Original subtitles

- Previouslyon "The Hunting Party"...

- Dr. Dulles,you have a visitor.

- Your father is the only onewho can tell me

who my biological parentsreally are.

- There was a breachat Silo 12.

- We need to see Silo 12.

I know this drug--it's the sameone they gave Richard Harris.

- We found the nameof the biotech firm

that made the IV bag--Whitmore Sciences.

That is Whitmore.

And that is AG Mallory.

- Your job is to ensurethe recapture

of any and all escaped inmatesfrom the Pit.

- I know somethingabout the blast.

[dramatic music]

- [breathing heavily]

- Shh.

Don't look away.

This is important.

Our time togetheris almost over.

So tell me something.

If you could see your familyone last time...

what would you say?

♪ ♪

Go on, answer me.- [whimpers]

[crying] I would tell--tell my parents

how much I love them.

[sniffles]

- What else?- [breathing heavily]

That I'll miss them...[grunts]

And not to be sad because...

because I knowthey love me, too.

[inhales deeply, whimpering]

- Pay close attention now.

- [breathing heavily]

- [breathing shakily]

♪ ♪

- No! No!

No, please, please!

Aah! Please!

[screaming]- [whimpering]

[thunder rumbling]

♪ ♪

- Hello, students.

The Casper Community CollegeLibrary is now closing.

Please return any borrowedmaterial before you leave.

Thank you.

[indistinct chatter]

- Burning that midnight oilagain, huh, Lily.

- Uh, sorry, Mrs. Flannery,I have a big exam coming up,

and I lost trackof time...again.

Uh, I'll see you tomorrow.

[thunder booms]

[engine turning over]

♪ ♪

[thunder rumbling]

♪ ♪

[engine revving,tires squealing]

- Aah!

- [groans softly]

Shane, nice to see you again.

- Hi.- What are you drawing?

- Do you rememberthese sessions?

- Not when I was this young.

I remember a different officethat my parents made me go to,

but...

I was a teenager,not a little kid.

- I'm going to show yousome pictures,

and you tell mewhat you see, okay?

- That one is a bird.- A bird.

- Shane, my fatherwas a lot of things,

but he was nota child psychologist, so...

- Why was heso interested in me?

- How about this one?

- James Whitmoresent this statement

out to Corporate last week.

- Good morning, friendsand esteemed colleagues.

Yesterday we lostone of our own,

one of this company'smost brilliant minds.

Dr. Michelle Elliottdied in a car accident.

I don't have the words

to convey how much Michellemeant to this company

or to me personally.

- Michelle Elliott was the headof Research and Development

for Whitmore Sciences.

As we know, Whitmore suppliedthe Pit with medications

being used on the inmates.

- So less than a weekafter the blast,

Whitmore's head of R&D waskilled in a freak car accident.

- That's a bit of acoincidence, don't you think?

- My wife likes to say

"coincidence is when you can'tsee who's pulling the strings."

She was four timesover the legal limit.

Problem is, Michelle Elliottwas 14 years sober.

- So Whitmore knowsthat there's a possibility

of them being exposedfor human experimentation.

You don't thinkthat James Whitmore

might consider the head of R&Da bit of a loose end, huh?

- I have a friendin the Sheriff's Office.

I'll see if I can getmore details on her crash.

In the meantime,

we need to know moreabout James Whitmore.

- Let us rememberMichelle's light.

[cell phone chimes, vibrates]

And carry on in her spirit.[cell phones vibrating]

- Time to go to work.

♪ ♪

- Morales just filled me in.

Witnesses in Casper, Wyoming,spotted a man running

a cyclist off the road.

Pulled her into his white-panelvan before speeding away.

- White-panel van--how original.

- Hey, so the victim's nameis Lily Jacobs.

- Okay, we have anything else?

- Casper PD ran some printsthey pulled off the bicycle.

- Luckily, we have an algorithmrunning interference,

so the localscame up empty-handed.

All hits on escapeescome straight to us.

The prints belongto Tom Beecher.

♪ ♪

- What is it?What am I missing?

♪ ♪

- Um...

Tom Beecherwas an old case file of mine.

He killed over a dozen womenbefore he was finally caught.

