Original subtitles

[Man On stereo]♪ Come with me ♪

♪ To the sea ♪

♪ Of ♪

♪ Love ♪

♪ Do you remember ♪

♪ When we met? ♪

♪ That's the day ♪

♪ I knew you were my pet ♪

♪ I want to tell you ♪

♪ How much I love you ♪

♪ Come with me ♪

♪ To the sea ♪

♪ Of ♪ [Man] Oh, baby!

Oh, baby!♪ Love ♪

[Moans]

♪ Do you remember ♪♪ [Moans]

Oh, baby!

Oh, baby!

Okay?

I can't...

Is this okay?

Is this okay?

Is this okay?

♪♪ Men Vocalizing]

[Man] Invites, guys. Invites.

Invites and I .D.'S, guys. Invites and I .D.'S.

I .D.'S, fellas.

Three.

Invites and I .D.S, fellas.

Welcome to the Yankees.

All right, chief, have a good breakfast. Go ahead. Go on in, young man.

Looking' good, gentlemen.

[Man On P.A.]Welcome to the third annual Meet the Yankees Breakfast.

Have a seat, fellas.

The Yankees will be herein a few minutes.

[Chattering] Yankees will be here in a minute.

[Chattering]

How you guys doing'?

Yo, bro. Where the Yankees at?

Oh , they're coming'.

You a Yankee?

You don't recognize me?

Shortstop? [Laughs]

- Used to be. - What?

Sure.

Holy cow!

I thought so. You're the Scooter.

Yo, Efram, this dude is Phil Rizzuto.

Do that again.

Holy cow!

Yo, Phil, how come you pouring' us juice?

How we get to the game after? I ain't got no car.

Ah , we got you covered.

- Word. The Yanks up in here? - Oh, yeah.

All right. Bust it out.

[Together] Yo, Scooter!

Scooter! Scooter.

[Applause] Hey, hey, hey.

Hey, hey, yo, I'm good.

Go ahead. Get yourself something to eat. Go ahead.

[Chanting] Scooter! Scooter!

Scooter!

Okay, fellas.

I got some good news, and I got some bad news.

Now, which you wanna hear first?

Good news! Good news!

Yo, yo, yo, yo. Fuck that. Give up the bad news, homeboy.

[All] Yeah!

[Man] Bad news!

Bad news wins.

Uh , the Yanks can't make it here, guys.

[Murmuring]

And you can't make it over to the stadium later.

We got 45 outstanding warrants...

eating our pancakes here.

And on behalf of the New York Yankees...

and the New York City Career Criminals Investigation Unit,

you are all under arrest.

Sorry, guys. We got you.

- Yo, what's the good news, money? - Good news is coming' around.

Yo! Yo!

Excuse me.

I'd like to propose a toast.

[Chattering]

Hold it.

To Detective Frank Keller,

on today, his 20th anniversary on the job.

Sit down! [Scattered Booing]

I can't believe you're not retiring.

I get 20 years and a wake-up call, and I'm history.

I'm gonna take half of my pay...

Open a motel, a bar, a polygraph school.

Hey, hey, hey. I'm gonna be 46 years old in some alley...

sticking my pencil in some dead skull looking for a bullet?

Ain't nothing wrong with opening a motel.

I'll come and visit you.

Good. I'll make sure you get plenty of towels.

Anyway, congratulations.

Hey, am I too late?

- You got an invitation? - Yeah.

- Who's this? -That's my son.

Ernest Lee. Invitation's for you only.

Well, I can hardly meet Dave Winfield without taking my boy.

You got I. D. , Ernest?

Yeah.

Grand theft auto, two counts.

We're all booked up, Ernest.

Hey. Hey, man, I got an invite.

I said we're all booked up. All right?

Thanks, man.

Catch you later.

[Engine Starts]

!Man On TV]You're out of the water for another couple of days.

!Man #2]Good morning, Margaret.

!Man #1] Hi, Margaret.

How the heck are you? ! Woman] Fine. Thanks, Jimmy.

[Phone Buttons Beeping]

Gruber.

Frank Keller.

How you doing'?

I wake you?

Yeah. Well, could I ...

could I speak with my wife, please?

Yeah. My ex-wife.

Denise. How you doing'?

I wake you?

I wake you?

Oh, I'm sorry. Listen.

I-I gotta... I gotta talk to you.

I think...

I-I got appendicitis.

!Receiver Clicks] !Dial Tone]

Hello?

Hello?

[Handset Settles In Cradle]

[Man On Stereo]♪ Do you remember ♪

♪ When we met? ♪

♪ That's the day ♪

♪ I knew you were my pet ♪

♪ I want to tell you ♪

♪ How much I love you ♪♪

[Record Player Clicking]

♪♪ Men Vocalizing]

♪ Come with me ♪

♪ My love ♪

Mr. Mackey!

♪ To the sea ♪

♪ The sea of love ♪

♪ I want to tell you ♪

♪ How much I love you ♪

♪ Do you remember ♪♪

Mr. Mackey?

Thank you, chief.

- Where's it at? - 18F.

- Anybody talk to you yet? - No one of weight.

No one of weight? What are you? You ever on the job?

[Doorman] - Me? - Yeah.

Nah. I'm just a square badge.

I was in Korea though.

Oh, yeah? I could've sworn you were on the job.

Listen, I'll come down. We'll talk later, all right? I'm of weight.

"You ever on the job?" Oh, shit.

It's called making people feel good ...

so they'll cooperate with you.

You should try it sometime.

I'm sorry about that phone thing last night.

I'm having a midlife crisis.

I don't want you calling us at 3:00 in the morning anymore.

You wanna talk to Denise, you can call decent hours.

Decent hours? What's that? 9:00 a.m. to what?

Dinnertime? 3:00 P.M .?

[Man] See you guys later. [Man #2] We'll see ya.

All right. [Chuckling]

- I can't believe those guys. - Yeah , yeah.

- But you guys never saw Joe Louis. - It's in the bedroom.

- Joe Louis? - I saw Joe Louis.

Where did you see Joe Louis?

[Woman] Way before you were born in Chicago.

- Joe Louis. - Joe Louis.

[Woman] They called him the Brown Bomber.

[Officer] Brown Bomber. [ Woman] He was gorgeous.

Hey, fellas, you wanna take the lady outside?

It's getting' a little crowded in here. And your prints too, chief.

So, what's this guy's name?

James...

Mackey.

Mack the Knife.

You know, when she was married to me,

I was never gonna die.

We fight, we split, she goes to you.

So it goes. Life's forever, right?

What do I care?

I passed my 20 yesterday.

Everybody says, "Retire."

So... I feel kind of mortal all of a sudden.

You know what I mean?

- I say this guy's dead 43 hours. - No. No.

Look at the lividity. It's more like 36.

Smells like 43.

It smells like 36.

I was just tr yin' to get some attention, you know?

I apologize.

You know, it's just...

We're in the same squad six years. Yeah?

We don't so much as even have a beer together.

How the hell do you take my wife away?

Hey. Hey.

I didn't take nobody nowhere. You understand?

You didn't treat her right. She walked.

