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Well, here I am again, the world's
handiest man with a paintbrush,
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making sure it's spick and span
at our brand-new home -
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ready for a whole new batch
of interior designers to show us
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what they're made of.
There better be creativity,
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there better be sparkle!
We want to see bright ideas.
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Let there be light!
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Welcome to Interior Design Masters.
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Ten aspiring designers looking for
their one big break.
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I would class myself
as a creative genius.
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GLASS SMASHES
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It's now a mosaic glass cabinet.
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Anyone see my jockstrap,
let me know.
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Every week, they'll be challenged
to transform a different
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commercial space...
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Aah! Ooh! This is posh!
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..in the hope of impressing
interiors guru Michelle Ogundehin.
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Everyone with a passion for design
thinks they can be
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an interior designer,
but I'm looking for someone
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with ideas, originality, and
a real determination to be the best.
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This is destruction!
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Ow!
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Look at me doing manual labour.
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SHE LAUGHS
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Their creative flair will
come under fire...
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I just don't feel like
I'm good enough
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cos I'm not getting it done.
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We did it! We did it.
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..and their design skills
scrutinised...
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It's dark. That's where they fall
down. ..by the biggest names...
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Oh, wow! ..in the industry...
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I feel as if I'm being watched.
From beyond the grave.
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I am digging this! Just keep moving,
keep moving, don't stop!
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..as they battle it out...
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I don't care,
can you just get it done?
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LAUGHS
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Stop it! Wahoo!
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..to win a major,
career-defining contract
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with a luxury hotel in Cornwall.
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People do underestimate me
when they first meet me.
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I'm the hidden assassin!
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I've got so much talent to give.
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I feel like I could win, and
that's a recipe for disaster.
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You know you've only got a few hours
left, you know that? Thanks!
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THEY LAUGH
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It's a glorious day
on the south coast,
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and our ten intrepid interior
designers are heading
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to Michelle's swanky new
Brighton studio.
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Wow!
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So, what do you do?
I'm a hairdresser. Yeah?
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Does that explain why your hair
is groomed to perfection.
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Hi! Hi.
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I'm a fashion stylist.
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When you're styling a human being,
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so, it's very similar to
interior design.
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You get a brief, you get a budget.
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And the great thing about a room
is obviously it doesn't talk back.
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So it's a lot easier, in a way.
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I work in fashion funnily enough,
too. Oh, my God!
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I work in men's fashion.
You're very dapper.
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My obsession is black,
painting things black.
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The walls have been painted black,
the floor's been painted black.
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Anything I can get my hands on,
I'm going to paint it black.
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Hello! Hi.
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I can't believe we're all here.
I know.
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They're gathered for one reason.
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I want to be an interior designer.
Mental note - competition.
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Yeah! What do you do, Banjo?
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I have a bit of a design background
and then when we moved
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to Scotland, I just, like, started
raising kids, like goat kids.
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LAUGHTER
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GOAT BLEATS
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Believe it or not, it's hard
to launch an interior design
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business from a cheese farm on an
island in the middle of Scotland.
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I can't help myself,
whatever space I'm in,
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making it a little bit magic.
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So, this is my chance
to throw myself out there
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and show the world my style.
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Oh, yes!
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Welcome to Brighton!
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THEY CHEER
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Do you like the new design studio?
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Yeah, it's beautiful.
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Did you design it yourself?
Yeah, me and Michelle.
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We finished building it
just five minutes ago.
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LAUGHTER
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Banjo, do you like it?
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I approve. You could've dressed
for the occasion.
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Keep it casual. Why not?
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You're going to have a lot of fun,
and I think you're going to create
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some wonderful things.
Let's hope so.
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Now, I know you're very keen to
meet our very own interior design
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guru and head judge,
Michelle Ogundehin.
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Hey! Woo! Hello!
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ALL: Hi.
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They love the new studio.
Well, I thought it could do with
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a little zhuzh, you see.
That's a technical term, Alan. Oh!
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I am so looking forward to
getting to know you all
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through your design work.
Cos this is it,
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your first chance to show me
who you are, and maybe make
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that move towards being a
professional interior designer.
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So, our first challenge.
We are going to a stunning
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development of high-rise
apartments in Manchester.
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ALL: Oooh!
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Situated in the vibrant
Cornbrook area,
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these luxury living quarters feature
a gym, rooftop lounge terrace
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and running track.
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Working in pairs, teams must
transform a two-bed apartment
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for a young, stylish client.
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Each designer will work on either
a living area or master bedroom.
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They'll then come together to turn a
second bedroom into a home office.
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So, while I will be judging your
individual rooms, I'm also
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going to be paying close attention
to how well you work as a pair.
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After you've finished your designs,
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the two weakest teams will be in
front of the judges on the sofa.
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Sadly, one of you will be
going home.
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Good luck! ALL: Thank you!
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Oh, my goodness!
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With solo room schemes prepared...
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I can't wait to show you it.
Ooh, I want to see!
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..partners share their designs.
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Are you ready? I'm ready.
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Upcycler Abi is teamed with
retail manager Dean.
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I needed to liven it up a little
bit, so I've got this amazing
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botanical print, which I'm going to
put in the kitchen.
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My style is as if
Dolly Parton and RuPaul
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lived in Tony Montana's LA mansion.
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Kind of just speaks for itself
really, doesn't it?
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I'm quite worried,
as you like dark colours.
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But you haven't got to
fear on this occasion,
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because there's a lot of greens. OK.
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I am going to do, like, highlighted
shapes on the wall...
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Mural artist Richard has been paired
with admin assistant Molly.
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So, my office design is weirdly
similar to yours.
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Look at our light fittings,
they're, like, identical.
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Hello! BOTH: Hello!
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Hi! I like what I hear,
our thinking's identical.
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I know, right?
Yeah, the exact wavelength.
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In the study, he's going to do
some shapes and things in paint,
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and I had planned to do that.
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So, I'm now like, we'll just use
his and bring it in.
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Cos during Covid,
you broke the internet.
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Oh, really? A little bit.
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You're like having
Kim Kardashian on the show.
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Sorry, you have to sign
a disclaimer for that.
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I only started designing a year ago
when I was put on furlough.
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The first thing
I painted was my fireplace.
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And as soon as I put that on
Instagram, it just sort of blew up.
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My style is abstract, it's playful.
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There's murals everywhere you look.
That's my calling card
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and that's something that
I will bring to every challenge.
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Michelle,
it's nice to be back, isn't it?
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Oh, it's so exciting!
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And you've got, like, ten designers
all raring to go there.
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And they've got to do up-market
rentals, cos it's Manchester,
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it's funky, it's cool
and contemporary.
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I mean, I lived in Manchester,
but I was never cool
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and contemporary,
believe it or not, Michelle.
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I know you're in shock.
So it is a tricky balance, isn't it?
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It really is. But I'll let you know,
I was born in Manchester.
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You weren't?! I was too.
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You always turn up in a parka,
I wondered why.
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EXAGGERATED MANCUNIAN ACCENT:
All right, Alan?
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But they've got to sort of rein it
in, really, cos it is a rental.
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There is that leap
that a designer has to make
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that this isn't their home,
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so all those quirky little
bits that they love,
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this is probably not the space
to kind of try those out.
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And then the curveball -
the blooming office!
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The important thing is that
they're working together,
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and the smart designers are the ones
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that really realise the value
in teamwork.
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So, you know, let's test them
right from the beginning.
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It'll be like a homecoming for us
both, won't it?
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Yeah. Bring it on. Let's go
to Manchester.
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Aw'right?
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THEY CHUCKLE
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So I've obviously got
the master bedroom.
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Yeah, yeah. So, basically,
I'm all-in print girl.
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Textile designer Amy is working
with visual merchandiser Paul.
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I've worked with many clients
on soft furnishings,
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beddings, wallpaper,
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but interior design is absolutely
where I want to be.
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So is that your own print?
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Yeah, that's my own print so it's
just... That's beautiful.
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When I applied for the competition,
I didn't even think I'd get here,
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so now I have a lot more
belief in my ability
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and I think I could smash it.
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I've got this weird belief that
I actually really can.
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The ideas so far for the office.
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I'm so excited and also nervous
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just because it's the one thing
we're fully collaborating on.
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Yeah, yeah. So I've chosen this kind
of fractured wallpaper. Mm-hm.
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This is basically like a teal
background, but it's gold. Lovely.
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I would class myself
as a creative genius.
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I once did an interview for a job
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and I came across as a guru.
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So keep, keep, keep, keep.
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Keep my colour scheme, the teal and
gold and the fractured wallpaper.
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I've always been quite good
at getting the best out of people
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so that I can get my own way!
HE CHUCKLES
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Keep the desk, keep the chair,
keep all of these accessories.
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I think the challenge is the office.
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I probably have pared back on what
I wanted to do
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or what I envisaged doing.
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So, yeah, I actually
just got some chills.
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SHE CHUCKLES
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My task is to do the bedroom.
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Hairdresser Peter has been teamed
up with fashion stylist Fran.
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I'm going to build a headboard.
Yeah.
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I'm going to be using bamboo
and straw. Lovely.
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I plan to put two
floor-to-ceiling mirrors
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that are going to swivel
at 380 degrees.
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OMG! So you can see your hair
from every angle.
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Peter's really challenging himself
and, I mean, there's a part of me
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that's nervous for him, but this
is the time to try something new.
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If you're not going to do it now,
you could be out this week.
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We've got to get everything
finished on time
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so, hopefully, yeah, the joiner's
going to be my best friend.
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I can't believe how well they work
together. Literally, what a joy.
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Ooh! Bring on Manchester!
Yay! Here we come!
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On the edge of the city centre...
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..five exclusive apartments
waiting for our teams to transform.
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Let's go! Ahh! Whoa!
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With skilled tradespeople on hand
to help realise creative visions...
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It's the magic people!
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Yeah. Yay!
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..and a budget of £1,500...
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Plants!
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..they have just two days to
complete their interior designs.
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Oh! Mm!
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In apartment 803...
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OK.
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..Banjo and Rochelle turn
their attention
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to the home office collaboration.
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This is the desk for the room.
It's a little bit big, um,
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but she's a big personality and she
has big things to do in the world.
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Banjo has decided that we have
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this professional woman
that is living in this house.
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She has a name - Trochelle.
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And she just has a gorgeous
library behind her with her LPs.
241
00:11:39,640 --> 00:11:42,680
She doesn't even own a record
player. She just has records.
242
00:11:42,680 --> 00:11:46,360
She's a young Michelle Ogundehin
with a little bit of an edge.
243
00:11:46,360 --> 00:11:49,720
She's fun. She's fashionable.
244
00:11:49,720 --> 00:11:52,800
She's stylish. She loves a drink
at the end of the night.
245
00:11:52,800 --> 00:11:54,240
She burns the candle at both ends.
246
00:11:54,240 --> 00:11:57,560
She's writing some stern emails
to some of her colleagues,
247
00:11:57,560 --> 00:11:59,280
all from a stand-up desk.
248
00:11:59,280 --> 00:12:01,360
He wants to be Trochelle, I reckon.
249
00:12:01,360 --> 00:12:03,000
Shall we go and see your room?
250
00:12:03,000 --> 00:12:06,280
Let's do it. OK.
This is where the magic happens.
251
00:12:06,280 --> 00:12:09,440
And Trochelle's got big ideas
for the master bedroom.
252
00:12:09,440 --> 00:12:12,560
I think my clad wall is going
to work in here. Yeah.
253
00:12:12,560 --> 00:12:14,520
And just to kind of lux it up a bit,
254
00:12:14,520 --> 00:12:17,440
I'm going to have a little tiny
shadow gap.
255
00:12:17,440 --> 00:12:20,760
As well as a feature wall, a large
green bolster headboard
256
00:12:20,760 --> 00:12:24,080
will give the impression of
additional space.
257
00:12:24,080 --> 00:12:27,640
Handmade floating storage will
sit either side of the divan
258
00:12:27,640 --> 00:12:31,960
and contrasting terracotta
and blue tones will frame the bed.
259
00:12:31,960 --> 00:12:36,520
Finally, a lush area of plants
will bring the outdoors in.
