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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:03,960 My name is Mr Carr, Mr Carr. 2 00:00:03,960 --> 00:00:05,680 C, A... Ah. 3 00:00:05,680 --> 00:00:07,360 Who threw that? 4 00:00:08,600 --> 00:00:10,360 It's schools week. 5 00:00:10,360 --> 00:00:12,480 Ten aspiring designers 6 00:00:12,480 --> 00:00:16,400 competing for one life-changing contract, 7 00:00:16,400 --> 00:00:20,320 to transform a luxury hotel apartment in Cornwall. 8 00:00:21,680 --> 00:00:23,480 Oh, my God. 9 00:00:23,480 --> 00:00:24,560 Last time... 10 00:00:24,560 --> 00:00:26,400 Don't drip, don't drip, don't drip. 11 00:00:26,400 --> 00:00:28,240 ..the designers put their signature stamp... 12 00:00:28,240 --> 00:00:29,360 The roof's on! 13 00:00:29,360 --> 00:00:31,760 ..on luxury hotel bedrooms. 14 00:00:31,760 --> 00:00:33,520 Doesn't this feel opulent? 15 00:00:33,520 --> 00:00:36,040 It was desperate measures for Abi... 16 00:00:36,040 --> 00:00:39,480 We've had to rip my bed apart and attach it to a wall. 17 00:00:39,480 --> 00:00:41,400 ..Rochelle missed the mark... 18 00:00:41,400 --> 00:00:43,880 I just don't think I'm good enough. 19 00:00:43,880 --> 00:00:46,280 ..but Peter went too far. 20 00:00:46,280 --> 00:00:47,560 It was too much. 21 00:00:47,560 --> 00:00:49,920 You will be the person leaving us this week. 22 00:01:13,600 --> 00:01:15,360 Week three... 23 00:01:15,360 --> 00:01:18,760 ..and our eight aspiring interior designers are back 24 00:01:18,760 --> 00:01:21,600 and the competition is hotting up. 25 00:01:21,600 --> 00:01:23,760 I think everyone's really talented. 26 00:01:23,760 --> 00:01:26,400 Every week, someone's got a new surprise, a new trick, 27 00:01:26,400 --> 00:01:29,480 a new detail and I'm like, "Ooh, that's smart." 28 00:01:29,480 --> 00:01:31,760 I never want to leave this room. No. 29 00:01:31,760 --> 00:01:33,840 Stay there, super glue your butt there. 30 00:01:33,840 --> 00:01:35,120 Hi. Hey. 31 00:01:35,120 --> 00:01:37,320 Yeah, the pressure is building and building and building 32 00:01:37,320 --> 00:01:38,880 but I'm learning week by week 33 00:01:38,880 --> 00:01:40,320 and I just really want to keep going. 34 00:01:40,320 --> 00:01:42,720 How are you? Yeah, good. Good. 35 00:01:42,720 --> 00:01:44,880 New week, I'm still here. 36 00:01:44,880 --> 00:01:47,680 I am so ready to bring it 37 00:01:47,680 --> 00:01:49,800 and give it my all 38 00:01:49,800 --> 00:01:52,360 and just fully be me. 39 00:01:52,360 --> 00:01:54,200 Last week, I got put on a pedestal 40 00:01:54,200 --> 00:01:56,640 but that only lasts us for one week, yeah, it's one pass. 41 00:01:56,640 --> 00:01:58,720 This week is a new challenge and we start afresh. 42 00:01:58,720 --> 00:02:00,440 So for me, I just want to keep that momentum. 43 00:02:00,440 --> 00:02:02,440 Again, at the 100-meter sprint I got a good lap time 44 00:02:02,440 --> 00:02:04,640 but this time, I'm going for a world record. 45 00:02:06,200 --> 00:02:07,800 Hello, everyone. 46 00:02:07,800 --> 00:02:09,120 How we all doing? 47 00:02:09,120 --> 00:02:11,480 ALL: Hello. 48 00:02:11,480 --> 00:02:13,160 Raring for a new challenge? 49 00:02:13,160 --> 00:02:15,600 Yes. Absolutely. Bring it on. Can't wait. 50 00:02:15,600 --> 00:02:18,720 So, Rochelle, what was it like on the sofa last week? 51 00:02:18,720 --> 00:02:20,680 Um, it was awful. 52 00:02:20,680 --> 00:02:22,480 Going to be more confident this week? 53 00:02:22,480 --> 00:02:24,120 Yeah, I'm going to bring it this week. 54 00:02:24,120 --> 00:02:26,360 You're going to bring it, that's what I like to hear. 55 00:02:26,360 --> 00:02:29,080 And, Abi, you were told not to bring it. 56 00:02:29,080 --> 00:02:32,200 I know, I need to tone it down this week. 57 00:02:32,200 --> 00:02:33,800 How can you tone it down? 58 00:02:33,800 --> 00:02:35,800 That's like telling the tide to go back. 59 00:02:35,800 --> 00:02:37,000 I know. 60 00:02:37,000 --> 00:02:39,240 You're going to have to do something. Absolutely. 61 00:02:39,240 --> 00:02:41,720 Hello. Here's Michelle. 62 00:02:41,720 --> 00:02:44,000 Hi, Michelle. Hello, everybody. 63 00:02:44,000 --> 00:02:47,240 So, here we go, challenge number three. I know. 64 00:02:47,240 --> 00:02:49,720 And I figure you're nicely warmed up now, 65 00:02:49,720 --> 00:02:52,320 so I have something a bit different for you. 66 00:02:52,320 --> 00:02:54,880 We are going back to school. 67 00:02:54,880 --> 00:02:57,800 Oh, my God. 68 00:02:59,120 --> 00:03:01,440 Sitting on the outskirts of Bristol, 69 00:03:01,440 --> 00:03:03,520 near the coastal town of Portishead 70 00:03:03,520 --> 00:03:05,840 is Gordano Secondary School. 71 00:03:09,240 --> 00:03:12,040 Here, pupils are divided into four houses, 72 00:03:12,040 --> 00:03:15,160 branded with their own animal mascot and colour. 73 00:03:16,840 --> 00:03:19,920 Each house has a common room where pupils can socialise. 74 00:03:21,480 --> 00:03:23,640 Working in teams, the designers must 75 00:03:23,640 --> 00:03:25,960 transform these tired rooms and the 76 00:03:25,960 --> 00:03:27,920 adjoining Head of House offices, 77 00:03:27,920 --> 00:03:31,800 creating inviting contemporary spaces with a strong identity. 78 00:03:33,600 --> 00:03:36,240 These are large rooms so collaboration 79 00:03:36,240 --> 00:03:38,600 and time management are going to be crucial. 80 00:03:38,600 --> 00:03:41,560 You're going to need to work together to be successful. 81 00:03:41,560 --> 00:03:45,320 This is not about one person taking over. 82 00:03:45,320 --> 00:03:47,360 And we're upping the ante... 83 00:03:47,360 --> 00:03:50,000 ..we're sending one team home. 84 00:03:50,000 --> 00:03:52,160 Good luck. Game on, babes, game on. 85 00:03:52,160 --> 00:03:53,840 We will smash it. 86 00:03:53,840 --> 00:03:56,400 That's going to knock the group, isn't it? Two going this week. 87 00:03:56,400 --> 00:03:57,800 Yeah. 88 00:03:57,800 --> 00:03:59,680 It feels small already and then two 89 00:03:59,680 --> 00:04:01,800 more people going, it will be horrible. 90 00:04:01,800 --> 00:04:03,560 The pressure's on. Yeah. 91 00:04:03,560 --> 00:04:07,360 And we do not want to be on that sofa this week. 92 00:04:07,360 --> 00:04:10,040 Having spent time together working on the brief... 93 00:04:10,040 --> 00:04:12,640 Hi, guys. Hi. Hello. 94 00:04:12,640 --> 00:04:17,080 ..it's time for the teams to meet their youngest clients yet. 95 00:04:17,080 --> 00:04:19,080 First into the lion's den... 96 00:04:19,080 --> 00:04:20,840 Hi. Hello. 97 00:04:20,840 --> 00:04:22,760 ..are Abi and Rochelle. 98 00:04:22,760 --> 00:04:25,320 It means so much for me to stay in this competition. 99 00:04:25,320 --> 00:04:28,520 I need to prove that I can still be fun, I can still be me. 100 00:04:28,520 --> 00:04:30,640 So, what's the name of your house? 101 00:04:30,640 --> 00:04:33,880 So we are called the Lundy Lions with the purple. 102 00:04:33,880 --> 00:04:36,240 So we're very sporty, competitive 103 00:04:36,240 --> 00:04:39,680 so we want something, like, which fits all those things. 104 00:04:39,680 --> 00:04:43,560 So we've got competitive, sporty, fantastic. 105 00:04:43,560 --> 00:04:45,520 We just wanted to create something 106 00:04:45,520 --> 00:04:47,240 that kept your house colours, 107 00:04:47,240 --> 00:04:49,800 that really had a strong identity. 108 00:04:49,800 --> 00:04:52,960 I was told to bring it up and she was told to tone it down, 109 00:04:52,960 --> 00:04:55,720 so this could be a match made in heaven. 110 00:04:55,720 --> 00:04:57,920 I think the colours, like, are great. 111 00:04:57,920 --> 00:04:59,760 Like, it's not too much purple and 112 00:04:59,760 --> 00:05:01,800 it's not too much, like, other colours. 113 00:05:01,800 --> 00:05:03,800 Me and Rochelle had this idea 114 00:05:03,800 --> 00:05:05,920 of maybe having some fake Astroturf. 115 00:05:05,920 --> 00:05:07,560 Yeah, it would be something different. 116 00:05:07,560 --> 00:05:09,720 You don't walk into a class and just see grass, do you? 117 00:05:09,720 --> 00:05:11,800 So it's going to be quite cool. OK. 118 00:05:11,800 --> 00:05:13,120 Hello! Hello, everyone! 119 00:05:13,120 --> 00:05:15,920 I was thinking, "Who's trying to sneak in?!" 120 00:05:15,920 --> 00:05:17,000 Are you a bit worried 121 00:05:17,000 --> 00:05:19,200 that they've turned up here dressed in their pyjamas? 122 00:05:19,200 --> 00:05:22,280 A bit like you. Ooh! 123 00:05:22,280 --> 00:05:23,760 You're getting a detention. 124 00:05:23,760 --> 00:05:25,280 THEY LAUGH 125 00:05:25,280 --> 00:05:27,520 Do you want actually, like, a physical representation 126 00:05:27,520 --> 00:05:29,400 of a lion in there or do you want these? 127 00:05:29,400 --> 00:05:31,920 No. You know in the American, like, universities or schools, 128 00:05:31,920 --> 00:05:33,040 they have a big sticker. 129 00:05:33,040 --> 00:05:35,760 Some people have eagles, like, with us we were thinking a lion. 130 00:05:35,760 --> 00:05:37,840 So, what I was suggesting was 131 00:05:37,840 --> 00:05:41,480 a big grey and white-striped diagonal floor, 132 00:05:41,480 --> 00:05:45,440 and then having your amazing purple lion logo somewhere. 133 00:05:45,440 --> 00:05:47,120 Yeah? Yeah. Fab. 134 00:05:47,120 --> 00:05:48,440 Up the Lions, yeah! 135 00:05:48,440 --> 00:05:51,400 Up the Lions! Up the Lions! 136 00:05:51,400 --> 00:05:55,200 Next up, it's Dean and Amy with the Biscay Bears. 137 00:05:55,200 --> 00:05:57,920 So, on this bit here is where we are going to put your tables. 138 00:05:57,920 --> 00:05:59,480 These are benches but in cubes, 139 00:05:59,480 --> 00:06:01,720 so they can all be dispersed and put together, 140 00:06:01,720 --> 00:06:04,160 so you can break off together or break off separately. 141 00:06:04,160 --> 00:06:06,840 On this bit here is where your bench seating is going to be, 142 00:06:06,840 --> 00:06:09,040 so you guys can sit on this table, have your lunch. 143 00:06:09,040 --> 00:06:10,880 Yeah, I think that would be good. 144 00:06:10,880 --> 00:06:13,480 So, the main idea would be that it kind of takes on 145 00:06:13,480 --> 00:06:15,440 this vintage varsity idea, 146 00:06:15,440 --> 00:06:17,800 with a lot of, kind of, artful graffiti, 147 00:06:17,800 --> 00:06:20,480 colour-blocking ideas to zone different areas in the room. 148 00:06:20,480 --> 00:06:21,800 I like that, yeah. That's good. 149 00:06:21,800 --> 00:06:23,400 I really like that idea of the graffiti 150 00:06:23,400 --> 00:06:25,440 and, like, maybe doing the bear in graffiti 151 00:06:25,440 --> 00:06:27,840 and add, like, kind of a cool aspect to it. 152 00:06:27,840 --> 00:06:30,320 The key lesson I learnt from last time is 153 00:06:30,320 --> 00:06:33,640 that I need to be more vocal, which I can definitely do. 154 00:06:33,640 --> 00:06:35,960 Dean can talk, but so can I. 155 00:06:35,960 --> 00:06:37,800 Is this the winning team? Yeah! Yes! 156 00:06:38,880 --> 00:06:41,960 So, for the first time ever, schools. Yeah. 157 00:06:41,960 --> 00:06:44,080 And not just schools - common rooms. 158 00:06:44,080 --> 00:06:45,600 That's going to be tough, isn't it? 159 00:06:45,600 --> 00:06:47,600 It is tough, but if you think about it, 160 00:06:47,600 --> 00:06:50,080 school is supposed to be this place of creativity 161 00:06:50,080 --> 00:06:52,160 and inspiration and learning, 162 00:06:52,160 --> 00:06:53,920 and yet when you look at most common rooms, 163 00:06:53,920 --> 00:06:55,480 they're completely bland. 164 00:06:55,480 --> 00:06:57,840 Kids, they're going to be the tough critics, aren't they? 165 00:06:57,840 --> 00:07:00,800 It's not like in our day when we'd just be outside with a stick. 166 00:07:00,800 --> 00:07:02,520 They've got rights now, haven't they? 167 00:07:02,520 --> 00:07:04,080 And they know what they want. 168 00:07:04,080 --> 00:07:05,720 I don't think they're going to hold back 169 00:07:05,720 --> 00:07:07,000 if they don't like something. 