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1
00:00:02,349 --> 00:00:05,520
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
2
00:00:54,101 --> 00:00:57,439
[LA MARSEILLAISE PLAYING]
3
00:01:09,249 --> 00:01:12,317
Narrator: WITH THE COMING
OF THE SECOND WORLD WAR,
4
00:01:12,386 --> 00:01:14,319
MANY EYES
IN IMPRISONED EUROPE
5
00:01:14,388 --> 00:01:16,320
TURNED HOPEFULLY
OR DESPERATELY
6
00:01:16,389 --> 00:01:19,724
TOWARD THE FREEDOM
OF THE AMERICAS.
7
00:01:19,793 --> 00:01:22,727
LISBON BECAME
THE GREAT EMBARKATION POINT,
8
00:01:22,796 --> 00:01:26,098
BUT NOT EVERYBODY COULD GET
TO LISBON DIRECTLY.
9
00:01:26,167 --> 00:01:29,100
AND SO A TORTUOUS ROUNDABOUT
REFUGEE TRAIL
10
00:01:29,169 --> 00:01:30,335
SPRANG UP--
11
00:01:30,403 --> 00:01:32,574
PARIS TO MARSEILLES...
12
00:01:38,412 --> 00:01:41,449
ACROSS THE MEDITERRANEAN
TO ORAN...
13
00:01:48,422 --> 00:01:51,356
THEN BY TRAIN
OR AUTO OR FOOT
14
00:01:51,425 --> 00:01:52,958
ACROSS THE RIM OF AFRICA
15
00:01:53,027 --> 00:01:55,961
TO CASABLANCA
IN FRENCH MOROCCO.
16
00:01:56,030 --> 00:01:57,762
HERE THE FORTUNATE ONES,
17
00:01:57,831 --> 00:02:00,765
THROUGH MONEY
OR INFLUENCE OR LUCK,
18
00:02:00,834 --> 00:02:04,368
MIGHT OBTAIN EXIT VISAS
AND SCURRY TO LISBON
19
00:02:04,437 --> 00:02:07,372
AND FROM LISBON
TO THE NEW WORLD.
20
00:02:07,441 --> 00:02:10,976
BUT THE OTHERS WAIT
IN CASABLANCA...
21
00:02:11,045 --> 00:02:12,978
AND WAIT...
22
00:02:13,047 --> 00:02:14,847
AND WAIT...
23
00:02:14,916 --> 00:02:16,484
AND WAIT.
24
00:02:26,059 --> 00:02:27,726
"TO ALL OFFICERS--
25
00:02:27,795 --> 00:02:28,827
"TWO GERMAN COURIERS
26
00:02:28,896 --> 00:02:30,395
"CARRYING IMPORTANT
OFFICIAL DOCUMENTS
27
00:02:30,464 --> 00:02:32,396
"MURDERED ON TRAIN
FROM ORAN.
28
00:02:32,465 --> 00:02:34,399
"MURDERER AND POSSIBLE
ACCOMPLICES
29
00:02:34,468 --> 00:02:36,401
"HEADED FOR CASABLANCA.
30
00:02:36,470 --> 00:02:38,403
"ROUND UP ALL
SUSPICIOUS CHARACTERS
31
00:02:38,472 --> 00:02:41,643
AND SEARCH THEM
FOR STOLEN DOCUMENT. IMPORTANT."
32
00:02:43,110 --> 00:02:45,280
[WHISTLE BLOWS]
33
00:02:48,515 --> 00:02:50,015
[SHOUTING IN FRENCH]
34
00:02:50,084 --> 00:02:52,784
[SHOUTING
IN FRENCH]
35
00:02:52,853 --> 00:02:55,723
[SIREN]
36
00:03:12,606 --> 00:03:14,372
MAY WE SEE
YOUR PAPERS?
37
00:03:14,441 --> 00:03:16,840
I DON'T THINK
I HAVE THEM ON ME.
38
00:03:16,909 --> 00:03:19,377
IN THAT CASE WE'LL HAVE
TO ASK YOU COME ALONG.
39
00:03:19,446 --> 00:03:20,979
WAIT. IT'S POSSIBLE
THAT I...
40
00:03:21,048 --> 00:03:22,850
YES, HERE THEY ARE.
41
00:03:26,286 --> 00:03:27,953
THESE PAPERS EXPIRED
3 WEEKS AGO.
42
00:03:28,022 --> 00:03:29,187
YOU'LL HAVE
TO COME ALONG.
43
00:03:29,256 --> 00:03:31,122
HALT!
44
00:03:31,191 --> 00:03:33,091
HALT!
45
00:03:33,160 --> 00:03:35,463
[GUNSHOT]
46
00:03:57,717 --> 00:03:59,651
WHAT ON EARTH'S
GOING ON THERE?
47
00:03:59,720 --> 00:04:01,385
I DON'T KNOW,
MY DEAR.
48
00:04:01,454 --> 00:04:02,954
PARDON, MONSIEUR.
PARDON, MADAME.
49
00:04:03,023 --> 00:04:04,250
HAVE YOU NOT HEARD?
50
00:04:04,319 --> 00:04:06,824
WE HEAR VERY LITTLE.
WE UNDERSTAND EVEN LESS.
51
00:04:06,893 --> 00:04:09,027
TWO GERMAN COURIERS
WERE FOUND MURDERED
52
00:04:09,096 --> 00:04:10,428
IN THE UNOCCUPIED
DESERT.
53
00:04:10,497 --> 00:04:13,198
THIS IS THE CUSTOMARY
ROUNDUP OF REFUGEES, LIBERALS,
54
00:04:13,267 --> 00:04:14,665
AND, OF COURSE,
BEAUTIFUL YOUNG GIRLS
55
00:04:14,734 --> 00:04:16,804
FOR MONSIEUR RENAULT,
THE PREFECT OF POLICE.
56
00:04:21,236 --> 00:04:22,674
UNFORTUNATELY,
ALONG WITH THESE
57
00:04:22,743 --> 00:04:24,475
UNHAPPY REFUGEES,
THE SCUM OF EUROPE
58
00:04:24,544 --> 00:04:25,676
HAS GRAVITATED
TO CASABLANCA.
59
00:04:25,745 --> 00:04:28,279
SOME HAVE BEEN WAITING
YEARS FOR A VISA.
60
00:04:28,348 --> 00:04:30,681
I BEG OF YOU, MONSIEUR,
WATCH YOURSELF.
61
00:04:30,750 --> 00:04:33,684
BE ON GUARD. THIS PLACE
IS FULL OF VULTURES,
62
00:04:33,753 --> 00:04:37,288
VULTURES EVERYWHERE.
EVERYWHERE.
63
00:04:37,357 --> 00:04:38,823
THANK YOU VERY MUCH.
64
00:04:38,892 --> 00:04:40,892
NOT AT ALL. AU REVOIR,MONSIEUR, MADAME.
65
00:04:40,961 --> 00:04:42,294
AU REVOIR.
66
00:04:42,363 --> 00:04:44,666
AMUSING LITTLE FELLOW.
WAITER!
67
00:04:46,233 --> 00:04:47,899
OH, HOW SILLY OF ME.
68
00:04:47,968 --> 00:04:48,867
WHAT, DEAR?
69
00:04:48,936 --> 00:04:51,302
I'VE LEFT MY WALLET
IN THE HOTEL. I...
70
00:04:51,371 --> 00:04:53,408
[AIRPLANE ENGINES]
71
00:05:06,053 --> 00:05:08,957
PERHAPS TOMORROW
WE'LL BE ON THE PLANE.
72
00:05:31,411 --> 00:05:33,478
GARDE-A-VOUS!
73
00:05:33,547 --> 00:05:34,812
HEIL HITLER.
74
00:05:34,881 --> 00:05:38,083
IT'S VERY GOOD TO SEE YOU
AGAIN, MAJOR STRASSER.
75
00:05:38,152 --> 00:05:39,351
THANK YOU, THANK YOU.
76
00:05:39,420 --> 00:05:41,352
MAY I PRESENT
CAPTAIN RENAULT,
77
00:05:41,421 --> 00:05:42,488
POLICE PREFECT
OF CASABLANCA?
78
00:05:42,557 --> 00:05:43,589
MAJOR STRASSER.
79
00:05:43,658 --> 00:05:44,690
UNOCCUPIED FRANCE
80
00:05:44,759 --> 00:05:45,990
WELCOMES YOU
TO CASABLANCA.
81
00:05:46,059 --> 00:05:48,759
THANK YOU, CAPTAIN.
IT'S VERY GOOD TO BE HERE.
82
00:05:48,828 --> 00:05:51,362
MAJOR STRASSER, MY AIDE
LIEUTENANT CASSELLE.
83
00:05:51,431 --> 00:05:52,364
CAPTAIN TONELLI,
ITALIAN SERVICE,
84
00:05:52,433 --> 00:05:53,532
AT YOUR COMMAND.
85
00:05:53,601 --> 00:05:55,300
THAT IS KIND OF YOU.
86
00:05:55,369 --> 00:05:57,368
[SPEAKING ITALIAN]
87
00:05:57,437 --> 00:05:59,607
[SPEAKING FRENCH]
88
00:06:00,875 --> 00:06:02,573
YOU MAY FIND
THE CLIMATE
89
00:06:02,642 --> 00:06:04,442
OF CASABLANCA
A TRIFLE WARM.
90
00:06:04,511 --> 00:06:06,310
WE GERMANS MUST GET USED
TO ALL CLIMATES,
91
00:06:06,379 --> 00:06:07,678
FROM RUSSIA TO THE SAHARA,
92
00:06:07,747 --> 00:06:10,215
BUT PERHAPS YOU WERE NOT
REFERRING TO THE WEATHER.
93
00:06:10,284 --> 00:06:11,549
WHAT ELSE,
MY DEAR MAJOR?
94
00:06:11,618 --> 00:06:13,451
THE MURDER OF THE COURIERS--
WHAT HAS BEEN DONE?
95
00:06:13,520 --> 00:06:14,886
REALIZING THE IMPORTANCE
OF THE CASE,
96
00:06:14,955 --> 00:06:17,455
WE'RE ROUNDING UP TWICE THE
USUAL NUMBER OF SUSPECTS.
97
00:06:17,524 --> 00:06:19,457
WE KNOW WHO
THE MURDERER IS.
98
00:06:19,526 --> 00:06:20,858
GOOD.
IS HE IN CUSTODY?
99
00:06:20,927 --> 00:06:23,595
OH, THERE'S NO HURRY.
TONIGHT HE'LL BE AT RICK'S.
100
00:06:23,664 --> 00:06:25,129
EVERYBODY COMES TO RICK'S.
101
00:06:25,198 --> 00:06:27,835
I'VE ALREADY HEARD ABOUT THIS
CAFE, AND ALSO ABOUT MR. RICK.
102
00:06:32,774 --> 00:06:35,339
♪ IT HAD TO BE YOU ♪
103
00:06:35,408 --> 00:06:37,743
♪ IT HAD TO BE YOU ♪
104
00:06:37,812 --> 00:06:39,477
♪ I WANDERED AROUND ♪
105
00:06:39,546 --> 00:06:42,881
♪ AND FINALLY FOUND
THE SOMEBODY WHO ♪
106
00:06:42,950 --> 00:06:45,616
♪ COULD MAKE ME BE TRUE ♪
107
00:06:45,685 --> 00:06:48,352
♪ COULD MAKE ME BE BLUE ♪
108
00:06:48,421 --> 00:06:49,753
♪ AND EVEN BE GLAD ♪
109
00:06:49,822 --> 00:06:53,491
♪ JUST TO BE SAD
THINKING OF YOU ♪
110
00:06:53,560 --> 00:06:56,227
♪ SOME OTHERS I'VE SEEN ♪
111
00:06:56,296 --> 00:06:58,630
♪ MIGHT NEVER BE MEAN ♪
112
00:06:58,699 --> 00:07:00,498
♪ MIGHT NEVER BE CROSS ♪
113
00:07:00,567 --> 00:07:01,767
♪ OR TRY TO BE BOSS ♪
114
00:07:01,836 --> 00:07:03,902
♪ BUT THEY WOULDN'T DO ♪
115
00:07:03,971 --> 00:07:06,637
♪ FOR NOBODY ELSE
GAVE ME A THRILL ♪
116
00:07:06,706 --> 00:07:08,406
♪ HONEY,
WITH ALL YOUR FAULTS ♪
117
00:07:08,475 --> 00:07:09,507
♪ I LOVE YOU STILL ♪
118
00:07:09,576 --> 00:07:11,109
♪ IT HAD TO BE YOU ♪
119
00:07:11,178 --> 00:07:12,377
♪ WONDERFUL YOU ♪
120
00:07:12,446 --> 00:07:15,247
♪ HAD TO BE YOU ♪
121
00:07:15,316 --> 00:07:16,514
♪ 'CAUSE ♪
122
00:07:16,583 --> 00:07:19,284
♪ MY HAIR IS CURLY ♪
123
00:07:19,353 --> 00:07:21,252
♪ 'CAUSE ♪
124
00:07:21,321 --> 00:07:23,521
♪ MY TEETH ARE PEARLY... ♪
125
00:07:23,590 --> 00:07:25,523
WAITING,
WAITING, WAITING.
126
00:07:25,592 --> 00:07:27,793
I'LL NEVER
GET OUT OF HERE.
127
00:07:27,862 --> 00:07:29,727
I'LL DIE
IN CASABLANCA.
128
00:07:29,796 --> 00:07:32,664
CAN'T YOU MAKE IT JUST
A LITTLE MORE? PLEASE?
129
00:07:32,733 --> 00:07:36,134
SORRY, MADAME, BUT DIAMONDS
ARE A DRAG ON THE MARKET.
130
00:07:36,203 --> 00:07:37,402
EVERYBODY SELLS DIAMONDS.
131
00:07:37,471 --> 00:07:39,137
THERE ARE DIAMONDS
EVERYWHERE. 2,400.
132
00:07:39,206 --> 00:07:40,672
ALL RIGHT.
133
00:07:40,741 --> 00:07:43,676
THE TRUCKS ARE READY.
THE MEN ARE WAITING.
134
00:07:43,745 --> 00:07:44,710
EVERYTHING IS--
135
00:07:44,779 --> 00:07:47,545
[MEN SPEAKING GERMAN]
136
00:07:47,614 --> 00:07:49,547
IT'S THE FISHING SMACK
SANTIAGO.
137
00:07:49,616 --> 00:07:51,950
IT LEAVES AT 1:00
TOMORROW NIGHT
138
00:07:52,019 --> 00:07:55,153
HERE FROM THE END OF
LA MEDINA. THIRD BOAT.
139
00:07:55,222 --> 00:07:56,554
THANK YOU.
THANK YOU.
140
00:07:56,623 --> 00:07:58,557
BRING 15,000 FRANCS
IN CASH.
141
00:07:58,626 --> 00:08:00,426
REMEMBER, IN CASH.
142
00:08:00,495 --> 00:08:03,798
[SPEAKING CHINESE]
143
00:08:05,365 --> 00:08:07,165
[SPEAKING RUSSIAN]
144
00:08:07,234 --> 00:08:09,101
CHEERIO.
145
00:08:09,170 --> 00:08:10,702
OPEN UP, ABDUL.
146
00:08:10,771 --> 00:08:13,032
YES, HERR PROFESSOR.
147
00:08:13,101 --> 00:08:14,572
GRAZIE, SIGNORE.
148
00:08:14,641 --> 00:08:17,212
RED FOR MADAME.
BLACK FOR MONSIEUR.
149
00:08:20,247 --> 00:08:22,180
UM...WAITER.
150
00:08:22,249 --> 00:08:23,576
YES, MADAME?
151
00:08:23,645 --> 00:08:26,985
WILL YOU ASK RICK IF HE'LL
HAVE A DRINK WITH US?
152
00:08:27,054 --> 00:08:28,621
MADAME, HE NEVER DRINKS
WITH CUSTOMERS. NEVER.
153
00:08:28,690 --> 00:08:29,787
I HAVE NEVER SEEN IT.
154
00:08:29,856 --> 00:08:31,757
WHAT MAKES SALOON KEEPERS
SO SNOBBISH?
155
00:08:31,826 --> 00:08:33,757
PERHAPS
IF YOU TOLD HIM
156
00:08:33,826 --> 00:08:37,162
I RAN THE SECOND LARGEST
BANKING HOUSE IN AMSTERDAM.
157
00:08:37,231 --> 00:08:38,096
SECOND LARGEST?
158
00:08:38,165 --> 00:08:39,331
THAT WOULDN'T
IMPRESS RICK.
159
00:08:39,400 --> 00:08:40,999
THE LEADING BANKER
IN AMSTERDAM
160
00:08:41,068 --> 00:08:44,002
IS NOW THE PASTRY
CHEF IN OUR KITCHEN.
161
00:08:44,071 --> 00:08:46,739
WE HAVE SOMETHING
TO LOOK FORWARD TO.
162
00:08:46,808 --> 00:08:50,241
AND HIS FATHER
IS THE BELLBOY.
163
00:08:50,310 --> 00:08:51,610
Waiter:
FOR MADAME.
164
00:08:51,679 --> 00:08:53,211
MONSIEUR.
165
00:08:53,280 --> 00:08:54,749
Waiter:
FOR MONSIEUR.
166
00:09:19,039 --> 00:09:20,775
EXCUSE ME.
167
00:09:22,676 --> 00:09:25,043
SORRY, SIR.
THIS IS A PRIVATE ROOM.
168
00:09:25,112 --> 00:09:26,778
OF ALL THE NERVE!
WHO DO YOU--
169
00:09:26,847 --> 00:09:28,279
I KNOW THERE'S
GAMBLING IN THERE.
170
00:09:28,348 --> 00:09:29,375
THERE IS NO SECRET.
171
00:09:29,444 --> 00:09:31,382
YOU DARE NOT
KEEP ME OUT OF HERE.
172
00:09:31,451 --> 00:09:32,650
WHAT'S THE TROUBLE?
173
00:09:32,719 --> 00:09:34,719
I'VE BEEN IN EVERY
GAMBLING ROOM
174
00:09:34,788 --> 00:09:36,120
BETWEEN HONOLULU
AND BERLIN.
175
00:09:36,189 --> 00:09:37,923
IF YOU THINK I'LL BE
KEPT OUT OF A SALOON
176
00:09:37,992 --> 00:09:39,591
LIKE THIS, YOU ARE
VERY MUCH MISTAKEN.
177
00:09:39,660 --> 00:09:41,829
EXCUSE ME.
HELLO, RICK.
178
00:09:43,430 --> 00:09:45,930
YOUR CASH IS GOOD
AT THE BAR.
179
00:09:45,999 --> 00:09:48,132
WHAT? DO YOU KNOW
WHO I AM?
180
00:09:48,201 --> 00:09:50,334
I DO. YOU'RE LUCKY
THE BAR'S OPEN TO YOU.
181
00:09:50,403 --> 00:09:54,042
THIS IS OUTRAGEOUS! I SHALL
REPORT IT TO THE ANGRIFF.
182
00:09:55,842 --> 00:09:58,176
RICK, WATCHING YOU
WITH THE DEUTSCHE BANK,
183
00:09:58,245 --> 00:10:01,780
ONE WOULD THINK YOU'VE BEEN
DOING THIS ALL YOUR LIFE.
184
00:10:01,849 --> 00:10:04,182
WHAT MAKES YOU THINK
I HAVEN'T?
185
00:10:04,251 --> 00:10:05,751
NOTHING, BUT WHEN
YOU FIRST CAME
186
00:10:05,820 --> 00:10:07,385
TO CASABLANCA,
I THOUGHT--
187
00:10:07,454 --> 00:10:08,921
YOU THOUGHT WHAT?
188
00:10:08,990 --> 00:10:12,027
WHAT RIGHT DO I
HAVE TO THINK?
189
00:10:15,729 --> 00:10:16,864
MAY I?
190
00:10:17,831 --> 00:10:20,799
TOO BAD ABOUT THOSE
2 GERMAN COURIERS.
191
00:10:20,868 --> 00:10:22,067
THEY GOT A LUCKY BREAK.
192
00:10:22,136 --> 00:10:23,902
YESTERDAY THEY WERE
JUST TWO GERMAN CLERKS.
193
00:10:23,971 --> 00:10:25,904
TODAY THEY'RE
THE HONORED DEAD.
194
00:10:25,973 --> 00:10:27,906
YOU ARE A VERY
CYNICAL PERSON.
195
00:10:27,975 --> 00:10:29,508
FORGIVE ME
FOR SAYING SO.
196
00:10:29,577 --> 00:10:30,709
I FORGIVE YOU.
197
00:10:30,778 --> 00:10:32,906
WILL YOU HAVE
A DRINK WITH ME?
198
00:10:32,975 --> 00:10:33,879
NO.
199
00:10:33,948 --> 00:10:35,714
I FORGOT. YOU NEVER
DRINK WITH ANYONE.
200
00:10:35,783 --> 00:10:36,848
I'LL HAVE ANOTHER,
PLEASE.
201
00:10:36,917 --> 00:10:38,783
YOU DESPISE ME,
DON'T YOU?
202
00:10:38,852 --> 00:10:42,287
IF I GAVE YOU ANY THOUGHT,
I PROBABLY WOULD.
203
00:10:42,356 --> 00:10:43,988
WHY? YOU OBJECT
204
00:10:44,057 --> 00:10:46,124
TO THE KIND OF
BUSINESS I DO, HUH?
205
00:10:46,193 --> 00:10:48,726
THINK OF ALL THOSE
POOR REFUGEES
206
00:10:48,795 --> 00:10:50,896
WHO'D ROT HERE IF I
DIDN'T HELP THEM.
207
00:10:50,965 --> 00:10:52,463
THAT'S NOT SO BAD.
208
00:10:52,532 --> 00:10:53,732
THROUGH WAYS
OF MY OWN,
209
00:10:53,801 --> 00:10:55,934
I PROVIDE THEM
WITH EXIT VISAS.
210
00:10:56,003 --> 00:10:58,669
FOR A PRICE, UGARTE,
FOR A PRICE.
211
00:10:58,738 --> 00:11:00,673
BUT THINK OF
ALL THE POOR DEVILS
212
00:11:00,742 --> 00:11:02,674
WHO CAN'T MEET
RENAULT'S PRICE.
213
00:11:02,743 --> 00:11:04,677
I GET IT
FOR THEM FOR HALF.
214
00:11:04,746 --> 00:11:06,444
IS THAT SO PARASITIC?
215
00:11:06,513 --> 00:11:10,615
I DON'T MIND A PARASITE.
I OBJECT TO A CUT-RATE ONE.
216
00:11:10,684 --> 00:11:12,016
WELL, AFTER TONIGHT,
217
00:11:12,085 --> 00:11:14,019
I'LL BE THROUGH WITH
THE WHOLE BUSINESS.
218
00:11:14,088 --> 00:11:16,621
I'M LEAVING, FINALLY,
THIS CASABLANCA.
219
00:11:16,690 --> 00:11:18,557
WHO'D YOU BRIBE
FOR YOUR VISA,
220
00:11:18,626 --> 00:11:20,091
RENAULT OR YOURSELF?
221
00:11:20,160 --> 00:11:23,795
MYSELF. I FOUND MYSELF
MUCH MORE REASONABLE.
222
00:11:23,864 --> 00:11:25,397
LOOK, RICK.
223
00:11:25,466 --> 00:11:27,198
YOU KNOW WHAT THIS IS?
224
00:11:27,267 --> 00:11:30,201
SOMETHING THAT EVEN YOU
HAVE NEVER SEEN.
225
00:11:30,270 --> 00:11:34,205
LETTERS OF TRANSIT
SIGNED BY GENERAL DE GAULLE.
226
00:11:34,274 --> 00:11:37,376
CANNOT BE RESCINDED,
NOT EVEN QUESTIONED.
227
00:11:37,445 --> 00:11:38,811
ONE MOMENT.
228
00:11:38,880 --> 00:11:40,778
TONIGHT I'LL BE
SELLING THOSE
229
00:11:40,847 --> 00:11:43,781
FOR MORE MONEY THAN EVEN
I'VE EVER DREAMED OF,
230
00:11:43,850 --> 00:11:45,784
AND THEN ADDIO,
CASABLANCA.
231
00:11:45,853 --> 00:11:47,719
YOU KNOW, RICK,
I HAVE MANY FRIENDS,
232
00:11:47,787 --> 00:11:49,520
BUT SOMEHOW, BECAUSE
YOU DESPISE ME,
233
00:11:49,589 --> 00:11:51,055
YOU'RE THE ONLY ONE
I TRUST.
234
00:11:51,124 --> 00:11:53,257
WILL YOU KEEP THESE
FOR ME?
235
00:11:53,326 --> 00:11:54,325
FOR HOW LONG?
236
00:11:54,394 --> 00:11:56,094
PERHAPS AN HOUR. PERHAPS
A LITTLE LONGER.
237
00:11:56,163 --> 00:11:58,063
I DON'T WANT THEM HERE
OVERNIGHT.
238
00:11:58,132 --> 00:11:59,665
DON'T BE AFRAID
OF THAT.
239
00:11:59,734 --> 00:12:01,066
PLEASE KEEP THEM
FOR ME.
240
00:12:01,135 --> 00:12:03,801
THANK YOU. I KNEW
I COULD TRUST YOU.
241
00:12:03,870 --> 00:12:06,271
OH, WAITER. I'M
EXPECTING SOME PEOPLE.
242
00:12:06,340 --> 00:12:09,474
IF ANYBODY ASKS FOR ME,
I'LL BE RIGHT HERE.
243
00:12:09,543 --> 00:12:10,874
YES, MONSIEUR.
244
00:12:10,943 --> 00:12:14,278
RICK, I HOPE YOU'RE MORE
IMPRESSED WITH ME NOW.
245
00:12:14,347 --> 00:12:17,883
IF YOU'LL FORGIVE ME,
I'LL SHARE MY GOOD LUCK
246
00:12:17,952 --> 00:12:19,884
WITH YOUR
ROULETTE WHEEL.
247
00:12:19,953 --> 00:12:21,285
JUST A MOMENT.
248
00:12:21,354 --> 00:12:24,288
I HEARD A RUMOR
THOSE 2 GERMAN COURIERS
249
00:12:24,357 --> 00:12:26,158
WERE CARRYING
LETTERS OF TRANSIT.
250
00:12:26,227 --> 00:12:27,559
HUH?
251
00:12:27,628 --> 00:12:31,157
OH. I'VE HEARD
THAT RUMOR, TOO.
252
00:12:31,226 --> 00:12:32,565
POOR DEVILS.
253
00:12:32,634 --> 00:12:33,731
YOU'RE RIGHT, UGARTE.
254
00:12:33,800 --> 00:12:37,403
I AM A LITTLE MORE
IMPRESSED WITH YOU.