260
00:12:36,520 --> 00:12:39,280
I wanted to, like, make the wall
feel longer
261
00:12:39,280 --> 00:12:41,320
and one giant form.
262
00:12:41,320 --> 00:12:43,400
I think that'll look pretty sick.
263
00:12:43,400 --> 00:12:47,840
I've focused on packing a punch,
but with as few things as possible.
264
00:12:47,840 --> 00:12:49,800
And in Rochelle's living room...
265
00:12:49,800 --> 00:12:53,880
I have gone for a terracotta,
kind of peachy colour.
266
00:12:53,880 --> 00:12:58,400
I want to clad the wall
in half wooden dowels,
267
00:12:58,400 --> 00:13:01,400
and then clad the island that's
going to go here,
268
00:13:01,400 --> 00:13:05,680
gild the top, then we're going to
paint it this lux-y dark green.
269
00:13:05,680 --> 00:13:07,560
Party central.
270
00:13:07,560 --> 00:13:11,560
I have champagne taste
and lemonade money.
271
00:13:11,560 --> 00:13:15,240
There's always going to be a bit
of gold or metallic.
272
00:13:15,240 --> 00:13:18,400
Whether it'll have the
champagne look, I'm not sure.
273
00:13:18,400 --> 00:13:20,360
That's what we're going to
have to wait and see.
274
00:13:20,360 --> 00:13:22,400
SHE LAUGHS
275
00:13:24,520 --> 00:13:26,840
Above, in apartment 903...
276
00:13:26,840 --> 00:13:28,480
The views are amazing.
277
00:13:28,480 --> 00:13:30,560
So good you can
see for miles, actually.
278
00:13:30,560 --> 00:13:33,640
..Paul is sharing his creative
vision for the living room.
279
00:13:33,640 --> 00:13:37,160
Concrete wallpaper. Mm-hm.
Slatted timber. Yep.
280
00:13:37,160 --> 00:13:39,680
And then drapes all across there.
281
00:13:39,680 --> 00:13:41,760
Yes, your drapes.
282
00:13:41,760 --> 00:13:44,520
Interior design is like cooking,
283
00:13:44,520 --> 00:13:48,520
and it's the layering of flavours
and ingredients.
284
00:13:48,520 --> 00:13:51,960
My idea is the layering of textures
and fabrics.
285
00:13:51,960 --> 00:13:55,000
If I was to think of a chef,
286
00:13:55,000 --> 00:13:57,120
it would probably
be Heston Blumenthal.
287
00:13:57,120 --> 00:14:00,240
It's his clever use of ingredients
and flavours
288
00:14:00,240 --> 00:14:03,320
that creates the beauty
of that meal.
289
00:14:03,320 --> 00:14:05,400
And that's where my design style,
290
00:14:05,400 --> 00:14:07,360
I would compare it to that really.
291
00:14:08,400 --> 00:14:11,440
This is my wallpaper,
hand-drawn by me.
292
00:14:12,440 --> 00:14:14,360
I hope they like it.
293
00:14:14,360 --> 00:14:18,120
In the bedroom, partner Amy is using
her background in print design
294
00:14:18,120 --> 00:14:20,720
to try and catch the judges' eye.
295
00:14:20,720 --> 00:14:23,600
So, the paper, I think we'll start
just on this back wall here.
296
00:14:23,600 --> 00:14:26,920
And I think I've got enough to just
carry it all the way round.
297
00:14:26,920 --> 00:14:30,080
Amy's bespoke artwork will feature
in the wallpaper
298
00:14:30,080 --> 00:14:31,840
for the open wardrobe,
299
00:14:31,840 --> 00:14:34,600
and the bed's fabric headboard
and bolster cushion.
300
00:14:35,560 --> 00:14:38,000
Green floral tones will fill
the room
301
00:14:38,000 --> 00:14:40,720
and, in contrast, the skirting
boards and door frames
302
00:14:40,720 --> 00:14:42,520
will be painted black.
303
00:14:42,520 --> 00:14:46,120
To complete the look, a soft green
canopy will give the room
304
00:14:46,120 --> 00:14:48,440
a sense of tranquillity and calm.
305
00:14:49,480 --> 00:14:50,640
I love it.
306
00:14:50,640 --> 00:14:53,800
I love it, love it, love it.
It's going to look great.
307
00:14:53,800 --> 00:14:55,600
Hi, are you all right?
308
00:14:55,600 --> 00:14:57,960
Next door in apartment 902...
309
00:14:57,960 --> 00:15:01,080
We've got lots to discuss with you,
but we've got a plan.
310
00:15:01,080 --> 00:15:04,240
..Fran and Peter are gearing
up for their design challenge.
311
00:15:04,240 --> 00:15:05,840
We've sort of got a plan.
312
00:15:05,840 --> 00:15:07,760
No, we've got a plan. No, we don't!
313
00:15:07,760 --> 00:15:10,120
My plan's often in my head.
314
00:15:10,120 --> 00:15:13,080
Fran has the apartment's living
area mentally mapped.
315
00:15:13,080 --> 00:15:15,800
So imagine you're
the owner of the flat.
316
00:15:15,800 --> 00:15:20,840
You come in and there's a big OSB
kind of shelving unit here.
317
00:15:20,840 --> 00:15:23,960
This bespoke L-shaped
shelving and dining table
318
00:15:23,960 --> 00:15:26,520
will be the focal point of the room.
319
00:15:26,520 --> 00:15:30,040
Colour blocking will be used to
divide the space into zones.
320
00:15:30,040 --> 00:15:32,560
Green will frame the living area,
321
00:15:32,560 --> 00:15:36,080
and a strip of terracotta and
mustard will run from the entrance
322
00:15:36,080 --> 00:15:38,920
across to the far side of the room.
323
00:15:38,920 --> 00:15:40,440
So that's pretty much me,
324
00:15:40,440 --> 00:15:42,440
and then Peter can talk you
through his scheme.
325
00:15:42,440 --> 00:15:44,240
So, I've got the bedroom.
326
00:15:44,240 --> 00:15:47,200
And if you think
Ibiza meets Bahamas,
327
00:15:47,200 --> 00:15:50,080
that's the sort of theme
that we're looking for.
328
00:15:50,080 --> 00:15:52,080
Growing up as a punk in the '70s,
329
00:15:52,080 --> 00:15:56,080
I had a dagger through my ear
and I had lime green hair.
330
00:15:56,080 --> 00:16:00,200
People did look at you as
if you were from the moon.
331
00:16:00,200 --> 00:16:02,920
I don't think I ever stopped
being a punk.
332
00:16:02,920 --> 00:16:05,160
There's always been a little
bit of punk in me.
333
00:16:06,440 --> 00:16:09,960
And Peter has a rocking idea
for his room.
334
00:16:09,960 --> 00:16:13,600
So, my main project, Phil,
is the doors.
335
00:16:13,600 --> 00:16:15,800
I actually want the doors
to revolve.
336
00:16:15,800 --> 00:16:18,480
I don't know whether it's going to
work, so if you could please tell me
337
00:16:18,480 --> 00:16:20,720
that it will work,
that would be great.
338
00:16:20,720 --> 00:16:24,400
My biggest concern is my design
with the mirrors in the bedroom.
339
00:16:24,400 --> 00:16:27,360
They have got to work
the way I want them to work.
340
00:16:27,360 --> 00:16:29,080
I'm a little bit worried about that.
341
00:16:32,360 --> 00:16:34,160
Whilst most designers have chosen
342
00:16:34,160 --> 00:16:36,360
to work on their individual
rooms first...
343
00:16:36,360 --> 00:16:39,040
One, nine.
344
00:16:39,040 --> 00:16:42,240
..Fran's attention is on the shared
office space.
345
00:16:42,240 --> 00:16:45,600
The idea for the mural is big
kind of leaf shapes
346
00:16:45,600 --> 00:16:48,080
in colours taken from the wallpaper,
347
00:16:48,080 --> 00:16:50,200
and incorporating some
from the other rooms.
348
00:16:50,200 --> 00:16:52,720
I mean, it looks a mess now,
but it will come together.
349
00:16:52,720 --> 00:16:55,000
SHE CHUCKLES
350
00:16:55,000 --> 00:16:57,120
Busy in apartment 804...
351
00:16:57,120 --> 00:16:58,760
I've got my lovely mirror. OK.
352
00:16:58,760 --> 00:17:00,760
..is Dean.
353
00:17:00,760 --> 00:17:02,720
For me, this colour's
a beautiful colour.
354
00:17:02,720 --> 00:17:05,720
The whole room flows
from dark green to light green.
355
00:17:05,720 --> 00:17:07,920
It'll make the room
look bigger and longer.
356
00:17:07,920 --> 00:17:10,960
Whilst Dean is stepping out
of his colour comfort zone,
357
00:17:10,960 --> 00:17:14,440
team-mate Abi has decided
to stick with her style.
358
00:17:14,440 --> 00:17:17,440
Just going to do it.
Just going to have fun
359
00:17:17,440 --> 00:17:19,280
and just make it nice and bright.
360
00:17:19,280 --> 00:17:22,800
So expect some bright colours and
colour blocking. Go big or go home.
361
00:17:25,560 --> 00:17:28,680
But the custom mixed paint
Abi's ordered isn't quite
362
00:17:28,680 --> 00:17:30,400
what she was expecting.
363
00:17:30,400 --> 00:17:32,640
It's lighter than
what I wanted it to be.
364
00:17:32,640 --> 00:17:35,400
So, this wasn't the burnt
peachy that we were going for?
365
00:17:35,400 --> 00:17:37,240
No, this is more of a sherbet peach.
366
00:17:37,240 --> 00:17:39,960
And have you put your wallpaper
next to it? No, not yet.
367
00:17:39,960 --> 00:17:44,480
Do you want to try it and
have a look? No. Are you scared?
368
00:17:44,480 --> 00:17:46,800
I'm not scared,
but I just need to make sure
369
00:17:46,800 --> 00:17:51,000
and hope that the other
paint colours are OK.
370
00:17:51,000 --> 00:17:53,440
So this is the burnt orange.
371
00:17:53,440 --> 00:17:55,160
It's lighter.
372
00:17:55,160 --> 00:17:57,000
Lucky number three, right?
373
00:17:57,000 --> 00:17:59,640
Oh, my God, wow.
374
00:17:59,640 --> 00:18:02,200
That's not really
a sea foam green, is it?
375
00:18:02,200 --> 00:18:04,720
That's more of a sherbet blue.
376
00:18:04,720 --> 00:18:10,160
I've gone from wanting deep,
rich colours to...sherbet.
377
00:18:12,480 --> 00:18:13,800
Ah...
378
00:18:17,480 --> 00:18:20,560
And with the first interior design
challenge well under way...
379
00:18:25,040 --> 00:18:28,320
..what better time for me
to offer some moral support?
380
00:18:29,440 --> 00:18:33,440
Who says it's never sunny up north?
Look at me doing my own stunts.
381
00:18:41,200 --> 00:18:45,760
Abi. Bonjour, Alan. Bonjour, ca va?
382
00:18:45,760 --> 00:18:49,600
Yeah, sound. Sound! Love it.
383
00:18:49,600 --> 00:18:51,840
Is this the colour you wanted?
It's very peachy.
384
00:18:51,840 --> 00:18:54,440
I know you like bright,
but this is BRIGHT bright.
385
00:18:54,440 --> 00:18:58,240
Yeah, when I opened my paint tins,
they weren't the correct colours.
386
00:18:58,240 --> 00:19:01,360
Oh, no! So, yeah, we've just
rolled with it.
387
00:19:01,360 --> 00:19:03,320
Can I see your legs?
388
00:19:03,320 --> 00:19:04,440
Oh, I haven't shaved.
389
00:19:04,440 --> 00:19:05,920
ALAN LAUGHS
390
00:19:05,920 --> 00:19:08,600
No, I'm talking about these. Yes!
391
00:19:08,600 --> 00:19:10,400
ALAN HUMS THE CAN CAN
392
00:19:10,400 --> 00:19:13,240
So we're going to drill her out
and put some lovely plants in.
393
00:19:13,240 --> 00:19:15,160
Oh, like a busy Lizzie.