170 00:07:07,000 --> 00:07:09,080 But, I mean, there's so much room for improvement. 171 00:07:09,080 --> 00:07:10,680 They need a complete transformation. 172 00:07:10,680 --> 00:07:12,800 And it's got to be multi-functional as well. 173 00:07:12,800 --> 00:07:15,040 This is places where people are going to be having 174 00:07:15,040 --> 00:07:17,680 a bit of quiet time, where they're going to socialise, 175 00:07:17,680 --> 00:07:20,360 so that's going to be difficult to get the balance right, isn't it? 176 00:07:20,360 --> 00:07:21,960 It is, but also practical. 177 00:07:21,960 --> 00:07:24,080 These rooms need to be tough and durable. 178 00:07:24,080 --> 00:07:25,600 They're going to be in daily use 179 00:07:25,600 --> 00:07:27,600 with a lot of kids coming through them. 180 00:07:27,600 --> 00:07:30,200 And as a springboard, they've got the name of the house, 181 00:07:30,200 --> 00:07:31,520 which is also an animal. 182 00:07:31,520 --> 00:07:33,160 And I think they've got colours as well. 183 00:07:33,160 --> 00:07:35,600 Clearly, each house is super proud of its emblem, 184 00:07:35,600 --> 00:07:37,000 so that's got to be big and loud. 185 00:07:37,000 --> 00:07:38,600 They need to celebrate their house. 186 00:07:38,600 --> 00:07:41,000 So they want to feel really proud of their house colours 187 00:07:41,000 --> 00:07:42,360 and their house symbol. 188 00:07:42,360 --> 00:07:44,920 And you're sending two people home, so it could be a whole team. 189 00:07:44,920 --> 00:07:47,520 It could be. They could either win or lose together. 190 00:07:47,520 --> 00:07:49,320 Oh, dear. It's tough, isn't it? 191 00:07:49,320 --> 00:07:51,240 I'm just worried about getting nits. 192 00:07:53,000 --> 00:07:54,360 I'm Banjo. 193 00:07:54,360 --> 00:07:58,160 Banjo and team-mate Molly are with the Fitzroy Foxes. 194 00:07:58,160 --> 00:08:01,200 The house colour is orange, so, yeah... 195 00:08:01,200 --> 00:08:03,080 What do we think about orange? 196 00:08:03,080 --> 00:08:05,840 We don't want the whole thing orange... Yeah. 197 00:08:05,840 --> 00:08:08,040 ..because it's quite an out-there colour. 198 00:08:08,040 --> 00:08:10,760 So, more peaceful colours, a little bit of orange. 199 00:08:10,760 --> 00:08:12,960 There's a lot of things that space has to do, 200 00:08:12,960 --> 00:08:14,960 and some tough clients as well. 201 00:08:14,960 --> 00:08:16,560 Those kids know what they want. 202 00:08:16,560 --> 00:08:19,320 So, what I was thinking is having a wave wall 203 00:08:19,320 --> 00:08:21,560 that could kind of, like a fox's den, 204 00:08:21,560 --> 00:08:24,080 could take you through the space and section it off 205 00:08:24,080 --> 00:08:27,000 and give you little surprises and little private areas. 206 00:08:27,000 --> 00:08:29,880 Do you have faith in us? Yes. Good. 207 00:08:29,880 --> 00:08:31,600 Looking for the inside track... 208 00:08:31,600 --> 00:08:32,800 What's the vibe? 209 00:08:32,800 --> 00:08:34,880 ..is Fran and Paul with the Crocodiles. 210 00:08:34,880 --> 00:08:37,480 Green, obviously. Green. 211 00:08:37,480 --> 00:08:40,080 I think we want it kind of modern and clean. 212 00:08:40,080 --> 00:08:41,680 So, as you can see, 213 00:08:41,680 --> 00:08:44,200 it's about creating different zones within the room. 214 00:08:44,200 --> 00:08:46,800 Oh, I see. And then you put the screens on wheels, 215 00:08:46,800 --> 00:08:50,680 and then you can actually have them to create definition within spaces 216 00:08:50,680 --> 00:08:52,640 or you can just push them to the side. 217 00:08:52,640 --> 00:08:54,240 I really like that you can fold it away, 218 00:08:54,240 --> 00:08:57,360 cos I think that's quite nice because it's quite a small room. 219 00:08:57,360 --> 00:08:59,120 In terms of your crocodile mural, 220 00:08:59,120 --> 00:09:01,760 I've just put that, kind of, motif on cushions. 221 00:09:01,760 --> 00:09:03,960 So we've got the crocodile in, still... Oh, wow. Yeah. 222 00:09:03,960 --> 00:09:05,520 ..but it's just kind of subtle. 223 00:09:05,520 --> 00:09:07,480 I've got kids. I know what kids are like. 224 00:09:07,480 --> 00:09:09,800 They're basically not kids, they're mini adults 225 00:09:09,800 --> 00:09:11,400 with loads of opinions. 226 00:09:11,400 --> 00:09:13,000 Maybe that makes me a kid! 227 00:09:13,000 --> 00:09:14,520 How's it going? Hello, Mr Carr. 228 00:09:14,520 --> 00:09:16,240 They want to talk to someone young. 229 00:09:16,240 --> 00:09:17,480 You don't want these old... 230 00:09:17,480 --> 00:09:20,120 You don't want these two old fogeys, do you? No. 231 00:09:20,120 --> 00:09:22,080 They want a room that's peng, don't you? 232 00:09:22,080 --> 00:09:24,200 Pen? What does that mean? Peng - great. 233 00:09:24,200 --> 00:09:26,400 Really? Yeah. I've never heard of that. 234 00:09:26,400 --> 00:09:29,000 See? I've never heard of it. Am I right or am I right? 235 00:09:29,000 --> 00:09:30,200 Exactly. 236 00:09:30,200 --> 00:09:32,200 What's your biggest rival, then? 237 00:09:32,200 --> 00:09:33,920 Is it the Fox? What's the other ones? 238 00:09:33,920 --> 00:09:36,160 Oh, definitely, I think the Lions. 239 00:09:36,160 --> 00:09:38,680 So, as long as you beat the Lions, that's all that matters. 240 00:09:38,680 --> 00:09:40,320 Yes. Yeah, definitely. 241 00:09:40,320 --> 00:09:41,360 Bye! 242 00:09:41,360 --> 00:09:42,960 We're going to go Crocodiles! 243 00:09:42,960 --> 00:09:44,480 THEY LAUGH 244 00:09:49,520 --> 00:09:52,000 It's a big day for the designers. 245 00:09:52,000 --> 00:09:55,880 # Going back, back to school Back to school! # 246 00:09:55,880 --> 00:09:58,560 This is interesting. Oh, it's quite big! 247 00:09:58,560 --> 00:09:59,880 Working in teams, 248 00:09:59,880 --> 00:10:02,800 they will need to transform four tired common rooms... 249 00:10:04,480 --> 00:10:05,880 Wa-hey! 250 00:10:05,880 --> 00:10:09,560 ..and turn them into practical and multi-purpose shared spaces. 251 00:10:10,560 --> 00:10:12,040 I hated school. 252 00:10:12,040 --> 00:10:14,760 So, yeah, being back, I'm like, eurgh! 253 00:10:14,760 --> 00:10:18,880 In addition, they need to rejuvenate the teacher's office 254 00:10:18,880 --> 00:10:20,440 for each Head of House. 255 00:10:21,880 --> 00:10:23,240 Were you a prefect? 256 00:10:23,240 --> 00:10:25,560 Er, no, I was devastated. 257 00:10:25,560 --> 00:10:29,160 Confidence hadn't, sort of, approached me by that point. 258 00:10:29,160 --> 00:10:30,800 When your balls dropped? 259 00:10:33,640 --> 00:10:34,840 Oof! 260 00:10:34,840 --> 00:10:37,720 Each pair has £3,000 261 00:10:37,720 --> 00:10:41,680 and two days to complete their interior designs. 262 00:10:41,680 --> 00:10:45,040 Backing up the teams with their skills are the trades. 263 00:10:45,040 --> 00:10:46,480 Hello! Hey! 264 00:10:46,480 --> 00:10:47,720 Welcome. 265 00:10:47,720 --> 00:10:51,000 You go. I'm like Bob the Builder's girlfriend. 266 00:10:52,640 --> 00:10:54,520 At the Lions... 267 00:10:54,520 --> 00:10:58,080 We need to make sure that this floor is wow. 268 00:10:58,080 --> 00:11:00,360 ..Abi is cracking the whip already. 269 00:11:00,360 --> 00:11:04,120 The thing I want to get done ASAP is masking-taping the floor. 270 00:11:04,120 --> 00:11:07,800 Me and Rochelle decided it was going to be every... 271 00:11:07,800 --> 00:11:09,240 ..two and a half. 272 00:11:09,240 --> 00:11:11,480 So it's, like, shoulder-length diagonals. 273 00:11:13,040 --> 00:11:15,520 Inspired by the athletic Lundy Lions, 274 00:11:15,520 --> 00:11:20,120 Abi and Rochelle have designed a sports-themed common room. 275 00:11:20,120 --> 00:11:23,680 Upcycled school furniture will show off go racing stripes 276 00:11:23,680 --> 00:11:25,400 on the floor and wall. 277 00:11:26,600 --> 00:11:31,000 There will be 3D zonal boards including a hydration station. 278 00:11:31,000 --> 00:11:35,040 And completing the space is a showpiece vinyl house logo 279 00:11:35,040 --> 00:11:38,480 mounted on a wall of fake grass. 280 00:11:38,480 --> 00:11:40,280 MAN: (ON PHONE) 281 00:11:42,360 --> 00:11:45,480 But the Lions have got a problem with their grass. 282 00:11:45,480 --> 00:11:47,880 We need it by tomorrow. 283 00:11:50,000 --> 00:11:53,240 This was the showpiece, this was the show moment. 284 00:11:53,240 --> 00:11:55,320 The grass is really important to the design, 285 00:11:55,320 --> 00:11:57,480 because we wanted to give that nod 286 00:11:57,480 --> 00:11:59,800 to the sports element behind the house. 287 00:11:59,800 --> 00:12:01,640 Things are always going to go wrong. 288 00:12:01,640 --> 00:12:03,680 There's always going to be a spanner in the works, 289 00:12:03,680 --> 00:12:05,280 and it's just the way you deal with it. 290 00:12:05,280 --> 00:12:06,840 We're coming up with solutions. 291 00:12:06,840 --> 00:12:08,680 I've been frantically looking on the phone, 292 00:12:08,680 --> 00:12:11,040 ringing round trying to get hold of some fake grass, 293 00:12:11,040 --> 00:12:14,360 and I hopefully have got some, fingers crossed. 294 00:12:14,360 --> 00:12:16,640 Over at Cromarty Crocodiles... 295 00:12:16,640 --> 00:12:18,480 We've got three alcoves... Mm-hm. 296 00:12:18,480 --> 00:12:22,640 ..Fran and Paul are getting into the detail of their design. 297 00:12:22,640 --> 00:12:25,240 So, there's your cutting list. Nice. 298 00:12:25,240 --> 00:12:27,000 So, back spine is 77, 299 00:12:27,000 --> 00:12:29,440 bottom bench is 40 x 175, 300 00:12:29,440 --> 00:12:31,120 top bench is 37, 301 00:12:31,120 --> 00:12:33,080 front bench is 34, 302 00:12:33,080 --> 00:12:35,200 and the back folding bench is 37. 303 00:12:35,200 --> 00:12:38,360 So, the bench will be on wheels, and it will roll into here. 304 00:12:38,360 --> 00:12:39,720 And then you pick up the table, 305 00:12:39,720 --> 00:12:41,360 and you stack it on top of the bench. 306 00:12:41,360 --> 00:12:43,880 And it is basically genius. 307 00:12:43,880 --> 00:12:46,680 Paul has ambitious plans for the main common room. 308 00:12:46,680 --> 00:12:50,240 That communal table essentially goes where we are over there. 309 00:12:50,240 --> 00:12:52,360 Yeah. Scaffolding pole over the top. 310 00:12:52,360 --> 00:12:55,880 Nice. And then they've got Tolix stools that go underneath. 311 00:12:55,880 --> 00:12:58,800 The whole point is that when you enter from the hallway, 312 00:12:58,800 --> 00:13:02,280 you've got this really strong, kind of, mural, graphic identity, 313 00:13:02,280 --> 00:13:05,240 which is a combination of Fran and I's initial concepts. 314 00:13:05,240 --> 00:13:08,400 And then we've got a communal table in the main space, 315 00:13:08,400 --> 00:13:10,240 breakout area. 316 00:13:10,240 --> 00:13:15,080 So, all of those zones that were about multi-function, 317 00:13:15,080 --> 00:13:17,920 the functionality of the room, they'll all work really well. 318 00:13:17,920 --> 00:13:19,880 It's a lot to do. Yeah. 319 00:13:19,880 --> 00:13:21,880 But hopefully, fingers crossed... 320 00:13:21,880 --> 00:13:23,040 Great planning! 321 00:13:23,040 --> 00:13:25,680 Great planning! Thank you very much. 322 00:13:30,840 --> 00:13:32,560 I've been designing all my life. 323 00:13:32,560 --> 00:13:34,760 Everything is very considered. 324 00:13:34,760 --> 00:13:38,000 Down to my interiors, my home, my clothes. 325 00:13:38,000 --> 00:13:40,040 I am a perfectionist. 326 00:13:40,040 --> 00:13:43,400 I've definitely matured, like a fine wine. 327 00:13:43,400 --> 00:13:45,360 I'm like a good Malbec - 328 00:13:45,360 --> 00:13:49,400 full-bodied, lots of character, and great taste. 329 00:13:50,560 --> 00:13:52,360 Across the playground... 330 00:13:52,360 --> 00:13:53,840 She's bright. 331 00:13:53,840 --> 00:13:57,320 ..Molly is starting to colour-block the common room. 332 00:13:57,320 --> 00:13:59,280 Please don't drip. Slather it on. 333 00:13:59,280 --> 00:14:00,520 Yay! 334 00:14:00,520 --> 00:14:04,160 The Fitzroy Foxes were quite against a whole orange wall. 335 00:14:04,160 --> 00:14:05,720 That's why we've done it in sections. 