All language subtitles for The.Iris.Affair.S01E05.Ex.Nihilo.1080p.NOW.WEB-DL.DDP5.1.H.264-KRATOS

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,000 --> 00:00:04,200 The following programme contains strong language. 2 00:00:10,000 --> 00:00:12,320 Er, you're free to come and go as you please. 3 00:00:12,360 --> 00:00:14,240 Green for go, red for no. That kind of thing. 4 00:00:16,000 --> 00:00:19,120 There is, er, rather, an issue with the shareholders. 5 00:00:19,160 --> 00:00:20,800 Money. Mr Pym, I'm on top of it. 6 00:00:20,840 --> 00:00:23,360 I have leverage. I'll be there in the morning. 7 00:00:23,400 --> 00:00:26,400 Naloxone. Disease and cure, eh? 8 00:00:33,720 --> 00:00:37,480 This is real?Meet me in Rome and I will tell you everything. 9 00:00:37,520 --> 00:00:39,880 "Am I speaking with Alfie Bird?" If you're ever in London, 10 00:00:39,920 --> 00:00:42,440 feel free to drop by and I will show you my files. 11 00:00:42,480 --> 00:00:45,400 It's kind of a diary. I've hidden it here, in Rome. 12 00:00:45,440 --> 00:00:48,600 You have out done yourself, my friend. 13 00:00:48,640 --> 00:00:52,600 Mr Bird? Do you have a place to stay? Can you take me there? 14 00:00:52,640 --> 00:00:54,760 Your diary is a puzzle. 15 00:00:54,800 --> 00:00:57,440 You haven't finished decoding it yet? 'One more code to crack. 16 00:00:57,480 --> 00:01:00,160 Five more pages to read.' 17 00:01:00,200 --> 00:01:02,400 'I need you to find a man called Jensen. 18 00:01:02,440 --> 00:01:05,200 I need you to get some of his DNA for me.' 19 00:01:18,280 --> 00:01:20,160 Etta! Ah. 20 00:01:20,200 --> 00:01:22,160 Thanks for coming! 21 00:01:24,360 --> 00:01:27,360 Well, you're looking well, Alfie! Oh, thank you. 22 00:01:29,400 --> 00:01:31,320 So, 23 00:01:31,360 --> 00:01:33,360 how's the novel coming along? 24 00:01:33,400 --> 00:01:35,960 Good! Finished it? 25 00:01:36,000 --> 00:01:37,760 Almost. 26 00:01:37,800 --> 00:01:41,320 I've been thinking if I shouldn't maybe rework it a little bit. 27 00:01:41,360 --> 00:01:43,680 Make it more of a young adult sort of thing. 28 00:01:43,720 --> 00:01:46,080 Makes sense. There's a big market there. 29 00:01:46,120 --> 00:01:47,840 It's where the money is. Good on you. 30 00:01:47,880 --> 00:01:50,920 I've also been thinking, maybe I could move into ghost writing. 31 00:01:50,960 --> 00:01:54,840 You know, celebrity biographies, sportsmen, pop stars, whatnot. 32 00:01:54,880 --> 00:01:57,200 I mean I wrote enough profiles back in the day. 33 00:01:57,240 --> 00:01:58,960 T-They were good profiles. 34 00:01:59,000 --> 00:02:01,520 It was the good profiles that got you in trouble. 35 00:02:01,560 --> 00:02:04,760 Because, strictly speaking, not all the good bits were yours. 36 00:02:04,800 --> 00:02:06,480 I've gotta move past that, Etta. 37 00:02:06,520 --> 00:02:08,640 I've got to. 38 00:02:08,680 --> 00:02:10,960 So I've been thinking, yeah, what about this? 39 00:02:11,000 --> 00:02:13,120 I write a mea culpa. 40 00:02:13,160 --> 00:02:15,200 Alfie- No. No. No. Honestly. 41 00:02:15,240 --> 00:02:18,080 I own it. I was under pressure. 42 00:02:18,120 --> 00:02:21,720 I took short cuts... You plagiarised, and you lied. 43 00:02:21,760 --> 00:02:23,600 I amplified. 44 00:02:23,640 --> 00:02:26,000 Cos I was turning in four stories a day, 45 00:02:26,040 --> 00:02:29,440 I didn't have time to check every single molecule of fact. 46 00:02:29,480 --> 00:02:33,000 Or write all your own words. Four stories a day, Etta. 47 00:02:33,040 --> 00:02:35,720 Do you think things have got better since you left? 48 00:02:35,760 --> 00:02:37,720 It's a dying industry. 49 00:02:37,760 --> 00:02:41,280 Except all I've ever wanted to do was be a journalist. 50 00:02:43,400 --> 00:02:47,120 OK. Listen. So I've actually got a story. 51 00:02:47,160 --> 00:02:49,760 An actual, actual story. 52 00:02:49,800 --> 00:02:52,640 Oh, come on, Alfie. Seriously. OK. 53 00:02:54,440 --> 00:02:57,360 So there's this thing. Nine Horses. 54 00:02:57,400 --> 00:03:00,560 It's like solving an online mystery. 55 00:03:00,600 --> 00:03:02,320 A puzzle. 56 00:03:02,360 --> 00:03:04,600 Like the Crystal Maze. But... But real. 57 00:03:04,640 --> 00:03:06,680 And massive. But, erm... 58 00:03:06,720 --> 00:03:10,040 semi-secret. Like, countercultural woo-woo. 59 00:03:10,080 --> 00:03:13,160 And it is fucking awesome. Best will in the world. 