Yeah!
394
00:19:15,160 --> 00:19:18,440
A bit of a bush. A bit... OK!
395
00:19:18,440 --> 00:19:21,200
Abi, I'll leave you to it.
I'm blushing.
396
00:19:21,200 --> 00:19:22,680
Bye. Take care. Bye.
397
00:19:23,720 --> 00:19:28,560
It's the middle of day one
and the designers are hard at work.
398
00:19:28,560 --> 00:19:29,960
What's going on with the carpenter?
399
00:19:29,960 --> 00:19:31,840
Do you think he'll be
finished today?
400
00:19:31,840 --> 00:19:34,800
Well, he'll have to be for you,
really, cos you need him tomorrow.
401
00:19:34,800 --> 00:19:36,880
It's not really looking that
different from how it
402
00:19:36,880 --> 00:19:38,800
looked before, to be honest.
403
00:19:38,800 --> 00:19:41,920
With Amy's prints, this is
where you can see significant
404
00:19:41,920 --> 00:19:43,600
change in small spaces.
405
00:19:43,600 --> 00:19:46,360
I think this looks absolutely
stunning. I love it.
406
00:19:47,440 --> 00:19:52,560
And I love it because it complements
the living-dining room so well.
407
00:19:53,680 --> 00:19:57,320
We're putting up the ply wall
in the master bedroom.
408
00:19:57,320 --> 00:20:00,040
We're creating a little
bit of a shadow gap.
409
00:20:00,040 --> 00:20:03,160
What it does, it creates
the effect of panelling,
410
00:20:03,160 --> 00:20:05,720
has a bit of an architectural
edge to it.
411
00:20:05,720 --> 00:20:09,480
So it's taking like a cheap material
and elevating it a little bit.
412
00:20:09,480 --> 00:20:11,200
No, that's beautiful.
413
00:20:11,200 --> 00:20:15,840
In room 802, Richard will be
featuring his signature murals.
414
00:20:15,840 --> 00:20:19,400
What I really want Michelle
to see is how I feature paint.
415
00:20:19,400 --> 00:20:21,720
I think that's a really
key element of my design
416
00:20:21,720 --> 00:20:24,520
that I'm bringing in just
a little bit, not too much,
417
00:20:24,520 --> 00:20:27,960
in the first design and hopefully
she'll love it as much as I do.
418
00:20:27,960 --> 00:20:31,440
His other key feature is
a pair of velvet curtains.
419
00:20:31,440 --> 00:20:34,600
It's so much easier to use your own
fabric cos then you can get whatever
420
00:20:34,600 --> 00:20:36,000
finish or style that you want.
421
00:20:36,000 --> 00:20:39,040
I've made curtains a few times. The
last set I made took four days.
422
00:20:39,040 --> 00:20:42,040
So I'm going to have to be,
like, racing away at that machine.
423
00:20:43,760 --> 00:20:45,960
Left a bit.
424
00:20:45,960 --> 00:20:48,520
Actually, right a bit.
425
00:20:48,520 --> 00:20:51,880
While many of the designers
focus on the fundamentals,
426
00:20:51,880 --> 00:20:55,360
Molly's attention is on the
accessories of her living area.
427
00:20:55,360 --> 00:20:56,720
I am really quite focused
428
00:20:56,720 --> 00:20:59,160
on the sort of plants
above the dining table.
429
00:20:59,160 --> 00:21:00,960
I have a little blanket
box when you come in,
430
00:21:00,960 --> 00:21:02,360
I really want that to work out.
431
00:21:02,360 --> 00:21:05,400
I have a very big round chair.
432
00:21:05,400 --> 00:21:07,880
I am 23. Quite young, I guess,
433
00:21:07,880 --> 00:21:10,960
which immediately, like,
I have more to prove.
434
00:21:10,960 --> 00:21:13,920
My design style, I just like to
find things that are really
435
00:21:13,920 --> 00:21:16,720
individual, really unique.
the whole kit and caboodle.
436
00:21:16,720 --> 00:21:18,200
Just throw everything at it.
437
00:21:18,200 --> 00:21:22,200
I think what I'm going to do next
is the evil feeling shade of doom,
438
00:21:22,200 --> 00:21:24,600
which falls apart
whenever you touch it.
439
00:21:24,600 --> 00:21:26,760
Oh, my God. Oh, my God. Oh, my God.
440
00:21:26,760 --> 00:21:29,600
Molly? Hello. Hello, Alan.
441
00:21:29,600 --> 00:21:30,760
What's going on with this.
442
00:21:30,760 --> 00:21:33,760
I think your aspidistra needs
a scrunchie or something.
443
00:21:33,760 --> 00:21:36,000
So I'm going to give it a trim.
Literally going to give it a trim.
444
00:21:36,000 --> 00:21:37,800
Are you going to give it a trim?
Yeah.
445
00:21:37,800 --> 00:21:41,240
So this looks like a real hassle.
What the hell is going on?
446
00:21:41,240 --> 00:21:42,800
This is the bane of my life.
447
00:21:42,800 --> 00:21:44,440
I'm trying to put these things on
448
00:21:44,440 --> 00:21:46,880
and every time I put one on,
the whole thing comes off.
449
00:21:46,880 --> 00:21:48,240
So why did you pick this anyway?
450
00:21:48,240 --> 00:21:50,720
I just think it's quite modern
and geometric and things.
451
00:21:50,720 --> 00:21:53,400
It's like nailing a blancmange to
a wall. Why would you do this?
452
00:21:53,400 --> 00:21:54,520
I don't know.
453
00:21:54,520 --> 00:21:56,720
I don't want to ruin it any more
but you better secure that.
454
00:21:56,720 --> 00:21:58,880
OK, yeah I'll sort it.
But can you imagine that comes off
455
00:21:58,880 --> 00:22:00,720
and lands on Michelle Ogundehin's
head?
456
00:22:00,720 --> 00:22:03,920
Oh, God, imagine. So what are
you going to do with this?
457
00:22:03,920 --> 00:22:06,720
How are you going to cut it? You're
going to give it a choppy bob? Yes.
458
00:22:06,720 --> 00:22:09,520
That's quite contemporary.
Modern and contemporary look.
459
00:22:09,520 --> 00:22:11,040
Very good. Yeah, a pixie cut. Yeah.
460
00:22:11,040 --> 00:22:13,520
Well, listen, I'll leave you to
it, you've got plenty to do.
461
00:22:13,520 --> 00:22:16,600
All right, love. See you in a bit.
Yeah, bye, Molly. Bye-bye.
462
00:22:16,600 --> 00:22:18,280
Oh...
463
00:22:18,280 --> 00:22:21,520
With progress being made on
her colour blocking designs
464
00:22:21,520 --> 00:22:22,960
in the living area,
465
00:22:22,960 --> 00:22:26,360
Fran is ploughing ahead
with the joint office space.
466
00:22:26,360 --> 00:22:27,880
Peter's kind of left it in my hands
467
00:22:27,880 --> 00:22:31,200
but I think he's got
a lot to get on in there.
468
00:22:31,200 --> 00:22:34,000
I've just been down to van to
look at the MDF panels
469
00:22:34,000 --> 00:22:36,040
that you've got for your doors.
470
00:22:36,040 --> 00:22:37,400
In Peter's bedroom...
471
00:22:37,400 --> 00:22:39,600
There's quite a lot
of flex in there,
472
00:22:39,600 --> 00:22:43,880
so my big concern is that we're
going to stick the mirrors onto them
473
00:22:43,880 --> 00:22:47,240
and they're going to flex and
your mirrors are going to smash.
474
00:22:47,240 --> 00:22:50,000
I would really like to
try and strengthen the doors
475
00:22:50,000 --> 00:22:54,960
because this is one of my major
designs in the whole room.
476
00:22:54,960 --> 00:22:58,040
We're spending a lot of time
trying to work out
477
00:22:58,040 --> 00:23:00,120
how we can make these work.
478
00:23:00,120 --> 00:23:04,440
I feel I've been very ambitious
with this design but I want to show
479
00:23:04,440 --> 00:23:09,120
skills that aren't just wallpaper
and picking colours of paint.
480
00:23:09,120 --> 00:23:12,960
Fran? Hey. Hi, you. How are you?
481
00:23:12,960 --> 00:23:16,120
Look at this. This is nice,
isn't it? Thank you, thank you.
482
00:23:16,120 --> 00:23:19,880
I've done my best. No-one else has
really started on their office.
483
00:23:19,880 --> 00:23:22,080
Have they not? Tell me the secrets.
No, they haven't.
484
00:23:22,080 --> 00:23:23,800
You're the first one to do it.
Oh, really?
485
00:23:23,800 --> 00:23:27,520
Is it a conscious decision to do the
office so quickly at the beginning?
486
00:23:27,520 --> 00:23:30,120
Yeah. I've painted a few murals
before and I love painting
487
00:23:30,120 --> 00:23:33,040
and I thought I'm going to be
really anxious first day,
488
00:23:33,040 --> 00:23:35,840
bit of nerves, so I thought
this will just ease me in.
489
00:23:35,840 --> 00:23:38,440
So you're using this as therapy?
Yeah, this is therapy.
490
00:23:38,440 --> 00:23:41,520
This is art therapy right here.
Oh, wow, I love it. Yah, yah.
491
00:23:41,520 --> 00:23:46,400
This is the stress. Paint it out,
paint it out, darling. Exactly.
492
00:23:50,360 --> 00:23:53,640
Let's get the dowel on, dahl.
Get the dowel on it.
493
00:23:53,640 --> 00:23:55,640
Wow, minty fresh.
494
00:23:57,160 --> 00:23:58,920
As day one draws to a close,
495
00:23:58,920 --> 00:24:01,240
thoughts are already
turning to tomorrow.
496
00:24:02,280 --> 00:24:05,320
I've got a lot to do,
like my whole room.
497
00:24:05,320 --> 00:24:07,440
And we're done,
this is the last seam.
498
00:24:07,440 --> 00:24:09,320
It was absolutely worth
doing the curtains.
499
00:24:09,320 --> 00:24:11,200
It's going to really pull
everything together.
500
00:24:11,200 --> 00:24:15,320
Then tomorrow it's just
fluff and focus and murals.
501
00:24:15,320 --> 00:24:19,440
Game plan for tomorrow
is to get in, office room.
502
00:24:19,440 --> 00:24:23,440
But for now, design dreams
are becoming a reality.
503
00:24:23,440 --> 00:24:26,960
Now that I'm seeing it
against the peach,
504
00:24:26,960 --> 00:24:30,920
I'm really happy with the wallpaper.
505
00:24:30,920 --> 00:24:37,440
It's definitely bold and round and
my cord is straight so I'm happy.
506
00:24:38,600 --> 00:24:41,360
Do you like it?
Oh, my God. I love it.
507
00:24:41,360 --> 00:24:43,200
It's moving, wow, 360.
508
00:24:43,200 --> 00:24:47,040
Oh, my God.
You are... It's amazing.
509
00:24:47,040 --> 00:24:50,200
I was so worried all day.
That is brilliant. Yay!
510
00:24:56,880 --> 00:25:00,440
Morning. How are you feeling, Amy?
I feel anxious.
511
00:25:03,440 --> 00:25:05,800
It's the final day
of the challenge...
512
00:25:05,800 --> 00:25:07,600
Day two, how are we feeling?
513
00:25:07,600 --> 00:25:09,760
We need to talk to the builder,
the painter.
514
00:25:09,760 --> 00:25:11,520
Obviously I've done another list,
515
00:25:11,520 --> 00:25:13,920
cos you can never have
too many lists.
516
00:25:13,920 --> 00:25:17,400
..and, for most, thoughts have
turned to the shared office space,
517
00:25:17,400 --> 00:25:19,120
and one key word.
518
00:25:19,120 --> 00:25:20,720
I trust you.
519
00:25:20,720 --> 00:25:22,120
Collaboration.
520
00:25:22,120 --> 00:25:25,080
Right, the good news is I think
that both of our colours
521
00:25:25,080 --> 00:25:28,000
match... Yeah.
..beautifully. Lovely.
522
00:25:28,000 --> 00:25:31,720
Now we want to bring
this into the home office.