336 00:14:05,720 --> 00:14:07,880 So this section is going to be the play area. 337 00:14:07,880 --> 00:14:09,920 In the meeting area, it's going to be green, 338 00:14:09,920 --> 00:14:11,360 so that's a bit more calming. 339 00:14:11,360 --> 00:14:13,920 In the blue area is going to be, like, the study area, 340 00:14:13,920 --> 00:14:15,560 that's a bit more calm as well. 341 00:14:15,560 --> 00:14:18,120 And this is going to be the fun, vibrant play area. 342 00:14:18,120 --> 00:14:19,920 Out-of-the-box thinkers, 343 00:14:19,920 --> 00:14:22,600 Molly and Banjo are designing their common room 344 00:14:22,600 --> 00:14:23,920 like a fox's den. 345 00:14:24,960 --> 00:14:28,360 Sustainable concertina paper seating will be laid out 346 00:14:28,360 --> 00:14:30,240 in the middle of the room. 347 00:14:30,240 --> 00:14:32,760 Colour-blocked areas will be zoned-off 348 00:14:32,760 --> 00:14:34,760 with giant cardboard screens, 349 00:14:34,760 --> 00:14:37,160 inviting students to make the space their own 350 00:14:37,160 --> 00:14:40,320 with the option of doodling on the replaceable dividers. 351 00:14:40,320 --> 00:14:43,200 HIP-HOP BEAT PLAYS 352 00:14:40,320 --> 00:14:43,200 Boom box! 353 00:14:43,200 --> 00:14:45,720 We're walking down the street in the Bronx. 354 00:14:45,720 --> 00:14:48,200 We've got 100 cardboard tubes. 355 00:14:48,200 --> 00:14:51,640 Just 100? Just 100. OK. 356 00:14:51,640 --> 00:14:54,360 We've got all of this modular kind of furniture 357 00:14:54,360 --> 00:14:56,440 that's kind of made of cardboard 358 00:14:56,440 --> 00:14:58,440 that can be just folded up and put away. 359 00:14:58,440 --> 00:15:02,480 So if we can kind of go here to here. 360 00:15:02,480 --> 00:15:04,120 We've got a little story to tell. 361 00:15:04,120 --> 00:15:08,240 We've got a bit of an environmental sustainable theme going on, 362 00:15:08,240 --> 00:15:10,040 and kids care about that stuff now. 363 00:15:10,040 --> 00:15:13,200 If we have the screen coming out, full height, for a metre... Yeah. 364 00:15:13,200 --> 00:15:16,200 ..and then tiered down, 100 mils each tube. 365 00:15:16,200 --> 00:15:18,880 It's a risk when you're throwing up lots of big ideas 366 00:15:18,880 --> 00:15:21,200 that, you know, maybe they won't land, 367 00:15:21,200 --> 00:15:24,840 but I'm pretty confident with them, and hopefully Michelle likes them. 368 00:15:26,520 --> 00:15:27,800 Over at the Bears... 369 00:15:27,800 --> 00:15:30,280 How wide do you want these tables to be? I'll let you work it out 370 00:15:30,280 --> 00:15:32,040 on the tape measure I want you to hold. 371 00:15:32,040 --> 00:15:34,200 ..Dean is actioning big plans... 372 00:15:34,200 --> 00:15:35,600 Five foot is nice. 373 00:15:35,600 --> 00:15:38,520 ..building bespoke tables and cube seating. 374 00:15:38,520 --> 00:15:40,720 All of the Bears' furniture will be made from 375 00:15:40,720 --> 00:15:45,160 a hard-wearing multi-layered form of plywood called OSB. 376 00:15:45,160 --> 00:15:48,120 I'm trying to create a space where if I was, like, mini me, 377 00:15:48,120 --> 00:15:50,720 when I was their age... A space where they can come and relax. 378 00:15:50,720 --> 00:15:53,480 We've got a lot of seating and a lot of OSB to go in, 379 00:15:53,480 --> 00:15:55,560 so I'll be doing a lot of work with the carpenters. 380 00:15:55,560 --> 00:15:58,640 Amy? Yeah? When I'm talking about the stadium seating, 381 00:15:58,640 --> 00:16:00,280 I'm thinking about here. 382 00:16:00,280 --> 00:16:02,520 But the panels, they're 2.4, aren't they? Yeah. 383 00:16:02,520 --> 00:16:05,080 Should we just go 2.4, and then you're not cutting any off? 384 00:16:05,080 --> 00:16:08,600 My only concern is, Amy, the bigger it is, when we have to move it, 385 00:16:08,600 --> 00:16:10,520 it's going to be a bit more of an issue to move. 386 00:16:10,520 --> 00:16:12,880 If we make the stadium seating too small, 387 00:16:12,880 --> 00:16:16,520 then I'm just worried it's going to look tiny in this big space. Yep. 388 00:16:16,520 --> 00:16:18,480 For the first challenge, I ended up on the couch 389 00:16:18,480 --> 00:16:19,960 and the main reason I was there 390 00:16:19,960 --> 00:16:22,360 was the lack of collaboration with my partner. 391 00:16:22,360 --> 00:16:24,040 So, this week, I've really made sure 392 00:16:24,040 --> 00:16:25,680 that Dean and I are on the same page, 393 00:16:25,680 --> 00:16:28,720 that if we're not, we can get onto a third page. 394 00:16:28,720 --> 00:16:30,800 They're like, "Oh, this will be 1.4," 395 00:16:30,800 --> 00:16:33,520 and I'm like, "Isn't it 1.2?" and Wayne's like, "Yeah." 396 00:16:33,520 --> 00:16:35,880 And I feel like I'm not shy to say those things now. 397 00:16:35,880 --> 00:16:41,720 MUSIC: Bang A Gong (Get It On) by T.Rex 398 00:16:41,720 --> 00:16:43,320 INTERCOM BEEPS 399 00:16:44,320 --> 00:16:45,760 Hello, Gordano School. 400 00:16:45,760 --> 00:16:48,400 I've got double Interior Design Masters. 401 00:16:48,400 --> 00:16:50,360 I'll let you in the gate. Thanks. 402 00:16:55,200 --> 00:16:59,080 Oh...school! This takes me back. 403 00:16:59,080 --> 00:17:01,720 My first kiss! Ha! 404 00:17:01,720 --> 00:17:03,920 I wonder what that dinner lady's doing now. 405 00:17:03,920 --> 00:17:07,480 # Bang a gong, get it on... # 406 00:17:07,480 --> 00:17:10,920 First port of call is the Fitzroy Foxes. 407 00:17:10,920 --> 00:17:13,560 Molly? Hello, lovely Alan. 408 00:17:13,560 --> 00:17:15,200 Oh, hello, lovely Molly. 409 00:17:15,200 --> 00:17:17,960 Now, where can I stand? Is this wet? Come here. This bit's dry. 410 00:17:17,960 --> 00:17:19,640 Are you sure? You're in, yes. 411 00:17:19,640 --> 00:17:21,080 So...orange. 412 00:17:21,080 --> 00:17:23,040 We're going bold, yes. 413 00:17:23,040 --> 00:17:25,000 And you've gone for bright orange. 414 00:17:25,000 --> 00:17:28,360 Well... You're making me fancy a packet of Wotsits. 415 00:17:28,360 --> 00:17:30,360 What other colours are you going for in the room? 416 00:17:30,360 --> 00:17:32,400 We've got a green little section over there. 417 00:17:32,400 --> 00:17:33,600 Nice calming meeting room. 418 00:17:33,600 --> 00:17:35,360 Then bright blue in the corner over there. 419 00:17:35,360 --> 00:17:37,320 Then a lot of the walls we'll just keep white. 420 00:17:37,320 --> 00:17:39,760 Well, that's clever. You're sort of going on the ceiling. 421 00:17:39,760 --> 00:17:41,920 Yeah, we want it to be like a little wrap-round zone, 422 00:17:41,920 --> 00:17:45,000 so it feels like you're in your own proper little area. That's the aim. 423 00:17:45,000 --> 00:17:47,640 And you don't think the colour's too bright? 424 00:17:47,640 --> 00:17:51,160 I'm here for it. They're kids. You know, it's fun, it's vibrant. 425 00:17:51,160 --> 00:17:52,520 I'm happy with the colour, yeah. 426 00:17:52,520 --> 00:17:54,640 Right, well, I'll leave you to it. Thank you, Alan. 427 00:17:54,640 --> 00:17:57,040 See you, love. See you later, bye. Bye! 428 00:17:57,040 --> 00:17:59,720 Banjo! Alan! 429 00:17:59,720 --> 00:18:02,200 What's this? A giant pan pipe? 430 00:18:02,200 --> 00:18:03,760 It's my screen. 431 00:18:03,760 --> 00:18:07,120 A screen? Yeah. You always come up with these crazy ideas. 432 00:18:07,120 --> 00:18:08,680 How did you think of this? 433 00:18:08,680 --> 00:18:11,560 I don't know. This might be my craziest yet. 434 00:18:11,560 --> 00:18:14,640 So what colour are you going to paint this, then? Au naturale. 435 00:18:16,000 --> 00:18:17,520 Just like that? Yeah! 436 00:18:17,520 --> 00:18:21,000 Cardboard and Wotsit orange. Yeah! Mmm...lovely. 437 00:18:21,000 --> 00:18:23,240 I bet you was a person hoarding all those bog rolls 438 00:18:23,240 --> 00:18:25,880 during the pandemic, weren't it? Guilty. Yeah, got ya! 439 00:18:25,880 --> 00:18:29,720 Well, I'd better let you get on. Bye, Alan. Good luck, Banjo. 440 00:18:29,720 --> 00:18:32,720 Molly and Banjo have gone for these really bold primary colours, 441 00:18:32,720 --> 00:18:34,440 which is all well and good, 442 00:18:34,440 --> 00:18:37,080 but does it look more like a place Mr Tumble would hang out 443 00:18:37,080 --> 00:18:38,920 than a load of teenagers? 444 00:18:45,040 --> 00:18:48,080 With progress being made on the Bears' common room... 445 00:18:48,080 --> 00:18:50,760 How do you want me to do the bobbly ears on the bear? 446 00:18:50,760 --> 00:18:53,840 I think we just cut round it. 447 00:18:53,840 --> 00:18:57,400 ..print designer Amy is busy outside. 448 00:18:57,400 --> 00:18:59,920 We were inspired by the logos to start with, 449 00:18:59,920 --> 00:19:02,000 but we felt like it could really do with an update. 450 00:19:02,000 --> 00:19:06,400 So we were kind of taking varsity, but trying to modernise it a bit. 451 00:19:06,400 --> 00:19:08,600 So the idea was to do graffiti, 452 00:19:08,600 --> 00:19:12,560 cos it was like a cool thing I thought the kids might like. 453 00:19:12,560 --> 00:19:15,600 One says Biscay for one wall, the other one says bears. 454 00:19:15,600 --> 00:19:17,560 And then we've got a couple of smaller pieces 455 00:19:17,560 --> 00:19:19,840 that we're going to put around the place. 456 00:19:19,840 --> 00:19:22,280 Yeah, it looks great. I'm really pleased. 457 00:19:26,760 --> 00:19:30,040 Amy, this mask doesn't fit. 458 00:19:26,760 --> 00:19:30,040 SHE LAUGHS 459 00:19:30,040 --> 00:19:32,640 I think it's on the wrong way. You're joking me. 460 00:19:32,640 --> 00:19:35,120 How are you? Oh, great. 461 00:19:35,120 --> 00:19:38,160 How do you feel about a bit of graffiti? Bring it on. 462 00:19:38,160 --> 00:19:41,480 Do you know what? I'm actually Banksy. 463 00:19:41,480 --> 00:19:44,120 Well, you should find this easy, then. Oh, God, yes. 464 00:19:44,120 --> 00:19:46,720 Do you want a go? Let me do it. Right, OK. 465 00:19:46,720 --> 00:19:48,120 So it's the school name. 466 00:19:48,120 --> 00:19:50,960 You have to finish off an N and an O. Yep. 467 00:19:50,960 --> 00:19:53,840 Woohoo! Oh... I like it. Good. 468 00:19:53,840 --> 00:19:56,680 It's a bit different from mine, but I'll take it. Yeah, yeah, yeah. 469 00:19:56,680 --> 00:19:59,160 You're really coming out of your comfort zone. 470 00:19:59,160 --> 00:20:01,400 I feel completely out of my comfort zone. 471 00:20:01,400 --> 00:20:03,080 I no longer remember what that is. 472 00:20:03,080 --> 00:20:05,800 Yeah, because you used to do, like, textiles and prints. 473 00:20:05,800 --> 00:20:08,400 And, like, tiny florals and now I'm out here. 474 00:20:08,400 --> 00:20:10,760 Well, listen, I'm so impressed with that. 475 00:20:10,760 --> 00:20:14,080 I'll leave it to the professionals. Thanks, Alan. 476 00:20:14,080 --> 00:20:16,360 If anyone's seen my jock strap, let me know. 477 00:20:20,040 --> 00:20:21,280 Lovely. 478 00:20:21,280 --> 00:20:22,920 Halfway through day one... 479 00:20:22,920 --> 00:20:26,160 I'm panicking. Like, there's a lot to do. 480 00:20:26,160 --> 00:20:29,400 ..and the designers are getting into their stride. 481 00:20:29,400 --> 00:20:31,960 Yeah. There, I think, is good. Yeah, that's cool. 482 00:20:31,960 --> 00:20:33,600 Wallpaper's going up... 483 00:20:33,600 --> 00:20:34,920 I'm thinking more of the brick. 484 00:20:34,920 --> 00:20:36,720 We're on the same page. Shaking, shaking. 485 00:20:36,720 --> 00:20:39,480 Great minds think alike. OK. 486 00:20:39,480 --> 00:20:44,240 ..and, for some, thoughts turn to who will be using the space. 487 00:20:44,240 --> 00:20:45,760 I'm thinking about Greta. 488 00:20:45,760 --> 00:20:49,160 She's a sassy little school girl. She's an environmentalist. 489 00:20:49,160 --> 00:20:51,560 She cares about, like, sustainable materials. 490 00:20:51,560 --> 00:20:54,920 Loves a bit of colour. She's playful but serious. 491 00:20:54,920 --> 00:20:58,160 She's academic but a little bit sporty. 