255
00:12:37,472 --> 00:12:39,507
[APPLAUSE]
256
00:12:46,347 --> 00:12:48,013
♪ SAY, WHO'S
GOT TROUBLE? ♪
257
00:12:48,082 --> 00:12:49,615
♪ WE GOT TROUBLE ♪
258
00:12:49,684 --> 00:12:50,715
♪ HOW MUCH TROUBLE? ♪
259
00:12:50,784 --> 00:12:51,850
♪ TOO MUCH TROUBLE ♪
260
00:12:51,919 --> 00:12:53,284
♪ WELL, NOW,
DON'T YOU FROWN ♪
261
00:12:53,353 --> 00:12:55,887
♪ JUST KNUCKLE DOWN
AND KNOCK ON WOOD ♪
262
00:12:55,956 --> 00:12:57,623
[KNOCK KNOCK KNOCK]
263
00:12:57,692 --> 00:12:58,757
♪ WHO'S UNHAPPY? ♪
264
00:12:58,826 --> 00:13:00,353
♪ WE'RE UNHAPPY ♪
265
00:13:00,422 --> 00:13:01,494
♪ HOW UNHAPPY? ♪
266
00:13:01,563 --> 00:13:02,327
♪ TOO UNHAPPY ♪
267
00:13:02,396 --> 00:13:03,895
♪ UH-OH,
THAT WON'T DO ♪
268
00:13:03,964 --> 00:13:06,898
♪ WHEN YOU ARE BLUE,
JUST KNOCK ON WOOD ♪
269
00:13:06,967 --> 00:13:08,166
[KNOCK KNOCK KNOCK]
270
00:13:08,235 --> 00:13:09,434
♪ WHO'S UNLUCKY? ♪
271
00:13:09,503 --> 00:13:10,869
♪ WE'RE UNLUCKY ♪
272
00:13:10,938 --> 00:13:12,037
♪ HOW UNLUCKY? ♪
273
00:13:12,106 --> 00:13:13,171
♪ TOO UNLUCKY ♪
274
00:13:13,240 --> 00:13:14,572
♪ BUT YOUR LUCK'LL
CHANGE ♪
275
00:13:14,641 --> 00:13:17,542
♪ IF YOU'LL ARRANGE
TO KNOCK ON WOOD ♪
276
00:13:17,611 --> 00:13:18,777
[KNOCK KNOCK KNOCK]
277
00:13:18,846 --> 00:13:20,045
♪ WHO'S GOT NOTHIN'? ♪
278
00:13:20,114 --> 00:13:21,146
♪ WE GOT NOTHIN' ♪
279
00:13:21,215 --> 00:13:22,914
♪ HOW MUCH NOTHIN'? ♪
280
00:13:22,983 --> 00:13:24,115
♪ TOO MUCH NOTHIN' ♪
281
00:13:24,184 --> 00:13:26,652
♪ SAY, NOTHIN'S NOT
AN AWFUL LOT ♪
282
00:13:26,721 --> 00:13:28,386
♪ BUT KNOCK ON WOOD ♪
283
00:13:28,455 --> 00:13:29,654
[KNOCK KNOCK KNOCK]
284
00:13:29,723 --> 00:13:31,384
♪ NOW WHO'S HAPPY? ♪
285
00:13:31,453 --> 00:13:32,523
♪ WE'RE HAPPY ♪
286
00:13:32,592 --> 00:13:33,725
♪ JUST HOW HAPPY? ♪
287
00:13:33,794 --> 00:13:34,960
♪ VERY HAPPY ♪
288
00:13:35,029 --> 00:13:37,161
♪ THAT'S THE WAY
WE'RE GONNA STAY ♪
289
00:13:37,230 --> 00:13:38,630
♪ SO KNOCK ON WOOD ♪
290
00:13:38,699 --> 00:13:40,164
[KNOCK KNOCK KNOCK]
291
00:13:40,233 --> 00:13:41,633
♪ NOW WHO'S LUCKY? ♪
292
00:13:41,702 --> 00:13:42,901
♪ WE'RE ALL LUCKY ♪
293
00:13:42,970 --> 00:13:44,102
♪ JUST HOW LUCKY? ♪
294
00:13:44,171 --> 00:13:45,136
♪ VERY LUCKY ♪
295
00:13:45,205 --> 00:13:46,772
♪ WELL, SMILE UP, THEN ♪
296
00:13:46,841 --> 00:13:47,906
♪ AND ONCE AGAIN ♪
297
00:13:47,975 --> 00:13:52,280
♪ LET'S KNOCK ON WOOD ♪
298
00:13:57,585 --> 00:13:58,717
HELLO, RICK.
299
00:13:58,786 --> 00:13:59,818
HELLO, FERRARI.
300
00:13:59,887 --> 00:14:01,119
HOW'S BUSINESS
AT THE BLUE PARROT?
301
00:14:01,188 --> 00:14:03,388
FINE, BUT I'D LIKE
TO BUY YOUR CAFE.
302
00:14:03,457 --> 00:14:04,656
IT'S NOT FOR SALE.
303
00:14:04,725 --> 00:14:06,024
YOU HAVEN'T HEARD
MY OFFER.
304
00:14:06,093 --> 00:14:07,860
IT'S NOT FOR SALE
AT ANY PRICE.
305
00:14:07,929 --> 00:14:09,260
WHAT DO YOU WANT
FOR SAM?
306
00:14:09,329 --> 00:14:10,995
I DON'T BUY OR SELL
HUMAN BEINGS.
307
00:14:11,064 --> 00:14:12,931
TOO BAD. THAT'S CASABLANCA'S
LEADING COMMODITY.
308
00:14:13,000 --> 00:14:15,200
IN REFUGEES ALONE,
WE COULD MAKE A FORTUNE.
309
00:14:15,269 --> 00:14:17,669
YOU COULD WORK WITH ME
THROUGH THE BLACK MARKET.
310
00:14:17,738 --> 00:14:19,037
SUPPOSE YOU RUN
YOUR BUSINESS,
311
00:14:19,106 --> 00:14:20,338
AND LET ME RUN MINE.
312
00:14:20,407 --> 00:14:23,508
SUPPOSE WE ASK SAM.
MAYBE HE'D LIKE A CHANGE.
313
00:14:23,577 --> 00:14:24,977
SUPPOSE WE DO.
314
00:14:25,046 --> 00:14:27,979
WHEN WILL YOU REALIZE
THAT IN THIS WORLD TODAY,
315
00:14:28,048 --> 00:14:30,381
ISOLATIONISM IS NO LONGER
A PRACTICAL POLICY?
316
00:14:30,450 --> 00:14:32,984
SAM, FERRARI WANTS YOU
TO WORK FOR HIM.
317
00:14:33,053 --> 00:14:34,385
I LIKE IT FINE HERE.
318
00:14:34,454 --> 00:14:35,821
HE'LL DOUBLE
WHAT I PAY YOU.
319
00:14:35,890 --> 00:14:36,989
YEAH,
BUT I AIN'T GOT TIME
320
00:14:37,058 --> 00:14:37,856
TO SPEND THE MONEY
I MAKE HERE.
321
00:14:37,925 --> 00:14:39,494
SORRY.
322
00:14:43,097 --> 00:14:45,163
BOSS' PRIVATE STOCK...
323
00:14:45,232 --> 00:14:47,366
BECAUSE, YVONNE,
I LOVE YOU.
324
00:14:47,435 --> 00:14:48,900
OH, SHUT UP.
325
00:14:48,969 --> 00:14:51,169
ALL RIGHT. FOR YOU,
I SHUT UP...
326
00:14:51,238 --> 00:14:53,605
BECAUSE, YVONNE,
I LOVE YOU.
327
00:14:53,674 --> 00:14:54,739
UH-OH.
328
00:14:54,808 --> 00:14:58,372
SOME GERMANS
GAVE THIS CHECK.
329
00:14:58,441 --> 00:15:00,415
IS IT ALL RIGHT?
330
00:15:03,851 --> 00:15:05,583
WHERE WERE YOU
LAST NIGHT?
331
00:15:05,652 --> 00:15:08,787
THAT'S SO LONG AGO,
I DON'T REMEMBER.
332
00:15:08,856 --> 00:15:10,789
WILL I SEE YOU
TONIGHT?
333
00:15:10,858 --> 00:15:13,526
I NEVER MAKE PLANS
THAT FAR AHEAD.
334
00:15:13,595 --> 00:15:14,893
GIVE ME ANOTHER.
335
00:15:14,962 --> 00:15:16,294
SACHA,
SHE'S HAD ENOUGH.
336
00:15:16,363 --> 00:15:18,792
DON'T LISTEN TO HIM.
FILL IT UP.
337
00:15:18,861 --> 00:15:20,231
YVONNE, I LOVE YOU,
BUT HE PAYS ME.
338
00:15:20,300 --> 00:15:21,800
RICK, I'M SICK AND TIRED
OF HAVING YOU--
339
00:15:21,869 --> 00:15:23,201
SACHA, CALL A CAB.
340
00:15:23,270 --> 00:15:25,904
LET'S GET YOUR COAT.
YOU'RE GOING HOME.
341
00:15:25,973 --> 00:15:28,276
YOU'VE HAD A LITTLE
TOO MUCH TO DRINK.
342
00:15:30,611 --> 00:15:32,543
HEY, TAXI.
343
00:15:32,612 --> 00:15:35,479
WHO DO YOU THINK YOU
ARE, PUSHING ME AROUND?
344
00:15:35,548 --> 00:15:37,615
I WAS A FOOL TO FALL
FOR A MAN LIKE YOU.
345
00:15:37,684 --> 00:15:40,853
MAKE SURE SHE GETS HOME...
AND COME RIGHT BACK.
346
00:15:40,921 --> 00:15:42,457
YES, BOSS.
347
00:15:54,101 --> 00:15:55,033
HELLO, RICK.
348
00:15:55,102 --> 00:15:56,468
HELLO, LOUIS.
349
00:15:56,537 --> 00:15:58,937
HOW EXTRAVAGANT YOU ARE,
THROWING AWAY WOMEN LIKE THAT.
350
00:15:59,006 --> 00:16:00,438
SOMEDAY THEY MAY
BE SCARCE.
351
00:16:00,507 --> 00:16:03,741
I THINK I'LL CALL ON YVONNE,
MAYBE GET HER ON THE REBOUND.
352
00:16:03,810 --> 00:16:07,112
WHEN IT COMES TO WOMEN,
YOU'RE A TRUE DEMOCRAT.
353
00:16:07,181 --> 00:16:09,317
[SPEAKING FRENCH]
354
00:16:16,656 --> 00:16:18,857
IF HE GETS A WORD IN,
355
00:16:18,926 --> 00:16:21,529
IT'LL BE A MAJOR
ITALIAN VICTORY.
356
00:16:24,631 --> 00:16:26,634
THE PLANE TO LISBON.
357
00:16:30,770 --> 00:16:33,237
YOU WOULD LIKE
TO BE ON IT.
358
00:16:33,306 --> 00:16:34,973
WHY?
WHAT'S IN LISBON?
359
00:16:35,042 --> 00:16:36,640
THE CLIPPER TO AMERICA.
360
00:16:36,709 --> 00:16:39,644
I'VE OFTEN SPECULATED
ON WHY YOU DON'T RETURN.
361
00:16:39,713 --> 00:16:41,980
DID YOU ABSCOND
WITH THE CHURCH FUNDS?
362
00:16:42,049 --> 00:16:43,647
DID YOU RUN OFF WITH
A SENATOR'S WIFE?
363
00:16:43,716 --> 00:16:46,852
I'D LIKE TO THINK
THAT YOU KILLED A MAN.
364
00:16:46,921 --> 00:16:48,186
IT'S THE ROMANTIC
IN ME.
365
00:16:48,255 --> 00:16:49,521
IT'S A COMBINATION
OF ALL 3.
366
00:16:49,590 --> 00:16:50,756
WHAT IN HEAVEN'S NAME
BROUGHT YOU TO CASABLANCA?
367
00:16:50,825 --> 00:16:51,885
MY HEALTH.
368
00:16:51,954 --> 00:16:54,125
I CAME TO CASABLANCA
FOR THE WATERS.
369
00:16:54,194 --> 00:16:58,229
THE WATERS? WHAT WATERS?
WE'RE IN THE DESERT.
370
00:16:58,298 --> 00:17:00,568
I WAS MISINFORMED.
371
00:17:02,236 --> 00:17:03,434
EXCUSE ME,
MONSIEUR RICK.
372
00:17:03,503 --> 00:17:06,437
A GENTLEMAN INSIDE
HAS WON 20,000 FRANCS,
373
00:17:06,506 --> 00:17:09,841
AND THE CASHIER
WOULD LIKE SOME MONEY.
374
00:17:09,910 --> 00:17:12,244
I'LL GET IT
FROM THE SAFE.
375
00:17:12,313 --> 00:17:14,246
I'M SO UPSET, MONSIEUR RICK.
376
00:17:14,315 --> 00:17:15,981
FORGET IT, EMIL.
377
00:17:16,050 --> 00:17:17,282
THINGS LIKE THAT
HAPPEN ALL THE TIME.
378
00:17:17,351 --> 00:17:18,717
I'M AWFULLY SORRY.
379
00:17:18,786 --> 00:17:20,655
[PLAYING BABY FACE]
380
00:17:21,821 --> 00:17:24,755
THERE'S GOING TO BE
SOME EXCITEMENT TONIGHT.
381
00:17:24,824 --> 00:17:27,959
WE'RE GOING TO MAKE
AN ARREST IN YOUR CAFE.
382
00:17:28,028 --> 00:17:29,127
WHAT, AGAIN?
383
00:17:29,196 --> 00:17:30,762
THIS IS
NO ORDINARY ARREST.
384
00:17:30,831 --> 00:17:32,130
A MURDERER, NO LESS.
385
00:17:32,199 --> 00:17:33,298
IF YOU'RE THINKING
OF WARNING HIM,
386
00:17:33,367 --> 00:17:34,365
DON'T
PUT YOURSELF OUT.
387
00:17:34,434 --> 00:17:35,967
HE CANNOT POSSIBLY
ESCAPE.
388
00:17:36,036 --> 00:17:38,270
I STICK MY NECK OUT
FOR NOBODY.
389
00:17:38,339 --> 00:17:40,271
A WISE FOREIGN POLICY.
390
00:17:40,340 --> 00:17:43,041
[SPEAKING FRENCH]
391
00:17:43,110 --> 00:17:44,375
WE COULD'VE
MADE THIS ARREST
392
00:17:44,444 --> 00:17:45,810
EARLIER THIS EVENING
AT THE BLUE PARROT.
393
00:17:45,879 --> 00:17:49,014
OUT OF MY REGARD FOR YOU,
WE'RE STAGING IT HERE.
394
00:17:49,083 --> 00:17:50,882
IT WILL AMUSE
YOUR CUSTOMERS.
395
00:17:50,951 --> 00:17:52,550
OUR ENTERTAINMENT'S
ENOUGH.
396
00:17:52,619 --> 00:17:55,153
WE'LL HAVE AN IMPORTANT
GUEST HERE TONIGHT,
397
00:17:55,222 --> 00:17:57,421
MAJOR STRASSER
OF THE THIRD REICH, NO LESS.
398
00:17:57,490 --> 00:18:00,124
WE WANT HIM TO BE HERE
WHEN WE MAKE THE ARREST.
399
00:18:00,193 --> 00:18:01,794
A LITTLE DEMONSTRATION
OF THE EFFICIENCY
400
00:18:01,863 --> 00:18:02,894
OF MY ADMINISTRATION.
401
00:18:02,963 --> 00:18:04,395
WHAT'S STRASSER
DOING HERE?
402
00:18:04,464 --> 00:18:06,397
HE CERTAINLY DIDN'T
COME TO CASABLANCA
403
00:18:06,466 --> 00:18:07,966
TO WITNESS
A DEMONSTRATION
404
00:18:08,035 --> 00:18:09,234
OF YOUR EFFICIENCY.
405
00:18:09,303 --> 00:18:10,201
PERHAPS NOT.
406
00:18:10,270 --> 00:18:11,837
IT SHALL NOT
HAPPEN AGAIN.
407
00:18:11,906 --> 00:18:13,038
IT'S ALL RIGHT.
408
00:18:13,107 --> 00:18:14,272
LOUIS, SOMETHING'S
ON YOUR MIND.
409
00:18:14,341 --> 00:18:16,074
WHY DON'T YOU
SPILL IT?
410
00:18:16,143 --> 00:18:17,242
HOW OBSERVANT YOU ARE.
411
00:18:17,311 --> 00:18:20,378
I WANTED TO GIVE YOU
A WORD OF ADVICE.
412
00:18:20,447 --> 00:18:22,247
YEAH?
HAVE A BRANDY?
413
00:18:22,316 --> 00:18:23,648
THANK YOU.
414
00:18:23,717 --> 00:18:26,650
THERE ARE MANY EXIT VISAS
SOLD IN THIS CAFE,
415
00:18:26,719 --> 00:18:29,354
BUT WE KNOW
YOU'VE NEVER SOLD ONE.
416
00:18:29,423 --> 00:18:31,656
THAT IS THE REASON
WE PERMIT YOU TO REMAIN OPEN.
417
00:18:31,725 --> 00:18:35,360
I THOUGHT IT WAS BECAUSE
I LET YOU WIN AT ROULETTE.
418
00:18:35,429 --> 00:18:36,761
THAT IS ANOTHER REASON.
419
00:18:36,830 --> 00:18:39,497
A MAN ARRIVED IN CASABLANCA
ON HIS WAY TO AMERICA.
420
00:18:39,566 --> 00:18:40,731
HE'LL OFFER A FORTUNE
TO ANYONE
421
00:18:40,800 --> 00:18:42,267
WHO WILL FURNISH HIM
WITH AN EXIT VISA.
422
00:18:42,336 --> 00:18:43,563
WHAT'S HIS NAME?
423
00:18:43,632 --> 00:18:45,003
VICTOR LASZLO.
424
00:18:45,072 --> 00:18:46,471
VICTOR LASZLO?
425
00:18:46,540 --> 00:18:48,273
THAT IS THE FIRST TIME I'VE
EVER SEEN YOU SO IMPRESSED.
426
00:18:48,342 --> 00:18:49,774
WELL, HE'S IMPRESSED
HALF THE WORLD.
427
00:18:49,843 --> 00:18:53,611
IT'S MY DUTY TO SEE HE DOESN'T
IMPRESS THE OTHER HALF.
428
00:18:53,680 --> 00:18:55,280
RICK, LASZLO MUST NEVER
REACH AMERICA.
429
00:18:55,349 --> 00:18:56,681
HE STAYS IN CASABLANCA.
430
00:18:56,750 --> 00:18:59,884
IT WILL BE INTERESTING
TO SEE HOW HE MANAGES.
431
00:18:59,953 --> 00:19:00,986
MANAGES WHAT?
432
00:19:01,055 --> 00:19:01,987
HIS ESCAPE.
433
00:19:02,056 --> 00:19:03,387
BUT I TOLD YOU--
434
00:19:03,456 --> 00:19:05,118
STOP IT. SINCE HIS ESCAPE
FROM A CONCENTRATION CAMP,
435
00:19:05,187 --> 00:19:07,525
THE NAZIS HAVE CHASED HIM
ALL OVER EUROPE.
436
00:19:07,594 --> 00:19:10,161
THIS IS THE END
OF THE CHASE.
437
00:19:10,230 --> 00:19:12,164
20,000 FRANCS
SAYS IT ISN'T.
438
00:19:12,233 --> 00:19:14,265
IS THAT
A SERIOUS OFFER?
439
00:19:14,334 --> 00:19:17,002
I JUST PAID OUT 20.
I'D LIKE IT BACK.
440
00:19:17,071 --> 00:19:18,169
MAKE IT 10.
441
00:19:18,238 --> 00:19:20,906
I'M ONLY A POOR,
CORRUPT OFFICIAL.
442
00:19:20,975 --> 00:19:22,106
OK.
443
00:19:22,175 --> 00:19:24,008
DONE. NO MATTER
HOW CLEVER HE IS,
444
00:19:24,077 --> 00:19:25,409
HE STILL NEEDS
AN EXIT VISA.
445
00:19:25,478 --> 00:19:26,511
I SHOULD SAY 2.
WHY 2?
446
00:19:26,580 --> 00:19:28,013
HE'S TRAVELING
WITH A LADY.
447
00:19:28,082 --> 00:19:30,015
HE'LL TAKE ONE.
448
00:19:30,084 --> 00:19:31,516
I THINK NOT.
I'VE SEEN THE LADY.
449
00:19:31,585 --> 00:19:34,186
IF HE DIDN'T LEAVE
HER IN MARSEILLES,
450
00:19:34,255 --> 00:19:36,887
HE CERTAINLY WON'T
LEAVE HER IN CASABLANCA.
451
00:19:36,956 --> 00:19:39,390
MAYBE HE'S NOT QUITE
AS ROMANTIC AS YOU ARE.
452
00:19:39,459 --> 00:19:40,591
IT DOESN'T MATTER.
453
00:19:40,660 --> 00:19:42,693
THERE'S NO EXIT VISA
FOR HIM.
454
00:19:42,762 --> 00:19:44,296
WHATEVER GAVE YOU
THE IMPRESSION
455
00:19:44,365 --> 00:19:46,964
THAT I'D BE INTERESTED
IN HELPING LASZLO ESCAPE?
456
00:19:47,033 --> 00:19:50,168
BECAUSE I SUSPECT THAT
UNDER THAT CYNICAL SHELL,
457
00:19:50,237 --> 00:19:52,403
YOU'RE AT HEART
A SENTIMENTALIST.
458
00:19:52,472 --> 00:19:53,805
LAUGH IF YOU WILL,
459
00:19:53,874 --> 00:19:56,408
BUT I'M FAMILIAR
WITH YOUR RECORD.
460
00:19:56,477 --> 00:19:58,509
LET ME POINT OUT
JUST 2 ITEMS.
461
00:19:58,578 --> 00:20:02,280
IN 1935, YOU RAN GUNS
TO ETHIOPIA.
462
00:20:02,349 --> 00:20:05,383
IN 1936,
YOU FOUGHT IN SPAIN
463
00:20:05,452 --> 00:20:06,684
ON THE LOYALIST SIDE.
464
00:20:06,753 --> 00:20:09,321
I GOT WELL PAID FOR IT
ON BOTH OCCASIONS.
465
00:20:09,390 --> 00:20:10,655
THE WINNING SIDE
466
00:20:10,724 --> 00:20:11,890
WOULD HAVE PAID YOU
MUCH BETTER.
467
00:20:11,959 --> 00:20:12,991
MAYBE.
468
00:20:13,060 --> 00:20:16,428
IT SEEMS YOU'RE DETERMINED
TO KEEP LASZLO HERE.
469
00:20:16,497 --> 00:20:19,064
I HAVE MY ORDERS.
470
00:20:19,133 --> 00:20:21,066
I SEE. GESTAPO SPANK.
471
00:20:21,135 --> 00:20:22,768
YOU OVERESTIMATE
THE INFLUENCE
472
00:20:22,837 --> 00:20:24,068
OF THE GESTAPO.
473
00:20:24,137 --> 00:20:25,704
I DON'T INTERFERE
WITH THEM.
474
00:20:25,773 --> 00:20:27,472
THEY DON'T
INTERFERE WITH ME.
475
00:20:27,541 --> 00:20:29,975
IN CASABLANCA, I'M
MASTER OF MY FATE.
476
00:20:30,044 --> 00:20:32,077
MAJOR STRASSER'S
HERE, SIR.
477
00:20:32,146 --> 00:20:33,812
YOU WERE SAYING.
478
00:20:33,881 --> 00:20:35,317
EXCUSE ME.
479
00:20:43,957 --> 00:20:46,457
CARL, SEE THAT MAJOR STRASSER
GETS A GOOD TABLE.
480
00:20:46,526 --> 00:20:47,592
ONE CLOSE TO THE LADIES.
481
00:20:47,661 --> 00:20:49,528
I'VE ALREADY
GIVEN HIM THE BEST,
482
00:20:49,597 --> 00:20:50,662
KNOWING HE'S GERMAN
483
00:20:50,731 --> 00:20:52,467
AND WOULD TAKE IT
ANYWAY.
484
00:20:54,401 --> 00:20:57,336
TAKE HIM QUIETLY.
2 GUARDS AT EVERY DOOR.
485
00:20:57,405 --> 00:20:58,573
YES, SIR.
486
00:21:02,009 --> 00:21:03,342
EVERYTHING
IS READY, SIR.
487
00:21:03,411 --> 00:21:04,579
GO AHEAD.
488
00:21:10,384 --> 00:21:11,550
GOOD EVENING,
GENTLEMEN.
489
00:21:11,619 --> 00:21:12,951
GOOD EVENING, CAPTAIN.
490
00:21:13,020 --> 00:21:14,353
WON'T YOU JOIN US?
491
00:21:14,422 --> 00:21:15,553
THANK YOU.
492
00:21:15,622 --> 00:21:18,389
IT'S A PLEASURE
TO HAVE YOU HERE, MAJOR.
493
00:21:18,458 --> 00:21:20,119
CHAMPAGNE
AND CAVIAR.
494
00:21:20,188 --> 00:21:22,026
MAY I RECOMMEND
VEUVE CLIQUOT '26?
495
00:21:22,095 --> 00:21:23,529
A GOOD FRENCH WINE.
496
00:21:23,598 --> 00:21:25,531
VERY WELL, SIR.
497
00:21:25,600 --> 00:21:27,532
VERY INTERESTING CLUB.
498
00:21:27,601 --> 00:21:28,766
ESPECIALLY SO
TONIGHT, MAJOR.
499
00:21:28,835 --> 00:21:30,501
IN A FEW MINUTES
YOU'LL SEE THE ARREST
500
00:21:30,570 --> 00:21:32,536
OF THE MAN WHO MURDERED
YOUR COURIERS.
501
00:21:32,605 --> 00:21:34,373
I EXPECTED NO LESS,
CAPTAIN.
502
00:21:34,442 --> 00:21:36,742
MONSIEUR UGARTE.
503
00:21:36,811 --> 00:21:37,976
OH.
504
00:21:38,045 --> 00:21:39,377
YES?
505
00:21:39,446 --> 00:21:41,980
WILL YOU PLEASE
COME WITH US?
506
00:21:42,049 --> 00:21:42,848
CERTAINLY.
507
00:21:42,917 --> 00:21:44,878
MAY I FIRST PLEASE
CASH MY CHIPS?
508
00:21:44,947 --> 00:21:48,756
[SPEAKING
FRENCH]
509
00:21:51,591 --> 00:21:53,392
PRETTY LUCKY, HUH?
510
00:21:53,461 --> 00:21:55,394
2,000, PLEASE.
511
00:21:55,463 --> 00:21:57,132
2,000.
512
00:22:02,069 --> 00:22:03,638
THANK YOU.
513
00:22:12,480 --> 00:22:14,946
[GUNSHOTS]
514
00:22:15,015 --> 00:22:16,380
[WOMEN SCREAMING]
515
00:22:16,449 --> 00:22:18,516
RICK! RICK, HELP ME.
516
00:22:18,585 --> 00:22:21,052
DON'T BE A FOOL.
YOU CAN'T GET AWAY.
517
00:22:21,121 --> 00:22:23,121
HIDE ME. DO SOMETHING.
YOU MUST HELP ME!
518
00:22:23,190 --> 00:22:25,757
DO SOMETHING!
RICK!
519
00:22:25,826 --> 00:22:26,828
RICK!
520
00:22:30,231 --> 00:22:31,697
EXCELLENT, CAPTAIN.
521
00:22:31,766 --> 00:22:33,298
WHEN THEY COME
TO GET ME, RICK,
522
00:22:33,367 --> 00:22:35,700
I HOPE YOU'RE
MORE OF A HELP.
523
00:22:35,769 --> 00:22:38,103
I STICK MY NECK OUT
FOR NOBODY.
524
00:22:38,172 --> 00:22:39,703
I'M SORRY THERE WAS
A DISTURBANCE, FOLKS,
525
00:22:39,772 --> 00:22:41,306
BUT IT'S ALL OVER NOW.
EVERYTHING'S ALL RIGHT.
526
00:22:41,375 --> 00:22:43,407
JUST SIT DOWN
AND HAVE A GOOD TIME.
527
00:22:43,476 --> 00:22:45,009
ENJOY YOURSELVES.
ALL RIGHT, SAM.
528
00:22:45,078 --> 00:22:48,183
[MUSIC PLAYS]
529
00:22:50,818 --> 00:22:51,950
RICK.
530
00:22:52,019 --> 00:22:54,619
RICK, THIS IS MAJOR
HEINRICH STRASSER
531
00:22:54,688 --> 00:22:56,154
OF THE THIRD REICH.
532
00:22:56,223 --> 00:22:58,156
HOW DO YOU DO?
533
00:22:58,225 --> 00:23:00,391
YOU ALREADY KNOW
HERR HEINZE.
534
00:23:00,460 --> 00:23:02,797
PLEASE JOIN US,
MR. RICK.
535
00:23:06,233 --> 00:23:08,232
WE ARE HONORED
TONIGHT, RICK.
536
00:23:08,301 --> 00:23:10,068
MAJOR STRASSER
IS ONE REASON
537
00:23:10,137 --> 00:23:11,302
THE THIRD REICH
ENJOYS
538
00:23:11,371 --> 00:23:13,071
THE REPUTATION
IT HAS TODAY.
539
00:23:13,140 --> 00:23:14,472
YOU REPEAT
THIRD REICH
540
00:23:14,541 --> 00:23:16,474
AS THOUGH YOU EXPECTED
THERE TO BE OTHERS.
541
00:23:16,543 --> 00:23:18,276
PERSONALLY, MAJOR
I'LL TAKE WHAT COMES.
542
00:23:18,345 --> 00:23:21,646
MAY I ASK A FEW QUESTIONS--
UNOFFICIALLY, OF COURSE?
543
00:23:21,715 --> 00:23:23,749
MAKE IT OFFICIAL
IF YOU LIKE.
544
00:23:23,818 --> 00:23:25,484
WHAT IS YOUR
NATIONALITY?
545
00:23:25,553 --> 00:23:27,018
I'M A DRUNKARD.
546
00:23:27,087 --> 00:23:30,754
THAT MAKES RICK
A CITIZEN OF THE WORLD.
547
00:23:30,823 --> 00:23:33,624
I WAS BORN IN NEW YORK CITY
IF THAT'LL HELP YOU ANY.
548
00:23:33,693 --> 00:23:36,494
YOU CAME HERE FROM PARIS
DURING THE OCCUPATION?
549
00:23:36,563 --> 00:23:38,229
THERE'S NO SECRET
ABOUT THAT.