I didn't treat her right? Oh. She walked!

You wanna kick somebody's ass about it, you kick your own.

Fuck face.

Look, I'll check everybody out, but to tell you the truth,

I think it boils down to grabbing' the strange trim he got hooked up with.

This guy's a swordsman extraordinaire, right?

Could be one of these ladies gets pissed off because, you know...

They're in bed. He starts moaning' "Mary" instead of "Gladys."

"Hell hath no fury" and all that.

Yeah, but how do you know the trim is strange? Maybe it's a steady.

Strange. You know how I know?

Records, 45s.

Nobody whips out their old 45s on anything but a first or second date...

when you're doing' the "wonder of me" thing.

Getting' to know you. So what do you do? You take out your old records.

Show the broad you kept them after all these years...

meaning you're a wonderful, sentimental individual.

Who does that with somebody they know already?

Once you know them, who gives a shit?

- How you doing', chief? - Hey!

- Working' hard or hardly working'? - A little of both.

- How you doing'? - Okay.

You think of anybody else yet?

The mailman maybe came by in the afternoon. I don't remember.

There was a cable TV repair guy here, I think.

What's that? Cable Time? Cable Tone?

But he was down in the basement.

Pretty much what I told you yesterday.

What about ladies? See any ladies? Young ladies.

See any of them? You told me there was a sex parade in here.

You know, if I'm Looking' to see somebody in particular, I'll see 'em.

If not... if I'm hailing' a cab or if I'm in the package room ...

Okay. We'll talk again, huh? [Slaps Shoulder]

So the emcee says to the first husband,

"Okay, Gene, where did your wife say...

was the most exotic place you ever made love to her?"

So this guy Gene... He's thinking', right?

He's got a brain like a frigging' pea.

But he's thinking' and he's thinking' and finally he says,

"In the butt."

You get it? Hey. Hey.

Anybody do any work over at 365 West End Avenue Monday?

I was over there.

[Frank] You see anybody over there not Looking' right?

You know, freaked out? Scared? Running' like lost?

No. I saw a couple of ladies go into the laundry room, I guess.

Why? What happened? There was a shooting.

If you remember, you wanna give me a call?

- Yeah, sure. - Okay. Thank you very much.

♪♪ Men Vocalizing]

♪ Come with me ♪

♪ My love ♪

♪ To the sea ♪

[Man Moaning]

So good. So good.

Oh, so good.

No, please. Please...

[Chattering]

Excuse me. [Man] Hey! A toast for our hosts.

- Excuse me. - Ten promotions overdue.

Meet your detectives.

Tommy Squibb, detective third grade.

- Sorry. - Felix Keene, detective third grade.

Milton Carney, detective third grade.

[Whistling] Hey, fellas!

Come on! I'm giving' a toast here!

Tommy Squibb, detective third grade.

All right, George.

Where the hell do you learn that? That's like watching' a movie.

Yeah. Well, it keeps me fit, you know?

I get in a beef with a guy, I hit him fast.

I hit him a lot. I'm outta there.

I don't like getting' hurt. You know what I mean?

Well, God gave fat guys guns so we wouldn't have to do that stuff.

You Prank Keller?

- I'm Sherman Touhey from the 112. - Forest Hills?

Yeah. I heard from one of your guys you caught a good one.

Face-down taxpayer, back of the head in his own bed?

- Me too, out on Yellowstone Boulevard . - No shit?

Yeah. The bullet we can't do nothin' with. It got pancaked on a bed frame.

We got a great bullet. We got cigarette butts with lipstick on 'em.

Yeah? We didn't get any butts.

Get any prints?

Yeah. Nothin' showed up on the files though.

- [Man] How about it? - A toast! Let's compare tomorrow.

Amen. Bravo.

Very nice.

Uh, Dewar's. Double Dewar's on the rocks.

- What'll you have? - Budweiser.

You know something'? You talk lipstick?

I think my guy got done by a broad.

Oh, yeah? How's that?

We're talking' a four-star ladies' man here, okay? Thank you.

I mean, hey, you play, you pay. Am I right?

My wedding night, I wake up.

My wife's got the tattoo needle, the eye shades.

I look down. I got "Property of' on my balls. [Laughs]

I'm only kidding', but you catch my drift.

This guy, I found something like 30 letters...

from a singles magazine he placed an ad in.

No, man, that's not what happened.

He didn't even get around to opening' the envelopes.

You find any records there?

What do you mean, like files?

Records, like old records. These 45s.

There was one playing' on the turntable when they found him.

"Sea of Love." Remember that one?

"Sea of Love." Jesus.

♪ Come with me, my love ♪

♪ To the sea, the sea of love ♪

♪ I wanna tell you ♪

♪ How much I love you ♪

♪ Ooh ♪ Yeah!

[Laughing]

[Together] ♪ Do you remember ♪

♪ When we met? ♪ There it is.

♪ That's the day ♪

♪ I knew you were my pet ♪ [Man] Sing it!

♪ I wanna tell you ♪

♪ How much I love you ♪

♪ Do-do-do-do, do-do-do-do ♪ Something's gonna come off. I know that.

- Oh, something's gotta come off. - Is that it?

No, you gotta take something off.

♪♪ [Vocalizing] Yeah!

Come on. Take it off!

I just met this guy. [Laughs]

Actually, I admire this woman,

whoever she is, for her directness.

I mean, the guy fucks around on her, all right?

Falls asleep, whatever... Bingo!

Pop him in the head. It's over.

Other women, like my ex-wife, Denise, for example...

You step outta line a little, she'd like to stick it here, stick it there.

You know, let you walk around bleeding'.

This one... Bingo! No muss, no fuss.

Evelyn Wood School of Speed Revenge, no walking wounded.

Oh, fuckin' women!

Hey, Grube, Grube, let me ask you something'.

Your wife, does she ever like to stick it to you?

Get off of me.

What are you tr yin' to say? You're a happily married man.

Maybe Gruber's too busy sticking' it into her...

to notice when she's sticking' it into him, right?

- [Man] Break it up! - [Man #2] Fellas! Come on, fellas!

Hey, guys, come on ! Let's break it up! Break it up!

Are you okay? Come on. He's crazy. Let's go. Come on. Let's go.

[Keys Jingling]

[Door Closes]

[Exhales]

Fuck it.

- [Door Buzzes] - [Gasps]

[Buzzing]

"Silver moons.

A lifetime of Junes. Old rock tunes."

Who the hell are you?

Oh, wait a minute. Uh. .. What's my name?

- This isn't funny. - I said , what's my name?

Jim Mackey.

So you answered his ad in the New York Weekly, huh?

Mm-hmm.

I don't know why I'm crying . I never even got to meet him.

It's just so sad, somebody dying.

So you wrote him? Or you called him?

I wrote him, and then he called me.

Pate sucks, I swear.

Hey, Gina,

maybe you'd feel better if you... took those balloons off.

They're the only things keeping me up.

Frank, the lieutenant said I could go through the jacket on your case.

- Oh, yeah? - Guess what.

The prints match. Same doer. Ain't that grand?

Well, I got one for you , my man.