492 00:20:58,160 --> 00:21:01,840 Our clients are, like 13-to-16-year-old kids, 493 00:21:01,840 --> 00:21:04,760 so we need to make it fun. The kids know what they want, 494 00:21:04,760 --> 00:21:07,560 so we wanted to let the whole space grow with them. 495 00:21:08,880 --> 00:21:10,560 COWS MOO 496 00:21:10,560 --> 00:21:12,280 My name's actually Brandon, 497 00:21:12,280 --> 00:21:15,800 but my partner nicknamed me Banjo cos I'm highly-strung. 498 00:21:17,280 --> 00:21:21,200 I'm a big-picture kind of guy. I'm a dreamer. 499 00:21:21,200 --> 00:21:22,720 Whenever I design a space, 500 00:21:22,720 --> 00:21:25,840 I'm always thinking about the person who's going to live in there 501 00:21:25,840 --> 00:21:28,200 and if I don't know who they are, I'll make it up. 502 00:21:29,360 --> 00:21:33,320 If it's an eccentric billionaire or a little Disney princess, 503 00:21:33,320 --> 00:21:35,240 I give them a backstory 504 00:21:35,240 --> 00:21:37,960 and create this whole story around who they are 505 00:21:37,960 --> 00:21:40,680 and then I've got little nuggets to play with. 506 00:21:47,920 --> 00:21:49,320 We have grass! 507 00:21:49,320 --> 00:21:52,560 Over at the Lions, Abi has a delivery. 508 00:21:54,840 --> 00:21:57,760 Rochelle! Rochelle! 509 00:21:58,840 --> 00:22:03,240 Oh, my God, it's here. We have grass! Let me feel it. 510 00:22:03,240 --> 00:22:07,640 Oh, that's so good. Yeah. Let's hope we have enough. 511 00:22:07,640 --> 00:22:10,800 I don't care if we've got enough, we've got a bit. 512 00:22:10,800 --> 00:22:13,880 A bit is better than nothing. Amazing. 513 00:22:15,280 --> 00:22:17,600 We're just going to cover the whole wall in grass 514 00:22:17,600 --> 00:22:19,960 and then bam in the middle is just going to be 515 00:22:19,960 --> 00:22:24,560 a vinyl cutting, mounted on MDF... 516 00:22:25,560 --> 00:22:29,240 ..that's going to have their house logo in. 517 00:22:29,240 --> 00:22:30,880 I think it'll look good. 518 00:22:30,880 --> 00:22:34,800 See? This morning, it was a problem. Now it's not a problem... 519 00:22:34,800 --> 00:22:37,920 Let's not say that till it's up on the wall. Oh, yeah. 520 00:22:37,920 --> 00:22:40,360 Shh! Wait till it's on the wall and then... Yeah. 521 00:22:42,840 --> 00:22:45,080 At the Cromarty Crocodiles... 522 00:22:45,080 --> 00:22:49,760 I have linked the green... Yeah. ..to our black square. 523 00:22:49,760 --> 00:22:53,080 ..Fran is progressing with their mural collaboration. 524 00:22:53,080 --> 00:22:55,880 Paul came with a geometric design initially, 525 00:22:55,880 --> 00:22:57,720 and then we've kind of translated it 526 00:22:57,720 --> 00:23:01,200 into this triangular mural detailing, 527 00:23:01,200 --> 00:23:03,520 which kind of references the logo of the Crocs, 528 00:23:03,520 --> 00:23:07,720 so, like, crocodile teeth, crocodile spikey back, crocodile spikey tail. 529 00:23:07,720 --> 00:23:11,680 So subtly we've got, like, the continuity of the branding. 530 00:23:11,680 --> 00:23:14,040 I don't know if anyone will get it, but I hope so. 531 00:23:15,200 --> 00:23:19,320 It's green, which we've taken from the logo of, like, the Crocodiles, 532 00:23:19,320 --> 00:23:21,960 and then we've complimented that with the yellow 533 00:23:21,960 --> 00:23:24,360 just to keep it kind of fresh and light and airy. 534 00:23:24,360 --> 00:23:29,160 So it's still got that kind of modern geometric feel. 535 00:23:29,160 --> 00:23:32,080 Don't know, I can't really put into words what the vibe is. 536 00:23:33,120 --> 00:23:35,600 Back at the Lions... 537 00:23:35,600 --> 00:23:38,040 Doesn't it make a difference already? 538 00:23:38,040 --> 00:23:40,400 ..the grass is going up. 539 00:23:40,400 --> 00:23:42,280 I think it still works. 540 00:23:42,280 --> 00:23:45,200 This grass isn't how we wanted it to be. 541 00:23:45,200 --> 00:23:49,160 The grass that we ordered, it was one huge strip, 542 00:23:49,160 --> 00:23:52,840 so it was just really fluffy and luxury grass. 543 00:23:52,840 --> 00:23:56,160 And obviously we've had to quickly swap that out. 544 00:23:56,160 --> 00:23:59,440 It will look good when it's all up. Yeah. 545 00:24:00,520 --> 00:24:01,560 It'll be fine. 546 00:24:04,360 --> 00:24:06,520 Next door, at the Foxes... 547 00:24:06,520 --> 00:24:08,400 Oh, far out! Ugh! 548 00:24:08,400 --> 00:24:11,800 ..Banjo has turned his attention to the sustainable flooring 549 00:24:11,800 --> 00:24:14,280 in the teacher's office. 550 00:24:14,280 --> 00:24:17,920 The kids wanted a space that was kind of environmentally friendly. 551 00:24:17,920 --> 00:24:19,920 Cork is environmentally friendly - 552 00:24:19,920 --> 00:24:22,240 better than all that kind of plastic stuff. 553 00:24:22,240 --> 00:24:23,960 So we've gone for the cork. 554 00:24:25,680 --> 00:24:27,000 I'm regretting it now. 555 00:24:29,080 --> 00:24:31,600 I like to get stuff done. I'm not a faffer. 556 00:24:31,600 --> 00:24:34,520 I don't have patience to make stuff. 557 00:24:34,520 --> 00:24:39,320 It will probably come up like a dog's breakfast, but I mean... 558 00:24:39,320 --> 00:24:40,800 Pfft! We'll see. 559 00:24:42,680 --> 00:24:44,760 Next door at the Lundy Lions, 560 00:24:44,760 --> 00:24:48,120 Abi is preparing the old school furniture for upcycling. 561 00:24:48,120 --> 00:24:50,400 Look at the difference already. 562 00:24:50,400 --> 00:24:54,040 And Rochelle is going above and beyond the call of duty. 563 00:24:55,200 --> 00:24:58,720 I am taking the old chewing gum 564 00:24:58,720 --> 00:25:02,400 off of the bench that we're going to upcycle. 565 00:25:03,400 --> 00:25:05,680 Abi used to have to do this in her detention, 566 00:25:05,680 --> 00:25:07,440 so I thought, "I'll be kind." 567 00:25:07,440 --> 00:25:10,120 I didn't have to do this in my detention. 568 00:25:10,120 --> 00:25:13,480 You better love me forever for this, yeah? I do love you forever. 569 00:25:13,480 --> 00:25:16,280 This was all in there. Look at it. 570 00:25:16,280 --> 00:25:19,120 I appreciate it, thank you. Yeah, that's disgusting. 571 00:25:19,120 --> 00:25:20,600 I'm so grateful for Rochelle. 572 00:25:20,600 --> 00:25:24,240 Last week, Michelle said to her, you know, she needs to be more confident 573 00:25:24,240 --> 00:25:27,200 and this week it's like... It just completely shows. 574 00:25:27,200 --> 00:25:29,040 And I'm really, really proud of her. 575 00:25:30,560 --> 00:25:32,040 Day one is nearly done. 576 00:25:33,160 --> 00:25:37,120 And, for some, there's plenty of work still to come. 577 00:25:37,120 --> 00:25:41,160 Tomorrow, my priority is the office. At the moment, it's a white box. 578 00:25:41,160 --> 00:25:42,760 Yeah, there's a lot to do. 579 00:25:42,760 --> 00:25:44,920 My only worry is about running out of time 580 00:25:44,920 --> 00:25:48,120 and not being able to get all of what we want done 581 00:25:48,120 --> 00:25:49,760 to the standard that we want it. 582 00:25:49,760 --> 00:25:54,200 But over at the Foxes, Banjo's taking a time out. 583 00:25:54,200 --> 00:25:57,400 It was just not going very well for him, bless him. 584 00:25:57,400 --> 00:25:59,080 But he'll find his mojo. 585 00:25:59,080 --> 00:26:02,400 Cork flooring is my downfall. 586 00:26:02,400 --> 00:26:05,080 I'm crying over cork flooring. 587 00:26:05,080 --> 00:26:07,640 I'm not really a practical person. 588 00:26:07,640 --> 00:26:12,440 My husband does all the work - like, you know, the handiwork - 589 00:26:12,440 --> 00:26:14,720 and I have the ideas. 590 00:26:14,720 --> 00:26:19,400 And when it looks average and you have been doing a good job, 591 00:26:19,400 --> 00:26:22,840 it's like...it stings a little. 592 00:26:22,840 --> 00:26:26,440 And I guess two people are going this week, and that's real. 593 00:26:26,440 --> 00:26:30,320 Like, it doesn't matter that I've done well the last two weeks. 594 00:26:30,320 --> 00:26:34,000 Like, if this room's not great, it's like...you're gone. 595 00:26:46,680 --> 00:26:48,000 Day two. 596 00:26:48,000 --> 00:26:49,320 I hope they're ready for us. 597 00:26:49,320 --> 00:26:51,000 The final day of design. 598 00:26:51,000 --> 00:26:52,400 So much to do! 599 00:26:52,400 --> 00:26:54,120 Today's the last day. 600 00:26:54,120 --> 00:26:55,160 ARGH! 601 00:26:58,400 --> 00:27:01,320 I've just had enough of painting. I've had enough, officially. 602 00:27:01,320 --> 00:27:03,920 I've just... I've actually got blisters on my hands 603 00:27:03,920 --> 00:27:07,040 from just painting frantically for two days straight. 604 00:27:08,360 --> 00:27:11,040 Maybe a bit slower. Slower. 605 00:27:11,040 --> 00:27:14,720 Today, Banjo's feeling more positive. 606 00:27:14,720 --> 00:27:17,320 I'm feeling good. Yeah, I'm back. 607 00:27:17,320 --> 00:27:19,600 Um, a bit of a wobble yesterday, 608 00:27:19,600 --> 00:27:22,680 but I've had a good sleep, written my to-do list, 609 00:27:22,680 --> 00:27:26,600 and I've just, like, got no choice but to crack on. Big day. 610 00:27:26,600 --> 00:27:28,000 For most of the teams, 611 00:27:28,000 --> 00:27:30,520 attention has turned to the teacher's office. 612 00:27:32,120 --> 00:27:33,880 The kids said, "No, we don't want purple," 613 00:27:33,880 --> 00:27:37,240 so this is my little bit of purple going in the teacher's office. 614 00:27:37,240 --> 00:27:39,840 Oh, wow! Look at it. Pretty, right? 615 00:27:39,840 --> 00:27:42,800 Looks so designer, doesn't it? I love it. 616 00:27:42,800 --> 00:27:45,120 I'm glad we went for purple. Yeah. 617 00:27:49,440 --> 00:27:51,920 Ah, yes! Thank you! 618 00:27:51,920 --> 00:27:53,720 Like that much room. 619 00:27:53,720 --> 00:27:54,960 Over at the Crocs, 620 00:27:54,960 --> 00:27:58,600 Fran is thinking on her feet with the new office layout. 621 00:27:58,600 --> 00:28:01,840 It just didn't feel right, and it just makes more sense 622 00:28:01,840 --> 00:28:04,800 when you're working to have all of this in front of you 623 00:28:04,800 --> 00:28:07,240 and then this becomes, like, your work zone. 624 00:28:07,240 --> 00:28:08,640 And this is more relaxing. 625 00:28:10,520 --> 00:28:12,400 Back at the Lions... 626 00:28:12,400 --> 00:28:14,920 The wall looks like it's shedding its second skin. 627 00:28:14,920 --> 00:28:16,280 ROCHELLE LAUGHS 628 00:28:16,280 --> 00:28:18,440 ..it's not just problems in the common room 629 00:28:18,440 --> 00:28:20,560 delaying Abi and Rochelle. 630 00:28:20,560 --> 00:28:24,280 Paint. Yep. We've got a big problem. Mm-hm. 631 00:28:24,280 --> 00:28:28,200 Our white paint is a bit too thin and cheap 632 00:28:28,200 --> 00:28:30,840 and then there's a lot to cover in here. 633 00:28:30,840 --> 00:28:33,240 What are we going to do on this back wall, then? 634 00:28:33,240 --> 00:28:34,280 Um... 635 00:28:35,840 --> 00:28:36,960 ..I don't know. 636 00:28:36,960 --> 00:28:38,920 We can use white... But it's just going to... 637 00:28:38,920 --> 00:28:41,520 ..but we're going to have to do two or three coats. 638 00:28:41,520 --> 00:28:43,360 Just before judging. 639 00:28:43,360 --> 00:28:47,040 Yeah, we'll try and not be in that position. 640 00:28:47,040 --> 00:28:48,920 At the Bears... 641 00:28:48,920 --> 00:28:52,080 Hi! I've got the wallpaper. Can I show you? Great, yeah. 642 00:28:52,080 --> 00:28:54,800 ..things are going a lot smoother for Amy. 643 00:28:56,160 --> 00:28:59,480 So this is the paper for our teacher's room. 644 00:28:59,480 --> 00:29:01,280 So I designed this wallpaper. 645 00:29:01,280 --> 00:29:04,040 I took the logo that we were sent in the brief, 646 00:29:04,040 --> 00:29:06,240 reworked it, pulled elements out, 647 00:29:06,240 --> 00:29:10,480 created new kind of old-school varsity bits to put in 648 00:29:10,480 --> 00:29:12,200 to make it into the repeat. 649 00:29:13,320 --> 00:29:18,360 Outside, team-mate Dean is working on Amy's vintage finds. 650 00:29:19,760 --> 00:29:22,920 They're kind of old-school, varsity kind of style chairs, 651 00:29:22,920 --> 00:29:24,840 but we just want to put a little twist. 