523
00:25:31,720 --> 00:25:37,480
OK. It's still dark. Isn't it?
This needs to be 95% white.
524
00:25:37,480 --> 00:25:39,960
I'm going in.
525
00:25:39,960 --> 00:25:42,000
LAUGHTER
526
00:25:42,000 --> 00:25:43,880
Ah!
527
00:25:43,880 --> 00:25:47,080
Oh, no. It's OK, it's OK.
528
00:25:47,080 --> 00:25:51,200
A big night. Messy. Messy.
529
00:25:51,200 --> 00:25:54,240
I feel like that may be the one.
Yeah, lovely.
530
00:25:55,480 --> 00:25:58,240
Hello, friend.
Are you creating? Oh, hi.
531
00:25:58,240 --> 00:26:03,400
I'm going to do kind of a double
archway. In 802's home office...
532
00:26:03,400 --> 00:26:07,920
Main archway, smaller archway,
lozenge mural. Yeah.
533
00:26:07,920 --> 00:26:11,960
..Richard's hoping his signature art
is the key to success.
534
00:26:11,960 --> 00:26:14,200
It'll just be like a nice
thing for whoever
535
00:26:14,200 --> 00:26:16,120
is working away at this desk.
536
00:26:16,120 --> 00:26:17,920
I'm going to choose calming colours
537
00:26:17,920 --> 00:26:21,600
so it'll be quite relaxing but also
hopefully inspiring for them, too.
538
00:26:22,640 --> 00:26:24,080
Murals are the future.
539
00:26:24,080 --> 00:26:26,560
I definitely think it's something
I want to bring to this competition
540
00:26:26,560 --> 00:26:30,200
cos it's so, like,
intrinsic to my style.
541
00:26:33,240 --> 00:26:34,560
Stun-a-lena!
542
00:26:36,000 --> 00:26:39,040
In 902... Fran? Yeah?
543
00:26:39,040 --> 00:26:41,920
..after devoting day one
to the home office,
544
00:26:41,920 --> 00:26:45,760
Fran's finally
focused on her own room.
545
00:26:45,760 --> 00:26:47,640
It's going to clash
with your light switch.
546
00:26:47,640 --> 00:26:49,520
I mean...
Oh, that's really annoying.
547
00:26:49,520 --> 00:26:52,120
I really, really want
the shelving unit being higher
548
00:26:52,120 --> 00:26:55,240
and then you've got the drop of the
table so you've got differentiation.
549
00:26:55,240 --> 00:26:58,760
I wanted a space where
you could be cooking
550
00:26:58,760 --> 00:27:00,080
and chatting with your friends.
551
00:27:00,080 --> 00:27:02,400
So there wasn't
a separate dining area.
552
00:27:02,400 --> 00:27:04,720
I feel like that's too
formal for this age group.
553
00:27:04,720 --> 00:27:08,640
What about, if we drop
the top of the shelving unit here,
554
00:27:08,640 --> 00:27:10,400
to accommodate for the light switch,
555
00:27:10,400 --> 00:27:14,040
and then stick with the original
measurements for this end?
556
00:27:14,040 --> 00:27:16,840
I'd be really happy with that,
if you can make it happen.
557
00:27:18,400 --> 00:27:21,480
The pieces of the puzzle
are slowly coming together.
558
00:27:21,480 --> 00:27:24,560
We've just got to hope that
they come together on time.
559
00:27:24,560 --> 00:27:29,680
Partner Peter is busy making
a headboard for his Bahamas boudoir.
560
00:27:29,680 --> 00:27:33,280
It's going to be a sunburst
of bamboo.
561
00:27:33,280 --> 00:27:36,320
This is going to be hopefully where
your eye's attracted to.
562
00:27:36,320 --> 00:27:37,600
Howay, pet.
563
00:27:37,600 --> 00:27:40,040
Hey, hello, man. Are you alreet?
564
00:27:40,040 --> 00:27:42,480
Alreet.
What a great Geordie accent.
565
00:27:42,480 --> 00:27:43,920
I know!
566
00:27:43,920 --> 00:27:47,480
Oh, it's like a jungle in here.
I wish I'd brought my mozzie garb.
567
00:27:47,480 --> 00:27:52,400
Yeah, welcome to Bahamas. Oh!
Meets Ibiza. Bahamas meets Ibiza.
568
00:27:52,400 --> 00:27:55,120
Have you been to Bahamas?
No, but I've been to Ibiza.
569
00:27:55,120 --> 00:27:57,880
Oh, right, OK, so you're sort of
imagining what Bahamas...
570
00:27:57,880 --> 00:28:00,760
Yeah, yeah, yeah. Yeah, yeah. With
the fern and the cane headboard.
571
00:28:00,760 --> 00:28:05,720
Look at this. I love it. Very
Lion King. So what is this? Bamboo?
572
00:28:05,720 --> 00:28:06,840
It's bamboo, yeah.
573
00:28:06,840 --> 00:28:08,960
And that's going to be
mounted on that wall there
574
00:28:08,960 --> 00:28:11,880
and it's going to actually
fill the whole wall. Yeah.
575
00:28:11,880 --> 00:28:13,840
Do you feel it's contemporary?
576
00:28:13,840 --> 00:28:18,160
I mean, cos that's a lot of bamboo.
It's not a room for pandas.
577
00:28:18,160 --> 00:28:20,640
It's not, no.
I think it's very on trend.
578
00:28:20,640 --> 00:28:23,480
I'm glad Peter's
going for it and being bold,
579
00:28:23,480 --> 00:28:25,440
but is it contemporary?
580
00:28:25,440 --> 00:28:28,720
I mean, that wallpaper,
it just feels a bit intense,
581
00:28:28,720 --> 00:28:29,880
it's quite jungly.
582
00:28:29,880 --> 00:28:33,040
You half expect Ant and Dec
to pop out from the wardrobe.
583
00:28:34,200 --> 00:28:37,640
Above in apartment 903...
A fabric column.
584
00:28:37,640 --> 00:28:40,640
..Paul and Amy's rooms
are almost finished.
585
00:28:40,640 --> 00:28:43,240
I think it looks really sensual.
586
00:28:43,240 --> 00:28:45,120
It's beautiful actually.
587
00:28:45,120 --> 00:28:46,360
This is the art that
588
00:28:46,360 --> 00:28:47,600
I've drawn for the office.
589
00:28:47,600 --> 00:28:49,040
Their creative collaboration
590
00:28:49,040 --> 00:28:50,280
is next.
591
00:28:50,280 --> 00:28:52,560
Well, actually, that was
the conversation that we were
592
00:28:52,560 --> 00:28:55,560
going to have, because this
is the fractured wallpaper.
593
00:28:55,560 --> 00:28:59,880
Yeah. So, it's whether...
I mean, it may...
594
00:28:59,880 --> 00:29:02,200
Whether it will work. Yeah.
595
00:29:02,200 --> 00:29:04,840
So, for me, that doesn't
feel teal - that feels navy.
596
00:29:06,160 --> 00:29:09,080
Does that feel teal for you?
Did I say it was teal? Yeah.
597
00:29:09,080 --> 00:29:11,360
But, no, it's not,
it isn't teal. OK. Yeah.
598
00:29:11,360 --> 00:29:14,880
In my head it was teal,
but it's navy.
599
00:29:14,880 --> 00:29:18,360
I think my only concern is if
it reads as one language.
600
00:29:18,360 --> 00:29:22,120
I think I may have mentioned the
word teal as a background
601
00:29:22,120 --> 00:29:23,440
for the wallpaper.
602
00:29:23,440 --> 00:29:26,560
Perhaps it's more navy, but
when you look on the colour spectrum
603
00:29:26,560 --> 00:29:30,680
of teal, it can go from a navy
right the way through to a green.
604
00:29:30,680 --> 00:29:32,360
It works.
605
00:29:34,120 --> 00:29:36,920
It's mid-way through day two.
606
00:29:36,920 --> 00:29:42,800
Banjo? Yeah. What do you think
now it's all green? Oh, I love it.
607
00:29:42,800 --> 00:29:47,160
It makes my room look
even better, yeah.
608
00:29:47,160 --> 00:29:49,520
GASP
609
00:29:47,160 --> 00:29:49,520
This is amazing.
610
00:29:49,520 --> 00:29:51,440
The pace is definitely
going to crank up now.
611
00:29:51,440 --> 00:29:55,240
I'm going to get the murals out
the way, hang the curtains,
612
00:29:55,240 --> 00:29:56,680
get some styling done.
613
00:29:56,680 --> 00:29:59,240
Bish, bash, bosh,
time is of the essence.
614
00:30:00,880 --> 00:30:02,240
Hm, there's no oomph.
615
00:30:02,240 --> 00:30:05,640
I feel that you need
the office to be cheery.
616
00:30:05,640 --> 00:30:09,200
I don't know.
I'm going to go get him. One sec.
617
00:30:09,200 --> 00:30:10,840
Back in Paul and Amy's office,
618
00:30:10,840 --> 00:30:13,800
Paul's graphic
wallpaper is going up.
619
00:30:13,800 --> 00:30:16,160
Don't worry. Will you come
and have a look? Yeah, yeah.
620
00:30:16,160 --> 00:30:18,320
GASP
621
00:30:18,320 --> 00:30:21,400
Oh, my God.
All my dreams have come true.
622
00:30:23,880 --> 00:30:28,000
Honestly, I'm probably more
excited about this space. Are you?
623
00:30:28,000 --> 00:30:30,160
Like as an introduction
of a new colour,
624
00:30:30,160 --> 00:30:32,680
I don't know if it's, like,
energising and cheery enough.
625
00:30:32,680 --> 00:30:35,600
It's not cheery. But I don't
think it needs to be. Yeah.
626
00:30:35,600 --> 00:30:39,440
When you walk in, you've got the
impact of like, wow, what do YOU do?
627
00:30:39,440 --> 00:30:41,520
I'm just questioning
myself about it, yeah.
628
00:30:41,520 --> 00:30:46,240
You get that attention
to detail, which I also have,
629
00:30:46,240 --> 00:30:49,360
but I'm broader, bigger picture.
630
00:30:49,360 --> 00:30:52,840
Yeah. And I also am older than you.
Mm.
631
00:30:52,840 --> 00:30:56,120
There's a lot of anxiety
around wanting to get it right
632
00:30:56,120 --> 00:30:59,640
and I get it,
I used to be like that.
633
00:30:59,640 --> 00:31:02,760
The only thing that comes with age
and experience is you've done
634
00:31:02,760 --> 00:31:06,360
things a few times before
and you're just a bit calmer.
635
00:31:06,360 --> 00:31:10,000
Paul is older than me,
that's not up for dispute,
636
00:31:10,000 --> 00:31:12,840
but it doesn't mean if you're older
or younger then you're either
637
00:31:12,840 --> 00:31:18,400
more, like, you're correct or you're
incorrect so I think we'll see.
638
00:31:18,400 --> 00:31:23,520
Hi, Amy. Hi, Alan. How are you?
Oh, good. Loving this print.
639
00:31:23,520 --> 00:31:25,960
This is hand drawn by me.
640
00:31:25,960 --> 00:31:28,160
Yes. That's so clever.
641
00:31:28,160 --> 00:31:30,080
And what are you putting
up there, is that a canopy?
642
00:31:30,080 --> 00:31:32,920
So this, yeah, this is going to
be a canopy. Not canopy, canape.
643
00:31:32,920 --> 00:31:35,520
Can... I don't know,
do you eat it or do you hang it?
644
00:31:35,520 --> 00:31:37,120
Put a vol-au-vent up there.
645
00:31:37,120 --> 00:31:40,200
Michelle Ogundehin loves a
vol-au-vent. Does she? Oh, yeah.
646
00:31:40,200 --> 00:31:43,800
This is good to know.
I can bribe her in frozen pastry.
647
00:31:43,800 --> 00:31:46,040
And what are you going
to do with the office?
648
00:31:46,040 --> 00:31:48,800
Is this print going to be in there?
So, this print is not in there.
649
00:31:48,800 --> 00:31:51,200
So Paul has chosen
a wallpaper that he feels quite
650
00:31:51,200 --> 00:31:52,600
strongly about for the office.