Your guy put an ad in a singles magazine, right? You told me that, right?

- New York Weekly. - Bingo to that.

My guy's in there too.

"Silver balloons. Endless Junes. Old rock tunes.

Let me put it in your moon . Wire Paladin." Something like that.

You wanna hear my guy?

"City streets beneath my feet. 4:00 a.m. , the longest hour.

The hunt goes on till the break of dawn ...

for love, the rarest flower."

This lady... She's in the crosshairs.

- Poetry lover. - More like she hates it.

Do you know what I mean?

Listen, I had my lieu talk to your lieu,

and me and you a two-man task force on this.

What do you think?

- Queens or here? - What, are you fuckin' kidding' me?

I'd kill to work in Manhattan . You wanna work in Queens?

Let me introduce you around. Let me catch 'em tomorrow.

I gotta split. I got a tuxedo fitting in, like, an hour.

Tuxedo? What do ya got, a lounge act?

No, my daughter's getting' married Sunday out on the Island.

Hey, you like weddings?

♪ Steve walks warily down the street ♪

♪ With the brim pulled way down low ♪

♪ Ain't no sound but the sound of his feet ♪

♪ Machine guns ready to go Are you ready? ♪

♪ Are you ready for this? Are you hanging' on the edge of your seat? ♪

♪ Out of the doorway the bullets rip to the sound of the beat ♪

♪ Another one bites the dust ♪

Get outta here! Get him outta here!

♪ Another one's gone and another one's gone ♪

♪ Another one bites the dust ♪

♪ Hey, I'm gonna get you too Another one bites the dust ♪

♪ Another one bites the dust Yeah ♪

♪ Another one bites the dust ♪

♪ Another one bites the dust ♪

♪♪ [Men Vocalizing : "Sea Of Love"]

[Applause]

Whoo!

Wanna dance with a couple of bridesmaids?

Okay. Wanna know how we catch her? We put in our own ad.

Say what?

New York Weekly magazine. We put our own ad in.

A hundred guys place ads in there a month.

They get 30 to 50 responses each. That's 4,000, 5,000 women.

What are we gonna do? Go out with 5,000 women? Hell, no.

We know the broad is into rhyming ads, right?

So we put in a rhyming ad . Moon , June, spoon , sand dune.

We set up dates with 30, 40, 50 of the ladies who answer.

We, uh, take 'em out, some restaurant, some bar.

Get their prints on a wineglass. Bingo! She's dropped.

I love it. It's horseshit, but I love it.

You know how many guys put ads in that magazine last month that rhymed?

Three. She went out with two of them.

Oh, shit. I can't believe we haven't chased down that third guy.

Raymond Brown, 3130 Austin Avenue, Kew Gardens.

I tracked him through his postbox.

- What are you , a fuckin' cop? - Sometimes.

Gruber!

I'll catch up.

How ya doing'?

This, uh, 20-year thing, it's kickin' my ass.

I'm sorry.

[Chuckles]

Raymond Brown. "Downtown" Brown.

Okay, here we go.

"Loneliness and silence envelop a heart that pounds like thunder.

All the love I have inside is ripping me asunder. [Chuckles]

The city is a jungle of pain, but my love is from the soul."

"So be so kind as to answer this ad ...

and you can ride on my pole."

Come on, give the guy a break.

I mean, this is a major lonely hearts here.

Major.

[Laughing]

Good afternoon . I'm Detective Frank Keller.

This is Detective Sherman Touhey. Does a Raymond Brown live here?

- Daddy! - What's the matter?

Dad , they're cops.

- What's up, fellas? - What's the matter?

- Just relax. - Daddy, are you all right?

[Raymond]Hey, hey.

I wanna tell you something.

I love my family.

Hey, Raymond , no kidding. We don't give a shit.

All we need are the names of the women you went out with...

and the letters you got back from the ladies.

- I don't have letters. - Raymond.

There's some psycho woman out there killing' guys.

I swear I didn't go out with any of them.

I threw the letters away. I didn't have the heart to go through with it.

Raymond, you take the time...

to make up this beautiful poem about loneliness and silence.

You spring $300 to put the ad in the magazine.

You spring another, let's say, five yards a month ...

for some little love nest in the Village.

Fifty bucks for the post office box.

And you're tr yin' to tell us you never even went out with any of them?

Raymond. Please.

You know what the worst part of being' a cop is?

Eight hours a day, all you hear from people are lies.

"I didn't do it. I wasn't there. It was somebody else."

Blah this. Blah that.

I swear on the eyes of my children.

[Frank] Thirty sit-downs, 30 sets of prints.

Miss Wrong, we got her.

Upstairs gives us 300 to put the ad in the magazine.

We spring for a few vinos, a chefs salad or two.

Bag the wineglasses. It's all over. What? Come on!

"What? Come on"?

How about I go to my own cash machine?

I pull out $300 of my own money, buy the ad myself.

We drop her. You pay me back like a personal bet. This thing's gonna work.

Frankie, you want me to, I'll set you up with my sister-in-law. How's that?

She's got great tits. Divorced , no kids, no cats.

Motherfu... ...

The lieu's sister-in-law. She sounds great.

[Frank] "I swear on the eyes of my children."

We should have tailed him.

[Exhales] We fucked up.

He fucked up.

You are not to take them out of the restaurant.

You are not to lay a hand on them . You are not to have intercourse with them.

It's over, then. I'm not doing' it.

You converse, you get prints and you split.

You wear a wire. We're gonna have a sound van outside...

and a two-man backup at another table.

Keep the restaurant receipts.

Fellas, I don't wanna have to read about this in The Village Voice.

What's with the backup? What's with the wire?

What's she gonna do, confess? Shoot me? We're in a restaurant.

Can you make me happy, okay?

Now, who's writing' the ad? Who's the poet?

"Roses are red, violets are blue.

I got one yea long, and it's all for you ."

How do you like this? "I got one yea long."

Check this out. Shh.

- I'll write that one down. - I got one. I got one! I got one! Hey!

Hey! Hey, hey, hey, hey.

Check this one out.

"Windswept hallways in my heart...

echo the blackness of eternity."

Get out! What is he, Edgar Allan Poe?

I'm gonna be sitting' across from Morficia Addams.

- Give me something. - Thing!

Gomez!

Hey, look, she's a shooter, right?

So how about something like, um. .. uh,

"Many a girl has shot me down.. ."

"I been shot before and now it's.. ."

"And hot to trot. Give Frank a shot."

"I live alone within myself.. ."

like a hut within the woods.

I keep my heart high upon a shelf...

barren of other goods.

I need another's arms to reach for it...

and place it where it belongs.

I need another's touch and smile...

"to fill my hut with songs."

Not bad. A little corny, but it's all right.

It's beautiful.

- Better than what we got. - Just make that up, Mr. K.?

Frank's mother wrote that.

High school, 1934.

She was a goddamn beautiful person.

Go ahead. Use it. She'd like that.

[Sherman] It was a good poem. [Man] I really like that.

The man's a fuckin' slob. Yeah , I know. You're GQ.

See you later, Frank.

Oh, God.