Beecher had a highlydefined behavioral pattern

structured around maximizing

his victims'psychological suffering.

He would baskin their powerlessness.

He targeted girlsin their early to mid-20s.

He would, uh, keep a girl alivefor days at a time

while he searchedfor a second victim.

Then when he finally hadtwo women under his control,

he would tortureand kill the first

in front of the second,forcing her to watch

as he suffocated herwith a plastic bag.

- That's pure evil.- During their captivity,

he would call the parentsof his victims.

Like the Golden State Killer,he enjoyed taunting them.

- Eh, it went furtherthan taunting.

He would describe in detail

all the ways he was goingto torture their children.

- There's something else.

This is Beecher's inmate file.

♪ ♪

- Why is it so much lighterthan the other ones?

- He spent the last seven yearsin the medical ward,

so he wasn't receivingpsychiatric treatment,

nor was he part of any studies.

- Inmates down therewere usually

in end-of-life-type situations,like hospice care.

- So what was wrong with him?

- File says he hada series of strokes

shortly after his arrivalto the Pit.

- How does a guy in thatcondition escape from the Pit

after the blast?- I don't know.

As far as we know,he's the only inmate

from the medical ward who did.

I'm going to keep digging.

- We're going to goto Lily's parents' house.

Beecher is still Beecher--he'sgoing to contact them soon.

[indistinct chatter,telephones ringing]

♪ ♪

Hey, if, uh--if I remember correctly,

Casper, Wyoming,is your hometown, too.

- Well, everyone'sfrom somewhere.

♪ ♪

Uh, I'm good, Bex, really.

- Yeah...

because we're going to bringLily Jacobs home, okay?

- Yeah.

♪ ♪

[insects chirping]

[person whimpering]

♪ ♪

- Don't worry.

I'm going to find youa friend very soon.

[crying, continues whimpering]

[dramatic music]

♪ ♪

[indistinct chatter]

- Mr. and Mrs. Jacobs...

I can't begin to imaginewhat you guys must be feeling.

I have a daughter, too.

She's a little youngerthan Lily.

All we want is to bringyour daughter home safely.

- Yesterday morning, I wasin the shower when Lily left.

I didn't get a chanceto say I love you.

I always make a pointof giving her a kiss

and a hug every morning.

- I'm sure Lily knowshow much you love her.

- You said the FBIhad a lead on a suspect.

So what does this person want?

A ransom?- No.

- We don't have money.- No, no, I need to be clear.

This is not about money.

This is about powerand control.

This man wants you twoto feel powerless.

- We already do.

How much more powerlesscan we feel?

[somber music]

♪ ♪

- This man is goingto call you,

and he's going to saysome very awful things.

Things that mightbe painful to hear.

- If it isn't about money,why is he going to call?

- Because he's a monster.

Sorry.

- I'm gonna have to ask you

to do the hardest thingpossible,

and when he calls, I need youto answer and talk to him

and keep him on the phoneas long as you possibly can.

♪ ♪

- [sobbing]

♪ ♪

- It's all my fault, really.

My car was in the shop,so she offered to lend me hers.

That's the only reasonshe was biking home.

- You can't think like that.

- That's the kindof person Lily is.

She'd give youthe jacket off her back.

I just--If only I--

[cell phone ringing, vibrating]

[exhales sharply]- Okay.

Here we go.- Just keep him talking, okay?

[ringing, vibrating continue]

[dramatic music]

♪ ♪

- Hello?

- Hi, Mom.

- Who is this?

- You know, your daughter

is a very specialyoung woman...

very full of life.

- What have you done with her?

- Oh, I have a lot of plans.

She and I are goingto have such fun.

Well, it'll be funfor me, at least.

She's been asking for you.

Do you want to speak with her?

She's right here.

- Lily, Lily,can you hear me?

- [crying]Hello?

- [gasps]L-Lily, I'm here, baby.

- Is anyone there?

Hello?- Lily! Lily! Lily!

- Hello?Where am I?

- Why--why--why can't she hear me?

- Don't you know, sweet child?

This is whereI'm going to kill you.

[line clicks, beeping]

- [sobbing]Wait, wait--

♪ ♪

[computer beeping]

- Morales, were you ableto get a location?