550
00:23:38,298 --> 00:23:40,498
ARE YOU ONE
OF THOSE PEOPLE
551
00:23:40,567 --> 00:23:42,200
WHO CANNOT
IMAGINE GERMANS
552
00:23:42,269 --> 00:23:43,701
IN THEIR BELOVED PARIS?
553
00:23:43,770 --> 00:23:46,165
IT'S NOT PARTICULARLY
MY BELOVED PARIS.
554
00:23:46,234 --> 00:23:48,167
CAN YOU IMAGINE US
IN LONDON?
555
00:23:48,236 --> 00:23:50,942
WHEN YOU GET THERE,
ASK ME.
556
00:23:51,011 --> 00:23:52,210
DIPLOMATIST.
557
00:23:52,279 --> 00:23:53,744
HOW ABOUT NEW YORK?
558
00:23:53,813 --> 00:23:56,647
THERE ARE CERTAIN SECTIONS
OF NEW YORK, MAJOR,
559
00:23:56,716 --> 00:23:59,383
THAT I WOULDN'T ADVISE YOU
TO TRY TO INVADE.
560
00:23:59,452 --> 00:24:01,519
WHO DO YOU THINK
WILL WIN THE WAR?
561
00:24:01,588 --> 00:24:03,354
I HAVEN'T
THE SLIGHTEST IDEA.
562
00:24:03,423 --> 00:24:05,390
RICK IS NEUTRAL
ABOUT EVERYTHING.
563
00:24:05,459 --> 00:24:07,025
THAT INCLUDES
WOMEN, TOO.
564
00:24:07,094 --> 00:24:09,527
YOU WERE NOT ALWAYS
SO NEUTRAL.
565
00:24:09,596 --> 00:24:12,530
WE HAVE A COMPLETE
DOSSIER ON YOU.
566
00:24:12,599 --> 00:24:14,532
"RICHARD BLAINE,
AMERICAN, 37.
567
00:24:14,601 --> 00:24:16,534
CANNOT RETURN
TO HIS COUNTRY."
568
00:24:16,603 --> 00:24:18,536
THE REASON
IS A LITTLE VAGUE.
569
00:24:18,605 --> 00:24:21,139
WE ALSO KNOW WHAT
YOU DID IN PARIS
570
00:24:21,208 --> 00:24:22,540
AND WHY YOU LEFT PARIS.
571
00:24:22,609 --> 00:24:25,310
DON'T WORRY. WE AREN'T
GOING TO BROADCAST IT.
572
00:24:25,379 --> 00:24:27,145
ARE MY EYES
REALLY BROWN?
573
00:24:27,214 --> 00:24:28,980
FORGIVE MY CURIOSITY.
574
00:24:29,049 --> 00:24:30,081
THE POINT IS,
575
00:24:30,150 --> 00:24:31,950
AN ENEMY OF THE REICH
HAS COME TO CASABLANCA,
576
00:24:32,019 --> 00:24:35,653
AND WE ARE CHECKING UP
ON ANYBODY WHO CAN HELP.
577
00:24:35,722 --> 00:24:38,557
MY INTEREST IN WHETHER
VICTOR LASZLO STAYS OR GOES
578
00:24:38,626 --> 00:24:40,858
IS PURELY A SPORTING ONE.
579
00:24:40,927 --> 00:24:43,990
IN THIS CASE, YOU HAVE
NO SYMPATHY FOR THE FOX?
580
00:24:44,059 --> 00:24:45,130
NOT PARTICULARLY.
581
00:24:45,199 --> 00:24:47,498
I UNDERSTAND THE HOUND'S
POINT OF VIEW, TOO.
582
00:24:47,567 --> 00:24:50,001
VICTOR LASZLO PUBLISHED
THE FOULEST LIES
583
00:24:50,070 --> 00:24:53,205
IN THE PRAGUE NEWSPAPERS
UNTIL WE MARCHED IN.
584
00:24:53,274 --> 00:24:54,539
EVEN AFTER THAT,
585
00:24:54,608 --> 00:24:57,075
HE PRINTED SCANDAL
SHEETS IN A CELLAR.
586
00:24:57,144 --> 00:24:58,343
ONE MUST ADMIT
587
00:24:58,412 --> 00:25:00,206
HE HAS GREAT
COURAGE.
588
00:25:00,275 --> 00:25:02,013
I ADMIT
HE'S VERY CLEVER.
589
00:25:02,082 --> 00:25:03,181
3 TIMES HE SLIPPED
THROUGH OUR FINGERS.
590
00:25:03,250 --> 00:25:04,983
IN PARIS HE CONTINUED
HIS ACTIVITIES.
591
00:25:05,052 --> 00:25:07,219
WE INTEND NOT
TO LET IT HAPPEN AGAIN.
592
00:25:07,288 --> 00:25:10,355
EXCUSE ME, GENTLEMEN.
YOUR BUSINESS IS POLITICS,
593
00:25:10,424 --> 00:25:12,218
MINE IS RUNNING
A SALOON.
594
00:25:12,287 --> 00:25:13,392
GOOD EVENING,
MR. BLAINE.
595
00:25:13,461 --> 00:25:14,526
YOU SEE, MAJOR,
596
00:25:14,595 --> 00:25:16,628
YOU HAVE NOTHING
TO WORRY ABOUT RICK.
597
00:25:16,697 --> 00:25:18,066
PERHAPS.
598
00:25:22,036 --> 00:25:23,034
YES, MONSIEUR?
599
00:25:23,103 --> 00:25:25,636
I RESERVED A TABLE.
VICTOR LASZLO.
600
00:25:25,705 --> 00:25:28,276
YES, MONSIEUR LASZLO.
RIGHT THIS WAY.
601
00:25:53,834 --> 00:25:55,634
TWO COINTREAUS, PLEASE.
602
00:25:55,703 --> 00:25:56,902
OUI, MONSIEUR.
603
00:25:56,971 --> 00:25:59,903
I SAW NO ONE OF UGARTE'S
DESCRIPTION.
604
00:25:59,972 --> 00:26:02,908
VICTOR, I FEEL SOMEHOW
WE SHOULDN'T STAY HERE.
605
00:26:02,977 --> 00:26:05,076
IF WE WOULD
WALK OUT SO SOON,
606
00:26:05,145 --> 00:26:06,911
IT WOULD ONLY CALL
ATTENTION TO US.
607
00:26:06,980 --> 00:26:10,515
PERHAPS UGARTE'S IN SOME
OTHER PART OF THE CAFE.
608
00:26:10,584 --> 00:26:12,117
EXCUSE ME, BUT YOU
LOOK LIKE A COUPLE
609
00:26:12,186 --> 00:26:14,785
WHO ARE ON THEIR WAY
TO AMERICA.
610
00:26:14,854 --> 00:26:17,455
YOU'LL FIND A MARKET
THERE FOR THIS RING.
611
00:26:17,524 --> 00:26:18,857
I'M FORCED
TO SELL IT.
612
00:26:18,926 --> 00:26:20,258
THANK YOU, BUT I--
613
00:26:20,327 --> 00:26:23,831
PERHAPS FOR THE LADY.
THE RING'S QUITE UNIQUE.
614
00:26:25,699 --> 00:26:28,166
OH, YES, I'M
VERY INTERESTED.
615
00:26:28,235 --> 00:26:29,501
GOOD.
616
00:26:29,570 --> 00:26:31,002
WHAT IS YOUR NAME?
617
00:26:31,071 --> 00:26:33,572
BERGER. NORWEGIAN.
AT YOUR SERVICE.
618
00:26:33,641 --> 00:26:34,873
VICTOR.
619
00:26:34,942 --> 00:26:37,208
I'LL MEET YOU IN A FEW
MINUTES AT THE BAR.
620
00:26:37,277 --> 00:26:38,743
NO, WE DON'T WANT
TO BUY THE RING,
621
00:26:38,812 --> 00:26:40,512
BUT THANK YOU FOR
SHOWING IT TO US.
622
00:26:40,581 --> 00:26:42,108
THAT'S
YOUR DECISION?
623
00:26:42,177 --> 00:26:43,385
I'M SORRY. IT IS.
624
00:26:45,452 --> 00:26:47,119
MONSIEUR LASZLO,
IS IT NOT?
625
00:26:47,188 --> 00:26:48,319
YES.
626
00:26:48,388 --> 00:26:50,656
I AM CAPTAIN RENAULT,
PREFECT OF POLICE.
627
00:26:50,725 --> 00:26:51,790
YES. WHAT IS IT
YOU WANT?
628
00:26:51,859 --> 00:26:53,491
MERELY TO WELCOME YOU
TO CASABLANCA
629
00:26:53,560 --> 00:26:55,293
AND TO WISH YOU
A PLEASANT STAY.
630
00:26:55,362 --> 00:26:57,896
IT ISN'T OFTEN WE HAVE
SO DISTINGUISHED A VISITOR.
631
00:26:57,965 --> 00:26:59,898
THANK YOU.
FORGIVE ME, CAPTAIN.
632
00:26:59,967 --> 00:27:01,900
THE PRESENT FRENCH
ADMINISTRATION
633
00:27:01,969 --> 00:27:03,902
HASN'T ALWAYS BEEN
SO CORDIAL.
634
00:27:03,971 --> 00:27:06,774
MAY I PRESENT
MISS ILSA LUND?
635
00:27:08,041 --> 00:27:09,908
I WAS INFORMED YOU WERE
THE MOST BEAUTIFUL WOMAN
636
00:27:09,977 --> 00:27:11,042
EVER TO VISIT CASABLANCA.
637
00:27:11,111 --> 00:27:12,911
THAT WAS A GROSS
UNDERSTATEMENT.
638
00:27:12,980 --> 00:27:14,646
YOU'RE VERY KIND.
639
00:27:14,715 --> 00:27:15,914
WON'T YOU JOIN US?
640
00:27:15,983 --> 00:27:17,648
IF YOU WILL PERMIT ME.
NO, EMIL, PLEASE,
641
00:27:17,717 --> 00:27:19,518
A BOTTLE OF CHAMPAGNE.
PUT IT ON MY BILL.
642
00:27:19,587 --> 00:27:20,919
CAPTAIN, PLEASE.
643
00:27:20,988 --> 00:27:23,054
PLEASE. IT'S A LITTLE
GAME WE PLAY.
644
00:27:23,123 --> 00:27:25,791
THEY PUT IT ON THE BILL,
I TEAR UP THE BILL.
645
00:27:25,860 --> 00:27:27,025
IT IS VERY CONVENIENT.
646
00:27:27,094 --> 00:27:29,928
CAPTAIN, THE BOY WHO'S
PLAYING THE PIANO--
647
00:27:29,997 --> 00:27:32,831
SOMEWHERE I'VE SEEN HIM.
648
00:27:32,900 --> 00:27:36,129
SAM? HE CAME FROM PARIS
WITH RICK.
649
00:27:36,198 --> 00:27:37,935
RICK? WHO'S HE?
650
00:27:38,004 --> 00:27:41,406
MADEMOISELLE, YOU'RE IN
RICK'S, AND RICK IS, UH...
651
00:27:41,475 --> 00:27:45,243
WELL, HE'S THE KIND OF MAN
THAT IF I WERE A WOMAN,
652
00:27:45,312 --> 00:27:47,946
AND I WERE NOT AROUND,
I SHOULD BE IN LOVE WITH RICK.
653
00:27:48,015 --> 00:27:49,347
WHAT A FOOL I AM,
654
00:27:49,416 --> 00:27:52,451
TALKING TO A BEAUTIFUL WOMAN
ABOUT ANOTHER MAN.
655
00:27:52,520 --> 00:27:54,252
EXCUSE ME.
656
00:27:54,321 --> 00:27:55,890
AH, MAJOR.
657
00:27:57,124 --> 00:27:59,657
MADEMOISELLE LUND
AND MONSIEUR LASZLO,
658
00:27:59,726 --> 00:28:01,059
MAY I PRESENT
MAJOR HEINRICH STRASSER.
659
00:28:01,128 --> 00:28:03,729
THIS IS A PLEASURE
I'VE LONG LOOKED FORWARD TO.
660
00:28:03,798 --> 00:28:06,664
EXCUSE ME
IF I'M NOT GRACIOUS,
661
00:28:06,733 --> 00:28:09,267
BUT, YOU SEE,
I'M A CZECHOSLOVAKIAN.
662
00:28:09,336 --> 00:28:11,069
YOU WERE
A CZECHOSLOVAKIAN.
663
00:28:11,138 --> 00:28:14,072
NOW YOU'RE A SUBJECT
OF THE GERMAN REICH.
664
00:28:14,141 --> 00:28:16,641
I'VE NEVER ACCEPTED
THAT PRIVILEGE,
665
00:28:16,710 --> 00:28:18,476
AND I'M NOW
ON FRENCH SOIL.
666
00:28:18,545 --> 00:28:21,079
I SHOULD LIKE TO DISCUSS
SOME MATTERS ARISING
667
00:28:21,148 --> 00:28:23,081
FROM YOUR PRESENCE
ON FRENCH SOIL.
668
00:28:23,150 --> 00:28:25,683
THIS IS HARDLY
THE TIME OR PLACE.
669
00:28:25,752 --> 00:28:27,485
THEN WE'LL STATE
ANOTHER TIME AND PLACE.
670
00:28:27,554 --> 00:28:29,988
TOMORROW AT 10:00
IN THE PREFECT'S OFFICE...
671
00:28:30,057 --> 00:28:31,622
WITH MADEMOISELLE.
672
00:28:31,691 --> 00:28:33,692
CAPTAIN, I'M UNDER
YOUR AUTHORITY.
673
00:28:33,761 --> 00:28:35,126
IS IT YOUR ORDER
674
00:28:35,195 --> 00:28:37,095
THAT WE COME
TO YOUR OFFICE?
675
00:28:37,164 --> 00:28:39,097
LET'S SAY
IT IS MY REQUEST--
676
00:28:39,166 --> 00:28:40,699
THAT'S A MORE
PLEASANT WORD.
677
00:28:40,768 --> 00:28:42,300
VERY WELL.
678
00:28:42,369 --> 00:28:43,301
MADEMOISELLE.
679
00:28:43,370 --> 00:28:44,339
MADEMOISELLE.
680
00:28:46,473 --> 00:28:49,875
A VERY CLEVER
TACTICAL RETREAT, MAJOR.
681
00:28:49,944 --> 00:28:52,711
THIS TIME THEY REALLY
MEAN TO STOP ME.
682
00:28:52,780 --> 00:28:54,512
VICTOR, I'M
AFRAID FOR YOU.
683
00:28:54,581 --> 00:28:58,150
WE'VE BEEN IN DIFFICULT PLACES
BEFORE, HAVEN'T WE?
684
00:28:58,219 --> 00:29:00,355
[APPLAUSE]
685
00:29:01,656 --> 00:29:03,959
[SINGING IN SPANISH]
686
00:29:29,811 --> 00:29:32,751
I MUST FIND OUT
WHAT BERGER KNOWS.
687
00:29:32,820 --> 00:29:33,752
BE CAREFUL.
688
00:29:33,821 --> 00:29:35,390
I WILL.
DON'T WORRY.
689
00:29:53,373 --> 00:29:56,542
MONSIEUR BERGER, THE RING,
COULD I SEE IT AGAIN?
690
00:29:56,611 --> 00:29:57,536
YES.
691
00:29:57,605 --> 00:29:59,077
CHAMPAGNE COCKTAIL,
PLEASE.
692
00:29:59,146 --> 00:30:01,479
I RECOGNIZE YOU FROM
THE NEWS PHOTOGRAPHS.
693
00:30:01,548 --> 00:30:05,083
IN A CONCENTRATION CAMP,
ONE IS APT TO LOSE WEIGHT.
694
00:30:05,152 --> 00:30:07,686
WE READ 5 TIMES
YOU WERE KILLED
695
00:30:07,755 --> 00:30:09,087
IN 5 DIFFERENT
PLACES.
696
00:30:09,156 --> 00:30:11,790
AS YOU SEE, IT WAS TRUE
EVERY SINGLE TIME.
697
00:30:11,859 --> 00:30:13,792
THANK HEAVEN
I FOUND YOU, BERGER.
698
00:30:13,861 --> 00:30:16,194
I'M LOOKING FOR
A MAN NAMED UGARTE.
699
00:30:16,263 --> 00:30:18,196
HE'S SUPPOSED
TO HELP ME.
700
00:30:18,265 --> 00:30:20,198
UGARTE CANNOT EVEN
HELP HIMSELF.
701
00:30:20,267 --> 00:30:22,200
HE'S UNDER ARREST
FOR MURDER.
702
00:30:22,269 --> 00:30:25,404
HE WAS ARRESTED
HERE TONIGHT.
703
00:30:25,473 --> 00:30:26,805
I SEE.
704
00:30:26,874 --> 00:30:28,473
BUT WE
WHO ARE STILL FREE
705
00:30:28,542 --> 00:30:30,208
WILL DO WHAT WE CAN.
706
00:30:30,277 --> 00:30:32,210
WE ARE ORGANIZED,
MONSIEUR...
707
00:30:32,279 --> 00:30:34,212
UNDERGROUND LIKE
EVERYWHERE ELSE.
708
00:30:34,281 --> 00:30:36,415
TOMORROW NIGHT
THERE'S A MEETING.
709
00:30:36,484 --> 00:30:37,682
IF YOU'LL COME--
710
00:30:37,751 --> 00:30:39,521
Bartender: MONSIEUR.
711
00:30:47,495 --> 00:30:49,194
BRAVO!
712
00:30:49,263 --> 00:30:50,228
BRAVO!
713
00:30:50,297 --> 00:30:52,831
WILL YOU ASK
THE PIANO PLAYER
714
00:30:52,900 --> 00:30:54,833
TO COME OVER HERE,
PLEASE?
715
00:30:54,902 --> 00:30:56,504
VERY WELL,
MADEMOISELLE.
716
00:30:57,904 --> 00:30:59,838
HOW'S THE JEWELRY
BUSINESS, BERGER?
717
00:30:59,907 --> 00:31:01,239
NOT SO GOOD.
CHECK, PLEASE.
718
00:31:01,308 --> 00:31:03,842
TOO BAD YOU WEREN'T HERE
EARLIER, MONSIEUR LASZLO.
719
00:31:03,911 --> 00:31:05,611
WE HAD QUITE A BIT
OF EXCITEMENT,
720
00:31:05,680 --> 00:31:06,845
DIDN'T WE, BERGER?
721
00:31:06,914 --> 00:31:08,447
YES.
EXCUSE ME.
722
00:31:08,516 --> 00:31:09,848
MY BILL.
723
00:31:09,917 --> 00:31:12,087
NO. TWO CHAMPAGNE
COCKTAILS. PLEASE.
724
00:31:15,523 --> 00:31:16,855
HELLO, SAM.
725
00:31:16,924 --> 00:31:18,256
HELLO, MISS ILSA.
726
00:31:18,325 --> 00:31:21,125
I NEVER EXPECTED
TO SEE YOU AGAIN.
727
00:31:21,194 --> 00:31:23,395
IT'S BEEN
A LONG TIME.
728
00:31:23,464 --> 00:31:24,796
YES, MA'AM.
729
00:31:24,865 --> 00:31:27,799
A LOT OF WATER
UNDER THE BRIDGE.
730
00:31:27,868 --> 00:31:30,402
SOME OF THE OLD
SONGS, SAM.
731
00:31:30,471 --> 00:31:32,040
YES, MA'AM.
732
00:31:33,941 --> 00:31:35,510
[PLAYS PIANO]
733
00:31:40,682 --> 00:31:42,214
WHERE IS RICK?
734
00:31:42,283 --> 00:31:45,283
I DON'T KNOW.
I AIN'T SEEN HIM ALL NIGHT.
735
00:31:45,352 --> 00:31:47,385
WHEN WILL HE
BE BACK?
736
00:31:47,454 --> 00:31:49,721
NOT TONIGHT.
HE AIN'T COMIN'.
737
00:31:49,790 --> 00:31:51,359
HE WENT HOME.
738
00:31:52,792 --> 00:31:55,126
DOES HE ALWAYS
LEAVE SO EARLY?
739
00:31:55,195 --> 00:31:56,527
OH, HE NEVER--
740
00:31:56,596 --> 00:31:59,731
HE'S GOT A GIRL
UP TO THE BLUE PARROT.
741
00:31:59,800 --> 00:32:01,532
GOES UP THERE
ALL THE TIME.
742
00:32:01,601 --> 00:32:05,303
YOU USED TO BE
A MUCH BETTER LIAR.
743
00:32:05,372 --> 00:32:07,740
LEAVE HIM ALONE,
MISS ILSA.
744
00:32:07,809 --> 00:32:09,577
YOU'RE BAD LUCK
TO HIM.
745
00:32:12,212 --> 00:32:15,146
PLAY IT ONCE, SAM,
FOR OLD TIMES' SAKE.
746
00:32:15,215 --> 00:32:17,749
I DON'T KNOW WHAT
YOU MEAN, MISS ILSA.
747
00:32:17,818 --> 00:32:19,983
PLAY IT, SAM.
748
00:32:20,821 --> 00:32:23,087
PLAY
AS TIME GOES BY.
749
00:32:23,156 --> 00:32:26,525
I CAN'T REMEMBER IT.
I'M A LITTLE RUSTY ON IT.
750
00:32:26,594 --> 00:32:28,992
I'LL HUM IT FOR YOU.
751
00:32:29,964 --> 00:32:33,064
♪ DA DI DA DI DA DUM ♪
752
00:32:33,133 --> 00:32:36,571
♪ DA DI DEE DEE DEE DUM ♪
753
00:32:40,842 --> 00:32:42,477
SING IT, SAM.
754
00:32:44,907 --> 00:32:48,146
♪ YOU MUST REMEMBER THIS ♪
755
00:32:48,215 --> 00:32:51,115
♪ A KISS IS JUST A KISS ♪
756
00:32:51,184 --> 00:32:55,457
♪ A SIGH IS JUST A SIGH ♪
757
00:32:57,057 --> 00:33:01,225
♪ THE FUNDAMENTAL
THINGS APPLY ♪
758
00:33:01,294 --> 00:33:06,434
♪ AS TIME GOES BY ♪
759
00:33:08,435 --> 00:33:11,503
♪ AND WHEN
TWO LOVERS WOO ♪
760
00:33:11,572 --> 00:33:14,740
♪ THEY STILL SAY
I LOVE YOU ♪
761
00:33:14,809 --> 00:33:20,278
♪ ON THAT YOU CAN RELY ♪
762
00:33:20,347 --> 00:33:24,883
♪ NO MATTER
WHAT THE FUTURE BRINGS ♪
763
00:33:24,952 --> 00:33:28,220
♪ AS TIME GOES BY ♪
764
00:33:28,289 --> 00:33:31,526
SAM, I THOUGHT I TOLD YOU
NEVER TO PLAY--
765
00:33:41,368 --> 00:33:44,302
YOU WERE ASKING
ABOUT RICK. HERE HE IS.
766
00:33:44,371 --> 00:33:45,971
MADEMOISELLE,
MAY I PRESENT--
767
00:33:46,040 --> 00:33:46,972
HELLO, ILSA.
768
00:33:47,041 --> 00:33:48,139
HELLO, RICK.
769
00:33:48,208 --> 00:33:49,407
YOU'VE ALREADY MET RICK,
MADEMOISELLE.
770
00:33:49,476 --> 00:33:51,009
THEN PERHAPS YOU ALSO--
771
00:33:51,078 --> 00:33:52,777
THIS IS
MR. LASZLO.
772
00:33:52,846 --> 00:33:54,279
HOW DO YOU DO?
773
00:33:54,348 --> 00:33:56,910
ONE HEARS A GREAT DEAL
ABOUT RICK IN CASABLANCA.
774
00:33:56,979 --> 00:33:59,017
AND ABOUT VICTOR LASZLO
EVERYWHERE.
775
00:33:59,086 --> 00:34:01,653
WON'T YOU JOIN US
FOR A DRINK?
776
00:34:01,722 --> 00:34:03,055
OH, NO. RICK NEVER--
777
00:34:03,124 --> 00:34:04,455
THANKS. I WILL.
778
00:34:04,524 --> 00:34:07,192
WELL...A PRECEDENT
IS BEING BROKEN. EMIL.
779
00:34:07,261 --> 00:34:08,993
THIS IS A VERY
INTERESTING CAFE.
780
00:34:09,062 --> 00:34:10,395
I CONGRATULATE YOU.
781
00:34:10,464 --> 00:34:12,598
I CONGRATULATE YOU
FOR YOUR WORK.
782
00:34:12,667 --> 00:34:14,299
THANK YOU. I TRY.
783
00:34:14,368 --> 00:34:17,169
WE ALL TRY.
YOU SUCCEED.
784
00:34:17,238 --> 00:34:19,204
I CAN'T GET OVER
YOU TWO.
785
00:34:19,273 --> 00:34:21,205
SHE WAS ASKING
ABOUT YOU EARLIER
786
00:34:21,274 --> 00:34:23,108
IN A WAY THAT MADE ME
EXTREMELY JEALOUS.
787
00:34:23,177 --> 00:34:24,710
I WASN'T SURE
YOU WERE THE SAME.
788
00:34:24,779 --> 00:34:26,812
THE LAST TIME WE MET--
789
00:34:26,881 --> 00:34:28,416
IT WAS LA BELLE AURORE.
790
00:34:29,884 --> 00:34:31,616
HOW NICE. YOU REMEMBERED.
791
00:34:31,685 --> 00:34:34,781
THAT WAS THE DAY THE GERMANS
MARCHED INTO PARIS.
792
00:34:34,850 --> 00:34:37,055
NOT AN EASY DAY
TO FORGET.
793
00:34:37,124 --> 00:34:38,590
I REMEMBER
EVERY DETAIL.
794
00:34:38,659 --> 00:34:41,629
THE GERMANS WORE GRAY.
YOU WORE BLUE.
795
00:34:42,863 --> 00:34:45,196
YES. I PUT
THAT DRESS AWAY.
796
00:34:45,265 --> 00:34:48,132
WHEN THE GERMANS MARCH
OUT, I'LL WEAR IT AGAIN.
797
00:34:48,201 --> 00:34:50,201
RICKY, YOU'RE BECOMING
QUITE HUMAN.
798
00:34:50,270 --> 00:34:53,204
I SUPPOSE WE HAVE
TO THANK YOU FOR THAT.
799
00:34:53,273 --> 00:34:54,605
ILSA,
IT'S LATE.
800
00:34:54,674 --> 00:34:57,609
SO IT IS, AND WE HAVE
A CURFEW HERE IN CASABLANCA.
801
00:34:57,678 --> 00:35:00,211
IT WOULD NEVER DO
FOR THE CHIEF OF POLICE
802
00:35:00,280 --> 00:35:02,413
TO BE FOUND
DRINKING AFTER HOURS
803
00:35:02,482 --> 00:35:04,010
AND HAVE TO FINE HIMSELF.
804
00:35:04,079 --> 00:35:05,718
I HOPE WE DIDN'T
OVERSTAY OUR WELCOME.
805
00:35:05,787 --> 00:35:07,085
YOUR CHECK, SIR.
806
00:35:07,154 --> 00:35:08,486
OH, IT'S MY PARTY.
807
00:35:08,555 --> 00:35:10,083
ANOTHER PRECEDENT
GONE.
808
00:35:10,152 --> 00:35:12,490
THIS HAS BEEN
A VERY INTERESTING EVENING.
809
00:35:12,559 --> 00:35:14,359
I'LL CALL YOU A CAB.
GASOLINE RATIONING.
810
00:35:14,428 --> 00:35:15,728
WE'LL
COME AGAIN.
811
00:35:15,797 --> 00:35:16,627
ANY TIME.
812
00:35:16,696 --> 00:35:18,563
SAY GOOD NIGHT
TO SAM FOR ME.
813
00:35:18,632 --> 00:35:19,497
I WILL.
814
00:35:19,566 --> 00:35:21,499
THERE'S STILL
NOBODY IN THE WORLD
815
00:35:21,568 --> 00:35:24,736
WHO CAN PLAY
AS TIME GOES BY LIKE SAM.
816
00:35:24,805 --> 00:35:27,673
HE HASN'T PLAYED IT
IN A LONG TIME.
817
00:35:27,742 --> 00:35:29,941
GOOD NIGHT.
818
00:35:30,010 --> 00:35:31,710
GOOD NIGHT.
819
00:35:31,779 --> 00:35:32,747
GOOD NIGHT.
820
00:35:39,986 --> 00:35:43,121
PUZZLING FELLOW, THIS RICK.
WHAT SORT IS HE?
821
00:35:43,190 --> 00:35:44,522
I REALLY CAN'T SAY,
822
00:35:44,591 --> 00:35:46,791
THOUGH I SAW HIM
QUITE OFTEN IN PARIS.