60 00:03:13,200 --> 00:03:16,440 So what?A lot of people think it's a recruitment tool. 61 00:03:16,480 --> 00:03:18,920 For? KGB. CIA. 62 00:03:18,960 --> 00:03:22,680 Maybe some kind erm... Masonic-type conspiracy thing. 63 00:03:22,720 --> 00:03:24,680 What people? What, "what people" what? 64 00:03:24,720 --> 00:03:26,440 What people think this? 65 00:03:26,480 --> 00:03:29,400 Internet people. It's rancid bollocks like this 66 00:03:29,440 --> 00:03:32,560 that killed newspapers in the first place, you do know that? 67 00:03:32,600 --> 00:03:36,680 There's something in this, Etta. A woman is missing. 68 00:03:37,960 --> 00:03:39,680 OK. 69 00:03:41,160 --> 00:03:43,160 What woman? Iris something. 70 00:03:43,200 --> 00:03:45,520 And she's missing under what circumstances? 71 00:03:45,560 --> 00:03:48,200 She solved it! Nine Horses. 72 00:03:48,240 --> 00:03:49,960 And? Disappeared. 73 00:03:50,000 --> 00:03:52,440 When? At some point.Where?Is she? 74 00:03:52,480 --> 00:03:54,560 Did she disappear from? Unclear. 75 00:03:54,600 --> 00:03:59,280 So... what's the story? What happened to her and why?That's it! 76 00:03:59,320 --> 00:04:03,120 Don't you see it? Who basically even knows? 77 00:04:03,160 --> 00:04:06,720 Seriously, Alfie. You're a good egg. 78 00:04:06,760 --> 00:04:09,960 But if you just wanna farm clicks and call it journalism, 79 00:04:10,000 --> 00:04:13,000 go ahead, do it. Live long and prosper. 80 00:04:13,040 --> 00:04:15,520 And when you're rich, because of your clicks, 81 00:04:15,560 --> 00:04:18,560 and you prove that whatshername was murdered by the Vatican 82 00:04:18,600 --> 00:04:22,240 because she's carrying Bill Gates' antichrist love child, 83 00:04:22,280 --> 00:04:24,240 you can drive past my hovel in your Aston Martin, 84 00:04:24,280 --> 00:04:26,480 throw money from the windows 85 00:04:26,520 --> 00:04:29,320 and laugh at where my journalistic integrity got me. 86 00:04:29,360 --> 00:04:33,800 But what you don't get is a job on any newspaperIwork on. 87 00:04:33,840 --> 00:04:37,320 Not ever again. Not if I've got a say in the matter. 88 00:04:41,000 --> 00:04:42,920 I'm Alfie Bird. 89 00:04:44,880 --> 00:04:47,480 I'm Alfie. Alfie Bird. 90 00:04:55,080 --> 00:04:57,920 This is Five Minutes to Midnight. 91 00:05:00,960 --> 00:05:03,000 Shit. 92 00:05:03,040 --> 00:05:06,040 This is Five Seconds to Midnight. 93 00:05:06,080 --> 00:05:08,800 Come on, Alfie. Blugh! 94 00:05:14,320 --> 00:05:17,440 My name is Alfie Bird. 95 00:05:17,480 --> 00:05:20,640 This is Two Seconds to Midnight. 96 00:05:23,360 --> 00:05:26,520 Here Comes That Day # 97 00:05:28,960 --> 00:05:32,600 # Oh, here comes that day 98 00:05:32,640 --> 00:05:34,680 # Here comes that day 99 00:05:34,720 --> 00:05:39,840 # Oh, here comes the rain on your parade 100 00:05:39,880 --> 00:05:44,600 # There's a price to pay 101 00:05:45,920 --> 00:05:50,760 # For a life of insincerity 102 00:05:53,520 --> 00:05:58,600 # And you pretend that it doesn't matter 103 00:05:59,800 --> 00:06:02,840 # And that you're not scared 104 00:06:04,440 --> 00:06:07,720 # Oh, here comes that day 105 00:06:07,760 --> 00:06:10,160 # Here comes that day 106 00:06:10,200 --> 00:06:15,240 # Oh, here comes that rain on your parade... # 107 00:06:24,000 --> 00:06:27,920 Alfie... Alfie, if you can still hear me, tug your earlobe. 108 00:06:29,280 --> 00:06:31,560 OK, listen. I know you're scared. 109 00:06:31,600 --> 00:06:33,840 Just trust me, I need that book. 110 00:06:37,680 --> 00:06:40,200 Look I don't care what I have to do to get it back. 111 00:06:42,680 --> 00:06:46,280 Alfie, if you understand me, just give me a signal. Any signal. 112 00:06:46,320 --> 00:06:48,120 Anything. 113 00:06:48,160 --> 00:06:49,880 Do not take that book! 114 00:07:15,040 --> 00:07:17,120 Alfie, don't make me do this. 115 00:07:20,200 --> 00:07:22,240 Fuck. 116 00:07:48,400 --> 00:07:50,120 Here, we're... We're nearly there. 117 00:08:10,960 --> 00:08:15,000 Business # 118 00:09:31,680 --> 00:09:33,960 Miserere Mei, Deus # 119 00:12:46,520 --> 00:12:48,440 Sorry. 120 00:12:48,480 --> 00:12:50,200 Just planning my escape. 121 00:12:51,960 --> 00:12:54,560 It was a joke! I was joking! 122 00:12:54,600 --> 00:12:56,360 OK. But they don't know that. 123 00:12:56,400 --> 00:12:58,680 They're not great at detecting sarcasm. 