Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,000 --> 00:00:03,800
When you're in Cornwall
and it's freezing,
2
00:00:03,800 --> 00:00:05,560
do what the locals do -
3
00:00:05,560 --> 00:00:07,440
wear pasties as gloves!
4
00:00:07,440 --> 00:00:09,920
It's finals week!
5
00:00:09,920 --> 00:00:11,040
Mm!
6
00:00:12,280 --> 00:00:15,400
Ten aspiring designers put
their lives on hold
7
00:00:15,400 --> 00:00:17,720
in search of a dream -
8
00:00:17,720 --> 00:00:22,800
to break into the competitive world
of professional interior design.
9
00:00:22,800 --> 00:00:25,600
Over the last seven weeks,
they've transformed
10
00:00:25,600 --> 00:00:26,760
offices...
11
00:00:26,760 --> 00:00:28,200
Woohoo! I'm swinging!
12
00:00:28,200 --> 00:00:29,360
..hotels...
13
00:00:29,360 --> 00:00:32,840
Explain yourself!
I've gone maximalist.
14
00:00:32,840 --> 00:00:34,840
I can see that, love.
15
00:00:34,840 --> 00:00:36,000
..salons...
16
00:00:36,000 --> 00:00:38,320
This is where I go and
the red smoke comes down
17
00:00:38,320 --> 00:00:40,480
and I see nothing but the vision.
18
00:00:40,480 --> 00:00:42,000
..even beach huts...
19
00:00:42,000 --> 00:00:45,560
Hula-hula! Where's those sailors?
20
00:00:45,560 --> 00:00:48,360
Wowza! Wowza!
21
00:00:48,360 --> 00:00:52,200
..and impressed some of the biggest
names in the industry.
22
00:00:52,200 --> 00:00:54,920
What a success. What a triumph.
23
00:00:54,920 --> 00:00:57,880
So much fun!
24
00:00:57,880 --> 00:01:00,440
But now only two designers remain...
25
00:01:00,440 --> 00:01:01,800
It's frantic!
26
00:01:01,800 --> 00:01:05,680
Once again, Lynsey's pushed
herself as far as she can go.
27
00:01:05,680 --> 00:01:08,440
A little bit of bling
and a little bit of sparkle.
28
00:01:08,440 --> 00:01:11,960
..as they face the biggest
opportunity of their lives...
29
00:01:11,960 --> 00:01:14,960
This is what I love doing, creating
spaces that people want to be in.
30
00:01:14,960 --> 00:01:17,080
Honestly can't believe
that I'm still here,
31
00:01:17,080 --> 00:01:18,560
but I'm so glad that I am.
32
00:01:18,560 --> 00:01:22,120
..and compete to win a major
career-defining contract
33
00:01:22,120 --> 00:01:24,640
at a luxury hotel in the Lakes.
34
00:01:24,640 --> 00:01:27,960
We've got to know that
the person that wins this
35
00:01:27,960 --> 00:01:29,880
can absolutely deliver.
36
00:01:29,880 --> 00:01:33,600
Welcome to the final of
Interior Design Masters.
37
00:01:43,160 --> 00:01:44,640
It's the final week.
38
00:01:44,640 --> 00:01:47,880
This is crazy. It's so empty.
39
00:01:47,880 --> 00:01:52,080
And at Michelle's design studio,
the two remaining designers
40
00:01:52,080 --> 00:01:54,680
are about to embark
on their ultimate challenge.
41
00:01:54,680 --> 00:01:59,240
Oh, my gosh, just me and thee, lass!
I know, where are all the others?
42
00:01:59,240 --> 00:02:03,400
Hiya, ladies! Oh, hi! Hello!
Hello! How are you? You OK?
43
00:02:03,400 --> 00:02:06,320
Great. How you feeling?
44
00:02:06,320 --> 00:02:08,360
Ooh, excited, nervous. Good.
45
00:02:08,360 --> 00:02:10,480
All these things. Overwhelmed.
46
00:02:11,720 --> 00:02:12,840
Well, whatever you feel,
47
00:02:12,840 --> 00:02:14,840
it's a fantastic day
for Yorkshire, isn't it?
48
00:02:14,840 --> 00:02:16,040
Yes. Oh, my God, we're really
49
00:02:16,040 --> 00:02:17,640
bringing it, aren't we,
for the north?
50
00:02:17,640 --> 00:02:20,200
Yes. So now you're all laughing
and getting on,
51
00:02:20,200 --> 00:02:23,600
but you know you're going to have
to bring your competitive edge.
52
00:02:23,600 --> 00:02:25,280
Yes. Ooh, game face on. Yeah.
53
00:02:25,280 --> 00:02:27,640
You've got to get your game face
on because, you know,
54
00:02:27,640 --> 00:02:30,200
there's a lot at stake here. Hello!
55
00:02:30,200 --> 00:02:32,760
Oh, hello! Hi. Hi.
Well, my goodness.
56
00:02:32,760 --> 00:02:35,360
The competition has been
fierce this year,
57
00:02:35,360 --> 00:02:38,360
but you two really deserve
your place in the final,
58
00:02:38,360 --> 00:02:40,480
so well done. Thank you. Thank you.
59
00:02:40,480 --> 00:02:42,480
And at the end of this last
challenge,
60
00:02:42,480 --> 00:02:45,720
one of you is going to walk away
with a life-changing
61
00:02:45,720 --> 00:02:47,800
professional design contract.
62
00:02:47,800 --> 00:02:49,520
But before we get there,
63
00:02:49,520 --> 00:02:52,600
I need to take you into the world
of the luxury holiday market,
64
00:02:52,600 --> 00:02:54,880
because I've got two
five-star villas
65
00:02:54,880 --> 00:02:57,840
that I would like to see
completely transformed.
66
00:02:57,840 --> 00:03:01,400
I want to see ambition,
ideas and a level of finish
67
00:03:01,400 --> 00:03:04,240
that really respects the
luxury end of the market.
68
00:03:04,240 --> 00:03:06,880
So you're going to have to take
everything that you've learned
69
00:03:06,880 --> 00:03:10,560
so far and put even more design
fairy dust on top of that,
70
00:03:10,560 --> 00:03:12,920
because I need to know who has got
what it takes
71
00:03:12,920 --> 00:03:15,320
to make it in
the professional league.
72
00:03:15,320 --> 00:03:18,800
Good luck, and may the best
designer win.
73
00:03:18,800 --> 00:03:21,480
Thank you. Thank you. Good luck.
74
00:03:21,480 --> 00:03:24,760
Oh, my gosh. This is going to be
really, really tough.
75
00:03:24,760 --> 00:03:27,920
And to get a good finish
on everything...
76
00:03:27,920 --> 00:03:29,800
Luxury, five-star.
77
00:03:34,160 --> 00:03:37,320
Near the historic Cornish
harbour of Charlestown,
78
00:03:37,320 --> 00:03:41,720
this upmarket resort rents out
holiday villas year-round.
79
00:03:41,720 --> 00:03:43,280
With a cottage each,
80
00:03:43,280 --> 00:03:46,400
the finalists must design
an open-plan kitchen,
81
00:03:46,400 --> 00:03:49,640
dining and living space,
downstairs hallway,
82
00:03:49,640 --> 00:03:52,520
two bedrooms
and a mezzanine landing.
83
00:03:55,080 --> 00:03:57,360
We've got our two finalists.
84
00:03:57,360 --> 00:04:00,000
What more do you want
from them, Michelle?
85
00:04:00,000 --> 00:04:02,400
I need to see them
put together everything
86
00:04:02,400 --> 00:04:03,920
that they've learned so far.
87
00:04:03,920 --> 00:04:07,680
But now it's about that kind of
just slight extra level of detail -
88
00:04:07,680 --> 00:04:10,360
what I would call really
considered design thought.
89
00:04:10,360 --> 00:04:12,000
They're opposite, aren't they?
90
00:04:12,000 --> 00:04:14,400
Siobhan's flamboyant,
she's out there.
91
00:04:14,400 --> 00:04:16,960
Lynsey is quite measured and
architectural. You know what?
92
00:04:16,960 --> 00:04:18,840
I would agree with you about that
93
00:04:18,840 --> 00:04:21,440
at the very beginning
of this whole process.
94
00:04:21,440 --> 00:04:23,280
But what we've seen with each
challenge,
95
00:04:23,280 --> 00:04:25,440
they're getting closer
and closer together
96
00:04:25,440 --> 00:04:28,120
because good design needs to have
both of these things. Yeah.
97
00:04:28,120 --> 00:04:30,240
They've really got to
take everything
98
00:04:30,240 --> 00:04:32,240
and, in a way,
learn from each other.
99
00:04:32,240 --> 00:04:35,200
And then that is going to
give us something amazing.
100
00:04:35,200 --> 00:04:37,240
And they've each got a luxury villa,
101
00:04:37,240 --> 00:04:39,840
but they've each got their own
brief, haven't they?
102
00:04:39,840 --> 00:04:42,520
Yes, we've got one that's
all about girls' getaway
103
00:04:42,520 --> 00:04:46,160
and then we've got one that's about
a sort of family holiday villa.
104
00:04:46,160 --> 00:04:48,320
But both of them have got
to be luxurious.
105
00:04:48,320 --> 00:04:49,920
It's a five-star place.
106
00:04:49,920 --> 00:04:53,080
So what do you look for
in a luxury villa?
107
00:04:53,080 --> 00:04:55,440
Cos you must live in
luxury villas all the time,
108
00:04:55,440 --> 00:04:57,680
all over the world.
What do you like?
109
00:04:57,680 --> 00:05:00,360
I want a home from home,
but without all the stuff of home
110
00:05:00,360 --> 00:05:02,760
that can sometimes be kind of
annoying. Yes, yeah.
111
00:05:02,760 --> 00:05:05,640
It needs to feel special
and exclusive and just for me.
112
00:05:12,440 --> 00:05:14,600
After ten days to prep their plans,
113
00:05:14,600 --> 00:05:16,760
the finalists arrive in Cornwall.
114
00:05:16,760 --> 00:05:18,360
Are you all ready, then?
115
00:05:18,360 --> 00:05:19,840
Ready as I'm going to be!
116
00:05:19,840 --> 00:05:22,240
Awaiting Siobhan, a family retreat.
117
00:05:22,240 --> 00:05:24,440
I can't wait to see
what you produce.
118
00:05:24,440 --> 00:05:26,880
And for Lynsey, a girls' getaway.
119
00:05:26,880 --> 00:05:30,040
Being in the final, for me,
still feels like a dream.
120
00:05:30,040 --> 00:05:33,120
Every week, definitely,
me confidence has grown.
121
00:05:33,120 --> 00:05:35,800
I mean, if I'd have got this
brief in, like, week one,
122
00:05:35,800 --> 00:05:38,840
I'd have been like,
"Oh, no. I can't do that."
123
00:05:38,840 --> 00:05:40,680
I couldn't, you know...
124
00:05:40,680 --> 00:05:44,320
But, like, now it's like,
"OK, yeah. Just bring it on."
125
00:05:44,320 --> 00:05:46,880
With an entire villa to redesign,
126
00:05:46,880 --> 00:05:50,760
the finalists have three days
and £6,000 -
127
00:05:50,760 --> 00:05:52,600
double their usual budget.
128
00:05:52,600 --> 00:05:54,000
It's a holiday villa.
129
00:05:54,000 --> 00:05:57,200
When people come, it wants to be
something different from their home.
130
00:05:57,200 --> 00:06:00,760
It's something exciting, somewhere
where they can take pictures
131
00:06:00,760 --> 00:06:02,560
and create memories.
132
00:06:02,560 --> 00:06:05,360
They've each chosen
a team-mate to assist.
133
00:06:05,360 --> 00:06:07,880
Siobhan! Paul's helping out Siobhan.
134
00:06:07,880 --> 00:06:10,400
I'm back! You've come at the right
time, Paul,
135
00:06:10,400 --> 00:06:12,680
cos I'm making a lot of lists.
As usual.
136
00:06:12,680 --> 00:06:14,960
Hello! Hello, boss.
137
00:06:14,960 --> 00:06:18,320
And Amy's making a welcome return
for Lynsey.
138
00:06:18,320 --> 00:06:21,560
So the brief is villa
for girls' getaways.
139
00:06:21,560 --> 00:06:24,000
So refined, luxury...
So, me and you?
140
00:06:24,000 --> 00:06:26,320
Basically what me and you
would do, yeah. Amazing.
141
00:06:26,320 --> 00:06:28,680
From week one I was wowed
by her scheme.
142
00:06:28,680 --> 00:06:30,960
From week two, she was amazing
to work with
143
00:06:30,960 --> 00:06:32,800
and, yeah, I picked her
for the final.
144
00:06:32,800 --> 00:06:35,480
It's the type of place we'd want
to come and stay, so... 100%.
145
00:06:35,480 --> 00:06:38,240
We can get into the zone.
Yeah, I'm there!
146
00:06:38,240 --> 00:06:39,920
I'll be at the bar. No problem.
147
00:06:39,920 --> 00:06:41,440
I will help you out all the way.
148
00:06:41,440 --> 00:06:44,400
And we can create together
this magical place. Yeah.
149
00:06:44,400 --> 00:06:47,080
Reunited at last
and working together!
150
00:06:47,080 --> 00:06:49,360
Me and Siobhan and have been
super close
151
00:06:49,360 --> 00:06:51,720
through this whole competition
152
00:06:51,720 --> 00:06:54,400
and I'll be throwing wallpaper up,
I'll be painting,
153
00:06:54,400 --> 00:06:56,560
I'll be upholstering.
Anything I can do to help her.
154
00:06:56,560 --> 00:06:58,920
So, it's a family villa.
155
00:06:58,920 --> 00:07:01,320
This is the colour scheme for
the lounge. Oh, I love that.