823
00:35:46,860 --> 00:35:48,392
TOMORROW AT 10:00
AT THE PREFECT'S OFFICE.
824
00:35:48,461 --> 00:35:50,765
WE'LL BE THERE.
GOOD NIGHT.
825
00:36:29,837 --> 00:36:31,406
BOSS?
826
00:36:34,842 --> 00:36:36,174
BOSS.
827
00:36:36,243 --> 00:36:37,576
YEAH?
828
00:36:37,645 --> 00:36:39,778
AIN'T YOU
GOING TO BED?
829
00:36:39,847 --> 00:36:41,012
NOT RIGHT NOW.
830
00:36:41,081 --> 00:36:43,282
AIN'T YOU PLANNING ON GOING
TO BED IN THE NEAR FUTURE?
831
00:36:43,351 --> 00:36:44,316
NO!
832
00:36:44,385 --> 00:36:45,316
YOU EVER GOING
TO BED?NO!
833
00:36:45,385 --> 00:36:47,185
WELL, I AIN'T SLEEPY
EITHER.
834
00:36:47,254 --> 00:36:49,187
GOOD.
THEN HAVE A DRINK.
835
00:36:49,256 --> 00:36:51,189
NO, NOT ME, BOSS.
836
00:36:51,258 --> 00:36:53,191
THEN DON'T
HAVE A DRINK.
837
00:36:53,260 --> 00:36:55,193
LET'S GET
OUT OF HERE.
838
00:36:55,262 --> 00:36:57,195
NO, SAM.
I'M WAITING FOR A LADY.
839
00:36:57,264 --> 00:36:58,562
PLEASE, LET'S GO.
840
00:36:58,631 --> 00:37:00,999
AIN'T NOTHING BUT TROUBLE
FOR YOU HERE.
841
00:37:01,068 --> 00:37:04,002
SHE'S COMING BACK.
I KNOW SHE'S COMING BACK.
842
00:37:04,071 --> 00:37:05,637
WE'LL DRIVE ALL NIGHT.
WE'LL GET DRUNK.
843
00:37:05,706 --> 00:37:07,205
WE'LL GO FISHING AND STAY
AWAY TILL SHE'S GONE.
844
00:37:07,274 --> 00:37:09,207
SHUT UP AND GO HOME.
845
00:37:09,276 --> 00:37:11,846
NO, SIR.
I'M STAYING RIGHT HERE.
846
00:37:16,250 --> 00:37:19,117
THEY GRAB UGARTE,
THEN SHE WALKS IN.
847
00:37:19,186 --> 00:37:21,520
WELL, THAT'S
THE WAY IT GOES.
848
00:37:21,589 --> 00:37:23,722
ONE IN, ONE OUT.
SAM.
849
00:37:23,791 --> 00:37:25,523
YES, BOSS.
850
00:37:25,592 --> 00:37:28,126
IF IT'S DECEMBER 1941
IN CASABLANCA,
851
00:37:28,195 --> 00:37:31,297
WHAT TIME IS IT
IN NEW YORK?
852
00:37:31,366 --> 00:37:32,531
WHAT?
853
00:37:32,600 --> 00:37:34,532
MY WATCH STOPPED.
854
00:37:34,601 --> 00:37:37,335
I BET THEY'RE ASLEEP
IN NEW YORK.
855
00:37:37,404 --> 00:37:40,575
I BET THEY'RE ASLEEP
ALL OVER AMERICA.
856
00:37:46,413 --> 00:37:49,948
OF ALL THE GIN JOINTS
IN ALL THE TOWNS
857
00:37:50,017 --> 00:37:51,950
IN ALL THE WORLD,
858
00:37:52,019 --> 00:37:53,989
SHE WALKS INTO MINE.
859
00:38:00,427 --> 00:38:01,692
WHAT'S THAT
YOU'RE PLAYING?
860
00:38:01,761 --> 00:38:03,862
JUST A LITTLE
SOMETHING OF MY OWN.
861
00:38:03,931 --> 00:38:04,697
WELL, STOP IT.
862
00:38:04,766 --> 00:38:06,332
YOU KNOW WHAT
I WANT TO HEAR.
863
00:38:06,401 --> 00:38:07,631
NO, I DON'T.
864
00:38:07,700 --> 00:38:09,401
YOU PLAYED IT FOR HER,
YOU CAN PLAY IT FOR ME.
865
00:38:09,470 --> 00:38:11,136
I DON'T THINK
I CAN REMEMBER--
866
00:38:11,205 --> 00:38:13,972
IF SHE CAN STAND IT,
I CAN!
867
00:38:14,041 --> 00:38:14,973
PLAY IT.
868
00:38:15,042 --> 00:38:16,011
YES, BOSS.
869
00:38:17,845 --> 00:38:20,615
[PLAYS AS TIME GOES BY]
870
00:38:32,660 --> 00:38:34,029
OH.
871
00:39:36,256 --> 00:39:37,960
[POP]
872
00:39:45,799 --> 00:39:48,733
WHO ARE YOU REALLY?
WHAT WERE YOU BEFORE?
873
00:39:48,802 --> 00:39:52,337
WHAT DID YOU DO,
AND WHAT DID YOU THINK?
874
00:39:52,406 --> 00:39:54,576
WE SAID NO QUESTIONS.
875
00:39:57,811 --> 00:39:59,982
HERE'S LOOKING
AT YOU, KID.
876
00:40:33,446 --> 00:40:35,480
A FRANC
FOR YOUR THOUGHTS.
877
00:40:35,549 --> 00:40:38,383
IN AMERICA,
THEY'D BRING ONLY A PENNY.
878
00:40:38,452 --> 00:40:41,386
I GUESS THAT'S ABOUT ALL
THEY'RE WORTH.
879
00:40:41,455 --> 00:40:43,988
WELL, I'M WILLING
TO BE OVERCHARGED.
880
00:40:44,057 --> 00:40:46,391
TELL ME.
881
00:40:46,460 --> 00:40:48,394
WELL, I WAS WONDERING.
882
00:40:48,463 --> 00:40:49,394
YES?
883
00:40:49,463 --> 00:40:50,794
WHY I'M SO LUCKY.
884
00:40:50,863 --> 00:40:54,665
WHY I SHOULD FIND YOU
WAITING FOR ME TO COME ALONG.
885
00:40:54,734 --> 00:40:58,403
WHY THERE IS NO OTHER
MAN IN MY LIFE?
886
00:40:58,472 --> 00:40:59,804
UH-HUH.
887
00:40:59,873 --> 00:41:02,810
THAT'S EASY.
THERE WAS.
888
00:41:04,479 --> 00:41:06,410
HE'S DEAD.
889
00:41:06,479 --> 00:41:08,880
I'M SORRY
FOR ASKING.
890
00:41:08,949 --> 00:41:12,187
I FORGOT.
WE SAID NO QUESTIONS.
891
00:41:13,554 --> 00:41:15,486
WELL,
ONLY ONE ANSWER
892
00:41:15,555 --> 00:41:19,827
CAN TAKE CARE OF
ALL OUR QUESTIONS.
893
00:41:37,845 --> 00:41:41,749
[SHOUTING IN FRENCH]
894
00:41:51,991 --> 00:41:55,121
Man on loudspeaker:
ICI, STUTTGART, ALLEMAGNE,
895
00:41:55,190 --> 00:41:57,329
FRANCAIS, PARISIENS,
896
00:41:57,398 --> 00:42:01,133
LES TROUPES FRANCAISESONT ABANDONNE LEURS POSITIONS.
897
00:42:01,202 --> 00:42:03,869
LES ALLEMANDS SERONT DEMAINDANS LA CAPITALE.
898
00:42:03,938 --> 00:42:05,270
NOTHING
CAN STOP THEM NOW.
899
00:42:05,339 --> 00:42:07,872
THURSDAY AT THE LATEST,
THEY'LL BE IN PARIS.
900
00:42:07,941 --> 00:42:09,875
IF THEY FIND OUT
YOUR RECORD,
901
00:42:09,944 --> 00:42:12,477
IT WON'T BE SAFE
FOR YOU HERE.
902
00:42:12,546 --> 00:42:14,479
I'M ON THEIR
BLACKLIST ALREADY.
903
00:42:14,548 --> 00:42:16,481
THEIR ROLL OF HONOR.
904
00:42:16,550 --> 00:42:19,484
♪ MOONLIGHT AND LOVE SONGS ♪
905
00:42:19,553 --> 00:42:21,619
♪ NEVER OUT OF DATE ♪
906
00:42:21,688 --> 00:42:24,489
♪ HEARTS FULL OF PASSION ♪
907
00:42:24,558 --> 00:42:26,758
♪ JEALOUSY AND HATE ♪
908
00:42:26,827 --> 00:42:29,527
♪ WOMAN NEEDS MAN ♪
909
00:42:29,596 --> 00:42:32,430
♪ AND MAN
MUST HAVE HIS MATE ♪
910
00:42:32,499 --> 00:42:37,902
♪ THAT NO ONE CAN DENY ♪
911
00:42:37,971 --> 00:42:40,773
♪ IT'S STILL
THE SAME OLD STORY ♪
912
00:42:40,842 --> 00:42:43,474
♪ A FIGHT
FOR LOVE AND GLORY ♪
913
00:42:43,543 --> 00:42:48,912
♪ A CASE OF DO OR DIE ♪
914
00:42:48,981 --> 00:42:54,819
♪ THE WORLD WILL
ALWAYS WELCOME LOVERS ♪
915
00:42:54,888 --> 00:42:59,790
♪ AS TIME GOES BY ♪
916
00:42:59,859 --> 00:43:02,194
HENRI WANTS US TO FINISH
THIS BOTTLE AND THEN 3 MORE.
917
00:43:02,263 --> 00:43:04,795
SAYS HE'LL WATER
HIS GARDEN WITH CHAMPAGNE
918
00:43:04,864 --> 00:43:06,997
BEFORE HE'LL LET
THE GERMANS DRINK IT.
919
00:43:07,066 --> 00:43:10,602
THIS OUGHT TO TAKE THE STING
OUT OF BEING OCCUPIED.
920
00:43:10,671 --> 00:43:12,070
YOU SAID IT.
921
00:43:12,139 --> 00:43:14,876
HERE'S LOOKING
AT YOU, KID.
922
00:43:20,747 --> 00:43:23,685
[MAN SPEAKING GERMAN
OVER LOUDSPEAKER]
923
00:43:40,767 --> 00:43:43,338
MY GERMAN'S
A LITTLE RUSTY.
924
00:43:44,772 --> 00:43:46,341
IT'S THE GESTAPO.
925
00:43:47,774 --> 00:43:51,109
THEY SAY THEY EXPECT
TO BE IN PARIS TOMORROW.
926
00:43:51,178 --> 00:43:53,478
THEY'RE TELLING US
HOW TO ACT
927
00:43:53,547 --> 00:43:55,450
WHEN THEY COME MARCHING IN.
928
00:43:58,185 --> 00:44:00,118
WITH THE WHOLE
WORLD CRUMBLING,
929
00:44:00,187 --> 00:44:02,755
WE PICK THIS TIME
TO FALL IN LOVE.
930
00:44:02,824 --> 00:44:04,022
YEAH, IT'S PRETTY
BAD TIMING.
931
00:44:04,091 --> 00:44:06,224
WHERE WERE YOU, SAY,
10 YEARS AGO?
932
00:44:06,293 --> 00:44:07,963
10 YEARS AGO.
933
00:44:09,196 --> 00:44:13,599
LET'S SEE. I WAS HAVING
A BRACE PUT ON MY TEETH.
934
00:44:13,668 --> 00:44:15,161
WHERE WERE YOU?
935
00:44:15,230 --> 00:44:17,372
LOOKING FOR A JOB.
936
00:44:18,806 --> 00:44:20,703
[DISTANT ARTILLERY]
937
00:44:23,410 --> 00:44:25,143
WAS THAT CANNON FIRE,
938
00:44:25,212 --> 00:44:27,746
OR IS IT
MY HEART POUNDING?
939
00:44:27,815 --> 00:44:29,347
IT'S THE NEW
GERMAN 77.
940
00:44:29,416 --> 00:44:30,343
JUDGING
BY THE SOUND,
941
00:44:30,412 --> 00:44:32,350
ONLY ABOUT
35 MILES AWAY.
942
00:44:32,419 --> 00:44:33,752
[ARTILLERY FIRE]
943
00:44:33,821 --> 00:44:36,391
AND GETTING CLOSER
EVERY MINUTE.
944
00:44:37,424 --> 00:44:39,157
HERE, HERE,
DRINK UP.
945
00:44:39,226 --> 00:44:41,293
OR WE'LL NEVER FINISH
THE OTHER 3.
946
00:44:41,362 --> 00:44:43,494
GERMANS WILL BE HERE
PRETTY SOON NOW.
947
00:44:43,563 --> 00:44:45,696
THEY'LL COME
LOOKING FOR YOU.
948
00:44:45,765 --> 00:44:47,700
REMEMBER THERE'S A PRICE
ON YOUR HEAD.
949
00:44:47,769 --> 00:44:49,702
I LEFT A NOTE
IN MY APARTMENT.
950
00:44:49,771 --> 00:44:51,703
THEY'LL KNOW WHERE
TO FIND ME.
951
00:44:51,772 --> 00:44:52,871
STRANGE.
952
00:44:52,940 --> 00:44:54,773
I KNOW SO VERY
LITTLE ABOUT YOU.
953
00:44:54,842 --> 00:44:56,907
AND I KNOW VERY LITTLE
ABOUT YOU--
954
00:44:56,976 --> 00:45:00,779
JUST THE FACT THAT YOU HAD
YOUR TEETH STRAIGHTENED.
955
00:45:00,848 --> 00:45:01,913
BE SERIOUS,
YOU ARE IN DANGER.
956
00:45:01,982 --> 00:45:03,148
YOU MUST
LEAVE PARIS.
957
00:45:03,217 --> 00:45:04,683
NO, NO.
WE MUST LEAVE.
958
00:45:04,752 --> 00:45:06,684
YES, OF COURSE, WE.
959
00:45:06,753 --> 00:45:08,686
THE TRAIN FOR MARSEILLES
LEAVES AT 5:00.
960
00:45:08,755 --> 00:45:11,289
I'LL PICK YOU UP
AT YOUR HOTEL AT 4:30.
961
00:45:11,358 --> 00:45:13,091
NO. NOT AT MY HOTEL.
962
00:45:13,160 --> 00:45:14,827
I HAVE THINGS
TO DO IN THE CITY
963
00:45:14,896 --> 00:45:15,961
BEFORE I LEAVE.
964
00:45:16,030 --> 00:45:18,563
I'LL MEET YOU
AT THE STATION.
965
00:45:18,632 --> 00:45:19,965
ALL RIGHT, AT 4:45.
966
00:45:20,034 --> 00:45:22,868
WHY DON'T WE GET MARRIED
IN MARSEILLES?
967
00:45:22,937 --> 00:45:25,703
HA HA HA!
968
00:45:25,772 --> 00:45:28,706
TH-THAT'S TOO FAR
AHEAD TO PLAN.
969
00:45:28,775 --> 00:45:31,943
YES. IT IS A LITTLE
TOO FAR AHEAD.
970
00:45:32,012 --> 00:45:33,345
WHAT ABOUT THE ENGINEER?
971
00:45:33,414 --> 00:45:36,448
WHY CAN'T HE MARRY US
ON THE TRAIN?
972
00:45:36,517 --> 00:45:37,449
OH, DARLING...
973
00:45:37,518 --> 00:45:38,583
WHY NOT?
974
00:45:38,652 --> 00:45:41,119
THE CAPTAIN ON A SHIP CAN.
IT DOESN'T SEEM FAIR--
975
00:45:41,188 --> 00:45:43,959
HEY. HEY,
WHAT'S WRONG, KID?
976
00:45:49,797 --> 00:45:51,967
I LOVE YOU SO MUCH...
977
00:45:54,201 --> 00:45:57,001
AND I HATE THIS WAR
SO MUCH.
978
00:45:57,070 --> 00:46:00,004
OH, IT'S
A CRAZY WORLD.
979
00:46:00,073 --> 00:46:01,843
ANYTHING CAN HAPPEN.
980
00:46:03,076 --> 00:46:05,010
IF YOU
SHOULDN'T GET AWAY,
981
00:46:05,079 --> 00:46:10,015
I MEAN, IF SOMETHING
SHOULD KEEP US APART,
982
00:46:10,084 --> 00:46:13,018
WHEREVER THEY PUT YOU
AND WHEREVER I'LL BE,
983
00:46:13,087 --> 00:46:16,258
I WANT YOU TO KNOW
THAT I--
984
00:46:17,692 --> 00:46:19,261
[ARTILLERY FIRE]
985
00:46:21,295 --> 00:46:22,427
KISS ME.
986
00:46:22,496 --> 00:46:26,268
KISS ME AS IF
IT WERE THE LAST TIME.
987
00:46:30,703 --> 00:46:33,574
EN VOITURE!EN VOITURE!
988
00:46:34,508 --> 00:46:37,412
ALLONS, ATTENTION!EN VOITURE!
989
00:46:50,524 --> 00:46:54,793
ALL ABOARD! THE LAST TRAIN
LEAVING IN 20 MINUTES!
990
00:46:54,862 --> 00:46:56,461
ALLEZ-EN!EN VOITURE!
991
00:46:56,530 --> 00:47:00,666
LE DERNIER TRAIN!LE DERNIER TRAIN!
992
00:47:00,735 --> 00:47:01,800
THE LAST TRAIN!
993
00:47:01,869 --> 00:47:04,202
WHERE IS SHE?
HAVE YOU SEEN HER?
994
00:47:04,271 --> 00:47:06,665
NO, I CAN'T FIND HER.
SHE CHECKED OUT OF THE HOTEL.
995
00:47:06,734 --> 00:47:09,244
BUT THIS NOTE CAME
AFTER YOU LEFT.
996
00:47:21,889 --> 00:47:23,087
[WHISTLE]
997
00:47:23,156 --> 00:47:25,691
THAT'S THE LAST CALL,
MR. RICHARD.
998
00:47:25,760 --> 00:47:28,093
DO YOU HEAR ME?
999
00:47:28,162 --> 00:47:30,695
COME ON. LET'S
GET OUT OF HERE.
1000
00:47:30,764 --> 00:47:32,334
COME ON.
1001
00:47:35,770 --> 00:47:37,703
[WHISTLE]
1002
00:47:37,772 --> 00:47:39,942
[TRAIN WHISTLE]
1003
00:48:22,216 --> 00:48:25,149
RICK, I HAVE TO
TALK TO YOU.
1004
00:48:25,218 --> 00:48:28,754
I SAVED MY FIRST DRINK
TO HAVE WITH YOU.
1005
00:48:28,823 --> 00:48:30,155
HERE.
1006
00:48:30,224 --> 00:48:32,156
NO. NO, RICK,
NOT TONIGHT.
1007
00:48:32,225 --> 00:48:33,557
ESPECIALLY TONIGHT.
1008
00:48:33,626 --> 00:48:36,762
WHY DID YOU HAVE TO
COME TO CASABLANCA?
1009
00:48:36,831 --> 00:48:38,530
THERE ARE OTHER PLACES.
1010
00:48:38,599 --> 00:48:39,931
I WOULDN'T HAVE COME
1011
00:48:40,000 --> 00:48:42,167
IF I'D KNOWN
THAT YOU WERE HERE.
1012
00:48:42,236 --> 00:48:44,168
BELIEVE ME. IT'S
TRUE. I DIDN'T KNOW.
1013
00:48:44,237 --> 00:48:47,572
YOUR VOICE HASN'T CHANGED.
I CAN STILL HEAR IT.
1014
00:48:47,641 --> 00:48:50,776
"RICHARD, DEAR,
I'LL GO WITH YOU ANYPLACE."
1015
00:48:50,845 --> 00:48:52,577
PLEASE, DON'T.
DON'T, RICK!
1016
00:48:52,646 --> 00:48:55,180
I CAN UNDERSTAND
HOW YOU'RE FEELING.
1017
00:48:55,249 --> 00:48:57,182
YOU UNDERSTAND
HOW I FEEL.
1018
00:48:57,251 --> 00:49:00,185
HOW LONG WAS IT
WE HAD, HONEY?
1019
00:49:00,254 --> 00:49:02,187
I DIDN'T
COUNT THE DAYS.
1020
00:49:02,256 --> 00:49:04,089
WELL, I DID.
EVERY ONE OF THEM.
1021
00:49:04,158 --> 00:49:09,661
MOSTLY I REMEMBER THE LAST ONE,
THE WOW FINISH,
1022
00:49:09,730 --> 00:49:13,331
A GUY STANDING ON A STATION
PLATFORM IN THE RAIN
1023
00:49:13,400 --> 00:49:15,633
WITH A COMICAL LOOK
ON HIS FACE
1024
00:49:15,702 --> 00:49:18,273
BECAUSE HIS INSIDES
HAD BEEN KICKED OUT.
1025
00:49:19,273 --> 00:49:21,807
CAN I TELL YOU
A STORY, RICK?
1026
00:49:21,876 --> 00:49:23,808
HAS IT GOT
A WOW FINISH?
1027
00:49:23,877 --> 00:49:25,678
I DON'T KNOW
THE FINISH YET.
1028
00:49:25,747 --> 00:49:27,611
GO ON, TELL IT.
1029
00:49:27,680 --> 00:49:30,218
MAYBE ONE'LL COME TO YOU
AS YOU GO ALONG.
1030
00:49:31,885 --> 00:49:33,218
IT'S ABOUT A GIRL
1031
00:49:33,287 --> 00:49:35,220
WHO HAD JUST
COME TO PARIS
1032
00:49:35,289 --> 00:49:36,621
FROM HER HOME IN OSLO.
1033
00:49:36,690 --> 00:49:39,623
AT THE HOUSE OF SOME
FRIENDS, SHE MET A MAN
1034
00:49:39,692 --> 00:49:42,227
ABOUT WHOM SHE HAD HEARD
HER WHOLE LIFE,
1035
00:49:42,296 --> 00:49:44,229
A VERY GREAT
AND COURAGEOUS MAN.
1036
00:49:44,298 --> 00:49:47,232
HE OPENED UP FOR HER
A WHOLE BEAUTIFUL WORLD
1037
00:49:47,301 --> 00:49:49,829
FULL OF KNOWLEDGE
AND THOUGHTS AND IDEALS.
1038
00:49:49,898 --> 00:49:52,604
EVERYTHING SHE KNEW
OR EVER BECAME
1039
00:49:52,673 --> 00:49:53,939
WAS BECAUSE OF HIM.
1040
00:49:54,008 --> 00:49:57,609
SHE LOOKED UP TO HIM
AND WORSHIPPED HIM
1041
00:49:57,678 --> 00:50:00,778
WITH A FEELING
SHE SUPPOSED WAS LOVE.
1042
00:50:00,847 --> 00:50:03,514
YES. IT'S VERY PRETTY.
I HEARD A STORY ONCE.
1043
00:50:03,583 --> 00:50:06,517
I'VE HEARD A LOT OF STORIES
IN MY TIME.
1044
00:50:06,586 --> 00:50:10,521
THEY WENT ALONG WITH THE SOUND
OF A TINNY PIANO
1045
00:50:10,590 --> 00:50:12,523
PLAYING IN THE PARLOR
DOWNSTAIRS.
1046
00:50:12,592 --> 00:50:16,695
"MISTER, I MET A MAN ONCE
WHEN I WAS A KID,"
1047
00:50:16,764 --> 00:50:17,929
IT ALWAYS BEGINS.
1048
00:50:17,998 --> 00:50:24,136
OH, I GUESS NEITHER ONE
OF OUR STORIES IS VERY FUNNY.
1049
00:50:24,205 --> 00:50:27,539
TELL ME, WHO WAS IT
YOU LEFT ME FOR?
1050
00:50:27,608 --> 00:50:31,409
WAS IT LASZLO, OR WERE THERE
OTHERS IN BETWEEN--
1051
00:50:31,478 --> 00:50:34,649
OR AREN'T YOU
THE KIND THAT TELLS?
1052
00:50:47,829 --> 00:50:49,797
[DOOR CLOSES]
1053
00:50:59,239 --> 00:51:00,638
I STRONGLY SUSPECT
1054
00:51:00,707 --> 00:51:03,974
THAT UGARTE LEFT THE LETTERS
OF TRANSIT WITH MR. BLAINE.
1055
00:51:04,043 --> 00:51:06,177
I SUGGEST YOU SEARCH THE CAFE
IMMEDIATELY AND THOROUGHLY.
1056
00:51:06,246 --> 00:51:07,478
IF RICK HAS THE LETTERS,
1057
00:51:07,547 --> 00:51:09,314
HE'S MUCH TOO SMART TO
LET YOU FIND THEM THERE.
1058
00:51:09,383 --> 00:51:12,583
YOU GIVE HIM CREDIT
FOR TOO MUCH CLEVERNESS.
1059
00:51:12,652 --> 00:51:14,585
HE'S JUST ANOTHER
BLUNDERING AMERICAN.
1060
00:51:14,654 --> 00:51:16,789
WE MUSTN'T UNDERESTIMATE
AMERICAN BLUNDERING.
1061
00:51:16,858 --> 00:51:18,589
I WAS WITH THEM
1062
00:51:18,658 --> 00:51:21,192
WHEN THEY BLUNDERED
INTO BERLIN IN 1918.
1063
00:51:21,261 --> 00:51:22,327
AS TO LASZLO,
1064
00:51:22,396 --> 00:51:24,596
WE WANT HIM WATCHED
24 HOURS A DAY.
1065
00:51:24,665 --> 00:51:27,835
AT THIS VERY MOMENT,
HE'S ON HIS WAY HERE.
1066
00:51:32,873 --> 00:51:35,407
THERE'S NOTHING
WE CAN DO.
1067
00:51:35,476 --> 00:51:37,408
I'M DELIGHTED
TO SEE YOU BOTH.
1068
00:51:37,477 --> 00:51:40,211
DID YOU HAVE
A GOOD NIGHT'S REST?
1069
00:51:40,280 --> 00:51:41,612
I SLEPT VERY WELL.
1070
00:51:41,681 --> 00:51:42,914
THAT'S STRANGE.
NOBODY'S SUPPOSED
1071
00:51:42,983 --> 00:51:44,616
TO SLEEP WELL
IN CASABLANCA.
1072
00:51:44,685 --> 00:51:47,218
MAY WE PROCEED
TO THE BUSINESS?
1073
00:51:47,287 --> 00:51:49,220
WITH PLEASURE.
WON'T YOU SIT DOWN?
1074
00:51:49,289 --> 00:51:51,622
VERY WELL.
LET'S NOT MINCE WORDS.
1075
00:51:51,691 --> 00:51:54,821
YOU ARE AN ESCAPED
PRISONER OF THE REICH.
1076
00:51:54,890 --> 00:51:56,560
SO FAR YOU HAVE
ELUDED US.
1077
00:51:56,629 --> 00:51:57,929
YOU HAVE REACHED
CASABLANCA.
1078
00:51:57,998 --> 00:52:01,233
IT'S MY DUTY TO SEE THAT
YOU STAY IN CASABLANCA.
1079
00:52:01,302 --> 00:52:03,567
WHETHER OR NOT YOU SUCCEED
IS PROBLEMATIC.
1080
00:52:03,636 --> 00:52:05,170
CAPTAIN RENAULT'S
SIGNATURE
1081
00:52:05,239 --> 00:52:07,572
IS NECESSARY
ON EVERY EXIT VISA.
1082
00:52:07,641 --> 00:52:09,374
WILL HERR LASZLO
RECEIVE A VISA?
1083
00:52:09,443 --> 00:52:11,776
I'M AFRAID NOT.
MY REGRETS, MONSIEUR.
1084
00:52:11,845 --> 00:52:15,180
PERHAPS I SHALL LIKE IT
IN CASABLANCA.
1085
00:52:15,249 --> 00:52:16,580
AND
MADEMOISELLE?
1086
00:52:16,649 --> 00:52:18,583
YOU NEEDN'T BE
CONCERNED ABOUT ME.
1087
00:52:18,652 --> 00:52:20,252
IS THAT ALL
YOU WISH TO TELL US?
1088
00:52:20,321 --> 00:52:21,519
DON'T BE
IN SUCH A HURRY.
1089
00:52:21,588 --> 00:52:22,687
YOU HAVE ALL THE TIME
IN THE WORLD.
1090
00:52:22,756 --> 00:52:25,190
YOU MAY BE IN CASABLANCA
INDEFINITELY,
1091
00:52:25,259 --> 00:52:28,259
OR YOU MAY LEAVE
FOR LISBON TOMORROW
1092
00:52:28,328 --> 00:52:29,628
ON ONE CONDITION.