124 00:12:58,720 --> 00:13:01,040 OK? Who the murder drones or... 125 00:13:01,080 --> 00:13:03,400 Meski. How's your nose for sarcasm? 126 00:13:03,440 --> 00:13:06,720 Very poor.Would you mind explaining that to Joy for me? 127 00:13:06,760 --> 00:13:11,120 Not at all. Joy, my nose for sarcasm is very poor. 128 00:13:11,160 --> 00:13:14,800 God, that must be awful Not really. I'm fine with it. 129 00:13:14,840 --> 00:13:17,040 OK. So, I know you weren't trying to escape. 130 00:13:18,000 --> 00:13:19,840 But just for the sake of argument, 131 00:13:19,880 --> 00:13:21,600 say you were- Yeah. But I wasn't. 132 00:13:21,640 --> 00:13:23,320 Yes, I know! But say you where, 133 00:13:23,360 --> 00:13:25,080 you really, really can't. 134 00:13:25,120 --> 00:13:27,480 OK? Really, really. Please. 135 00:13:27,520 --> 00:13:29,240 Duh. 136 00:13:29,280 --> 00:13:32,080 Good! Excellent. 137 00:13:32,120 --> 00:13:35,080 Just be careful with the antiphrasis. 138 00:13:37,960 --> 00:13:39,960 You don't seem yourself today. 139 00:13:40,000 --> 00:13:42,200 How would you know? 140 00:13:42,240 --> 00:13:44,400 Well, because I think I know you well enough to know. 141 00:13:45,440 --> 00:13:48,480 Has she called yet? About swapping me for the diary? 142 00:13:49,440 --> 00:13:51,320 Not yet, no. 143 00:13:52,400 --> 00:13:54,880 I think I might actually be a bit scared that she won't call. 144 00:13:54,920 --> 00:13:58,040 She'll call. Except you said that she wouldn't. 145 00:13:58,080 --> 00:13:59,840 Yeah, and then you said she would. 146 00:13:59,880 --> 00:14:02,960 What if I was wrong? Well I don't think you were. 147 00:14:03,000 --> 00:14:04,760 I thought you made a very convincing case. 148 00:14:04,800 --> 00:14:07,800 Yeah, because he said he'd... cut my hand off. 149 00:14:07,840 --> 00:14:09,680 What? Who said... Who said what? 150 00:14:09,720 --> 00:14:14,440 That prick that called yesterday. Oh, my God, Joy! What are you? A bat? 151 00:14:15,880 --> 00:14:18,080 Er, OK, look. 152 00:14:18,120 --> 00:14:20,200 That was completely, erm... 153 00:14:20,240 --> 00:14:24,120 He... He was just saying that to scare me. OK? 154 00:14:24,160 --> 00:14:26,800 Fair play. Seemed to work. 155 00:14:26,840 --> 00:14:29,960 Fuck yes! But only for a minute, OK? 156 00:14:31,120 --> 00:14:35,240 Joy, nobody is going to be cutting anybody's hand off, 157 00:14:35,280 --> 00:14:38,200 alright? Cross my heart and hope to die. 158 00:14:38,240 --> 00:14:41,200 Turn around, touch the ground. 159 00:14:41,240 --> 00:14:43,280 What? 160 00:14:43,320 --> 00:14:45,600 Turn around and touch the ground. Why? 161 00:14:45,640 --> 00:14:48,920 Oh, you're being sarcastic now? Is this an irony?No. 162 00:14:48,960 --> 00:14:50,800 I'm really confused. 163 00:14:50,840 --> 00:14:54,160 What does that mean?It's in folklore or something, isn't it? 164 00:14:54,200 --> 00:14:56,520 It's a playground thing when you... 165 00:15:01,080 --> 00:15:02,880 None of this means anything to you, does it? 166 00:15:02,920 --> 00:15:04,640 How could it? 167 00:15:04,680 --> 00:15:06,440 Nobody tells me anything. 168 00:15:08,000 --> 00:15:09,840 What? 169 00:15:11,800 --> 00:15:13,560 OK. 170 00:15:13,600 --> 00:15:15,480 Do you get vertigo? 171 00:15:16,440 --> 00:15:19,760 No. Why? 172 00:15:19,800 --> 00:15:22,880 Cos he gives people vertigo sometimes. 173 00:15:26,000 --> 00:15:27,720 Can you play Minecraft on it? 174 00:15:27,760 --> 00:15:30,280 What is it with your generation and sincerity? 175 00:15:31,600 --> 00:15:34,880 Don't know. 176 00:15:36,840 --> 00:15:38,680 She was frightened too. 177 00:15:38,720 --> 00:15:42,080 Who was? Miss Brook. Iris. 178 00:15:43,960 --> 00:15:46,480 She said we called him Charlie to diminish him. 179 00:15:46,520 --> 00:15:50,800 Because he frightened us. She was probably right, 180 00:15:50,840 --> 00:15:53,280 right? 181 00:15:53,320 --> 00:15:55,480 Well, I don't know about frightened. 182 00:15:55,520 --> 00:15:57,640 I know he makes me feel odd. 183 00:15:57,680 --> 00:16:00,320 In a Clarke's Third Law sort of way. 184 00:16:02,040 --> 00:16:03,760 I don't know what that means. 185 00:16:03,800 --> 00:16:08,640 "Any sufficiently advanced technology is indistinguishable from magic." 