156
00:07:01,320 --> 00:07:05,240
Teal on the walls to bring, like,
each of the spaces together
157
00:07:05,240 --> 00:07:06,760
and then loads of pops of colour.
158
00:07:06,760 --> 00:07:09,080
I'm doing a black-and-white stripe.
159
00:07:09,080 --> 00:07:11,800
Got the memo. Got the memo!
160
00:07:11,800 --> 00:07:13,800
I'm so glad you've brought me
back to help you.
161
00:07:13,800 --> 00:07:15,840
I will do whatever I can.
162
00:07:15,840 --> 00:07:17,360
I mean, first things first, Paul.
163
00:07:17,360 --> 00:07:20,720
Let's just eliminate some of
this beige. Yeah, get it out.
164
00:07:20,720 --> 00:07:23,840
I can't stand it any longer. Go!
165
00:07:23,840 --> 00:07:28,280
In Siobhan's family retreat, the
open-plan downstairs will include
166
00:07:28,280 --> 00:07:30,480
teal on the walls and ceiling,
167
00:07:30,480 --> 00:07:32,520
giant framed tropical murals
168
00:07:32,520 --> 00:07:36,880
and a rainbow lighting feature
on a hound's-tooth dropped ceiling.
169
00:07:38,360 --> 00:07:41,920
A black partition will divide
the living and dining space,
170
00:07:41,920 --> 00:07:43,360
while in the kitchen
171
00:07:43,360 --> 00:07:47,040
the tropical theme continues
with bespoke splashbacks,
172
00:07:47,040 --> 00:07:50,320
newly painted cupboards,
and a bright mustard blind.
173
00:07:52,200 --> 00:07:55,320
Siobhan's bold scheme
is echoed in the hallway
174
00:07:55,320 --> 00:07:59,400
with rose-pink walls,
a monochrome striped wallpaper,
175
00:07:59,400 --> 00:08:02,240
and finally,
her entranceway show-stopper -
176
00:08:02,240 --> 00:08:04,640
a floor-to-ceiling gold-leaf mural.
177
00:08:09,320 --> 00:08:11,520
With a team of the usual trades
to assist...
178
00:08:11,520 --> 00:08:14,080
That's four feet.
That's pretty good that way.
179
00:08:14,080 --> 00:08:16,840
..it's all systems go
for Lynsey and Siobhan.
180
00:08:16,840 --> 00:08:19,120
Because the final is
so important to me,
181
00:08:19,120 --> 00:08:21,240
I thought, "Right, OK,
I've got to step it up a gear
182
00:08:21,240 --> 00:08:22,960
"in terms of
the project management."
183
00:08:22,960 --> 00:08:25,040
So I've got list
upon list upon list.
184
00:08:25,040 --> 00:08:27,080
Literally, just one
of these for every room,
185
00:08:27,080 --> 00:08:29,200
just like with the colours
and everything, as well.
186
00:08:29,200 --> 00:08:32,040
Decorator, me, Paul, joiner.
187
00:08:32,040 --> 00:08:34,840
You know, it's always a challenge
because there's so much to do.
188
00:08:41,080 --> 00:08:43,280
We're trying to make this
a more sociable area.
189
00:08:43,280 --> 00:08:45,600
So it'd be, like, here.
190
00:08:45,600 --> 00:08:49,800
First up for Lynsey is reconfiguring
the open-plan living space.
191
00:08:49,800 --> 00:08:52,320
Keeping this here,
the benches go in there,
192
00:08:52,320 --> 00:08:54,240
the partition's going up
along there,
193
00:08:54,240 --> 00:08:55,640
and then we'll put that there
194
00:08:55,640 --> 00:08:58,120
and then make a decision once
everything's in place.
195
00:08:58,120 --> 00:08:59,240
Sounds good to me.
196
00:08:59,240 --> 00:09:02,520
Every space I create is really
about the people that use it,
197
00:09:02,520 --> 00:09:05,200
how they use it, how they feel
when they're in it.
198
00:09:05,200 --> 00:09:07,440
Yeah. What's it look like?
Really nice.
199
00:09:07,440 --> 00:09:09,920
Thinking about all
the different senses -
200
00:09:09,920 --> 00:09:13,680
the touch, the vision, warmth
of the colours that you use -
201
00:09:13,680 --> 00:09:17,680
so when they walk in there
they feel something.
202
00:09:17,680 --> 00:09:19,640
In true Lynsey style,
203
00:09:19,640 --> 00:09:22,760
she plans to break up
the open-plan ground floor
204
00:09:22,760 --> 00:09:26,800
by creating a multipurpose slatted
wall with fitted benches on one side
205
00:09:26,800 --> 00:09:29,320
and a TV on the other.
206
00:09:30,520 --> 00:09:33,160
This contemporary
living room will include
207
00:09:33,160 --> 00:09:37,080
a dark-green feature wall,
a floor-to-ceiling mural
208
00:09:37,080 --> 00:09:40,040
and pops of colour
with orange sofas.
209
00:09:40,040 --> 00:09:43,080
She's upgrading the kitchen
with newly painted units
210
00:09:43,080 --> 00:09:48,160
and enhancing the sociability
by building a curved island.
211
00:09:48,160 --> 00:09:50,480
Finally, in
the double-height hallway,
212
00:09:50,480 --> 00:09:53,040
Lynsey is going
for statement dark walls,
213
00:09:53,040 --> 00:09:55,640
a five-foot bespoke
art installation,
214
00:09:55,640 --> 00:09:57,520
and she'll complete the look
215
00:09:57,520 --> 00:10:00,760
with a cluster of smoky glass
pendant lights.
216
00:10:00,760 --> 00:10:03,240
So we just need some decisions,
Lynsey, on paint.
217
00:10:03,240 --> 00:10:04,960
We've got a couple of quirky bits
218
00:10:04,960 --> 00:10:08,600
that we weren't quite sure whether
we're going dark or light on.
219
00:10:08,600 --> 00:10:13,640
So if we do the plain black on
the back wall, we paint that white,
220
00:10:13,640 --> 00:10:16,840
I think the black'll work because
there's so much of the ceiling
221
00:10:16,840 --> 00:10:19,000
and the white, as well.
Yeah, definitely.
222
00:10:19,000 --> 00:10:21,040
I find it really hard to make
all the paint choices
223
00:10:21,040 --> 00:10:22,840
before I see the space
because of the light.
224
00:10:22,840 --> 00:10:25,560
So I bought a lot of
different tones with me
225
00:10:25,560 --> 00:10:28,560
so that we can decide once we
got here which would work well
226
00:10:28,560 --> 00:10:33,560
with the space to make sure that
places don't feel too dark or dingy.
227
00:10:33,560 --> 00:10:34,840
That's it!
228
00:10:34,840 --> 00:10:36,640
OK, and if we spray
the handles in gold,
229
00:10:36,640 --> 00:10:39,320
varnish them, and we can paint
the rest of unit in the green.
230
00:10:39,320 --> 00:10:42,880
Lynsey's scheme will also
include a few key pieces
231
00:10:42,880 --> 00:10:44,640
of upcycling furniture.
232
00:10:44,640 --> 00:10:46,960
A light sand, good lick of paint,
233
00:10:46,960 --> 00:10:49,680
and just transform it
into a beautiful bar unit.
234
00:10:49,680 --> 00:10:53,080
Don't paint me!
If you stand still long enough!
235
00:10:53,080 --> 00:10:55,840
Lynsey's really good at
spotting a bargain -
236
00:10:55,840 --> 00:10:59,920
the kind of thing that most people
would walk past in a junkyard,
237
00:10:59,920 --> 00:11:01,600
she sees its potential.
238
00:11:06,880 --> 00:11:09,560
I'm so excited about this,
can I have a look at the sketch?
239
00:11:09,560 --> 00:11:12,480
Yeah, we've got it here. Oh, wow.
240
00:11:12,480 --> 00:11:14,320
Oh, my gosh,
this is going to be amazing.
241
00:11:14,320 --> 00:11:15,800
Across at number three,
242
00:11:15,800 --> 00:11:19,360
Siobhan plans to make a statement
in the double-height hallway.
243
00:11:19,360 --> 00:11:21,720
The circle will take up
most of this area here
244
00:11:21,720 --> 00:11:23,640
and the top crane
will sort of come up
245
00:11:23,640 --> 00:11:25,560
and just about touch
this area here. Wow.
246
00:11:25,560 --> 00:11:27,840
And the circle's going
to be the gold leaf, isn't it?
247
00:11:27,840 --> 00:11:30,600
Yeah. So that's going to be, like,
wowsers when you first walk in,
248
00:11:30,600 --> 00:11:33,200
isn't it? Yeah, I'll grab you once
I've got something to see.
249
00:11:33,200 --> 00:11:35,360
Yeah, fabulous! Thank you.
250
00:11:35,360 --> 00:11:36,720
I really wanted that wow factor.
251
00:11:36,720 --> 00:11:39,480
So I've got an artist doing
a big bespoke mural.
252
00:11:39,480 --> 00:11:41,840
When you see that word, like,
"family", you kind of think,
253
00:11:41,840 --> 00:11:43,560
"Oh, God, you've got
to tone things down."
254
00:11:43,560 --> 00:11:47,480
But why would you want to go away
to somewhere that's the same
255
00:11:47,480 --> 00:11:50,080
as, like, sitting in your
front lounge?
256
00:11:50,080 --> 00:11:53,600
I'm just mapping out where
Siobhan wants the wall murals.
257
00:11:53,600 --> 00:11:56,120
Oh, my gosh. It's going to be
a real statement, isn't it?
258
00:11:56,120 --> 00:11:57,480
Yeah, lovely.
259
00:11:57,480 --> 00:12:00,040
Why do people go to, like, Disney
World and places like that
260
00:12:00,040 --> 00:12:02,480
with their kids? They don't
go there because it's boring
261
00:12:02,480 --> 00:12:05,400
and bland, do they?
They go because it's fun.
262
00:12:06,640 --> 00:12:10,040
Right, I would ask what I can get
you, but there's only one option,
263
00:12:10,040 --> 00:12:12,160
and that's a pink cocktail.
We'll have one of those.
264
00:12:12,160 --> 00:12:15,760
My style, I would definitely
say maximalist. I love colour.
265
00:12:15,760 --> 00:12:18,960
Certain colours in particular -
pink, obviously - and fun.
266
00:12:18,960 --> 00:12:22,360
We once had a large zebra sticking
out of the wall in our kitchen.
267
00:12:22,360 --> 00:12:24,160
She's always been interested
in interiors
268
00:12:24,160 --> 00:12:26,160
and just making things look
really unusual.
269
00:12:26,160 --> 00:12:29,240
Just beware - you're not driving
anywhere, are you, tonight?
270
00:12:29,240 --> 00:12:30,440
Not planning on it, no.
271
00:12:30,440 --> 00:12:33,320
She's the kind of person that,
when she walks into a room,
272
00:12:33,320 --> 00:12:36,080
people really gravitate towards her.
273
00:12:36,080 --> 00:12:38,880
This has just been such
an amazing opportunity
274
00:12:38,880 --> 00:12:41,520
and I've just grabbed it
with both hands.
275
00:12:41,520 --> 00:12:43,560
I'm really proud of Siobhan
for doing this.
276
00:12:43,560 --> 00:12:45,400
It can open up so many
doors for her.
277
00:12:45,400 --> 00:12:48,360
I've given so much to
that corporate world.
278
00:12:48,360 --> 00:12:50,800
Now I just want to
put all my energies
279
00:12:50,800 --> 00:12:54,800
into a much more creative path
because that's what makes me happy.
280
00:12:54,800 --> 00:12:56,240
Cheers, me dear. Cheers.
281
00:12:56,240 --> 00:12:58,240
Here's to the final.
282
00:12:58,240 --> 00:13:01,240
I want her to win.
She really deserves it if she does.
283
00:13:02,360 --> 00:13:05,280
SHE LAUGHS
You're bound to. You're bound to.
284
00:13:12,240 --> 00:13:13,800
Got to get the right balance between
285
00:13:13,800 --> 00:13:15,960
enough on that side
for the sofas to fit
286
00:13:15,960 --> 00:13:19,480
and enough on this side for the
dining table and the island to fit.
287
00:13:19,480 --> 00:13:22,920
Back at number five in
the open-plan living space,
288
00:13:22,920 --> 00:13:26,280
an ambitious build
is in the pipeline for Lynsey.
289
00:13:26,280 --> 00:13:29,720
The partition here in this room's
quite a big part of
290
00:13:29,720 --> 00:13:33,560
making sure this space
functions afterwards. Yeah.
291
00:13:33,560 --> 00:13:36,480
I'm a little bit scared about
whether it's going to be too much
292
00:13:36,480 --> 00:13:38,960
for the space or not, but I think
we've just got to go for it.
293
00:13:38,960 --> 00:13:42,000
The TV was really hogging
the space before
294
00:13:42,000 --> 00:13:44,160
and really kind of dominant,
295
00:13:44,160 --> 00:13:47,640
so moving the TV onto
the partition creates a space
296
00:13:47,640 --> 00:13:50,280
where the two sofas can
sit opposite each other,
297
00:13:50,280 --> 00:13:52,400
it's much more sociable.
298
00:13:52,400 --> 00:13:54,960
But some people love open-plan,
299
00:13:54,960 --> 00:13:57,440
so we're putting a wall
in an open-plan space,
300
00:13:57,440 --> 00:14:00,080
so...be interesting to see
how it pans out.
301
00:14:03,920 --> 00:14:08,040
As the trades make headway
with the partition,
302
00:14:08,040 --> 00:14:11,800
Lynsey's going bespoke
with some statement artwork.
303
00:14:11,800 --> 00:14:13,440
What's your wall-art plan?
304
00:14:13,440 --> 00:14:17,280
I've cut up loads of pieces of wood,
all different depths and heights.