[Sighs]

Pop, come on.

You stay here with me tonight. Come on. Come on. Come on.

Come on. Come on.

We gotta go to bed. Come on.

- That's it. - Where you taking' me?

Come on.

That's good.

Am I walking'?

I'm walking', right?

It'll pass for it, Dad.

[Man] That warrant is not for me. I'm the wrong guy.

- Will you shut up? - I'm the wrong guy.

Sorry, Prank.

Okay, kid. You smell a shooter in there?

[Sniffs]

I don't know, Gloria.

I just got this... this hopeful feeling when I read your letter.

I just... I can't explain it.

[Sherman] Uh-huh. Yeah.

I'm a printer. Yeah. My own business.

Amanda? My mother's name was Amanda.

Okay. Miranda?

You're a what? That's what?

You like guys and girls, or girls?

I got an aunt named Carmen. Oh. That's cool.

Carmen Miranda. Me? Yeah, well, sometimes.

But, uh, mainly girls.

You got a lovely voice. You should be on the radio.

Women, you know.

Uh-huh.

Well, how's around , uh...

What, you a night owl?

Solid. Let's get crazy then.

[Man] Taxi!

Not that I haven't done this before.

- Shove this in here. - Been wanting' to do this all night.

- Is he on, Bill? - Yep.

- Okay, man. - I look natural?

- You look good . - Okay, kids.

[Man] Oh, have him park it around the corner!

Can I help you?

- Good evening, sir. - Oh, good evening.

- Chair this evening? - Yes, thank you.

- Cocktail this evening? - Cocktails, yeah.

- What kind , sir? - A little bourbon and water.

Bourbon and water it is, sir.

You come back now.

♪ Do you remember ♪

♪ When we met? ♪

♪ That's the day ♪

♪ I knew you were my pet ♪

Can I get a little hi-de-hi here?

If I looked half as good as you at your age...

You got nothin' to worry about. You look great. You look great.

Well, you're very sweet.

It's just that I should have said on the phone that I'm the age I am.

Look, I'm telling you something,

you look better than three-quarters of the girls I know...

that are half your age.

Did that come out right?

Yes. Yes. Thank you. I'll buy that.

I'll quit while I'm ahead.

So, uh, the lady would like another white wine?

- Yes, please. - And I'm fine here.

Watch it!

Mickey, we need some more dinner plates up front. On the double.

Well, what do we do now?

Well, I'll tell ya.

I gotta pick up my son in half an hour, so let's, um ...

My timing's terrible.

Well, you think maybe we should have dinner sometime?

Oh, sure. We'll call ya.

"We"?

- "We"? I said, "We"? - Yes.

That's me. All day on the phone all I'm doing' is, "We this, we that."

Meaning my company, you know? I'll call you.

Check, please.

I'll call ya. Me.

No, you won't.

Oh, well.

[Woman] I don't know.

I get this very weird feeling you're not who you say you are.

Oh , yeah?

There's something, um, not right about this.

Oh? What do you mean?

- Like what? - Well, you got cop's eyes.

Cop's eyes?

Yeah, you look at me, and I feel like I did something.

Like you did something? Like what?

Yeah, my ex-husband was a cop.

What'd you say? You're a.. . What are you? You're a printer?

If you're a printer, I got a dick.

Well, I didn't doubt it for a minute, baby.

[Chuckles] Think you could go for a babe with a dick?

Depends on her personality, really.

- So you're divorced, right? - I said that.

You got kids? Kid. One kid. A little boy?

No, a girl. You got a girl, right?

It's interesting , your coming from York, Pennsylvania.

Because, in a way...

you went from York to New York.

You like the park, and I like the beach.

You like movies. I like plays.

You're a printer. I manage a shoe store.

And I don't believe in wasting' time on this kind of stuff.

You know what you know, and you go with it.

You go with what?

You're just not my type.

Oh, well, I mean, uh, you just sat down.

Give it a little bit a time, huh?

I believe in animal attraction. I believe in love at first sight.

I believe in this.

And I don't feel it with you.

Well, I'm hell on wheels once you get to know me, honey.

How you folks doing' here? Is that wine okay, miss?

Mmm.

You haven't even touched your glass.

Why don't you just have a little sip, you know? Warm up.

Come on. Let's raise a glass here.

Come on. Here. Take a.. . Let's have a happy hunting toast.

- It's nothin' personal. - Ah, come on. Where ya going'?

Come on. Kiss my tiara, bitch.

What you Looking' at?

I didn't get prints.

I didn't get prints.

How many more of these we got?

Okay, that's two more.

Two more.

Oh, no.

[Sighs] Mercy, mercy, mercy.

How ya doing', Prank? Eh.

- Anything on the prints? - Nothing yet.

- How's your head? - Couldn't be worse.

Hey, how ya doing'? Terry. Cable Tone?

Yeah, yeah , yeah. What's up?

Well, I was just telling' your partner here...

that there was a kid there that day.

A black kid.

I think he was from the supermarket...

'cause I saw him come in with groceries earlier on.

Anyhow, I'm working' down in the basement.

And, oh, about 20 minutes later,

he comes tearing' through there like a bat outta hell.

No groceries.

I mean , why is he going back out through the basement, right?

There is a lobby, right?

[Chuckles]

Anyhow, the kid has those, um ...

those black, uh, militant corn hoes...

I mean, cornrows in his hair.

He looks like a real shit bag, if you ask me.

How ya doing', chief?

One of your kids got cornrows? You know, Afro hairdo?

- Stevie Wonder hair? - Wonder hair?

Yo, Reggie. He means Ouawi.

- Quawi? Where's he at? - You got me. I fired his ass on Monday.

How come?

He goes to make a delivery. He doesn't like the tip.

So he starts screaming at the customer. You can't do that.

- You got an address for him? - Maybe. What'd he do, kill somebody?

[Reggie] Ouawi. Quawi Benjamin.

"Spooney." You call him that, he goes crazy.

I got nothing here. He only worked, like, a week or so.

If he comes in or if you see him somewheres,

- would you call us? - Sure.

♪♪ [Humming]

♪♪ [Humming Continues]

Hell on wheels, huh?

How quickly we forget.

No, I don't forget you.

You're the "animal attraction ," right?

"Love at first sight."

- What, you live around here? - Mm-hmm.

Uh-huh.

88th Street.

Oh, yeah. I live on 35th.

You know that poem you wrote? You didn't write it.

See, I read that poem in the magazine...

and I figured , "Now, this is either a very sensitive guy,

or else maybe he ripped off some lady's poem , or some girl's poem ."

- You didn't write it, right? -Nope.

Some lady did , right?

My mother wrote it, some 50-odd years ago.

That's why my father fell in love with her. Something like that.

- Is that true? - So he says.

Hmm. I like that.

I like that, uh... that you did that.

You wanna hear my idea of poetry?

Precision in life,

[Tires Squeal] knowing when and how to make your move.

Say your piece, like you the other night with me.

Oh, that was poetry in motion. Beautiful. Beautiful.

Look at me.

What?

You , uh, still wanna go have that happy hunting toast?

What happened to, uh , the animal attraction?

