209
00:54:37,280 --> 00:54:39,360
so far - it's quite interesting.
1210
00:54:39,360 --> 00:54:41,080
You come across this a lot
with clients
1211
00:54:41,080 --> 00:54:43,280
and you're doing absolutely
the right thing,
1212
00:54:43,280 --> 00:54:44,680
you're really conscious
1213
00:54:44,680 --> 00:54:46,520
and delivering what
the client wants.
1214
00:54:46,520 --> 00:54:49,160
However, you have to take it to
the next level.
1215
00:54:49,160 --> 00:54:51,520
And I guess that's what we were
looking for, wasn't it?
1216
00:54:51,520 --> 00:54:54,120
I mean, it's both the joy and
challenge of design that you have
1217
00:54:54,120 --> 00:54:56,160
to give people what they don't know
they need...
1218
00:54:56,160 --> 00:54:57,840
Yeah. ..or want.
1219
00:54:57,840 --> 00:55:01,720
Yeah, that's a really good lesson
for us, and thinking about,
1220
00:55:01,720 --> 00:55:04,640
I know I probably get caught up in,
like, the concept of things.
1221
00:55:04,640 --> 00:55:05,680
Me too.
1222
00:55:05,680 --> 00:55:08,920
And I don't think about, like,
the practicality as much.
1223
00:55:08,920 --> 00:55:12,400
This was a really tough challenge,
OK? There was a lot to do.
1224
00:55:12,400 --> 00:55:16,360
These were big rooms,
and project management, practicality
1225
00:55:16,360 --> 00:55:20,040
and a real clarity
of purpose were always going to be
1226
00:55:20,040 --> 00:55:21,760
the keys for success.
1227
00:55:23,720 --> 00:55:26,480
So I'm afraid the team that I'm
going to send home this week...
1228
00:55:28,320 --> 00:55:30,080
..on that basis...
1229
00:55:32,000 --> 00:55:33,640
..is Abi and Rochelle.
1230
00:55:34,720 --> 00:55:35,760
Yeah.
1231
00:55:35,760 --> 00:55:39,360
Yeah, we kind of knew... Knew.
..didn't we? Yeah.
1232
00:55:39,360 --> 00:55:41,800
But, yeah, honestly, thank you
so much, everyone.
1233
00:55:41,800 --> 00:55:45,560
Like, we've just had
the best week together. We have.
1234
00:55:45,560 --> 00:55:49,000
And when stuff was going wrong
we were just like, we've just got
1235
00:55:49,000 --> 00:55:50,080
to keep going.
1236
00:55:50,080 --> 00:55:52,560
As long as we just keep trying
to have fun and not cry
1237
00:55:52,560 --> 00:55:53,680
and not get upset.
1238
00:55:53,680 --> 00:55:59,840
And obviously these guys are just
exceptional designers and, yeah.
1239
00:55:59,840 --> 00:56:01,080
We love you. Yeah, thank you.
1240
00:56:01,080 --> 00:56:04,800
Do you know what, if they ever do
a remake of Thelma and Louise...
1241
00:56:04,800 --> 00:56:06,400
Oh, absolutely.
1242
00:56:06,400 --> 00:56:08,960
..I think we've got our Thelma
and our Louise.
1243
00:56:08,960 --> 00:56:10,880
THEY LAUGH
1244
00:56:10,880 --> 00:56:14,560
Definitely, you'll hear us before
you see us. Definitely.
1245
00:56:14,560 --> 00:56:18,680
I am really proud, and I can say
that I'm leaving on a high.
1246
00:56:18,680 --> 00:56:21,600
I'm now able to say, actually,
1247
00:56:21,600 --> 00:56:23,000
I'm not so rubbish
1248
00:56:23,000 --> 00:56:25,400
and, actually, if I bring my
confidence in that
1249
00:56:25,400 --> 00:56:28,520
I have in, say, my current workplace
and current life,
1250
00:56:28,520 --> 00:56:30,560
and I merge them together
with my design,
1251
00:56:30,560 --> 00:56:33,360
that I actually could do something
quite powerful.
1252
00:56:33,360 --> 00:56:36,360
The people that I've met have
completely changed my life,
1253
00:56:36,360 --> 00:56:41,760
and changed my concept
of what interior design is.
1254
00:56:41,760 --> 00:56:43,520
This is just the start.
1255
00:56:43,520 --> 00:56:46,880
Shall we go? OK.
This isn't the end, guys.
1256
00:56:46,880 --> 00:56:48,840
This isn't the,
"Let's drive off that cliff!"
1257
00:56:48,840 --> 00:56:50,760
I sent Abi and Rochelle
home because,
1258
00:56:50,760 --> 00:56:53,120
although they had some really
great ideas,
1259
00:56:53,120 --> 00:56:55,560
I just wasn't seeing that
deeper understanding
1260
00:56:55,560 --> 00:56:58,160
of design that really makes
the space work.
1261
00:56:58,160 --> 00:57:00,040
And we're approaching
the halfway stage now,
1262
00:57:00,040 --> 00:57:03,480
so I need to see some interior
design mastery.
1263
00:57:03,480 --> 00:57:04,520
Next time...
1264
00:57:05,760 --> 00:57:07,400
..the designers shop...
1265
00:57:07,400 --> 00:57:08,480
Bring it on!
1266
00:57:08,480 --> 00:57:09,640
..till they drop...
1267
00:57:10,880 --> 00:57:12,080
..on a mission...
1268
00:57:12,080 --> 00:57:14,600
So fiddly, my God!
1269
00:57:14,600 --> 00:57:17,520
..to transform the stores
of Salisbury...
1270
00:57:17,520 --> 00:57:19,680
Retail theatre, darling.
1271
00:57:19,680 --> 00:57:22,000
..and get the judges in a spin.
1272
00:57:22,000 --> 00:57:23,880
What are you on? What are you on?
1273
00:57:23,880 --> 00:57:25,360
I don't know, but it keeps moving.
103238
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