305
00:14:17,280 --> 00:14:20,000
And I'm going to paint them
all different colours
306
00:14:20,000 --> 00:14:23,360
that reflect the tones that are
in the main wall of the hallway
307
00:14:23,360 --> 00:14:26,680
and it's going to go up the stairs.
It's really exciting.
308
00:14:26,680 --> 00:14:28,360
I can't wait to see it
come together.
309
00:14:28,360 --> 00:14:32,640
I've never done it before, so...
I'm just seeing what happens.
310
00:14:41,080 --> 00:14:43,720
So what I'm thinking now
is a divider going up
311
00:14:43,720 --> 00:14:46,240
would actually be nice
in the middle. OK, yeah.
312
00:14:46,240 --> 00:14:49,600
Downstairs at number three,
Siobhan's got her own plans
313
00:14:49,600 --> 00:14:52,000
to break up the downstairs
living space.
314
00:14:52,000 --> 00:14:54,400
I've got 20 of the - is it 2x2?
2x2, yeah.
315
00:14:54,400 --> 00:14:56,840
I've got 20 of those
in the middle here.
316
00:14:56,840 --> 00:14:59,600
I've definitely learnt a lot
from seeing everybody else's rooms
317
00:14:59,600 --> 00:15:00,800
throughout the competition
318
00:15:00,800 --> 00:15:02,680
and then seeing, like,
Lynsey with the slats -
319
00:15:02,680 --> 00:15:04,080
I thought, actually that would be
320
00:15:04,080 --> 00:15:06,320
really good in this one
in the lounge.
321
00:15:06,320 --> 00:15:08,640
Sorry that that's not the most
technical drawing ever.
322
00:15:08,640 --> 00:15:10,760
Would you like it?
Yeah, go on, then.
323
00:15:10,760 --> 00:15:12,880
That's terrible.
I'll keep that for later.
324
00:15:14,080 --> 00:15:15,600
Also in the living room...
325
00:15:15,600 --> 00:15:17,440
Is that a little bit on the wonk?
326
00:15:17,440 --> 00:15:19,440
..assistant Paul's getting stuck in
327
00:15:19,440 --> 00:15:22,280
hanging the giant
tropical wall murals.
328
00:15:22,280 --> 00:15:25,080
I thought you said these murals
nearly went up themselves.
329
00:15:25,080 --> 00:15:27,280
I'm not getting paid
to be here, you know.
330
00:15:27,280 --> 00:15:29,600
SHE LAUGHS
331
00:15:27,280 --> 00:15:29,600
I'm here out of love.
332
00:15:30,920 --> 00:15:32,880
Down, down, down. Yes.
333
00:15:38,360 --> 00:15:41,000
It's mid-afternoon on the first day
334
00:15:41,000 --> 00:15:44,800
and one final journey
for me to navigate.
335
00:15:44,800 --> 00:15:47,120
Oh, nice one, Michelle.
336
00:15:48,640 --> 00:15:49,920
Ooh!
337
00:15:52,400 --> 00:15:55,880
I've been out there so long,
I think I've got scurvy!
338
00:15:57,880 --> 00:15:59,440
Morning!
339
00:16:03,040 --> 00:16:04,760
Back on dry land,
340
00:16:04,760 --> 00:16:07,160
time to check up on the finalists.
341
00:16:07,160 --> 00:16:09,720
Siobhan? Hiya, Alan!
342
00:16:09,720 --> 00:16:12,320
Look at this!
343
00:16:12,320 --> 00:16:15,640
Why are you holding back?
You know it's the final!
344
00:16:15,640 --> 00:16:18,520
I know, do you think it's
a little bit too subtle?
345
00:16:18,520 --> 00:16:20,720
It's a bit plain.
This is you, isn't it?
346
00:16:20,720 --> 00:16:22,560
You've just got to
bring out all t'stops.
347
00:16:22,560 --> 00:16:23,880
It's the final now, isn't it?
348
00:16:23,880 --> 00:16:25,960
I've got to show, like,
Michelle what I can do
349
00:16:25,960 --> 00:16:29,240
and who I am as a designer,
don't I? Yeah!
350
00:16:29,240 --> 00:16:30,840
That is teal, isn't it? Yeah!
351
00:16:30,840 --> 00:16:32,240
Oh, good!
352
00:16:32,240 --> 00:16:35,680
I'm on a journey, a journey
of colour! I love it.
353
00:16:35,680 --> 00:16:37,600
And I'm really impressed
cos it's day one
354
00:16:37,600 --> 00:16:39,160
and you have done a lot of painting.
355
00:16:39,160 --> 00:16:41,560
So you know what you want,
no faffing. Yes.
356
00:16:41,560 --> 00:16:43,680
"This is the final, I want
to win this." Absolutely.
357
00:16:43,680 --> 00:16:45,920
Yeah, absolutely.
I'll see you later, love.
358
00:16:45,920 --> 00:16:46,960
Aw, see you, Alan.
359
00:16:46,960 --> 00:16:49,720
Siobhan's in the final, so
naturally she wants to show off
360
00:16:49,720 --> 00:16:51,320
her bold and eclectic taste.
361
00:16:51,320 --> 00:16:55,240
But the brief says for
a family, and we're in Cornwall.
362
00:16:55,240 --> 00:16:57,360
Is her design a bit too much?
363
00:17:01,640 --> 00:17:05,120
Hi, Lynsey! Hello! It's the final.
364
00:17:05,120 --> 00:17:07,240
# Doo-doo-doooooo! #
365
00:17:07,240 --> 00:17:09,680
Most people come to Cornwall
for the Cornish pasties
366
00:17:09,680 --> 00:17:12,880
and the cream teas. You come down
here to see what's in the skips.
367
00:17:12,880 --> 00:17:14,360
What's going to happen to it?
368
00:17:14,360 --> 00:17:17,720
It's going to be tiled at the bottom
and it's going under here.
369
00:17:17,720 --> 00:17:20,200
So you come in after you've been
for a lovely walk,
370
00:17:20,200 --> 00:17:23,040
sit down, take your boots off
and put them neatly away
371
00:17:23,040 --> 00:17:25,960
so they're not all everywhere.
Oh, that's good.
372
00:17:25,960 --> 00:17:27,400
So it's the final.
373
00:17:27,400 --> 00:17:29,200
You've got to throw
everything at it.
374
00:17:29,200 --> 00:17:31,280
What's your piece de la resistance?
375
00:17:31,280 --> 00:17:34,120
There's a big piece of wood art
going up there,
376
00:17:34,120 --> 00:17:36,360
which I'm sure you'll have
an opinion on.
377
00:17:36,360 --> 00:17:40,560
I'm feeling over the weeks that
I've gone down in your estimation.
378
00:17:40,560 --> 00:17:43,920
No, no! Everyone smiles when
I come through the door,
379
00:17:43,920 --> 00:17:46,560
apart from you, Lynsey.
"Oh, here he is." I do...!
380
00:17:46,560 --> 00:17:50,720
"The Maleficent of interior design.
Ooh..." "What's he going to say?"
381
00:17:50,720 --> 00:17:55,480
Well, now, the joy of you is
I see the stuff and I go... "Mm."
382
00:17:55,480 --> 00:17:58,480
And when you've
done your magic on it,
383
00:17:58,480 --> 00:18:00,960
it looks stunning and amazing.
It's my problem -
384
00:18:00,960 --> 00:18:03,600
I can't envisage it -
but that's why you're in the final
385
00:18:03,600 --> 00:18:07,040
and I'm not. It's lovely. Right.
Well, listen, I'll leave you to it.
386
00:18:07,040 --> 00:18:08,960
Thank you. Welcome to Cornwall!
387
00:18:08,960 --> 00:18:11,040
Thank you! As if I own it.
388
00:18:17,000 --> 00:18:18,320
At number three...
389
00:18:18,320 --> 00:18:19,600
This is exciting.
390
00:18:19,600 --> 00:18:22,000
Are you going to start
painting the birds out, then?
391
00:18:22,000 --> 00:18:24,400
Yeah. I think I'll probably
start painting it tomorrow,
392
00:18:24,400 --> 00:18:26,800
do some more... Do the gold.
Yeah. Yeah. Get all that done.
393
00:18:26,800 --> 00:18:29,440
..Siobhan's focusing
her attention upstairs
394
00:18:29,440 --> 00:18:33,120
with a plan for a supersized
feature in the master bedroom.
395
00:18:33,120 --> 00:18:35,960
I'm just cutting the foam
to size for the headboard.
396
00:18:35,960 --> 00:18:40,320
There's not a load that you can do
because they're not huge spaces.
397
00:18:40,320 --> 00:18:43,600
I mean, I would have loved to put
dressing tables in and all sorts,
398
00:18:43,600 --> 00:18:45,440
but I'm concentrating on this area,
399
00:18:45,440 --> 00:18:48,280
and there's going to be
a mural going up here,
400
00:18:48,280 --> 00:18:50,600
headboard here
and then another bit here.
401
00:18:50,600 --> 00:18:52,480
So it's a bit more
of a statement, really.
402
00:18:52,480 --> 00:18:55,040
What do you think?
Do you think 80's high enough?
403
00:18:55,040 --> 00:18:56,760
Would you go higher?
Bring it right up
404
00:18:56,760 --> 00:18:58,520
as far as you can afford
to bring it up.
405
00:18:58,520 --> 00:19:00,840
Yeah. Just gives you more wow.
406
00:19:00,840 --> 00:19:04,120
If you have enough fabric and you
have enough foam, why not? Yeah.
407
00:19:04,120 --> 00:19:08,440
She's also getting creative with an
idea for the first-floor landing.
408
00:19:08,440 --> 00:19:11,200
So I want to kind of create
the illusion of a little den,
409
00:19:11,200 --> 00:19:13,840
but just with, like,
some partitions here.
410
00:19:13,840 --> 00:19:15,520
How far out do you want to come?
411
00:19:15,520 --> 00:19:17,640
I'm just trying to think
where I'm going to be sat.
412
00:19:17,640 --> 00:19:18,760
So I'm going to be sat...
413
00:19:18,760 --> 00:19:20,960
That's three foot.
Maybe a little bit more in.
414
00:19:20,960 --> 00:19:23,480
This is the landing and it
was kind of wasted space.
415
00:19:23,480 --> 00:19:26,120
And I kind of thought, well, make
it like a little mini lounge,
416
00:19:26,120 --> 00:19:27,920
like a funky hang-out
for teenagers.
417
00:19:27,920 --> 00:19:31,280
When I think back to all those many
moons ago when I was a teenager,
418
00:19:31,280 --> 00:19:33,520
I probably wouldn't have
wanted to sit, you know,
419
00:19:33,520 --> 00:19:36,200
sometimes, with the old wrinklies.
420
00:19:36,200 --> 00:19:38,720
It's nearing the end
of the first day.
421
00:19:43,160 --> 00:19:46,080
There we go. All done.
Marvellous. What do you reckon?
422
00:19:46,080 --> 00:19:48,920
It looks amazing.
Thank you so much.
423
00:19:48,920 --> 00:19:50,640
That's done what I wanted it to do.
424
00:19:50,640 --> 00:19:53,080
All the light comes through
and you can still feel
425
00:19:53,080 --> 00:19:55,640
engaged in what's happening in
that side of the room. Totally.
426
00:19:55,640 --> 00:19:57,760
But it just provides
that extra space.
427
00:19:57,760 --> 00:20:00,320
I just think it's really,
really effective.
428
00:20:00,320 --> 00:20:02,960
SIOBHAN: Let's just do it.
I can't get it off fast enough.
429
00:20:02,960 --> 00:20:05,240
Quick. Come on.
430
00:20:05,240 --> 00:20:07,800
Siobhan.
431
00:20:07,800 --> 00:20:09,520
Oh, yes.
432
00:20:07,800 --> 00:20:09,520
SHE GASPS
433
00:20:09,520 --> 00:20:11,680
That's going to look
so beautiful.
434
00:20:11,680 --> 00:20:14,360
The teal,
that mustard and the black.
435
00:20:15,320 --> 00:20:18,360
I think it's like one of me new
favourite colour combos. Me, too.
436
00:20:18,360 --> 00:20:20,440
You don't think I've gone,
like, too bold, do you?
437
00:20:20,440 --> 00:20:23,080
It is bold, but you've
limited your colour palette.
438
00:20:23,080 --> 00:20:25,440
It's not like there's eight
colours going in there. Yeah.
439
00:20:25,440 --> 00:20:27,160
There's maybe only three, four.
Yeah.
440
00:20:27,160 --> 00:20:29,280
I'm really excited about
this space now. Me, too.
441
00:20:29,280 --> 00:20:31,720
Are you? It's really coming
together, isn't it?
442
00:20:33,280 --> 00:20:35,040
Let's go. Let's do it.
443
00:20:35,040 --> 00:20:36,680
It's always "more is more" with me.
444
00:20:36,680 --> 00:20:39,000
I'd hate to come away not being
the winner and just think,
445
00:20:39,000 --> 00:20:42,320
"Oh, I could've done more," or,
"I could have done something else."
446
00:20:42,320 --> 00:20:44,200
LYNSEY: I'm really glad
we've managed to get
447
00:20:44,200 --> 00:20:46,360
the partition complete,
but in reality
448
00:20:46,360 --> 00:20:48,200
there's still a huge amount to do.
449
00:20:48,200 --> 00:20:50,520
We have got to add
luxury to that place.
450
00:20:50,520 --> 00:20:52,400
We've done, like, a base coat,
if you like,
451
00:20:52,400 --> 00:20:55,400
and there's so many
more layers to add.
452
00:21:06,000 --> 00:21:08,360
It's early morning in Cornwall.
453
00:21:08,360 --> 00:21:11,240
In two days,
these luxury holiday homes
454
00:21:11,240 --> 00:21:13,960
must be fit for scrutiny
by the judges.
455
00:21:13,960 --> 00:21:18,680
And at the girls' retreat,
Lynsey's got a big to-do list.