652 00:29:24,840 --> 00:29:27,720 The house colours are red and black. So obviously you know I love black, 653 00:29:27,720 --> 00:29:29,840 but I can't be putting too much black on everything. 654 00:29:29,840 --> 00:29:32,840 So just to put a bit of popping red, especially against the black floor, 655 00:29:32,840 --> 00:29:34,760 they're going to really pop off each other 656 00:29:34,760 --> 00:29:37,520 and I think it's going to look really nice. 657 00:29:40,400 --> 00:29:44,400 Here she is, doing what she does best - beautiful murals. 658 00:29:44,400 --> 00:29:46,280 I know. It's a leaf this time. 659 00:29:46,280 --> 00:29:49,640 We thought, you know, crocodiles live in, I think, jungles. 660 00:29:49,640 --> 00:29:52,080 I still haven't looked on the internet yet. No, no. 661 00:29:52,080 --> 00:29:55,160 I've been told, like... Well, definitely Australia 662 00:29:55,160 --> 00:29:57,440 and, you know, a big leaf sums that up, right? 663 00:29:57,440 --> 00:29:59,800 Yeah, yeah! My God, yes! Yeah? Yes. Good. 664 00:29:59,800 --> 00:30:02,040 Whenever I think of crocodiles, I think leaves. 665 00:30:02,040 --> 00:30:04,400 Yeah, and I've got little crocodiles. 666 00:30:04,400 --> 00:30:06,960 Aw, they are so cute! 667 00:30:06,960 --> 00:30:10,160 So we're going to subtly place these across our modular furniture 668 00:30:10,160 --> 00:30:12,920 and spray them black. So you'll just get a little motif. 669 00:30:12,920 --> 00:30:14,720 We don't need to go big cuddly toys - 670 00:30:14,720 --> 00:30:16,440 these aren't kids, they're young adults. 671 00:30:16,440 --> 00:30:18,760 Yes. Oh, that's right, young adults. Yeah. 672 00:30:18,760 --> 00:30:20,920 Give them little crocodiles. Little cr... 673 00:30:20,920 --> 00:30:23,440 Oh, don't say that. I'm joking! You think it's really naff! 674 00:30:23,440 --> 00:30:26,200 I love your little crocodiles! I love your crocodiles! 675 00:30:26,200 --> 00:30:29,280 Maybe I'll just stick them up there and it will be a bit more subtle. 676 00:30:29,280 --> 00:30:31,680 Maybe really subtle. What about putting them in the bin? 677 00:30:31,680 --> 00:30:33,960 LAUGHTER 678 00:30:31,680 --> 00:30:33,960 Cheers, Alan. It's a joke! 679 00:30:33,960 --> 00:30:36,280 It's a joke! Do you not have to go talk to someone else now? 680 00:30:36,280 --> 00:30:38,440 Yeah, I've got to go now. Cheers, mate. See you later. 681 00:30:38,440 --> 00:30:40,400 Full of positive vibes. See you later. 682 00:30:42,440 --> 00:30:44,720 At the Fitzroy Foxes... 683 00:30:44,720 --> 00:30:50,400 So I've designed my own little boy and girl fox toilet signs 684 00:30:50,400 --> 00:30:52,000 for the bathroom. 685 00:30:52,000 --> 00:30:56,000 ..Molly is hoping her small details will have a big impact. 686 00:30:57,160 --> 00:31:00,040 The Fitzroy Foxes have got their original kind of... 687 00:31:00,040 --> 00:31:01,840 ..emblem/mascot/logo, 688 00:31:01,840 --> 00:31:03,920 but we just wanted to add to it a bit, 689 00:31:03,920 --> 00:31:06,040 and the foxes are wearing little outfits, 690 00:31:06,040 --> 00:31:08,000 dressed up as kind of, like, school kids. 691 00:31:08,000 --> 00:31:11,880 I want the kids to feel like they're kind of part of them. 692 00:31:13,080 --> 00:31:15,160 I just really hope they get noticed. 693 00:31:15,160 --> 00:31:17,200 # Ta-da! # 694 00:31:17,200 --> 00:31:18,320 Foxy! 695 00:31:20,040 --> 00:31:22,400 It's the point of no return for the teams. 696 00:31:22,400 --> 00:31:23,600 Have you got it? Yep. 697 00:31:23,600 --> 00:31:27,320 MUSIC: Heart Skips A Beat by Olly Murs ft Rizzle Kicks 698 00:31:27,320 --> 00:31:29,360 The designers have only hours left 699 00:31:29,360 --> 00:31:32,720 to realise their vision for their common rooms. 700 00:31:32,720 --> 00:31:35,680 Doesn't that look fantastic? It's going to look good. 701 00:31:35,680 --> 00:31:38,640 Ah, the size is perfect. 702 00:31:38,640 --> 00:31:41,120 And there's a big reveal for the Bears. 703 00:31:41,120 --> 00:31:43,760 Check out our stadium seating. That looks amazing! 704 00:31:43,760 --> 00:31:46,640 Oh, cool. Wow. That's what I'm talking about. 705 00:31:46,640 --> 00:31:49,240 That looks ace. That looks lovely. And then such great storage. 706 00:31:49,240 --> 00:31:51,560 I reckon I could get in there, you know. Yeah, easily. 707 00:31:51,560 --> 00:31:53,960 Check it out. I'll put you in there at the end of the night. 708 00:31:53,960 --> 00:31:56,000 It's comfy to sit down. Take a seat, take a seat. 709 00:31:56,000 --> 00:31:58,960 It's exactly what my sketch was. Mm. Exactly. 710 00:31:58,960 --> 00:32:01,720 Well, the size is right. The call was right on the size. 711 00:32:01,720 --> 00:32:04,800 What? Don't push us in there. Push me in. Like, back to work Dean. 712 00:32:04,800 --> 00:32:06,040 To land! 713 00:32:07,760 --> 00:32:10,320 After all their meticulous cutting lists... 714 00:32:10,320 --> 00:32:12,840 Where's the big stuff? When's it coming? Yeah, yeah. 715 00:32:12,840 --> 00:32:16,480 ..Fran and Paul are still waiting on the main feature of their design, 716 00:32:16,480 --> 00:32:17,920 the modular furniture. 717 00:32:17,920 --> 00:32:20,280 So what time will the dividers be done? 718 00:32:20,280 --> 00:32:22,680 Er, don't know - I'm just doing it right now. OK. 719 00:32:22,680 --> 00:32:25,440 Half an hour? 40 minutes? Yeah, I'm just really conscious of time 720 00:32:25,440 --> 00:32:28,440 because everything you're building is, like, the key structures in here 721 00:32:28,440 --> 00:32:30,880 and if they're not finished... Yeah. ..we're on the sofa. 722 00:32:30,880 --> 00:32:32,880 PHONE RINGS 723 00:32:32,880 --> 00:32:34,440 Hello, Paul speaking. 724 00:32:34,440 --> 00:32:37,640 And things are about to go from bad to worse. 725 00:32:41,840 --> 00:32:42,880 Yeah? 726 00:32:50,280 --> 00:32:52,000 CREW: What's going on? 727 00:32:52,000 --> 00:32:54,680 I'm having a BLEEP drama, that's what's going on! 728 00:32:56,240 --> 00:33:01,560 So we now have less than three hours to get the washers, 729 00:33:01,560 --> 00:33:04,720 so that Tom can put the wheels on the furniture 730 00:33:04,720 --> 00:33:07,360 because it's too heavy to lift. 731 00:33:07,360 --> 00:33:11,480 And if we can't lift it, it's not a multi-functional space. 732 00:33:11,480 --> 00:33:13,920 And if it's not a multi-functional space, 733 00:33:13,920 --> 00:33:15,720 I haven't fulfilled the brief. 734 00:33:15,720 --> 00:33:18,160 And if I haven't fulfilled the brief, 735 00:33:18,160 --> 00:33:20,440 I will go mental. 736 00:33:21,520 --> 00:33:23,680 THAT is the drama. 737 00:33:23,680 --> 00:33:26,000 I've heard on the grapevine summat's gone wrong 738 00:33:26,000 --> 00:33:27,520 with your modular furniture. 739 00:33:27,520 --> 00:33:29,440 Oh, it's my rings, Alan. 740 00:33:29,440 --> 00:33:32,080 Oh, no! No! So what's happened? 741 00:33:32,080 --> 00:33:34,920 Your modular you can't move around, is that right? 742 00:33:34,920 --> 00:33:37,560 No, no, no, no, no. I need some washers. Oh, right. 743 00:33:37,560 --> 00:33:40,600 So, basically, it's the most uninteresting detail, 744 00:33:40,600 --> 00:33:42,000 but let's talk about it. 745 00:33:42,000 --> 00:33:43,800 If I fall asleep, wake me up. 746 00:33:42,000 --> 00:33:43,800 PAUL LAUGHS 747 00:33:43,800 --> 00:33:46,640 My carpenter needs washers to basically put on the wheels 748 00:33:46,640 --> 00:33:48,960 to attach to the furniture. That simple. That's it. 749 00:33:48,960 --> 00:33:51,480 Cos you know you've only got a few hours left? Do you know that? 750 00:33:51,480 --> 00:33:52,600 Thanks! Yeah. 751 00:33:52,600 --> 00:33:54,080 I know! I've got to let you go. 752 00:33:54,080 --> 00:33:58,000 It'd be such a shame if this modular furniture didn't move. 753 00:33:59,640 --> 00:34:02,520 With all the problem solving and time running out... 754 00:34:02,520 --> 00:34:05,760 Then we need to get these doors painted. 755 00:34:05,760 --> 00:34:08,960 ..Team Lundy Lions are on the final push. 756 00:34:08,960 --> 00:34:13,240 Megan, join it up more. Just join it up, be free. 757 00:34:15,880 --> 00:34:17,640 I hope we finish the room. 758 00:34:17,640 --> 00:34:18,800 Yeah, we are. 759 00:34:19,920 --> 00:34:22,880 To be a designer, you've got to be adaptable. 760 00:34:22,880 --> 00:34:25,840 You're fighting for your place in the competition 761 00:34:25,840 --> 00:34:28,000 and it feels like more pressure cos you're like, 762 00:34:28,000 --> 00:34:31,440 "Have I done enough? Have I pushed it far enough?" 763 00:34:31,440 --> 00:34:33,160 Actually, like, I'm looking around now 764 00:34:33,160 --> 00:34:35,280 and I'm like, "Those boards look sick," 765 00:34:35,280 --> 00:34:37,440 apart from the fact the S is... 766 00:34:37,440 --> 00:34:40,080 SHE LAUGHS 767 00:34:37,440 --> 00:34:40,080 Sorry! 768 00:34:40,080 --> 00:34:42,200 The S on "legends" is, like, up there. 769 00:34:44,640 --> 00:34:46,920 And just in the nick of time... 770 00:34:46,920 --> 00:34:49,520 Paul? Yeah? I've got those washers you asked for. 771 00:34:49,520 --> 00:34:52,120 Oh, I love you forever. 50 in there. 772 00:34:52,120 --> 00:34:54,800 Oh, that's amazing. All right, no worries. Thank you so much. 773 00:34:54,800 --> 00:34:56,440 You're a life-saver. See you in a bit. 774 00:34:56,440 --> 00:34:59,600 Yeah, drink tonight in the bar? 100%. Yeah, thank you. Bye! 775 00:35:01,200 --> 00:35:02,840 Ah! Mwah! 776 00:35:04,520 --> 00:35:08,400 # Joy! Joy! Joy to the world! # 777 00:35:10,600 --> 00:35:12,040 Only minutes remaining, 778 00:35:12,040 --> 00:35:15,120 it's a race to the finish line for our designers. 779 00:35:15,120 --> 00:35:16,640 Get in, get in, get in. 780 00:35:17,720 --> 00:35:20,400 Make sure it's in the centre, guys. It looks amazing. 781 00:35:20,400 --> 00:35:23,920 One breakout bench. Woohoo! 782 00:35:23,920 --> 00:35:26,040 Like an accordion! 783 00:35:26,040 --> 00:35:28,080 I'm stoked with the paper benches. 784 00:35:28,080 --> 00:35:30,760 Honestly, like, the space now comes together. 785 00:35:30,760 --> 00:35:33,240 CLANGING 786 00:35:30,760 --> 00:35:33,240 Ooh! One up here. 787 00:35:33,240 --> 00:35:34,960 30 seconds, Rochelle! 788 00:35:41,960 --> 00:35:43,760 SHE EXHALES 789 00:35:41,960 --> 00:35:43,760 And breathe. 790 00:35:47,920 --> 00:35:50,400 It's judgement time. 791 00:35:50,400 --> 00:35:52,240 This week, Michelle will be judging 792 00:35:52,240 --> 00:35:56,440 alongside the queen of colour, Sophie Robinson. 793 00:35:56,440 --> 00:36:00,120 So here we are, four common rooms, four pairs of designers, 794 00:36:00,120 --> 00:36:02,240 rooms to completely transform. 795 00:36:02,240 --> 00:36:03,920 This is about pride - 796 00:36:03,920 --> 00:36:06,560 pride in their house, pride in their emblem, 797 00:36:06,560 --> 00:36:09,880 the symbol that each one of them has, pride in their school. 798 00:36:09,880 --> 00:36:12,520 And I love the fact that these are the children's spaces. 799 00:36:12,520 --> 00:36:16,080 So where other parts of the school, let's say, might be a little boring, 800 00:36:16,080 --> 00:36:18,120 these children, they probably like to think 801 00:36:18,120 --> 00:36:20,160 they're, you know, older than they are, 802 00:36:20,160 --> 00:36:21,600 so keep it looking cool. 803 00:36:24,240 --> 00:36:27,360 I love it. It looks good, I think. 804 00:36:27,360 --> 00:36:29,600 We've absolutely smashed it. 805 00:36:29,600 --> 00:36:31,240 Is this really it? 806 00:36:31,240 --> 00:36:32,280 This is it. 807 00:36:35,080 --> 00:36:38,240 First up to face the judges is Fran and Paul, 808 00:36:38,240 --> 00:36:42,680 with their modular furniture-filled Crocodile common room. 809 00:36:42,680 --> 00:36:45,720 Do I think that space is for 11-16-year-olds? 810 00:36:45,720 --> 00:36:49,160 Well, not me when I was 11 to 16. But now? Hell, yeah. 811 00:36:49,160 --> 00:36:52,560 Our approach, how we've articulated the vision, 812 00:36:52,560 --> 00:36:55,080 how we've sort of joined our designs, 813 00:36:55,080 --> 00:36:58,080 that is an articulation of both our minds. 