- Got it. He's usingan unregistered cell phone.

The call pinged off of a celltower on the east side of town.

- Can you pinpointthe location?

- Working on it.

Almost.[computer beeping]

Got him.

He's at the Brighton Motel,East 2nd Street.

[engine revving,tires squealing]

♪ ♪

[[tires screech]

- [humming]

♪ ♪

- Freeze! Get down!- Get on the bed!

- Hands behind your back!Put them on your back!

[handcuffs clicking]Beecher is in custody.

- What about Lily?

- I remember you.- Where is she?

We know you kidnapped a girl.- I left her in the bathroom.

[person whimpers]

- Lily, hold on.

- [whimpering]

- Okay. It's--it's okay.I'm with the police.

You're safe. You're safe.You're safe.

It's okay. It's okay.You're safe now.

- Bex, is Lily okay?- It's not her.

- What?

- What do you meanit's not her?

- Lily is not here.- Then where is she?

- Sit.

What did you dowith the other girl?

- It's okay. We're goingto get you out of here, okay?

- What the hell is all this?

♪ ♪

- Hello?

Is anyone there?

Hello?

Hello?

- Lily never wason that phone call.

It was a recording.- Where am I?

- The young woman fromthe motel was Sofia Alonso--

24 years old,no connection to Lily,

no connection to Tom Beecher.

- She's currently at the ERwith a grade 3 concussion,

but she'll makea full recovery.

- We knowBeecher's victims overlap.

Was she able to tell usanything about Lily Jacobs?

- Unfortunately, no. Beechernever said a word to Sofia,

and she never saw anyone else.

- Okay, well, the vanis currently being dusted

for fingerprints,and at least two match Lily's.

- And we're combingthrough the sticky notes.

There's nothing like directionsor location for Lily anywhere.

- What about that recordingfound at the scene?

- Yeah, why would Beecherrecord that with Lily?

Just to play it to her parents?That's a new behavior, right?

- Maybe it's a trophyor memento of some kind,

his way of reliving that momentover and over again?

- A memento?

Does that mean that you thinkLily's already dead?

- No, Lily is alive.

He abducted Sofiato bring her to the place

that he stashed Lily, whichmeans we got to find her.

She's running out of time.

- Well, then you'd better gotalk to Tom Beecher.

- [sighs]

[tense music]

♪ ♪

[door creaks closed]

Hello, Tom.

We've been herebefore, haven't we?

Which means you knowhow this ends.

♪ ♪

Where's Lily Jacobs?

- Would you believe meif I said I don't remember?

- No.

- Memory is a funny thing.

I remember you being taller.

♪ ♪

- Where is she?

- This whole thingfeels so familiar, doesn't it?

[chuckles]Almost like déjà vu.

Me, chained to this table,

you, sitting there tryingto look stoic, just like that.

♪ ♪

What's wrong, Lily?

Do I frighten you?

- [crying]Don't kill me, please.

- Hmm.

Tell me, if you could callone person right now...

who would it be?

- My mom.

She's going to beso worried about me.

♪ ♪

- Oh, why did you st--

It was just gettingto the good part.

- Why were you recordingthe conversation with Lily?

That's new.

- Well, if you're not changing,you're staying the same.

Honestly...

after all those yearsin prison,

I guess I realized I wantedmore than just memories

of my girls...

or maybe I'm gettingsentimental in my old age.

- Where is Lily?

- Tom Beecher wasin the medical ward

for seven years for, uh,end-of-life care, right?

But does that look like a guywho's dying to you?

- Insane, yes.Dying, no.

And his file's so thin,

I'm starting to thinksomebody's been holding back.

♪ ♪

- Hello, Oliver.

- I need informationon an inmate,

the kind that's not goingto be in the file.

- That's nothow this works, Oliver.

I am not a source.

- Then what are you?

I thought we wereon the same side here.

- Is that right?

Because Bex and Hassanihave been asking around

about Michelle Elliott'scar accident.

- [scoffs]

You know what? I'm done.I'm done playing these games.

It's time you told Bexand Hassani everything.

- I'll consider it.

- Well, while you're doingthat, I still need information.