456
00:21:18,680 --> 00:21:22,080
If I get this finished,
all the furniture painted...
457
00:21:22,080 --> 00:21:24,320
Yeah. ..get the wall
in here painted,
458
00:21:24,320 --> 00:21:27,600
the panelling done
and all the bed heads covered,
459
00:21:27,600 --> 00:21:30,240
all 12 of them... Wow!
..that would be really good.
460
00:21:30,240 --> 00:21:31,720
That would be huge. Yeah.
461
00:21:31,720 --> 00:21:33,280
Sights set high,
462
00:21:33,280 --> 00:21:37,200
Lynsey's got 12 separate
headboard panels to upholster.
463
00:21:37,200 --> 00:21:38,680
The space is quite small
464
00:21:38,680 --> 00:21:41,640
so I think the challenge
with both bedrooms, really,
465
00:21:41,640 --> 00:21:43,560
is making it feel bigger than it is
466
00:21:43,560 --> 00:21:45,880
and more luxurious
with the finishes you use.
467
00:21:45,880 --> 00:21:47,840
The idea that I was
going for is just
468
00:21:47,840 --> 00:21:49,960
trying with the greens
and the blues -
469
00:21:49,960 --> 00:21:53,240
it's kind of bringing the nature
and the outside of Cornwall in.
470
00:21:53,240 --> 00:21:55,960
There's loads of elements
that I'm doing myself.
471
00:21:55,960 --> 00:22:00,160
And that's more because I have in
my head how I want it finished.
472
00:22:00,160 --> 00:22:01,960
Coming away for a girls' weekend,
473
00:22:01,960 --> 00:22:05,320
you want luxury, cosiness,
things you don't have at home.
474
00:22:05,320 --> 00:22:07,600
I really love these printed velvets.
475
00:22:07,600 --> 00:22:09,400
They're so vibrant and I think
476
00:22:09,400 --> 00:22:11,360
they add impact really quickly.
477
00:22:13,480 --> 00:22:15,640
This is all really surreal.
478
00:22:15,640 --> 00:22:19,720
Not that long ago, I was working
at a construction company,
479
00:22:19,720 --> 00:22:22,520
building houses,
working for clients.
480
00:22:22,520 --> 00:22:24,360
Lyns has always been creative.
481
00:22:24,360 --> 00:22:27,200
She sees the opportunity in things
482
00:22:27,200 --> 00:22:28,800
that I wouldn't even think of.
483
00:22:28,800 --> 00:22:32,400
I don't see myself as a glamorous
designer or anything.
484
00:22:32,400 --> 00:22:35,000
I do love problem-solving solutions.
485
00:22:35,000 --> 00:22:38,360
Suppose it's the architect in me
to maximise the use of the space.
486
00:22:38,360 --> 00:22:40,920
I think the competition has
brought out more confidence
487
00:22:40,920 --> 00:22:43,280
to try different colours,
different techniques.
488
00:22:43,280 --> 00:22:46,840
I thought maybe the creativity
was gone and that sort of energy,
489
00:22:46,840 --> 00:22:50,360
and the last few months has
reignited that fire inside me.
490
00:22:50,360 --> 00:22:55,200
I think it's made her
almost more...extravagant.
491
00:22:55,200 --> 00:22:57,440
That was in her before,
but she's being more free
492
00:22:57,440 --> 00:22:59,800
with her designs.
She definitely deserves to win.
493
00:22:59,800 --> 00:23:03,040
We could name the baby Michelle,
if that's what it takes.
494
00:23:03,040 --> 00:23:04,840
I couldn't ask for more support.
495
00:23:04,840 --> 00:23:06,680
It's definitely the reason I'm here.
496
00:23:13,840 --> 00:23:16,720
Siobhan, you can
put the next sheet up.
497
00:23:16,720 --> 00:23:20,920
At the family retreat,
Paul's doing what he does best -
498
00:23:20,920 --> 00:23:24,000
hanging more of Siobhan's
statement wallpaper.
499
00:23:24,000 --> 00:23:27,480
By the end of the day, I want
all the paint on the walls,
500
00:23:27,480 --> 00:23:30,080
I want a second coat on the kitchen,
501
00:23:30,080 --> 00:23:32,240
all the wallpaper murals up,
502
00:23:32,240 --> 00:23:35,960
so that then, tomorrow,
I can concentrate on the styling
503
00:23:35,960 --> 00:23:38,920
and extra, like, finishing touches.
504
00:23:38,920 --> 00:23:40,600
Ohh!
505
00:23:40,600 --> 00:23:44,000
This is looking so good.
It's all right, isn't it?
506
00:23:44,000 --> 00:23:46,240
It looks pretty rock and roll,
doesn't it? Yeah.
507
00:23:46,240 --> 00:23:48,920
Like, they actually look like
pictures now, don't they? Yeah.
508
00:23:48,920 --> 00:23:52,040
Definitely. That's me favourite bit
now of the whole thing so far.
509
00:23:52,040 --> 00:23:54,040
Babe, smashed it.
510
00:23:57,040 --> 00:23:59,280
With Siobhan's design on schedule,
511
00:23:59,280 --> 00:24:02,440
assistant Paul can't resist
checking out the competition.
512
00:24:04,800 --> 00:24:06,800
There's a lot happening,
isn't there?
513
00:24:06,800 --> 00:24:09,440
Yeah, this is Jenga. Giant Jenga.
514
00:24:09,440 --> 00:24:12,440
Can't help but notice the partition.
What about it?
515
00:24:12,440 --> 00:24:15,560
We have the same -
in the same place. No way!
516
00:24:15,560 --> 00:24:18,720
Way. It's nice as well at night-time
cos we've lit lamps near it.
517
00:24:18,720 --> 00:24:22,120
So it's giving, like, a shadow...
Hang on, you've lit lamps near it?
518
00:24:22,120 --> 00:24:24,040
Yeah. Or you plan to
light lamps near it?
519
00:24:24,040 --> 00:24:26,600
No, we're starting to, like,
light lamps and things like that.
520
00:24:26,600 --> 00:24:29,080
Nice. Great. So it's creating
shadows across the ceiling,
521
00:24:29,080 --> 00:24:31,520
which is really, really nice.
The TV's going onto here -
522
00:24:31,520 --> 00:24:33,200
that's the point of
the partition. Yeah.
523
00:24:33,200 --> 00:24:36,320
Have you done that, too? No. OK.
524
00:24:36,320 --> 00:24:38,520
Do you feel like you're
way ahead of us? Yeah.
525
00:24:38,520 --> 00:24:41,320
It looks like you've got
quite a bit left to do.
526
00:24:41,320 --> 00:24:44,480
Yeah, we have, really. Very good.
See you later! It's been nice.
527
00:24:44,480 --> 00:24:45,880
HE LAUGHS
528
00:24:46,920 --> 00:24:48,320
I was expecting a lot more.
529
00:24:48,320 --> 00:24:50,160
I thought they would have
had a lot more done.
530
00:24:50,160 --> 00:24:52,920
I don't know why it's taken them so
long to get colour on the walls.
531
00:24:52,920 --> 00:24:55,160
Have I got a lot to worry about?
The living room's bare.
532
00:24:55,160 --> 00:24:58,080
Yeah. They've only, like, this
much painted of dark grey
533
00:24:58,080 --> 00:25:00,600
on their living room wall.
The rest is still white.
534
00:25:00,600 --> 00:25:03,720
The partition is the same as
Lynsey's. Is it t'same size?
535
00:25:03,720 --> 00:25:07,120
Similar. But on one side of theirs,
536
00:25:07,120 --> 00:25:09,680
Amy's going to do a board
with some gold leaf
537
00:25:09,680 --> 00:25:11,400
and they're going to put
the TV on it.
538
00:25:11,400 --> 00:25:13,280
SHE LAUGHS
Don't let that get in your head
539
00:25:13,280 --> 00:25:15,680
about the TV cos we're not going
to be sitting around a TV.
540
00:25:19,640 --> 00:25:21,520
Lunchtime on day two...
541
00:25:24,360 --> 00:25:29,080
..and at the halfway point,
both villas are working flat out.
542
00:25:34,400 --> 00:25:36,240
Oh, look at this!
543
00:25:37,440 --> 00:25:39,200
This is, like, a massive
space, isn't it?
544
00:25:39,200 --> 00:25:41,000
So I just thought
it needs an impact.
545
00:25:41,000 --> 00:25:43,680
Look at that! I'm getting a cricked
neck like the Sistine Chapel.
546
00:25:43,680 --> 00:25:45,640
I'm like, ah!
547
00:25:43,680 --> 00:25:45,640
SIOBHAN LAUGHS
548
00:25:45,640 --> 00:25:47,680
So that's amazing. Gold leaf?
549
00:25:47,680 --> 00:25:50,280
Have you won the lottery in the
last...? I wanted people just to
550
00:25:50,280 --> 00:25:53,520
walk in and have, like, a really
beautiful statement piece.
551
00:25:53,520 --> 00:25:55,920
Yeah. And another bold colour.
552
00:25:55,920 --> 00:25:58,320
Did you take your hair in and say,
"Can I have it like this?"?
553
00:25:58,320 --> 00:26:01,200
Because it is like you've fallen
asleep and your head's dipped in it.
554
00:26:01,200 --> 00:26:03,040
I always like to decorate
how I dress.
555
00:26:03,040 --> 00:26:04,600
It's just, like, me thing.
556
00:26:06,320 --> 00:26:09,720
I just thought this has
got to be the wow factor
557
00:26:09,720 --> 00:26:12,800
with it being, like, double-height
and all the different angles.
558
00:26:12,800 --> 00:26:16,720
Yeah, I mean, look. Every different
perspective, you see something else.
559
00:26:16,720 --> 00:26:18,520
Yeah. It's great, isn't it? Yeah.
560
00:26:24,640 --> 00:26:26,000
Oh, wow.
561
00:26:26,000 --> 00:26:29,280
At the girls' retreat,
Lynsey's out to impress
562
00:26:29,280 --> 00:26:31,960
with an innovative design
in the bedroom.
563
00:26:31,960 --> 00:26:33,240
Spot the join?
564
00:26:33,240 --> 00:26:36,240
No, you can't even, can you?
I managed to overlap it.
565
00:26:36,240 --> 00:26:38,040
Oh, that's so good.
566
00:26:38,040 --> 00:26:41,600
The cupboard doors in both
the bedrooms were really intrusive.
567
00:26:41,600 --> 00:26:45,600
They were bright orange wood,
just really stark and in your face.
568
00:26:45,600 --> 00:26:49,040
The panelling goes both on the
doors and on the wall behind it,
569
00:26:49,040 --> 00:26:50,440
so when the cupboards are closed
570
00:26:50,440 --> 00:26:52,080
you won't actually be able
to see them
571
00:26:52,080 --> 00:26:55,320
and it'll just look like
one continuous wall.
572
00:26:56,520 --> 00:26:58,480
Progress in the bedrooms,
573
00:26:58,480 --> 00:27:02,680
but in the living space,
there's still plenty to do.
574
00:27:02,680 --> 00:27:04,920
So this is the only wallpaper
going up.
575
00:27:04,920 --> 00:27:07,200
It's 2m high, and 1.2 wide,
576
00:27:07,200 --> 00:27:10,080
so I really hope
it's quite striking in the room.
577
00:27:10,080 --> 00:27:13,240
Just a bit of fun, really,
but it'll be ace to see it go up.
578
00:27:19,160 --> 00:27:22,320
OK, so we're going to go put
this one in here, yeah? Yeah.
579
00:27:22,320 --> 00:27:24,200
At the family retreat,
580
00:27:24,200 --> 00:27:27,240
Siobhan's kids' hideaway
is taking shape.
581
00:27:27,240 --> 00:27:28,720
That feels really nice, actually.
582
00:27:28,720 --> 00:27:31,240
You do feel, like,
a little bit enclosed.
583
00:27:31,240 --> 00:27:34,040
And I wanted it to feel like a den,
like, kind of feel cosy,
584
00:27:34,040 --> 00:27:36,400
that you can kind of, you know,
come away from the parents.
585
00:27:36,400 --> 00:27:39,320
But actually, when're you sat here,
you'll have a really nice view
586
00:27:39,320 --> 00:27:42,840
of the gold leaf and the chandelier.
587
00:27:42,840 --> 00:27:45,680
I think this will actually
be a really cool space.
588
00:27:51,120 --> 00:27:53,000
And with time moving on,
589
00:27:53,000 --> 00:27:56,080
one more design decision
for Lynsey to wrestle with.
590
00:27:57,520 --> 00:28:00,400
It is centred that way,
591
00:28:00,400 --> 00:28:02,520
so we just need to decide...
That way.
592
00:28:02,520 --> 00:28:04,240
We can obviously go
any other way, but...
593
00:28:04,240 --> 00:28:08,160
The kitchen, when we first came in,
it was all outward facing.
594
00:28:08,160 --> 00:28:11,040
And this is supposed
to be a social place,
595
00:28:11,040 --> 00:28:12,440
girls' getaway,
596
00:28:12,440 --> 00:28:16,040
so the idea for the island was
so that you can prep food here,
597
00:28:16,040 --> 00:28:17,800
you can put drinks on here.
598
00:28:17,800 --> 00:28:20,920
I didn't want to put this island
in until the partition was up,
599
00:28:20,920 --> 00:28:23,360
we knew the space and how
it was all going to work
600
00:28:23,360 --> 00:28:26,160
because it might have been too much.
601
00:28:26,160 --> 00:28:29,360
And kind of all along this
challenge, I've really tried to push
602
00:28:29,360 --> 00:28:32,160
for the right thing
and not just what was in my head
603
00:28:32,160 --> 00:28:34,440
before I came,
but making sure it fitted here.
604
00:28:34,440 --> 00:28:36,800
And if the dishwasher's
opening like that...
