Original subtitles

- Come on, come on, come on, - I'm coming.

- come on, come on, come on.

You can make it. You can make it.

I promise.

- Brett, how much further?

- We'll just get to the top. Come on.

- I'm tired.

- Here.

We're nearly there. Wait till you see the view.

Up here.

- Whoa.

- You up? - Yeah.

- Okay.

- Oh my God. You're right. It's gorgeous up here.

- Oh, we should have brought a blanket or something.

Brett, I said we should've brought a blanket.

Brett?

Brett?

Brett, for God's sake!

Brett!

- Luke.

- How are you, Simon?

I suppose I shouldn't be surprised it's you.

- Likewise.

- And who found it?

- Two kids at the festival.

They fell into a crack in the ground

Took the police nearly a week to find them.

- What happened?

- The boy was killed instantly.

The girl spent five days in pitch darkness with this corpse,

but she died just after they found her.

God help her.

- Michael.

Michael.

Michael, stop it!

Oh!

Oh God.

Michael, stay there. Don't move.

Oh God.

Oh my God!

Oh, don't move!

Don't move!

You've had an accident!

I'm going to call an ambulance!

Don't try and move!

How is she?

- I'll do further tests, of course,

but I don't think you've could have hit her

quite as hard as you imagined, Mrs. Kirkman.

- There's no way I couldn't have.

I know how hard I hit her.

- But she only has a cut on her hairline

and a few scratches.

There's no serious damage.

- But she's unconscious.

- No, she's asleep.

Look, the results are all fine.

She's a bit disoriented, of course.

Her short-term memory may be a bit shaky.

There's no reason to keep her in.

- You're letting her go?

- I'll see her after my surgery.

- Oh, I can't just walk away and leave her.

Who'll look after her.

Oh, this is awful. I don't even know her name.

- It's Cassie Grant.

- Michael.

- The Christ figure has his back to the church.

- It does, doesn't it?

- It seems to be the wrong way around.

This is a very significant discovery, Luke.

- Yes.

I know.

I'm surprised you came to me.

- Simon, Santa Severa was a long time ago.

- Two years.

- To be honest, you weren't my first choice.

- The building itself is brick and stone.

Office reticulata, Roman.

This church was built in the first century.

- And the altarpiece?

- Yes.

The altarpiece was carved at around about the same time.

- It's unusual, a crucifixion shown from behind the cross.

Never seen that before.

- It's gonna deteriorate.

- How fast?

- I'll need to get a monitoring system in

as soon as possible.

- How soon can you start?

- As soon as I can get a team together.

- Professor Kirkman, I'd prefer you to work alone

at this stage.

We feel that the fewer the people from outside the church

concerned with the conservational work the better

As long as it's still under our jurisdiction,

we'd like to make our own analysis,

calmly, quickly, and without any fuss.

- And no journalists.

- We'll cooperate in every way, professor.

We'll provide everything that you require.

- Are you sure about this?

- It's the least I can do, really.

We've got more room than we know what to do with.

You can stay as long as you need to.

You don't remember why you were coming to Ashby Wake?

- No. I must know people here.

- Hmm.

- I'm sorry. Just, it's all a bit fuzzy.

- Dr. Byworth said you might be a bit confused to begin with.

Our Ashby's a small place.

Someone's bound to recognize you.

- Michael's quiet. - Yes.

How did you know his name?

- You must've said it. - Of course.

We're here.

- Boo!

- Oh, this is Emma.

- Hi Emma. I'm Cassie.

- Hi.

- Wow. This is an incredible house.

- We bought it a year ago.

Just after we were married.

- Oh.

- I'm there step mom.

We still got loads to do to it.

- You have so many beautiful things.

- That's Simon, my husband.

He's the expert.

Now just be comfortable.

I'll make some tea.

- I'll help you.

- So what about this girl?

- Cassie?

Really wasn't anything else I could do?

God, Simon, I thought I killed her.

- God, that must have been awful.

Oh.

- Oh, I was petrified.

I thought she was dead.

I don't know what I would've done.

Thank God we can help her out.

She's also lost all her things.

At least we can give her a bed.

Hello.

- Good morning. - How are you feeling today?

- Much better. Thank you.

I hope you don't mind.

The kids said they were hungry,

so I thought I'd make them breakfast.

- I showed her where everything is.

- You shouldn't be doing this.