What are you , fuckin' nuts? What if she's the doer?

We won't get the prints back till tomorrow.

She clears, go out with her tomorrow night.

Hey, come on , the doer's down south somewhere.

Spooney, Quawi, whatever his name is.

Listen, listen. This... This one walked. Remember her?

Oh, Jesus, you're with that bitch who wouldn't even drink with you?

Yeah, well, it's good in a way. Maybe I get her prints now.

Bullshit. What are you gonna do? Send your dick to the lab?

That'll be some great testimony, if she's the one.

"You see, Your Honor, first I whipped it out, then she whipped it out."

You catch my drift? And how do you know it's this Quawi kid?

It's probably a broad , Frank. You know that.

She's a friggin' suspect, Frank. Just walk away.

Frankie, just walk away.

Nothin' to it, chief. That's it. I'm walking'.

Okay? See ya tomorrow.

No, just a girlfriend . Yeah. All right, all right.

Okay. Thanks a lot. I'll talk to you later.

This... Something came up, you know? Isn't that crazy?

Uh...

What's your name again?

Helen.

Helen.

You know why I got married? I was 37. I wasn't married.

So I got married. How do you like that?

Oh , I can top that. You wanna know why I got married?

Some guy says to me, "I love you ." I knew him a week.

- Playin' hard to get, huh? - Yeah, right.

We didn't last very long. I'll tell you that.

Me neither. The wedding lasted longer than the marriage.

But we still. .. We're still friends, sort of.

- You? - Friends? No. No.

I found out I was pregnant, I walked.

You walked? What do you mean?

What about the guy? Doesn't he know about the kid?

No, he's out of the picture.

Sometimes when I think about the people I got involved with...

the choices I made...

It's pretty amazing . But I found something out.

There are very few mistakes in life that can't be corrected,

if you got the guts.

"If you got the guts."

[Man] Last call.

What, are they bombing' us?

Oh, man.

You know, when it gets.. . When it gets late, sometimes...

I feel like a big cat in a small cage.

Oh , yeah?

You know,

I have done some desperate, foolish things come 3:00 in the morning'.

You mean, like being' here with me?

Mmm.

Ohh!

- Where's your bathroom? - Huh?

Where's your bathroom?

- Over there. - Where's my bag?

Get in bed.

Jesus Christ.

Oh, goodness.

Holy fuck.

What the fuck?

Oh, shit. Holy fuck.

Oh, my God!

Oh, holy fuck. Oh, I can't believe it.

I can't believe it. Oh, fuck.

Jesus.

[Doorknob Rattling] Je...

Oh! Oh , my...

What'd you do with it? Where'd you put it?

Oh, no. No! No!

[Pounding] What are you doing? Open the door!

Open this fucking door!

- Open the door, please! - What is this?

- This ain't real. - What is going on here?

[Pounding] Open this fucking door!

It's a starter’s pistol. I saw the button...

You goddamn son of a bitch!

- Easy. Easy. - You goddamn ...

Don't you ever fuckin' put your hands on me!

- I got scared . - Tell me about scared.

What are you doing' with a starter’s pistol?

None of your goddamn business.

- Get off of me. - Listen to me. Listen to me.

I S... Listen to me.

I saw the gun sticking' outta the purse.

I freaked , okay? It was a reflex.

Look, feel my heart. Peel it.

Go ahead. It's like a drum.

Peel it?

I'll tell you some stories about scared sometime.

You don't know.

This city...

What it does to people.

[Sets Pistol Down]

I can't apologize enough for the... I don't know.

I got this survival rush. You start to...

You start to think with your hands, not your...

Like an animal. I just... Did I hurt you?

No.

What?

What?

- What are you Looking' for? - What are you doing' to me?

What are you Looking' for, huh?

Huh? Huh?

What are you Looking' for, huh?

What are you looking' for? [Moans]

What are you Looking' for, huh?

Jesus. [Moans]

[Exhales]

Oh, yeah.

Oh, Jesus. What are you Looking' for?

What are you Looking' for?

[Heavy Breathing]

[Moaning]

[Helen] It was just too late to call you back.

Okay.

Yeah, just a friend.

Okay, I'll... I'll be home.

Yeah, I'll be home when I get home. Bye.

Oh, man.

[Moans]

Mmm.

You're killing' me.

Is that the sun?

- Are we still alive? - I thought you were an insomniac.

I am.

I must've fainted.

[Chuckles]

[Sighs] What are you doing over there?

I can't even make you out. Helen, right?

Mm-hmm.

Come here.

- What? - I gotta talk to you.

- What? - There's something I gotta say to you.

You gotta be kidding' me.

- I'm kidding. - Good.

Are you kidding?

I'm gonna have to be airlifted to the standing position. [Chuckles]

But you. .. I mean, you're something.

You go in the kitchen, you made coffee, you come in here.

- What are you, Superman? - Wonder Woman.

What do you wonder about?

I wonder how we made it through last night in one piece.

Last night? Want me to tell you about last night?

Let me tell you.

- Mm-mmm . - No, I got it.

Come on. Cut it out.

Come on. Cut it out. I have to get home to my daughter.

Your daughter?

- She's with your mother, right? - Mm-hmm.

Your mother live with you?

She's just helping us out for a couple of weeks.

I don't know about this.

So, uh, what's it like working' in a print shop?

- Print shop? - Yeah.

Inky.

- What's it like running' a shoe store? - It's okay.

We don't live for our work, do we?

No. I always like to think I live for love.

I mean, what else is there? Food?

- You're something' else. - Oh, no, you're something' else.

You have no idea how many creeps there are out there.

You're wired like no one I ever met, but you're a good man.

You never know.

I always know,

or at least I find out.

- What do you mean, creeps? - Manipulators. Liars.

Guys who wait till you're in good and deep...

before you find out who they really are.

Guys who, all of a sudden, you're fighting' for your life.

Creeps.

[Chuckles] You asked.

You got any cigarettes?

- You smoke? - Sometimes.

Why? Does that bother you?

- What brand? - I mooch.

I think I'm out.

Let me see here.

You see any jump out at me?

- I gotta go. - Oh, I see.

- Huh? - I gotta go.

I like to be home when my daughter wakes up.

[Line Ringing]

[Sherman]- Hello? - Keller here.

Guess what. She 'S still out there. None of the prints match up.

So, um ...

So should we dust your dick?

You know, cover all the bases.

[Shower Running] [Doorbell Buzzing]

[Doorknob Rattling]

- Would you finish that sale? - Yes.

Of course. Excuse me. All right.

[Woman] It's okay.

Can I help you with something, sir?

Yeah. You got... You got this in a sneaker?

[Chuckling]

[Whispering] I was in the neighborhood, so, you know, I ...

I thought I'd come in.

- Why are you whispering? - I'm whispering?

- Yeah. - Sorry.

I. .. I just want to talk to you.

Okay. Why don't you have a seat, and I'll be with you in a minute.

So, uh , what did you want to talk to me about?

Mmm.

Well, I was, uh, gonna ask you about something ...

Yeah?

About some of the people you've been seeing'...

over the past month or so.