814 00:36:58,080 --> 00:37:01,240 Well, I mean, it's a massive transformation already. 815 00:37:01,240 --> 00:37:03,920 I mean, it feels clean and bright. 816 00:37:03,920 --> 00:37:06,000 I'm really loving the initial impact 817 00:37:06,000 --> 00:37:08,360 of, obviously, the green for the Cromarty Crocodiles, 818 00:37:08,360 --> 00:37:13,920 but also mixing it with this sort of, like, banana yellow. It's lush. 819 00:37:13,920 --> 00:37:17,080 You know what, though - where's my crocodile? 820 00:37:17,080 --> 00:37:20,120 Cos, for me, the house symbol was this thing 821 00:37:20,120 --> 00:37:22,200 that the children were really, really proud of. 822 00:37:22,200 --> 00:37:24,720 They had been kind of graphically designed, they were huge, 823 00:37:24,720 --> 00:37:27,080 and all I'm seeing out of the corner of my eye 824 00:37:27,080 --> 00:37:30,360 is little black plastic crocodiles crawling across the wall. 825 00:37:30,360 --> 00:37:31,960 And I just think that's... 826 00:37:31,960 --> 00:37:34,320 Immediately, it's a kind of grown-up way to do it. 827 00:37:34,320 --> 00:37:37,480 I want to see the symbol - big, loud, proud. 828 00:37:37,480 --> 00:37:40,880 I kind of think maybe they were concerned about the... 829 00:37:40,880 --> 00:37:42,920 If they overegged the crocodile, 830 00:37:42,920 --> 00:37:45,480 does that then make it a bit young and a bit kiddie? 831 00:37:45,480 --> 00:37:47,880 This is a super clever piece of furniture. 832 00:37:47,880 --> 00:37:51,240 It's been mounted on these big industrial casters, 833 00:37:51,240 --> 00:37:54,920 which means you can flip off the brakes and swoosh this. 834 00:37:54,920 --> 00:37:56,840 The thing you've got to hand it to them 835 00:37:56,840 --> 00:37:59,480 is that, from those bland, beige, boring boxes, 836 00:37:59,480 --> 00:38:00,920 this is bright, fresh. 837 00:38:00,920 --> 00:38:06,240 This, at least, is a space to kind of be proud of and to inspire. 838 00:38:06,240 --> 00:38:08,080 Well, this definitely continues the theme. 839 00:38:08,080 --> 00:38:11,000 It feels fresh, it's bright. Definitely a massive improvement. 840 00:38:11,000 --> 00:38:12,360 This, to me, is more successful, 841 00:38:12,360 --> 00:38:14,760 but maybe that's because it's the grown-up's room. 842 00:38:14,760 --> 00:38:16,760 And it's doing everything that the brief asked - 843 00:38:16,760 --> 00:38:19,440 there's a nice soft area here where students can come in 844 00:38:19,440 --> 00:38:21,480 or parents can visit, have a chat. 845 00:38:21,480 --> 00:38:22,800 Desk for two people, 846 00:38:22,800 --> 00:38:26,240 plenty of wall space used for pinboards, 847 00:38:26,240 --> 00:38:27,960 and obviously oodles of storage. 848 00:38:31,120 --> 00:38:34,200 Next under the spotlight is Amy and Dean's 849 00:38:34,200 --> 00:38:37,160 vintage varsity-inspired Bears' space. 850 00:38:37,160 --> 00:38:39,600 I mean, I'm old but you know what? I'm still cool. 851 00:38:39,600 --> 00:38:42,720 So as far as I'm concerned, as young kids will say, it's sick. 852 00:38:44,040 --> 00:38:45,480 I think, on a personal level, 853 00:38:45,480 --> 00:38:47,960 I'm really pleased with what's in that room, 854 00:38:47,960 --> 00:38:50,720 cos I feel like both spaces have lots of me in them. 855 00:38:50,720 --> 00:38:52,600 It's just... It's given me confidence 856 00:38:52,600 --> 00:38:55,400 that I can do the big pieces, I can do the builds, 857 00:38:55,400 --> 00:38:57,160 and that I've pushed myself. 858 00:38:57,160 --> 00:38:59,200 This is what I'm talking about, Sophie! 859 00:38:59,200 --> 00:39:01,560 I mean, this is Biscay Bear territory. 860 00:39:01,560 --> 00:39:04,920 You know you're a Bear and you're proud of it. I love it! 861 00:39:04,920 --> 00:39:08,520 They've taken the name and the logo and kind of writ large. 862 00:39:08,520 --> 00:39:11,760 We've got some fantastic graffiti art going on. 863 00:39:11,760 --> 00:39:13,000 I love this material. 864 00:39:13,000 --> 00:39:15,200 I mean, I think it's robust, it's practical, 865 00:39:15,200 --> 00:39:18,480 it's got that kind of edgy, urban kind of thing going on again. 866 00:39:18,480 --> 00:39:21,840 And it's also supremely textural, which I kind of love. 867 00:39:21,840 --> 00:39:23,360 Yeah, and again it's the language 868 00:39:23,360 --> 00:39:26,160 that's been carried all the way down the corridor, 869 00:39:26,160 --> 00:39:28,720 and then they've used all the bits of footed furniture in it. 870 00:39:28,720 --> 00:39:33,400 Here, I feel, they've got under the skin of what the kids want. 871 00:39:33,400 --> 00:39:36,680 Ooh-hoo-hoo! Look at this wallpaper! 872 00:39:36,680 --> 00:39:38,800 Now, Amy is a print designer, 873 00:39:38,800 --> 00:39:41,960 so this is where her skillset has clearly come to the fore, 874 00:39:41,960 --> 00:39:44,800 but this is what I mean. That's super cool. 875 00:39:44,800 --> 00:39:46,720 I mean, that's branding, isn't it? 876 00:39:46,720 --> 00:39:48,880 When you talk about having a pride in your house, 877 00:39:48,880 --> 00:39:50,440 literally taking the logo 878 00:39:50,440 --> 00:39:53,680 and wallpapering it on this wonderful feature wall, that is... 879 00:39:53,680 --> 00:39:55,160 I love that. It's brilliant. 880 00:39:58,000 --> 00:40:02,360 The third space is Banjo and Molly's sustainable Fox's den. 881 00:40:04,560 --> 00:40:06,680 I'm really happy with the result. 882 00:40:06,680 --> 00:40:11,520 It's better than I imagined, and I'm, like, proud as punch. 883 00:40:11,520 --> 00:40:14,480 It's really rare for me to feel confident about my design, 884 00:40:14,480 --> 00:40:16,680 but I do feel like, if I was on the sofa, 885 00:40:16,680 --> 00:40:18,880 everything that we've done, I would own it. 886 00:40:20,000 --> 00:40:25,240 Oh, yes, I am digging this colour palette! 887 00:40:25,240 --> 00:40:27,440 And I love the fact, as well, that it's been used 888 00:40:27,440 --> 00:40:29,560 in these really dramatic blocks. 889 00:40:29,560 --> 00:40:32,080 We've got this juicy tangerine, 890 00:40:32,080 --> 00:40:34,000 a lovely, deep forest green, 891 00:40:34,000 --> 00:40:36,120 and I'm really enjoying the azure blue. 892 00:40:36,120 --> 00:40:39,480 This has completely sucked me into the space already. 893 00:40:39,480 --> 00:40:41,520 Well, these are very your colours, aren't they? 894 00:40:41,520 --> 00:40:46,160 But I find it's quite fighty, because they are all so vivid. 895 00:40:46,160 --> 00:40:47,800 The thing I love, though, 896 00:40:47,800 --> 00:40:50,480 is that they didn't just echo the zones on the floor, 897 00:40:50,480 --> 00:40:52,320 but they took it up onto the ceiling. 898 00:40:52,320 --> 00:40:55,640 So at least when I walk in, I can see the zones. 899 00:40:55,640 --> 00:40:58,960 This is, again, a fantastic transformation. 900 00:40:58,960 --> 00:41:01,920 I mean it is - it's uplifting, it's jolly. 901 00:41:01,920 --> 00:41:04,880 You'd feel kind of happy to be in this space. 902 00:41:04,880 --> 00:41:07,760 But I think the thing for me that was so strong 903 00:41:07,760 --> 00:41:11,200 is there are four common rooms, each belonging to a separate house, 904 00:41:11,200 --> 00:41:13,120 and it's that house identity. 905 00:41:13,120 --> 00:41:14,760 And I don't feel it here, 906 00:41:14,760 --> 00:41:18,720 or the way they've interpreted it, again, I'm a little confused by. 907 00:41:18,720 --> 00:41:21,280 I have to agree with you. While I love this space, 908 00:41:21,280 --> 00:41:25,720 I'm not getting a very clear message that this is a common room 909 00:41:25,720 --> 00:41:28,840 that celebrates being in the Fitzroy Foxes. 910 00:41:28,840 --> 00:41:31,200 This is super intriguing. 911 00:41:31,200 --> 00:41:32,800 Made of paper. 912 00:41:32,800 --> 00:41:34,040 And you know it just... Zhoop! 913 00:41:34,040 --> 00:41:36,400 You can shut the whole thing up like an accordion. 914 00:41:36,400 --> 00:41:39,680 The furniture needed to be multi-functional, practical, robust. 915 00:41:39,680 --> 00:41:41,880 I think, you know, while it looks cool, 916 00:41:41,880 --> 00:41:43,640 I think from a practical point of view, 917 00:41:43,640 --> 00:41:46,040 that's going to look really tired, really quickly. 918 00:41:46,040 --> 00:41:48,760 So here I've got a Fitzroy flag - that's making me happy. 919 00:41:48,760 --> 00:41:49,840 SOPHIE LAUGHS 920 00:41:49,840 --> 00:41:52,120 I guess it's just these kind of little corners 921 00:41:52,120 --> 00:41:54,120 that I'm less enthused about. 922 00:41:54,120 --> 00:41:56,160 I'm just wondering what sort of happens in there. 923 00:41:56,160 --> 00:41:59,080 I guess I like a space to be a bit more sort of open, 924 00:41:59,080 --> 00:42:01,320 just so everyone can see what's going on. 925 00:42:02,400 --> 00:42:05,280 Now this is successful to me, Sophie, 926 00:42:05,280 --> 00:42:06,760 because here we've got those tubes, 927 00:42:06,760 --> 00:42:09,080 but by painting them, it just elevates them. 928 00:42:09,080 --> 00:42:12,440 Also forms a wonderful little screen to hide all the storage behind. 929 00:42:12,440 --> 00:42:15,120 There is obviously also quite a strong eco story 930 00:42:15,120 --> 00:42:17,960 I'm sensing in here as well, in connection to the environment. 931 00:42:17,960 --> 00:42:20,880 So there are plenty of plants throughout the whole space. 932 00:42:20,880 --> 00:42:25,680 Use of the sustainable, natural materials like cardboard and ply, 933 00:42:25,680 --> 00:42:27,720 so I think that should be commended as well. 934 00:42:27,720 --> 00:42:30,760 That it doesn't just look great, but actually it feels quite nice. 935 00:42:30,760 --> 00:42:32,680 It has that connection to nature. 936 00:42:32,680 --> 00:42:35,120 Right, then, shall we check out the final house? 937 00:42:37,640 --> 00:42:39,480 The final room is Abi and Rochelle's 938 00:42:39,480 --> 00:42:42,040 sports-themed Lundy Lions common room. 939 00:42:43,040 --> 00:42:47,080 I'm so proud of those panelled pieces. 940 00:42:47,080 --> 00:42:48,440 I love all that zoning. 941 00:42:48,440 --> 00:42:53,640 That was me putting in a bit of me in there and trying to be more bold. 942 00:42:53,640 --> 00:42:55,680 I'm... Yeah, I'm covered head-to-toe 943 00:42:55,680 --> 00:42:58,200 in paint, spray paint and chewing gum. 944 00:42:58,200 --> 00:43:01,080 A lot of... Yeah, a lot of graft has gone into that work. 945 00:43:03,040 --> 00:43:05,040 Well, this is open plan. 946 00:43:05,040 --> 00:43:07,160 This room feels massive, doesn't it? 947 00:43:07,160 --> 00:43:08,480 It certainly does. 948 00:43:08,480 --> 00:43:13,800 Curious use of faux foliage for the other finish, though. 949 00:43:13,800 --> 00:43:17,280 I think it's quite a cool idea to add some texture and softness. 950 00:43:17,280 --> 00:43:20,440 However, execution isn't really good. 951 00:43:20,440 --> 00:43:22,320 It looks a bit... looks a bit shabby. 952 00:43:22,320 --> 00:43:25,960 But I think in terms of an idea, it could be quite nice, 953 00:43:25,960 --> 00:43:29,760 cos also again the green contrasting with the...! 954 00:43:29,760 --> 00:43:32,160 # Dun-dun-dun! # The logo! 955 00:43:32,160 --> 00:43:35,280 Finally loud and proud and centre stage. 956 00:43:35,280 --> 00:43:38,120 Look at that. A nice huge, oversized logo. 957 00:43:38,120 --> 00:43:40,640 Interesting, as well, that obviously the house colour 958 00:43:40,640 --> 00:43:43,800 for the Lundy Lions is purple - 959 00:43:43,800 --> 00:43:45,280 not an awful lot of that. 960 00:43:45,280 --> 00:43:48,760 We've got a purple yoga mat, painted purple table, 961 00:43:48,760 --> 00:43:51,000 and that's kind of it. 962 00:43:51,000 --> 00:43:54,000 Doing these dynamic stripes, which I kind of love, 963 00:43:54,000 --> 00:43:55,600 I do, because it's very energetic. 