- I don't mind.

- Ashby Wake Fair.

- Is Mrs. Groves here yet?

- Mm-mm.

- In the village.

I think a few of you...

- I'm meant to be in Oxford for a meeting.

- Oh, I can take the kids to school.

- That's okay.

- I'd like to.

- Summer fair...

- You don't know where it is.

- Emma can show me.

- Lot's of parades, lot's of fairground stuff.

- Hey Michael, how do you like your eggs?

Scrambled or sunny-side up?

- He's not talking.

- Or do they do something weird here in England

like mix them with jelly?

- Ew.

- Marvelous day.

Get the kids, bring the family

and take everybody there.

And don't forget that.

That's August the first. - Thank you.

- Ashby Wake Summer Fair.

- Hi, Lucy.

- Oh.

- Hello.

- I'm so sorry. Excuse me.

- Most of the damage is being caused

by these waterborne salts, actually,

within the fabric of the building.

That's especially true on these figures to the right.

There's bubbling and incrustation

on most of the others,

but they're remarkable, aren't they?

Joseph of Arimathea was at the crucifixion.

And he came to England immediately afterwards.

- With the spear that wounded Christ on the cross, yes.

- And?

- And he built a church in Glastonbury.

- First century, Roman church.

Almost certainly this one.

- It's possible.

- It's probable.

So when we look at this altarpiece,

you know what we could be looking at?

- A record of the crucifixion of Christ

by someone who was there.

♪ A tissue ♪

♪ And we all fall down ♪

♪ The cows are in the meadow ♪

♪ Eating buttercups ♪

♪ A tissue, a tissue ♪

♪ We all fall down ♪

- Cassie. I made this for you.

♪ Ring-a-ring-a-rosies ♪

♪ A pocket full of posies ♪

♪ A tissue, a tissue ♪

♪ We all fall down ♪

- I saw two people in town that looked

kind of familiar to me.

I think they recognize me

but I had no idea who they were.

- Happens to me all the time.

Headaches?

- No.

- Anything else?

- Well, when I saw those people,

I dunno, everything went kind of strange.

- I don't think you've anything to worry about.

You've had a jolt.

It'll take time to settle down.

All right?

- Yeah. Thank you.

- Hello.

Where'd you find that?

- This is yours? You wrote this?

- Yes.

- "The Forensics of Faith."

- It's about my work.

- I thought you restored art.

- I do.

And work out where it comes from

and whether it's authentic or not,

which causes a lot of trouble.

Keeps me busy, though. - Too busy.

It's been a godsend, Cassie, having you here with us.

- Oh, it's great being here with the kids.

They're really, really sweet.

- Have you been a nanny before or an au pair?

- I don't think so.

- Do you remember anything about your family?

- No, not yet.

- I'll have a glass of that.

- Sorry.

- How long have you lived here?

- A year.

- Emma was born in Ashby Wake

and she was nine when we moved in here.

We just thought it'd be a great place

to make a fresh start.

Kids had had such a difficult time.

- Michael was only four when his mother died.

- I'm sorry.

- She'd been ill a long time.

- It's been terrible for Michael.

He's really had a struggle.

It's so hard having to watch him suffer.

- No!

- Asshole.

- Cheers.

- Are you all right?

- I know you.

Don't I?

- You don't remember, do you?

- No, no, I do.

Outside of the school.

- Exactly.

♪ Even if I don't know how to forgive myself ♪

♪ I know ♪

- So whereabouts in the States are you from?

- The Midwest.

I'm staying with family here.

I was actually hit by a car a few days ago.

- You were run over?

- Yeah, no, I'm fine. Obviously.

I just got a little concussion.

- Poor you. It must've been a terrible shock.

♪ Now there are arrows in the air ♪

- Are you staying in Ashby Wake?

- At Lime Court. It's on the outskirts.

- Big place. Cornfields.

- Yeah, yeah, that's it.

♪ Arrows in the air ♪

Do you live around here?

- I haven't decided yet.

I mean, I do love it.

The West Country.

I'm looking after someone's place up on Studee Hill.

- The report shows unusually low acid

and high salt levels in the soil.

- Mm-hmm.

- Well this might be damaging the walls.

- Yes, I know, Luke. I wrote the report.

What's really interesting is that the soil

was brought here about 1200 years

after the church was built.

- You didn't put that in the report.