651
00:31:52,600 --> 00:31:56,320
Do you like it? It wouldn't be my
first choice. OK, very diplomatic.
652
00:31:56,320 --> 00:31:57,680
But we're also in a time crunch
653
00:31:57,680 --> 00:31:59,720
so we're to go with
his print for the office.
654
00:31:59,720 --> 00:32:02,600
And I'm not a person who loves
conflict so that's also not ideal.
655
00:32:02,600 --> 00:32:04,320
Yeah, but you don't want
to back down, love.
656
00:32:04,320 --> 00:32:06,840
No-one wants to go home week one,
do they? No.
657
00:32:06,840 --> 00:32:08,840
Fingers crossed it works.
658
00:32:08,840 --> 00:32:12,440
On the eighth floor...
The desk is quite big,
659
00:32:12,440 --> 00:32:15,680
so chop it so it's less
impact in the room.
660
00:32:15,680 --> 00:32:18,520
Got it. ..Rochelle is
focused on the home office...
661
00:32:19,880 --> 00:32:23,360
..and Banjo's bedroom
design is growing.
662
00:32:23,360 --> 00:32:26,440
This is my pipe planter box.
I am going to put my hanging
663
00:32:26,440 --> 00:32:30,080
plants in here and that is
going to sit opposite the bed.
664
00:32:30,080 --> 00:32:34,080
I'm stoked. I mean, it's beautiful.
665
00:32:34,080 --> 00:32:36,960
Banjo. Alan. What's this?
666
00:32:36,960 --> 00:32:39,800
It's my plant wall. A plant wall.
667
00:32:39,800 --> 00:32:43,520
Yeah. I sound like you.
A plant wall. It's contagious.
668
00:32:43,520 --> 00:32:45,960
So listen, so this is like
the 20s and 30s year-old -
669
00:32:45,960 --> 00:32:48,360
are they going to water
these plants, do you reckon?
670
00:32:48,360 --> 00:32:50,480
Absolutely.
These are busy professionals.
671
00:32:50,480 --> 00:32:52,520
They haven't got time
to get a watering can.
672
00:32:52,520 --> 00:32:54,600
She's got nothing else
going on in her life.
673
00:32:54,600 --> 00:32:57,800
She can probably muster a couple
of waters a week.
674
00:32:57,800 --> 00:33:00,600
Who's she? Who's she? Oh, Trochelle.
675
00:33:00,600 --> 00:33:03,800
That's the imaginary girl
that I'm building for.
676
00:33:03,800 --> 00:33:06,120
She's a trashy Michelle Ogundehin.
677
00:33:06,120 --> 00:33:08,320
She's a trashy Michelle Ogundehin!
678
00:33:08,320 --> 00:33:11,960
Oh, she'll love this. Is she nice
looking, Trochelle? She's gorgeous.
679
00:33:11,960 --> 00:33:13,960
Really? With a heart of gold. Oh.
680
00:33:13,960 --> 00:33:17,600
I want to go for a drink with
Trochelle. She's wild. She is wild.
681
00:33:17,600 --> 00:33:18,760
She's likes the drink.
682
00:33:18,760 --> 00:33:21,200
I'll have a gin and tonic,
she can have a Baby Bio.
683
00:33:22,720 --> 00:33:24,480
We've got an hour left.
684
00:33:24,480 --> 00:33:27,320
Actually 58 minutes. OK.
685
00:33:27,320 --> 00:33:29,080
With the clock ticking,
686
00:33:29,080 --> 00:33:31,920
there's only time
for one final zhush.
687
00:33:31,920 --> 00:33:36,000
Just in terms of timelines,
basically I need this room back.
688
00:33:36,000 --> 00:33:38,360
Keep going.
Going to the finish line.
689
00:33:40,600 --> 00:33:43,280
Do you mind wiping her bum
for me as well, please? Yeah.
690
00:33:45,360 --> 00:33:47,520
Just putting up my final curtain.
691
00:33:47,520 --> 00:33:50,280
The way they fall, they get
that really nice undulation,
692
00:33:50,280 --> 00:33:52,560
so I deliberately
wanted them shorter.
693
00:33:53,680 --> 00:33:56,680
Yeah, exactly what
I envisioned. It's perfect.
694
00:34:00,400 --> 00:34:05,000
In the midst of this chaos,
this is just like a dream.
695
00:34:05,000 --> 00:34:08,640
It looks beautiful. Ah, OK.
696
00:34:10,520 --> 00:34:12,360
I'm pretty proud of myself.
697
00:34:13,720 --> 00:34:15,520
This is lush.
698
00:34:17,880 --> 00:34:22,480
The five apartments are complete
and ready to be scrutinised.
699
00:34:22,480 --> 00:34:24,880
Very nice place to arrive to.
No, definitely.
700
00:34:26,240 --> 00:34:27,960
This week, Michelle will judge
701
00:34:27,960 --> 00:34:31,880
alongside prince of print
and pattern Matthew Williamson.
702
00:34:31,880 --> 00:34:34,960
So here we are in Manchester,
our hometown.
703
00:34:34,960 --> 00:34:36,920
I know. It's exciting.
704
00:34:36,920 --> 00:34:40,760
This is one of those new,
fantastic high-rise developments,
705
00:34:40,760 --> 00:34:42,800
bang in the city centre,
706
00:34:42,800 --> 00:34:44,240
with this epic view.
707
00:34:44,240 --> 00:34:47,320
Well, it's certainly a change
from when I was renting.
708
00:34:47,320 --> 00:34:49,680
It's kind of as
high a spec as you can get.
709
00:34:49,680 --> 00:34:52,200
So they've really got to raise
the bar, I guess.
710
00:34:52,200 --> 00:34:55,360
I'm looking for a few ideas,
but really strong ideas.
711
00:34:55,360 --> 00:34:58,080
So they have a room each where
I want to see some of their
712
00:34:58,080 --> 00:35:01,880
personality, but I've asked them to
come together on that home office.
713
00:35:01,880 --> 00:35:05,400
Most projects, you're rarely
making all the decisions alone.
714
00:35:05,400 --> 00:35:08,240
A smart designer is going
to realise they can learn
715
00:35:08,240 --> 00:35:10,000
a lot from their team-mate.
Right.
716
00:35:10,000 --> 00:35:11,880
You know, you need to be adaptable
717
00:35:11,880 --> 00:35:15,360
and look at things from different
perspectives as well as your own.
718
00:35:15,360 --> 00:35:17,520
Dean, we've got 15 minutes.
719
00:35:17,520 --> 00:35:18,800
I know, my love.
720
00:35:18,800 --> 00:35:23,400
The first apartment to be examined
is Abi and Dean's. One, two, three.
721
00:35:23,400 --> 00:35:24,480
Stunning.
722
00:35:24,480 --> 00:35:26,920
Oh, breathe.
723
00:35:26,920 --> 00:35:29,680
There you go. Oh, my God.
724
00:35:35,320 --> 00:35:38,960
I think I have fulfilled the brief.
725
00:35:38,960 --> 00:35:43,640
Bold, iconic,
aimed at 22 to 30-year-olds,
726
00:35:43,640 --> 00:35:49,480
and, I'm sorry, that home office is
sick and I would love to work in it.
727
00:35:50,520 --> 00:35:52,120
Ooh, ooh, oh.
728
00:35:52,120 --> 00:35:56,400
Burning my eyes straight away
with this neon peachy.
729
00:35:56,400 --> 00:36:00,400
Yeah, it's definitely fresh and
lively. Really like this corner.
730
00:36:00,400 --> 00:36:04,640
The balance of paint arch,
the picture, the upcycled unit.
731
00:36:04,640 --> 00:36:07,240
There's something very considered
about that, that I like.
732
00:36:07,240 --> 00:36:09,960
Right, I'm looking at that sort of
strange planter over there.
733
00:36:09,960 --> 00:36:13,040
That's an odd little touch,
but it's quite nice.
734
00:36:13,040 --> 00:36:17,240
That feels slightly, you know,
unique to that designer. Yeah.
735
00:36:22,160 --> 00:36:25,600
My room is a room that anybody
can jump into and use right now
736
00:36:25,600 --> 00:36:28,240
and stay so I'm really
proud of that room.
737
00:36:28,240 --> 00:36:30,880
For me, it's all about making sure
I can keep my dream happening.
738
00:36:30,880 --> 00:36:34,880
I mean, I'm doing this for
not only me, but my two boys.
739
00:36:34,880 --> 00:36:37,640
Well, this is very fresh
and verdant, isn't it?
740
00:36:37,640 --> 00:36:39,400
Cos I have to tell you straight off,
741
00:36:39,400 --> 00:36:42,200
from what I know about Dean
so far, he's all about
742
00:36:42,200 --> 00:36:45,760
the dark and moody.
His own home is completely black.
743
00:36:45,760 --> 00:36:49,600
Wow. So, clearly, he recognised
that he needed to dial down
744
00:36:49,600 --> 00:36:52,600
what he was into and do something
that was appropriate.
745
00:36:52,600 --> 00:36:55,000
Yeah.
Do you think he's done that well?
746
00:36:55,000 --> 00:36:58,640
Well, it's very green, isn't it?
It's super green.
747
00:36:58,640 --> 00:37:01,560
It's not off-putting.
I would sleep here very happily.
748
00:37:01,560 --> 00:37:05,520
The bit Dean still has to
learn is a bit more about colour.
749
00:37:05,520 --> 00:37:08,720
Cos what we know is he likes one
colour. Here he's kind of mixed
750
00:37:08,720 --> 00:37:11,840
two tones of colours but there's
another step to go, isn't there?
751
00:37:11,840 --> 00:37:13,120
Absolutely.
752
00:37:13,120 --> 00:37:15,240
Shall we go see the office?
Let's do it.
753
00:37:17,240 --> 00:37:18,320
OK.
754
00:37:18,320 --> 00:37:19,800
Well, first off, I have to say,
755
00:37:19,800 --> 00:37:21,280
while it's not blowing me away,
756
00:37:21,280 --> 00:37:23,680
I do think there's been
collaboration here, though,
757
00:37:23,680 --> 00:37:27,280
and that for this challenge was the
key thing I was really looking for.
758
00:37:27,280 --> 00:37:28,840
It's not easy to do, is it?
759
00:37:28,840 --> 00:37:32,120
To work with someone you don't know,
with a different style.
760
00:37:32,120 --> 00:37:33,920
It's a nice little space.
761
00:37:35,880 --> 00:37:38,640
The next team to face
the judges' scrutiny,
762
00:37:38,640 --> 00:37:40,240
Paul and Amy.
763
00:37:40,240 --> 00:37:41,840
That is wow.
764
00:37:41,840 --> 00:37:44,080
I know you had your doubts,
but I was...
765
00:37:44,080 --> 00:37:46,160
..I was quite convinced
it would work.
766
00:37:52,520 --> 00:37:54,360
I have definitely nailed it.
767
00:37:54,360 --> 00:37:57,600
It's been a passion project
for the past two days
768
00:37:57,600 --> 00:37:59,440
and I'm really pleased.
769
00:37:59,440 --> 00:38:00,520
Superb.
770
00:38:02,600 --> 00:38:05,160
Quite fresh. Quite harmonious.
771
00:38:05,160 --> 00:38:06,680
It's very easy.
772
00:38:06,680 --> 00:38:11,040
Nothing is screaming out at me
as being a big mistake. Yeah.
773
00:38:11,040 --> 00:38:12,920
Paul is a visual merchandiser
774
00:38:12,920 --> 00:38:15,800
so we're very much playing
to his strengths here.
775
00:38:15,800 --> 00:38:18,400
I mean, I guess we've got concrete
effect wallpaper and
776
00:38:18,400 --> 00:38:22,400
the kind of faux wood strip thing.
That's the decoration, isn't it?
777
00:38:22,400 --> 00:38:25,680
Then everything else is
essentially accessories. Yeah.
778
00:38:29,760 --> 00:38:32,920
I feel happy about everything
that's in my room
779
00:38:32,920 --> 00:38:35,200
that I've made and that I've bought.
780
00:38:35,200 --> 00:38:37,440
I'm not 100% happy with the office.