[sighs] Tom Beecher was placedin the medical ward

a few years before I arrived.

Something tells methere's more to that story.

- All right.

Tom Beecher was oneof Dr. Dulles's...

let's call them"special projects."

♪ ♪

- You used to be obsessedwith covering your tracks--

oh, the paranoia,the meticulous planning.

And now you're callingthe Jacobs family

from a cell phone insidethe motel where you're staying?

♪ ♪

I think the injurymade you careless.

Let's face it, Tom--you'renot the killer you used to be.

I guess a series of strokeswill do that to you.

- "Strokes"?

That's what they told you?

- Oliver, what are you doing?- He can't help us find Lily.

He doesn't rememberwhere she is.

- What are you talking about?

Oliver, st--- He was in the medical ward

because of an experimentalbrain surgery...

not a stroke.

He doesn't remember anythingafter what Dulles did to him.

♪ ♪

- I tried to tell you.

♪ ♪

I have no idea where she is.

♪ ♪

- [sobbing]

♪ ♪

- Whoever performedthis operation

did so without any regardfor ethics or humanity.

This is truly barbaric.

- Doctor, couldthis kind of procedure

damage someone's memory?

- It would destroy it.

I have no doubt this person

has complete and irreversibleanterograde amnesia.

- Meaning?

- Their long-term memorywould be intact,

but their short-term memorywould be wiped clean

every timethey enter REM sleep.

- Okay, can anything be doneto help this individual

remember what they were doinga day or two ago?

- There are some subjectswho are able to rely

on muscle memory,

even some who've developedelaborate coping strategies

to managetheir day-to-day lives.

- Thank you, Doctor.

[phone beeps]- [sighs]

Okay, so the only chancewe have

of getting Lily back alive

is if he developedsome kind of coping mechanism

or some way of communicatingwith himself.

- It's a big if.- Yeah.

- Why would Dulles do somethinglike this to someone--

damage their memory?

Just--it just seemsneedlessly cruel.

- You know, uh, Dulleswas long gone

by the time I arrivedat the Pit,

but there was a rumor...

that he had Alzheimer's.

So, if this was some kindof off-the-book thing...

- Maybe he was doing itfor himself--

to understand the diseasethat was coming for him.

- You think Dulles used Beecheras a guinea pig

to try to figure outhow to treat his own dementia?

- Or he was developingsome kind of coping mechanism.

- Like the kindthat would allow him

to rememberwhere he stashed Lily Jacobs.

- Bex, you said Beecher wasreally paranoid, right?

Well, what areparanoid people good at?

Talking in code.

- All right, Shane, Morales,

can you gothrough every sticky note

and piece of evidencefrom that motel room?

If he does have a code,we're going to crack it.

♪ ♪

Tom this is what Dulles didto your brain.

That's scar tissue.

That is why you can't formnew memories.

[dramatic music]

Do you knowwhy he did this to you?

♪ ♪

Do you know why he made youhis little lab rat?

♪ ♪

Tom, did you know he was sick?

- Oh, you don't knowthe half of it.

♪ ♪

Back when you workedmy case the first time,

you never askedwhat I enjoyed most

about killing those girls.

It was their helplessness...

completeand utter helplessness.

That's why I calledthe families.

You could hear itin their voices--

just...

helpless.

♪ ♪

And I see it on you now.

You know you're nevergoing to find her.

Lily's life is slippingthrough your fingers.

I'm the only personin the world

who can help you...

but I won't...

because this...

right here, oh...

this is the good part.

♪ ♪

Are you feeling helpless yet?

♪ ♪

- [sighs][indistinct chatter]

- Morales, you need anything?- This isn't working.

We're running thousandsof permutations a minute,

and there's nota whiff of a pattern

in those sticky notesor--or in Tom's recordings.

- Hey, you're doingeverything you can.

- [sighs]- We'll find her.

- [scoffs]

- She was planning

on transferringto NYU in the fall.

Do you know how hard it is toget out of a town like Casper?

Everyone talks about it,but no one ever does.

- Well, you did...

and she will, too.

It's not over.

♪ ♪

- You're not as smartas you think you are, Tom.

We know that you left yourself

a way to rememberwhere Lily is.