- The church was buried deliberately

around the time of the Black Death.

Come on, Luke.

We've known each other a long time.

Why are you trying to keep this place under wraps?

- Look, there are things we don't understand yet.

If the church was deliberately buried,

there must've been a reason.

- No!

- Damn it.

- No!

Michael?

Michael?

Michael?

Was that you?

Where you crying?

Can't you sleep?

It's a very good dog.

Like the one that barks outside, huh?

You've heard it, haven't you?

And the children?

Have you heard them too?

It's okay.

There's nothing to be afraid of.

Mrs. Groves?

Do you know anyone around here

who has a pitbull kind of dog?

- What sort of a pitbull?

- I don't know.

It was kinda caramel colored.

Got a really big head.

I've seen it here on the grounds.

- I haven't seen a pit bull like that

around here for a long time.

Where are the children? This is nearly done.

- What was Michael and Emma's mother like?

- Caroline? Oh, she was lovely.

Lovely mum.

It's not my place, I know,

but it didn't help, Professor Kirkman

remarrying so soon after.

- Yeah, it must have upset them.

- Well as much as moving here

They shouldn't have bought this place.

Would you mind calling them in?

- Michael? Emma?

- You're not holding it straight.

- No!

No!

- Michael? Michael?

Micheal, it's okay.

It's okay. It's okay.

- A journalist has been phoning the Bishop's office.

We can't have people talking to the press.

- Oh, you think it was me?

- No, no, of course not.

- Yes you do.

- Well, was it?

- Ah.

- You still think you were right, don't you?

About Santa Severa.

- All I did was tell the truth.

- As you saw it.

Actually what you did was undermine the faith

of thousands of people.

- People who've been taught to believe

that a piece of wood--

- A sacred relic. - A piece of 19th century

driftwood was a fragment of the holy cross?

- Which they believed was sacred.

- Luke, I'm only interested in the facts.

- I know.

I know.

- No, thanks.

- But what we have here is authentic.

This deserves to make the headlines.

This is probably the earliest crucifixion we have.

- That's not what it is.

Aristobulus, Biship of the Britains,

wrote a series of letters.

- He was in Glastonbury, wasn't he?

First century?

- Aristobulus mentions the church

founded by St. Josesph of Arimathea,

and in the same letter there's a sort of postscript

that quite a few scholars puzzled about.

"They came only to see

from the East and from the West,

from the city and from the plain.

They came not in holy reverence to the Lord,

but in lust."

- Mm-mm.

Your Latin's better than mine.

- "They came only to see...

Not in holy reverence, but in lust."

That's what I think the bas-relief is about.

There have always been people all through the ages

who came just for the spectacle.

The people who knitted by the guillotine

during the French Revolution,

the crowds who turned up for the hangings at Newgate Jail,

the people who camp outside of American prisons

when they're going to throw the switch.

- Yes, but it's still a crucifixion scene.

Maybe unorthodox but-

- No, it's not just a crucifixion.

It's not about Christ, Simon.

It's about the people who came to watch.

- There you go, Vicar.

Thanks very much. - Thank you very much.

Good morning.

- Michael?

Sweetie?

It's okay.

It's okay. He can't hurt you.

He's...

Come on.

Come on. Let's go.

- Look at my face.

- Michael!

I won't let anything happen to you.

Okay? I promise.

- I'm all right.

- I'm not gonna let anything happen to you.

Oh, I promise.

- I'm okay.

- I'm so sorry, Dan.

I just, I didn't know who else to talk to.

- Cassie, what is it?

- For the past few days, I've been having these...

Oh.

I don't even know what to call them.

Visions, hallucinations.

I see these horrible things.

And then later I'm not even sure if I just imagined...

- Well, you were run over by a car.

- But what I see, it's so real.

I'm afraid I'm having premonitions.

- Premonitions? What about?

- I don't know.

- Well do you know what they mean?

- I don't know. I don't know.

Fuck.

How can I know what's gonna happen

if I don't even know what has happened?

- Oh, hey.

- I'll help you.

- I feel so alone.

- You're not alone, Cassie.

You're not alone.

- The dog was barking at us like crazy

in the back of the truck.

And this guy was just staring at Michael.

It was awful.

- Well there's only one garage in Ashby Wake.

We'll start there.

- That's it. That's definitely the truck.

- What are you doing?

Can I help you?