781
00:38:37,440 --> 00:38:38,640
That's how I feel.
782
00:38:40,200 --> 00:38:42,080
Now, Mathew,
Amy is a print designer,
783
00:38:42,080 --> 00:38:45,960
so I'd expect to be seeing, like,
kind of patterns and textures
784
00:38:45,960 --> 00:38:48,680
and things going on from her,
so I'm not disappointed in that.
785
00:38:48,680 --> 00:38:52,280
Yeah. There's lots of details
I really love here as well. Yeah.
786
00:38:52,280 --> 00:38:54,080
I like the black metalwork.
787
00:38:54,080 --> 00:38:56,480
I like the fact that she's
taken it through to paint
788
00:38:56,480 --> 00:38:58,200
the skirtings and the doorframes.
789
00:38:58,200 --> 00:39:00,600
Yeah, those details
are definitely considered,
790
00:39:00,600 --> 00:39:03,080
and I love this
little dressing space. Yeah.
791
00:39:03,080 --> 00:39:05,720
I think to clad the whole space
in the wallpaper
792
00:39:05,720 --> 00:39:07,520
is really a nice little touch.
793
00:39:07,520 --> 00:39:10,720
But then none of that is
then in the living room.
794
00:39:10,720 --> 00:39:13,400
Amy's done her thing,
Paul's done his thing.
795
00:39:13,400 --> 00:39:17,400
I mean, the home office is
going to be revealing. Yeah.
796
00:39:18,920 --> 00:39:21,720
Immediately, I walk in here,
I'm frustrated.
797
00:39:21,720 --> 00:39:24,720
This is not two people
coming together.
798
00:39:24,720 --> 00:39:27,480
And this wallpaper
doesn't speak to me
799
00:39:27,480 --> 00:39:29,320
about the two rooms we've just seen.
800
00:39:29,320 --> 00:39:31,440
It's the afterthought room,
isn't it? Yeah.
801
00:39:31,440 --> 00:39:34,080
There's been no love,
no collaboration.
802
00:39:34,080 --> 00:39:38,280
You should have a beautifully
styled, rich with texture room.
803
00:39:38,280 --> 00:39:40,600
That's what these two people
could have brought to this
804
00:39:40,600 --> 00:39:42,520
and I see neither of that.
805
00:39:42,520 --> 00:39:44,720
Yeah. What a shame. Yeah.
806
00:39:47,960 --> 00:39:51,040
I haven't even touched your mirror.
Oh, my God, the doors!
807
00:39:51,040 --> 00:39:52,760
Have you not touched the mirrors?
808
00:39:52,760 --> 00:39:55,960
Oh, Peter, this is genius.
I know, it's good teamwork.
809
00:39:55,960 --> 00:39:59,280
Next to face the judges,
Fran and Peter.
810
00:39:59,280 --> 00:40:01,920
I think we're done. So proud.
811
00:40:01,920 --> 00:40:04,720
Yeah, I'm really happy.
So, so proud.
812
00:40:09,560 --> 00:40:14,000
I think I feel good, I think the
room's all right, I think it's OK.
813
00:40:14,000 --> 00:40:17,120
I think I've done enough.
I hope I've done enough.
814
00:40:17,120 --> 00:40:18,560
Oh, wow.
815
00:40:18,560 --> 00:40:20,800
Oh, this is a bit more
like it, isn't it?
816
00:40:20,800 --> 00:40:23,800
Sorry, I'm excited,
instantly excited.
817
00:40:23,800 --> 00:40:25,640
Look at this space.
818
00:40:25,640 --> 00:40:30,040
This feels like it is exactly
what we're here for.
819
00:40:30,040 --> 00:40:33,760
This is an accomplished, quality,
well thought out space.
820
00:40:33,760 --> 00:40:36,000
It's gorgeous. Wow, you've only
just walked in and you're...
821
00:40:36,000 --> 00:40:37,840
I know, I'm ready
for my dinner already.
822
00:40:37,840 --> 00:40:40,200
I mean, it's so cleverly done.
823
00:40:40,200 --> 00:40:42,880
Yeah, I think this is really
clever cos you could just
824
00:40:42,880 --> 00:40:44,880
have put in a dining table.
Isn't it clever?
825
00:40:44,880 --> 00:40:47,200
But it just reconfigures
the whole thing.
826
00:40:47,200 --> 00:40:49,240
It's fun,
it's very of the demographic.
827
00:40:49,240 --> 00:40:51,880
You can imagine having
a fun little dinner party here
828
00:40:51,880 --> 00:40:54,720
and it just divides the space up.
Yeah, absolutely.
829
00:40:54,720 --> 00:40:56,760
I love how they've done
really clever things
830
00:40:56,760 --> 00:40:58,240
with the walls and the ceiling.
831
00:40:58,240 --> 00:40:59,720
But without being overkill
832
00:40:59,720 --> 00:41:01,640
cos sometimes paint effects
can be a bit like,
833
00:41:01,640 --> 00:41:03,600
"Oh, look at me,
here's a paint effect." Exactly.
834
00:41:03,600 --> 00:41:05,880
But this is...
It's quite subtle, isn't it? Yeah.
835
00:41:05,880 --> 00:41:09,000
Like, I feel like you're
in a different part of this lounge,
836
00:41:09,000 --> 00:41:11,600
largely because of that
stripe on the ceiling.
837
00:41:11,600 --> 00:41:15,360
It makes it feel more spacious.
Yeah, it's really accomplished.
838
00:41:20,840 --> 00:41:23,760
The last couple of days,
I've proved to myself that
839
00:41:23,760 --> 00:41:26,240
I can do this interior design.
840
00:41:26,240 --> 00:41:29,200
Yeah, bring it on. Bring more on.
841
00:41:29,200 --> 00:41:32,480
Oh, you're going to love this colour
aren't you, Matthew? This is so you!
842
00:41:32,480 --> 00:41:35,120
Oh, my goodness, I love this space!
843
00:41:35,120 --> 00:41:36,680
This is gorgeous.
844
00:41:36,680 --> 00:41:39,040
I love how bold and confident it is.
845
00:41:39,040 --> 00:41:40,640
I mean, this is a piece of design.
846
00:41:40,640 --> 00:41:44,640
I mean, look. Oh, wow. This is
more than just a room divider.
847
00:41:44,640 --> 00:41:47,000
You've got your full length mirror
and who doesn't love one of those?
848
00:41:47,000 --> 00:41:48,520
But look - storage.
849
00:41:48,520 --> 00:41:53,120
What was a really dull, dead space,
that's quite amazing, isn't it?
850
00:41:53,120 --> 00:41:55,640
It transformed it. Completely
transformed, yeah. Brilliant.
851
00:41:55,640 --> 00:41:58,000
Ey, it's lovely, in't it?
852
00:41:58,000 --> 00:42:00,360
But, once again,
the real key will be like,
853
00:42:00,360 --> 00:42:02,320
how did they do in the home office?
854
00:42:03,720 --> 00:42:05,280
I love it already.
855
00:42:05,280 --> 00:42:06,720
You know what I love, though,
856
00:42:06,720 --> 00:42:10,040
is, like, these colours I've seen
already echoed from outside.
857
00:42:10,040 --> 00:42:11,760
This is collaboration, isn't it?
858
00:42:11,760 --> 00:42:14,920
Yeah, I struggle to find
flaws and faults.
859
00:42:14,920 --> 00:42:18,480
I think they're really clever
with colour, pattern, texture.
860
00:42:18,480 --> 00:42:20,160
I've got ideas from this space.
861
00:42:20,160 --> 00:42:21,320
It's inspiring.
862
00:42:22,440 --> 00:42:24,840
MOLLY: I haven't checked the time
and I don't want to check the time.
863
00:42:24,840 --> 00:42:27,760
I'm very scared to check the time,
so I am not looking at the time,
864
00:42:27,760 --> 00:42:29,160
although I know I have no time.
865
00:42:29,160 --> 00:42:31,960
Time is up for Richard and Molly.
866
00:42:31,960 --> 00:42:33,760
Check my diary.
867
00:42:33,760 --> 00:42:37,320
Oh, it's blank for the next
few months.
868
00:42:37,320 --> 00:42:38,720
Oh, it does flow.
869
00:42:38,720 --> 00:42:40,120
I think it's good. Yeah.
870
00:42:45,360 --> 00:42:48,800
Just in that last hour, magic.
I'm so happy.
871
00:42:48,800 --> 00:42:50,680
I did everything I could,
so if they just said,
872
00:42:50,680 --> 00:42:52,840
"Oh, it doesn't feel like you
thought about it much,"
873
00:42:52,840 --> 00:42:55,360
I'd be crushed
because I thought about it loads.
874
00:42:58,040 --> 00:42:59,440
Gosh.
875
00:42:59,440 --> 00:43:02,760
Same room,
completely different look. Yeah.
876
00:43:02,760 --> 00:43:06,680
There's something very
awkward for me, immediately.
877
00:43:06,680 --> 00:43:09,520
It's like my eye is dancing around,
I'm kind of going,
878
00:43:09,520 --> 00:43:12,200
"Oh, those greens do not work
together."
879
00:43:12,200 --> 00:43:14,880
What was the design idea here?
880
00:43:14,880 --> 00:43:16,760
There's a lack of cohesion.
881
00:43:16,760 --> 00:43:19,200
I suspect a lack of experience.
882
00:43:19,200 --> 00:43:21,800
It just feels someone sat down
with a laptop,
883
00:43:21,800 --> 00:43:24,720
shopped a few bits and put them in.
Maybe it's tweaks.
884
00:43:24,720 --> 00:43:27,360
It's about kind of really
understanding kind of like how
885
00:43:27,360 --> 00:43:30,080
a palette works, cos you can see
the beginnings of it in here.
886
00:43:30,080 --> 00:43:32,480
There is the sort
of tealy wallpaper.
887
00:43:32,480 --> 00:43:34,920
It's picked up on the cushions.
It's on this back wall. Yeah.
888
00:43:34,920 --> 00:43:36,960
So that gives me hope.
889
00:43:42,160 --> 00:43:43,760
I honestly feel so good.
890
00:43:43,760 --> 00:43:47,040
The curtains are just
well worth those hours
891
00:43:47,040 --> 00:43:50,720
that I spent sewing them
so really, really chuffed.
892
00:43:50,720 --> 00:43:53,240
The space feels young. It feels fun.
893
00:43:53,240 --> 00:43:58,160
It feels bright and fresh and
I'm absolutely ready to defend it,
894
00:43:58,160 --> 00:43:59,320
to the death.
895
00:44:01,640 --> 00:44:04,840
Instantly distracted
by the shortness of the curtains.
896
00:44:04,840 --> 00:44:07,480
What's that about? Oh, wow.
It can't be intentional.
897
00:44:07,480 --> 00:44:10,080
I'd like to believe that
that is not a deliberate decision.
898
00:44:10,080 --> 00:44:12,320
Well, I want to know what did
the mood board look like?
899
00:44:12,320 --> 00:44:14,600
Where did the inspiration come from?
900
00:44:14,600 --> 00:44:17,080
There's the beginnings of
something quite fun over here.
901
00:44:17,080 --> 00:44:20,680
I love that, like, zesty lime,
the olive green and the lavender.
902
00:44:20,680 --> 00:44:24,480
However, what we're always
looking for is a level of design
903
00:44:24,480 --> 00:44:26,480
to go alongside the decoration.
904
00:44:26,480 --> 00:44:30,160
Yeah, I think it's one thing doing
things that look good in an image
905
00:44:30,160 --> 00:44:32,320
and then it's a whole other
ball game
906
00:44:32,320 --> 00:44:34,480
creating that feeling in a room.
907
00:44:34,480 --> 00:44:37,480
That's a really good point. There's
something really 2D about this room.
908
00:44:37,480 --> 00:44:40,280
So it will be interesting to see
how these two characters are merged
909
00:44:40,280 --> 00:44:43,720
together in the home office. Mm-hm.
Shall we go and see? Absolutely.
910
00:44:45,520 --> 00:44:47,720
We can see there was dialogue
911
00:44:47,720 --> 00:44:48,760
between the two of them.