186 00:16:08,680 --> 00:16:12,400 We don't even know the extent of it. Not yet. 187 00:16:12,440 --> 00:16:15,840 We know he can simulate molecular structures 188 00:16:15,880 --> 00:16:18,680 and reactions with staggering speed and accuracy. 189 00:16:19,760 --> 00:16:22,600 He could cure cancer tomorrow. 190 00:16:23,800 --> 00:16:25,600 Cure dementia. 191 00:16:27,000 --> 00:16:28,800 Cure everything. 192 00:16:30,440 --> 00:16:32,800 Could mitigate climate change. 193 00:16:32,840 --> 00:16:34,760 Maybe even end it. 194 00:16:34,800 --> 00:16:37,840 He could let us peel back the surface of the world 195 00:16:37,880 --> 00:16:39,840 and see what's underneath. 196 00:16:39,880 --> 00:16:41,680 But he... 197 00:16:42,920 --> 00:16:44,680 It... 198 00:16:45,760 --> 00:16:48,200 It's asleep, right? Yes 199 00:16:48,240 --> 00:16:50,640 And you can't wake it up. 200 00:16:51,560 --> 00:16:53,280 Not without the password. 201 00:16:54,680 --> 00:16:57,640 Which is what you needed from Miss Brook.That's right. 202 00:16:58,680 --> 00:17:00,440 Iris. 203 00:17:00,480 --> 00:17:02,720 What is she so afraid of? 204 00:17:03,760 --> 00:17:05,520 Nothing. 205 00:17:05,560 --> 00:17:08,480 Phantasms. Hobgoblins. 206 00:17:09,760 --> 00:17:12,000 A mad man's delusions. 207 00:17:12,040 --> 00:17:14,000 What, that the bloke in the attic? 208 00:17:14,040 --> 00:17:15,760 Beardy one and whatnot? 209 00:17:17,080 --> 00:17:19,440 Yeah. That bloke, Jensen. 210 00:17:20,760 --> 00:17:23,000 I saw him. 211 00:17:23,040 --> 00:17:26,080 Oh, yeah. Through the window this morning. 212 00:17:27,080 --> 00:17:30,000 When I wasn't escaping. OK. 213 00:17:30,040 --> 00:17:32,160 Can I meet him? 214 00:17:33,480 --> 00:17:35,440 Why would you wanna do that? 215 00:17:38,320 --> 00:17:41,920 He made Charlie Baked Potatoes. Why wouldn't I? 216 00:17:41,960 --> 00:17:45,120 Big Potatoes. Exactly. 217 00:17:46,720 --> 00:17:48,640 Well, I wish you could meet him. I really do. 218 00:17:49,880 --> 00:17:52,520 Least, I wish you could meet the man that he used to be. 219 00:17:54,120 --> 00:17:56,000 But what he is now... 220 00:17:56,040 --> 00:17:58,120 What's left of him... 221 00:17:59,720 --> 00:18:02,760 Well what's left of him is very, very dangerous. 222 00:18:04,200 --> 00:18:06,280 So no, you can't meet him. 223 00:18:06,320 --> 00:18:08,200 What happened to him? 224 00:18:10,520 --> 00:18:12,320 All he did was think. 225 00:18:14,960 --> 00:18:16,920 And madness... 226 00:18:17,800 --> 00:18:21,320 ..is thinking past the point where thinking starts to hurt. WEBVTT X-TIMESTAMP-MAP=LOCAL:00:00:00.000,MPEGTS:0 227 00:18:39,720 --> 00:18:42,280 OK, here it is. 228 00:18:42,320 --> 00:18:44,080 This won't take long. 229 00:20:43,720 --> 00:20:45,440 Fucking shit! 230 00:20:48,960 --> 00:20:51,360 Who's coming? 231 00:22:09,480 --> 00:22:11,240 This is it. 232 00:22:19,120 --> 00:22:21,360 Well, here we are. 233 00:22:27,880 --> 00:22:30,800 Can I get you a coffee? No, thank you. 234 00:22:32,640 --> 00:22:34,440 Oh, please... Ah. Sorry. 235 00:22:34,480 --> 00:22:36,200 Not Cindy. 236 00:22:36,240 --> 00:22:38,280 She's very expensive. 237 00:22:38,320 --> 00:22:40,240 Of course. Sorry. 238 00:22:43,040 --> 00:22:44,920 This is a nice place. 239 00:22:46,280 --> 00:22:48,680 Well, when in Rome. 240 00:22:48,720 --> 00:22:52,920 I'm in Rome. I have a room at the Ibis. Cops' salary. 241 00:22:55,600 --> 00:22:58,280 Would you like to sit down? Make yourself at home. 242 00:22:58,320 --> 00:23:00,000 Yes. Thank you. 243 00:23:01,680 --> 00:23:04,400 So! What brings you to Rome? 244 00:23:04,440 --> 00:23:06,600 Fizzy water? I'm good, thank you. 245 00:23:06,640 --> 00:23:08,760 There's a mini bar! Really. 246 00:23:08,800 --> 00:23:10,840 Ah, if you're sure. 247 00:23:14,160 --> 00:23:17,720 Fuck, fuck, fuck, fuck, fuck, fuck, fuck! 248 00:23:21,360 --> 00:23:23,880 Where are you, Alfie? 249 00:23:23,920 --> 00:23:25,640 Where are you? 250 00:23:25,680 --> 00:23:27,680 Where are you, where are you, where are you? 251 00:23:27,720 --> 00:23:29,800 Fifth floor. 252 00:23:32,800 --> 00:23:33,960 Fifth. 253 00:23:55,960 --> 00:23:58,840 So, is this your first time in Rome? 254 00:23:58,880 --> 00:24:00,720 It is! 255 00:24:00,760 --> 00:24:02,800 Are you here alone or... 256 00:24:02,840 --> 00:24:04,960 All alone. Sadly. 257 00:24:05,000 --> 00:24:07,760 For work? No. No, no, no. Just for fun. 258 00:24:07,800 --> 00:24:10,960 Sightseeing, all the rest of it. The dolce vita. 259 00:24:11,000 --> 00:24:13,560 But all this equipment? Oh, it's a force of habit, really. 