- Can you tell me who owns this car?

- Why did you wanna know?

- I'd like to buy it.

- It's not for sale.

It belongs to one of my mechanics.

- Is he here?

- No.

- Well, can we get his telephone number?

- No, he's not on the phone.

- Okay, then his address.

♪ Giving up ♪

- Talen Cottage, Log Ridge Road.

His name's Argyle.

Oh!

Oh.

Jesus.

- So that's the dog?

- Yeah, that is the dog.

- You know, in England, we call this breaking and entering.

- I'm not gonna break anything.

- God, look at this stuff.

- It's sad.

Oh, God.

I know these people.

Dan, I know these people.

That's my doctor from the hospital.

- Come on. Let's go.

- That's Lime Court.

In the 60's, Lime Court was a children's home.

A church home.

The staff was accused of molesting the kids.

- So what's new?

Come on, Cassie. I really think we should get out of here.

- Jesus Christ. They were all involved.

They were all in on it.

All these guys.

Everyone must know.

The whole town must know.

That's him at Lime Court.

He must have lived there.

Oh my God.

Dan! Dan, it's Michael!

He has a picture of Michael.

Why does he have a picture of Michael?

- I don't know.

Come on, let's get outta here. - Shit.

- Before he comes back.

- Wait, wait!

Oh my God! Dan, you saw that place.

That guy is obviously insane.

- All I saw was a sad, fucked up life.

- We're going to the police.

- And tell them what?

That he's been taking snatches of Michael?

- Yes. And what about all those other pictures?

He must see himself as a kid in Michael.

He wants to get rid of him, wipe out his past.

And in one of my...

- Premonitions. - Yes.

- In one of my premonitions,

I saw Michael with half of his face blown off.

- But you can't go to the police and tell them that.

- Well, we have to do something.

Jesus.

- Okay.

Why don't we find out a bit more

before we do anything drastic?

- And all that happiness,

so soon to be shattered.

Yet he went with him on his last political journey.

In Dallas, he was well-respected by state government.

- Thank you.

- There to was the vice president,

Mr. Lyndon Johnson, who is a Texan.

In that state, the democratic government is not popular.

But the Kennedy charm seemed to be

as effective as ever.

With a motorcade.

- It was closed down after all the fuss.

Just abandoned.

Then Mrs. Kirkman bought it and did it up.

- Did you ever come here?

Did you know the priest that was in charge?

- Look, it doesn't matter, now does it?

It's all over now.

Nobody wants it all raked up again.

- It just seems like someone should have known

what was going on here.

- Cassie, nothing was ever proved.

There were rumors, yes.

It was wicked, dreadful,

but it's over.

- But safety standards have changed

since those early days.

Controversy over the precautions taken...

- We're unashamed

and frequently close to the cameras.

How many met this fate will never be known.

- He's dangerous. I think he wants revenge.

- Revenge, right. On whom?

- I don't know. The people that hurt him.

Possibly the whole town.

- The whole town?

And he's obsessed with this kid that I look after, Michael.

- Now, why would he want to harm this kiddie?

- I don't know,

because of his childhood, the way he was hurt

- Okay, now I don't suppose you've got

a name for this gentlemen.

- Frederick Michael Argyle.

- Fred?

- Look, Miss, I don't think you have to worry about Fred.

Everybody in Ashby Wake knows Fred.

- And you think he's funny?

Jesus Christ! What is wrong with you people?

- Look, Miss, I'm afraid that without any actual evidence,

there's very little we can do.

- Great.

Thank you. Thanks a lot.

- And from the 19th century, this male figure on the right.

The detail of his face.

The figure on the bas-relief.

And in this picture, we're looking at the figure

of the older woman in the background.

There's the detail

of her face.

And again, the identical face on the bas-relief.

- We must bury it.

- Isn't that rather drastic?

- I've been in turmoil. I think we all have.

Ever since the discovery was made.

And we grieve for those two, poor, young people.

But these findings come as no great surprise

to the scholars among us.

You're not the first, Luke,

to recognize that these figures appear again and again

at scenes of human tragedy.

It has been documented by certain churchmen.

And we must respect the fact

that the church has been buried once before.

Why? - Bishop, forgive me.

Burying the church, even tearing it down brick by brick,

isn't gonna stop these tragedies from happening.

- Indeed it is not.