So we will crack your code.

- No you won't, becauseyou're not cracking my code.

You're cracking his.

Dr. Dulles taught it to me.

♪ ♪

- Yeah.No, you're right.

We can't crack your code--

not in time to save Lily,at least.

That's why you're goingto do it for me.

- What are you talking about?

- You know what?Yeah, sure, I can tell you.

You're not going to rememberit anyway, will you?

See, here's the thing.This is what we're going to do.

We're going to put youback to sleep,

reset all your little memories,

then you are going to wake upin the same exact motel room

that we arrested you in, exceptthat you're not going to know.

You're not going to knowthat you got caught.

You're not going to knowthat we're all watching you.

And, see, here's the fun part.

You're going to lead usright to Lily.

You feeling helpless yet?

♪ ♪

- No, absolutely not.

You're not seriously suggestingthat we let

a serial killer loose?- He wouldn't be loose.

We'd be bugging his motel,his car, everything,

tracking his every move.

And he would bring usright to Lily.

- It's risky,but Bex is right.

If we put him to sleep,he won't remember any of this.

- I don't like it.

- Well, we haveto try something.

- We're forgetting one thing.

He's not going back to Lilyuntil he has another girl

to bring to her.

- No, we can't--we can't askSofia to get back into the tub.

- No, he's right. We needanother girl in that bathtub.

And she has to fit the profile.

- Well, there's no wayI'm asking someone

to put themselvesin that dangerous a situation.

- You don't have to ask.I'll do it.

♪ ♪

I'll be his victim.

- Let's go.Let's go.

We need eyes on everyinch of this motel room.

I want cameras upand mics hot in five.

Put everything backexactly how we found it.

Leave no tracethat we were here.

[tense music]

♪ ♪

- The team will be watchingyou the whole time.

We'll never be morethan ten seconds behind you.

And we'll be ableto communicate with you

without Tom noticing.

Morales, you don't haveto do this.

- Well, none of us have to.

But if this is going tohelp bring Lily home,

there's no wayI'm sitting it out.

This is my chanceto actually be there,

see the differencewe're making.

Besides, my mom'salways telling me

that I should stop spending somuch time looking at screens.

- [laughs]It's going to work.

We'll be with youthe whole time.

And if anything goes wrongor you just want out,

there's a camera inthe ceiling panel of the van.

So you just look up, shakeyour head, give us a signal,

and we'll shut it down, okay?- Got it.

- Hey.

So I rigged a little knifeinto the heel.

- Cool.

- It's an old CIA move.

Hopefully you won't needto use it.

♪ ♪

- You know, for an Army brat,you're brave as hell, Morales.

- Can't let a marinehave all the fun, now, can I?

♪ ♪

- We've cut into the zip ties.

Tom won't notice,but if you need to break free,

it'll be a lot easier.

Hands back.

♪ ♪

Okay, let's get you in the tub.

♪ ♪

You good?- Yeah.

- We'll be watchingthe whole time.

♪ ♪

All right, let's make surefeeds are good.

No blind spots, no mistakes.

Do we have sound yet?- Sound's up now.

- Alpha team.- Alpha team is in position.

- All right, let's getour people out of there

and start the show.

♪ ♪

How long does a sedativelike that take to--

- Oh, he's up. He's up.

♪ ♪

- [groaning softly]

- Here we go.Bex, you set?

- All set.

Hey, Morales, he's up.

You got this, okay?

♪ ♪

- Now what is he doing?- Is he checking the weather?

- I don't know.This guy looks spooked.

- Come on.

Come on, come on.

♪ ♪

- We put everythingback the way it was.

This should work.

Let's keep track of allthe sticky notes he looked at.

♪ ♪

- [crying]Hello?

Is anyone there?

Please.

It's so dark, I can't see.

Is anyone there?

Hello?

Hello?

Where am I?

♪ ♪

[cell phone beeping]

- Okay, guys, he's aboutto make the call.

- We're on it.Let it ring twice.

[line trilling]

Send it to voicemail.[computer beeps]

Hi, you've reachedSandy Jacobs. I'm sorry--

- Any chancehe changes his plan

when Lily's parentsdon't pick up?