964 00:43:55,600 --> 00:43:57,440 I just think if you're going to do it, though, 965 00:43:57,440 --> 00:44:00,640 let's do it all the way. So I would have loved to have seen 966 00:44:00,640 --> 00:44:03,200 this grass follow the same diagonals. 967 00:44:03,200 --> 00:44:06,760 Tricky to do, but it would have made sense of the fact it's in strips. 968 00:44:06,760 --> 00:44:09,080 I can see they've tried to make these kind of, sort of... 969 00:44:09,080 --> 00:44:12,040 The idea of the big screens, which I kind of quite like, 970 00:44:12,040 --> 00:44:14,040 but then again it's that attention to detail 971 00:44:14,040 --> 00:44:17,160 that all those lovely letters - they're all a bit wonky and wobbly 972 00:44:17,160 --> 00:44:19,200 and the cork has not been cut very straight, 973 00:44:19,200 --> 00:44:21,480 so that's kind of intimating to me 974 00:44:21,480 --> 00:44:24,120 time management was perhaps an issue. 975 00:44:25,480 --> 00:44:27,680 Do you know what my favourite thing in this room is? 976 00:44:27,680 --> 00:44:30,680 It's that gorgeous purple filing cabinet. 977 00:44:30,680 --> 00:44:31,760 I absolutely love it. 978 00:44:31,760 --> 00:44:33,840 And I know purple's a real Marmite colour, 979 00:44:33,840 --> 00:44:35,080 and not everyone loves it, 980 00:44:35,080 --> 00:44:37,320 but look - there was an opportunity here, wasn't there, 981 00:44:37,320 --> 00:44:40,960 for the designers to show you how glorious purple can look. 982 00:44:40,960 --> 00:44:43,000 And it's been really well finished, 983 00:44:43,000 --> 00:44:44,600 which makes all the difference, 984 00:44:44,600 --> 00:44:47,080 because I did notice the other pieces of furniture out there, 985 00:44:47,080 --> 00:44:48,760 they've also been really well painted, 986 00:44:48,760 --> 00:44:51,680 and that just elevates them a lot. 987 00:44:51,680 --> 00:44:54,440 Well, Sophie, four very different rooms. 988 00:44:54,440 --> 00:44:56,440 I think we've got quite a lot to discuss. 989 00:44:58,120 --> 00:44:59,160 Wow! 990 00:44:59,160 --> 00:45:00,400 Judging complete... 991 00:45:00,400 --> 00:45:01,720 That is amazing. 992 00:45:01,720 --> 00:45:04,400 ..it's time for the kids to cast a critical eye on the spaces. 993 00:45:04,400 --> 00:45:05,720 I like the Astroturf wall. 994 00:45:05,720 --> 00:45:08,120 Can you see the big sticker? Yeah. That's nice. 995 00:45:08,120 --> 00:45:10,760 Oh, that's really cool. Look at that. That's awesome. 996 00:45:10,760 --> 00:45:13,000 They've got the bench like they said. 997 00:45:13,000 --> 00:45:16,800 And they've got the little crocodile on the pillow - look at that! Yeah. 998 00:45:16,800 --> 00:45:18,200 I like the hydration station. 999 00:45:18,200 --> 00:45:20,720 It's like the bottles - maybe they could have been purple. 1000 00:45:20,720 --> 00:45:23,600 But, yeah, it's a nice... overall, nice contrast in colour. 1001 00:45:23,600 --> 00:45:25,000 Not too much of one colour. 1002 00:45:25,000 --> 00:45:28,280 Maybe if they took down a bit on the grey. But I like it. 1003 00:45:28,280 --> 00:45:31,040 I like how it's not just orange. Yeah. 1004 00:45:31,040 --> 00:45:33,320 Look at the wallpaper. Oh, it's awesome. 1005 00:45:35,160 --> 00:45:39,480 Give me a B, give me an E, give me an A, give me an R. 1006 00:45:39,480 --> 00:45:42,880 Before the designers are summoned back to Michelle's hub, 1007 00:45:42,880 --> 00:45:45,800 they get a chance to take a look at the competition. 1008 00:45:45,800 --> 00:45:49,040 It's a vibe. Listen, the kids did well. 1009 00:45:49,040 --> 00:45:51,320 Love the colours, love the vibrancy. Yeah. 1010 00:45:51,320 --> 00:45:53,800 Love the jacket. This can come home with me. 1011 00:45:57,360 --> 00:46:01,000 Have you seen this bad boy behind us? Pretty amazing. Wow. 1012 00:46:01,000 --> 00:46:04,440 I love that it's tall, actually. It's big, isn't it? Yeah, it's huge. 1013 00:46:04,440 --> 00:46:07,240 Do you think it's better than your stadium seating? No. 1014 00:46:07,240 --> 00:46:10,280 The lettering really works, the vinyl lettering. Yes. 1015 00:46:10,280 --> 00:46:12,840 They've really gone to town on that and it really pops. 1016 00:46:12,840 --> 00:46:15,040 This is so clever. 1017 00:46:15,040 --> 00:46:18,080 I love the blue, the orange. 1018 00:46:18,080 --> 00:46:19,640 I love these seats. 1019 00:46:19,640 --> 00:46:22,040 Looks like they'll be getting a special shout-out again. 1020 00:46:22,040 --> 00:46:24,240 Oh, 100%. Yeah. 1021 00:46:28,680 --> 00:46:32,720 It's elimination day, and a double one at that. 1022 00:46:32,720 --> 00:46:35,120 With two designers' dreams on the line, 1023 00:46:35,120 --> 00:46:39,000 it's time for them to find out who's time is up. 1024 00:46:39,000 --> 00:46:42,040 No-one is ever ready to go home in this competition. 1025 00:46:42,040 --> 00:46:45,720 I feel like I've got so much more to prove and so much to show. 1026 00:46:47,160 --> 00:46:48,480 It's been the best week ever. 1027 00:46:48,480 --> 00:46:50,920 It's been the best week ever. I don't want to go home. 1028 00:46:50,920 --> 00:46:52,960 I think the week's gone really, really well. 1029 00:46:52,960 --> 00:46:54,920 We've done something magical in that room. 1030 00:46:54,920 --> 00:46:58,000 It was a bull's-eye, I've got 100, cos I hit it on the brief - bam! 1031 00:46:58,000 --> 00:46:59,800 Excellent outfit. 1032 00:46:59,800 --> 00:47:02,480 It's very stressful. It's a double elimination today. 1033 00:47:02,480 --> 00:47:03,960 Two of us are going home. 1034 00:47:05,600 --> 00:47:07,920 Hello. ALL: Hi! 1035 00:47:07,920 --> 00:47:09,280 How are you all feeling? 1036 00:47:09,280 --> 00:47:10,480 All right, yeah. 1037 00:47:10,480 --> 00:47:12,080 Well, I won't talk too long, 1038 00:47:12,080 --> 00:47:14,440 cos I know Molly wants to head off to a disco. 1039 00:47:14,440 --> 00:47:17,120 THEY LAUGH 1040 00:47:14,440 --> 00:47:17,120 Get on down! 1041 00:47:17,120 --> 00:47:19,280 So, listen, how did you all feel about the schools? 1042 00:47:19,280 --> 00:47:20,960 Yeah. Brings back old school memories. 1043 00:47:20,960 --> 00:47:23,640 Oh, I had a few flashbacks, I can tell you. 1044 00:47:23,640 --> 00:47:27,400 Well, listen, I'm sure you're eager to know what the judges felt. 1045 00:47:27,400 --> 00:47:29,800 There was one team, they felt, 1046 00:47:29,800 --> 00:47:33,160 really smashed every aspect of the brief. 1047 00:47:33,160 --> 00:47:36,720 The common room space was fun, well-designed 1048 00:47:36,720 --> 00:47:38,320 and had a clear identity. 1049 00:47:43,200 --> 00:47:44,400 Well done... 1050 00:47:47,040 --> 00:47:50,480 ..Amy and Dean, you're safe and through to next week. Well done. 1051 00:47:50,480 --> 00:47:52,440 Woo! 1052 00:47:50,480 --> 00:47:52,440 THE OTHERS CHEER 1053 00:47:54,360 --> 00:47:56,080 I literally cannot believe it. 1054 00:47:56,080 --> 00:47:59,040 Not only am I not on the couch, but I'm top team. 1055 00:47:59,040 --> 00:48:01,120 And I put my heart and soul in that week, 1056 00:48:01,120 --> 00:48:03,200 so I'm so pleased the judges saw it. 1057 00:48:03,200 --> 00:48:04,480 Of the remaining teams, 1058 00:48:04,480 --> 00:48:08,000 the judges felt you failed to capture enough of the house spirit 1059 00:48:08,000 --> 00:48:09,720 that was key to the design. 1060 00:48:11,040 --> 00:48:14,760 So it was a tough decision, but by a whisker... 1061 00:48:19,880 --> 00:48:22,520 ..Fran and Paul, you're also safe for another week. 1062 00:48:25,880 --> 00:48:29,120 I'm through. I cannot believe it. 1063 00:48:29,120 --> 00:48:31,480 The whisker - I wonder what that whisker was. 1064 00:48:31,480 --> 00:48:33,280 Is there any more left in the tank? 1065 00:48:33,280 --> 00:48:37,680 I mean, I'm a parent of two kids - I've got plenty left in the tank! 1066 00:48:37,680 --> 00:48:40,160 Unfortunately, that leaves the rest of you 1067 00:48:40,160 --> 00:48:42,200 on the sofa in front of the judges, 1068 00:48:42,200 --> 00:48:44,480 and you'll have to fight for your space, 1069 00:48:44,480 --> 00:48:46,960 because two of you are going home. 1070 00:48:48,120 --> 00:48:49,240 Best of luck. 1071 00:48:49,240 --> 00:48:51,240 Thank you. Thank you. 1072 00:48:51,240 --> 00:48:53,400 Whoa. I'm surprised. Yeah. 1073 00:48:53,400 --> 00:48:54,560 We were happy with it, 1074 00:48:54,560 --> 00:48:57,080 but everyone's are so strong, aren't they? 1075 00:48:57,080 --> 00:48:59,040 All right, game on. 1076 00:48:59,040 --> 00:49:00,760 Let's go! 1077 00:48:59,040 --> 00:49:00,760 THEY LAUGH 1078 00:49:00,760 --> 00:49:05,560 So Banjo on the sofa - shut the front door! 1079 00:49:05,560 --> 00:49:08,400 I never saw that coming. Why? 1080 00:49:08,400 --> 00:49:11,440 You know what? I was so wowed by his first two schemes, 1081 00:49:11,440 --> 00:49:13,640 I had high expectations for this one. 1082 00:49:13,640 --> 00:49:17,240 And I walked in there and I just... I just didn't feel it. 1083 00:49:17,240 --> 00:49:19,040 I loved it. You loved it? 1084 00:49:19,040 --> 00:49:21,200 Well, it's bright colours, of course! 1085 00:49:21,200 --> 00:49:24,240 I bet you're in heaven in there. It's not just the bright colours. 1086 00:49:24,240 --> 00:49:26,480 It's the really clever use of colour 1087 00:49:26,480 --> 00:49:30,000 and it was strong colour, which really communicated... 1088 00:49:30,000 --> 00:49:32,200 You know, it had energy, it had uplift, 1089 00:49:32,200 --> 00:49:35,040 but it also created different moods in different zones, 1090 00:49:35,040 --> 00:49:36,520 which I thought was really clever. 1091 00:49:36,520 --> 00:49:39,200 You got the impression that Molly and Banjo worked really well, 1092 00:49:39,200 --> 00:49:40,800 cos you couldn't tell who did what. 1093 00:49:40,800 --> 00:49:43,360 They seemed like they had the same vision, would you agree? 1094 00:49:43,360 --> 00:49:46,880 Definitely, and the same with Abi and Rochelle as well, actually. 1095 00:49:46,880 --> 00:49:49,440 That they both felt kind of very coherent 1096 00:49:49,440 --> 00:49:52,600 in terms of what they were trying to do in both rooms. 1097 00:49:52,600 --> 00:49:55,720 So are you a huge fan of fake grass? 1098 00:49:55,720 --> 00:49:58,040 If you'd kind of just really leaned into the fact 1099 00:49:58,040 --> 00:50:01,360 that it comes on rolls, followed that kind of diagonal stripe 1100 00:50:01,360 --> 00:50:02,680 and just sort of gone with it, 1101 00:50:02,680 --> 00:50:04,920 but then contained it just on that one wall, 1102 00:50:04,920 --> 00:50:06,600 it could have been quite impactful. 1103 00:50:06,600 --> 00:50:08,560 The execution really let them down, 1104 00:50:08,560 --> 00:50:10,960 and things not being cut on a straight line, 1105 00:50:10,960 --> 00:50:13,280 and letters hung that are all a bit on the wonk, 1106 00:50:13,280 --> 00:50:17,160 which actually really effects the... your overall feeling in a space. Mm. 1107 00:50:17,160 --> 00:50:20,960 I mean, how? What's the excuse for putting the letters all wonky? 1108 00:50:20,960 --> 00:50:22,400 Well, we're going to find out. 1109 00:50:22,400 --> 00:50:23,480 Hopefully. 1110 00:50:26,440 --> 00:50:30,000 Hello. Hello. Hello, hello. 1111 00:50:30,000 --> 00:50:31,240 Hiya. 1112 00:50:32,640 --> 00:50:35,680 Banjo, first time on the sofa for you. I know. 1113 00:50:35,680 --> 00:50:38,240 How does it feel? Rough. 1114 00:50:35,680 --> 00:50:38,240 THEY LAUGH 1115 00:50:38,240 --> 00:50:40,120 Well, I want you to get the full experience, 1116 00:50:40,120 --> 00:50:42,720 so I'm going to start with Abi and Rochelle, OK? OK. 1117 00:50:42,720 --> 00:50:45,040 THEY LAUGH 1118 00:50:42,720 --> 00:50:45,040 Thanks! 1119 00:50:45,040 --> 00:50:48,960 So, guys, I loved, like, the dynamism of the diagonal stripes. 1120 00:50:48,960 --> 00:50:51,240 This was exactly the sort of big statement 1121 00:50:51,240 --> 00:50:54,200 that we talked about last week. Brilliant. 