Nothing on earth can do that but we can prevent that place

becoming a center of superstition and fear.

If people become obsessed with evils that might occur,

they neglect the present good that they should do.

Can you handle matters

with Professor Kirkman?

- Yes.

So I'll drive up to see him first thing tomorrow.

- Frederick Michael Argyle. - Fred?

Everybody in Ashby Wake knows Fred.

- He has a picture of Michael!

Why does he have a picture of Michael?

- Now why would he want to harm this kiddie?

- He wants to get rid of him. Wipe out his past.

- Look, Miss, I don't think you have to worry about Fred.

- No!

Please!

Don't, don't! - I'll teach you, Argyle!

You won't run away! I saw you!

Always trying to make trouble!

How do you like it? - Please, please!

Don't!

I wasn't! - You like the boys,

Argyle? - Please!

- Try that again...

- No!

- Michael? Michael?

Deep breath.

Okay.

Oh, it's okay.

- I heard voices.

- I know, sweetie. I heard them too.

- What's going on? Michael, what's the matter?

- Oh, he was having a bad dream.

- It's all right.

Come on. You go up to bed.

It's just a storm. It'll all right.

Come on. It's all right.

- Let me take him.

- It's okay, Michael.

Michael, you go with Marion, okay?

- Did Michael get these out?

- Yeah.

- Simon. Where are these photographs from?

- They're just my work.

- No, you have to tell me, where are these pictures from?

- They're from an altarpiece.

A bas-relief I've been working on.

- I've seen these people.

- What?

- In Ashby Wake.

- No, these are from a work of art.

A very old work of art.

- I've seen these people in your town.

- What are you talking about?

- This one.

And this one.

- That's enough.

Just go to bed, would you, Cassie, please.

- Oh my God.

- Ladies and gentlemen,

your friend and his, the mayor!

- I just wanted to say,

I'm delighted to be here.

And it gives me great pleasure

to declare the Ashby Wake Fair open!

- Wait for me!

- Run, silly.

Come on.

- I'll race ya!

- Yes.

Thanks. Bye.

Luke Fraser's been killed in a car accident.

- Simon.

- He was on his way to see me.

The car somersaulted and it was instantaneous, apparently.

- Oh.

- Um, I've gotta go.

The bishop wants to see me.

Will you be here?

- Of course.

- Whee!

Whee!

- I'm grateful for your promptness, Professor Kirkman.

It's a terrible blow.

Luke was a remarkable man.

- Yes, yes.

- There are things I think you should see.

Aristobulus called them "The Gathering."

The people who came to the crucifixion

not to worship or to comfort, but to watch.

- Yeah.

"From the East and from the West they came,

not in Holy reverence, but in lust."

- Indeed.

There's always been a tradition in the church

that the Gathering was cursed,

cast into the outer darkness

and that its members were doomed

to be the spectators of mankind suffering forevermore.

The first world war.

Desolation of the first atomic bomb.

The barbaric lynching of one poor soul.

I've shaken your faith, professor.

- No, I don't have a faith.

- Your faith in scientific rationality.

- Oh.

Have you got a phone?

- Yes, of course.

- I know where these people are.

They're here now.

♪ La, la, la ♪

- Cassie, look at me.

Look at my legs.

- Look at me.

- Cassie, look. - Okay.

Let's go, okay?

They're here. Come on.

Mrs. Groves? - Hello, Michael, Emma.

- Hello, Mrs. Groves. - Are you gonna buy a balloon

for the race? - Yes, please.

- Mrs. Groves, can you watch them a minute?

- Well, I don't know.

- Mrs. Groves, this is really important.

Please?

- Cassie!

Where are the children?

- They're over there with Mrs. Groves.

- What's going on? Simon said we were in danger.

- You're just gonna have to trust me.

You've got to get the kids out of here.

♪ MG coming with the twist ♪

♪ Something to believe in ♪

♪ I'm feeling ♪

- Oi, James, look who's here. It's GI Joe.

Well very nice of you to turn up, Freddy.

- What have you got there, Freddy boy?

You been shooting rabbits again?

♪ Why have you had no one to see that ♪

- Shit!

- Fellas!

You two!

Where the hell have you been?

Luke, I never touched you. Please.

No.

Please.

- Hello, stranger.

- Hello?

Hello?

Hello?

- Cassie.

- You stay the fuck away from me.

- What?