605
00:28:36,800 --> 00:28:40,840
Yeah. ..then that's plenty
of space. Yeah?
606
00:28:40,840 --> 00:28:43,520
There's just lots of bits that
need to come together now,
607
00:28:43,520 --> 00:28:46,520
and it's just making sure
we make those decisions quickly.
608
00:28:52,480 --> 00:28:56,280
At number three, with the living
room plans progressing well,
609
00:28:56,280 --> 00:28:59,000
Siobhan's turned their efforts
towards the bedrooms.
610
00:28:59,000 --> 00:29:01,160
Going on nicely, that.
It is.
611
00:29:01,160 --> 00:29:03,040
We're painting it all this
Tuscan Red.
612
00:29:03,040 --> 00:29:05,840
So, actually, when you're walking
up, you're going to see the stripe
613
00:29:05,840 --> 00:29:08,000
on the landing and then the stripe
then is replicated
614
00:29:08,000 --> 00:29:09,920
in this room as well.
615
00:29:09,920 --> 00:29:12,000
I spent quite a lot of time
looking at colours
616
00:29:12,000 --> 00:29:13,640
that would complement each other.
617
00:29:13,640 --> 00:29:16,720
So, you walk out of one room
and you see something different
618
00:29:16,720 --> 00:29:18,960
but it's kind of on the same line.
619
00:29:20,440 --> 00:29:23,080
How gorgeous does that look against
the grey?
620
00:29:23,080 --> 00:29:25,480
It's like a Chartreuse, like, acid
yellow, isn't it?
621
00:29:25,480 --> 00:29:27,760
That's one of your tones that you've
been using anyway,
622
00:29:27,760 --> 00:29:30,640
through like your upholstery and
your curtains. It looks really good.
623
00:29:30,640 --> 00:29:32,480
I've never used this
colour palette before,
624
00:29:32,480 --> 00:29:34,360
so I'm hoping Michelle can see
that, you know,
625
00:29:34,360 --> 00:29:36,120
this is something a bit
different for me.
626
00:29:36,120 --> 00:29:37,360
Wow!
627
00:29:38,560 --> 00:29:41,400
Two doors away, with time ticking,
there's a puzzle
628
00:29:41,400 --> 00:29:43,480
still to solve for Lynsey.
629
00:29:43,480 --> 00:29:45,840
I know what I want it to look like.
630
00:29:45,840 --> 00:29:47,960
I'm just not sure how I'm getting
there yet.
631
00:29:47,960 --> 00:29:50,640
So, I am taking my time on this
because I think
632
00:29:50,640 --> 00:29:53,800
if it's too higgledy-piggledy,
it'll look odd.
633
00:29:55,800 --> 00:29:58,040
Hi, Lyns! Hello! How are you?
634
00:29:58,040 --> 00:30:00,080
Explain.
635
00:30:00,080 --> 00:30:02,920
I knew it! No, listen, I love it!
636
00:30:02,920 --> 00:30:06,160
I love the different colours
and it's modern art, but why?
637
00:30:06,160 --> 00:30:08,240
I'm going to ask why.
638
00:30:08,240 --> 00:30:10,480
It's for the entrance hall. OK.
639
00:30:10,480 --> 00:30:13,240
So it'll be going up vertically,
as you go up the stairs.
640
00:30:13,240 --> 00:30:15,800
Yeah. Hopefully, when we pick it
up...
641
00:30:15,800 --> 00:30:17,960
Yeah. ..everything doesn't pop off!
642
00:30:17,960 --> 00:30:19,920
It's... it's... It's heavy.
It's heavy.
643
00:30:19,920 --> 00:30:21,800
You sure it's going to stay
on the wall?
644
00:30:21,800 --> 00:30:24,160
I'm not sure about anything
to do with this.
645
00:30:24,160 --> 00:30:26,760
Do you know what? If you'd used
Post-it notes,
646
00:30:26,760 --> 00:30:30,080
it would have been quicker
and a lot lighter.
647
00:30:30,080 --> 00:30:32,800
I would have even lifted it for you.
648
00:30:32,800 --> 00:30:35,760
Now, listen, I'm not being
a Debbie Downer,
649
00:30:35,760 --> 00:30:40,000
but say this pulls the wall down
because it's so heavy,
650
00:30:40,000 --> 00:30:42,200
have you got, like, a plan B?
651
00:30:42,200 --> 00:30:44,600
There's no plan B, so...
652
00:30:44,600 --> 00:30:47,440
Erm... OK, that's fine.
This has got to work.
653
00:30:47,440 --> 00:30:50,320
Well, listen, I can't wait to see
this on the wall.
654
00:30:50,320 --> 00:30:53,880
Me neither. And if you need a big,
strapping, hunky man to lift it up,
655
00:30:53,880 --> 00:30:56,240
I'll try and find you someone!
656
00:30:59,920 --> 00:31:04,040
As the sun goes down, with one
more day to go,
657
00:31:04,040 --> 00:31:06,440
they're racing forwards
to the finish.
658
00:31:10,600 --> 00:31:13,400
I think I'm finished, so are you all
right to start glueing them?
659
00:31:13,400 --> 00:31:15,440
I can hardly wait...
660
00:31:19,440 --> 00:31:22,760
I need to make sure that it isn't
going to fall,
661
00:31:22,760 --> 00:31:25,160
given that it's hanging on a wall.
662
00:31:28,280 --> 00:31:31,480
I've glued it to within an inch of
its life and I'm just hoping
663
00:31:31,480 --> 00:31:34,320
that tonight it sets and tomorrow
when we lift it up,
664
00:31:34,320 --> 00:31:36,760
it stays in place.
665
00:31:36,760 --> 00:31:38,680
I've got to use the team tomorrow.
666
00:31:38,680 --> 00:31:41,800
I can't do as much myself, otherwise
I'm never going to get finished.
667
00:31:41,800 --> 00:31:45,320
So, tomorrow's a lot about project
management and making sure that
668
00:31:45,320 --> 00:31:48,160
we all pull together to get
this done.
669
00:32:02,040 --> 00:32:04,320
After eight tough challenges,
670
00:32:04,320 --> 00:32:06,920
for the two finalists -
one more push....
671
00:32:06,920 --> 00:32:08,160
Two on that one, though.
672
00:32:08,160 --> 00:32:10,360
OK, hang on. The middle. Yeah, OK.
673
00:32:10,360 --> 00:32:15,840
..to get these villas fit and ready
for the critical eye of the judges.
674
00:32:15,840 --> 00:32:17,760
I'm feeling really nervous.
675
00:32:17,760 --> 00:32:19,400
My tummy's turning.
676
00:32:19,400 --> 00:32:21,640
It feels like about 15 people
are asking me questions
677
00:32:21,640 --> 00:32:23,040
at the same time.
678
00:32:23,040 --> 00:32:25,400
The TV height? Yep.
Something like that?
679
00:32:25,400 --> 00:32:27,680
I've got to be five steps ahead
of everybody
680
00:32:27,680 --> 00:32:30,240
to make sure that they know
what they're doing,
681
00:32:30,240 --> 00:32:32,880
they've got the products that they
need and we can get this done.
682
00:32:32,880 --> 00:32:35,920
I'll caveat that with if the whole
wall art doesn't fall off!
683
00:32:37,920 --> 00:32:40,480
So, just keep going? Yeah, yeah,
yeah, yeah, yeah.
684
00:32:42,880 --> 00:32:45,200
And Lynsey's not the only one under
pressure.
685
00:32:45,200 --> 00:32:47,840
I'd like these on as soon as you can
because we've got some
686
00:32:47,840 --> 00:32:49,840
Perspex actually going over the top.
687
00:32:49,840 --> 00:32:51,760
Daniel's finishing the mural.
688
00:32:51,760 --> 00:32:53,600
They've done the first coat of that.
689
00:32:53,600 --> 00:32:55,960
Unfortunately, I got the
measurements for the Perspex
690
00:32:55,960 --> 00:32:57,360
and they're a bit out. OK.
691
00:32:57,360 --> 00:32:59,960
So, he's having to do a bit of
cutting, which is going to take
692
00:32:59,960 --> 00:33:02,320
a bit more time, but it's going
to look incredible in here.
693
00:33:02,320 --> 00:33:04,360
I'm really, really excited.
Yeah, me too.
694
00:33:06,920 --> 00:33:09,280
Right, guys, shall we do this?
695
00:33:09,280 --> 00:33:12,960
It's the moment of truth for Lynsey
and her oversized
696
00:33:12,960 --> 00:33:15,240
custom-built artwork.
697
00:33:15,240 --> 00:33:17,960
I can't watch! That's
coming...that's off, isn't it?
698
00:33:20,080 --> 00:33:22,400
Uh! Oh, they're all going.
699
00:33:22,400 --> 00:33:25,200
Eek! Oh! Oh, oh, oh, oh!
700
00:33:25,200 --> 00:33:27,280
One more step.
701
00:33:27,280 --> 00:33:29,640
All right? Hold it there, hold it
there. Needs to get out.
702
00:33:29,640 --> 00:33:32,040
Here. Right, ready? One, two...
703
00:33:32,040 --> 00:33:34,920
Push, push, push! That's it.
It's on. Hang on.
704
00:33:34,920 --> 00:33:37,840
THEY CHEER
705
00:33:37,840 --> 00:33:40,040
Thank you so much.
Absolutely love it!
706
00:33:40,040 --> 00:33:43,400
I'm so relieved. I've stopped
feeling as sick
707
00:33:43,400 --> 00:33:47,400
because I think that was a
"no plan B" situation.
708
00:33:47,400 --> 00:33:49,440
Massive sigh of relief.
709
00:33:49,440 --> 00:33:51,640
Ah! You got it up!
710
00:33:51,640 --> 00:33:55,040
What do you think?
I love it. I really do love it.
711
00:33:55,040 --> 00:33:57,200
I'm scared.
712
00:33:55,040 --> 00:33:57,200
THEY LAUGH
713
00:33:57,200 --> 00:34:00,880
Don't be scared! I know it's
attached, I know it's attached.
714
00:34:00,880 --> 00:34:03,240
How much of you is in the brief
this week?
715
00:34:03,240 --> 00:34:04,840
There's loads of me in this one.
716
00:34:04,840 --> 00:34:06,760
It's like you put yourself
out there.
717
00:34:06,760 --> 00:34:09,400
That's a scary thing,
being so kind of honest and you
718
00:34:09,400 --> 00:34:11,480
for everybody to critique.
719
00:34:11,480 --> 00:34:14,440
But if you win... Yeah...
..this is going to change your life.
720
00:34:14,440 --> 00:34:18,080
It really will. I ended up quitting
my job a couple of weeks ago
721
00:34:18,080 --> 00:34:20,480
because this is what I want to do.
722
00:34:20,480 --> 00:34:23,600
Oh, that's cool. Yeah, it's just lit
that spark back in me
723
00:34:23,600 --> 00:34:26,840
and makes me so excited and I just
want to give it the best chance
724
00:34:26,840 --> 00:34:28,960
I can of being successful.
725
00:34:28,960 --> 00:34:30,560
So, do you think you can win this?
726
00:34:30,560 --> 00:34:33,360
Every week, I try to show Michelle
I'm a designer.
727
00:34:33,360 --> 00:34:36,920
I can design things that are
innovative and a bit different.
728
00:34:36,920 --> 00:34:39,200
I do always really push myself.
729
00:34:39,200 --> 00:34:41,760
It's a once-in-a-lifetime
opportunity, isn't it?
730
00:34:47,120 --> 00:34:49,840
At Siobhan's house, things are
moving up a gear.
731
00:34:49,840 --> 00:34:52,440
I just started putting these on
because time is of the essence.
732
00:34:52,440 --> 00:34:54,520
Absolutely. And I didn't want them
getting dirty.
733
00:34:54,520 --> 00:34:56,640
Do you want to start looking at
positions for them?
734
00:34:56,640 --> 00:34:59,160
Now, I think they need to be a
bit more random, don't they?
735
00:34:59,160 --> 00:35:01,960
Maybe not think about them too much
then, just whatever way you like.
736
00:35:01,960 --> 00:35:03,400
Yeah.
737
00:35:03,400 --> 00:35:06,080
I'm going to put my blue there,
is that OK? Yeah, cool.
738
00:35:06,080 --> 00:35:10,000
That like literally just fills my
heart with joy!
739
00:35:10,000 --> 00:35:12,160
Siobhan! Hello!
740
00:35:12,160 --> 00:35:14,360
This hall keeps on giving!
Do you know what?
741
00:35:14,360 --> 00:35:17,000
I think this is like quite a cosy
little nook now.
742
00:35:17,000 --> 00:35:19,160
Yes. So, what... What's on your
board?
743
00:35:19,160 --> 00:35:20,880
Ooh, The Den.
The Den.
744
00:35:20,880 --> 00:35:23,000
I'm kind of marketing it as a
teenage den,
745
00:35:23,000 --> 00:35:24,880
but it can be used for anyone,
really.
746
00:35:24,880 --> 00:35:26,120
And, do you know what?
747
00:35:26,120 --> 00:35:28,640
I know the lights here are
reflecting off that gold,
748
00:35:28,640 --> 00:35:31,200
just giving such a glow.
I mean, I look 12.
749
00:35:31,200 --> 00:35:32,440
SHE LAUGHS
750
00:35:32,440 --> 00:35:34,640
I would be up here all the time!
751
00:35:34,640 --> 00:35:37,200
I think I might come and have my
promotional photos done here.
752
00:35:37,200 --> 00:35:38,960
You should do! I'll love you
and leave you.
753
00:35:38,960 --> 00:35:40,720
All right, see you soon.
See you soon. Bye!
754
00:35:40,720 --> 00:35:42,760
Bye-bye, love. Enjoy your den!
755
00:35:50,480 --> 00:35:52,880
With the deadline approaching,
756
00:35:52,880 --> 00:35:56,360
one final flourish to get these
villas fit for judging...