260 00:24:13,600 --> 00:24:16,360 Just in case. News never sleeps! 261 00:24:16,400 --> 00:24:18,640 I see. But oh, my days! 262 00:24:18,680 --> 00:24:20,600 Who... Who cares about work? 263 00:24:20,640 --> 00:24:23,760 Rome's amazing! There's so much history. 264 00:24:23,800 --> 00:24:27,040 Do you know, literally on every corner! Have you seen the Colosseum? 265 00:24:27,080 --> 00:24:29,920 Of course you have. 266 00:24:32,640 --> 00:24:36,800 No reason to be nervous.I ain't nervous. I'm being English. 267 00:24:56,880 --> 00:24:58,720 Alfie. 268 00:24:58,760 --> 00:25:01,800 Have you had many dealings with the police over the years? 269 00:25:01,840 --> 00:25:03,640 No. No. No. Er, not really. I'm much... 270 00:25:03,680 --> 00:25:05,400 much too boring for that. I mean, 271 00:25:05,440 --> 00:25:07,880 speeding tickets and all that. And, erm... 272 00:25:07,920 --> 00:25:11,680 My-My bike was stolen this one time, fucker. 273 00:25:11,720 --> 00:25:13,720 But yeah. That's it, really. 274 00:25:13,760 --> 00:25:16,600 But it's clear to me that you're a man with emotional intelligence. 275 00:25:16,640 --> 00:25:18,360 Thank you. I hope so. 276 00:25:18,400 --> 00:25:20,440 So I wonder if you could guess... 277 00:25:20,480 --> 00:25:24,160 the thing a police officer hates more than anything else. 278 00:25:24,200 --> 00:25:26,920 Paperwork, maybe? Of course. 279 00:25:26,960 --> 00:25:28,840 Nobody likes paperwork, right? 280 00:25:28,880 --> 00:25:32,920 But what we hate is people who kill police officers. 281 00:25:32,960 --> 00:25:35,240 Right. Of course. 282 00:25:35,280 --> 00:25:38,800 May I show you something? Absolutely. 283 00:25:56,480 --> 00:25:58,160 This is my good friend, Teo. 284 00:25:58,200 --> 00:26:01,040 This is his wife, Carlotta. 285 00:26:02,360 --> 00:26:04,120 Their little girls. 286 00:26:04,160 --> 00:26:08,560 They're a little bit older now. This is last summer.Oh. 287 00:26:08,600 --> 00:26:11,680 And Teo. Here, he's hiking. 288 00:26:13,520 --> 00:26:15,920 He was murdered by your friend, Iris Nixon. 289 00:26:23,080 --> 00:26:25,600 Well, "friend" isn't really the word I'd use. 290 00:26:25,640 --> 00:26:28,400 She's more subject matter, to be fair. 291 00:26:28,440 --> 00:26:31,320 I think he was... It is OK to say "fucking"? 292 00:26:31,360 --> 00:26:33,360 I think that's probably fine, yeah. 293 00:26:33,400 --> 00:26:36,800 Thank you. My English is not- It's very good. Better than mine! 294 00:26:36,840 --> 00:26:39,320 Thank you. Well, he was fucking her. 295 00:26:42,600 --> 00:26:44,360 And now he's dead. 296 00:26:46,480 --> 00:26:48,720 I think maybe BECAUSE he was fucking her. 297 00:26:49,880 --> 00:26:51,800 So... 298 00:26:51,840 --> 00:26:54,360 what I'm wondering, Alfie, is... 299 00:26:54,400 --> 00:26:56,480 why did you tell me you were in London, 300 00:26:56,520 --> 00:26:58,240 when you were actually in Rome? Er... 301 00:27:00,720 --> 00:27:03,280 I mean, did I say that? I didn't think I did. 302 00:27:03,320 --> 00:27:05,840 I-I think you probably sort of assumed. 303 00:27:05,880 --> 00:27:07,960 Oh, perhaps you're right. 304 00:27:08,000 --> 00:27:11,560 Perhaps I was just, um, hearing what I wanted to hear. 305 00:27:11,600 --> 00:27:13,360 But, um... 306 00:27:14,960 --> 00:27:16,800 ..here you are, right? 307 00:27:16,840 --> 00:27:18,720 In Rome? 308 00:27:20,400 --> 00:27:22,240 With all your equipment? 309 00:27:23,360 --> 00:27:26,280 Arriving on a... last-minute ticket? 310 00:27:26,320 --> 00:27:28,040 Staying in a... 311 00:27:28,080 --> 00:27:30,440 last-minute, high-end apartment you can't afford... 312 00:27:30,480 --> 00:27:33,040 because all the cheap ones were already booked? 313 00:27:34,120 --> 00:27:37,120 So... why the urgency, Alfie? 314 00:27:39,400 --> 00:27:42,600 One more question for you, OK? OK. 315 00:27:42,640 --> 00:27:47,040 Can you imagine who police officers hate as much as people 316 00:27:47,080 --> 00:27:48,960 who murder police officers? 317 00:27:50,440 --> 00:27:52,960 Maybe even more? No. 318 00:27:53,000 --> 00:27:56,280 We hate people who knowingly provide assistance 319 00:27:56,320 --> 00:27:58,480 to people who murder police officers. 