You know, guys.

It's none of your business.

Well, it is, in a way, my business.

Yeah? And how's that?

Well...

Forget it. It's stupid. [Door Opens]

- Forget it. - Look,

I don't sleep around, if that's what you're talking' about.

No, no, no. No, that's not it.

Look, why don't you, um, come over to my house tonight for dinner,

and, uh , we can talk about it.

Yo. Lady.

Yeah, you. Uh, I was in here... What, six, right?

Six months. Yeah, six months ago, and, uh,

you had this real beautiful boot.

It was, uh, Rivoli, Vavoli, Ravioli, or something like that.

Vivoli. We're out of stock. You can try back in about two weeks if you like.

Look, pal, can I help you with something' or what, huh?

Come on now. What's your problem?

Tommy, let's blow. The guy's a cop.

- Hey, hey, hey. Come on.. . - Let's blow.

So, like, if I beat the shit out of you, I

get nailed for assaulting an officer, right?

Piece of shit. [Scoffs]

Okay, what?

- You're a cop? - Yeah.

So? What?

Pretty bad, isn't it?

That's just too much for you , isn't it?

I mean, you let scum like that in here, but my being a cop...

I mean , that's just too much, isn't it?

Let me tell you something about this.

All these people in here with their rocks and their furs...

they get robbed, they get raped , I'm all of a sudden their daddy.

See? Come the wet-ass hour, I'm everybody's daddy!

- Hey! What do you think you're doing', huh? - What?

What do you think you're doing'? What do you mean, what am I doing?

Don't try to turn this around on me. You lied to me.

What did you lie to me for? You looked like I had the plague.

What'd you tell me you're a printer for? You're a cop!

- I always wanted to be a printer. - Oh, come on! Talk to me.

For 20 years, I go out with people, right?

I tell 'em I'm a cop. You know what happens?

I'm a nonperson.

What do you think I put the ad in the paper for?

Look, you ever keep something inside yourself,

but you know you're gonna let it out?

You just want... I just want to get on solid ground with you.

I just wanted us to be... know each other just a little bit before I told you.

That's all. I wanna... I wanna just bring it along slowly.

So you're a cop, huh?

I'm Frank. Okay? I'm just Frank.

Don't lie to me again , Frank. I don't like it.

[Locker Opens]

Oh, look at these.

They're so soft. They feel like feet.

- Yeah, they're very subtle. - Wild, right?

Well, this girl, you know...

My girl gave 'em to me. Gotta wear 'em, right?

- What are you gonna do? - Pretty jazzy.

Well, you know, look at these things. She works in a shoe store.

No offense, but you never did get her prints, did you?

[Sighs] She's not the shooter.

- And this we know how? - I asked her.

Golden Cadillac.

Screaming Golden Cadillac.

Screaming Golden Cadillac. What makes it scream?

Getting' attacked by a White Russian.

[Laughing] That's very clever!

Uh, make that two.

- You want yours screaming too? - You have very tight skin. You know that?

Oh, yeah. Well, that's 'cause I'm fat.

Pushes it out like balloon rubber.

[Laughs] Excuse me. Did you not get that order, or what?

[Car Horns Honking In Distance]

See ya.

I bet I've seen eight women tonight.

I bet every one of them made more money than me.

That blonde? She was a school principal.

I mean, how come none of these women are married?

I don't know. How come I'm not married?

[Horn Honks]

[Brakes Squeak] Gentlemen. Anyone here up for the Island of Lost Souls?

Uh, not me tonight, kids. What's the matter, Frank?

I don't know. I'm tired. I'm gonna walk home.

You tired?

- I'm gonna walk home, all right? - Tired , huh?

Talk to you tomorrow, kids. All right, Frank.

[Car Door Closes]

[Car Departs]

Hey, how you doing'?

Hey, I wake ya?

Oh.

Listen, uh , is your daughter asleep?

You think you could get somebody to watch her for a while?

Good. Uh ...

What... What do you got on? Yeah.

No, no. Take 'em off.

Oh, geez!

[Exhales] I was just, uh. .. "Sea of Love."

- What? - You have "Sea of Love."

I don't know. I haven't looked in those boxes in years.

Why, you like that record?

Yeah, I like it.

Saving' 'em for my daughter. Probably worth a fortune by now.

I bet they'd fall apart if I put 'em on the turntable.

Oh, you never play them , huh?

I don't even know what's in there anymore.

You want something to drink?

Yeah. Yeah.

A lot of people keep records, hmm?

I should've kept mine. I had thousands and thousands of 'em.

They'd be worth something' now.

[Sighs]

Here.

You better go home, before it gets light out.

Okay.

I want you to see something.

Oh, beautiful.

How would you know? You didn't even look at her.

What do you mean? Yeah. No, I didn't want to wake her.

I wonder what kind of father you would make.

Me?

I don't know. You know, uh ,

who the hell wants a policeman for a father?

She's got a father, doesn't she?

I mean, she does have a father. You know what I mean?

Go home.

- He's not dead. You're divorced, right? - Oh, yeah.

- You mad at me? - No.

Okay.

♪♪ [Man Singing Standard, Indistinct]

[Keys Jingling]

[Clattering]

Oh , shit! Fuck!

[Typing]

[Beeps]

Okay.

Okay.

Hey, is your mother back yet?

Can you stay with me tonight?

Good. I got something very important that I got to talk to you about.

Okay? I'm gonna take you somewhere, so I want you to dress nice.

Waiter.

I'm being' paged now. Can I call you back? All right. Okay. Take care.

[Man] ♪ Come with me, my love ♪

How you doing', folks? A little something' from the bar?

I know you. You're that cop.

Hold it. Wait a minute. You're a police officer?

Did you get fired?

This is, uh... This is Gina. What do you want with me?

Shh, shh, shh, shh.

Just sit down. It's okay. It's okay.

- This is, uh. .. This is Gina Gallagher. - Hi, Gina.

This is Detective Sherman Touhey.

- She's good people. - Hi.

I'm gone.

You know, I feel like Betty fuckin' Crocker in this shit.

Jesus. It's only 3:00 and I'm hammered.

I'm gonna stay here tonight. If I try to hit that highway, I'm gonna die like a dog.

It'd make a nice headline.

I'll call the old lady. Tell her I'm gonna crash around here somewhere.

- Get a hotel or something'. - You should bunk out at the squad room.

- There's this nice, cozy army cot there. - Hey.

What?

Go ahead. I got extra keys for my old man.

- I'm two blocks away. - What, are we gonna sleep together?

Why not? No, I'm gonna see this Helen later.

I got this hotel suite.

An ex-partner of mine is head of security over there, so he owes me one.

So, be a nice surprise.

♪ You see this guy ♪

♪ This guy's in love with you ♪♪

I'm gonna ask her to move in with me.

What are you, nuts? You just met her.

I feel like a fuckin' teenager.

♪♪ [Violin : "Strangers In The Night"]

Guy says to me, "Frank, retire."

I say, "To what?"

There's nothin' out there after this.

Could you get the waiter, please?

Is there a waiter in this place? That's what I'd like to know.