1093
00:52:29,697 --> 00:52:30,762
AND THAT IS?
1094
00:52:30,831 --> 00:52:32,164
YOU KNOW THE LEADER
1095
00:52:32,233 --> 00:52:33,564
OF THE UNDERGROUND
MOVEMENT IN PARIS,
1096
00:52:33,633 --> 00:52:35,566
IN PRAGUE, IN BRUSSELS,
IN AMSTERDAM,
1097
00:52:35,635 --> 00:52:38,203
IN OSLO, IN BELGRADE,
AND ATHENS.
1098
00:52:38,272 --> 00:52:39,771
EVEN BERLIN.
1099
00:52:39,840 --> 00:52:41,973
YES, EVEN IN BERLIN.
1100
00:52:42,042 --> 00:52:44,575
IF YOU'LL FURNISH ME WITH
THEIR NAMES AND WHEREABOUTS,
1101
00:52:44,644 --> 00:52:46,711
YOU'LL HAVE YOUR VISA
IN THE MORNING.
1102
00:52:46,780 --> 00:52:49,781
AND THE HONOR OF HAVING
SERVED THE THIRD REICH.
1103
00:52:49,850 --> 00:52:52,384
I WAS IN A GERMAN
CONCENTRATION CAMP FOR A YEAR.
1104
00:52:52,453 --> 00:52:54,620
THAT'S HONOR ENOUGH
FOR A LIFETIME.
1105
00:52:54,689 --> 00:52:56,587
YOU'LL GIVE US
THE NAMES?
1106
00:52:56,656 --> 00:52:59,757
IF I DIDN'T GIVE THEM TO YOU
IN A CONCENTRATION CAMP,
1107
00:52:59,826 --> 00:53:02,360
WHERE YOU HAD
MORE PERSUASIVE METHODS
1108
00:53:02,429 --> 00:53:03,761
AT YOUR DISPOSAL,
1109
00:53:03,830 --> 00:53:06,965
I CERTAINLY WON'T
GIVE THEM TO YOU NOW.
1110
00:53:07,034 --> 00:53:09,367
WHAT IF YOU KILL THESE MEN?
1111
00:53:09,436 --> 00:53:11,169
WHAT IF YOU
MURDERED ALL OF US?
1112
00:53:11,238 --> 00:53:12,703
FROM EVERY CORNER
OF EUROPE, HUNDREDS,
1113
00:53:12,772 --> 00:53:15,373
THOUSANDS WOULD RISE
TO TAKE OUR PLACES.
1114
00:53:15,442 --> 00:53:18,310
EVEN NAZIS CAN'T
KILL THAT FAST.
1115
00:53:18,379 --> 00:53:20,311
YOU HAVE A REPUTATION
FOR ELOQUENCE
1116
00:53:20,380 --> 00:53:21,713
WHICH I NOW UNDERSTAND.
1117
00:53:21,782 --> 00:53:24,448
BUT IN ONE RESPECT
YOU ARE MISTAKEN.
1118
00:53:24,517 --> 00:53:27,451
YOU SAID THE REICH'S ENEMIES
COULD BE REPLACED.
1119
00:53:27,520 --> 00:53:28,853
THERE'S ONE EXCEPTION.
NO ONE COULD REPLACE YOU
1120
00:53:28,922 --> 00:53:31,456
IF ANYTHING UNFORTUNATE
SHOULD OCCUR TO YOU
1121
00:53:31,525 --> 00:53:33,925
WHILE YOU WERE
TRYING TO ESCAPE.
1122
00:53:33,994 --> 00:53:36,461
YOU WON'T DARE
TO INTERFERE WITH ME HERE.
1123
00:53:36,530 --> 00:53:38,530
THIS IS STILL
UNOCCUPIED FRANCE.
1124
00:53:38,599 --> 00:53:41,465
ANY VIOLATION OF NEUTRALITY
WOULD REFLECT ON RENAULT.
1125
00:53:41,534 --> 00:53:44,670
INSOFAR AS IT IS
IN MY POWER.
1126
00:53:44,739 --> 00:53:45,870
THANK YOU.
1127
00:53:45,939 --> 00:53:49,074
LAST NIGHT, YOU EVINCED
INTEREST IN SIGNOR UGARTE.
1128
00:53:49,143 --> 00:53:50,075
YES.
1129
00:53:50,144 --> 00:53:52,410
YOU HAVE
A MESSAGE FOR HIM.
1130
00:53:52,479 --> 00:53:56,048
NOTHING IMPORTANT,
BUT MAY I SPEAK TO HIM NOW?
1131
00:53:56,117 --> 00:53:58,116
YOU WOULD FIND
THE CONVERSATION
1132
00:53:58,185 --> 00:54:00,085
A TRIFLE ONE-SIDED.
1133
00:54:00,154 --> 00:54:01,723
SIGNOR UGARTE'S DEAD.
1134
00:54:07,594 --> 00:54:09,893
I'M MAKING OUT
THE REPORT NOW.
1135
00:54:09,962 --> 00:54:13,098
WE HAVEN'T QUITE DECIDED
WHETHER HE COMMITTED SUICIDE
1136
00:54:13,167 --> 00:54:15,070
OR DIED
TRYING TO ESCAPE.
1137
00:54:16,170 --> 00:54:18,103
ARE YOU FINISHED WITH US?
1138
00:54:18,172 --> 00:54:20,105
FOR THE TIME
BEING.
1139
00:54:20,174 --> 00:54:21,743
GOOD DAY.
1140
00:54:24,977 --> 00:54:29,114
UNDOUBTEDLY THEIR NEXT STEP
WILL BE TO THE BLACK MARKET.
1141
00:54:29,183 --> 00:54:32,718
ANOTHER VISA PROBLEM
HAS COME UP.
1142
00:54:32,787 --> 00:54:34,186
SHOW HER IN.
1143
00:54:34,255 --> 00:54:35,823
YES, SIR.
1144
00:54:44,165 --> 00:54:47,598
SORRY. WE WON'T BE ABLE
TO HANDLE THE POLICE.
1145
00:54:47,667 --> 00:54:50,601
THIS IS A JOB
FOR SIGNOR FERRARI.
1146
00:54:50,670 --> 00:54:53,199
IT CAN BE MOST HELPFUL
TO KNOW HIM.
1147
00:54:53,268 --> 00:54:55,607
HE HAS A MONOPOLY
ON THE BLACK MARKET.
1148
00:54:55,676 --> 00:54:58,042
YOU'LL FIND HIM
AT THE BLUE PARROT.
1149
00:54:58,111 --> 00:54:59,847
THANKS.
1150
00:55:11,691 --> 00:55:13,625
DON'T BE TOO
DOWNHEARTED.
1151
00:55:13,694 --> 00:55:16,228
PERHAPS YOU CAN
COME TO TERMS
1152
00:55:16,297 --> 00:55:17,830
WITH CAPTAIN RENAULT.
1153
00:55:17,899 --> 00:55:19,230
HELLO, FERRARI.
1154
00:55:19,299 --> 00:55:20,499
GOOD MORNING,
RICK.
1155
00:55:20,568 --> 00:55:21,767
I SEE THE BUS IS IN.
1156
00:55:21,836 --> 00:55:23,067
I'LL TAKE
MY SHIPMENT WITH ME.
1157
00:55:23,136 --> 00:55:25,003
NO HURRY. I'LL HAVE IT
SENT OVER. HAVE A DRINK.
1158
00:55:25,072 --> 00:55:27,238
EVERY TIME YOU SEND
MY SHIPMENT OVER,
1159
00:55:27,307 --> 00:55:28,640
IT'S ALWAYS
A LITTLE SHORT.
1160
00:55:28,709 --> 00:55:30,843
CARRYING CHARGES,
MY BOY.
1161
00:55:30,912 --> 00:55:32,043
HERE, SIT DOWN.
1162
00:55:32,112 --> 00:55:35,847
THERE'S SOMETHING I WANT
TO TALK OVER WITH YOU.
1163
00:55:35,916 --> 00:55:36,915
THE BOURBON.
1164
00:55:36,984 --> 00:55:39,117
THE NEWS ABOUT UGARTE
UPSETS ME.
1165
00:55:39,186 --> 00:55:40,518
YOU'RE A FAT HYPOCRITE.
1166
00:55:40,587 --> 00:55:42,887
YOU DON'T FEEL ANY SORRIER
FOR UGARTE THAN I DO.
1167
00:55:42,956 --> 00:55:43,822
OF COURSE NOT.
1168
00:55:43,891 --> 00:55:45,789
WHAT UPSETS ME
IS THAT UGARTE'S DEAD,
1169
00:55:45,858 --> 00:55:48,226
AND NO ONE KNOWS WHERE THOSE
LETTERS OF TRANSIT ARE.
1170
00:55:48,295 --> 00:55:49,660
PRACTICALLY NO ONE.
1171
00:55:49,729 --> 00:55:51,462
IF I COULD
LAY MY HANDS ON THEM,
1172
00:55:51,531 --> 00:55:52,663
I COULD MAKE A FORTUNE.
1173
00:55:52,732 --> 00:55:54,432
SO COULD I, AND I'M
A POOR BUSINESSMAN.
1174
00:55:54,501 --> 00:55:55,600
I HAVE A PROPOSITION
1175
00:55:55,669 --> 00:55:57,435
FOR WHOEVER HAS
THOSE LETTERS.
1176
00:55:57,504 --> 00:55:58,836
I'LL HANDLE
THE ENTIRE TRANSACTION,
1177
00:55:58,905 --> 00:56:01,539
TAKE ALL THE RISK,
FOR A SMALL PERCENTAGE.
1178
00:56:01,608 --> 00:56:03,608
AND THE CARRYING
CHARGES?
1179
00:56:03,677 --> 00:56:06,310
NATURALLY THERE WILL BE
A FEW INCIDENTAL EXPENSES.
1180
00:56:06,379 --> 00:56:07,813
THAT'S THE PROPOSITION
I HAVE
1181
00:56:07,882 --> 00:56:09,380
FOR WHOEVER
HAS THOSE LETTERS.
1182
00:56:09,449 --> 00:56:11,015
I'LL TELL HIM
WHEN HE COMES IN.
1183
00:56:11,084 --> 00:56:13,980
I THINK YOU KNOW
WHERE THOSE LETTERS ARE.
1184
00:56:14,049 --> 00:56:15,086
YOU'RE IN GOOD COMPANY.
1185
00:56:15,155 --> 00:56:18,060
RENAULT AND STRASSER
PROBABLY THINK SO, TOO.
1186
00:56:22,396 --> 00:56:24,129
THAT'S WHY
I CAME OVER HERE,
1187
00:56:24,198 --> 00:56:26,697
TO GIVE THEM A CHANCE
TO RANSACK MY PLACE.
1188
00:56:26,766 --> 00:56:29,033
DON'T BE A FOOL. TAKE ME
INTO YOUR CONFIDENCE.
1189
00:56:29,102 --> 00:56:30,235
YOU NEED A PARTNER.
1190
00:56:30,304 --> 00:56:32,207
EXCUSE ME.
I'LL BE GETTING BACK.
1191
00:56:34,308 --> 00:56:35,640
GOOD MORNING.
1192
00:56:35,709 --> 00:56:38,880
SIGNOR FERRARI'S
THE FAT GENT AT THE TABLE.
1193
00:56:43,283 --> 00:56:47,019
YOU WILL NOT FIND A TREASURE
LIKE THIS IN ALL MOROCCO.
1194
00:56:47,088 --> 00:56:48,420
ONLY 700 FRANCS.
1195
00:56:48,489 --> 00:56:49,821
YOU'RE BEING CHEATED.
1196
00:56:49,890 --> 00:56:51,323
IT DOESN'T MATTER.
THANK YOU.
1197
00:56:51,392 --> 00:56:52,657
THE LADY'S A FRIEND
OF RICK'S.
1198
00:56:52,726 --> 00:56:54,426
FOR FRIENDS OF RICK'S,
WE HAVE A SMALL DISCOUNT.
1199
00:56:54,495 --> 00:56:55,828
DID I SAY 700?
1200
00:56:55,897 --> 00:56:57,662
YOU CAN HAVE IT
FOR 200.
1201
00:56:57,731 --> 00:56:59,665
I'M SORRY I WAS
IN NO CONDITION
1202
00:56:59,734 --> 00:57:01,266
TO RECEIVE YOU
LAST NIGHT.
1203
00:57:01,335 --> 00:57:02,667
IT DOESN'T MATTER.
1204
00:57:02,736 --> 00:57:04,269
FOR SPECIAL FRIENDS
OF RICK'S,
1205
00:57:04,338 --> 00:57:05,670
A SPECIAL DISCOUNT--
100 FRANCS.
1206
00:57:05,739 --> 00:57:08,272
YOUR STORY HAD ME
A LITTLE CONFUSED.
1207
00:57:08,341 --> 00:57:09,941
MAYBE IT WAS THE BOURBON.
1208
00:57:10,010 --> 00:57:11,576
I HAVE SOME TABLECLOTHS,
SOME NAPKINS.
1209
00:57:11,645 --> 00:57:12,677
THANK YOU.
I'M NOT INTERESTED.
1210
00:57:12,746 --> 00:57:14,279
PLEASE, ONE MINUTE.
1211
00:57:14,348 --> 00:57:15,680
WHY DID YOU COME BACK,
1212
00:57:15,749 --> 00:57:17,348
TO TELL ME WHY
YOU RAN OUT ON ME
1213
00:57:17,417 --> 00:57:18,884
AT THE RAILWAY STATION.
1214
00:57:18,953 --> 00:57:19,918
YES.
1215
00:57:19,987 --> 00:57:22,354
YOU CAN TELL ME NOW.
I'M REASONABLY SOBER.
1216
00:57:22,423 --> 00:57:23,754
I DON'T THINK I WILL.
1217
00:57:23,823 --> 00:57:26,758
WHY NOT? I GOT STUCK
WITH THE RAILWAY TICKET.
1218
00:57:26,827 --> 00:57:28,760
I THINK I'M ENTITLED
TO KNOW.
1219
00:57:28,829 --> 00:57:30,762
LAST NIGHT, I SAW WHAT
HAS HAPPENED TO YOU.
1220
00:57:30,831 --> 00:57:32,497
THE RICK I KNEW
IN PARIS,
1221
00:57:32,566 --> 00:57:34,165
I COULD TELL HIM.
HE WOULD UNDERSTAND.
1222
00:57:34,234 --> 00:57:37,368
THE ONE WHO LOOKED AT ME
WITH SUCH HATRED...
1223
00:57:37,437 --> 00:57:39,370
I'LL BE LEAVING
CASABLANCA SOON.
1224
00:57:39,439 --> 00:57:41,639
WE'LL NEVER SEE
EACH OTHER AGAIN.
1225
00:57:41,708 --> 00:57:44,710
WE KNEW VERY LITTLE
ABOUT EACH OTHER
1226
00:57:44,779 --> 00:57:47,312
WHEN WE WERE IN LOVE
IN PARIS.
1227
00:57:47,381 --> 00:57:49,314
IF WE LEAVE IT THAT WAY,
1228
00:57:49,383 --> 00:57:50,715
MAYBE WE'LL REMEMBER
THOSE DAYS
1229
00:57:50,784 --> 00:57:51,717
AND NOT CASABLANCA.
1230
00:57:51,786 --> 00:57:53,719
NOT LAST NIGHT.
1231
00:57:53,788 --> 00:57:55,688
DID YOU RUN OUT ON ME
1232
00:57:55,757 --> 00:57:57,721
BECAUSE YOU
COULDN'T TAKE IT--
1233
00:57:57,790 --> 00:58:00,125
HIDING FROM THE POLICE,
RUNNING AWAY ALL THIS TIME?
1234
00:58:00,194 --> 00:58:02,255
YOU CAN BELIEVE THAT
IF YOU WANT TO.
1235
00:58:02,324 --> 00:58:03,528
I'M NOT
RUNNING AWAY ANYMORE.
1236
00:58:03,597 --> 00:58:06,131
I'M SETTLED NOW--
ABOVE A SALOON, IT'S TRUE,
1237
00:58:06,200 --> 00:58:10,905
BUT WALK UP A FLIGHT.
I'LL BE EXPECTING YOU.
1238
00:58:12,205 --> 00:58:15,741
ALL THE SAME, SOMEDAY
YOU'LL LIE TO LASZLO.
1239
00:58:15,810 --> 00:58:17,579
YOU'LL BE THERE.
1240
00:58:19,013 --> 00:58:20,346
NO, RICK.
1241
00:58:20,415 --> 00:58:22,346
NO. YOU SEE,
1242
00:58:22,415 --> 00:58:24,549
VICTOR LASZLO'S
MY HUSBAND.
1243
00:58:24,618 --> 00:58:27,990
AND WAS, EVEN WHEN
I KNEW YOU IN PARIS.
1244
00:58:32,426 --> 00:58:34,359
I WAS JUST TELLING
MONSIEUR LASZLO
1245
00:58:34,428 --> 00:58:35,527
THAT UNFORTUNATELY
1246
00:58:35,596 --> 00:58:37,362
I'M NOT ABLE
TO HELP HIM.
1247
00:58:37,431 --> 00:58:39,358
THE WORD
HAS GONE AROUND.
1248
00:58:39,427 --> 00:58:41,299
AS LEADER OF ALL
ILLEGAL ACTIVITIES
1249
00:58:41,368 --> 00:58:42,434
IN CASABLANCA,
1250
00:58:42,503 --> 00:58:44,435
I'M AN INFLUENTIAL
AND RESPECTED MAN.
1251
00:58:44,504 --> 00:58:46,504
IT WOULDN'T BE WORTH
MY LIFE
1252
00:58:46,573 --> 00:58:48,039
TO DO ANYTHING
MONSIEUR LASZLO.
1253
00:58:48,108 --> 00:58:50,108
YOU, HOWEVER, ARE
A DIFFERENT MATTER.
1254
00:58:50,177 --> 00:58:52,877
SIGNOR FERRARI THINKS
IT MIGHT JUST BE POSSIBLE
1255
00:58:52,946 --> 00:58:55,881
TO GET AN EXIT VISA
FOR YOU.
1256
00:58:55,950 --> 00:58:57,716
YOU MEAN FOR ME
TO GO ON ALONE?
1257
00:58:57,785 --> 00:58:58,883
Ferrari:
AND ONLY ALONE.
1258
00:58:58,952 --> 00:59:01,853
I'LL STAY HERE
AND KEEP ON TRYING.
1259
00:59:01,922 --> 00:59:03,521
YOU MIGHT AS WELL
BE FRANK.
1260
00:59:03,590 --> 00:59:04,956
IT WOULD TAKE
A MIRACLE
1261
00:59:05,025 --> 00:59:06,057
TO GET YOU OUT
OF CASABLANCA,
1262
00:59:06,126 --> 00:59:07,658
AND THE GERMANS
OUTLAWED MIRACLES.
1263
00:59:07,727 --> 00:59:10,495
WE ARE ONLY INTERESTED
IN 2 VISAS.
1264
00:59:10,564 --> 00:59:12,563
PLEASE, ILSA,
DON'T BE HASTY.
1265
00:59:12,632 --> 00:59:14,900
YOU TWO WILL WANT
TO DISCUSS THIS.
1266
00:59:14,969 --> 00:59:18,140
EXCUSE ME.
I'LL BE AT THE BAR.
1267
00:59:20,573 --> 00:59:22,906
I WON'T LET YOU
STAY HERE.
1268
00:59:22,975 --> 00:59:26,372
YOU MUST GET TO AMERICA.
SOMEHOW I'LL JOIN YOU.
1269
00:59:26,441 --> 00:59:27,613
IF THE SITUATION
WERE DIFFERENT.
1270
00:59:27,682 --> 00:59:28,714
IF I HAD TO STAY
1271
00:59:28,783 --> 00:59:30,649
AND THERE WERE
ONLY VISA FOR ONE,
1272
00:59:30,718 --> 00:59:32,551
WOULD YOU TAKE IT?
1273
00:59:32,620 --> 00:59:34,981
YES, I WOULD.
1274
00:59:35,050 --> 00:59:37,516
YES, I SEE.
1275
00:59:37,585 --> 00:59:39,925
WHEN I HAD TROUBLE
GETTING OUT OF LILLES,
1276
00:59:39,994 --> 00:59:41,927
WHY DIDN'T YOU
LEAVE ME THERE?
1277
00:59:41,996 --> 00:59:43,361
WHEN I WAS SICK
IN MARSEILLES
1278
00:59:43,430 --> 00:59:44,496
AND HELD YOU UP
FOR 2 WEEKS,
1279
00:59:44,565 --> 00:59:45,930
AND YOU WERE IN
DANGER EVERY MINUTE,
1280
00:59:45,999 --> 00:59:48,366
WHY DIDN'T YOU
LEAVE ME THEN?
1281
00:59:48,435 --> 00:59:52,407
I MEANT TO, BUT SOMETHING
ALWAYS HELD ME UP.
1282
00:59:54,074 --> 00:59:56,174
I LOVE YOU
VERY MUCH, ILSA.
1283
00:59:56,243 --> 00:59:59,543
YOUR SECRET WILL BE
SAFE WITH ME.
1284
00:59:59,612 --> 01:00:02,748
FERRARI'S WAITING
FOR OUR ANSWER.
1285
01:00:02,817 --> 01:00:06,288
NOT MORE THAN
50 FRANCS, THOUGH.
1286
01:00:08,588 --> 01:00:10,322
WE HAVE DECIDED,
SIGNOR FERRARI.
1287
01:00:10,391 --> 01:00:13,925
FOR THE PRESENT, WE'RE ONLY
LOOKING FOR 2 EXIT VISAS.
1288
01:00:13,994 --> 01:00:15,526
THANK YOU VERY MUCH.
1289
01:00:15,595 --> 01:00:16,929
GOOD LUCK, BUT BE CAREFUL.
1290
01:00:16,998 --> 01:00:18,529
YOU KNOW THAT
YOU'RE BEING SHADOWED?
1291
01:00:18,598 --> 01:00:20,331
OF COURSE.
IT BECOMES AN INSTINCT.
1292
01:00:20,400 --> 01:00:23,796
IN ONE RESPECT, YOU ARE
A VERY FORTUNATE MAN, MONSIEUR.
1293
01:00:23,865 --> 01:00:26,737
I MOVE TO MAKE ONE MORE
SUGGESTION. WHY, I DON'T KNOW,
1294
01:00:26,806 --> 01:00:28,467
BECAUSE IT CANNOT
POSSIBLY PROFIT ME.
1295
01:00:28,536 --> 01:00:30,508
HAVE YOU HEARD
ABOUT SIGNOR UGARTE
1296
01:00:30,577 --> 01:00:31,544
AND THE LETTERS OF TRANSIT?
1297
01:00:31,613 --> 01:00:32,910
YES. SOMETHING.
1298
01:00:32,979 --> 01:00:36,109
THEY WEREN'T ON UGARTE
WHEN THEY ARRESTED HIM.
1299
01:00:36,178 --> 01:00:37,182
WHERE ARE THEY?
1300
01:00:37,251 --> 01:00:39,384
NOT FOR SURE.
I'LL VENTURE TO GUESS
1301
01:00:39,453 --> 01:00:41,948
THAT UGARTE LEFT THEM
WITH MONSIEUR RICK.
1302
01:00:42,017 --> 01:00:43,121
RICK?
1303
01:00:43,190 --> 01:00:46,725
ONE NEVER KNOWS
WHAT RICK WILL DO OR WHY,
1304
01:00:46,794 --> 01:00:49,094
BUT IT IS WORTH A CHANCE.
1305
01:00:49,163 --> 01:00:51,562
THANK YOU VERY MUCH.
GOOD DAY.
1306
01:00:51,631 --> 01:00:53,565
GOODBYE. THANK YOU
FOR YOUR COFFEE.
1307
01:00:53,634 --> 01:00:55,000
I SHALL MISS THAT
1308
01:00:55,069 --> 01:00:56,367
WHEN WE LEAVE
CASABLANCA.
1309
01:00:56,436 --> 01:01:00,172
GRACIOUS OF YOU TO SHARE IT
WITH ME. GOOD DAY.
1310
01:01:00,241 --> 01:01:01,809
GOOD DAY.
1311
01:01:07,648 --> 01:01:10,715
[PIANO PLAYING]
1312
01:01:10,784 --> 01:01:12,318
HERE'S TO YOU, SIR.
1313
01:01:12,387 --> 01:01:13,585
GOOD LUCK.
1314
01:01:13,654 --> 01:01:15,181
I'D BETTER BE GOING.
1315
01:01:15,250 --> 01:01:16,588
MY CHECK, PLEASE.
1316
01:01:16,657 --> 01:01:17,989
I HAVE TO WARN YOU.
1317
01:01:18,058 --> 01:01:19,391
THIS IS A DANGEROUS PLACE
FULL OF VULTURES.
1318
01:01:19,460 --> 01:01:21,192
VULTURES EVERYWHERE.
THANKS FOR EVERYTHING.
1319
01:01:21,261 --> 01:01:22,593
GOODBYE, SIR.
1320
01:01:22,662 --> 01:01:25,833
A PLEASURE TO MEET YOU.
I'M SORRY.
1321
01:01:41,080 --> 01:01:45,253
MONSIEUR RICK, YOU ARE GETTING
TO BE YOUR BEST CUSTOMER.
1322
01:01:46,619 --> 01:01:50,021
DRINKING? NOW YOU'RE BEGINNING
TO LIVE LIKE A FRENCHMAN.
1323
01:01:50,090 --> 01:01:53,024
THAT'S SOME GOING-OVER
YOUR MEN GAVE MY PLACE.
1324
01:01:53,093 --> 01:01:56,028
WE BARELY GOT CLEANED UP
IN TIME TO OPEN.
1325
01:01:56,097 --> 01:01:58,896
I TOLD STRASSER
THE LETTERS WEREN'T HERE,
1326
01:01:58,965 --> 01:02:01,900
BUT I TOLD MY MEN TO BE
ESPECIALLY DESTRUCTIVE.
1327
01:02:01,969 --> 01:02:04,035
YOU KNOW HOW THAT
IMPRESSES GERMANS.
1328
01:02:04,104 --> 01:02:07,038
RICK, HAVE YOU GOT
THOSE LETTERS OF TRANSIT?
1329
01:02:07,107 --> 01:02:09,908
ARE YOU PRO-VICHY
OR FREE FRENCH?
1330
01:02:09,977 --> 01:02:12,911
SERVES ME RIGHT FOR ASKING
A DIRECT QUESTION.
1331
01:02:12,980 --> 01:02:14,645
THE SUBJECT IS CLOSED.
1332
01:02:14,714 --> 01:02:17,319
LOOKS LIKE YOU'RE
A LITTLE LATE.
1333
01:02:21,489 --> 01:02:22,654
HA HA HA!
1334
01:02:22,723 --> 01:02:25,523
SO YVONNE'S GONE OVER
TO THE ENEMY?
1335
01:02:25,592 --> 01:02:27,359
WHO KNOWS?
IN HER OWN WAY,
1336
01:02:27,428 --> 01:02:29,927
SHE MAY CONSTITUTE
AN ENTIRE SECOND FRONT.
1337
01:02:29,996 --> 01:02:34,266
IT'S TIME FOR ME TO FLATTER
MAJOR STRASSER A LITTLE.
1338
01:02:34,335 --> 01:02:35,667
SACHA!
1339
01:02:35,736 --> 01:02:37,069
FRENCH 75s.
1340
01:02:37,138 --> 01:02:39,672
WE'LL HAVE
A WHOLE ROW, SACHA,
1341
01:02:39,741 --> 01:02:41,673
STARTING HERE
AND ENDING HERE!
1342
01:02:41,742 --> 01:02:43,341
WE WILL BEGIN
WITH 2.
1343
01:02:43,410 --> 01:02:44,943
VOUS N'ETES PASFRANCAISE VOUS,
1344
01:02:45,012 --> 01:02:46,945
D'ALLER AVECLES BOCHES COMME CA!
1345
01:02:47,014 --> 01:02:48,547
DE QUOIVOUS MELEZ-VOUS?
1346
01:02:48,616 --> 01:02:49,847
NO, NO, NO.
1347
01:02:49,916 --> 01:02:53,084
WHAT DID YOU SAY?
WOULD YOU KINDLY REPEAT IT?
1348
01:02:53,153 --> 01:02:56,021
IT'S NONE
OF YOUR BUSINESS!
1349
01:02:56,090 --> 01:02:57,723
I'LL MAKE IT
MY BUSINESS.
1350
01:02:57,792 --> 01:02:59,925
ARRETEZ,JE VOUS EN PRIE!
1351
01:02:59,994 --> 01:03:02,695
JE VOUS EN PRIE,ARRETEZ!