320 00:28:02,400 --> 00:28:05,240 I could get in trouble for showing you this. But, um... 321 00:28:11,000 --> 00:28:15,240 I think you should understand what you're involved with here. 322 00:28:18,040 --> 00:28:19,760 This is Teo. 323 00:28:25,840 --> 00:28:27,560 And these bits here... 324 00:28:28,560 --> 00:28:30,680 ..they were two detectives from Rome. 325 00:28:32,880 --> 00:28:35,000 This over here... 326 00:28:35,960 --> 00:28:37,680 ..that's a face. 327 00:28:48,160 --> 00:28:50,040 She didn't tell you any of this, did she? 328 00:28:51,360 --> 00:28:54,000 She didn't tell you she went to Teo for help. 329 00:28:54,040 --> 00:28:57,040 That he woke up that morning a father to two young girls. 330 00:28:57,960 --> 00:29:01,200 Ended it as 6'2" of meat on dirt. 331 00:29:02,680 --> 00:29:05,760 Cos that's what she does. She manipulates good people... 332 00:29:06,840 --> 00:29:09,360 ..decent people, into helping her. 333 00:29:11,240 --> 00:29:12,960 Alfie... 334 00:29:14,600 --> 00:29:16,320 ..I think you're a decent person. 335 00:29:17,600 --> 00:29:19,400 I think you're a good person. 336 00:29:19,440 --> 00:29:21,600 What did she ask you to do? 337 00:29:21,640 --> 00:29:23,360 Don't do it, Alfie. Alfie. 338 00:29:23,400 --> 00:29:26,200 You have to decide which side you're on here. 339 00:29:26,240 --> 00:29:28,840 And I don't mean in terms of law and order. 340 00:29:28,880 --> 00:29:30,840 I mean in terms of your personal safety. 341 00:29:30,880 --> 00:29:32,800 Cos four police men are dead. 342 00:29:32,840 --> 00:29:35,800 And if you choose the wrong side in a fight like that, 343 00:29:35,840 --> 00:29:37,680 how do you think that ends for you? 344 00:30:01,560 --> 00:30:04,040 I want the rights to the story. 345 00:30:04,080 --> 00:30:06,600 Exclusive. 346 00:30:09,360 --> 00:30:13,200 All mine. All of it. You keep me in the loop. 347 00:30:13,240 --> 00:30:16,680 You don't speak to anyone else. You're my exclusive source. 348 00:30:16,720 --> 00:30:18,720 Give me everything you have. 349 00:30:23,120 --> 00:30:24,280 Whatever it takes. 350 00:30:33,640 --> 00:30:35,880 She forced me to steal this from a library. 351 00:30:35,920 --> 00:30:37,680 She's obsessed with this book. 352 00:30:38,640 --> 00:30:39,920 I don't know why. 353 00:30:49,720 --> 00:30:51,680 Don't you move! 354 00:30:51,720 --> 00:30:55,280 Argh. Fucking Judas! 355 00:30:55,320 --> 00:30:58,960 Is... Is she...? Oh, my God, you've killed her. 356 00:30:59,000 --> 00:31:01,960 Somebody knows that I'm here. 357 00:31:02,000 --> 00:31:03,720 We need to go now! 358 00:31:03,760 --> 00:31:05,520 I am not a Judas. 359 00:31:05,560 --> 00:31:08,520 Fine. Let's go. I was playing for time. 360 00:31:08,560 --> 00:31:11,480 OK. Yeah. I knew you'd come. 361 00:31:11,520 --> 00:31:13,520 I-I left the bloody door unlocked! 362 00:31:13,560 --> 00:31:15,480 I am not a Judas. 363 00:31:15,520 --> 00:31:17,600 And bollocks to you for even saying that. 364 00:31:17,640 --> 00:31:21,480 Bollocks to you. A massive, fat bag of bollocks. You wanker. 365 00:31:21,520 --> 00:31:24,040 You just literally did someone in, right in front of my face, 366 00:31:24,080 --> 00:31:27,440 like you were buttering toast. So why would I ever, ever help you now? 367 00:31:27,480 --> 00:31:30,760 Bollocks to you. Get some other sap to help you. 368 00:31:30,800 --> 00:31:35,240 Some other pillock who'll waste the money his nan left him on an Airbnb, 369 00:31:35,280 --> 00:31:38,280 for you to just... do someone in. 370 00:31:38,320 --> 00:31:41,160 She's actually... really nice, actually. 371 00:31:41,200 --> 00:31:43,320 Oh... 372 00:31:45,760 --> 00:31:47,680 Shit! 373 00:32:19,800 --> 00:32:22,560 OK. What's happening? 374 00:32:22,600 --> 00:32:25,000 Well, it turns out I killed her too soon. 375 00:32:25,040 --> 00:32:27,280 We need her alive to get us out of here. 376 00:32:27,320 --> 00:32:29,960 So what are you doing to do? Un-kill her? 377 00:32:30,000 --> 00:32:31,800 It's Naloxone. 378 00:32:31,840 --> 00:32:33,800 They use it to treat overdoses. 379 00:32:51,200 --> 00:32:53,440 Come on, come on, come on. 380 00:32:53,480 --> 00:32:55,920 WEBVTT X-TIMESTAMP-MAP=LOCAL:00:00:00.000,MPEGTS:0 381 00:34:35,960 --> 00:34:37,960 OK, she's on the move. 382 00:34:38,920 --> 00:34:41,000 We've left the doors unlocked. 383 00:34:53,640 --> 00:34:56,800 She's heading to the upper floor, 384 00:34:56,840 --> 00:34:58,760 be patient. 