- Leave your name and number,and I'll call you back

as soon as I can.

- [sighs]

♪ ♪

- Morales, he's comingtowards you, all right?

Just stay calm.We're right here.

- Come on.

[grunting]Up you go.

- [whimpering]- No fussing.

Easy does it.Easy does it.

♪ ♪

- [grunts]

- Morales, you're doing great.It's working.

♪ ♪

- All right,Beecher is in play.

Alpha team, hold.

Do not make any moveunless Bex makes the call.

Keep the drone out of sight,but stay on Beecher.

- Alpha holding position.Drone is in flight.

♪ ♪

- Just let me go.

Please.

- Now, Lily, I've alreadytold you I can't do that...

[humming]

Not when we're about to haveso much fun together.

- Just let me out of here.

- [continues humming]

You and I both knowyou'll never go home.

- Is he humming?- [continues humming]

What is he humming?- I don't know.

- Beethoven."Moonlight Sonata."

- [continues humming]

Tell me--if you could callone person right now,

who would it be?

- My mom.

She's going to be so worriedabout me.

- Oh, don't worry.

I'll be sure to give hera call soon.

[horn honks]

- The light's green.Why isn't he moving?

- What is he doing?

- Let me call her.

- I would,but I can't trust you.

You'd tell her where you are.

- No, I wouldn't.

- Call your mom or your dad?- [grunting]

- Dad.

- Are you sure?

- Come on.[horn honking]

- I don't like this.Something's off.

[horn honks]

[seat belt clicks, van beeping]

[recording continuesindistinctly]

♪ ♪

[tires squealing]

- There's no cover out here.

If we follow,he's going to make us.

- He's getting too far away.

- Alpha team, stay back.- Alpha holding.

- Bex, what's your call here?

- Okay, everyone, hang on.Keep the drones on them.

Morales, we're still here.We got eyes on you.

You good?

Copy that.Everyone hold on.

♪ ♪

- What are you waiting for?

- How should I do it?

- Make it painless.

♪ ♪

[recording continuesindistinctly]

- He's stopping.Is this the place?

- There's no buildings.There's nowhere to hide Lily.

- What about a bunkeror an underground shelter

or something like that?

- Come on, Tom,what are you doing?

♪ ♪

- [grunting]

♪ ♪

- Do you knowthere's something I love

about this stageof our time together?

You have no ideawhere you're going

or what's going to happento you once you get there.

But I've been through enoughpsychological experiments

to recognize a setup.

♪ ♪

- No, he knows.Go, go, go, go!

[engine revving,tires squealing]

- Move in, move in!Alpha team, Go, go, go!

♪ ♪

- [breathing shakily]

- Who are you?

♪ ♪

- Abort the mission!

Morales, it's over.

- Get there, guys.She's running out of time!

- Get out of there!

- Do you know what this is?

- Morales, come on,abort the mission!

- Graphite.

I'm sure you already know, it'sused to dust for fingerprints.

[grunts, breathing shakily]Who are you?

- I don't knowwhat you're talking about.

- Who sent you?

The Pit?Dr. Dulles?

- Just please let me go.

- Who are you?

- Please, please let me go.

- Wrong answer.

[suspenseful music]

♪ ♪

[engine revving]

[sirens wailing]

♪ ♪

- Go, go, go!

- It's her!- Morales!

- It's okay!It's not my blood!

- Hey!Stop right there!

- Hands in the air!Put them up!

- Drop the knife, Tom!

- I know you.

That was good.

That was good.You almost had me fooled.

- Drop the knife.- Or what?

You won't shoot me.

There's still a girl out there,

and you won't find herwithout me.

- Tell us where she is, Tom.

- No, she's going to die.

And you can't stop it.

- Put it down, Beecher.It's over.

♪ ♪

- Yeah, I suppose you're right.

It is over.

- No, no, no![all shouting]

- Medic! Call a medic!Get a medic out here!

- No, Tom where is she?Tom, tell us where she is!

Come on.

Come on, Tom, Tom!

Tom, no!

- Beecher is down.

Say again--Beecher is down.

- Bex, slow down.What are we doing here?

- Lily is going to dieunless we crack the code.

Now, we need to go overeverything, every detail.