1122 00:50:54,200 --> 00:50:56,880 Little bit more confused by the kind of fake turf. 1123 00:50:56,880 --> 00:50:59,520 Cos our house, Lundy Lions, they were quite a sporty house, 1124 00:50:59,520 --> 00:51:01,880 just wanted to incorporate something a little bit fun, 1125 00:51:01,880 --> 00:51:03,880 give a little nod to the sports element. 1126 00:51:03,880 --> 00:51:06,000 I thought it could have been really impactful, 1127 00:51:06,000 --> 00:51:08,200 just, like, on that main wall when you walked in. 1128 00:51:08,200 --> 00:51:10,920 But cos you had this, like, brilliant diagonals, 1129 00:51:10,920 --> 00:51:13,680 I wondered, why didn't you take that on the diagonals as well? 1130 00:51:13,680 --> 00:51:15,760 So you just carried that big idea on. 1131 00:51:15,760 --> 00:51:18,560 Yeah, as soon as we'd finished, we stepped back and said, 1132 00:51:18,560 --> 00:51:20,560 "Right, we know exactly where we've gone wrong, 1133 00:51:20,560 --> 00:51:22,680 "and we should have made sure that that back wall 1134 00:51:22,680 --> 00:51:26,240 "was the diagonals and just maybe two panels of grass." 1135 00:51:26,240 --> 00:51:28,360 Cos I did love, though, your great big emblem. 1136 00:51:28,360 --> 00:51:31,360 You were one of the only two teams that really kind of went for it 1137 00:51:31,360 --> 00:51:33,400 with the mascots. I loved that. 1138 00:51:33,400 --> 00:51:37,080 But again it's like, the house colour was purple... Yeah. 1139 00:51:37,080 --> 00:51:39,920 ..and it was on a big green wall. Where was more purple? 1140 00:51:39,920 --> 00:51:44,040 Yeah, both our visuals that we shared with the school, 1141 00:51:44,040 --> 00:51:47,960 we had a lot of purple and they were like, "We don't want that." 1142 00:51:47,960 --> 00:51:50,360 I think purple is a bit of a Marmite colour, isn't it? 1143 00:51:50,360 --> 00:51:53,040 And I think a lot of people have negative connotations, 1144 00:51:53,040 --> 00:51:55,560 and yet it's the perfect partner to green, isn't it? 1145 00:51:55,560 --> 00:51:59,120 I mean they do look great together and I suppose in a way 1146 00:51:59,120 --> 00:52:01,400 as designers you could have shown how 1147 00:52:01,400 --> 00:52:03,600 to make purple look quite cool. 1148 00:52:03,600 --> 00:52:06,640 I think out of all the teams, for me I felt 1149 00:52:06,640 --> 00:52:08,680 a real sense of a communal space. 1150 00:52:08,680 --> 00:52:12,480 Like, this is where we come together and celebrate our achievements. 1151 00:52:12,480 --> 00:52:15,600 I think you really captured that feel. 1152 00:52:15,600 --> 00:52:19,720 We really hope that the general space is somewhere that does feel 1153 00:52:19,720 --> 00:52:21,120 fun and they come together. 1154 00:52:21,120 --> 00:52:23,680 There was a sort of air of unfinishedness to it. 1155 00:52:23,680 --> 00:52:24,880 Oh, 100%. 1156 00:52:24,880 --> 00:52:26,840 But I'm kind of wondering, 1157 00:52:26,840 --> 00:52:29,720 what did you spend all the time on, then? 1158 00:52:29,720 --> 00:52:31,360 So I think it was... Painting the floor. 1159 00:52:31,360 --> 00:52:35,680 Yeah, painting the floor. I think that was a big decision. 1160 00:52:35,680 --> 00:52:38,760 I have to point out you used wall paint on the floor. 1161 00:52:38,760 --> 00:52:42,000 I mean, were you aware this is the wrong type of paint cos even by 1162 00:52:42,000 --> 00:52:45,000 the time we walked in it was already looking a bit shabby. 1163 00:52:45,000 --> 00:52:48,160 It was all scuffed. Again, we just had a lot of problem with the paint. 1164 00:52:48,160 --> 00:52:49,320 We were just panicking 1165 00:52:49,320 --> 00:52:52,200 and we were like, we just need to get it down, basically. 1166 00:52:52,200 --> 00:52:54,240 So, Banjo, if I start with you. 1167 00:52:54,240 --> 00:52:57,440 Cos, like, you totally wowed me with your last two challenges. 1168 00:52:57,440 --> 00:53:00,800 Mostly because I really got this sense of a story behind 1169 00:53:00,800 --> 00:53:03,160 your designs and when I walked into that room, 1170 00:53:03,160 --> 00:53:05,640 we had very different reactions to it. 1171 00:53:05,640 --> 00:53:08,160 The layout really didn't work to me. 1172 00:53:08,160 --> 00:53:11,720 Whereas confident Sophie over here was straight through... Loved it! 1173 00:53:11,720 --> 00:53:13,920 She wanted to explore everywhere. 1174 00:53:13,920 --> 00:53:15,920 The curves gave the whole space, to me, 1175 00:53:15,920 --> 00:53:19,360 a real energy and flow and made me feel excited 1176 00:53:19,360 --> 00:53:21,280 and want to explore the space. Yeah, yeah. 1177 00:53:21,280 --> 00:53:23,360 But it's interesting as well that you were leaving 1178 00:53:23,360 --> 00:53:25,480 the cardboard tubes, so for them 1179 00:53:25,480 --> 00:53:27,720 to scribble on cos I have to say I was thinking 1180 00:53:27,720 --> 00:53:30,200 the low ones, they're going to end up like dustbins. Yeah. 1181 00:53:30,200 --> 00:53:32,680 People are just going to drop all their stuff in there 1182 00:53:32,680 --> 00:53:34,080 and it felt unfinished to me. 1183 00:53:34,080 --> 00:53:36,000 With all the really vibrant colours we did 1184 00:53:36,000 --> 00:53:38,240 want to introduce our sort of eco element, 1185 00:53:38,240 --> 00:53:39,760 a little bit more natural, 1186 00:53:39,760 --> 00:53:42,680 and a little bit more sort of den, fox-like feeling 1187 00:53:42,680 --> 00:53:45,080 to try and get the identity of their mascot over in the room. 1188 00:53:45,080 --> 00:53:46,520 So that's why we left them, sort of, 1189 00:53:46,520 --> 00:53:48,240 as the exposed cardboard as well. 1190 00:53:48,240 --> 00:53:50,840 Equally, like, I had a bit of an issue with the colours cos, 1191 00:53:50,840 --> 00:53:53,680 for me, it's like orange maybe isn't my favourite colour, 1192 00:53:53,680 --> 00:53:55,560 but it was their house colour. 1193 00:53:55,560 --> 00:53:57,280 And in that main room I came in first 1194 00:53:57,280 --> 00:53:59,480 and I saw brilliant blue and I saw green, 1195 00:53:59,480 --> 00:54:02,120 and if I didn't know orange was the house colour 1196 00:54:02,120 --> 00:54:03,760 I wouldn't have known it. Mm. Yeah. 1197 00:54:03,760 --> 00:54:07,680 And so I just think that the importance of that emblem, 1198 00:54:07,680 --> 00:54:09,000 the symbol, the house, 1199 00:54:09,000 --> 00:54:11,760 that tribal feeling that those kids want... Mm. Yeah. 1200 00:54:11,760 --> 00:54:16,000 ..I really think, really got missed by nearly all of you, frankly. 1201 00:54:16,000 --> 00:54:17,960 Mm. I absolutely agree. 1202 00:54:17,960 --> 00:54:21,320 We should have really thought more about, like, that - 1203 00:54:21,320 --> 00:54:23,480 that was the brief with the mascot. 1204 00:54:23,480 --> 00:54:26,080 Well, you were both kind of cowed by your kids, 1205 00:54:26,080 --> 00:54:28,200 weren't you? If they didn't like purple, 1206 00:54:28,200 --> 00:54:30,920 they didn't like orange, but it's like, that's just a few kids, 1207 00:54:30,920 --> 00:54:34,560 this is the house colour for the whole school. Yeah. 1208 00:54:34,560 --> 00:54:37,280 Maybe these kids have been your toughest customers 1209 00:54:37,280 --> 00:54:39,360 so far - it's quite interesting. 1210 00:54:39,360 --> 00:54:41,080 You come across this a lot with clients 1211 00:54:41,080 --> 00:54:43,280 and you're doing absolutely the right thing, 1212 00:54:43,280 --> 00:54:44,680 you're really conscious 1213 00:54:44,680 --> 00:54:46,520 and delivering what the client wants. 1214 00:54:46,520 --> 00:54:49,160 However, you have to take it to the next level. 1215 00:54:49,160 --> 00:54:51,520 And I guess that's what we were looking for, wasn't it? 1216 00:54:51,520 --> 00:54:54,120 I mean, it's both the joy and challenge of design that you have 1217 00:54:54,120 --> 00:54:56,160 to give people what they don't know they need... 1218 00:54:56,160 --> 00:54:57,840 Yeah. ..or want. 1219 00:54:57,840 --> 00:55:01,720 Yeah, that's a really good lesson for us, and thinking about, 1220 00:55:01,720 --> 00:55:04,640 I know I probably get caught up in, like, the concept of things. 1221 00:55:04,640 --> 00:55:05,680 Me too. 1222 00:55:05,680 --> 00:55:08,920 And I don't think about, like, the practicality as much. 1223 00:55:08,920 --> 00:55:12,400 This was a really tough challenge, OK? There was a lot to do. 1224 00:55:12,400 --> 00:55:16,360 These were big rooms, and project management, practicality 1225 00:55:16,360 --> 00:55:20,040 and a real clarity of purpose were always going to be 1226 00:55:20,040 --> 00:55:21,760 the keys for success. 1227 00:55:23,720 --> 00:55:26,480 So I'm afraid the team that I'm going to send home this week... 1228 00:55:28,320 --> 00:55:30,080 ..on that basis... 1229 00:55:32,000 --> 00:55:33,640 ..is Abi and Rochelle. 1230 00:55:34,720 --> 00:55:35,760 Yeah. 1231 00:55:35,760 --> 00:55:39,360 Yeah, we kind of knew... Knew. ..didn't we? Yeah. 1232 00:55:39,360 --> 00:55:41,800 But, yeah, honestly, thank you so much, everyone. 1233 00:55:41,800 --> 00:55:45,560 Like, we've just had the best week together. We have. 1234 00:55:45,560 --> 00:55:49,000 And when stuff was going wrong we were just like, we've just got 1235 00:55:49,000 --> 00:55:50,080 to keep going. 1236 00:55:50,080 --> 00:55:52,560 As long as we just keep trying to have fun and not cry 1237 00:55:52,560 --> 00:55:53,680 and not get upset. 1238 00:55:53,680 --> 00:55:59,840 And obviously these guys are just exceptional designers and, yeah. 1239 00:55:59,840 --> 00:56:01,080 We love you. Yeah, thank you. 1240 00:56:01,080 --> 00:56:04,800 Do you know what, if they ever do a remake of Thelma and Louise... 1241 00:56:04,800 --> 00:56:06,400 Oh, absolutely. 1242 00:56:06,400 --> 00:56:08,960 ..I think we've got our Thelma and our Louise. 1243 00:56:08,960 --> 00:56:10,880 THEY LAUGH 1244 00:56:10,880 --> 00:56:14,560 Definitely, you'll hear us before you see us. Definitely. 1245 00:56:14,560 --> 00:56:18,680 I am really proud, and I can say that I'm leaving on a high. 1246 00:56:18,680 --> 00:56:21,600 I'm now able to say, actually, 1247 00:56:21,600 --> 00:56:23,000 I'm not so rubbish 1248 00:56:23,000 --> 00:56:25,400 and, actually, if I bring my confidence in that 1249 00:56:25,400 --> 00:56:28,520 I have in, say, my current workplace and current life, 1250 00:56:28,520 --> 00:56:30,560 and I merge them together with my design, 1251 00:56:30,560 --> 00:56:33,360 that I actually could do something quite powerful. 1252 00:56:33,360 --> 00:56:36,360 The people that I've met have completely changed my life, 1253 00:56:36,360 --> 00:56:41,760 and changed my concept of what interior design is. 1254 00:56:41,760 --> 00:56:43,520 This is just the start. 1255 00:56:43,520 --> 00:56:46,880 Shall we go? OK. This isn't the end, guys. 1256 00:56:46,880 --> 00:56:48,840 This isn't the, "Let's drive off that cliff!" 1257 00:56:48,840 --> 00:56:50,760 I sent Abi and Rochelle home because, 1258 00:56:50,760 --> 00:56:53,120 although they had some really great ideas, 1259 00:56:53,120 --> 00:56:55,560 I just wasn't seeing that deeper understanding 1260 00:56:55,560 --> 00:56:58,160 of design that really makes the space work. 1261 00:56:58,160 --> 00:57:00,040 And we're approaching the halfway stage now, 1262 00:57:00,040 --> 00:57:03,480 so I need to see some interior design mastery. 1263 00:57:03,480 --> 00:57:04,520 Next time... 1264 00:57:05,760 --> 00:57:07,400 ..the designers shop... 1265 00:57:07,400 --> 00:57:08,480 Bring it on! 1266 00:57:08,480 --> 00:57:09,640 ..till they drop... 1267 00:57:10,880 --> 00:57:12,080 ..on a mission... 1268 00:57:12,080 --> 00:57:14,600 So fiddly, my God! 1269 00:57:14,600 --> 00:57:17,520 ..to transform the stores of Salisbury... 1270 00:57:17,520 --> 00:57:19,680 Retail theatre, darling. 1271 00:57:19,680 --> 00:57:22,000 ..and get the judges in a spin. 1272 00:57:22,000 --> 00:57:23,880 What are you on? What are you on? 1273 00:57:23,880 --> 00:57:25,360 I don't know, but it keeps moving. 103238

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