385 00:35:24,120 --> 00:35:26,400 She's entering Jensen's suite. 386 00:35:27,760 --> 00:35:29,960 Let's see what she's up to. 387 00:37:30,600 --> 00:37:34,160 Move the drones. Eyes on Jensen's suite, overhead pass. 388 00:37:55,280 --> 00:37:58,440 Hello. Can you take this? 389 00:38:12,200 --> 00:38:15,760 Everyone... wait. 390 00:38:17,880 --> 00:38:19,600 Shit. 391 00:38:30,200 --> 00:38:31,920 Who are you? 392 00:38:31,960 --> 00:38:35,640 Um... Joy. 393 00:38:37,760 --> 00:38:39,480 I'm Jensen. 394 00:38:43,560 --> 00:38:45,280 It's nice to meet you. 395 00:38:46,800 --> 00:38:49,480 Would... W-Would you like some water? 396 00:38:49,520 --> 00:38:51,960 Oh, no, really. I should get going. 397 00:38:52,000 --> 00:38:54,840 There's juice. They insist on providing juice.I'm really sorry. 398 00:38:54,880 --> 00:38:57,280 I know. I shouldn't. I... Take... 399 00:38:59,000 --> 00:39:02,680 I'm sorry, I didn't know this was actually somebody's room. 400 00:39:02,720 --> 00:39:06,640 The door was open. I have not been here for a long time, really. 401 00:39:06,680 --> 00:39:09,680 Oh, "long time". 402 00:39:11,600 --> 00:39:13,440 There's no such thing as time. 403 00:39:13,480 --> 00:39:15,440 "Any distinction between past, 404 00:39:15,480 --> 00:39:19,960 present and future is only a stubbornly persistent illusion." 405 00:39:20,000 --> 00:39:22,360 Sorry? You know who said that? 406 00:39:23,760 --> 00:39:25,560 Albert Einstein. 407 00:39:31,600 --> 00:39:33,320 Did someone send you here? 408 00:39:34,840 --> 00:39:37,400 No! No! I just... 409 00:39:39,800 --> 00:39:42,400 No, I just... 410 00:39:42,440 --> 00:39:44,600 It's OK. 411 00:39:46,240 --> 00:39:49,120 Yeah. Yeah. Yeah, they did. 412 00:39:49,160 --> 00:39:52,080 Sorry, yeah. Sorry. 413 00:39:52,120 --> 00:39:54,080 And that would be Iris, I expect. 414 00:39:54,120 --> 00:39:56,400 Yep. 415 00:39:56,440 --> 00:39:58,200 She's very clever. 416 00:39:58,240 --> 00:39:59,960 Yeah. 417 00:40:00,920 --> 00:40:02,880 There is so much she wants to know. 418 00:40:04,440 --> 00:40:07,800 Yeah.How much did she tell you about the device? 419 00:40:07,840 --> 00:40:11,080 Not much, Cameron did say some words. 420 00:40:11,120 --> 00:40:14,160 But... ..they weren't really words I understood. 421 00:40:14,200 --> 00:40:17,440 I know that you invented it. Oh, no. Not at all. 422 00:40:17,480 --> 00:40:20,920 Oh. Sorry. I-I thought Cameron said... 423 00:40:20,960 --> 00:40:23,520 Yeah. He probably did but... 424 00:40:23,560 --> 00:40:25,280 he likes to think it's true. 425 00:40:25,320 --> 00:40:27,920 But I'm not clever enough to have "invented" it. 426 00:40:27,960 --> 00:40:30,000 And I'm not sure anyone is. 427 00:40:30,040 --> 00:40:32,720 I... I built it... I built it for sure. 428 00:40:32,760 --> 00:40:35,280 But the device was its own invention. 429 00:40:35,320 --> 00:40:37,280 What does that mean? 430 00:40:37,320 --> 00:40:40,200 I mean it came to me like a memory. 431 00:40:40,240 --> 00:40:42,760 Except perhaps a memory of the future. 432 00:40:44,160 --> 00:40:47,320 Because "time future is contained in time past 433 00:40:47,360 --> 00:40:49,520 and time past in time future." 434 00:40:49,560 --> 00:40:52,200 Yeah. I expect that only works if you know the poem. 435 00:40:52,240 --> 00:40:54,000 I don't know the poem. 436 00:40:54,040 --> 00:40:57,320 Oh, but it's a great poem by a very troubled man. 437 00:40:57,360 --> 00:40:59,240 Um... 438 00:40:59,280 --> 00:41:02,800 But Einstein and this poet are saying the same thing, 439 00:41:02,840 --> 00:41:05,040 expressing the same truth. 440 00:41:06,160 --> 00:41:10,200 Which is that the laws of physics are symmetric and reversible. 441 00:41:10,240 --> 00:41:14,040 The rules are the same whether time runs forward or backward. 442 00:41:14,080 --> 00:41:15,960 All time is one. 443 00:41:16,880 --> 00:41:21,760 So I think of the device as a kind of recursive causal loop. 444 00:41:22,720 --> 00:41:24,440 It created itself. 445 00:41:24,480 --> 00:41:28,440 Bootstrapped itself into existence from nothing. 446 00:41:28,480 --> 00:41:30,960 Ex nihilo. 447 00:41:32,720 --> 00:41:34,960 And I was like its... composer. 448 00:41:35,000 --> 00:41:36,920 Like I was transcribing a melody. 449 00:41:36,960 --> 00:41:38,800 No, I-I know what you mean. 450 00:41:40,240 --> 00:41:43,520 I feel like that sometimes. When I write music. 