We have missed something.

- Okay, where do we start?

- Beecher was playingthis recording of Lily

when he was driving the van.

So whatever message he lefthimself is on the recording.

- Well, if it is, he foundsome way to encode it.

And you can't crack a codewithout some kind of key.

- And not to mentionwe've already run it

through a dozendifferent algorithms.

There's no pattern there.- How long would this key be?

- Uh, like any other password--

a-a seriesof letters and numbers.

It could be anything.

- Could the key beon a sticky note?

- Well, whatever we needis in this room.

- What if it's notin this room?

"Moonlight Sonata"--Beecher was humming that

while listening to the tapeof Lily in his van, right?

- Yeah.- That has to mean something.

- Okay, but what would it--- Like a diatonic cipher.

- Say--A what, now?

- Diatonic cipher--I mean, musical cryptography.

It uses the seven major notes

of the musical scale,A through G.

It's a little Victorian,but, uh...

it could totally work.

So each note

corresponds to a number.

A is 1, B is 2, and so on.

Uh, in the van, Beecherwas humming "Moonlight Sonata"

over and over and over again.

- Yeah, while he was listeningto the recording of Lily.

- Right, like...[humming]

- B, E, G.- B, E, G.

- What?It's a famous song.

Why does everyone getso surprised

when I know something?

- B, E, and Gtranslate to 2, 5, 7.

The code is on the recording,I know it.

[scoffs] This could be the keyto unlocking everything,

like--like a--like a PIN code.

It would allow him to useone letter but mean another.

- So the sticky notesdon't help.

- I know it's complex,but it's like a language.

Even with his memory gone,patterns like this

can be recalled with muscleand experiential memory.

♪ ♪

I-I need my computer.

Okay, assuming Beecherleft himself coded messages

in his interview with Lily,

we can run every word he saidagainst our 2-5-7 key and...

[computer whirring]

Okay, uh, n-no problem.

Uh, we'll just trythe first letter of every word.

[computer whirring]

[sighs]Still nothing.

Uh, okay, um,the--the first letter

of the first wordin every question he asked?

[computer whirring]

[sighs]

- No, this ain't it.

Um, we should try--

- Just wait, wait,wait, wait, wait.

Um...

Okay, maybe we're lookingat this all wrong.

Uh...

we're assuming Beecher encodedthe questions he was asking,

but...

what if he hid his codein what Lily said?

- How would thateven be possible?

He'd have to knowwhat she was going to say.

- He scripted her answers.

- That's why she soundedso odd on the call.

- Here goes.

[computer whirring, beeping]

♪ ♪

[exhaling sharply]- You were right.

- [chuckling]

♪ ♪

- Are those--- Yeah, they're directions.

- Let's roll.- Hell, yeah, Morales.

- Yeah.- Get on the road now.

We'll send you the directions.[keys clacking]

- Hey, Morales,you're coming with us.

♪ ♪

- Lily Jacobs?

- Lily, can you hear us?

- Lily! Lily!- She's there! She's there!

- Lily, we're going to getyou out of here, okay?

- [sobbing]

[uplifting music]

♪ ♪

Mom! Mom!- [sobbing]

Oh, God.- Hi, baby.

We're here.- [continues sobbing]

- What is it?

- Just look at her.

- [continues sobbing]

♪ ♪

- Same time tomorrow?- Yeah.

♪ ♪

Same time tomorrow.

[knock at door]

♪ ♪

- Hey.- Come in.

- Thanks.What's up?

Your message sounded important.- Yeah.

I watched all of the tapes.

I'm sorry.I couldn't help it.

But I found somethingthat you need to see.

[tense music]

♪ ♪

- That's enoughfor today, Shane.

- Yeah.

♪ ♪

- What do you feel?

- Is that really him?- Yes.

That's your son.

- Can I speak with him?

Please, just one time.

- You know you can't.

♪ ♪

- I'm so sorry, Shane.

I can't believe my father

would ever be a partof whatever this is.

♪ ♪

- That's my mother.

♪ ♪

- All right, Oliver,you got me out here.

What's this all about?

- You said you wantedto meet my contact.

- Special Agent Henderson.

We need to talkabout the blast.

♪ ♪