So, uh, what's this important thing you wanted to ask me?

What? Hold it. What's...

[Snaps Fingers]

[Glass Clinks]

Maybe you should slow it down a little, huh, Prank?

Yeah. Maybe the menu should come here sometime this century.

So what's the big question you wanted to ask?

Oh. Geez.

I feel like I got the London Philharmonic up my ass here.

Let's go. Come on.

- We just got here. - I know.

Let's get outta here. Bad choice.

Not my favorite place.

I love this neighborhood.

I always figured the worse thing ever happen to me in this neighborhood ...

is I'd trip over a Perrier bottle. Whoa, whoa, whoa!

[Horn Honking]

Could get worse, you know.

Nicey-nice, this neighborhood, huh? Hold it. Hold it.

Last year alone we had three murders right on this block.

See that garage over there? One in there.

Yeah.

That building across the street, second floor, one in there.

Two months later, third floor, one in there.

This town is like one big city of the dead for you, huh?

City of the dead? What do you say that for?

I love life.

I'm just trying to share with you , you know?

If you live with a cop,

I mean, there's... there's certain things, you know.

A cop's eyes, what we see.

You know, there's you, what you see, which is like nothin', and ...

our eyes, our life, what we see.

"If you live with a cop."

What?

You said, "If you live with a cop."

You mean, if I lived with a cop. Me. Right?

I mean, have you thought about this at all, Frank?

I have a kid. It's a whole family.

You get that, right? I want to ask you something.

The singles magazine.

I don't know, you know? I mean, the dates.

How could you do that shit? I mean, you know,

go out with guys like that?

How can you do that?

What do you mean? You do it. You forget how we met, Frank?

What are you talking' about? I was on a job.

That was a job. I was wearing' a wire.

We were gonna drop somebody. I'd never do that for real.

- I'd never do that. - The part about the wire.

You wanna run that by me again?

- Let me... Let me just.. . - Fuck you!

Wait a minute now. Wait a minute.

I was just.. . Listen, I was just ea yin' that...

!Sports Announcer On TV]He's got great hands. He knows the strike zone.

Here's the pitch. The bell's hit to center field!

All right!

What are you having , Frank? Double Dewar's, Pete.

You got it.

[Announcer Continues, Indistinct]

[Footsteps Approaching] [Lock Clicking]

Oh, hi. Is...

It's 1 :00 in the morning.

[Sighs] I'm Frank.

I know who you are.

[Sighs]

My mouth ain't working' so good tonight, so, uh...

[Sighs]

All I can say...

right now is that...

the circumstances...

are the circumstances and ...

- No, that's not good enough . - Okay.

Okay. The whole thing is horseshit. You know what I mean?

The wire, the job.

There was no wire. There was no job. No nothin'.

I was just ea yin' that to push you away from me...

because I was gonna ask you to live with me,

and I got... scared, you know?

[Sighs] I'm sorry.

You know,

you never even told me what your kid's name is.

Sarah.

Sarah.

I would like...

for the three of us,

you know,

to go somewhere.. . a movie or something.

Just take it slow, you know?

Helen,

I can't even sleep in my own bed anymore unless you're in it.

I mean , I need you to lie down with me.

Otherwise, I'm just gonna walk the streets all night.

I'm so tired.

You gotta come lay down with me.

Helen.

I got these shoes here.

See?

Come back with me, please.

Let me go tell my mother.

[Sniffs]

Frank. Huh?

I , uh. .. I didn't want to wake her up.

I think I need a little time to think all this through.

I think I should be alone tonight.

Okay.

Okay. Catch you later.

Shit.

Sherman?

- [Sherman] Frankie? - Yeah.

- Prank. - I forgot you were here.

- You scared the shit outta me. - Yeah, I'll stay on the couch.

- I thought you were going to a hotel . - No, it didn't work out.

What's he doing here?

Is this his place?

[Sighs] I-I. .. Look, I'll go over to the station house.

No, listen, Frank. I gotta talk to you.

Frankie, I never did nothin' like this before.

It's all right.

Well, no, listen. Listen. I gotta talk to you about this.

Yeah.

None of this was my idea.

First, Gina starts hitting' on me...

rubbing' my leg under the table.

Then you threw me the keys. I told you not to throw me the keys.

You want to go get her? Do you want me to get her?

I'm sorry, Sherman. I ...

I'm sorry.

- Thanks. - Take care.

[Footsteps Approaching]

"Catch you later"? Huh?

What's that supposed to mean?

Is that some kind of brush off, Frank?

No, not at all.

No.

I got something for you.

Oh , yeah?

What?

[Needle Scratching]♪♪ ["Sea Of Love"]

You were Looking' at this like it rang some bells.

♪ Come with me ♪

- Wanna dance? - Okay.

♪ To the sea ♪

♪ The sea of love ♪

You got something' for me, huh?

♪ I want to tell you ♪

You got something' special for me tonight, huh?

Uh-huh. Oh, real special.

Where do you got it, mommy?

- Got something special for me? - Oh, yes, special.

Where you got it, mommy? Hmm?

- Find it. - Where's it at?

- Find it. - Here? Hmm?

- Baby. - Cut it out.

♪ I want to tell you ♪♪

- Let's see what you got here. - Why?

Let's see. Oh, what's this?

Did you bring the fake one, huh?

Forgot the real one?

Wanna try mine?

You ...

You're crazy.

Huh? Let's get it over with.

I don't want to wait a couple more days. Let's get it over with right now.

Bingo. Bingo! Right now. Come on.

Just put the gun away, please. You wanna fuck first?

Then get me face down?

Just put the gun away, Frank, okay?

What kind of creep am I, Helen?

What am I , the guy who fucks you once and wants to own you, right?

What about James Mackey? What kind of creep was he?

Or that other poor bastard in Queens?

What's his name? Raymond Brown.

You fucked him good, huh?

You been following' me around?

Last chance.

How long you been following' me?

I haven't been following you.

Then how do you know about them?

It's my job. It's what I'm paid for.

I didn't sleep with any of those guys, Frank. They were just dates.

Shut up!

Okay, I slept with James Mackey! Big deal.

- It didn't mean anything to me! - I don't care!

It didn't...

Why did you do it, Helen?

Tell me why you did it.

Tell me you did it. Tell me why you did it.

I wanna know everything. Right?

Come on. Talk to me.

Look. I'm wearing' your shoes.

Talk to me. Come on.

Talk to me. Okay.

The arresting officer was fucking the doer.

See? It's a joke. It won't go to trial even. You understand?

Talk to me. Come on.

Come on!

Helen, please.

Will you talk to me?

[Exhales Sharply]

Get out.

Come on.

Go ahead. Okay?

[Whimpers]

[Door Opens, Closes]

[Doorbell Buzzing]

Helen?

- [Shouts] - [Grunts]

[Grunting]

I know you!

Fuckin' swinging' dick!

Get on your feet, man!

She throws some fucking court order at me. My life's up for grabs?

It's not your family! It's not your daughter!

[Groans] God!

Don't! Don't!

[Grunts]

Don't!

Go.

On the bed.

Get on the bed, man. Get down.