757
00:35:56,360 --> 00:35:59,120
Lynsey, one hour! OK!
758
00:35:59,120 --> 00:36:00,800
Actually, not OK!
759
00:36:02,560 --> 00:36:06,640
..and make them worthy of winning
the ultimate prize.
760
00:36:12,040 --> 00:36:14,040
Happy enough with this?
I don't like this.
761
00:36:14,040 --> 00:36:16,480
It's OK, I'll take it out.
I'm not that keen on that either.
762
00:36:16,480 --> 00:36:18,920
I put some of the tiger fabric
inside that.
763
00:36:18,920 --> 00:36:21,320
Totally winging that wall currently.
764
00:36:23,000 --> 00:36:25,360
Oh, God, yes. That looks better.
Yes, yes, yes!
765
00:36:27,000 --> 00:36:28,720
Let's get a drink!
766
00:36:30,600 --> 00:36:32,680
I think full length...
That looks better. Yeah.
767
00:36:32,680 --> 00:36:34,200
We need something for that corner.
768
00:36:34,200 --> 00:36:36,520
My new island's fab!
Do we have any of that green paint?
769
00:36:36,520 --> 00:36:38,320
Yes.
770
00:36:38,320 --> 00:36:40,560
Can imagine girls arriving
and running around going
771
00:36:40,560 --> 00:36:42,440
"Bagsie this one!"
"I want this one!"
772
00:36:44,400 --> 00:36:46,720
Paul, from this angle...
773
00:36:46,720 --> 00:36:48,120
It's just unreal, isn't it?
774
00:36:48,120 --> 00:36:50,080
Do you think we're there?
I think we're there.
775
00:36:50,080 --> 00:36:53,320
Ah! What do you think, guys?
Are we there? We're there! Yes! Woo!
776
00:36:53,320 --> 00:36:55,560
I am exhausted!
777
00:36:55,560 --> 00:36:57,600
But so, so, so happy.
778
00:36:57,600 --> 00:36:59,360
I really hope it's enough.
779
00:36:59,360 --> 00:37:02,400
Winning now would just be amazing.
780
00:37:02,400 --> 00:37:05,880
I mean, I suppose it would be a...
781
00:37:05,880 --> 00:37:08,320
..recognition for how hard
I've tried
782
00:37:08,320 --> 00:37:09,880
and that I am a designer.
783
00:37:11,480 --> 00:37:13,200
I am a designer!
784
00:37:13,200 --> 00:37:14,240
So...
785
00:37:15,560 --> 00:37:16,960
Yeah, it would mean a lot.
786
00:37:18,560 --> 00:37:21,000
There's nothing better than this.
We've worked hard, boys.
787
00:37:21,000 --> 00:37:23,800
Absolutely ace, innit?
I'm super proud of you.
788
00:37:23,800 --> 00:37:25,520
I feel very overwhelmed.
789
00:37:27,000 --> 00:37:30,040
I think I've just put literally
everything that I've got into this
790
00:37:30,040 --> 00:37:32,920
and I'm just looking around
and I just think...
791
00:37:32,920 --> 00:37:35,320
SHE EXHALES HEAVILY
792
00:37:35,320 --> 00:37:37,720
If I don't win, then I couldn't
have done any more.
793
00:37:37,720 --> 00:37:41,440
I just really, really hope the
judges come in and think,
794
00:37:41,440 --> 00:37:43,680
"Yeah, this is a wow space."
795
00:37:54,320 --> 00:37:56,000
Judgment day.
796
00:37:56,000 --> 00:37:59,080
Offering their expertise alongside
Michelle,
797
00:37:59,080 --> 00:38:03,720
fashion designer turned interiors
expert Matthew Williamson
798
00:38:03,720 --> 00:38:06,760
and making her return is
podcast host
799
00:38:06,760 --> 00:38:09,200
and queen of colour,
Sophie Robinson.
800
00:38:11,000 --> 00:38:12,920
So this is it, this is the final.
801
00:38:12,920 --> 00:38:15,280
I have made these guys jump
through so many hoops.
802
00:38:15,280 --> 00:38:17,600
I mean, my expectations are going
off the scale
803
00:38:17,600 --> 00:38:19,960
because they've learnt so much,
both of them.
804
00:38:19,960 --> 00:38:21,920
But what are you hoping to see?
805
00:38:21,920 --> 00:38:25,200
I guess I'm looking for the
properties to look fantastic,
806
00:38:25,200 --> 00:38:28,840
to feel great and to function
really well.
807
00:38:28,840 --> 00:38:31,160
But one of the brilliant things
about a holiday let
808
00:38:31,160 --> 00:38:33,960
is you can really elevate the design
because this is also
809
00:38:33,960 --> 00:38:36,240
an element of escapism.
810
00:38:36,240 --> 00:38:39,360
And for me, when I go on holiday,
I want somewhere that feels
811
00:38:39,360 --> 00:38:42,320
even better and more fabulous
than my own home.
812
00:38:42,320 --> 00:38:44,960
I think it's going to be
really hard to actually
813
00:38:44,960 --> 00:38:46,680
kind of draw a line between them.
814
00:38:48,120 --> 00:38:52,800
Finally, a chance to see which
designer has impressed the most.
815
00:38:52,800 --> 00:38:55,880
First under scrutiny,
Lynsey's Girls' Getaway.
816
00:38:59,560 --> 00:39:03,920
The last few days have been a total
emotional roller-coaster.
817
00:39:06,960 --> 00:39:09,840
Standing here now with every part of
my body aching,
818
00:39:09,840 --> 00:39:14,000
including my brain, I couldn't
have given it any more.
819
00:39:14,000 --> 00:39:18,680
Wow! I am being hit by this
delicious chocolate colour
820
00:39:18,680 --> 00:39:22,800
and we've got quite an extraordinary
floral armchair,
821
00:39:22,800 --> 00:39:24,880
an oversized chandelier.
822
00:39:24,880 --> 00:39:27,400
So there's already a lot to delight
the eyes and the senses
823
00:39:27,400 --> 00:39:30,640
as soon as you walk in, which is
wonderful first impression.
824
00:39:30,640 --> 00:39:33,600
This beautiful collage of locally
sourced photography
825
00:39:33,600 --> 00:39:35,240
is a lovely touch.
826
00:39:35,240 --> 00:39:36,840
And how fabulous is this?!
827
00:39:36,840 --> 00:39:39,320
It's kind of like a sculpture,
but more importantly,
828
00:39:39,320 --> 00:39:42,000
it's also introducing the textures
and the colour palette.
829
00:39:42,000 --> 00:39:44,880
I love all the indents and the
little bits of gold
830
00:39:44,880 --> 00:39:47,640
and it feels very subtle, although
the whole scheme already feels
831
00:39:47,640 --> 00:39:49,640
quite dark to me.
832
00:39:53,000 --> 00:39:56,200
So we've taken this really dark
palette into the kitchen as well.
833
00:39:56,200 --> 00:39:59,120
I think it's really lovely to see
that palette in that artwork
834
00:39:59,120 --> 00:40:01,960
and then now we're seeing it on the
sofas, on the upholstery,
835
00:40:01,960 --> 00:40:05,840
in the metallic finishes and it's a
lovely, warm colour story.
836
00:40:05,840 --> 00:40:07,440
Really good handling of space.
837
00:40:07,440 --> 00:40:10,440
I mean, I love this little bar -
that allows you to sit there
838
00:40:10,440 --> 00:40:12,400
and face your room, face your guest.
839
00:40:12,400 --> 00:40:14,120
You know, looking at this
at first glance,
840
00:40:14,120 --> 00:40:16,720
I can imagine you could spend the
whole budget on a bespoke piece
841
00:40:16,720 --> 00:40:19,440
of furniture like this.
It looks really, really cool.
842
00:40:19,440 --> 00:40:22,000
The genius bit is the curve.
843
00:40:22,000 --> 00:40:24,920
It would've been so easy to think,
oh, square kitchen,
844
00:40:24,920 --> 00:40:28,040
square island, but to reference
this screen
845
00:40:28,040 --> 00:40:30,280
and the outside of it, brilliant!
846
00:40:30,280 --> 00:40:32,960
And I love that divide -
I think that's genius.
847
00:40:32,960 --> 00:40:35,440
You know, I can sort of sense an
architect in this designer.
848
00:40:35,440 --> 00:40:38,600
And yet you've got a visual link,
you're not completely blocked off.
849
00:40:38,600 --> 00:40:41,320
This type of thing is a bit of a
signature for Lynsey,
850
00:40:41,320 --> 00:40:43,760
but it works, it's clever.
851
00:40:52,280 --> 00:40:54,480
Ooh, that's nice and comfy.
852
00:40:54,480 --> 00:40:57,520
It does invite you to want to sit
down, though, doesn't it?
853
00:40:57,520 --> 00:40:59,720
It really does. It's super social.
854
00:40:59,720 --> 00:41:03,520
It's so clever, that sort
of reverse TV... Yeah. ..moment.
855
00:41:03,520 --> 00:41:06,720
I had no idea in the kitchen there
was anything on that
856
00:41:06,720 --> 00:41:08,360
and it's fantastic.
857
00:41:08,360 --> 00:41:11,840
I think the furniture layout, having
two large sofas facing one another,
858
00:41:11,840 --> 00:41:15,240
it's really convivial, although I
probably would've put
859
00:41:15,240 --> 00:41:18,600
like a footstool here to just make
it feel a bit more flowy.
860
00:41:18,600 --> 00:41:20,240
It feels quite formal.
861
00:41:20,240 --> 00:41:26,040
I think it's quite a tight spot to
have a complete sort of 360 seating.
862
00:41:26,040 --> 00:41:28,920
It's minor points... Yeah.
..because certainly the feel
863
00:41:28,920 --> 00:41:31,440
is I'm perfectly happy here.
I feel glamourous, don't you?!
864
00:41:31,440 --> 00:41:33,160
Oh, looking divine!
865
00:41:33,160 --> 00:41:34,720
There's some lovely colours.
866
00:41:34,720 --> 00:41:40,240
Love this kind of muddy lilac
because that echoes the hallway.
867
00:41:40,240 --> 00:41:42,160
Now, when you look back across the
kitchen,
868
00:41:42,160 --> 00:41:44,200
you get the similar kind of
colours,
869
00:41:44,200 --> 00:41:47,480
pairing that with the rusts, it's
like, "Ooh, I'm in my happy place!"
870
00:41:56,000 --> 00:41:57,560
This is unexpected.
871
00:41:57,560 --> 00:41:59,360
Hallway plus!
872
00:41:59,360 --> 00:42:01,720
Isn't it? I mean, this piece of
furniture,
873
00:42:01,720 --> 00:42:04,600
I'm imagining her incredible,
resourceful, vintage
874
00:42:04,600 --> 00:42:06,600
magpie eyes found that.
875
00:42:06,600 --> 00:42:09,200
Isn't this kind of lovely cos you
know that you're getting ready
876
00:42:09,200 --> 00:42:11,680
in there, I'm in here, we're having
a little chitchat.
877
00:42:11,680 --> 00:42:14,000
Yeah, it's smart, isn't it?
On many levels.
878
00:42:14,000 --> 00:42:16,040
She's turned it into a little salon,
hasn't she?
879
00:42:16,040 --> 00:42:17,400
A little boudoir.
880
00:42:18,720 --> 00:42:21,560
Ooh, and exhale!
881
00:42:21,560 --> 00:42:24,480
This just suddenly feels
fresher and lighter.
882
00:42:24,480 --> 00:42:27,640
But we're still pulling in the dark.
883
00:42:27,640 --> 00:42:29,280
Well, maybe that's how it works.
884
00:42:29,280 --> 00:42:32,200
So we have continued the palette,
but the mood
885
00:42:32,200 --> 00:42:36,480
feels just a bit more open,
countryside-y Cornwall-y vibe.
886
00:42:36,480 --> 00:42:39,920
I like this, taking the slatted wood
from downstairs to upstairs,
887
00:42:39,920 --> 00:42:43,400
just to conceal what would otherwise
be quite boring wardrobe.
888
00:42:43,400 --> 00:42:44,960
That's brave, it's bold.
889
00:42:44,960 --> 00:42:48,200
She's defined a whole section of the
room with one material,
890
00:42:48,200 --> 00:42:50,640
gone for it, committed to it.
891
00:42:50,640 --> 00:42:53,000
It's very tight, very coherent,
soft, gentle,
892
00:42:53,000 --> 00:42:56,960
but it feels very luxe
but appropriate,
893
00:42:56,960 --> 00:42:58,880
dare I say it?
894
00:43:02,000 --> 00:43:03,440
OK, I like this.
895
00:43:03,440 --> 00:43:05,800
It's essentially the same room,
we've gone darker tones,
896
00:43:05,800 --> 00:43:07,600
no squabbles, then, with your
girlfriends
897
00:43:07,600 --> 00:43:09,040
over who gets which room.
898
00:43:09,040 --> 00:43:11,200
Of all the fabrics in the world you
could choose from,
899
00:43:11,200 --> 00:43:14,040
do you just have to have the same
design? Perhaps a bit lazy.
900
00:43:14,040 --> 00:43:15,680
I think it's a bit lazy...
901
00:43:15,680 --> 00:43:18,160
Design wise, it's the same room
copied,
902
00:43:18,160 --> 00:43:20,000
but I still like the room.
903
00:43:23,560 --> 00:43:25,960
Next up, Siobhan's Family Retreat.
904
00:43:35,080 --> 00:43:40,960
I feel exhausted, but, oh, my God,
I'm so proud of that space.
905
00:43:40,960 --> 00:43:43,880
I'm so happy, it's so joyful.
906
00:43:44,920 --> 00:43:48,960
Do you know what? Little old me has
kind of pulled it out the bag.