1352
01:03:02,764 --> 01:03:04,696
I DON'T LIKE
DISTURBANCES HERE.
1353
01:03:04,765 --> 01:03:07,799
EITHER LAY OFF POLITICS
OR GET OUT!
1354
01:03:07,868 --> 01:03:10,334
[SPEAKING FRENCH]
1355
01:03:10,403 --> 01:03:13,739
YOU SEE, CAPTAIN,
THE SITUATION IS NOT AS MUCH
1356
01:03:13,808 --> 01:03:15,507
UNDER CONTROL
AS YOU BELIEVE.
1357
01:03:15,576 --> 01:03:18,509
WE'RE TRYING TO COOPERATE
WITH YOUR GOVERNMENT.
1358
01:03:18,578 --> 01:03:21,112
WE CANNOT REGULATE
OUR PEOPLE'S FEELINGS.
1359
01:03:21,181 --> 01:03:23,148
ARE YOU CERTAIN
WHICH SIDE YOU ARE ON?
1360
01:03:23,217 --> 01:03:26,250
I HAVE NO CONVICTION.
I BLOW WITH THE WIND.
1361
01:03:26,319 --> 01:03:29,121
THE PREVAILING WIND
HAPPENS TO BE FROM VICHY.
1362
01:03:29,190 --> 01:03:31,123
AND IF IT SHOULD
CHANGE?
1363
01:03:31,192 --> 01:03:33,959
SURELY THE REICH DOESN'T
ADMIT THAT POSSIBILITY.
1364
01:03:34,028 --> 01:03:36,260
WE'RE CONCERNED ABOUT
MORE THAN CASABLANCA.
1365
01:03:36,329 --> 01:03:38,262
WE KNOW EVERY FRENCH
PROVINCE IN AFRICA
1366
01:03:38,331 --> 01:03:40,265
IS HONEYCOMBED
WITH TRAITORS
1367
01:03:40,334 --> 01:03:43,135
WAITING FOR THEIR CHANCE,
PERHAPS FOR A LEADER.
1368
01:03:43,204 --> 01:03:44,535
A LEADER? LIKE LASZLO?
1369
01:03:44,604 --> 01:03:47,438
IT'S TOO DANGEROUS
IF YOU LET HIM GO.
1370
01:03:47,507 --> 01:03:50,509
IT MAY BE TOO DANGEROUS
IF YOU LET HIM STAY.
1371
01:03:50,578 --> 01:03:51,610
I SEE WHAT YOU MEAN.
1372
01:03:51,679 --> 01:03:54,983
[SPEAKING GERMAN]
1373
01:03:56,416 --> 01:03:57,749
THANK YOU, CARL.
1374
01:03:57,818 --> 01:03:59,351
[SPEAKING GERMAN]
1375
01:03:59,420 --> 01:04:00,746
THANK YOU, CARL.
1376
01:04:00,815 --> 01:04:03,554
CARL, SIT DOWN.
HAVE A BRANDY WITH US.
1377
01:04:03,623 --> 01:04:06,752
TO CELEBRATE OUR LEAVING
FOR AMERICA TOMORROW.
1378
01:04:06,821 --> 01:04:09,160
THANK YOU. I THOUGHT
YOU WOULD ASK ME,
1379
01:04:09,229 --> 01:04:12,765
SO I BROUGHT THE GOOD BRANDY...
AND...A THIRD GLASS.
1380
01:04:12,834 --> 01:04:15,166
AT LAST,
THE DAY IS CAME!
1381
01:04:15,235 --> 01:04:18,169
WE ARE SPEAKING
NOTHING BUT ENGLISH NOW.
1382
01:04:18,238 --> 01:04:21,139
SO WE SHOULD FEEL
AT HOME IN AMERICA.
1383
01:04:21,208 --> 01:04:23,342
VERY NICE IDEA.
HA HA.
1384
01:04:23,411 --> 01:04:24,776
TO AMERICA.
1385
01:04:24,845 --> 01:04:26,545
TO AMERICA.
1386
01:04:26,614 --> 01:04:28,283
TO AMERICA.
1387
01:04:31,251 --> 01:04:35,023
LIEBCHEN, SWEETNESS,
WHAT WATCH?
1388
01:04:36,456 --> 01:04:37,790
10:00 WATCH.
1389
01:04:37,859 --> 01:04:39,327
SUCH MUCH?
1390
01:04:40,260 --> 01:04:43,161
YOU WILL GET ALONG
BEAUTIFULLY IN AMERICA.
1391
01:04:43,230 --> 01:04:45,797
HOW'S LADY LUCK
TREATING YOU?
1392
01:04:45,866 --> 01:04:47,098
OH, TOO BAD.
1393
01:04:47,167 --> 01:04:49,437
YOU'LL FIND HIM
OVER THERE.
1394
01:04:54,875 --> 01:04:57,042
MONSIEUR RICK?
YES.
1395
01:04:57,111 --> 01:04:59,243
COULD I SPEAK
TO YOU, PLEASE?
1396
01:04:59,312 --> 01:05:01,279
HOW DID YOU GET IN HERE?
YOU'RE UNDERAGE.
1397
01:05:01,348 --> 01:05:02,815
I CAME WITH
CAPTAIN RENAULT.
1398
01:05:02,884 --> 01:05:04,816
OH, I SHOULD HAVE
KNOWN.
1399
01:05:04,885 --> 01:05:07,218
MY HUSBAND
IS WITH ME, TOO.
1400
01:05:07,287 --> 01:05:08,821
HE IS? CAPTAIN RENAULT'S
GETTING BROAD-MINDED.
1401
01:05:08,890 --> 01:05:11,222
WILL YOU HAVE A DRINK?
OF COURSE NOT.
1402
01:05:11,291 --> 01:05:13,224
DO YOU MIND IF I DO?
1403
01:05:13,293 --> 01:05:15,828
WHAT KIND OF A MAN
IS CAPTAIN RENAULT?
1404
01:05:15,897 --> 01:05:18,229
LIKE ANY OTHER,
ONLY MORE SO.
1405
01:05:18,298 --> 01:05:21,800
NO, I MEAN, IS HE TRUSTWORTHY?
IS HIS WORD--
1406
01:05:21,869 --> 01:05:24,836
WAIT. WHO TOLD YOU
TO ASK ME THAT?
1407
01:05:24,905 --> 01:05:26,839
HE DID.
CAPTAIN RENAULT DID.
1408
01:05:26,908 --> 01:05:28,173
I THOUGHT SO.
WHERE'S YOUR HUSBAND?
1409
01:05:28,242 --> 01:05:29,540
AT THE ROULETTE TABLE,
1410
01:05:29,609 --> 01:05:33,245
TRYING TO WIN ENOUGH
FOR OUR EXIT VISAS.
1411
01:05:33,314 --> 01:05:35,246
OF COURSE HE'S LOSING.
1412
01:05:35,315 --> 01:05:37,850
HOW LONG HAVE YOU
BEEN MARRIED?
1413
01:05:37,919 --> 01:05:40,251
8 WEEKS.
WE COME FROM BULGARIA.
1414
01:05:40,320 --> 01:05:42,253
THINGS ARE VERY
BAD THERE.
1415
01:05:42,322 --> 01:05:45,256
THE DEVIL HAS THE PEOPLE
BY THE THROAT.
1416
01:05:45,325 --> 01:05:48,727
JAN AND I, WE DO NOT
WANT OUR CHILDREN
1417
01:05:48,796 --> 01:05:51,396
TO GROW UP
IN SUCH A COUNTRY.
1418
01:05:51,465 --> 01:05:53,999
SO YOU DECIDED
TO GO TO AMERICA.
1419
01:05:54,068 --> 01:05:55,666
YES, BUT WE HAVEN'T
MUCH MONEY.
1420
01:05:55,735 --> 01:05:58,269
TRAVELING IS SO EXPENSIVE
AND DIFFICULT.
1421
01:05:58,338 --> 01:06:01,873
IT WAS MUCH MORE
THAN WE THOUGHT TO GET HERE.
1422
01:06:01,942 --> 01:06:03,875
THEN CAPTAIN RENAULT
SEES US.
1423
01:06:03,944 --> 01:06:05,877
HE IS SO KIND.
HE WANTS TO HELP US.
1424
01:06:05,946 --> 01:06:07,345
YES. I'LL BET.
1425
01:06:07,414 --> 01:06:10,749
HE SAYS HE CAN GIVE US
AN EXIT VISA,
1426
01:06:10,818 --> 01:06:12,584
BUT WE HAVE NO MONEY.
1427
01:06:12,653 --> 01:06:14,753
HE KNOWS THAT, AND
HE'S STILL WILLING
1428
01:06:14,822 --> 01:06:16,021
TO GIVE YOU A VISA?
1429
01:06:16,090 --> 01:06:17,021
YES.
1430
01:06:17,090 --> 01:06:18,190
YOU WANT TO KNOW...
1431
01:06:18,259 --> 01:06:20,091
WILL HE KEEP HIS WORD?
1432
01:06:20,160 --> 01:06:22,461
HE ALWAYS HAS.
1433
01:06:22,530 --> 01:06:24,532
OH.
1434
01:06:25,966 --> 01:06:28,762
MONSIEUR,
YOU ARE A MAN.
1435
01:06:28,831 --> 01:06:32,303
IF SOMEONE LOVED YOU
VERY MUCH,
1436
01:06:32,372 --> 01:06:36,174
SO THAT YOUR HAPPINESS WAS
THE ONLY THING THAT SHE WANTED,
1437
01:06:36,243 --> 01:06:40,178
BUT SHE DID A BAD THING
TO MAKE CERTAIN OF IT,
1438
01:06:40,247 --> 01:06:41,775
COULD YOU FORGIVE HER?
1439
01:06:41,844 --> 01:06:43,815
NOBODY EVER LOVED ME
THAT MUCH.
1440
01:06:43,884 --> 01:06:45,216
AND HE NEVER KNEW.
1441
01:06:45,285 --> 01:06:47,419
AND THE GIRL KEPT THIS BAD
THING LOCKED IN HER HEART.
1442
01:06:47,488 --> 01:06:49,854
THAT WOULD BE ALL RIGHT,
WOULDN'T IT?
1443
01:06:49,923 --> 01:06:51,189
YOU WANT MY ADVICE?
1444
01:06:51,258 --> 01:06:52,223
YES, PLEASE.
1445
01:06:52,292 --> 01:06:53,624
GO BACK TO BULGARIA.
1446
01:06:53,693 --> 01:06:56,427
OH, BUT IF YOU KNEW
WHAT IT MEANS TO US
1447
01:06:56,496 --> 01:06:59,197
TO LEAVE EUROPE,
TO GET TO AMERICA!
1448
01:06:59,266 --> 01:07:02,200
OH, BUT IF JAN
SHOULD FIND OUT...
1449
01:07:02,269 --> 01:07:03,601
HE'S SUCH A BOY.
1450
01:07:03,670 --> 01:07:07,172
IN MANY WAYS, I'M SO MUCH
OLDER THAN HE IS.
1451
01:07:07,241 --> 01:07:10,208
YES, WELL, EVERYBODY IN
CASABLANCA HAS PROBLEMS.
1452
01:07:10,277 --> 01:07:12,811
YOURS MAY WORK OUT.
YOU'LL EXCUSE ME.
1453
01:07:12,880 --> 01:07:14,449
THANK YOU, MONSIEUR.
1454
01:07:20,287 --> 01:07:23,221
GOOD EVENING. YOU SEE,
HERE WE ARE AGAIN.
1455
01:07:23,290 --> 01:07:26,658
I TAKE THAT AS A GREAT
COMPLIMENT TO SAM.
1456
01:07:26,727 --> 01:07:30,128
I SUPPOSE HE MEANS PARIS
OF, WELL, HAPPIER DAYS.
1457
01:07:30,197 --> 01:07:31,462
HE DOES.
1458
01:07:31,531 --> 01:07:33,498
COULD WE HAVE A
TABLE NEAR HIM?
1459
01:07:33,567 --> 01:07:36,534
AND AS FAR FROM MAJOR
STRASSER AS POSSIBLE?
1460
01:07:36,603 --> 01:07:39,572
THE GEOGRAPHY MAY BE
DIFFICULT TO ARRANGE.
1461
01:07:39,641 --> 01:07:40,973
PAUL, TABLE 30.
1462
01:07:41,042 --> 01:07:43,375
RIGHT THIS WAY,
IF YOU PLEASE.
1463
01:07:43,444 --> 01:07:46,011
I'LL HAVE SAM PLAY
AS TIME GOES BY.
1464
01:07:46,080 --> 01:07:47,813
I BELIEVE THAT'S
YOUR FAVORITE TUNE.
1465
01:07:47,882 --> 01:07:49,151
THANK YOU.
1466
01:07:54,054 --> 01:07:56,688
[PLAYS AS TIME GOES BY]
1467
01:07:56,757 --> 01:07:58,122
TWO COGNAC, PLEASE.
1468
01:07:58,191 --> 01:07:59,761
COGNAC.
1469
01:08:05,499 --> 01:08:08,266
MARQUONS LES JEUX,MESDAMES ET MESSIEURS.
1470
01:08:08,335 --> 01:08:11,536
LES JEUX SONT FAITS.LA PARTIE CONTINUE.
1471
01:08:11,605 --> 01:08:15,406
MESDAMES ET MESSIEURS,MARQUONS LES JEUX.
1472
01:08:15,475 --> 01:08:17,645
LES JEUX SONT FAITS.
1473
01:08:23,116 --> 01:08:26,284
DO YOU WISH TO PLACE
ANOTHER BET, SIR?
1474
01:08:26,353 --> 01:08:28,419
NO. NO. I GUESS NOT.
1475
01:08:28,488 --> 01:08:30,925
HAVE YOU TRIED
22 TONIGHT?
1476
01:08:31,959 --> 01:08:33,926
I SAID 22.
1477
01:08:33,995 --> 01:08:37,190
MARQUONS LES JEUX.
1478
01:08:37,259 --> 01:08:40,599
LES JEUX SONT FAITS.LA PARTIE CONTINUE.
1479
01:08:40,668 --> 01:08:41,667
FINIS.
1480
01:08:41,736 --> 01:08:44,167
VINGT-DEUX!
1481
01:08:45,773 --> 01:08:47,509
VINGT-DEUX.
1482
01:08:50,010 --> 01:08:51,413
LEAVE IT THERE.
1483
01:08:53,780 --> 01:08:56,948
MARQUONS LES JEUX.LES JEUX SONT FAITS.
1484
01:08:57,017 --> 01:09:00,018
MARQUONS LES JEUX.LA PARTIE CONTINUE.
1485
01:09:00,087 --> 01:09:02,555
LES JEUX SONT FAITS.
1486
01:09:02,624 --> 01:09:04,322
FINIS.
1487
01:09:04,391 --> 01:09:06,157
VINGT-DEUX!
1488
01:09:06,226 --> 01:09:09,061
CASH IT IN,
AND DON'T COME BACK.
1489
01:09:09,130 --> 01:09:10,528
FINIS.
1490
01:09:10,597 --> 01:09:13,598
ARE YOU SURE
THIS PLACE IS HONEST?
1491
01:09:13,667 --> 01:09:16,838
HONEST? AS HONEST
AS THE DAY IS LONG!
1492
01:09:18,372 --> 01:09:20,472
HOW ARE WE
DOING TONIGHT?
1493
01:09:20,541 --> 01:09:22,474
A COUPLE
OF THOUSAND LESS
1494
01:09:22,543 --> 01:09:25,076
THAN I THOUGHT
THERE WOULD BE.
1495
01:09:25,145 --> 01:09:26,714
[SPEAKING FRENCH]
1496
01:09:28,282 --> 01:09:30,582
MONSIEUR RICK...I...
1497
01:09:30,651 --> 01:09:32,720
I...OH!
1498
01:09:35,884 --> 01:09:38,623
JUST A LUCKY GUY.
1499
01:09:38,692 --> 01:09:41,827
MONSIEUR RICK, MAY I
GET YOU A CUP OF COFFEE?
1500
01:09:41,896 --> 01:09:43,228
NO, THANKS, CARL.
1501
01:09:43,297 --> 01:09:45,228
MONSIEUR RICK...
1502
01:09:47,500 --> 01:09:49,968
CAPTAIN RENAULT,
MAY I GIVE YOU--
1503
01:09:50,037 --> 01:09:51,369
NOT HERE, PLEASE.
1504
01:09:51,438 --> 01:09:53,137
COME TO MY OFFICE
IN THE MORNING.
1505
01:09:53,206 --> 01:09:54,405
WE'LL DO EVERYTHING
BUSINESSLIKE.
1506
01:09:54,474 --> 01:09:56,241
WE'LL BE THERE AT 6:00.
1507
01:09:56,310 --> 01:09:57,976
I'LL BE THERE
AT 10:00.
1508
01:09:58,045 --> 01:09:59,377
I'M HAPPY
FOR BOTH YOU.
1509
01:09:59,446 --> 01:10:01,645
IT'S VERY STRANGE
THAT YOU WON.
1510
01:10:01,714 --> 01:10:04,650
MAYBE NOT SO STRANGE.
SEE YOU TOMORROW.
1511
01:10:04,719 --> 01:10:06,218
THANK YOU,
CAPTAIN RENAULT.
1512
01:10:06,287 --> 01:10:09,120
NO! IS IT TRUE?
1513
01:10:09,189 --> 01:10:12,360
[SPEAKING RUSSIAN]
1514
01:10:13,593 --> 01:10:16,364
BOSS, YOU'VE DONE
A BEAUTIFUL THING!
1515
01:10:17,597 --> 01:10:19,767
GO AWAY,
YOU CRAZY RUSSIAN.
1516
01:10:28,609 --> 01:10:31,744
AS I SUSPECTED,
YOU'RE A RANK SENTIMENTALIST.
1517
01:10:31,813 --> 01:10:32,944
YEAH. WHY?
1518
01:10:33,013 --> 01:10:36,147
WHY DO YOU INTERFERE
WITH MY LITTLE ROMANCES?
1519
01:10:36,216 --> 01:10:39,150
PUT IT DOWN
AS A GESTURE TO LOVE.
1520
01:10:39,219 --> 01:10:40,551
I'LL FORGIVE YOU
THIS TIME,
1521
01:10:40,620 --> 01:10:43,555
BUT I'LL BE IN TOMORROW
WITH A BREATHTAKING BLONDE,
1522
01:10:43,624 --> 01:10:46,794
AND IT'LL MAKE ME
VERY HAPPY IF SHE LOSES.
1523
01:10:47,861 --> 01:10:51,897
MONSIEUR BLAINE, I WONDER
IF I COULD TALK TO YOU.
1524
01:10:51,966 --> 01:10:53,298
GO AHEAD.
1525
01:10:53,367 --> 01:10:55,699
WELL, ISN'T THERE
SOME OTHER PLACE?
1526
01:10:55,768 --> 01:10:58,903
IT'S RATHER CONFIDENTIAL,
WHAT I HAVE TO SAY.
1527
01:10:58,972 --> 01:11:00,306
IN MY OFFICE.
1528
01:11:00,375 --> 01:11:01,572
ALL RIGHT.
1529
01:11:01,641 --> 01:11:04,575
IT'S VERY IMPORTANT
I GET OUT OF CASABLANCA.
1530
01:11:04,644 --> 01:11:08,581
I AM ONE OF THE LEADERS
OF A GREAT MOVEMENT.
1531
01:11:08,650 --> 01:11:11,183
YOU KNOW WHAT IT MEANS
1532
01:11:11,252 --> 01:11:13,986
TO THE LIVES OF
THOUSANDS OF PEOPLE
1533
01:11:14,055 --> 01:11:16,987
THAT I REACH AMERICA
AND CONTINUE MY WORK.
1534
01:11:17,056 --> 01:11:20,459
THE PROBLEMS OF THE WORLD
AREN'T IN MY DEPARTMENT.
1535
01:11:20,528 --> 01:11:22,193
I'M A SALOON KEEPER.
1536
01:11:22,262 --> 01:11:23,461
MY FRIENDS
IN THE UNDERGROUND
1537
01:11:23,530 --> 01:11:25,063
TELL ME YOU'VE
QUITE A RECORD.
1538
01:11:25,132 --> 01:11:27,065
YOU RAN GUNS
TO ETHIOPIA,
1539
01:11:27,134 --> 01:11:29,134
YOU FOUGHT
FASCISTS IN SPAIN.
1540
01:11:29,203 --> 01:11:30,701
WHAT OF IT?
1541
01:11:30,770 --> 01:11:32,437
ISN'T IT STRANGE
THAT YOU'RE ALWAYS
1542
01:11:32,506 --> 01:11:34,039
FIGHTING ON THE SIDE
OF THE UNDERDOG?
1543
01:11:34,108 --> 01:11:35,974
YES. I FOUND THAT
AN EXPENSIVE HOBBY, TOO,
1544
01:11:36,043 --> 01:11:38,476
BUT I NEVER WAS
MUCH OF A BUSINESSMAN.
1545
01:11:38,545 --> 01:11:41,479
WOULD YOU APPRECIATE AN
OFFER OF 100,000 FRANCS?
1546
01:11:41,548 --> 01:11:44,082
YES, I'D APPRECIATE IT,
BUT I DON'T ACCEPT IT.
1547
01:11:44,151 --> 01:11:45,316
200,000.
1548
01:11:45,385 --> 01:11:48,219
YOU COULD MAKE IT
A MILLION OR 3.
1549
01:11:48,288 --> 01:11:50,255
MY ANSWER WOULD BE
THE SAME.
1550
01:11:50,324 --> 01:11:51,589
THERE MUST BE
SOME REASON
1551
01:11:51,658 --> 01:11:54,220
WHY YOU WON'T
LET ME HAVE THEM.
1552
01:11:54,289 --> 01:11:56,227
THERE IS. I SUGGEST
YOU ASK YOUR WIFE.
1553
01:11:56,296 --> 01:11:57,630
I BEG YOUR PARDON.
1554
01:11:57,699 --> 01:11:59,431
I SAID ASK YOUR WIFE.
1555
01:11:59,500 --> 01:12:00,966
MY WIFE?
1556
01:12:01,035 --> 01:12:02,367
YES.
1557
01:12:02,436 --> 01:12:04,639
[SINGING
DIE WACHT AM RHEIN]
1558
01:12:42,143 --> 01:12:44,879
PLAY LA MARSEILLAISE.
PLAY IT.
1559
01:12:48,749 --> 01:12:52,650
♪ ALLONS,ENFANTS DE LA PATRIE ♪
1560
01:12:52,719 --> 01:12:56,554
♪ LE JOUR DE GLOIREEST ARRIVE ♪
1561
01:12:56,623 --> 01:13:00,691
♪ CONTRE NOUSDE LA TYRANNIE ♪
1562
01:13:00,760 --> 01:13:04,562
♪ L'ETENDARD SANGLANTEST LEVE ♪
1563
01:13:04,631 --> 01:13:08,566
♪ L'ETENDARDSANGLANT EST LEVE ♪
1564
01:13:08,635 --> 01:13:12,570
♪ ENTENDEZ-VOUS,DANS LES CAMPAGNES ♪
1565
01:13:12,639 --> 01:13:16,574
♪ MUGIRCES FEROCES SOLDATS? ♪
1566
01:13:16,643 --> 01:13:20,144
♪ ILS VIENNENTJUSQUE DANS NOS BRAS ♪
1567
01:13:20,213 --> 01:13:24,750
♪ EGORGER NOS FILSET NOS COMPAGNES ♪
1568
01:13:24,819 --> 01:13:28,286
♪ AUX ARMES, CITOYENS! ♪
1569
01:13:28,355 --> 01:13:32,591
♪ FORMEZ VOS BATAILLONS! ♪
1570
01:13:32,660 --> 01:13:34,526
♪ MARCHONS! ♪
1571
01:13:34,595 --> 01:13:36,728
♪ MARCHONS! ♪
1572
01:13:36,797 --> 01:13:40,398
♪ QU'UN SANG IMPUR ♪
1573
01:13:40,467 --> 01:13:44,702
♪ ABREUVE NOS SILLONS! ♪
1574
01:13:44,771 --> 01:13:47,940
VIVE LA FRANCE!VIVE LA DEMOCRATIE!
1575
01:13:48,009 --> 01:13:50,741
[CHEERING]
1576
01:13:50,810 --> 01:13:54,616
VIVE LA FRANCE!VIVE LA DEMOCRATIE!
1577
01:13:59,219 --> 01:14:01,754
IF LASZLO'S PRESENCE
IN A CAFE CAN INSPIRE
1578
01:14:01,823 --> 01:14:03,754
THIS UNFORTUNATE
DEMONSTRATION,
1579
01:14:03,823 --> 01:14:07,158
WHAT MORE WILL HIS PRESENCE
IN CASABLANCA BRING ON?
1580
01:14:07,227 --> 01:14:10,161
I ADVISE THAT THIS PLACE
BE SHUT UP AT ONCE.
1581
01:14:10,230 --> 01:14:11,763
BUT EVERYBODY'S HAVING
SUCH A GOOD TIME.
1582
01:14:11,832 --> 01:14:14,332
YES, MUCH TOO GOOD.
CLOSE THE PLACE.
1583
01:14:14,401 --> 01:14:16,234
BUT I HAVE NO EXCUSE
TO CLOSE IT.
1584
01:14:16,303 --> 01:14:17,872
FIND ONE.
1585
01:14:19,239 --> 01:14:21,073
SANTE.
1586
01:14:21,142 --> 01:14:21,973
[BLOWS WHISTLE]
1587
01:14:22,042 --> 01:14:24,009
EVERYBODY IS TO
LEAVE IMMEDIATELY!
1588
01:14:24,078 --> 01:14:27,478
THIS CAFE IS CLOSED
UNTIL FURTHER NOTICE!
1589
01:14:27,547 --> 01:14:29,851
CLEAR THE ROOM AT ONCE!
1590
01:14:31,685 --> 01:14:34,318
HOW CAN HE CLOSE ME UP?
ON WHAT GROUNDS?
1591
01:14:34,387 --> 01:14:36,788
I'M SHOCKED TO FIND
GAMBLING GOING ON HERE!
1592
01:14:36,857 --> 01:14:38,389
YOUR WINNINGS, SIR.
1593
01:14:38,458 --> 01:14:40,523
OH, THANK YOU.
EVERYBODY OUT!
1594
01:14:42,695 --> 01:14:44,523
MADEMOISELLE, AFTER
THIS DISTURBANCE,
1595
01:14:44,592 --> 01:14:47,799
IT ISN'T SAFE FOR LASZLO
TO STAY IN CASABLANCA.
1596
01:14:47,868 --> 01:14:49,400
THIS MORNING YOU IMPLIED
1597
01:14:49,469 --> 01:14:51,803
IT WASN'T SAFE
FOR HIM TO LEAVE.
1598
01:14:51,872 --> 01:14:53,405
TRUE, EXCEPT
FOR ONE DESTINATION.
1599
01:14:53,474 --> 01:14:55,007
TO RETURN
TO OCCUPIED FRANCE--
1600
01:14:55,076 --> 01:14:56,340
OCCUPIED FRANCE?
1601
01:14:56,409 --> 01:14:57,609
UNDER A SAFE
CONDUCT FROM ME.
1602
01:14:57,678 --> 01:14:59,910
WHAT VALUE IS THAT?
YOU MAY RECALL
1603
01:14:59,979 --> 01:15:01,947
WHAT GERMAN GUARANTEES
HAVE BEEN WORTH IN THE PAST.
1604
01:15:02,016 --> 01:15:04,148
THERE ARE ONLY
2 ALTERNATIVES.
1605
01:15:04,217 --> 01:15:05,483
WHAT ARE THEY?
1606
01:15:05,552 --> 01:15:07,018
IT IS POSSIBLE
THE FRENCH AUTHORITIES
1607
01:15:07,087 --> 01:15:09,555
COULD PUT HIM IN
A CONCENTRATION CAMP.
1608
01:15:09,624 --> 01:15:11,156
THE OTHER ALTERNATIVE?
1609
01:15:11,225 --> 01:15:12,357
MY DEAR MADEMOISELLE,
1610
01:15:12,426 --> 01:15:13,959
PERHAPS YOU HAVE
ALREADY OBSERVED
1611
01:15:14,028 --> 01:15:16,962
THAT IN CASABLANCA
HUMAN LIFE IS CHEAP.
1612
01:15:17,031 --> 01:15:18,800
GOOD NIGHT,
MADEMOISELLE.
1613
01:15:20,634 --> 01:15:22,137
GARCON?
1614
01:15:27,641 --> 01:15:29,574
WHAT HAPPENED
WITH RICK?
1615
01:15:29,643 --> 01:15:31,813
WE'LL DISCUSS IT
LATER.
1616
01:15:52,627 --> 01:15:55,000
OUR FAITHFUL FRIEND
IS STILL THERE.