So, tell me, man. Did you have a good time with her last night? Huh?

Who you talking' about?

Who? Who? Who? Are you a fuckin' owl, man?

I don't know who you're talking' about.

I'm talking' about my wife.. . my wife, Helen.

- You remember her, don't you? - I don't know.

- Look, I'm a New York City.. . - I know who the fuck you are!

- Just show me how you did it to her. - I didn't do it.

- You know... [imitating Moans] - No, I didn't do anything.

- You show me and I'll let you go. - I didn't do anything. We just talked.

Show me what you did to her!

- Show me. - I tell you, we didn't do anything.

Okay, okay, okay, okay.

Here. Okay. This? You mean this?

- Okay? - Fucking bastard!

[Crying]

Get... Get your clothes off!

- Get... Get your clothes off! - [Tearing]

Take your fucking... [Grunts]

[Grunting]

[Panting]

[Grunting]

Don't fuckin' move!

Put it down!

Put it down!

On the floor.

On the floor!

Hands in back of the head . Come on. Get 'em in there!

Don't ever fucking move!

Okay. Okay.

What the fuck you gonna do, huh?

- Put me in a hole, throw away the key? - Shut the fuck up!

- Fuck you ! It ain't gonna work. - Come on, come on.

It's not your wife!

- Where you going'? - It's not your family!

- Where you going'? - [Shouts]

- [Gunshot] - No!

[Grunting]

[Grunting Continues]

Get up!

[Grunting Continues]

[Shouting]

Hadn't seen him in about a year.

I thought he was gone for good.

[Sherman] Oh, yeah, that's it. That's the stuff.

This is it.

[Chuckling] Oh, you don't want to get up now.

[Chortling]

- Come here. - How you doing', sport?

Good to see you . I'm doing' better than you.

What are you drinking'? Scotch?

No, I think I'll have a club soda and lime.

Club soda and lime. Club soda and lime, huh?

- Cheap date. - Oh, it's the new me.

Well, here's to the new you, and the old me.

Mmm. Mmm.

Oh, rub it in. Rub it in.

How you doing', Frank?

Okay. Hanging' in, hanging' out. How you doing'?

- I'm with the 1 -9 now. - Yeah?

- You? - Uh, same old, same old.

It was a hard job to top.

- I hear that. - Wildest ride I was ever on.

You know,

I , uh... I followed up that nut-bag. .. the husband, Terry.

Turns out he was shadowing her for eight months.

- Can you believe it? - Jesus.

Yeah.

She always had that edge, you know.

Like she smelled him, like she sensed him or something.

I must have sensed him too.

- I wonder what she ever saw in him . - I don't know.

What does anybody see in anybody?

I mean, people are work, brother. A lot of work.

- Too much work. - Did you ever see her again after?

Well, I tried , but...

she didn't want to.

Can you blame her? I mean, I'm in bed with her, making' love.

I'm outta bed. I'm stalking' her like...

She had that nutcase over one shoulder and me over the other.

I mean, come on.

Can you blame her?

It ain't right. I'm gonna let her go.

I ran her through a wringer, man.

You know?

What am I supposed to do?

She'd tear my head off.

What are you looking' at?

- How you doing'? - Just great.

Good. How's, uh... How's your daughter?

- She's fine. - Oh, good. Good.

I'm working' out of the 1 -9 now. That's this area here.

You know, uh, we had a series of break-ins around here.

You've been all right though, right? Your shop's wired to the precinct, huh?

Yep.

Yeah, well, uh...

Listen, the reason I come by is I , uh... I wanted to, uh...

I wanted you to meet somebody.

"Oh? Who, Prank?"

Well, actually,

I'd very much like to introduce myself to you.

Yeah? And who are you this week, a fighter pilot?

Fighter pilot? No. No more surprises.

No more lies, all right? I'm all here now.

Right. The circumstances are no longer the circumstances, huh?

Hey, I hung fire to be with you through all of that. You don't know.

- There's a lot I don't know. - Helen, you gotta give me a chance here.

You never really got to know me, not a hundred percent.

I mean, the... the person you got involved with, that was half of me.

I mean , you owe it to yourself to check out the complete person.

Oh, cut the crap, Prank, okay? Look, I had a rough day.

What am I gonna do? Follow you all over the city?

I mean, how... how am I gonna get over with you?

How are you gonna get over with me?

After what you did to me, you're looking to get over with me?

Th-That couldn't be helped, you know?

I-I couldn't help that.

It's killing' me not seeing you. It's killing' me.

How do you think it makes me feel?

Well, I don't know. How.. . How do... How does it...

How? How does it make you feel?

Look, it doesn't make any difference. I'm. .. I'm ...

I'm moving' back home anyway.

Back to York?

That's fantastic, you know?

Because just this morning ...

I got offered a job in York, Pennsylvania.

Police department. They want me to head this huge, uh ...

break up this huge counterfeit produce ring.

Hey, listen. This is fantastic, no? Look... Look, I'll tell you what.

- What? - I'll take the job now, all right?

I mean, you know, whatever.

You could help me out there. You know any nice

apartments, houses or stuff that I could...

What about the guys in the police department?

Okay, enough, Frank. Enough.

No, no, no. Really. When are you going? You're not going?

You're staying here, right?

I've been on the wagon ...

for seven weeks now.

- You still drink coffee? - Oh.

Like it's going out of style.

- I'll buy you a cup, if you like. - Yeah?

♪ Come with me ♪

♪ To the sea ♪

♪ Oh, yeah ♪

♪ Oh, honey, do you remember the night we met? ♪

♪ Well, that's the night I just knew you were my pet ♪

♪ I wanna tell you how much I love you ♪

♪ But I'm down here in the sea of love ♪

♪ Come with me ♪

♪ To the sea ♪

♪ Oh, yeah ♪

♪ Oh, honey, do you remember the night we met? ♪

♪ Well, that's the night I just knew you were my pet ♪

♪ I wanna tell you how much I love you ♪

♪ But I'm down here in the sea of love ♪

♪ Come with me ♪

♪ To the sea ♪

♪ Oh, yeah ♪

♪ Do you remember the night we met? ♪

♪ That's the night I just knew you were my pet ♪

♪ I wanna tell you how much I love you ♪

♪ But I'm down here in the sea of love ♪

♪ Oh, come with me ♪

♪ To the sea ♪

♪ Oh, yeah ♪

♪ Come with me, my love ♪

♪ To the sea, the sea of love ♪

♪ I wanna tell you how much I love you ♪

♪ But I'm down here in the sea of love ♪

♪ Oh, come with me ♪

♪ To the sea ♪

♪ Oh, yeah ♪

♪ Do you remember the night we met? ♪

♪ That's the night I just knew you were my pet ♪

♪ I wanna tell you how much I love you ♪

♪ But I'm drowning' in a sea of love ♪

♪ Oh, come with me ♪

♪ To the sea ♪

♪ Oh, yeah ♪

♪ Do you remember the night we met? ♪

♪ That's the night I just knew you were my pet ♪

♪ I wanna tell you how much I love you ♪

♪ But I'm drowning' in a sea of love ♪♪