907
00:43:48,960 --> 00:43:52,640
Ooh! Another fabulous hallway.
908
00:43:52,640 --> 00:43:55,720
Wow. And with colour.
Gosh, I'm seeing stripes!
909
00:43:55,720 --> 00:43:57,800
And I'm seeing...cranes.
910
00:43:59,120 --> 00:44:01,880
The brief here was family retreat.
911
00:44:01,880 --> 00:44:04,920
People are coming down here to have
some wholesome, good fun
912
00:44:04,920 --> 00:44:07,880
and then...ta-dah! Ta-dah!
913
00:44:07,880 --> 00:44:11,360
It's the sort of ripping up of the
rule book and thinking, you know,
914
00:44:11,360 --> 00:44:14,040
super high-impact, drama, glamour.
915
00:44:14,040 --> 00:44:16,280
But fun was also on the brief.
916
00:44:16,280 --> 00:44:18,160
And I'm definitely getting that.
917
00:44:18,160 --> 00:44:20,160
Yeah, it's definitely uplifting,
isn't it?
918
00:44:20,160 --> 00:44:23,320
I'm just kind of feeling that this
is like Siobhan unleashed.
919
00:44:23,320 --> 00:44:25,280
I rather like it.
920
00:44:25,280 --> 00:44:29,000
It is full-on Siobhan and there is
something so magical about her.
921
00:44:29,000 --> 00:44:32,160
It makes you want to be your best,
most colourful self.
922
00:44:36,320 --> 00:44:39,400
And so it continues. Turquoise, and
a painted ceiling, Sophie! Yes...
923
00:44:39,400 --> 00:44:41,560
Come on, you've got to be happy
about that.
924
00:44:41,560 --> 00:44:44,080
What this shows me is that Siobhan
really understands
925
00:44:44,080 --> 00:44:47,480
that if you're doing this deep,
dark, saturated look,
926
00:44:47,480 --> 00:44:49,240
you've got to go full attack.
927
00:44:49,240 --> 00:44:51,960
This is a very strong palette,
for sure.
928
00:44:51,960 --> 00:44:55,000
And I applaud that, there's
something so confident about it.
929
00:44:55,000 --> 00:44:59,000
Exactly. I don't feel like the three
areas are evenly balanced.
930
00:44:59,000 --> 00:45:01,360
I feel like that's where all the
energy's gone.
931
00:45:01,360 --> 00:45:04,760
I mean, it shows how clever Lynsey
was to have introduced that island
932
00:45:04,760 --> 00:45:07,320
because suddenly you come next door
to the identical house
933
00:45:07,320 --> 00:45:09,720
and it's missing.
That's what's missing.
934
00:45:15,320 --> 00:45:17,600
Wow, party! Wow!
935
00:45:17,600 --> 00:45:20,840
The party room. This is giving
me a big smile on my face.
936
00:45:20,840 --> 00:45:23,080
There's something so joyful
about it
937
00:45:23,080 --> 00:45:25,400
and I think it's just because
it's so unapologetic.
938
00:45:25,400 --> 00:45:27,120
Wow! Where's the sunglasses?!
939
00:45:27,120 --> 00:45:29,240
She's definitely not held back.
940
00:45:29,240 --> 00:45:31,080
She's packed a lot in this space.
941
00:45:31,080 --> 00:45:34,400
You know, maybe too much - it's
supposed to be a family getaway.
942
00:45:34,400 --> 00:45:36,680
Definitely feels like you could sort
of kick back.
943
00:45:36,680 --> 00:45:38,400
But is it relaxing, I wonder?
944
00:45:38,400 --> 00:45:40,080
I want to forgive. I just...
945
00:45:40,080 --> 00:45:42,920
I'm just enjoying this fabulous
exploration
946
00:45:42,920 --> 00:45:44,640
of colour and decor.
947
00:45:44,640 --> 00:45:48,280
I just feel that she just enjoys
doing this so much.
948
00:45:48,280 --> 00:45:50,960
Mm. I agree with you, Michelle.
I think it's beautifully curated.
949
00:45:50,960 --> 00:45:53,720
But then in my mind, I'm thinking,
OK, family with toddlers
950
00:45:53,720 --> 00:45:56,440
well, all of this... Has to go.
..is just a nightmare.
951
00:45:56,440 --> 00:45:58,520
You know, has she answered the
brief?
952
00:45:58,520 --> 00:46:01,280
It's intense, but does it
really answer
953
00:46:01,280 --> 00:46:03,720
that sort of broader demographic?
954
00:46:03,720 --> 00:46:06,200
I agree. She's taken quite a risk.
955
00:46:13,040 --> 00:46:16,520
You know, what is gorgeous is
looking back here
956
00:46:16,520 --> 00:46:19,600
and seeing that gold leaf ceiling,
that is someone that has sat here
957
00:46:19,600 --> 00:46:22,040
and thought, "What am I going to be
looking at?"
958
00:46:22,040 --> 00:46:23,720
That's a lovely touch, isn't it?
959
00:46:23,720 --> 00:46:27,920
And it means that she's considered
the architecture...
960
00:46:27,920 --> 00:46:31,120
But then not been so cowed by doing
that in gold that she didn't want
961
00:46:31,120 --> 00:46:36,080
to then stripe behind me and bring
our kind of dividers up as well.
962
00:46:39,480 --> 00:46:42,200
You know, typical Siobhan -
full-out opulent glamour.
963
00:46:42,200 --> 00:46:44,680
It's always like there's plenty
to either delight
964
00:46:44,680 --> 00:46:46,760
or assault the senses.
965
00:46:46,760 --> 00:46:48,400
It's kind of all like, why not?
966
00:46:48,400 --> 00:46:50,280
I'm on holiday, I'm escaping.
967
00:46:50,280 --> 00:46:51,960
I'd love to have this room.
968
00:46:51,960 --> 00:46:54,720
And what do you think of this? I've
never seen a headboard like that,
969
00:46:54,720 --> 00:46:56,560
which is not to say it doesn't work.
970
00:46:56,560 --> 00:46:59,960
However, it is kind of feeling like
quite grown-up in here.
971
00:46:59,960 --> 00:47:02,840
And as a family retreat,
I wonder if the other bedroom
972
00:47:02,840 --> 00:47:04,960
is more suitable for kids.
973
00:47:10,560 --> 00:47:13,920
It's the same as next door,
but it's got that difference again,
974
00:47:13,920 --> 00:47:17,400
I think as well, it's just the
audaciousness of it.
975
00:47:17,400 --> 00:47:21,160
Oversized mural and, again, pulling
in that black and white.
976
00:47:21,160 --> 00:47:23,520
It's a really bold, dramatic
landscape.
977
00:47:23,520 --> 00:47:25,960
It's design,
it's interior decor,
978
00:47:25,960 --> 00:47:28,800
it's masterful, it's Siobhan.
979
00:47:28,800 --> 00:47:31,920
I'm sorry, but is it
family retreat?
980
00:47:31,920 --> 00:47:33,440
All of those kind of things.
981
00:47:33,440 --> 00:47:37,840
There is so much great here, so much
great in Lynsey's as well.
982
00:47:37,840 --> 00:47:40,040
I can see they've both learnt from
each other.
983
00:47:40,040 --> 00:47:43,200
They've each evolved over the course
of this whole competition,
984
00:47:43,200 --> 00:47:45,520
but there can only be one winner.
985
00:47:45,520 --> 00:47:47,760
It's going to be a really tough
decision.
986
00:47:55,840 --> 00:47:59,040
After eight weeks and eight
commercial design challenges,
987
00:47:59,040 --> 00:48:00,800
a defining moment.
988
00:48:00,800 --> 00:48:02,840
I just absolutely loved
what I created.
989
00:48:02,840 --> 00:48:05,680
I'm massively proud. I'm thinking
like a designer now.
990
00:48:05,680 --> 00:48:07,560
I'm just hoping that I've done
enough.
991
00:48:07,560 --> 00:48:10,000
How are you doing?
Mm, nervous!
992
00:48:10,000 --> 00:48:11,840
I know. Petrified! Yeah.
993
00:48:10,000 --> 00:48:11,840
THEY LAUGH
994
00:48:11,840 --> 00:48:14,080
All of them.
I couldn't have done any more.
995
00:48:14,080 --> 00:48:16,600
That was me - that was everything
I've got.
996
00:48:16,600 --> 00:48:18,320
I've lived and breathed it.
997
00:48:18,320 --> 00:48:21,920
I gave my all and that's all
I can be, so, yeah.
998
00:48:23,160 --> 00:48:26,160
Siobhan and Lynsey, they did that
in three days.
999
00:48:26,160 --> 00:48:27,800
You must have been impressed.
1000
00:48:27,800 --> 00:48:31,080
Oh, my goodness! They just pulled it
out of the hat, these two.
1001
00:48:31,080 --> 00:48:32,840
An utter transformation.
1002
00:48:32,840 --> 00:48:35,840
You know, we've all got to remember
that whoever you choose
1003
00:48:35,840 --> 00:48:39,840
has absolutely got to fulfil this
commercial contract.
1004
00:48:39,840 --> 00:48:42,600
We're looking for innovation
brilliance.
1005
00:48:42,600 --> 00:48:45,800
Equally, though, I have hammered it
into these people
1006
00:48:45,800 --> 00:48:49,520
that everything must be considered,
inhabit the space, use the space.
1007
00:48:49,520 --> 00:48:53,680
I suppose at this point, it's also
about the next part of that journey.
1008
00:48:53,680 --> 00:48:57,320
Which one is going to flourish
as an interior designer?
1009
00:48:57,320 --> 00:49:01,160
The tricky thing is they both have a
huge amount of style.
1010
00:49:01,160 --> 00:49:04,720
I mean, there is this kind of genius
use of space from Lynsey,
1011
00:49:04,720 --> 00:49:07,920
but then there's this genius
kind of just joy.
1012
00:49:07,920 --> 00:49:10,480
It's very happy...
With design on the other side.
1013
00:49:10,480 --> 00:49:12,240
I think this is our biggest
conundrum.
1014
00:49:12,240 --> 00:49:16,280
If we could merge them both...
Oh, my goodness, what would we get?
1015
00:49:16,280 --> 00:49:19,080
You can't merge them, Michelle,
you have to choose.
1016
00:49:19,080 --> 00:49:21,240
I guess it's a prize at the end
of the day
1017
00:49:21,240 --> 00:49:23,480
to become an interior designer,
1018
00:49:23,480 --> 00:49:27,000
so it's interesting to look at
who wants to do that job more.
1019
00:49:27,000 --> 00:49:28,680
It could go either way.
1020
00:49:31,920 --> 00:49:34,400
Hello, ladies.
BOTH: Hi!
1021
00:49:34,400 --> 00:49:38,520
The time has come. And, you know,
whatever happens in that room,
1022
00:49:38,520 --> 00:49:41,280
you should both be so proud
of yourself.
1023
00:49:41,280 --> 00:49:42,440
Thank you.
1024
00:49:42,440 --> 00:49:45,440
Now, the judges and Michelle
would like to speak to you both
1025
00:49:45,440 --> 00:49:47,400
individually.
Lynsey, you're up first.
1026
00:49:47,400 --> 00:49:48,520
OK. Good luck.
1027
00:49:48,520 --> 00:49:50,360
Thank you.
Good luck.
1028
00:49:50,360 --> 00:49:51,680
See you in a bit.
1029
00:49:54,600 --> 00:49:57,360
So you made it. This is it.
The final. I know!
1030
00:49:57,360 --> 00:49:59,480
How is it feeling?
1031
00:49:59,480 --> 00:50:02,160
Amazing. Scary. Exciting.
1032
00:50:02,160 --> 00:50:06,040
I mean, you had a whole house
to design in three days.
1033
00:50:06,040 --> 00:50:08,520
How did you tackle that
from the very beginning?
1034
00:50:08,520 --> 00:50:10,800
I really thought about the brief,
cos proportions to me
1035
00:50:10,800 --> 00:50:13,080
are really important,
and how you feel in a space.
1036
00:50:13,080 --> 00:50:15,120
But then I wanted it to be
functional as well.
1037
00:50:15,120 --> 00:50:18,040
I love your sense of flow
from one to the next.
1038
00:50:18,040 --> 00:50:19,560
It was fantastic.
1039
00:50:19,560 --> 00:50:22,200
Yeah, I tried really hard on that.
Like, for the island,
1040
00:50:22,200 --> 00:50:25,600
you could be in the kitchen,
but still be really sociable.
1041
00:50:25,600 --> 00:50:28,240
And the partition so that you could
still see what was going on
1042
00:50:28,240 --> 00:50:29,280
in the living room.
1043
00:50:29,280 --> 00:50:33,040
That felt like a really smart,
clever way to denote one space
1044
00:50:33,040 --> 00:50:34,120
from the next.
1045
00:50:34,120 --> 00:50:36,280
And we've seen glimpses
of that slatted wood before,
1046
00:50:36,280 --> 00:50:39,000
it really worked really powerfully,
particularly the divider,
1047
00:50:39,000 --> 00:50:42,880
because it wasn't just a divider,
it was also the bench seat
1048
00:50:42,880 --> 00:50:46,280
and the TV stand.
When I was there doing it,
1049
00:50:46,280 --> 00:50:49,640
I questioned all of my decisions
once I was in the space.
1050
00:50:49,640 --> 00:50:52,320
Just sort of learning to be
more flexible at the 11th hour.
1051
00:50:52,320 --> 00:50:54,600
That's definitely something that
I brought in,
1052
00:50:54,600 --> 00:50:56,640
learning that just because you've
had this idea,
1053
00:50:56,640 --> 00:50:57,960
and actually taken the time,
1054
00:50:57,960 --> 00:51:00,960
once you're in the space, you go,
"Will that work?"