1617
01:15:55,069 --> 01:15:57,701
VICTOR,
PLEASE DON'T GO
1618
01:15:57,770 --> 01:15:59,104
TO THE UNDERGROUND
MEETING TONIGHT.
1619
01:15:59,173 --> 01:16:01,106
I MUST. BESIDES,
IT ISN'T OFTEN
1620
01:16:01,175 --> 01:16:03,609
A MAN CAN DISPLAY HEROICS
BEFORE HIS WIFE.
1621
01:16:03,678 --> 01:16:04,976
DON'T JOKE.
1622
01:16:05,045 --> 01:16:06,612
AFTER MAJOR STRASSER'S
WARNING TONIGHT,
1623
01:16:06,681 --> 01:16:08,013
I AM FRIGHTENED.
1624
01:16:08,082 --> 01:16:11,016
TO TELL YOU THE TRUTH,
I'M FRIGHTENED, TOO.
1625
01:16:11,085 --> 01:16:14,019
SHALL I REMAIN HERE
IN A HOTEL ROOM, HIDING,
1626
01:16:14,088 --> 01:16:16,020
OR SHALL I CARRY ON
THE BEST I CAN?
1627
01:16:16,089 --> 01:16:18,023
WHATEVER I'D SAY,
YOU'D CARRY ON.
1628
01:16:18,092 --> 01:16:21,026
TELL ME ABOUT RICK.
WHAT DID YOU FIND OUT?
1629
01:16:21,095 --> 01:16:23,229
APPARENTLY
HE HAS THE LETTERS.
1630
01:16:23,298 --> 01:16:24,162
YES?
1631
01:16:24,231 --> 01:16:26,131
BUT NO INTENTION
OF SELLING THEM.
1632
01:16:26,200 --> 01:16:28,667
ONE WOULD THINK IF SENTIMENT
WOULDN'T PERSUADE HIM,
1633
01:16:28,736 --> 01:16:30,634
MONEY WOULD.
1634
01:16:30,703 --> 01:16:33,232
DID HE GIVE YOU
ANY REASON?
1635
01:16:33,301 --> 01:16:35,240
HE SUGGESTED
I ASK YOU.
1636
01:16:35,309 --> 01:16:36,641
ASK ME?
1637
01:16:36,710 --> 01:16:38,643
YES, HE SAID,
"ASK YOUR WIFE."
1638
01:16:38,712 --> 01:16:41,883
I DON'T KNOW
WHY HE SAID THAT.
1639
01:16:51,124 --> 01:16:55,060
OUR FRIEND OUTSIDE WILL THINK
WE HAVE RETIRED BY NOW.
1640
01:16:55,129 --> 01:16:58,300
I'LL BE GOING
IN A FEW MINUTES.
1641
01:17:00,735 --> 01:17:02,268
ILSA, I--
1642
01:17:02,337 --> 01:17:03,668
YES?
1643
01:17:03,737 --> 01:17:06,672
WHEN I WAS IN
THE CONCENTRATION CAMP,
1644
01:17:06,741 --> 01:17:08,910
WERE YOU LONELY
IN PARIS?
1645
01:17:11,345 --> 01:17:13,078
YES, VICTOR, I WAS.
1646
01:17:13,147 --> 01:17:16,318
I KNOW HOW IT IS
TO BE LONELY.
1647
01:17:17,745 --> 01:17:20,922
IS THERE ANYTHING
YOU WISH TO TELL ME?
1648
01:17:22,756 --> 01:17:24,926
NO, VICTOR,
THERE ISN'T.
1649
01:17:27,761 --> 01:17:31,033
I LOVE YOU VERY MUCH,
MY DEAR.
1650
01:17:33,367 --> 01:17:34,700
YES.
1651
01:17:34,769 --> 01:17:36,471
YES, I KNOW.
1652
01:17:37,772 --> 01:17:39,705
VICTOR, WHATEVER I DO,
1653
01:17:39,774 --> 01:17:42,107
WILL YOU BELIEVE
THAT I--THAT--
1654
01:17:42,176 --> 01:17:45,948
YOU DON'T EVEN HAVE
TO SAY IT. I'LL BELIEVE.
1655
01:17:47,375 --> 01:17:48,951
GOOD NIGHT, DEAR.
1656
01:17:50,383 --> 01:17:51,954
GOOD NIGHT.
1657
01:17:58,793 --> 01:18:00,326
VICTOR.
1658
01:18:00,395 --> 01:18:01,829
YES, DEAR?
1659
01:18:06,800 --> 01:18:08,370
BE CAREFUL.
1660
01:18:09,802 --> 01:18:11,974
OF COURSE
I'LL BE CAREFUL.
1661
01:18:53,247 --> 01:18:56,782
WELL, YOU ARE IN PRETTY
GOOD SHAPE, HERR RICK.
1662
01:18:56,851 --> 01:18:59,785
HOW LONG CAN I
AFFORD TO STAY CLOSED?
1663
01:18:59,854 --> 01:19:01,586
2 WEEKS, MAYBE 3.
1664
01:19:01,655 --> 01:19:05,790
MAYBE I WON'T HAVE TO.
A BRIBE HAS WORKED BEFORE.
1665
01:19:05,859 --> 01:19:07,793
IN THE MEANTIME, EVERYBODY
STAYS ON SALARY.
1666
01:19:07,862 --> 01:19:08,927
THANK YOU.
1667
01:19:08,996 --> 01:19:11,796
SACHA WILL BE HAPPY.
I OWE HIM MONEY.
1668
01:19:11,865 --> 01:19:14,198
FINISH LOCKING UP,
WILL YOU, CARL?
1669
01:19:14,267 --> 01:19:17,201
YES. THEN I AM GOING
TO THE MEETING OF--
1670
01:19:17,270 --> 01:19:19,804
DON'T TELL ME
WHERE YOU'RE GOING.
1671
01:19:19,873 --> 01:19:21,407
I WON'T.
1672
01:19:21,476 --> 01:19:22,808
GOOD NIGHT.
1673
01:19:22,877 --> 01:19:25,047
GOOD NIGHT, MR. RICK.
1674
01:19:40,561 --> 01:19:42,227
HOW DID YOU GET IN?
1675
01:19:42,296 --> 01:19:44,229
THE STAIRS
FROM THE STREET.
1676
01:19:44,298 --> 01:19:46,230
I TOLD YOU THIS MORNING
YOU'D COME AROUND,
1677
01:19:46,299 --> 01:19:48,834
BUT THIS IS AHEAD
OF SCHEDULE. SIT DOWN.
1678
01:19:48,903 --> 01:19:51,236
RICHARD, I HAD TO
SEE YOU.
1679
01:19:51,305 --> 01:19:53,637
OH, IT'S RICHARD AGAIN.
WE'RE BACK IN PARIS.
1680
01:19:53,706 --> 01:19:57,241
IS YOUR VISIT ISN'T CONNECTED
WITH THE LETTERS OF TRANSIT?
1681
01:19:57,310 --> 01:20:00,578
AS LONG AS I HAVE THOSE,
I'LL NEVER BE LONELY.
1682
01:20:00,647 --> 01:20:03,415
ASK ANY PRICE, BUT I
MUST HAVE THOSE LETTERS.
1683
01:20:03,484 --> 01:20:06,218
I WENT THROUGH THAT
WITH YOUR HUSBAND. NO DEAL.
1684
01:20:06,287 --> 01:20:09,354
I'M ASKING YOU TO
PUT YOUR FEELINGS ASIDE
1685
01:20:09,423 --> 01:20:11,556
FOR SOMETHING
MORE IMPORTANT.
1686
01:20:11,625 --> 01:20:12,957
DO I HAVE TO
HEAR AGAIN
1687
01:20:13,026 --> 01:20:14,960
WHAT A GREAT MAN
YOUR HUSBAND IS,
1688
01:20:15,029 --> 01:20:16,962
WHAT AN IMPORTANT CAUSE
HE'S FIGHTING FOR?
1689
01:20:17,031 --> 01:20:18,496
IT WAS YOUR CAUSE,
TOO. IN YOUR WAY,
1690
01:20:18,565 --> 01:20:20,464
YOU WERE FIGHTING
FOR THE SAME THING.
1691
01:20:20,533 --> 01:20:23,368
I'M NOT FIGHTING FOR ANYTHING
ANYMORE EXCEPT MYSELF.
1692
01:20:23,437 --> 01:20:26,174
I'M THE ONLY CAUSE
I'M INTERESTED IN.
1693
01:20:30,177 --> 01:20:33,511
RICHARD, WE LOVED
EACH OTHER ONCE.
1694
01:20:33,580 --> 01:20:35,980
IF THOSE DAYS MEANT
ANYTHING AT ALL TO YOU--
1695
01:20:36,049 --> 01:20:38,983
I WOULDN'T BRING UP PARIS.
IT'S POOR SALESMANSHIP.
1696
01:20:39,052 --> 01:20:40,579
PLEASE LISTEN TO ME.
1697
01:20:40,648 --> 01:20:42,387
IF YOU ONLY
KNEW THE TRUTH.
1698
01:20:42,456 --> 01:20:45,389
I WOULDN'T BELIEVE YOU,
NO MATTER WHAT YOU SAID.
1699
01:20:45,458 --> 01:20:48,230
YOU'D SAY ANYTHING
TO GET WHAT YOU WANT.
1700
01:20:51,332 --> 01:20:53,965
YOU WANT TO FEEL SORRY
FOR YOURSELF, DON'T YOU?
1701
01:20:54,034 --> 01:20:56,068
THERE'S SO MUCH
AT STAKE.
1702
01:20:56,137 --> 01:20:58,203
ALL YOU THINK OF
IS YOUR OWN FEELING.
1703
01:20:58,272 --> 01:21:00,204
ONE WOMAN HAS HURT YOU,
1704
01:21:00,273 --> 01:21:03,507
AND YOU TAKE YOUR REVENGE
ON THE WHOLE WORLD.
1705
01:21:03,576 --> 01:21:06,448
YOU'RE A COWARD
AND A WEAKLING.
1706
01:21:08,281 --> 01:21:10,215
NO. NO, RICHARD.
I'M SORRY.
1707
01:21:10,284 --> 01:21:15,087
I'M SORRY, BUT YOU
ARE OUR LAST HOPE.
1708
01:21:15,156 --> 01:21:16,487
IF YOU DON'T HELP US,
1709
01:21:16,556 --> 01:21:18,423
VICTOR LASZLO
WILL DIE IN CASABLANCA.
1710
01:21:18,492 --> 01:21:21,693
WHAT OF IT? I'M GOING
TO DIE IN CASABLANCA.
1711
01:21:21,762 --> 01:21:23,926
IT'S A GOOD SPOT FOR IT.
1712
01:21:29,170 --> 01:21:31,206
NOW, IF YOU--
1713
01:21:32,305 --> 01:21:35,840
ALL RIGHT, I TRIED
TO REASON WITH YOU.
1714
01:21:35,909 --> 01:21:38,010
I TRIED EVERYTHING.
1715
01:21:38,079 --> 01:21:39,612
NOW I WANT
THOSE LETTERS.
1716
01:21:39,681 --> 01:21:40,979
GET THEM FOR ME.
1717
01:21:41,048 --> 01:21:43,218
I DON'T HAVE TO.
I GOT THEM RIGHT HERE.
1718
01:21:44,785 --> 01:21:47,453
PUT THEM ON THE TABLE.
1719
01:21:47,522 --> 01:21:49,320
NO.
1720
01:21:49,389 --> 01:21:52,523
FOR THE LAST TIME,
PUT THEM ON THE TABLE.
1721
01:21:52,592 --> 01:21:55,728
IF LASZLO AND THE CAUSE
MEAN SO MUCH,
1722
01:21:55,797 --> 01:21:57,929
YOU WON'T STOP AT ANYTHING.
1723
01:21:57,998 --> 01:22:01,503
ALL RIGHT. I'LL
MAKE IT EASIER FOR YOU.
1724
01:22:03,070 --> 01:22:05,003
GO AHEAD AND SHOOT.
1725
01:22:05,072 --> 01:22:07,642
YOU'LL BE
DOING ME A FAVOR.
1726
01:22:11,946 --> 01:22:13,278
RICHARD.
1727
01:22:13,347 --> 01:22:16,281
I TRIED TO STAY AWAY.
1728
01:22:16,350 --> 01:22:19,885
I THOUGHT I WOULD
NEVER SEE YOU AGAIN,
1729
01:22:19,954 --> 01:22:23,125
THAT YOU WERE
OUT OF MY LIFE.
1730
01:22:43,376 --> 01:22:46,009
THE DAY
YOU LEFT PARIS...
1731
01:22:47,248 --> 01:22:50,181
IF YOU KNEW WHAT
I WENT THROUGH.
1732
01:22:50,250 --> 01:22:53,184
IF YOU KNEW HOW MUCH
I LOVED YOU.
1733
01:22:53,253 --> 01:22:57,292
HOW MUCH
I STILL LOVE YOU.
1734
01:23:11,005 --> 01:23:12,437
AND THEN?
1735
01:23:12,506 --> 01:23:15,473
IT WASN'T LONG
AFTER WE WERE MARRIED
1736
01:23:15,542 --> 01:23:18,076
THAT VICTOR WENT BACK
TO CZECHOSLOVAKIA.
1737
01:23:18,145 --> 01:23:20,078
THEY NEEDED HIM
IN PRAGUE,
1738
01:23:20,147 --> 01:23:22,480
BUT THERE THE GESTAPO
WERE WAITING FOR HIM.
1739
01:23:22,549 --> 01:23:24,015
JUST A 2-LINE ITEM
IN THE PAPER,
1740
01:23:24,084 --> 01:23:25,083
"VICTOR LASZLO
APPREHENDED.
1741
01:23:25,152 --> 01:23:27,218
SENT TO
CONCENTRATION CAMP."
1742
01:23:27,287 --> 01:23:28,821
I WAS FRANTIC.
1743
01:23:28,890 --> 01:23:31,823
FOR MONTHS
I TRIED TO GET WORD.
1744
01:23:31,892 --> 01:23:33,091
THEN IT CAME.
1745
01:23:33,160 --> 01:23:36,094
HE WAS DEAD--
SHOT TRYING TO ESCAPE.
1746
01:23:36,163 --> 01:23:38,029
I WAS LONELY.
I HAD NOTHING--
1747
01:23:38,098 --> 01:23:39,698
NOT EVEN HOPE.
1748
01:23:39,767 --> 01:23:41,266
THEN I MET YOU.
1749
01:23:41,335 --> 01:23:43,234
WHY WEREN'T YOU
HONEST WITH ME?
1750
01:23:43,303 --> 01:23:46,237
WHY DID YOU KEEP
YOUR MARRIAGE A SECRET?
1751
01:23:46,306 --> 01:23:47,472
IT WASN'T MY SECRET.
1752
01:23:47,541 --> 01:23:49,240
VICTOR WANTED IT
THAT WAY.
1753
01:23:49,309 --> 01:23:50,808
OUR CLOSEST FRIENDS
DIDN'T KNOW.
1754
01:23:50,877 --> 01:23:54,512
HE WANTED TO PROTECT ME.
I KNEW ABOUT HIS WORK.
1755
01:23:54,581 --> 01:23:56,848
IF THE GESTAPO KNEW
I WAS HIS WIFE,
1756
01:23:56,917 --> 01:23:58,150
IT WOULD BE DANGEROUS
FOR ME
1757
01:23:58,219 --> 01:23:59,517
AND FOR THOSE
WORKING WITH US.
1758
01:23:59,586 --> 01:24:02,721
WHEN DID YOU FIRST
FIND OUT HE WAS ALIVE?
1759
01:24:02,790 --> 01:24:04,522
JUST BEFORE YOU AND I
1760
01:24:04,591 --> 01:24:06,524
WERE TO
LEAVE PARIS TOGETHER.
1761
01:24:06,593 --> 01:24:09,127
A FRIEND TOLD ME
VICTOR WAS ALIVE.
1762
01:24:09,196 --> 01:24:10,996
THEY WERE HIDING HIM
IN A FREIGHT CAR
1763
01:24:11,065 --> 01:24:12,998
ON THE OUTSKIRTS
OF PARIS.
1764
01:24:13,067 --> 01:24:14,994
HE WAS SICK.
HE NEEDED ME.
1765
01:24:15,063 --> 01:24:18,403
I WANTED TO TELL YOU,
BUT I DIDN'T DARE.
1766
01:24:18,472 --> 01:24:21,406
I KNEW YOU WOULDN'T
HAVE LEFT PARIS
1767
01:24:21,475 --> 01:24:24,409
AND THE GESTAPO
WOULD HAVE CAUGHT YOU.
1768
01:24:24,478 --> 01:24:27,649
SO I...WELL,
YOU KNOW THE REST.
1769
01:24:29,883 --> 01:24:33,018
WELL, IT'S STILL
A STORY WITHOUT AN ENDING.
1770
01:24:33,087 --> 01:24:34,987
WHAT ABOUT NOW?
1771
01:24:35,056 --> 01:24:36,755
NOW?
1772
01:24:36,824 --> 01:24:38,156
I DON'T KNOW.
1773
01:24:38,225 --> 01:24:41,760
I KNOW THAT I'LL NEVER
HAVE THE STRENGTH
1774
01:24:41,829 --> 01:24:43,161
TO LEAVE YOU AGAIN.
1775
01:24:43,230 --> 01:24:45,396
AND LASZLO?
1776
01:24:45,465 --> 01:24:47,165
YOU'LL HELP HIM,
WON'T YOU?
1777
01:24:47,234 --> 01:24:49,067
YOU'LL SEE
THAT HE GETS OUT.
1778
01:24:49,136 --> 01:24:50,435
THEN HE'LL HAVE
HIS WORK--
1779
01:24:50,504 --> 01:24:52,771
ALL THAT HE'S
BEEN LIVING FOR.
1780
01:24:52,840 --> 01:24:54,172
ALL EXCEPT ONE.
1781
01:24:54,241 --> 01:24:56,778
HE WON'T HAVE YOU.
1782
01:24:58,913 --> 01:25:01,446
I CAN'T FIGHT IT
ANYMORE.
1783
01:25:01,515 --> 01:25:04,048
I RAN AWAY
FROM YOU ONCE.
1784
01:25:04,117 --> 01:25:06,288
I CAN'T DO IT AGAIN.
1785
01:25:07,654 --> 01:25:10,588
I DON'T KNOW
WHAT'S RIGHT ANY LONGER.
1786
01:25:10,657 --> 01:25:13,792
YOU HAVE TO THINK
FOR BOTH OF US,
1787
01:25:13,861 --> 01:25:15,830
FOR ALL OF US.
1788
01:25:19,266 --> 01:25:20,799
ALL RIGHT.
1789
01:25:20,868 --> 01:25:22,437
I WILL.
1790
01:25:25,538 --> 01:25:27,842
HERE'S LOOKING
AT YOU, KID.
1791
01:25:29,410 --> 01:25:32,580
I WISH I DIDN'T
LOVE YOU SO MUCH.
1792
01:25:45,026 --> 01:25:46,758
I THINK
WE LOST THEM.
1793
01:25:46,827 --> 01:25:49,962
YES. I'M AFRAID THEY CAUGHT
SOME OF THE OTHERS.
1794
01:25:50,031 --> 01:25:51,599
COME INSIDE.
COME.
1795
01:25:54,067 --> 01:25:55,968
COME, MR. LASZLO.
1796
01:25:56,037 --> 01:25:59,237
I WILL HELP YOU...
IMMEDIATELY.
1797
01:25:59,306 --> 01:26:00,542
THANK YOU.
1798
01:26:02,844 --> 01:26:05,347
[VOICES]
1799
01:26:19,193 --> 01:26:20,525
CARL, WHAT HAPPENED?
1800
01:26:20,594 --> 01:26:23,528
THE POLICE BREAK UP
OUR MEETING, HERR RICK.
1801
01:26:23,597 --> 01:26:25,864
WE ESCAPED
IN THE LAST MOMENT.
1802
01:26:25,933 --> 01:26:27,265
COME UP HERE.
1803
01:26:27,334 --> 01:26:29,668
TURN OUT THE LIGHT
IN THE REAR ENTRANCE.
1804
01:26:29,737 --> 01:26:31,269
IT MIGHT
ATTRACT THE POLICE.
1805
01:26:31,338 --> 01:26:32,838
SACHA ALWAYS
PUTS IT OUT.
1806
01:26:32,907 --> 01:26:33,972
TONIGHT HE FORGOT.
1807
01:26:34,041 --> 01:26:36,411
I WILL DO IT.
1808
01:26:43,245 --> 01:26:46,218
I WANT YOU
TO TAKE MISS LUND HOME.
1809
01:26:46,287 --> 01:26:47,455
YES, SIR.
1810
01:26:57,564 --> 01:26:59,497
IT'S NOTHING.
JUST A LITTLE CUT.
1811
01:26:59,566 --> 01:27:01,634
WE HAD TO GET
THROUGH A WINDOW.
1812
01:27:01,703 --> 01:27:03,836
THIS MIGHT
COME IN HANDY.
1813
01:27:03,905 --> 01:27:05,236
THANK YOU.
1814
01:27:05,305 --> 01:27:07,238
HAD A CLOSE ONE, EH?
1815
01:27:07,307 --> 01:27:09,374
YES, RATHER.
1816
01:27:09,443 --> 01:27:12,778
DON'T YOU SOMETIMES WONDER
IF IT'S WORTH ALL THIS?
1817
01:27:12,847 --> 01:27:15,647
I MEAN, WHAT
YOU'RE FIGHTING FOR.
1818
01:27:15,716 --> 01:27:18,249
YOU MIGHT AS WELL QUESTION
WHY WE BREATHE.
1819
01:27:18,318 --> 01:27:20,518
IF WE STOP BREATHING,
WE'LL DIE.
1820
01:27:20,587 --> 01:27:22,921
IF WE STOP FIGHTING OUR
ENEMIES, THE WORLD WILL DIE.
1821
01:27:22,990 --> 01:27:25,123
WHAT OF IT? IT'LL BE
OUT OF ITS MISERY.
1822
01:27:25,192 --> 01:27:26,524
YOU KNOW HOW YOU SOUND?
1823
01:27:26,593 --> 01:27:29,527
LIKE A MAN TRYING TO CONVINCE
HIMSELF OF SOMETHING
1824
01:27:29,596 --> 01:27:32,497
HE DOESN'T BELIEVE
IN HIS HEART.
1825
01:27:32,566 --> 01:27:36,134
EACH OF US HAS A DESTINY--
FOR GOOD OR EVIL.
1826
01:27:36,203 --> 01:27:37,536
I GET THE POINT.
1827
01:27:37,605 --> 01:27:38,936
I WONDER IF YOU DO.
1828
01:27:39,005 --> 01:27:42,140
DO YOU KNOW YOU'RE TRYING
TO ESCAPE FROM YOURSELF?
1829
01:27:42,209 --> 01:27:43,574
YOU'LL NEVER SUCCEED.
1830
01:27:43,643 --> 01:27:46,644
YOU SEEM TO KNOW
ALL ABOUT MY DESTINY.
1831
01:27:46,713 --> 01:27:50,648
I KNOW A GOOD DEAL MORE
ABOUT YOU THAN YOU SUSPECT.
1832
01:27:50,717 --> 01:27:53,651
I KNOW THAT YOU'RE
IN LOVE WITH A WOMAN.
1833
01:27:53,720 --> 01:27:55,053
IT'S PERHAPS
A STRANGE CIRCUMSTANCE
1834
01:27:55,122 --> 01:27:57,956
THAT WE BOTH SHOULD BE
IN LOVE WITH THE SAME WOMAN.
1835
01:27:58,025 --> 01:28:00,558
THE FIRST EVENING
I CAME TO THIS CAFE,
1836
01:28:00,627 --> 01:28:03,961
I KNEW THERE WAS SOMETHING
BETWEEN YOU AND ILSA.
1837
01:28:04,030 --> 01:28:07,299
SINCE NO ONE'S TO BLAME,
I DEMAND NO EXPLANATION.
1838
01:28:07,368 --> 01:28:09,301
I ASK ONLY ONE THING.
1839
01:28:09,370 --> 01:28:11,702
YOU WON'T GIVE ME
THE LETTERS OF TRANSIT.
1840
01:28:11,771 --> 01:28:14,705
ALL RIGHT, BUT I
WANT MY WIFE TO BE SAFE.
1841
01:28:14,774 --> 01:28:19,310
I ASK YOU TO USE THE LETTERS
TO TAKE HER AWAY.
1842
01:28:19,379 --> 01:28:21,307
YOU LOVE HER
THAT MUCH?
1843
01:28:21,376 --> 01:28:25,316
YOU THINK OF ME
ONLY AS A LEADER OF A CAUSE.
1844
01:28:25,385 --> 01:28:27,318
I'M ALSO A HUMAN BEING.
1845
01:28:27,387 --> 01:28:29,924
YES, I LOVE HER THAT MUCH.
1846
01:28:35,991 --> 01:28:37,263
MONSIEUR LASZLO?
1847
01:28:37,332 --> 01:28:38,596
YES?
1848
01:28:38,665 --> 01:28:41,333
COME WITH US. WE HAVE
A WARRANT FOR YOUR ARREST.
1849
01:28:41,402 --> 01:28:42,734
ON WHAT CHARGE?
1850
01:28:42,803 --> 01:28:44,969
CAPTAIN RENAULT WILL
DISCUSS THAT WITH YOU LATER.
1851
01:28:45,038 --> 01:28:48,076
IT SEEMS THAT DESTINY
HAS TAKEN A HAND.
1852
01:28:58,818 --> 01:29:01,352
YOU KNOW YOU HAVEN'T
ANY ACTUAL PROOF.
1853
01:29:01,421 --> 01:29:03,754
THIS ISN'T GERMANY
OR OCCUPIED FRANCE.
1854
01:29:03,823 --> 01:29:06,758
YOU CAN ONLY FINE HIM
AND GIVE HIM 30 DAYS.
1855
01:29:06,827 --> 01:29:08,359
YOU MIGHT AS WELL
LET HIM GO NOW.
1856
01:29:08,428 --> 01:29:09,728
I'D ADVISE YOU NOT TO BE
TOO INTERESTED
1857
01:29:09,797 --> 01:29:11,129
IN WHAT HAPPENS
TO LASZLO.
1858
01:29:11,198 --> 01:29:12,364
IF YOU HELPED HIM
ESCAPE--
1859
01:29:12,433 --> 01:29:15,767
WHY WOULD I STICK
MY NECK OUT FOR LASZLO?
1860
01:29:15,836 --> 01:29:17,768
1--YOU BET 10,000 FRANCS
HE'D ESCAPE.
1861
01:29:17,837 --> 01:29:19,966
2--YOU'VE GOT
THE LETTERS OF TRANSIT.
1862
01:29:20,035 --> 01:29:21,372
DON'T BOTHER TO DENY IT.
1863
01:29:21,441 --> 01:29:22,773
AND YOU MIGHT DO IT
1864
01:29:22,842 --> 01:29:24,976
BECAUSE YOU DON'T LIKE
STRASSER'S LOOKS.
1865
01:29:25,045 --> 01:29:26,244
AS A MATTER OF FACT,
1866
01:29:26,313 --> 01:29:27,379
I DON'T LIKE THEM,
EITHER.
1867
01:29:27,448 --> 01:29:28,546
THEY'RE ALL
EXCELLENT REASONS.
1868
01:29:28,615 --> 01:29:29,748
DON'T COUNT TOO MUCH
ON MY FRIENDSHIP.
1869
01:29:29,817 --> 01:29:32,383
IN THIS MATTER,
I'M POWERLESS.
1870
01:29:32,452 --> 01:29:34,118
BESIDES, I MIGHT LOSE
THE 10,000 FRANCS.
1871
01:29:34,187 --> 01:29:37,255
YOU'RE NOT VERY SUBTLE,
BUT YOU ARE EFFECTIVE.
1872
01:29:37,324 --> 01:29:39,057
I GET THE POINT.
1873
01:29:39,126 --> 01:29:43,061
YES, I HAVE THE LETTERS.
I INTEND USING THEM MYSELF.
1874
01:29:43,130 --> 01:29:46,064
I'M LEAVING CASABLANCA
ON THE LAST PLANE TONIGHT.
1875
01:29:46,133 --> 01:29:49,267
I'M TAKING A FRIEND--
ONE YOU'LL APPRECIATE.
1876
01:29:49,336 --> 01:29:50,268
WHAT FRIEND?
1877
01:29:50,337 --> 01:29:51,603
ILSA LUND.
1878
01:29:51,672 --> 01:29:54,405
THAT SHOULD PUT YOUR MIND
TO REST ABOUT LASZLO--
1879
01:29:54,474 --> 01:29:58,010
THE LAST MAN I WANT
TO SEE IN AMERICA.