912
00:44:48,760 --> 00:44:50,600
I mean, that was what this
brief was all about,
913
00:44:50,600 --> 00:44:52,640
so I will give them
a big tick for that.
914
00:44:52,640 --> 00:44:55,040
Me too, two ticks. Two ticks.
915
00:44:55,040 --> 00:44:58,640
However, you cannot,
in a home office,
916
00:44:58,640 --> 00:45:00,880
put a desk facing a wall like that.
917
00:45:00,880 --> 00:45:03,400
It's like the equivalent of
putting yourself in detention.
918
00:45:03,400 --> 00:45:07,160
I mean, this is like interior design
basics.
919
00:45:08,160 --> 00:45:12,120
Rochelle and Banjo's apartment
is the last to be judged.
920
00:45:12,120 --> 00:45:14,520
Little fake records I made.
921
00:45:14,520 --> 00:45:17,120
Allan's latest record, Allan Car.
922
00:45:17,120 --> 00:45:18,920
Are you proud of yourself? Yeah.
923
00:45:23,040 --> 00:45:28,400
I'm happy with how the colours
have come together really well.
924
00:45:28,400 --> 00:45:31,280
I feel relieved,
but I hope I did enough.
925
00:45:32,440 --> 00:45:34,880
Oh, I think it's
a really lovely palette.
926
00:45:34,880 --> 00:45:37,600
You've got three complementary
colours here,
927
00:45:37,600 --> 00:45:39,760
the forest green,
the soft sage green
928
00:45:39,760 --> 00:45:41,960
and this lovely
sort of putty colour.
929
00:45:41,960 --> 00:45:44,760
There's too few ideas for me.
930
00:45:44,760 --> 00:45:46,080
It's a canvas.
931
00:45:46,080 --> 00:45:48,040
They've not overworked the space
932
00:45:48,040 --> 00:45:51,080
and filled it with trinkets
and bits and bobs.
933
00:45:51,080 --> 00:45:54,520
I'll tell you one thing -
the simplicity of this does frame
934
00:45:54,520 --> 00:45:56,880
perfectly walking through
to that bedroom cos
935
00:45:56,880 --> 00:45:59,520
I can see that same little
stripe of forest green
936
00:45:59,520 --> 00:46:01,880
and I'm kind of compelled
to go in here.
937
00:46:01,880 --> 00:46:05,080
So let's go have a look.
938
00:46:07,000 --> 00:46:09,480
I'm stoked with my room.
939
00:46:09,480 --> 00:46:13,120
Like, I have, like, pulled it off.
940
00:46:13,120 --> 00:46:15,480
I think... Oh, man, that's cocky!
941
00:46:17,160 --> 00:46:20,080
What's clever here is this
bedroom is exactly the same
942
00:46:20,080 --> 00:46:24,240
size as all the others we've seen
but it feels bigger because he's
943
00:46:24,240 --> 00:46:28,840
taken that very simple device of
doing the oversized headboard.
944
00:46:28,840 --> 00:46:31,040
So simple but so effective.
945
00:46:31,040 --> 00:46:32,280
It's a lovely touch.
946
00:46:32,280 --> 00:46:35,720
This whole construction,
it's very thought through, isn't it,
947
00:46:35,720 --> 00:46:37,280
this backdrop? Yeah.
948
00:46:37,280 --> 00:46:39,760
But I'd also say this
person demonstrates
949
00:46:39,760 --> 00:46:43,120
knowledge about how to
use colour really effectively.
950
00:46:43,120 --> 00:46:47,080
You know, for example, to put
this beautiful cornflower blue,
951
00:46:47,080 --> 00:46:51,160
a cold colour, and then a sort of
lovely, soft plaster pink,
952
00:46:51,160 --> 00:46:52,440
which is a warm colour.
953
00:46:52,440 --> 00:46:56,720
So that is a sort of tried and
tested go-to really for a designer
954
00:46:56,720 --> 00:46:58,400
to make a room sing.
955
00:46:58,400 --> 00:47:00,920
And it just works.
This really works. Yeah.
956
00:47:00,920 --> 00:47:04,400
It's about the power of doing
a lot with a little. Exactly.
957
00:47:04,400 --> 00:47:07,000
Which is quite different to how
I feel about the living room.
958
00:47:07,000 --> 00:47:10,280
But let's go see the home office.
We might never agree on that one.
959
00:47:11,480 --> 00:47:15,680
It really shows another
example of clever use of colour.
960
00:47:15,680 --> 00:47:19,560
And it shows a designer flair. Yeah,
I'm very happy about that. Yeah.
961
00:47:19,560 --> 00:47:22,520
I like that little shelf
that makes extra use there.
962
00:47:22,520 --> 00:47:25,320
It feels light, bright,
quite contemporary,
963
00:47:25,320 --> 00:47:29,920
luxury, modern - tick, tick, tick,
tick, tick. I like it.
964
00:47:29,920 --> 00:47:31,480
I like it too.
965
00:47:31,480 --> 00:47:33,040
Before the teams leave Manchester
966
00:47:33,040 --> 00:47:35,840
for the design studio
on the south coast...
967
00:47:35,840 --> 00:47:38,800
Oh, my goodness. ..there's time
to check out the competition.
968
00:47:38,800 --> 00:47:41,800
WHISTLES
It's exciting actually, isn't it?
969
00:47:41,800 --> 00:47:44,240
I want to see Banjo's room.
Let's go.
970
00:47:44,240 --> 00:47:45,520
Oh, wow!
971
00:47:45,520 --> 00:47:49,040
You're like can a man that
makes cheese do this?
972
00:47:49,040 --> 00:47:50,440
He's so skilful.
973
00:47:50,440 --> 00:47:51,680
I love the green.
974
00:47:51,680 --> 00:47:53,960
I think it is slightly too green.
975
00:47:53,960 --> 00:47:55,240
Calming. Airy.
976
00:47:56,600 --> 00:47:58,000
I don't like it.
977
00:47:58,000 --> 00:48:00,240
I mean, the hamper's overkill.
978
00:48:00,240 --> 00:48:01,480
LAUGHTER
979
00:48:01,480 --> 00:48:03,720
I thought that was a nice touch.
No.
980
00:48:03,720 --> 00:48:07,720
So how do you feel about our
chances now that we've seen this?
981
00:48:07,720 --> 00:48:08,920
I'm nervous.
982
00:48:08,920 --> 00:48:11,520
Seeing someone else's office that
feels really connected
983
00:48:11,520 --> 00:48:14,640
to the rest of it. Bit worried.
Yeah. I would agree.
984
00:48:19,640 --> 00:48:22,520
With a contract for their dream
job at stake,
985
00:48:22,520 --> 00:48:26,880
the ten designers are called
back to the design studio.
986
00:48:26,880 --> 00:48:29,720
Judgment day. I'm sweating bullets.
987
00:48:30,840 --> 00:48:32,720
I'm super happy with my space.
988
00:48:32,720 --> 00:48:35,280
I think I've made, like,
a tiny bit of magic.
989
00:48:35,280 --> 00:48:37,800
I am nervous to know
what Michelle thinks.
990
00:48:37,800 --> 00:48:40,960
Like, my designs, I guess,
are quite divisive I think,
991
00:48:40,960 --> 00:48:43,800
cos there's a lot of colour,
people could absolutely hate it.
992
00:48:43,800 --> 00:48:47,320
Looking at the room, I'm just not
sure if I've done enough.
993
00:48:47,320 --> 00:48:48,360
Hey.
994
00:48:49,560 --> 00:48:53,120
I've had time to reflect
and I'm proud of what I did
995
00:48:53,120 --> 00:48:56,240
and I delivered the brief,
but I'm ready to defend
996
00:48:56,240 --> 00:48:57,720
my designs if I have to.
997
00:49:00,400 --> 00:49:04,640
How you doing? Good. Fine.
You survived.
998
00:49:04,640 --> 00:49:06,000
Yeah. Yes.
999
00:49:06,000 --> 00:49:08,520
You look terrified.
1000
00:49:08,520 --> 00:49:09,600
We are.
1001
00:49:09,600 --> 00:49:11,840
Well, listen I'm sure you're
desperate to know
1002
00:49:11,840 --> 00:49:14,040
what Matthew and Michelle's
thoughts are,
1003
00:49:14,040 --> 00:49:15,800
so I'm not going
to blabber on, OK?
1004
00:49:17,120 --> 00:49:20,800
The judges were impressed
with most of the apartments
1005
00:49:20,800 --> 00:49:24,720
but they felt some of you could have
answered the brief a bit better.
1006
00:49:26,520 --> 00:49:30,120
The judges were really
impressed with one pairing.
1007
00:49:32,320 --> 00:49:35,320
They felt they showed
real design savvy
1008
00:49:35,320 --> 00:49:37,600
making the space work harder
1009
00:49:37,600 --> 00:49:40,920
without compromising any
of the style or fun.
1010
00:49:44,880 --> 00:49:46,960
Peter and Fran, well done.
1011
00:49:46,960 --> 00:49:48,240
You're through to next week.
1012
00:49:48,240 --> 00:49:49,680
APPLAUSE
1013
00:49:49,680 --> 00:49:53,800
Well done.
It was the best. Ah, amazing.
1014
00:49:56,240 --> 00:50:00,360
There was another designer who
really impressed the judges as well.
1015
00:50:04,080 --> 00:50:06,640
Banjo, they really
loved your bedroom.
1016
00:50:06,640 --> 00:50:11,520
So Banjo and Rochelle,
you're safe for this week.
1017
00:50:11,520 --> 00:50:13,320
Well done. Well done.
1018
00:50:13,320 --> 00:50:15,600
Well done. Just one more pair.
1019
00:50:17,000 --> 00:50:19,120
And the last team through are...
1020
00:50:25,040 --> 00:50:28,520
..Dean and Abi. Congratulations.
Oh, my God. We'll see you next time.
1021
00:50:29,720 --> 00:50:30,880
Gosh.
1022
00:50:32,200 --> 00:50:34,240
Well done, you lot. Off you go.
1023
00:50:34,240 --> 00:50:38,120
Well done, guys. Good luck, guys.
Well done. Thank you.
1024
00:50:39,520 --> 00:50:43,400
I know it's so tough to be
on the sofa, especially week one,
1025
00:50:43,400 --> 00:50:45,320
cos I know how hard you worked.
1026
00:50:45,320 --> 00:50:47,080
Michelle will chat to you
on the sofa
1027
00:50:47,080 --> 00:50:48,960
about some of your design decisions.
1028
00:50:48,960 --> 00:50:53,040
Sadly, one of you will be going
home. Good luck.
1029
00:50:53,040 --> 00:50:54,080
Thank you.
1030
00:50:55,320 --> 00:50:56,480
God.
1031
00:51:00,440 --> 00:51:02,280
I can't believe Amy.
1032
00:51:02,280 --> 00:51:05,480
What's Amy doing in the bottom four?
She did that print herself.
1033
00:51:05,480 --> 00:51:07,000
Oh, we loved her room.
1034
00:51:07,000 --> 00:51:09,480
You could tell that she was really
strong in print and pattern
1035
00:51:09,480 --> 00:51:12,800
but this challenge was as much about
that room that they did together
1036
00:51:12,800 --> 00:51:16,840
and, really, we just didn't see the
teamwork in that home office.
1037
00:51:16,840 --> 00:51:19,360
But then with both Molly's
and Richard's,
1038
00:51:19,360 --> 00:51:21,160
we were just really struggling.
1039
00:51:21,160 --> 00:51:23,840
I think you said it's kind of
like what was on their mood board?
1040
00:51:23,840 --> 00:51:27,400
Because I can't see it, I can't
see the thread between the items.
1041
00:51:27,400 --> 00:51:31,280
Well, I think lots of the time,
the easy trap to fall into is
1042
00:51:31,280 --> 00:51:33,080
to just start shopping.
1043
00:51:33,080 --> 00:51:35,320
You need to start
with a bigger picture.
1044
00:51:35,320 --> 00:51:37,880
Yeah, yeah. Think about the
background, then the midground
1045
00:51:37,880 --> 00:51:39,680
and then possibly the foreground,
1046
00:51:39,680 --> 00:51:43,280
which is really the homeowner's
job to bring in a trinket,
1047
00:51:43,280 --> 00:51:45,080
and a candle, and a vase.