1055
00:51:00,960 --> 00:51:04,160
I mean, and that comes from really
putting yourself in the mind
1056
00:51:04,160 --> 00:51:08,000
of the user, which is what we've
been constantly learning, isn't it?
1057
00:51:08,000 --> 00:51:10,400
That's just so wonderful.
It shows you really care,
1058
00:51:10,400 --> 00:51:13,080
and you really care about
the people you're designing for.
1059
00:51:13,080 --> 00:51:14,160
With the two bedrooms,
1060
00:51:14,160 --> 00:51:16,680
every room is another opportunity
to have more fun,
1061
00:51:16,680 --> 00:51:17,920
more colour, more pattern.
1062
00:51:17,920 --> 00:51:20,160
And I was quite surprised
that they were almost like
1063
00:51:20,160 --> 00:51:22,560
mirror images of one another.
I wanted them to be different
1064
00:51:22,560 --> 00:51:24,440
in terms of feel,
and I think I achieved that.
1065
00:51:24,440 --> 00:51:26,920
I wish I could have done
two totally different rooms.
1066
00:51:26,920 --> 00:51:30,000
What is fantastic is that, in all
of this conversation,
1067
00:51:30,000 --> 00:51:32,880
I am hearing someone really talking
like a designer.
1068
00:51:32,880 --> 00:51:36,200
What will this mean to you
if you win?
1069
00:51:36,200 --> 00:51:40,600
It will mean so much.
I've already quit my job,
1070
00:51:40,600 --> 00:51:42,840
because I've loved this so much,
1071
00:51:42,840 --> 00:51:45,600
like, I just...
It lights this fire inside me.
1072
00:51:45,600 --> 00:51:49,400
I absolutely have enjoyed every
minute of just trying to
1073
00:51:49,400 --> 00:51:52,520
absorb all of that information
and pulling it together.
1074
00:51:52,520 --> 00:51:55,320
And then what I can do next
excites me so much.
1075
00:51:55,320 --> 00:51:57,440
You were quite rule-based
to start off with. Yes.
1076
00:51:57,440 --> 00:51:59,720
What was the right thing to do?
What could be done?
1077
00:51:59,720 --> 00:52:00,920
Yeah.
And this was the brief.
1078
00:52:00,920 --> 00:52:03,040
And you're very aware
of what you've got to learn.
1079
00:52:03,040 --> 00:52:05,080
The question is, can you?
Can you learn it?
1080
00:52:05,080 --> 00:52:08,680
I am a creative person,
and I now believe I can do it,
1081
00:52:08,680 --> 00:52:10,320
and I've got a lot more to give.
1082
00:52:10,320 --> 00:52:12,840
You've talked about light,
you've talked about flow,
1083
00:52:12,840 --> 00:52:16,920
all of the things that we have been
masterclass training you for,
1084
00:52:16,920 --> 00:52:19,320
so well done for that.
Thank you.
1085
00:52:21,120 --> 00:52:23,960
The idea of that prize
is life-changing, isn't it?
1086
00:52:23,960 --> 00:52:27,280
It's your first commercial contract
as an interior designer.
1087
00:52:27,280 --> 00:52:29,480
That's like step-up game-change,
1088
00:52:29,480 --> 00:52:33,240
so winning would just be
absolutely amazing.
1089
00:52:33,240 --> 00:52:35,040
Hi.
Hello.
1090
00:52:36,920 --> 00:52:40,280
Oh, I feel emotional
before we've even started.
1091
00:52:40,280 --> 00:52:44,080
I mean, you attacked this villa,
you came out all guns blazing.
1092
00:52:44,080 --> 00:52:48,480
And what I've loved about you is
you have no background in design.
1093
00:52:48,480 --> 00:52:50,440
Tell us how you approached it.
1094
00:52:50,440 --> 00:52:53,720
When I first got the brief,
and it said, like, a family villa,
1095
00:52:53,720 --> 00:52:56,800
I was trying to, like, pare things
back, and then kind of just thought,
1096
00:52:56,800 --> 00:52:59,920
"Look, let's just throw the rule
book a little bit out the window,"
1097
00:52:59,920 --> 00:53:02,280
like, the creative juices
just started flowing,
1098
00:53:02,280 --> 00:53:04,600
and maybe that might be
to me downfall, I don't know.
1099
00:53:04,600 --> 00:53:06,120
So do you think you did
hit the brief?
1100
00:53:06,120 --> 00:53:08,560
I'll have to admit, I don't think
I was really thinking
1101
00:53:08,560 --> 00:53:10,160
about, like, Cornwall as a place.
1102
00:53:10,160 --> 00:53:12,080
Obviously, I have thrown everything
at it,
1103
00:53:12,080 --> 00:53:15,440
but I've tried to do it
in a kind of refined way.
1104
00:53:15,440 --> 00:53:18,320
It's really important
to have that sense of confidence,
1105
00:53:18,320 --> 00:53:19,800
isn't it, in your design?
1106
00:53:19,800 --> 00:53:24,120
And it feels to me that
you're really sure-footed and clear
1107
00:53:24,120 --> 00:53:26,160
about what your design DNA is.
1108
00:53:26,160 --> 00:53:27,560
It's quite bold, isn't it?
1109
00:53:27,560 --> 00:53:29,680
But it was very sophisticated
as well.
1110
00:53:29,680 --> 00:53:34,360
Walking into that entrance hall with
that beautiful gold-leafed mural.
1111
00:53:34,360 --> 00:53:36,440
I applaud the bravado in there.
1112
00:53:36,440 --> 00:53:39,240
But what I'd really like
to understand is
1113
00:53:39,240 --> 00:53:40,800
where does it come from?
1114
00:53:40,800 --> 00:53:44,560
It could start with, like, a colour
or a pattern.
1115
00:53:44,560 --> 00:53:46,800
Is it a gut instinct?
1116
00:53:46,800 --> 00:53:48,640
Is it...?
Absolutely.
1117
00:53:48,640 --> 00:53:51,920
With me not being, like,
a designer as such,
1118
00:53:51,920 --> 00:53:55,320
it's kind of difficult sometimes
to articulate that, isn't it?
1119
00:53:56,600 --> 00:53:58,600
You're doing very well.
1120
00:53:58,600 --> 00:54:02,320
Because I think it's a real gift,
you know,
1121
00:54:02,320 --> 00:54:05,200
to have a strong connection
to colour and design.
1122
00:54:05,200 --> 00:54:07,120
Yeah.
It's an emotional response.
1123
00:54:07,120 --> 00:54:08,480
You can't learn that.
Mm.
1124
00:54:08,480 --> 00:54:11,000
And I think that's something
you need to really own.
1125
00:54:11,000 --> 00:54:13,560
Yeah, I think that's what I struggle
with because, you know,
1126
00:54:13,560 --> 00:54:17,160
I don't have all the fancy terms
and all that, it's just seeing
1127
00:54:17,160 --> 00:54:20,640
something transformed, you know,
from a blank canvas to something,
1128
00:54:20,640 --> 00:54:22,320
you know,
something really beautiful.
1129
00:54:22,320 --> 00:54:25,200
When you leave the competition,
what would be, like, your dream job?
1130
00:54:25,200 --> 00:54:28,000
Obviously, I would love to do
some interior design.
1131
00:54:28,000 --> 00:54:31,640
Right. I'd love to maybe design some
products, some wallpapers, fabrics,
1132
00:54:31,640 --> 00:54:32,840
things like that.
1133
00:54:32,840 --> 00:54:37,400
I have seen you pour your heart
and soul into this,
1134
00:54:37,400 --> 00:54:40,080
but what will it mean for you
if you win?
1135
00:54:40,080 --> 00:54:44,280
It would mean everything, really,
because it would mean that I am...
1136
00:54:44,280 --> 00:54:48,080
I can actually do this, you know,
and that you have faith in me
1137
00:54:48,080 --> 00:54:52,320
that I can have a different
career, you know.
1138
00:54:55,400 --> 00:54:56,960
So, yeah, I think it would be,
1139
00:54:56,960 --> 00:54:59,840
yeah, totally,
totally life-changing, really.
1140
00:54:59,840 --> 00:55:02,480
Well, thank you, Siobhan, so much.
1141
00:55:02,480 --> 00:55:06,760
Both you and Lynsey
are not making my job easy.
1142
00:55:06,760 --> 00:55:08,720
It really is a tough call.
1143
00:55:13,520 --> 00:55:15,840
While Michelle comes to a decision,
1144
00:55:15,840 --> 00:55:19,680
some familiar faces are welcomed
back to the design studio.
1145
00:55:19,680 --> 00:55:22,320
They're really different in how
they've approached it, I think.
1146
00:55:22,320 --> 00:55:23,680
Definitely. Oh, wow.
1147
00:55:23,680 --> 00:55:26,360
I think they
both deserve to be in the final.
1148
00:55:26,360 --> 00:55:28,680
My favourite would have to be
Lynsey.
1149
00:55:28,680 --> 00:55:31,680
Here is more theatre, like, drama.
1150
00:55:31,680 --> 00:55:33,160
Wow, that's amazing.
1151
00:55:33,160 --> 00:55:35,480
I like the idea of using the pitch
for the headboard,
1152
00:55:35,480 --> 00:55:37,320
and it creates that kind of cocoon.
1153
00:55:37,320 --> 00:55:40,040
And this area here,
I mean, I would use that.
1154
00:55:40,040 --> 00:55:42,400
The detail that is in these spaces
is incredible.
1155
00:55:42,400 --> 00:55:45,560
I really like it. You can definitely
tell it's Siobhan's, this one.
1156
00:55:45,560 --> 00:55:46,880
Yeah, you definitely can.
1157
00:55:46,880 --> 00:55:48,200
Looking at the body of work,
1158
00:55:48,200 --> 00:55:50,640
I think Siobhan's is probably
a little bit more memorable.
1159
00:55:50,640 --> 00:55:53,160
Do you have a sense of where to
shop, where to go, where to be?
1160
00:55:53,160 --> 00:55:56,160
I genuinely think
it's too close to call.
1161
00:56:04,200 --> 00:56:07,040
Well, this is a blast from the past.
1162
00:56:07,040 --> 00:56:09,760
Can I just say thank you
for the last eight weeks?
1163
00:56:09,760 --> 00:56:12,280
There was so much creativity.
1164
00:56:12,280 --> 00:56:13,640
Michelle.
1165
00:56:13,640 --> 00:56:16,840
I mean, my God,
what a ride this has been.
1166
00:56:16,840 --> 00:56:20,560
You've thrown yourself with such
conviction and enthusiasm
1167
00:56:20,560 --> 00:56:22,840
into each and every challenge.
1168
00:56:22,840 --> 00:56:25,680
And I think what we all learned
was that interior design
1169
00:56:25,680 --> 00:56:28,400
is about so much more
than just rooms.
1170
00:56:28,400 --> 00:56:31,400
It is heart and soul and passion,
1171
00:56:31,400 --> 00:56:34,640
because when we open ourselves
to creativity,
1172
00:56:34,640 --> 00:56:36,840
we open the door to magic.
1173
00:56:36,840 --> 00:56:40,760
And that's what's so incredible
and you both have shown me that.
1174
00:56:40,760 --> 00:56:42,960
At the end of the day,
1175
00:56:42,960 --> 00:56:48,280
interior design is this superfine
balance between innate raw talent
1176
00:56:48,280 --> 00:56:51,960
and designing plans,
dealing with clients,
1177
00:56:51,960 --> 00:56:54,120
understanding briefs.
1178
00:56:54,120 --> 00:56:56,400
You cannot have one
without the other.
1179
00:57:00,800 --> 00:57:03,880
So this year's
Interior Design Master...
1180
00:57:11,560 --> 00:57:12,960
..is Lynsey.
1181
00:57:14,680 --> 00:57:16,280
Well done.
1182
00:57:18,480 --> 00:57:20,760
Well done. Well done.
Oh, my God!
1183
00:57:20,760 --> 00:57:22,880
CHEERING AND APPLAUSE
1184
00:57:22,880 --> 00:57:25,120
Thank you so, so much.
1185
00:57:25,120 --> 00:57:27,600
I've learnt so much. Thank you.
1186
00:57:28,560 --> 00:57:30,440
Well done.
1187
00:57:28,560 --> 00:57:30,440
HE WHOOPS
1188
00:57:31,920 --> 00:57:33,640
What has just happened?!
1189
00:57:33,640 --> 00:57:35,840
It's just like...
1190
00:57:35,840 --> 00:57:38,600
I think I'm in shock -
is that what it's called?
1191
00:57:38,600 --> 00:57:42,080
Come on, then, who wants a drink?
Get that down you.
1192
00:57:42,080 --> 00:57:43,880
Totally and utterly blown away.
1193
00:57:43,880 --> 00:57:45,520
Good to see you all. Cheers!
1194
00:57:45,520 --> 00:57:47,880
Cheers.
1195
00:57:47,880 --> 00:57:50,400
There's always a little bit of
disappointment, you know,
1196
00:57:50,400 --> 00:57:53,080
because it's kind of like, oh, you
know, could have just got there.
1197
00:57:53,080 --> 00:57:55,360
But I'm really, really chuffed
for Lynsey.
1198
00:57:55,360 --> 00:57:58,680
She's done amazing
throughout the whole competition,
1199
00:57:58,680 --> 00:58:01,840
and she just pipped me to the post
at the end, didn't she?
1200
00:58:04,120 --> 00:58:05,520
The person that I just think,
1201
00:58:05,520 --> 00:58:08,960
"Oh, my God, this is going
to transform their life."
1202
00:58:08,960 --> 00:58:12,640
And then also, who's going to
deliver that professional project,
1203
00:58:12,640 --> 00:58:17,600
who has just got that tiny sliver
of a more holistic understanding
1204
00:58:17,600 --> 00:58:21,160
about the whole package
that is interior design?
1205
00:58:21,160 --> 00:58:24,440
And just by a whisker,
Lynsey just took it home.
100706
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.