- Who are you?

- What are you talking about?

- I'm talking about a sculpture

that was made 2,000 years ago.

I saw pictures of it last night.

I saw you.

You were in them.

- Yes.

- Yes?

What the hell does that mean?

Who the fuck are you?

- You shouldn't have gone to the police, Cassie.

I tried to warn you.

They might've gotten away

and they couldn't allow that to happen.

- There was an officer here.

Where is he?

- Right behind you.

- Oh, Jesus!

Jesus Christ.

- Hello.

Ah, Frederick. Been to the fair?

- It all began 2,000 years ago.

A crucifixion on the hill.

We went to watch.

But we were punished.

Unfairly, in my view.

It's a natural thing to be curious.

- You knew about Argyle this entire time.

- So did you.

- What are you talking about?

- I'm not going to hurt you, Cassie.

I'd never do that.

You know something's going to happen.

That's why you're still here.

You're one of us, Cassie.

You've just forgotten.

All those years ago,

we've been condemned to come back and watch.

And that's what we did.

But as time has passed, we found we can be of use.

We can make sure that things are in place

for what's inevitably going to happen.

That nothing gets in the way.

- But it's pathetic. It's obscene.

Watching people suffer,

getting some kind of thrill out of it.

- No, there's no thrill.

We can't stop what's going to happen, Cassie.

- Fuck you, Dan.

- There's nothing you can do, Cassie.

- And right behind us,

who is presenting the prizes,

a big welcome to Dr. Byworth.

- Thank you.

Thank you very much.

- Hey!

Hey, can you help me?

Please, can you help me push this?

- Yeah, of course. - Please, around back.

Please. - Okay.

- Okay. I'll go this side.

- Are you ready? - Yeah.

- All right, push! - And the prize goes to

Miss Caldwell.

- Is the engine gonna start?

- Come on, faster! - Spring her out.

- You've gotta let out the clutch!

- You're gonna hit the wall!

- To the right! - Careful!

- No, you're gonna hit it!

- Jesus Christ!

- Run, get away!

- Are you all right?

- Run! Run!

Run! - What?

- Come on! There's a bomb in the truck!

Run! Run!

- Congratulations.

- It's all right. - Come on, come on.

- Oh.

No, no. Please.

- Let's get over there.

- You're a little late.

You missed it. I'm sorry if I ruined it for you.

- You haven't. You've seen it, Cassie.

You know what's coming.

He's ticking off his list.

He's on his way to kill Michael now.

- Michael's on a train to London.

- I think you'll find that Michael's

at Lime Court with Emma.

Cassie. - Don't touch me.

- It won't make any difference.

- Marion?

Emma, where's Marion?

- She's down there. - Cassie, is that you?

- Marion, we've got to - I can't get Simon.

- get out of here. - The train's canceled

but I thought we'd be safe here.

- There's a man.

- Marion.

- Michael!

Michael.

Cassie! Take Michael.

- Marion.

Go, go, take Michael. - Oh God.

Go!

- Run!

Run! Come on!

Into the field!

- Did you see Marion?

- Shh.

- No!

- Fuck!

Come on.

Stay here.

Go.

- Marion? Oh, God.

Oh, God. - The children.

- I'll call an ambulance. - The children.

- My God. - I'll be okay.

Get the children.

Get the children, get the, - Oh, Christ.

- Get the children. I'll be okay.

- Stay down.

It's okay.

- Shh.

- Cassie!

Please, no.

- No!

- Cassie.

Cassie.

I did see that man shoot you.

- Yes, he did.

But he couldn't hurt me.

No one can.

I'm not like you

A long, long time ago,

there was a girl walking in a field outside of a city

and she came upon something...

A terrible thing.

And she stopped and watched.

She shouldn't have done that.

- Why not?

- Because it was a horrible, horrible thing.

She should have tried to stop it or help

or at least she could've cried out against it,

but she didn't.

She just watched.

- What happened to her?

- She wandered lost for a long time.

And she was very unhappy.

But then she learned something important.

That everyone gets a second chance.

You just have to know to take it.

Sleep. - I can't.

What about the voices?

- They're gone.

You don't have to be afraid of them anymore.

- Are you gonna stay with me, Cassie?

- No.

You don't need me.

We're both free now, Michael.

- You all right?

Time to sleep.

And bear.

- Night-night.

- Night-night.