1048
00:51:45,080 --> 00:51:47,960
It's also about really sitting
yourself in that room.
1049
00:51:47,960 --> 00:51:52,120
How does this room feel to me?
Not just what it looks like. Yeah.
1050
00:51:55,920 --> 00:51:57,480
Hi. Hello.
1051
00:51:59,560 --> 00:52:02,960
I imagine that you're, all four,
less than thrilled to be here,
1052
00:52:02,960 --> 00:52:05,960
but I really encourage you
to see this as a discussion.
1053
00:52:05,960 --> 00:52:07,320
It's not an interrogation.
1054
00:52:07,320 --> 00:52:09,680
And I, for one, am really excited
to actually have the chance
1055
00:52:09,680 --> 00:52:11,240
to talk to you about your work.
1056
00:52:11,240 --> 00:52:14,840
So, Paul and Amy, I'm going
to start with you. Mm-hm.
1057
00:52:14,840 --> 00:52:18,440
Cos your individual rooms,
they did enough for this brief
1058
00:52:18,440 --> 00:52:20,920
to show me what I wanted to see.
1059
00:52:20,920 --> 00:52:22,760
However, this brief,
1060
00:52:22,760 --> 00:52:27,760
a very key part of it was working
together on that home office.
1061
00:52:27,760 --> 00:52:30,240
But we just didn't really feel that.
1062
00:52:30,240 --> 00:52:32,560
So, Amy, if I could start with you,
1063
00:52:32,560 --> 00:52:35,040
what happened? Cos where
was your print and pattern?
1064
00:52:35,040 --> 00:52:37,280
Well, there's the print
behind the desk,
1065
00:52:37,280 --> 00:52:41,520
which is one that I hand drew and
had printed, of icons in Manchester,
1066
00:52:41,520 --> 00:52:43,160
so my hand drawing is in there.
1067
00:52:43,160 --> 00:52:46,400
It's not in the wallpaper
and it's not really anywhere else.
1068
00:52:46,400 --> 00:52:50,640
I think we should have collaborated
more and I think, with regards
1069
00:52:50,640 --> 00:52:53,240
to the wallpaper, there's certain
elements that weren't negotiable.
1070
00:52:53,240 --> 00:52:55,760
And one learning
I have from this week is just
1071
00:52:55,760 --> 00:52:57,560
to voice my opinion more.
1072
00:52:57,560 --> 00:53:02,040
So if I get another chance,
I'd be heard.
1073
00:53:02,040 --> 00:53:05,440
So, Amy, I feel like you've been
very forthcoming with what you've
1074
00:53:05,440 --> 00:53:07,840
learned from it. Paul, I mean, do
you feel that you have something
1075
00:53:07,840 --> 00:53:09,800
to learn from an expert
in print and pattern?
1076
00:53:09,800 --> 00:53:11,680
Yeah. When Amy and I
were paired together,
1077
00:53:11,680 --> 00:53:14,480
I was absolutely delighted
because of Amy's print background.
1078
00:53:14,480 --> 00:53:18,280
And then when I spoke about
the wallpaper, I referenced teal.
1079
00:53:18,280 --> 00:53:22,840
Now, the wallpaper is more navy
and I suppose I was...
1080
00:53:22,840 --> 00:53:26,960
..felt quite strongly that that
graphic wallpaper should stay.
1081
00:53:26,960 --> 00:53:30,800
I was going to say I felt that that
wallpaper really didn't fit there.
1082
00:53:30,800 --> 00:53:33,120
I wasn't teal
and it wasn't even navy. No.
1083
00:53:33,120 --> 00:53:35,240
But it wasn't of the language
of the rest of the space,
1084
00:53:35,240 --> 00:53:38,240
so I wonder why you pushed so hard
to have that one in there.
1085
00:53:38,240 --> 00:53:41,480
I think I come across
as quite a strong character
1086
00:53:41,480 --> 00:53:43,560
and more of a team leader
1087
00:53:43,560 --> 00:53:46,720
and I didn't... If that came
across, that wasn't my intention.
1088
00:53:46,720 --> 00:53:50,400
To work in a team, it's so
commonplace in the industry that,
1089
00:53:50,400 --> 00:53:52,720
you know, it's rare that you're
going to have to
1090
00:53:52,720 --> 00:53:54,280
make all the decisions alone,
1091
00:53:54,280 --> 00:53:57,800
so I think you do have to
sort of park personalities
1092
00:53:57,800 --> 00:54:00,440
and really try and get
the best out of each other.
1093
00:54:00,440 --> 00:54:01,880
Let's move on.
1094
00:54:01,880 --> 00:54:03,760
Molly and Richard,
on the other hand,
1095
00:54:03,760 --> 00:54:06,240
you could tell there was
collaboration at work.
1096
00:54:06,240 --> 00:54:07,480
So instead with you two,
1097
00:54:07,480 --> 00:54:09,840
I'd actually like to hone in
on your individual rooms.
1098
00:54:09,840 --> 00:54:11,840
OK. Molly, if I start with you.
1099
00:54:11,840 --> 00:54:13,920
I struggled a little
bit to understand
1100
00:54:13,920 --> 00:54:16,680
where you were coming from.
Some of the choices.
1101
00:54:16,680 --> 00:54:18,800
So, for example, the round chair.
Yeah.
1102
00:54:18,800 --> 00:54:22,600
Very, very different language to the
green sofa that you decided to keep.
1103
00:54:22,600 --> 00:54:24,400
Do you think they gelled?
1104
00:54:24,400 --> 00:54:27,520
I hoped to bring the two together
by introducing sort of
1105
00:54:27,520 --> 00:54:28,960
square cushions on the round sofa
1106
00:54:28,960 --> 00:54:30,880
and the round cushions
on the square sofa,
1107
00:54:30,880 --> 00:54:33,360
so that you could see there
was sort of a relationship.
1108
00:54:33,360 --> 00:54:36,360
There was sort of a pattern that I
tried to repeat throughout the room.
1109
00:54:36,360 --> 00:54:39,880
OK. I think perhaps this is
an experience thing, then.
1110
00:54:39,880 --> 00:54:43,520
Yeah, I'll definitely learn from
that if I get through to next week.
1111
00:54:43,520 --> 00:54:46,400
And, Richard, I've got very
similar questions for you.
1112
00:54:46,400 --> 00:54:48,120
What was on your mood board?
1113
00:54:48,120 --> 00:54:51,560
Where did you kind of start
your idea thinking for your room?
1114
00:54:51,560 --> 00:54:54,920
I was inspired by the, like,
retro futurism movement.
1115
00:54:54,920 --> 00:54:56,280
Do you think it worked?
1116
00:54:56,280 --> 00:54:58,880
Yeah. I really love my design.
I think it worked really well.
1117
00:54:58,880 --> 00:55:04,400
I think it felt very...where design
is headed, and I do love it.
1118
00:55:04,400 --> 00:55:06,400
And the curtains. Yes.
1119
00:55:06,400 --> 00:55:09,600
Talk to me about curtains -
why were they so short?
1120
00:55:09,600 --> 00:55:12,240
I did deliberately
want them to be shorter.
1121
00:55:12,240 --> 00:55:14,680
But a curtain is supposed
to block light out.
1122
00:55:14,680 --> 00:55:16,400
It needs to drop to the floor.
1123
00:55:16,400 --> 00:55:18,920
There's just...
That's the function of them. Yeah.
1124
00:55:18,920 --> 00:55:22,720
I think, like, I closed it and they
blocked out, like, enough light.
1125
00:55:22,720 --> 00:55:25,080
I think I just had to
kind of step back
1126
00:55:25,080 --> 00:55:27,960
and focus on all
the other things I needed to do.
1127
00:55:27,960 --> 00:55:29,000
OK.
1128
00:55:30,280 --> 00:55:34,320
This challenge really did involve
elements of creative compromise
1129
00:55:34,320 --> 00:55:36,040
and the lesson there was
1130
00:55:36,040 --> 00:55:39,240
it is less about,
"It's my way or the highway"...
1131
00:55:39,240 --> 00:55:42,400
Yeah. ..and all about the third way.
1132
00:55:42,400 --> 00:55:46,320
So, make no mistake, even
the best designers in the world
1133
00:55:46,320 --> 00:55:49,560
understand the power
of creative collaboration. Yeah.
1134
00:55:49,560 --> 00:55:52,120
But this was also about throwing
you in at the deep end
1135
00:55:52,120 --> 00:55:54,880
of what interior design was about.
1136
00:55:54,880 --> 00:55:56,640
It's Interior Design Masters,
1137
00:55:56,640 --> 00:55:59,360
I'm not looking
for interior decoration.
1138
00:55:59,360 --> 00:56:03,280
And design is about so much more
than just shopping or styling
1139
00:56:03,280 --> 00:56:05,560
or surface decoration.
1140
00:56:05,560 --> 00:56:07,840
And so the person I'm going
to send home this week...
1141
00:56:13,320 --> 00:56:15,360
..I'm sorry, it's you, Richard.
1142
00:56:15,360 --> 00:56:16,520
OK.
1143
00:56:19,760 --> 00:56:23,360
I mean, I've seen your work
on Instagram and admired it.
1144
00:56:23,360 --> 00:56:24,600
Thank you.
1145
00:56:24,600 --> 00:56:26,560
You know, you're an artist,
a painter,
1146
00:56:26,560 --> 00:56:30,200
but this is a very different
discipline, doing a 3D space.
1147
00:56:30,200 --> 00:56:34,000
Yeah. And I think perhaps that's
been a tricky transition for you.
1148
00:56:35,080 --> 00:56:36,560
I'm so sorry. It's OK.
1149
00:56:36,560 --> 00:56:39,360
You did so much right,
1150
00:56:39,360 --> 00:56:40,880
but this, it's bigger.
1151
00:56:40,880 --> 00:56:43,840
Interior design, it's hard. Yeah.
1152
00:56:43,840 --> 00:56:47,720
It's really hard, OK? OK. Bye, guys.
1153
00:56:47,720 --> 00:56:50,080
Thank you so much.
Bye. Bye. Bye. Bye.
1154
00:56:53,320 --> 00:56:56,840
You OK? Yeah. Thanks.
1155
00:56:56,840 --> 00:56:58,680
It's a lot of lessons in this one.
1156
00:56:58,680 --> 00:57:00,320
Yes, yeah. Lots.
1157
00:57:00,320 --> 00:57:04,960
And I cannot say strongly enough -
hear me on the lessons, OK? Yeah.
1158
00:57:04,960 --> 00:57:07,080
I just feel a little bit shocked.
1159
00:57:07,080 --> 00:57:10,400
I really, really loved my design.
1160
00:57:10,400 --> 00:57:13,480
It's definitely shown me
how hard this competition is.
1161
00:57:13,480 --> 00:57:17,160
There's so many beautiful,
strong designers,
1162
00:57:17,160 --> 00:57:19,840
and I'm honoured to stand by them,
1163
00:57:19,840 --> 00:57:22,640
even if I did fall
at the first hurdle.
1164
00:57:22,640 --> 00:57:26,960
I sent Richard home because interior
design is about how a room feels,
1165
00:57:26,960 --> 00:57:28,520
and how it works for the user,
1166
00:57:28,520 --> 00:57:31,360
it's not just about the colours
you paint the walls.
1167
00:57:32,680 --> 00:57:35,920
Next time... This is posh.
..the pressure's on...
1168
00:57:35,920 --> 00:57:38,840
Rome wasn't built in a day,
so hurry up!
1169
00:57:38,840 --> 00:57:42,880
..as the designers put their
signature stamp... That is so dark.
1170
00:57:42,880 --> 00:57:46,520
..on luxury hotel bedrooms.
We're turning mould to gold.
1171
00:57:46,520 --> 00:57:48,840
I'm going to get that as a tattoo!
1172
00:57:48,840 --> 00:57:50,320
I'm losing the will to live today.
1173
00:57:50,320 --> 00:57:53,280
It'll look rather lush.
1174
00:57:53,280 --> 00:57:54,440
Cheers.
97803
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