451 00:41:43,560 --> 00:41:45,480 You write music? Just a bit, yeah. 452 00:41:45,520 --> 00:41:47,680 But some days it feels, like... 453 00:41:49,000 --> 00:41:50,720 .."I'm not actually writing this". 454 00:41:50,760 --> 00:41:52,800 It's already out there, 455 00:41:52,840 --> 00:41:56,200 just tapping into something. Then you understand. 456 00:42:08,880 --> 00:42:10,720 How long have you been alone here? 457 00:42:10,760 --> 00:42:14,520 Oh, luckily, there's no such thing as time. 458 00:42:14,560 --> 00:42:18,360 Or else I'd be tempted to say something like, "It... 459 00:42:18,400 --> 00:42:20,360 feels like forever." 460 00:42:20,400 --> 00:42:22,720 Who was the last person you spoke to? 461 00:42:23,680 --> 00:42:27,240 Iris must never know the things she seeks to know, Joy. 462 00:42:29,160 --> 00:42:33,440 Charlie mustn't wake. 463 00:42:33,480 --> 00:42:36,280 Why not? 464 00:42:38,320 --> 00:42:40,600 Cos it's very dangerous. How? 465 00:42:40,640 --> 00:42:42,840 Mustn't wake. Mustn't wake. 466 00:42:48,280 --> 00:42:50,240 No! No! Meski! No. 467 00:42:50,280 --> 00:42:53,800 Meski!No. No. No. Come on. 468 00:43:01,120 --> 00:43:04,160 What do you think? I think what you think. 469 00:43:04,200 --> 00:43:05,960 What do I think? 470 00:43:06,000 --> 00:43:08,240 You think it was a good idea to leave the door 471 00:43:08,280 --> 00:43:12,120 of Jensen's room open, because you wanted to know if she'd go in. 472 00:43:12,160 --> 00:43:15,120 And she went in. So now you know. 473 00:43:15,160 --> 00:43:17,200 And what else do I think? 474 00:43:17,240 --> 00:43:21,960 That, given the specific warning you gave her about not going in... 475 00:43:22,920 --> 00:43:26,160 ..she could only have done it because Iris Nixon told her to. 476 00:43:26,200 --> 00:43:28,480 Do I know the reason why Iris told her to? 477 00:43:28,520 --> 00:43:30,240 Not yet. 478 00:43:31,560 --> 00:43:33,640 But it does tell us that, 479 00:43:33,680 --> 00:43:36,920 if Iris is willing to go to such lengths 480 00:43:36,960 --> 00:43:38,720 to have Joy returned to her... 481 00:43:39,920 --> 00:43:43,000 ..she's not doing it from an excess of feeling for the girl. 482 00:43:46,400 --> 00:43:48,360 So what do I think we should do? 483 00:43:48,400 --> 00:43:52,080 You think, if Joy IS doing something for Iris, 484 00:43:52,120 --> 00:43:55,080 there's a way to use that knowledge to your own advantage. 485 00:43:55,120 --> 00:43:57,080 I do think that. 486 00:43:58,560 --> 00:44:00,640 Because there is a way to use it, isn't there? 487 00:44:01,720 --> 00:44:03,600 Yes. 488 00:44:05,320 --> 00:44:07,080 That's what I was thinking. 489 00:44:07,120 --> 00:44:09,600 "Helicopter approaching. 490 00:44:10,600 --> 00:44:13,800 Helicopter approaching" He's here. 491 00:44:49,480 --> 00:44:51,560 Mr Beck. 492 00:44:51,600 --> 00:44:54,800 Mr Pym, nice to put a face to the name. 493 00:44:54,840 --> 00:44:56,760 Mm. 494 00:44:57,680 --> 00:44:59,720 Looking forward the meeting this special girl 495 00:44:59,760 --> 00:45:02,080 who's gonna solve all our problems. 496 00:45:15,240 --> 00:45:18,640 Oh. 497 00:45:19,920 --> 00:45:22,040 Help me... Help me get her up. Come on. 498 00:45:22,080 --> 00:45:24,040 Come on now, bring her over to the couch. 499 00:45:24,080 --> 00:45:26,200 That's it. 500 00:45:33,840 --> 00:45:35,760 OK. Listen to me. 501 00:45:35,800 --> 00:45:37,840 None of this is what you think it is. 502 00:45:37,880 --> 00:45:40,920 I didn't kill Teo. But I know who did. 503 00:45:40,960 --> 00:45:44,400 The man responsible for all of it is called Cameron Beck. 504 00:45:44,440 --> 00:45:46,320 Cameron also abducted Joy Baxter. 505 00:45:46,360 --> 00:45:48,280 You met Joy. 506 00:45:48,320 --> 00:45:51,440 You know what a vulnerable young woman she is.Fuck you. 507 00:45:51,480 --> 00:45:53,200 Liar. 508 00:46:28,000 --> 00:46:29,640 Iris... 509 00:46:45,240 --> 00:46:48,280 If you actually want to know what happened to Teo, 510 00:46:48,320 --> 00:46:50,520 I need you to help get me out of here. 511 00:46:55,600 --> 00:46:57,880 Up to you, Nico. 512 00:47:02,360 --> 00:47:04,600 The police are here. 513 00:47:09,440 --> 00:47:12,880 Subtitles by Sky Access Services www.skyaccessibility.sky 37702

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