1880
01:29:58,079 --> 01:30:00,478
YOU DIDN'T COME HERE
TO TELL ME THIS.
1881
01:30:00,547 --> 01:30:02,480
YOU HAVE THE LETTERS
OF TRANSIT.
1882
01:30:02,549 --> 01:30:04,482
YOU CAN LEAVE
ANYTIME YOU PLEASE.
1883
01:30:04,551 --> 01:30:06,551
WHY ARE YOU STILL
INTERESTED
1884
01:30:06,620 --> 01:30:08,147
IN WHAT HAPPENS
TO LASZLO?
1885
01:30:08,216 --> 01:30:09,955
I'M NOT.
BUT I AM INTERESTED
1886
01:30:10,024 --> 01:30:12,557
IN WHAT HAPPENS
TO ILSA AND ME.
1887
01:30:12,626 --> 01:30:14,553
WE HAVE A LEGAL RIGHT
TO GO, THAT'S TRUE,
1888
01:30:14,622 --> 01:30:17,829
BUT PEOPLE HAVE BEEN HELD
IN SPITE OF THEIR RIGHTS.
1889
01:30:17,898 --> 01:30:19,431
WHY SHOULD
WE HOLD YOU?
1890
01:30:19,500 --> 01:30:20,865
ILSA'S LASZLO'S WIFE.
1891
01:30:20,934 --> 01:30:25,036
SHE PROBABLY KNOWS THINGS
STRASSER WOULD LIKE TO KNOW.
1892
01:30:25,105 --> 01:30:26,238
I'LL MAKE A DEAL.
1893
01:30:26,307 --> 01:30:28,839
INSTEAD OF THIS PETTY CHARGE,
GET SOMETHING BIG
1894
01:30:28,908 --> 01:30:31,842
THAT WOULD CHUCK HIM IN
A CONCENTRATION CAMP FOR YEARS.
1895
01:30:31,911 --> 01:30:34,446
IT'D BE QUITE A FEATHER
IN YOUR CAP, WOULDN'T IT?
1896
01:30:34,515 --> 01:30:35,847
IT CERTAINLY WOULD.
1897
01:30:35,916 --> 01:30:38,049
GERMANY--VICHY
WOULD BE VERY GRATEFUL.
1898
01:30:38,118 --> 01:30:39,250
THEN RELEASE HIM.
1899
01:30:39,319 --> 01:30:42,454
BE AT MY PLACE A HALF HOUR
BEFORE THE PLANE LEAVES.
1900
01:30:42,523 --> 01:30:43,788
I'LL HAVE LASZLO COME THERE
1901
01:30:43,857 --> 01:30:45,990
TO PICK UP
THE LETTERS OF TRANSIT--
1902
01:30:46,059 --> 01:30:47,625
THAT'LL GIVE YOU THE CRIMINAL
GROUNDS FOR ARREST.
1903
01:30:47,694 --> 01:30:50,428
YOU GET HIM,
AND WE GET AWAY.
1904
01:30:50,497 --> 01:30:54,099
TO THE GERMANS, THAT LAST ONE
WILL BE JUST A MINOR ANNOYANCE.
1905
01:30:54,168 --> 01:30:56,368
THERE'S STILL SOMETHING
I DON'T QUITE UNDERSTAND.
1906
01:30:56,437 --> 01:30:58,703
MISS LUND--SHE'S
VERY BEAUTIFUL, YES,
1907
01:30:58,772 --> 01:31:01,707
BUT YOU WERE NEVER
INTERESTED IN ANY WOMAN.
1908
01:31:01,776 --> 01:31:03,708
SHE ISN'T
JUST ANY WOMAN.
1909
01:31:03,777 --> 01:31:07,712
I SEE. HOW DO I KNOW
YOU'LL KEEP YOUR WORD?
1910
01:31:07,781 --> 01:31:09,447
I'LL MAKE THE ARRANGEMENTS
RIGHT NOW WITH LASZLO
1911
01:31:09,516 --> 01:31:10,716
IN THE VISITORS' PEN.
1912
01:31:10,785 --> 01:31:12,311
RICKY,
I'LL MISS YOU.
1913
01:31:12,380 --> 01:31:13,451
YOU'RE THE ONLY ONE
IN CASABLANCA
1914
01:31:13,520 --> 01:31:15,320
WHO HAS EVEN LESS
SCRUPLES THAN I.
1915
01:31:15,389 --> 01:31:16,321
THANKS.
1916
01:31:16,390 --> 01:31:17,588
GO AHEAD, RICKY.
1917
01:31:17,657 --> 01:31:20,591
CALL OFF YOUR WATCHDOGS
WHEN YOU LET HIM GO.
1918
01:31:20,660 --> 01:31:22,593
I DON'T WANT THEM AROUND
THIS AFTERNOON.
1919
01:31:22,662 --> 01:31:25,300
I'M TAKING NO CHANCES,
NOT EVEN WITH YOU.
1920
01:31:31,939 --> 01:31:33,471
SHALL WE
DRAW UP PAPERS,
1921
01:31:33,540 --> 01:31:35,473
OR IS A HANDSHAKE
GOOD ENOUGH?
1922
01:31:35,542 --> 01:31:37,009
CERTAINLY
NOT GOOD ENOUGH,
1923
01:31:37,078 --> 01:31:39,210
BUT SINCE I'M IN A
HURRY, IT'LL HAVE TO DO.
1924
01:31:39,279 --> 01:31:41,613
AH, TO LEAVE CASABLANCA
AND GO TO AMERICA--
1925
01:31:41,682 --> 01:31:43,014
YOU'RE A LUCKY MAN.
1926
01:31:43,083 --> 01:31:45,750
BY THE WAY,
MY AGREEMENT WITH SAM
1927
01:31:45,819 --> 01:31:48,153
IS THAT HE GETS
25% OF THE PROFITS.
1928
01:31:48,222 --> 01:31:51,256
I HAPPEN TO KNOW IT'S 10%,
BUT HE'S WORTH 25.
1929
01:31:51,325 --> 01:31:54,392
ABDUL, CARL, AND SACHA
STAY, OR I DON'T SELL.
1930
01:31:54,461 --> 01:31:57,496
OF COURSE. RICK'S WOULDN'T
BE RICK'S WITHOUT THEM.
1931
01:31:57,565 --> 01:31:58,897
WELL, SO LONG.
1932
01:31:58,966 --> 01:32:00,498
DON'T FORGET,
YOU OWE RICK'S
1933
01:32:00,567 --> 01:32:02,500
100 CARTONS OF
AMERICAN CIGARETTES.
1934
01:32:02,569 --> 01:32:05,740
I SHALL REMEMBER
TO PAY IT TO MYSELF.
1935
01:32:24,191 --> 01:32:26,294
[BANGING ON DOOR]
1936
01:32:39,072 --> 01:32:40,271
YOU'RE LATE.
1937
01:32:40,340 --> 01:32:41,206
I WAS INFORMED
1938
01:32:41,275 --> 01:32:42,941
JUST AS LASZLO WAS
LEAVING THE HOTEL,
1939
01:32:43,010 --> 01:32:44,242
SO I KNEW
I'D BE ON TIME.
1940
01:32:44,311 --> 01:32:45,944
I ASKED YOU TO TIE UP
YOUR WATCHDOGS.
1941
01:32:46,013 --> 01:32:47,179
HE WON'T BE
FOLLOWED HERE.
1942
01:32:47,248 --> 01:32:48,680
THIS PLACE WON'T BE
THE SAME WITHOUT YOU.
1943
01:32:48,749 --> 01:32:50,081
I KNOW, BUT I'VE ALREADY
SPOKEN TO FERRARI.
1944
01:32:50,150 --> 01:32:51,683
YOU'LL STILL
WIN AT ROULETTE.
1945
01:32:51,752 --> 01:32:53,285
IS EVERYTHING READY?
1946
01:32:53,354 --> 01:32:54,685
I HAVE
THE LETTERS.
1947
01:32:54,754 --> 01:32:57,288
WHEN WE SEARCHED THE PLACE,
WHERE WERE THEY?
1948
01:32:57,357 --> 01:32:58,256
SAM'S PIANO.
1949
01:32:58,325 --> 01:33:00,693
SERVES ME RIGHT
FOR NOT BEING MUSICAL.
1950
01:33:00,762 --> 01:33:01,693
[BRAKES SQUEAL]
1951
01:33:01,762 --> 01:33:03,095
HERE THEY ARE.
1952
01:33:03,164 --> 01:33:05,333
YOU'D BETTER
WAIT IN MY OFFICE.
1953
01:33:13,273 --> 01:33:15,273
HERE.
1954
01:33:15,342 --> 01:33:17,309
RICHARD, VICTOR THINKS
I'M LEAVING WITH HIM.
1955
01:33:17,378 --> 01:33:18,710
HAVEN'T YOU TOLD HIM?
1956
01:33:18,779 --> 01:33:20,111
NO, NOT YET.
1957
01:33:20,180 --> 01:33:22,214
IT'S ALL RIGHT?
YOU ARRANGED EVERYTHING?
1958
01:33:22,283 --> 01:33:23,781
YES. WE'LL TELL HIM
AT THE AIRPORT.
1959
01:33:23,850 --> 01:33:25,518
THE LESS TIME TO THINK,
THE EASIER FOR ALL OF US.
1960
01:33:25,587 --> 01:33:26,821
PLEASE TRUST ME.
1961
01:33:29,089 --> 01:33:31,093
YES, I WILL.
1962
01:33:33,126 --> 01:33:36,728
MONSIEUR BLAINE, I DON'T
KNOW HOW TO THANK YOU.
1963
01:33:36,797 --> 01:33:39,701
SAVE IT. WE'VE LOTS
OF THINGS TO DO.
1964
01:33:40,801 --> 01:33:42,134
I BROUGHT
THE MONEY.
1965
01:33:42,203 --> 01:33:44,603
KEEP IT. YOU'LL
NEED IT IN AMERICA.
1966
01:33:44,672 --> 01:33:46,404
BUT WE
MADE A DEAL.
1967
01:33:46,473 --> 01:33:49,241
NEVER MIND. WILL YOU
HAVE TROUBLE IN LISBON?
1968
01:33:49,310 --> 01:33:50,408
NO. IT'S ALL ARRANGED.
1969
01:33:50,477 --> 01:33:53,611
GOOD. THE LETTERS ARE
ALL MADE OUT IN BLANK.
1970
01:33:53,680 --> 01:33:55,614
JUST FILL IN
THE SIGNATURES.
1971
01:33:55,683 --> 01:33:57,510
VICTOR LASZLO?
1972
01:33:57,579 --> 01:33:59,854
VICTOR LASZLO,
YOU'RE UNDER ARREST...
1973
01:34:03,190 --> 01:34:04,489
ON THE CHARGE
OF ACCESSORY
1974
01:34:04,558 --> 01:34:05,623
TO THE MURDER
OF THE COURIERS
1975
01:34:05,692 --> 01:34:07,292
FROM WHOM THESE LETTERS
WERE STOLEN.
1976
01:34:07,361 --> 01:34:09,928
YOU'RE SURPRISED
ABOUT MY FRIEND RICKY?
1977
01:34:09,997 --> 01:34:11,930
THE EXPLANATION
IS QUITE SIMPLE.
1978
01:34:11,999 --> 01:34:14,499
LOVE, IT SEEMS, HAS
TRIUMPHED OVER VIRTUE.
1979
01:34:14,568 --> 01:34:15,934
NOT SO FAST, LOUIS.
1980
01:34:16,003 --> 01:34:17,536
NOBODY IS GOING
TO BE ARRESTED,
1981
01:34:17,605 --> 01:34:19,671
NOT FOR A WHILE YET.
1982
01:34:19,740 --> 01:34:21,774
HAVE YOU TAKEN LEAVE
OF YOUR SENSES?
1983
01:34:21,843 --> 01:34:22,908
I HAVE.
SIT DOWN.
1984
01:34:22,977 --> 01:34:24,275
I WOULDN'T LIKE
TO SHOOT YOU,
1985
01:34:24,344 --> 01:34:26,077
BUT I WILL IF YOU
TAKE ONE MORE STEP.
1986
01:34:26,146 --> 01:34:29,712
UNDER THE CIRCUMSTANCES,
I WILL SIT DOWN.
1987
01:34:31,151 --> 01:34:33,684
KEEP YOUR HANDS
ON THE TABLE.
1988
01:34:33,753 --> 01:34:36,687
I WONDER IF YOU REALIZE
WHAT THIS MEANS.
1989
01:34:36,756 --> 01:34:38,690
I DO. WE'LL DISCUSS
THAT LATER.
1990
01:34:38,759 --> 01:34:39,958
"CALL OFF YOUR
WATCHDOGS," YOU SAID.
1991
01:34:40,027 --> 01:34:42,961
CALL THE AIRPORT. LET
ME HEAR YOU TELL THEM.
1992
01:34:43,030 --> 01:34:45,196
THIS GUN'S POINTED
RIGHT AT YOUR HEART.
1993
01:34:45,265 --> 01:34:47,902
THAT IS MY
LEAST VULNERABLE SPOT.
1994
01:34:54,842 --> 01:34:57,276
HELLO?
IS THAT THE AIRPORT?
1995
01:34:57,345 --> 01:34:58,076
EH?
1996
01:34:58,145 --> 01:35:00,112
CAPTAIN RENAULT SPEAKING.
1997
01:35:00,181 --> 01:35:03,115
THERE'LL BE 2 LETTERS OF TRANSIT
FOR THE LISBON PLANE.
1998
01:35:03,184 --> 01:35:05,317
THERE'S TO BE NO TROUBLE
ABOUT THEM.
1999
01:35:05,386 --> 01:35:06,451
GOOD.
2000
01:35:06,520 --> 01:35:09,224
HELLO? HELLO?
2001
01:35:10,357 --> 01:35:11,393
[BUZZER]
2002
01:35:12,927 --> 01:35:14,460
MY CAR, QUICKLY.
2003
01:35:14,529 --> 01:35:16,461
JAWOHL, MAJOR.
2004
01:35:16,530 --> 01:35:17,863
THIS IS MAJOR STRASSER.
2005
01:35:17,932 --> 01:35:19,264
HAVE A SQUAD OF POLICE
2006
01:35:19,333 --> 01:35:22,104
MEET ME AT THE AIRPORT
AT ONCE, DO YOU HEAR?
2007
01:35:27,908 --> 01:35:30,374
HELLO, HELLO,
RADIO TOWER?
2008
01:35:30,443 --> 01:35:33,812
LISBON PLANE TAKING OFF
IN 10 MINUTES. EAST RUNWAY.
2009
01:35:33,881 --> 01:35:35,581
VISIBILITY,
1 1/2 MILES.
2010
01:35:35,650 --> 01:35:37,849
LIGHT GROUND FOG.
2011
01:35:37,918 --> 01:35:40,584
DEPTH OF FOG,
APPROXIMATELY 500.
2012
01:35:40,653 --> 01:35:42,490
CEILING UNLIMITED.
THANK YOU.
2013
01:35:54,801 --> 01:35:57,736
LOUIS, HAVE YOUR MAN
GO WITH MR. LASZLO.
2014
01:35:57,805 --> 01:35:59,738
TAKE CARE
OF HIS LUGGAGE.
2015
01:35:59,807 --> 01:36:01,139
ANYTHING YOU SAY.
2016
01:36:01,208 --> 01:36:03,607
PUT MR. LASZLO'S LUGGAGE
ON THE PLANE.
2017
01:36:03,676 --> 01:36:05,447
YES, SIR.
THIS WAY, PLEASE.
2018
01:36:06,346 --> 01:36:09,014
IF YOU DON'T MIND,
YOU FILL IN THE NAMES.
2019
01:36:09,083 --> 01:36:11,282
THAT'LL MAKE IT
EVEN MORE OFFICIAL.
2020
01:36:11,351 --> 01:36:12,885
YOU THINK OF EVERYTHING,
DON'T YOU?
2021
01:36:12,954 --> 01:36:16,622
THE NAMES ARE MR.
AND MRS. VICTOR LASZLO.
2022
01:36:16,691 --> 01:36:17,755
WHY MY NAME,
RICHARD?
2023
01:36:17,824 --> 01:36:19,757
BECAUSE YOU'RE
GETTING ON THAT PLANE.
2024
01:36:19,826 --> 01:36:21,159
I DON'T UNDERSTAND.
WHAT ABOUT YOU?
2025
01:36:21,228 --> 01:36:22,761
I'M STAYING HERE
WITH HIM
2026
01:36:22,830 --> 01:36:24,763
TILL THE PLANE
GETS SAFELY AWAY.
2027
01:36:24,832 --> 01:36:25,931
NO, RICHARD.
LAST NIGHT--
2028
01:36:26,000 --> 01:36:27,899
LAST NIGHT WE SAID
A GREAT MANY THINGS.
2029
01:36:27,968 --> 01:36:30,903
YOU SAID I SHOULD
THINK FOR BOTH OF US.
2030
01:36:30,972 --> 01:36:32,303
WELL, I HAVE.
IT ALL ADDS UP TO ONE THING.
2031
01:36:32,372 --> 01:36:34,507
YOU'RE GETTING
ON THAT PLANE.
2032
01:36:34,576 --> 01:36:35,774
RICHARD, NO. I--
2033
01:36:35,843 --> 01:36:37,175
YOU'VE GOT LISTEN TO ME.
2034
01:36:37,244 --> 01:36:38,576
9 CHANCES OUT OF 10,
IF YOU STAYED,
2035
01:36:38,645 --> 01:36:41,780
WE'D PROBABLY BOTH WIND UP
IN A CONCENTRATION CAMP.
2036
01:36:41,849 --> 01:36:43,447
ISN'T THAT TRUE, LOUIS?
2037
01:36:43,516 --> 01:36:46,017
I'M AFRAID MAJOR STRASSER
WOULD INSIST.
2038
01:36:46,086 --> 01:36:48,787
YOU'RE SAYING THIS
ONLY TO MAKE ME GO.
2039
01:36:48,856 --> 01:36:50,055
I'M SAYING IT
BECAUSE IT'S TRUE.
2040
01:36:50,124 --> 01:36:51,522
INSIDE, WE BOTH KNOW
YOU BELONG WITH VICTOR.
2041
01:36:51,591 --> 01:36:53,191
YOU'RE PART OF HIS WORK,
THE THING THAT KEEPS HIM GOING.
2042
01:36:53,260 --> 01:36:56,628
IF THAT PLANE LEAVES THE GROUND
AND YOU'RE NOT WITH HIM,
2043
01:36:56,697 --> 01:36:57,762
YOU'LL REGRET IT.
2044
01:36:57,831 --> 01:36:59,197
MAYBE NOT TODAY,
MAYBE NOT TOMORROW,
2045
01:36:59,266 --> 01:37:01,467
BUT SOON, AND FOR THE REST
OF YOUR LIFE.
2046
01:37:01,536 --> 01:37:03,335
BUT WHAT ABOUT US?
2047
01:37:03,404 --> 01:37:06,238
WE'LL ALWAYS HAVE PARIS.
WE DIDN'T HAVE IT.
2048
01:37:06,307 --> 01:37:09,207
WE'D LOST IT UNTIL YOU CAME
TO CASABLANCA.
2049
01:37:09,276 --> 01:37:11,243
WE GOT IT BACK
LAST NIGHT.
2050
01:37:11,312 --> 01:37:13,845
WHEN I SAID I
WOULD NEVER LEAVE YOU.
2051
01:37:13,914 --> 01:37:15,347
AND YOU NEVER WILL,
2052
01:37:15,416 --> 01:37:17,081
BUT I'VE GOT A JOB
TO DO, TOO.
2053
01:37:17,150 --> 01:37:18,449
WHERE I'M GOING,
YOU CAN'T FOLLOW.
2054
01:37:18,518 --> 01:37:21,219
WHAT I'VE GOT TO DO,
YOU CAN'T BE PART OF.
2055
01:37:21,288 --> 01:37:23,956
I'M NO GOOD
AT BEING NOBLE,
2056
01:37:24,025 --> 01:37:25,957
BUT IT DOESN'T
TAKE MUCH TO SEE
2057
01:37:26,026 --> 01:37:27,758
THAT THE PROBLEMS
OF THREE LITTLE PEOPLE
2058
01:37:27,827 --> 01:37:30,963
DON'T AMOUNT TO A HILL OF BEANS
IN THIS CRAZY WORLD.
2059
01:37:31,032 --> 01:37:33,932
SOMEDAY YOU'LL
UNDERSTAND THAT.
2060
01:37:34,001 --> 01:37:35,170
NOW, NOW.
2061
01:37:37,637 --> 01:37:39,607
HERE'S LOOKING AT YOU, KID.
2062
01:37:48,649 --> 01:37:50,352
[HONKS HORN]
2063
01:37:53,921 --> 01:37:55,253
EVERYTHING
IS IN ORDER.
2064
01:37:55,322 --> 01:37:57,188
ALL EXCEPT
ONE THING.
2065
01:37:57,257 --> 01:37:58,657
THERE'S SOMETHING
YOU SHOULD KNOW
2066
01:37:58,726 --> 01:37:59,792
BEFORE YOU LEAVE.
2067
01:37:59,861 --> 01:38:01,626
I DON'T ASK YOU
TO EXPLAIN ANYTHING.
2068
01:38:01,695 --> 01:38:02,855
I'M GOING TO ANYWAY.
2069
01:38:02,924 --> 01:38:04,362
BECAUSE IT MAY MAKE
A DIFFERENCE LATER ON.
2070
01:38:04,431 --> 01:38:07,399
YOU SAID YOU KNEW
YES.ABOUT ILSA AND ME.
2071
01:38:07,468 --> 01:38:10,402
YOU DIDN'T KNOW SHE WAS
AT MY PLACE LAST NIGHT.
2072
01:38:10,471 --> 01:38:11,870
SHE CAME THERE FOR
THE LETTERS OF TRANSIT.
2073
01:38:11,939 --> 01:38:13,606
ISN'T THAT TRUE?
2074
01:38:13,675 --> 01:38:14,867
YES.
2075
01:38:14,936 --> 01:38:17,408
SHE TRIED EVERYTHING,
AND NOTHING WORKED.
2076
01:38:17,477 --> 01:38:20,144
SHE DID HER BEST
TO CONVINCE ME
2077
01:38:20,213 --> 01:38:22,547
THAT SHE WAS STILL
IN LOVE WITH ME.
2078
01:38:22,616 --> 01:38:24,548
THAT WAS OVER LONG AGO.
FOR YOUR SAKE,
2079
01:38:24,617 --> 01:38:27,452
SHE PRETENDED IT WASN'T,
AND I LET HER PRETEND.
2080
01:38:27,521 --> 01:38:29,555
I UNDERSTAND.
2081
01:38:29,624 --> 01:38:31,624
HERE IT IS.
2082
01:38:31,693 --> 01:38:34,258
THANKS.
I APPRECIATE IT.
2083
01:38:34,327 --> 01:38:36,294
WELCOME BACK TO THE FIGHT.
2084
01:38:36,363 --> 01:38:40,002
THIS TIME I KNOW
OUR SIDE WILL WIN.
2085
01:38:52,980 --> 01:38:54,682
ARE YOU READY, ILSA?
2086
01:38:56,851 --> 01:38:59,054
YES, I'M READY.
2087
01:39:02,456 --> 01:39:03,522
GOODBYE, RICK.
2088
01:39:03,591 --> 01:39:05,427
GOD BLESS YOU.
2089
01:39:07,260 --> 01:39:10,332
YOU'D BETTER HURRY
OR YOU'LL MISS THAT PLANE.
2090
01:39:27,948 --> 01:39:30,849
WELL, I WAS RIGHT.
YOU ARE A SENTIMENTALIST.
2091
01:39:30,918 --> 01:39:32,250
STAY WHERE YOU ARE.
2092
01:39:32,319 --> 01:39:34,252
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
2093
01:39:34,321 --> 01:39:35,854
WHAT YOU JUST DID
FOR LASZLO.
2094
01:39:35,923 --> 01:39:37,221
THAT FAIRY TALE
YOU INVENTED.
2095
01:39:37,290 --> 01:39:38,957
I KNOW A LITTLE
ABOUT WOMEN.
2096
01:39:39,026 --> 01:39:41,292
SHE WENT, BUT SHE KNEW
YOU WERE LYING.
2097
01:39:41,361 --> 01:39:44,095
ANYWAY, THANKS
FOR HELPING ME OUT.
2098
01:39:44,164 --> 01:39:46,531
I SUPPOSE YOU KNOW
THIS WON'T BE PLEASANT
2099
01:39:46,600 --> 01:39:48,700
FOR EITHER OF US--
ESPECIALLY FOR YOU.
2100
01:39:48,769 --> 01:39:50,201
I'LL HAVE TO ARREST YOU.
2101
01:39:50,270 --> 01:39:52,374
AS SOON AS THE PLANE GOES.
2102
01:39:59,141 --> 01:40:01,546
WHAT WAS THE MEANING
OF THAT PHONE CALL?
2103
01:40:01,615 --> 01:40:03,718
VICTOR LASZLO
IS ON THAT PLANE.
2104
01:40:05,419 --> 01:40:08,987
WHY DO YOU STAND HERE?
WHY DON'T YOU STOP HIM?
2105
01:40:09,056 --> 01:40:10,592
ASK MONSIEUR RICK.
2106
01:40:12,359 --> 01:40:14,159
GET AWAY
FROM THAT PHONE.
2107
01:40:14,228 --> 01:40:15,526
I WOULD ADVISE YOU
NOT TO INTERFERE.
2108
01:40:15,595 --> 01:40:17,963
I WAS WILLING TO SHOOT
CAPTAIN RENAULT,
2109
01:40:18,032 --> 01:40:19,634
AND I'M WILLING
TO SHOOT YOU.
2110
01:40:20,668 --> 01:40:21,600
HELLO.
2111
01:40:21,669 --> 01:40:22,734
PUT THAT PHONE DOWN.
2112
01:40:22,803 --> 01:40:23,769
GET ME THE RADIO TOWER.
2113
01:40:23,838 --> 01:40:25,673
PUT IT DOWN.
2114
01:40:38,952 --> 01:40:39,884
MON CAPITAINE.
2115
01:40:39,953 --> 01:40:42,457
MAJOR STRASSER
HAS BEEN SHOT.
2116
01:40:46,060 --> 01:40:47,993
ROUND UP
THE USUAL SUSPECTS.
2117
01:40:48,062 --> 01:40:49,531
OUI,MON CAPITAINE.
2118
01:40:55,803 --> 01:40:59,102
[SPEAKING FRENCH]
2119
01:41:11,484 --> 01:41:14,418
WELL, RICK, YOU'RE
NOT ONLY A SENTIMENTALIST,
2120
01:41:14,487 --> 01:41:16,421
BUT YOU'VE
BECOME A PATRIOT.
2121
01:41:16,490 --> 01:41:19,424
IT SEEMED LIKE
A GOOD TIME TO START.
2122
01:41:19,493 --> 01:41:21,529
I THINK
PERHAPS YOU'RE RIGHT.
2123
01:41:42,984 --> 01:41:45,316
IT MIGHT
BE A GOOD IDEA
2124
01:41:45,385 --> 01:41:46,951
FOR YOU TO DISAPPEAR
2125
01:41:47,020 --> 01:41:48,320
FROM CASABLANCA
FOR A WHILE.
2126
01:41:48,389 --> 01:41:50,288
THERE'S A FREE
FRENCH GARRISON
2127
01:41:50,357 --> 01:41:51,556
OVER AT BRAZZAVILLE.
2128
01:41:51,625 --> 01:41:53,892
I COULD BE INDUCED TO
ARRANGE YOUR PASSAGE.
2129
01:41:53,961 --> 01:41:55,293
MY LETTER OF TRANSIT?
2130
01:41:55,362 --> 01:41:56,890
I COULD USE A TRIP,
2131
01:41:56,959 --> 01:41:58,964
BUT IT DOESN'T
AFFECT OUR BET.
2132
01:41:59,033 --> 01:42:01,465
YOU STILL
OWE ME 10,000 FRANCS.
2133
01:42:01,534 --> 01:42:04,468
AND THAT 10,000 FRANCS
SHOULD PAY OUR EXPENSES.
2134
01:42:04,537 --> 01:42:05,804
OUR EXPENSES?
2135
01:42:05,873 --> 01:42:06,738
MM-HMM.
2136
01:42:06,807 --> 01:42:09,207
LOUIS, I THINK
THIS IS THE BEGINNING
2137
01:42:09,276 --> 01:42:10,608
OF A BEAUTIFUL
FRIENDSHIP.
2138
01:42:10,677 --> 01:42:13,611
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
2139
01:42:13,680 --> 01:42:16,851
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.
141480
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